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pinkmonkey

all_chapterized_books/1254-chapters/17.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_14_part_0.txt

Cyrano De Bergerac.act 2.scene 8

scene 8

{"name": "Scene 8", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano25.asp", "summary": "Ragueneau and the poets return. Since they have learned that Cyrano was the brave swordsman at the Porte de Nesle, one of the poets wants to write a verse about Cyrano's feat; Cyrano, however, is not interested. Immediately after them enter a group of men from Cyrano's regiment, led by Captain Carbon de Castel Jaloux. They have come to congratulate Cyrano for his heroic fight against one hundred men. Le Bret then announces that a large Parisian crowd has also come out to applaud his deed, and a reporter wants to interview him. Cyrano, however, receives them all coolly. When Le Bret asks his friend about the meeting with Roxane, Cyrano responds by telling him to be quiet. De Guiche arrives and offers Cyrano patronage through Cardinal Richelieu, his rich and powerful uncle. Cyrano is tempted to ask them to support his play, Agrippine, but De Guiche explains that Richelieu always alters a script before he has it produced. Since Cyrano wants no one to touch his play, he refuses the offer of patronage. De Guiche accuses Cyrano of being too proud. Some of the Cadets enter with the feathered hats of the men Cyrano fought at the Porte de Nesle. The sight of the hats causes Cuigy to laugh, as he comments on the probable frustration of the person who hired the attackers. De Guiche then claims responsibility for the attack. He said he wanted to be rid of Ligniere, whom he judges to be a \"drunken rhymester.\" Cyrano then asks De Guiche if he would like to take the hats back to his defeated friends. Feeling insulted, De Guiche warns Cyrano that he is acting like Don Quixote, trying to fight windmills. Cyrano wittily turns the argument on De Guiche, asking him if his men are windmills \"who veer with every change of wind\". De Guiche warns that the windmills will hurl Cyrano down. Cyrano insists, however, that they will only serve to sweep him up. When De Guiche leaves in a huff, Le Bret is upset that Cyrano has passed up an opportunity to have a famous patron, while making a powerful and influential man his enemy. Cyrano then rants against the system of patronage, saying he refuses to bow to anyone; he wants to be free and independent, not beholden to an important person. He adds that he enjoys making enemies because he can do it without bowing. Le Bret comments that Cyrano's bitterness has probably been caused by his meeting with Roxane. Cyrano sharply silences him, not wanting to discuss his cousin.", "analysis": ""}

Cyrano, Le Bret, the cadets, who are eating and drinking at the tables right and left. CYRANO (bowing mockingly to those who go out without daring to salute him): Gentlemen. . .Gentlemen. . . LE BRET (coming back, despairingly): Here's a fine coil! CYRANO: Oh! scold away! LE BRET: At least, you will agree That to annihilate each chance of Fate Exaggerates. . . CYRANO: Yes!--I exaggerate! LE BRET (triumphantly): Ah! CYRANO: But for principle--example too,-- I think 'tis well thus to exaggerate. LE BRET: Oh! lay aside that pride of musketeer, Fortune and glory wait you!. . . CYRANO: Ay, and then?. . . Seek a protector, choose a patron out, And like the crawling ivy round a tree That licks the bark to gain the trunk's support, Climb high by creeping ruse instead of force? No, grammercy! What! I, like all the rest Dedicate verse to bankers?--play buffoon In cringing hope to see, at last, a smile Not disapproving, on a patron's lips? Grammercy, no! What! learn to swallow toads? --With frame aweary climbing stairs?--a skin Grown grimed and horny,--here, about the knees? And, acrobat-like, teach my back to bend?-- No, grammercy! Or,--double-faced and sly-- Run with the hare, while hunting with the hounds; And, oily-tongued, to win the oil of praise, Flatter the great man to his very nose? No, grammercy! Steal soft from lap to lap, --A little great man in a circle small, Or navigate, with madrigals for sails, Blown gently windward by old ladies' sighs? No, grammercy! Bribe kindly editors To spread abroad my verses? Grammercy! Or try to be elected as the pope Of tavern-councils held by imbeciles? No, grammercy! Toil to gain reputation By one small sonnet, 'stead of making many? No, grammercy! Or flatter sorry bunglers? Be terrorized by every prating paper? Say ceaselessly, 'Oh, had I but the chance Of a fair notice in the "Mercury"!' Grammercy, no! Grow pale, fear, calculate? Prefer to make a visit to a rhyme? Seek introductions, draw petitions up? No, grammercy! and no! and no again! But--sing? Dream, laugh, go lightly, solitary, free, With eyes that look straight forward--fearless voice! To cock your beaver just the way you choose,-- For 'yes' or 'no' show fight, or turn a rhyme! --To work without one thought of gain or fame, To realize that journey to the moon! Never to pen a line that has not sprung Straight from the heart within. Embracing then Modesty, say to oneself, 'Good my friend, Be thou content with flowers,--fruit,--nay, leaves, But pluck them from no garden but thine own!' And then, if glory come by chance your way, To pay no tribute unto Caesar, none, But keep the merit all your own! In short, Disdaining tendrils of the parasite, To be content, if neither oak nor elm-- Not to mount high, perchance, but mount alone! LE BRET: Alone, an if you will! But not with hand 'Gainst every man! How in the devil's name Have you conceived this lunatic idea, To make foes for yourself at every turn? CYRANO: By dint of seeing you at every turn Make friends,--and fawn upon your frequent friends With mouth wide smiling, slit from ear to ear! I pass, still unsaluted, joyfully, And cry,--What, ho! another enemy? LE BRET: Lunacy! CYRANO: Well, what if it be my vice, My pleasure to displease--to love men hate me! Ah, friend of mine, believe me, I march better 'Neath the cross-fire of glances inimical! How droll the stains one sees on fine-laced doublets, From gall of envy, or the poltroon's drivel! --The enervating friendship which enfolds you Is like an open-laced Italian collar, Floating around your neck in woman's fashion; One is at ease thus,--but less proud the carriage! The forehead, free from mainstay or coercion, Bends here, there, everywhere. But I, embracing Hatred, she lends,--forbidding, stiffly fluted, The ruff's starched folds that hold the head so rigid; Each enemy--another fold--a gopher, Who adds constraint, and adds a ray of glory; For Hatred, like the ruff worn by the Spanish, Grips like a vice, but frames you like a halo! LE BRET (after a silence, taking his arm): Speak proud aloud, and bitter!--In my ear Whisper me simply this,--She loves thee not! CYRANO (vehemently): Hush! (Christian has just entered, and mingled with the cadets, who do not speak to him; he has seated himself at a table, where Lise serves him.)

Scene 8

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano25.asp

Ragueneau and the poets return. Since they have learned that Cyrano was the brave swordsman at the Porte de Nesle, one of the poets wants to write a verse about Cyrano's feat; Cyrano, however, is not interested. Immediately after them enter a group of men from Cyrano's regiment, led by Captain Carbon de Castel Jaloux. They have come to congratulate Cyrano for his heroic fight against one hundred men. Le Bret then announces that a large Parisian crowd has also come out to applaud his deed, and a reporter wants to interview him. Cyrano, however, receives them all coolly. When Le Bret asks his friend about the meeting with Roxane, Cyrano responds by telling him to be quiet. De Guiche arrives and offers Cyrano patronage through Cardinal Richelieu, his rich and powerful uncle. Cyrano is tempted to ask them to support his play, Agrippine, but De Guiche explains that Richelieu always alters a script before he has it produced. Since Cyrano wants no one to touch his play, he refuses the offer of patronage. De Guiche accuses Cyrano of being too proud. Some of the Cadets enter with the feathered hats of the men Cyrano fought at the Porte de Nesle. The sight of the hats causes Cuigy to laugh, as he comments on the probable frustration of the person who hired the attackers. De Guiche then claims responsibility for the attack. He said he wanted to be rid of Ligniere, whom he judges to be a "drunken rhymester." Cyrano then asks De Guiche if he would like to take the hats back to his defeated friends. Feeling insulted, De Guiche warns Cyrano that he is acting like Don Quixote, trying to fight windmills. Cyrano wittily turns the argument on De Guiche, asking him if his men are windmills "who veer with every change of wind". De Guiche warns that the windmills will hurl Cyrano down. Cyrano insists, however, that they will only serve to sweep him up. When De Guiche leaves in a huff, Le Bret is upset that Cyrano has passed up an opportunity to have a famous patron, while making a powerful and influential man his enemy. Cyrano then rants against the system of patronage, saying he refuses to bow to anyone; he wants to be free and independent, not beholden to an important person. He adds that he enjoys making enemies because he can do it without bowing. Le Bret comments that Cyrano's bitterness has probably been caused by his meeting with Roxane. Cyrano sharply silences him, not wanting to discuss his cousin.

pinkmonkey

all_chapterized_books/1254-chapters/18.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_15_part_0.txt

Cyrano De Bergerac.act 2.scene 9

scene 9

{"name": "Scene 9", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano27.asp", "summary": "In an effort to educate the newcomer, the Cadets warn Christian de Neuvillette that he should never mention Cyrano's nose. Christian, however, wants to prove that he is brave. As a result, he interrupts Cyrano as he tells his friends about his fight at the Porte de Nesle. Christian then criticizes Cyrano's nose. Cyrano is immediately incensed at the daring young cadet, but when he discovers that the person interrupting him is the one Roxane loves, he controls himself at every interruption from Christian. Finally, he drives all the cadets out of the room to be alone with Christian. They expect Christian to be murdered by Cyrano. Left alone with Christian, Cyrano introduces himself as the cousin of Roxane. He then explains Roxane's feelings for the handsome cadet. He asks Christian to write a letter to Roxane to express his feelings for her. Christian confesses that he has no verbal skills, especially when he must address a female. Since Cyrano is skilled with words, the two of them work out a plan to jointly woo and win Roxane. Cyrano will provide the words, which the handsome Christian will voice to Roxane. Cyrano then gives Christian the letter he has already composed to her, pretending that he has written it to some imaginary lady. He tells Christian to sign and send the letter as his own. Christian embraces Cyrano with gratitude. When the cadets who have been waiting outside see Christian moving towards Cyrano, they are concerned and push open the door. When they realize that Cyrano is embracing Christian, they jeer at the sight. Lise's musketeer, who has come in with the cadets, insults Cyrano about his nose. Cyrano responds by hitting him.", "analysis": "Notes Scene 9 opens with the cadets warning Christian that he must never mention Cyrano's nose in front of him, for he is very sensitive about its size and ugliness. Christian, however, does not heed their warning. Wanting to prove he is brave, he interrupts Cyrano and dares to criticize his nose. The other cadets are certain that Cyrano, the rash swordsman, will quickly take care of the brazen new cadet. The real heroism of Cyrano's character is then revealed. Aggressive by nature, Cyrano wants to strike Christian, but he controls his anger. Since he has promised Roxane that he will protect the handsome, young cadet, he must keep his word. Love has tempered his brashness and turned him in to a picture of patience. Feeling he can never have Roxane and wanting her to have what she desires, Cyrano decides to help Christian woo her. When Christian confesses that he has no way with words and cannot possibly write Roxane an appropriate letter expressing his feelings, Cyrano gives him the letter he has written to her in the bakery shop. He tells Christian to sign it and send it to Roxane as his own. Christian is so appreciative of the gesture that he gives Cyrano a hug. When the other cadets realize that Cyrano has not punished Christian, they are disappointed in their leader and jeer him. Lise's musketeer even dares to criticize Cyrano's nose. Cyrano, however, will not tolerate ridicule from anyone other than Christian. He promptly hits the musketeer. By the end of scene 11, Cyrano emerges as a much stronger character. When he needs to be, he is a man of self-control and patience. He also shows he is kind-hearted, for he wants Roxane to be happy. In contrast to Cyrano, Christian seems pathetically weak in spite of his attractiveness. The audience finds it hard to believe that Roxane could ever be truly happy with such a simple man. Rostand's ability as a masterful dramatist is clearly obvious in these three scenes. He has carefully constructed the play up to this point to make a ridiculously ironic situation seem believable. The physically ugly Cyrano, who is intelligent, witty, and wise with words, is willing to help his competitor because Roxane has asked him to do so. Rostand has intentionally created Christian to be a total contrast to Cyrano. The extremely handsome cadet is slow, simple, and unable to express himself. Together, however, Cyrano and Christian make a perfect suitor for Roxane; Christian can supply the looks and Cyrano can supply the words. The arrangement will go on for years."}

Cyrano, Le Bret, the cadets, Christian de Neuvillette. A CADET (seated at a table, glass in hand): Cyrano! (Cyrano turns round): The story! CYRANO: In its time! (He goes up on Le Bret's arm. They talk in low voices.) THE CADET (rising and coming down): The story of the fray! 'Twill lesson well (He stops before the table where Christian is seated): This timid young apprentice! CHRISTIAN (raising his head): 'Prentice! Who? ANOTHER CADET: This sickly Northern greenhorn! CHRISTIAN: Sickly! FIRST CADET (mockingly): Hark! Monsieur de Neuvillette, this in your ear: There's somewhat here, one no more dares to name, Than to say 'rope' to one whose sire was hanged! CHRISTIAN: What may that be? ANOTHER CADET (in a terrible voice): See here! (He puts his finger three times, mysteriously, on his nose): Do you understand? CHRISTIAN: Oh! 'tis the. . . ANOTHER: Hush! oh, never breathe that word, Unless you'd reckon with him yonder! (He points to Cyrano, who is talking with Le Bret.) ANOTHER (who has meanwhile come up noiselessly to sit on the table--whispering behind him): Hark! He put two snuffling men to death, in rage, For the sole reason they spoke through their nose! ANOTHER (in a hollow voice, darting on all-fours from under the table, where he had crept): And if you would not perish in flower o' youth, --Oh, mention not the fatal cartilage! ANOTHER (clapping him on the shoulder): A word? A gesture! For the indiscreet His handkerchief may prove his winding-sheet! (Silence. All, with crossed arms, look at Christian. He rises and goes over to Carbon de Castel-Jaloux, who is talking to an officer, and feigns to see nothing.) CHRISTIAN: Captain! CARBON (turning and looking at him from head to foot): Sir! CHRISTIAN: Pray, what skills it best to do To Southerners who swagger?. . . CARBON: Give them proof That one may be a Northerner, yet brave! (He turns his back on him.) CHRISTIAN: I thank you. FIRST CADET (to Cyrano): Now the tale! ALL: The tale! CYRANO (coming toward them): The tale?. . . (All bring their stools up, and group round him, listening eagerly. Christian is astride a chair): Well! I went all alone to meet the band. The moon was shining, clock-like, full i' th' sky, When, suddenly, some careful clockwright passed A cloud of cotton-wool across the case That held this silver watch. And, presto! heigh! The night was inky black, and all the quays Were hidden in the murky dark. Gadsooks! One could see nothing further. . . CHRISTIAN: Than one's nose! (Silence. All slowly rise, looking in terror at Cyrano, who has stopped-- dumfounded. Pause.) CYRANO: Who on God's earth is that? A CADET (whispering): It is a man Who joined to-day. CYRANO (making a step toward Christian): To-day? CARBON (in a low voice): Yes. . .his name is The Baron de Neuvil. . . CYRANO (checking himself): Good! It is well. . . (He turns pale, flushes, makes as if to fall on Christian): I. . . (He controls himself): What said I?. . . (With a burst of rage): MORDIOUS!. . . (Then continues calmly): That it was dark. (Astonishment. The cadets reseat themselves, staring at him): On I went, thinking, 'For a knavish cause I may provoke some great man, some great prince, Who certainly could break'. . . CHRISTIAN: My nose!. . . (Every one starts up. Christian balances on his chair.) CYRANO (in a choked voice): . . .'My teeth! Who would break my teeth, and I, imprudent-like, Was poking. . .' CHRISTIAN: My nose!. . . CYRANO: 'My finger,. . .in the crack Between the tree and bark! He may prove strong And rap me. . .' CHRISTIAN: Over the nose. . . CYRANO (wiping his forehead): . . .'O' th' knuckles! Ay,' But I cried, 'Forward, Gascon! Duty calls! On, Cyrano!' And thus I ventured on. . . When, from the shadow, came. . . CHRISTIAN: A crack o' th' nose. CYRANO: I parry it--find myself. . . CHRISTIAN: Nose to nose. . . CYRANO (bounding on to him): Heaven and earth! (All the Gascons leap up to see, but when he is close to Christian he controls himself and continues): . . .With a hundred brawling sots, Who stank. . . CHRISTIAN: A noseful. . . CYRANO (white, but smiling): Onions, brandy-cups! I leapt out, head well down. . . CHRISTIAN: Nosing the wind! CYRANO: I charge!--gore two, impale one--run him through, One aims at me--Paf! and I parry. . . CHRISTIAN: Pif! CYRANO (bursting out): Great God! Out! all of you! (The cadets rush to the doors.) FIRST CADET: The tiger wakes! CYRANO: Every man, out! Leave me alone with him! SECOND CADET: We shall find him minced fine, minced into hash In a big pasty! RAGUENEAU: I am turning pale, And curl up, like a napkin, limp and white! CARBON: Let us be gone. ANOTHER: He will not leave a crumb! ANOTHER: I die of fright to think what will pass here! ANOTHER (shutting door right): Something too horrible! (All have gone out by different doors, some by the staircase. Cyrano and Christian are face to face, looking at each other for a moment.)

Scene 9

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano27.asp

In an effort to educate the newcomer, the Cadets warn Christian de Neuvillette that he should never mention Cyrano's nose. Christian, however, wants to prove that he is brave. As a result, he interrupts Cyrano as he tells his friends about his fight at the Porte de Nesle. Christian then criticizes Cyrano's nose. Cyrano is immediately incensed at the daring young cadet, but when he discovers that the person interrupting him is the one Roxane loves, he controls himself at every interruption from Christian. Finally, he drives all the cadets out of the room to be alone with Christian. They expect Christian to be murdered by Cyrano. Left alone with Christian, Cyrano introduces himself as the cousin of Roxane. He then explains Roxane's feelings for the handsome cadet. He asks Christian to write a letter to Roxane to express his feelings for her. Christian confesses that he has no verbal skills, especially when he must address a female. Since Cyrano is skilled with words, the two of them work out a plan to jointly woo and win Roxane. Cyrano will provide the words, which the handsome Christian will voice to Roxane. Cyrano then gives Christian the letter he has already composed to her, pretending that he has written it to some imaginary lady. He tells Christian to sign and send the letter as his own. Christian embraces Cyrano with gratitude. When the cadets who have been waiting outside see Christian moving towards Cyrano, they are concerned and push open the door. When they realize that Cyrano is embracing Christian, they jeer at the sight. Lise's musketeer, who has come in with the cadets, insults Cyrano about his nose. Cyrano responds by hitting him.

Notes Scene 9 opens with the cadets warning Christian that he must never mention Cyrano's nose in front of him, for he is very sensitive about its size and ugliness. Christian, however, does not heed their warning. Wanting to prove he is brave, he interrupts Cyrano and dares to criticize his nose. The other cadets are certain that Cyrano, the rash swordsman, will quickly take care of the brazen new cadet. The real heroism of Cyrano's character is then revealed. Aggressive by nature, Cyrano wants to strike Christian, but he controls his anger. Since he has promised Roxane that he will protect the handsome, young cadet, he must keep his word. Love has tempered his brashness and turned him in to a picture of patience. Feeling he can never have Roxane and wanting her to have what she desires, Cyrano decides to help Christian woo her. When Christian confesses that he has no way with words and cannot possibly write Roxane an appropriate letter expressing his feelings, Cyrano gives him the letter he has written to her in the bakery shop. He tells Christian to sign it and send it to Roxane as his own. Christian is so appreciative of the gesture that he gives Cyrano a hug. When the other cadets realize that Cyrano has not punished Christian, they are disappointed in their leader and jeer him. Lise's musketeer even dares to criticize Cyrano's nose. Cyrano, however, will not tolerate ridicule from anyone other than Christian. He promptly hits the musketeer. By the end of scene 11, Cyrano emerges as a much stronger character. When he needs to be, he is a man of self-control and patience. He also shows he is kind-hearted, for he wants Roxane to be happy. In contrast to Cyrano, Christian seems pathetically weak in spite of his attractiveness. The audience finds it hard to believe that Roxane could ever be truly happy with such a simple man. Rostand's ability as a masterful dramatist is clearly obvious in these three scenes. He has carefully constructed the play up to this point to make a ridiculously ironic situation seem believable. The physically ugly Cyrano, who is intelligent, witty, and wise with words, is willing to help his competitor because Roxane has asked him to do so. Rostand has intentionally created Christian to be a total contrast to Cyrano. The extremely handsome cadet is slow, simple, and unable to express himself. Together, however, Cyrano and Christian make a perfect suitor for Roxane; Christian can supply the looks and Cyrano can supply the words. The arrangement will go on for years.

pinkmonkey

all_chapterized_books/1254-chapters/19.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_16_part_0.txt

Cyrano De Bergerac.act 2.scene 10

scene 10

{"name": "Scene 10", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano27.asp", "summary": "In an effort to educate the newcomer, the Cadets warn Christian de Neuvillette that he should never mention Cyrano's nose. Christian, however, wants to prove that he is brave. As a result, he interrupts Cyrano as he tells his friends about his fight at the Porte de Nesle. Christian then criticizes Cyrano's nose. Cyrano is immediately incensed at the daring young cadet, but when he discovers that the person interrupting him is the one Roxane loves, he controls himself at every interruption from Christian. Finally, he drives all the cadets out of the room to be alone with Christian. They expect Christian to be murdered by Cyrano. Left alone with Christian, Cyrano introduces himself as the cousin of Roxane. He then explains Roxane's feelings for the handsome cadet. He asks Christian to write a letter to Roxane to express his feelings for her. Christian confesses that he has no verbal skills, especially when he must address a female. Since Cyrano is skilled with words, the two of them work out a plan to jointly woo and win Roxane. Cyrano will provide the words, which the handsome Christian will voice to Roxane. Cyrano then gives Christian the letter he has already composed to her, pretending that he has written it to some imaginary lady. He tells Christian to sign and send the letter as his own. Christian embraces Cyrano with gratitude. When the cadets who have been waiting outside see Christian moving towards Cyrano, they are concerned and push open the door. When they realize that Cyrano is embracing Christian, they jeer at the sight. Lise's musketeer, who has come in with the cadets, insults Cyrano about his nose. Cyrano responds by hitting him.", "analysis": "Notes Scene 9 opens with the cadets warning Christian that he must never mention Cyrano's nose in front of him, for he is very sensitive about its size and ugliness. Christian, however, does not heed their warning. Wanting to prove he is brave, he interrupts Cyrano and dares to criticize his nose. The other cadets are certain that Cyrano, the rash swordsman, will quickly take care of the brazen new cadet. The real heroism of Cyrano's character is then revealed. Aggressive by nature, Cyrano wants to strike Christian, but he controls his anger. Since he has promised Roxane that he will protect the handsome, young cadet, he must keep his word. Love has tempered his brashness and turned him in to a picture of patience. Feeling he can never have Roxane and wanting her to have what she desires, Cyrano decides to help Christian woo her. When Christian confesses that he has no way with words and cannot possibly write Roxane an appropriate letter expressing his feelings, Cyrano gives him the letter he has written to her in the bakery shop. He tells Christian to sign it and send it to Roxane as his own. Christian is so appreciative of the gesture that he gives Cyrano a hug. When the other cadets realize that Cyrano has not punished Christian, they are disappointed in their leader and jeer him. Lise's musketeer even dares to criticize Cyrano's nose. Cyrano, however, will not tolerate ridicule from anyone other than Christian. He promptly hits the musketeer. By the end of scene 11, Cyrano emerges as a much stronger character. When he needs to be, he is a man of self-control and patience. He also shows he is kind-hearted, for he wants Roxane to be happy. In contrast to Cyrano, Christian seems pathetically weak in spite of his attractiveness. The audience finds it hard to believe that Roxane could ever be truly happy with such a simple man. Rostand's ability as a masterful dramatist is clearly obvious in these three scenes. He has carefully constructed the play up to this point to make a ridiculously ironic situation seem believable. The physically ugly Cyrano, who is intelligent, witty, and wise with words, is willing to help his competitor because Roxane has asked him to do so. Rostand has intentionally created Christian to be a total contrast to Cyrano. The extremely handsome cadet is slow, simple, and unable to express himself. Together, however, Cyrano and Christian make a perfect suitor for Roxane; Christian can supply the looks and Cyrano can supply the words. The arrangement will go on for years."}

Cyrano, Christian. CYRANO: Embrace me now! CHRISTIAN: Sir. . . CYRANO: You are brave. CHRISTIAN: Oh! but. . . CYRANO: Nay, I insist. CHRISTIAN: Pray tell me. . . CYRANO: Come, embrace! I am her brother. CHRISTIAN: Whose brother? CYRANO: Hers i' faith! Roxane's! CHRISTIAN (rushing up to him): O heavens! Her brother. . .? CYRANO: Cousin--brother!. . .the same thing! CHRISTIAN: And she has told you. . .? CYRANO: All! CHRISTIAN: She loves me? say! CYRANO: Maybe! CHRISTIAN (taking his hands): How glad I am to meet you, Sir! CYRANO: That may be called a sudden sentiment! CHRISTIAN: I ask your pardon. . . CYRANO (looking at him, with his hand on his shoulder): True, he's fair, the villain! CHRISTIAN: Ah, Sir! If you but knew my admiration!. . . CYRANO: But all those noses?. . . CHRISTIAN: Oh! I take them back! CYRANO: Roxane expects a letter. CHRISTIAN: Woe the day! CYRANO: How? CHRISTIAN: I am lost if I but ope my lips! CYRANO: Why so? CHRISTIAN: I am a fool--could die for shame! CYRANO: None is a fool who knows himself a fool. And you did not attack me like a fool. CHRISTIAN: Bah! One finds battle-cry to lead th' assault! I have a certain military wit, But, before women, can but hold my tongue. Their eyes! True, when I pass, their eyes are kind. . . CYRANO: And, when you stay, their hearts, methinks, are kinder? CHRISTIAN: No! for I am one of those men--tongue-tied, I know it--who can never tell their love. CYRANO: And I, meseems, had Nature been more kind, More careful, when she fashioned me,--had been One of those men who well could speak their love! CHRISTIAN: Oh, to express one's thoughts with facile grace!. . . CYRANO: . . .To be a musketeer, with handsome face! CHRISTIAN: Roxane is precieuse. I'm sure to prove A disappointment to her! CYRANO (looking at him): Had I but Such an interpreter to speak my soul! CHRISTIAN (with despair): Eloquence! Where to find it? CYRANO (abruptly): That I lend, If you lend me your handsome victor-charms; Blended, we make a hero of romance! CHRISTIAN: How so? CYRANO: Think you you can repeat what things I daily teach your tongue? CHRISTIAN: What do you mean? CYRANO: Roxane shall never have a disillusion! Say, wilt thou that we woo her, double-handed? Wilt thou that we two woo her, both together? Feel'st thou, passing from my leather doublet, Through thy laced doublet, all my soul inspiring? CHRISTIAN: But, Cyrano!. . . CYRANO: Will you, I say? CHRISTIAN: I fear! CYRANO: Since, by yourself, you fear to chill her heart, Will you--to kindle all her heart to flame-- Wed into one my phrases and your lips? CHRISTIAN: Your eyes flash! CYRANO: Will you? CHRISTIAN: Will it please you so? --Give you such pleasure? CYRANO (madly): It!. . . (Then calmly, business-like): It would amuse me! It is an enterprise to tempt a poet. Will you complete me, and let me complete you? You march victorious,--I go in your shadow; Let me be wit for you, be you my beauty! CHRISTIAN: The letter, that she waits for even now! I never can. . . CYRANO (taking out the letter he had written): See! Here it is--your letter! CHRISTIAN: What? CYRANO: Take it! Look, it wants but the address. CHRISTIAN: But I. . . CYRANO: Fear nothing. Send it. It will suit. CHRISTIAN: But have you. . .? CYRANO: Oh! We have our pockets full, We poets, of love-letters, writ to Chloes, Daphnes--creations of our noddle-heads. Our lady-loves,--phantasms of our brains, --Dream-fancies blown into soap-bubbles! Come! Take it, and change feigned love-words into true; I breathed my sighs and moans haphazard-wise; Call all these wandering love-birds home to nest. You'll see that I was in these lettered lines, --Eloquent all the more, the less sincere! --Take it, and make an end! CHRISTIAN: Were it not well To change some words? Written haphazard-wise, Will it fit Roxane? CYRANO: 'Twill fit like a glove! CHRISTIAN: But. . . CYRANO: Ah, credulity of love! Roxane Will think each word inspired by herself! CHRISTIAN: My friend! (He throws himself into Cyrano's arms. They remain thus.)

Scene 10

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano27.asp

In an effort to educate the newcomer, the Cadets warn Christian de Neuvillette that he should never mention Cyrano's nose. Christian, however, wants to prove that he is brave. As a result, he interrupts Cyrano as he tells his friends about his fight at the Porte de Nesle. Christian then criticizes Cyrano's nose. Cyrano is immediately incensed at the daring young cadet, but when he discovers that the person interrupting him is the one Roxane loves, he controls himself at every interruption from Christian. Finally, he drives all the cadets out of the room to be alone with Christian. They expect Christian to be murdered by Cyrano. Left alone with Christian, Cyrano introduces himself as the cousin of Roxane. He then explains Roxane's feelings for the handsome cadet. He asks Christian to write a letter to Roxane to express his feelings for her. Christian confesses that he has no verbal skills, especially when he must address a female. Since Cyrano is skilled with words, the two of them work out a plan to jointly woo and win Roxane. Cyrano will provide the words, which the handsome Christian will voice to Roxane. Cyrano then gives Christian the letter he has already composed to her, pretending that he has written it to some imaginary lady. He tells Christian to sign and send the letter as his own. Christian embraces Cyrano with gratitude. When the cadets who have been waiting outside see Christian moving towards Cyrano, they are concerned and push open the door. When they realize that Cyrano is embracing Christian, they jeer at the sight. Lise's musketeer, who has come in with the cadets, insults Cyrano about his nose. Cyrano responds by hitting him.

Notes Scene 9 opens with the cadets warning Christian that he must never mention Cyrano's nose in front of him, for he is very sensitive about its size and ugliness. Christian, however, does not heed their warning. Wanting to prove he is brave, he interrupts Cyrano and dares to criticize his nose. The other cadets are certain that Cyrano, the rash swordsman, will quickly take care of the brazen new cadet. The real heroism of Cyrano's character is then revealed. Aggressive by nature, Cyrano wants to strike Christian, but he controls his anger. Since he has promised Roxane that he will protect the handsome, young cadet, he must keep his word. Love has tempered his brashness and turned him in to a picture of patience. Feeling he can never have Roxane and wanting her to have what she desires, Cyrano decides to help Christian woo her. When Christian confesses that he has no way with words and cannot possibly write Roxane an appropriate letter expressing his feelings, Cyrano gives him the letter he has written to her in the bakery shop. He tells Christian to sign it and send it to Roxane as his own. Christian is so appreciative of the gesture that he gives Cyrano a hug. When the other cadets realize that Cyrano has not punished Christian, they are disappointed in their leader and jeer him. Lise's musketeer even dares to criticize Cyrano's nose. Cyrano, however, will not tolerate ridicule from anyone other than Christian. He promptly hits the musketeer. By the end of scene 11, Cyrano emerges as a much stronger character. When he needs to be, he is a man of self-control and patience. He also shows he is kind-hearted, for he wants Roxane to be happy. In contrast to Cyrano, Christian seems pathetically weak in spite of his attractiveness. The audience finds it hard to believe that Roxane could ever be truly happy with such a simple man. Rostand's ability as a masterful dramatist is clearly obvious in these three scenes. He has carefully constructed the play up to this point to make a ridiculously ironic situation seem believable. The physically ugly Cyrano, who is intelligent, witty, and wise with words, is willing to help his competitor because Roxane has asked him to do so. Rostand has intentionally created Christian to be a total contrast to Cyrano. The extremely handsome cadet is slow, simple, and unable to express himself. Together, however, Cyrano and Christian make a perfect suitor for Roxane; Christian can supply the looks and Cyrano can supply the words. The arrangement will go on for years.

pinkmonkey

all_chapterized_books/1254-chapters/20.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_17_part_0.txt

Cyrano De Bergerac.act 2.scene 11

scene 11

{"name": "Scene 11", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano27.asp", "summary": "In an effort to educate the newcomer, the Cadets warn Christian de Neuvillette that he should never mention Cyrano's nose. Christian, however, wants to prove that he is brave. As a result, he interrupts Cyrano as he tells his friends about his fight at the Porte de Nesle. Christian then criticizes Cyrano's nose. Cyrano is immediately incensed at the daring young cadet, but when he discovers that the person interrupting him is the one Roxane loves, he controls himself at every interruption from Christian. Finally, he drives all the cadets out of the room to be alone with Christian. They expect Christian to be murdered by Cyrano. Left alone with Christian, Cyrano introduces himself as the cousin of Roxane. He then explains Roxane's feelings for the handsome cadet. He asks Christian to write a letter to Roxane to express his feelings for her. Christian confesses that he has no verbal skills, especially when he must address a female. Since Cyrano is skilled with words, the two of them work out a plan to jointly woo and win Roxane. Cyrano will provide the words, which the handsome Christian will voice to Roxane. Cyrano then gives Christian the letter he has already composed to her, pretending that he has written it to some imaginary lady. He tells Christian to sign and send the letter as his own. Christian embraces Cyrano with gratitude. When the cadets who have been waiting outside see Christian moving towards Cyrano, they are concerned and push open the door. When they realize that Cyrano is embracing Christian, they jeer at the sight. Lise's musketeer, who has come in with the cadets, insults Cyrano about his nose. Cyrano responds by hitting him.", "analysis": "Notes Scene 9 opens with the cadets warning Christian that he must never mention Cyrano's nose in front of him, for he is very sensitive about its size and ugliness. Christian, however, does not heed their warning. Wanting to prove he is brave, he interrupts Cyrano and dares to criticize his nose. The other cadets are certain that Cyrano, the rash swordsman, will quickly take care of the brazen new cadet. The real heroism of Cyrano's character is then revealed. Aggressive by nature, Cyrano wants to strike Christian, but he controls his anger. Since he has promised Roxane that he will protect the handsome, young cadet, he must keep his word. Love has tempered his brashness and turned him in to a picture of patience. Feeling he can never have Roxane and wanting her to have what she desires, Cyrano decides to help Christian woo her. When Christian confesses that he has no way with words and cannot possibly write Roxane an appropriate letter expressing his feelings, Cyrano gives him the letter he has written to her in the bakery shop. He tells Christian to sign it and send it to Roxane as his own. Christian is so appreciative of the gesture that he gives Cyrano a hug. When the other cadets realize that Cyrano has not punished Christian, they are disappointed in their leader and jeer him. Lise's musketeer even dares to criticize Cyrano's nose. Cyrano, however, will not tolerate ridicule from anyone other than Christian. He promptly hits the musketeer. By the end of scene 11, Cyrano emerges as a much stronger character. When he needs to be, he is a man of self-control and patience. He also shows he is kind-hearted, for he wants Roxane to be happy. In contrast to Cyrano, Christian seems pathetically weak in spite of his attractiveness. The audience finds it hard to believe that Roxane could ever be truly happy with such a simple man. Rostand's ability as a masterful dramatist is clearly obvious in these three scenes. He has carefully constructed the play up to this point to make a ridiculously ironic situation seem believable. The physically ugly Cyrano, who is intelligent, witty, and wise with words, is willing to help his competitor because Roxane has asked him to do so. Rostand has intentionally created Christian to be a total contrast to Cyrano. The extremely handsome cadet is slow, simple, and unable to express himself. Together, however, Cyrano and Christian make a perfect suitor for Roxane; Christian can supply the looks and Cyrano can supply the words. The arrangement will go on for years."}

Cyrano, Christian, the Gascons, the musketeer, Lise. A CADET (half opening the door): Naught here!. . .The silence of the grave! I dare not look. . . (He puts his head in): Why?. . . ALL THE CADETS (entering, and seeing Cyrano and Christian embracing): Oh!. . . A CADET: This passes all! (Consternation.) THE MUSKETEER (mockingly): Ho, ho!. . . CARBON: Our demon has become a saint? Struck on one nostril--lo! he turns the other! MUSKETEER: Then we may speak about his nose, henceforth!. . . (Calling to Lise, boastfully): --Ah, Lise, see here! (Sniffing ostentatiously): O heavens!. . .what a stink!. . . (Going up to Cyrano): You, sir, without a doubt have sniffed it up! --What is the smell I notice here? CYRANO (cuffing his head): Clove-heads. (General delight. The cadets have found the old Cyrano again! They turn somersaults.) Curtain.

Scene 11

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano27.asp

In an effort to educate the newcomer, the Cadets warn Christian de Neuvillette that he should never mention Cyrano's nose. Christian, however, wants to prove that he is brave. As a result, he interrupts Cyrano as he tells his friends about his fight at the Porte de Nesle. Christian then criticizes Cyrano's nose. Cyrano is immediately incensed at the daring young cadet, but when he discovers that the person interrupting him is the one Roxane loves, he controls himself at every interruption from Christian. Finally, he drives all the cadets out of the room to be alone with Christian. They expect Christian to be murdered by Cyrano. Left alone with Christian, Cyrano introduces himself as the cousin of Roxane. He then explains Roxane's feelings for the handsome cadet. He asks Christian to write a letter to Roxane to express his feelings for her. Christian confesses that he has no verbal skills, especially when he must address a female. Since Cyrano is skilled with words, the two of them work out a plan to jointly woo and win Roxane. Cyrano will provide the words, which the handsome Christian will voice to Roxane. Cyrano then gives Christian the letter he has already composed to her, pretending that he has written it to some imaginary lady. He tells Christian to sign and send the letter as his own. Christian embraces Cyrano with gratitude. When the cadets who have been waiting outside see Christian moving towards Cyrano, they are concerned and push open the door. When they realize that Cyrano is embracing Christian, they jeer at the sight. Lise's musketeer, who has come in with the cadets, insults Cyrano about his nose. Cyrano responds by hitting him.

Notes Scene 9 opens with the cadets warning Christian that he must never mention Cyrano's nose in front of him, for he is very sensitive about its size and ugliness. Christian, however, does not heed their warning. Wanting to prove he is brave, he interrupts Cyrano and dares to criticize his nose. The other cadets are certain that Cyrano, the rash swordsman, will quickly take care of the brazen new cadet. The real heroism of Cyrano's character is then revealed. Aggressive by nature, Cyrano wants to strike Christian, but he controls his anger. Since he has promised Roxane that he will protect the handsome, young cadet, he must keep his word. Love has tempered his brashness and turned him in to a picture of patience. Feeling he can never have Roxane and wanting her to have what she desires, Cyrano decides to help Christian woo her. When Christian confesses that he has no way with words and cannot possibly write Roxane an appropriate letter expressing his feelings, Cyrano gives him the letter he has written to her in the bakery shop. He tells Christian to sign it and send it to Roxane as his own. Christian is so appreciative of the gesture that he gives Cyrano a hug. When the other cadets realize that Cyrano has not punished Christian, they are disappointed in their leader and jeer him. Lise's musketeer even dares to criticize Cyrano's nose. Cyrano, however, will not tolerate ridicule from anyone other than Christian. He promptly hits the musketeer. By the end of scene 11, Cyrano emerges as a much stronger character. When he needs to be, he is a man of self-control and patience. He also shows he is kind-hearted, for he wants Roxane to be happy. In contrast to Cyrano, Christian seems pathetically weak in spite of his attractiveness. The audience finds it hard to believe that Roxane could ever be truly happy with such a simple man. Rostand's ability as a masterful dramatist is clearly obvious in these three scenes. He has carefully constructed the play up to this point to make a ridiculously ironic situation seem believable. The physically ugly Cyrano, who is intelligent, witty, and wise with words, is willing to help his competitor because Roxane has asked him to do so. Rostand has intentionally created Christian to be a total contrast to Cyrano. The extremely handsome cadet is slow, simple, and unable to express himself. Together, however, Cyrano and Christian make a perfect suitor for Roxane; Christian can supply the looks and Cyrano can supply the words. The arrangement will go on for years.

pinkmonkey

all_chapterized_books/1254-chapters/22.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_18_part_0.txt

Cyrano De Bergerac.act 3.scene 1

scene 1

{"name": "Scene 1", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano28.asp", "summary": "When this scene opens, Ragueneau is talking to Roxane's governess about what has happened to him. The audience learns that Lise has run off with the musketeer. Ragueneau was so upset by her desertion that he tired to hang himself. Cyrano, however, saved him and made arrangements for him to become a steward for Roxane. The governess is impatiently waiting for Roxane. The two of them are going to a Clomire's salon, where a discourse on the \"Tender Passion\" is to be read. As Roxane delays, Cyrano enters with two pages playing lutes. He explains he has won the musicians for a day in a bet with d'Assoucy about a point of grammar; but he finds the musicians very annoying, for they do not play correctly. As a result, he sends them off to irritate Montfleury. After the musicians have left, Cyrano asks Roxane how things are going with Christian. She claims to love him dearly, explaining that he is not only handsome but also brilliant. She adds that his mind seems to be even sharper than that of Cyrano, for he says truly beautiful things to her. Cyrano does not miss a beat, but reacts with incredulity to her claims. To prove her point that he is a \"master of eloquence,\" Roxane shows Cyrano one of Christian's letters. The dramatic irony is evident. Cyrano and the audience know that it is Cyrano who has written the letter. The governess comes in to warn that De Guiche is approaching. Roxane asks Cyrano to hide inside her house.", "analysis": "Notes Rostand creates the musketeer as a very negative character. In the last scene, he was foolish enough to inappropriately insult Cyrano's nose. Now he has run off with the wife of Cyrano's friend. Ragueneau is so upset by Lise's desertion that he tries to kill himself. Cyrano, the play's hero, saves Ragueneau and finds him a new position as the steward of Roxane. Ragueneau's comment that Mars was using what Apollo was leaving behind in his shop is significant. It implies that the musketeer, a man of war, ironically learned the art of love from the poets, who Ragueneau encouraged in his bakery. In a similar manner, Christian is learning the art of love from Cyrano. In this scene, Cyrano's character is further developed as a very well-rounded man. He has already been presented as an able swordsman, a strong fighter, a military leader, an intelligent thinker, a poet, a spokesman who has great control of the language, and a kind and sensitive human being. Now Cyrano reveals that he has an interest in and knowledge of music, a mastery of grammar, and a strong mathematical ability. He also has a sense of humor, for he sends the annoying musicians away to irritate Montfleury, the second rate actor who irritates him. When Cyrano asks Roxane about Christian, she is full of praise for him, saying he is as intelligent as he is handsome. Since Cyrano does not seem to believe her, she reads some of Christian's letter to Cyrano to prove that he is truly bright and eloquent. Cyrano totally enjoys hearing \"his\" letters being praised. Of course, he gives no hint to Roxane that he has composed the letters that Christian has sent as his own. The irony of the situation is masterfully developed."}

Ragueneau, the duenna. Then Roxane, Cyrano, and two pages. RAGUENEAU: --And then, off she went, with a musketeer! Deserted and ruined too, I would make an end of all, and so hanged myself. My last breath was drawn:-- then in comes Monsieur de Bergerac! He cuts me down, and begs his cousin to take me for her steward. THE DUENNA: Well, but how came it about that you were thus ruined? RAGUENEAU: Oh! Lise loved the warriors, and I loved the poets! What cakes there were that Apollo chanced to leave were quickly snapped up by Mars. Thus ruin was not long a-coming. THE DUENNA (rising, and calling up to the open window): Roxane, are you ready? They wait for us! ROXANE'S VOICE (from the window): I will but put me on a cloak! THE DUENNA (to Ragueneau, showing him the door opposite): They wait us there opposite, at Clomire's house. She receives them all there to-day--the precieuses, the poets; they read a discourse on the Tender Passion. RAGUENEAU: The Tender Passion? THE DUENNA (in a mincing voice): Ay, indeed! (Calling up to the window): Roxane, an you come not down quickly, we shall miss the discourse on the Tender Passion! ROXANE'S VOICE: I come! I come! (A sound of stringed instruments approaching.) CYRANO'S VOICE (behind the scenes, singing): La, la, la, la! THE DUENNA (surprised): They serenade us? CYRANO (followed by two pages with arch-lutes): I tell you they are demi-semi-quavers, demi-semi-fool! FIRST PAGE (ironically): You know then, Sir, to distinguish between semi-quavers and demi-semi- quavers? CYRANO: Is not every disciple of Gassendi a musician? THE PAGE (playing and singing): La, la! CYRANO (snatching the lute from him, and going on with the phrase): In proof of which, I can continue! La, la, la, la! ROXANE (appearing on the balcony): What? 'Tis you? CYRANO (going on with the air, and singing to it): 'Tis I, who come to serenade your lilies, and pay my devoir to your ro-o- oses! ROXANE: I am coming down! (She leaves the balcony.) THE DUENNA (pointing to the pages): How come these two virtuosi here? CYRANO: 'Tis for a wager I won of D'Assoucy. We were disputing a nice point in grammar; contradictions raged hotly--''Tis so!' 'Nay, 'tis so!' when suddenly he shows me these two long-shanks, whom he takes about with him as an escort, and who are skillful in scratching lute-strings with their skinny claws! 'I will wager you a day's music,' says he!--And lost it! Thus, see you, till Phoebus' chariot starts once again, these lute-twangers are at my heels, seeing all I do, hearing all I say, and accompanying all with melody. 'Twas pleasant at the first, but i' faith, I begin to weary of it already! (To the musicians): Ho there! go serenade Montfleury for me! Play a dance to him! (The pages go toward the door. To the duenna): I have come, as is my wont, nightly, to ask Roxane whether. . . (To the pages, who are going out): Play a long time,--and play out of tune! (To the duenna): . . .Whether her soul's elected is ever the same, ever faultless! ROXANE (coming out of the house): Ah! How handsome he is, how brilliant a wit! And--how well I love him! CYRANO (smiling): Christian has so brilliant a wit? ROXANE: Brighter than even your own, cousin! CYRANO: Be it so, with all my heart! ROXANE: Ah! methinks 'twere impossible that there could breathe a man on this earth skilled to say as sweetly as he all the pretty nothings that mean so much-- that mean all! At times his mind seems far away, the Muse says naught--and then, presto! he speaks--bewitchingly! enchantingly! CYRANO (incredulously): No, no! ROXANE: Fie! That is ill said! But lo! men are ever thus! Because he is fair to see, you would have it that he must be dull of speech. CYRANO: He hath an eloquent tongue in telling his love? ROXANE: In telling his love? why, 'tis not simple telling, 'tis dissertation, 'tis analysis! CYRANO: How is he with the pen? ROXANE: Still better! Listen,--here:-- (Reciting): 'The more of my poor heart you take The larger grows my heart!' (Triumphantly to Cyrano): How like you those lines? CYRANO: Pooh! ROXANE: And thus it goes on. . . 'And, since some target I must show For Cupid's cruel dart, Oh, if mine own you deign to keep, Then give me your sweet heart!' CYRANO: Lord! first he has too much, then anon not enough! How much heart does the fellow want? ROXANE: You would vex a saint!. . .But 'tis your jealousy. CYRANO (starting): What mean you? ROXANE: Ay, your poet's jealousy! Hark now, if this again be not tender-sweet?-- 'My heart to yours sounds but one cry: If kisses fast could flee By letter, then with your sweet lips My letters read should be! If kisses could be writ with ink, If kisses fast could flee!' CYRANO (smiling approvingly in spite of himself): Ha! those last lines are,--hm!. . .hm!. . . (Correcting himself--contemptuously): --They are paltry enough! ROXANE: And this. . . CYRANO (enchanted): Then you have his letters by heart? ROXANE: Every one of them! CYRANO: By all oaths that can be sworn,--'tis flattering! ROXANE: They are the lines of a master! CYRANO (modestly): Come, nay. . .a master?. . . ROXANE: Ay, I say it--a master! CYRANO: Good--be it so. THE DUENNA (coming down quickly): Here comes Monsieur de Guiche! (To Cyrano, pushing him toward the house): In with you! 'twere best he see you not; it might perchance put him on the scent. . . ROXANE (to Cyrano): Ay, of my own dear secret! He loves me, and is powerful, and, if he knew, then all were lost! Marry! he could well deal a deathblow to my love! CYRANO (entering the house): Good! good! (De Guiche appears.)

Scene 1

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano28.asp

When this scene opens, Ragueneau is talking to Roxane's governess about what has happened to him. The audience learns that Lise has run off with the musketeer. Ragueneau was so upset by her desertion that he tired to hang himself. Cyrano, however, saved him and made arrangements for him to become a steward for Roxane. The governess is impatiently waiting for Roxane. The two of them are going to a Clomire's salon, where a discourse on the "Tender Passion" is to be read. As Roxane delays, Cyrano enters with two pages playing lutes. He explains he has won the musicians for a day in a bet with d'Assoucy about a point of grammar; but he finds the musicians very annoying, for they do not play correctly. As a result, he sends them off to irritate Montfleury. After the musicians have left, Cyrano asks Roxane how things are going with Christian. She claims to love him dearly, explaining that he is not only handsome but also brilliant. She adds that his mind seems to be even sharper than that of Cyrano, for he says truly beautiful things to her. Cyrano does not miss a beat, but reacts with incredulity to her claims. To prove her point that he is a "master of eloquence," Roxane shows Cyrano one of Christian's letters. The dramatic irony is evident. Cyrano and the audience know that it is Cyrano who has written the letter. The governess comes in to warn that De Guiche is approaching. Roxane asks Cyrano to hide inside her house.

Notes Rostand creates the musketeer as a very negative character. In the last scene, he was foolish enough to inappropriately insult Cyrano's nose. Now he has run off with the wife of Cyrano's friend. Ragueneau is so upset by Lise's desertion that he tries to kill himself. Cyrano, the play's hero, saves Ragueneau and finds him a new position as the steward of Roxane. Ragueneau's comment that Mars was using what Apollo was leaving behind in his shop is significant. It implies that the musketeer, a man of war, ironically learned the art of love from the poets, who Ragueneau encouraged in his bakery. In a similar manner, Christian is learning the art of love from Cyrano. In this scene, Cyrano's character is further developed as a very well-rounded man. He has already been presented as an able swordsman, a strong fighter, a military leader, an intelligent thinker, a poet, a spokesman who has great control of the language, and a kind and sensitive human being. Now Cyrano reveals that he has an interest in and knowledge of music, a mastery of grammar, and a strong mathematical ability. He also has a sense of humor, for he sends the annoying musicians away to irritate Montfleury, the second rate actor who irritates him. When Cyrano asks Roxane about Christian, she is full of praise for him, saying he is as intelligent as he is handsome. Since Cyrano does not seem to believe her, she reads some of Christian's letter to Cyrano to prove that he is truly bright and eloquent. Cyrano totally enjoys hearing "his" letters being praised. Of course, he gives no hint to Roxane that he has composed the letters that Christian has sent as his own. The irony of the situation is masterfully developed.

pinkmonkey

all_chapterized_books/1254-chapters/23.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_19_part_0.txt

Cyrano De Bergerac.act 3.scene 2

scene 2

{"name": "Scene 2", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano29.asp", "summary": "Count De Guiche has come to bid farewell to Roxane, for he has been made a Colonel of the Guards and is to take part in the siege of Arras. Since the Guards include the regimental company of the Cadets, which include both Christian and Cyrano, Roxane tricks De Guiche. She talks him into taking revenge on Cyrano by depriving him and his regiment of the chance of heroism in war. De Guiche, not realizing he has been tricked, agrees to keep the Cadets in Paris. Roxane also quizzes De Guiche about Christian. He responds that the young man, who is handsome but stupid, has become inseparable from Cyrano. Feeling that Roxane may have an interest in him, De Guiche suggests that he also stay behind, concealed in the monastery of the Capuchins. Roxane dissuades him by saying that she could only love a man who welcomed danger. She tells him he should prove his heroism to her by fighting in the war. After De Guiche departs, Roxane warns her governess not to tell Cyrano that she has deprived him of a chance to prove himself at Arras. She then calls Cyrano out from his hiding place inside the house.", "analysis": "Notes The power of Roxane to manipulate De Guiche proves to the audience that she is more than an intellectually affected woman. When she learns that Christian and Cyrano will be sent off to Arras along with De Guiche, she uses Cyrano as an excuse to keep Christian and the other Cadets out of the fighting. Then when De Guiche suggests that he stay behind as well, Roxane flirts with him in order to ensure his departure. She tells him she could only love a man who is not afraid to prove his bravery and encourages De Guiche to be heroic."}

Roxane, De Guiche, the duenna standing a little way off. ROXANE (courtesying to De Guiche): I was going out. DE GUICHE: I come to take my leave. ROXANE: Whither go you? DE GUICHE: To the war. ROXANE: Ah! DE GUICHE: Ay, to-night. ROXANE: Oh! DE GUICHE: I am ordered away. We are to besiege Arras. ROXANE: Ah--to besiege?. . . DE GUICHE: Ay. My going moves you not, meseems. ROXANE: Nay. . . DE GUICHE: I am grieved to the core of the heart. Shall I again behold you?. . .When? I know not. Heard you that I am named commander?. . . ROXANE (indifferently): Bravo! DE GUICHE: Of the Guards regiment. ROXANE (startled): What! the Guards? DE GUICHE: Ay, where serves your cousin, the swaggering boaster. I will find a way to revenge myself on him at Arras. ROXANE (choking): What mean you? The Guards go to Arras? DE GUICHE (laughing): Bethink you, is it not my own regiment? ROXANE (falling seated on the bench--aside): Christian! DE GUICHE: What ails you? ROXANE (moved deeply): Oh--I am in despair! The man one loves!--at the war! DE GUICHE (surprised and delighted): You say such sweet words to me! 'Tis the first time!--and just when I must quit you! ROXANE (collected, and fanning herself): Thus,--you would fain revenge your grudge against my cousin? DE GUICHE: My fair lady is on his side? ROXANE: Nay,--against him! DE GUICHE: Do you see him often? ROXANE: But very rarely. DE GUICHE: He is ever to be met now in company with one of the cadets,. . .one New-- villen--viller-- ROXANE: Of high stature? DE GUICHE: Fair-haired! ROXANE: Ay, a red-headed fellow! DE GUICHE: Handsome!. . . ROXANE: Tut! DE GUICHE: But dull-witted. ROXANE: One would think so, to look at him! (Changing her tone): How mean you to play your revenge on Cyrano? Perchance you think to put him i' the thick of the shots? Nay, believe me, that were a poor vengeance--he would love such a post better than aught else! I know the way to wound his pride far more keenly! DE GUICHE: What then? Tell. . . ROXANE: If, when the regiment march to Arras, he were left here with his beloved boon companions, the Cadets, to sit with crossed arms so long as the war lasted! There is your method, would you enrage a man of his kind; cheat him of his chance of mortal danger, and you punish him right fiercely. DE GUICHE (coming nearer): O woman! woman! Who but a woman had e'er devised so subtle a trick? ROXANE: See you not how he will eat out his heart, while his friends gnaw their thick fists for that they are deprived of the battle? So are you best avenged. DE GUICHE: You love me, then, a little? (She smiles): I would fain--seeing you thus espouse my cause, Roxane--believe it a proof of love! ROXANE: 'Tis a proof of love! DE GUICHE (showing some sealed papers): Here are the marching orders; they will be sent instantly to each company-- except-- (He detaches one): --This one! 'Tis that of the Cadets. (He puts it in his pocket): This I keep. (Laughing): Ha! ha! ha! Cyrano! His love of battle!. . .So you can play tricks on people?. . .you, of all ladies! ROXANE: Sometimes! DE GUICHE (coming close to her): Oh! how I love you!--to distraction! Listen! To-night--true, I ought to start--but--how leave you now that I feel your heart is touched! Hard by, in the Rue d'Orleans, is a convent founded by Father Athanasius, the syndic of the Capuchins. True that no layman may enter--but--I can settle that with the good Fathers! Their habit sleeves are wide enough to hide me in. 'Tis they who serve Richelieu's private chapel: and from respect to the uncle, fear the nephew. All will deem me gone. I will come to you, masked. Give me leave to wait till tomorrow, sweet Lady Fanciful! ROXANE: But, of this be rumored, your glory. . . DE GUICHE: Bah! ROXANE: But the siege--Arras. . . DE GUICHE: 'Twill take its chance. Grant but permission. ROXANE: No! DE GUICHE: Give me leave! ROXANE (tenderly): It were my duty to forbid you! DE GUICHE: Ah! ROXANE: You must go! (Aside): Christian stays here. (Aloud): I would have you heroic--Antoine! DE GUICHE: O heavenly word! You love, then, him?. . . ROXANE: . . .For whom I trembled. DE GUICHE (in an ecstasy): Ah! I go then! (He kisses her hand): Are you content? ROXANE: Yes, my friend! (He goes out.) THE DUENNA (making behind his back a mocking courtesy): Yes, my friend! ROXANE (to the duenna): Not a word of what I have done. Cyrano would never pardon me for stealing his fighting from him! (She calls toward the house): Cousin!

Scene 2

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano29.asp

Count De Guiche has come to bid farewell to Roxane, for he has been made a Colonel of the Guards and is to take part in the siege of Arras. Since the Guards include the regimental company of the Cadets, which include both Christian and Cyrano, Roxane tricks De Guiche. She talks him into taking revenge on Cyrano by depriving him and his regiment of the chance of heroism in war. De Guiche, not realizing he has been tricked, agrees to keep the Cadets in Paris. Roxane also quizzes De Guiche about Christian. He responds that the young man, who is handsome but stupid, has become inseparable from Cyrano. Feeling that Roxane may have an interest in him, De Guiche suggests that he also stay behind, concealed in the monastery of the Capuchins. Roxane dissuades him by saying that she could only love a man who welcomed danger. She tells him he should prove his heroism to her by fighting in the war. After De Guiche departs, Roxane warns her governess not to tell Cyrano that she has deprived him of a chance to prove himself at Arras. She then calls Cyrano out from his hiding place inside the house.

Notes The power of Roxane to manipulate De Guiche proves to the audience that she is more than an intellectually affected woman. When she learns that Christian and Cyrano will be sent off to Arras along with De Guiche, she uses Cyrano as an excuse to keep Christian and the other Cadets out of the fighting. Then when De Guiche suggests that he stay behind as well, Roxane flirts with him in order to ensure his departure. She tells him she could only love a man who is not afraid to prove his bravery and encourages De Guiche to be heroic.

pinkmonkey

all_chapterized_books/1254-chapters/24.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_20_part_0.txt

Cyrano De Bergerac.act 3.scene 3

scene 3

{"name": "Scene 3", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano30.asp", "summary": "Before Roxane and her governess depart for the meeting at Clomire's, she asks Cyrano to tell Christian to await her return. Cyrano asks Roxane what subject she desires Christian to discuss today. She says that she wants him to speak about love, but Cyrano must not let Christian know. Of course, Cyrano tries to prepare Christian for the speech as usual. This time, however, Christian rebels against presenting a borrowed speech, wanting to express his own thoughts. Roxane soon returns from Clomire's, for she has missed the discourse on tenderness. She invites Christian to sit on the bench outside her house and elaborate on his sentiment of love. He fails miserably. Roxane, thinking he is being foolish, is displeased with him. She leaves Christian alone on the bench and enters her house. Cyrano, who has been eavesdropping, comes up to Christian and sarcastically congratulates him. Christian, in utter despair, asks for Cyrano's help in wooing Roxane; but it is too late to train Christian in an appropriate speech. Cyrano, however, comes up with another plan. Christian should stand under Roxane's balcony. Hiding in the darkness out of sight, Cyrano will whisper to Christian what he should say. Christian agrees to the plan. The musical pages appear with their lutes. Cyrano puts them on guard duty. They are to play a happy melody if a woman is approaching and a sad one if a man appears. Then Cyrano throws some pebbles at Roxane's window and tells Christian to call her.", "analysis": "Notes Rostand cleverly reveals the methodology that Christian and Cyrano employ to trick Roxane. Cyrano tries to find out from Roxane what mood she is in and what she would like to discuss with Christian. He then coaches the handsome cadet on what to say. Christian, however, is tired of giving canned speeches to his true love. He rebels and says he wants to talk about the subject of love with Roxane on his own. Not surprisingly, he is a miserable failure. In fact, his performance is so pathetic than he seems almost comic. When Christian cannot express himself, Roxane feels he is being foolish and loses interest in him. Desperate to make amends to her, Christian asks for Cyrano's help. The clever Cyrano, who has no time to coach Christian in an appropriate speech, comes up with an alternative plan. From a hiding place in the darkness, he will whisper to Christian what to say as he stands below Roxane's window. Christian agrees to the plan. The vacillation of Christian's feelings for Cyrano is an effective dramatic device that draws the audience closer to Cyrano. When Christian rejects Cyrano's offer of help in preparing a speech about love, the audience is meant to judge Christian as foolish and unappreciative even though they accept that he is only trying to maintain some measure of self-respect. Then when he grovels and asks for Cyrano's help in winning Roxane back, Christian is meant to be judged as weak and pathetic, while Cyrano is seen as generous and helpful."}

Roxane, The duenna, Cyrano. ROXANE: We are going to Clomire's house. (She points to the door opposite): Alcandre and Lysimon are to discourse! THE DUENNA (putting her little finger in her ear): Yes! But my little finger tells me we shall miss them. CYRANO: 'Twere a pity to miss such apes! (They have come to Clomire's door.) THE DUENNA: Oh, see! The knocker is muffled up! (Speaking to the knocker): So they have gagged that metal tongue of yours, little noisy one, lest it should disturb the fine orators! (She lifts it carefully and knocks with precaution.) ROXANE (seeing that the door opens): Let us enter! (On the threshold, to Cyrano): If Christian comes, as I feel sure he will, bid him wait for me! CYRANO (quickly, as she is going in): Listen! (She turns): What mean you to question him on, as is your wont, to-night? ROXANE: Oh-- CYRANO (eagerly): Well, say. ROXANE: But you will be mute? CYRANO: Mute as a fish. ROXANE: I shall not question him at all, but say: Give rein to your fancy! Prepare not your speeches,--but speak the thoughts as they come! Speak to me of love, and speak splendidly! CYRANO (smiling): Very good! ROXANE: But secret!. . . CYRANO: Secret. ROXANE: Not a word! (She enters and shuts the door.) CYRANO (when the door is shut, bowing to her): A thousand thanks! (The door opens again, and Roxane puts her head out.) ROXANE: Lest he prepare himself! CYRANO: The devil!--no, no! BOTH TOGETHER: Secret. (The door shuts.) CYRANO (calling): Christian!

Scene 3

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano30.asp

Before Roxane and her governess depart for the meeting at Clomire's, she asks Cyrano to tell Christian to await her return. Cyrano asks Roxane what subject she desires Christian to discuss today. She says that she wants him to speak about love, but Cyrano must not let Christian know. Of course, Cyrano tries to prepare Christian for the speech as usual. This time, however, Christian rebels against presenting a borrowed speech, wanting to express his own thoughts. Roxane soon returns from Clomire's, for she has missed the discourse on tenderness. She invites Christian to sit on the bench outside her house and elaborate on his sentiment of love. He fails miserably. Roxane, thinking he is being foolish, is displeased with him. She leaves Christian alone on the bench and enters her house. Cyrano, who has been eavesdropping, comes up to Christian and sarcastically congratulates him. Christian, in utter despair, asks for Cyrano's help in wooing Roxane; but it is too late to train Christian in an appropriate speech. Cyrano, however, comes up with another plan. Christian should stand under Roxane's balcony. Hiding in the darkness out of sight, Cyrano will whisper to Christian what he should say. Christian agrees to the plan. The musical pages appear with their lutes. Cyrano puts them on guard duty. They are to play a happy melody if a woman is approaching and a sad one if a man appears. Then Cyrano throws some pebbles at Roxane's window and tells Christian to call her.

Notes Rostand cleverly reveals the methodology that Christian and Cyrano employ to trick Roxane. Cyrano tries to find out from Roxane what mood she is in and what she would like to discuss with Christian. He then coaches the handsome cadet on what to say. Christian, however, is tired of giving canned speeches to his true love. He rebels and says he wants to talk about the subject of love with Roxane on his own. Not surprisingly, he is a miserable failure. In fact, his performance is so pathetic than he seems almost comic. When Christian cannot express himself, Roxane feels he is being foolish and loses interest in him. Desperate to make amends to her, Christian asks for Cyrano's help. The clever Cyrano, who has no time to coach Christian in an appropriate speech, comes up with an alternative plan. From a hiding place in the darkness, he will whisper to Christian what to say as he stands below Roxane's window. Christian agrees to the plan. The vacillation of Christian's feelings for Cyrano is an effective dramatic device that draws the audience closer to Cyrano. When Christian rejects Cyrano's offer of help in preparing a speech about love, the audience is meant to judge Christian as foolish and unappreciative even though they accept that he is only trying to maintain some measure of self-respect. Then when he grovels and asks for Cyrano's help in winning Roxane back, Christian is meant to be judged as weak and pathetic, while Cyrano is seen as generous and helpful.

pinkmonkey

all_chapterized_books/1254-chapters/25.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_21_part_0.txt

Cyrano De Bergerac.act 3.scene 4

scene 4

{"name": "Scene 4", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano30.asp", "summary": "Before Roxane and her governess depart for the meeting at Clomire's, she asks Cyrano to tell Christian to await her return. Cyrano asks Roxane what subject she desires Christian to discuss today. She says that she wants him to speak about love, but Cyrano must not let Christian know. Of course, Cyrano tries to prepare Christian for the speech as usual. This time, however, Christian rebels against presenting a borrowed speech, wanting to express his own thoughts. Roxane soon returns from Clomire's, for she has missed the discourse on tenderness. She invites Christian to sit on the bench outside her house and elaborate on his sentiment of love. He fails miserably. Roxane, thinking he is being foolish, is displeased with him. She leaves Christian alone on the bench and enters her house. Cyrano, who has been eavesdropping, comes up to Christian and sarcastically congratulates him. Christian, in utter despair, asks for Cyrano's help in wooing Roxane; but it is too late to train Christian in an appropriate speech. Cyrano, however, comes up with another plan. Christian should stand under Roxane's balcony. Hiding in the darkness out of sight, Cyrano will whisper to Christian what he should say. Christian agrees to the plan. The musical pages appear with their lutes. Cyrano puts them on guard duty. They are to play a happy melody if a woman is approaching and a sad one if a man appears. Then Cyrano throws some pebbles at Roxane's window and tells Christian to call her.", "analysis": "Notes Rostand cleverly reveals the methodology that Christian and Cyrano employ to trick Roxane. Cyrano tries to find out from Roxane what mood she is in and what she would like to discuss with Christian. He then coaches the handsome cadet on what to say. Christian, however, is tired of giving canned speeches to his true love. He rebels and says he wants to talk about the subject of love with Roxane on his own. Not surprisingly, he is a miserable failure. In fact, his performance is so pathetic than he seems almost comic. When Christian cannot express himself, Roxane feels he is being foolish and loses interest in him. Desperate to make amends to her, Christian asks for Cyrano's help. The clever Cyrano, who has no time to coach Christian in an appropriate speech, comes up with an alternative plan. From a hiding place in the darkness, he will whisper to Christian what to say as he stands below Roxane's window. Christian agrees to the plan. The vacillation of Christian's feelings for Cyrano is an effective dramatic device that draws the audience closer to Cyrano. When Christian rejects Cyrano's offer of help in preparing a speech about love, the audience is meant to judge Christian as foolish and unappreciative even though they accept that he is only trying to maintain some measure of self-respect. Then when he grovels and asks for Cyrano's help in winning Roxane back, Christian is meant to be judged as weak and pathetic, while Cyrano is seen as generous and helpful."}

Cyrano, Christian. CYRANO: I know all that is needful. Here's occasion For you to deck yourself with glory. Come, Lose no time; put away those sulky looks, Come to your house with me, I'll teach you. . . CHRISTIAN: No! CYRANO: Why? CHRISTIAN: I will wait for Roxane here. CYRANO: How? Crazy? Come quick with me and learn. . . CHRISTIAN: No, no! I say. I am aweary of these borrowed letters, --Borrowed love-makings! Thus to act a part, And tremble all the time!--'Twas well enough At the beginning!--Now I know she loves! I fear no longer!--I will speak myself. CYRANO: Mercy! CHRISTIAN: And how know you I cannot speak?-- I am not such a fool when all is said! I've by your lessons profited. You'll see I shall know how to speak alone! The devil! I know at least to clasp her in my arms! (Seeing Roxane come out from Clomire's house): --It is she! Cyrano, no!--Leave me not! CYRANO (bowing): Speak for yourself, my friend, and take your chance. (He disappears behind the garden wall.)

Scene 4

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano30.asp

Before Roxane and her governess depart for the meeting at Clomire's, she asks Cyrano to tell Christian to await her return. Cyrano asks Roxane what subject she desires Christian to discuss today. She says that she wants him to speak about love, but Cyrano must not let Christian know. Of course, Cyrano tries to prepare Christian for the speech as usual. This time, however, Christian rebels against presenting a borrowed speech, wanting to express his own thoughts. Roxane soon returns from Clomire's, for she has missed the discourse on tenderness. She invites Christian to sit on the bench outside her house and elaborate on his sentiment of love. He fails miserably. Roxane, thinking he is being foolish, is displeased with him. She leaves Christian alone on the bench and enters her house. Cyrano, who has been eavesdropping, comes up to Christian and sarcastically congratulates him. Christian, in utter despair, asks for Cyrano's help in wooing Roxane; but it is too late to train Christian in an appropriate speech. Cyrano, however, comes up with another plan. Christian should stand under Roxane's balcony. Hiding in the darkness out of sight, Cyrano will whisper to Christian what he should say. Christian agrees to the plan. The musical pages appear with their lutes. Cyrano puts them on guard duty. They are to play a happy melody if a woman is approaching and a sad one if a man appears. Then Cyrano throws some pebbles at Roxane's window and tells Christian to call her.

Notes Rostand cleverly reveals the methodology that Christian and Cyrano employ to trick Roxane. Cyrano tries to find out from Roxane what mood she is in and what she would like to discuss with Christian. He then coaches the handsome cadet on what to say. Christian, however, is tired of giving canned speeches to his true love. He rebels and says he wants to talk about the subject of love with Roxane on his own. Not surprisingly, he is a miserable failure. In fact, his performance is so pathetic than he seems almost comic. When Christian cannot express himself, Roxane feels he is being foolish and loses interest in him. Desperate to make amends to her, Christian asks for Cyrano's help. The clever Cyrano, who has no time to coach Christian in an appropriate speech, comes up with an alternative plan. From a hiding place in the darkness, he will whisper to Christian what to say as he stands below Roxane's window. Christian agrees to the plan. The vacillation of Christian's feelings for Cyrano is an effective dramatic device that draws the audience closer to Cyrano. When Christian rejects Cyrano's offer of help in preparing a speech about love, the audience is meant to judge Christian as foolish and unappreciative even though they accept that he is only trying to maintain some measure of self-respect. Then when he grovels and asks for Cyrano's help in winning Roxane back, Christian is meant to be judged as weak and pathetic, while Cyrano is seen as generous and helpful.

pinkmonkey

all_chapterized_books/1254-chapters/26.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_22_part_0.txt

Cyrano De Bergerac.act 3.scene 5

scene 5

{"name": "Scene 5", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano30.asp", "summary": "Before Roxane and her governess depart for the meeting at Clomire's, she asks Cyrano to tell Christian to await her return. Cyrano asks Roxane what subject she desires Christian to discuss today. She says that she wants him to speak about love, but Cyrano must not let Christian know. Of course, Cyrano tries to prepare Christian for the speech as usual. This time, however, Christian rebels against presenting a borrowed speech, wanting to express his own thoughts. Roxane soon returns from Clomire's, for she has missed the discourse on tenderness. She invites Christian to sit on the bench outside her house and elaborate on his sentiment of love. He fails miserably. Roxane, thinking he is being foolish, is displeased with him. She leaves Christian alone on the bench and enters her house. Cyrano, who has been eavesdropping, comes up to Christian and sarcastically congratulates him. Christian, in utter despair, asks for Cyrano's help in wooing Roxane; but it is too late to train Christian in an appropriate speech. Cyrano, however, comes up with another plan. Christian should stand under Roxane's balcony. Hiding in the darkness out of sight, Cyrano will whisper to Christian what he should say. Christian agrees to the plan. The musical pages appear with their lutes. Cyrano puts them on guard duty. They are to play a happy melody if a woman is approaching and a sad one if a man appears. Then Cyrano throws some pebbles at Roxane's window and tells Christian to call her.", "analysis": "Notes Rostand cleverly reveals the methodology that Christian and Cyrano employ to trick Roxane. Cyrano tries to find out from Roxane what mood she is in and what she would like to discuss with Christian. He then coaches the handsome cadet on what to say. Christian, however, is tired of giving canned speeches to his true love. He rebels and says he wants to talk about the subject of love with Roxane on his own. Not surprisingly, he is a miserable failure. In fact, his performance is so pathetic than he seems almost comic. When Christian cannot express himself, Roxane feels he is being foolish and loses interest in him. Desperate to make amends to her, Christian asks for Cyrano's help. The clever Cyrano, who has no time to coach Christian in an appropriate speech, comes up with an alternative plan. From a hiding place in the darkness, he will whisper to Christian what to say as he stands below Roxane's window. Christian agrees to the plan. The vacillation of Christian's feelings for Cyrano is an effective dramatic device that draws the audience closer to Cyrano. When Christian rejects Cyrano's offer of help in preparing a speech about love, the audience is meant to judge Christian as foolish and unappreciative even though they accept that he is only trying to maintain some measure of self-respect. Then when he grovels and asks for Cyrano's help in winning Roxane back, Christian is meant to be judged as weak and pathetic, while Cyrano is seen as generous and helpful."}

Christian, Roxane, the duenna. ROXANE (coming out of Clomire's house, with a company of friends, whom she leaves. Bows and good-byes): Barthenoide!--Alcandre!--Gremione!-- THE DUENNA (bitterly disappointed): We've missed the speech upon the Tender Passion! (Goes into Roxane's house.) ROXANE (still bowing): Urimedonte--adieu! (All bow to Roxane and to each other, and then separate, going up different streets. Roxane suddenly seeing Christian): You! (She goes to him): Evening falls. Let's sit. Speak on. I listen. CHRISTIAN (sits by her on the bench. A silence): Oh! I love you! ROXANE (shutting her eyes): Ay, speak to me of love. CHRISTIAN: I love thee! ROXANE: That's The theme! But vary it. CHRISTIAN: I. . . ROXANE: Vary it! CHRISTIAN: I love you so! ROXANE: Oh! without doubt!--and then?. . . CHRISTIAN: And then--I should be--oh!--so glad--so glad If you would love me!--Roxane, tell me so! ROXANE (with a little grimace): I hoped for cream,--you give me gruel! Say How love possesses you? CHRISTIAN: Oh utterly! ROXANE: Come, come!. . .unknot those tangled sentiments! CHRISTIAN: Your throat I'd kiss it! ROXANE: Christian! CHRISTIAN: I love thee! ROXANE (half-rising): Again! CHRISTIAN (eagerly, detaining her): No, no! I love thee not! ROXANE (reseating herself): 'Tis well! CHRISTIAN: But I adore thee! ROXANE (rising, and going further off): Oh! CHRISTIAN: I am grown stupid! ROXANE (dryly): And that displeases me, almost as much As 'twould displease me if you grew ill-favored. CHRISTIAN: But. . . ROXANE: Rally your poor eloquence that's flown! CHRISTIAN: I. . . ROXANE: Yes, you love me, that I know. Adieu. (She goes toward her house.) CHRISTIAN: Oh, go not yet! I'd tell you-- ROXANE (opening the door): You adore me? I've heard it very oft. No!--Go away! CHRISTIAN: But I would fain. . . (She shuts the door in his face.) CYRANO (who has re-entered unseen): I' faith! It is successful!

Scene 5

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano30.asp

Before Roxane and her governess depart for the meeting at Clomire's, she asks Cyrano to tell Christian to await her return. Cyrano asks Roxane what subject she desires Christian to discuss today. She says that she wants him to speak about love, but Cyrano must not let Christian know. Of course, Cyrano tries to prepare Christian for the speech as usual. This time, however, Christian rebels against presenting a borrowed speech, wanting to express his own thoughts. Roxane soon returns from Clomire's, for she has missed the discourse on tenderness. She invites Christian to sit on the bench outside her house and elaborate on his sentiment of love. He fails miserably. Roxane, thinking he is being foolish, is displeased with him. She leaves Christian alone on the bench and enters her house. Cyrano, who has been eavesdropping, comes up to Christian and sarcastically congratulates him. Christian, in utter despair, asks for Cyrano's help in wooing Roxane; but it is too late to train Christian in an appropriate speech. Cyrano, however, comes up with another plan. Christian should stand under Roxane's balcony. Hiding in the darkness out of sight, Cyrano will whisper to Christian what he should say. Christian agrees to the plan. The musical pages appear with their lutes. Cyrano puts them on guard duty. They are to play a happy melody if a woman is approaching and a sad one if a man appears. Then Cyrano throws some pebbles at Roxane's window and tells Christian to call her.

Notes Rostand cleverly reveals the methodology that Christian and Cyrano employ to trick Roxane. Cyrano tries to find out from Roxane what mood she is in and what she would like to discuss with Christian. He then coaches the handsome cadet on what to say. Christian, however, is tired of giving canned speeches to his true love. He rebels and says he wants to talk about the subject of love with Roxane on his own. Not surprisingly, he is a miserable failure. In fact, his performance is so pathetic than he seems almost comic. When Christian cannot express himself, Roxane feels he is being foolish and loses interest in him. Desperate to make amends to her, Christian asks for Cyrano's help. The clever Cyrano, who has no time to coach Christian in an appropriate speech, comes up with an alternative plan. From a hiding place in the darkness, he will whisper to Christian what to say as he stands below Roxane's window. Christian agrees to the plan. The vacillation of Christian's feelings for Cyrano is an effective dramatic device that draws the audience closer to Cyrano. When Christian rejects Cyrano's offer of help in preparing a speech about love, the audience is meant to judge Christian as foolish and unappreciative even though they accept that he is only trying to maintain some measure of self-respect. Then when he grovels and asks for Cyrano's help in winning Roxane back, Christian is meant to be judged as weak and pathetic, while Cyrano is seen as generous and helpful.

pinkmonkey

all_chapterized_books/1254-chapters/27.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_23_part_0.txt

Cyrano De Bergerac.act 3.scene 6

scene 6

{"name": "Scene 6", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano30.asp", "summary": "Before Roxane and her governess depart for the meeting at Clomire's, she asks Cyrano to tell Christian to await her return. Cyrano asks Roxane what subject she desires Christian to discuss today. She says that she wants him to speak about love, but Cyrano must not let Christian know. Of course, Cyrano tries to prepare Christian for the speech as usual. This time, however, Christian rebels against presenting a borrowed speech, wanting to express his own thoughts. Roxane soon returns from Clomire's, for she has missed the discourse on tenderness. She invites Christian to sit on the bench outside her house and elaborate on his sentiment of love. He fails miserably. Roxane, thinking he is being foolish, is displeased with him. She leaves Christian alone on the bench and enters her house. Cyrano, who has been eavesdropping, comes up to Christian and sarcastically congratulates him. Christian, in utter despair, asks for Cyrano's help in wooing Roxane; but it is too late to train Christian in an appropriate speech. Cyrano, however, comes up with another plan. Christian should stand under Roxane's balcony. Hiding in the darkness out of sight, Cyrano will whisper to Christian what he should say. Christian agrees to the plan. The musical pages appear with their lutes. Cyrano puts them on guard duty. They are to play a happy melody if a woman is approaching and a sad one if a man appears. Then Cyrano throws some pebbles at Roxane's window and tells Christian to call her.", "analysis": "Notes Rostand cleverly reveals the methodology that Christian and Cyrano employ to trick Roxane. Cyrano tries to find out from Roxane what mood she is in and what she would like to discuss with Christian. He then coaches the handsome cadet on what to say. Christian, however, is tired of giving canned speeches to his true love. He rebels and says he wants to talk about the subject of love with Roxane on his own. Not surprisingly, he is a miserable failure. In fact, his performance is so pathetic than he seems almost comic. When Christian cannot express himself, Roxane feels he is being foolish and loses interest in him. Desperate to make amends to her, Christian asks for Cyrano's help. The clever Cyrano, who has no time to coach Christian in an appropriate speech, comes up with an alternative plan. From a hiding place in the darkness, he will whisper to Christian what to say as he stands below Roxane's window. Christian agrees to the plan. The vacillation of Christian's feelings for Cyrano is an effective dramatic device that draws the audience closer to Cyrano. When Christian rejects Cyrano's offer of help in preparing a speech about love, the audience is meant to judge Christian as foolish and unappreciative even though they accept that he is only trying to maintain some measure of self-respect. Then when he grovels and asks for Cyrano's help in winning Roxane back, Christian is meant to be judged as weak and pathetic, while Cyrano is seen as generous and helpful."}

Christian, Cyrano, two pages. CHRISTIAN: Come to my aid! CYRANO: Not I! CHRISTIAN: But I shall die, Unless at once I win back her fair favor. CYRANO: And how can I, at once, i' th' devil's name, Lesson you in. . . CHRISTIAN (seizing his arm): Oh, she is there! (The window of the balcony is now lighted up.) CYRANO (moved): Her window! CHRISTIAN: Oh! I shall die! CYRANO: Speak lower! CHRISTIAN (in a whisper): I shall die! CYRANO: The night is dark. . . CHRISTIAN: Well! CYRANO: All can be repaired. Although you merit not. Stand there, poor wretch! Fronting the balcony! I'll go beneath And prompt your words to you. . . CHRISTIAN: But. . . CYRANO: Hold your tongue! THE PAGES (reappearing at back--to Cyrano): Ho! CYRANO: Hush! (He signs to them to speak softly.) FIRST PAGE (in a low voice): We've played the serenade you bade To Montfleury! CYRANO (quickly, in a low voice): Go! lurk in ambush there, One at this street corner, and one at that; And if a passer-by should here intrude, Play you a tune! SECOND PAGE: What tune, Sir Gassendist? CYRANO: Gay, if a woman comes,--for a man, sad! (The pages disappear, one at each street corner. To Christian): Call her! CHRISTIAN: Roxane! CYRANO (picking up stones and throwing them at the window): Some pebbles! wait awhile! ROXANE (half-opening the casement): Who calls me? CHRISTIAN: I! ROXANE: Who's that? CHRISTIAN: Christian! ROXANE (disdainfully): Oh! you? CHRISTIAN: I would speak with you. CYRANO (under the balcony--to Christian): Good. Speak soft and low. ROXANE: No, you speak stupidly! CHRISTIAN: Oh, pity me! ROXANE: No! you love me no more! CHRISTIAN (prompted by Cyrano): You say--Great Heaven! I love no more?--when--I--love more and more! ROXANE (who was about to shut the casement, pausing): Hold! 'tis a trifle better! ay, a trifle! CHRISTIAN (same play): Love grew apace, rocked by the anxious beating. . . Of this poor heart, which the cruel wanton boy. . . Took for a cradle! ROXANE (coming out on to the balcony): That is better! But An if you deem that Cupid be so cruel You should have stifled baby-love in's cradle! CHRISTIAN (same play): Ah, Madame, I assayed, but all in vain This. . .new-born babe is a young. . .Hercules! ROXANE: Still better! CHRISTIAN (same play): Thus he strangled in my heart The. . .serpents twain, of. . .Pride. . .and Doubt! ROXANE (leaning over the balcony): Well said! --But why so faltering? Has mental palsy Seized on your faculty imaginative? CYRANO (drawing Christian under the balcony, and slipping into his place): Give place! This waxes critical!. . . ROXANE: To-day. . . Your words are hesitating. CYRANO (imitating Christian--in a whisper): Night has come. . . In the dusk they grope their way to find your ear. ROXANE: But my words find no such impediment. CYRANO: They find their way at once? Small wonder that! For 'tis within my heart they find their home; Bethink how large my heart, how small your ear! And,--from fair heights descending, words fall fast, But mine must mount, Madame, and that takes time! ROXANE: Meseems that your last words have learned to climb. CYRANO: With practice such gymnastic grows less hard! ROXANE: In truth, I seem to speak from distant heights! CYRANO: True, far above; at such a height 'twere death If a hard word from you fell on my heart. ROXANE (moving): I will come down. . . CYRANO (hastily): No! ROXANE (showing him the bench under the balcony): Mount then on the bench! CYRANO (starting back alarmed): No! ROXANE: How, you will not? CYRANO (more and more moved): Stay awhile! 'Tis sweet,. . . The rare occasion, when our hearts can speak Our selves unseen, unseeing! ROXANE: Why--unseen? CYRANO: Ay, it is sweet! Half hidden,--half revealed-- You see the dark folds of my shrouding cloak, And I, the glimmering whiteness of your dress: I but a shadow--you a radiance fair! Know you what such a moment holds for me? If ever I were eloquent. . . ROXANE: You were! CYRANO: Yet never till to-night my speech has sprung Straight from my heart as now it springs. ROXANE: Why not? CYRANO: Till now I spoke haphazard. . . ROXANE: What? CYRANO: Your eyes Have beams that turn men dizzy!--But to-night Methinks I shall find speech for the first time! ROXANE: 'Tis true, your voice rings with a tone that's new. CYRANO (coming nearer, passionately): Ay, a new tone! In the tender, sheltering dusk I dare to be myself for once,--at last! (He stops, falters): What say I? I know not!--Oh, pardon me-- It thrills me,--'tis so sweet, so novel. . . ROXANE: How? So novel? CYRANO (off his balance, trying to find the thread of his sentence): Ay,--to be at last sincere; Till now, my chilled heart, fearing to be mocked. . . ROXANE: Mocked, and for what? CYRANO: For its mad beating!--Ay, My heart has clothed itself with witty words, To shroud itself from curious eyes:--impelled At times to aim at a star, I stay my hand, And, fearing ridicule,--cull a wild flower! ROXANE: A wild flower's sweet. CYRANO: Ay, but to-night--the star! ROXANE: Oh! never have you spoken thus before! CYRANO: If, leaving Cupid's arrows, quivers, torches, We turned to seek for sweeter--fresher things! Instead of sipping in a pygmy glass Dull fashionable waters,--did we try How the soul slakes its thirst in fearless draught By drinking from the river's flooding brim! ROXANE: But wit?. . . CYRANO: If I have used it to arrest you At the first starting,--now, 'twould be an outrage, An insult--to the perfumed Night--to Nature-- To speak fine words that garnish vain love-letters! Look up but at her stars! The quiet Heaven Will ease our hearts of all things artificial; I fear lest, 'midst the alchemy we're skilled in The truth of sentiment dissolve and vanish,-- The soul exhausted by these empty pastimes, The gain of fine things be the loss of all things! ROXANE: But wit? I say. . . CYRANO: In love 'tis crime,--'tis hateful! Turning frank loving into subtle fencing! At last the moment comes, inevitable,-- --Oh, woe for those who never know that moment! When feeling love exists in us, ennobling, Each well-weighed word is futile and soul-saddening! ROXANE: Well, if that moment's come for us--suppose it! What words would serve you? CYRANO: All, all, all, whatever That came to me, e'en as they came, I'd fling them In a wild cluster, not a careful bouquet. I love thee! I am mad! I love, I stifle! Thy name is in my heart as in a sheep-bell, And as I ever tremble, thinking of thee, Ever the bell shakes, ever thy name ringeth! All things of thine I mind, for I love all things; I know that last year on the twelfth of May-month, To walk abroad, one day you changed your hair-plaits! I am so used to take your hair for daylight That,--like as when the eye stares on the sun's disk, One sees long after a red blot on all things-- So, when I quit thy beams, my dazzled vision Sees upon all things a blonde stain imprinted. ROXANE (agitated): Why, this is love indeed!. . . CYRANO: Ay, true, the feeling Which fills me, terrible and jealous, truly Love,--which is ever sad amid its transports! Love,--and yet, strangely, not a selfish passion! I for your joy would gladly lay mine own down, --E'en though you never were to know it,--never! --If but at times I might--far off and lonely,-- Hear some gay echo of the joy I bought you! Each glance of thine awakes in me a virtue,-- A novel, unknown valor. Dost begin, sweet, To understand? So late, dost understand me? Feel'st thou my soul, here, through the darkness mounting? Too fair the night! Too fair, too fair the moment! That I should speak thus, and that you should hearken! Too fair! In moments when my hopes rose proudest, I never hoped such guerdon. Naught is left me But to die now! Have words of mine the power To make you tremble,--throned there in the branches? Ay, like a leaf among the leaves, you tremble! You tremble! For I feel,--an if you will it, Or will it not,--your hand's beloved trembling Thrill through the branches, down your sprays of jasmine! (He kisses passionately one of the hanging tendrils.) ROXANE: Ay! I am trembling, weeping!--I am thine! Thou hast conquered all of me! CYRANO: Then let death come! 'Tis I, 'tis I myself, who conquered thee! One thing, but one, I dare to ask-- CHRISTIAN (under the balcony): A kiss! ROXANE (drawing back): What? CYRANO: Oh! ROXANE: You ask. . .? CYRANO: I. . . (To Christian, whispering): Fool! you go too quick! CHRISTIAN: Since she is moved thus--I will profit by it! CYRANO (to Roxane): My words sprang thoughtlessly, but now I see-- Shame on me!--I was too presumptuous. ROXANE (a little chilled): How quickly you withdraw. CYRANO: Yes, I withdraw Without withdrawing! Hurt I modesty? If so--the kiss I asked--oh, grant it not. CHRISTIAN (to Cyrano, pulling him by his cloak): Why? CYRANO: Silence, Christian! Hush! ROXANE (leaning over): What whisper you? CYRANO: I chid myself for my too bold advances; Said, 'Silence, Christian!' (The lutes begin to play): Hark! Wait awhile,. . . Steps come! (Roxane shuts the window. Cyrano listens to the lutes, one of which plays a merry, the other a melancholy, tune): Why, they play sad--then gay--then sad! What? Neither man nor woman?--oh! a monk! (Enter a capuchin friar, with a lantern. He goes from house to house, looking at every door.)

Scene 6

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano30.asp

Before Roxane and her governess depart for the meeting at Clomire's, she asks Cyrano to tell Christian to await her return. Cyrano asks Roxane what subject she desires Christian to discuss today. She says that she wants him to speak about love, but Cyrano must not let Christian know. Of course, Cyrano tries to prepare Christian for the speech as usual. This time, however, Christian rebels against presenting a borrowed speech, wanting to express his own thoughts. Roxane soon returns from Clomire's, for she has missed the discourse on tenderness. She invites Christian to sit on the bench outside her house and elaborate on his sentiment of love. He fails miserably. Roxane, thinking he is being foolish, is displeased with him. She leaves Christian alone on the bench and enters her house. Cyrano, who has been eavesdropping, comes up to Christian and sarcastically congratulates him. Christian, in utter despair, asks for Cyrano's help in wooing Roxane; but it is too late to train Christian in an appropriate speech. Cyrano, however, comes up with another plan. Christian should stand under Roxane's balcony. Hiding in the darkness out of sight, Cyrano will whisper to Christian what he should say. Christian agrees to the plan. The musical pages appear with their lutes. Cyrano puts them on guard duty. They are to play a happy melody if a woman is approaching and a sad one if a man appears. Then Cyrano throws some pebbles at Roxane's window and tells Christian to call her.

Notes Rostand cleverly reveals the methodology that Christian and Cyrano employ to trick Roxane. Cyrano tries to find out from Roxane what mood she is in and what she would like to discuss with Christian. He then coaches the handsome cadet on what to say. Christian, however, is tired of giving canned speeches to his true love. He rebels and says he wants to talk about the subject of love with Roxane on his own. Not surprisingly, he is a miserable failure. In fact, his performance is so pathetic than he seems almost comic. When Christian cannot express himself, Roxane feels he is being foolish and loses interest in him. Desperate to make amends to her, Christian asks for Cyrano's help. The clever Cyrano, who has no time to coach Christian in an appropriate speech, comes up with an alternative plan. From a hiding place in the darkness, he will whisper to Christian what to say as he stands below Roxane's window. Christian agrees to the plan. The vacillation of Christian's feelings for Cyrano is an effective dramatic device that draws the audience closer to Cyrano. When Christian rejects Cyrano's offer of help in preparing a speech about love, the audience is meant to judge Christian as foolish and unappreciative even though they accept that he is only trying to maintain some measure of self-respect. Then when he grovels and asks for Cyrano's help in winning Roxane back, Christian is meant to be judged as weak and pathetic, while Cyrano is seen as generous and helpful.

pinkmonkey

all_chapterized_books/1254-chapters/28.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_24_part_0.txt

Cyrano De Bergerac.act 3.scene 7

scene 7

{"name": "Scene 7", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano31.asp", "summary": "As planned, Christian stands under Roxane's balcony and repeats the words that Cyrano tells him from his hiding place in the darkness. Although it is a wonderful figurative speech about love and its effects, Roxane is not pleased with its delivery. Christian speaks very haltingly, for he must constantly wait for Cyrano's prompting. Realizing what is happening, Cyrano, still under the cover of darkness, takes over. He imitates Christian's voice and gives full vent to his great passion in brilliant poetic imagery. In the end, he gives a sincere confession of his great love and what he would do for Roxane. She responds by declaring her intoxication for him. At this point, Christian jumps back in and asks for a kiss. Roxane responds by drawing back. The awkwardness of the moment is relieved when suddenly the pages play their warning music. Since it seems to be both a happy and sad tune at once, Cyrano fails to understand whether the person approaching is a man or a woman. He understands, however, when he sees a Capuchin monk, a rather sexless figure, coming towards him.", "analysis": "Notes This humorous balcony scene, filled with dramatic irony, has become quite famous. Cyrano hides in the darkness marvelously expressing his true emotions for Roxane. His speech is filled with sensory images and comparisons, such as calling his heart a bell. It is Christian, however, who delivers the words of love to Roxane. Of course, since he has to wait for Cyrano's prompting, Christian's delivery of the message is very poor; he continually halts and hesitates. Not able to stand his own words being butchered, Cyrano jumps in. Disguising his voice to sound like Christian, he actually tells Roxane how he feels for her. Roxane, of course, thinks it is Christian speaking. Roxane is intoxicated by Cyrano's lovely words and expresses her feelings of love. Sadly, the words of love are aimed at Christian. The irony of the scene is obvious. Cyrano has longed to woo Roxane, whom he dearly loves, but he is too ashamed of his ugly appearance to approach her. Now he has the golden opportunity to speak his true emotions from the heart - first with Christian as the mouthpiece and then using his own disguised voice. He has dreamed about being able to express his love directly to Roxane, but he never believed it would happen. Now that he is speaking to her, even though it under cover of darkness and hypocrisy, he gets carried away. It is surprising that a close analysis of Cyrano's words reveal that he is skeptical of the ability of language to convey emotions. Half way through his romantic discourse he calls it \"daintily sipping stale sentimentality from ornate golden cups\" and tries to turn to \"fresher things\" from the river of love. Rostand, through Cyrano, shows that he is well aware of some of the trite images he has used, and his purpose seems to be as much to educate the audience about pretentious language as to turn Roxane's attention from sentimentality to a deeper more sincere expression of emotion. Just as the scene seems to reach excess, the talented Rostand makes Christian interrupt. He shocks Roxane by asking her for a kiss, which she refuses to give. The awkwardness of the moment is cleverly dispelled by the re-entry of the musical pages. When they see a Capuchin monk approaching, they want to play a musical warning, as they promised they would do; however, since they cannot decide whether to play a happy song, indicating a female, or a sad song, indicating a male, they play a song that is both happy and sad. Cyrano is totally confused until he sees the monk approaching. He then understands the mixed signal of the musicians."}

Cyrano, Christian, a capuchin friar. CYRANO (to the friar): What do you, playing at Diogenes? THE FRIAR: I seek the house of Madame. . . CHRISTIAN: Oh! plague take him! THE FRIAR: Madeleine Robin. . . CHRISTIAN: What would he?. . . CYRANO (pointing to a street at the back): This way! Straight on. . . THE FRIAR I thank you, and, in your intention Will tell my rosary to its last bead. (He goes out.) CYRANO: Good luck! My blessings rest upon your cowl! (He goes back to Christian.)

Scene 7

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano31.asp

As planned, Christian stands under Roxane's balcony and repeats the words that Cyrano tells him from his hiding place in the darkness. Although it is a wonderful figurative speech about love and its effects, Roxane is not pleased with its delivery. Christian speaks very haltingly, for he must constantly wait for Cyrano's prompting. Realizing what is happening, Cyrano, still under the cover of darkness, takes over. He imitates Christian's voice and gives full vent to his great passion in brilliant poetic imagery. In the end, he gives a sincere confession of his great love and what he would do for Roxane. She responds by declaring her intoxication for him. At this point, Christian jumps back in and asks for a kiss. Roxane responds by drawing back. The awkwardness of the moment is relieved when suddenly the pages play their warning music. Since it seems to be both a happy and sad tune at once, Cyrano fails to understand whether the person approaching is a man or a woman. He understands, however, when he sees a Capuchin monk, a rather sexless figure, coming towards him.

Notes This humorous balcony scene, filled with dramatic irony, has become quite famous. Cyrano hides in the darkness marvelously expressing his true emotions for Roxane. His speech is filled with sensory images and comparisons, such as calling his heart a bell. It is Christian, however, who delivers the words of love to Roxane. Of course, since he has to wait for Cyrano's prompting, Christian's delivery of the message is very poor; he continually halts and hesitates. Not able to stand his own words being butchered, Cyrano jumps in. Disguising his voice to sound like Christian, he actually tells Roxane how he feels for her. Roxane, of course, thinks it is Christian speaking. Roxane is intoxicated by Cyrano's lovely words and expresses her feelings of love. Sadly, the words of love are aimed at Christian. The irony of the scene is obvious. Cyrano has longed to woo Roxane, whom he dearly loves, but he is too ashamed of his ugly appearance to approach her. Now he has the golden opportunity to speak his true emotions from the heart - first with Christian as the mouthpiece and then using his own disguised voice. He has dreamed about being able to express his love directly to Roxane, but he never believed it would happen. Now that he is speaking to her, even though it under cover of darkness and hypocrisy, he gets carried away. It is surprising that a close analysis of Cyrano's words reveal that he is skeptical of the ability of language to convey emotions. Half way through his romantic discourse he calls it "daintily sipping stale sentimentality from ornate golden cups" and tries to turn to "fresher things" from the river of love. Rostand, through Cyrano, shows that he is well aware of some of the trite images he has used, and his purpose seems to be as much to educate the audience about pretentious language as to turn Roxane's attention from sentimentality to a deeper more sincere expression of emotion. Just as the scene seems to reach excess, the talented Rostand makes Christian interrupt. He shocks Roxane by asking her for a kiss, which she refuses to give. The awkwardness of the moment is cleverly dispelled by the re-entry of the musical pages. When they see a Capuchin monk approaching, they want to play a musical warning, as they promised they would do; however, since they cannot decide whether to play a happy song, indicating a female, or a sad song, indicating a male, they play a song that is both happy and sad. Cyrano is totally confused until he sees the monk approaching. He then understands the mixed signal of the musicians.

pinkmonkey

all_chapterized_books/1254-chapters/29.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_25_part_0.txt

Cyrano De Bergerac.act 3.scene 8

scene 8

{"name": "Scene 8", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano32.asp", "summary": "The monk is looking for Roxane's house, but Cyrano coolly and cleverly misdirects him. The monk blesses Cyrano and goes merrily on his way. Christian reminds Cyrano to ask Roxane for a kiss once again. Although the audience realizes that the embrace will be painful for Cyrano, he sees the inevitability of these two attractive young people coming together. He also knows that his words have made their coming together a reality.", "analysis": "Notes The Capuchin monk being misdirected and then blessing Cyrano for his guidance is a light, humorous moment in the play. The moment is spoiled with Christian's insistence on receiving a kiss from Roxane. He instructs Cyrano that he needs to again speak in the voice of Christian and ask Roxane for the embrace one more time. Cyrano's resigned tone and his checked hope are both aimed at making the audience sympathize with Cyrano, who is the more deserving person."}

Cyrano, Christian. CHRISTIAN: Oh! win for me that kiss. . . CYRANO: No! CHRISTIAN: Soon or late!. . . CYRANO: 'Tis true! The moment of intoxication-- Of madness,--when your mouths are sure to meet Thanks to your fair mustache--and her rose lips! (To himself): I'd fainer it should come thanks to. . . (A sound of shutters reopening. Christian goes in again under the balcony.)

Scene 8

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano32.asp

The monk is looking for Roxane's house, but Cyrano coolly and cleverly misdirects him. The monk blesses Cyrano and goes merrily on his way. Christian reminds Cyrano to ask Roxane for a kiss once again. Although the audience realizes that the embrace will be painful for Cyrano, he sees the inevitability of these two attractive young people coming together. He also knows that his words have made their coming together a reality.

Notes The Capuchin monk being misdirected and then blessing Cyrano for his guidance is a light, humorous moment in the play. The moment is spoiled with Christian's insistence on receiving a kiss from Roxane. He instructs Cyrano that he needs to again speak in the voice of Christian and ask Roxane for the embrace one more time. Cyrano's resigned tone and his checked hope are both aimed at making the audience sympathize with Cyrano, who is the more deserving person.

pinkmonkey

all_chapterized_books/1254-chapters/30.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_26_part_0.txt

Cyrano De Bergerac.act 3.scene 9

scene 9

{"name": "Scene 9", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano32.asp", "summary": "The monk is looking for Roxane's house, but Cyrano coolly and cleverly misdirects him. The monk blesses Cyrano and goes merrily on his way. Christian reminds Cyrano to ask Roxane for a kiss once again. Although the audience realizes that the embrace will be painful for Cyrano, he sees the inevitability of these two attractive young people coming together. He also knows that his words have made their coming together a reality.", "analysis": "Notes The Capuchin monk being misdirected and then blessing Cyrano for his guidance is a light, humorous moment in the play. The moment is spoiled with Christian's insistence on receiving a kiss from Roxane. He instructs Cyrano that he needs to again speak in the voice of Christian and ask Roxane for the embrace one more time. Cyrano's resigned tone and his checked hope are both aimed at making the audience sympathize with Cyrano, who is the more deserving person."}

Cyrano, Christian, Roxane. ROXANE (coming out on the balcony): Still there? We spoke of a. . . CYRANO: A kiss! The word is sweet. I see not why your lip should shrink from it; If the word burns it,--what would the kiss do? Oh! let it not your bashfulness affright; Have you not, all this time, insensibly, Left badinage aside, and unalarmed Glided from smile to sigh,--from sigh to weeping? Glide gently, imperceptibly, still onward-- From tear to kiss,--a moment's thrill!--a heartbeat! ROXANE: Hush! hush! CYRANO: A kiss, when all is said,--what is it? An oath that's ratified,--a sealed promise, A heart's avowal claiming confirmation,-- A rose-dot on the 'i' of 'adoration,'-- A secret that to mouth, not ear, is whispered,-- Brush of a bee's wing, that makes time eternal,-- Communion perfumed like the spring's wild flowers,-- The heart's relieving in the heart's outbreathing, When to the lips the soul's flood rises, brimming! ROXANE: Hush! hush! CYRANO: A kiss, Madame, is honorable: The Queen of France, to a most favored lord Did grant a kiss--the Queen herself! ROXANE: What then? CYRANO (speaking more warmly): Buckingham suffered dumbly,--so have I,-- Adored his Queen, as loyally as I,-- Was sad, but faithful,--so am I. . . ROXANE: And you Are fair as Buckingham! CYRANO (aside--suddenly cooled): True,--I forgot! ROXANE: Must I then bid thee mount to cull this flower? CYRANO (pushing Christian toward the balcony): Mount! ROXANE: This heart-breathing!. . . CYRANO: Mount! ROXANE: This brush of bee's wing!. . . CYRANO: Mount! CHRISTIAN (hesitating): But I feel now, as though 'twere ill done! ROXANE: This moment infinite!. . . CYRANO (still pushing him): Come, blockhead, mount! (Christian springs forward, and by means of the bench, the branches, and the pillars, climbs to the balcony and strides over it.) CHRISTIAN: Ah, Roxane! (He takes her in his arms, and bends over her lips.) CYRANO: Aie! Strange pain that wrings my heart! The kiss, love's feast, so near! I, Lazarus, Lie at the gate in darkness. Yet to me Falls still a crumb or two from the rich man's board-- Ay, 'tis my heart receives thee, Roxane--mine! For on the lips you press you kiss as well The words I spoke just now!--my words--my words! (The lutes play): A sad air,--a gay air: the monk! (He begins to run as if he came from a long way off, and cries out): Hola! ROXANE: Who is it? CYRANO: I--I was but passing by. . . Is Christian there? CHRISTIAN (astonished): Cyrano! ROXANE: Good-day, cousin! CYRANO: Cousin, good-day! ROXANE: I'm coming! (She disappears into the house. At the back re-enter the friar.) CHRISTIAN (seeing him): Back again! (He follows Roxane.)

Scene 9

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano32.asp

The monk is looking for Roxane's house, but Cyrano coolly and cleverly misdirects him. The monk blesses Cyrano and goes merrily on his way. Christian reminds Cyrano to ask Roxane for a kiss once again. Although the audience realizes that the embrace will be painful for Cyrano, he sees the inevitability of these two attractive young people coming together. He also knows that his words have made their coming together a reality.

Notes The Capuchin monk being misdirected and then blessing Cyrano for his guidance is a light, humorous moment in the play. The moment is spoiled with Christian's insistence on receiving a kiss from Roxane. He instructs Cyrano that he needs to again speak in the voice of Christian and ask Roxane for the embrace one more time. Cyrano's resigned tone and his checked hope are both aimed at making the audience sympathize with Cyrano, who is the more deserving person.

pinkmonkey

all_chapterized_books/1254-chapters/31.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_27_part_0.txt

Cyrano De Bergerac.act 3.scene 10

scene 10

{"name": "Scene 10", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano33.asp", "summary": "When Roxane opens the window again, Cyrano resumes talking in Christian's voice, giving a charming dissertation on a kiss. Roxane is so stirred by the words that she wants Christian to immediately come up and give her that \"matchless flower... of communion.\" Cyrano pushes Christian up towards the balcony so Christian can kiss the true love of them both. Cyrano interrupts Roxane and Christian, for the monk is returning, as signaled by the pages. Roxane offers to come down and see the monk, who is angry for being misled by Cyrano. The monk has been trying to find Roxane, for he has a letter for her, written and sent by De Guiche. Roxane reads the letter. De Guiche explains that he has not gone to Arras; instead, he has stayed behind in order to visit with Roxane, who is horrified at the news. She decides to do something rash. She will take advantage of the moment and the monk's presence. She tells the monk that the letter instructs him to marry her to Christian at once, for Cardinal Richelieu has ordered it. She pretends to oppose the idea and seems to be reluctant to go into the house to be married. Of course, she has really masterminded the whole thing. As she enters the house for the wedding, Roxane turns to Cyrano and asks him to delay De Guiche's arrival.", "analysis": "Notes The dramatic irony of the play continues to build in these scenes. While expounding on the meaning of a kiss in Christian's voice, Cyrano is really declaring his own love for Roxane. He states that a kiss is \"a seal on the pact that has already been signed\" and \"a secret told to the mouth rather than the ear.\" He then speaks of a kiss as \"the hush of eternity\" and the \"fragrance of a flower,\" word images that reveal how Cyrano can fuse the senses into a total experience of sound and smell. The words of Cyrano, spoken by Christian, are so moving that Roxane calls Christian to come up on her balcony and give her a kiss at once. The kind Cyrano, whose heart must be breaking, gives Christian a boost to get up on the balcony so he can seal his love for Roxane. As the handsome couple embraces, Cyrano vicariously experiences the kiss, knowing that Roxane is rewarding Christian because of Cyrano's words. He also accepts the inevitability of an attraction between this handsome man and woman. Neither Cyrano nor Christian is prepared for what happens next. When the monk returns and gives Roxane a letter from De Guiche, she cleverly comes up with an astounding plan. Although the letter states that De Guiche has not gone to Arras in order to be with Roxane, she tells the monk that the letter states that she should marry Christian immediately, on the orders of Cardinal Richelieu. She proves she is a good actress, for she pretends to be very reluctant to go inside and have the monk carry out the orders. The simple-minded monk is tricked once again. He goes inside to perform the ceremony while Cyrano waits outside to delay De Guiche, as Roxane has asked him to do. It is not perfectly clear why Roxane decides to marry Christian in haste. Although the words of Cyrano and the kiss of Christian have raised her to a feverish pitch, she is normally a clever and intelligent woman. Unless love has totally clouded her mind, it must be assumed that she is frightened by the intentions of De Guiche, whom she knows is a very powerful man who usually gets his way. By marrying Christian, she can put a real roadblock in De Guiche's plans for her. And of course, she has always found Christian extremely attractive, ever since the moment she first laid eyes on him in the theater in the first act."}

Cyrano, Christian, Roxane, the friar, Ragueneau. THE FRIAR: 'Tis here,--I'm sure of it--Madame Madeleine Robin. CYRANO: Why, you said Ro-LIN. THE FRIAR: No, not I. B,I,N,BIN! ROXANE (appearing on the threshold, followed by Ragueneau, who carries a lantern, and Christian): What is't? THE FRIAR: A letter. CHRISTIAN: What? THE FRIAR (to Roxane): Oh, it can boot but a holy business! 'Tis from a worthy lord. . . ROXANE (to Christian): De Guiche! CHRISTIAN: He dares. . . ROXANE: Oh, he will not importune me forever! (Unsealing the letter): I love you,--therefore-- (She reads in a low voice by the aid of Ragueneau's lantern): 'Lady, The drums beat; My regiment buckles its harness on And starts; but I,--they deem me gone before-- But I stay. I have dared to disobey Your mandate. I am here in convent walls. I come to you to-night. By this poor monk-- A simple fool who knows not what he bears-- I send this missive to apprise your ear. Your lips erewhile have smiled on me, too sweet: I go not ere I've seen them once again! I would be private; send each soul away, Receive alone him,--whose great boldness you Have deigned, I hope, to pardon, ere he asks,-- He who is ever your--et cetera.' (To the monk): Father, this is the matter of the letter:-- (All come near her, and she reads aloud): 'Lady, The Cardinal's wish is law; albeit It be to you unwelcome. For this cause I send these lines--to your fair ear addressed-- By a holy man, discreet, intelligent: It is our will that you receive from him, In your own house, the marriage (She turns the page): benediction Straightway, this night. Unknown to all the world Christian becomes your husband. Him we send. He is abhorrent to your choice. Let be. Resign yourself, and this obedience Will be by Heaven well recompensed. Receive, Fair lady, all assurance of respect, From him who ever was, and still remains, Your humble and obliged--et cetera.' THE FRIAR (with great delight): O worthy lord! I knew naught was to fear; It could be but holy business! ROXANE (to Christian, in a low voice): Am I not apt at reading letters? CHRISTIAN: Hum! ROXANE (aloud, with despair): But this is horrible! THE FRIAR (who has turned his lantern on Cyrano): 'Tis you? CHRISTIAN: 'Tis I! THE FRIAR (turning the light on to him, and as if a doubt struck him on seeing his beauty): But. . . ROXANE (quickly): I have overlooked the postscript--see:-- 'Give twenty pistoles for the Convent.' THE FRIAR: . . .Oh! Most worthy lord! (To Roxane): Submit you? ROXANE (with a martyr's look): I submit! (While Ragueneau opens the door, and Christian invites the friar to enter, she whispers to Cyrano): Oh, keep De Guiche at bay! He will be here! Let him not enter till. . . CYRANO: I understand! (To the friar): What time need you to tie the marriage-knot? THE FRIAR: A quarter of an hour. CYRANO (pushing them all toward the house): Go! I stay. ROXANE (to Christian): Come!. . . (They enter.) CYRANO: Now, how to detain De Guiche so long? (He jumps on the bench, climbs to the balcony by the wall): Come!. . .up I go!. . .I have my plan!. . . (The lutes begin to play a very sad air): What, ho! (The tremolo grows more and more weird): It is a man! ay! 'tis a man this time! (He is on the balcony, pulls his hat over his eyes, takes off his sword, wraps himself in his cloak, then leans over): 'Tis not too high! (He strides across the balcony, and drawing to him a long branch of one of the trees that are by the garden wall, he hangs on to it with both hands, ready to let himself fall): I'll shake this atmosphere!

Scene 10

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano33.asp

When Roxane opens the window again, Cyrano resumes talking in Christian's voice, giving a charming dissertation on a kiss. Roxane is so stirred by the words that she wants Christian to immediately come up and give her that "matchless flower... of communion." Cyrano pushes Christian up towards the balcony so Christian can kiss the true love of them both. Cyrano interrupts Roxane and Christian, for the monk is returning, as signaled by the pages. Roxane offers to come down and see the monk, who is angry for being misled by Cyrano. The monk has been trying to find Roxane, for he has a letter for her, written and sent by De Guiche. Roxane reads the letter. De Guiche explains that he has not gone to Arras; instead, he has stayed behind in order to visit with Roxane, who is horrified at the news. She decides to do something rash. She will take advantage of the moment and the monk's presence. She tells the monk that the letter instructs him to marry her to Christian at once, for Cardinal Richelieu has ordered it. She pretends to oppose the idea and seems to be reluctant to go into the house to be married. Of course, she has really masterminded the whole thing. As she enters the house for the wedding, Roxane turns to Cyrano and asks him to delay De Guiche's arrival.

Notes The dramatic irony of the play continues to build in these scenes. While expounding on the meaning of a kiss in Christian's voice, Cyrano is really declaring his own love for Roxane. He states that a kiss is "a seal on the pact that has already been signed" and "a secret told to the mouth rather than the ear." He then speaks of a kiss as "the hush of eternity" and the "fragrance of a flower," word images that reveal how Cyrano can fuse the senses into a total experience of sound and smell. The words of Cyrano, spoken by Christian, are so moving that Roxane calls Christian to come up on her balcony and give her a kiss at once. The kind Cyrano, whose heart must be breaking, gives Christian a boost to get up on the balcony so he can seal his love for Roxane. As the handsome couple embraces, Cyrano vicariously experiences the kiss, knowing that Roxane is rewarding Christian because of Cyrano's words. He also accepts the inevitability of an attraction between this handsome man and woman. Neither Cyrano nor Christian is prepared for what happens next. When the monk returns and gives Roxane a letter from De Guiche, she cleverly comes up with an astounding plan. Although the letter states that De Guiche has not gone to Arras in order to be with Roxane, she tells the monk that the letter states that she should marry Christian immediately, on the orders of Cardinal Richelieu. She proves she is a good actress, for she pretends to be very reluctant to go inside and have the monk carry out the orders. The simple-minded monk is tricked once again. He goes inside to perform the ceremony while Cyrano waits outside to delay De Guiche, as Roxane has asked him to do. It is not perfectly clear why Roxane decides to marry Christian in haste. Although the words of Cyrano and the kiss of Christian have raised her to a feverish pitch, she is normally a clever and intelligent woman. Unless love has totally clouded her mind, it must be assumed that she is frightened by the intentions of De Guiche, whom she knows is a very powerful man who usually gets his way. By marrying Christian, she can put a real roadblock in De Guiche's plans for her. And of course, she has always found Christian extremely attractive, ever since the moment she first laid eyes on him in the theater in the first act.

pinkmonkey

all_chapterized_books/1254-chapters/32.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_28_part_0.txt

Cyrano De Bergerac.act 3.scene 11

scene 11

{"name": "Scene 11", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano33.asp", "summary": "When Roxane opens the window again, Cyrano resumes talking in Christian's voice, giving a charming dissertation on a kiss. Roxane is so stirred by the words that she wants Christian to immediately come up and give her that \"matchless flower... of communion.\" Cyrano pushes Christian up towards the balcony so Christian can kiss the true love of them both. Cyrano interrupts Roxane and Christian, for the monk is returning, as signaled by the pages. Roxane offers to come down and see the monk, who is angry for being misled by Cyrano. The monk has been trying to find Roxane, for he has a letter for her, written and sent by De Guiche. Roxane reads the letter. De Guiche explains that he has not gone to Arras; instead, he has stayed behind in order to visit with Roxane, who is horrified at the news. She decides to do something rash. She will take advantage of the moment and the monk's presence. She tells the monk that the letter instructs him to marry her to Christian at once, for Cardinal Richelieu has ordered it. She pretends to oppose the idea and seems to be reluctant to go into the house to be married. Of course, she has really masterminded the whole thing. As she enters the house for the wedding, Roxane turns to Cyrano and asks him to delay De Guiche's arrival.", "analysis": "Notes The dramatic irony of the play continues to build in these scenes. While expounding on the meaning of a kiss in Christian's voice, Cyrano is really declaring his own love for Roxane. He states that a kiss is \"a seal on the pact that has already been signed\" and \"a secret told to the mouth rather than the ear.\" He then speaks of a kiss as \"the hush of eternity\" and the \"fragrance of a flower,\" word images that reveal how Cyrano can fuse the senses into a total experience of sound and smell. The words of Cyrano, spoken by Christian, are so moving that Roxane calls Christian to come up on her balcony and give her a kiss at once. The kind Cyrano, whose heart must be breaking, gives Christian a boost to get up on the balcony so he can seal his love for Roxane. As the handsome couple embraces, Cyrano vicariously experiences the kiss, knowing that Roxane is rewarding Christian because of Cyrano's words. He also accepts the inevitability of an attraction between this handsome man and woman. Neither Cyrano nor Christian is prepared for what happens next. When the monk returns and gives Roxane a letter from De Guiche, she cleverly comes up with an astounding plan. Although the letter states that De Guiche has not gone to Arras in order to be with Roxane, she tells the monk that the letter states that she should marry Christian immediately, on the orders of Cardinal Richelieu. She proves she is a good actress, for she pretends to be very reluctant to go inside and have the monk carry out the orders. The simple-minded monk is tricked once again. He goes inside to perform the ceremony while Cyrano waits outside to delay De Guiche, as Roxane has asked him to do. It is not perfectly clear why Roxane decides to marry Christian in haste. Although the words of Cyrano and the kiss of Christian have raised her to a feverish pitch, she is normally a clever and intelligent woman. Unless love has totally clouded her mind, it must be assumed that she is frightened by the intentions of De Guiche, whom she knows is a very powerful man who usually gets his way. By marrying Christian, she can put a real roadblock in De Guiche's plans for her. And of course, she has always found Christian extremely attractive, ever since the moment she first laid eyes on him in the theater in the first act."}

Cyrano, De Guiche. DE GUICHE (who enters, masked, feeling his way in the dark): What can that cursed Friar be about? CYRANO: The devil!. . .If he knows my voice! (Letting go with one hand, he pretends to turn an invisible key. Solemnly): Cric! Crac! Assume thou, Cyrano, to serve the turn, The accent of thy native Bergerac!. . . DE GUICHE (looking at the house): 'Tis there. I see dim,--this mask hinders me! (He is about to enter, when Cyrano leaps from the balcony, holding on to the branch, which bends, dropping him between the door and De Guiche; he pretends to fall heavily, as from a great height, and lies flat on the ground, motionless, as if stunned. De Guiche starts back): What's this? (When he looks up, the branch has sprung back into its place. He sees only the sky, and is lost in amazement): Where fell that man from? CYRANO (sitting up, and speaking with a Gascon accent): From the moon! DE GUICHE: From?. . . CYRANO (in a dreamy voice): What's o'clock? DE GUICHE: He's lost his mind, for sure! CYRANO: What hour? What country this? What month? What day? DE GUICHE: But. . . CYRANO: I am stupefied! DE GUICHE: Sir! CYRANO: Like a bomb I fell from the moon! DE GUICHE (impatiently): Come now! CYRANO (rising, in a terrible voice): I say,--the moon! DE GUICHE (recoiling): Good, good! let it be so!. . .He's raving mad! CYRANO (walking up to him): I say from the moon! I mean no metaphor!. . . DE GUICHE: But. . . CYRANO: Was't a hundred years--a minute, since? --I cannot guess what time that fall embraced!-- That I was in that saffron-colored ball? DE GUICHE (shrugging his shoulders): Good! let me pass! CYRANO (intercepting him): Where am I? Tell the truth! Fear not to tell! Oh, spare me not! Where? where? Have I fallen like a shooting star? DE GUICHE: Morbleu! CYRANO: The fall was lightning-quick! no time to choose Where I should fall--I know not where it be! Oh, tell me! Is it on a moon or earth, that my posterior weight has landed me? DE GUICHE: I tell you, Sir. . . CYRANO (with a screech of terror, which makes De Guiche start back): No? Can it be? I'm on A planet where men have black faces? DE GUICHE (putting a hand to his face): What? CYRANO (feigning great alarm): Am I in Africa? A native you? DE GUICHE (who has remembered his mask): This mask of mine. . . CYRANO (pretending to be reassured): In Venice? ha!--or Rome? DE GUICHE (trying to pass): A lady waits. . CYRANO (quite reassured): Oh-ho! I am in Paris! DE GUICHE (smiling in spite of himself): The fool is comical! CYRANO: You laugh? DE GUICHE: I laugh, But would get by! CYRANO (beaming with joy): I have shot back to Paris! (Quite at ease, laughing, dusting himself, bowing): Come--pardon me--by the last water-spout, Covered with ether,--accident of travel! My eyes still full of star-dust, and my spurs Encumbered by the planets' filaments! (Picking something off his sleeve): Ha! on my doublet?--ah, a comet's hair!. . . (He puffs as if to blow it away.) DE GUICHE (beside himself): Sir!. . . CYRANO (just as he is about to pass, holds out his leg as if to show him something and stops him): In my leg--the calf--there is a tooth Of the Great Bear, and, passing Neptune close, I would avoid his trident's point, and fell, Thus sitting, plump, right in the Scales! My weight Is marked, still registered, up there in heaven! (Hurriedly preventing De Guiche from passing, and detaining him by the button of his doublet): I swear to you that if you squeezed my nose It would spout milk! DE GUICHE: Milk? CYRANO: From the Milky Way! DE GUICHE: Oh, go to hell! CYRANO (crossing his arms): I fall, Sir, out of heaven! Now, would you credit it, that as I fell I saw that Sirius wears a nightcap? True! (Confidentially): The other Bear is still too small to bite. (Laughing): I went through the Lyre, but I snapped a cord; (Grandiloquent): I mean to write the whole thing in a book; The small gold stars, that, wrapped up in my cloak, I carried safe away at no small risks, Will serve for asterisks i' the printed page! DE GUICHE: Come, make an end! I want. . . CYRANO: Oh-ho! You are sly! DE GUICHE: Sir! CYRANO: You would worm all out of me!--the way The moon is made, and if men breathe and live In its rotund cucurbita? DE GUICHE (angrily): No, no! I want. . . CYRANO: Ha, ha!--to know how I got up? Hark, it was by a method all my own. DE GUICHE (wearied): He's mad! CYRANO(contemptuously): No! not for me the stupid eagle Of Regiomontanus, nor the timid Pigeon of Archytas--neither of those! DE GUICHE: Ay, 'tis a fool! But 'tis a learned fool! CYRANO: No imitator I of other men! (De Guiche has succeeded in getting by, and goes toward Roxane's door. Cyrano follows him, ready to stop him by force): Six novel methods, all, this brain invented! DE GUICHE (turning round): Six? CYRANO (volubly): First, with body naked as your hand, Festooned about with crystal flacons, full O' th' tears the early morning dew distils; My body to the sun's fierce rays exposed To let it suck me up, as 't sucks the dew! DE GUICHE (surprised, making one step toward Cyrano): Ah! that makes one! CYRANO (stepping back, and enticing him further away): And then, the second way, To generate wind--for my impetus-- To rarefy air, in a cedar case, By mirrors placed icosahedron-wise. DE GUICHE (making another step): Two! CYRANO (still stepping backward): Or--for I have some mechanic skill-- To make a grasshopper, with springs of steel, And launch myself by quick succeeding fires Saltpeter-fed to the stars' pastures blue! DE GUICHE (unconsciously following him and counting on his fingers): Three! CYRANO: Or (since fumes have property to mount)-- To charge a globe with fumes, sufficiently To carry me aloft! DE GUICHE (same play, more and more astonished): Well, that makes four! CYRANO: Or smear myself with marrow from a bull, Since, at the lowest point of Zodiac, Phoebus well loves to suck that marrow up! DE GUICHE (amazed): Five! CYRANO (who, while speaking, had drawn him to the other side of the square near a bench): Sitting on an iron platform--thence To throw a magnet in the air. This is A method well conceived--the magnet flown, Infallibly the iron will pursue: Then quick! relaunch your magnet, and you thus Can mount and mount unmeasured distances! DE GUICHE: Here are six excellent expedients! Which of the six chose you? CYRANO: Why, none!--a seventh! DE GUICHE: Astonishing! What was it? CYRANO: I'll recount. DE GUICHE: This wild eccentric becomes interesting! CYRANO (making a noise like the waves, with weird gestures): Houuh! Houuh! DE GUICHE: Well. CYRANO: You have guessed? DE GUICHE: Not I! CYRANO: The tide! I' th' witching hour when the moon woos the wave, I laid me, fresh from a sea-bath, on the shore-- And, failing not to put head foremost--for The hair holds the sea-water in its mesh-- I rose in air, straight! straight! like angel's flight, And mounted, mounted, gently, effortless,. . . When lo! a sudden shock! Then. . . DE GUICHE (overcome by curiosity, sitting down on the bench): Then? CYRANO: Oh! then. . . (Suddenly returning to his natural voice): The quarter's gone--I'll hinder you no more: The marriage-vows are made. DE GUICHE (springing up): What? Am I mad? That voice? (The house-door opens. Lackeys appear carrying lighted candelabra. Light. Cyrano gracefully uncovers): That nose--Cyrano? CYRANO (bowing): Cyrano. While we were chatting, they have plighted troth. DE GUICHE: Who? (He turns round. Tableau. Behind the lackeys appear Roxane and Christian, holding each other by the hand. The friar follows them, smiling. Ragueneau also holds a candlestick. The duenna closes the rear, bewildered, having made a hasty toilet): Heavens!

Scene 11

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano33.asp

When Roxane opens the window again, Cyrano resumes talking in Christian's voice, giving a charming dissertation on a kiss. Roxane is so stirred by the words that she wants Christian to immediately come up and give her that "matchless flower... of communion." Cyrano pushes Christian up towards the balcony so Christian can kiss the true love of them both. Cyrano interrupts Roxane and Christian, for the monk is returning, as signaled by the pages. Roxane offers to come down and see the monk, who is angry for being misled by Cyrano. The monk has been trying to find Roxane, for he has a letter for her, written and sent by De Guiche. Roxane reads the letter. De Guiche explains that he has not gone to Arras; instead, he has stayed behind in order to visit with Roxane, who is horrified at the news. She decides to do something rash. She will take advantage of the moment and the monk's presence. She tells the monk that the letter instructs him to marry her to Christian at once, for Cardinal Richelieu has ordered it. She pretends to oppose the idea and seems to be reluctant to go into the house to be married. Of course, she has really masterminded the whole thing. As she enters the house for the wedding, Roxane turns to Cyrano and asks him to delay De Guiche's arrival.

Notes The dramatic irony of the play continues to build in these scenes. While expounding on the meaning of a kiss in Christian's voice, Cyrano is really declaring his own love for Roxane. He states that a kiss is "a seal on the pact that has already been signed" and "a secret told to the mouth rather than the ear." He then speaks of a kiss as "the hush of eternity" and the "fragrance of a flower," word images that reveal how Cyrano can fuse the senses into a total experience of sound and smell. The words of Cyrano, spoken by Christian, are so moving that Roxane calls Christian to come up on her balcony and give her a kiss at once. The kind Cyrano, whose heart must be breaking, gives Christian a boost to get up on the balcony so he can seal his love for Roxane. As the handsome couple embraces, Cyrano vicariously experiences the kiss, knowing that Roxane is rewarding Christian because of Cyrano's words. He also accepts the inevitability of an attraction between this handsome man and woman. Neither Cyrano nor Christian is prepared for what happens next. When the monk returns and gives Roxane a letter from De Guiche, she cleverly comes up with an astounding plan. Although the letter states that De Guiche has not gone to Arras in order to be with Roxane, she tells the monk that the letter states that she should marry Christian immediately, on the orders of Cardinal Richelieu. She proves she is a good actress, for she pretends to be very reluctant to go inside and have the monk carry out the orders. The simple-minded monk is tricked once again. He goes inside to perform the ceremony while Cyrano waits outside to delay De Guiche, as Roxane has asked him to do. It is not perfectly clear why Roxane decides to marry Christian in haste. Although the words of Cyrano and the kiss of Christian have raised her to a feverish pitch, she is normally a clever and intelligent woman. Unless love has totally clouded her mind, it must be assumed that she is frightened by the intentions of De Guiche, whom she knows is a very powerful man who usually gets his way. By marrying Christian, she can put a real roadblock in De Guiche's plans for her. And of course, she has always found Christian extremely attractive, ever since the moment she first laid eyes on him in the theater in the first act.

pinkmonkey

all_chapterized_books/1254-chapters/33.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_29_part_0.txt

Cyrano De Bergerac.act 3.scene 12

scene 12

{"name": "Scene 12", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano34.asp", "summary": "While Cyrano sits on the rail of the balcony waiting to divert De Guiche, the lutes begin to play a sinister and mournful tune. When De Guiche arrives in mask, Cyrano swings down and lands between him and the door, pretending to be a lunatic who has fallen from the moon. He keeps De Guiche engaged with his chatter about \"six ways to violate the virgin sky\" and get to the moon. Throughout this dialogue Cyrano speaks with a Gascon accent and keeps his nose concealed with the brim of his hat in order to hide his identity from De Guiche. When the newly married Roxane and Christian emerge from the house, De Guiche grasps the situation. He acknowledges Roxane's cleverness and Cyrano's powers of invention in keeping him occupied. Wanting revenge, however, De Guiche orders that all the cadets must join the regiment and leave for Arras immediately. The distraught Roxane begs Cyrano to ensure Christian's safety, comfort and fidelity. She also asks for regular letters, which Cyrano promises.", "analysis": "Notes This scene is filled with intentional pathos. Poor Cyrano is left outside to wait for and delay De Guiche while his true love marries Christian inside the house. When De Guiche arrives in mask, the clever Cyrano chatters to him to delay his entering Roxane's house and discovering the wedding that is in progress. Although Cyrano's conversation is intentionally filled with wit and lunacy in order to trick De Guiche, it also reveals his true interest in science; he talks about the constellations of Great Bear and Orion, about the German astronomer and inventor named Regomontanus, and about six possible ways for man to reach the moon. Cyrano is truly a man of the Enlightenment, interested in and knowledgeable about many varied subjects. The act ends with a tragic-comic-ironic reversal. Cyrano, who loves Roxane dearly, has helped Christian to win her love; she now emerges as Christian's wife, largely due to the efforts of Cyrano. Whenever Christian speaks for himself, Roxane does not like him; however, when Cyrano speaks for Christian, Roxane is enamored by the words. It is clear that she has married the wrong man. The philandering De Guiche is simply upset that she has married, for he had his own designs on the beautiful Roxane. To punish her hastiness, Christian's victory, and Cyrano's craftiness, he orders that all of the cadets, including Christian and Cyrano, immediately report to the regiment to leave for Arras. Poor Christian and Roxane will not be able to spend a moment together as husband and wife. Before her husband departs, Roxane begs Cyrano to watch out for Christian's safety, comfort, and fidelity. She also tells Cyrano to make certain that Christian writes letters regularly. Cyrano, of course, will be the one to pen the letters. The thought of writing his true love delights him, even if he cannot sign the letters as his own."}

The same. Roxane, Christian, the friar, Ragueneau, lackeys, the duenna. DE GUICHE (to Roxane): You? (Recognizing Christian, in amazement): He? (Bowing, with admiration, to Roxane): Cunningly contrived! (To Cyrano): My compliments--Sir Apparatus-maker! Your story would arrest at Peter's gate Saints eager for their Paradise! Note well The details. 'Faith! They'd make a stirring book! CYRANO (bowing): I shall not fail to follow your advice. THE FRIAR (showing with satisfaction the two lovers to De Guiche): A handsome couple, son, made one by you! DE GUICHE (with a freezing look): Ay! (To Roxane): Bid your bridegroom, Madame, fond farewell. ROXANE: Why so? DE GUICHE (to Christian): Even now the regiment departs. Join it! ROXANE: It goes to battle? DE GUICHE: Without doubt. ROXANE: But the Cadets go not? DE GUICHE: Oh ay! they go. (Drawing out the paper he had put in his pocket): Here is the order. (To Christian): Baron, bear it, quick! ROXANE (throwing herself in Christian's arms): Christian! DE GUICHE (sneeringly to Cyrano): The wedding-night is far, methinks! CYRANO (aside): He thinks to give me pain of death by this! CHRISTIAN (to Roxane): Oh! once again! Your lips! CYRANO: Come, come, enough! CHRISTIAN (still kissing Roxane): --'Tis hard to leave her, you know not. . . CYRANO (trying to draw him away): I know. (Sound of drums beating a march in the distance.) DE GUICHE: The regiment starts! ROXANE (To Cyrano, holding back Christian, whom Cyrano is drawing away): Oh!--I trust him you! Promise me that no risks shall put his life In danger! CYRANO: I will try my best, but promise. . . That I cannot! ROXANE: But swear he shall be prudent? CYRANO: Again, I'll do my best, but. . . ROXANE: In the siege Let him not suffer! CYRANO: All that man can do, I. . . ROXANE: That he shall be faithful! CYRANO: Doubtless, but. . . ROXANE: That he will write oft? CYRANO (pausing): That, I promise you! Curtain.

Scene 12

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano34.asp

While Cyrano sits on the rail of the balcony waiting to divert De Guiche, the lutes begin to play a sinister and mournful tune. When De Guiche arrives in mask, Cyrano swings down and lands between him and the door, pretending to be a lunatic who has fallen from the moon. He keeps De Guiche engaged with his chatter about "six ways to violate the virgin sky" and get to the moon. Throughout this dialogue Cyrano speaks with a Gascon accent and keeps his nose concealed with the brim of his hat in order to hide his identity from De Guiche. When the newly married Roxane and Christian emerge from the house, De Guiche grasps the situation. He acknowledges Roxane's cleverness and Cyrano's powers of invention in keeping him occupied. Wanting revenge, however, De Guiche orders that all the cadets must join the regiment and leave for Arras immediately. The distraught Roxane begs Cyrano to ensure Christian's safety, comfort and fidelity. She also asks for regular letters, which Cyrano promises.

Notes This scene is filled with intentional pathos. Poor Cyrano is left outside to wait for and delay De Guiche while his true love marries Christian inside the house. When De Guiche arrives in mask, the clever Cyrano chatters to him to delay his entering Roxane's house and discovering the wedding that is in progress. Although Cyrano's conversation is intentionally filled with wit and lunacy in order to trick De Guiche, it also reveals his true interest in science; he talks about the constellations of Great Bear and Orion, about the German astronomer and inventor named Regomontanus, and about six possible ways for man to reach the moon. Cyrano is truly a man of the Enlightenment, interested in and knowledgeable about many varied subjects. The act ends with a tragic-comic-ironic reversal. Cyrano, who loves Roxane dearly, has helped Christian to win her love; she now emerges as Christian's wife, largely due to the efforts of Cyrano. Whenever Christian speaks for himself, Roxane does not like him; however, when Cyrano speaks for Christian, Roxane is enamored by the words. It is clear that she has married the wrong man. The philandering De Guiche is simply upset that she has married, for he had his own designs on the beautiful Roxane. To punish her hastiness, Christian's victory, and Cyrano's craftiness, he orders that all of the cadets, including Christian and Cyrano, immediately report to the regiment to leave for Arras. Poor Christian and Roxane will not be able to spend a moment together as husband and wife. Before her husband departs, Roxane begs Cyrano to watch out for Christian's safety, comfort, and fidelity. She also tells Cyrano to make certain that Christian writes letters regularly. Cyrano, of course, will be the one to pen the letters. The thought of writing his true love delights him, even if he cannot sign the letters as his own.

pinkmonkey

all_chapterized_books/1254-chapters/35.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_30_part_0.txt

Cyrano De Bergerac.act 4.scene 1

scene 13

{"name": "Scene 13", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano34.asp", "summary": "While Cyrano sits on the rail of the balcony waiting to divert De Guiche, the lutes begin to play a sinister and mournful tune. When De Guiche arrives in mask, Cyrano swings down and lands between him and the door, pretending to be a lunatic who has fallen from the moon. He keeps De Guiche engaged with his chatter about \"six ways to violate the virgin sky\" and get to the moon. Throughout this dialogue Cyrano speaks with a Gascon accent and keeps his nose concealed with the brim of his hat in order to hide his identity from De Guiche. When the newly married Roxane and Christian emerge from the house, De Guiche grasps the situation. He acknowledges Roxane's cleverness and Cyrano's powers of invention in keeping him occupied. Wanting revenge, however, De Guiche orders that all the cadets must join the regiment and leave for Arras immediately. The distraught Roxane begs Cyrano to ensure Christian's safety, comfort and fidelity. She also asks for regular letters, which Cyrano promises.", "analysis": "Notes This scene is filled with intentional pathos. Poor Cyrano is left outside to wait for and delay De Guiche while his true love marries Christian inside the house. When De Guiche arrives in mask, the clever Cyrano chatters to him to delay his entering Roxane's house and discovering the wedding that is in progress. Although Cyrano's conversation is intentionally filled with wit and lunacy in order to trick De Guiche, it also reveals his true interest in science; he talks about the constellations of Great Bear and Orion, about the German astronomer and inventor named Regomontanus, and about six possible ways for man to reach the moon. Cyrano is truly a man of the Enlightenment, interested in and knowledgeable about many varied subjects. The act ends with a tragic-comic-ironic reversal. Cyrano, who loves Roxane dearly, has helped Christian to win her love; she now emerges as Christian's wife, largely due to the efforts of Cyrano. Whenever Christian speaks for himself, Roxane does not like him; however, when Cyrano speaks for Christian, Roxane is enamored by the words. It is clear that she has married the wrong man. The philandering De Guiche is simply upset that she has married, for he had his own designs on the beautiful Roxane. To punish her hastiness, Christian's victory, and Cyrano's craftiness, he orders that all of the cadets, including Christian and Cyrano, immediately report to the regiment to leave for Arras. Poor Christian and Roxane will not be able to spend a moment together as husband and wife. Before her husband departs, Roxane begs Cyrano to watch out for Christian's safety, comfort, and fidelity. She also tells Cyrano to make certain that Christian writes letters regularly. Cyrano, of course, will be the one to pen the letters. The thought of writing his true love delights him, even if he cannot sign the letters as his own."}

Christian, Carbon de Castel-Jaloux, Le Bret, the cadets, then Cyrano. LE BRET: 'Tis terrible. CARBON: Not a morsel left. LE BRET: Mordioux! CARBON (making a sign that he should speak lower): Curse under your breath. You will awake them. (To the cadets): Hush! Sleep on. (To Le Bret): He who sleeps, dines! LE BRET: But that is sorry comfort for the sleepless!. . . What starvation! (Firing is heard in the distance.) CARBON: Oh, plague take their firing! 'Twill wake my sons. (To the cadets, who lift up their heads): Sleep on! (Firing is again heard, nearer this time.) A CADET (moving): The devil!. . .Again. CARBON: 'Tis nothing! 'Tis Cyrano coming back! (Those who have lifted up their heads prepare to sleep again.) A SENTINEL (from without): Ventrebieu! Who goes there? THE VOICE Of CYRANO: Bergerac. The SENTINEL (who is on the redoubt): Ventrebieu! Who goes there? CYRANO (appearing at the top): Bergerac, idiot! (He comes down; Le Bret advances anxiously to meet him.) LE BRET: Heavens! CYRANO (making signs that he should not awake the others): Hush! LE BRET: Wounded? CYRANO: Oh! you know it has become their custom to shoot at me every morning and to miss me. LE BRET: This passes all! To take letters at each day's dawn. To risk. . . CYRANO (stopping before Christian): I promised he should write often. (He looks at him): He sleeps. How pale he is! But how handsome still, despite his sufferings. If his poor little lady-love knew that he is dying of hunger. . . LE BRET: Get you quick to bed. CYRANO: Nay, never scold, Le Bret. I ran but little risk. I have found me a spot to pass the Spanish lines, where each night they lie drunk. LE BRET: You should try to bring us back provision. CYRANO: A man must carry no weight who would get by there! But there will be surprise for us this night. The French will eat or die. . .if I mistake not! LE BRET: Oh!. . .tell me!. . . CYRANO: Nay, not yet. I am not certain. . .You will see! CARBON: It is disgraceful that we should starve while we're besieging! LE BRET: Alas, how full of complication is this siege of Arras! To think that while we are besieging, we should ourselves be caught in a trap and besieged by the Cardinal Infante of Spain. CYRANO: It were well done if he should be besieged in his turn. LE BRET: I am in earnest. CYRANO: Oh! indeed! LE BRET: To think you risk a life so precious. . .for the sake of a letter. . .Thankless one. (Seeing him turning to enter the tent): Where are you going? CYRANO: I am going to write another. (He enters the tent and disappears.)

Scene 13

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano34.asp

While Cyrano sits on the rail of the balcony waiting to divert De Guiche, the lutes begin to play a sinister and mournful tune. When De Guiche arrives in mask, Cyrano swings down and lands between him and the door, pretending to be a lunatic who has fallen from the moon. He keeps De Guiche engaged with his chatter about "six ways to violate the virgin sky" and get to the moon. Throughout this dialogue Cyrano speaks with a Gascon accent and keeps his nose concealed with the brim of his hat in order to hide his identity from De Guiche. When the newly married Roxane and Christian emerge from the house, De Guiche grasps the situation. He acknowledges Roxane's cleverness and Cyrano's powers of invention in keeping him occupied. Wanting revenge, however, De Guiche orders that all the cadets must join the regiment and leave for Arras immediately. The distraught Roxane begs Cyrano to ensure Christian's safety, comfort and fidelity. She also asks for regular letters, which Cyrano promises.

Notes This scene is filled with intentional pathos. Poor Cyrano is left outside to wait for and delay De Guiche while his true love marries Christian inside the house. When De Guiche arrives in mask, the clever Cyrano chatters to him to delay his entering Roxane's house and discovering the wedding that is in progress. Although Cyrano's conversation is intentionally filled with wit and lunacy in order to trick De Guiche, it also reveals his true interest in science; he talks about the constellations of Great Bear and Orion, about the German astronomer and inventor named Regomontanus, and about six possible ways for man to reach the moon. Cyrano is truly a man of the Enlightenment, interested in and knowledgeable about many varied subjects. The act ends with a tragic-comic-ironic reversal. Cyrano, who loves Roxane dearly, has helped Christian to win her love; she now emerges as Christian's wife, largely due to the efforts of Cyrano. Whenever Christian speaks for himself, Roxane does not like him; however, when Cyrano speaks for Christian, Roxane is enamored by the words. It is clear that she has married the wrong man. The philandering De Guiche is simply upset that she has married, for he had his own designs on the beautiful Roxane. To punish her hastiness, Christian's victory, and Cyrano's craftiness, he orders that all of the cadets, including Christian and Cyrano, immediately report to the regiment to leave for Arras. Poor Christian and Roxane will not be able to spend a moment together as husband and wife. Before her husband departs, Roxane begs Cyrano to watch out for Christian's safety, comfort, and fidelity. She also tells Cyrano to make certain that Christian writes letters regularly. Cyrano, of course, will be the one to pen the letters. The thought of writing his true love delights him, even if he cannot sign the letters as his own.

pinkmonkey

all_chapterized_books/1254-chapters/46.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_31_part_0.txt

Cyrano De Bergerac.act 5.scene 1

scene 1

{"name": "Scene 1", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano35.asp", "summary": "The scene is set in the evening at a post outside of Arras. It opens with a dialogue between Captain Carbon de Castel-Jaloux and Le Bret in which they indicate that the besieged French troops are miserable, depressed, and hungry. Since the Spanish troops have cut off their supplies, the French have no food. Cyrano seems to be the only one in camp that is not miserable. He is still awake even though most of the cadets are sleeping, for he has just traveled through the Spanish line in order to dispatch a letter to Roxane, as he does everyday. The letters that he writes give him great pleasure.", "analysis": "Notes This scene is a total contrast to the earlier light, humorous scenes. It gives Background Information about what has happened at Arras between the time of the last scene, set at Roxane's house, and this scene, set at the Gascon camp outside of Arras. The Spanish troops have encircled the French and cut off their supplies, including food. The French soldiers are now miserable and hungry, and Carbon and Le Bret look particularly weak. Cyrano alone manages to be his usual self because he gets satisfaction in writing to Roxane. He also finds excitement in risking his life by crossing the enemy line in order to mail the letters back to Roxane. The irony is that the letters are supposedly written by Christian, so Cyrano gets no credit for them."}

Mother Marguerite, Sister Martha, Sister Claire, other sisters. SISTER MARTHA (to Mother Marguerite): Sister Claire glanced in the mirror, once--nay, twice, to see if her coif suited. MOTHER MARGUERITE (to Sister Claire): 'Tis not well. SISTER CLAIRE: But I saw Sister Martha take a plum Out of the tart. MOTHER MARGUERITE (to Sister Martha): That was ill done, my sister. SISTER CLAIRE: A little glance! SISTER MARTHA: And such a little plum! MOTHER MARGUERITE: I shall tell this to Monsieur Cyrano. SISTER CLAIRE: Nay, prithee do not!--he will mock! SISTER MARTHA: He'll say we nuns are vain! SISTER CLAIRE: And greedy! MOTHER MARGUERITE (smiling): Ay, and kind! SISTER CLAIRE: Is it not true, pray, Mother Marguerite, That he has come, each week, on Saturday For ten years, to the convent? MOTHER MARGUERITE: Ay! and more! Ever since--fourteen years ago--the day His cousin brought here, 'midst our woolen coifs, The worldly mourning of her widow's veil, Like a blackbird's wing among the convent doves! SISTER MARTHA: He only has the skill to turn her mind From grief--unsoftened yet by Time--unhealed! ALL THE SISTERS: He is so droll!--It's cheerful when he comes!-- He teases us!--But we all like him well!-- --We make him pasties of angelica! SISTER MARTHA: But, he is not a faithful Catholic! SISTER CLAIRE: We will convert him! THE SISTERS: Yes! Yes! MOTHER MARGUERITE: I forbid, My daughters, you attempt that subject. Nay, Weary him not--he might less oft come here! SISTER MARTHA: But. . .God. . . MOTHER MARGUERITE: Nay, never fear! God knows him well! SISTER MARTHA: But--every Saturday, when he arrives, He tells me, 'Sister, I eat meat on Friday!' MOTHER MARGUERITE: Ah! says he so? Well, the last time he came Food had not passed his lips for two whole days! SISTER MARTHA: Mother! MOTHER MARGUERITE: He's poor. SISTER MARTHA: Who told you so, dear Mother? MOTHER MARGUERITE: Monsieur Le Bret. SISTER MARTHA: None help him? MOTHER MARGUERITE: He permits not. (In an alley at the back Roxane appears, dressed in black, with a widow's coif and veil. De Guiche, imposing-looking and visibly aged, walks by her side. They saunter slowly. Mother Marguerite rises): 'Tis time we go in; Madame Madeleine Walks in the garden with a visitor. SISTER MARTHA (to Sister Claire, in a low voice): The Marshal of Grammont? SISTER CLAIRE (looking at him): 'Tis he, I think. SISTER MARTHA: 'Tis many months now since he came to see her. THE SISTERS: He is so busy!--The Court,--the camp!. . . SISTER CLAIRE: The world! (They go out. De Guiche and Roxane come forward in silence, and stop close to the embroidery frame.)

Scene 1

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano35.asp

The scene is set in the evening at a post outside of Arras. It opens with a dialogue between Captain Carbon de Castel-Jaloux and Le Bret in which they indicate that the besieged French troops are miserable, depressed, and hungry. Since the Spanish troops have cut off their supplies, the French have no food. Cyrano seems to be the only one in camp that is not miserable. He is still awake even though most of the cadets are sleeping, for he has just traveled through the Spanish line in order to dispatch a letter to Roxane, as he does everyday. The letters that he writes give him great pleasure.

Notes This scene is a total contrast to the earlier light, humorous scenes. It gives Background Information about what has happened at Arras between the time of the last scene, set at Roxane's house, and this scene, set at the Gascon camp outside of Arras. The Spanish troops have encircled the French and cut off their supplies, including food. The French soldiers are now miserable and hungry, and Carbon and Le Bret look particularly weak. Cyrano alone manages to be his usual self because he gets satisfaction in writing to Roxane. He also finds excitement in risking his life by crossing the enemy line in order to mail the letters back to Roxane. The irony is that the letters are supposedly written by Christian, so Cyrano gets no credit for them.

pinkmonkey

all_chapterized_books/1254-chapters/36.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_32_part_0.txt

Cyrano De Bergerac.act 4.scene 2

scene 2

{"name": "Scene 2", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano36.asp", "summary": "When they rise the next morning, the cadets complain of their hunger and threaten to mutiny. Captain Carbon appeals to Cyrano to come forth from his tent and handle the situation. Cyrano obliges. He tries to joke about the Cadet's hunger by punning on their complaints and offering them The Iliad, which he is reading, as food for thought. When he realizes that is wit is not helping to cheer up the cadets, he calls the regiment piper to play Gascon tunes. Carbon protests, saying the songs about home will make the cadets weep. Cyrano explains that it is more noble to weep from homesickness than from hunger. When a drum roll is heard, the cadets become excited. When Cyrano sees that De Guiche is approaching, he warns the cadets not to let this man, whom they mock as a mere courtier and not a soldier, see how miserable they are.", "analysis": "Notes When the cadets wake and threaten mutiny, Cyrano is called to calm them. His interaction with the cadets reveals his natural leadership and his keen wit. To try and cheer the cadets, he gives French proverbs about hunger and wittily comments on them. When the wit fails to work on the cadets, he orders the piper to play folk songs from the homeland, hoping to inspire the cadets with a desire to fight and live so that they can eventually return home. Although the cadets weep at the sound of the songs, Cyrano declares it is better to weep from homesickness than from hunger. It is interesting that Cyrano is reading The Iliad, a classic text about the Trojan War, and offers to the cadets as food for thought to alleviate their hunger. In that war, the Greeks besieged the city of Troy for a very long time before the action started and that is the obvious parallel here, for the cadets wait for the fighting to begin. It is also interesting to note that in World War I, Cyrano de Bergerac was the favorite thing to read among the French troops."}

The same, all but Cyrano. The day is breaking in a rosy light. The town of Arras is golden in the horizon. The report of cannon is heard in the distance, followed immediately by the beating of drums far away to the left. Other drums are heard much nearer. Sounds of stirring in the camp. Voices of officers in the distance. CARBON (sighing): The reveille! (The cadets move and stretch themselves): Nourishing sleep! Thou art at an end!. . .I know well what will be their first cry! A CADET (sitting up): I am so hungry! ANOTHER: I am dying of hunger. TOGETHER: Oh! CARBON: Up with you! THIRD CADET: --Cannot move a limb. FOURTH CADET: Nor can I. THE FIRST (looking at himself in a bit of armor): My tongue is yellow. The air at this season of the year is hard to digest. ANOTHER: My coronet for a bit of Chester! ANOTHER: If none can furnish to my gaster wherewith to make a pint of chyle, I shall retire to my tent--like Achilles! ANOTHER: Oh! something! were it but a crust! CARBON (going to the tent and calling softly): Cyrano! ALL THE CADETS: We are dying! CARBON (continuing to speak under his breath at the opening of the tent): Come to my aid, you, who have the art of quick retort and gay jest. Come, hearten them up. SECOND CADET (rushing toward another who is munching something): What are you crunching there? FIRST CADET: Cannon-wads soaked in axle-grease! 'Tis poor hunting round about Arras! A CADET (entering): I have been after game. ANOTHER (following him): And I after fish. ALL (rushing to the two newcomers): Well! what have you brought?--a pheasant?--a carp?--Come, show us quick! THE ANGLER: A gudgeon! THE SPORTSMAN: A sparrow! ALL TOGETHER (beside themselves): 'Tis more than can be borne! We will mutiny! CARBON: Cyrano! Come to my help. (The daylight has now come.)

Scene 2

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano36.asp

When they rise the next morning, the cadets complain of their hunger and threaten to mutiny. Captain Carbon appeals to Cyrano to come forth from his tent and handle the situation. Cyrano obliges. He tries to joke about the Cadet's hunger by punning on their complaints and offering them The Iliad, which he is reading, as food for thought. When he realizes that is wit is not helping to cheer up the cadets, he calls the regiment piper to play Gascon tunes. Carbon protests, saying the songs about home will make the cadets weep. Cyrano explains that it is more noble to weep from homesickness than from hunger. When a drum roll is heard, the cadets become excited. When Cyrano sees that De Guiche is approaching, he warns the cadets not to let this man, whom they mock as a mere courtier and not a soldier, see how miserable they are.

Notes When the cadets wake and threaten mutiny, Cyrano is called to calm them. His interaction with the cadets reveals his natural leadership and his keen wit. To try and cheer the cadets, he gives French proverbs about hunger and wittily comments on them. When the wit fails to work on the cadets, he orders the piper to play folk songs from the homeland, hoping to inspire the cadets with a desire to fight and live so that they can eventually return home. Although the cadets weep at the sound of the songs, Cyrano declares it is better to weep from homesickness than from hunger. It is interesting that Cyrano is reading The Iliad, a classic text about the Trojan War, and offers to the cadets as food for thought to alleviate their hunger. In that war, the Greeks besieged the city of Troy for a very long time before the action started and that is the obvious parallel here, for the cadets wait for the fighting to begin. It is also interesting to note that in World War I, Cyrano de Bergerac was the favorite thing to read among the French troops.

pinkmonkey

all_chapterized_books/1254-chapters/37.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_33_part_0.txt

Cyrano De Bergerac.act 4.scene 3

scene 3

{"name": "Scene 3", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano36.asp", "summary": "When they rise the next morning, the cadets complain of their hunger and threaten to mutiny. Captain Carbon appeals to Cyrano to come forth from his tent and handle the situation. Cyrano obliges. He tries to joke about the Cadet's hunger by punning on their complaints and offering them The Iliad, which he is reading, as food for thought. When he realizes that is wit is not helping to cheer up the cadets, he calls the regiment piper to play Gascon tunes. Carbon protests, saying the songs about home will make the cadets weep. Cyrano explains that it is more noble to weep from homesickness than from hunger. When a drum roll is heard, the cadets become excited. When Cyrano sees that De Guiche is approaching, he warns the cadets not to let this man, whom they mock as a mere courtier and not a soldier, see how miserable they are.", "analysis": "Notes When the cadets wake and threaten mutiny, Cyrano is called to calm them. His interaction with the cadets reveals his natural leadership and his keen wit. To try and cheer the cadets, he gives French proverbs about hunger and wittily comments on them. When the wit fails to work on the cadets, he orders the piper to play folk songs from the homeland, hoping to inspire the cadets with a desire to fight and live so that they can eventually return home. Although the cadets weep at the sound of the songs, Cyrano declares it is better to weep from homesickness than from hunger. It is interesting that Cyrano is reading The Iliad, a classic text about the Trojan War, and offers to the cadets as food for thought to alleviate their hunger. In that war, the Greeks besieged the city of Troy for a very long time before the action started and that is the obvious parallel here, for the cadets wait for the fighting to begin. It is also interesting to note that in World War I, Cyrano de Bergerac was the favorite thing to read among the French troops."}

The SAME. Cyrano. CYRANO (appearing from the tent, very calm, with a pen stuck behind his ear and a book in his hand): What is wrong? (Silence. To the first cadet): Why drag you your legs so sorrowfully? THE CADET: I have something in my heels which weighs them down. CYRANO: And what may that be? THE CADET: My stomach! CYRANO: So have I, 'faith! THE CADET: It must be in your way? CYRANO: Nay, I am all the taller. A THIRD: My stomach's hollow. CYRANO: 'Faith, 'twill make a fine drum to sound the assault. ANOTHER: I have a ringing in my ears. CYRANO: No, no, 'tis false; a hungry stomach has no ears. ANOTHER: Oh, to eat something--something oily! CYRANO (pulling off the cadet's helmet and holding it out to him): Behold your salad! ANOTHER: What, in God's name, can we devour? CYRANO (throwing him the book which he is carrying): The 'Iliad'. ANOTHER: The first minister in Paris has his four meals a day! CYRANO: 'Twere courteous an he sent you a few partridges! THE SAME: And why not? with wine, too! CYRANO: A little Burgundy. Richelieu, s'il vous plait! THE SAME: He could send it by one of his friars. CYRANO: Ay! by His Eminence Joseph himself. ANOTHER: I am as ravenous as an ogre! CYRANO: Eat your patience, then. THE FIRST CADET (shrugging his shoulders): Always your pointed word! CYRANO: Ay, pointed words! I would fain die thus, some soft summer eve, Making a pointed word for a good cause. --To make a soldier's end by soldier's sword, Wielded by some brave adversary--die On blood-stained turf, not on a fever-bed, A point upon my lips, a point within my heart. CRIES FROM ALL: I'm hungry! CYRANO (crossing his arms): All your thoughts of meat and drink! Bertrand the fifer!--you were shepherd once,-- Draw from its double leathern case your fife, Play to these greedy, guzzling soldiers. Play Old country airs with plaintive rhythm recurring, Where lurk sweet echoes of the dear home-voices, Each note of which calls like a little sister, Those airs slow, slow ascending, as the smoke-wreaths Rise from the hearthstones of our native hamlets, Their music strikes the ear like Gascon patois!. . . (The old man seats himself, and gets his flute ready): Your flute was now a warrior in durance; But on its stem your fingers are a-dancing A bird-like minuet! O flute! Remember That flutes were made of reeds first, not laburnum; Make us a music pastoral days recalling-- The soul-time of your youth, in country pastures!. . . (The old man begins to play the airs of Languedoc): Hark to the music, Gascons!. . .'Tis no longer The piercing fife of camp--but 'neath his fingers The flute of the woods! No more the call to combat, 'Tis now the love-song of the wandering goat-herds!. . . Hark!. . .'tis the valley, the wet landes, the forest, The sunburnt shepherd-boy with scarlet beret, The dusk of evening on the Dordogne river,-- 'Tis Gascony! Hark, Gascons, to the music! (The cadets sit with bowed heads; their eyes have a far-off look as if dreaming, and they surreptitiously wipe away their tears with their cuffs and the corner of their cloaks.) CARBON (to Cyrano in a whisper): But you make them weep! CYRANO: Ay, for homesickness. A nobler pain than hunger,--'tis of the soul, not of the body! I am well pleased to see their pain change its viscera. Heart-ache is better than stomach-ache. CARBON: But you weaken their courage by playing thus on their heart-strings! CYRANO (making a sign to a drummer to approach): Not I. The hero that sleeps in Gascon blood is ever ready to awake in them. 'Twould suffice. . . (He makes a signal; the drum beats.) ALL THE CADETS (stand up and rush to take arms): What? What is it? CYRANO (smiling): You see! One roll of the drum is enough! Good-by dreams, regrets, native land, love. . .All that the pipe called forth the drum has chased away! A CADET (looking toward the back of the stage): Ho! here comes Monsieur de Guiche. ALL THE CADETS (muttering): Ugh!. . .Ugh!. . . CYRANO (smiling): A flattering welcome! A CADET: We are sick to death of him! ANOTHER CADET: --With his lace collar over his armor, playing the fine gentleman! ANOTHER: As if one wore linen over steel! THE FIRST: It were good for a bandage had he boils on his neck. THE SECOND: Another plotting courtier! ANOTHER CADET: His uncle's own nephew! CARBON: For all that--a Gascon. THE FIRST: Ay, false Gascon!. . .trust him not. . . Gascons should ever be crack-brained. . . Naught more dangerous than a rational Gascon. LE BRET: How pale he is! ANOTHER: Oh! he is hungry, just like us poor devils; but under his cuirass, with its fine gilt nails, his stomach-ache glitters brave in the sun. CYRANO (hurriedly): Let us not seem to suffer either! Out with your cards, pipes, and dice. . . (All begin spreading out the games on the drums, the stools, the ground, and on their cloaks, and light long pipes): And I shall read Descartes. (He walks up and down, reading a little book which he has drawn from his pocket. Tableau. Enter De Guiche. All appear absorbed and happy. He is very pale. He goes up to Carbon.)

Scene 3

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano36.asp

When they rise the next morning, the cadets complain of their hunger and threaten to mutiny. Captain Carbon appeals to Cyrano to come forth from his tent and handle the situation. Cyrano obliges. He tries to joke about the Cadet's hunger by punning on their complaints and offering them The Iliad, which he is reading, as food for thought. When he realizes that is wit is not helping to cheer up the cadets, he calls the regiment piper to play Gascon tunes. Carbon protests, saying the songs about home will make the cadets weep. Cyrano explains that it is more noble to weep from homesickness than from hunger. When a drum roll is heard, the cadets become excited. When Cyrano sees that De Guiche is approaching, he warns the cadets not to let this man, whom they mock as a mere courtier and not a soldier, see how miserable they are.

Notes When the cadets wake and threaten mutiny, Cyrano is called to calm them. His interaction with the cadets reveals his natural leadership and his keen wit. To try and cheer the cadets, he gives French proverbs about hunger and wittily comments on them. When the wit fails to work on the cadets, he orders the piper to play folk songs from the homeland, hoping to inspire the cadets with a desire to fight and live so that they can eventually return home. Although the cadets weep at the sound of the songs, Cyrano declares it is better to weep from homesickness than from hunger. It is interesting that Cyrano is reading The Iliad, a classic text about the Trojan War, and offers to the cadets as food for thought to alleviate their hunger. In that war, the Greeks besieged the city of Troy for a very long time before the action started and that is the obvious parallel here, for the cadets wait for the fighting to begin. It is also interesting to note that in World War I, Cyrano de Bergerac was the favorite thing to read among the French troops.

pinkmonkey

all_chapterized_books/1254-chapters/38.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_34_part_0.txt

Cyrano De Bergerac.act 4.scene 4

scene 4

{"name": "Scene 4", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano37.asp", "summary": "De Guiche enters and the cadets ignore him, for they do not want him to see their misery. Carbon and De Guiche greet each other and are pleased to see that each of them is reduced to skin and bone, proof that no one is escaping the suffering and misery. De Guiche, however, complains that Carbon's cadets hold him in contempt because he is a courtier and not a typical ragged Gascon. He goes on to claim his own great courage, as shown the day before in attacking the troops of Count de Bucquoi at Bapaume. The perceptive and clever Cyrano interrupts to ask about the white scarf of an officer that is in his possession. It belongs to De Guiche. He was wearing it at the attack the day before. When things started going badly, De Guiche removed the white scarf and threw it on the ground, hoping the enemy would not recognize him as an officer and take him captive. Seeing the act of De Guiche's cowardice, Cyrano picked up the scarf and now produces it, embarrassing De Guiche and proving that he is not courageous as he claimed. De Guiche tries to convince everyone that he dropped the scarf so that he could flee and regroup his men for another attack. No one believes him. De Guiche takes the scarf and waves it to a Spanish spy, who is waiting some distance away. This double agent is now to inform the Spaniards to attack the cadet's post in order to draw attention away from the French Marshall, who has gone to Dourlens to find some food for himself and his troops. By placing Cyrano and the cadets in the enemy line of fire, De Guiche is being vindictive towards them, as well as trying to protect the marshal on his return. As the cadets prepare to fight, Cyrano grows excited over the thought of battle. Christian, however, is stunned and wants to take time to write a farewell letter to Roxane. Cyrano has already prepared one, which he gives to Christian to read. The letter explains that dying is not nearly so difficult as never seeing Roxane again. As he reads, Christian is startled to see Cyrano's tears on letter. Cyrano explains that the words were so beautiful that they brought tears to his eyes. Suddenly a carriage is announced. De Guiche thinks it might be the king, and the cadets line up and bow in expectation. Instead of royalty, it is Roxane. Her appearance stuns everyone completely.", "analysis": ""}

The same. De Guiche. DE GUICHE (to Carbon): Good-day! (They examine each other. Aside, with satisfaction): He's green. CARBON (aside): He has nothing left but eyes. DE GUICHE (looking at the cadets): Here are the rebels! Ay, Sirs, on all sides I hear that in your ranks you scoff at me; That the Cadets, these loutish, mountain-bred, Poor country squires, and barons of Perigord, Scarce find for me--their Colonel--a disdain Sufficient! call me plotter, wily courtier! It does not please their mightiness to see A point-lace collar on my steel cuirass,-- And they enrage, because a man, in sooth, May be no ragged-robin, yet a Gascon! (Silence. All smoke and play): Shall I command your Captain punish you? No. CARBON: I am free, moreover,--will not punish-- DE GUICHE: Ah! CARBON: I have paid my company--'tis mine. I bow but to headquarters. DE GUICHE: So?--in faith! That will suffice. (Addressing himself to the cadets): I can despise your taunts 'Tis well known how I bear me in the war; At Bapaume, yesterday, they saw the rage With which I beat back the Count of Bucquoi; Assembling my own men, I fell on his, And charged three separate times! CYRANO (without lifting his eyes from his book): And your white scarf? DE GUICHE (surprised and gratified): You know that detail?. . .Troth! It happened thus: While caracoling to recall the troops For the third charge, a band of fugitives Bore me with them, close by the hostile ranks: I was in peril--capture, sudden death!-- When I thought of the good expedient To loosen and let fall the scarf which told My military rank; thus I contrived --Without attention waked--to leave the foes, And suddenly returning, reinforced With my own men, to scatter them! And now, --What say you, Sir? (The cadets pretend not to be listening, but the cards and the dice-boxes remain suspended in their hands, the smoke of their pipes in their cheeks. They wait.) CYRANO: I say, that Henri Quatre Had not, by any dangerous odds, been forced To strip himself of his white helmet plume. (Silent delight. The cards fall, the dice rattle. The smoke is puffed.) DE GUICHE: The ruse succeeded, though! (Same suspension of play, etc.) CYRANO: Oh, may be! But One does not lightly abdicate the honor To serve as target to the enemy (Cards, dice, fall again, and the cadets smoke with evident delight): Had I been present when your scarf fell low, --Our courage, Sir, is of a different sort-- I would have picked it up and put it on. DE GUICHE: Oh, ay! Another Gascon boast! CYRANO: A boast? Lend it to me. I pledge myself, to-night, --With it across my breast,--to lead th' assault. DE GUICHE: Another Gascon vaunt! You know the scarf Lies with the enemy, upon the brink Of the stream,. . .the place is riddled now with shot,-- No one can fetch it hither! CYRANO (drawing the scarf from his pocket, and holding it out to him): Here it is. (Silence. The cadets stifle their laughter in their cards and dice-boxes. De Guiche turns and looks at them; they instantly become grave, and set to play. One of them whistles indifferently the air just played by the fifer.) DE GUICHE (taking the scarf): I thank you. It will now enable me To make a signal,--that I had forborne To make--till now. (He goes to the rampart, climbs it, and waves the scarf thrice.) ALL: What's that? THE SENTINEL (from the top of the rampart): See you yon man Down there, who runs?. . . DE GUICHE (descending): 'Tis a false Spanish spy Who is extremely useful to my ends. The news he carries to the enemy Are those I prompt him with--so, in a word, We have an influence on their decisions! CYRANO: Scoundrel! DE GUICHE (carelessly knotting on his scarf): 'Tis opportune. What were we saying? Ah! I have news for you. Last evening --To victual us--the Marshal did attempt A final effort:--secretly he went To Dourlens, where the King's provisions be. But--to return to camp more easily-- He took with him a goodly force of troops. Those who attacked us now would have fine sport! Half of the army's absent from the camp! CARBON: Ay, if the Spaniards knew, 'twere ill for us, But they know nothing of it? DE GUICHE: Oh! they know. They will attack us. CARBON: Ah! DE GUICHE: For my false spy Came to warn me of their attack. He said, 'I can decide the point for their assault; Where would you have it? I will tell them 'tis The least defended--they'll attempt you there.' I answered, 'Good. Go out of camp, but watch My signal. Choose the point from whence it comes.' CARBON (to cadets): Make ready! (All rise; sounds of swords and belts being buckled.) DE GUICHE: 'Twill be in an hour. FIRST CADET: Good!. . . (They all sit down again and take up their games.) DE GUICHE (to Carbon): Time must be gained. The Marshal will return. CARBON: How gain it? DE GUICHE: You will all be good enough To let yourselves to be killed. CYRANO: Vengeance! oho! DE GUICHE: I do not say that, if I loved you well, I had chosen you and yours,--but, as things stand,-- Your courage yielding to no corps the palm-- I serve my King, and serve my grudge as well. CYRANO: Permit that I express my gratitude. . . DE GUICHE: I know you love to fight against five score; You will not now complain of paltry odds. (He goes up with Carbon.) CYRANO (to the cadets): We shall add to the Gascon coat of arms, With its six bars of blue and gold, one more-- The blood-red bar that was a-missing there! (De Guiche speaks in a low voice with Carbon at the back. Orders are given. Preparations go forward. Cyrano goes up to Christian, who stands with crossed arms.) CYRANO (putting his hand on Christian's shoulder): Christian! CHRISTIAN (shaking his head): Roxane! CYRANO: Alas! CHRISTIAN: At least, I'd send My heart's farewell to her in a fair letter!. . . CYRANO: I had suspicion it would be to-day, (He draws a letter out of his doublet): And had already writ. . . CHRISTIAN: Show! CYRANO: Will you. . .? CHRISTIAN (taking the letter): Ay! (He opens and reads it): Hold! CYRANO: What? CHRISTIAN: This little spot! CYRANO (taking the letter, with an innocent look): A spot? CHRISTIAN: A tear! CYRANO: Poets, at last,--by dint of counterfeiting-- Take counterfeit for true--that is the charm! This farewell letter,--it was passing sad, I wept myself in writing it! CHRISTIAN: Wept? why? CYRANO: Oh!. . .death itself is hardly terrible,. . . --But, ne'er to see her more! That is death's sting! --For. . .I shall never. . . (Christian looks at him): We shall. . . (Quickly): I mean, you. . . CHRISTIAN (snatching the letter from him): Give me that letter! (A rumor, far off in the camp.) VOICE Of SENTINEL: Who goes there? Halloo! (Shots--voices--carriage-bells.) CARBON: What is it? A SENTINEL (on the rampart): 'Tis a carriage! (All rush to see.) CRIES: In the camp? It enters!--It comes from the enemy! --Fire!--No!--The coachman cries!--What does he say? --'On the King's service!' (Everyone is on the rampart, staring. The bells come nearer.) DE GUICHE: The King's service? How? (All descend and draw up in line.) CARBON: Uncover, all! DE GUICHE: The King's! Draw up in line! Let him describe his curve as it befits! (The carriage enters at full speed covered with dust and mud. The curtains are drawn close. Two lackeys behind. It is pulled up suddenly.) CARBON: Beat a salute! (A roll of drums. The cadets uncover.) DE GUICHE: Lower the carriage-steps! (Two cadets rush forward. The door opens.) ROXANE (jumping down from the carriage): Good-day! (All are bowing to the ground, but at the sound of a woman's voice every head is instantly raised.)

Scene 4

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano37.asp

De Guiche enters and the cadets ignore him, for they do not want him to see their misery. Carbon and De Guiche greet each other and are pleased to see that each of them is reduced to skin and bone, proof that no one is escaping the suffering and misery. De Guiche, however, complains that Carbon's cadets hold him in contempt because he is a courtier and not a typical ragged Gascon. He goes on to claim his own great courage, as shown the day before in attacking the troops of Count de Bucquoi at Bapaume. The perceptive and clever Cyrano interrupts to ask about the white scarf of an officer that is in his possession. It belongs to De Guiche. He was wearing it at the attack the day before. When things started going badly, De Guiche removed the white scarf and threw it on the ground, hoping the enemy would not recognize him as an officer and take him captive. Seeing the act of De Guiche's cowardice, Cyrano picked up the scarf and now produces it, embarrassing De Guiche and proving that he is not courageous as he claimed. De Guiche tries to convince everyone that he dropped the scarf so that he could flee and regroup his men for another attack. No one believes him. De Guiche takes the scarf and waves it to a Spanish spy, who is waiting some distance away. This double agent is now to inform the Spaniards to attack the cadet's post in order to draw attention away from the French Marshall, who has gone to Dourlens to find some food for himself and his troops. By placing Cyrano and the cadets in the enemy line of fire, De Guiche is being vindictive towards them, as well as trying to protect the marshal on his return. As the cadets prepare to fight, Cyrano grows excited over the thought of battle. Christian, however, is stunned and wants to take time to write a farewell letter to Roxane. Cyrano has already prepared one, which he gives to Christian to read. The letter explains that dying is not nearly so difficult as never seeing Roxane again. As he reads, Christian is startled to see Cyrano's tears on letter. Cyrano explains that the words were so beautiful that they brought tears to his eyes. Suddenly a carriage is announced. De Guiche thinks it might be the king, and the cadets line up and bow in expectation. Instead of royalty, it is Roxane. Her appearance stuns everyone completely.

pinkmonkey

all_chapterized_books/1254-chapters/39.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_35_part_0.txt

Cyrano De Bergerac.act 4.scene 5

scene 5

{"name": "Scene 5", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano39.asp", "summary": "Roxane has passed through the ravages of war in the service of her king, which is love. Using her smile as a passport and telling the gallant Spaniards that she was going to see her lover, she has charmed her way through enemy lines. No one can believe she has risked her life to come here; and everyone wants her to leave at once. No one, however, dares to tell here that they will soon be going into battle. When she deduces the situation, she claims that she wants to stay and die with Christian. She also accuses De Guiche of trying to make her a widow, by having her husband killed in the battle. The cadets are filled with admiration for her courage and stirred to battle to defend her.", "analysis": "Notes At the end of the last scene, the Cadets have all lined up, bowing low in expectation of the arrival of the king. They are fully shocked when Roxane emerges from the carriage. They are not expecting a beautiful woman in their midst. They respond by stating that the camp suddenly smells of irises and by promising to defend her. The scene reveals new facets of Roxane. Her impulsiveness in coming and her ability to charm the Spanish soldiers are not surprising, for she has been previously pictured as charming and impulsive; but now her keen sense of adventure and her courage are also seen, for she has risked her life to come to the Gascon camp. Since these latter qualities are not thought to be appropriate for fine ladies of intelligence, Rostand tempers her actions by her explanation that the driving force for her has been love. Roxane then further proves her courage by accusing De Guiche of casting the cadets into battle in order to make her a widow. Through her bold actions, she shows that she has everything it takes to be a successful Gascon fighter; only her sex prevents her from being given that opportunity. She still says, however, that she will not leave the battlefield, for she wants to die with her husband."}

The same. Roxane. DE GUICHE: On the King's service! You? ROXANE: Ay,--King Love's! What other king? CYRANO: Great God! CHRISTIAN (rushing forward): Why have you come? ROXANE: This siege--'tis too long! CHRISTIAN: But why?. . . ROXANE: I will tell you all! CYRANO (who, at the sound of her voice, has stood still, rooted to the ground, afraid to raise his eyes): My God! dare I look at her? DE GUICHE: You cannot remain here! ROXANE (merrily): But I say yes! Who will push a drum hither for me? (She seats herself on the drum they roll forward): So! I thank you. (She laughs): My carriage was fired at (proudly): by the patrol! Look! would you not think 'twas made of a pumpkin, like Cinderella's chariot in the tale,--and the footmen out of rats? (Sending a kiss with her lips to Christian): Good-morrow! (Examining them all): You look not merry, any of you! Ah! know you that 'tis a long road to get to Arras? (Seeing Cyrano): Cousin, delighted! CYRANO (coming up to her): But how, in Heaven's name?. . . ROXANE: How found I the way to the army? It was simple enough, for I had but to pass on and on, as far as I saw the country laid waste. Ah, what horrors were there! Had I not seen, then I could never have believed it! Well, gentlemen, if such be the service of your King, I would fainer serve mine! CYRANO: But 'tis sheer madness! Where in the fiend's name did you get through? ROXANE: Where? Through the Spanish lines. FIRST CADET: --For subtle craft, give me a woman! DE GUICHE: But how did you pass through their lines? LE BRET: Faith! that must have been a hard matter!. . . ROXANE: None too hard. I but drove quietly forward in my carriage, and when some hidalgo of haughty mien would have stayed me, lo! I showed at the window my sweetest smile, and these Senors being (with no disrespect to you) the most gallant gentlemen in the world,--I passed on! CARBON: True, that smile is a passport! But you must have been asked frequently to give an account of where you were going, Madame? ROXANE: Yes, frequently. Then I would answer, 'I go to see my lover.' At that word the very fiercest Spaniard of them all would gravely shut the carriage-door, and, with a gesture that a king might envy, make signal to his men to lower the muskets leveled at me;--then, with melancholy but withal very graceful dignity--his beaver held to the wind that the plumes might flutter bravely, he would bow low, saying to me, 'Pass on, Senorita!' CHRISTIAN: But, Roxane. . . ROXANE: Forgive me that I said, 'my lover!' But bethink you, had I said 'my husband,' not one of them had let me pass! CHRISTIAN: But. . . ROXANE: What ails you? DE GUICHE: You must leave this place! ROXANE: I? CYRANO: And that instantly! LE BRET: No time to lose. CHRISTIAN: Indeed, you must. ROXANE: But wherefore must I? CHRISTIAN (embarrassed): 'Tis that. . . CYRANO (the same): --In three quarters of an hour. . . DE GUICHE (the same): --Or for. . . CARBON (the same): It were best. . . LE BRET (the same): You might. . . ROXANE: You are going to fight?--I stay here. ALL: No, no! ROXANE: He is my husband! (She throws herself into Christian's arms): They shall kill us both together! CHRISTIAN: Why do you look at me thus? ROXANE: I will tell you why! DE GUICHE (in despair): 'Tis a post of mortal danger! ROXANE (turning round): Mortal danger! CYRANO: Proof enough, that he has put us here! ROXANE (to De Guiche): So, Sir, you would have made a widow of me? DE GUICHE: Nay, on my oath. . . ROXANE: I will not go! I am reckless now, and I shall not stir from here!--Besides, 'tis amusing! CYRANO: Oh-ho! So our precieuse is a heroine! ROXANE: Monsieur de Bergerac, I am your cousin. A CADET: We will defend you well! ROXANE (more and more excited): I have no fear of that, my friends! ANOTHER (in ecstasy): The whole camp smells sweet of orris-root! ROXANE: And, by good luck, I have chosen a hat that will suit well with the battlefield! (Looking at De Guiche): But were it not wisest that the Count retire? They may begin the attack. DE GUICHE: That is not to be brooked! I go to inspect the cannon, and shall return. You have still time--think better of it! ROXANE: Never! (De Guiche goes out.)

Scene 5

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano39.asp

Roxane has passed through the ravages of war in the service of her king, which is love. Using her smile as a passport and telling the gallant Spaniards that she was going to see her lover, she has charmed her way through enemy lines. No one can believe she has risked her life to come here; and everyone wants her to leave at once. No one, however, dares to tell here that they will soon be going into battle. When she deduces the situation, she claims that she wants to stay and die with Christian. She also accuses De Guiche of trying to make her a widow, by having her husband killed in the battle. The cadets are filled with admiration for her courage and stirred to battle to defend her.

Notes At the end of the last scene, the Cadets have all lined up, bowing low in expectation of the arrival of the king. They are fully shocked when Roxane emerges from the carriage. They are not expecting a beautiful woman in their midst. They respond by stating that the camp suddenly smells of irises and by promising to defend her. The scene reveals new facets of Roxane. Her impulsiveness in coming and her ability to charm the Spanish soldiers are not surprising, for she has been previously pictured as charming and impulsive; but now her keen sense of adventure and her courage are also seen, for she has risked her life to come to the Gascon camp. Since these latter qualities are not thought to be appropriate for fine ladies of intelligence, Rostand tempers her actions by her explanation that the driving force for her has been love. Roxane then further proves her courage by accusing De Guiche of casting the cadets into battle in order to make her a widow. Through her bold actions, she shows that she has everything it takes to be a successful Gascon fighter; only her sex prevents her from being given that opportunity. She still says, however, that she will not leave the battlefield, for she wants to die with her husband.

pinkmonkey

all_chapterized_books/1254-chapters/40.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_36_part_0.txt

Cyrano De Bergerac.act 4.scene 6

scene 6

{"name": "Scene 6", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano40.asp", "summary": "When Carbon introduces Roxane to the Cadets, he asks her to give up her lace handkerchief to serve as the banner of the cadets; she gladly obliges. When one of the men mentions his hunger to her, she tells them that she has brought food and sends them to the carriage. While Ragueneau, serving as the coachman, takes out the edible delicacies, Roxane distributes them to the cadets. Cyrano urgently draws Christian aside to talk to him, but the latter is called away to help with the food. While he carves the meat, he presses Roxane about her real reason for coming; however, she will not talk to him until after the feast is over. When De Guiche re-enters the camp, the food is quickly hidden from view. As a result, he is amazed by the gaiety that he perceives. He has come to bring the cadets a cannon, but he warns them about its recoil action. He also asks Roxane if she really intends to stay on at the camp. When she gives her positive response, he calls for a musket and says that he will stay and protect her. The cadets are so impressed by his offer that they give him the remaining food from the feast. Although he is tempted by his hunger, De Guiche is too proud to accept it. He is then applauded by all as a true Gascon. When Carbon asks De Guiche to inspect the pikeman, he asks Roxane to accompany him. This gives Cyrano the opportunity to warn Christian that he must acknowledge having written the letters that Roxane has received. Christian is amazed at the news and questions him about the letters and their dispatch. When Cyrano explains how he has crossed enemy lines to get the letters to Roxane, Christian sarcastically remarks that writing them must have been an intoxicating experience, for Cyrano was willing to risk death for them; there is a touch of jealousy in his criticism. Roxane's return, however, suspends their conversation.", "analysis": "Notes Scenes 5 through 7 are probably the weakest ones in the play, for they border on the totally ridiculous and unbelievable. It is hard to imagine that a woman, even an impulsive and determined one like Roxane, would risk her life to come to the front and be successful in charming the Spanish soldiers to let her through enemy lines. The irony is that she has been spurred to come in order to see Christian, her new husband, because of letters she has been receiving, supposedly written by him. In truth, it is Cyrano's poetic words that have drawn her to the front. When Roxane does succeed in arriving, it is not surprising that she has an immediate effect on everyone. Not only does she bring the smell of iris to the camp, her arrival causes the unkempt cadets to rush and try to make themselves presentable. Her presence is not just an inspiration but a civilizing influence on these soldiers who are soon going to be cannon fodder. Even De Guiche is impressed with Roxane's courage. When she says she is going to stay on in the camp during the battle, he calls for a musket and promises to remain and defend her. When one of the cadets mentions his hunger, Roxane reveals that she has brought a feast with her. It serves as a type of last supper for the cadets. It also proves Roxane's kindness and inventiveness; she has managed to conceal the food in the strangest places. A sausage has even been hidden in the coachman's whip. The feast, largely prepared by Ragueneau, the former pastry chef who is now in Roxane's service, gives him an opportunity to provide some poetry; as always, his metaphors are trite, comparing Roxane to Venus and wine flasks to rubies. In spite of the general merriment in the camp, Cyrano is a bag of nerves. He has has never informed Christian about the numerous letters that he has sent to Roxane in Christian's name. When he first tries to explain what he has done, Christian is called away to carve the meat. Later he has the opportunity to make his confession when De Guiche asks Roxane to accompany him on his inspection of the pikeman. At the end of scene 7, Christian's vehement outburst to Cyrano suggests that his jealousy has at last found an object. The strong reaction is a first step by Rostand of alienating the audience from the handsome cadet and solidifying support for Cyrano, the protagonist."}

The same, all but De Guiche. CHRISTIAN (entreatingly): Roxane! ROXANE: No! FIRST CADET (to the others): She stays! ALL (hurrying, hustling each other, tidying themselves): A comb!--Soap!--My uniform is torn!--A needle!--A ribbon!--Lend your mirror!--My cuffs!--Your curling-iron!--A razor!. . . ROXANE (to Cyrano, who still pleads with her): No! Naught shall make me stir from this spot! CARBON (who, like the others, has been buckling, dusting, brushing his hat, settling his plume, and drawing on his cuffs, advances to Roxane, and ceremoniously): It is perchance more seemly, since things are thus, that I present to you some of these gentlemen who are about to have the honor of dying before your eyes. (Roxane bows, and stands leaning on Christian's arm, while Carbon introduces the cadets to her): Baron de Peyrescous de Colignac! THE CADET (with a low reverence): Madame. . . CARBON (continuing): Baron de Casterac de Cahuzac,--Vidame de Malgouyre Estressac Lesbas d'Escarabiot, Chevalier d'Antignac-Juzet, Baron Hillot de Blagnac-Salechan de Castel Crabioules. . . ROXANE: But how many names have you each? BARON HILLOT: Scores! CARBON (to Roxane): Pray, upon the hand that holds your kerchief. ROXANE (opens her hand, and the handkerchief falls): Why? (The whole company start forward to pick it up.) CARBON (quickly raising it): My company had no flag. But now, by my faith, they will have the fairest in all the camp! ROXANE (smiling): 'Tis somewhat small. CARBON (tying the handkerchief on the staff of his lance): But--'tis of lace! A CADET (to the rest): I could die happy, having seen so sweet a face, if I had something in my stomach--were it but a nut! CARBON (who has overheard, indignantly): Shame on you! What, talk of eating when a lovely woman!. . . ROXANE: But your camp air is keen; I myself am famished. Pasties, cold fricassee, old wines--there is my bill of fare? Pray bring it all here. (Consternation.) A CADET: All that? ANOTHER: But where on earth find it? ROXANE (quietly): In my carriage. ALL: How? ROXANE: Now serve up--carve! Look a little closer at my coachman, gentlemen, and you will recognize a man most welcome. All the sauces can be sent to table hot, if we will! THE CADETS (rushing pellmell to the carriage): 'Tis Ragueneau! (Acclamations): Oh, oh! ROXANE (looking after them): Poor fellows! CYRANO (kissing her hand): Kind fairy! RAGUENEAU (standing on the box like a quack doctor at a fair): Gentlemen!. . . (General delight.) THE CADETS: Bravo! bravo! RAGUENEAU: . . .The Spaniards, gazing on a lady so dainty fair, overlooked the fare so dainty!. . . (Applause.) CYRANO (in a whisper to Christian): Hark, Christian! RAGUENEAU: . . .And, occupied with gallantry, perceived not-- (His draws a plate from under the seat, and holds it up): --The galantine!. . . (Applause. The galantine passes from hand to hand.) CYRANO (still whispering to Christian): Prythee, one word! RAGUENEAU: And Venus so attracted their eyes that Diana could secretly pass by with-- (He holds up a shoulder of mutton): --her fawn! (Enthusiasm. Twenty hands are held out to seize the shoulder of mutton.) CYRANO (in a low whisper to Christian): I must speak to you! ROXANE (to the cadets, who come down, their arms laden with food): Put it all on the ground! (She lays all out on the grass, aided by the two imperturbable lackeys who were behind the carriage.) ROXANE (to Christian, just as Cyrano is drawing him apart): Come, make yourself of use! (Christian comes to help her. Cyrano's uneasiness increases.) RAGUENEAU: Truffled peacock! FIRST CADET (radiant, coming down, cutting a big slice of ham): By the mass! We shall not brave the last hazard without having had a gullet-full!-- (quickly correcting himself on seeing Roxane): --Pardon! A Balthazar feast! RAGUENEAU (throwing down the carriage cushions): The cushions are stuffed with ortolans! (Hubbub. They tear open and turn out the contents of the cushions. Bursts of laughter--merriment.) THIRD CADET: Ah! Viedaze! RAGUENEAU (throwing down to the cadets bottles of red wine): Flasks of rubies!-- (and white wine): --Flasks of topaz! ROXANE (throwing a folded tablecloth at Cyrano's head): Unfold me that napkin!--Come, come! be nimble! RAGUENEAU (waving a lantern): Each of the carriage-lamps is a little larder! CYRANO (in a low voice to Christian, as they arrange the cloth together): I must speak with you ere you speak to her. RAGUENEAU: My whip-handle is an Arles sausage! ROXANE (pouring out wine, helping): Since we are to die, let the rest of the army shift for itself. All for the Gascons! And mark! if De Guiche comes, let no one invite him! (Going from one to the other): There! there! You have time enough! Do not eat too fast!--Drink a little.- -Why are you crying? FIRST CADET: It is all so good!. . . ROXANE: Tut!--Red or white?--Some bread for Monsieur de Carbon!--a knife! Pass your plate!--a little of the crust? Some more? Let me help you!--Some champagne?- -A wing? CYRANO (who follows her, his arms laden with dishes, helping her to wait on everybody): How I worship her! ROXANE (going up to Christian): What will you? CHRISTIAN: Nothing. ROXANE: Nay, nay, take this biscuit, steeped in muscat; come!. . .but two drops! CHRISTIAN (trying to detain her): Oh! tell me why you came? ROXANE: Wait; my first duty is to these poor fellows.--Hush! In a few minutes. . . LE BRET (who had gone up to pass a loaf on the end of a lance to the sentry on the rampart): De Guiche! CYRANO: Quick! hide flasks, plates, pie-dishes, game-baskets! Hurry!--Let us all look unconscious! (To Ragueneau): Up on your seat!--Is everything covered up? (In an instant all has been pushed into the tents, or hidden under doublets, cloaks, and beavers. De Guiche enters hurriedly--stops suddenly, sniffing the air. Silence.)

Scene 6

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano40.asp

When Carbon introduces Roxane to the Cadets, he asks her to give up her lace handkerchief to serve as the banner of the cadets; she gladly obliges. When one of the men mentions his hunger to her, she tells them that she has brought food and sends them to the carriage. While Ragueneau, serving as the coachman, takes out the edible delicacies, Roxane distributes them to the cadets. Cyrano urgently draws Christian aside to talk to him, but the latter is called away to help with the food. While he carves the meat, he presses Roxane about her real reason for coming; however, she will not talk to him until after the feast is over. When De Guiche re-enters the camp, the food is quickly hidden from view. As a result, he is amazed by the gaiety that he perceives. He has come to bring the cadets a cannon, but he warns them about its recoil action. He also asks Roxane if she really intends to stay on at the camp. When she gives her positive response, he calls for a musket and says that he will stay and protect her. The cadets are so impressed by his offer that they give him the remaining food from the feast. Although he is tempted by his hunger, De Guiche is too proud to accept it. He is then applauded by all as a true Gascon. When Carbon asks De Guiche to inspect the pikeman, he asks Roxane to accompany him. This gives Cyrano the opportunity to warn Christian that he must acknowledge having written the letters that Roxane has received. Christian is amazed at the news and questions him about the letters and their dispatch. When Cyrano explains how he has crossed enemy lines to get the letters to Roxane, Christian sarcastically remarks that writing them must have been an intoxicating experience, for Cyrano was willing to risk death for them; there is a touch of jealousy in his criticism. Roxane's return, however, suspends their conversation.

Notes Scenes 5 through 7 are probably the weakest ones in the play, for they border on the totally ridiculous and unbelievable. It is hard to imagine that a woman, even an impulsive and determined one like Roxane, would risk her life to come to the front and be successful in charming the Spanish soldiers to let her through enemy lines. The irony is that she has been spurred to come in order to see Christian, her new husband, because of letters she has been receiving, supposedly written by him. In truth, it is Cyrano's poetic words that have drawn her to the front. When Roxane does succeed in arriving, it is not surprising that she has an immediate effect on everyone. Not only does she bring the smell of iris to the camp, her arrival causes the unkempt cadets to rush and try to make themselves presentable. Her presence is not just an inspiration but a civilizing influence on these soldiers who are soon going to be cannon fodder. Even De Guiche is impressed with Roxane's courage. When she says she is going to stay on in the camp during the battle, he calls for a musket and promises to remain and defend her. When one of the cadets mentions his hunger, Roxane reveals that she has brought a feast with her. It serves as a type of last supper for the cadets. It also proves Roxane's kindness and inventiveness; she has managed to conceal the food in the strangest places. A sausage has even been hidden in the coachman's whip. The feast, largely prepared by Ragueneau, the former pastry chef who is now in Roxane's service, gives him an opportunity to provide some poetry; as always, his metaphors are trite, comparing Roxane to Venus and wine flasks to rubies. In spite of the general merriment in the camp, Cyrano is a bag of nerves. He has has never informed Christian about the numerous letters that he has sent to Roxane in Christian's name. When he first tries to explain what he has done, Christian is called away to carve the meat. Later he has the opportunity to make his confession when De Guiche asks Roxane to accompany him on his inspection of the pikeman. At the end of scene 7, Christian's vehement outburst to Cyrano suggests that his jealousy has at last found an object. The strong reaction is a first step by Rostand of alienating the audience from the handsome cadet and solidifying support for Cyrano, the protagonist.

pinkmonkey

all_chapterized_books/1254-chapters/41.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_37_part_0.txt

Cyrano De Bergerac.act 4.scene 7

scene 7

{"name": "Scene 7", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano40.asp", "summary": "When Carbon introduces Roxane to the Cadets, he asks her to give up her lace handkerchief to serve as the banner of the cadets; she gladly obliges. When one of the men mentions his hunger to her, she tells them that she has brought food and sends them to the carriage. While Ragueneau, serving as the coachman, takes out the edible delicacies, Roxane distributes them to the cadets. Cyrano urgently draws Christian aside to talk to him, but the latter is called away to help with the food. While he carves the meat, he presses Roxane about her real reason for coming; however, she will not talk to him until after the feast is over. When De Guiche re-enters the camp, the food is quickly hidden from view. As a result, he is amazed by the gaiety that he perceives. He has come to bring the cadets a cannon, but he warns them about its recoil action. He also asks Roxane if she really intends to stay on at the camp. When she gives her positive response, he calls for a musket and says that he will stay and protect her. The cadets are so impressed by his offer that they give him the remaining food from the feast. Although he is tempted by his hunger, De Guiche is too proud to accept it. He is then applauded by all as a true Gascon. When Carbon asks De Guiche to inspect the pikeman, he asks Roxane to accompany him. This gives Cyrano the opportunity to warn Christian that he must acknowledge having written the letters that Roxane has received. Christian is amazed at the news and questions him about the letters and their dispatch. When Cyrano explains how he has crossed enemy lines to get the letters to Roxane, Christian sarcastically remarks that writing them must have been an intoxicating experience, for Cyrano was willing to risk death for them; there is a touch of jealousy in his criticism. Roxane's return, however, suspends their conversation.", "analysis": "Notes Scenes 5 through 7 are probably the weakest ones in the play, for they border on the totally ridiculous and unbelievable. It is hard to imagine that a woman, even an impulsive and determined one like Roxane, would risk her life to come to the front and be successful in charming the Spanish soldiers to let her through enemy lines. The irony is that she has been spurred to come in order to see Christian, her new husband, because of letters she has been receiving, supposedly written by him. In truth, it is Cyrano's poetic words that have drawn her to the front. When Roxane does succeed in arriving, it is not surprising that she has an immediate effect on everyone. Not only does she bring the smell of iris to the camp, her arrival causes the unkempt cadets to rush and try to make themselves presentable. Her presence is not just an inspiration but a civilizing influence on these soldiers who are soon going to be cannon fodder. Even De Guiche is impressed with Roxane's courage. When she says she is going to stay on in the camp during the battle, he calls for a musket and promises to remain and defend her. When one of the cadets mentions his hunger, Roxane reveals that she has brought a feast with her. It serves as a type of last supper for the cadets. It also proves Roxane's kindness and inventiveness; she has managed to conceal the food in the strangest places. A sausage has even been hidden in the coachman's whip. The feast, largely prepared by Ragueneau, the former pastry chef who is now in Roxane's service, gives him an opportunity to provide some poetry; as always, his metaphors are trite, comparing Roxane to Venus and wine flasks to rubies. In spite of the general merriment in the camp, Cyrano is a bag of nerves. He has has never informed Christian about the numerous letters that he has sent to Roxane in Christian's name. When he first tries to explain what he has done, Christian is called away to carve the meat. Later he has the opportunity to make his confession when De Guiche asks Roxane to accompany him on his inspection of the pikeman. At the end of scene 7, Christian's vehement outburst to Cyrano suggests that his jealousy has at last found an object. The strong reaction is a first step by Rostand of alienating the audience from the handsome cadet and solidifying support for Cyrano, the protagonist."}

The same. De Guiche. DE GUICHE: It smells good here. A CADET (humming): Lo! Lo-lo! DE GUICHE (looking at him): What is the matter?--You are very red. THE CADET: The matter?--Nothing!--'Tis my blood--boiling at the thought of the coming battle! ANOTHER: Poum, poum--poum. . . DE GUICHE (turning round): What's that? THE CADET (slightly drunk): Nothing!. . .'Tis a song!--a little. . . DE GUICHE: You are merry, my friend! THE CADET: The approach of danger is intoxicating! DE GUICHE (calling Carbon de Castel-Jaloux, to give him an order): Captain! I. . . (He stops short on seeing him): Plague take me! but you look bravely, too! CARBON (crimson in the face, hiding a bottle behind his back, with an evasive movement): Oh!. . . DE GUICHE: I have one cannon left, and have had it carried there-- (he points behind the scenes): --in that corner. . .Your men can use it in case of need. A CADET (reeling slightly): Charming attention! ANOTHER (with a gracious smile): Kind solicitude! DE GUICHE: How? they are all gone crazy? (Drily): As you are not used to cannon, beware of the recoil. FIRST CADET: Pooh! DE GUICHE (furious, going up to him): But. . . THE CADET: Gascon cannons never recoil! DE GUICHE (taking him by the arm and shaking him): You are tipsy!--but what with? THE CADET (grandiloquently): --With the smell of powder! DE GUICHE (shrugging his shoulders and pushing him away, then going quickly to Roxane): Briefly, Madame, what decision do you deign to take? ROXANE: I stay here. DE GUICHE: You must fly! ROXANE: No! I will stay. DE GUICHE: Since things are thus, give me a musket, one of you! CARBON: Wherefore? DE GUICHE: Because I too--mean to remain. CYRANO: At last! This is true valor, Sir! FIRST CADET: Then you are Gascon after all, spite of your lace collar? ROXANE: What is all this? DE GUICHE: I leave no woman in peril. SECOND CADET (to the first): Hark you! Think you not we might give him something to eat? (All the viands reappear as if by magic.) DE GUICHE (whose eyes sparkle): Victuals! THE THIRD CADET: Yes, you'll see them coming from under every coat! DE GUICHE (controlling himself, haughtily): Do you think I will eat your leavings? CYRANO (saluting him): You make progress. DE GUICHE (proudly, with a light touch of accent on the word 'breaking'): I will fight without br-r-eaking my fast! FIRST CADET (with wild delight): Br-r-r-eaking! He has got the accent! DE GUICHE (laughing): I? THE CADET: 'Tis a Gascon! (All begin to dance.) CARBON DE CASTEL-JALOUX (who had disappeared behind the rampart, reappearing on the ridge): I have drawn my pikemen up in line. They are a resolute troop. (He points to a row of pikes, the tops of which are seen over the ridge.) DE GUICHE (bowing to Roxane): Will you accept my hand, and accompany me while I review them? (She takes it, and they go up toward the rampart. All uncover and follow them.) CHRISTIAN (going to Cyrano, eagerly): Tell me quickly! (As Roxane appears on the ridge, the tops of the lances disappear, lowered for the salute, and a shout is raised. She bows.) THE PIKEMEN (outside): Vivat! CHRISTIAN: What is this secret? CYRANO: If Roxane should. . . CHRISTIAN: Should?. . . CYRANO: Speak of the letters?. . . CHRISTIAN: Yes, I know!. . . CYRANO: Do not spoil all by seeming surprised. . . CHRISTIAN: At what? CYRANO: I must explain to you!. . .Oh! 'tis no great matter--I but thought of it to- day on seeing her. You have. . . CHRISTIAN: Tell quickly! CYRANO: You have. . .written to her oftener than you think. . . CHRISTIAN: How so? CYRANO: Thus, 'faith! I had taken it in hand to express your flame for you!. . .At times I wrote without saying, 'I am writing!' CHRISTIAN: Ah!. . . CYRANO: 'Tis simple enough! CHRISTIAN: But how did you contrive, since we have been cut off, thus. . .to?. . . CYRANO: . . .Oh! before dawn. . .I was able to get through. . . CHRISTIAN (folding his arms): That was simple, too? And how oft, pray you, have I written?. . .Twice in the week?. . .Three times?. . .Four?. . . CYRANO: More often still. CHRISTIAN: What! Every day? CYRANO: Yes, every day,--twice. CHRISTIAN (violently): And that became so mad a joy for you, that you braved death. . . CYRANO (seeing Roxane returning): Hush! Not before her! (He goes hurriedly into his tent.)

Scene 7

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano40.asp

When Carbon introduces Roxane to the Cadets, he asks her to give up her lace handkerchief to serve as the banner of the cadets; she gladly obliges. When one of the men mentions his hunger to her, she tells them that she has brought food and sends them to the carriage. While Ragueneau, serving as the coachman, takes out the edible delicacies, Roxane distributes them to the cadets. Cyrano urgently draws Christian aside to talk to him, but the latter is called away to help with the food. While he carves the meat, he presses Roxane about her real reason for coming; however, she will not talk to him until after the feast is over. When De Guiche re-enters the camp, the food is quickly hidden from view. As a result, he is amazed by the gaiety that he perceives. He has come to bring the cadets a cannon, but he warns them about its recoil action. He also asks Roxane if she really intends to stay on at the camp. When she gives her positive response, he calls for a musket and says that he will stay and protect her. The cadets are so impressed by his offer that they give him the remaining food from the feast. Although he is tempted by his hunger, De Guiche is too proud to accept it. He is then applauded by all as a true Gascon. When Carbon asks De Guiche to inspect the pikeman, he asks Roxane to accompany him. This gives Cyrano the opportunity to warn Christian that he must acknowledge having written the letters that Roxane has received. Christian is amazed at the news and questions him about the letters and their dispatch. When Cyrano explains how he has crossed enemy lines to get the letters to Roxane, Christian sarcastically remarks that writing them must have been an intoxicating experience, for Cyrano was willing to risk death for them; there is a touch of jealousy in his criticism. Roxane's return, however, suspends their conversation.

Notes Scenes 5 through 7 are probably the weakest ones in the play, for they border on the totally ridiculous and unbelievable. It is hard to imagine that a woman, even an impulsive and determined one like Roxane, would risk her life to come to the front and be successful in charming the Spanish soldiers to let her through enemy lines. The irony is that she has been spurred to come in order to see Christian, her new husband, because of letters she has been receiving, supposedly written by him. In truth, it is Cyrano's poetic words that have drawn her to the front. When Roxane does succeed in arriving, it is not surprising that she has an immediate effect on everyone. Not only does she bring the smell of iris to the camp, her arrival causes the unkempt cadets to rush and try to make themselves presentable. Her presence is not just an inspiration but a civilizing influence on these soldiers who are soon going to be cannon fodder. Even De Guiche is impressed with Roxane's courage. When she says she is going to stay on in the camp during the battle, he calls for a musket and promises to remain and defend her. When one of the cadets mentions his hunger, Roxane reveals that she has brought a feast with her. It serves as a type of last supper for the cadets. It also proves Roxane's kindness and inventiveness; she has managed to conceal the food in the strangest places. A sausage has even been hidden in the coachman's whip. The feast, largely prepared by Ragueneau, the former pastry chef who is now in Roxane's service, gives him an opportunity to provide some poetry; as always, his metaphors are trite, comparing Roxane to Venus and wine flasks to rubies. In spite of the general merriment in the camp, Cyrano is a bag of nerves. He has has never informed Christian about the numerous letters that he has sent to Roxane in Christian's name. When he first tries to explain what he has done, Christian is called away to carve the meat. Later he has the opportunity to make his confession when De Guiche asks Roxane to accompany him on his inspection of the pikeman. At the end of scene 7, Christian's vehement outburst to Cyrano suggests that his jealousy has at last found an object. The strong reaction is a first step by Rostand of alienating the audience from the handsome cadet and solidifying support for Cyrano, the protagonist.

pinkmonkey

all_chapterized_books/1254-chapters/42.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_38_part_0.txt

Cyrano De Bergerac.act 4.scene 8

scene 8

{"name": "Scene 8", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano41.asp", "summary": "Roxane now reveals to Christian that it was his beautifully written letters that made her risk her life and come to the front to see him. She claims that she was so overwhelmed by feelings for him that she had to come. She also asks Christian's forgiveness for at first loving him only for his looks. Because of the letters, her love for him has become spiritual, and she has no further thoughts of his appearance. Christian is upset by this confession, making Roxane think that he cannot comprehend her love. As a result, she assures him that she would love him even if he were ugly, a confession that upsets Christian even more. He reacts by sending her away to cheer up the cadets in their last moments. He rushes away to speak with Cyrano. Christian desolately tells Cyrano that because of the letters Roxane now loves only his soul, which really means that she loves Cyrano. He encourages Cyrano to confess his love to her since she has said she would love Christian even if he were ugly. He further reasons that Roxane must be told the truth about the letters. Then she can decide whom she really loves. Christian next leaves to summon Roxane. Cyrano will be left alone to explain to her what has transpired. When Roxane arrives, she tells Cyrano that Christian seemed to doubt that she would love him even if he were physically ugly. Cyrano is then on the point of making his confession when Le Bret interrupts. He tells them that Christian has been seriously wounded by the first shot fired in the battle. When the dying Christian is carried on stage, Cyrano goes to him and tries to convince him that Roxane truly loves him. When Roxane goes to him, she finds a letter addressed to her in his pocket, the one that Cyrano has written and given to Christian. Roxane carefully reads the letter, which is now covered with blood, as well as with the tears of Cyrano. The death of Christian is a cruel irony for both Roxane and Cyrano. She has lost her new husband without ever being able to consummate the marriage. Cyrano has lost hope of ever being able to win Roxane for himself. He knows that he will now never be able to tell her of his love. She must also always believe that Christian had a fine mind as evidenced by the letters that he wrote to her. While the firing continues outside, Cyrano asks Ragueneau to get the carriage ready to take Roxane away. De Guiche enters battled- strained, and Cyrano hands over the care of Roxane to him since he has proven his valor for her. Cyrano goes out to fight and avenge the death of Christian and the loss of his happiness. Never again will he be able to express his feelings for Roxane, even in disguise.", "analysis": ""}

Roxane, Christian. In the distance cadets coming and going. Carbon and De Guiche give orders. ROXANE (running up to Christian): Ah, Christian, at last!. . . CHRISTIAN (taking her hands): Now tell me why-- Why, by these fearful paths so perilous-- Across these ranks of ribald soldiery, You have come? ROXANE: Love, your letters brought me here! CHRISTIAN: What say you? ROXANE: 'Tis your fault if I ran risks! Your letters turned my head! Ah! all this month, How many!--and the last one ever bettered The one that went before! CHRISTIAN: What!--for a few Inconsequent love-letters! ROXANE: Hold your peace! Ah! you cannot conceive it! Ever since That night, when, in a voice all new to me, Under my window you revealed your soul-- Ah! ever since I have adored you! Now Your letters all this whole month long!--meseemed As if I heard that voice so tender, true, Sheltering, close! Thy fault, I say! It drew me, The voice o' th' night! Oh! wise Penelope Would ne'er have stayed to broider on her hearthstone, If her Ulysses could have writ such letters! But would have cast away her silken bobbins, And fled to join him, mad for love as Helen! CHRISTIAN: But. . . ROXANE: I read, read again--grew faint for love; I was thine utterly. Each separate page Was like a fluttering flower-petal, loosed From your own soul, and wafted thus to mine. Imprinted in each burning word was love Sincere, all-powerful. . . CHRISTIAN: A love sincere! Can that be felt, Roxane! ROXANE: Ay, that it can! CHRISTIAN: You come. . .? ROXANE: O, Christian, my true lord, I come-- (Were I to throw myself, here, at your knees, You would raise me--but 'tis my soul I lay At your feet--you can raise it nevermore!) --I come to crave your pardon. (Ay, 'tis time To sue for pardon, now that death may come!) For the insult done to you when, frivolous, At first I loved you only for your face! CHRISTIAN (horror-stricken): Roxane! ROXANE: And later, love--less frivolous-- Like a bird that spreads its wings, but can not fly-- Arrested by your beauty, by your soul Drawn close--I loved for both at once! CHRISTIAN: And now? ROXANE: Ah! you yourself have triumphed o'er yourself, And now, I love you only for your soul! CHRISTIAN (stepping backward): Roxane! ROXANE: Be happy. To be loved for beauty-- A poor disguise that time so soon wears threadbare-- Must be to noble souls--to souls aspiring-- A torture. Your dear thoughts have now effaced That beauty that so won me at the outset. Now I see clearer--and I no more see it! CHRISTIAN: Oh!. . . ROXANE: You are doubtful of such victory? CHRISTIAN (pained): Roxane! ROXANE: I see you cannot yet believe it. Such love. . .? CHRISTIAN: I do not ask such love as that! I would be loved more simply; for. . . ROXANE: For that Which they have all in turns loved in thee?-- Shame! Oh! be loved henceforth in a better way! CHRISTIAN: No! the first love was best! ROXANE: Ah! how you err! 'Tis now that I love best--love well! 'Tis that Which is thy true self, see!--that I adore! Were your brilliance dimmed. . . CHRISTIAN: Hush! ROXANE: I should love still! Ay, if your beauty should to-day depart. . . CHRISTIAN: Say not so! ROXANE: Ay, I say it! CHRISTIAN: Ugly? How? ROXANE: Ugly! I swear I'd love you still! CHRISTIAN: My God! ROXANE: Are you content at last? CHRISTIAN (in a choked voice): Ay!. . . ROXANE: What is wrong? CHRISTIAN (gently pushing her away): Nothing. . .I have two words to say:--one second. . . ROXANE: But?. . . CHRISTIAN (pointing to the cadets): Those poor fellows, shortly doomed to death,-- My love deprives them of the sight of you: Go,--speak to them--smile on them ere they die! ROXANE (deeply affected): Dear Christian!. . . (She goes up to the cadets, who respectfully crowd round her.)

Scene 8

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano41.asp

Roxane now reveals to Christian that it was his beautifully written letters that made her risk her life and come to the front to see him. She claims that she was so overwhelmed by feelings for him that she had to come. She also asks Christian's forgiveness for at first loving him only for his looks. Because of the letters, her love for him has become spiritual, and she has no further thoughts of his appearance. Christian is upset by this confession, making Roxane think that he cannot comprehend her love. As a result, she assures him that she would love him even if he were ugly, a confession that upsets Christian even more. He reacts by sending her away to cheer up the cadets in their last moments. He rushes away to speak with Cyrano. Christian desolately tells Cyrano that because of the letters Roxane now loves only his soul, which really means that she loves Cyrano. He encourages Cyrano to confess his love to her since she has said she would love Christian even if he were ugly. He further reasons that Roxane must be told the truth about the letters. Then she can decide whom she really loves. Christian next leaves to summon Roxane. Cyrano will be left alone to explain to her what has transpired. When Roxane arrives, she tells Cyrano that Christian seemed to doubt that she would love him even if he were physically ugly. Cyrano is then on the point of making his confession when Le Bret interrupts. He tells them that Christian has been seriously wounded by the first shot fired in the battle. When the dying Christian is carried on stage, Cyrano goes to him and tries to convince him that Roxane truly loves him. When Roxane goes to him, she finds a letter addressed to her in his pocket, the one that Cyrano has written and given to Christian. Roxane carefully reads the letter, which is now covered with blood, as well as with the tears of Cyrano. The death of Christian is a cruel irony for both Roxane and Cyrano. She has lost her new husband without ever being able to consummate the marriage. Cyrano has lost hope of ever being able to win Roxane for himself. He knows that he will now never be able to tell her of his love. She must also always believe that Christian had a fine mind as evidenced by the letters that he wrote to her. While the firing continues outside, Cyrano asks Ragueneau to get the carriage ready to take Roxane away. De Guiche enters battled- strained, and Cyrano hands over the care of Roxane to him since he has proven his valor for her. Cyrano goes out to fight and avenge the death of Christian and the loss of his happiness. Never again will he be able to express his feelings for Roxane, even in disguise.

pinkmonkey

all_chapterized_books/1254-chapters/43.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_39_part_0.txt

Cyrano De Bergerac.act 4.scene 9

scene 9

{"name": "Scene 9", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano41.asp", "summary": "Roxane now reveals to Christian that it was his beautifully written letters that made her risk her life and come to the front to see him. She claims that she was so overwhelmed by feelings for him that she had to come. She also asks Christian's forgiveness for at first loving him only for his looks. Because of the letters, her love for him has become spiritual, and she has no further thoughts of his appearance. Christian is upset by this confession, making Roxane think that he cannot comprehend her love. As a result, she assures him that she would love him even if he were ugly, a confession that upsets Christian even more. He reacts by sending her away to cheer up the cadets in their last moments. He rushes away to speak with Cyrano. Christian desolately tells Cyrano that because of the letters Roxane now loves only his soul, which really means that she loves Cyrano. He encourages Cyrano to confess his love to her since she has said she would love Christian even if he were ugly. He further reasons that Roxane must be told the truth about the letters. Then she can decide whom she really loves. Christian next leaves to summon Roxane. Cyrano will be left alone to explain to her what has transpired. When Roxane arrives, she tells Cyrano that Christian seemed to doubt that she would love him even if he were physically ugly. Cyrano is then on the point of making his confession when Le Bret interrupts. He tells them that Christian has been seriously wounded by the first shot fired in the battle. When the dying Christian is carried on stage, Cyrano goes to him and tries to convince him that Roxane truly loves him. When Roxane goes to him, she finds a letter addressed to her in his pocket, the one that Cyrano has written and given to Christian. Roxane carefully reads the letter, which is now covered with blood, as well as with the tears of Cyrano. The death of Christian is a cruel irony for both Roxane and Cyrano. She has lost her new husband without ever being able to consummate the marriage. Cyrano has lost hope of ever being able to win Roxane for himself. He knows that he will now never be able to tell her of his love. She must also always believe that Christian had a fine mind as evidenced by the letters that he wrote to her. While the firing continues outside, Cyrano asks Ragueneau to get the carriage ready to take Roxane away. De Guiche enters battled- strained, and Cyrano hands over the care of Roxane to him since he has proven his valor for her. Cyrano goes out to fight and avenge the death of Christian and the loss of his happiness. Never again will he be able to express his feelings for Roxane, even in disguise.", "analysis": ""}

Christian, Cyrano. At back Roxane talking to Carbon and some cadets. CHRISTIAN (calling toward Cyrano's tent): Cyrano! CYRANO (reappearing, fully armed): What? Why so pale? CHRISTIAN: She does not love me! CYRANO: What? CHRISTIAN: 'Tis you she loves! CYRANO: No! CHRISTIAN: --For she loves me only for my soul! CYRANO: Truly? CHRISTIAN: Yes! Thus--you see, that soul is you,. . . Therefore, 'tis you she loves!--And you--love her! CYRANO: I? CHRISTIAN: Oh, I know it! CYRANO: Ay, 'tis true! CHRISTIAN: You love To madness! CYRANO: Ay! and worse! CHRISTIAN: Then tell her so! CYRANO: No! CHRISTIAN: And why not? CYRANO: Look at my face!--be answered! CHRISTIAN: She'd love me--were I ugly. CYRANO: Said she so? CHRISTIAN: Ay! in those words! CYRANO: I'm glad she told you that! But pooh!--believe it not! I am well pleased She thought to tell you. Take it not for truth. Never grow ugly:--she'd reproach me then! CHRISTIAN: That I intend discovering! CYRANO: No! I beg! CHRISTIAN: Ay! she shall choose between us!--Tell her all! CYRANO: No! no! I will not have it! Spare me this! CHRISTIAN: Because my face is haply fair, shall I Destroy your happiness? 'Twere too unjust! CYRANO: And I,--because by Nature's freak I have The gift to say--all that perchance you feel. Shall I be fatal to your happiness? CHRISTIAN: Tell all! CYRANO: It is ill done to tempt me thus! CHRISTIAN: Too long I've borne about within myself A rival to myself--I'll make an end! CYRANO: Christian! CHRISTIAN: Our union, without witness--secret-- Clandestine--can be easily dissolved If we survive. CYRANO: My God!--he still persists! CHRISTIAN: I will be loved myself--or not at all! --I'll go see what they do--there, at the end Of the post: speak to her, and then let her choose One of us two! CYRANO: It will be you. CHRISTIAN: Pray God! (He calls): Roxane! CYRANO: No! no! ROXANE (coming up quickly): What? CHRISTIAN: Cyrano has things Important for your ear. . . (She hastens to Cyrano. Christian goes out.)

Scene 9

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano41.asp

Roxane now reveals to Christian that it was his beautifully written letters that made her risk her life and come to the front to see him. She claims that she was so overwhelmed by feelings for him that she had to come. She also asks Christian's forgiveness for at first loving him only for his looks. Because of the letters, her love for him has become spiritual, and she has no further thoughts of his appearance. Christian is upset by this confession, making Roxane think that he cannot comprehend her love. As a result, she assures him that she would love him even if he were ugly, a confession that upsets Christian even more. He reacts by sending her away to cheer up the cadets in their last moments. He rushes away to speak with Cyrano. Christian desolately tells Cyrano that because of the letters Roxane now loves only his soul, which really means that she loves Cyrano. He encourages Cyrano to confess his love to her since she has said she would love Christian even if he were ugly. He further reasons that Roxane must be told the truth about the letters. Then she can decide whom she really loves. Christian next leaves to summon Roxane. Cyrano will be left alone to explain to her what has transpired. When Roxane arrives, she tells Cyrano that Christian seemed to doubt that she would love him even if he were physically ugly. Cyrano is then on the point of making his confession when Le Bret interrupts. He tells them that Christian has been seriously wounded by the first shot fired in the battle. When the dying Christian is carried on stage, Cyrano goes to him and tries to convince him that Roxane truly loves him. When Roxane goes to him, she finds a letter addressed to her in his pocket, the one that Cyrano has written and given to Christian. Roxane carefully reads the letter, which is now covered with blood, as well as with the tears of Cyrano. The death of Christian is a cruel irony for both Roxane and Cyrano. She has lost her new husband without ever being able to consummate the marriage. Cyrano has lost hope of ever being able to win Roxane for himself. He knows that he will now never be able to tell her of his love. She must also always believe that Christian had a fine mind as evidenced by the letters that he wrote to her. While the firing continues outside, Cyrano asks Ragueneau to get the carriage ready to take Roxane away. De Guiche enters battled- strained, and Cyrano hands over the care of Roxane to him since he has proven his valor for her. Cyrano goes out to fight and avenge the death of Christian and the loss of his happiness. Never again will he be able to express his feelings for Roxane, even in disguise.

pinkmonkey

all_chapterized_books/1254-chapters/44.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_40_part_0.txt

Cyrano De Bergerac.act 4.scene 10

scene 10

{"name": "Scene 10", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano41.asp", "summary": "Roxane now reveals to Christian that it was his beautifully written letters that made her risk her life and come to the front to see him. She claims that she was so overwhelmed by feelings for him that she had to come. She also asks Christian's forgiveness for at first loving him only for his looks. Because of the letters, her love for him has become spiritual, and she has no further thoughts of his appearance. Christian is upset by this confession, making Roxane think that he cannot comprehend her love. As a result, she assures him that she would love him even if he were ugly, a confession that upsets Christian even more. He reacts by sending her away to cheer up the cadets in their last moments. He rushes away to speak with Cyrano. Christian desolately tells Cyrano that because of the letters Roxane now loves only his soul, which really means that she loves Cyrano. He encourages Cyrano to confess his love to her since she has said she would love Christian even if he were ugly. He further reasons that Roxane must be told the truth about the letters. Then she can decide whom she really loves. Christian next leaves to summon Roxane. Cyrano will be left alone to explain to her what has transpired. When Roxane arrives, she tells Cyrano that Christian seemed to doubt that she would love him even if he were physically ugly. Cyrano is then on the point of making his confession when Le Bret interrupts. He tells them that Christian has been seriously wounded by the first shot fired in the battle. When the dying Christian is carried on stage, Cyrano goes to him and tries to convince him that Roxane truly loves him. When Roxane goes to him, she finds a letter addressed to her in his pocket, the one that Cyrano has written and given to Christian. Roxane carefully reads the letter, which is now covered with blood, as well as with the tears of Cyrano. The death of Christian is a cruel irony for both Roxane and Cyrano. She has lost her new husband without ever being able to consummate the marriage. Cyrano has lost hope of ever being able to win Roxane for himself. He knows that he will now never be able to tell her of his love. She must also always believe that Christian had a fine mind as evidenced by the letters that he wrote to her. While the firing continues outside, Cyrano asks Ragueneau to get the carriage ready to take Roxane away. De Guiche enters battled- strained, and Cyrano hands over the care of Roxane to him since he has proven his valor for her. Cyrano goes out to fight and avenge the death of Christian and the loss of his happiness. Never again will he be able to express his feelings for Roxane, even in disguise.", "analysis": ""}

Roxane, Cyrano. Then Le Bret, Carbon de Castel-Jaloux, the cadets, Ragueneau, De Guiche, etc. ROXANE: Important, how? CYRANO (in despair. to Roxane): He's gone! 'Tis naught!--Oh, you know how he sees Importance in a trifle! ROXANE (warmly): Did he doubt Of what I said?--Ah, yes, I saw he doubted! CYRANO (taking her hand): But are you sure you told him all the truth? ROXANE: Yes, I would love him were he. . . (She hesitates.) CYRANO: Does that word Embarrass you before my face, Roxane? ROXANE: I. . . CYRANO (smiling sadly): 'Twill not hurt me! Say it! If he were Ugly!. . . ROXANE: Yes, ugly! (Musket report outside): Hark! I hear a shot! CYRANO (ardently): Hideous! ROXANE: Hideous! yes! CYRANO: Disfigured. ROXANE: Ay! CYRANO: Grotesque? ROXANE: He could not be grotesque to me! CYRANO: You'd love the same?. . . ROXANE: The same--nay, even more! CYRANO (losing command over himself--aside): My God! it's true, perchance, love waits me there! (To Roxane): I. . .Roxane. . .listen. . . LE BRET (entering hurriedly--to Cyrano): Cyrano! CYRANO (turning round): What? LE BRET: Hush! (He whispers something to him.) CYRANO (letting go Roxane's hand and exclaiming): Ah, God! ROXANE: What is it? CYRANO (to himself--stunned): All is over now. (Renewed reports.) ROXANE: What is the matter? Hark! another shot! (She goes up to look outside.) CYRANO: It is too late, now I can never tell! ROXANE (trying to rush out): What has chanced? CYRANO (rushing to stop her): Nothing! (Some cadets enter, trying to hide something they are carrying, and close round it to prevent Roxane approaching.) ROXANE: And those men? (Cyrano draws her away): What were you just about to say before. . .? CYRANO: What was I saying? Nothing now, I swear! (Solemnly): I swear that Christian's soul, his nature, were. . . (Hastily correcting himself): Nay, that they are, the noblest, greatest. . . ROXANE: Were? (With a loud scream): Oh! (She rushes up, pushing every one aside.) CYRANO: All is over now! ROXANE (seeing Christian lying on the ground, wrapped in his cloak): O Christian! LE BRET (to Cyrano): Struck by first shot of the enemy! (Roxane flings herself down by Christian. Fresh reports of cannon--clash of arms--clamor--beating of drums.) CARBON (with sword in the air): O come! Your muskets. (Followed by the cadets, he passes to the other side of the ramparts.) ROXANE: Christian! THE VOICE OF CARBON (from the other side): Ho! make haste! ROXANE: Christian! CARBON: FORM LINE! ROXANE: Christian! CARBON: HANDLE YOUR MATCH! (Ragueneau rushes up, bringing water in a helmet.) CHRISTIAN (in a dying voice): Roxane! CYRANO (quickly, whispering into Christian's ear, while Roxane distractedly tears a piece of linen from his breast, which she dips into the water, trying to stanch the bleeding): I told her all. She loves you still. (Christian closes his eyes.) ROXANE: How, my sweet love? CARBON: DRAW RAMRODS! ROXANE (to Cyrano): He is not dead? CARBON: OPEN YOUR CHARGES WITH YOUR TEETH! ROXANE: His cheek Grows cold against my own! CARBON: READY! PRESENT! ROXANE (seeing a letter in Christian's doublet): A letter!. . . 'Tis for me! (She opens it.) CYRANO (aside): My letter! CARBON: FIRE! (Musket reports--shouts--noise of battle.) CYRANO (trying to disengage his hand, which Roxane on her knees is holding): But, Roxane, hark, they fight! ROXANE (detaining him): Stay yet awhile. For he is dead. You knew him, you alone. (Weeping quietly): Ah, was not his a beauteous soul, a soul Wondrous! CYRANO (standing up--bareheaded): Ay, Roxane. ROXANE: An inspired poet? CYRANO: Ay, Roxane. ROXANE: And a mind sublime? CYRANO: Oh, yes! ROXANE: A heart too deep for common minds to plumb, A spirit subtle, charming? CYRANO (firmly): Ay, Roxane. ROXANE (flinging herself on the dead body): Dead, my love! CYRANO (aside--drawing his sword): Ay, and let me die to-day, Since, all unconscious, she mourns me--in him! (Sounds of trumpets in the distance.) DE GUICHE (appearing on the ramparts--bareheaded--with a wound on his forehead--in a voice of thunder): It is the signal! Trumpet flourishes! The French bring the provisions into camp! Hold but the place awhile! ROXANE: See, there is blood Upon the letter--tears! A VOICE (outside--shouting): Surrender! VOICE OF CADETS: No! RAGUENEAU (standing on the top of his carriage, watches the battle over the edge of the ramparts): The danger's ever greater! CYRANO (to De Guiche--pointing to Roxane): I will charge! Take her away! ROXANE (kissing the letter--in a half-extinguished voice): O God! his tears! his blood!. . . RAGUENEAU (jumping down from the carriage and rushing toward her): She's swooned away! DE GUICHE (on the rampart--to the cadets--with fury): Stand fast! A VOICE (outside): Lay down your arms! THE CADETS: No! CYRANO (to De Guiche): Now that you have proved your valor, Sir, (Pointing to Roxane): Fly, and save her! DE GUICHE (rushing to Roxane, and carrying her away in his arms): So be it! Gain but time, The victory's ours! CYRANO: Good. (Calling out to Roxane, whom De Guiche, aided by Ragueneau, is bearing away in a fainting condition): Farewell, Roxane! (Tumult. Shouts. Cadets reappear, wounded, falling on the scene. Cyrano, rushing to the battle, is stopped by Carbon de Castel-Jaloux, who is streaming with blood.) CARBON: We are breaking! I am wounded--wounded twice! CYRANO (shouting to the Gascons): GASCONS! HO, GASCONS! NEVER TURN YOUR BACKS! (To Carbon, whom he is supporting): Have no fear! I have two deaths to avenge: My friend who's slain;--and my dead happiness! (They come down, Cyrano brandishing the lance to which is attached Roxane's handkerchief): Float there! laced kerchief broidered with her name! (He sticks it in the ground and shouts to the cadets): FALL ON THEM, GASCONS! CRUSH THEM! (To the fifer): Fifer, play! (The fife plays. The wounded try to rise. Some cadets, falling one over the other down the slope, group themselves round Cyrano and the little flag. The carriage is crowded with men inside and outside, and, bristling with arquebuses, is turned into a fortress.) A CADET (appearing on the crest, beaten backward, but still fighting, cries): They're climbing the redoubt! (and falls dead.) CYRANO: Let us salute them! (The rampart is covered instantly by a formidable row of enemies. The standards of the Imperialists are raised): Fire! (General discharge.) A CRY IN THE ENEMY'S RANKS: Fire! (A deadly answering volley. The cadets fall on all sides.) A SPANISH OFFICER (uncovering): Who are these men who rush on death? CYRANO (reciting, erect, amid a storm of bullets): The bold Cadets of Gascony, Of Carbon of Castel-Jaloux! Brawling, swaggering boastfully, (He rushes forward, followed by a few survivors): The bold Cadets. . . (His voice is drowned in the battle.) Curtain.

Scene 10

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano41.asp

Roxane now reveals to Christian that it was his beautifully written letters that made her risk her life and come to the front to see him. She claims that she was so overwhelmed by feelings for him that she had to come. She also asks Christian's forgiveness for at first loving him only for his looks. Because of the letters, her love for him has become spiritual, and she has no further thoughts of his appearance. Christian is upset by this confession, making Roxane think that he cannot comprehend her love. As a result, she assures him that she would love him even if he were ugly, a confession that upsets Christian even more. He reacts by sending her away to cheer up the cadets in their last moments. He rushes away to speak with Cyrano. Christian desolately tells Cyrano that because of the letters Roxane now loves only his soul, which really means that she loves Cyrano. He encourages Cyrano to confess his love to her since she has said she would love Christian even if he were ugly. He further reasons that Roxane must be told the truth about the letters. Then she can decide whom she really loves. Christian next leaves to summon Roxane. Cyrano will be left alone to explain to her what has transpired. When Roxane arrives, she tells Cyrano that Christian seemed to doubt that she would love him even if he were physically ugly. Cyrano is then on the point of making his confession when Le Bret interrupts. He tells them that Christian has been seriously wounded by the first shot fired in the battle. When the dying Christian is carried on stage, Cyrano goes to him and tries to convince him that Roxane truly loves him. When Roxane goes to him, she finds a letter addressed to her in his pocket, the one that Cyrano has written and given to Christian. Roxane carefully reads the letter, which is now covered with blood, as well as with the tears of Cyrano. The death of Christian is a cruel irony for both Roxane and Cyrano. She has lost her new husband without ever being able to consummate the marriage. Cyrano has lost hope of ever being able to win Roxane for himself. He knows that he will now never be able to tell her of his love. She must also always believe that Christian had a fine mind as evidenced by the letters that he wrote to her. While the firing continues outside, Cyrano asks Ragueneau to get the carriage ready to take Roxane away. De Guiche enters battled- strained, and Cyrano hands over the care of Roxane to him since he has proven his valor for her. Cyrano goes out to fight and avenge the death of Christian and the loss of his happiness. Never again will he be able to express his feelings for Roxane, even in disguise.

pinkmonkey

all_chapterized_books/1254-chapters/47.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_42_part_0.txt

Cyrano De Bergerac.act 5.scene 2

scene 2

{"name": "Scene 2", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano43.asp", "summary": "The scene abruptly switches to the Convent of the Ladies of the Cross, outside of Paris. As the autumn leaves fall, some of the nuns are seated around the Mother Superior . In the course of their conversation, it is revealed that Cyrano is a regular visitor to the convent. He has come every Saturday for over ten years in order to visit his cousin Roxane, now known as Madame Magdalene. Even after ten years, Roxane is still wearing the veil of mourning for her dead husband, Christian. The nuns enjoy the visits of Cyrano because of his wit and humor. They also try to convert him into a good Catholic. Roxane approaches with De Guiche, now known as the Duke of Grammont. He asks about her life of seclusion, her fidelity, and her black veil. She affirms her resolution to be faithful to Christian; she even states that she has Christian's last letter to her fastened close to her heart. When the Duke asks about Cyrano, she informs him that Cyrano comes regularly to give her all the news of the world outside. LeBret then enters. Roxane eagerly asks him about Cyrano. He states that Cyrano's condition is very bad. He remains poor, hungry, and friendless, while making enemies in every quarter. It is assumed that he will soon die of cold or anemia. De Guiche states that he still admires Cyrano for having lived without compromising his principles. As he is leaving, De Guiche contrasts his success with the freedom of Cyrano. He admits that his own success has left him with a sense of uneasiness and a bad taste in his mouth. He has many dead illusions and vague regrets for the past. He also takes Le Bret aside and warns him that Cyrano should be careful of his enemies, for it is rumored that some of them are trying to kill him by some subterfuge. Just as De Guiche is finally leaving, Ragueneau is announced. Roxane declares that the old baker is sure to whine about his miseries since he left her service. In truth, Ragueneau has not faired well. He has tried his hand at a number of jobs, including acting and wigmaking.", "analysis": "Notes The last act of the play is set fifteen years after the battle of Arras. The purpose of these opening scenes of the last act is to reveal to the audience what has happened to Cyrano, De Guiche, and Roxane for the last fifteen years. Roxane is still in mourning for her dead husband. She is living in a convent outside of Paris and still wearing a black veil. From her and the nuns, the audience learns that Cyrano comes to visit Roxane once a week. Although he is still filled with wit and humor, Roxane worries about him, for he is poor and friendless; he also has made many enemies. De Guiche has changed little. Having been made a Duke and the Marshall of France, he is as proud and arrogant as ever. He does admit, however, that he has some disillusionment about life and regrets about his past. When Cyrano comes to the convent, the nuns try to make him a better Christian. The biographies about the real Cyrano de Bergerac state that the Mother Superior, Roxane, and Cyrano's aunt, who were really in this convent, all tried so hard to convert him that he had to run away from Paris. Scene two ends on a note of suspense. De Guiche draws Le Bret, the good friend of Cyrano, aside. He warns Le Bret that Cyrano's life may be in danger, for his enemies are plotting against him."}

Roxane; the Duke de Grammont, formerly Count de Guiche. Then Le Bret and Ragueneau. THE DUKE: And you stay here still--ever vainly fair, Ever in weeds? ROXANE: Ever. THE DUKE: Still faithful? ROXANE: Still. THE DUKE (after a pause): Am I forgiven? ROXANE: Ay, since I am here. (Another pause.) THE DUKE: His was a soul, you say?. . . ROXANE: Ah!--when you knew him! THE DUKE: Ah, may be!. . .I, perchance, too little knew him! . . .And his last letter, ever next your heart? ROXANE: Hung from this chain, a gentle scapulary. THE DUKE: And, dead, you love him still? ROXANE: At times,--meseems He is but partly dead--our hearts still speak, As if his love, still living, wrapped me round! THE DUKE (after another pause): Cyrano comes to see you? ROXANE: Often, ay. Dear, kind old friend! We call him my 'Gazette.' He never fails to come: beneath this tree They place his chair, if it be fine:--I wait, I broider;--the clock strikes;--at the last stroke I hear,--for now I never turn to look-- Too sure to hear his cane tap down the steps; He seats himself:--with gentle raillery He mocks my tapestry that's never done; He tells me all the gossip of the week. . . (Le Bret appears on the steps): Why, here's Le Bret! (Le Bret descends): How goes it with our friend? LE BRET: Ill!--very ill. THE DUKE: How? ROXANE (to the Duke): He exaggerates! LE BRET: All that I prophesied: desertion, want!. . . His letters now make him fresh enemies!-- Attacking the sham nobles, sham devout, Sham brave,--the thieving authors,--all the world! ROXANE: Ah! but his sword still holds them all in check; None get the better of him. THE DUKE (shaking his head): Time will show! LE BRET: Ah, but I fear for him--not man's attack,-- Solitude--hunger--cold December days, That wolf-like steal into his chamber drear:-- Lo! the assassins that I fear for him! Each day he tightens by one hole his belt: That poor nose--tinted like old ivory: He has retained one shabby suit of serge. THE DUKE: Ay, there is one who has no prize of Fortune!-- Yet is not to be pitied! LE BRET (with a bitter smile): My Lord Marshal!. . . THE DUKE: Pity him not! He has lived out his vows, Free in his thoughts, as in his actions free! LE BRET (in the same tone): My Lord!. . . THE DUKE (haughtily): True! I have all, and he has naught;. . . Yet I were proud to take his hand! (Bowing to Roxane): Adieu! ROXANE: I go with you. (The Duke bows to Le Bret, and goes with Roxane toward the steps.) THE DUKE (pausing, while she goes up): Ay, true,--I envy him. Look you, when life is brimful of success --Though the past hold no action foul--one feels A thousand self-disgusts, of which the sum Is not remorse, but a dim, vague unrest; And, as one mounts the steps of worldly fame, The Duke's furred mantles trail within their folds A sound of dead illusions, vain regrets, A rustle--scarce a whisper--like as when, Mounting the terrace steps, by your mourning robe Sweeps in its train the dying autumn leaves. ROXANE (ironically): You are pensive? THE DUKE: True! I am! (As he is going out, suddenly): Monsieur Le Bret! (To Roxane): A word, with your permission? (He goes to Le Bret, and in a low voice): True, that none Dare to attack your friend;--but many hate him; Yesterday, at the Queen's card-play, 'twas said 'That Cyrano may die--by accident!' Let him stay in--be prudent! LE BRET (raising his arms to heaven): Prudent! He!. . . He's coming here. I'll warn him--but!. . . ROXANE (who has stayed on the steps, to a sister who comes toward her): What is it? THE SISTER: Ragueneau would see you, Madame. ROXANE: Let him come. (To the Duke and Le Bret): He comes to tell his troubles. Having been An author (save the mark!)--poor fellow--now By turns he's singer. . . LE BRET: Bathing-man. . . ROXANE: Then actor. . . LE BRET: Beadle. . . ROXANE: Wig-maker. . . LE BRET: Teacher of the lute. . . ROXANE: What will he be to-day, by chance? RAGUENEAU (entering hurriedly): Ah! Madame! (He sees Le Bret): Ah! you here, Sir! ROXANE (smiling): Tell all your miseries To him; I will return anon. RAGUENEAU: But, Madame. . . (Roxane goes out with the Duke. Ragueneau goes toward Le Bret.)

Scene 2

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano43.asp

The scene abruptly switches to the Convent of the Ladies of the Cross, outside of Paris. As the autumn leaves fall, some of the nuns are seated around the Mother Superior . In the course of their conversation, it is revealed that Cyrano is a regular visitor to the convent. He has come every Saturday for over ten years in order to visit his cousin Roxane, now known as Madame Magdalene. Even after ten years, Roxane is still wearing the veil of mourning for her dead husband, Christian. The nuns enjoy the visits of Cyrano because of his wit and humor. They also try to convert him into a good Catholic. Roxane approaches with De Guiche, now known as the Duke of Grammont. He asks about her life of seclusion, her fidelity, and her black veil. She affirms her resolution to be faithful to Christian; she even states that she has Christian's last letter to her fastened close to her heart. When the Duke asks about Cyrano, she informs him that Cyrano comes regularly to give her all the news of the world outside. LeBret then enters. Roxane eagerly asks him about Cyrano. He states that Cyrano's condition is very bad. He remains poor, hungry, and friendless, while making enemies in every quarter. It is assumed that he will soon die of cold or anemia. De Guiche states that he still admires Cyrano for having lived without compromising his principles. As he is leaving, De Guiche contrasts his success with the freedom of Cyrano. He admits that his own success has left him with a sense of uneasiness and a bad taste in his mouth. He has many dead illusions and vague regrets for the past. He also takes Le Bret aside and warns him that Cyrano should be careful of his enemies, for it is rumored that some of them are trying to kill him by some subterfuge. Just as De Guiche is finally leaving, Ragueneau is announced. Roxane declares that the old baker is sure to whine about his miseries since he left her service. In truth, Ragueneau has not faired well. He has tried his hand at a number of jobs, including acting and wigmaking.

Notes The last act of the play is set fifteen years after the battle of Arras. The purpose of these opening scenes of the last act is to reveal to the audience what has happened to Cyrano, De Guiche, and Roxane for the last fifteen years. Roxane is still in mourning for her dead husband. She is living in a convent outside of Paris and still wearing a black veil. From her and the nuns, the audience learns that Cyrano comes to visit Roxane once a week. Although he is still filled with wit and humor, Roxane worries about him, for he is poor and friendless; he also has made many enemies. De Guiche has changed little. Having been made a Duke and the Marshall of France, he is as proud and arrogant as ever. He does admit, however, that he has some disillusionment about life and regrets about his past. When Cyrano comes to the convent, the nuns try to make him a better Christian. The biographies about the real Cyrano de Bergerac state that the Mother Superior, Roxane, and Cyrano's aunt, who were really in this convent, all tried so hard to convert him that he had to run away from Paris. Scene two ends on a note of suspense. De Guiche draws Le Bret, the good friend of Cyrano, aside. He warns Le Bret that Cyrano's life may be in danger, for his enemies are plotting against him.

pinkmonkey

all_chapterized_books/1254-chapters/48.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_43_part_0.txt

Cyrano De Bergerac.act 5.scene 3

scene 3

{"name": "Scene 3", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano44.asp", "summary": "Ragueneau tells Le Bret that Cyrano has had a freak accident. While he was walking outside, a lackey dropped a piece of firewood from an upper window. It hit Cyrano on the head, injuring him seriously. Ragueneau states that after the accident, he had carried Cyrano to his room and found a doctor who would treat him out of charity. Since Cyrano is still unconscious, Ragueneau wants Le Bret to go to him immediately. The two of them rush out without saying a word to Roxane. She assumes that Ragueneau is in serious trouble for them to totally ignore her. Roxane stands alone in the park admiring the autumn day. Two nuns come out and place a large armchair in anticipation of Cyrano's weekly visit. When she realizes what time it is, Roxane is surprised, for Cyrano is never late. She assumes that a nun at the gate has stopped him to ask him to repent of his sins. Brushing away a dead leaf, she turns to work on her tapestry in order to pass the time. Soon a nun announces Cyrano's arrival.", "analysis": "Notes Ragueneau tells Le Bret that Cyrano has been injured. In truth, he has been attacked by a cowardly enemy who orders his servant to drop a piece of firewood on Cyrano's head. The historical Cyrano was injured in the same manner; however, he lived nearly a year after his accident. Both of them die in September. The real Cyrano also suffered from abject poverty, like the protagonist of the play. At the end of scene 4, Cyrano arrives to see Roxane. It is quite in character that the protagonist would not let an injury keep him away from his true love, even though she has greatly changed. She is no longer the sparkling young beauty who married Christian. Now she is the pathetically faithful wife who has grieved over the loss of her husband for too many years. Time has taken away her bright spirits, as seen in scene 3 when she is easily upset because Le Bret does not answer her. The tapestry on which Roxane stitches is symbolic of her self- absorption. She has turned away from the world to create her own version of reality. It is significant that she brushes a dead leaf off the tapestry, a foreshadowing of the darkness to come."}

Le Bret, Ragueneau. RAGUENEAU: Since you are here, 'tis best she should not know! I was going to your friend just now--was but A few steps from the house, when I saw him Go out. I hurried to him. Saw him turn The corner. . .suddenly, from out a window Where he was passing--was it chance?. . .may be! A lackey let fall a large piece of wood. LE BRET: Cowards! O Cyrano! RAGUENEAU: I ran--I saw. . . LE BRET: 'Tis hideous! RAGUENEAU: Saw our poet, Sir--our friend-- Struck to the ground--a large wound in his head! LE BRET: He's dead? RAGUENEAU: No--but--I bore him to his room. . . Ah! his room! What a thing to see!--that garret! LE BRET: He suffers? RAGUENEAU: No, his consciousness has flown. LE BRET: Saw you a doctor? RAGUENEAU: One was kind--he came. LE BRET: My poor Cyrano!--We must not tell this To Roxane suddenly.--What said this leech?-- RAGUENEAU: Said,--what, I know not--fever, meningitis!-- Ah! could you see him--all his head bound up!-- But let us haste!--There's no one by his bed!-- And if he try to rise, Sir, he might die! LE BRET (dragging him toward the right): Come! Through the chapel! 'Tis the quickest way! ROXANE (appearing on the steps, and seeing Le Bret go away by the colonnade leading to the chapel door): Monsieur le Bret! (Le Bret and Ragueneau disappear without answering): Le Bret goes--when I call! 'Tis some new trouble of good Ragueneau's. (She descends the steps.)

Scene 3

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano44.asp

Ragueneau tells Le Bret that Cyrano has had a freak accident. While he was walking outside, a lackey dropped a piece of firewood from an upper window. It hit Cyrano on the head, injuring him seriously. Ragueneau states that after the accident, he had carried Cyrano to his room and found a doctor who would treat him out of charity. Since Cyrano is still unconscious, Ragueneau wants Le Bret to go to him immediately. The two of them rush out without saying a word to Roxane. She assumes that Ragueneau is in serious trouble for them to totally ignore her. Roxane stands alone in the park admiring the autumn day. Two nuns come out and place a large armchair in anticipation of Cyrano's weekly visit. When she realizes what time it is, Roxane is surprised, for Cyrano is never late. She assumes that a nun at the gate has stopped him to ask him to repent of his sins. Brushing away a dead leaf, she turns to work on her tapestry in order to pass the time. Soon a nun announces Cyrano's arrival.

Notes Ragueneau tells Le Bret that Cyrano has been injured. In truth, he has been attacked by a cowardly enemy who orders his servant to drop a piece of firewood on Cyrano's head. The historical Cyrano was injured in the same manner; however, he lived nearly a year after his accident. Both of them die in September. The real Cyrano also suffered from abject poverty, like the protagonist of the play. At the end of scene 4, Cyrano arrives to see Roxane. It is quite in character that the protagonist would not let an injury keep him away from his true love, even though she has greatly changed. She is no longer the sparkling young beauty who married Christian. Now she is the pathetically faithful wife who has grieved over the loss of her husband for too many years. Time has taken away her bright spirits, as seen in scene 3 when she is easily upset because Le Bret does not answer her. The tapestry on which Roxane stitches is symbolic of her self- absorption. She has turned away from the world to create her own version of reality. It is significant that she brushes a dead leaf off the tapestry, a foreshadowing of the darkness to come.

pinkmonkey

all_chapterized_books/1254-chapters/49.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_44_part_0.txt

Cyrano De Bergerac.act 5.scene 4

scene 4

{"name": "Scene 4", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano44.asp", "summary": "Ragueneau tells Le Bret that Cyrano has had a freak accident. While he was walking outside, a lackey dropped a piece of firewood from an upper window. It hit Cyrano on the head, injuring him seriously. Ragueneau states that after the accident, he had carried Cyrano to his room and found a doctor who would treat him out of charity. Since Cyrano is still unconscious, Ragueneau wants Le Bret to go to him immediately. The two of them rush out without saying a word to Roxane. She assumes that Ragueneau is in serious trouble for them to totally ignore her. Roxane stands alone in the park admiring the autumn day. Two nuns come out and place a large armchair in anticipation of Cyrano's weekly visit. When she realizes what time it is, Roxane is surprised, for Cyrano is never late. She assumes that a nun at the gate has stopped him to ask him to repent of his sins. Brushing away a dead leaf, she turns to work on her tapestry in order to pass the time. Soon a nun announces Cyrano's arrival.", "analysis": "Notes Ragueneau tells Le Bret that Cyrano has been injured. In truth, he has been attacked by a cowardly enemy who orders his servant to drop a piece of firewood on Cyrano's head. The historical Cyrano was injured in the same manner; however, he lived nearly a year after his accident. Both of them die in September. The real Cyrano also suffered from abject poverty, like the protagonist of the play. At the end of scene 4, Cyrano arrives to see Roxane. It is quite in character that the protagonist would not let an injury keep him away from his true love, even though she has greatly changed. She is no longer the sparkling young beauty who married Christian. Now she is the pathetically faithful wife who has grieved over the loss of her husband for too many years. Time has taken away her bright spirits, as seen in scene 3 when she is easily upset because Le Bret does not answer her. The tapestry on which Roxane stitches is symbolic of her self- absorption. She has turned away from the world to create her own version of reality. It is significant that she brushes a dead leaf off the tapestry, a foreshadowing of the darkness to come."}

Roxane alone. Two sisters, for a moment. ROXANE: Ah! what a beauty in September's close! My sorrow's eased. April's joy dazzled it, But autumn wins it with her dying calm. (She seats herself at the embroidery frame. Two sisters come out of the house, and bring a large armchair under the tree): There comes the famous armchair where he sits, Dear faithful friend! SISTER MARTHA: It is the parlor's best! ROXANE: Thanks, sister. (The sisters go): He'll be here now. (She seats herself. A clock strikes): The hour strikes. --My silks?--Why, now, the hour's struck! How strange To be behind his time, at last, to-day! Perhaps the portress--where's my thimble?. . . Here!--Is preaching to him. (A pause): Yes, she must be preaching! Surely he must come soon!--Ah, a dead leaf!-- (She brushes off the leaf from her work): Nothing, besides, could--scissors?--In my bag! --Could hinder him. . . A SISTER (coming to the steps): Monsieur de Bergerac.

Scene 4

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano44.asp

Ragueneau tells Le Bret that Cyrano has had a freak accident. While he was walking outside, a lackey dropped a piece of firewood from an upper window. It hit Cyrano on the head, injuring him seriously. Ragueneau states that after the accident, he had carried Cyrano to his room and found a doctor who would treat him out of charity. Since Cyrano is still unconscious, Ragueneau wants Le Bret to go to him immediately. The two of them rush out without saying a word to Roxane. She assumes that Ragueneau is in serious trouble for them to totally ignore her. Roxane stands alone in the park admiring the autumn day. Two nuns come out and place a large armchair in anticipation of Cyrano's weekly visit. When she realizes what time it is, Roxane is surprised, for Cyrano is never late. She assumes that a nun at the gate has stopped him to ask him to repent of his sins. Brushing away a dead leaf, she turns to work on her tapestry in order to pass the time. Soon a nun announces Cyrano's arrival.

Notes Ragueneau tells Le Bret that Cyrano has been injured. In truth, he has been attacked by a cowardly enemy who orders his servant to drop a piece of firewood on Cyrano's head. The historical Cyrano was injured in the same manner; however, he lived nearly a year after his accident. Both of them die in September. The real Cyrano also suffered from abject poverty, like the protagonist of the play. At the end of scene 4, Cyrano arrives to see Roxane. It is quite in character that the protagonist would not let an injury keep him away from his true love, even though she has greatly changed. She is no longer the sparkling young beauty who married Christian. Now she is the pathetically faithful wife who has grieved over the loss of her husband for too many years. Time has taken away her bright spirits, as seen in scene 3 when she is easily upset because Le Bret does not answer her. The tapestry on which Roxane stitches is symbolic of her self- absorption. She has turned away from the world to create her own version of reality. It is significant that she brushes a dead leaf off the tapestry, a foreshadowing of the darkness to come.

pinkmonkey

all_chapterized_books/1254-chapters/50.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_45_part_0.txt

Cyrano De Bergerac.act 5.scene 5

scene 5

{"name": "Scene 5", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano45.asp", "summary": "Cyrano approaches, supporting himself with a cane. Although his hat conceals his face, it is obvious that he is pale and weak. Roxane, however, is so absorbed in her work on the tapestry that she does not turn to greet Cyrano; instead, she rebukes him for being late. He responds by saying that he had a visitor, whom he sent away in order to come and visit her. Before falling silent, he hints that he may have to leave early. Sister Marthe, one of the nuns whom Cyrano usually teases, passes by. Cyrano, trying to act normally, calls to her. She is startled by his ill appearance and wants to go and bring him some soup. Cyrano is not worried about himself, but Roxane; he warns the nun not to alarm Roxane about him. He does, however, ask the nun to pray for him. He also states that he will never see Roxane's tapestry finished. He also notices the read autumn leaves as they fall gracefully before him. Roxane wants to hear the news of the Parisian society. For a while, Cyrano rattles off the mundane daily events; but he soon faints from exhaustion. Roxane rushes to him. When he regains consciousness, he pretends it is an effect of a wound he received at Arras, many years ago. Roxane comments about how she was also wounded in Arras and points to the farewell letter over her heart. Cyrano asks her to see the letter, which he recites fluently and beautifully in a voice like the one he had used under Roxane's window. Since it is obvious that Cyrano is not really reading the words, but knows them by heart, she realizes that he is the one who had written the letters on Christian's behalf. She now knows that she has really loved Cyrano, not Christian. When Roxane confronts Cyrano about the deception, he denies it. Before she can discuss it further, Le Bret and Ragueneau enter. They blurt out that Cyrano will kill himself by exertion. Roxane now understands his faintness and demands to know what has happened. Cyrano explains the attack on him and shows her his bandages. He bemoans the irony of fate, which has prevented him from dying a noble death from a sword. He adds that both his life and death have been failures. Roxane states that she is sorry that she is the cause of his unhappiness. Cyrano, however, assures her that he is grateful for her friendship. Cyrano turns to Ragueneau to talk about literature. Ragueneau accuses Moliere of plagiarizing a scene from Cyrano's writing. Cyrano does not seem to mind. He says that he has always provided words and ideas for others. It is an obvious reference to what he did for Christian. Knowing that his death is fast approaching, Cyrano compares his love for Roxane to the love between the beauty and the beast. He then asks Roxane to mourn for him as she had for Christian. He finally stands up, sword in hand, to face his end nobly. He dies, proud of the integrity he has shown in life.", "analysis": ""}

Roxane, Cyrano and, for a moment, Sister Martha. ROXANE (without turning round): What was I saying?. . . (She embroiders. Cyrano, very pale, his hat pulled down over his eyes, appears. The sister who had announced him retires. He descends the steps slowly, with a visible difficulty in holding himself upright, bearing heavily on his cane. Roxane still works at her tapestry): Time has dimmed the tints. . . How harmonize them now? (To Cyrano, with playful reproach): For the first time Late!--For the first time, all these fourteen years! CYRANO (who has succeeded in reaching the chair, and has seated himself--in a lively voice, which is in great contrast with his pale face): Ay! It is villainous! I raged--was stayed. . . ROXANE: By?. . . CYRANO: By a bold, unwelcome visitor. ROXANE (absently, working): Some creditor? CYRANO: Ay, cousin,--the last creditor Who has a debt to claim from me. ROXANE: And you Have paid it? CYRANO: No, not yet! I put it off; --Said, 'Cry you mercy; this is Saturday, When I have get a standing rendezvous That naught defers. Call in an hour's time!' ROXANE (carelessly): Oh, well, a creditor can always wait! I shall not let you go ere twilight falls. CYRANO: Haply, perforce, I quit you ere it falls! (He shuts his eyes, and is silent for a moment. Sister Martha crosses the park from the chapel to the flight of steps. Roxane, seeing her, signs to her to approach.) ROXANE (to Cyrano): How now? You have not teased the Sister? CYRANO (hastily opening his eyes): True! (In a comically loud voice): Sister! come here! (The sister glides up to him): Ha! ha! What? Those bright eyes Bent ever on the ground? SISTER MARTHA (who makes a movement of astonishment on seeing his face): Oh! CYRANO (in a whisper, pointing to Roxane): Hush! 'tis naught!-- (Loudly, in a blustering voice): I broke fast yesterday! SISTER MARTHA (aside): I know, I know! That's how he is so pale! Come presently To the refectory, I'll make you drink A famous bowl of soup. . .You'll come? CYRANO: Ay, ay! SISTER MARTHA: There, see! You are more reasonable to-day! ROXANE (who hears them whispering): The Sister would convert you? SISTER MARTHA: Nay, not I! CYRANO: Hold! but it's true! You preach to me no more, You, once so glib with holy words! I am Astonished!. . . (With burlesque fury): Stay, I will surprise you too! Hark! I permit you. . . (He pretends to be seeking for something to tease her with, and to have found it): . . .It is something new!-- To--pray for me, to-night, at chapel-time! ROXANE: Oh! oh! CYRANO (laughing): Good Sister Martha is struck dumb! SISTER MARTHA (gently): I did not wait your leave to pray for you. (She goes out.) CYRANO (turning to Roxane, who is still bending over her work): That tapestry! Beshrew me if my eyes Will ever see it finished! ROXANE: I was sure To hear that well-known jest! (A light breeze causes the leaves to fall.) CYRANO: The autumn leaves! ROXANE (lifting her head, and looking down the distant alley): Soft golden brown, like a Venetian's hair. --See how they fall! CYRANO: Ay, see how brave they fall, In their last journey downward from the bough, To rot within the clay; yet, lovely still, Hiding the horror of the last decay, With all the wayward grace of careless flight! ROXANE: What, melancholy--you? CYRANO (collecting himself): Nay, nay, Roxane! ROXANE: Then let the dead leaves fall the way they will. . . And chat. What, have you nothing new to tell, My Court Gazette? CYRANO: Listen. ROXANE: Ah! CYRANO (growing whiter and whiter): Saturday The nineteenth: having eaten to excess Of pear-conserve, the King felt feverish; The lancet quelled this treasonable revolt, And the august pulse beats at normal pace. At the Queen's ball on Sunday thirty score Of best white waxen tapers were consumed. Our troops, they say, have chased the Austrians. Four sorcerers were hanged. The little dog Of Madame d'Athis took a dose. . . ROXANE: I bid You hold your tongue, Monsieur de Bergerac! CYRANO: Monday--not much--Claire changed protector. ROXANE: Oh! CYRANO (whose face changes more and more): Tuesday, the Court repaired to Fontainebleau. Wednesday, the Montglat said to Comte de Fiesque. . . No! Thursday--Mancini, Queen of France! (almost!) Friday, the Monglat to Count Fiesque said--'Yes!' And Saturday the twenty-sixth. . . (He closes his eyes. His head falls forward. Silence.) ROXANE (surprised at his voice ceasing, turns round, looks at him, and rising, terrified): He swoons! (She runs toward him crying): Cyrano! CYRANO (opening his eyes, in an unconcerned voice): What is this? (He sees Roxane bending over him, and, hastily pressing his hat on his head, and shrinking back in his chair): Nay, on my word 'Tis nothing! Let me be! ROXANE: But. . . CYRANO: That old wound Of Arras, sometimes,--as you know. . . ROXANE: Dear friend! CYRANO: 'Tis nothing, 'twill pass soon; (He smiles with an effort): See!--it has passed! ROXANE: Each of us has his wound; ay, I have mine,-- Never healed up--not healed yet, my old wound! (She puts her hand on her breast): 'Tis here, beneath this letter brown with age, All stained with tear-drops, and still stained with blood. (Twilight begins to fall.) CYRANO: His letter! Ah! you promised me one day That I should read it. ROXANE: What would you?--His letter? CYRANO: Yes, I would fain,--to-day. . . ROXANE (giving the bag hung at her neck): See! here it is! CYRANO (taking it): Have I your leave to open? ROXANE: Open--read! (She comes back to her tapestry frame, folds it up, sorts her wools.) CYRANO (reading): 'Roxane, adieu! I soon must die! This very night, beloved; and I Feel my soul heavy with love untold. I die! No more, as in days of old, My loving, longing eyes will feast On your least gesture--ay, the least! I mind me the way you touch your cheek With your finger, softly, as you speak! Ah me! I know that gesture well! My heart cries out!--I cry "Farewell"!' ROXANE: But how you read that letter! One would think. . . CYRANO (continuing to read): 'My life, my love, my jewel, my sweet, My heart has been yours in every beat!' (The shades of evening fall imperceptibly.) ROXANE: You read in such a voice--so strange--and yet-- It is not the first time I hear that voice! (She comes nearer very softly, without his perceiving it, passes behind his chair, and, noiselessly leaning over him, looks at the letter. The darkness deepens.) CYRANO: 'Here, dying, and there, in the land on high, I am he who loved, who loves you,--I. . .' ROXANE (putting her hand on his shoulder): How can you read? It is too dark to see! (He starts, turns, sees her close to him. Suddenly alarmed, he holds his head down. Then in the dusk, which has now completely enfolded them, she says, very slowly, with clasped hands): And, fourteen years long, he has played this part Of the kind old friend who comes to laugh and chat. CYRANO: Roxane! ROXANE: 'Twas you! CYRANO: No, never; Roxane, no! ROXANE: I should have guessed, each time he said my name! CYRANO: No, it was not I! ROXANE: It was you! CYRANO: I swear! ROXANE: I see through all the generous counterfeit-- The letters--you! CYRANO: No. ROXANE: The sweet, mad love-words! You! CYRANO: No! ROXANE: The voice that thrilled the night--you, you! CYRANO: I swear you err. ROXANE: The soul--it was your soul! CYRANO: I loved you not. ROXANE: You loved me not? CYRANO: 'Twas he! ROXANE: You loved me! CYRANO: No! ROXANE: See! how you falter now! CYRANO: No, my sweet love, I never loved you! ROXANE: Ah! Things dead, long dead, see! how they rise again! --Why, why keep silence all these fourteen years, When, on this letter, which he never wrote, The tears were your tears? CYRANO (holding out the letter to her): The bloodstains were his. ROXANE: Why, then, that noble silence,--kept so long-- Broken to-day for the first time--why? CYRANO: Why?. . . (Le Bret and Ragueneau enter running.)

Scene 5

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano45.asp

Cyrano approaches, supporting himself with a cane. Although his hat conceals his face, it is obvious that he is pale and weak. Roxane, however, is so absorbed in her work on the tapestry that she does not turn to greet Cyrano; instead, she rebukes him for being late. He responds by saying that he had a visitor, whom he sent away in order to come and visit her. Before falling silent, he hints that he may have to leave early. Sister Marthe, one of the nuns whom Cyrano usually teases, passes by. Cyrano, trying to act normally, calls to her. She is startled by his ill appearance and wants to go and bring him some soup. Cyrano is not worried about himself, but Roxane; he warns the nun not to alarm Roxane about him. He does, however, ask the nun to pray for him. He also states that he will never see Roxane's tapestry finished. He also notices the read autumn leaves as they fall gracefully before him. Roxane wants to hear the news of the Parisian society. For a while, Cyrano rattles off the mundane daily events; but he soon faints from exhaustion. Roxane rushes to him. When he regains consciousness, he pretends it is an effect of a wound he received at Arras, many years ago. Roxane comments about how she was also wounded in Arras and points to the farewell letter over her heart. Cyrano asks her to see the letter, which he recites fluently and beautifully in a voice like the one he had used under Roxane's window. Since it is obvious that Cyrano is not really reading the words, but knows them by heart, she realizes that he is the one who had written the letters on Christian's behalf. She now knows that she has really loved Cyrano, not Christian. When Roxane confronts Cyrano about the deception, he denies it. Before she can discuss it further, Le Bret and Ragueneau enter. They blurt out that Cyrano will kill himself by exertion. Roxane now understands his faintness and demands to know what has happened. Cyrano explains the attack on him and shows her his bandages. He bemoans the irony of fate, which has prevented him from dying a noble death from a sword. He adds that both his life and death have been failures. Roxane states that she is sorry that she is the cause of his unhappiness. Cyrano, however, assures her that he is grateful for her friendship. Cyrano turns to Ragueneau to talk about literature. Ragueneau accuses Moliere of plagiarizing a scene from Cyrano's writing. Cyrano does not seem to mind. He says that he has always provided words and ideas for others. It is an obvious reference to what he did for Christian. Knowing that his death is fast approaching, Cyrano compares his love for Roxane to the love between the beauty and the beast. He then asks Roxane to mourn for him as she had for Christian. He finally stands up, sword in hand, to face his end nobly. He dies, proud of the integrity he has shown in life.

pinkmonkey

all_chapterized_books/1254-chapters/51.txt

finished_summaries/pinkmonkey/Cyrano De Bergerac/section_46_part_0.txt

Cyrano De Bergerac.act 5.scene 6

scene 6

{"name": "Scene 6", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano45.asp", "summary": "Cyrano approaches, supporting himself with a cane. Although his hat conceals his face, it is obvious that he is pale and weak. Roxane, however, is so absorbed in her work on the tapestry that she does not turn to greet Cyrano; instead, she rebukes him for being late. He responds by saying that he had a visitor, whom he sent away in order to come and visit her. Before falling silent, he hints that he may have to leave early. Sister Marthe, one of the nuns whom Cyrano usually teases, passes by. Cyrano, trying to act normally, calls to her. She is startled by his ill appearance and wants to go and bring him some soup. Cyrano is not worried about himself, but Roxane; he warns the nun not to alarm Roxane about him. He does, however, ask the nun to pray for him. He also states that he will never see Roxane's tapestry finished. He also notices the read autumn leaves as they fall gracefully before him. Roxane wants to hear the news of the Parisian society. For a while, Cyrano rattles off the mundane daily events; but he soon faints from exhaustion. Roxane rushes to him. When he regains consciousness, he pretends it is an effect of a wound he received at Arras, many years ago. Roxane comments about how she was also wounded in Arras and points to the farewell letter over her heart. Cyrano asks her to see the letter, which he recites fluently and beautifully in a voice like the one he had used under Roxane's window. Since it is obvious that Cyrano is not really reading the words, but knows them by heart, she realizes that he is the one who had written the letters on Christian's behalf. She now knows that she has really loved Cyrano, not Christian. When Roxane confronts Cyrano about the deception, he denies it. Before she can discuss it further, Le Bret and Ragueneau enter. They blurt out that Cyrano will kill himself by exertion. Roxane now understands his faintness and demands to know what has happened. Cyrano explains the attack on him and shows her his bandages. He bemoans the irony of fate, which has prevented him from dying a noble death from a sword. He adds that both his life and death have been failures. Roxane states that she is sorry that she is the cause of his unhappiness. Cyrano, however, assures her that he is grateful for her friendship. Cyrano turns to Ragueneau to talk about literature. Ragueneau accuses Moliere of plagiarizing a scene from Cyrano's writing. Cyrano does not seem to mind. He says that he has always provided words and ideas for others. It is an obvious reference to what he did for Christian. Knowing that his death is fast approaching, Cyrano compares his love for Roxane to the love between the beauty and the beast. He then asks Roxane to mourn for him as she had for Christian. He finally stands up, sword in hand, to face his end nobly. He dies, proud of the integrity he has shown in life.", "analysis": ""}

The same. Le Bret and Ragueneau. LE BRET: What madness! Here? I knew it well! CYRANO (smiling and sitting up): What now? LE BRET: He has brought his death by coming, Madame. ROXANE: God! Ah, then! that faintness of a moment since. . .? CYRANO: Why, true! It interrupted the 'Gazette:' . . .Saturday, twenty-sixth, at dinner-time, Assassination of De Bergerac. (He takes off his hat; they see his head bandaged.) ROXANE: What says he? Cyrano!--His head all bound! Ah, what has chanced? How?--Who?. . . CYRANO: 'To be struck down, Pierced by sword i' the heart, from a hero's hand!' That I had dreamed. O mockery of Fate! --Killed, I! of all men--in an ambuscade! Struck from behind, and by a lackey's hand! 'Tis very well. I am foiled, foiled in all, Even in my death. RAGUENEAU: Ah, Monsieur!. . . CYRANO (holding out his hand to him): Ragueneau, Weep not so bitterly!. . .What do you now, Old comrade? RAGUENEAU (amid his tears): Trim the lights for Moliere's stage. CYRANO: Moliere! RAGUENEAU: Yes; but I shall leave to-morrow. I cannot bear it!--Yesterday, they played 'Scapin'--I saw he'd thieved a scene from you! LE BRET: What! a whole scene? RAGUENEAU: Oh, yes, indeed, Monsieur, The famous one, 'Que Diable allait-il faire?' LE BRET: Moliere has stolen that? CYRANO: Tut! He did well!. . . (to Ragueneau): How went the scene? It told--I think it told? RAGUENEAU (sobbing): Ah! how they laughed! CYRANO: Look you, it was my life To be the prompter every one forgets! (To Roxane): That night when 'neath your window Christian spoke --Under your balcony, you remember? Well! There was the allegory of my whole life: I, in the shadow, at the ladder's foot, While others lightly mount to Love and Fame! Just! very just! Here on the threshold drear Of death, I pay my tribute with the rest, To Moliere's genius,--Christian's fair face! (The chapel-bell chimes. The nuns are seen passing down the alley at the back, to say their office): Let them go pray, go pray, when the bell rings! ROXANE (rising and calling): Sister! Sister! CYRANO (holding her fast): Call no one. Leave me not; When you come back, I should be gone for aye. (The nuns have all entered the chapel. The organ sounds): I was somewhat fain for music--hark! 'tis come. ROXANE: Live, for I love you! CYRANO: No, In fairy tales When to the ill-starred Prince the lady says 'I love you!' all his ugliness fades fast-- But I remain the same, up to the last! ROXANE: I have marred your life--I, I! CYRANO: You blessed my life! Never on me had rested woman's love. My mother even could not find me fair: I had no sister; and, when grown a man, I feared the mistress who would mock at me. But I have had your friendship--grace to you A woman's charm has passed across my path. LE BRET (pointing to the moon, which is seen between the trees): Your other lady-love is come. CYRANO (smiling): I see. ROXANE: I loved but once, yet twice I lose my love! CYRANO: Hark you, Le Bret! I soon shall reach the moon. To-night, alone, with no projectile's aid!. . . LE BRET: What are you saying? CYRANO: I tell you, it is there, There, that they send me for my Paradise, There I shall find at last the souls I love, In exile,--Galileo--Socrates! LE BRET (rebelliously): No, no! It is too clumsy, too unjust! So great a heart! So great a poet! Die Like this? what, die. . .? CYRANO: Hark to Le Bret, who scolds! LE BRET (weeping): Dear friend. . . CYRANO (starting up, his eyes wild): What ho! Cadets of Gascony! The elemental mass--ah yes! The hic. . . LE BRET: His science still--he raves! CYRANO: Copernicus Said. . . ROXANE: Oh! CYRANO: Mais que diable allait-il faire, Mais que diable allait-il faire dans cette galere?. . . Philosopher, metaphysician, Rhymer, brawler, and musician, Famed for his lunar expedition, And the unnumbered duels he fought,-- And lover also,--by interposition!-- Here lies Hercule Savinien De Cyrano de Bergerac, Who was everything, yet was naught. I cry you pardon, but I may not stay; See, the moon-ray that comes to call me hence! (He has fallen back in his chair; the sobs of Roxane recall him to reality; he looks long at her, and, touching her veil): I would not bid you mourn less faithfully That good, brave Christian: I would only ask That when my body shall be cold in clay You wear those sable mourning weeds for two, And mourn awhile for me, in mourning him. ROXANE: I swear it you!. . . CYRANO (shivering violently, then suddenly rising): Not there! what, seated?--no! (They spring toward him): Let no one hold me up-- (He props himself against the tree): Only the tree! (Silence): It comes. E'en now my feet have turned to stone, My hands are gloved with lead! (He stands erect): But since Death comes, I meet him still afoot, (He draws his sword): And sword in hand! LE BRET: Cyrano! ROXANE (half fainting): Cyrano! (All shrink back in terror.) CYRANO: Why, I well believe He dares to mock my nose? Ho! insolent! (He raises his sword): What say you? It is useless? Ay, I know But who fights ever hoping for success? I fought for lost cause, and for fruitless quest! You there, who are you!--You are thousands! Ah! I know you now, old enemies of mine! Falsehood! (He strikes in air with his sword): Have at you! Ha! and Compromise! Prejudice, Treachery!. . . (He strikes): Surrender, I? Parley? No, never! You too, Folly,--you? I know that you will lay me low at last; Let be! Yet I fall fighting, fighting still! (He makes passes in the air, and stops, breathless): You strip from me the laurel and the rose! Take all! Despite you there is yet one thing I hold against you all, and when, to-night, I enter Christ's fair courts, and, lowly bowed, Sweep with doffed casque the heavens' threshold blue, One thing is left, that, void of stain or smutch, I bear away despite you. (He springs forward, his sword raised; it falls from his hand; he staggers, falls back into the arms of Le Bret and Ragueneau.) ROXANE (bending and kissing his forehead): 'Tis?. . . CYRANO (opening his eyes, recognizing her, and smiling): MY PANACHE. Curtain.

Scene 6

https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano45.asp

Cyrano approaches, supporting himself with a cane. Although his hat conceals his face, it is obvious that he is pale and weak. Roxane, however, is so absorbed in her work on the tapestry that she does not turn to greet Cyrano; instead, she rebukes him for being late. He responds by saying that he had a visitor, whom he sent away in order to come and visit her. Before falling silent, he hints that he may have to leave early. Sister Marthe, one of the nuns whom Cyrano usually teases, passes by. Cyrano, trying to act normally, calls to her. She is startled by his ill appearance and wants to go and bring him some soup. Cyrano is not worried about himself, but Roxane; he warns the nun not to alarm Roxane about him. He does, however, ask the nun to pray for him. He also states that he will never see Roxane's tapestry finished. He also notices the read autumn leaves as they fall gracefully before him. Roxane wants to hear the news of the Parisian society. For a while, Cyrano rattles off the mundane daily events; but he soon faints from exhaustion. Roxane rushes to him. When he regains consciousness, he pretends it is an effect of a wound he received at Arras, many years ago. Roxane comments about how she was also wounded in Arras and points to the farewell letter over her heart. Cyrano asks her to see the letter, which he recites fluently and beautifully in a voice like the one he had used under Roxane's window. Since it is obvious that Cyrano is not really reading the words, but knows them by heart, she realizes that he is the one who had written the letters on Christian's behalf. She now knows that she has really loved Cyrano, not Christian. When Roxane confronts Cyrano about the deception, he denies it. Before she can discuss it further, Le Bret and Ragueneau enter. They blurt out that Cyrano will kill himself by exertion. Roxane now understands his faintness and demands to know what has happened. Cyrano explains the attack on him and shows her his bandages. He bemoans the irony of fate, which has prevented him from dying a noble death from a sword. He adds that both his life and death have been failures. Roxane states that she is sorry that she is the cause of his unhappiness. Cyrano, however, assures her that he is grateful for her friendship. Cyrano turns to Ragueneau to talk about literature. Ragueneau accuses Moliere of plagiarizing a scene from Cyrano's writing. Cyrano does not seem to mind. He says that he has always provided words and ideas for others. It is an obvious reference to what he did for Christian. Knowing that his death is fast approaching, Cyrano compares his love for Roxane to the love between the beauty and the beast. He then asks Roxane to mourn for him as she had for Christian. He finally stands up, sword in hand, to face his end nobly. He dies, proud of the integrity he has shown in life.

novelguide

all_chapterized_books/1254-chapters/2.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_1_part_1.txt

Cyrano de Bergerac.act 1.scene 1

act 1, scene 1

{"name": "act 1, scene 1", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes1-3", "summary": "The play opens in the year 1640 in the theater at the Hotel de Bourgogne in Paris, France. Preparations are under way for a performance of the play La Clorise. Members of the audience from all social classes, pickpockets, and an orange-girl arrive. Two gentlemen practice fencing. A middle-class man looks disapprovingly at the drinking, fighting, and gambling taking place among the audience and reflects that the place has sunk into disrepute since the great tragedies were performed there. As the chandeliers are lit in readiness for the performance, the audience gathers around in anticipation. The handsome young Baron Christian de Neuvillette enters with the satirist Ligniere, who is drunk", "analysis": ""}

The public, arriving by degrees. Troopers, burghers, lackeys, pages, a pickpocket, the doorkeeper, etc., followed by the marquises. Cuigy, Brissaille, the buffet-girl, the violinists, etc. (A confusion of loud voices is heard outside the door. A trooper enters hastily.) THE DOORKEEPER (following him): Hollo! You there! Your money! THE TROOPER: I enter gratis. THE DOORKEEPER: Why? THE TROOPER: Why? I am of the King's Household Cavalry, 'faith! THE DOORKEEPER (to another trooper who enters): And you? SECOND TROOPER: I pay nothing. THE DOORKEEPER: How so? SECOND TROOPER: I am a musketeer. FIRST TROOPER (to the second): The play will not begin till two. The pit is empty. Come, a bout with the foils to pass the time. (They fence with the foils they have brought.) A LACKEY (entering): Pst. . .Flanquin. . .! ANOTHER (already there): Champagne?. . . THE FIRST (showing him cards and dice which he takes from his doublet): See, here be cards and dice. (He seats himself on the floor): Let's play. THE SECOND (doing the same): Good; I am with you, villain! FIRST LACKEY (taking from his pocket a candle-end, which he lights, and sticks on the floor): I made free to provide myself with light at my master's expense! A GUARDSMAN (to a shop-girl who advances): 'Twas prettily done to come before the lights were lit! (He takes her round the waist.) ONE OF THE FENCERS (receiving a thrust): A hit! ONE OF THE CARD-PLAYERS: Clubs! THE GUARDSMAN (following the girl): A kiss! THE SHOP-GIRL (struggling to free herself): They're looking! THE GUARDSMAN (drawing her to a dark corner): No fear! No one can see! A MAN (sitting on the ground with others, who have brought their provisions): By coming early, one can eat in comfort. A BURGHER (conducting his son): Let us sit here, son. A CARD-PLAYER: Triple ace! A MAN (taking a bottle from under his cloak, and also seating himself on the floor): A tippler may well quaff his Burgundy (he drinks): in the Burgundy Hotel! THE BURGHER (to his son): 'Faith! A man might think he had fallen in a bad house here! (He points with his cane to the drunkard): What with topers! (One of the fencers in breaking off, jostles him): brawlers! (He stumbles into the midst of the card-players): gamblers! THE GUARDSMAN (behind him, still teasing the shop-girl): Come, one kiss! THE BURGHER (hurriedly pulling his son away): By all the holies! And this, my boy, is the theater where they played Rotrou erewhile. THE YOUNG MAN: Ay, and Corneille! A TROOP OF PAGES (hand-in-hand, enter dancing the farandole, and singing): Tra' a la, la, la, la, la, la, la, lere. . . THE DOORKEEPER (sternly, to the pages): You pages there, none of your tricks!. . . FIRST PAGE (with an air of wounded dignity): Oh, sir!--such a suspicion!. . . (Briskly, to the second page, the moment the doorkeeper's back is turned): Have you string? THE SECOND: Ay, and a fish-hook with it. FIRST PAGE: We can angle for wigs, then, up there i' th' gallery. A PICKPOCKET (gathering about him some evil-looking youths): Hark ye, young cut-purses, lend an ear, while I give you your first lesson in thieving. SECOND PAGE (calling up to others in the top galleries): You there! Have you peashooters? THIRD PAGE (from above): Ay, have we, and peas withal! (He blows, and peppers them with peas.) THE YOUNG MAN (to his father): What piece do they give us? THE BURGHER: 'Clorise.' THE YOUNG MAN: Who may the author be? THE BURGHER: Master Balthazar Baro. It is a play!. . . (He goes arm-in-arm with his son.) THE PICKPOCKET (to his pupils): Have a care, above all, of the lace knee-ruffles--cut them off! A SPECTATOR (to another, showing him a corner in the gallery): I was up there, the first night of the 'Cid.' THE PICKPOCKET (making with his fingers the gesture of filching): Thus for watches-- THE BURGHER (coming down again with his son): Ah! You shall presently see some renowned actors. . . THE PICKPOCKET (making the gestures of one who pulls something stealthily, with little jerks): Thus for handkerchiefs-- THE BURGHER: Montfleury. . . SOME ONE (shouting from the upper gallery): Light up, below there! THE BURGHER: . . .Bellerose, L'Epy, La Beaupre, Jodelet! A PAGE (in the pit): Here comes the buffet-girl! THE BUFFET-GIRL (taking her place behind the buffet): Oranges, milk, raspberry-water, cedar bitters! (A hubbub outside the door is heard.) A FALSETTO VOICE: Make place, brutes! A LACKEY (astonished): The Marquises!--in the pit?. . . ANOTHER LACKEY: Oh! only for a minute or two! (Enter a band of young marquises.) A MARQUIS (seeing that the hall is half empty): What now! So we make our entrance like a pack of woolen-drapers! Peaceably, without disturbing the folk, or treading on their toes!--Oh, fie! Fie! (Recognizing some other gentlemen who have entered a little before him): Cuigy! Brissaille! (Greetings and embraces.) CUIGY: True to our word!. . .Troth, we are here before the candles are lit. THE MARQUIS: Ay, indeed! Enough! I am of an ill humor. ANOTHER: Nay, nay, Marquis! see, for your consolation, they are coming to light up! ALL THE AUDIENCE (welcoming the entrance of the lighter): Ah!. . . (They form in groups round the lusters as they are lit. Some people have taken their seats in the galleries. Ligniere, a distinguished-looking roue, with disordered shirt-front arm-in-arm with christian de Neuvillette. Christian, who is dressed elegantly, but rather behind the fashion, seems preoccupied, and keeps looking at the boxes.)

act 1, scene 1

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes1-3

The play opens in the year 1640 in the theater at the Hotel de Bourgogne in Paris, France. Preparations are under way for a performance of the play La Clorise. Members of the audience from all social classes, pickpockets, and an orange-girl arrive. Two gentlemen practice fencing. A middle-class man looks disapprovingly at the drinking, fighting, and gambling taking place among the audience and reflects that the place has sunk into disrepute since the great tragedies were performed there. As the chandeliers are lit in readiness for the performance, the audience gathers around in anticipation. The handsome young Baron Christian de Neuvillette enters with the satirist Ligniere, who is drunk

novelguide

all_chapterized_books/1254-chapters/3.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_1_part_2.txt

Cyrano de Bergerac.act 1.scene 2

act 1, scene 2

{"name": "Act 1, scene 2", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes1-3", "summary": "Ligniere introduces Christian to some Marquises. Christian has just arrived in Paris to join the Guards. The Marquises think that Christian is not very fashionably dressed; they are more interested in the aristocratic and literary ladies who are taking their places in the boxes. Ligniere has come to help Christian identify a lady with whom he is in love. The pastry-cook Ragueneau arrives. Ligniere introduces him to Christian, explaining that Ragueneau is a lover of poetry who accepts poems as payment for his pastries. Ragueneau is excited to know if Cyrano, another member of the Guards, is here. The actor Montfleury is performing tonight and Cyrano has forbidden him to appear on the stage for the rest of the month. Cyrano's friends talk of him as a brilliant poet, swordsman, philosopher, and musician. They seem in awe of him. Ragueneau mentions that Cyrano has an enormous nose, and Le Bret warns that Cyrano will fight anyone who comments on it. Roxane, a beautiful young woman and the object of Christian's affections, arrives and sits in a box. Ligniere tells Christian that she is Cyrano's cousin. He adds that she is an intellectual. Christian is despondent at this news. Roxane is accompanied by the Comte de Guiche, a nobleman who is in love with her. He is already married, so he plans to marry her off to one of his proteges, the Vicomte de Valvert, who would turn a blind eye to any affair that de Guiche began with Roxane. Roxane and Christian exchange gazes. Ligniere leaves to find a tavern. There is still no sign of Cyrano. The crowd impatiently calls for the play to begin", "analysis": ""}

The same. Christian, Ligniere, then Ragueneau and Le Bret. CUIGY: Ligniere! BRISSAILLE (laughing): Not drunk as yet? LIGNIERE (aside to Christian): I may introduce you? (Christian nods in assent): Baron de Neuvillette. (Bows.) THE AUDIENCE (applauding as the first luster is lighted and drawn up): Ah! CUIGY (to Brissaille, looking at Christian): 'Tis a pretty fellow! FIRST MARQUIS (who has overheard): Pooh! LIGNIERE (introducing them to Christian): My lords De Cuigy. De Brissaille. . . CHRISTIAN (bowing): Delighted!. . . FIRST MARQUIS (to second): He is not ill to look at, but certes, he is not costumed in the latest mode. LIGNIERE (to Cuigy): This gentleman comes from Touraine. CHRISTIAN: Yes, I have scarce been twenty days in Paris; tomorrow I join the Guards, in the Cadets. FIRST MARQUIS (watching the people who are coming into the boxes): There is the wife of the Chief-Justice. THE BUFFET-GIRL: Oranges, milk. . . THE VIOLINISTS (tuning up): La--la-- CUIGY (to Christian, pointing to the hall, which is filling fast): 'Tis crowded. CHRISTIAN: Yes, indeed. FIRST MARQUIS: All the great world! (They recognize and name the different elegantly dressed ladies who enter the boxes, bowing low to them. The ladies send smiles in answer.) SECOND MARQUIS: Madame de Guemenee. CUIGY: Madame de Bois-Dauphin. FIRST MARQUIS: Adored by us all! BRISSAILLE: Madame de Chavigny. . . SECOND MARQUIS: Who sports with our poor hearts!. . . LIGNIERE: Ha! so Monsieur de Corneille has come back from Rouen! THE YOUNG MAN (to his father): Is the Academy here? THE BURGHER: Oh, ay, I see several of them. There is Boudu, Boissat, and Cureau de la Chambre, Porcheres, Colomby, Bourzeys, Bourdon, Arbaud. . .all names that will live! 'Tis fine! FIRST MARQUIS: Attention! Here come our precieuses; Barthenoide, Urimedonte, Cassandace, Felixerie. . . SECOND MARQUIS: Ah! How exquisite their fancy names are! Do you know them all, Marquis? FIRST MARQUIS: Ay, Marquis, I do, every one! LIGNIERE (drawing Christian aside): Friend, I but came here to give you pleasure. The lady comes not. I will betake me again to my pet vice. CHRISTIAN (persuasively): No, no! You, who are ballad-maker to Court and City alike, can tell me better than any who the lady is for whom I die of love. Stay yet awhile. THE FIRST VIOLIN (striking his bow on the desk): Gentlemen violinists! (He raises his bow.) THE BUFFET-GIRL: Macaroons, lemon-drink. . . (The violins begin to play.) CHRISTIAN: Ah! I fear me she is coquettish, and over nice and fastidious! I, who am so poor of wit, how dare I speak to her--how address her? This language that they speak to-day--ay, and write--confounds me; I am but an honest soldier, and timid withal. She has ever her place, there, on the right--the empty box, see you! LIGNIERE (making as if to go): I must go. CHRISTIAN (detaining him): Nay, stay. LIGNIERE: I cannot. D'Assoucy waits me at the tavern, and here one dies of thirst. THE BUFFET-GIRL (passing before him with a tray): Orange drink? LIGNIERE: Ugh! THE BUFFET-GIRL: Milk? LIGNIERE: Pah! THE BUFFET-GIRL: Rivesalte? LIGNIERE: Stay. (To Christian): I will remain awhile.--Let me taste this rivesalte. (He sits by the buffet; the girl pours some out for him.) CRIES (from all the audience, at the entrance of a plump little man, joyously excited): Ah! Ragueneau! LIGNIERE (to Christian): 'Tis the famous tavern-keeper Ragueneau. RAGUENEAU (dressed in the Sunday clothes of a pastry-cook, going up quickly to Ligniere): Sir, have you seen Monsieur de Cyrano? LIGNIERE (introducing him to Christian): The pastry-cook of the actors and the poets! RAGUENEAU (overcome): You do me too great honor. . . LIGNIERE: Nay, hold your peace, Maecenas that you are! RAGUENEAU: True, these gentlemen employ me. . . LIGNIERE: On credit! He is himself a poet of a pretty talent. . . RAGUENEAU: So they tell me. LIGNIERE: --Mad after poetry! RAGUENEAU: 'Tis true that, for a little ode. . . LIGNIERE: You give a tart. . . RAGUENEAU: Oh!--a tartlet! LIGNIERE: Brave fellow! He would fain fain excuse himself! --And for a triolet, now, did you not give in exchange. . . RAGUENEAU: Some little rolls! LIGNIERE (severely): They were milk-rolls! And as for the theater, which you love? RAGUENEAU: Oh! to distraction! LIGNIERE: How pay you your tickets, ha?--with cakes. Your place, to-night, come tell me in my ear, what did it cost you? RAGUENEAU: Four custards, and fifteen cream-puffs. (He looks around on all sides): Monsieur de Cyrano is not here? 'Tis strange. LIGNIERE: Why so? RAGUENEAU: Montfleury plays! LIGNIERE: Ay, 'tis true that that old wine-barrel is to take Phedon's part to-night; but what matter is that to Cyrano? RAGUENEAU: How? Know you not? He has got a hot hate for Montfleury, and so!--has forbid him strictly to show his face on the stage for one whole month. LIGNIERE (drinking his fourth glass): Well? RAGUENEAU: Montfleury will play! CUIGY: He can not hinder that. RAGUENEAU: Oh! oh! that I have come to see! FIRST MARQUIS: Who is this Cyrano? CUIGY: A fellow well skilled in all tricks of fence. SECOND MARQUIS: Is he of noble birth? CUIGY: Ay, noble enough. He is a cadet in the Guards. (Pointing to a gentleman who is going up and down the hall as if searching for some one): But 'tis his friend Le Bret, yonder, who can best tell you. (He calls him): Le Bret! (Le Bret comes towards them): Seek you for De Bergerac? LE BRET: Ay, I am uneasy. . . CUIGY: Is it not true that he is the strangest of men? LE BRET (tenderly): True, that he is the choicest of earthly beings! RAGUENEAU: Poet! CUIGY: Soldier! BRISSAILLE: Philosopher! LE BRET: Musician! LIGNIERE: And of how fantastic a presence! RAGENEAU: Marry, 'twould puzzle even our grim painter Philippe de Champaigne to portray him! Methinks, whimsical, wild, comical as he is, only Jacques Callot, now dead and gone, had succeeded better, and had made of him the maddest fighter of all his visored crew--with his triple-plumed beaver and six-pointed doublet--the sword-point sticking up 'neath his mantle like an insolent cocktail! He's prouder than all the fierce Artabans of whom Gascony has ever been and will ever be the prolific Alma Mater! Above his Toby ruff he carries a nose!--ah, good my lords, what a nose is his! When one sees it one is fain to cry aloud, 'Nay! 'tis too much! He plays a joke on us!' Then one laughs, says 'He will anon take it off.' But no!--Monsieur de Bergerac always keeps it on. LE BRET (throwing back his head): He keeps it on--and cleaves in two any man who dares remark on it! RAGUENEAU (proudly): His sword--'tis one half of the Fates' shears! FIRST MARQUIS (shrugging his shoulders): He will not come! RAGUENEAU: I say he will! and I wager a fowl--a la Ragueneau. THE MARQUIS (laughing): Good! (Murmurs of admiration in hall. Roxane has just appeared in her box. She seats herself in front, the duenna at the back. Christian, who is paying the buffet-girl, does not see her entrance.) SECOND MARQUIS (with little cries of joy): Ah, gentlemen! she is fearfully--terribly--ravishing! FIRST MARQUIS: When one looks at her one thinks of a peach smiling at a strawberry! SECOND MARQUIS: And what freshness! A man approaching her too near might chance to get a bad chill at the heart! CHRISTIAN (raising his head, sees Roxane, and catches Ligniere by the arm): 'Tis she! LIGNIERE: Ah! is it she? CHRISTIAN: Ay, tell me quick--I am afraid. LIGNIERE (tasting his rivesalte in sips): Magdaleine Robin--Roxane, so called! A subtle wit--a precieuse. CHRISTIAN: Woe is me! LIGNIERE: Free. An orphan. The cousin of Cyrano, of whom we were now speaking. (At this moment an elegant nobleman, with blue ribbon across his breast, enters the box, and talks with Roxane, standing.) CHRISTIAN (starting): Who is yonder man? LIGNIERE (who is becoming tipsy, winking at him): Ha! ha! Count de Guiche. Enamored of her. But wedded to the niece of Armand de Richelieu. Would fain marry Roxane to a certain sorry fellow, one Monsieur de Valvert, a viscount--and--accommodating! She will none of that bargain; but De Guiche is powerful, and can persecute the daughter of a plain untitled gentleman. More by token, I myself have exposed this cunning plan of his to the world, in a song which. . .Ho! he must rage at me! The end hit home. . .Listen! (He gets up staggering, and raises his glass, ready to sing.) CHRISTIAN: No. Good-night. LIGNIERE: Where go you? CHRISTIAN: To Monsieur de Valvert! LIGNIERE: Have a care! It is he who will kill you (showing him Roxane by a look): Stay where you are--she is looking at you. CHRISTIAN: It is true! (He stands looking at her. The group of pickpockets seeing him thus, head in air and open-mouthed, draw near to him.) LIGNIERE: 'Tis I who am going. I am athirst! And they expect me--in the taverns! (He goes out, reeling.) LE BRET (who has been all round the hall, coming back to Ragueneau reassured): No sign of Cyrano. RAGUENEAU (incredulously): All the same. . . LE BRET: A hope is left to me--that he has not seen the playbill! THE AUDIENCE: Begin, begin!

Act 1, scene 2

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes1-3

Ligniere introduces Christian to some Marquises. Christian has just arrived in Paris to join the Guards. The Marquises think that Christian is not very fashionably dressed; they are more interested in the aristocratic and literary ladies who are taking their places in the boxes. Ligniere has come to help Christian identify a lady with whom he is in love. The pastry-cook Ragueneau arrives. Ligniere introduces him to Christian, explaining that Ragueneau is a lover of poetry who accepts poems as payment for his pastries. Ragueneau is excited to know if Cyrano, another member of the Guards, is here. The actor Montfleury is performing tonight and Cyrano has forbidden him to appear on the stage for the rest of the month. Cyrano's friends talk of him as a brilliant poet, swordsman, philosopher, and musician. They seem in awe of him. Ragueneau mentions that Cyrano has an enormous nose, and Le Bret warns that Cyrano will fight anyone who comments on it. Roxane, a beautiful young woman and the object of Christian's affections, arrives and sits in a box. Ligniere tells Christian that she is Cyrano's cousin. He adds that she is an intellectual. Christian is despondent at this news. Roxane is accompanied by the Comte de Guiche, a nobleman who is in love with her. He is already married, so he plans to marry her off to one of his proteges, the Vicomte de Valvert, who would turn a blind eye to any affair that de Guiche began with Roxane. Roxane and Christian exchange gazes. Ligniere leaves to find a tavern. There is still no sign of Cyrano. The crowd impatiently calls for the play to begin

novelguide

all_chapterized_books/1254-chapters/4.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_1_part_3.txt

Cyrano de Bergerac.act 1.scene 3

act 1, scene 3

{"name": "Act 1, scene 3", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes1-3", "summary": "As de Guiche and Valvert walk towards the stage, Christian decides to challenge Valvert to a duel over Roxane. As he reaches into his pocket for his glove to slap Valvert across the face by way of challenge, he encounters the hand of a pickpocket. In exchange for his release, the pickpocket tells Christian that Ligniere is in trouble. Ligniere has offended an important nobleman by writing a satirical song about him, and the nobleman has arranged for Ligniere to be ambushed by a hundred men at the Porte de Nesle on his way home. Christian runs off to rescue Ligniere. De Guiche, Valvert, and the Marquises take their seats on the stage. The crowd chants for the play to begin. Montfleury, a fat and untalented actor, comes on stage dressed as a shepherd and begins his speech. A voice from the pit is heard crying out, \"Fool, have I not forbidden you the stage. Though the speaker is hidden, Le Bret and Cuigy are certain that it is Cyrano. Each time Montfleury tries to continue his speech, the speaker interrupts and threatens him. Montfleury's voice grows fainter and fainter. Finally, Cyrano stands up on his chair, creating a stir among the audience.", "analysis": "of Act 1, scenes 1-3. These scenes introduce the social and cultural background, the characters, and the first seeds of the plot. The theater is presented as a microcosm of Parisian society, bringing together people from all social backgrounds and walks of life. Poetry and literature are unifying influences: the marquises idolize the literary ladies, while the pastry-cook Ragueneau sells his wares in exchange for poems. In fact, poetry is so important in this culture that it is a matter of life and death: Ligniere's life is threatened because he wrote a satirical song about a nobleman. One of Rostand's themes in Cyrano de Bergerac is what he saw as the decline of French society and culture. This is already evident in the Bourgeois's disapproving comments on the low-life activities taking place among the theater audience, compared with the great tragedies that used to be performed there, such as those of the seventeenth-century French playwrights Jean Rotrou and Pierre Corneille. The nobility have become decadent and foolish, as is shown in the petty snobberies of the Marquises, who disdain Christian because he is not dressed in the latest fashion, and fawn upon de Guiche because he is successful. Against such foolish and inconsequential characters is set the play's hero, Cyrano. Though Cyrano is spoken of at length, he is not seen until the end of scene 3. He is described by his friends as an excellent poet, swordsman, philosopher, and musician: in short, the epitome of the seventeenth-century cavalier ideal of the courtier-soldier-poet. Cyrano's reputation precedes him. A section of the audience waits with bated breath to see whether he will appear at the play, as Montfleury is playing the lead and Cyrano has forbidden him the stage. If Montfleury appears, the audience knows there will be trouble. He is spoken of as an extraordinary, larger-than-life character, and thus suspense builds around him. In fact, there are three layers of suspense in this part of the play: the play audience's expectation of the actor Montfleury appearing in the play, La Clorise; Cyrano's friends' expectation of Cyrano, whose arrival promises far more momentous entertainment than Montfleury; and finally, the expectation of the reader of the play Cyrano de Bergerac as they await the appearance of this extraordinary character Cyrano. As well as his exceptional abilities, Cyrano's great flaw, his enormous nose, is mentioned. Ragueneau's comment that Cyrano will fight anyone who remarks on it both conveys Cyrano's sensitivity over this trait and foreshadows the conflicts that are sure to spring up around the subject. The fact that Cyrano's friends only mention his nose after they have listed his other great qualities puts his flaw into perspective. To them, it seems relatively unimportant, or just another way in which Cyrano is extraordinary, but Cyrano does not share their view. His insecurity over his nose rules his life. Christian is a foil to Cyrano and his opposite. While Cyrano is extraordinary on the inside but physically unattractive on the outside, Christian is a very ordinary young man blessed with unusual good looks. Christian's love for Roxane sets up the main conflict that drives the plot. The glance they exchange in the theater establishes the immediate physical attraction between them, but Christian's concern over Ligniere's description of her as an intellectual shows his weak point. Unlike the brilliant Cyrano, Christian is dull of mind. While Cyrano represents inward beauty, Christian represents outward beauty"}

The same, all but Ligniere. De Guiche, Valvert, then Montfleury. A marquis (watching De Guiche, who comes down from Roxane's box, and crosses the pit surrounded by obsequious noblemen, among them the Viscount de Valvert): He pays a fine court, your De Guiche! ANOTHER: Faugh!. . .Another Gascon! THE FIRST: Ay, but the cold, supple Gascon--that is the stuff success is made of! Believe me, we had best make our bow to him. (They go toward De Guiche.) SECOND MARQUIS: What fine ribbons! How call you the color, Count de Guiche? 'Kiss me, my darling,' or 'Timid Fawn?' DE GUICHE: 'Tis the color called 'Sick Spaniard.' FIRST MARQUIS: 'Faith! The color speaks truth, for, thanks to your valor, things will soon go ill for Spain in Flanders. DE GUICHE: I go on the stage! Will you come? (He goes toward the stage, followed by the marquises and gentlemen. Turning, he calls): Come you Valvert! CHRISTIAN (who is watching and listening, starts on hearing this name): The Viscount! Ah! I will throw full in his face my. . . (He puts his hand in his pocket, and finds there the hand of a pickpocket who is about to rob him. He turns round): Hey? THE PICKPOCKET: Oh! CHRISTIAN (holding him tightly): I was looking for a glove. THE PICKPOCKET (smiling piteously): And you find a hand. (Changing his tone, quickly and in a whisper): Let me but go, and I will deliver you a secret. CHRISTIAN (still holding him): What is it? THE PICKPOCKET: Ligniere. . .he who has just left you. . . CHRISTIAN (same play): Well? THE PICKPOCKET: His life is in peril. A song writ by him has given offense in high places-- and a hundred men--I am of them--are posted to-night. . . CHRISTIAN: A hundred men! By whom posted? THE PICKPOCKET: I may not say--a secret. . . CHRISTIAN (shrugging his shoulders): Oh! THE PICKPOCKET (with great dignity): . . .Of the profession. CHRISTIAN: Where are they posted? THE PICKPOCKET: At the Porte de Nesle. On his way homeward. Warn him. CHRISTIAN (letting go of his wrists): But where can I find him? THE PICKPOCKET: Run round to all the taverns--The Golden Wine Press, the Pine Cone, The Belt that Bursts, The Two Torches, The Three Funnels, and at each leave a word that shall put him on his guard. CHRISTIAN: Good--I fly! Ah, the scoundrels! A hundred men 'gainst one! (Looking lovingly at Roxane): Ah, to leave her!. . . (looking with rage at Valvert): and him!. . .But save Ligniere I must! (He hurries out. De Guiche, the viscount, the marquises, have all disappeared behind the curtain to take their places on the benches placed on the stage. The pit is quite full; the galleries and boxes are also crowded.) THE AUDIENCE: Begin! A BURGHER (whose wig is drawn up on the end of a string by a page in the upper gallery): My wig! CRIES OF DELIGHT: He is bald! Bravo, pages--ha! ha! ha!. . . THE BURGHER (furious, shaking his fist): Young villain! LAUGHTER AND CRIES (beginning very loud, and dying gradually away): Ha! ha! ha! ha! ha! ha! (Total silence.) LE BRET (astonished): What means this sudden silence?. . . (A spectator says something to him in a low voice): Is't true? THE SPECTATOR: I have just heard it on good authority. MURMURS (spreading through the hall): Hush! Is it he? No! Ay, I say! In the box with the bars in front! The Cardinal! The Cardinal! The Cardinal! A PAGE: The devil! We shall have to behave ourselves. . . (A knock is heard upon the stage. Every one is motionless. A pause.) THE VOICE OF A MARQUIS (in the silence, behind the curtain): Snuff that candle! ANOTHER MARQUIS (putting his head through the opening in the curtain): A chair! (A chair is passed from hand to hand, over the heads of the spectators. The marquis takes it and disappears, after blowing some kisses to the boxes.) A SPECTATOR: Silence! (Three knocks are heard on the stage. The curtain opens in the centre Tableau. The marquises in insolent attitudes seated on each side of the stage. The scene represents a pastoral landscape. Four little lusters light the stage; the violins play softly.) LE BRET (in a low voice to Ragueneau): Montfleury comes on the scene? RAGUENEAU (also in a low voice): Ay, 'tis he who begins. LE BRET: Cyrano is not here. RAGUENEAU: I have lost my wager. LE BRET: 'Tis all the better! (An air on the drone-pipes is heard, and Montfleury enters, enormously stout, in an Arcadian shepherd's dress, a hat wreathed with roses drooping over one ear, blowing into a ribboned drone pipe.) THE PIT (applauding): Bravo, Montfleury! Montfleury! MONTFLEURY (after bowing low, begins the part of Phedon): 'Heureux qui loin des cours, dans un lieu solitaire, Se prescrit a soi-meme un exil volontaire, Et qui, lorsque Zephire a souffle sur les bois. . .' A VOICE (from the middle of the pit): Villain! Did I not forbid you to show your face here for month? (General stupor. Every one turns round. Murmurs.) DIFFERENT VOICES: Hey?--What?--What is't?. . . (The people stand up in the boxes to look.) CUIGY: 'Tis he! LE BRET (terrified): Cyrano! THE VOICE: King of clowns! Leave the stage this instant! ALL THE AUDIENCE (indignantly): Oh! MONTFLEURY: But. . . THE VOICE: Do you dare defy me? DIFFERENT VOICES (from the pit and the boxes): Peace! Enough!--Play on, Montfleury--fear nothing! MONTFLEURY (in a trembling voice): 'Heureux qui loin des cours, dans un lieu sol--' THE VOICE (more fiercely): Well! Chief of all the blackguards, must I come and give you a taste of my cane? (A hand holding a cane starts up over the heads of the spectators.) MONTFLEURY (in a voice that trembles more and more): 'Heureux qui. . .' (The cane is shaken.) THE VOICE: Off the stage! THE PIT: Oh! MONTFLEURY (choking): 'Heureux qui loin des cours. . .' CYRANO (appearing suddenly in the pit, standing on a chair, his arms crossed, his beaver cocked fiercely, his mustache bristling, his nose terrible to see): Ah! I shall be angry in a minute!. . . (Sensation.)

Act 1, scene 3

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes1-3

As de Guiche and Valvert walk towards the stage, Christian decides to challenge Valvert to a duel over Roxane. As he reaches into his pocket for his glove to slap Valvert across the face by way of challenge, he encounters the hand of a pickpocket. In exchange for his release, the pickpocket tells Christian that Ligniere is in trouble. Ligniere has offended an important nobleman by writing a satirical song about him, and the nobleman has arranged for Ligniere to be ambushed by a hundred men at the Porte de Nesle on his way home. Christian runs off to rescue Ligniere. De Guiche, Valvert, and the Marquises take their seats on the stage. The crowd chants for the play to begin. Montfleury, a fat and untalented actor, comes on stage dressed as a shepherd and begins his speech. A voice from the pit is heard crying out, "Fool, have I not forbidden you the stage. Though the speaker is hidden, Le Bret and Cuigy are certain that it is Cyrano. Each time Montfleury tries to continue his speech, the speaker interrupts and threatens him. Montfleury's voice grows fainter and fainter. Finally, Cyrano stands up on his chair, creating a stir among the audience.

of Act 1, scenes 1-3. These scenes introduce the social and cultural background, the characters, and the first seeds of the plot. The theater is presented as a microcosm of Parisian society, bringing together people from all social backgrounds and walks of life. Poetry and literature are unifying influences: the marquises idolize the literary ladies, while the pastry-cook Ragueneau sells his wares in exchange for poems. In fact, poetry is so important in this culture that it is a matter of life and death: Ligniere's life is threatened because he wrote a satirical song about a nobleman. One of Rostand's themes in Cyrano de Bergerac is what he saw as the decline of French society and culture. This is already evident in the Bourgeois's disapproving comments on the low-life activities taking place among the theater audience, compared with the great tragedies that used to be performed there, such as those of the seventeenth-century French playwrights Jean Rotrou and Pierre Corneille. The nobility have become decadent and foolish, as is shown in the petty snobberies of the Marquises, who disdain Christian because he is not dressed in the latest fashion, and fawn upon de Guiche because he is successful. Against such foolish and inconsequential characters is set the play's hero, Cyrano. Though Cyrano is spoken of at length, he is not seen until the end of scene 3. He is described by his friends as an excellent poet, swordsman, philosopher, and musician: in short, the epitome of the seventeenth-century cavalier ideal of the courtier-soldier-poet. Cyrano's reputation precedes him. A section of the audience waits with bated breath to see whether he will appear at the play, as Montfleury is playing the lead and Cyrano has forbidden him the stage. If Montfleury appears, the audience knows there will be trouble. He is spoken of as an extraordinary, larger-than-life character, and thus suspense builds around him. In fact, there are three layers of suspense in this part of the play: the play audience's expectation of the actor Montfleury appearing in the play, La Clorise; Cyrano's friends' expectation of Cyrano, whose arrival promises far more momentous entertainment than Montfleury; and finally, the expectation of the reader of the play Cyrano de Bergerac as they await the appearance of this extraordinary character Cyrano. As well as his exceptional abilities, Cyrano's great flaw, his enormous nose, is mentioned. Ragueneau's comment that Cyrano will fight anyone who remarks on it both conveys Cyrano's sensitivity over this trait and foreshadows the conflicts that are sure to spring up around the subject. The fact that Cyrano's friends only mention his nose after they have listed his other great qualities puts his flaw into perspective. To them, it seems relatively unimportant, or just another way in which Cyrano is extraordinary, but Cyrano does not share their view. His insecurity over his nose rules his life. Christian is a foil to Cyrano and his opposite. While Cyrano is extraordinary on the inside but physically unattractive on the outside, Christian is a very ordinary young man blessed with unusual good looks. Christian's love for Roxane sets up the main conflict that drives the plot. The glance they exchange in the theater establishes the immediate physical attraction between them, but Christian's concern over Ligniere's description of her as an intellectual shows his weak point. Unlike the brilliant Cyrano, Christian is dull of mind. While Cyrano represents inward beauty, Christian represents outward beauty

novelguide

all_chapterized_books/1254-chapters/5.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_2_part_1.txt

Cyrano de Bergerac.act 1.scene 4

act 1, scene 4

{"name": "act 1, scene 4", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes4-7", "summary": "Cyrano threatens Montfleury with his sword. Various people in the audience defend Montfleury. Cyrano challenges them all to a duel, but no one dares come forward. He gives Montfleury until the count of three to leave the stage, and Montfleury vanishes. A young man asks Cyrano why he hates Montfleury. Cyrano answers that Montfleury is a dreadful actor, and that the play is worthless. The theater manager, Bellerose, protests that he will have to give the entire audience their money back. Cyrano throws a bag of money onto the stage. Bellerose, stunned by the large amount of money in the bag, tells Cyrano that on these terms, he can stop the performance any day he likes. Bellerose asks the audience to leave, but they are spellbound by the scene that is unfolding between Cyrano and a character called \"Busybody. The Busybody warns Cyrano that Montfleury enjoys the patronage of the powerful Duc de Candale. Cyrano dismisses his warning on the grounds that he too has a powerful proctectress, his sword. Cyrano asks the Busybody why he is staring at his nose. The Busybody denies that he has even noticed it, claiming that it is tiny. Cyrano feels insulted, and launches into an eloquent speech in praise of his \"great proboscis. De Guiche and Valvert remark that Cyrano is tiresome. Valvert approaches Cyrano and remarks that his nose is \"very big. Cyrano is scornful of his lack of inventiveness, and offers a long list of extravagant insults that Valvert could have delivered against his nose. Cyrano continues to mock Valvert. He says he will fight him with his sword, all the while reciting a poem that he will compose as he fights. On the final line, Cyrano will thrust at Valvert. The audience crowds around Cyrano. As Cyrano begins to compose his poem aloud, he and Valvert start to fence. When Cyrano reaches the final line, he thrusts. Valvert falls and his friends carry him away. An ecstatic crowd cheers Cyrano. Eventually, the crowd disperses. Le Bret asks Cyrano why he is not going to dine, and Cyrano says that he has no money; he threw all he had to Bellerose in compensation for the abandoned performance. An orange-girl cannot bear to see Cyrano go hungry, and tries to give him some food. But the proud Cyrano will only accept a grape, half a macaroon, and a glass of water", "analysis": ""}

The same. Cyrano, then Bellerose, Jodelet. MONTFLEURY (to the marquises): Come to my help, my lords! A MARQUIS (carelessly): Go on! Go on! CYRANO: Fat man, take warning! If you go on, I Shall feel myself constrained to cuff your face! THE MARQUIS: Have done! CYRANO: And if these lords hold not their tongue Shall feel constrained to make them taste my cane! ALL THE MARQUISES (rising): Enough!. . .Montfleury. . . CYRANO: If he goes not quick I will cut off his ears and slit him up! A VOICE: But. . . CYRANO: Out he goes! ANOTHER VOICE: Yet. . . CYRANO: Is he not gone yet? (He makes the gesture of turning up his cuffs): Good! I shall mount the stage now, buffet-wise, To carve this fine Italian sausage--thus! MONTFLEURY (trying to be dignified): You outrage Thalia in insulting me! CYRANO (very politely): If that Muse, Sir, who knows you not at all, Could claim acquaintance with you--oh, believe (Seeing how urn-like, fat, and slow you are) That she would make you taste her buskin's sole! THE PIT: Montfleury! Montfleury! Come--Baro's play! CYRANO (to those who are calling out): I pray you have a care! If you go on My scabbard soon will render up its blade! (The circle round him widens.) THE CROWD (drawing back): Take care! CYRANO (to Montfleury): Leave the stage! THE CROWD (coming near and grumbling): Oh!-- CYRANO: Did some one speak? (They draw back again.) A VOICE (singing at the back): Monsieur de Cyrano Displays his tyrannies: A fig for tyrants! What, ho! Come! Play us 'La Clorise!' ALL THE PIT (singing): 'La Clorise!' 'La Clorise!'. . . CYRANO: Let me but hear once more that foolish rhyme, I slaughter every man of you. A BURGHER: Oh! Samson? CYRANO: Yes Samson! Will you lend your jawbone, Sir? A LADY (in the boxes): Outrageous! A LORD: Scandalous! A BURGHER: 'Tis most annoying! A PAGE: Fair good sport! THE PIT: Kss!--Montfleury. . .Cyrano! CYRANO: Silence! THE PIT (wildly excited): Ho-o-o-o-h! Quack! Cock-a-doodle-doo! CYRANO: I order-- A PAGE: Miow! CYRANO: I order silence, all! And challenge the whole pit collectively!-- I write your names!--Approach, young heroes, here! Each in his turn! I cry the numbers out!-- Now which of you will come to ope the lists? You, Sir? No! You? No! The first duellist Shall be dispatched by me with honors due! Let all who long for death hold up their hands! (A silence): Modest? You fear to see my naked blade? Not one name?--Not one hand?--Good, I proceed! (Turning toward the stage, where Montfleury waits in an agony): The theater's too full, congested,--I Would clear it out. . .If not. . . (Puts his hand on his sword): The knife must act! MONTFLEURY: I. . . CYRANO (leaves his chair, and settles himself in the middle of the circle which has formed): I will clap my hands thrice, thus--full moon! At the third clap, eclipse yourself! THE PIT (amused): Ah! CYRANO (clapping his hands): One! MONTFLEURY: I. . . A VOICE (in the boxes): Stay! THE PIT: He stays. . .he goes. . .he stays. . . MONTFLEURY: I think. . .Gentlemen,. . . CYRANO: Two! MONTFLEURY: I think 'twere wisest. . . CYRANO: Three! (Montfleury disappears as through a trap. Tempest of laughs, whistling cries, etc.) THE WHOLE HOUSE: Coward. . .come back! CYRANO (delighted, sits back in his chair, arms crossed): Come back an if you dare! A BURGHER: Call for the orator! (Bellerose comes forward and bows.) THE BOXES: Ah! here's Bellerose! BELLEROSE (elegantly): My noble lords. . . THE PIT: No! no! Jodelet! JODELET (advancing, speaking through his nose): Calves! THE PIT: Ah! bravo! good! go on! JODELET: No bravos, Sirs! The fat tragedian whom you all love Felt. . . THE PIT: Coward! JODELET: . . .was obliged to go. THE PIT: Come back! SOME: No! OTHERS: Yes! A YOUNG MAN (to Cyrano): But pray, Sir, for what reason, say, Hate you Montfleury? CYRANO (graciously, still seated): Youthful gander, know I have two reasons--either will suffice. Primo. An actor villainous! who mouths, And heaves up like a bucket from a well The verses that should, bird-like, fly! Secundo-- That is my secret. . . THE OLD BURGHER (behind him): Shameful! You deprive us Of the 'Clorise!' I must insist. . . CYRANO (turning his chair toward the burgher, respectfully): Old mule! The verses of old Baro are not worth A doit! I'm glad to interrupt. . . THE PRECIEUSES (in the boxes): Our Baro!-- My dear! How dares he venture!. . . CYRANO (turning his chair toward the boxes gallantly): Fairest ones, Radiate, bloom, hold to our lips the cup Of dreams intoxicating, Hebe-like! Or, when death strikes, charm death with your sweet smiles; Inspire our verse, but--criticise it not! BELLEROSE: We must give back the entrance fees! CYRANO (turning his chair toward the stage): Bellerose, You make the first intelligent remark! Would I rend Thespis' sacred mantle? Nay! (He rises and throws a bag on the stage): Catch then the purse I throw, and hold your peace! THE HOUSE (dazzled): Ah! Oh! JODELET (catching the purse dexterously and weighing it): At this price, you've authority To come each night, and stop 'Clorise,' Sir! THE PIT: Ho!. . .Ho! Ho!. . . JODELET: E'en if you chase us in a pack!. . . BELLEROSE: Clear out the hall!. . . JODELET: Get you all gone at once! (The people begin to go out, while Cyrano looks on with satisfaction. But the crowd soon stop on hearing the following scene, and remain where they are. The women, who, with their mantles on, are already standing up in the boxes, stop to listen, and finally reseat themselves.) LE BRET (to Cyrano): 'Tis mad!. . . A BORE (coming up to Cyrano): The actor Montfleury! 'Tis shameful! Why, he's protected by the Duke of Candal! Have you a patron? CYRANO: No! THE BORE: No patron?. . . CYRANO: None! THE BORE: What! no great lord to shield you with his name? CYRANO (irritated): No, I have told you twice! Must I repeat? No! no protector. . . (His hand on his sword): A protectress. . .here! THE BORE: But you must leave the town? CYRANO: Well, that depends! THE BORE: The Duke has a long arm! CYRANO: But not so long As mine, when it is lengthened out. . . (Shows his sword): As thus! THE BORE: You think not to contend? CYRANO: 'Tis my idea! THE BORE: But. . . CYRANO: Show your heels! now! THE BORE: But I. . . CYRANO: Or tell me why you stare so at my nose! THE BORE (staggered): I. . . CYRANO (walking straight up to him): Well, what is there strange? THE BORE (drawing back): Your Grace mistakes! CYRANO: How now? Is't soft and dangling, like a trunk?. . . THE BORE (same play): I never. . . CYRANO: Is it crook'd, like an owl's beak? THE BORE: I. . . CYRANO: Do you see a wart upon the tip? THE BORE: Nay. . . CYRANO: Or a fly, that takes the air there? What Is there to stare at? THE BORE: Oh. . . CYRANO: What do you see? THE BORE: But I was careful not to look--knew better. CYRANO: And why not look at it, an if you please? THE BORE: I was. . . CYRANO: Oh! it disgusts you! THE BORE: Sir! CYRANO: Its hue Unwholesome seems to you? THE BORE: Sir! CYRANO: Or its shape? THE BORE: No, on the contrary!. . . CYRANO: Why then that air Disparaging?--perchance you think it large? THE BORE (stammering): No, small, quite small--minute! CYRANO: Minute! What now? Accuse me of a thing ridiculous! Small--my nose? THE BORE: Heaven help me! CYRANO: 'Tis enormous! Old Flathead, empty-headed meddler, know That I am proud possessing such appendice. 'Tis well known, a big nose is indicative Of a soul affable, and kind, and courteous, Liberal, brave, just like myself, and such As you can never dare to dream yourself, Rascal contemptible! For that witless face That my hand soon will come to cuff--is all As empty. . . (He cuffs him.) THE BORE: Aie! CYRANO: --of pride, of aspiration, Of feeling, poetry--of godlike spark Of all that appertains to my big nose, (He turns him by the shoulders, suiting the action to the word): As. . .what my boot will shortly come and kick! THE BORE (running away): Help! Call the Guard! CYRANO: Take notice, boobies all, Who find my visage's center ornament A thing to jest at--that it is my wont-- An if the jester's noble--ere we part To let him taste my steel, and not my boot! DE GUICHE (who, with the marquises, has come down from the stage): But he becomes a nuisance! THE VISCOUNT DE VALVERT (shrugging his shoulders): Swaggerer! DE GUICHE: Will no one put him down?. . . THE VISCOUNT: No one? But wait! I'll treat him to. . .one of my quips!. . .See here!. . . (He goes up to Cyrano, who is watching him, and with a conceited air): Sir, your nose is. . .hmm. . .it is. . .very big! CYRANO (gravely): Very! THE VISCOUNT (laughing): Ha! CYRANO (imperturbably): Is that all?. . . THE VISCOUNT: What do you mean? CYRANO: Ah no! young blade! That was a trifle short! You might have said at least a hundred things By varying the tone. . .like this, suppose,. . . Aggressive: 'Sir, if I had such a nose I'd amputate it!' Friendly: 'When you sup It must annoy you, dipping in your cup; You need a drinking-bowl of special shape!' Descriptive: ''Tis a rock!. . .a peak!. . .a cape! --A cape, forsooth! 'Tis a peninsular!' Curious: 'How serves that oblong capsular? For scissor-sheath? Or pot to hold your ink?' Gracious: 'You love the little birds, I think? I see you've managed with a fond research To find their tiny claws a roomy perch!' Truculent: 'When you smoke your pipe. . .suppose That the tobacco-smoke spouts from your nose-- Do not the neighbors, as the fumes rise higher, Cry terror-struck: "The chimney is afire"?' Considerate: 'Take care,. . .your head bowed low By such a weight. . .lest head o'er heels you go!' Tender: 'Pray get a small umbrella made, Lest its bright color in the sun should fade!' Pedantic: 'That beast Aristophanes Names Hippocamelelephantoles Must have possessed just such a solid lump Of flesh and bone, beneath his forehead's bump!' Cavalier: 'The last fashion, friend, that hook? To hang your hat on? 'Tis a useful crook!' Emphatic: 'No wind, O majestic nose, Can give THEE cold!--save when the mistral blows!' Dramatic: 'When it bleeds, what a Red Sea!' Admiring: 'Sign for a perfumery!' Lyric: 'Is this a conch?. . .a Triton you?' Simple: 'When is the monument on view?' Rustic: 'That thing a nose? Marry-come-up! 'Tis a dwarf pumpkin, or a prize turnip!' Military: 'Point against cavalry!' Practical: 'Put it in a lottery! Assuredly 'twould be the biggest prize!' Or. . .parodying Pyramus' sighs. . . 'Behold the nose that mars the harmony Of its master's phiz! blushing its treachery!' --Such, my dear sir, is what you might have said, Had you of wit or letters the least jot: But, O most lamentable man!--of wit You never had an atom, and of letters You have three letters only!--they spell Ass! And--had you had the necessary wit, To serve me all the pleasantries I quote Before this noble audience. . .e'en so, You would not have been let to utter one-- Nay, not the half or quarter of such jest! I take them from myself all in good part, But not from any other man that breathes! DE GUICHE (trying to draw away the dismayed viscount): Come away, Viscount! THE VISCOUNT (choking with rage): Hear his arrogance! A country lout who. . .who. . .has got no gloves! Who goes out without sleeve-knots, ribbons, lace! CYRANO: True; all my elegances are within. I do not prank myself out, puppy-like; My toilet is more thorough, if less gay; I would not sally forth--a half-washed-out Affront upon my cheek--a conscience Yellow-eyed, bilious, from its sodden sleep, A ruffled honor,. . .scruples grimed and dull! I show no bravery of shining gems. Truth, Independence, are my fluttering plumes. 'Tis not my form I lace to make me slim, But brace my soul with efforts as with stays, Covered with exploits, not with ribbon-knots, My spirit bristling high like your mustaches, I, traversing the crowds and chattering groups Make Truth ring bravely out like clash of spurs! THE VISCOUNT: But, Sir. . . CYRANO: I wear no gloves? And what of that? I had one,. . .remnant of an old worn pair, And, knowing not what else to do with it, I threw it in the face of. . .some young fool. THE VISCOUNT: Base scoundrel! Rascally flat-footed lout! CYRANO (taking off his hat, and bowing as if the viscount had introduced himself): Ah?. . .and I, Cyrano Savinien Hercule de Bergerac (Laughter.) THE VISCOUNT (angrily): Buffoon! CYRANO (calling out as if he had been seized with the cramp): Aie! Aie! THE VISCOUNT (who was going away, turns back): What on earth is the fellow saying now? CYRANO (with grimaces of pain): It must be moved--it's getting stiff, I vow, --This comes of leaving it in idleness! Aie!. . . THE VISCOUNT: What ails you? CYRANO: The cramp! cramp in my sword! THE VISCOUNT (drawing his sword): Good! CYRANO: You shall feel a charming little stroke! THE VISCOUNT (contemptuously): Poet!. . . CYRANO: Ay, poet, Sir! In proof of which, While we fence, presto! all extempore I will compose a ballade. THE VISCOUNT: A ballade? CYRANO: Belike you know not what a ballade is. THE VISCOUNT: But. . . CYRANO (reciting, as if repeating a lesson): Know then that the ballade should contain Three eight-versed couplets. . . THE VISCOUNT (stamping): Oh! CYRANO (still reciting): And an envoi Of four lines. . . THE VISCOUNT: You. . . CYRANO: I'll make one while we fight; And touch you at the final line. THE VISCOUNT: No! CYRANO: No? (declaiming): The duel in Hotel of Burgundy--fought By De Bergerac and a good-for-naught! THE VISCOUNT: What may that be, an if you please? CYRANO: The title. THE HOUSE (in great excitement): Give room!--Good sport!--Make place!--Fair play!--No noise! (Tableau. A circle of curious spectators in the pit; the marquises and officers mingled with the common people; the pages climbing on each other's shoulders to see better. All the women standing up in the boxes. To the right, De Guiche and his retinue. Left, Le Bret, Ragueneau, Cyrano, etc.) CYRANO (shutting his eyes for a second): Wait while I choose my rhymes. . .I have them now! (He suits the action to each word): I gayly doff my beaver low, And, freeing hand and heel, My heavy mantle off I throw, And I draw my polished steel; Graceful as Phoebus, round I wheel, Alert as Scaramouch, A word in your ear, Sir Spark, I steal-- At the envoi's end, I touch! (They engage): Better for you had you lain low; Where skewer my cock? In the heel?-- In the heart, your ribbon blue below?-- In the hip, and make you kneel? Ho for the music of clashing steel! --What now?--A hit? Not much! 'Twill be in the paunch the stroke I steal, When, at the envoi, I touch. Oh, for a rhyme, a rhyme in o?-- You wriggle, starch-white, my eel? A rhyme! a rhyme! The white feather you SHOW! Tac! I parry the point of your steel; --The point you hoped to make me feel; I open the line, now clutch Your spit, Sir Scullion--slow your zeal! At the envoi's end, I touch. (He declaims solemnly): Envoi. Prince, pray Heaven for your soul's weal! I move a pace--lo, such! and such! Cut over--feint! (Thrusting): What ho! You reel? (The viscount staggers. Cyrano salutes): At the envoi's end, I touch! (Acclamations. Applause in the boxes. Flowers and handkerchiefs are thrown down. The officers surround Cyrano, congratulating him. Ragueneau dances for joy. Le Bret is happy, but anxious. The viscount's friends hold him up and bear him away.) THE CROWD (with one long shout): Ah! A TROOPER: 'Tis superb! A WOMAN: A pretty stroke! RAGUENEAU: A marvel! A MARQUIS: A novelty! LE BRET: O madman! THE CROWD (presses round Cyrano. Chorus of): Compliments! Bravo! Let me congratulate!. . .Quite unsurpassed!. . . A WOMAN'S VOICE: There is a hero for you!. . . A MUSKETEER (advancing to Cyrano with outstretched hand): Sir, permit; Naught could be finer--I'm a judge I think; I stamped, i' faith!--to show my admiration! (He goes away.) CYRANO (to Cuigy): Who is that gentleman? CUIGY: Why--D'Artagnan! LE BRET (to Cyrano, taking his arm): A word with you!. . . CYRANO: Wait; let the rabble go!. . . (To Bellerose): May I stay? BELLEROSE (respectfully): Without doubt! (Cries are heard outside.) JODELET (who has looked out): They hoot Montfleury! BELLEROSE (solemnly): Sic transit!. . . (To the porters): Sweep--close all, but leave the lights. We sup, but later on we must return, For a rehearsal of to-morrow's farce. (Jodelet and Bellerose go out, bowing low to Cyrano.) THE PORTER (to Cyrano): You do not dine, Sir? CYRANO: No. (The porter goes out.) LE BRET: Because? CYRANO (proudly): Because. . . (Changing his tone as the porter goes away): I have no money!. . . LE BRET (with the action of throwing a bag): How! The bag of crowns?. . . CYRANO: Paternal bounty, in a day, thou'rt sped! LE BRET: How live the next month?. . . CYRANO: I have nothing left. LE BRET: Folly! CYRANO: But what a graceful action! Think! THE BUFFET-GIRL (coughing, behind her counter): Hum! (Cyrano and Le Bret turn. She comes timidly forward): Sir, my heart mislikes to know you fast. (Showing the buffet): See, all you need. Serve yourself! CYRANO (taking off his hat): Gentle child, Although my Gascon pride would else forbid To take the least bestowal from your hands, My fear of wounding you outweighs that pride, And bids accept. . . (He goes to the buffet): A trifle!. . .These few grapes. (She offers him the whole bunch. He takes a few): Nay, but this bunch!. . . (She tries to give him wine, but he stops her): A glass of water fair!. . . And half a macaroon! (He gives back the other half.) LE BRET: What foolery! THE BUFFET-GIRL: Take something else! CYRANO: I take your hand to kiss. (He kisses her hand as though she were a princess.) THE BUFFET-GIRL: Thank you, kind Sir! (She courtesies): Good-night. (She goes out.)

act 1, scene 4

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes4-7

Cyrano threatens Montfleury with his sword. Various people in the audience defend Montfleury. Cyrano challenges them all to a duel, but no one dares come forward. He gives Montfleury until the count of three to leave the stage, and Montfleury vanishes. A young man asks Cyrano why he hates Montfleury. Cyrano answers that Montfleury is a dreadful actor, and that the play is worthless. The theater manager, Bellerose, protests that he will have to give the entire audience their money back. Cyrano throws a bag of money onto the stage. Bellerose, stunned by the large amount of money in the bag, tells Cyrano that on these terms, he can stop the performance any day he likes. Bellerose asks the audience to leave, but they are spellbound by the scene that is unfolding between Cyrano and a character called "Busybody. The Busybody warns Cyrano that Montfleury enjoys the patronage of the powerful Duc de Candale. Cyrano dismisses his warning on the grounds that he too has a powerful proctectress, his sword. Cyrano asks the Busybody why he is staring at his nose. The Busybody denies that he has even noticed it, claiming that it is tiny. Cyrano feels insulted, and launches into an eloquent speech in praise of his "great proboscis. De Guiche and Valvert remark that Cyrano is tiresome. Valvert approaches Cyrano and remarks that his nose is "very big. Cyrano is scornful of his lack of inventiveness, and offers a long list of extravagant insults that Valvert could have delivered against his nose. Cyrano continues to mock Valvert. He says he will fight him with his sword, all the while reciting a poem that he will compose as he fights. On the final line, Cyrano will thrust at Valvert. The audience crowds around Cyrano. As Cyrano begins to compose his poem aloud, he and Valvert start to fence. When Cyrano reaches the final line, he thrusts. Valvert falls and his friends carry him away. An ecstatic crowd cheers Cyrano. Eventually, the crowd disperses. Le Bret asks Cyrano why he is not going to dine, and Cyrano says that he has no money; he threw all he had to Bellerose in compensation for the abandoned performance. An orange-girl cannot bear to see Cyrano go hungry, and tries to give him some food. But the proud Cyrano will only accept a grape, half a macaroon, and a glass of water

novelguide

all_chapterized_books/1254-chapters/6.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_2_part_2.txt

Cyrano de Bergerac.act 1.scene 5

act 1, scene 5

{"name": "Act 1, scene 5", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes4-7", "summary": "Le Bret warns Cyrano that he is making enemies. He asks Cyrano to tell him the real reason he hates Montfleury. Cyrano says that he once caught Montfleury looking flirtatiously at the woman Cyrano loves. Cyrano is certain that no one could love a man with a nose like his. From Cyrano's description of the woman, Le Bret deduces that she is Roxane. Le Bret advises Cyrano to tell Roxane of his love, pointing out that even the orange-girl could not take her eyes off him. But Cyrano is convinced that he is so ugly that Roxane would only laugh at him. They are interrupted by the arrival of Roxanne's Duenna", "analysis": ""}

Cyrano, Le Bret. CYRANO (to Le Bret): Now talk--I listen. (He stands at the buffet, and placing before him first the macaroon): Dinner!. . . (then the grapes): Dessert!. . . (then the glass of water): Wine!. . . (he seats himself): So! And now to table! Ah! I was hungry, friend, nay, ravenous! (eating): You said--? LE BRET: These fops, would-be belligerent, Will, if you heed them only, turn your head!. . . Ask people of good sense if you would know The effect of your fine insolence-- CYRANO (finishing his macaroon): Enormous! LE BRET: The Cardinal. . . CYRANO (radiant): The Cardinal--was there? LE BRET: Must have thought it. . . CYRANO: Original, i' faith! LE BRET: But. . . CYRANO: He's an author. 'Twill not fail to please him That I should mar a brother-author's play. LE BRET: You make too many enemies by far! CYRANO (eating his grapes): How many think you I have made to-night? LE BRET: Forty, no less, not counting ladies. CYRANO: Count! LE BRET: Montfleury first, the bourgeois, then De Guiche, The Viscount, Baro, the Academy. . . CYRANO: Enough! I am o'erjoyed! LE BRET: But these strange ways, Where will they lead you, at the end? Explain Your system--come! CYRANO: I in a labyrinth Was lost--too many different paths to choose; I took. . . LE BRET: Which? CYRANO: Oh! by far the simplest path. . . Decided to be admirable in all! LE BRET (shrugging his shoulders): So be it! But the motive of your hate To Montfleury--come, tell me! CYRANO (rising): This Silenus, Big-bellied, coarse, still deems himself a peril-- A danger to the love of lovely ladies, And, while he sputters out his actor's part, Makes sheep's eyes at their boxes--goggling frog! I hate him since the evening he presumed To raise his eyes to hers. . .Meseemed I saw A slug crawl slavering o'er a flower's petals! LE BRET (stupefied): How now? What? Can it be. . .? CYRANO (laughing bitterly): That I should love?. . . (Changing his tone, gravely): I love. LE BRET: And may I know?. . .You never said. . . CYRANO: Come now, bethink you!. . .The fond hope to be Beloved, e'en by some poor graceless lady, Is, by this nose of mine for aye bereft me; --This lengthy nose which, go where'er I will, Pokes yet a quarter-mile ahead of me; But I may love--and who? 'Tis Fate's decree I love the fairest--how were't otherwise? LE BRET: The fairest?. . . CYRANO: Ay, the fairest of the world, Most brilliant--most refined--most golden-haired! LE BRET: Who is this lady? CYRANO: She's a danger mortal, All unsuspicious--full of charms unconscious, Like a sweet perfumed rose--a snare of nature, Within whose petals Cupid lurks in ambush! He who has seen her smile has known perfection, --Instilling into trifles grace's essence, Divinity in every careless gesture; Not Venus' self can mount her conch blown sea-ward, As she can step into her chaise a porteurs, Nor Dian fleet across the woods spring-flowered, Light as my Lady o'er the stones of Paris!. . . LE BRET: Sapristi! all is clear! CYRANO: As spiderwebs! LE BRET: Your cousin, Madeleine Robin? CYRANO: Roxane! LE BRET: Well, but so much the better! Tell her so! She saw your triumph here this very night! CYRANO: Look well at me--then tell me, with what hope This vile protuberance can inspire my heart! I do not lull me with illusions--yet At times I'm weak: in evening hours dim I enter some fair pleasance, perfumed sweet; With my poor ugly devil of a nose I scent spring's essence--in the silver rays I see some knight--a lady on his arm, And think 'To saunter thus 'neath the moonshine, I were fain to have my lady, too, beside!' Thought soars to ecstasy. . .O sudden fall! --The shadow of my profile on the wall! LE BRET (tenderly): My friend!. . . CYRANO: My friend, at times 'tis hard, 'tis bitter, To feel my loneliness--my own ill-favor. . . LE BRET (taking his hand): You weep? CYRANO: No, never! Think, how vilely suited Adown this nose a tear its passage tracing! I never will, while of myself I'm master, let the divinity of tears--their beauty Be wedded to such common ugly grossness. Nothing more solemn than a tear--sublimer; And I would not by weeping turn to laughter The grave emotion that a tear engenders! LE BRET: Never be sad! What's love?--a chance of Fortune! CYRANO (shaking his head): Look I a Caesar to woo Cleopatra? A Tito to aspire to Berenice? LE BRET: Your courage and your wit!--The little maid Who offered you refreshment even now, Her eyes did not abhor you--you saw well! CYRANO (impressed): True! LE BRET: Well, how then?. . .I saw Roxane herself Was death-pale as she watched the duel. CYRANO: Pale? LE BRET: Her heart, her fancy, are already caught! Put it to th' touch! CYRANO: That she may mock my face? That is the one thing on this earth I fear! THE PORTER (introducing some one to Cyrano): Sir, some one asks for you. . . CYRANO (seeing the duenna): God! her duenna!

Act 1, scene 5

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes4-7

Le Bret warns Cyrano that he is making enemies. He asks Cyrano to tell him the real reason he hates Montfleury. Cyrano says that he once caught Montfleury looking flirtatiously at the woman Cyrano loves. Cyrano is certain that no one could love a man with a nose like his. From Cyrano's description of the woman, Le Bret deduces that she is Roxane. Le Bret advises Cyrano to tell Roxane of his love, pointing out that even the orange-girl could not take her eyes off him. But Cyrano is convinced that he is so ugly that Roxane would only laugh at him. They are interrupted by the arrival of Roxanne's Duenna

novelguide

all_chapterized_books/1254-chapters/7.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_2_part_3.txt

Cyrano de Bergerac.act 1.scene 6

act 1, scene 6

{"name": "Act 1, scene 6", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes4-7", "summary": "Roxane's Duenna brings a message from Roxane asking Cyrano to meet her privately. They arrange a meeting at Ragueneau's at seven o'clock the next morning", "analysis": ""}

Cyrano, Le Bret, the duenna. THE DUENNA (with a low bow): I was bid ask you where a certain lady Could see her valiant cousin--but in secret. CYRANO (overwhelmed): See me? THE DUENNA (courtesying): Ay, Sir! She has somewhat to tell. CYRANO: Somewhat?. . . THE DUENNA (still courtesying): Ay, private matters! CYRANO (staggering): Ah, my God! THE DUENNA: To-morrow, at the early blush of dawn, We go to hear mass at St. Roch. CYRANO (leaning against Le Bret): My God! THE DUENNA: After--what place for a few minutes' speech? CYRANO (confused): Where? Ah!. . .but. . .Ah, my God!. . . THE DUENNA: Say! CYRANO: I reflect!. . . THE DUENNA: Where? CYRANO: At--the pastry-house of Ragueneau. THE DUENNA: Where lodges he? CYRANO: The Rue--God!--St. Honore! THE DUENNA (going): Good. Be you there. At seven. CYRANO: Without fail. (The duenna goes out.)

Act 1, scene 6

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes4-7

Roxane's Duenna brings a message from Roxane asking Cyrano to meet her privately. They arrange a meeting at Ragueneau's at seven o'clock the next morning

novelguide

all_chapterized_books/1254-chapters/8.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_2_part_4.txt

Cyrano de Bergerac.act 1.scene 7

act 1, scene 7

{"name": "Act 1, scene 7", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes4-7", "summary": "Cyrano is ecstatically happy that Roxane wants to meet him. Ligniere arrives. He has heard about the hundred men waiting to ambush him and asks Cyrano whether, since he cannot go home, he can stay with him. Cyrano tells Ligniere that he can sleep at his own home tonight; he will fight the hundred men and see Ligniere safely home. Le Bret asks Cyrano why he is risking his life for a drunk like Ligniere. Cyrano replies that he once saw Le Bret drink a font full of holy water, a drink he hates, after a girl he loved took some of the same holy water. Cyrano leaves for the Porte de Nesle to fight Ligniere's enemies, followed by an adoring procession of actors, women, and musicians. Asked by one of the actresses why anyone would send a hundred men against one poet, Cyrano replies that they know Ligniere is a friend of his.", "analysis": ". Cyrano disrupts a performance of a play because the actor is untalented and the play undistinguished, paying his entire monthly allowance to the theater manager in compensation for the lost revenue and facing starvation as a result. This grand gesture encapsulates Cyrano's heroic stature and is Rostand's way of asserting that art and literature were held in great respect during the seventeenth century. Cyrano has, in effect, sacrificed his survival to the cause of art. Cyrano's virtuoso performance in composing a poem as he fights Valvert confirms his extraordinary combination of talents, those of the soldier and the poet. His self-mocking speech about his nose simultaneously mocks Valvert's lack of invention and wit, as Cyrano effortlessly compiles an extravagant roster of insults that Valvert could have come up with, but did not. Valvert appears two-dimensional and colorless in comparison to Cyrano. The fight between the two men is only partly physical: Cyrano's also shows his ascendancy over Valvert through his superior ability to compose poetry. Cyrano's poem becomes a second weapon and a measure of his heroism and prowess. The incident is another way in which Rostand emphasizes the importance of literature in the age in which the play is set. There is dramatic irony in the fight between Cyrano and Valvert, as neither man is aware that the other is a rival for the love of Roxane; they believe that the fight is about Cyrano's behavior in the theater. Cyrano's effortless defeat of Valvert in both physical and intellectual terms leave no doubt as to who is most deserving of Roxane's love. Cyrano's admission that it is Roxane that he loves complicates the plot, as it is already established that Christian is in love with her. Only one of them can win Roxane. The question is posed as to whether it will be the outwardly beautiful Christian or the inwardly beautiful Cyrano. The answer is not straightforward, as both men are compromised: Christian by his lack of wit and intelligence, and Cyrano by his unattractive appearance. Certain elements in these scenes suggest that Cyrano's problem is primarily one of self-image, rather than how others see him. Le Bret points out that the orange-girl found Cyrano fascinating, and that Roxane turned pale when she saw him in danger at the theater. Le Bret believes that Cyrano has a chance of winning Roxane, and encourages him to speak out about his feelings for her. The Duenna's request from Roxane for a private meeting with Cyrano gives a glimmer of hope that Le Bret's confidence in Cyrano's ability to attract Roxane is justified, though it is left until Act 2 to resolve this point"}

Cyrano, Le Bret. Then actors, actresses, Cuigy, Brissaille, Ligniere, the porter, the violinists. CYRANO (falling into Le Bret's arms): A rendezvous. . .from her!. . . LE BRET: You're sad no more! CYRANO: Ah! Let the world go burn! She knows I live! LE BRET: Now you'll be calm, I hope? CYRANO (beside himself for joy): Calm? I now calm? I'll be frenetic, frantic,--raving mad! Oh, for an army to attack!--a host! I've ten hearts in my breast; a score of arms; No dwarfs to cleave in twain!. . . (Wildly): No! Giants now! (For a few moments the shadows of the actors have been moving on the stage, whispers are heard--the rehearsal is beginning. The violinists are in their places.) A VOICE FROM THE STAGE: Hollo there! Silence! We rehearse! CYRANO (laughing): We go! (He moves away. By the big door enter Cuigy, Brissaille, and some officers, holding up Ligniere, who is drunk.) CUIGY: Cyrano! CYRANO: Well, what now? CUIGY: A lusty thrush They're bringing you! CYRANO (recognizing him): Ligniere!. . .What has chanced? CUIGY: He seeks you! BRISSAILLE: He dare not go home! CYRANO: Why not? LIGNIERE (in a husky voice, showing him a crumpled letter): This letter warns me. . .that a hundred men. . . Revenge that threatens me. . .that song, you know-- At the Porte de Nesle. To get to my own house I must pass there. . .I dare not!. . .Give me leave To sleep to-night beneath your roof! Allow. . . CYRANO: A hundred men? You'll sleep in your own bed! LIGNIERE (frightened): But-- CYRANO (in a terrible voice, showing him the lighted lantern held by the porter, who is listening curiously): Take the lantern. (Ligniere seizes it): Let us start! I swear That I will make your bed to-night myself! (To the officers): Follow; some stay behind, as witnesses! CUIGY: A hundred!. . . CYRANO: Less, to-night--would be too few! (The actors and actresses, in their costumes, have come down from the stage, and are listening.) LE BRET: But why embroil yourself? CYRANO: Le Bret who scolds! LE BRET: That worthless drunkard!-- CYRANO (slapping Ligniere on the shoulder): Wherefore? For this cause;-- This wine-barrel, this cask of Burgundy, Did, on a day, an action full of grace; As he was leaving church, he saw his love Take holy water--he, who is affeared At water's taste, ran quickly to the stoup, And drank it all, to the last drop!. . . AN ACTRESS: Indeed, that was a graceful thing! CYRANO: Ay, was it not? THE ACTRESS (to the others): But why a hundred men 'gainst one poor rhymer? CYRANO: March! (To the officers): Gentlemen, when you shall see me charge, Bear me no succor, none, whate'er the odds! ANOTHER ACTRESS (jumping from the stage): Oh! I shall come and see! CYRANO: Come, then! ANOTHER (jumping down--to an old actor): And you?. . . CYRANO: Come all--the Doctor, Isabel, Leander, Come, for you shall add, in a motley swarm, The farce Italian to this Spanish drama! ALL THE WOMEN (dancing for joy): Bravo!--a mantle, quick!--my hood! JODELET: Come on! CYRANO: Play us a march, gentlemen of the band! (The violinists join the procession, which is forming. They take the footlights, and divide them for torches): Brave officers! next, women in costume, And, twenty paces on-- (He takes his place): I all alone, Beneath the plume that Glory lends, herself, To deck my beaver--proud as Scipio!. . . --You hear me?--I forbid you succor me!-- One, two three! Porter, open wide the doors! (The porter opens the doors; a view of old Paris in the moonlight is seen): Ah!. . .Paris wrapped in night! half nebulous: The moonlight streams o'er the blue-shadowed roofs; A lovely frame for this wild battle-scene; Beneath the vapor's floating scarves, the Seine Trembles, mysterious, like a magic mirror, And, shortly, you shall see what you shall see! ALL: To the Porte de Nesle! CYRANO (standing on the threshold): Ay, to the Porte de Nesle! (Turning to the actress): Did you not ask, young lady, for what cause Against this rhymer fivescore men were sent? (He draws his sword; then, calmly): 'Twas that they knew him for a friend of mine! (He goes out. Ligniere staggers first after him, then the actresses on the officers' arms--the actors. The procession starts to the sound of the violins and in the faint light of the candles.) Curtain.

Act 1, scene 7

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes4-7

Cyrano is ecstatically happy that Roxane wants to meet him. Ligniere arrives. He has heard about the hundred men waiting to ambush him and asks Cyrano whether, since he cannot go home, he can stay with him. Cyrano tells Ligniere that he can sleep at his own home tonight; he will fight the hundred men and see Ligniere safely home. Le Bret asks Cyrano why he is risking his life for a drunk like Ligniere. Cyrano replies that he once saw Le Bret drink a font full of holy water, a drink he hates, after a girl he loved took some of the same holy water. Cyrano leaves for the Porte de Nesle to fight Ligniere's enemies, followed by an adoring procession of actors, women, and musicians. Asked by one of the actresses why anyone would send a hundred men against one poet, Cyrano replies that they know Ligniere is a friend of his.

. Cyrano disrupts a performance of a play because the actor is untalented and the play undistinguished, paying his entire monthly allowance to the theater manager in compensation for the lost revenue and facing starvation as a result. This grand gesture encapsulates Cyrano's heroic stature and is Rostand's way of asserting that art and literature were held in great respect during the seventeenth century. Cyrano has, in effect, sacrificed his survival to the cause of art. Cyrano's virtuoso performance in composing a poem as he fights Valvert confirms his extraordinary combination of talents, those of the soldier and the poet. His self-mocking speech about his nose simultaneously mocks Valvert's lack of invention and wit, as Cyrano effortlessly compiles an extravagant roster of insults that Valvert could have come up with, but did not. Valvert appears two-dimensional and colorless in comparison to Cyrano. The fight between the two men is only partly physical: Cyrano's also shows his ascendancy over Valvert through his superior ability to compose poetry. Cyrano's poem becomes a second weapon and a measure of his heroism and prowess. The incident is another way in which Rostand emphasizes the importance of literature in the age in which the play is set. There is dramatic irony in the fight between Cyrano and Valvert, as neither man is aware that the other is a rival for the love of Roxane; they believe that the fight is about Cyrano's behavior in the theater. Cyrano's effortless defeat of Valvert in both physical and intellectual terms leave no doubt as to who is most deserving of Roxane's love. Cyrano's admission that it is Roxane that he loves complicates the plot, as it is already established that Christian is in love with her. Only one of them can win Roxane. The question is posed as to whether it will be the outwardly beautiful Christian or the inwardly beautiful Cyrano. The answer is not straightforward, as both men are compromised: Christian by his lack of wit and intelligence, and Cyrano by his unattractive appearance. Certain elements in these scenes suggest that Cyrano's problem is primarily one of self-image, rather than how others see him. Le Bret points out that the orange-girl found Cyrano fascinating, and that Roxane turned pale when she saw him in danger at the theater. Le Bret believes that Cyrano has a chance of winning Roxane, and encourages him to speak out about his feelings for her. The Duenna's request from Roxane for a private meeting with Cyrano gives a glimmer of hope that Le Bret's confidence in Cyrano's ability to attract Roxane is justified, though it is left until Act 2 to resolve this point

novelguide

all_chapterized_books/1254-chapters/10.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_3_part_1.txt

Cyrano de Bergerac.act 2.scene 1

act 2, scene 1

{"name": "act 2, scene 1", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10", "summary": "At Ragueneau's shop, Ragueneau is sitting at a table writing poetry while his assistants are cooking. One assistant has made a pastry lyre , which delights Ragueneau. Ragueneau's wife Lise comes in, furious that he has been giving away his wares to poets in return for poems. She brings some paper bags that she has made out of the paper on which the poems are written. Ragueneau is upset that she should abuse poetry like this", "analysis": ""}

Ragueneau, pastry-cooks, then Lise. Ragueneau is writing, with an inspired air, at a small table, and counting on his fingers. FIRST PASTRY-COOK (bringing in an elaborate fancy dish): Fruits in nougat! SECOND PASTRY-COOK (bringing another dish): Custard! THIRD PASTRY-COOK (bringing a roast, decorated with feathers): Peacock! FOURTH PASTRY-COOK (bringing a batch of cakes on a slab): Rissoles! FIFTH PASTRY-COOK (bringing a sort of pie-dish): Beef jelly! RAGUENEAU (ceasing to write, and raising his head): Aurora's silver rays begin to glint e'en now on the copper pans, and thou, O Ragueneau! must perforce stifle in thy breast the God of Song! Anon shall come the hour of the lute!--now 'tis the hour of the oven! (He rises. To a cook): You, make that sauce longer, 'tis too short! THE COOK: How much too short? RAGUENEAU: Three feet. (He passes on farther.) THE COOK: What means he? FIRST PASTRY-COOK (showing a dish to Ragueneau): The tart! SECOND PASTRY-COOK: The pie! RAGUENEAU (before the fire): My muse, retire, lest thy bright eyes be reddened by the fagot's blaze! (To a cook, showing him some loaves): You have put the cleft o' th' loaves in the wrong place; know you not that the coesura should be between the hemistiches? (To another, showing him an unfinished pasty): To this palace of paste you must add the roof. . . (To a young apprentice, who, seated on the ground, is spitting the fowls): And you, as you put on your lengthy spit the modest fowl and the superb turkey, my son, alternate them, as the old Malherbe loved well to alternate his long lines of verse with the short ones; thus shall your roasts, in strophes, turn before the flame! ANOTHER APPRENTICE (also coming up with a tray covered by a napkin): Master, I bethought me erewhile of your tastes, and made this, which will please you, I hope. (He uncovers the tray, and shows a large lyre made of pastry.) RAGUENEAU (enchanted): A lyre! THE APPRENTICE: 'Tis of brioche pastry. RAGUENEAU (touched): With conserved fruits. THE APPRENTICE: The strings, see, are of sugar. RAGUENEAU (giving him a coin): Go, drink my health! (Seeing Lise enter): Hush! My wife. Bustle, pass on, and hide that money! (To Lise, showing her the lyre, with a conscious look): Is it not beautiful? LISE: 'Tis passing silly! (She puts a pile of papers on the counter.) RAGUENEAU: Bags? Good. I thank you. (He looks at them): Heavens! my cherished leaves! The poems of my friends! Torn, dismembered, to make bags for holding biscuits and cakes!. . .Ah, 'tis the old tale again. . .Orpheus and the Bacchantes! LISE (dryly): And am I not free to turn at last to some use the sole thing that your wretched scribblers of halting lines leave behind them by way of payment? RAGUENEAU: Groveling ant!. . .Insult not the divine grasshoppers, the sweet singers! LISE: Before you were the sworn comrade of all that crew, my friend, you did not call your wife ant and Bacchante! RAGUENEAU: To turn fair verse to such a use! LISE: 'Faith, 'tis all it's good for. RAGUENEAU: Pray then, madam, to what use would you degrade prose?

act 2, scene 1

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10

At Ragueneau's shop, Ragueneau is sitting at a table writing poetry while his assistants are cooking. One assistant has made a pastry lyre , which delights Ragueneau. Ragueneau's wife Lise comes in, furious that he has been giving away his wares to poets in return for poems. She brings some paper bags that she has made out of the paper on which the poems are written. Ragueneau is upset that she should abuse poetry like this

novelguide

all_chapterized_books/1254-chapters/11.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_3_part_2.txt

Cyrano de Bergerac.act 2.scene 2

act 2, scene 2

{"name": "Act 2, scene 2", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10", "summary": "Some children come into the shop to buy three pies. Ragueneau cannot bear to lose the poems by using them as wrapping and bribes the children with three free pies to accept them unwrapped", "analysis": ""}

The same. Two children, who have just trotted into the shop. RAGUENEAU: What would you, little ones? FIRST CHILD: Three pies. RAGUENEAU (serving them): See, hot and well browned. SECOND CHILD: If it please you, Sir, will you wrap them up for us? RAGUENEAU (aside, distressed): Alas! one of my bags! (To the children): What? Must I wrap them up? (He takes a bag, and just as he is about to put in the pies, he reads): 'Ulysses thus, on leaving fair Penelope. . .' Not that one! (He puts it aside, and takes another, and as he is about to put in the pies, he reads): 'The gold-locked Phoebus. . .' Nay, nor that one!. . . (Same play.) LISE (impatiently): What are you dallying for? RAGUENEAU: Here! here! here (He chooses a third, resignedly): The sonnet to Phillis!. . .but 'tis hard to part with it! LISE: By good luck he has made up his mind at last! (Shrugging her shoulders): Nicodemus! (She mounts on a chair, and begins to range plates on a dresser.) RAGUENEAU (taking advantage of the moment she turns her back, calls back the children, who are already at the door): Hist! children!. . .render me back the sonnet to Phillis, and you shall have six pies instead of three. (The children give him back the bag, seize the cakes quickly, and go out.) RAGUENEAU (smoothing out the paper, begins to declaim): 'Phillis!. . .' On that sweet name a smear of butter! 'Phillis!. . .' (Cyrano enters hurriedly.)

Act 2, scene 2

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10

Some children come into the shop to buy three pies. Ragueneau cannot bear to lose the poems by using them as wrapping and bribes the children with three free pies to accept them unwrapped

novelguide

all_chapterized_books/1254-chapters/12.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_3_part_3.txt

Cyrano de Bergerac.act 2.scene 3

act 2, scene 3

{"name": "Act 2, scene 3", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10", "summary": "Cyrano arrives at Ragueneau's. Ragueneau congratulates Cyrano on his \"duel in verse\" at the theater. Cyrano asks Ragueneau to leave him alone with Roxane when she arrives, but Ragueneau says that he cannot, as his poet friends are arriving shortly for their breakfast. A Musketeer comes in, and Ragueneau tells Cyrano that he is a friend of his wife's. Cyrano begins to write a letter declaring his love for Roxane. He plans to hand her the note rather than face speaking to her directly", "analysis": ""}

Ragueneau, Lise, Cyrano, then the musketeer. CYRANO: What's o'clock? RAGUENEAU (bowing low): Six o'clock. CYRANO (with emotion): In one hour's time! (He paces up and down the shop.) RAGUENEAU (following him): Bravo! I saw. . . CYRANO: Well, what saw you, then? RAGUENEAU: Your combat!. . . CYRANO: Which? RAGUENEAU: That in the Burgundy Hotel, 'faith! CYRANO (contemptuously): Ah!. . .the duel! RAGUENEAU (admiringly): Ay! the duel in verse!. . . LISE: He can talk of naught else! CYRANO: Well! Good! let be! RAGUENEAU (making passes with a spit that he catches up): 'At the envoi's end, I touch!. . .At the envoi's end, I touch!'. . .'Tis fine, fine! (With increasing enthusiasm): 'At the envoi's end--' CYRANO: What hour is it now, Ragueneau? RAGUENEAU (stopping short in the act of thrusting to look at the clock): Five minutes after six!. . .'I touch!' (He straightens himself): . . .Oh! to write a ballade! LISE (to Cyrano, who, as he passes by the counter, has absently shaken hands with her): What's wrong with your hand? CYRANO: Naught; a slight cut. RAGUENEAU: Have you been in some danger? CYRANO: None in the world. LISE (shaking her finger at him): Methinks you speak not the truth in saying that! CYRANO: Did you see my nose quiver when I spoke? 'Faith, it must have been a monstrous lie that should move it! (Changing his tone): I wait some one here. Leave us alone, and disturb us for naught an it were not for crack of doom! RAGUENEAU: But 'tis impossible; my poets are coming. . . LISE (ironically): Oh, ay, for their first meal o' the day! CYRANO: Prythee, take them aside when I shall make you sign to do so. . .What's o'clock? RAGUENEAU: Ten minutes after six. CYRANO (nervously seating himself at Ragueneau's table, and drawing some paper toward him): A pen!. . . RAGUENEAU (giving him the one from behind his ear): Here--a swan's quill. A MUSKETEER (with fierce mustache, enters, and in a stentorian voice): Good-day! (Lise goes up to him quickly.) CYRANO (turning round): Who's that? RAGUENEAU: 'Tis a friend of my wife--a terrible warrior--at least so says he himself. CYRANO (taking up the pen, and motioning Ragueneau away): Hush! (To himself): I will write, fold it, give it her, and fly! (Throws down the pen): Coward!. . .But strike me dead if I dare to speak to her,. . .ay, even one single word! (To Ragueneau): What time is it? RAGUENEAU: A quarter after six!. . . CYRANO (striking his breast): Ay--a single word of all those here! here! But writing, 'tis easier done. . . (He takes up the pen): Go to, I will write it, that love-letter! Oh! I have writ it and rewrit it in my own mind so oft that it lies there ready for pen and ink; and if I lay but my soul by my letter-sheet, 'tis naught to do but to copy from it. (He writes. Through the glass of the door the silhouettes of their figures move uncertainly and hesitatingly.)

Act 2, scene 3

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10

Cyrano arrives at Ragueneau's. Ragueneau congratulates Cyrano on his "duel in verse" at the theater. Cyrano asks Ragueneau to leave him alone with Roxane when she arrives, but Ragueneau says that he cannot, as his poet friends are arriving shortly for their breakfast. A Musketeer comes in, and Ragueneau tells Cyrano that he is a friend of his wife's. Cyrano begins to write a letter declaring his love for Roxane. He plans to hand her the note rather than face speaking to her directly

novelguide

all_chapterized_books/1254-chapters/13.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_3_part_4.txt

Cyrano de Bergerac.act 2.scene 4

act 2, scene 4

{"name": "Act 2, scene 4", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10", "summary": "At Ragueneau's shop, Cyrano is writing his letter to Roxane. The letter is eloquent and full of passion. The poets arrive for their breakfast. They are talking admiringly of an unknown swordsman who successfully defeated a huge gang of men at the Porte de Nesle. Eight of the men are dead. Cyrano denies all knowledge of the incident. As the poets devour Ragueneau's wares, Ragueneau recites a poem he has written, a rhyming recipe for almond tartlets. Cyrano notices that Lise is in deep conversation with the Musketeer. Cyrano reminds her that Ragueneau is his friend and that he will not tolerate her having an affair with the Musketeer. Cyrano signals to Ragueneau that it is time to leave him on his own, and Ragueneau ushers the poets into another room", "analysis": ""}

Ragueneau, Lise, the musketeer. Cyrano at the little table writing. The poets, dressed in black, their stockings ungartered, and covered with mud. LISE (entering, to Ragueneau): Here they come, your mud-bespattered friends! FIRST POET (entering, to Ragueneau): Brother in art!. . . SECOND POET (to Ragueneau, shaking his hands): Dear brother! THIRD POET: High soaring eagle among pastry-cooks! (He sniffs): Marry! it smells good here in your eyrie! FOURTH POET: 'Tis at Phoebus' own rays that thy roasts turn! FIFTH POET: Apollo among master-cooks-- RAGUENEAU (whom they surround and embrace): Ah! how quick a man feels at his ease with them!. . . FIRST POET: We were stayed by the mob; they are crowded all round the Porte de Nesle!. . . SECOND POET: Eight bleeding brigand carcasses strew the pavements there--all slit open with sword-gashes! CYRANO (raising his head a minute): Eight?. . .hold, methought seven. (He goes on writing.) RAGUENEAU (to Cyrano): Know you who might be the hero of the fray? CYRANO (carelessly): Not I. LISE (to the musketeer): And you? Know you? THE MUSKETEER (twirling his mustache): Maybe! CYRANO (writing a little way off:--he is heard murmuring a word from time to time): 'I love thee!' FIRST POET: 'Twas one man, say they all, ay, swear to it, one man who, single-handed, put the whole band to the rout! SECOND POET: 'Twas a strange sight!--pikes and cudgels strewed thick upon the ground. CYRANO (writing): . . .'Thine eyes'. . . THIRD POET: And they were picking up hats all the way to the Quai d'Orfevres! FIRST POET: Sapristi! but he must have been a ferocious. . . CYRANO (same play): . . .'Thy lips'. . . FIRST POET: 'Twas a parlous fearsome giant that was the author of such exploits! CYRANO (same play): . . .'And when I see thee come, I faint for fear.' SECOND POET (filching a cake): What hast rhymed of late, Ragueneau? CYRANO (same play): . . .'Who worships thee'. . . (He stops, just as he is about to sign, and gets up, slipping the letter into his doublet): No need I sign, since I give it her myself. RAGUENEAU (to second poet): I have put a recipe into verse. THIRD POET (seating himself by a plate of cream-puffs): Go to! Let us hear these verses! FOURTH POET (looking at a cake which he has taken): Its cap is all a' one side! (He makes one bite of the top.) FIRST POET: See how this gingerbread woos the famished rhymer with its almond eyes, and its eyebrows of angelica! (He takes it.) SECOND POET: We listen. THIRD POET (squeezing a cream-puff gently): How it laughs! Till its very cream runs over! SECOND POET (biting a bit off the great lyre of pastry): This is the first time in my life that ever I drew any means of nourishing me from the lyre! RAGUENEAU (who has put himself ready for reciting, cleared his throat, settled his cap, struck an attitude): A recipe in verse!. . . SECOND POET (to first, nudging him): You are breakfasting? FIRST POET (to second): And you dining, methinks. RAGUENEAU: How almond tartlets are made. Beat your eggs up, light and quick; Froth them thick; Mingle with them while you beat Juice of lemon, essence fine; Then combine The burst milk of almonds sweet. Circle with a custard paste The slim waist Of your tartlet-molds; the top With a skillful finger print, Nick and dint, Round their edge, then, drop by drop, In its little dainty bed Your cream shed: In the oven place each mold: Reappearing, softly browned, The renowned Almond tartlets you behold! THE POETS (with mouths crammed full): Exquisite! Delicious! A POET (choking): Homph! (They go up, eating.) CYRANO (who has been watching, goes toward Ragueneau): Lulled by your voice, did you see how they were stuffing themselves? RAGUENEAU (in a low voice, smiling): Oh, ay! I see well enough, but I never will seem to look, fearing to distress them; thus I gain a double pleasure when I recite to them my poems; for I leave those poor fellows who have not breakfasted free to eat, even while I gratify my own dearest foible, see you? CYRANO (clapping him on the shoulder): Friend, I like you right well!. . . (Ragueneau goes after his friends. Cyrano follows him with his eyes, then, rather sharply): Ho there! Lise! (Lise, who is talking tenderly to the musketeer, starts, and comes down toward Cyrano): So this fine captain is laying siege to you? LISE (offended): One haughty glance of my eye can conquer any man that should dare venture aught 'gainst my virtue. CYRANO: Pooh! Conquering eyes, methinks, are oft conquered eyes. LISE (choking with anger): But-- CYRANO (incisively): I like Ragueneau well, and so--mark me, Dame Lise--I permit not that he be rendered a laughing-stock by any. . . LISE: But. . . CYRANO (who has raised his voice so as to be heard by the gallant): A word to the wise. . . (He bows to the musketeer, and goes to the doorway to watch, after looking at the clock.) LISE (to the musketeer, who has merely bowed in answer to Cyrano's bow): How now? Is this your courage?. . .Why turn you not a jest on his nose? THE MUSKETEER: On his nose?. . .ay, ay. . .his nose. (He goes quickly farther away; Lise follows him.) CYRANO (from the doorway, signing to Ragueneau to draw the poets away): Hist!. . . RAGUENEAU (showing them the door on the right): We shall be more private there. . . CYRANO (impatiently): Hist! Hist!. . . RAGUENEAU (drawing them farther): To read poetry, 'tis better here. . . FIRST POET (despairingly, with his mouth full): What! leave the cakes?. . . SECOND POET: Never! Let's take them with us! (They all follow Ragueneau in procession, after sweeping all the cakes off the trays.)

Act 2, scene 4

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10

At Ragueneau's shop, Cyrano is writing his letter to Roxane. The letter is eloquent and full of passion. The poets arrive for their breakfast. They are talking admiringly of an unknown swordsman who successfully defeated a huge gang of men at the Porte de Nesle. Eight of the men are dead. Cyrano denies all knowledge of the incident. As the poets devour Ragueneau's wares, Ragueneau recites a poem he has written, a rhyming recipe for almond tartlets. Cyrano notices that Lise is in deep conversation with the Musketeer. Cyrano reminds her that Ragueneau is his friend and that he will not tolerate her having an affair with the Musketeer. Cyrano signals to Ragueneau that it is time to leave him on his own, and Ragueneau ushers the poets into another room

novelguide

all_chapterized_books/1254-chapters/14.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_3_part_5.txt

Cyrano de Bergerac.act 2.scene 5

act 2, scene 5

{"name": "Act 2, scene 5", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10", "summary": "Roxane and her Duenna arrive, wearing masks. Cyrano bribes the Duenna with cream buns to wait outside while he talks to Roxane on her own", "analysis": ""}

Cyrano, Roxane, the duenna. CYRANO: Ah! if I see but the faint glimmer of hope, then I draw out my letter! (Roxane, masked, followed by the duenna, appears at the glass pane of the door. He opens quickly): Enter!. . . (Walking up to the duenna): Two words with you, Duenna. THE DUENNA: Four, Sir, an it like you. CYRANO: Are you fond of sweet things? THE DUENNA: Ay, I could eat myself sick on them! CYRANO (catching up some of the paper bags from the counter): Good. See you these two sonnets of Monsieur Beuserade. . . THE DUENNA: Hey? CYRANO: . . .Which I fill for you with cream cakes! THE DUENNA (changing her expression): Ha. CYRANO: What say you to the cake they call a little puff? THE DUENNA: If made with cream, Sir, I love them passing well. CYRANO: Here I plunge six for your eating into the bosom of a poem by Saint Amant! And in these verses of Chapelain I glide a lighter morsel. Stay, love you hot cakes? THE DUENNA: Ay, to the core of my heart! CYRANO (filling her arms with the bags): Pleasure me then; go eat them all in the street. THE DUENNA: But. . . CYRANO (pushing her out): And come not back till the very last crumb be eaten! (He shuts the door, comes down toward Roxane, and, uncovering, stands at a respectful distance from her.)

Act 2, scene 5

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10

Roxane and her Duenna arrive, wearing masks. Cyrano bribes the Duenna with cream buns to wait outside while he talks to Roxane on her own

novelguide

all_chapterized_books/1254-chapters/15.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_3_part_6.txt

Cyrano de Bergerac.act 2.scene 6

act 2, scene 6

{"name": "Act 2, scene 6", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10", "summary": "Cyrano begins to address Roxane as a lover grateful to be acknowledged, but Roxane interrupts him to explain that the first purpose of her visit is to thank him for puncturing the pride of Valvert by fighting him in the theater. She reminisces with Cyrano about the happy times they spent together as children. She tends to his hand, which he has wounded in the fight at the Porte de Nesle. Roxane confesses that she is in love with someone who does not know that she loves him. She thinks that he loves her in return, but he is shy and dare not speak. Cyrano feels encouraged, as this could mean him. But as soon as Roxane says that the man is handsome, Cyrano feels discouraged, feeling that she cannot be thinking of him. When she names Christian, Cyrano warns her that he may not be intelligent enough for her. But she believes that anyone who is so beautiful on the outside must be eloquent also. She has invited Cyrano to meet her in order to ask him to protect Christian, as he is the only cadet in Cyrano's company who does not come from the region of Gascony, and she fears he will be picked on. Cyrano promises to look after Christian. Roxane expresses her friendly love for Cyrano and leaves. Cyrano looks despondent", "analysis": ""}

Cyrano, Roxane. CYRANO: Blessed be the moment when you condescend-- Remembering that humbly I exist-- To come to meet me, and to say. . .to tell?. . . ROXANE (who has unmasked): To thank you first of all. That dandy count, Whom you checkmated in brave sword-play Last night,. . .he is the man whom a great lord, Desirous of my favor. . . CYRANO: Ha, De Guiche? ROXANE (casting down her eyes): Sought to impose on me. . .for husband. . . CYRANO: Ay! Husband!--dupe-husband!. . .Husband a la mode! (Bowing): Then I fought, happy chance! sweet lady, not For my ill favor--but your favors fair! ROXANE: Confession next!. . .But, ere I make my shrift, You must be once again that brother-friend With whom I used to play by the lake-side!. . . CYRANO: Ay, you would come each spring to Bergerac! ROXANE: Mind you the reeds you cut to make your swords?. . . CYRANO: While you wove corn-straw plaits for your dolls' hair! ROXANE: Those were the days of games!. . . CYRANO: And blackberries!. . . ROXANE: In those days you did everything I bid!. . . CYRANO: Roxane, in her short frock, was Madeleine. . . ROXANE: Was I fair then? CYRANO: You were not ill to see! ROXANE: Ofttimes, with hands all bloody from a fall, You'd run to me! Then--aping mother-ways-- I, in a voice would-be severe, would chide,-- (She takes his hand): 'What is this scratch, again, that I see here?' (She starts, surprised): Oh! 'Tis too much! What's this? (Cyrano tries to draw away his hand): No, let me see! At your age, fie! Where did you get that scratch? CYRANO: I got it--playing at the Porte de Nesle. ROXANE (seating herself by the table, and dipping her handkerchief in a glass of water): Give here! CYRANO (sitting by her): So soft! so gay maternal-sweet! ROXANE: And tell me, while I wipe away the blood, How many 'gainst you? CYRANO: Oh! A hundred--near. ROXANE: Come, tell me! CYRANO: No, let be. But you, come tell The thing, just now, you dared not. . . ROXANE (keeping his hand): Now, I dare! The scent of those old days emboldens me! Yes, now I dare. Listen. I am in love. CYRANO: Ah!. . . ROXANE: But with one who knows not. CYRANO: Ah!. . . ROXANE: Not yet. CYRANO: Ah!. . . ROXANE: But who, if he knows not, soon shall learn. CYRANO: Ah!. . . ROXANE: A poor youth who all this time has loved Timidly, from afar, and dares not speak. . . CYRANO: Ah!. . . ROXANE: Leave your hand; why, it is fever-hot!-- But I have seen love trembling on his lips. CYRANO: Ah!. . . ROXANE (bandaging his hand with her handkerchief): And to think of it! that he by chance-- Yes, cousin, he is of your regiment! CYRANO: Ah!. . . ROXANE (laughing): --Is cadet in your own company! CYRANO: Ah!. . . ROXANE: On his brow he bears the genius-stamp; He is proud, noble, young, intrepid, fair. . . CYRANO (rising suddenly, very pale): Fair! ROXANE: Why, what ails you? CYRANO: Nothing; 'tis. . . (He shows his hand, smiling): This scratch! ROXANE: I love him; all is said. But you must know I have only seen him at the Comedy. . . CYRANO: How? You have never spoken? ROXANE: Eyes can speak. CYRANO: How know you then that he. . .? ROXANE: Oh! people talk 'Neath the limes in the Place Royale. . . Gossip's chat Has let me know. . . CYRANO: He is cadet? ROXANE: In the Guards. CYRANO: His name? ROXANE: Baron Christian de Neuvillette. CYRANO: How now?. . .He is not of the Guards! ROXANE: To-day He is not join your ranks, under Captain Carbon de Castel-Jaloux. CYRANO: Ah, how quick, How quick the heart has flown!. . .But, my poor child. . . THE DUENNA (opening the door): The cakes are eaten, Monsieur Bergerac! CYRANO: Then read the verses printed on the bags! (She goes out): . . .My poor child, you who love but flowing words, Bright wit,--what if he be a lout unskilled? ROXANE: No, his bright locks, like D'Urfe's heroes. . . CYRANO: Ah! A well-curled pate, and witless tongue, perchance! ROXANE: Ah no! I guess--I feel--his words are fair! CYRANO: All words are fair that lurk 'neath fair mustache! --Suppose he were a fool!. . . ROXANE (stamping her foot): Then bury me! CYRANO (after a pause): Was it to tell me this you brought me here? I fail to see what use this serves, Madame. ROXANE: Nay, but I felt a terror, here, in the heart, On learning yesterday you were Gascons All of your company. . . CYRANO: And we provoke All beardless sprigs that favor dares admit 'Midst us pure Gascons--(pure! Heaven save the mark! They told you that as well? ROXANE: Ah! Think how I Trembled for him! CYRANO (between his teeth): Not causelessly! ROXANE: But when Last night I saw you,--brave, invincible,-- Punish that dandy, fearless hold your own Against those brutes, I thought--I thought, if he Whom all fear, all--if he would only. . . CYRANO: Good. I will befriend your little Baron. ROXANE: Ah! You'll promise me you will do this for me? I've always held you as a tender friend. CYRANO: Ay, ay. ROXANE: Then you will be his friend? CYRANO: I swear! ROXANE: And he shall fight no duels, promise! CYRANO: None. ROXANE: You are kind, cousin! Now I must be gone. (She puts on her mask and veil quickly; then, absently): You have not told me of your last night's fray. Ah, but it must have been a hero-fight!. . . --Bid him to write. (She sends him a kiss with her fingers): How good you are! CYRANO: Ay! Ay! ROXANE: A hundred men against you? Now, farewell.-- We are great friends? CYRANO: Ay, ay! ROXANE: Oh, bid him write! You'll tell me all one day--A hundred men!-- Ah, brave!. . .How brave! CYRANO (bowing to her): I have fought better since. (She goes out. Cyrano stands motionless, with eyes on the ground. A silence. The door (right) opens. Ragueneau looks in.)

Act 2, scene 6

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10

Cyrano begins to address Roxane as a lover grateful to be acknowledged, but Roxane interrupts him to explain that the first purpose of her visit is to thank him for puncturing the pride of Valvert by fighting him in the theater. She reminisces with Cyrano about the happy times they spent together as children. She tends to his hand, which he has wounded in the fight at the Porte de Nesle. Roxane confesses that she is in love with someone who does not know that she loves him. She thinks that he loves her in return, but he is shy and dare not speak. Cyrano feels encouraged, as this could mean him. But as soon as Roxane says that the man is handsome, Cyrano feels discouraged, feeling that she cannot be thinking of him. When she names Christian, Cyrano warns her that he may not be intelligent enough for her. But she believes that anyone who is so beautiful on the outside must be eloquent also. She has invited Cyrano to meet her in order to ask him to protect Christian, as he is the only cadet in Cyrano's company who does not come from the region of Gascony, and she fears he will be picked on. Cyrano promises to look after Christian. Roxane expresses her friendly love for Cyrano and leaves. Cyrano looks despondent

novelguide

all_chapterized_books/1254-chapters/16.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_3_part_7.txt

Cyrano de Bergerac.act 2.scene 7

act 2, scene 7

{"name": "Act 2, scene 7", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10", "summary": "Ragueneau, the poets, and the captain of the Guards, Carbon de Castel-Jaloux, enter with a crowd of people. Carbon tells Cyrano that everyone knows it was Cyrano who fought the hundred men, and they have come to congratulate him. Cyrano draws back, unwilling to be the center of attention. De Guiche arrives with a message of admiration from the Marechal de Gassion, an important man. Cyrano sings to him the song of the Guardsof Gascony. De Guiche asks Cyrano to accept his patronage, but Cyrano refuses, as he prefers to remain independent. De Guiche offers to introduce Cyrano to his uncle, Cardinal Richelieu, the most powerful man in France. Le Bret urges Cyrano to accept in order to further his literary career. But Cyrano is concerned that Richelieu will try to change his work, and again refuses. A cadet enters with some hats with broken feathers, left by at the Porte de Nesle by the men who ran away from Cyrano. Cyrano presents them to de Guiche, announcing that the hats belong to him, or his friends. De Guiche, furious, storms out. The crowd disperses", "analysis": ""}

Cyrano, Ragueneau, poets, Carbon de Castel-Jaloux, the cadets, a crowd, then De Guiche. RAGUENEAU: Can we come in? CYRANO (without stirring): Yes. . . (Ragueneau signs to his friends, and they come in. At the same time, by door at back, enters Carbon de Castel-Jaloux, in Captain's uniform. He makes gestures of surprise on seeing Cyrano.) CARBON: Here he is! CYRANO (raising his head): Captain!. . . CARBON (delightedly): Our hero! We heard all! Thirty or more Of my cadets are there!. . . CYRANO (shrinking back): But. . . CARBON (trying to draw him away): Come with me! They will not rest until they see you! CYRANO: No! CARBON: They're drinking opposite, at The Bear's Head. CYRANO: I. . . CARBON (going to the door and calling across the street in a voice of thunder): He won't come! The hero's in the sulks! A VOICE (outside): Ah! Sandious! (Tumult outside. Noise of boots and swords is heard approaching.) CARBON (rubbing his hands): They are running 'cross the street! CADETS (entering): Mille dious! Capdedious! Pocapdedious! RAGUENEAU (drawing back startled): Gentlemen, are you all from Gascony? THE CADETS: All! A CADET (to Cyrano): Bravo! CYRANO: Baron! ANOTHER (shaking his hands): Vivat! CYRANO: Baron! THIRD CADET: Come! I must embrace you! CYRANO: Baron! SEVERAL GASCONS: We'll embrace Him, all in turn! CYRANO (not knowing whom to reply to): Baron!. . .Baron!. . .I beg. . . RAGUENEAU: Are you all Barons, Sirs? THE CADETS: Ay, every one! RAGUENEAU: Is it true?. . . FIRST CADET: Ay--why, you could build a tower With nothing but our coronets, my friend! LE BRET (entering, and running up to Cyrano): They're looking for you! Here's a crazy mob Led by the men who followed you last night. . . CYRANO (alarmed): What! Have you told them where to find me? LE BRET (rubbing his hands): Yes! A BURGHER (entering, followed by a group of men): Sir, all the Marais is a-coming here! (Outside the street has filled with people. Chaises a porteurs and carriages have drawn up.) LE BRET (in a low voice, smiling, to Cyrano): And Roxane? CYRANO (quickly): Hush! THE CROWD (calling outside): Cyrano!. . . (A crowd rush into the shop, pushing one another. Acclamations.) RAGUENEAU (standing on a table): Lo! my shop Invaded! They break all! Magnificent! PEOPLE (crowding round Cyrano): My friend!. . .my friend. . . Cyrano: Meseems that yesterday I had not all these friends! LE BRET (delighted): Success! A YOUNG MARQUIS (hurrying up with his hands held out): My friend, Didst thou but know. . . CYRANO: Thou!. . .Marry!. . .thou!. . .Pray when Did we herd swine together, you and I! ANOTHER: I would present you, Sir, to some fair dames Who in my carriage yonder. . . CYRANO (coldly): Ah! and who Will first present you, Sir, to me? LE BRET (astonished): What's wrong? CYRANO: Hush! A MAN OF LETTERS (with writing-board): A few details?. . . CYRANO: No. LE BRET (nudging his elbow): 'Tis Theophrast, Renaudet,. . .of the 'Court Gazette'! CYRANO: Who cares? LE BRET: This paper--but it is of great importance!. . . They say it will be an immense success! A POET (advancing): Sir. . . CYRANO: What, another! THE POET: . . .Pray permit I make A pentacrostic on your name. . . SOME ONE (also advancing): Pray, Sir. . . CYRANO: Enough! Enough! (A movement in the crowd. De Guiche appears, escorted by officers. Cuigy, Brissaille, the officers who went with Cyrano the night before. Cuigy comes rapidly up to Cyrano.) CUIGY (to Cyrano): Here is Monsieur de Guiche? (A murmur--every one makes way): He comes from the Marshal of Gassion! DE GUICHE (bowing to Cyrano): . . .Who would express his admiration, Sir, For your new exploit noised so loud abroad. THE CROWD: Bravo! CYRANO (bowing): The Marshal is a judge of valor. DE GUICHE: He could not have believed the thing, unless These gentlemen had sworn they witnessed it. CUIGY: With our own eyes! LE BRET (aside to Cyrano, who has an absent air): But. . .you. . . CYRANO: Hush! LE BRET: But. . .You suffer? CYRANO (starting): Before this rabble?--I?. . . (He draws himself up, twirls his mustache, and throws back his shoulders): Wait!. . .You shall see! DE GUICHE (to whom Cuigy has spoken in a low voice): In feats of arms, already your career Abounded.--You serve with those crazy pates Of Gascons? CYRANO: Ay, with the Cadets. A CADET (in a terrible voice): With us! DE GUICHE (looking at the cadets, ranged behind Cyrano): Ah!. . .All these gentlemen of haughty mien, Are they the famous?. . . CARBON: Cyrano! CYRANO: Ay, Captain! CARBON: Since all my company's assembled here, Pray favor me,--present them to my lord! CYRANO (making two steps toward De Guiche): My Lord de Guiche, permit that I present-- (pointing to the cadets): The bold Cadets of Gascony, Of Carbon of Castel-Jaloux! Brawling and swaggering boastfully, The bold Cadets of Gascony! Spouting of Armory, Heraldry, Their veins a-brimming with blood so blue, The bold Cadets of Gascony, Of Carbon of Castel-Jaloux: Eagle-eye, and spindle-shanks, Fierce mustache, and wolfish tooth! Slash-the-rabble and scatter-their-ranks; Eagle-eye and spindle-shanks, With a flaming feather that gayly pranks, Hiding the holes in their hats, forsooth! Eagle-eye and spindle-shanks, Fierce mustache, and wolfish tooth! 'Pink-your-Doublet' and 'Slit-your-Trunk' Are their gentlest sobriquets; With Fame and Glory their soul is drunk! 'Pink-your-Doublet' and 'Slit-your-Trunk,' In brawl and skirmish they show their spunk, Give rendezvous in broil and fray; 'Pink-your-Doublet' and 'Slit-your-Trunk' Are their gentlest sobriquets! What, ho! Cadets of Gascony! All jealous lovers are sport for you! O Woman! dear divinity! What, ho! Cadets of Gascony! Whom scowling husbands quake to see. Blow, 'taratara,' and cry 'Cuckoo.' What, ho! Cadets of Gascony! Husbands and lovers are game for you! DE GUICHE (seated with haughty carelessness in an armchair brought quickly by Ragueneau): A poet! 'Tis the fashion of the hour! --Will you be mine? CYRANO: No, Sir,--no man's! DE GUICHE: Last night Your fancy pleased my uncle Richelieu. I'll gladly say a word to him for you. LE BRET (overjoyed): Great Heavens! DE GUICHE: I imagine you have rhymed Five acts, or so? LE BRET (in Cyrano's ear): Your play!--your 'Agrippine!' You'll see it staged at last! DE GUICHE: Take them to him. CYRANO (beginning to be tempted and attracted): In sooth,--I would. . . DE GUICHE: He is a critic skilled: He may correct a line or two, at most. CYRANO (whose face stiffens at once): Impossible! My blood congeals to think That other hand should change a comma's dot. DE GUICHE: But when a verse approves itself to him He pays it dear, good friend. CYRANO: He pays less dear Than I myself; when a verse pleases me I pay myself, and sing it to myself! DE GUICHE: You are proud. CYRANO: Really? You have noticed that? A CADET (entering, with a string of old battered plumed beaver hats, full of holes, slung on his sword): See, Cyrano,--this morning, on the quay What strange bright-feathered game we caught! The hats O' the fugitives. . . CARBON: 'Spolia opima!' ALL (laughing): Ah! ah! ah! CUIGY: He who laid that ambush, 'faith! Must curse and swear! BRISSAILLE: Who was it? DE GUICHE: I myself. (The laughter stops): I charged them--work too dirty for my sword, To punish and chastise a rhymster sot. (Constrained silence.) The CADET (in a low voice, to Cyrano, showing him the beavers): What do with them? They're full of grease!--a stew? CYRANO (taking the sword and, with a salute, dropping the hats at De Guiche's feet): Sir, pray be good enough to render them Back to your friends. DE GUICHE (rising, sharply): My chair there--quick!--I go! (To Cyrano passionately): As to you, sirrah!. . . VOICE (in the street): Porters for my lord De Guiche! DE GUICHE (who has controlled himself--smiling): Have you read 'Don Quixote'? CYRANO: I have! And doff my hat at th' mad knight-errant's name. DE GUICHE: I counsel you to study. . . A PORTER (appearing at back): My lord's chair! DE GUICHE: . . .The windmill chapter! CYRANO (bowing): Chapter the Thirteenth. DE GUICHE: For when one tilts 'gainst windmills--it may chance. . . CYRANO: Tilt I 'gainst those who change with every breeze? DE GUICHE: . . .That windmill sails may sweep you with their arm Down--in the mire!. . . CYRANO: Or upward--to the stars! (De Guiche goes out, and mounts into his chair. The other lords go away whispering together. Le Bret goes to the door with them. The crowd disperses.)

Act 2, scene 7

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10

Ragueneau, the poets, and the captain of the Guards, Carbon de Castel-Jaloux, enter with a crowd of people. Carbon tells Cyrano that everyone knows it was Cyrano who fought the hundred men, and they have come to congratulate him. Cyrano draws back, unwilling to be the center of attention. De Guiche arrives with a message of admiration from the Marechal de Gassion, an important man. Cyrano sings to him the song of the Guardsof Gascony. De Guiche asks Cyrano to accept his patronage, but Cyrano refuses, as he prefers to remain independent. De Guiche offers to introduce Cyrano to his uncle, Cardinal Richelieu, the most powerful man in France. Le Bret urges Cyrano to accept in order to further his literary career. But Cyrano is concerned that Richelieu will try to change his work, and again refuses. A cadet enters with some hats with broken feathers, left by at the Porte de Nesle by the men who ran away from Cyrano. Cyrano presents them to de Guiche, announcing that the hats belong to him, or his friends. De Guiche, furious, storms out. The crowd disperses

novelguide

all_chapterized_books/1254-chapters/17.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_3_part_8.txt

Cyrano de Bergerac.act 2.scene 8

act 2, scene 8

{"name": "Act 2, scene 8", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10", "summary": "Le Bret scolds Cyrano for his pride in refusing de Guiche's patronage. Cyrano replies that he wants to remain free and to be the sole owner of his work. He does not intend to live as a parasite. Le Bret counters that Cyrano makes enemies wherever he goes. Cyrano replies that he has no interest in making friends with unworthy men. Le Bret guesses that Cyrano has learned that Roxane does not love him", "analysis": ""}

Cyrano, Le Bret, the cadets, who are eating and drinking at the tables right and left. CYRANO (bowing mockingly to those who go out without daring to salute him): Gentlemen. . .Gentlemen. . . LE BRET (coming back, despairingly): Here's a fine coil! CYRANO: Oh! scold away! LE BRET: At least, you will agree That to annihilate each chance of Fate Exaggerates. . . CYRANO: Yes!--I exaggerate! LE BRET (triumphantly): Ah! CYRANO: But for principle--example too,-- I think 'tis well thus to exaggerate. LE BRET: Oh! lay aside that pride of musketeer, Fortune and glory wait you!. . . CYRANO: Ay, and then?. . . Seek a protector, choose a patron out, And like the crawling ivy round a tree That licks the bark to gain the trunk's support, Climb high by creeping ruse instead of force? No, grammercy! What! I, like all the rest Dedicate verse to bankers?--play buffoon In cringing hope to see, at last, a smile Not disapproving, on a patron's lips? Grammercy, no! What! learn to swallow toads? --With frame aweary climbing stairs?--a skin Grown grimed and horny,--here, about the knees? And, acrobat-like, teach my back to bend?-- No, grammercy! Or,--double-faced and sly-- Run with the hare, while hunting with the hounds; And, oily-tongued, to win the oil of praise, Flatter the great man to his very nose? No, grammercy! Steal soft from lap to lap, --A little great man in a circle small, Or navigate, with madrigals for sails, Blown gently windward by old ladies' sighs? No, grammercy! Bribe kindly editors To spread abroad my verses? Grammercy! Or try to be elected as the pope Of tavern-councils held by imbeciles? No, grammercy! Toil to gain reputation By one small sonnet, 'stead of making many? No, grammercy! Or flatter sorry bunglers? Be terrorized by every prating paper? Say ceaselessly, 'Oh, had I but the chance Of a fair notice in the "Mercury"!' Grammercy, no! Grow pale, fear, calculate? Prefer to make a visit to a rhyme? Seek introductions, draw petitions up? No, grammercy! and no! and no again! But--sing? Dream, laugh, go lightly, solitary, free, With eyes that look straight forward--fearless voice! To cock your beaver just the way you choose,-- For 'yes' or 'no' show fight, or turn a rhyme! --To work without one thought of gain or fame, To realize that journey to the moon! Never to pen a line that has not sprung Straight from the heart within. Embracing then Modesty, say to oneself, 'Good my friend, Be thou content with flowers,--fruit,--nay, leaves, But pluck them from no garden but thine own!' And then, if glory come by chance your way, To pay no tribute unto Caesar, none, But keep the merit all your own! In short, Disdaining tendrils of the parasite, To be content, if neither oak nor elm-- Not to mount high, perchance, but mount alone! LE BRET: Alone, an if you will! But not with hand 'Gainst every man! How in the devil's name Have you conceived this lunatic idea, To make foes for yourself at every turn? CYRANO: By dint of seeing you at every turn Make friends,--and fawn upon your frequent friends With mouth wide smiling, slit from ear to ear! I pass, still unsaluted, joyfully, And cry,--What, ho! another enemy? LE BRET: Lunacy! CYRANO: Well, what if it be my vice, My pleasure to displease--to love men hate me! Ah, friend of mine, believe me, I march better 'Neath the cross-fire of glances inimical! How droll the stains one sees on fine-laced doublets, From gall of envy, or the poltroon's drivel! --The enervating friendship which enfolds you Is like an open-laced Italian collar, Floating around your neck in woman's fashion; One is at ease thus,--but less proud the carriage! The forehead, free from mainstay or coercion, Bends here, there, everywhere. But I, embracing Hatred, she lends,--forbidding, stiffly fluted, The ruff's starched folds that hold the head so rigid; Each enemy--another fold--a gopher, Who adds constraint, and adds a ray of glory; For Hatred, like the ruff worn by the Spanish, Grips like a vice, but frames you like a halo! LE BRET (after a silence, taking his arm): Speak proud aloud, and bitter!--In my ear Whisper me simply this,--She loves thee not! CYRANO (vehemently): Hush! (Christian has just entered, and mingled with the cadets, who do not speak to him; he has seated himself at a table, where Lise serves him.)

Act 2, scene 8

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10

Le Bret scolds Cyrano for his pride in refusing de Guiche's patronage. Cyrano replies that he wants to remain free and to be the sole owner of his work. He does not intend to live as a parasite. Le Bret counters that Cyrano makes enemies wherever he goes. Cyrano replies that he has no interest in making friends with unworthy men. Le Bret guesses that Cyrano has learned that Roxane does not love him

novelguide

all_chapterized_books/1254-chapters/18.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_3_part_9.txt

Cyrano de Bergerac.act 2.scene 9

act 2, scene 9

{"name": "Act 2, scene 9", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10", "summary": "Christian enters with some of the cadets. None of them sit with him. They taunt him for being a northerner, and warn him not to mention Cyrano's nose, as Cyrano may kill him. Christian asks Carbon what a northerner should do when southerners boast too much. Carbon answers that he should show them that a northerner can be as brave as a southerner. The Guards beg Cyrano to tell them the story of what happened at the Porte de Nesle. Christian, in an attempt to demonstrate his courage to the cadets, constantly interrupts Cyrano's narrative to make jokes about his nose. The Guardsare terrified of how Cyrano might respond. Cyrano moves threateningly towards Christian, but on hearing who he is, he stops in his tracks and controls his anger. Christian continues to taunt Cyrano about his nose. Finally, Cyrano can contain himself no longer and orders the other Guards out of the room. They rush out, expecting to return to see Christian's corpse chopped into pieces", "analysis": ""}

Cyrano, Le Bret, the cadets, Christian de Neuvillette. A CADET (seated at a table, glass in hand): Cyrano! (Cyrano turns round): The story! CYRANO: In its time! (He goes up on Le Bret's arm. They talk in low voices.) THE CADET (rising and coming down): The story of the fray! 'Twill lesson well (He stops before the table where Christian is seated): This timid young apprentice! CHRISTIAN (raising his head): 'Prentice! Who? ANOTHER CADET: This sickly Northern greenhorn! CHRISTIAN: Sickly! FIRST CADET (mockingly): Hark! Monsieur de Neuvillette, this in your ear: There's somewhat here, one no more dares to name, Than to say 'rope' to one whose sire was hanged! CHRISTIAN: What may that be? ANOTHER CADET (in a terrible voice): See here! (He puts his finger three times, mysteriously, on his nose): Do you understand? CHRISTIAN: Oh! 'tis the. . . ANOTHER: Hush! oh, never breathe that word, Unless you'd reckon with him yonder! (He points to Cyrano, who is talking with Le Bret.) ANOTHER (who has meanwhile come up noiselessly to sit on the table--whispering behind him): Hark! He put two snuffling men to death, in rage, For the sole reason they spoke through their nose! ANOTHER (in a hollow voice, darting on all-fours from under the table, where he had crept): And if you would not perish in flower o' youth, --Oh, mention not the fatal cartilage! ANOTHER (clapping him on the shoulder): A word? A gesture! For the indiscreet His handkerchief may prove his winding-sheet! (Silence. All, with crossed arms, look at Christian. He rises and goes over to Carbon de Castel-Jaloux, who is talking to an officer, and feigns to see nothing.) CHRISTIAN: Captain! CARBON (turning and looking at him from head to foot): Sir! CHRISTIAN: Pray, what skills it best to do To Southerners who swagger?. . . CARBON: Give them proof That one may be a Northerner, yet brave! (He turns his back on him.) CHRISTIAN: I thank you. FIRST CADET (to Cyrano): Now the tale! ALL: The tale! CYRANO (coming toward them): The tale?. . . (All bring their stools up, and group round him, listening eagerly. Christian is astride a chair): Well! I went all alone to meet the band. The moon was shining, clock-like, full i' th' sky, When, suddenly, some careful clockwright passed A cloud of cotton-wool across the case That held this silver watch. And, presto! heigh! The night was inky black, and all the quays Were hidden in the murky dark. Gadsooks! One could see nothing further. . . CHRISTIAN: Than one's nose! (Silence. All slowly rise, looking in terror at Cyrano, who has stopped-- dumfounded. Pause.) CYRANO: Who on God's earth is that? A CADET (whispering): It is a man Who joined to-day. CYRANO (making a step toward Christian): To-day? CARBON (in a low voice): Yes. . .his name is The Baron de Neuvil. . . CYRANO (checking himself): Good! It is well. . . (He turns pale, flushes, makes as if to fall on Christian): I. . . (He controls himself): What said I?. . . (With a burst of rage): MORDIOUS!. . . (Then continues calmly): That it was dark. (Astonishment. The cadets reseat themselves, staring at him): On I went, thinking, 'For a knavish cause I may provoke some great man, some great prince, Who certainly could break'. . . CHRISTIAN: My nose!. . . (Every one starts up. Christian balances on his chair.) CYRANO (in a choked voice): . . .'My teeth! Who would break my teeth, and I, imprudent-like, Was poking. . .' CHRISTIAN: My nose!. . . CYRANO: 'My finger,. . .in the crack Between the tree and bark! He may prove strong And rap me. . .' CHRISTIAN: Over the nose. . . CYRANO (wiping his forehead): . . .'O' th' knuckles! Ay,' But I cried, 'Forward, Gascon! Duty calls! On, Cyrano!' And thus I ventured on. . . When, from the shadow, came. . . CHRISTIAN: A crack o' th' nose. CYRANO: I parry it--find myself. . . CHRISTIAN: Nose to nose. . . CYRANO (bounding on to him): Heaven and earth! (All the Gascons leap up to see, but when he is close to Christian he controls himself and continues): . . .With a hundred brawling sots, Who stank. . . CHRISTIAN: A noseful. . . CYRANO (white, but smiling): Onions, brandy-cups! I leapt out, head well down. . . CHRISTIAN: Nosing the wind! CYRANO: I charge!--gore two, impale one--run him through, One aims at me--Paf! and I parry. . . CHRISTIAN: Pif! CYRANO (bursting out): Great God! Out! all of you! (The cadets rush to the doors.) FIRST CADET: The tiger wakes! CYRANO: Every man, out! Leave me alone with him! SECOND CADET: We shall find him minced fine, minced into hash In a big pasty! RAGUENEAU: I am turning pale, And curl up, like a napkin, limp and white! CARBON: Let us be gone. ANOTHER: He will not leave a crumb! ANOTHER: I die of fright to think what will pass here! ANOTHER (shutting door right): Something too horrible! (All have gone out by different doors, some by the staircase. Cyrano and Christian are face to face, looking at each other for a moment.)

Act 2, scene 9

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10

Christian enters with some of the cadets. None of them sit with him. They taunt him for being a northerner, and warn him not to mention Cyrano's nose, as Cyrano may kill him. Christian asks Carbon what a northerner should do when southerners boast too much. Carbon answers that he should show them that a northerner can be as brave as a southerner. The Guards beg Cyrano to tell them the story of what happened at the Porte de Nesle. Christian, in an attempt to demonstrate his courage to the cadets, constantly interrupts Cyrano's narrative to make jokes about his nose. The Guardsare terrified of how Cyrano might respond. Cyrano moves threateningly towards Christian, but on hearing who he is, he stops in his tracks and controls his anger. Christian continues to taunt Cyrano about his nose. Finally, Cyrano can contain himself no longer and orders the other Guards out of the room. They rush out, expecting to return to see Christian's corpse chopped into pieces

novelguide

all_chapterized_books/1254-chapters/19.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_3_part_10.txt

Cyrano de Bergerac.act 2.scene 10

act 2, scene 10

{"name": "Act 2, scene 10", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10", "summary": "Cyrano commends Christian's bravery and, to Christian's astonishment, embraces him. Cyrano tells Christian that he is Roxane's cousin and that she loves him. Christian apologizes to Cyrano for insulting him. Christian fears that Roxane will lose interest in him as soon as he speaks to her, as he is so stupid. Cyrano proposes that he join his eloquence to Christian's good looks to create the perfect lover for Roxane. He will write some eloquent speeches for Christian to deliver to Roxane as his own. Cyrano claims that he only wants to do this to practise his literary skills. From his pocket, he produces the letter he wrote earlier to Roxane and hands it to Christian to give to her. Christian embraces Cyrano in gratitude. The other Guards, Lise, and the Musketeer enter and are astonished to see Cyrano embracing Christian. The Musketeer believes that Cyrano must have undergone a transformation that means it is safe to talk about his nose. He impudently stares at Cyrano's nose, asking what the smell could be. Cyrano cries, \"It's pigshit. and floors the Musketeer with a blow.", "analysis": "of Act 2, scenes 1-10. Act 2 draws a stark contrast between Cyrano's fearlessness in matters of courage and honor in battle, and his terror when faced with his love for Roxane. Christian, another brave man whose courage fails him in love, is Cyrano's mirror when it comes to feeling inadequate as a lover. But Christian is Cyrano's opposite when it comes to the reasons for his feelings of inadequacy. Christian is self-assured about his looks but is certain that he is so stupid that Roxane will lose interest in him the moment he opens his mouth to speak. Cyrano, on the other hand, feels physically unattractive but is confident in his wit and intelligence. Cyrano's suggestion that they combine his own wit and eloquence to Christian's good looks to make the perfect lover for Roxane is significant on many levels. First, it comments ironically on a conviction held by many a lover in every age: that they are not good enough to be loved by the object of their desires as they really are. Cyrano believes that if only he had Christian's looks, he would succeed with Roxane, and Christian believes that if only he had Cyrano's intelligence, he would succeed with Roxane. Second, the two men's decision to combine forces also carries the implicit suggestion that no one is perfect, so people should celebrate whatever good qualities they possess and not dwell on their shortcomings. In the character of Cyrano, the play focuses on a source of inadequacy that is particularly relevant to the modern age: the obsession with physical perfection. Third, Cyrano's suggestion represents a fall from grace for a man who in every other respect has shown honor, integrity, and a devotion to truth. However honorable and selfless Cyrano's final aim might be , the means by which he will achieve his aim is deception of Roxane. Roxane shows herself to be a person of intelligence, compassion, and integrity, and the reader may well feel indignant that she should be wooed by a chimera, an illusion that does not really exist. Fourth, Cyrano's suggestion sets in motion the major conflict that drives the action of the play. The notion of combining forces with Christian will enable him to have the vicarious joy of declaring his love for Roxane, but the fact that Cyrano deceives her into believing that his words are Christian's means that he can never win her for himself. The power of words, as embodied in literature, continues to be an important theme in Act 2. Rostand shows how words can both divide people and bring them closer together in love. Their intention that Christian will recite Cyrano's lines just as an actor recites lines in a play symbolically turns the wooing of Roxane into a piece of theater in which Cyrano is the playwright, Christian the unintelligent but attractive leading man, and Roxane the audience. This mirrors the opening scenes of the play, in which Cyrano directed events, Montfleury was the untalented actor, and Roxane was, once again, a spectator. There is bitter dramatic irony in the scene between Roxane and Cyrano. Cyrano, emboldened by Le Bret's encouragement, is ready to declare his love, but Roxane has invited him to the meeting in order to ask him to protect Christian. Ordinarily, Cyrano and Christian would be rivals or even enemies due to their love for the same woman. But Roxane's request to Cyrano that he protect Christian means that he must become Christian's friend and supporter. Cyrano's embrace of this unforeseen role is his greatest act of heroism so far. He is sacrificing his own self-interest for the sake of others' happiness"}

Cyrano, Christian. CYRANO: Embrace me now! CHRISTIAN: Sir. . . CYRANO: You are brave. CHRISTIAN: Oh! but. . . CYRANO: Nay, I insist. CHRISTIAN: Pray tell me. . . CYRANO: Come, embrace! I am her brother. CHRISTIAN: Whose brother? CYRANO: Hers i' faith! Roxane's! CHRISTIAN (rushing up to him): O heavens! Her brother. . .? CYRANO: Cousin--brother!. . .the same thing! CHRISTIAN: And she has told you. . .? CYRANO: All! CHRISTIAN: She loves me? say! CYRANO: Maybe! CHRISTIAN (taking his hands): How glad I am to meet you, Sir! CYRANO: That may be called a sudden sentiment! CHRISTIAN: I ask your pardon. . . CYRANO (looking at him, with his hand on his shoulder): True, he's fair, the villain! CHRISTIAN: Ah, Sir! If you but knew my admiration!. . . CYRANO: But all those noses?. . . CHRISTIAN: Oh! I take them back! CYRANO: Roxane expects a letter. CHRISTIAN: Woe the day! CYRANO: How? CHRISTIAN: I am lost if I but ope my lips! CYRANO: Why so? CHRISTIAN: I am a fool--could die for shame! CYRANO: None is a fool who knows himself a fool. And you did not attack me like a fool. CHRISTIAN: Bah! One finds battle-cry to lead th' assault! I have a certain military wit, But, before women, can but hold my tongue. Their eyes! True, when I pass, their eyes are kind. . . CYRANO: And, when you stay, their hearts, methinks, are kinder? CHRISTIAN: No! for I am one of those men--tongue-tied, I know it--who can never tell their love. CYRANO: And I, meseems, had Nature been more kind, More careful, when she fashioned me,--had been One of those men who well could speak their love! CHRISTIAN: Oh, to express one's thoughts with facile grace!. . . CYRANO: . . .To be a musketeer, with handsome face! CHRISTIAN: Roxane is precieuse. I'm sure to prove A disappointment to her! CYRANO (looking at him): Had I but Such an interpreter to speak my soul! CHRISTIAN (with despair): Eloquence! Where to find it? CYRANO (abruptly): That I lend, If you lend me your handsome victor-charms; Blended, we make a hero of romance! CHRISTIAN: How so? CYRANO: Think you you can repeat what things I daily teach your tongue? CHRISTIAN: What do you mean? CYRANO: Roxane shall never have a disillusion! Say, wilt thou that we woo her, double-handed? Wilt thou that we two woo her, both together? Feel'st thou, passing from my leather doublet, Through thy laced doublet, all my soul inspiring? CHRISTIAN: But, Cyrano!. . . CYRANO: Will you, I say? CHRISTIAN: I fear! CYRANO: Since, by yourself, you fear to chill her heart, Will you--to kindle all her heart to flame-- Wed into one my phrases and your lips? CHRISTIAN: Your eyes flash! CYRANO: Will you? CHRISTIAN: Will it please you so? --Give you such pleasure? CYRANO (madly): It!. . . (Then calmly, business-like): It would amuse me! It is an enterprise to tempt a poet. Will you complete me, and let me complete you? You march victorious,--I go in your shadow; Let me be wit for you, be you my beauty! CHRISTIAN: The letter, that she waits for even now! I never can. . . CYRANO (taking out the letter he had written): See! Here it is--your letter! CHRISTIAN: What? CYRANO: Take it! Look, it wants but the address. CHRISTIAN: But I. . . CYRANO: Fear nothing. Send it. It will suit. CHRISTIAN: But have you. . .? CYRANO: Oh! We have our pockets full, We poets, of love-letters, writ to Chloes, Daphnes--creations of our noddle-heads. Our lady-loves,--phantasms of our brains, --Dream-fancies blown into soap-bubbles! Come! Take it, and change feigned love-words into true; I breathed my sighs and moans haphazard-wise; Call all these wandering love-birds home to nest. You'll see that I was in these lettered lines, --Eloquent all the more, the less sincere! --Take it, and make an end! CHRISTIAN: Were it not well To change some words? Written haphazard-wise, Will it fit Roxane? CYRANO: 'Twill fit like a glove! CHRISTIAN: But. . . CYRANO: Ah, credulity of love! Roxane Will think each word inspired by herself! CHRISTIAN: My friend! (He throws himself into Cyrano's arms. They remain thus.)

Act 2, scene 10

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10

Cyrano commends Christian's bravery and, to Christian's astonishment, embraces him. Cyrano tells Christian that he is Roxane's cousin and that she loves him. Christian apologizes to Cyrano for insulting him. Christian fears that Roxane will lose interest in him as soon as he speaks to her, as he is so stupid. Cyrano proposes that he join his eloquence to Christian's good looks to create the perfect lover for Roxane. He will write some eloquent speeches for Christian to deliver to Roxane as his own. Cyrano claims that he only wants to do this to practise his literary skills. From his pocket, he produces the letter he wrote earlier to Roxane and hands it to Christian to give to her. Christian embraces Cyrano in gratitude. The other Guards, Lise, and the Musketeer enter and are astonished to see Cyrano embracing Christian. The Musketeer believes that Cyrano must have undergone a transformation that means it is safe to talk about his nose. He impudently stares at Cyrano's nose, asking what the smell could be. Cyrano cries, "It's pigshit. and floors the Musketeer with a blow.

of Act 2, scenes 1-10. Act 2 draws a stark contrast between Cyrano's fearlessness in matters of courage and honor in battle, and his terror when faced with his love for Roxane. Christian, another brave man whose courage fails him in love, is Cyrano's mirror when it comes to feeling inadequate as a lover. But Christian is Cyrano's opposite when it comes to the reasons for his feelings of inadequacy. Christian is self-assured about his looks but is certain that he is so stupid that Roxane will lose interest in him the moment he opens his mouth to speak. Cyrano, on the other hand, feels physically unattractive but is confident in his wit and intelligence. Cyrano's suggestion that they combine his own wit and eloquence to Christian's good looks to make the perfect lover for Roxane is significant on many levels. First, it comments ironically on a conviction held by many a lover in every age: that they are not good enough to be loved by the object of their desires as they really are. Cyrano believes that if only he had Christian's looks, he would succeed with Roxane, and Christian believes that if only he had Cyrano's intelligence, he would succeed with Roxane. Second, the two men's decision to combine forces also carries the implicit suggestion that no one is perfect, so people should celebrate whatever good qualities they possess and not dwell on their shortcomings. In the character of Cyrano, the play focuses on a source of inadequacy that is particularly relevant to the modern age: the obsession with physical perfection. Third, Cyrano's suggestion represents a fall from grace for a man who in every other respect has shown honor, integrity, and a devotion to truth. However honorable and selfless Cyrano's final aim might be , the means by which he will achieve his aim is deception of Roxane. Roxane shows herself to be a person of intelligence, compassion, and integrity, and the reader may well feel indignant that she should be wooed by a chimera, an illusion that does not really exist. Fourth, Cyrano's suggestion sets in motion the major conflict that drives the action of the play. The notion of combining forces with Christian will enable him to have the vicarious joy of declaring his love for Roxane, but the fact that Cyrano deceives her into believing that his words are Christian's means that he can never win her for himself. The power of words, as embodied in literature, continues to be an important theme in Act 2. Rostand shows how words can both divide people and bring them closer together in love. Their intention that Christian will recite Cyrano's lines just as an actor recites lines in a play symbolically turns the wooing of Roxane into a piece of theater in which Cyrano is the playwright, Christian the unintelligent but attractive leading man, and Roxane the audience. This mirrors the opening scenes of the play, in which Cyrano directed events, Montfleury was the untalented actor, and Roxane was, once again, a spectator. There is bitter dramatic irony in the scene between Roxane and Cyrano. Cyrano, emboldened by Le Bret's encouragement, is ready to declare his love, but Roxane has invited him to the meeting in order to ask him to protect Christian. Ordinarily, Cyrano and Christian would be rivals or even enemies due to their love for the same woman. But Roxane's request to Cyrano that he protect Christian means that he must become Christian's friend and supporter. Cyrano's embrace of this unforeseen role is his greatest act of heroism so far. He is sacrificing his own self-interest for the sake of others' happiness

novelguide

all_chapterized_books/1254-chapters/22.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_4_part_1.txt

Cyrano de Bergerac.act 3.scene 1

act 3, scene 1

{"name": "act 3, scene 1", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes1-4", "summary": "Ragueneau is sitting outside Roxane's house, telling her Duenna that his wife has just left him for the Musketeer, taking what little money they had. Ragueneau tried to hang himself, but Cyrano found him, cut him down, and sent him to Roxane to be her steward. The Duenna calls Roxane; they are going to hear a talk about love. Cyrano enters with some musicians and begins to serenade Roxane, who appears on her balcony. Cyrano explains that he won the services of the musicians in a bet about a point of grammar. He is now bored with them, however, and sends them away. Roxane comes down and discusses Christian with Cyrano. She says that she loves him, and that he is even cleverer than Cyrano in writing eloquent letters. Cyrano is disparaging about the phrases in the letters, and Roxane says he is jealous of Christian's literary talent. The Duenna warns Roxane and Cyrano that de Guiche is coming. Cyrano goes into the house", "analysis": ""}

Ragueneau, the duenna. Then Roxane, Cyrano, and two pages. RAGUENEAU: --And then, off she went, with a musketeer! Deserted and ruined too, I would make an end of all, and so hanged myself. My last breath was drawn:-- then in comes Monsieur de Bergerac! He cuts me down, and begs his cousin to take me for her steward. THE DUENNA: Well, but how came it about that you were thus ruined? RAGUENEAU: Oh! Lise loved the warriors, and I loved the poets! What cakes there were that Apollo chanced to leave were quickly snapped up by Mars. Thus ruin was not long a-coming. THE DUENNA (rising, and calling up to the open window): Roxane, are you ready? They wait for us! ROXANE'S VOICE (from the window): I will but put me on a cloak! THE DUENNA (to Ragueneau, showing him the door opposite): They wait us there opposite, at Clomire's house. She receives them all there to-day--the precieuses, the poets; they read a discourse on the Tender Passion. RAGUENEAU: The Tender Passion? THE DUENNA (in a mincing voice): Ay, indeed! (Calling up to the window): Roxane, an you come not down quickly, we shall miss the discourse on the Tender Passion! ROXANE'S VOICE: I come! I come! (A sound of stringed instruments approaching.) CYRANO'S VOICE (behind the scenes, singing): La, la, la, la! THE DUENNA (surprised): They serenade us? CYRANO (followed by two pages with arch-lutes): I tell you they are demi-semi-quavers, demi-semi-fool! FIRST PAGE (ironically): You know then, Sir, to distinguish between semi-quavers and demi-semi- quavers? CYRANO: Is not every disciple of Gassendi a musician? THE PAGE (playing and singing): La, la! CYRANO (snatching the lute from him, and going on with the phrase): In proof of which, I can continue! La, la, la, la! ROXANE (appearing on the balcony): What? 'Tis you? CYRANO (going on with the air, and singing to it): 'Tis I, who come to serenade your lilies, and pay my devoir to your ro-o- oses! ROXANE: I am coming down! (She leaves the balcony.) THE DUENNA (pointing to the pages): How come these two virtuosi here? CYRANO: 'Tis for a wager I won of D'Assoucy. We were disputing a nice point in grammar; contradictions raged hotly--''Tis so!' 'Nay, 'tis so!' when suddenly he shows me these two long-shanks, whom he takes about with him as an escort, and who are skillful in scratching lute-strings with their skinny claws! 'I will wager you a day's music,' says he!--And lost it! Thus, see you, till Phoebus' chariot starts once again, these lute-twangers are at my heels, seeing all I do, hearing all I say, and accompanying all with melody. 'Twas pleasant at the first, but i' faith, I begin to weary of it already! (To the musicians): Ho there! go serenade Montfleury for me! Play a dance to him! (The pages go toward the door. To the duenna): I have come, as is my wont, nightly, to ask Roxane whether. . . (To the pages, who are going out): Play a long time,--and play out of tune! (To the duenna): . . .Whether her soul's elected is ever the same, ever faultless! ROXANE (coming out of the house): Ah! How handsome he is, how brilliant a wit! And--how well I love him! CYRANO (smiling): Christian has so brilliant a wit? ROXANE: Brighter than even your own, cousin! CYRANO: Be it so, with all my heart! ROXANE: Ah! methinks 'twere impossible that there could breathe a man on this earth skilled to say as sweetly as he all the pretty nothings that mean so much-- that mean all! At times his mind seems far away, the Muse says naught--and then, presto! he speaks--bewitchingly! enchantingly! CYRANO (incredulously): No, no! ROXANE: Fie! That is ill said! But lo! men are ever thus! Because he is fair to see, you would have it that he must be dull of speech. CYRANO: He hath an eloquent tongue in telling his love? ROXANE: In telling his love? why, 'tis not simple telling, 'tis dissertation, 'tis analysis! CYRANO: How is he with the pen? ROXANE: Still better! Listen,--here:-- (Reciting): 'The more of my poor heart you take The larger grows my heart!' (Triumphantly to Cyrano): How like you those lines? CYRANO: Pooh! ROXANE: And thus it goes on. . . 'And, since some target I must show For Cupid's cruel dart, Oh, if mine own you deign to keep, Then give me your sweet heart!' CYRANO: Lord! first he has too much, then anon not enough! How much heart does the fellow want? ROXANE: You would vex a saint!. . .But 'tis your jealousy. CYRANO (starting): What mean you? ROXANE: Ay, your poet's jealousy! Hark now, if this again be not tender-sweet?-- 'My heart to yours sounds but one cry: If kisses fast could flee By letter, then with your sweet lips My letters read should be! If kisses could be writ with ink, If kisses fast could flee!' CYRANO (smiling approvingly in spite of himself): Ha! those last lines are,--hm!. . .hm!. . . (Correcting himself--contemptuously): --They are paltry enough! ROXANE: And this. . . CYRANO (enchanted): Then you have his letters by heart? ROXANE: Every one of them! CYRANO: By all oaths that can be sworn,--'tis flattering! ROXANE: They are the lines of a master! CYRANO (modestly): Come, nay. . .a master?. . . ROXANE: Ay, I say it--a master! CYRANO: Good--be it so. THE DUENNA (coming down quickly): Here comes Monsieur de Guiche! (To Cyrano, pushing him toward the house): In with you! 'twere best he see you not; it might perchance put him on the scent. . . ROXANE (to Cyrano): Ay, of my own dear secret! He loves me, and is powerful, and, if he knew, then all were lost! Marry! he could well deal a deathblow to my love! CYRANO (entering the house): Good! good! (De Guiche appears.)

act 3, scene 1

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes1-4

Ragueneau is sitting outside Roxane's house, telling her Duenna that his wife has just left him for the Musketeer, taking what little money they had. Ragueneau tried to hang himself, but Cyrano found him, cut him down, and sent him to Roxane to be her steward. The Duenna calls Roxane; they are going to hear a talk about love. Cyrano enters with some musicians and begins to serenade Roxane, who appears on her balcony. Cyrano explains that he won the services of the musicians in a bet about a point of grammar. He is now bored with them, however, and sends them away. Roxane comes down and discusses Christian with Cyrano. She says that she loves him, and that he is even cleverer than Cyrano in writing eloquent letters. Cyrano is disparaging about the phrases in the letters, and Roxane says he is jealous of Christian's literary talent. The Duenna warns Roxane and Cyrano that de Guiche is coming. Cyrano goes into the house

novelguide

all_chapterized_books/1254-chapters/23.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_4_part_2.txt

Cyrano de Bergerac.act 3.scene 2

act 3, scene 2

{"name": "act 3, scene 2", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes1-4", "summary": "De Guiche tells Roxane that he has come to say goodbye. He is leaving tonight to go to fight in the war at the northern French town of Arras, which in 1640 was occupied by the Spanish. De Guiche is disappointed that Roxane does not appear to care that he is leaving. He reveals that he is the officer in command of the Guards, the company in which Cyrano and Christian serve. Roxane realizes that de Guiche has the authority to send Christian into battle. Her fearful response leads de Guiche to fool himself that she is concerned about him , whereas in fact, she is worried about Christian's safety. Roxane thinks quickly and suggests that the best way for de Guiche to wreak revenge upon Cyrano would be to leave him and the other Guards at home while the rest of the army goes to war. De Guiche, convinced that Roxane loves him, leaves. Roxane makes the Duenna promise not to tell Cyrano that she has deprived him of a war", "analysis": ""}

Roxane, De Guiche, the duenna standing a little way off. ROXANE (courtesying to De Guiche): I was going out. DE GUICHE: I come to take my leave. ROXANE: Whither go you? DE GUICHE: To the war. ROXANE: Ah! DE GUICHE: Ay, to-night. ROXANE: Oh! DE GUICHE: I am ordered away. We are to besiege Arras. ROXANE: Ah--to besiege?. . . DE GUICHE: Ay. My going moves you not, meseems. ROXANE: Nay. . . DE GUICHE: I am grieved to the core of the heart. Shall I again behold you?. . .When? I know not. Heard you that I am named commander?. . . ROXANE (indifferently): Bravo! DE GUICHE: Of the Guards regiment. ROXANE (startled): What! the Guards? DE GUICHE: Ay, where serves your cousin, the swaggering boaster. I will find a way to revenge myself on him at Arras. ROXANE (choking): What mean you? The Guards go to Arras? DE GUICHE (laughing): Bethink you, is it not my own regiment? ROXANE (falling seated on the bench--aside): Christian! DE GUICHE: What ails you? ROXANE (moved deeply): Oh--I am in despair! The man one loves!--at the war! DE GUICHE (surprised and delighted): You say such sweet words to me! 'Tis the first time!--and just when I must quit you! ROXANE (collected, and fanning herself): Thus,--you would fain revenge your grudge against my cousin? DE GUICHE: My fair lady is on his side? ROXANE: Nay,--against him! DE GUICHE: Do you see him often? ROXANE: But very rarely. DE GUICHE: He is ever to be met now in company with one of the cadets,. . .one New-- villen--viller-- ROXANE: Of high stature? DE GUICHE: Fair-haired! ROXANE: Ay, a red-headed fellow! DE GUICHE: Handsome!. . . ROXANE: Tut! DE GUICHE: But dull-witted. ROXANE: One would think so, to look at him! (Changing her tone): How mean you to play your revenge on Cyrano? Perchance you think to put him i' the thick of the shots? Nay, believe me, that were a poor vengeance--he would love such a post better than aught else! I know the way to wound his pride far more keenly! DE GUICHE: What then? Tell. . . ROXANE: If, when the regiment march to Arras, he were left here with his beloved boon companions, the Cadets, to sit with crossed arms so long as the war lasted! There is your method, would you enrage a man of his kind; cheat him of his chance of mortal danger, and you punish him right fiercely. DE GUICHE (coming nearer): O woman! woman! Who but a woman had e'er devised so subtle a trick? ROXANE: See you not how he will eat out his heart, while his friends gnaw their thick fists for that they are deprived of the battle? So are you best avenged. DE GUICHE: You love me, then, a little? (She smiles): I would fain--seeing you thus espouse my cause, Roxane--believe it a proof of love! ROXANE: 'Tis a proof of love! DE GUICHE (showing some sealed papers): Here are the marching orders; they will be sent instantly to each company-- except-- (He detaches one): --This one! 'Tis that of the Cadets. (He puts it in his pocket): This I keep. (Laughing): Ha! ha! ha! Cyrano! His love of battle!. . .So you can play tricks on people?. . .you, of all ladies! ROXANE: Sometimes! DE GUICHE (coming close to her): Oh! how I love you!--to distraction! Listen! To-night--true, I ought to start--but--how leave you now that I feel your heart is touched! Hard by, in the Rue d'Orleans, is a convent founded by Father Athanasius, the syndic of the Capuchins. True that no layman may enter--but--I can settle that with the good Fathers! Their habit sleeves are wide enough to hide me in. 'Tis they who serve Richelieu's private chapel: and from respect to the uncle, fear the nephew. All will deem me gone. I will come to you, masked. Give me leave to wait till tomorrow, sweet Lady Fanciful! ROXANE: But, of this be rumored, your glory. . . DE GUICHE: Bah! ROXANE: But the siege--Arras. . . DE GUICHE: 'Twill take its chance. Grant but permission. ROXANE: No! DE GUICHE: Give me leave! ROXANE (tenderly): It were my duty to forbid you! DE GUICHE: Ah! ROXANE: You must go! (Aside): Christian stays here. (Aloud): I would have you heroic--Antoine! DE GUICHE: O heavenly word! You love, then, him?. . . ROXANE: . . .For whom I trembled. DE GUICHE (in an ecstasy): Ah! I go then! (He kisses her hand): Are you content? ROXANE: Yes, my friend! (He goes out.) THE DUENNA (making behind his back a mocking courtesy): Yes, my friend! ROXANE (to the duenna): Not a word of what I have done. Cyrano would never pardon me for stealing his fighting from him! (She calls toward the house): Cousin!

act 3, scene 2

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes1-4

De Guiche tells Roxane that he has come to say goodbye. He is leaving tonight to go to fight in the war at the northern French town of Arras, which in 1640 was occupied by the Spanish. De Guiche is disappointed that Roxane does not appear to care that he is leaving. He reveals that he is the officer in command of the Guards, the company in which Cyrano and Christian serve. Roxane realizes that de Guiche has the authority to send Christian into battle. Her fearful response leads de Guiche to fool himself that she is concerned about him , whereas in fact, she is worried about Christian's safety. Roxane thinks quickly and suggests that the best way for de Guiche to wreak revenge upon Cyrano would be to leave him and the other Guards at home while the rest of the army goes to war. De Guiche, convinced that Roxane loves him, leaves. Roxane makes the Duenna promise not to tell Cyrano that she has deprived him of a war

novelguide

all_chapterized_books/1254-chapters/24.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_4_part_3.txt

Cyrano de Bergerac.act 3.scene 3

act 3, scene 3

{"name": "act 3, scene 3", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes1-4", "summary": "Roxane and the Duenna prepare to go to the talk on love at the house opposite. She tells Cyrano that if Christian comes to visit her, Cyrano should ask him to wait. She reveals that she plans to ask Christian to improvise around the subject of love, but asks Cyrano not to pass this on to Christian, as she believes he would practice a speech beforehand. Roxane and the Duenna leave. Cyrano calls Christian, who has been waiting nearby", "analysis": ""}

Roxane, The duenna, Cyrano. ROXANE: We are going to Clomire's house. (She points to the door opposite): Alcandre and Lysimon are to discourse! THE DUENNA (putting her little finger in her ear): Yes! But my little finger tells me we shall miss them. CYRANO: 'Twere a pity to miss such apes! (They have come to Clomire's door.) THE DUENNA: Oh, see! The knocker is muffled up! (Speaking to the knocker): So they have gagged that metal tongue of yours, little noisy one, lest it should disturb the fine orators! (She lifts it carefully and knocks with precaution.) ROXANE (seeing that the door opens): Let us enter! (On the threshold, to Cyrano): If Christian comes, as I feel sure he will, bid him wait for me! CYRANO (quickly, as she is going in): Listen! (She turns): What mean you to question him on, as is your wont, to-night? ROXANE: Oh-- CYRANO (eagerly): Well, say. ROXANE: But you will be mute? CYRANO: Mute as a fish. ROXANE: I shall not question him at all, but say: Give rein to your fancy! Prepare not your speeches,--but speak the thoughts as they come! Speak to me of love, and speak splendidly! CYRANO (smiling): Very good! ROXANE: But secret!. . . CYRANO: Secret. ROXANE: Not a word! (She enters and shuts the door.) CYRANO (when the door is shut, bowing to her): A thousand thanks! (The door opens again, and Roxane puts her head out.) ROXANE: Lest he prepare himself! CYRANO: The devil!--no, no! BOTH TOGETHER: Secret. (The door shuts.) CYRANO (calling): Christian!

act 3, scene 3

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes1-4

Roxane and the Duenna prepare to go to the talk on love at the house opposite. She tells Cyrano that if Christian comes to visit her, Cyrano should ask him to wait. She reveals that she plans to ask Christian to improvise around the subject of love, but asks Cyrano not to pass this on to Christian, as she believes he would practice a speech beforehand. Roxane and the Duenna leave. Cyrano calls Christian, who has been waiting nearby

novelguide

all_chapterized_books/1254-chapters/25.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_4_part_4.txt

Cyrano de Bergerac.act 3.scene 4

act 3, scene 4

{"name": "act 3, scene 4", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes1-4", "summary": "Cyrano tries to persuade Christian to learn some lines that he has written, but Christian refuses. He is confident that Roxane loves him now, and he wants to speak to her in his own words.", "analysis": "of scenes 1-4. Cyrano's heroism is reinforced in this section by his compassionate treatment of Ragueneau after his wife runs away with the Musketeer. Cyrano saves him from a suicide attempt and gets him a job with Roxane. Roxane is revealed as a quick-thinking and resourceful woman. She successfully convinces de Guiche not to send Christian into battle and persuades de Guiche that he is the object of her affections. She does all this without compromising her feminine honor. Two elements in this section show the fragility of the love between Christian and Roxane. First, the audience knows that Roxane's plan to get Christian to improvise on the subject of love is doomed to failure. Not gifted with verbal dexterity at the best of times, he has already stated that talking about love is utterly beyond his abilities. Second, Christian's decision to dispense with Cyrano's services and to rely upon his own words seems rash and premature, as he has shown no evidence of improvement on his last feeble attempts to converse with Roxane. However, his decision effectively throws out a challenge to himself to prove that he is worthy of her. The audience is held in suspense as it awaits the outcome"}

Cyrano, Christian. CYRANO: I know all that is needful. Here's occasion For you to deck yourself with glory. Come, Lose no time; put away those sulky looks, Come to your house with me, I'll teach you. . . CHRISTIAN: No! CYRANO: Why? CHRISTIAN: I will wait for Roxane here. CYRANO: How? Crazy? Come quick with me and learn. . . CHRISTIAN: No, no! I say. I am aweary of these borrowed letters, --Borrowed love-makings! Thus to act a part, And tremble all the time!--'Twas well enough At the beginning!--Now I know she loves! I fear no longer!--I will speak myself. CYRANO: Mercy! CHRISTIAN: And how know you I cannot speak?-- I am not such a fool when all is said! I've by your lessons profited. You'll see I shall know how to speak alone! The devil! I know at least to clasp her in my arms! (Seeing Roxane come out from Clomire's house): --It is she! Cyrano, no!--Leave me not! CYRANO (bowing): Speak for yourself, my friend, and take your chance. (He disappears behind the garden wall.)

act 3, scene 4

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes1-4

Cyrano tries to persuade Christian to learn some lines that he has written, but Christian refuses. He is confident that Roxane loves him now, and he wants to speak to her in his own words.

of scenes 1-4. Cyrano's heroism is reinforced in this section by his compassionate treatment of Ragueneau after his wife runs away with the Musketeer. Cyrano saves him from a suicide attempt and gets him a job with Roxane. Roxane is revealed as a quick-thinking and resourceful woman. She successfully convinces de Guiche not to send Christian into battle and persuades de Guiche that he is the object of her affections. She does all this without compromising her feminine honor. Two elements in this section show the fragility of the love between Christian and Roxane. First, the audience knows that Roxane's plan to get Christian to improvise on the subject of love is doomed to failure. Not gifted with verbal dexterity at the best of times, he has already stated that talking about love is utterly beyond his abilities. Second, Christian's decision to dispense with Cyrano's services and to rely upon his own words seems rash and premature, as he has shown no evidence of improvement on his last feeble attempts to converse with Roxane. However, his decision effectively throws out a challenge to himself to prove that he is worthy of her. The audience is held in suspense as it awaits the outcome

novelguide

all_chapterized_books/1254-chapters/26.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_5_part_1.txt

Cyrano de Bergerac.act 3.scene 5

act 3, scene 5

{"name": "act 3, scene 5", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14", "summary": "Roxane and the Duenna return home. Roxane sits outside her house with Christian, and she asks him to talk to her about love. All he can say is \"I love you. Roxane expects him to elaborate, but he cannot, except to ask to kiss her neck. She is angry, goes into her house, and shuts the door on Christian. Cyrano appears and ironically congratulates Christian on his success", "analysis": ""}

Christian, Roxane, the duenna. ROXANE (coming out of Clomire's house, with a company of friends, whom she leaves. Bows and good-byes): Barthenoide!--Alcandre!--Gremione!-- THE DUENNA (bitterly disappointed): We've missed the speech upon the Tender Passion! (Goes into Roxane's house.) ROXANE (still bowing): Urimedonte--adieu! (All bow to Roxane and to each other, and then separate, going up different streets. Roxane suddenly seeing Christian): You! (She goes to him): Evening falls. Let's sit. Speak on. I listen. CHRISTIAN (sits by her on the bench. A silence): Oh! I love you! ROXANE (shutting her eyes): Ay, speak to me of love. CHRISTIAN: I love thee! ROXANE: That's The theme! But vary it. CHRISTIAN: I. . . ROXANE: Vary it! CHRISTIAN: I love you so! ROXANE: Oh! without doubt!--and then?. . . CHRISTIAN: And then--I should be--oh!--so glad--so glad If you would love me!--Roxane, tell me so! ROXANE (with a little grimace): I hoped for cream,--you give me gruel! Say How love possesses you? CHRISTIAN: Oh utterly! ROXANE: Come, come!. . .unknot those tangled sentiments! CHRISTIAN: Your throat I'd kiss it! ROXANE: Christian! CHRISTIAN: I love thee! ROXANE (half-rising): Again! CHRISTIAN (eagerly, detaining her): No, no! I love thee not! ROXANE (reseating herself): 'Tis well! CHRISTIAN: But I adore thee! ROXANE (rising, and going further off): Oh! CHRISTIAN: I am grown stupid! ROXANE (dryly): And that displeases me, almost as much As 'twould displease me if you grew ill-favored. CHRISTIAN: But. . . ROXANE: Rally your poor eloquence that's flown! CHRISTIAN: I. . . ROXANE: Yes, you love me, that I know. Adieu. (She goes toward her house.) CHRISTIAN: Oh, go not yet! I'd tell you-- ROXANE (opening the door): You adore me? I've heard it very oft. No!--Go away! CHRISTIAN: But I would fain. . . (She shuts the door in his face.) CYRANO (who has re-entered unseen): I' faith! It is successful!

act 3, scene 5

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14

Roxane and the Duenna return home. Roxane sits outside her house with Christian, and she asks him to talk to her about love. All he can say is "I love you. Roxane expects him to elaborate, but he cannot, except to ask to kiss her neck. She is angry, goes into her house, and shuts the door on Christian. Cyrano appears and ironically congratulates Christian on his success

novelguide

all_chapterized_books/1254-chapters/27.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_5_part_2.txt

Cyrano de Bergerac.act 3.scene 6

act 3, scene 6

{"name": "Act 3, scene 6", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14", "summary": "Christian begs Cyrano to help him get Roxane back. A light appears in the balcony window, so the men know that she is in her room. Cyrano hides under the balcony and makes Christian stand in front of it. Cyrano throws pebbles at Roxane's window to get her to come out", "analysis": ""}

Christian, Cyrano, two pages. CHRISTIAN: Come to my aid! CYRANO: Not I! CHRISTIAN: But I shall die, Unless at once I win back her fair favor. CYRANO: And how can I, at once, i' th' devil's name, Lesson you in. . . CHRISTIAN (seizing his arm): Oh, she is there! (The window of the balcony is now lighted up.) CYRANO (moved): Her window! CHRISTIAN: Oh! I shall die! CYRANO: Speak lower! CHRISTIAN (in a whisper): I shall die! CYRANO: The night is dark. . . CHRISTIAN: Well! CYRANO: All can be repaired. Although you merit not. Stand there, poor wretch! Fronting the balcony! I'll go beneath And prompt your words to you. . . CHRISTIAN: But. . . CYRANO: Hold your tongue! THE PAGES (reappearing at back--to Cyrano): Ho! CYRANO: Hush! (He signs to them to speak softly.) FIRST PAGE (in a low voice): We've played the serenade you bade To Montfleury! CYRANO (quickly, in a low voice): Go! lurk in ambush there, One at this street corner, and one at that; And if a passer-by should here intrude, Play you a tune! SECOND PAGE: What tune, Sir Gassendist? CYRANO: Gay, if a woman comes,--for a man, sad! (The pages disappear, one at each street corner. To Christian): Call her! CHRISTIAN: Roxane! CYRANO (picking up stones and throwing them at the window): Some pebbles! wait awhile! ROXANE (half-opening the casement): Who calls me? CHRISTIAN: I! ROXANE: Who's that? CHRISTIAN: Christian! ROXANE (disdainfully): Oh! you? CHRISTIAN: I would speak with you. CYRANO (under the balcony--to Christian): Good. Speak soft and low. ROXANE: No, you speak stupidly! CHRISTIAN: Oh, pity me! ROXANE: No! you love me no more! CHRISTIAN (prompted by Cyrano): You say--Great Heaven! I love no more?--when--I--love more and more! ROXANE (who was about to shut the casement, pausing): Hold! 'tis a trifle better! ay, a trifle! CHRISTIAN (same play): Love grew apace, rocked by the anxious beating. . . Of this poor heart, which the cruel wanton boy. . . Took for a cradle! ROXANE (coming out on to the balcony): That is better! But An if you deem that Cupid be so cruel You should have stifled baby-love in's cradle! CHRISTIAN (same play): Ah, Madame, I assayed, but all in vain This. . .new-born babe is a young. . .Hercules! ROXANE: Still better! CHRISTIAN (same play): Thus he strangled in my heart The. . .serpents twain, of. . .Pride. . .and Doubt! ROXANE (leaning over the balcony): Well said! --But why so faltering? Has mental palsy Seized on your faculty imaginative? CYRANO (drawing Christian under the balcony, and slipping into his place): Give place! This waxes critical!. . . ROXANE: To-day. . . Your words are hesitating. CYRANO (imitating Christian--in a whisper): Night has come. . . In the dusk they grope their way to find your ear. ROXANE: But my words find no such impediment. CYRANO: They find their way at once? Small wonder that! For 'tis within my heart they find their home; Bethink how large my heart, how small your ear! And,--from fair heights descending, words fall fast, But mine must mount, Madame, and that takes time! ROXANE: Meseems that your last words have learned to climb. CYRANO: With practice such gymnastic grows less hard! ROXANE: In truth, I seem to speak from distant heights! CYRANO: True, far above; at such a height 'twere death If a hard word from you fell on my heart. ROXANE (moving): I will come down. . . CYRANO (hastily): No! ROXANE (showing him the bench under the balcony): Mount then on the bench! CYRANO (starting back alarmed): No! ROXANE: How, you will not? CYRANO (more and more moved): Stay awhile! 'Tis sweet,. . . The rare occasion, when our hearts can speak Our selves unseen, unseeing! ROXANE: Why--unseen? CYRANO: Ay, it is sweet! Half hidden,--half revealed-- You see the dark folds of my shrouding cloak, And I, the glimmering whiteness of your dress: I but a shadow--you a radiance fair! Know you what such a moment holds for me? If ever I were eloquent. . . ROXANE: You were! CYRANO: Yet never till to-night my speech has sprung Straight from my heart as now it springs. ROXANE: Why not? CYRANO: Till now I spoke haphazard. . . ROXANE: What? CYRANO: Your eyes Have beams that turn men dizzy!--But to-night Methinks I shall find speech for the first time! ROXANE: 'Tis true, your voice rings with a tone that's new. CYRANO (coming nearer, passionately): Ay, a new tone! In the tender, sheltering dusk I dare to be myself for once,--at last! (He stops, falters): What say I? I know not!--Oh, pardon me-- It thrills me,--'tis so sweet, so novel. . . ROXANE: How? So novel? CYRANO (off his balance, trying to find the thread of his sentence): Ay,--to be at last sincere; Till now, my chilled heart, fearing to be mocked. . . ROXANE: Mocked, and for what? CYRANO: For its mad beating!--Ay, My heart has clothed itself with witty words, To shroud itself from curious eyes:--impelled At times to aim at a star, I stay my hand, And, fearing ridicule,--cull a wild flower! ROXANE: A wild flower's sweet. CYRANO: Ay, but to-night--the star! ROXANE: Oh! never have you spoken thus before! CYRANO: If, leaving Cupid's arrows, quivers, torches, We turned to seek for sweeter--fresher things! Instead of sipping in a pygmy glass Dull fashionable waters,--did we try How the soul slakes its thirst in fearless draught By drinking from the river's flooding brim! ROXANE: But wit?. . . CYRANO: If I have used it to arrest you At the first starting,--now, 'twould be an outrage, An insult--to the perfumed Night--to Nature-- To speak fine words that garnish vain love-letters! Look up but at her stars! The quiet Heaven Will ease our hearts of all things artificial; I fear lest, 'midst the alchemy we're skilled in The truth of sentiment dissolve and vanish,-- The soul exhausted by these empty pastimes, The gain of fine things be the loss of all things! ROXANE: But wit? I say. . . CYRANO: In love 'tis crime,--'tis hateful! Turning frank loving into subtle fencing! At last the moment comes, inevitable,-- --Oh, woe for those who never know that moment! When feeling love exists in us, ennobling, Each well-weighed word is futile and soul-saddening! ROXANE: Well, if that moment's come for us--suppose it! What words would serve you? CYRANO: All, all, all, whatever That came to me, e'en as they came, I'd fling them In a wild cluster, not a careful bouquet. I love thee! I am mad! I love, I stifle! Thy name is in my heart as in a sheep-bell, And as I ever tremble, thinking of thee, Ever the bell shakes, ever thy name ringeth! All things of thine I mind, for I love all things; I know that last year on the twelfth of May-month, To walk abroad, one day you changed your hair-plaits! I am so used to take your hair for daylight That,--like as when the eye stares on the sun's disk, One sees long after a red blot on all things-- So, when I quit thy beams, my dazzled vision Sees upon all things a blonde stain imprinted. ROXANE (agitated): Why, this is love indeed!. . . CYRANO: Ay, true, the feeling Which fills me, terrible and jealous, truly Love,--which is ever sad amid its transports! Love,--and yet, strangely, not a selfish passion! I for your joy would gladly lay mine own down, --E'en though you never were to know it,--never! --If but at times I might--far off and lonely,-- Hear some gay echo of the joy I bought you! Each glance of thine awakes in me a virtue,-- A novel, unknown valor. Dost begin, sweet, To understand? So late, dost understand me? Feel'st thou my soul, here, through the darkness mounting? Too fair the night! Too fair, too fair the moment! That I should speak thus, and that you should hearken! Too fair! In moments when my hopes rose proudest, I never hoped such guerdon. Naught is left me But to die now! Have words of mine the power To make you tremble,--throned there in the branches? Ay, like a leaf among the leaves, you tremble! You tremble! For I feel,--an if you will it, Or will it not,--your hand's beloved trembling Thrill through the branches, down your sprays of jasmine! (He kisses passionately one of the hanging tendrils.) ROXANE: Ay! I am trembling, weeping!--I am thine! Thou hast conquered all of me! CYRANO: Then let death come! 'Tis I, 'tis I myself, who conquered thee! One thing, but one, I dare to ask-- CHRISTIAN (under the balcony): A kiss! ROXANE (drawing back): What? CYRANO: Oh! ROXANE: You ask. . .? CYRANO: I. . . (To Christian, whispering): Fool! you go too quick! CHRISTIAN: Since she is moved thus--I will profit by it! CYRANO (to Roxane): My words sprang thoughtlessly, but now I see-- Shame on me!--I was too presumptuous. ROXANE (a little chilled): How quickly you withdraw. CYRANO: Yes, I withdraw Without withdrawing! Hurt I modesty? If so--the kiss I asked--oh, grant it not. CHRISTIAN (to Cyrano, pulling him by his cloak): Why? CYRANO: Silence, Christian! Hush! ROXANE (leaning over): What whisper you? CYRANO: I chid myself for my too bold advances; Said, 'Silence, Christian!' (The lutes begin to play): Hark! Wait awhile,. . . Steps come! (Roxane shuts the window. Cyrano listens to the lutes, one of which plays a merry, the other a melancholy, tune): Why, they play sad--then gay--then sad! What? Neither man nor woman?--oh! a monk! (Enter a capuchin friar, with a lantern. He goes from house to house, looking at every door.)

Act 3, scene 6

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14

Christian begs Cyrano to help him get Roxane back. A light appears in the balcony window, so the men know that she is in her room. Cyrano hides under the balcony and makes Christian stand in front of it. Cyrano throws pebbles at Roxane's window to get her to come out

novelguide

all_chapterized_books/1254-chapters/28.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_5_part_3.txt

Cyrano de Bergerac.act 3.scene 7

act 3, scene 7

{"name": "Act 3, scene 7", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14", "summary": "Roxane opens her window and tells Christian to go away as he has nothing to say. She is on the point of closing her window when Cyrano prompts Christian with eloquent speeches, which he delivers to Roxane. She changes her mind and decides to listen to her suitor. She asks Christian why his speech is full of delays. Cyrano quickly pulls Christian under the balcony and steps out in his place. He imitates Christian's voice and, because it is dark, Roxane cannot see that it is Cyrano who is addressing her. Cyrano is at last able to express the love he has always felt for Roxane. Spellbound by Cyrano's poetry, Roxane wants to come down, but Cyrano persuades her not to. Christian almost ruins the moment by asking Roxane for a kiss, which pulls her out of her enchantment, but Cyrano rescues the situation through his tact and sensitivity. He hears someone coming, and Roxane hastily withdraws inside the house", "analysis": ""}

Cyrano, Christian, a capuchin friar. CYRANO (to the friar): What do you, playing at Diogenes? THE FRIAR: I seek the house of Madame. . . CHRISTIAN: Oh! plague take him! THE FRIAR: Madeleine Robin. . . CHRISTIAN: What would he?. . . CYRANO (pointing to a street at the back): This way! Straight on. . . THE FRIAR I thank you, and, in your intention Will tell my rosary to its last bead. (He goes out.) CYRANO: Good luck! My blessings rest upon your cowl! (He goes back to Christian.)

Act 3, scene 7

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14

Roxane opens her window and tells Christian to go away as he has nothing to say. She is on the point of closing her window when Cyrano prompts Christian with eloquent speeches, which he delivers to Roxane. She changes her mind and decides to listen to her suitor. She asks Christian why his speech is full of delays. Cyrano quickly pulls Christian under the balcony and steps out in his place. He imitates Christian's voice and, because it is dark, Roxane cannot see that it is Cyrano who is addressing her. Cyrano is at last able to express the love he has always felt for Roxane. Spellbound by Cyrano's poetry, Roxane wants to come down, but Cyrano persuades her not to. Christian almost ruins the moment by asking Roxane for a kiss, which pulls her out of her enchantment, but Cyrano rescues the situation through his tact and sensitivity. He hears someone coming, and Roxane hastily withdraws inside the house

novelguide

all_chapterized_books/1254-chapters/29.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_5_part_4.txt

Cyrano de Bergerac.act 3.scene 8

act 3, scene 8

{"name": "Act 3, scene 8", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14", "summary": "A Capuchin monk enters, looking for Roxane's house. Cyrano, not wanting to be disturbed, sends him in the opposite direction", "analysis": ""}

Cyrano, Christian. CHRISTIAN: Oh! win for me that kiss. . . CYRANO: No! CHRISTIAN: Soon or late!. . . CYRANO: 'Tis true! The moment of intoxication-- Of madness,--when your mouths are sure to meet Thanks to your fair mustache--and her rose lips! (To himself): I'd fainer it should come thanks to. . . (A sound of shutters reopening. Christian goes in again under the balcony.)

Act 3, scene 8

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14

A Capuchin monk enters, looking for Roxane's house. Cyrano, not wanting to be disturbed, sends him in the opposite direction

novelguide

all_chapterized_books/1254-chapters/30.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_5_part_5.txt

Cyrano de Bergerac.act 3.scene 9

act 3, scene 9

{"name": "Act 3, scene 9", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14", "summary": "Christian tells Cyrano that he must have a kiss from Roxane. Cyrano reluctantly agrees", "analysis": ""}

Cyrano, Christian, Roxane. ROXANE (coming out on the balcony): Still there? We spoke of a. . . CYRANO: A kiss! The word is sweet. I see not why your lip should shrink from it; If the word burns it,--what would the kiss do? Oh! let it not your bashfulness affright; Have you not, all this time, insensibly, Left badinage aside, and unalarmed Glided from smile to sigh,--from sigh to weeping? Glide gently, imperceptibly, still onward-- From tear to kiss,--a moment's thrill!--a heartbeat! ROXANE: Hush! hush! CYRANO: A kiss, when all is said,--what is it? An oath that's ratified,--a sealed promise, A heart's avowal claiming confirmation,-- A rose-dot on the 'i' of 'adoration,'-- A secret that to mouth, not ear, is whispered,-- Brush of a bee's wing, that makes time eternal,-- Communion perfumed like the spring's wild flowers,-- The heart's relieving in the heart's outbreathing, When to the lips the soul's flood rises, brimming! ROXANE: Hush! hush! CYRANO: A kiss, Madame, is honorable: The Queen of France, to a most favored lord Did grant a kiss--the Queen herself! ROXANE: What then? CYRANO (speaking more warmly): Buckingham suffered dumbly,--so have I,-- Adored his Queen, as loyally as I,-- Was sad, but faithful,--so am I. . . ROXANE: And you Are fair as Buckingham! CYRANO (aside--suddenly cooled): True,--I forgot! ROXANE: Must I then bid thee mount to cull this flower? CYRANO (pushing Christian toward the balcony): Mount! ROXANE: This heart-breathing!. . . CYRANO: Mount! ROXANE: This brush of bee's wing!. . . CYRANO: Mount! CHRISTIAN (hesitating): But I feel now, as though 'twere ill done! ROXANE: This moment infinite!. . . CYRANO (still pushing him): Come, blockhead, mount! (Christian springs forward, and by means of the bench, the branches, and the pillars, climbs to the balcony and strides over it.) CHRISTIAN: Ah, Roxane! (He takes her in his arms, and bends over her lips.) CYRANO: Aie! Strange pain that wrings my heart! The kiss, love's feast, so near! I, Lazarus, Lie at the gate in darkness. Yet to me Falls still a crumb or two from the rich man's board-- Ay, 'tis my heart receives thee, Roxane--mine! For on the lips you press you kiss as well The words I spoke just now!--my words--my words! (The lutes play): A sad air,--a gay air: the monk! (He begins to run as if he came from a long way off, and cries out): Hola! ROXANE: Who is it? CYRANO: I--I was but passing by. . . Is Christian there? CHRISTIAN (astonished): Cyrano! ROXANE: Good-day, cousin! CYRANO: Cousin, good-day! ROXANE: I'm coming! (She disappears into the house. At the back re-enter the friar.) CHRISTIAN (seeing him): Back again! (He follows Roxane.)

Act 3, scene 9

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14

Christian tells Cyrano that he must have a kiss from Roxane. Cyrano reluctantly agrees

novelguide

all_chapterized_books/1254-chapters/31.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_5_part_6.txt

Cyrano de Bergerac.act 3.scene 10

act 3, scene 10

{"name": "Act 3, scene 10", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14", "summary": "Roxane reappears on her balcony. Cyrano charms her into agreeing to the kiss. He urges Christian to climb up and kiss Roxane. Christian hesitates, saying, \"It feels wrong. But Cyrano urges Christian more insistently, and Christian climbs up onto the balcony and kisses Roxane. Cyrano takes comfort in the thought that his words won the kiss", "analysis": ""}

Cyrano, Christian, Roxane, the friar, Ragueneau. THE FRIAR: 'Tis here,--I'm sure of it--Madame Madeleine Robin. CYRANO: Why, you said Ro-LIN. THE FRIAR: No, not I. B,I,N,BIN! ROXANE (appearing on the threshold, followed by Ragueneau, who carries a lantern, and Christian): What is't? THE FRIAR: A letter. CHRISTIAN: What? THE FRIAR (to Roxane): Oh, it can boot but a holy business! 'Tis from a worthy lord. . . ROXANE (to Christian): De Guiche! CHRISTIAN: He dares. . . ROXANE: Oh, he will not importune me forever! (Unsealing the letter): I love you,--therefore-- (She reads in a low voice by the aid of Ragueneau's lantern): 'Lady, The drums beat; My regiment buckles its harness on And starts; but I,--they deem me gone before-- But I stay. I have dared to disobey Your mandate. I am here in convent walls. I come to you to-night. By this poor monk-- A simple fool who knows not what he bears-- I send this missive to apprise your ear. Your lips erewhile have smiled on me, too sweet: I go not ere I've seen them once again! I would be private; send each soul away, Receive alone him,--whose great boldness you Have deigned, I hope, to pardon, ere he asks,-- He who is ever your--et cetera.' (To the monk): Father, this is the matter of the letter:-- (All come near her, and she reads aloud): 'Lady, The Cardinal's wish is law; albeit It be to you unwelcome. For this cause I send these lines--to your fair ear addressed-- By a holy man, discreet, intelligent: It is our will that you receive from him, In your own house, the marriage (She turns the page): benediction Straightway, this night. Unknown to all the world Christian becomes your husband. Him we send. He is abhorrent to your choice. Let be. Resign yourself, and this obedience Will be by Heaven well recompensed. Receive, Fair lady, all assurance of respect, From him who ever was, and still remains, Your humble and obliged--et cetera.' THE FRIAR (with great delight): O worthy lord! I knew naught was to fear; It could be but holy business! ROXANE (to Christian, in a low voice): Am I not apt at reading letters? CHRISTIAN: Hum! ROXANE (aloud, with despair): But this is horrible! THE FRIAR (who has turned his lantern on Cyrano): 'Tis you? CHRISTIAN: 'Tis I! THE FRIAR (turning the light on to him, and as if a doubt struck him on seeing his beauty): But. . . ROXANE (quickly): I have overlooked the postscript--see:-- 'Give twenty pistoles for the Convent.' THE FRIAR: . . .Oh! Most worthy lord! (To Roxane): Submit you? ROXANE (with a martyr's look): I submit! (While Ragueneau opens the door, and Christian invites the friar to enter, she whispers to Cyrano): Oh, keep De Guiche at bay! He will be here! Let him not enter till. . . CYRANO: I understand! (To the friar): What time need you to tie the marriage-knot? THE FRIAR: A quarter of an hour. CYRANO (pushing them all toward the house): Go! I stay. ROXANE (to Christian): Come!. . . (They enter.) CYRANO: Now, how to detain De Guiche so long? (He jumps on the bench, climbs to the balcony by the wall): Come!. . .up I go!. . .I have my plan!. . . (The lutes begin to play a very sad air): What, ho! (The tremolo grows more and more weird): It is a man! ay! 'tis a man this time! (He is on the balcony, pulls his hat over his eyes, takes off his sword, wraps himself in his cloak, then leans over): 'Tis not too high! (He strides across the balcony, and drawing to him a long branch of one of the trees that are by the garden wall, he hangs on to it with both hands, ready to let himself fall): I'll shake this atmosphere!

Act 3, scene 10

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14

Roxane reappears on her balcony. Cyrano charms her into agreeing to the kiss. He urges Christian to climb up and kiss Roxane. Christian hesitates, saying, "It feels wrong. But Cyrano urges Christian more insistently, and Christian climbs up onto the balcony and kisses Roxane. Cyrano takes comfort in the thought that his words won the kiss

novelguide

all_chapterized_books/1254-chapters/32.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_5_part_7.txt

Cyrano de Bergerac.act 3.scene 11

act 3, scene 11

{"name": "Act 3, scene 11", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14", "summary": "The monk reappears, having discovered that Roxane does live here. He brings a letter to Roxane from de Guiche. In the letter, de Guiche says that he has not gone to the war but has remained behind, hiding in a nearby convent. He intends to visit Roxane tonight. Pretending to read the letter aloud, Roxane says that de Guiche wants Christian to marry Roxane immediately; the monk will conduct the ceremony. The monk hesitates, but when Roxane pretends to discover a postscript promising a large donation to the convent, he agrees to marry them. The monk, Christian, and Roxane go into the house for the ceremony. Roxane asks Cyrano to keep de Guiche outside, talking, to prevent him disturbing the wedding", "analysis": ""}

Cyrano, De Guiche. DE GUICHE (who enters, masked, feeling his way in the dark): What can that cursed Friar be about? CYRANO: The devil!. . .If he knows my voice! (Letting go with one hand, he pretends to turn an invisible key. Solemnly): Cric! Crac! Assume thou, Cyrano, to serve the turn, The accent of thy native Bergerac!. . . DE GUICHE (looking at the house): 'Tis there. I see dim,--this mask hinders me! (He is about to enter, when Cyrano leaps from the balcony, holding on to the branch, which bends, dropping him between the door and De Guiche; he pretends to fall heavily, as from a great height, and lies flat on the ground, motionless, as if stunned. De Guiche starts back): What's this? (When he looks up, the branch has sprung back into its place. He sees only the sky, and is lost in amazement): Where fell that man from? CYRANO (sitting up, and speaking with a Gascon accent): From the moon! DE GUICHE: From?. . . CYRANO (in a dreamy voice): What's o'clock? DE GUICHE: He's lost his mind, for sure! CYRANO: What hour? What country this? What month? What day? DE GUICHE: But. . . CYRANO: I am stupefied! DE GUICHE: Sir! CYRANO: Like a bomb I fell from the moon! DE GUICHE (impatiently): Come now! CYRANO (rising, in a terrible voice): I say,--the moon! DE GUICHE (recoiling): Good, good! let it be so!. . .He's raving mad! CYRANO (walking up to him): I say from the moon! I mean no metaphor!. . . DE GUICHE: But. . . CYRANO: Was't a hundred years--a minute, since? --I cannot guess what time that fall embraced!-- That I was in that saffron-colored ball? DE GUICHE (shrugging his shoulders): Good! let me pass! CYRANO (intercepting him): Where am I? Tell the truth! Fear not to tell! Oh, spare me not! Where? where? Have I fallen like a shooting star? DE GUICHE: Morbleu! CYRANO: The fall was lightning-quick! no time to choose Where I should fall--I know not where it be! Oh, tell me! Is it on a moon or earth, that my posterior weight has landed me? DE GUICHE: I tell you, Sir. . . CYRANO (with a screech of terror, which makes De Guiche start back): No? Can it be? I'm on A planet where men have black faces? DE GUICHE (putting a hand to his face): What? CYRANO (feigning great alarm): Am I in Africa? A native you? DE GUICHE (who has remembered his mask): This mask of mine. . . CYRANO (pretending to be reassured): In Venice? ha!--or Rome? DE GUICHE (trying to pass): A lady waits. . CYRANO (quite reassured): Oh-ho! I am in Paris! DE GUICHE (smiling in spite of himself): The fool is comical! CYRANO: You laugh? DE GUICHE: I laugh, But would get by! CYRANO (beaming with joy): I have shot back to Paris! (Quite at ease, laughing, dusting himself, bowing): Come--pardon me--by the last water-spout, Covered with ether,--accident of travel! My eyes still full of star-dust, and my spurs Encumbered by the planets' filaments! (Picking something off his sleeve): Ha! on my doublet?--ah, a comet's hair!. . . (He puffs as if to blow it away.) DE GUICHE (beside himself): Sir!. . . CYRANO (just as he is about to pass, holds out his leg as if to show him something and stops him): In my leg--the calf--there is a tooth Of the Great Bear, and, passing Neptune close, I would avoid his trident's point, and fell, Thus sitting, plump, right in the Scales! My weight Is marked, still registered, up there in heaven! (Hurriedly preventing De Guiche from passing, and detaining him by the button of his doublet): I swear to you that if you squeezed my nose It would spout milk! DE GUICHE: Milk? CYRANO: From the Milky Way! DE GUICHE: Oh, go to hell! CYRANO (crossing his arms): I fall, Sir, out of heaven! Now, would you credit it, that as I fell I saw that Sirius wears a nightcap? True! (Confidentially): The other Bear is still too small to bite. (Laughing): I went through the Lyre, but I snapped a cord; (Grandiloquent): I mean to write the whole thing in a book; The small gold stars, that, wrapped up in my cloak, I carried safe away at no small risks, Will serve for asterisks i' the printed page! DE GUICHE: Come, make an end! I want. . . CYRANO: Oh-ho! You are sly! DE GUICHE: Sir! CYRANO: You would worm all out of me!--the way The moon is made, and if men breathe and live In its rotund cucurbita? DE GUICHE (angrily): No, no! I want. . . CYRANO: Ha, ha!--to know how I got up? Hark, it was by a method all my own. DE GUICHE (wearied): He's mad! CYRANO(contemptuously): No! not for me the stupid eagle Of Regiomontanus, nor the timid Pigeon of Archytas--neither of those! DE GUICHE: Ay, 'tis a fool! But 'tis a learned fool! CYRANO: No imitator I of other men! (De Guiche has succeeded in getting by, and goes toward Roxane's door. Cyrano follows him, ready to stop him by force): Six novel methods, all, this brain invented! DE GUICHE (turning round): Six? CYRANO (volubly): First, with body naked as your hand, Festooned about with crystal flacons, full O' th' tears the early morning dew distils; My body to the sun's fierce rays exposed To let it suck me up, as 't sucks the dew! DE GUICHE (surprised, making one step toward Cyrano): Ah! that makes one! CYRANO (stepping back, and enticing him further away): And then, the second way, To generate wind--for my impetus-- To rarefy air, in a cedar case, By mirrors placed icosahedron-wise. DE GUICHE (making another step): Two! CYRANO (still stepping backward): Or--for I have some mechanic skill-- To make a grasshopper, with springs of steel, And launch myself by quick succeeding fires Saltpeter-fed to the stars' pastures blue! DE GUICHE (unconsciously following him and counting on his fingers): Three! CYRANO: Or (since fumes have property to mount)-- To charge a globe with fumes, sufficiently To carry me aloft! DE GUICHE (same play, more and more astonished): Well, that makes four! CYRANO: Or smear myself with marrow from a bull, Since, at the lowest point of Zodiac, Phoebus well loves to suck that marrow up! DE GUICHE (amazed): Five! CYRANO (who, while speaking, had drawn him to the other side of the square near a bench): Sitting on an iron platform--thence To throw a magnet in the air. This is A method well conceived--the magnet flown, Infallibly the iron will pursue: Then quick! relaunch your magnet, and you thus Can mount and mount unmeasured distances! DE GUICHE: Here are six excellent expedients! Which of the six chose you? CYRANO: Why, none!--a seventh! DE GUICHE: Astonishing! What was it? CYRANO: I'll recount. DE GUICHE: This wild eccentric becomes interesting! CYRANO (making a noise like the waves, with weird gestures): Houuh! Houuh! DE GUICHE: Well. CYRANO: You have guessed? DE GUICHE: Not I! CYRANO: The tide! I' th' witching hour when the moon woos the wave, I laid me, fresh from a sea-bath, on the shore-- And, failing not to put head foremost--for The hair holds the sea-water in its mesh-- I rose in air, straight! straight! like angel's flight, And mounted, mounted, gently, effortless,. . . When lo! a sudden shock! Then. . . DE GUICHE (overcome by curiosity, sitting down on the bench): Then? CYRANO: Oh! then. . . (Suddenly returning to his natural voice): The quarter's gone--I'll hinder you no more: The marriage-vows are made. DE GUICHE (springing up): What? Am I mad? That voice? (The house-door opens. Lackeys appear carrying lighted candelabra. Light. Cyrano gracefully uncovers): That nose--Cyrano? CYRANO (bowing): Cyrano. While we were chatting, they have plighted troth. DE GUICHE: Who? (He turns round. Tableau. Behind the lackeys appear Roxane and Christian, holding each other by the hand. The friar follows them, smiling. Ragueneau also holds a candlestick. The duenna closes the rear, bewildered, having made a hasty toilet): Heavens!

Act 3, scene 11

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14

The monk reappears, having discovered that Roxane does live here. He brings a letter to Roxane from de Guiche. In the letter, de Guiche says that he has not gone to the war but has remained behind, hiding in a nearby convent. He intends to visit Roxane tonight. Pretending to read the letter aloud, Roxane says that de Guiche wants Christian to marry Roxane immediately; the monk will conduct the ceremony. The monk hesitates, but when Roxane pretends to discover a postscript promising a large donation to the convent, he agrees to marry them. The monk, Christian, and Roxane go into the house for the ceremony. Roxane asks Cyrano to keep de Guiche outside, talking, to prevent him disturbing the wedding

novelguide

all_chapterized_books/1254-chapters/33.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_5_part_8.txt

Cyrano de Bergerac.act 3.scene 12

act 3, scene 12

{"name": "Act 3, scene 12", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14", "summary": "Cyrano pulls his hat down over his eyes and waits on the balcony for de Guiche", "analysis": ""}

The same. Roxane, Christian, the friar, Ragueneau, lackeys, the duenna. DE GUICHE (to Roxane): You? (Recognizing Christian, in amazement): He? (Bowing, with admiration, to Roxane): Cunningly contrived! (To Cyrano): My compliments--Sir Apparatus-maker! Your story would arrest at Peter's gate Saints eager for their Paradise! Note well The details. 'Faith! They'd make a stirring book! CYRANO (bowing): I shall not fail to follow your advice. THE FRIAR (showing with satisfaction the two lovers to De Guiche): A handsome couple, son, made one by you! DE GUICHE (with a freezing look): Ay! (To Roxane): Bid your bridegroom, Madame, fond farewell. ROXANE: Why so? DE GUICHE (to Christian): Even now the regiment departs. Join it! ROXANE: It goes to battle? DE GUICHE: Without doubt. ROXANE: But the Cadets go not? DE GUICHE: Oh ay! they go. (Drawing out the paper he had put in his pocket): Here is the order. (To Christian): Baron, bear it, quick! ROXANE (throwing herself in Christian's arms): Christian! DE GUICHE (sneeringly to Cyrano): The wedding-night is far, methinks! CYRANO (aside): He thinks to give me pain of death by this! CHRISTIAN (to Roxane): Oh! once again! Your lips! CYRANO: Come, come, enough! CHRISTIAN (still kissing Roxane): --'Tis hard to leave her, you know not. . . CYRANO (trying to draw him away): I know. (Sound of drums beating a march in the distance.) DE GUICHE: The regiment starts! ROXANE (To Cyrano, holding back Christian, whom Cyrano is drawing away): Oh!--I trust him you! Promise me that no risks shall put his life In danger! CYRANO: I will try my best, but promise. . . That I cannot! ROXANE: But swear he shall be prudent? CYRANO: Again, I'll do my best, but. . . ROXANE: In the siege Let him not suffer! CYRANO: All that man can do, I. . . ROXANE: That he shall be faithful! CYRANO: Doubtless, but. . . ROXANE: That he will write oft? CYRANO (pausing): That, I promise you! Curtain.

Act 3, scene 12

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14

Cyrano pulls his hat down over his eyes and waits on the balcony for de Guiche

novelguide

all_chapterized_books/1254-chapters/35.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_6_part_1.txt

Cyrano de Bergerac.act 4.scene 1

act 4, scene 1

{"name": "act 4, scene 1", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes1-5", "summary": "The scene shifts to the encampment of Carbon's regiment at the siege of Arras, just before dawn. Christian is asleep. Le Bret and Carbon are keeping watch. They look thin, and Carbon remarks to Le Bret that they have run out of food. The sound of gunfire is heard. Cyrano arrives. Every morning, he crosses the enemy line to post a letter to Roxane, keeping his promise to her. He vanishes into a tent to write another letter", "analysis": ""}

Christian, Carbon de Castel-Jaloux, Le Bret, the cadets, then Cyrano. LE BRET: 'Tis terrible. CARBON: Not a morsel left. LE BRET: Mordioux! CARBON (making a sign that he should speak lower): Curse under your breath. You will awake them. (To the cadets): Hush! Sleep on. (To Le Bret): He who sleeps, dines! LE BRET: But that is sorry comfort for the sleepless!. . . What starvation! (Firing is heard in the distance.) CARBON: Oh, plague take their firing! 'Twill wake my sons. (To the cadets, who lift up their heads): Sleep on! (Firing is again heard, nearer this time.) A CADET (moving): The devil!. . .Again. CARBON: 'Tis nothing! 'Tis Cyrano coming back! (Those who have lifted up their heads prepare to sleep again.) A SENTINEL (from without): Ventrebieu! Who goes there? THE VOICE Of CYRANO: Bergerac. The SENTINEL (who is on the redoubt): Ventrebieu! Who goes there? CYRANO (appearing at the top): Bergerac, idiot! (He comes down; Le Bret advances anxiously to meet him.) LE BRET: Heavens! CYRANO (making signs that he should not awake the others): Hush! LE BRET: Wounded? CYRANO: Oh! you know it has become their custom to shoot at me every morning and to miss me. LE BRET: This passes all! To take letters at each day's dawn. To risk. . . CYRANO (stopping before Christian): I promised he should write often. (He looks at him): He sleeps. How pale he is! But how handsome still, despite his sufferings. If his poor little lady-love knew that he is dying of hunger. . . LE BRET: Get you quick to bed. CYRANO: Nay, never scold, Le Bret. I ran but little risk. I have found me a spot to pass the Spanish lines, where each night they lie drunk. LE BRET: You should try to bring us back provision. CYRANO: A man must carry no weight who would get by there! But there will be surprise for us this night. The French will eat or die. . .if I mistake not! LE BRET: Oh!. . .tell me!. . . CYRANO: Nay, not yet. I am not certain. . .You will see! CARBON: It is disgraceful that we should starve while we're besieging! LE BRET: Alas, how full of complication is this siege of Arras! To think that while we are besieging, we should ourselves be caught in a trap and besieged by the Cardinal Infante of Spain. CYRANO: It were well done if he should be besieged in his turn. LE BRET: I am in earnest. CYRANO: Oh! indeed! LE BRET: To think you risk a life so precious. . .for the sake of a letter. . .Thankless one. (Seeing him turning to enter the tent): Where are you going? CYRANO: I am going to write another. (He enters the tent and disappears.)

act 4, scene 1

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes1-5

The scene shifts to the encampment of Carbon's regiment at the siege of Arras, just before dawn. Christian is asleep. Le Bret and Carbon are keeping watch. They look thin, and Carbon remarks to Le Bret that they have run out of food. The sound of gunfire is heard. Cyrano arrives. Every morning, he crosses the enemy line to post a letter to Roxane, keeping his promise to her. He vanishes into a tent to write another letter

novelguide

all_chapterized_books/1254-chapters/36.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_6_part_2.txt

Cyrano de Bergerac.act 4.scene 2

act 4, scene 2

{"name": "act 4, scene 2", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes1-5", "summary": "Reveille sounds. The Guards wake up and immediately start complaining about how hungry they are. Carbon asks Cyrano to come of the tent and entertain the men", "analysis": ""}

The same, all but Cyrano. The day is breaking in a rosy light. The town of Arras is golden in the horizon. The report of cannon is heard in the distance, followed immediately by the beating of drums far away to the left. Other drums are heard much nearer. Sounds of stirring in the camp. Voices of officers in the distance. CARBON (sighing): The reveille! (The cadets move and stretch themselves): Nourishing sleep! Thou art at an end!. . .I know well what will be their first cry! A CADET (sitting up): I am so hungry! ANOTHER: I am dying of hunger. TOGETHER: Oh! CARBON: Up with you! THIRD CADET: --Cannot move a limb. FOURTH CADET: Nor can I. THE FIRST (looking at himself in a bit of armor): My tongue is yellow. The air at this season of the year is hard to digest. ANOTHER: My coronet for a bit of Chester! ANOTHER: If none can furnish to my gaster wherewith to make a pint of chyle, I shall retire to my tent--like Achilles! ANOTHER: Oh! something! were it but a crust! CARBON (going to the tent and calling softly): Cyrano! ALL THE CADETS: We are dying! CARBON (continuing to speak under his breath at the opening of the tent): Come to my aid, you, who have the art of quick retort and gay jest. Come, hearten them up. SECOND CADET (rushing toward another who is munching something): What are you crunching there? FIRST CADET: Cannon-wads soaked in axle-grease! 'Tis poor hunting round about Arras! A CADET (entering): I have been after game. ANOTHER (following him): And I after fish. ALL (rushing to the two newcomers): Well! what have you brought?--a pheasant?--a carp?--Come, show us quick! THE ANGLER: A gudgeon! THE SPORTSMAN: A sparrow! ALL TOGETHER (beside themselves): 'Tis more than can be borne! We will mutiny! CARBON: Cyrano! Come to my help. (The daylight has now come.)

act 4, scene 2

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes1-5

Reveille sounds. The Guards wake up and immediately start complaining about how hungry they are. Carbon asks Cyrano to come of the tent and entertain the men

novelguide

all_chapterized_books/1254-chapters/37.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_6_part_3.txt

Cyrano de Bergerac.act 4.scene 3

act 4, scene 3

{"name": "act 4, scene 3", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes1-5", "summary": "Cyrano comes out of the tent and restores the men's morale with his witty banter. He gets a piper to play an old Gascon song, which reminds the men of their homeland. There is a murmur of disapproval as de Guiche is seen approaching. Cyrano asks the men to start a game of cards, so that de Guiche will not see them suffer", "analysis": ""}

The SAME. Cyrano. CYRANO (appearing from the tent, very calm, with a pen stuck behind his ear and a book in his hand): What is wrong? (Silence. To the first cadet): Why drag you your legs so sorrowfully? THE CADET: I have something in my heels which weighs them down. CYRANO: And what may that be? THE CADET: My stomach! CYRANO: So have I, 'faith! THE CADET: It must be in your way? CYRANO: Nay, I am all the taller. A THIRD: My stomach's hollow. CYRANO: 'Faith, 'twill make a fine drum to sound the assault. ANOTHER: I have a ringing in my ears. CYRANO: No, no, 'tis false; a hungry stomach has no ears. ANOTHER: Oh, to eat something--something oily! CYRANO (pulling off the cadet's helmet and holding it out to him): Behold your salad! ANOTHER: What, in God's name, can we devour? CYRANO (throwing him the book which he is carrying): The 'Iliad'. ANOTHER: The first minister in Paris has his four meals a day! CYRANO: 'Twere courteous an he sent you a few partridges! THE SAME: And why not? with wine, too! CYRANO: A little Burgundy. Richelieu, s'il vous plait! THE SAME: He could send it by one of his friars. CYRANO: Ay! by His Eminence Joseph himself. ANOTHER: I am as ravenous as an ogre! CYRANO: Eat your patience, then. THE FIRST CADET (shrugging his shoulders): Always your pointed word! CYRANO: Ay, pointed words! I would fain die thus, some soft summer eve, Making a pointed word for a good cause. --To make a soldier's end by soldier's sword, Wielded by some brave adversary--die On blood-stained turf, not on a fever-bed, A point upon my lips, a point within my heart. CRIES FROM ALL: I'm hungry! CYRANO (crossing his arms): All your thoughts of meat and drink! Bertrand the fifer!--you were shepherd once,-- Draw from its double leathern case your fife, Play to these greedy, guzzling soldiers. Play Old country airs with plaintive rhythm recurring, Where lurk sweet echoes of the dear home-voices, Each note of which calls like a little sister, Those airs slow, slow ascending, as the smoke-wreaths Rise from the hearthstones of our native hamlets, Their music strikes the ear like Gascon patois!. . . (The old man seats himself, and gets his flute ready): Your flute was now a warrior in durance; But on its stem your fingers are a-dancing A bird-like minuet! O flute! Remember That flutes were made of reeds first, not laburnum; Make us a music pastoral days recalling-- The soul-time of your youth, in country pastures!. . . (The old man begins to play the airs of Languedoc): Hark to the music, Gascons!. . .'Tis no longer The piercing fife of camp--but 'neath his fingers The flute of the woods! No more the call to combat, 'Tis now the love-song of the wandering goat-herds!. . . Hark!. . .'tis the valley, the wet landes, the forest, The sunburnt shepherd-boy with scarlet beret, The dusk of evening on the Dordogne river,-- 'Tis Gascony! Hark, Gascons, to the music! (The cadets sit with bowed heads; their eyes have a far-off look as if dreaming, and they surreptitiously wipe away their tears with their cuffs and the corner of their cloaks.) CARBON (to Cyrano in a whisper): But you make them weep! CYRANO: Ay, for homesickness. A nobler pain than hunger,--'tis of the soul, not of the body! I am well pleased to see their pain change its viscera. Heart-ache is better than stomach-ache. CARBON: But you weaken their courage by playing thus on their heart-strings! CYRANO (making a sign to a drummer to approach): Not I. The hero that sleeps in Gascon blood is ever ready to awake in them. 'Twould suffice. . . (He makes a signal; the drum beats.) ALL THE CADETS (stand up and rush to take arms): What? What is it? CYRANO (smiling): You see! One roll of the drum is enough! Good-by dreams, regrets, native land, love. . .All that the pipe called forth the drum has chased away! A CADET (looking toward the back of the stage): Ho! here comes Monsieur de Guiche. ALL THE CADETS (muttering): Ugh!. . .Ugh!. . . CYRANO (smiling): A flattering welcome! A CADET: We are sick to death of him! ANOTHER CADET: --With his lace collar over his armor, playing the fine gentleman! ANOTHER: As if one wore linen over steel! THE FIRST: It were good for a bandage had he boils on his neck. THE SECOND: Another plotting courtier! ANOTHER CADET: His uncle's own nephew! CARBON: For all that--a Gascon. THE FIRST: Ay, false Gascon!. . .trust him not. . . Gascons should ever be crack-brained. . . Naught more dangerous than a rational Gascon. LE BRET: How pale he is! ANOTHER: Oh! he is hungry, just like us poor devils; but under his cuirass, with its fine gilt nails, his stomach-ache glitters brave in the sun. CYRANO (hurriedly): Let us not seem to suffer either! Out with your cards, pipes, and dice. . . (All begin spreading out the games on the drums, the stools, the ground, and on their cloaks, and light long pipes): And I shall read Descartes. (He walks up and down, reading a little book which he has drawn from his pocket. Tableau. Enter De Guiche. All appear absorbed and happy. He is very pale. He goes up to Carbon.)

act 4, scene 3

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes1-5

Cyrano comes out of the tent and restores the men's morale with his witty banter. He gets a piper to play an old Gascon song, which reminds the men of their homeland. There is a murmur of disapproval as de Guiche is seen approaching. Cyrano asks the men to start a game of cards, so that de Guiche will not see them suffer

novelguide

all_chapterized_books/1254-chapters/38.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_6_part_4.txt

Cyrano de Bergerac.act 4.scene 4

act 4, scene 4

{"name": "act 4, scene 4", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes1-5", "summary": "De Guiche arrives and boasts about his courage on the battlefield the previous day. Cyrano asks him about his white plume of feathers. De Guiche explains that he threw away his white plume to confuse the Spaniards, and led his troops in a charge that broke through the enemy line. A silence falls upon the Guards. Cyrano says that a courageous man would not have thrown away his white plume, whatever the danger, and that he himself would be proud to wear it. De Guiche replies that Cyrano is only saying this because he knows the plume is lost on the battlefield. Cyrano pulls the plume from his pocket and hands it to de Guiche. After a pause, de Guiche collects his thoughts, seizes the plume, and waves it at a man, who runs off. De Guiche explains that the man is a double agent who will take a message to the Spaniards. De Guiche has just given the signal for the Spaniards to attack the Guards. Many Guardsmen will die, but the ruse will buy time for the French until the Marshal arrives with reinforcements. The Spanish attack is likely to come in one hour's time. Cyrano thanks de Guiche for giving them the opportunity to die with honor. Christian thinks sadly of Roxane and wishes that he could put his thoughts in a letter to her. Cyrano, who expected the Spanish to attack today, produces a letter that he has already written. Christian notices a tear stain on it. Cyrano admits that the thought of never seeing Roxane again is terrible. Christian grows uneasy and may be about to guess Cyrano's secret when they are interrupted by the arrival of a carriage. The Guards are astonished to see Roxane get out", "analysis": ""}

The same. De Guiche. DE GUICHE (to Carbon): Good-day! (They examine each other. Aside, with satisfaction): He's green. CARBON (aside): He has nothing left but eyes. DE GUICHE (looking at the cadets): Here are the rebels! Ay, Sirs, on all sides I hear that in your ranks you scoff at me; That the Cadets, these loutish, mountain-bred, Poor country squires, and barons of Perigord, Scarce find for me--their Colonel--a disdain Sufficient! call me plotter, wily courtier! It does not please their mightiness to see A point-lace collar on my steel cuirass,-- And they enrage, because a man, in sooth, May be no ragged-robin, yet a Gascon! (Silence. All smoke and play): Shall I command your Captain punish you? No. CARBON: I am free, moreover,--will not punish-- DE GUICHE: Ah! CARBON: I have paid my company--'tis mine. I bow but to headquarters. DE GUICHE: So?--in faith! That will suffice. (Addressing himself to the cadets): I can despise your taunts 'Tis well known how I bear me in the war; At Bapaume, yesterday, they saw the rage With which I beat back the Count of Bucquoi; Assembling my own men, I fell on his, And charged three separate times! CYRANO (without lifting his eyes from his book): And your white scarf? DE GUICHE (surprised and gratified): You know that detail?. . .Troth! It happened thus: While caracoling to recall the troops For the third charge, a band of fugitives Bore me with them, close by the hostile ranks: I was in peril--capture, sudden death!-- When I thought of the good expedient To loosen and let fall the scarf which told My military rank; thus I contrived --Without attention waked--to leave the foes, And suddenly returning, reinforced With my own men, to scatter them! And now, --What say you, Sir? (The cadets pretend not to be listening, but the cards and the dice-boxes remain suspended in their hands, the smoke of their pipes in their cheeks. They wait.) CYRANO: I say, that Henri Quatre Had not, by any dangerous odds, been forced To strip himself of his white helmet plume. (Silent delight. The cards fall, the dice rattle. The smoke is puffed.) DE GUICHE: The ruse succeeded, though! (Same suspension of play, etc.) CYRANO: Oh, may be! But One does not lightly abdicate the honor To serve as target to the enemy (Cards, dice, fall again, and the cadets smoke with evident delight): Had I been present when your scarf fell low, --Our courage, Sir, is of a different sort-- I would have picked it up and put it on. DE GUICHE: Oh, ay! Another Gascon boast! CYRANO: A boast? Lend it to me. I pledge myself, to-night, --With it across my breast,--to lead th' assault. DE GUICHE: Another Gascon vaunt! You know the scarf Lies with the enemy, upon the brink Of the stream,. . .the place is riddled now with shot,-- No one can fetch it hither! CYRANO (drawing the scarf from his pocket, and holding it out to him): Here it is. (Silence. The cadets stifle their laughter in their cards and dice-boxes. De Guiche turns and looks at them; they instantly become grave, and set to play. One of them whistles indifferently the air just played by the fifer.) DE GUICHE (taking the scarf): I thank you. It will now enable me To make a signal,--that I had forborne To make--till now. (He goes to the rampart, climbs it, and waves the scarf thrice.) ALL: What's that? THE SENTINEL (from the top of the rampart): See you yon man Down there, who runs?. . . DE GUICHE (descending): 'Tis a false Spanish spy Who is extremely useful to my ends. The news he carries to the enemy Are those I prompt him with--so, in a word, We have an influence on their decisions! CYRANO: Scoundrel! DE GUICHE (carelessly knotting on his scarf): 'Tis opportune. What were we saying? Ah! I have news for you. Last evening --To victual us--the Marshal did attempt A final effort:--secretly he went To Dourlens, where the King's provisions be. But--to return to camp more easily-- He took with him a goodly force of troops. Those who attacked us now would have fine sport! Half of the army's absent from the camp! CARBON: Ay, if the Spaniards knew, 'twere ill for us, But they know nothing of it? DE GUICHE: Oh! they know. They will attack us. CARBON: Ah! DE GUICHE: For my false spy Came to warn me of their attack. He said, 'I can decide the point for their assault; Where would you have it? I will tell them 'tis The least defended--they'll attempt you there.' I answered, 'Good. Go out of camp, but watch My signal. Choose the point from whence it comes.' CARBON (to cadets): Make ready! (All rise; sounds of swords and belts being buckled.) DE GUICHE: 'Twill be in an hour. FIRST CADET: Good!. . . (They all sit down again and take up their games.) DE GUICHE (to Carbon): Time must be gained. The Marshal will return. CARBON: How gain it? DE GUICHE: You will all be good enough To let yourselves to be killed. CYRANO: Vengeance! oho! DE GUICHE: I do not say that, if I loved you well, I had chosen you and yours,--but, as things stand,-- Your courage yielding to no corps the palm-- I serve my King, and serve my grudge as well. CYRANO: Permit that I express my gratitude. . . DE GUICHE: I know you love to fight against five score; You will not now complain of paltry odds. (He goes up with Carbon.) CYRANO (to the cadets): We shall add to the Gascon coat of arms, With its six bars of blue and gold, one more-- The blood-red bar that was a-missing there! (De Guiche speaks in a low voice with Carbon at the back. Orders are given. Preparations go forward. Cyrano goes up to Christian, who stands with crossed arms.) CYRANO (putting his hand on Christian's shoulder): Christian! CHRISTIAN (shaking his head): Roxane! CYRANO: Alas! CHRISTIAN: At least, I'd send My heart's farewell to her in a fair letter!. . . CYRANO: I had suspicion it would be to-day, (He draws a letter out of his doublet): And had already writ. . . CHRISTIAN: Show! CYRANO: Will you. . .? CHRISTIAN (taking the letter): Ay! (He opens and reads it): Hold! CYRANO: What? CHRISTIAN: This little spot! CYRANO (taking the letter, with an innocent look): A spot? CHRISTIAN: A tear! CYRANO: Poets, at last,--by dint of counterfeiting-- Take counterfeit for true--that is the charm! This farewell letter,--it was passing sad, I wept myself in writing it! CHRISTIAN: Wept? why? CYRANO: Oh!. . .death itself is hardly terrible,. . . --But, ne'er to see her more! That is death's sting! --For. . .I shall never. . . (Christian looks at him): We shall. . . (Quickly): I mean, you. . . CHRISTIAN (snatching the letter from him): Give me that letter! (A rumor, far off in the camp.) VOICE Of SENTINEL: Who goes there? Halloo! (Shots--voices--carriage-bells.) CARBON: What is it? A SENTINEL (on the rampart): 'Tis a carriage! (All rush to see.) CRIES: In the camp? It enters!--It comes from the enemy! --Fire!--No!--The coachman cries!--What does he say? --'On the King's service!' (Everyone is on the rampart, staring. The bells come nearer.) DE GUICHE: The King's service? How? (All descend and draw up in line.) CARBON: Uncover, all! DE GUICHE: The King's! Draw up in line! Let him describe his curve as it befits! (The carriage enters at full speed covered with dust and mud. The curtains are drawn close. Two lackeys behind. It is pulled up suddenly.) CARBON: Beat a salute! (A roll of drums. The cadets uncover.) DE GUICHE: Lower the carriage-steps! (Two cadets rush forward. The door opens.) ROXANE (jumping down from the carriage): Good-day! (All are bowing to the ground, but at the sound of a woman's voice every head is instantly raised.)

act 4, scene 4

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes1-5

De Guiche arrives and boasts about his courage on the battlefield the previous day. Cyrano asks him about his white plume of feathers. De Guiche explains that he threw away his white plume to confuse the Spaniards, and led his troops in a charge that broke through the enemy line. A silence falls upon the Guards. Cyrano says that a courageous man would not have thrown away his white plume, whatever the danger, and that he himself would be proud to wear it. De Guiche replies that Cyrano is only saying this because he knows the plume is lost on the battlefield. Cyrano pulls the plume from his pocket and hands it to de Guiche. After a pause, de Guiche collects his thoughts, seizes the plume, and waves it at a man, who runs off. De Guiche explains that the man is a double agent who will take a message to the Spaniards. De Guiche has just given the signal for the Spaniards to attack the Guards. Many Guardsmen will die, but the ruse will buy time for the French until the Marshal arrives with reinforcements. The Spanish attack is likely to come in one hour's time. Cyrano thanks de Guiche for giving them the opportunity to die with honor. Christian thinks sadly of Roxane and wishes that he could put his thoughts in a letter to her. Cyrano, who expected the Spanish to attack today, produces a letter that he has already written. Christian notices a tear stain on it. Cyrano admits that the thought of never seeing Roxane again is terrible. Christian grows uneasy and may be about to guess Cyrano's secret when they are interrupted by the arrival of a carriage. The Guards are astonished to see Roxane get out

novelguide

all_chapterized_books/1254-chapters/39.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_6_part_5.txt

Cyrano de Bergerac.act 4.scene 5

act 4, scene 5

{"name": "act 4, scene 5", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes1-5", "summary": "Roxane says she came to the battlefield because she got fed up with writing. She crossed the Spanish lines and was shot at. When she was stopped by Spaniards, she told them she was going to see her lover and they let her pass. De Guiche, Christian, and Cyrano all tell her that she must leave immediately, as they will soon be under attack. Roxane insists that she will stay, saying that if Christian dies, she wants to die beside him. De Guiche protests that their position is the weakest of all; Cyrano adds that this is why de Guiche assigned them to it. Roxane realizes that de Guiche has deliberately sent Christian to his death, and this makes her all the more determined to stay. She suggests that de Guiche might like to leave before the fighting starts. A furious de Guiche leaves to check the cannon, saying that he will return soon.", "analysis": "of scenes 1-5. With the beginning of the tone shifts from boisterous comedy and satire to a more tragic note. At the battlefront, the Guards are starving and demoralized. Only Cyrano retains a positive outlook, and is called upon by Carbon to cheer up the men, which he does. Cyrano's resilience can be attributed for the most part to his extraordinarily courageous and resourceful nature, but may be partly due to his love for Roxane and his focus on writing letters to her. De Guiche, too, darkens in tone, shifting from his former role as stage villain opposing the young lovers to a potential murderer. He hopes that Christian, his rival in love of Roxane, will die on the battlefield. He also wants vengeance against Cyrano for repeatedly humiliating him. To this end, he has arranged for the Guards to be stationed in the weakest position and signals to a double agent to let the Spanish know that they can attack. It is significant that he uses his white plume of feathers to signal the attack. De Guiche has already thrown this plume away on the battlefield in order to save his own skin. The plume becomes a symbol of courage and honor, and de Guiche's treatment of it shows his cowardice and duplicity. Although he justifies his action militarily by claiming that allowing the Spanish to slaughter the Guards will buy time for the French, it seems a murderously cruel and vindictive way to gain his ends. Cyrano's risking his own life to pick up the plume and his insistence that he would be proud to wear it sets him up in contrast with de Guiche. Where de Guiche is cowardly, Cyrano is brave; where de Guiche uses deception to save his own life, Cyrano stands for truth. Roxane shows her spirit and courage by choosing to join Christian on the battlefield and, if necessary, to die with him. Her refusal to be discouraged or deflected from her purpose mirrors Cyrano's buoyant spirits. Again, she is shown to be a fitting lover for Cyrano, not for the rather bland Christian. Suspense escalates around Cyrano's secret as Christian seems about to guess it, when they are interrupted by the arrival of Roxane's coach. The men's collaborative deception seems increasingly unsustainable"}

The same. Roxane. DE GUICHE: On the King's service! You? ROXANE: Ay,--King Love's! What other king? CYRANO: Great God! CHRISTIAN (rushing forward): Why have you come? ROXANE: This siege--'tis too long! CHRISTIAN: But why?. . . ROXANE: I will tell you all! CYRANO (who, at the sound of her voice, has stood still, rooted to the ground, afraid to raise his eyes): My God! dare I look at her? DE GUICHE: You cannot remain here! ROXANE (merrily): But I say yes! Who will push a drum hither for me? (She seats herself on the drum they roll forward): So! I thank you. (She laughs): My carriage was fired at (proudly): by the patrol! Look! would you not think 'twas made of a pumpkin, like Cinderella's chariot in the tale,--and the footmen out of rats? (Sending a kiss with her lips to Christian): Good-morrow! (Examining them all): You look not merry, any of you! Ah! know you that 'tis a long road to get to Arras? (Seeing Cyrano): Cousin, delighted! CYRANO (coming up to her): But how, in Heaven's name?. . . ROXANE: How found I the way to the army? It was simple enough, for I had but to pass on and on, as far as I saw the country laid waste. Ah, what horrors were there! Had I not seen, then I could never have believed it! Well, gentlemen, if such be the service of your King, I would fainer serve mine! CYRANO: But 'tis sheer madness! Where in the fiend's name did you get through? ROXANE: Where? Through the Spanish lines. FIRST CADET: --For subtle craft, give me a woman! DE GUICHE: But how did you pass through their lines? LE BRET: Faith! that must have been a hard matter!. . . ROXANE: None too hard. I but drove quietly forward in my carriage, and when some hidalgo of haughty mien would have stayed me, lo! I showed at the window my sweetest smile, and these Senors being (with no disrespect to you) the most gallant gentlemen in the world,--I passed on! CARBON: True, that smile is a passport! But you must have been asked frequently to give an account of where you were going, Madame? ROXANE: Yes, frequently. Then I would answer, 'I go to see my lover.' At that word the very fiercest Spaniard of them all would gravely shut the carriage-door, and, with a gesture that a king might envy, make signal to his men to lower the muskets leveled at me;--then, with melancholy but withal very graceful dignity--his beaver held to the wind that the plumes might flutter bravely, he would bow low, saying to me, 'Pass on, Senorita!' CHRISTIAN: But, Roxane. . . ROXANE: Forgive me that I said, 'my lover!' But bethink you, had I said 'my husband,' not one of them had let me pass! CHRISTIAN: But. . . ROXANE: What ails you? DE GUICHE: You must leave this place! ROXANE: I? CYRANO: And that instantly! LE BRET: No time to lose. CHRISTIAN: Indeed, you must. ROXANE: But wherefore must I? CHRISTIAN (embarrassed): 'Tis that. . . CYRANO (the same): --In three quarters of an hour. . . DE GUICHE (the same): --Or for. . . CARBON (the same): It were best. . . LE BRET (the same): You might. . . ROXANE: You are going to fight?--I stay here. ALL: No, no! ROXANE: He is my husband! (She throws herself into Christian's arms): They shall kill us both together! CHRISTIAN: Why do you look at me thus? ROXANE: I will tell you why! DE GUICHE (in despair): 'Tis a post of mortal danger! ROXANE (turning round): Mortal danger! CYRANO: Proof enough, that he has put us here! ROXANE (to De Guiche): So, Sir, you would have made a widow of me? DE GUICHE: Nay, on my oath. . . ROXANE: I will not go! I am reckless now, and I shall not stir from here!--Besides, 'tis amusing! CYRANO: Oh-ho! So our precieuse is a heroine! ROXANE: Monsieur de Bergerac, I am your cousin. A CADET: We will defend you well! ROXANE (more and more excited): I have no fear of that, my friends! ANOTHER (in ecstasy): The whole camp smells sweet of orris-root! ROXANE: And, by good luck, I have chosen a hat that will suit well with the battlefield! (Looking at De Guiche): But were it not wisest that the Count retire? They may begin the attack. DE GUICHE: That is not to be brooked! I go to inspect the cannon, and shall return. You have still time--think better of it! ROXANE: Never! (De Guiche goes out.)

act 4, scene 5

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes1-5

Roxane says she came to the battlefield because she got fed up with writing. She crossed the Spanish lines and was shot at. When she was stopped by Spaniards, she told them she was going to see her lover and they let her pass. De Guiche, Christian, and Cyrano all tell her that she must leave immediately, as they will soon be under attack. Roxane insists that she will stay, saying that if Christian dies, she wants to die beside him. De Guiche protests that their position is the weakest of all; Cyrano adds that this is why de Guiche assigned them to it. Roxane realizes that de Guiche has deliberately sent Christian to his death, and this makes her all the more determined to stay. She suggests that de Guiche might like to leave before the fighting starts. A furious de Guiche leaves to check the cannon, saying that he will return soon.

of scenes 1-5. With the beginning of the tone shifts from boisterous comedy and satire to a more tragic note. At the battlefront, the Guards are starving and demoralized. Only Cyrano retains a positive outlook, and is called upon by Carbon to cheer up the men, which he does. Cyrano's resilience can be attributed for the most part to his extraordinarily courageous and resourceful nature, but may be partly due to his love for Roxane and his focus on writing letters to her. De Guiche, too, darkens in tone, shifting from his former role as stage villain opposing the young lovers to a potential murderer. He hopes that Christian, his rival in love of Roxane, will die on the battlefield. He also wants vengeance against Cyrano for repeatedly humiliating him. To this end, he has arranged for the Guards to be stationed in the weakest position and signals to a double agent to let the Spanish know that they can attack. It is significant that he uses his white plume of feathers to signal the attack. De Guiche has already thrown this plume away on the battlefield in order to save his own skin. The plume becomes a symbol of courage and honor, and de Guiche's treatment of it shows his cowardice and duplicity. Although he justifies his action militarily by claiming that allowing the Spanish to slaughter the Guards will buy time for the French, it seems a murderously cruel and vindictive way to gain his ends. Cyrano's risking his own life to pick up the plume and his insistence that he would be proud to wear it sets him up in contrast with de Guiche. Where de Guiche is cowardly, Cyrano is brave; where de Guiche uses deception to save his own life, Cyrano stands for truth. Roxane shows her spirit and courage by choosing to join Christian on the battlefield and, if necessary, to die with him. Her refusal to be discouraged or deflected from her purpose mirrors Cyrano's buoyant spirits. Again, she is shown to be a fitting lover for Cyrano, not for the rather bland Christian. Suspense escalates around Cyrano's secret as Christian seems about to guess it, when they are interrupted by the arrival of Roxane's coach. The men's collaborative deception seems increasingly unsustainable

novelguide

all_chapterized_books/1254-chapters/40.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_7_part_1.txt

Cyrano de Bergerac.act 4.scene 6

act 4, scene 6

{"name": "act 4, scene 6", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes6-10", "summary": "Carbon presents the Guards to Roxane, and asks her to give them her handkerchief to use as a banner, which she does. One of the men complains of hunger. To their delight, Roxane produces Ragueneau from her carriage, along with food for everyone. Roxane busies herself with ensuring that all the men are served with food and drink. Le Bret notices that de Guiche is approaching, and everyone quickly hides the food", "analysis": ""}

The same, all but De Guiche. CHRISTIAN (entreatingly): Roxane! ROXANE: No! FIRST CADET (to the others): She stays! ALL (hurrying, hustling each other, tidying themselves): A comb!--Soap!--My uniform is torn!--A needle!--A ribbon!--Lend your mirror!--My cuffs!--Your curling-iron!--A razor!. . . ROXANE (to Cyrano, who still pleads with her): No! Naught shall make me stir from this spot! CARBON (who, like the others, has been buckling, dusting, brushing his hat, settling his plume, and drawing on his cuffs, advances to Roxane, and ceremoniously): It is perchance more seemly, since things are thus, that I present to you some of these gentlemen who are about to have the honor of dying before your eyes. (Roxane bows, and stands leaning on Christian's arm, while Carbon introduces the cadets to her): Baron de Peyrescous de Colignac! THE CADET (with a low reverence): Madame. . . CARBON (continuing): Baron de Casterac de Cahuzac,--Vidame de Malgouyre Estressac Lesbas d'Escarabiot, Chevalier d'Antignac-Juzet, Baron Hillot de Blagnac-Salechan de Castel Crabioules. . . ROXANE: But how many names have you each? BARON HILLOT: Scores! CARBON (to Roxane): Pray, upon the hand that holds your kerchief. ROXANE (opens her hand, and the handkerchief falls): Why? (The whole company start forward to pick it up.) CARBON (quickly raising it): My company had no flag. But now, by my faith, they will have the fairest in all the camp! ROXANE (smiling): 'Tis somewhat small. CARBON (tying the handkerchief on the staff of his lance): But--'tis of lace! A CADET (to the rest): I could die happy, having seen so sweet a face, if I had something in my stomach--were it but a nut! CARBON (who has overheard, indignantly): Shame on you! What, talk of eating when a lovely woman!. . . ROXANE: But your camp air is keen; I myself am famished. Pasties, cold fricassee, old wines--there is my bill of fare? Pray bring it all here. (Consternation.) A CADET: All that? ANOTHER: But where on earth find it? ROXANE (quietly): In my carriage. ALL: How? ROXANE: Now serve up--carve! Look a little closer at my coachman, gentlemen, and you will recognize a man most welcome. All the sauces can be sent to table hot, if we will! THE CADETS (rushing pellmell to the carriage): 'Tis Ragueneau! (Acclamations): Oh, oh! ROXANE (looking after them): Poor fellows! CYRANO (kissing her hand): Kind fairy! RAGUENEAU (standing on the box like a quack doctor at a fair): Gentlemen!. . . (General delight.) THE CADETS: Bravo! bravo! RAGUENEAU: . . .The Spaniards, gazing on a lady so dainty fair, overlooked the fare so dainty!. . . (Applause.) CYRANO (in a whisper to Christian): Hark, Christian! RAGUENEAU: . . .And, occupied with gallantry, perceived not-- (His draws a plate from under the seat, and holds it up): --The galantine!. . . (Applause. The galantine passes from hand to hand.) CYRANO (still whispering to Christian): Prythee, one word! RAGUENEAU: And Venus so attracted their eyes that Diana could secretly pass by with-- (He holds up a shoulder of mutton): --her fawn! (Enthusiasm. Twenty hands are held out to seize the shoulder of mutton.) CYRANO (in a low whisper to Christian): I must speak to you! ROXANE (to the cadets, who come down, their arms laden with food): Put it all on the ground! (She lays all out on the grass, aided by the two imperturbable lackeys who were behind the carriage.) ROXANE (to Christian, just as Cyrano is drawing him apart): Come, make yourself of use! (Christian comes to help her. Cyrano's uneasiness increases.) RAGUENEAU: Truffled peacock! FIRST CADET (radiant, coming down, cutting a big slice of ham): By the mass! We shall not brave the last hazard without having had a gullet-full!-- (quickly correcting himself on seeing Roxane): --Pardon! A Balthazar feast! RAGUENEAU (throwing down the carriage cushions): The cushions are stuffed with ortolans! (Hubbub. They tear open and turn out the contents of the cushions. Bursts of laughter--merriment.) THIRD CADET: Ah! Viedaze! RAGUENEAU (throwing down to the cadets bottles of red wine): Flasks of rubies!-- (and white wine): --Flasks of topaz! ROXANE (throwing a folded tablecloth at Cyrano's head): Unfold me that napkin!--Come, come! be nimble! RAGUENEAU (waving a lantern): Each of the carriage-lamps is a little larder! CYRANO (in a low voice to Christian, as they arrange the cloth together): I must speak with you ere you speak to her. RAGUENEAU: My whip-handle is an Arles sausage! ROXANE (pouring out wine, helping): Since we are to die, let the rest of the army shift for itself. All for the Gascons! And mark! if De Guiche comes, let no one invite him! (Going from one to the other): There! there! You have time enough! Do not eat too fast!--Drink a little.- -Why are you crying? FIRST CADET: It is all so good!. . . ROXANE: Tut!--Red or white?--Some bread for Monsieur de Carbon!--a knife! Pass your plate!--a little of the crust? Some more? Let me help you!--Some champagne?- -A wing? CYRANO (who follows her, his arms laden with dishes, helping her to wait on everybody): How I worship her! ROXANE (going up to Christian): What will you? CHRISTIAN: Nothing. ROXANE: Nay, nay, take this biscuit, steeped in muscat; come!. . .but two drops! CHRISTIAN (trying to detain her): Oh! tell me why you came? ROXANE: Wait; my first duty is to these poor fellows.--Hush! In a few minutes. . . LE BRET (who had gone up to pass a loaf on the end of a lance to the sentry on the rampart): De Guiche! CYRANO: Quick! hide flasks, plates, pie-dishes, game-baskets! Hurry!--Let us all look unconscious! (To Ragueneau): Up on your seat!--Is everything covered up? (In an instant all has been pushed into the tents, or hidden under doublets, cloaks, and beavers. De Guiche enters hurriedly--stops suddenly, sniffing the air. Silence.)

act 4, scene 6

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes6-10

Carbon presents the Guards to Roxane, and asks her to give them her handkerchief to use as a banner, which she does. One of the men complains of hunger. To their delight, Roxane produces Ragueneau from her carriage, along with food for everyone. Roxane busies herself with ensuring that all the men are served with food and drink. Le Bret notices that de Guiche is approaching, and everyone quickly hides the food

novelguide

all_chapterized_books/1254-chapters/41.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_7_part_2.txt

Cyrano de Bergerac.act 4.scene 7

act 4, scene 7

{"name": "Act 4, scene 7", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes6-10", "summary": "De Guiche returns and again asks Roxane to leave. When she refuses, he resolves to stay and fight too. The men are impressed by his courage, wondering if de Guiche too is a Gascon, and offer him some food. He refuses to eat their left-overs, and betrays a hint of a Gascon accent, making them all the more certain that he is one of them. Cyrano takes Christian to one side and confesses that he sent Roxane more letters than Christian thought. He wrote to her every day, sometimes twice a day. Christian realizes that with each letter, Cyrano had to risk his life crossing enemy lines. He suspects Cyrano's secret, but once again, they are interrupted by Roxane. Cyrano disappears into a tent", "analysis": ""}

The same. De Guiche. DE GUICHE: It smells good here. A CADET (humming): Lo! Lo-lo! DE GUICHE (looking at him): What is the matter?--You are very red. THE CADET: The matter?--Nothing!--'Tis my blood--boiling at the thought of the coming battle! ANOTHER: Poum, poum--poum. . . DE GUICHE (turning round): What's that? THE CADET (slightly drunk): Nothing!. . .'Tis a song!--a little. . . DE GUICHE: You are merry, my friend! THE CADET: The approach of danger is intoxicating! DE GUICHE (calling Carbon de Castel-Jaloux, to give him an order): Captain! I. . . (He stops short on seeing him): Plague take me! but you look bravely, too! CARBON (crimson in the face, hiding a bottle behind his back, with an evasive movement): Oh!. . . DE GUICHE: I have one cannon left, and have had it carried there-- (he points behind the scenes): --in that corner. . .Your men can use it in case of need. A CADET (reeling slightly): Charming attention! ANOTHER (with a gracious smile): Kind solicitude! DE GUICHE: How? they are all gone crazy? (Drily): As you are not used to cannon, beware of the recoil. FIRST CADET: Pooh! DE GUICHE (furious, going up to him): But. . . THE CADET: Gascon cannons never recoil! DE GUICHE (taking him by the arm and shaking him): You are tipsy!--but what with? THE CADET (grandiloquently): --With the smell of powder! DE GUICHE (shrugging his shoulders and pushing him away, then going quickly to Roxane): Briefly, Madame, what decision do you deign to take? ROXANE: I stay here. DE GUICHE: You must fly! ROXANE: No! I will stay. DE GUICHE: Since things are thus, give me a musket, one of you! CARBON: Wherefore? DE GUICHE: Because I too--mean to remain. CYRANO: At last! This is true valor, Sir! FIRST CADET: Then you are Gascon after all, spite of your lace collar? ROXANE: What is all this? DE GUICHE: I leave no woman in peril. SECOND CADET (to the first): Hark you! Think you not we might give him something to eat? (All the viands reappear as if by magic.) DE GUICHE (whose eyes sparkle): Victuals! THE THIRD CADET: Yes, you'll see them coming from under every coat! DE GUICHE (controlling himself, haughtily): Do you think I will eat your leavings? CYRANO (saluting him): You make progress. DE GUICHE (proudly, with a light touch of accent on the word 'breaking'): I will fight without br-r-eaking my fast! FIRST CADET (with wild delight): Br-r-r-eaking! He has got the accent! DE GUICHE (laughing): I? THE CADET: 'Tis a Gascon! (All begin to dance.) CARBON DE CASTEL-JALOUX (who had disappeared behind the rampart, reappearing on the ridge): I have drawn my pikemen up in line. They are a resolute troop. (He points to a row of pikes, the tops of which are seen over the ridge.) DE GUICHE (bowing to Roxane): Will you accept my hand, and accompany me while I review them? (She takes it, and they go up toward the rampart. All uncover and follow them.) CHRISTIAN (going to Cyrano, eagerly): Tell me quickly! (As Roxane appears on the ridge, the tops of the lances disappear, lowered for the salute, and a shout is raised. She bows.) THE PIKEMEN (outside): Vivat! CHRISTIAN: What is this secret? CYRANO: If Roxane should. . . CHRISTIAN: Should?. . . CYRANO: Speak of the letters?. . . CHRISTIAN: Yes, I know!. . . CYRANO: Do not spoil all by seeming surprised. . . CHRISTIAN: At what? CYRANO: I must explain to you!. . .Oh! 'tis no great matter--I but thought of it to- day on seeing her. You have. . . CHRISTIAN: Tell quickly! CYRANO: You have. . .written to her oftener than you think. . . CHRISTIAN: How so? CYRANO: Thus, 'faith! I had taken it in hand to express your flame for you!. . .At times I wrote without saying, 'I am writing!' CHRISTIAN: Ah!. . . CYRANO: 'Tis simple enough! CHRISTIAN: But how did you contrive, since we have been cut off, thus. . .to?. . . CYRANO: . . .Oh! before dawn. . .I was able to get through. . . CHRISTIAN (folding his arms): That was simple, too? And how oft, pray you, have I written?. . .Twice in the week?. . .Three times?. . .Four?. . . CYRANO: More often still. CHRISTIAN: What! Every day? CYRANO: Yes, every day,--twice. CHRISTIAN (violently): And that became so mad a joy for you, that you braved death. . . CYRANO (seeing Roxane returning): Hush! Not before her! (He goes hurriedly into his tent.)

Act 4, scene 7

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes6-10

De Guiche returns and again asks Roxane to leave. When she refuses, he resolves to stay and fight too. The men are impressed by his courage, wondering if de Guiche too is a Gascon, and offer him some food. He refuses to eat their left-overs, and betrays a hint of a Gascon accent, making them all the more certain that he is one of them. Cyrano takes Christian to one side and confesses that he sent Roxane more letters than Christian thought. He wrote to her every day, sometimes twice a day. Christian realizes that with each letter, Cyrano had to risk his life crossing enemy lines. He suspects Cyrano's secret, but once again, they are interrupted by Roxane. Cyrano disappears into a tent

novelguide

all_chapterized_books/1254-chapters/42.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_7_part_3.txt

Cyrano de Bergerac.act 4.scene 8

act 4, scene 8

{"name": "Act 4, scene 8", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes6-10", "summary": "Christian asks Roxane why she risked her life to come to the battlefield. She tells him that it was because of his wonderful letters. At first, she says, she loved him for his beauty, but then she was a foolish, shallow girl. Now, his beauty no longer matters, and she loves the soul that shone through in his letters. She would love him even if he were ugly. Christian is miserable at this news, as he realizes that it is Cyrano whom she loves. Roxane cannot understand why he is unhappy. As he tries to control his emotions, he sends Roxane off to speak to the men to lift their spirits before they die", "analysis": ""}

Roxane, Christian. In the distance cadets coming and going. Carbon and De Guiche give orders. ROXANE (running up to Christian): Ah, Christian, at last!. . . CHRISTIAN (taking her hands): Now tell me why-- Why, by these fearful paths so perilous-- Across these ranks of ribald soldiery, You have come? ROXANE: Love, your letters brought me here! CHRISTIAN: What say you? ROXANE: 'Tis your fault if I ran risks! Your letters turned my head! Ah! all this month, How many!--and the last one ever bettered The one that went before! CHRISTIAN: What!--for a few Inconsequent love-letters! ROXANE: Hold your peace! Ah! you cannot conceive it! Ever since That night, when, in a voice all new to me, Under my window you revealed your soul-- Ah! ever since I have adored you! Now Your letters all this whole month long!--meseemed As if I heard that voice so tender, true, Sheltering, close! Thy fault, I say! It drew me, The voice o' th' night! Oh! wise Penelope Would ne'er have stayed to broider on her hearthstone, If her Ulysses could have writ such letters! But would have cast away her silken bobbins, And fled to join him, mad for love as Helen! CHRISTIAN: But. . . ROXANE: I read, read again--grew faint for love; I was thine utterly. Each separate page Was like a fluttering flower-petal, loosed From your own soul, and wafted thus to mine. Imprinted in each burning word was love Sincere, all-powerful. . . CHRISTIAN: A love sincere! Can that be felt, Roxane! ROXANE: Ay, that it can! CHRISTIAN: You come. . .? ROXANE: O, Christian, my true lord, I come-- (Were I to throw myself, here, at your knees, You would raise me--but 'tis my soul I lay At your feet--you can raise it nevermore!) --I come to crave your pardon. (Ay, 'tis time To sue for pardon, now that death may come!) For the insult done to you when, frivolous, At first I loved you only for your face! CHRISTIAN (horror-stricken): Roxane! ROXANE: And later, love--less frivolous-- Like a bird that spreads its wings, but can not fly-- Arrested by your beauty, by your soul Drawn close--I loved for both at once! CHRISTIAN: And now? ROXANE: Ah! you yourself have triumphed o'er yourself, And now, I love you only for your soul! CHRISTIAN (stepping backward): Roxane! ROXANE: Be happy. To be loved for beauty-- A poor disguise that time so soon wears threadbare-- Must be to noble souls--to souls aspiring-- A torture. Your dear thoughts have now effaced That beauty that so won me at the outset. Now I see clearer--and I no more see it! CHRISTIAN: Oh!. . . ROXANE: You are doubtful of such victory? CHRISTIAN (pained): Roxane! ROXANE: I see you cannot yet believe it. Such love. . .? CHRISTIAN: I do not ask such love as that! I would be loved more simply; for. . . ROXANE: For that Which they have all in turns loved in thee?-- Shame! Oh! be loved henceforth in a better way! CHRISTIAN: No! the first love was best! ROXANE: Ah! how you err! 'Tis now that I love best--love well! 'Tis that Which is thy true self, see!--that I adore! Were your brilliance dimmed. . . CHRISTIAN: Hush! ROXANE: I should love still! Ay, if your beauty should to-day depart. . . CHRISTIAN: Say not so! ROXANE: Ay, I say it! CHRISTIAN: Ugly? How? ROXANE: Ugly! I swear I'd love you still! CHRISTIAN: My God! ROXANE: Are you content at last? CHRISTIAN (in a choked voice): Ay!. . . ROXANE: What is wrong? CHRISTIAN (gently pushing her away): Nothing. . .I have two words to say:--one second. . . ROXANE: But?. . . CHRISTIAN (pointing to the cadets): Those poor fellows, shortly doomed to death,-- My love deprives them of the sight of you: Go,--speak to them--smile on them ere they die! ROXANE (deeply affected): Dear Christian!. . . (She goes up to the cadets, who respectfully crowd round her.)

Act 4, scene 8

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes6-10

Christian asks Roxane why she risked her life to come to the battlefield. She tells him that it was because of his wonderful letters. At first, she says, she loved him for his beauty, but then she was a foolish, shallow girl. Now, his beauty no longer matters, and she loves the soul that shone through in his letters. She would love him even if he were ugly. Christian is miserable at this news, as he realizes that it is Cyrano whom she loves. Roxane cannot understand why he is unhappy. As he tries to control his emotions, he sends Roxane off to speak to the men to lift their spirits before they die

novelguide

all_chapterized_books/1254-chapters/43.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_7_part_4.txt

Cyrano de Bergerac.act 4.scene 9

act 4, scene 9

{"name": "Act 4, scene 9", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes6-10", "summary": "Christian tells Cyrano that Roxane no longer loves him; it is Cyrano whom she loves. Christian also says it is plain that Cyrano returns her love. Cyrano admits that this is so. Christian tells Cyrano to tell her their secret. Cyrano says he cannot, as he is so ugly. Christian points out that Roxane said she would love him even if he were ugly. He adds that Cyrano should not lose the chance of happiness just because he is handsome. As Christian leaves to go to the sentry-post, he says that Cyrano must ask Roxane to choose between them", "analysis": ""}

Christian, Cyrano. At back Roxane talking to Carbon and some cadets. CHRISTIAN (calling toward Cyrano's tent): Cyrano! CYRANO (reappearing, fully armed): What? Why so pale? CHRISTIAN: She does not love me! CYRANO: What? CHRISTIAN: 'Tis you she loves! CYRANO: No! CHRISTIAN: --For she loves me only for my soul! CYRANO: Truly? CHRISTIAN: Yes! Thus--you see, that soul is you,. . . Therefore, 'tis you she loves!--And you--love her! CYRANO: I? CHRISTIAN: Oh, I know it! CYRANO: Ay, 'tis true! CHRISTIAN: You love To madness! CYRANO: Ay! and worse! CHRISTIAN: Then tell her so! CYRANO: No! CHRISTIAN: And why not? CYRANO: Look at my face!--be answered! CHRISTIAN: She'd love me--were I ugly. CYRANO: Said she so? CHRISTIAN: Ay! in those words! CYRANO: I'm glad she told you that! But pooh!--believe it not! I am well pleased She thought to tell you. Take it not for truth. Never grow ugly:--she'd reproach me then! CHRISTIAN: That I intend discovering! CYRANO: No! I beg! CHRISTIAN: Ay! she shall choose between us!--Tell her all! CYRANO: No! no! I will not have it! Spare me this! CHRISTIAN: Because my face is haply fair, shall I Destroy your happiness? 'Twere too unjust! CYRANO: And I,--because by Nature's freak I have The gift to say--all that perchance you feel. Shall I be fatal to your happiness? CHRISTIAN: Tell all! CYRANO: It is ill done to tempt me thus! CHRISTIAN: Too long I've borne about within myself A rival to myself--I'll make an end! CYRANO: Christian! CHRISTIAN: Our union, without witness--secret-- Clandestine--can be easily dissolved If we survive. CYRANO: My God!--he still persists! CHRISTIAN: I will be loved myself--or not at all! --I'll go see what they do--there, at the end Of the post: speak to her, and then let her choose One of us two! CYRANO: It will be you. CHRISTIAN: Pray God! (He calls): Roxane! CYRANO: No! no! ROXANE (coming up quickly): What? CHRISTIAN: Cyrano has things Important for your ear. . . (She hastens to Cyrano. Christian goes out.)

Act 4, scene 9

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes6-10

Christian tells Cyrano that Roxane no longer loves him; it is Cyrano whom she loves. Christian also says it is plain that Cyrano returns her love. Cyrano admits that this is so. Christian tells Cyrano to tell her their secret. Cyrano says he cannot, as he is so ugly. Christian points out that Roxane said she would love him even if he were ugly. He adds that Cyrano should not lose the chance of happiness just because he is handsome. As Christian leaves to go to the sentry-post, he says that Cyrano must ask Roxane to choose between them

novelguide

all_chapterized_books/1254-chapters/44.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_7_part_5.txt

Cyrano de Bergerac.act 4.scene 10

act 4, scene 10

{"name": "Act 4, scene 10", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes6-10", "summary": "Cyrano and Roxane discuss her conversation with Christian. Musket fire is heard offstage. Cyrano asks Roxane if it is true that she would love him even if he were ugly, or even disfigured. She confirms that she would. Cyrano is ecstatic, and is on the brink of revealing his secret to Roxane. Before he can speak, however, Le Bret rushes in and whispers something in Cyrano's ear. Cyrano, anguished, cries that it is too late: he can never tell Roxane his feelings. Some men enter, carrying Christian. He is dying. Le Bret tells Cyrano that he was the first to die. Roxane, distraught, throws herself on Christian's body. Cyrano whispers in his ear that he told Roxane their secret, and asked her to choose between them: she chose Christian. Christian dies. The battle begins all around them. Roxane notices a letter addressed to her in Christian's pocket. It is Cyrano's latest letter. Roxane praises Christian's fine intellect, sensitivity, and gift for poetry to Cyrano. Cyrano reflects that he can die happy today, as she is really weeping for him. De Guiche enters, with a head wound. Roxane notices that the letter in Christian's pocket is stained with blood and tears. She is on the verge of fainting. Cyrano asks de Guiche to take her away, as he is going to charge against the Spanish. Cyrano also tells de Guiche that he has proved his worth. De Guiche agrees to take Roxane away, and tells Cyrano that if the Guards can hold the line even for half an hour, the main forces will have returned and they can beat the Spanish. A wounded Carbon runs in with some other men, with the news that the French line is breaking. Cyrano says the Spanish will pay for two things: Christian's death and his own hopes of happiness. Cyrano plants the standard, Roxane's handkerchief, in the ground, and rallies the troops.", "analysis": "of Act 4, scenes 6-10. The play's action regarding Cyrano and Christian's collaboration comes to a climax in this section. This escalating internal conflict is paralleled by the external conflict of the battle between the French and the Spanish. De Guiche rapidly metamorphoses from villain to sympathetic character, even with a tinge of the hero. Inspired by Roxane's refusal to leave the battlefield, he too decides to stay. In addition, he endears himself to the Guards by the trace of the Gascon accent that emerges in his speech, and his proud refusal to eat the other men's leftovers. The men's decision that he is a Gascon, just like them, and Cyrano's appreciative words as he sends him away with Roxane, completes his redemption. Though the change in de Guiche may be considered too sudden to be convincing, its dramatic purpose is to remove him from the plot so that the action can focus on the main story involving Cyrano, Christian, and Roxane. There is bitter irony in the fact that Roxane's good news that she has risked her life to tell Christian is the worst thing that he could possibly hear. It tells him that in fact, Roxane loves Cyrano, and Christian's one claim on her affections, his outward beauty, has become irrelevant. With this development, Christian becomes redundant. Cyrano's chivalry is apparent, however, in his whispering to the dying Christian that he told Roxane their secret and asked her to choose between them, and that she chose Christian. Cyrano ensures that Christian dies happy and fulfilled in his role as Roxane's lover. Christian's death does, however, push the irony and the tragedy of the play to new heights. It means that Cyrano can never tell Roxane his secret, as to do so would betray his friend, Christian, and make a mockery of her mourning. Cyrano's anguished cry of \"Too late. on hearing of Christian's death in scene 10 expresses his sorrow and despair that he can never be united with Roxane"}

Roxane, Cyrano. Then Le Bret, Carbon de Castel-Jaloux, the cadets, Ragueneau, De Guiche, etc. ROXANE: Important, how? CYRANO (in despair. to Roxane): He's gone! 'Tis naught!--Oh, you know how he sees Importance in a trifle! ROXANE (warmly): Did he doubt Of what I said?--Ah, yes, I saw he doubted! CYRANO (taking her hand): But are you sure you told him all the truth? ROXANE: Yes, I would love him were he. . . (She hesitates.) CYRANO: Does that word Embarrass you before my face, Roxane? ROXANE: I. . . CYRANO (smiling sadly): 'Twill not hurt me! Say it! If he were Ugly!. . . ROXANE: Yes, ugly! (Musket report outside): Hark! I hear a shot! CYRANO (ardently): Hideous! ROXANE: Hideous! yes! CYRANO: Disfigured. ROXANE: Ay! CYRANO: Grotesque? ROXANE: He could not be grotesque to me! CYRANO: You'd love the same?. . . ROXANE: The same--nay, even more! CYRANO (losing command over himself--aside): My God! it's true, perchance, love waits me there! (To Roxane): I. . .Roxane. . .listen. . . LE BRET (entering hurriedly--to Cyrano): Cyrano! CYRANO (turning round): What? LE BRET: Hush! (He whispers something to him.) CYRANO (letting go Roxane's hand and exclaiming): Ah, God! ROXANE: What is it? CYRANO (to himself--stunned): All is over now. (Renewed reports.) ROXANE: What is the matter? Hark! another shot! (She goes up to look outside.) CYRANO: It is too late, now I can never tell! ROXANE (trying to rush out): What has chanced? CYRANO (rushing to stop her): Nothing! (Some cadets enter, trying to hide something they are carrying, and close round it to prevent Roxane approaching.) ROXANE: And those men? (Cyrano draws her away): What were you just about to say before. . .? CYRANO: What was I saying? Nothing now, I swear! (Solemnly): I swear that Christian's soul, his nature, were. . . (Hastily correcting himself): Nay, that they are, the noblest, greatest. . . ROXANE: Were? (With a loud scream): Oh! (She rushes up, pushing every one aside.) CYRANO: All is over now! ROXANE (seeing Christian lying on the ground, wrapped in his cloak): O Christian! LE BRET (to Cyrano): Struck by first shot of the enemy! (Roxane flings herself down by Christian. Fresh reports of cannon--clash of arms--clamor--beating of drums.) CARBON (with sword in the air): O come! Your muskets. (Followed by the cadets, he passes to the other side of the ramparts.) ROXANE: Christian! THE VOICE OF CARBON (from the other side): Ho! make haste! ROXANE: Christian! CARBON: FORM LINE! ROXANE: Christian! CARBON: HANDLE YOUR MATCH! (Ragueneau rushes up, bringing water in a helmet.) CHRISTIAN (in a dying voice): Roxane! CYRANO (quickly, whispering into Christian's ear, while Roxane distractedly tears a piece of linen from his breast, which she dips into the water, trying to stanch the bleeding): I told her all. She loves you still. (Christian closes his eyes.) ROXANE: How, my sweet love? CARBON: DRAW RAMRODS! ROXANE (to Cyrano): He is not dead? CARBON: OPEN YOUR CHARGES WITH YOUR TEETH! ROXANE: His cheek Grows cold against my own! CARBON: READY! PRESENT! ROXANE (seeing a letter in Christian's doublet): A letter!. . . 'Tis for me! (She opens it.) CYRANO (aside): My letter! CARBON: FIRE! (Musket reports--shouts--noise of battle.) CYRANO (trying to disengage his hand, which Roxane on her knees is holding): But, Roxane, hark, they fight! ROXANE (detaining him): Stay yet awhile. For he is dead. You knew him, you alone. (Weeping quietly): Ah, was not his a beauteous soul, a soul Wondrous! CYRANO (standing up--bareheaded): Ay, Roxane. ROXANE: An inspired poet? CYRANO: Ay, Roxane. ROXANE: And a mind sublime? CYRANO: Oh, yes! ROXANE: A heart too deep for common minds to plumb, A spirit subtle, charming? CYRANO (firmly): Ay, Roxane. ROXANE (flinging herself on the dead body): Dead, my love! CYRANO (aside--drawing his sword): Ay, and let me die to-day, Since, all unconscious, she mourns me--in him! (Sounds of trumpets in the distance.) DE GUICHE (appearing on the ramparts--bareheaded--with a wound on his forehead--in a voice of thunder): It is the signal! Trumpet flourishes! The French bring the provisions into camp! Hold but the place awhile! ROXANE: See, there is blood Upon the letter--tears! A VOICE (outside--shouting): Surrender! VOICE OF CADETS: No! RAGUENEAU (standing on the top of his carriage, watches the battle over the edge of the ramparts): The danger's ever greater! CYRANO (to De Guiche--pointing to Roxane): I will charge! Take her away! ROXANE (kissing the letter--in a half-extinguished voice): O God! his tears! his blood!. . . RAGUENEAU (jumping down from the carriage and rushing toward her): She's swooned away! DE GUICHE (on the rampart--to the cadets--with fury): Stand fast! A VOICE (outside): Lay down your arms! THE CADETS: No! CYRANO (to De Guiche): Now that you have proved your valor, Sir, (Pointing to Roxane): Fly, and save her! DE GUICHE (rushing to Roxane, and carrying her away in his arms): So be it! Gain but time, The victory's ours! CYRANO: Good. (Calling out to Roxane, whom De Guiche, aided by Ragueneau, is bearing away in a fainting condition): Farewell, Roxane! (Tumult. Shouts. Cadets reappear, wounded, falling on the scene. Cyrano, rushing to the battle, is stopped by Carbon de Castel-Jaloux, who is streaming with blood.) CARBON: We are breaking! I am wounded--wounded twice! CYRANO (shouting to the Gascons): GASCONS! HO, GASCONS! NEVER TURN YOUR BACKS! (To Carbon, whom he is supporting): Have no fear! I have two deaths to avenge: My friend who's slain;--and my dead happiness! (They come down, Cyrano brandishing the lance to which is attached Roxane's handkerchief): Float there! laced kerchief broidered with her name! (He sticks it in the ground and shouts to the cadets): FALL ON THEM, GASCONS! CRUSH THEM! (To the fifer): Fifer, play! (The fife plays. The wounded try to rise. Some cadets, falling one over the other down the slope, group themselves round Cyrano and the little flag. The carriage is crowded with men inside and outside, and, bristling with arquebuses, is turned into a fortress.) A CADET (appearing on the crest, beaten backward, but still fighting, cries): They're climbing the redoubt! (and falls dead.) CYRANO: Let us salute them! (The rampart is covered instantly by a formidable row of enemies. The standards of the Imperialists are raised): Fire! (General discharge.) A CRY IN THE ENEMY'S RANKS: Fire! (A deadly answering volley. The cadets fall on all sides.) A SPANISH OFFICER (uncovering): Who are these men who rush on death? CYRANO (reciting, erect, amid a storm of bullets): The bold Cadets of Gascony, Of Carbon of Castel-Jaloux! Brawling, swaggering boastfully, (He rushes forward, followed by a few survivors): The bold Cadets. . . (His voice is drowned in the battle.) Curtain.

Act 4, scene 10

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes6-10

Cyrano and Roxane discuss her conversation with Christian. Musket fire is heard offstage. Cyrano asks Roxane if it is true that she would love him even if he were ugly, or even disfigured. She confirms that she would. Cyrano is ecstatic, and is on the brink of revealing his secret to Roxane. Before he can speak, however, Le Bret rushes in and whispers something in Cyrano's ear. Cyrano, anguished, cries that it is too late: he can never tell Roxane his feelings. Some men enter, carrying Christian. He is dying. Le Bret tells Cyrano that he was the first to die. Roxane, distraught, throws herself on Christian's body. Cyrano whispers in his ear that he told Roxane their secret, and asked her to choose between them: she chose Christian. Christian dies. The battle begins all around them. Roxane notices a letter addressed to her in Christian's pocket. It is Cyrano's latest letter. Roxane praises Christian's fine intellect, sensitivity, and gift for poetry to Cyrano. Cyrano reflects that he can die happy today, as she is really weeping for him. De Guiche enters, with a head wound. Roxane notices that the letter in Christian's pocket is stained with blood and tears. She is on the verge of fainting. Cyrano asks de Guiche to take her away, as he is going to charge against the Spanish. Cyrano also tells de Guiche that he has proved his worth. De Guiche agrees to take Roxane away, and tells Cyrano that if the Guards can hold the line even for half an hour, the main forces will have returned and they can beat the Spanish. A wounded Carbon runs in with some other men, with the news that the French line is breaking. Cyrano says the Spanish will pay for two things: Christian's death and his own hopes of happiness. Cyrano plants the standard, Roxane's handkerchief, in the ground, and rallies the troops.

of Act 4, scenes 6-10. The play's action regarding Cyrano and Christian's collaboration comes to a climax in this section. This escalating internal conflict is paralleled by the external conflict of the battle between the French and the Spanish. De Guiche rapidly metamorphoses from villain to sympathetic character, even with a tinge of the hero. Inspired by Roxane's refusal to leave the battlefield, he too decides to stay. In addition, he endears himself to the Guards by the trace of the Gascon accent that emerges in his speech, and his proud refusal to eat the other men's leftovers. The men's decision that he is a Gascon, just like them, and Cyrano's appreciative words as he sends him away with Roxane, completes his redemption. Though the change in de Guiche may be considered too sudden to be convincing, its dramatic purpose is to remove him from the plot so that the action can focus on the main story involving Cyrano, Christian, and Roxane. There is bitter irony in the fact that Roxane's good news that she has risked her life to tell Christian is the worst thing that he could possibly hear. It tells him that in fact, Roxane loves Cyrano, and Christian's one claim on her affections, his outward beauty, has become irrelevant. With this development, Christian becomes redundant. Cyrano's chivalry is apparent, however, in his whispering to the dying Christian that he told Roxane their secret and asked her to choose between them, and that she chose Christian. Cyrano ensures that Christian dies happy and fulfilled in his role as Roxane's lover. Christian's death does, however, push the irony and the tragedy of the play to new heights. It means that Cyrano can never tell Roxane his secret, as to do so would betray his friend, Christian, and make a mockery of her mourning. Cyrano's anguished cry of "Too late. on hearing of Christian's death in scene 10 expresses his sorrow and despair that he can never be united with Roxane

novelguide

all_chapterized_books/1254-chapters/46.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_8_part_1.txt

Cyrano de Bergerac.act 5.scene 1

act 5, scene 1

{"name": "act 5, scene 1", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act5-scenes1-6", "summary": "It is fifteen years later, in 1655. The action opens in the garden of the convent into which Roxane has retired. The nuns are talking about Cyrano, who they say has visited Roxane regularly for the fourteen years since she came to live there. He is the only person who makes her smile. Mother Margaret, the head of the convent, mentions that he is so poor that on some days he does not eat", "analysis": ""}

Mother Marguerite, Sister Martha, Sister Claire, other sisters. SISTER MARTHA (to Mother Marguerite): Sister Claire glanced in the mirror, once--nay, twice, to see if her coif suited. MOTHER MARGUERITE (to Sister Claire): 'Tis not well. SISTER CLAIRE: But I saw Sister Martha take a plum Out of the tart. MOTHER MARGUERITE (to Sister Martha): That was ill done, my sister. SISTER CLAIRE: A little glance! SISTER MARTHA: And such a little plum! MOTHER MARGUERITE: I shall tell this to Monsieur Cyrano. SISTER CLAIRE: Nay, prithee do not!--he will mock! SISTER MARTHA: He'll say we nuns are vain! SISTER CLAIRE: And greedy! MOTHER MARGUERITE (smiling): Ay, and kind! SISTER CLAIRE: Is it not true, pray, Mother Marguerite, That he has come, each week, on Saturday For ten years, to the convent? MOTHER MARGUERITE: Ay! and more! Ever since--fourteen years ago--the day His cousin brought here, 'midst our woolen coifs, The worldly mourning of her widow's veil, Like a blackbird's wing among the convent doves! SISTER MARTHA: He only has the skill to turn her mind From grief--unsoftened yet by Time--unhealed! ALL THE SISTERS: He is so droll!--It's cheerful when he comes!-- He teases us!--But we all like him well!-- --We make him pasties of angelica! SISTER MARTHA: But, he is not a faithful Catholic! SISTER CLAIRE: We will convert him! THE SISTERS: Yes! Yes! MOTHER MARGUERITE: I forbid, My daughters, you attempt that subject. Nay, Weary him not--he might less oft come here! SISTER MARTHA: But. . .God. . . MOTHER MARGUERITE: Nay, never fear! God knows him well! SISTER MARTHA: But--every Saturday, when he arrives, He tells me, 'Sister, I eat meat on Friday!' MOTHER MARGUERITE: Ah! says he so? Well, the last time he came Food had not passed his lips for two whole days! SISTER MARTHA: Mother! MOTHER MARGUERITE: He's poor. SISTER MARTHA: Who told you so, dear Mother? MOTHER MARGUERITE: Monsieur Le Bret. SISTER MARTHA: None help him? MOTHER MARGUERITE: He permits not. (In an alley at the back Roxane appears, dressed in black, with a widow's coif and veil. De Guiche, imposing-looking and visibly aged, walks by her side. They saunter slowly. Mother Marguerite rises): 'Tis time we go in; Madame Madeleine Walks in the garden with a visitor. SISTER MARTHA (to Sister Claire, in a low voice): The Marshal of Grammont? SISTER CLAIRE (looking at him): 'Tis he, I think. SISTER MARTHA: 'Tis many months now since he came to see her. THE SISTERS: He is so busy!--The Court,--the camp!. . . SISTER CLAIRE: The world! (They go out. De Guiche and Roxane come forward in silence, and stop close to the embroidery frame.)

act 5, scene 1

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act5-scenes1-6

It is fifteen years later, in 1655. The action opens in the garden of the convent into which Roxane has retired. The nuns are talking about Cyrano, who they say has visited Roxane regularly for the fourteen years since she came to live there. He is the only person who makes her smile. Mother Margaret, the head of the convent, mentions that he is so poor that on some days he does not eat

novelguide

all_chapterized_books/1254-chapters/47.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_8_part_2.txt

Cyrano de Bergerac.act 5.scene 2

act 5, scene 2

{"name": "Act 5, scene 2", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act5-scenes1-6", "summary": "Roxane enters with de Guiche, who is visiting her. He is now the Duc de Grammont and one of the most powerful men in France. De Guiche asks her whether she intends to waste her beauty living in the convent forever, guarding Christian's memory. She says that she does, and that she still keeps his last letter next to her heart. He asks her whether she forgives him for sending Christian to his death; she says that she must, since she lives in the convent. She adds that she still feels Christian's love all around her. He asks if Cyrano still visits her. She replies that he visits every week and tells her all the news. Le Bret enters and reports that Cyrano is suffering from poverty, hunger, and loneliness. De Guiche comments that Cyrano should not be pitied too much because he has lived the life he chose, free and not obligated to anyone. De Guiche adds that he himself has everything, while Cyrano has nothing, yet he would still like to shake his hand. He envies Cyrano, as it seems he can have no regrets about his life. De Guiche takes Le Bret aside and warns him that Cyrano has made enemies. De Guiche overheard one influential person saying, \"Cyrano might have an accident. Ragueneau arrives to visit Roxane. He has fallen on hard times. He gave up his shop to become a writer, but has found himself doing a series of other jobs", "analysis": ""}

Roxane; the Duke de Grammont, formerly Count de Guiche. Then Le Bret and Ragueneau. THE DUKE: And you stay here still--ever vainly fair, Ever in weeds? ROXANE: Ever. THE DUKE: Still faithful? ROXANE: Still. THE DUKE (after a pause): Am I forgiven? ROXANE: Ay, since I am here. (Another pause.) THE DUKE: His was a soul, you say?. . . ROXANE: Ah!--when you knew him! THE DUKE: Ah, may be!. . .I, perchance, too little knew him! . . .And his last letter, ever next your heart? ROXANE: Hung from this chain, a gentle scapulary. THE DUKE: And, dead, you love him still? ROXANE: At times,--meseems He is but partly dead--our hearts still speak, As if his love, still living, wrapped me round! THE DUKE (after another pause): Cyrano comes to see you? ROXANE: Often, ay. Dear, kind old friend! We call him my 'Gazette.' He never fails to come: beneath this tree They place his chair, if it be fine:--I wait, I broider;--the clock strikes;--at the last stroke I hear,--for now I never turn to look-- Too sure to hear his cane tap down the steps; He seats himself:--with gentle raillery He mocks my tapestry that's never done; He tells me all the gossip of the week. . . (Le Bret appears on the steps): Why, here's Le Bret! (Le Bret descends): How goes it with our friend? LE BRET: Ill!--very ill. THE DUKE: How? ROXANE (to the Duke): He exaggerates! LE BRET: All that I prophesied: desertion, want!. . . His letters now make him fresh enemies!-- Attacking the sham nobles, sham devout, Sham brave,--the thieving authors,--all the world! ROXANE: Ah! but his sword still holds them all in check; None get the better of him. THE DUKE (shaking his head): Time will show! LE BRET: Ah, but I fear for him--not man's attack,-- Solitude--hunger--cold December days, That wolf-like steal into his chamber drear:-- Lo! the assassins that I fear for him! Each day he tightens by one hole his belt: That poor nose--tinted like old ivory: He has retained one shabby suit of serge. THE DUKE: Ay, there is one who has no prize of Fortune!-- Yet is not to be pitied! LE BRET (with a bitter smile): My Lord Marshal!. . . THE DUKE: Pity him not! He has lived out his vows, Free in his thoughts, as in his actions free! LE BRET (in the same tone): My Lord!. . . THE DUKE (haughtily): True! I have all, and he has naught;. . . Yet I were proud to take his hand! (Bowing to Roxane): Adieu! ROXANE: I go with you. (The Duke bows to Le Bret, and goes with Roxane toward the steps.) THE DUKE (pausing, while she goes up): Ay, true,--I envy him. Look you, when life is brimful of success --Though the past hold no action foul--one feels A thousand self-disgusts, of which the sum Is not remorse, but a dim, vague unrest; And, as one mounts the steps of worldly fame, The Duke's furred mantles trail within their folds A sound of dead illusions, vain regrets, A rustle--scarce a whisper--like as when, Mounting the terrace steps, by your mourning robe Sweeps in its train the dying autumn leaves. ROXANE (ironically): You are pensive? THE DUKE: True! I am! (As he is going out, suddenly): Monsieur Le Bret! (To Roxane): A word, with your permission? (He goes to Le Bret, and in a low voice): True, that none Dare to attack your friend;--but many hate him; Yesterday, at the Queen's card-play, 'twas said 'That Cyrano may die--by accident!' Let him stay in--be prudent! LE BRET (raising his arms to heaven): Prudent! He!. . . He's coming here. I'll warn him--but!. . . ROXANE (who has stayed on the steps, to a sister who comes toward her): What is it? THE SISTER: Ragueneau would see you, Madame. ROXANE: Let him come. (To the Duke and Le Bret): He comes to tell his troubles. Having been An author (save the mark!)--poor fellow--now By turns he's singer. . . LE BRET: Bathing-man. . . ROXANE: Then actor. . . LE BRET: Beadle. . . ROXANE: Wig-maker. . . LE BRET: Teacher of the lute. . . ROXANE: What will he be to-day, by chance? RAGUENEAU (entering hurriedly): Ah! Madame! (He sees Le Bret): Ah! you here, Sir! ROXANE (smiling): Tell all your miseries To him; I will return anon. RAGUENEAU: But, Madame. . . (Roxane goes out with the Duke. Ragueneau goes toward Le Bret.)

Act 5, scene 2

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act5-scenes1-6

Roxane enters with de Guiche, who is visiting her. He is now the Duc de Grammont and one of the most powerful men in France. De Guiche asks her whether she intends to waste her beauty living in the convent forever, guarding Christian's memory. She says that she does, and that she still keeps his last letter next to her heart. He asks her whether she forgives him for sending Christian to his death; she says that she must, since she lives in the convent. She adds that she still feels Christian's love all around her. He asks if Cyrano still visits her. She replies that he visits every week and tells her all the news. Le Bret enters and reports that Cyrano is suffering from poverty, hunger, and loneliness. De Guiche comments that Cyrano should not be pitied too much because he has lived the life he chose, free and not obligated to anyone. De Guiche adds that he himself has everything, while Cyrano has nothing, yet he would still like to shake his hand. He envies Cyrano, as it seems he can have no regrets about his life. De Guiche takes Le Bret aside and warns him that Cyrano has made enemies. De Guiche overheard one influential person saying, "Cyrano might have an accident. Ragueneau arrives to visit Roxane. He has fallen on hard times. He gave up his shop to become a writer, but has found himself doing a series of other jobs

novelguide

all_chapterized_books/1254-chapters/48.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_8_part_3.txt

Cyrano de Bergerac.act 5.scene 3

act 5, scene 3

{"name": "Act 5, scene 3", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act5-scenes1-6", "summary": "Roxane leaves to talk to de Guiche. Ragueneau tells Le Bret that Cyrano has been seriously injured and is unconscious. As he walked under a window, a man dropped a log of wood on his head. Le Bret is sure that it is no accident. A doctor has said that if Cyrano gets up, he will die", "analysis": ""}

Le Bret, Ragueneau. RAGUENEAU: Since you are here, 'tis best she should not know! I was going to your friend just now--was but A few steps from the house, when I saw him Go out. I hurried to him. Saw him turn The corner. . .suddenly, from out a window Where he was passing--was it chance?. . .may be! A lackey let fall a large piece of wood. LE BRET: Cowards! O Cyrano! RAGUENEAU: I ran--I saw. . . LE BRET: 'Tis hideous! RAGUENEAU: Saw our poet, Sir--our friend-- Struck to the ground--a large wound in his head! LE BRET: He's dead? RAGUENEAU: No--but--I bore him to his room. . . Ah! his room! What a thing to see!--that garret! LE BRET: He suffers? RAGUENEAU: No, his consciousness has flown. LE BRET: Saw you a doctor? RAGUENEAU: One was kind--he came. LE BRET: My poor Cyrano!--We must not tell this To Roxane suddenly.--What said this leech?-- RAGUENEAU: Said,--what, I know not--fever, meningitis!-- Ah! could you see him--all his head bound up!-- But let us haste!--There's no one by his bed!-- And if he try to rise, Sir, he might die! LE BRET (dragging him toward the right): Come! Through the chapel! 'Tis the quickest way! ROXANE (appearing on the steps, and seeing Le Bret go away by the colonnade leading to the chapel door): Monsieur le Bret! (Le Bret and Ragueneau disappear without answering): Le Bret goes--when I call! 'Tis some new trouble of good Ragueneau's. (She descends the steps.)

Act 5, scene 3

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act5-scenes1-6

Roxane leaves to talk to de Guiche. Ragueneau tells Le Bret that Cyrano has been seriously injured and is unconscious. As he walked under a window, a man dropped a log of wood on his head. Le Bret is sure that it is no accident. A doctor has said that if Cyrano gets up, he will die

novelguide

all_chapterized_books/1254-chapters/49.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_8_part_4.txt

Cyrano de Bergerac.act 5.scene 4

act 5, scene 4

{"name": "Act 5, scene 4", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act5-scenes1-6", "summary": "Roxane sits doing her needlework and wonders why Cyrano is late for his usual visit", "analysis": ""}

Roxane alone. Two sisters, for a moment. ROXANE: Ah! what a beauty in September's close! My sorrow's eased. April's joy dazzled it, But autumn wins it with her dying calm. (She seats herself at the embroidery frame. Two sisters come out of the house, and bring a large armchair under the tree): There comes the famous armchair where he sits, Dear faithful friend! SISTER MARTHA: It is the parlor's best! ROXANE: Thanks, sister. (The sisters go): He'll be here now. (She seats herself. A clock strikes): The hour strikes. --My silks?--Why, now, the hour's struck! How strange To be behind his time, at last, to-day! Perhaps the portress--where's my thimble?. . . Here!--Is preaching to him. (A pause): Yes, she must be preaching! Surely he must come soon!--Ah, a dead leaf!-- (She brushes off the leaf from her work): Nothing, besides, could--scissors?--In my bag! --Could hinder him. . . A SISTER (coming to the steps): Monsieur de Bergerac.

Act 5, scene 4

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act5-scenes1-6

Roxane sits doing her needlework and wonders why Cyrano is late for his usual visit

novelguide

all_chapterized_books/1254-chapters/50.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_8_part_5.txt

Cyrano de Bergerac.act 5.scene 5

act 5, scene 5

{"name": "Act 5, scene 5", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act5-scenes1-6", "summary": "Cyrano enters, looking pale and walking with difficulty. He warns her that he may have to leave before evening. He teases Sister Martha and surprises her by saying that she can pray for him this evening. As he begins to tell Roxane the latest gossip, he is obviously struggling to continue. He almost faints, but tells Roxane it is an old war wound. Roxane tells him that her wound is in her heart, under Christian's letter. She says that the letter is stained with blood and tears. Cyrano asks to read it. Cyrano begins to read the letter aloud. The letter says that the writer will die today, and says goodbye to \"My dearest love\" Roxane. Roxane suddenly realizes that she has heard that voice before, beneath her balcony. She notices that it has grown so dark by now that Cyrano cannot possibly see to read, but still he is speaking the words in the letter. She realizes that it is he who has loved her all these years, he who spoke to her from beneath the balcony and who wrote the letters. Cyrano denies that he loved her, saying that Christian did. She does not believe him. She asks why he kept silent for fourteen years about a letter that Christian did not write. Cyrano replies, \"The tears were mine, but Christian shed the blood. Roxane asks why he has broken his silence today", "analysis": ""}

Roxane, Cyrano and, for a moment, Sister Martha. ROXANE (without turning round): What was I saying?. . . (She embroiders. Cyrano, very pale, his hat pulled down over his eyes, appears. The sister who had announced him retires. He descends the steps slowly, with a visible difficulty in holding himself upright, bearing heavily on his cane. Roxane still works at her tapestry): Time has dimmed the tints. . . How harmonize them now? (To Cyrano, with playful reproach): For the first time Late!--For the first time, all these fourteen years! CYRANO (who has succeeded in reaching the chair, and has seated himself--in a lively voice, which is in great contrast with his pale face): Ay! It is villainous! I raged--was stayed. . . ROXANE: By?. . . CYRANO: By a bold, unwelcome visitor. ROXANE (absently, working): Some creditor? CYRANO: Ay, cousin,--the last creditor Who has a debt to claim from me. ROXANE: And you Have paid it? CYRANO: No, not yet! I put it off; --Said, 'Cry you mercy; this is Saturday, When I have get a standing rendezvous That naught defers. Call in an hour's time!' ROXANE (carelessly): Oh, well, a creditor can always wait! I shall not let you go ere twilight falls. CYRANO: Haply, perforce, I quit you ere it falls! (He shuts his eyes, and is silent for a moment. Sister Martha crosses the park from the chapel to the flight of steps. Roxane, seeing her, signs to her to approach.) ROXANE (to Cyrano): How now? You have not teased the Sister? CYRANO (hastily opening his eyes): True! (In a comically loud voice): Sister! come here! (The sister glides up to him): Ha! ha! What? Those bright eyes Bent ever on the ground? SISTER MARTHA (who makes a movement of astonishment on seeing his face): Oh! CYRANO (in a whisper, pointing to Roxane): Hush! 'tis naught!-- (Loudly, in a blustering voice): I broke fast yesterday! SISTER MARTHA (aside): I know, I know! That's how he is so pale! Come presently To the refectory, I'll make you drink A famous bowl of soup. . .You'll come? CYRANO: Ay, ay! SISTER MARTHA: There, see! You are more reasonable to-day! ROXANE (who hears them whispering): The Sister would convert you? SISTER MARTHA: Nay, not I! CYRANO: Hold! but it's true! You preach to me no more, You, once so glib with holy words! I am Astonished!. . . (With burlesque fury): Stay, I will surprise you too! Hark! I permit you. . . (He pretends to be seeking for something to tease her with, and to have found it): . . .It is something new!-- To--pray for me, to-night, at chapel-time! ROXANE: Oh! oh! CYRANO (laughing): Good Sister Martha is struck dumb! SISTER MARTHA (gently): I did not wait your leave to pray for you. (She goes out.) CYRANO (turning to Roxane, who is still bending over her work): That tapestry! Beshrew me if my eyes Will ever see it finished! ROXANE: I was sure To hear that well-known jest! (A light breeze causes the leaves to fall.) CYRANO: The autumn leaves! ROXANE (lifting her head, and looking down the distant alley): Soft golden brown, like a Venetian's hair. --See how they fall! CYRANO: Ay, see how brave they fall, In their last journey downward from the bough, To rot within the clay; yet, lovely still, Hiding the horror of the last decay, With all the wayward grace of careless flight! ROXANE: What, melancholy--you? CYRANO (collecting himself): Nay, nay, Roxane! ROXANE: Then let the dead leaves fall the way they will. . . And chat. What, have you nothing new to tell, My Court Gazette? CYRANO: Listen. ROXANE: Ah! CYRANO (growing whiter and whiter): Saturday The nineteenth: having eaten to excess Of pear-conserve, the King felt feverish; The lancet quelled this treasonable revolt, And the august pulse beats at normal pace. At the Queen's ball on Sunday thirty score Of best white waxen tapers were consumed. Our troops, they say, have chased the Austrians. Four sorcerers were hanged. The little dog Of Madame d'Athis took a dose. . . ROXANE: I bid You hold your tongue, Monsieur de Bergerac! CYRANO: Monday--not much--Claire changed protector. ROXANE: Oh! CYRANO (whose face changes more and more): Tuesday, the Court repaired to Fontainebleau. Wednesday, the Montglat said to Comte de Fiesque. . . No! Thursday--Mancini, Queen of France! (almost!) Friday, the Monglat to Count Fiesque said--'Yes!' And Saturday the twenty-sixth. . . (He closes his eyes. His head falls forward. Silence.) ROXANE (surprised at his voice ceasing, turns round, looks at him, and rising, terrified): He swoons! (She runs toward him crying): Cyrano! CYRANO (opening his eyes, in an unconcerned voice): What is this? (He sees Roxane bending over him, and, hastily pressing his hat on his head, and shrinking back in his chair): Nay, on my word 'Tis nothing! Let me be! ROXANE: But. . . CYRANO: That old wound Of Arras, sometimes,--as you know. . . ROXANE: Dear friend! CYRANO: 'Tis nothing, 'twill pass soon; (He smiles with an effort): See!--it has passed! ROXANE: Each of us has his wound; ay, I have mine,-- Never healed up--not healed yet, my old wound! (She puts her hand on her breast): 'Tis here, beneath this letter brown with age, All stained with tear-drops, and still stained with blood. (Twilight begins to fall.) CYRANO: His letter! Ah! you promised me one day That I should read it. ROXANE: What would you?--His letter? CYRANO: Yes, I would fain,--to-day. . . ROXANE (giving the bag hung at her neck): See! here it is! CYRANO (taking it): Have I your leave to open? ROXANE: Open--read! (She comes back to her tapestry frame, folds it up, sorts her wools.) CYRANO (reading): 'Roxane, adieu! I soon must die! This very night, beloved; and I Feel my soul heavy with love untold. I die! No more, as in days of old, My loving, longing eyes will feast On your least gesture--ay, the least! I mind me the way you touch your cheek With your finger, softly, as you speak! Ah me! I know that gesture well! My heart cries out!--I cry "Farewell"!' ROXANE: But how you read that letter! One would think. . . CYRANO (continuing to read): 'My life, my love, my jewel, my sweet, My heart has been yours in every beat!' (The shades of evening fall imperceptibly.) ROXANE: You read in such a voice--so strange--and yet-- It is not the first time I hear that voice! (She comes nearer very softly, without his perceiving it, passes behind his chair, and, noiselessly leaning over him, looks at the letter. The darkness deepens.) CYRANO: 'Here, dying, and there, in the land on high, I am he who loved, who loves you,--I. . .' ROXANE (putting her hand on his shoulder): How can you read? It is too dark to see! (He starts, turns, sees her close to him. Suddenly alarmed, he holds his head down. Then in the dusk, which has now completely enfolded them, she says, very slowly, with clasped hands): And, fourteen years long, he has played this part Of the kind old friend who comes to laugh and chat. CYRANO: Roxane! ROXANE: 'Twas you! CYRANO: No, never; Roxane, no! ROXANE: I should have guessed, each time he said my name! CYRANO: No, it was not I! ROXANE: It was you! CYRANO: I swear! ROXANE: I see through all the generous counterfeit-- The letters--you! CYRANO: No. ROXANE: The sweet, mad love-words! You! CYRANO: No! ROXANE: The voice that thrilled the night--you, you! CYRANO: I swear you err. ROXANE: The soul--it was your soul! CYRANO: I loved you not. ROXANE: You loved me not? CYRANO: 'Twas he! ROXANE: You loved me! CYRANO: No! ROXANE: See! how you falter now! CYRANO: No, my sweet love, I never loved you! ROXANE: Ah! Things dead, long dead, see! how they rise again! --Why, why keep silence all these fourteen years, When, on this letter, which he never wrote, The tears were your tears? CYRANO (holding out the letter to her): The bloodstains were his. ROXANE: Why, then, that noble silence,--kept so long-- Broken to-day for the first time--why? CYRANO: Why?. . . (Le Bret and Ragueneau enter running.)

Act 5, scene 5

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act5-scenes1-6

Cyrano enters, looking pale and walking with difficulty. He warns her that he may have to leave before evening. He teases Sister Martha and surprises her by saying that she can pray for him this evening. As he begins to tell Roxane the latest gossip, he is obviously struggling to continue. He almost faints, but tells Roxane it is an old war wound. Roxane tells him that her wound is in her heart, under Christian's letter. She says that the letter is stained with blood and tears. Cyrano asks to read it. Cyrano begins to read the letter aloud. The letter says that the writer will die today, and says goodbye to "My dearest love" Roxane. Roxane suddenly realizes that she has heard that voice before, beneath her balcony. She notices that it has grown so dark by now that Cyrano cannot possibly see to read, but still he is speaking the words in the letter. She realizes that it is he who has loved her all these years, he who spoke to her from beneath the balcony and who wrote the letters. Cyrano denies that he loved her, saying that Christian did. She does not believe him. She asks why he kept silent for fourteen years about a letter that Christian did not write. Cyrano replies, "The tears were mine, but Christian shed the blood. Roxane asks why he has broken his silence today

novelguide

all_chapterized_books/1254-chapters/51.txt

finished_summaries/novelguide/Cyrano de Bergerac/section_8_part_6.txt

Cyrano de Bergerac.act 5.scene 6

act 5, scene 6

{"name": "Act 5, scene 6", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act5-scenes1-6", "summary": "Le Bret and Ragueneau rush in, crying that Cyrano's coming here will kill him. Cyrano tells Roxane his last piece of news: \"Today. Monsieur de Bergerac was murdered. He takes off his hat and reveals his bandaged head. Roxane is distraught. Cyrano says he always expected to die on the point of a hero's sword, but instead he has been struck down from behind with a lump of wood, by a servant. Even his death, he adds, is \"laughable. Ragueneau tells Cyrano that Moliere has been stealing jokes and scenes that Cyrano has written to put in his plays. Cyrano says that it does not matter as long as the scene worked. Ragueneau says that the audience laughed and laughed. Cyrano comments that his role in life has been to feed lines to others. He tells Roxane that when Christian courted her under the balcony, he was feeding him his lines, but it was Christian who climbed up to claim the kiss from her. Roxane says that Cyrano cannot die, and that she loves him. She says that she has only ever loved one man, and now she is losing him again. Cyrano becomes delirious. He sees that his death is approaching. He stands up, his sword in his hand, to meet death. He says he thinks that death is looking at his nose. He begins to fence his old enemies: Lies, Compromise, Spite, Cowardice, and Stupidity. He says that they can take his poet's crown and lover's garland, yet he will go into God's presence with one thing that he will take unstained out of this world. Roxane, kissing him, asks him what it is. He answers, \"My white plume.", "analysis": "of Act 5, scenes 1-6. The last act of the play jumps forward in time fifteen years, to resolve the plotlines that still involve the main characters after Christian's death. The time of year and the time of day are symbolic of Cyrano's approaching death. The mood of this act, while it retains elements of comedy, comments pessimistically on the fate of a less-than-honorable man and an honorable man. De Guiche has achieved great worldly success by compromising his principles, not to any serious extent, but enough to prompt unease in his conscience. Cyrano, in contrast has not compromised his ideals. But he is poor, hungry, and has made powerful enemies by writing satirical works. This point reinforces one of the themes of the play: the degraded nature of a society that has lost touch with the honorable values of old. The manner of Cyrano's death reflects and comments on his life. It is simultaneously comic and tragic. He does not die on the point of a hero's sword, but is dispatched in a far less honorable fashion by a servant in the pay of a powerful enemy who slyly drops a log of wood on his head. As he is dying, he reflects that his role has always been to remain \"Off in the wings, feeding the lines to others. As a consequence, he has been denied recognition for his literary efforts and the chance to be loved by Roxane. Finally, she finds out his secret, but in a final tragic irony, it is too late: Cyrano is about to die. In his final moments, Cyrano fences not a human enemy, but abstract qualities that he has opposed in his life: Lies, Compromise, Spite, Cowardice, and Stupidity. It could be said, in some interpretations of the play, that in his dealings with Roxane, Cyrano has indeed lied, compromised, acted stupidly, and surrendered to cowardice, because due to his ugly appearance, he feared that Roxane could not love him. But even in this behavior, Cyrano's honor has shone through. He consistently defended Christian's memory and Christian's right to Roxane's love, sacrificing his own interests in the process. Because of this, there is no irony in Cyrano's final claim to appear before God with one unstained thing: his white plume, a symbol of courage, leadership, and honor"}

The same. Le Bret and Ragueneau. LE BRET: What madness! Here? I knew it well! CYRANO (smiling and sitting up): What now? LE BRET: He has brought his death by coming, Madame. ROXANE: God! Ah, then! that faintness of a moment since. . .? CYRANO: Why, true! It interrupted the 'Gazette:' . . .Saturday, twenty-sixth, at dinner-time, Assassination of De Bergerac. (He takes off his hat; they see his head bandaged.) ROXANE: What says he? Cyrano!--His head all bound! Ah, what has chanced? How?--Who?. . . CYRANO: 'To be struck down, Pierced by sword i' the heart, from a hero's hand!' That I had dreamed. O mockery of Fate! --Killed, I! of all men--in an ambuscade! Struck from behind, and by a lackey's hand! 'Tis very well. I am foiled, foiled in all, Even in my death. RAGUENEAU: Ah, Monsieur!. . . CYRANO (holding out his hand to him): Ragueneau, Weep not so bitterly!. . .What do you now, Old comrade? RAGUENEAU (amid his tears): Trim the lights for Moliere's stage. CYRANO: Moliere! RAGUENEAU: Yes; but I shall leave to-morrow. I cannot bear it!--Yesterday, they played 'Scapin'--I saw he'd thieved a scene from you! LE BRET: What! a whole scene? RAGUENEAU: Oh, yes, indeed, Monsieur, The famous one, 'Que Diable allait-il faire?' LE BRET: Moliere has stolen that? CYRANO: Tut! He did well!. . . (to Ragueneau): How went the scene? It told--I think it told? RAGUENEAU (sobbing): Ah! how they laughed! CYRANO: Look you, it was my life To be the prompter every one forgets! (To Roxane): That night when 'neath your window Christian spoke --Under your balcony, you remember? Well! There was the allegory of my whole life: I, in the shadow, at the ladder's foot, While others lightly mount to Love and Fame! Just! very just! Here on the threshold drear Of death, I pay my tribute with the rest, To Moliere's genius,--Christian's fair face! (The chapel-bell chimes. The nuns are seen passing down the alley at the back, to say their office): Let them go pray, go pray, when the bell rings! ROXANE (rising and calling): Sister! Sister! CYRANO (holding her fast): Call no one. Leave me not; When you come back, I should be gone for aye. (The nuns have all entered the chapel. The organ sounds): I was somewhat fain for music--hark! 'tis come. ROXANE: Live, for I love you! CYRANO: No, In fairy tales When to the ill-starred Prince the lady says 'I love you!' all his ugliness fades fast-- But I remain the same, up to the last! ROXANE: I have marred your life--I, I! CYRANO: You blessed my life! Never on me had rested woman's love. My mother even could not find me fair: I had no sister; and, when grown a man, I feared the mistress who would mock at me. But I have had your friendship--grace to you A woman's charm has passed across my path. LE BRET (pointing to the moon, which is seen between the trees): Your other lady-love is come. CYRANO (smiling): I see. ROXANE: I loved but once, yet twice I lose my love! CYRANO: Hark you, Le Bret! I soon shall reach the moon. To-night, alone, with no projectile's aid!. . . LE BRET: What are you saying? CYRANO: I tell you, it is there, There, that they send me for my Paradise, There I shall find at last the souls I love, In exile,--Galileo--Socrates! LE BRET (rebelliously): No, no! It is too clumsy, too unjust! So great a heart! So great a poet! Die Like this? what, die. . .? CYRANO: Hark to Le Bret, who scolds! LE BRET (weeping): Dear friend. . . CYRANO (starting up, his eyes wild): What ho! Cadets of Gascony! The elemental mass--ah yes! The hic. . . LE BRET: His science still--he raves! CYRANO: Copernicus Said. . . ROXANE: Oh! CYRANO: Mais que diable allait-il faire, Mais que diable allait-il faire dans cette galere?. . . Philosopher, metaphysician, Rhymer, brawler, and musician, Famed for his lunar expedition, And the unnumbered duels he fought,-- And lover also,--by interposition!-- Here lies Hercule Savinien De Cyrano de Bergerac, Who was everything, yet was naught. I cry you pardon, but I may not stay; See, the moon-ray that comes to call me hence! (He has fallen back in his chair; the sobs of Roxane recall him to reality; he looks long at her, and, touching her veil): I would not bid you mourn less faithfully That good, brave Christian: I would only ask That when my body shall be cold in clay You wear those sable mourning weeds for two, And mourn awhile for me, in mourning him. ROXANE: I swear it you!. . . CYRANO (shivering violently, then suddenly rising): Not there! what, seated?--no! (They spring toward him): Let no one hold me up-- (He props himself against the tree): Only the tree! (Silence): It comes. E'en now my feet have turned to stone, My hands are gloved with lead! (He stands erect): But since Death comes, I meet him still afoot, (He draws his sword): And sword in hand! LE BRET: Cyrano! ROXANE (half fainting): Cyrano! (All shrink back in terror.) CYRANO: Why, I well believe He dares to mock my nose? Ho! insolent! (He raises his sword): What say you? It is useless? Ay, I know But who fights ever hoping for success? I fought for lost cause, and for fruitless quest! You there, who are you!--You are thousands! Ah! I know you now, old enemies of mine! Falsehood! (He strikes in air with his sword): Have at you! Ha! and Compromise! Prejudice, Treachery!. . . (He strikes): Surrender, I? Parley? No, never! You too, Folly,--you? I know that you will lay me low at last; Let be! Yet I fall fighting, fighting still! (He makes passes in the air, and stops, breathless): You strip from me the laurel and the rose! Take all! Despite you there is yet one thing I hold against you all, and when, to-night, I enter Christ's fair courts, and, lowly bowed, Sweep with doffed casque the heavens' threshold blue, One thing is left, that, void of stain or smutch, I bear away despite you. (He springs forward, his sword raised; it falls from his hand; he staggers, falls back into the arms of Le Bret and Ragueneau.) ROXANE (bending and kissing his forehead): 'Tis?. . . CYRANO (opening his eyes, recognizing her, and smiling): MY PANACHE. Curtain.

Act 5, scene 6

https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act5-scenes1-6

Le Bret and Ragueneau rush in, crying that Cyrano's coming here will kill him. Cyrano tells Roxane his last piece of news: "Today. Monsieur de Bergerac was murdered. He takes off his hat and reveals his bandaged head. Roxane is distraught. Cyrano says he always expected to die on the point of a hero's sword, but instead he has been struck down from behind with a lump of wood, by a servant. Even his death, he adds, is "laughable. Ragueneau tells Cyrano that Moliere has been stealing jokes and scenes that Cyrano has written to put in his plays. Cyrano says that it does not matter as long as the scene worked. Ragueneau says that the audience laughed and laughed. Cyrano comments that his role in life has been to feed lines to others. He tells Roxane that when Christian courted her under the balcony, he was feeding him his lines, but it was Christian who climbed up to claim the kiss from her. Roxane says that Cyrano cannot die, and that she loves him. She says that she has only ever loved one man, and now she is losing him again. Cyrano becomes delirious. He sees that his death is approaching. He stands up, his sword in his hand, to meet death. He says he thinks that death is looking at his nose. He begins to fence his old enemies: Lies, Compromise, Spite, Cowardice, and Stupidity. He says that they can take his poet's crown and lover's garland, yet he will go into God's presence with one thing that he will take unstained out of this world. Roxane, kissing him, asks him what it is. He answers, "My white plume.

of Act 5, scenes 1-6. The last act of the play jumps forward in time fifteen years, to resolve the plotlines that still involve the main characters after Christian's death. The time of year and the time of day are symbolic of Cyrano's approaching death. The mood of this act, while it retains elements of comedy, comments pessimistically on the fate of a less-than-honorable man and an honorable man. De Guiche has achieved great worldly success by compromising his principles, not to any serious extent, but enough to prompt unease in his conscience. Cyrano, in contrast has not compromised his ideals. But he is poor, hungry, and has made powerful enemies by writing satirical works. This point reinforces one of the themes of the play: the degraded nature of a society that has lost touch with the honorable values of old. The manner of Cyrano's death reflects and comments on his life. It is simultaneously comic and tragic. He does not die on the point of a hero's sword, but is dispatched in a far less honorable fashion by a servant in the pay of a powerful enemy who slyly drops a log of wood on his head. As he is dying, he reflects that his role has always been to remain "Off in the wings, feeding the lines to others. As a consequence, he has been denied recognition for his literary efforts and the chance to be loved by Roxane. Finally, she finds out his secret, but in a final tragic irony, it is too late: Cyrano is about to die. In his final moments, Cyrano fences not a human enemy, but abstract qualities that he has opposed in his life: Lies, Compromise, Spite, Cowardice, and Stupidity. It could be said, in some interpretations of the play, that in his dealings with Roxane, Cyrano has indeed lied, compromised, acted stupidly, and surrendered to cowardice, because due to his ugly appearance, he feared that Roxane could not love him. But even in this behavior, Cyrano's honor has shone through. He consistently defended Christian's memory and Christian's right to Roxane's love, sacrificing his own interests in the process. Because of this, there is no irony in Cyrano's final claim to appear before God with one unstained thing: his white plume, a symbol of courage, leadership, and honor

gradesaver

all_chapterized_books/6053-chapters/volume_1_chapters_1_to_14.txt

finished_summaries/gradesaver/Evelina/section_0_part_0.txt

Evelina.volume 1.chapters 1-14

volume 1, letter 1-14

{"name": "Volume I, Letter I - Volume I, Letter XIV", "url": "https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-i-letter-i--volume-i-letter-xiv", "summary": "The novel is comprised of letters in three volumes. The heading to each letter provides its sender and recipient, as well as its date. While this summary gives synopsis of the novel's plot, it should be understood that all information is from the perspective of whoever is writing the current letter. The first few letters are sent between the Rev. Mr. Villars and Lady Howard. Lady Howard writes first, telling him of a letter she had recently received from Madame Duval, who despises Villars. Duval wishes to reunite with Evelina, her granddaughter. Evelina had been bequeathed to Villars when her own mother had died in his care. Neither Lady Howard nor her own daughter Mrs. Mirvan wish Evelina to be returned to Madame Duval. Mr. Villars responds with an account of Evelina's past. He explains that he had once been the tutor of a Mr. Evelyn, a young man who married Madame Duval, then working as a tavern waiting girl. Their marriage was very unhappy in spite of their daughter Miss Caroline Evelyn, and he lived only two years after getting married. Mr. Evelyn had provided a small amount of money for his daughter upon his death, but he entrusted her care and education to Mr. Villars. Though Madame Duval remained responsible for Miss Evelyn's fortune, she was a \"low-bred and illiberal woman.\" Mr. Villars raised Miss Evelyn until she was eighteen. He describes her as a virtuous and lovely creature, but laments that she rashly consented to marry the profligate Sir John Belmont. She suffered under his mistreatment - which was worst after he learned she had no access to her mother's fortune - and she died not long after she birthed their daughter. Belmont meanwhile had burnt their marriage certificate and denied any connection to her or their daughter. From that time onwards, Mr. Villars raised their child, Evelina. Lady Howard writes back to ask if Evelina might come stay with them at Howard Grove, her estate. She reminds him how many happy days her granddaughter Maria and Evelina had passed there together as children, and believes it would greatly please them both to reunite. She further proposes that Mrs. Mirvan could take both girls to London in the spring. Mr. Villars accedes to the proposal, acknowledging that Evelina would have an excellent time. He worries about her innocence, however. She is technically wealthy but has had no access to any wealth since her father had denied their connection. Further, his cruelty means she is not legally considered a legitimate child. For these reasons, he believes she should abstain from visiting London. Mr. Villars counsels Lady Howard to \"shine in the splendor of high life, but suffer my child still to enjoy the pleasure of humble retirement, with a mind to which greater views are unknown.\" He tells Lady Howard how he had always called her by the last name of Anville , and he tells her other circumstances surrounding her birth. After Evelina arrives in Howard Grove, Lady Howard writes Villars that the girl is a little angel possessed of gentle manners, natural grace, ingenuous character, and striking beauty. She is growing close with Maria. Lady Howard writes again to ask whether Evelina might join Maria and Mrs. Mirvan to meet Captain Mirvan, her son-in-law who is returning to England after an absence of seven years. She insists that they will not stay in the city for too long. The next letter is from Evelina to Mr. Villars. She writes to personally ask whether she may go to London. She truly hopes for his permission but will abide by his decision. Mr. Villars responds that he can deny her nothing, and she is free to go. Evelina writes to Mr. Villars after they arrive, to tell him that they had attended the Drury Lane Theater. She admits that the houses and streets of London are not as impressive as she expected, but that the theater was lovely. She admires the fashion of the Londoners very much. It had been arranged for the party to attend a ball given by Mrs. Stanley, a fashionable friend of Mrs. Mirvan's. They shopped together for silks in the city, and Evelina was struck by how the shops are tended primarily by men who are both impressively informed and \"so finical, so affected\" in their work. She also had her hair dressed, and marvels at its appearance. Her next set of letters are about the extraordinary private ball they attended. She was surprised by the gentlemen there, who sauntered back and forth carelessly, as though wishing to keep the ladies in suspense over whom they would next ask to dance. One extremely foppish man asked Evelina to dance, and she awkwardly excused herself. Another man, far more well-dressed, handsome and polite than the first, soon proposed a dance, and she accepted. However, the experience terrified her and she could barely talk despite his elegant, expressive conversation. She eventually snuck away from him, but was mortified to learn that he was Lord Orville, a nobleman. She noticed him looking around for her, but was embarrassed with this world she did not understand. He finally found her, and inquired whether she was ill, or if he had perhaps offended her somehow. She awkwardly assuaged his concerns, and consented to let him bring her refreshment. She remained flummoxed and flustered, and could not stop thinking about the extent of Lord Orville's understanding and good manners. They were sitting together when the foppish man from earlier accosted them to ask Evelina why she had refused him, but accepted Lord Orville. She burst out laughing at his ridiculousness, but was sobered to remember these \"rules of assemblies\" that dictated the impropriety of refusing an offer and then accepting another. Evelina found Mrs. Mirvan playing cards with the other older ladies, and told her of her misadventures. She then accepted another dance with Lord Orville, but was still unable to converse intelligently because of her anxiety. She was excessively surprised when, at the end of the evening, he told her that it was an honor to dance with her. Evelina's letters continue. She writes to Mr. Villars that Maria had overheard a man at the ball asking Lord Orville whom he was dancing with. This man had referred to Evelina as an angel. The foppish man joined them, and told them Evelina must be of ill-breeding. Lord Orville told them he knew nothing of her birth, but remarked that she was very quiet except when she laughed at the \"coxcomb's\" ridiculousness. Later that morning, Lord Orville called to inquire about their health. Evelina feels that London has grown tiresome, and she wishes to return to Howard Grove. During their excursions into the city, Evelina saw Lord Orville again and felt hurt to consider the opinion he must hold of her. He was so agreeable and amiable that his opinion matters to her, and she hates to think of how stupid she must have seemed in her inability to speak. Thinking of this put her in an ill humor and she declined more sightseeing. Captain Mirvan arrived, and proved himself disagreeable, rude, and gross. Evelina reluctantly agreed to go to another assembly with Maria and the elder Mirvans. She saw Lord Orville there, and thought how much more desirable it would be to dance with him than with a stranger. She was asked to dance by a man with whom she did not want to be involved, and she decided to lie and tell him she was already engaged. To her dismay, he did not politely leave her alone but followed her around, teasing and persecuting her. She was peeved by his jesting, callous, and obnoxious manner. He even ventured to claim that she had made up her partner. She finally asked him to leave her alone, but he refused, instead continuing to follow her about. She tried to seek solace with Mrs. Mirvan and Captain Mirvan, but they could not make him leave either. She finally consented to dance with him after he had exhausted her resolution. She was also pushed into identifying Lord Orville as her partner, which she realized was a mistake since the obnoxious man might try to speak with Lord Orville and tell him she had falsely used his name. Lord Orville and Mrs. Mirvan together approached Evelina and the man. The man unsubtly insinuated that Evelina had lied using Lord Orville's name, and, overcome, she burst into tears. Lord Orville perceived what had been going on, and politely led her to a seat, saying quietly, \"Be not distressed, I beseech you; I shall ever think my name honoured by your making use of it.\" Evelina decided she would never go to an assembly again. She also learned her persecutor's name - Sir Clement Willoughby. She worried that Lord Orville now thought her \"bold and presuming.\" She concludes this letter by commenting how ignorant and inexperienced she is for this town. In her next letter, Evelina writes to Mr. Villars of how an older, French woman approached the Mirvans as they exited the party. She was distressed because she was lost from her company. Mrs. Mirvan pitied her and offered her a ride in their carriage. Captain Mirvan did not want to do this, as he is excessively prejudiced against foreigners. Indeed, the woman and the Captain soon began to argue hotly about the relative merits and shortcomings of the English and the French. To everyone's surprise, it turned out that the woman was Madame Duval, Evelina's grandmother. Evelina calls the resulting interview \"the most afflicting I can ever know.\" Madame Duval wished to talk to Evelina immediately, but they convinced her that Evelina should visit her house the next morning. Mrs. Mirvan accompanied her the next day. The meeting the night before seemed to have affected Madame Duval, as she was very emotional toward Evelina. She was, however, very rude when speaking of Mr. Villars. Evelina writes that her grandmother looks to be just under fifty, and \"dresses very gaily, paints very high, and the traces of former beauty are still very visible in her face.\" It was decided that the party would remain in London for a few days more; they did not want Madame Duval at Howard Grove, and it was not polite to immediately leave the city now that she was there. Evelina can hardly wait to return to Mr. Villars at Berry Hill.", "analysis": "Most of this novel is concerned with the marked contrast between Evelina's sweet simplicity and the confusing world of manners that she encounters. Most of the novel's themes - class, gender, civility - manifest out of this conflict. Evelina is painted almost right away as a pastoral angel. Certainly, this is clear in the way Lady Howard and the Mirvans describe her. However, it is also apparent in the way her beauty attracts pretty much every man she meets. Her connection to Berry Hill, which is removed from any and all fashionable society, paints her as a pastoral beauty, one supremely innocent of all vice, and she certainly lives up to this impossible description through her effusively gentle and loving letters to Mr. Villars. However, she also possesses great insight, both into the world around her and into the people who inhabit it, which makes her a strong narrator. She can be both in conflict with the world, and eloquent about why it is confusing. Most of Burney's ultimate messages will derive from the irony that such a sweet, wonderful girl is necessarily battered by a world that professes to prize such virtues. Her journey, which has already begun by the end of these letters, will be an attempt to maintain such virtue in a world that seems to have little use for it. However, the sweet and innocent Evelina's entry into fashionable London society is a memorable reading experience not just for offering profound wit and insight into 18th century social norms, but also for its catalogue of contemporary London entertainments and cultural offerings. Evelina's first taste of the city's entertainment is the Drury Lane Theatre, which was open from September to May. It held about 2,300 people and had four classes of seating: boxes, for the very fashionable and wealthy; the pit, for Londoners and their wives, critics, and courtesans; the middle gallery, for middling folk; and the fourth, for the lowest sort of people. David Garrick was an actor and co-manager of the theatre from 1747-1776, and was a personal favorite of Frances Burney's. This first cultural adventure is just one of many that Evelina passes during the novel, and her letters throughout her stays in London demonstrate that she has a keen eye for quality entertainment - such as opera - and that her commentary is valuable despite her youth and ignorance. Others locations mentioned in the first handful of letters are the Mall in St. James Park, the Palace, the opera, and Ranelagh. The first of these, the Mall in St. James Park, was one of London's several royal parks. During the 18th century, the Mall was a straight gravel path through the park, about a half mile in length. It was frequented by men and women of fashion and was hence a place to see and be seen, but it was also home to courtesans and other lascivious, low folk. The Palace is, of course, Buckingham Palace, and was known as the \"Queen's Palace,\" since it was given to Queen Charlotte by George III in 1775. The opera that Evelina later mentions is the all-Italian opera at King's Theatre in the Haymarket. It was a very fashionable place, but suffered financially throughout the 18th century. Burney frequented the operas there, and was thus well-qualified to write about them. Finally, Ranelagh, which is referred to later in the novel as well, was a very famous London pleasure-garden and a place of public amusement established on the site of Ranelagh House in Chelsea. It had garden walks, canals, orchestra performances, dances, masquerades, and the ever-popular promenade along the Rotunda. Evelina writes of her first ridotto and assembly. A ridotto was, as described by Vivien Jones in the annotations to the Oxford World's Classics edition of the novel, \"a public social entertainment which included music and dancing... was first introduced to England in 1722... is strictly speaking a form of outdoor entertainment.\" Much of the novel's important drama occurs at assemblies. An assembly was a prominent feature of 18th century life; it was a gathering for dancing, card playing, conversing, and matchmaking. In some ways, it serves as a microcosm of high society, since it functions by highly regimented modes of behavior. Evelina's ignorance of high society becomes quite manifest at these. She marvels at the types of men she encounter, and fumbles at the rules of accepting dance invitations. However, despite the fact that she does not know precisely how to behave, she is still a naturally sensible and intelligent young woman and makes the correct judgments regarding the people she meets. That her good sense is one of the qualities that leads her to bumble is something of an irony, suggesting that high society has less use for insight and character than it does for pretense and ceremony. The modern reader might be surprised to discover that there were actual rules to these assemblies, and they were often posted on the door of assembly rooms. It was indeed the height of bad manners to refuse one gentleman for a dance and then accept another for the same dance. Jones points out that the assemblies followed the rules laid out at the beginning of the 18th century by Richard \"Beau\" Nash, Master of Ceremonies at the Bath Assembly Rooms. These rues stipulated the correct dress code and standards of behavior, the start and end times of the event, and how dances were to be conducted. Dr. Johnson, the preeminent 18th century English editor, poet, essayist, biographer, critic, and scholar offers some telling insight into some of the terminology used in Evelina . He defines \"foppish\" as: \"Vain in show; foolishly ostentatious; vain of dress,\" and a fop as a man who was \"fond of show, dress, and flutter.\" Evelina identifies Mr. Lovel as a fop, but Sir Clement, Lord Merton, and Mr. Coverley also fit this description. Dr. Johnson also defines the term sensible, which means \"having moral perception; having the quality of being affected by moral good or ill\" and \"Having quick intellectual feeling; being strongly or easily affected.\" It is very apparent that Evelina, while not a noblewoman, possesses a great deal of sensibility."}

<CHAPTER> LETTER I LADY HOWARD TO THE REV. MR. VILLARS Howard Grove, Kent. CAN any thing, my good Sir, be more painful to a friendly mind, than a necessity of communicating disagreeable intelligence? Indeed it is sometimes difficult to determine, whether the relator or the receiver of evil tidings is most to be pitied. I have just had a letter from Madame Duval; she is totally at a loss in what manner to behave; she seems desirous to repair the wrongs she has done, yet wishes the world to believe her blameless. She would fain cast upon another the odium of those misfortunes for which she alone is answerable. Her letter is violent, sometimes abusive, and that of you!-you, to whom she is under obligations which are greater even than her faults, but to whose advice she wickedly imputes all the sufferings of her much injured daughter, the late Lady Belmont. The chief purport of her writing I will acquaint you with; the letter itself is not worthy your notice. She tells me that she has, for many years past, been in continual expectation of making a journey to England, which prevented her writing for information concerning this melancholy subject, by giving her hopes of making personal inquiries; but family occurrences have still detained her in France, which country she now sees no prospect of quitting. She has, therefore, lately used her utmost endeavors to obtain a faithful account of whatever related to her ill-advised daughter; the result of which giving her some reason to apprehend, that, upon her death-bed, she bequeathed an infant orphan to the world, she most graciously says, that if you, with whom she understands the child is placed, will procure authentic proofs of its relationship to her, you may sent it to Paris, where she will properly provide for it. This woman is, undoubtedly, at length, self-convicted of her most unnatural behaviour; it is evident, from her writing, that she is still as vulgar and illiterate as when her first husband, Mr. Evelyn, had the weakness to marry her; nor does she at all apologize for addressing herself to me, though I was only once in her company. Her letter has excited in my daughter Mirvan, a strong desire to be informed of the motives which induced Madame Duval to abandon the unfortunate Lady Belmont, at a time when a mother's protection was peculiarly necessary for her peace and her reputation. Notwithstanding I was personally acquainted with all the parties concerned in that affair, the subject always appeared of too delicate a nature to be spoken of with the principals; I cannot, therefore, satisfy Mrs. Mirvan otherwise than by applying to you. By saying that you may send the child, Madame Duval aims at conferring, where she most owes obligation. I pretend not to give you advice; you, to whose generous protection this helpless orphan is indebted for every thing, are the best and only judge of what she ought to do; but I am much concerned at the trouble and uneasiness which this unworthy woman may occasion you. My daughter and my grandchild join with me in desiring to be most kindly remembered to the amiable girl; and they bid me remind you, that the annual visit to Howard Grove, which we were formerly promised, has been discontinued for more than four years. I am, dear Sir, with great regard, Your most obedient friend and servant, M. HOWARD. </CHAPTER> <CHAPTER> LETTER II MR. VILLARS TO LADY HOWARD Berry Hill, Dorsetshire. YOUR Ladyship did but too well foresee the perplexity and uneasiness of which Madame Duval's letter has been productive. However, I ought rather to be thankful that I have so many years remained unmolested, than repine at my present embarrassment; since it proves, at least, that this wretched woman is at length awakened to remorse. In regard to my answer, I must humbly request your Ladyship to write to this effect: "That I would not, upon any account, intentionally offend Madame Duval; but that I have weighty, nay unanswerable reasons for detaining her grand-daughter at present in England; the principal of which is, that it was the earnest desire of one to whose will she owes implicit duty. Madame Duval may be assured, that she meets with the utmost attention and tenderness; that her education, however short of my wishes, almost exceeds my abilities; and I flatter myself, when the time arrives that she shall pay her duty to her grand-mother, Madame Duval will find no reason to be dissatisfied with what has been done for her." Your Ladyship will not, I am sure, be surprised at this answer. Madame Duval is by no means a proper companion or guardian for a young woman: she is at once uneducated and unprincipled; ungentle in temper, and unamiable in her manners. I have long known that she has persuaded herself to harbour an aversion for me-Unhappy woman! I can only regard her as an object of pity! I dare not hesitate at a request from Mrs. Mirvan; yet, in complying with it, I shall, for her own sake, be as concise as I possibly can; since the cruel transactions which preceded the birth of my ward can afford no entertainment to a mind so humane as her's. Your Ladyship may probably have heard, that I had the honour to accompany Mr. Evelyn, the grandfather of my young charge, when upon his travels, in the capacity of a tutor. His unhappy marriage, immediately upon his return to England, with Madame Duval, then a waiting-girl at a tavern, contrary to the advice and entreaties of all his friends, among whom I was myself the most urgent, induced him to abandon his native land, and fix his abode in France. Thither he was followed by shame and repentance; feelings which his heart was not framed to support; for, notwithstanding he had been too weak to resist the allurements of beauty, which nature, though a niggard to her of every other boon, had with a lavish hand bestowed on his wife; yet he was a young man of excellent character, and, till thus unaccountably infatuated, of unblemished conduct. He survived this ill-judged marriage but two years. Upon his death-bed, with an unsteady hand, he wrote me the following note: "My friend, forget your resentment, in favour of your humanity;-a father, trembling for the welfare of his child, bequeaths her to your care. O Villars! hear! pity! And relieve me!" Had my circumstances permitted me, I should have answered these words by an immediate journey to Paris; but I was obliged to act by the agency of a friend, who was upon the spot, and present at the opening of the will. Mr. Evelyn left to me a legacy of a thousand pounds, and the sole guardianship of his daughter's person till her eighteenth year; conjuring me, in the most affecting terms, to take the charge of her education till she was able to act with propriety for herself; but, in regard to fortune, he left her wholly dependent on her mother, to whose tenderness he earnestly recommended her. Thus, though he would not, to a woman low-bred and illiberal as Mrs. Evelyn, trust the conduct and morals of his daughter, he nevertheless thought proper to secure to her the respect and duty to which, from her own child, were certainly her due; but unhappily, it never occurred to him that the mother, on her part, could fail in affection or justice. Miss Evelyn, Madam, from the second to the eighteenth year of her life, was brought up under my care, and, except when at school under my roof. I need not speak to your Ladyship of the virtues of that excellent young creature. She loved me as her father; nor was Mrs. Villars less valued by her; while to me she became so dear, that her loss was little less afflicting than that which I have since sustained of Mrs. Villars herself. At that period of her life we parted; her mother, then married to Monsieur Duval, sent for her to Paris. How often have I since regretted that I did not accompany her thither! Protected and supported by me, the misery and disgrace which awaited her might perhaps have been avoided. But, to be brief-Madame Duval, at the instigation of her husband, earnestly, or rather tyrannically, endeavoured to effect a union between Miss Evelyn and one of his nephews. And, when she found her power inadequate to her attempt, enraged at her non-compliance, she treated her with the grossest unkindness, and threatened her with poverty and ruin. Miss Evelyn, to whom wrath and violence had hitherto been strangers, soon grew weary of such usage; and rashly, and without a witness, consented to a private marriage with Sir John Belmont, a very profligate young man, who had but too successfully found means to insinuate himself into her favour. He promised to conduct her to England-he did.-O, Madam, you know the rest!-Disappointed of the fortune he expected, by the inexorable rancour of the Duvals, he infamously burnt the certificate of their marriage, and denied that they had ever been united. She flew to me for protection. With what mixed transports of joy and anguish did I again see her! By my advice, she endeavoured to procure proofs of her marriage-but in vain; her credulity had been no match for his art. Every body believed her innocent, from the guiltless tenor of her unspotted youth, and from the known libertinism of her barbarous betrayer. Yet her sufferings were too acute for her slender frame; and the same moment that gave birth to her infant, put an end at once to the sorrows and the life of its mother. The rage of Madame Duval at her elopement, abated not while this injured victim of cruelty yet drew breath. She probably intended, in time, to have pardoned her; but time was not allowed. When she was informed of her death, I have been told, that the agonies of grief and remorse, with which she was seized, occasioned her a severe fit of illness. But, from the time of her recovery to the date of her letter to your Ladyship, I had never heard that she manifested any desire to be made acquainted with the circumstances which attended the death of Lady Belmont, and the birth of her helpless child. That child, Madam, shall never, while life is lent me, know the loss she has sustained. I have cherished, succoured, and supported her, from her earliest infancy to her sixteenth year; and so amply has she repaid my care and affection, that my fondest wish is now circumscribed by the desire of bestowing her on one who may be sensible of her worth, and then sinking to eternal rest in her arms. Thus it has happened, that the education of the father, daughter, and grand-daughter, has devolved on me. What infinite misery have the two first caused me! Should the fate of the dear survivor be equally adverse, how wretched will be the end of my cares-the end of my days! Even had Madame Duval merited the charge she claims, I fear my fortitude would have been unequal to such a parting; but being such as she is, not only my affection, but my humanity, recoils, at the barbarous idea of deserting the sacred trust reposed in me. Indeed, I could but ill support her former yearly visits to the respectable mansion at Howard Grove: pardon me, dear Madam, and do not think me insensible of the honour which your Ladyship's condescension confers upon us both; but so deep is the impression which the misfortunes of her mother have made on my heart, that she does not, even for a moment, quit my sight without exciting apprehensions and terrors which almost overpower me. Such, Madam, is my tenderness, and such my weakness!-But she is the only tie I have upon earth, and I trust to your Ladyship's goodness not to judge of my feelings with severity. I beg leave to present my humble respects to Mrs. and Miss Mirvan; and have the honour to be, Madam, your Ladyship's most obedient and most humble servant, ARTHUR VILLARS. </CHAPTER> <CHAPTER> LETTER III LADY HOWARD TO THE REV. MR. VILLARS [Written some months after the last] Howard Grove, March 8. Dear and Rev. Sir, YOUR last letter gave me infinite pleasure: after so long and tedious an illness, how grateful to yourself and to your friends must be your returning health! You have the hearty wishes of every individual of this place for its continuance and increase. Will you not think I take advantage of your acknowledged recovery, if I once more venture to mention your pupil and Howard Grove together? Yet you must remember the patience with which we submitted to your desire of not parting with her during the bad state of your health, tho' it was with much reluctance we forbore to solicit her company. My grand-daughter in particular, has scarce been able to repress her eagerness to again meet the friend of her infancy; and for my own part, it is very strongly my wish to manifest the regard I had for the unfortunate Lady Belmont, by proving serviceable to her child; which seems to me the best respect that can be paid to her memory. Permit me, therefore, to lay before you a plan which Mrs. Mirvan and I have formed, in consequence of your restoration to health. I would not frighten you;-but do you think you could bear to part with your young companion for two or three months? Mrs. Mirvan proposes to spend the ensuing spring in London, whither for the first time, my grandchild will accompany her: Now, my good friend, it is very earnestly their wish to enlarge and enliven their party by the addition of your amiable ward, who would share, equally with her own daughter, the care and attention of Mrs. Mirvan. Do not start at this proposal; it is time that she should see something of the world. When young people are too rigidly sequestered from it, their lively and romantic imaginations paint it to them as a paradise of which they have been beguiled; but when they are shown it properly, and in due time, they see it such as it really is, equally shared by pain and pleasure, hope and disappointment. You have nothing to apprehend from her meeting with Sir John Belmont, as that abandoned man is now abroad, and not expected home this year. Well, my good Sir, what say you to our scheme? I hope it will meet with your approbation; but if it should not, be assured I can never object to any decision of one who is so much respected and esteemed as Mr. Villars, by His most faithful, humble servant, M. HOWARD. </CHAPTER> <CHAPTER> LETTER IV MR. VILLARS TO LADY HOWARD Berry Hill, March 12. I AM grieved, Madam, to appear obstinate, and I blush to incur the imputation of selfishness. In detaining my young charge thus long with myself in the country, I consulted not solely my own inclination. Destined, in all probability, to possess a very moderate fortune, I wished to contract her views to something within it. The mind is but too naturally prone to pleasure, but too easily yielded to dissipation: it has been my study to guard her against their delusions, by preparing her to expect-and to despise them. But the time draws on for experience and observation to take the place of instruction: if I have in some measure, rendered her capable of using one with discretion, and making the other with improvement, I shall rejoice myself with the assurance of having largely contributed to her welfare. She is now of an age that happiness is eager to attend,-let her then enjoy it! I commit her to the protection of your Ladyship, and only hope she may be found worthy half the goodness I am satisfied she will meet with at your hospitable mansion. Thus far, Madam, I cheerfully submit to your desire. In confiding my ward to the care of Lady Howard, I can feel no uneasiness from her absence, but what will arise from the loss of her company, since I shall be as well convinced of her safety as if she were under my own roof.-But can your Ladyship be serious in proposing to introduce her to the gaieties of a London life? Permit me to ask, for what end, or for what purpose? A youthful mind is seldom totally free from ambition; to curb that, is the first step to contentment, since to diminish expectation is to increase enjoyment. I apprehend nothing more than too much raising her hopes and her views, which the natural vivacity of her disposition would render but too easy to effect. The town-acquaintance of Mrs. Mirvan are all in the circle of high life; this artless young creature, with too much beauty to escape notice, has too much sensibility to be indifferent to it; but she has too little wealth to be sought with propriety by men of the fashionable world. Consider Madam, the peculiar cruelty of her situation. Only child of a wealthy Baronet, whose person she has never seen, whose character she has reason to abhor, and whose name she is forbidden to claim; entitled as she is to lawfully inherit his fortune and estate, is there any probability that he will properly own her? And while he continues to persevere in disavowing his marriage with Miss Evelyn, she shall never, at the expense of her mother's honour, receive a part of her right as the donation of his bounty. And as to Mr. Evelyn's estate, I have no doubt but that Madame Duval and her relations will dispose of it among themselves. It seems, therefore, as if this deserted child, though legally heiress to two large fortunes, must owe all her rational expectations to adoption and friendship. Yet her income will be such as may make her happy, if she is disposed to be so in private life; though it will by no means allow her to enjoy the luxury of a London fine lady. Let Miss Mirvan, then, Madam, shine in all the splendour of high life; but suffer my child still to enjoy the pleasures of humble retirement, with a mind to which greater views are unknown. I hope this reasoning will be honoured with your approbation; and I have yet another motive which has some weight with me: I would not willingly give offence to any human being; and surely Madame Duval might accuse me of injustice, if, while I refuse to let her grand-daughter wait upon her, I consent that she should join a party of pleasure to London. In sending her to Howard Grove, not one of these scruples arise; and therefore Mrs. Clinton, a most worthy woman, formerly her nurse, and now my housekeeper, shall attend her thither next week. Though I have always called her by the name of Anville, and reported in this neighbourhood that her father, my intimate friend, left her to my guardianship; yet I have thought it necessary she should herself be acquainted with the melancholy circumstances attending her birth: for though I am very desirous of guarding her from curiosity and impertinence, by concealing her name, family, and story, yet I would not leave it in the power of chance to shock her gentle nature with a tale of so much sorrow. You must not, Madam, expect too much from my pupil; she is quite a little rustic, and knows nothing of the world; and though her education has been the best I could bestow in this retired place, to which Dorchester, the nearest town, is seven miles distant, yet I shall not be surprised if you should discover in her a thousand deficiencies of which I have never dreamt. She must be very much altered since she was last at Howard Grove. But I will say nothing of her; I leave her to your Ladyship's own observations, of which I beg a faithful relation; and am, Dear Madam, with great respect, Your obedient and most humble Servant, ARTHUR VILLARS. </CHAPTER> <CHAPTER> LETTER V MR. VILLARS TO LADY HOWARD March 18. Dear Madam, THIS letter will be delivered to you by my child-the child of my adoption-my affection! Unblest with one natural friend, she merits a thousand. I send her to you innocent as an angel, and artless as purity itself; and I send you with her the heart of your friend, the only hope he has on earth, the subject of his tenderest thoughts, and the object of his latest cares. She is one, Madam, for whom alone I have lately wished to live; and she is one whom to serve I would with transport die! Restore her but to me all innocence as you receive her, and the fondest hope of my heart will be amply gratified. A. VILLARS. </CHAPTER> <CHAPTER> LETTER VI LADY HOWARD TO THE REV. MR. VILLARS Howard Grove. Dear Rev. Sir, THE solemn manner in which you have committed your child to my care, has in some measure damped the pleasure which I receive from the trust, as it makes me fear that you suffer from your compliance, in which case I shall very sincerely blame myself for the earnestness with which I have requested this favour: but remember, my good Sir, she is within a few days summons; and be assured, I will not detain her a moment longer than you wish. You desire my opinion of her. She is a little angel! I cannot wonder that you sought to monopolize her: neither ought you, at finding it impossible. Her face and person answer my most refined ideas of complete beauty: and this, though a subject of praise less important to you, or, to me than any other, is yet so striking, it is not possible to pass it unnoticed. Had I not known from whom she received her education, I should at first sight of so perfect a face, have been in pain for her understanding; since it has been long and justly remarked, that folly has ever sought alliance with beauty. She has the same gentleness in her manners, the same natural graces in her motions, that I formerly so much admired in her mother. Her character seems truly ingenuous and simple; and at the same time that nature has blessed her with an excellent understanding and great quickness of parts, she has a certain air of inexperience and innocency that is extremely interesting. You have not reason to regret the retirement in which she has lived; since that politeness which is acquired by an acquaintance with high life, is in her so well supplied by a natural desire of obliging, joined to a deportment infinitely engaging. I observe, with great satisfaction, a growing affection between this amiable girl and my grand-daughter, whose heart is as free from selfishness or conceit, as that of her young friend is from all guile. Their regard may be mutually useful, since much is to be expected from emulation where nothing is to be feared from envy. I would have them love each other as sisters, and reciprocally supply the place of that tender and happy relationship to which neither of them has a natural claim. Be satisfied, my good Sir, that your child shall meet with the same attention as our own. We all join in most hearty wishes for your health and happiness, and in returning our sincere thanks for the favour you have conferred on us. I am, dear Sir, Your most faithful servant, M. HOWARD. </CHAPTER> <CHAPTER> LETTER VII LADY HOWARD TO THE REV. MR. VILLARS Howard Grove, March 26. BE not alarmed, my worthy friend, at my so speedily troubling you again; I seldom use the ceremony of waiting for answers, or writing with any regularity, and I have at present immediate occasion for begging your patience. Mrs. Mirvan has just received a letter from her long absent husband, containing the welcome news of his hoping to reach London by the beginning of next week. My daughter and the Captain have been separated almost seven years, and it would therefore be needless to say what joy, surprise, and consequently confusion, his at present unexpected return has caused at Howard Grove. Mrs. Mirvan, you cannot doubt, will go instantly to town to meet him; her daughter is under a thousand obligations to attend her; I grieve that her mother cannot. And now, my good Sir, I almost blush to proceed;-but, tell me, may I ask-will you permit-that your child may accompany them? Do not think us unreasonable, but consider the many inducements which conspire to make London the happiest place at present she can be in. The joyful occasion of the journey; the gaiety of the whole party, opposed to the dull life she must lead, if left here with a solitary old woman for her sole companion, while she so well knows the cheerfulness and felicity enjoyed by the rest of the family,-are circumstances that seem to merit your consideration. Mrs. Mirvan desires me to assure you that one week is all she asks, as she is certain that the Captain, who hates London, will be eager to revisit Howard Grove; and Maria is so very earnest in wishing to have the company of her friend, that, if you are inexorable, she will be deprived of half the pleasure she otherwise hopes to receive. However, I will not, my good Sir, deceive you into an opinion that they intend to live in a retired manner, as that cannot be fairly expected. But you have no reason to be uneasy concerning Madame Duval; she has not any correspondent in England, and obtains no intelligence but by common report. She must be a stranger to the name your child bears; and, even should she hear of this excursion, so short a time as a week or less spent in town upon so particular an occasion, though previous to their meeting, cannot be construed into disrespect to herself. Mrs. Mirvan desires me to assure you, that if you will oblige her, her two children shall equally share her time and her attention. She has sent a commission to a friend in town to take a house for her; and while she waits for an answer concerning it, I shall for one from you to our petition. However, your child is writing herself; and that, I doubt not, will more avail than all we can possible urge. My daughter desires her best compliments to you if, she says, you will grant her request but not else. Adieu, my dear Sir, we all hope every thing from your goodness. M. HOWARD. </CHAPTER> <CHAPTER> LETTER VIII EVELINA TO THE REV. MR. VILLARS Howard Grove, March 26. THIS house seems to be the house of joy; every face wears a smile, and a laugh is at every body's service. It is quite amusing to walk about and see the general confusion; a room leading to the garden is fitting up for Captain Mirvan's study. Lady Howard does not sit a moment in a place; Miss Mirvan is making caps; every body so busy!-such flying from room to room!-so many orders given, and retracted, and given again! nothing but hurry and perturbation. Well but, my dear Sir, I am desired to make a request to you. I hope you will not think me an encroacher; Lady Howard insists upon my writing!-yet I hardly know how to go on; a petition implies a want and have you left me one? No, indeed. I am half ashamed of myself for beginning this letter. But these dear ladies are so pressing-I cannot, for my life, resist wishing for the pleasures they offer me,-provided you do not disapprove them. They are to make a very short stay in town. The Captain will meet them in a day or two. Mrs. Mirvan and her sweet daughter both go; what a happy party! Yet, I am not very eager to accompany them: at least I shall be contented to remain where I am, if you desire that I should. Assured, my dearest Sir, of your goodness, your bounty, and your indulgent kindness, ought I to form a wish that has not your sanction? Decide for me, therefore, without the least apprehension that I shall be uneasy or discontented. While I am yet in suspense, perhaps I may hope; but I am most certain that when you have once determined I shall not repine. They tell me that London is now in full splendour. Two playhouses are open,-the Opera-house,-Ranelagh,-and the Pantheon.-You see I have learned all their names. However, pray don't suppose that I make any point of going, for I shall hardly sigh, to see them depart without me, though I shall probably never meet with such another opportunity. And, indeed, their domestic happiness will be so great,-it is natural to wish to partake of it. I believe I am bewitched! I made a resolution, when I began, that I would not be urgent; but my pen-or rather my thoughts, will not suffer me to keep it-for I acknowledge, I must acknowledge, I cannot help wishing for your permission. I almost repent already that I have made this confession; pray forget that you have read it, if this journey is displeasing to you. But I will not write any longer; for the more I think of this affair, the less indifferent to it I find myself. Adieu, my most honoured, most reverenced, most beloved father! for by what other name can I call you? I have no happiness or sorrow, no hope or fear, but what your kindness bestows, or your displeasure may cause. You will not, I am sure, send a refusal without reasons unanswerable, and therefore I shall cheerfully acquiesce. Yet I hope-I hope you will be able to permit me to go! I am, with the utmost affection, gratitude, and duty, your EVELINA - I cannot to you sign ANVILLE, and what other name may I claim? </CHAPTER> <CHAPTER> LETTER IX MR. VILLARS TO EVELINA Berry Hill, March 28. TO resist the urgency of intreaty, is a power which I have not yet acquired: I aim not at an authority which deprives you of liberty, yet I would fain guide myself by a prudence which should save me the pangs of repentance. Your impatience to fly to a place which your imagination has painted to you in colors so attractive, surprises me not; I have only to hope, that the liveliness of your fancy may not deceive you: to refuse, would be raising it still higher. To see my Evelina happy, is to see myself without a wish: go, then my child; and may that Heaven, which alone can direct, preserve and strengthen you! To that, my love, will I daily offer prayers for your felicity. O may it guard, watch over you, defend you from danger, save you from distress, and keep vice as distant from your person as from your heart! And to me, may it grant, the ultimate blessing of closing these aged eyes in the arms of one so dear-so deservedly beloved! ARTHUR VILLARS. </CHAPTER> <CHAPTER> LETTER X EVELINA TO THE REV. MR. VILLARS Queen Ann Street, London, Saturday, April 2. THIS moment arrived. Just going to Drury Lane Theatre. The celebrated Mr. Garrick performs Ranger. I am quite in ecstasy. So is Miss Mirvan. How fortunate that he should happen to play! We would not let Mrs. Mirvan rest till she consented to go. Her chief objection was to our dress, for we have had no time to Londonize ourselves; but we teased her into compliance, and so we are to sit in some obscure place that she may not be seen. As to me, I should be alike unknown in the most conspicuous or most private part of the house. I can write no more now. I have hardly time to breathe-only just this, the houses and streets are not quite so superb as I expected. However, I have seen nothing yet, so I ought not to judge. Well; adieu, my dearest Sir, for the present; I could not forbear writing a few words instantly on my arrival, though I suppose my letter of thanks for your consent is still on the road. Saturday Night. O, my dear Sir, in what raptures am I returned? Well may Mr. Garrick be so celebrated, so universally admired-I had not any idea of so great a performer. Such ease! such vivacity in his manner! such grace in his motions! such fire and meaning in his eyes!-I could hardly believe he had studied a written part, for every word seemed to be uttered from the impulse of the moment. His action-at once so graceful and so free!-his voice-so clear, so melodious, yet so wonderfully various in its tones!-Such animation!-every look speaks! I would have given the world to have had the whole play acted over again. And when he danced-O, how I envied Clarinda! I almost wished to have jumped on the stage and joined them. I am afraid you will think me mad, so I won't say any more; yet, I really believe Mr. Garrick would make you mad too if you could see him. I intend to ask Mrs. Mirvan to go to the play every night while we stay in town. She is extremely kind to me; and Maria, her charming daughter, is the sweetest girl in the world. I shall write to you every evening all that passes in the day, and that in the same manner as, if I could see, I should tell you. Sunday. This morning we went to Portland chapel; and afterwards we walked in the mall of St. James's Park, which by no means answered my expectations: it is a long straight walk of dirty gravel, very uneasy to the feet; and at each end instead of an open prospect, nothing is to be seen but houses built of brick. When Mrs. Mirvan pointed out the Palace to me-I think I was never much more surprised. However, the walk was very agreeable to us; every body looked gay, and seemed pleased; and the ladies were so much dressed, that Miss Mirvan and I could do nothing but look at them. Mrs. Mirvan met several of her friends. No wonder, for I never saw so many people assembled together before. I looked about for some of my acquaintance, but in vain; for I saw not one person that I knew, which is very odd, for all the world seemed there. Mrs. Mirvan says we are not to walk in the Park again next Sunday, even if we should be in town, because there is better company in Kensington Gardens; but really if you had seen how much every body was dressed, you would not think that possible. Monday. We are to go this evening to a private ball, given by Mrs. Stanley, a very fashionable lady of Mrs. Mirvan's acquaintance. We have been a-shopping as Mrs. Mirvan calls it, all this morning, to buy silks, caps, gauzes, and so forth. The shops are really very entertaining, especially the mercers; there seem to be six or seven men belonging to each shop; and every one took care by bowing and smirking, to be noticed. We were conducted from one to another, and carried from room to room with so much ceremony, that at I was almost afraid to go on. I thought I should never have chosen a silk: for they produced so many, I knew not which to fix upon; and they recommended them all so strongly, that I fancy they thought I only wanted persuasion to buy every thing they showed me. And, indeed, they took so much trouble, that I was almost ashamed I could not. At the milliners, the ladies we met were so much dressed, that I should rather have imagined they were making visits than purchases. But what most diverted me was, that we were more frequently served by men than by women; and such men! so finical, so affected! they seemed to understand every part of a woman's dress better than we do ourselves; and they recommended caps and ribbands with an air of so much importance, that I wished to ask them how long they had left off wearing them. The dispatch with which they work in these great shops is amazing, for they have promised me a complete suit of linen against the evening. I have just had my hair dressed. You can't think how oddly my head feels; full of powder and black pins, and a great cushion on the top of it. I believe you would hardly know me, for my face looks quite different to what it did before my hair was dressed. When I shall be able to make use of a comb for myself I cannot tell; for my hair is so much entangled, frizzled they call it, that I fear it will be very difficult. I am half afraid of this ball to-night; for, you know, I have never danced but at school: however, Miss Mirvan says there is nothing in it. Yet, I wish it was over. Adieu, my dear Sir, pray excuse the wretched stuff I write; perhaps I may improve by being in this town, and then my letters will be less unworthy your reading. Meantime, I am, Your dutiful and affectionate, though unpolished, EVELINA. Poor Miss Mirvan cannot wear one of the caps she made, because they dress her hair too large for them. </CHAPTER> <CHAPTER> LETTER XI EVELINA IN CONTINUATION Queen Ann Street, April 5, Tuesday Morning. I HAVE a vast deal to say, and shall give all this morning to my pen. As to my plan of writing every evening the adventures of the day, I find it impracticable; for the diversions here are so very late, that if I begin my letters after them, I could not go to bed at all. We passed a most extraordinary evening. A private ball this was called, so I expected to have seen about four or five couple; but Lord! my dear Sir, I believe I saw half the world! Two very large rooms were full of company; in one were cards for the elderly ladies, and in the other were the dancers. My mamma Mirvan, for she always calls me her child, said she would sit with Maria and me till we were provided with partners, and then join the card-players. The gentlemen, as they passed and repassed, looked as if they thought we were quite at their disposal, and only waiting for the honour of their commands; and they sauntered about, in a careless, indolent manner, as if with a view to keep us in suspense. I don't speak of this in regard to Miss Mirvan and myself only, but to the ladies in general: and I thought it so provoking, that I determined in my own mind that, far from humouring such airs, I would rather not dance at all, than with any one who would seem to think me ready to accept the first partner who would condescend to take me. Not long after, a young man, who had for some time looked at us with a kind of negligent impertinence, advanced on tiptoe towards me; he had a set smile on his face, and his dress was so foppish, that I really believed he even wished to be stared at; and yet he was very ugly. Bowing almost to the ground with a sort of swing, and waving his hand, with the greatest conceit, after a short and silly pause, he said, "Madam-may I presume?"-and stopt, offering to take my hand. I drew it back, but could scarce forbear laughing. "Allow me, Madam," continued he, affectedly breaking off every half moment, "the honour and happiness-if I am not so unhappy as to address you too late-to have the happiness and honour-" Again he would have taken my hand; but bowing my head, I begged to be excused, and turned to Miss Mirvan to conceal my laughter. He then desired to know if I had already engaged myself to some more fortunate man? I said No, and that I believed I should not dance at all. He would keep himself he told me, disengaged, in hopes I should relent; and then, uttering some ridiculous speeches of sorrow and disappointment, though his face still wore the same invariable smile, he retreated. It so happened, as we have since recollected, that during this little dialogue Mrs. Mirvan was conversing with the lady of the house. And very soon after, another gentleman, who seemed about six-and-twenty years old, gaily but not foppishly dressed, and indeed extremely handsome, with an air of mixed politeness and gallantry, desired to know if I was engaged, or would honour him with my hand. So he was pleased to say, though I am sure I know not what honour he could receive from me; but these sort of expressions, I find, are used as words of course, without any distinction of persons, or study of propriety. Well, I bowed, and I am sure I coloured; for indeed I was frightened at the thoughts of dancing before so many people, all strangers, and, which was worse, with a stranger: however, that was unavoidable; for, though I looked round the room several times, I could not see one person that I knew. And so he took my hand, and led me to join in the dance. The minuets were over before we arrived, for we were kept late by the milliners making us wait for our things. He seemed very desirous of entering into conversation with me; but I was seized with such a panic, that I could hardly speak a word, and nothing but the shame of so soon changing my mind prevented my returning to my seat, and declining to dance at all. He appeared to be surprised at my terror, which I believe was but too apparent: however, he asked no questions, though I fear he must think it very strange, for I did not choose to tell him it was owing to my never before dancing but with a school-girl. His conversation was sensible and spirited; his air, and address were open and noble; his manners gentle, attentive, and infinitely engaging; his person is all elegance, and his countenance the most animated and expressive I have ever seen. In a short time we were joined by Miss Mirvan, who stood next couple to us. But how I was startled when she whispered me that my partner was a nobleman! This gave me a new alarm: how will he be provoked, thought I, when he finds what a simple rustic he has honoured with his choice! one whose ignorance of the world makes her perpetually fear doing something wrong! That he should be so much my superior in every way, quite disconcerted me; and you will suppose my spirits were not much raised, when I heard a lady, in passing us, say, "This is the most difficult dance I ever saw." "O dear, then" cried Maria to her partner, "with your leave, I'll sit down till the next." "So will I too, then," cried I, "for I am sure I can hardly stand." "But you must speak to your partner first," answered she; for he had turned aside to talk with some gentlemen. However, I had not sufficient courage to address him; and so away we all three tript, and seated ourselves at another end of the room. But, unfortunately for me, Miss Mirvan soon after suffered herself to be prevailed upon to attempt the dance; and just as she rose to go, she cried, "My dear, yonder is your partner, Lord Orville walking about the room in search of you." "Don't leave me then, dear girl!" cried I; but she was obliged to go. And now I was more uneasy than ever; I would have given the world to have seen Mrs. Mirvan, and begged of her to make my apologies; for what, thought I, can I possibly say to him in excuse for running away? He must either conclude me a fool, or half mad; for any one brought up in the great world, and accustomed to its ways, can have no idea of such sort of fears as mine. My confusion increased when I observed that he was every where seeking me, with apparent perplexity and surprise; but when, at last, I saw him move towards the place where I sat, I was ready to sink with shame and distress. I found it absolutely impossible to keep my seat, because I could not think of a word to say for myself; and so I rose, and walked hastily towards the card-room, resolving to stay with Mrs. Mirvan the rest of the evening, and not to dance at all. But before I could find her, Lord Orville saw and approached me. He begged to know if I was not well? You may easily imagine how much I was embarrassed. I made no answer; but hung my head like a fool, and looked on my fan. He then, with an air the most respectfully serious, asked if he had been so unhappy as to offend me? "No, indeed!" cried I; and, in hopes of changing the discourse, and preventing his further inquiries, I desired to know if he had seen the young lady who had been conversing with me? No;-but would I honour him with any commands to her? "O, by no means!" Was there any other person with whom I wished to speak? I said no, before I knew I had answered at all. Should he have the pleasure of bringing me any refreshment? I bowed, almost involuntarily. And away he flew. I was quite ashamed of being so troublesome, and so much above myself as these seeming airs made me appear; but indeed I was too much confused to think or act with any consistency. If he had not been as swift as lightning, I don't know whether I should not have stolen away again; but he returned in a moment. When I had drank a glass of lemonade, he hoped, he said, that I would again honour him with my hand, as a new dance was just begun. I had not the presence of mind to say a single word, and so I let him once more lead me to the place I had left. Shocked to find how silly, how childish a part I had acted, my former fears of dancing before such a company, and with such a partner, returned more forcibly than ever. I suppose he perceived my uneasiness; for he entreated me to sit down again if dancing was disagreeable to me. But I was quite satisfied with the folly I had already shewn; and therefore declined his offer, though I was really scarce able to stand. Under such conscious disadvantages, you may easily imagine my dear Sir, how ill I acquitted myself. But, though I both expected and deserved to find him very much mortified and displeased at his ill fortune in the choice he had made; yet, to my very great relief, he appeared to be even contented, and very much assisted and encouraged me. These people in high life have too much presence of mind, I believe, to seem disconcerted, or out of humour, however they may feel: for had I been the person of the most consequence in the room, I could not have met with more attention and respect. When the dance was over, seeing me still very much flurried, he led me to a seat, saying that he would not suffer me to fatigue myself from politeness. And then, if my capacity, or even, if my spirits had been better, in how animated a conversation I might have been engaged! it was then I saw that the rank of Lord Orville was his least recommendation, his understanding and his manners being far more distinguished. His remarks upon the company in general were so apt, so just, so lively, I am almost surprised myself that they did not reanimate me; but, indeed, I was too well convinced of the ridiculous part I had myself played before so nice an observer, to be able to enjoy his pleasantry: so self-compassion gave me feeling for others. Yet I had not the courage to attempt either to defend them or to rally in my turn; but listened to him in silent embarrassment. When he found this, he changed the subject, and talked of public places, and public performers; but he soon discovered that I was totally ignorant of them. He then, very ingeniously, turned the discourse to the amusements and occupations of the country. It now struck me that he was resolved to try whether or not I was capable of talking upon any subject. This put so great a restraint upon my thoughts, that I was unable to go further than a monosyllable, and not ever so far, when I could possibly avoid it. We were sitting in this manner, he conversing with all gaiety, I looking down with all foolishness, when that fop who had first asked me to dance, with a most ridiculous solemnity approached, and, after a profound bow or two, said, "I humbly beg pardon, Madam,-and of you too, my Lord,-for breaking in upon such agreeable conversation-which must, doubtless, be more delectable-than what I have the honour to offer-but-" I interrupted him-I blush for my folly,-with laughing; yet I could not help it; for, added to the man's stately foppishness, (and he actually took snuff between every three words) when I looked around at Lord Orville, I saw such extreme surprise in his face,-the cause of which appeared so absurd, that I could not for my life preserve my gravity. I had not laughed before from the time I had left Miss Mirvan, and I had much better have cried then; Lord Orville actually stared at me; the beau, I know not his name, looked quite enraged. "Refrain-Madam," said he, with an important air, "a few moments refrain!-I have but a sentence to trouble you with.-May I know to what accident I must attribute not having the honour of your hand?" "Accident, Sir!" repeated I, much astonished. "Yes, accident, Madam;-for surely,-I must take the liberty to observe-pardon me, Madam,-it ought to be no common one-that should tempt a lady-so young a one too,-to be guilty of ill-manners." A confused idea now for the first time entered my head, of something I had heard of the rules of an assembly; but I was never at one before,-I have only danced at school,-and so giddy and heedless I was, that I had not once considered the impropriety of refusing one partner, and afterwards accepting another. I was thunderstruck at the recollection: but, while these thoughts were rushing into my head, Lord Orville with some warmth, said, "This Lady, Sir, is incapable of meriting such an accusation!" The creature-for I am very angry with him-made a low bow and with a grin the most malicious I ever saw, "My Lord," said he, "far be it from me to accuse the lady, for having the discernment to distinguish and prefer-the superior attractions of your Lordship." Again he bowed and walked off. Was ever any thing so provoking? I was ready to die with shame. "What a coxcomb!" exclaimed Lord Orville: while I, without knowing what I did, rose hastily, and moving off, "I can't imagine," cried I, "where Mrs. Mirvan has hid herself!" "Give me leave to see," answered he. I bowed and sat down again, not daring to meet his eyes; for what must he think of me, between my blunder, and the supposed preference? He returned in a moment, and told me that Mrs. Mirvan was at cards, but would be glad to see me; and I went immediately. There was but one chair vacant; so, to my great relief, Lord Orville presently left us. I then told Mrs. Mirvan my disasters; and she good-naturedly blamed herself for not having better instructed me; but said, she had taken it for granted that I must know such common customs. However, the man may, I think, be satisfied with his pretty speech and carry his resentment no farther. In a short time Lord Orville returned. I consented, with the best grace I could, to go down another dance, for I had had time to recollect myself; and therefore resolved to use some exertion, and, if possible, to appear less a fool than I had hitherto done; for it occurred to me, that, insignificant as I was, compared to a man of his rank and figure; yet, since he had been so unfortunate as to make choice of me for a partner, why I should endeavour to make the best of it. The dance, however, was short, and he spoke very little; so I had no opportunity of putting my resolution in practice. He was satisfied, I suppose, with his former successless efforts to draw me out or, rather, I fancied he had been inquiring who I was. This again disconcerted me; and the spirits I had determined to exert, again failed me. Tired, ashamed, and mortified, I begged to sit down till we returned home, which I did soon after. Lord Orville did me the honour to hand me to the coach, talking all the way of the honour I had done him! O these fashionable people! Well, my dear Sir, was it not a strange evening? I could not help being thus particular, because, to me, every thing is so new. But it is now time to conclude. I am, with all love and duty, your EVELINA. </CHAPTER> <CHAPTER> LETTER XII EVELINA IN CONTINUATION Tuesday, April 5. THERE is to be no end to the troubles of last night. I have this moment, between persuasion and laughter, gathered from Maria the most curious dialogue that ever I heard. You will at first be startled at my vanity; but, my dear Sir, have patience! It must have passed while I was sitting with Mrs. Mirvan, in the card-room. Maria was taking some refreshment, and saw Lord Orville advancing for the same purpose himself; but he did not know her, though she immediately recollected him. Presently after, a very gay-looking man, stepping hastily up to him cried, "Why, my Lord, what have you done with your lovely partner?" "Nothing!" answered Lord Orville with a smile and a shrug. "By Jove," cried the man, "she is the most beautiful creature I ever saw in my life!" Lord Orville, as he well might, laughed; but answered, "Yes, a pretty modest-looking girl." "O my Lord!" cried the madman, "she is an angel!" "A silent one," returned he. "Why ay, my Lord, how stands she as to that? She looks all intelligence and expression." "A poor weak girl!" answered Lord Orville, shaking his head. "By Jove," cried the other, "I am glad to hear it!" At that moment, the same odious creature who had been my former tormentor, joined them. Addressing Lord Orville with great respect, he said, "I beg pardon, my Lord,-if I was-as I fear might be the case-rather too severe in my censure of the lady who is honoured with your protection-but, my Lord, ill-breeding is apt to provoke a man." "Ill-breeding!" cried my unknown champion, "impossible! that elegant face can never be so vile a mask!" "O Sir, as to that," answered he, "you must allow me to judge; for though I pay all deference to your opinion-in other things-yet I hope you will grant-and I appeal to your Lordship also-that I am not totally despicable as a judge of good or ill-manners." "I was so wholly ignorant," said Lord Orville, gravely, "of the provocation you might have had, that I could not but be surprised at your singular resentment." "It was far from my intention," answered he, "to offend your lordship; but, really, for a person who is nobody, to give herself such airs,-I own I could not command my passion. For, my Lord, though I have made diligent inquiry-I cannot learn who she is." "By what I can make out," cried my defender, "she must be a country parson's daughter." "He! he! he! very good, 'pon honour!" cried the fop;-"well, so I could have sworn by her manners." And then, delighted at his own wit, he laughed, and went away, as I suppose, to repeat it. "But what the deuce is all this?" demanded the other. "Why a very foolish affair," answered Lord Orville; "your Helen first refused this coxcomb, and then-danced with me. This is all I can gather of it." "O, Orville," returned he, "you are a happy man!-But ill-bred? -I can never believe it! And she looks too sensible to be ignorant." "Whether ignorant or mischievous, I will not pretend to determine; but certain it is, she attended to all I could say to her, though I have really fatigued myself with fruitless endeavours to entertain her, with the most immovable gravity; but no sooner did Lovel begin his complaint, than she was seized with a fit of laughing, first affronting the poor beau, and then enjoying his mortification." "Ha! ha! ha! why there is some genius in that, my Lord, perhaps rather-rustic." Here Maria was called to dance, and so heard no more. Now, tell me, my dear Sir, did you ever know any thing more provoking? "A poor weak girl!" "ignorant or mischievous!" What mortifying words! I am resolved, however, that I will never again be tempted to go to an assembly. I wish I had been in Dorsetshire. Well, after this, you will not be surprised that Lord Orville contented himself with an inquiry after our healths this morning, by his servant, without troubling himself to call, as Miss Mirvan had told me he would; but perhaps it may be only a country custom. I would not live here for the world. I care not how soon we leave town. London soon grows tiresome. I wish the Captain would come. Mrs. Mirvan talks of the opera for this evening; however, I am very indifferent about it. Wednesday Morning. Well, my dear Sir, I have been pleased against my will, I could almost say; for I must own I went out in very ill humour, which I think you cannot wonder at: but the music and the singing were charming; they soothed me into a pleasure the most grateful, the best suited to my present disposition in the world. I hope to persuade Mrs. Mirvan to go again on Saturday. I wish the opera was every night. It is, of all entertainments, the sweetest and most delightful. Some of the songs seemed to melt my very soul. It was what they call a serious opera, as the comic first singer was ill. To-night we go to Ranelagh. If any of those three gentlemen who conversed so freely about me should be there-but I won't think of it. Thursday Morning. Well, my dear Sir, we went to Ranelagh. It is a charming place; and the brilliancy of the lights, on my first entrance, made me almost think I was in some enchanted castle or fairy palace, for all looked like magic to me. The very first person I saw was Lord Orville. I felt so confused!-but he did not see me. After tea, Mrs. Mirvan being tired, Maria and I walked round the room alone. Then again we saw him, standing by the orchestra. We, too, stopt to hear a singer. He bowed to me; I courtesied, and I am sure I coloured. We soon walked on, not liking our situation; however, he did not follow us; and when we passed by the orchestra again, he was gone. Afterwards, in the course of the evening, we met him several times; but he was always with some party, and never spoke to us, though whenever he chanced to meet my eyes, he condescended to bow. I cannot but be hurt at the opinion he entertains of me. It is true my own behaviour incurred it-yet he is himself the most agreeable, and, seemingly, the most amiable man in the world, and therefore it is that I am grieved to be thought ill of by him: for of whose esteem ought we to be ambitious, if not of those who most merit our own?-But it is too late to reflect upon this now. Well I can't help it.-However, I think I have done with assemblies. This morning was destined for seeing sights, auctions, curious shops, and so forth; but my head ached, and I was not in a humour to be amused, and so I made them go without me, though very unwillingly. They are all kindness. And now I am sorry I did not accompany them, for I know not what to do with myself. I had resolved not to go to the play to-night; but I believe I shall. In short, I hardly care whether I do or not. * * * * * I thought I had done wrong! Mrs. Mirvan and Maria have been half the town over, and so entertained!-while I, like a fool, staid at home to do nothing. And, at the auction in Pall-mall, who should they meet but Lord Orville. He sat next to Mrs. Mirvan, and they talked a great deal together; but she gave me no account of the conversation. I may never have such another opportunity of seeing London; I am quite sorry that I was not of the party; but I deserve this mortification, for having indulged my ill-humour. Thursday Night. We are just returned from the play, which was King Lear, and has made me very sad. We did not see any body we knew. Well, adieu, it is too late to write more. Friday. Captain Mirvan is arrived. I have not spirits to give an account of his introduction, for he has really shocked me. I do not like him. He seems to be surly, vulgar, and disagreeable. Almost the same moment that Maria was presented to him, he began some rude jests upon the bad shape of her nose, and called her a tall ill-formed thing. She bore it with the utmost good-humour; but that kind and sweet-tempered woman, Mrs. Mirvan, deserved a better lot. I am amazed she would marry him. For my own part, I have been so shy, that I have hardly spoken to him, or he to me. I cannot imagine why the family was so rejoiced at his return. If he had spent his whole life abroad, I should have supposed they might rather have been thankful than sorrowful. However, I hope they do not think so ill of him as I do. At least, I am sure they have too much prudence to make it known. Saturday Night. We have been to the opera, and I am still more pleased than I was on Tuesday. I could have thought myself in Paradise, but for the continual talking of the company around me. We sat in the pit, where every body was dressed in so high a style, that if I had been less delighted with the performance, my eyes would have found me sufficient entertainment from looking at the ladies. I was very glad I did not sit next the Captain; for he could not bear the music or singers, and was extremely gross in his observations of both. When the opera was over, we went into a place called the coffee-room where ladies, as well as gentlemen, assemble. There are all sorts of refreshments, and the company walk about, and chat with the same ease and freedom as in a private room. On Monday we go to a ridotto, and on Wednesday we return to Howard Grove. The Captain says he won't stay here to be smoked with filth any longer; but, having been seven years smoked with a burning sun, he will retire to the country, and sink into a fair weather chap. Adieu, my dear Sir. </CHAPTER> <CHAPTER> LETTER XIII EVELINA IN CONTINUATION Tuesday, April 12. My dear Sir, WE came home from the ridotto so late, or rather so early that it was not possible for me to write. Indeed, we did not go -you will be frightened to hear it-till past eleven o'clock: but no body does. A terrible reverse of the order of nature! We sleep with the sun, and wake with the moon. The room was very magnificent, the lights and decorations were brilliant, and the company gay and splendid. But I should have told you, that I made many objections to being of the party, according to the resolution I had formed. However, Maria laughed me out of my scruples, and so once again I went to an assembly. Miss Mirvan danced a minuet; but I had not the courage to follow her example. In our walks I saw Lord Orville. He was quite alone, but did not observe us. Yet, as he seemed of no party, I thought it was not impossible that he might join us; and though I did not wish much to dance at all-yet, as I was more acquainted with him than with any other person in the room, I must own I could not help thinking it would be infinitely more desirable to dance again with him than with an entire stranger. To be sure, after all that had passed, it was very ridiculous to suppose it even probable that Lord Orville would again honour me with his choice; yet I am compelled to confess my absurdity, by way of explaining what follows. Miss Mirvan was soon engaged; and presently after a very fashionable gay looking man, who seemed about thirty years of age, addressed himself to me, and begged to have the honour of dancing with me. Now Maria's partner was a gentleman of Mrs. Mirvan's acquaintance; for she had told us it was highly improper for young women to dance with strangers at any public assembly. Indeed it was by no means my wish so to do: yet I did not like to confine myself from dancing at all; neither did I dare refuse this gentleman as I had done Mr. Lovel, and then, if any acquaintance should offer, accept him: and so, all these reasons combining, induced me to tell him-yet I blush to write it to you!-that I was already engaged; by which I meant to keep myself at liberty to a dance, or not, as matters should fall out. I suppose my consciousness betrayed my artifice, for he looked at me as if incredulous; and, instead of being satisfied with my answer and leaving me, according to my expectation, he walked at my side, and, with the greatest ease imaginable, began a conversation in the free style which only belongs to old and intimate acquaintance. But, what was most provoking, he asked me a thousand questions concerning the partner to whom I was engaged. And at last he said, "Is it really possible that a man whom you have honoured with your acceptance can fail to be at hand to profit from your goodness?" I felt extremely foolish; and begged Mrs. Mirvan to lead to a seat; which she very obligingly did. The Captain sat next her; and to my great surprise, this gentleman thought proper to follow, and seat himself next to me. "What an insensible!" continued he; "why, Madam, you are missing the most delightful dance in the world!-The man must be either mad or a fool-Which do you incline to think him yourself?" "Neither, Sir," answered I, in some confusion. He begged my pardon for the freedom of his supposition, saying, "I really was off my guard, from astonishment that any man can be so much and so unaccountably his own enemy. But where, Madam, can he possibly be!-has he left the room!-or has not he been in it?" "Indeed, Sir," said I peevishly, "I know nothing of him." "I don't wonder that you are disconcerted, Madam; it is really very provoking. The best part of the evening will be absolutely lost. He deserves not that you should wait for him." "I do not, Sir," said I, "and I beg you not to-" "Mortifying, indeed, Madam," interrupted he, "a lady to wait for a gentleman!-O fie!-careless fellow!-What can detain him?-Will you give me leave to seek him?" "If you please, Sir," answered I; quite terrified lest Mrs. Mirvan should attend to him; for she looked very much surprised at seeing me enter into conversation with a stranger. "With all my heart," cried he; "pray, what coat has he on?" "Indeed I never looked at it." "Out upon him!" cried he; "What! did he address you in a coat not worth looking at?-What a shabby wretch!" How ridiculous! I really could not help laughing, which I fear encouraged him, for he went on. "Charming creature!-and can you really bear ill usage with so much sweetness? Can you, like patience on a monument, smile in the midst of disappointment? For my part, though I am not the offended person, my indignation is so great, that I long to kick the fellow round the room!-unless, indeed,-(hesitating and looking earnestly at me,) unless, indeed,-it is a partner of your own creating?" I was dreadfully abashed, and could not make an answer. "But no!" cried he (again, and with warmth,) "It cannot be that you are so cruel! Softness itself is painted in your eyes.-You could not, surely, have the barbarity so wantonly to trifle with my misery." I turned away from this nonsense with real disgust, Mrs. Mirvan saw my confusion, but was perplexed what to think of it, and I could not explain to her the cause, lest the Captain should hear me. I therefore proposed to walk; she consented, and we all rose; but, would you believe it? this man had the assurance to rise too, and walk close by my side, as if of my party! "Now," cried he, "I hope we shall see this ingrate.-Is that he?"-pointing to an old man who was lame, "or that?" And in this manner he asked me of whoever was old or ugly in the room. I made no sort of answer: and when he found that I was resolutely silent, and walked on as much as I could without observing him, he suddenly stamped his foot, and cried out in a passion, "Fool! idiot! booby!" I turned hastily toward him: "O, Madam," continued he, "forgive my vehemence; but I am distracted to think there should exist a wretch who can slight a blessing for which I would forfeit my life!-O that I could but meet him, I would soon-But I grow angry: pardon me, Madam, my passions are violent, and your injuries affect me!" I began to apprehend he was a madman, and stared at him with the utmost astonishment. "I see you are moved, Madam," said he; "generous creature!-but don't be alarmed, I am cool again, I am indeed,-upon my soul I am;-I entreat you, most lovely of mortals! I intreat you to be easy." "Indeed, Sir," said I very seriously, "I must insist upon your leaving me; you are quite a stranger to me, and I am both unused, and averse to your language and your manners." This seemed to have some effect on him. He made me a low bow, begged my pardon, and vowed he would not for the world offend me. "Then, Sir, you must leave me," cried I. "I am gone, Madam, I am gone!" with a most tragical air; and he marched away at a quick pace, out of sight in a moment; but before I had time to congratulate myself, he was again at my elbow. "And could you really let me go, and not be sorry?-Can you see me suffer torments inexpressible, and yet retain all your favour for that miscreant who flies you?-Ungrateful puppy!-I could bastinado him!" "For Heaven's sake, my dear," cried Mrs. Mirvan, "who is he talking of?" "Indeed-I do not know, Madam," said I; "but I wish he would leave me." "What's all that there?" cried the Captain. The man made a low bow, and said, "Only, Sir, a slight objection which this young lady makes to dancing with me, and which I am endeavouring to obviate. I shall think myself greatly honoured if you will intercede for me." "That lady, Sir," said the Captain coldly, "is her own mistress." And he walked sullenly on. "You, Madam," said the man (who looked delighted, to Mrs. Mirvan), "You, I hope, will have the goodness to speak for me." "Sir," answered she gravely, "I have not the pleasure of being acquainted with you." "I hope when you have, Ma'am," cried he, undaunted, "you will honour me with your approbation: but, while I am yet unknown to you, it would be truly generous in you to countenance me; and I flatter myself, Madam, that you will not have cause to repent it." Mrs. Mirvan, with an embarrassed air, replied, "I do not at all mean, Sir, to doubt your being a gentleman,-but-" "But what, Madam?-that doubt removed, why a but?" "Well, Sir," said Mrs. Mirvan (with a good humoured smile), "I will even treat you with your own plainness, and try what effect that will have on you: I must therefore tell you, once for all-" "O pardon me, Madam!" interrupted he, eagerly, "you must not proceed with those words once for all; no, if I have been too plain, and though a man, deserve a rebuke, remember, dear ladies that if you copy, you ought in justice to excuse me." We both stared at the man's strange behaviour. "Be nobler than your sex," continued he, turning to me, "honour me with one dance, and give up the ingrate who has merited so ill your patience." Mrs. Mirvan looked with astonishment at us both. "Who does he speak of, my dear?-you never mentioned-" "O, Madam!" exclaimed he, "he was not worth mentioning-it is a pity he was ever though of; but let us forget his existence. One dance is all I solicit. Permit me, Madam, the honour of this young lady's hand; it will be a favour I shall ever most gratefully acknowledge." "Sir," answered she, "favours and strangers have with me no connection." "If you have hitherto," said he, "confined your benevolence to your intimate friends, suffer me to be the first for whom your charity is enlarged." "Well, Sir, I know not what to say to you,-but-" He stopt her but with so many urgent entreaties that she at last told me, I must either go down one dance, or avoid his importunities by returning home. I hesitated which alternative to chose; but this impetuous man at length prevailed, and I was obliged to consent to dance with him. And thus was my deviation from truth punished; and thus did this man's determined boldness conquer. During the dance, before we were too much engaged in it for conversation, he was extremely provoking about my partner, and tried every means in his power to make me own that I had deceived him; which, though I would not so far humble myself as to acknowledge, was indeed but too obvious. Lord Orville, I fancy, did not dance at all. He seemed to have a large acquaintance, and joined several different parties: but you will easily suppose, I was not much pleased to see him, in a few minutes after I was gone, walk towards the place I had just left, and bow to and join Mrs. Mirvan! How unlucky I thought myself, that I had not longer withstood this stranger's importunities! The moment we had gone down the dance, I was hastening away from him; but he stopt me, and said, that I could by no means return to my party without giving offence, before we had done our duty of walking up the dance. As I know nothing at all of these rules and customs I was obliged to submit to his directions; but I fancy I looked rather uneasy, for he took notice of my inattention, saying, in his free way, "Whence that anxiety?-Why are those lovely eyes perpetually averted?" "I wish you would say no more to me, Sir," cried I peevishly; "you have already destroyed all my happiness for this evening." "Good Heaven! What is it I have done?-How have I merited this scorn?" "You have tormented me to death; you have forced me from my friends, and intruded yourself upon me, against my will, for a partner." "Surely, my dear Madam, we ought to be better friends, since there seems to be something of sympathy in the frankness of our dispositions.-And yet, were you not an angel-how do you think I could brooke such contempt?" "If I have offended you," cried I, "you have but to leave me-and O how I wish you would!" "My dear creature," said he, half laughing, "why where could you be educated?" "Where I most sincerely wish I now was!" "How conscious you must be, all beautiful that you are, that those charming airs serve only to heighten the bloom of your complexion!" "Your freedom, Sir, where you are more acquainted, may perhaps be less disagreeable; but to me -" "You do me justice," cried he, interrupting me, "yes, I do indeed improve upon acquaintance; you will hereafter be quite charmed with me." "Hereafter, Sir, I hope I shall never-" "O hush!-hush!-have you forgot the situation in which I found you?-Have you forgot, that when deserted, I pursued you,-when betrayed, I adored you?-but for me-" "But for you, Sir, I might perhaps have been happy." "What then, am I to conclude that, but for me, your partner would have appeared?-poor fellow!-and did my presence awe him?" "I wish his presence, Sir, could awe you!" "His presence!-perhaps then you see him?" "Perhaps, Sir, I do," cried I, quite wearied of his raillery. "Where? Where?-for Heaven's sake show me the wretch!" "Wretch, Sir!" "O, a very savage!-a sneaking, shame-faced, despicable puppy!" I know not what bewitched me-but my pride was hurt, and my spirits were tired, and-in short, I had the folly, looking at Lord Orville, to repeat, "Despicable, you think?" His eyes instantly followed mine; "Why, is that the gentleman?" I made no answer; I could not affirm, and I would not deny:-for I hoped to be relieved from his teasing by his mistake. The very moment we had done what he called our duty, I eagerly desired to return to Mrs. Mirvan. "To your partner, I presume, Madam?" said he, very gravely. This quite confounded me. I dreaded lest this mischievous man ignorant of his rank, should address himself to Lord Orville, and say something which might expose my artifice. Fool! to involve myself in such difficulties! I now feared what I had before wished; and therefore, to avoid Lord Orville, I was obliged myself to propose going down another dance, though I was ready to sink with shame while I spoke. "But your partner, Ma'am?" said he, affecting a very solemn air, "perhaps he may resent my detaining you: if you will give me leave to ask his consent-" "Not for the universe." "Who is he, Madam?" I wished myself a hundred miles off. He repeated his question, "What is his name?" "Nothing-nobody-I don't know-" He assumed a most important solemnity: "How!-not know?-Give me leave, my dear Madam, to recommend this caution to you: Never dance in public with a stranger,-with one whose name you are unacquainted with,-who may be a mere adventurer,-a man of no character, consider to what impertinence you may expose yourself." Was ever anything so ridiculous? I could not help laughing, in spite of my vexation. At this instant, Mrs. Mirvan, followed by Lord Orville, walked up to us. You will easily believe it was not difficult for me to recover my gravity; but what was my consternation, when this strange man, destined to be the scourge of my artifice, exclaimed, "Ha! My Lord Orville!-I protest I did not know your Lordship. What can I say for my usurpation?-Yet, faith, my Lord, such a prize was not to be neglected." My shame and confusion were unspeakable. Who could have supposed or foreseen that this man knew Lord Orville? But falsehood is not more unjustifiable than unsafe. Lord Orville-well he might-looked all amazement. "The philosophic coldness of your Lordship," continued this odious creature, "every man is not endowed with. I have used my utmost endeavours to entertain this lady, though I fear without success; and your lordship will not be a little flattered, if acquainted with the difficulty which attended my procuring the honour of only one dance." Then, turning to me, who was sinking with shame, while Lord Orville stood motionless, and Mrs. Mirvan astonished,-he suddenly seized my hand, saying, "Think, my Lord, what must be my reluctance to resign this fair hand to your Lordship!" In the same instant, Lord Orville took it of him; I coloured violently, and made an effort to recover it. "You do me too much honour, Sir," cried he, (with an air of gallantry, pressing it to his lips before he let it go;) "however, I shall be happy to profit by it, if this lady," turning to Mrs. Mirvan, "will permit me to seek for her party." To compel him thus to dance, I could not endure; and eagerly called out, "By no means-not for the world!-I must beg-" "Will you honour me, Madam, with your commands," cried my tormentor; "may I seek the lady's party?" "No, Sir," answered I, turning from him. "What shall be done, my dear?" said Mrs. Mirvan. "Nothing, Ma'am;-anything, I mean-" "But do you dance, or not? you see his Lordship waits." "I hope not-I beg that-I would not for the world-I am sure I ought to-to-" I could not speak; but that confident man, determining to discover whether or not I had deceived him, said to Lord Orville, who stood suspended, "My Lord, this affair, which at present seems perplexed, I will briefly explain:-this lady proposed to me another dance,-nothing could have made me more happy,-I only wished for your Lordship's permission; which, if now granted, will, I am persuaded, set everything right." I glowed with indignation. "No, Sir-it is your absence, and that alone, can set everything right." "For Heaven's sake, my dear," cried Mrs. Mirvan, who could no longer contain her surprise, "what does all this mean?-were you pre-engaged?-had Lord Orville-" "No, Madam," cried I, "only-only I did not know that gentleman,-and so-and so I thought-I intended-I-" Overpowered by all that had passed, I had not strength to make my mortifying explanation;-my spirits quite failed me, and I burst into tears. They all seemed shocked and amazed. "What is the matter, my dearest love?" cried Mrs. Mirvan, with kindest concern. "What have I done!" exclaimed my evil genius, and ran officiously for a glass of water. However, a hint was sufficient for Lord Orville, who comprehended all I would have explained. He immediately led me to a seat, and said in a low voice, "Be not distressed, I beseech you: I shall ever think my name honoured by your making use of it." This politeness relieved me. A general murmur had alarmed Miss Mirvan, who flew instantly to me; while Lord Orville the moment Mrs. Mirvan had taken the water, led my tormentor away. "For Heaven's sake, dear Madam," cried I, "let me go home;-indeed I cannot stay here any longer." "Let us all go," cried my kind Maria. "But the Captain, what will he say-I had better go home in a chair." Mrs. Mirvan consented, and I rose to depart. Lord Orville and that man both came to me. The first, with an attention I but ill-merited from him, led me to a chair; while the other followed, pestering me with apologies. I wished to have made mine to Lord Orville, but was too much ashamed. It was about one o'clock. Mrs. Mirvan's servants saw me home. And now,-what again shall ever tempt me to an assembly? I dread to hear what you will think of me, my most dear and honoured Sir: you will need your utmost partiality to receive me without displeasure. This morning Lord Orville has sent to inquire after our health; and Sir Clement Willoughby, for that, I find, is the name of my persecutor, has called; but I would not go down stairs till he was gone. And now, my dear Sir, I can somewhat account for the strange, provoking, and ridiculous conduct of this Sir Clement last night; for Miss Mirvan says he is the very man with whom she heard Lord Orville conversing at Mrs. Stanley's, when I was spoken of in so mortifying a manner. He was pleased to say he was glad to hear I was a fool; and therefore, I suppose, he concluded he might talk as much nonsense as he pleased to me: however, I am very indifferent as to his opinion;-but for Lord Orville,-if then he thought me an idiot, now, I am sure, he must suppose me both bold and presuming. Make use of his name!-what impertinence-he can never know how it happened,-he can only imagine it was from an excess of vanity;-well, however, I shall leave this bad city to-morrow, and never again will I enter it. The Captain intends to take us to-night to the Fantoccini. I cannot bear that Captain; I can give you no idea how gross he is. I heartily rejoice that he was not present at the disagreeable conclusion of yesterday's adventure, for I am sure he would have contributed to my confusion; which might, perhaps, have diverted him, as he seldom or never smiles but at some other person's expense. And here I conclude my London letters,-and without any regret; for I am too inexperienced and ignorant to conduct myself with propriety in this town, where everything is new to me, and many things are unaccountable and perplexing. Adieu, my dear Sir; Heaven restore me safely to you! I wish I was to go immediately to Berry Hill; yet the wish is ungrateful to Mrs. Mirvan, and therefore I will repress it. I shall write an account of the Fantoccini from Howard Grove. We have not been to half the public places that are now open, though I dare say you will think we have been to all. But they are almost as innumerable as the persons who fill them. </CHAPTER> <CHAPTER> LETTER XIV. EVELINA IN CONTINUATION. Queen Ann Street, April 13. HOW much will you be surprised, my dearest Sir, at receiving another letter, from London, of your Evelina's writing! But, believe me, it was not my fault, neither is it my happiness, that I am still here: our journey has been postponed by an accident equally unexpected and disagreeable. We went last night to see the Fantoccini, where we had infinite entertainment from the performance of a little comedy in French and Italian, by puppets, so admirably managed, that they both astonished and diverted us all, except the Captain, who has a fixed and most prejudiced hatred of whatever is not English. When it was over, while we waited for the coach, a tall elderly woman brushed quickly past us, calling out, "My God, what shall I do?" "Why, what would you do?" cried the Captain. "Ma foi, Monsieur," answered she, "I have lost my company, and in this place I don't know nobody." There was something foreign in her accent, though it was difficult to discover whether she was an English or a French woman. She was very well dressed; and seemed so entirely at a loss what to do, that Mrs. Mirvan proposed to the Captain to assist her. "Assist her!" cried he, "ay, with all my heart;-let a link-boy call her a coach." There was not one to be had, and it rained very fast. "Mon Dieu!" exclaimed the stranger, "what shall become of me? Je suis au desespoir!" "Dear Sir," cried Miss Mirvan, "pray let us take the poor lady into our coach. She is quite alone, and a foreigner-" "She's never the better for that," answered he: "she may be a woman of the town, for anything you know." "She does not appear such," said Mrs. Mirvan; "and indeed she seems so much distressed, that we shall but follow the golden rule, if we carry her to her lodgings." "You are mighty fond of new acquaintance," returned he; "but first let us know if she be going our way." Upon inquiry, we found that she lived in Oxford Road; and, after some disputing, the Captain surlily, and, with a very bad grace, consented to admit her into his coach; though he soon convinced us, that he was determined she should not be too much obliged to him, for he seemed absolutely bent upon quarrelling with her: for which strange inhospitality I can assign no other reason, than that she appeared to be a foreigner. The conversation began, by her telling us, that she had been in England only two days; that the gentlemen belonging to her were Parisians, and had left her to see for a hackney-coach, as her own carriage was abroad; and that she had waited for them till she was quite frightened, and concluded that they had lost themselves. "And pray," said the Captain, "why did you go to a public place without an Englishman?" "Ma foi, Sir," answered she, "because none of my acquaintance is in town." "Why then," said he, "I'll tell you what, your best way is to go out of it yourself." "Pardi, Monsieur," returned she, "and so I shall; for, I promise you, I think the English a parcel of brutes; and I'll go back to France as fast as I can, for I would not live among none of you." "Who wants you?" cried the Captain: "do you suppose, Madam French, we have not enough of other nations to pick our pockets already? I'll warrant you, there's no need for you for to put in your oar." "Pick your pockets, Sir! I wish nobody wanted to pick your pockets no more than I do; and I'll promise you you'd be safe enough. But there's no nation under the sun can beat the English for ill-politeness: for my part, I hate the very sight of them; and so I shall only just visit a person of quality or two of my particular acquaintance, and then I shall go back again to France." "Ay, do," cried he; "and then go to the devil together, for that's the fittest voyage for the French and the quality." "We'll take care, however," cried the stranger with great vehemence, "not to admit none of your vulgar unmannered English among us." "O never fear," returned he, coolly, "we shan't dispute the point with you; you and the quality may have the devil all to yourselves." Desirous of changing the subject of a conversation which now became very alarming, Miss Mirvan called out, "Lord, how slow the man drives!" "Never mind, Moll," said her father, "I'll warrant you he'll drive fast enough to-morrow, when you are going to Howard Grove." "To Howard Grove!" exclaimed the stranger, "why, mon Dieu, do you know Lady Howard?" "Why, what if we do?" answered he; "that's nothing to you; she's none of your quality, I'll promise you." "Who told you that?" cried she; "you don't know nothing about the matter! besides, you're the ill-bredest person ever I see: and as to your knowing Lady Howard, I don't believe no such a thing; unless, indeed, you are her steward." The Captain, swearing terribly, said, with great fury, "You would much sooner be taken for her wash-woman." "Her wash-woman, indeed?-Ha, ha, ha, why you han't no eyes; did you ever see a wash-woman in such a gown as this?-Besides, I'm no such mean person, for I'm as good as Lady Howard, and as rich too; and besides, I'm now come to England to visit her." "You may spare yourself that there trouble," said the Captain, "she has paupers enough about her already." "Paupers, Mister!-no more a pauper than yourself, nor so much neither;-but you are a low, dirty fellow, and I shan't stoop to take no more notice of you." "Dirty fellow!" exclaimed the Captain, seizing both her wrists, "hark you, Mrs. Frog, you'd best hold your tongue; for I must make bold to tell you, if you don't, that I shall make no ceremony of tripping you out of the window, and there you may lie in the mud till some of your Monseers come to help you out of it." Their increasing passion quite terrified us; and Mrs. Mirvan was beginning to remonstrate with the Captain, when we were all silenced by what follows. "Let me go, villain that you are, let me go, or I'll promise you I'll get you put to prison for this usage. I'm no common person, I assure you; and, ma foi, I'll go to Justice Fielding about you; for I'm a person of fashion, and I'll make you know it, or my name a'n't Duval." I heard no more: amazed, frightened, and unspeakably shocked, an involuntary exclamation of Gracious Heaven! escaped me, and, more dead than alive, I sunk into Mrs. Mirvan's arms. But let me draw a veil over a scene too cruel for a heart so compassionately tender as your's; it is sufficient that you know this supposed foreigner proved to be Madame Duval,-the grandmother of your Evelina! O, Sir, to discover so near a relation in a woman, who had thus introduced herself!-what would become of me, were it not for you, my protector, my friend, and my refuge? My extreme concern, and Mrs. Mirvan's surprise, immediately betrayed me. But, I will not shock you with the manner of her acknowledging me, or the bitterness, the grossness -I cannot otherwise express myself,-with which she spoke of those unhappy past transactions you have so pathetically related to me. All the misery of a much injured parent, dear, though never seen, regretted, though never known, crowded so forcibly upon my memory, that they rendered this interview-one only excepted-the most afflicting I can ever know. When we stopt at her lodgings, she desired me to accompany her into the house, and said she could easily procure a room for me to sleep in. Alarmed and trembling, I turned to Mrs. Mirvan. "My daughter, Madam," said that sweet woman, "cannot so abruptly part with her young friend; you must allow a little time to wean them from each other." "Pardon me, Ma'am," answered Madame Duval, (who, from the time of her being known, somewhat softened her manners) "Miss can't possibly be so nearly connected to this child as I am." "No matter for that," cried the Captain, (who espoused my cause to satisfy his own pique, tho' an awkward apology had passed between them) "she was sent to us; and so, dy'e see, we don't choose for to part with her." I promised to wait upon her at what time she pleased the next day; and, after a short debate, she desired me to breakfast with her, and we proceeded to Queen Ann Street. What an unfortunate adventure! I could not close my eyes the whole night. A thousand times I wished I had never left Berry Hill: however, my return thither shall be accelerated to the utmost of my power; and, once more in that abode of tranquil happiness, I will suffer no temptation to allure me elsewhere. Mrs. Mirvan was so kind as to accompany me to Madame Duval's house this morning. The Captain, too, offered his service; which I declined, from a fear she should suppose I meant to insult her. She frowned most terribly upon Mrs. Mirvan; but she received me with as much tenderness as I believe she is capable of feeling. Indeed, our meeting seems really to have affected her; for when, overcome by the variety of emotions which the sight of her occasioned, I almost fainted in her arms, she burst into tears, and said, "let me not lose my poor daughter a second time!" This unexpected humanity softened me extremely; but she very soon excited my warmest indignation, by the ungrateful mention she made of the best of men, my dear and most generous benefactor. However, grief and anger mutually gave way to terror, upon her avowing the intention of her visiting England was to make me return with her to France. This, she said, was a plan she had formed from the instant she had heard of my birth; which, she protested, did not reach her ears till I must have been twelve years of age; but Monsieur Duval, who she declared was the worst husband in the world, would not permit her to do any thing she wished: he had been dead but three months; which had been employed in arranging certain affairs, that were no sooner settled, than she set off for England. She was already out of mourning, for she said nobody here could tell how long she had been a widow. She must have been married very early in life: what her age is I do not know; but she really looks to be less than fifty. She dresses very gaily, paints very high, and the traces of former beauty are still very visible in her face. I know not when, or how, this visit would have ended, had not the Captain called for Mrs. Mirvan, and absolutely insisted upon my attending her. He is become, very suddenly, so warmly my friend, that I quite dread his officiousness. Mrs. Mirvan, however, whose principal study seems to be healing those wounds which her husband inflicts, appeased Madame Duval's wrath, by a very polite invitation to drink tea and spend the evening here. Not without great difficulty was the Captain prevailed upon to defer his journey some time longer; but what could be done? It would have been indecent for me to have quitted town the very instant I discovered that Madame Duval was in it; and to have staid here solely under her protection-Mrs. Mirvan, thank Heaven, was too kind for such a thought. That she should follow us to Howard Grove, I almost equally dreaded. It is therefore determined, that we remain in London for some days, or a week: though the Captain has declared that the old French hag, as he is pleased to call her, shall fare never the better for it. My only hope is to get safe to Berry Hill; where, counselled and sheltered by you, I shall have nothing more to fear. Adieu, my ever dear and most honoured Sir! I shall have no happiness till I am again with you. </CHAPTER>

Volume I, Letter I - Volume I, Letter XIV

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The novel is comprised of letters in three volumes. The heading to each letter provides its sender and recipient, as well as its date. While this summary gives synopsis of the novel's plot, it should be understood that all information is from the perspective of whoever is writing the current letter. The first few letters are sent between the Rev. Mr. Villars and Lady Howard. Lady Howard writes first, telling him of a letter she had recently received from Madame Duval, who despises Villars. Duval wishes to reunite with Evelina, her granddaughter. Evelina had been bequeathed to Villars when her own mother had died in his care. Neither Lady Howard nor her own daughter Mrs. Mirvan wish Evelina to be returned to Madame Duval. Mr. Villars responds with an account of Evelina's past. He explains that he had once been the tutor of a Mr. Evelyn, a young man who married Madame Duval, then working as a tavern waiting girl. Their marriage was very unhappy in spite of their daughter Miss Caroline Evelyn, and he lived only two years after getting married. Mr. Evelyn had provided a small amount of money for his daughter upon his death, but he entrusted her care and education to Mr. Villars. Though Madame Duval remained responsible for Miss Evelyn's fortune, she was a "low-bred and illiberal woman." Mr. Villars raised Miss Evelyn until she was eighteen. He describes her as a virtuous and lovely creature, but laments that she rashly consented to marry the profligate Sir John Belmont. She suffered under his mistreatment - which was worst after he learned she had no access to her mother's fortune - and she died not long after she birthed their daughter. Belmont meanwhile had burnt their marriage certificate and denied any connection to her or their daughter. From that time onwards, Mr. Villars raised their child, Evelina. Lady Howard writes back to ask if Evelina might come stay with them at Howard Grove, her estate. She reminds him how many happy days her granddaughter Maria and Evelina had passed there together as children, and believes it would greatly please them both to reunite. She further proposes that Mrs. Mirvan could take both girls to London in the spring. Mr. Villars accedes to the proposal, acknowledging that Evelina would have an excellent time. He worries about her innocence, however. She is technically wealthy but has had no access to any wealth since her father had denied their connection. Further, his cruelty means she is not legally considered a legitimate child. For these reasons, he believes she should abstain from visiting London. Mr. Villars counsels Lady Howard to "shine in the splendor of high life, but suffer my child still to enjoy the pleasure of humble retirement, with a mind to which greater views are unknown." He tells Lady Howard how he had always called her by the last name of Anville , and he tells her other circumstances surrounding her birth. After Evelina arrives in Howard Grove, Lady Howard writes Villars that the girl is a little angel possessed of gentle manners, natural grace, ingenuous character, and striking beauty. She is growing close with Maria. Lady Howard writes again to ask whether Evelina might join Maria and Mrs. Mirvan to meet Captain Mirvan, her son-in-law who is returning to England after an absence of seven years. She insists that they will not stay in the city for too long. The next letter is from Evelina to Mr. Villars. She writes to personally ask whether she may go to London. She truly hopes for his permission but will abide by his decision. Mr. Villars responds that he can deny her nothing, and she is free to go. Evelina writes to Mr. Villars after they arrive, to tell him that they had attended the Drury Lane Theater. She admits that the houses and streets of London are not as impressive as she expected, but that the theater was lovely. She admires the fashion of the Londoners very much. It had been arranged for the party to attend a ball given by Mrs. Stanley, a fashionable friend of Mrs. Mirvan's. They shopped together for silks in the city, and Evelina was struck by how the shops are tended primarily by men who are both impressively informed and "so finical, so affected" in their work. She also had her hair dressed, and marvels at its appearance. Her next set of letters are about the extraordinary private ball they attended. She was surprised by the gentlemen there, who sauntered back and forth carelessly, as though wishing to keep the ladies in suspense over whom they would next ask to dance. One extremely foppish man asked Evelina to dance, and she awkwardly excused herself. Another man, far more well-dressed, handsome and polite than the first, soon proposed a dance, and she accepted. However, the experience terrified her and she could barely talk despite his elegant, expressive conversation. She eventually snuck away from him, but was mortified to learn that he was Lord Orville, a nobleman. She noticed him looking around for her, but was embarrassed with this world she did not understand. He finally found her, and inquired whether she was ill, or if he had perhaps offended her somehow. She awkwardly assuaged his concerns, and consented to let him bring her refreshment. She remained flummoxed and flustered, and could not stop thinking about the extent of Lord Orville's understanding and good manners. They were sitting together when the foppish man from earlier accosted them to ask Evelina why she had refused him, but accepted Lord Orville. She burst out laughing at his ridiculousness, but was sobered to remember these "rules of assemblies" that dictated the impropriety of refusing an offer and then accepting another. Evelina found Mrs. Mirvan playing cards with the other older ladies, and told her of her misadventures. She then accepted another dance with Lord Orville, but was still unable to converse intelligently because of her anxiety. She was excessively surprised when, at the end of the evening, he told her that it was an honor to dance with her. Evelina's letters continue. She writes to Mr. Villars that Maria had overheard a man at the ball asking Lord Orville whom he was dancing with. This man had referred to Evelina as an angel. The foppish man joined them, and told them Evelina must be of ill-breeding. Lord Orville told them he knew nothing of her birth, but remarked that she was very quiet except when she laughed at the "coxcomb's" ridiculousness. Later that morning, Lord Orville called to inquire about their health. Evelina feels that London has grown tiresome, and she wishes to return to Howard Grove. During their excursions into the city, Evelina saw Lord Orville again and felt hurt to consider the opinion he must hold of her. He was so agreeable and amiable that his opinion matters to her, and she hates to think of how stupid she must have seemed in her inability to speak. Thinking of this put her in an ill humor and she declined more sightseeing. Captain Mirvan arrived, and proved himself disagreeable, rude, and gross. Evelina reluctantly agreed to go to another assembly with Maria and the elder Mirvans. She saw Lord Orville there, and thought how much more desirable it would be to dance with him than with a stranger. She was asked to dance by a man with whom she did not want to be involved, and she decided to lie and tell him she was already engaged. To her dismay, he did not politely leave her alone but followed her around, teasing and persecuting her. She was peeved by his jesting, callous, and obnoxious manner. He even ventured to claim that she had made up her partner. She finally asked him to leave her alone, but he refused, instead continuing to follow her about. She tried to seek solace with Mrs. Mirvan and Captain Mirvan, but they could not make him leave either. She finally consented to dance with him after he had exhausted her resolution. She was also pushed into identifying Lord Orville as her partner, which she realized was a mistake since the obnoxious man might try to speak with Lord Orville and tell him she had falsely used his name. Lord Orville and Mrs. Mirvan together approached Evelina and the man. The man unsubtly insinuated that Evelina had lied using Lord Orville's name, and, overcome, she burst into tears. Lord Orville perceived what had been going on, and politely led her to a seat, saying quietly, "Be not distressed, I beseech you; I shall ever think my name honoured by your making use of it." Evelina decided she would never go to an assembly again. She also learned her persecutor's name - Sir Clement Willoughby. She worried that Lord Orville now thought her "bold and presuming." She concludes this letter by commenting how ignorant and inexperienced she is for this town. In her next letter, Evelina writes to Mr. Villars of how an older, French woman approached the Mirvans as they exited the party. She was distressed because she was lost from her company. Mrs. Mirvan pitied her and offered her a ride in their carriage. Captain Mirvan did not want to do this, as he is excessively prejudiced against foreigners. Indeed, the woman and the Captain soon began to argue hotly about the relative merits and shortcomings of the English and the French. To everyone's surprise, it turned out that the woman was Madame Duval, Evelina's grandmother. Evelina calls the resulting interview "the most afflicting I can ever know." Madame Duval wished to talk to Evelina immediately, but they convinced her that Evelina should visit her house the next morning. Mrs. Mirvan accompanied her the next day. The meeting the night before seemed to have affected Madame Duval, as she was very emotional toward Evelina. She was, however, very rude when speaking of Mr. Villars. Evelina writes that her grandmother looks to be just under fifty, and "dresses very gaily, paints very high, and the traces of former beauty are still very visible in her face." It was decided that the party would remain in London for a few days more; they did not want Madame Duval at Howard Grove, and it was not polite to immediately leave the city now that she was there. Evelina can hardly wait to return to Mr. Villars at Berry Hill.

Most of this novel is concerned with the marked contrast between Evelina's sweet simplicity and the confusing world of manners that she encounters. Most of the novel's themes - class, gender, civility - manifest out of this conflict. Evelina is painted almost right away as a pastoral angel. Certainly, this is clear in the way Lady Howard and the Mirvans describe her. However, it is also apparent in the way her beauty attracts pretty much every man she meets. Her connection to Berry Hill, which is removed from any and all fashionable society, paints her as a pastoral beauty, one supremely innocent of all vice, and she certainly lives up to this impossible description through her effusively gentle and loving letters to Mr. Villars. However, she also possesses great insight, both into the world around her and into the people who inhabit it, which makes her a strong narrator. She can be both in conflict with the world, and eloquent about why it is confusing. Most of Burney's ultimate messages will derive from the irony that such a sweet, wonderful girl is necessarily battered by a world that professes to prize such virtues. Her journey, which has already begun by the end of these letters, will be an attempt to maintain such virtue in a world that seems to have little use for it. However, the sweet and innocent Evelina's entry into fashionable London society is a memorable reading experience not just for offering profound wit and insight into 18th century social norms, but also for its catalogue of contemporary London entertainments and cultural offerings. Evelina's first taste of the city's entertainment is the Drury Lane Theatre, which was open from September to May. It held about 2,300 people and had four classes of seating: boxes, for the very fashionable and wealthy; the pit, for Londoners and their wives, critics, and courtesans; the middle gallery, for middling folk; and the fourth, for the lowest sort of people. David Garrick was an actor and co-manager of the theatre from 1747-1776, and was a personal favorite of Frances Burney's. This first cultural adventure is just one of many that Evelina passes during the novel, and her letters throughout her stays in London demonstrate that she has a keen eye for quality entertainment - such as opera - and that her commentary is valuable despite her youth and ignorance. Others locations mentioned in the first handful of letters are the Mall in St. James Park, the Palace, the opera, and Ranelagh. The first of these, the Mall in St. James Park, was one of London's several royal parks. During the 18th century, the Mall was a straight gravel path through the park, about a half mile in length. It was frequented by men and women of fashion and was hence a place to see and be seen, but it was also home to courtesans and other lascivious, low folk. The Palace is, of course, Buckingham Palace, and was known as the "Queen's Palace," since it was given to Queen Charlotte by George III in 1775. The opera that Evelina later mentions is the all-Italian opera at King's Theatre in the Haymarket. It was a very fashionable place, but suffered financially throughout the 18th century. Burney frequented the operas there, and was thus well-qualified to write about them. Finally, Ranelagh, which is referred to later in the novel as well, was a very famous London pleasure-garden and a place of public amusement established on the site of Ranelagh House in Chelsea. It had garden walks, canals, orchestra performances, dances, masquerades, and the ever-popular promenade along the Rotunda. Evelina writes of her first ridotto and assembly. A ridotto was, as described by Vivien Jones in the annotations to the Oxford World's Classics edition of the novel, "a public social entertainment which included music and dancing... was first introduced to England in 1722... is strictly speaking a form of outdoor entertainment." Much of the novel's important drama occurs at assemblies. An assembly was a prominent feature of 18th century life; it was a gathering for dancing, card playing, conversing, and matchmaking. In some ways, it serves as a microcosm of high society, since it functions by highly regimented modes of behavior. Evelina's ignorance of high society becomes quite manifest at these. She marvels at the types of men she encounter, and fumbles at the rules of accepting dance invitations. However, despite the fact that she does not know precisely how to behave, she is still a naturally sensible and intelligent young woman and makes the correct judgments regarding the people she meets. That her good sense is one of the qualities that leads her to bumble is something of an irony, suggesting that high society has less use for insight and character than it does for pretense and ceremony. The modern reader might be surprised to discover that there were actual rules to these assemblies, and they were often posted on the door of assembly rooms. It was indeed the height of bad manners to refuse one gentleman for a dance and then accept another for the same dance. Jones points out that the assemblies followed the rules laid out at the beginning of the 18th century by Richard "Beau" Nash, Master of Ceremonies at the Bath Assembly Rooms. These rues stipulated the correct dress code and standards of behavior, the start and end times of the event, and how dances were to be conducted. Dr. Johnson, the preeminent 18th century English editor, poet, essayist, biographer, critic, and scholar offers some telling insight into some of the terminology used in Evelina . He defines "foppish" as: "Vain in show; foolishly ostentatious; vain of dress," and a fop as a man who was "fond of show, dress, and flutter." Evelina identifies Mr. Lovel as a fop, but Sir Clement, Lord Merton, and Mr. Coverley also fit this description. Dr. Johnson also defines the term sensible, which means "having moral perception; having the quality of being affected by moral good or ill" and "Having quick intellectual feeling; being strongly or easily affected." It is very apparent that Evelina, while not a noblewoman, possesses a great deal of sensibility.

gradesaver

all_chapterized_books/6053-chapters/volume_1_chapters_15_to_21.txt

finished_summaries/gradesaver/Evelina/section_1_part_0.txt

Evelina.volume 1.chapters 15-21

volume 1, letter 15-21

{"name": "Volume I, Letter XV - Volume I, Letter XXI", "url": "https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-i-letter-xv--volume-i-letter-xxi", "summary": "Mr. Villars writes to Evelina that he is distressed by her situation. He counsels her to avoid becoming like Madame Duval, but also to treat her grandmother with respect and deference. He feels uneasy about her experience with London life, and worries how the change back to remote Berry Hill will suit Evelina. Evelina writes him back to explain how Madame Duval is traveling a companion - a Frenchman named Monsieur Du Bois. He speaks very little English. She also tells him how the group decided to go to Ranelagh. Sir Clement Willoughby arrived on the morning of the trip, and managed to get on Captain Mirvan's good side by joining in his insults to Madame Duval. As a result, he was invited to Ranelagh. The party thus went on their way, but everyone was in ill humor. At Ranelagh, they learned that Lord Orville was also there, and he joined their party. His appearance \"gave universal restraint to every body.\" However, it was not long before Madame Duval recommenced her vociferous arguments with the Captain and Sir Clement. Mrs. Mirvan, Maria, Evelina, and Lord Orville left them to conduct their own more pleasant conversation, although Evelina could not speak, so embarrassed she was by her assumption of Lord Orville's contemptuous opinion towards her. On the way home in the driving rain, the coach broke down. Sir Clement carried Evelina back to Ranelagh in his arms, and set her before a fire. He knelt before her, and began to apologize for his behavior at the ridotto, but he was interrupted by the entrance of everyone else except Madame Duval. She and Monsieur Du Bois finally showed up, covered in mud. Madame Duval was raging mad; it took her some time before she could explain that Monsieur had tried to lift her over some mud, but had tripped. The Captain was roaring in ecstasy and would not forebear teasing them. Finally, Madame Duval grew so angry that she spat in the Captain's face, and he violently grabbed her shoulders. The group then prepared to leave, but had to wait quite a while yet for a new hackney coach. In her continued letters, Evelina tells how she called on Madame Duval the day after the journey. She found the woman in bed, cursing the Captain in the bitterest fashion. However, Madame Duval did ask Evelina many questions about her life, and insisted the girl should be taken to Paris. Evelina was also introduced to Madame Duval's nephew, Mr. Branghton, and his three children. Mr. Branghton expressed much contempt for those who lived outside the city. His son, Young Branghton, was \"weaker in understanding, and more gay in his temper.\" Miss Branghton, the eldest daughter, was not ugly but did look \"proud, ill-tempered, and conceited.\" Miss Polly, the younger daughter, was pretty enough, but was also foolish and ignorant. Their conversation centered around the young people's ages, their heights, and finally Evelina's dress. Evelina found that they spoke too long on such banal subjects. The group then discussed the theaters, though Evelina overheard Madame Duval speaking of her to Mr. Branghton. The group decided to attend the opera together, but Evelina hoped they would not go if she was to be expected to attend with them. The next morning, Evelina discovered Lord Orville alone in the drawing room downstairs at her lodgings, waiting to join the Mirvans for breakfast. They spoke for a few moments. Evelina mentioned she would be leaving soon, and Lord Orville took her hand and said, \"I think, that whoever has once seen Miss Anville, must receive an impression never to be forgotten.\" This compliment completely surprised Evelina, and she nervously withdrew her hand, and left to check on Mrs. Mirvan. She wonders why she has not yet found an opportunity to apologize to Lord Orville for her behavior at the ridotto. She further writes to Mr. Villars of Lord Orville's pleasing conversation at breakfast that morning; his manners are \"so elegant, so gentle, so unassuming, that they at once engage, esteem, and diffuse complacence.\" Mrs. Mirvan later invited Madame Duval to dinner, and the latter accepted. Evelina was surprised, because she thought her grandmother would shy away from more potential conflict with the Captain. Indeed, once at dinner, the two argued most of the time. Halfway through the meal, Sir Clement came in. His easiness astonished Evelina as overly familiar, but that behavior was precisely why the Captain enjoyed him. The group decided to head to Cox's Museum, but Evelina could barely enjoy it. She felt very embarrassed by the captain's loud, gross, and rude behavior in public. That evening, the group went to the Drury Lane Theater and was joined by Lord Orville. The play was a bit shocking, especially for the ladies. At one point, the foppish man from the first party - Mr. Lovel - entered their box. He began to tease Evelina about all the customs and manners of London that she did not understand. Sir Clement and Lord Orville clearly did not much care for Mr. Lovel, and responded coldly to some of his statements. Lovel surprised the group when he claimed that he only came to plays to \"shew that one's alive,\" not to actually watch them. Captain Mirvan was particularly amused by the idea that someone would attend a play but not know what was going on in it. Mr. Lovel further annoyed Evelina when he asked her what she thought of the play's young country lady character, Miss Prue. Provoked, Evelina answered that she did not think anything of her. By the end of the conversation, Evelina was aghast at this \"malicious and impertinent\" man who talked to her the way he did. She felt that there should be a rulebook provided to all young people upon their first introduction to society. In her next letter, Evelina tells Mr. Villars that she has volumes to write. She and Maria were dressing for the opera one night when the Miss Branghtons burst into the room, with orders to take her with them to the opera. She refused, saying she was already engaged to attend with the Mirvans. They were so rude and forward that she did not feel too bad for refusing them. They left in anger, but were succeeded by Madame Duval, who arrived full of fury. Frightened by her grandmother's anger, Evelina agreed to go with them. Evelina was very conscious of how overdressed she was for their seats , but they would not let her change. After an embarrassing encounter with the ticket seller - Mr. Branghton thought the opera was too expensive and only consented to the cheapest spot - they took their seats, far away from the stage. Evelina was exceedingly uncomfortable with their ignorance and coarseness. When the opera began, they tormented Evelina by talking, complaining about the opera's foreign language, and making fun of her for being engrossed in the drama onstage. She saw her friends seated elsewhere, and noticed Lord Orville as well. Mr. Branghton found much fault with the opera, first criticizing it for being first too short when he thought it was over, and then for being too long when it continued. When the show ended, the Branghtons rejoiced. They rudely offered their opinions of it, and Evelina felt \"this family is so low-bred and vulgar, that I should be equally ashamed of such a connexion in the country, or any where.\" As they waited to exit their section, she observed Sir Clement coming towards them and tried to think how she could avoid any further humiliation. Nobody save the Mirvans knew of her family connections , and she did not want to be associated with the Branghtons. She allowed Sir Clement to quickly lead her from the gallery, rudely telling Madame Duval that she would ride home with Mrs. Mirvan. She was gone before they could ask any questions. Unfortunately, she discovered that the Mirvans had already left; her plan was foiled. The situation became more awkward when they encountered Lord Orville. He offered her his coach and said he would find another way home, but Sir Clement managed to steer her into his own chariot. On the way home, Sir Clement profusely complimented her, giving many \"fine speeches\" about his adoration. She was shocked into silence and continually tried to recall her hand from his grasp. She noticed that it was taking a long time to get to her lodgings, and worried that Sir Clement had told his coachman to take a different route. She grew terrified, and she put her head out of the window to demand that the coachman stop. Sir Clement tried to calm her, and finally told his coachman to get her home quickly. He apologized profusely, and begged for her pardon. When they arrived at their destination, he fell to his knees and begged so ardently for her forgiveness that she felt compelled to grant it. At the house, she saw that Lord Orville was waiting there; he said he could not return home until he knew she was safe. This angered Sir Clement. Both men left, and Maria told Evelina that Lord Orville had seemed very anxious and impatient about her safe return.", "analysis": "Evelina continues to brave the treacherous London scene, encountering foppish and ill-bred men, her coarse kinsmen, and confusing attentions from Lord Orville. Throughout the novel, Evelina evinces an uneasiness and anxiety that is acute and relatively consistent. To a large extent, this is due to her ignorance of city life. However, in this section, she has started to learn how to better navigate social expectation, and yet she remains extremely anxious. For instance, she makes several comments that show she begins to understand that good-breeding and social rules do not make good people. She notes how Mr. Lovel ought to be taught better manners , and notes that the ugly behavior of the Branghtons would be equally out of place in the country as it is in the city. Her anxiety is in fact due to much more than her unfamiliarity with London. Navigating the social scene for women was not an easy task for anyone, as they were beset with dangers of varying degrees. In her article on the \"female difficulties\" in Evelina, Susan Staves identifies the threats faced by the heroine. Staves first addresses the actual threats of physical violence. Evelina is slapped roughly by her grandmother, and repeatedly grabbed by Sir Clement and other men in the gardens. Being separated from her companions usually leads to physical confrontations with men; this happens at Vauxhall Gardens and Marybone Gardens later on. Staves notes that the heroines in Samuel Richardson's novels also encountered violence, but not in the same fashion as Evelina does; his heroines are \"not subjected to the pervasive anonymous violence Evelina encounters,\" since they are not in public as much. Evelina's \"terrors seem more immediate and real,\" and \"most important, Evelina is usually too frightened to provide dignified condemnations or moral analyses of her persecutors' vices.\" Evelina is also worried about physic threats, and hopes her delicacy will not be compromised. Staves tries to define delicacy in the context of this novel, writing that \"true delicacy is opposed to cruelty, impertinence, and boldness; it is also superior to artificial decorums. False delicacy invokes lesser conventions to ignore the real needs of others.\" Almost every other character in the novel suffers from a want of delicacy, and in some cases it is the most 'refined' characters who most lack it. Consider Mr. Lovel, the Branghtons, or even the well-spoken and generally well-behaved Sir Clement Willoughby. His assault in the carriage is both physically and physically threatening to her; her body, peace of mind, and potentially her chaste reputation are at stake. Staves looks into the question of what the novel is trying to say about delicacy and gender: does it seem to deny differences between the masculine and feminine ideals? On one hand, Mr. Villars later praises the way in which Evelina handled the Mr. Macartney-pistol episode, attributing her success to her masculine characteristics. Burney also heeded the 18th century tendency to praise feminine characteristics in men. Overall, though, the novel suggests a \"discrete identity\" of female delicacy, one that must be protected both for oneself and for the benefit of others. Evelina is quite aware of how she appears to others, and in many ways hates being accosted mostly because of how it appears. She seems to care more about being thought indelicate rather than actually being so. This was not a stupid fear, however, since \"being thought to be indelicate is a serious social reality, not something to be dismissed in mere appearance.\" If a woman was thought to have lost her delicacy, it made her more privy to lascivious behavior and even rape from the men that now knew her to be a \"lost woman.\" This is why Evelina is later so upset when she discoveres the true nature of her female saviors at the Marybone Gardens; associating with prostitutes would raise questions about herself. Overall, there are many difficulties that Evelina faces: there are physical limitations of women which make them prey to men's physical power, and there are psychological restraints that provide real and forced ignorance of many subjects. Evelina clearly demonstrates how difficult to was to be a young lady forced to navigate the perplexing public sphere. Burney's great achievement is that Evelina possesses both an eloquent insight, and a perspective of another life. Whereas someone like Miss Branghton, even if she did have Evelina's eloquence and sensitivity, only knows city life, Evelina knows of her pastoral life at Berry Hill and hence has special insight into the true horrors a woman faces, horrors that a woman brought up in society is far too easily taught to take for granted."}

<CHAPTER> LETTER XV MR. VILLARS TO EVELINA Berry Hill, April 16. IN the belief and hope that my Evelina would, ere now, have bid adieu to London, I had intended to have deferred writing, till I heard of her return to Howard Grove; but the letter I have this moment received, with intelligence of Madame Duval's arrival in England, demands an immediate answer. Her journey hither equally grieves and alarms me. How much did I pity my child, when I read of a discovery at once so unexpected and unwished! I have long dreaded this meeting and its consequence; to claim you seems naturally to follow acknowledging you. I am well acquainted with her disposition, and have for many years foreseen the contest which now threatens us. Cruel as are the circumstances of this affair, you must not, my love, suffer it to depress your spirits: remember, that while life is lent me, I will devote it to your service; and, for future time, I will make such provisions as shall seem to me most conducive to your future happiness. Secure of my protection, and relying on my tenderness, let no apprehensions of Madame Duval disturb your peace: conduct yourself towards her with all the respect and deference due to so near a relation, remembering always, that the failure of duty on her part, can by no means justify any neglect on your's. Indeed, the more forcibly you are struck with improprieties and misconduct in another, the greater should be your observance and diligence to avoid even the shadow of similar errors. Be careful, therefore, that no remissness of attention, no indifference of obliging, make known to her the independence I assure you of; but when she fixes the time for her leaving England, trust to me the task of refusing your attending her: disagreeable to myself, I own, it will be; yet to you it would be improper, if not impossible. In regard to her opinion of me, I am more sorry than surprised at her determined blindness; the palliation which she feels the want of, for her own conduct, leads her to seek for failings in all who were concerned in those unhapppy transactions which she has so much reason to lament. And this, as it is the cause, so we must in some measure consider it as the excuse of her inveteracy. How grateful to me are your wishes to return to Berry Hill! Your lengthened stay in London, and the dissipation in which I find you are involved, fill me with uneasiness. I mean not, however, that I would have you sequester yourself from the party to which you belong, since Mrs. Mirvan might thence infer a reproof which your youth and her kindness would render inexcusable. I will not, therefore, enlarge upon this subject; but content myself with telling you, that I shall heartily rejoice when I hear of your safe arrival at Howard Grove, for which place I hope you will be preparing at the time you receive this letter. I cannot too much thank you, my best Evelina, for the minuteness of your communications. Continue to me this indulgence, for I should be miserable if in ignorance of your proceedings. How new to you is the scene of life in which you are engaged!-balls-plays-operas-ridottos!-Ah, my child! At your return hither, how will you bear the change? My heart trembles for your future tranquility.-Yet I will hope every thing from the unsullied whiteness of your soul, and the native liveliness of your disposition. I am sure I need not say, how much more I was pleased with the mistakes of your inexperience at the private ball, than with the attempted adoption of more fashionable manners at the ridotto. But your confusion and mortifications were such as to entirely silence all reproofs on my part. I hope you will see no more of Sir Clement Willoughby, whose conversation and boldness are extremely disgustful to me. I was gratified by the good nature of Lord Orville, upon your making use of his name; but I hope you will never again put it to such a trial. Heaven bless thee, my dear child! And grant that neither misfortune nor vice may ever rob thee of that gaiety of heart, which, resulting from innocence, while it constitutes your own, contributes also to the felicity of all who know you! ARTHUR VILLARS. </CHAPTER> <CHAPTER> LETTER XVI EVELINA TO THE REV. MR. VILLARS Queen Ann Street, Thursday morning, April 14. BEFORE our dinner was over yesterday Madame Duval came to tea; though it will lessen your surprise, to hear that it was near five o'clock, for we never dine till the day is almost over. She was asked into another room while the table was cleared, and then was invited to partake of the dessert. She was attended by a French gentleman, whom she introduced by the name of Monsieur Du Bois: Mrs. Mirvan received them both with her usual politeness; but the Captain looked very much displeased; and after a short silence, very sternly said to Madame Duval, "Pray who asked you to bring that there spark with you?" "O," cried she, "I never go no where without him." Another short silence ensued, which was terminated by the Captain's turning roughly to the foreigner, and saying, "Do you know, Monseer, that you are the first Frenchman I ever let come into my house?" Monsieur Du Bois made a profound bow. He speaks no English, and understands it so imperfectly, that he might possibly imagine he had received a compliment. Mrs. Mirvan endeavourd to divert the Captain's ill-humour, by starting new subjects: but he left to her all the trouble of supporting them, and leant back in his chair in gloomy silence, except when any opportunity offered of uttering some sarcasm upon the French. Finding her efforts to render the evening agreeable were fruitless, Mrs. Mirvan proposed a party to Ranelagh. Madame Duval joyfully consented to it; and the Captain though he railed against the dissipation of the women, did not oppose it; and therefore Maria and I ran up stairs to dress ourselves. Before we were ready, word was brought us that Sir Clement Willoughby was in the drawing-room. He introduced himself under the pretence of inquiring after all our healths, and entered the room with the easy air of an old acquaintance; though Mrs. Mirvan confessed that he seemed embarrassed when he found how coldly he was received, not only by the Captain, but by herself. I was extremely disconcerted at the thoughts of seeing this man again, and did not go downstairs till I was called to tea. He was then deeply engaged in a discourse upon French manners with Madame Duval and the Captain; and the subject seemed so entirely to engross him, that he did not, at first, observe my entrance into the room. Their conversation was supported with great vehemence; the Captain roughly maintaining the superiority of the English in every particular, and Madame Duval warmly refusing to allow of it in any; while Sir Clement exerted all his powers of argument and of ridicule, to second and strengthen whatever was advanced by the Captain: for he had the sagacity to discover, that he could take no method so effectual for making the master of the house his friend, as to make Madame Duval his enemy; and indeed, in a very short time, he had reason to congratulate himself upon his successful discernment. As soon as he saw me, he made a most respectful bow, and hoped I had not suffered from the fatigue of the ridotto: I made no other answer than a slight inclination of the head, for I was very much ashamed of that whole affair. He then returned to the disputants; where he managed the argument so skilfully, at once provoking Madame Duval, and delighting the Captain, that I could not forbear admiring his address, though I condemned his subtlety. Mrs. Mirvan, dreading such violent antagonists, attempted frequently to change the subject; and she might have succeeded, but for the interposition of Sir Clement, who would not suffer it to be given up, and supported it with such humour and satire, that he seems to have won the Captain's heart; though their united forces so enraged and overpowered Madame Duval, that she really trembled with passion. I was very glad when Mrs. Mirvan said it was time to be gone. Sir Clement arose to take leave; but the Captain very cordially invited him to join our party: he had an engagement, he said, but would give it up to have that pleasure. Some little confusion ensued in regard to our manner of setting off. Mrs. Mirvan offered Madame Duval a place in her coach, and proposed that we four females should go all together; however, this she rejected, declaring she would by no means go so far without a gentleman, and wondering so polite a lady could make so English a proposal. Sir Clement Willoughby said, his chariot was waiting at the door, and begged to know if it could be of any use. It was at last decided, that a hackney-coach should be called for Monsieur Du Bois and Madame Duval, in which the Captain, and, at his request, Sir Clement, went also; Mrs. and Miss Mirvan and I had a peaceful and comfortable ride by ourselves. I doubt not but they quarrelled all the way; for when we met at Ranelagh every one seemed out of humour; and though we joined parties, poor Madame Duval was avoided as much as possible by all but me. The room was so very much crowded, that but for the uncommon assiduity of Sir Clement Willoughby, we should not have been able to procure a box (which is the name given to the arched recesses that are appropriated for tea-parties) till half the company had retired. As we were taking possession of our places, some ladies of Mrs. Mirvan's acquaintance stopped to speak to her, and persuaded her to take a round with them. When she returned to us, what was my surprise, to see that Lord Orville had joined her party! The ladies walked on: Mrs. Mirvan seated herself, and made a slight, though respectful, invitation to Lord Orville to drink his tea with us; which, to my no small consternation, he accepted. I felt a confusion unspeakable at again seeing him, from the recollection of the ridotto adventure: nor did my situation lessen it; for I was seated between Madame Duval and Sir Clement, who seemed as little as myself to desire Lord Orville's presence. Indeed, the continual wrangling and ill-breeding of Captain Mirvan and Madame Duval made me blush that I belonged to them. And poor Mrs. Mirvan and her amiable daughter had still less reason to be satisfied. A general silence ensued after he was seated: his appearance, from different motives, gave an universal restraint to every body. What his own reasons were for honouring us with his company, I cannot imagine; unless, indeed, he had a curiosity to know whether I should invent any new impertinence concerning him. The first speech was made by Madame Duval, who said, "It's quite a shocking thing to see ladies come to so genteel a place as Ranelagh with hats on; it has a monstrous vulgar look: I can't think what they wear them for. There is no such a thing to be seen in Paris." "Indeed," cried Sir Clement, "I must own myself no advocate for hats; I am sorry the ladies ever invented or adopted so tantalizing a fashion: for, where there is beauty, they only serve to shade it; and, where there is none, to excite a most unavailing curiosity. I fancy they were originally worn by some young and whimsical coquette." "More likely," answered the Captain, "they were invented by some wrinkled old hag, who'd a mind for to keep the young fellows in chace, let them be never so weary." "I don't know what you may do in England," cried Madame Duval, "but I know in Paris no woman needn't be at such a trouble as that to be taken very genteel notice of." "Why, will you pretend for to say," returned the Captain, "that they don't distinguish the old from the young there as well as here?" "They don't make no distinguishments at all," said she; "they're vastly too polite." "More fools they!" cried the Captain, sneeringly. "Would to Heaven," cried, Sir Clement, "that, for our own sakes, we Englishmen too were blest with so accommodating a blindness!" "Why the devil do you make such a prayer as that?" demanded the Captain: "them are the first foolish words I've heard you speak; but I suppose you're not much used to that sort of work. Did you ever make a prayer before, since you were a sniveler?" "Ay, now," cried Madame Duval, "that's another of the unpolitenesses of you English, to go to talking of such things as that: now in Paris nobody never says nothing about religion, no more than about politics." "Why then," answered he, "it's a sign they take no more care of their souls than of their country, and so both one and t'other go to old Nick." "Well, if they do," said she, "who's the worse, so long as they don't say nothing about it? It's the tiresomest thing in the world to be always talking of them sort of things, and nobody that's ever been abroad troubles their heads about them." "Pray then," cried the Captain, "since you know so much of the matter, be so good as to tell us what they do trouble their heads about?-Hey, Sir Clement! han't we a right to know that much?" "A very comprehensive question," said Sir Clement, "and I expect much instruction from the lady's answer." "Come, Madam," continued the Captain, "never flinch; speak at once; don't stop for thinking." "I assure you I am not going," answered she; "for as to what they do do, why they've enough to do, I promise you, what with one thing or another." "But what, what do they do, these famous Monseers?" demanded the Captain; "can't you tell us? do they game?-or drink?-or fiddle?-or are they jockeys?-or do they spend all their time in flummering old women?" "As to that, Sir-but indeed I shan't trouble myself to answer such a parcel of low questions, so don't ask me no more about it." And then, to my great vexation, turning to Lord Orville, she said, "Pray, Sir, was you ever in Paris?" He only bowed. "And pray, Sir, how did you like it?" This comprehensive question, as Sir Clement would have called it, though it made him smile, also made him hesitate; however, his answer was expressive of his approbation. "I thought you would like it, Sir, because you look so like a gentleman. As to the Captain, and as to that other gentleman, why they may very well not like what they don't know: for I suppose, Sir, you was never abroad?" "Only three years, Ma'am," answered Sir Clement, drily. "Well, that's very surprising! I should never have thought it: however, I dare say you only kept company with the English." "Why, pray, who should he keep company with?" cried the Captain: "what I suppose you'd have him ashamed of his own nation, like some other people not a thousand miles off, on purpose to make his own nation ashamed of him?" "I'm sure it would be a very good thing if you'd go abroad yourself." "How will you make out that, hey, Madam? come, please to tell me, where would be the good of that?" "Where! why a great deal. They'd make quite another person of you." "What, I suppose you'd have me to learn to cut capers?-and dress like a monkey?-and palaver in French gibberish?-hey, would you?-And powder, and daub, and make myself up, like some other folks?" "I would have you learn to be more politer, Sir, and not to talk to ladies in such a rude, old-fashion way as this. You, Sir, as have been in Paris," again addressing herself to Lord Orville, "can tell this English gentleman how he'd be despised, if he was to talk in such an ungenteel manner as this before any foreigners. Why, there isn't a hairdresser, nor a shoemaker, nor nobody, that wouldn't blush to be in your company." "Why, look ye, Madam," answered the Captain, "as to your hair-pinchers and shoe-blacks, you may puff off their manners, and welcome; and I am heartily glad you like 'em so well: but as to me, since you must needs make so free of your advice, I must e'en tell you, I never kept company with any such gentry." "Come, ladies and gentlemen," said Mrs. Mirvan, "as many of you as have done tea, I invite to walk with me." Maria and I started up instantly; Lord Orville followed; and I question whether we were not half round the room ere the angry disputants knew that we had left the box. As the husband of Mrs. Mirvan had borne so large a share in the disagreeable altercation, Lord Orville forbore to make any comments upon it; so that the subject was immediately dropt, and the conversation became calmly sociable, and politely cheerful, and, to every body but me, must have been highly agreeable:-but, as to myself, I was so eagerly desirous of making some apology to Lord Orville, for the impertinence of which he must have thought me guilty at the ridotto, and yet so utterly unable to assume sufficient courage to speak to him, concerning an affair in which I had so terribly exposed myself, that I hardly ventured to say a word all the time we were walking. Besides, the knowledge of his contemptuous opinion haunted and dispirited me, and made me fear he might possibly misconstrue whatever I should say. So that, far from enjoying a conversation which might, at any other time, have delighted me, I continued silent, uncomfortable, and ashamed. O, Sir, shall I ever again involve myself in so foolish an embarrassment? I am sure that, if I do, I shall deserve greater mortification. We were not joined by the rest of the party till we had taken three or four turns around the room; and then they were so quarrelsome, that Mrs. Mirvan complained of being fatigued and proposed going home. No one dissented. Lord Orville joined another party, having first made an offer of his services, which the gentlemen declined, and we proceeded to an outward room, where we waited for the carriages. It was settled that we should return to town in the same manner we came to Ranelagh; and, accordingly, Monsieur Du Bois handed Madame Duval into a hackney coach, and was just preparing to follow her, when she screamed, and jumped hastily out, declaring she was wet through all her clothes. Indeed, upon examination the coach was found to be in a dismal condition; for the weather proved very bad, and the rain had, though I know not how, made its way into the carriage. Mrs. and Miss Mirvan, and myself, were already disposed of as before; but no sooner did the Captain hear this account, than, without any ceremony, he was so civil as to immediately take possession of the vacant seat in his own coach, leaving Madame Duval and Monsieur Du Bois to take care of themselves. As to Sir Clement Willoughby, his own chariot was in waiting. I instantly begged permission to offer Madame Duval my own place, and made a motion to get out; but Mrs. Mirvan stopped me, saying, that I should then be obliged to return to town with only the foreigner, or Sir Clement. "O never mind the old beldame," cried the Captain, "she's weather-proof, I'll answer for her; and besides, as we are all, I hope, English, why she'll meet with no worse than she expects from us." "I do not mean to defend her," said Mrs. Mirvan; "but indeed, as she belongs to our party, we cannot, with any decency, leave the place till she is, by some means, accommodated." "Lord, my dear," cried the Captain, whom the distress of Madame Duval had put into very good humour, "why, she'll break her heart if she meets with any civility from a filthy Englishman." Mrs. Mirvan, however, prevailed; and we all got out of the coach, to wait till Madame Duval could meet with some better carriage. We found her, attended by Monsieur Du Bois, standing amongst the servants, and very busy in wiping her negligee, and endeavouring to save it from being stained by the wet, as she said it was a new Lyons silk. Sir Clement Willoughby offered her the use of his chariot, but she had been too much piqued by his raillery to accept it. We waited some time, but in vain; for no hackney-coach could be procured. The Captain, at last, was persuaded to accompany Sir Clement himself, and we four females were handed into Mrs. Mirvan's carriage, though not before Madame Duval had insisted upon our making room for Monsieur Du Bois, to which the Captain only consented in preference to being incommoded by him in Sir Clement's chariot. Our party drove off first. We were silent and unsociable; for the difficulties attending this arrangement had made every one languid and fatigued. Unsociable, I must own, we continued; but very short was the duration of our silence, as we had not proceeded thirty yards before every voice was heard at once-for the coach broke down! I suppose we concluded, of course, that we were all half killed, by the violent shrieks that seemed to come from every mouth. The chariot was stopped, the servants came to our assistance, and we were taken out of the carriage, without having been at all hurt. The night was dark and wet; but I had scarce touched the ground when I was lifted suddenly from it by Sir Clement Willoughby, who begged permission to assist me, though he did not wait to have it granted, but carried me in his arms back to Ranelagh. He enquired very earnestly if I was not hurt by the accident? I assured him I was perfectly safe, and free from injury; and desired he would leave me, and return to the rest of the party, for I was very uneasy to know whether they had been equally fortunate. He told me he was happy in being honoured with my commands, and would joyfully execute them; but insisted upon first conducting me to a warm room, as I had not wholly escaped being wet. He did not regard my objections; but made me follow him to an apartment, where we found an excellent fire, and some company waiting for carriages. I readily accepted a seat, and then begged he would go. And go, indeed, he did; but he returned in a moment, telling me that the rain was more violent than ever, and that he had sent his servants to offer their assistance, and acquaint the Mirvans of my situation. I was very mad that he would not go himself; but as my acquaintance with him was so very slight, I did not think proper to urge him contrary to his inclination. Well, he drew a chair close to mine; and, after again enquiring how I did, said, in a low voice, "You will pardon me, Miss Anville, if the eagerness I feel to vindicate myself, induces me to snatch this opportunity of making sincere acknowledgments for the impertinence with which I tormented you at the last ridotto. I can assure you, Madam, I have been a true and sorrowful penitent ever since; but-shall I tell you honestly what encouraged me to-" He stopt, but I said nothing; for I thought instantly of the conversation Miss Mirvan had overheard, and supposed he was going to tell me himself what part Lord Orville had borne in it; and really I did not wish to hear it repeated. Indeed, the rest of his speech convinces me that such was his intention; with what view I know not, except to make a merit of his defending me. "And yet," he continued, "my excuse may only expose my own credulity, and want of judgment and penetration. I will, therefore, merely beseech your pardon, and hope that some future time-" Just then the door was opened by Sir Clement's servant, and I had the pleasure of seeing the Captain, Mrs. and Miss Mirvan, enter the room. "O ho!" cried the former, "you have got a good warm berth here; but we shall beat up your quarters. Here, Lucy, Moll, come to the fire, and dry your trumpery. But, hey-day-why, where's old Madame French?" "Good God," cried I, "is not Madame Duval then with you?" "With me! No,-thank God." I was very uneasy to know what might have become of her; and, if they would have suffered me, I should have gone in search of her myself; but all the servants were dispatched to find her; and the Captain said, we might be very sure her French beau would take care of her. We waited some time without any tidings, and were soon the only party in the room. My uneasiness increased so much that Sir Clement now made a voluntary offer of seeking her. However, the same moment that he opened the door with this design, she presented herself at it, attended by Monsieur Du Bois. "I was this instant, Madam," said he, "coming to see for you." "You are mighty good, truly," cried she, "to come when all the mischief's over." She then entered,-in such a condition!-entirely covered with mud, and in so great a rage, it was with difficulty she could speak. We all expressed our concern, and offered our assistance-except the Captain, who no sooner beheld her than he burst out into a loud laugh. We endeavoured, by our enquiries and condolements, to prevent her attending to him; and she was for some time so wholly engrossed by her anger and her distress, that we succeeded without much trouble. We begged her to inform us how this accident happened. "How!" repeated she,-"why it was all along of your all going away,-and there poor Monsieur Du Bois-but it wasn't his fault,-for he's as bad off as me." All eyes were then turned to Monsieur Du Bois, whose clothes were in the same miserable plight with those of Madame Duval; and who, wet, shivering, and disconsolate, had crept to the fire. The Captain laughed yet more heartily; while Mrs. Mirvan, ashamed of his rudeness, repeated her inquiries to Madame Duval; who answered, "Why, as we were a-coming along, all in the rain, Monsieur Du Bois was so obliging, though I'm sure it was an unlucky obligingness for me, as to lift me up in his arms to carry me over a place that was ankle-deep in mud; but instead of my being ever the better for it, just as we were in the worst part,-I'm sure I wish we had been fifty miles off,-for somehow or other his foot slipt,-at least, I suppose so,-though I can't think how it happened, for I'm so such great weight;-but, however that was, down we both came, together, all in the mud; and the more we tried to get up, the more deeper we got covered with the nastiness-and my new Lyons negligee, too, quite spoilt!-however, it's well we got up at all, for we might have laid there till now, for aught you all cared; nobody never came near us." This recital put the Captain into an ecstasy; he went from the lady to the gentleman, and from the gentleman to the lady, to enjoy alternately the sight of their distress. He really shouted with pleasure; and, shaking Monsieur Du Bois strenuously by the hand, wished him joy of having touched English ground; and then he held a candle to Madame Duval, that he might have a more complete view of her disaster, declaring repeatedly, that he had never been better pleased in his life. The rage of poor Madame Duval was unspeakable; she dashed the candle out of his hand, stamping upon the floor, and, at last, spat in his face. This action seemed immediately to calm them both, as the joy of the Captain was converted into resentment, and the wrath of Madame Duval into fear: for he put his hands upon her shoulders, and gave her so violent a shake, that she screamed out for help; assuring her, at the same time, that if she had been one ounce less old, or less ugly, she should have had it all returned in her own face. Monsieur Du Bois, who had seated himself very quietly at the fire, approached them, and expostulated very warmly with the Captain; but he was neither understood nor regarded; and Madame Duval was not released till she quite sobbed with passion. When they were parted, I intreated her to permit the woman who has charge of the ladies' cloaks to assist in drying her clothes; she consented, and we did what was possible to save her from catching cold. We were obliged to wait in this disagreeable situation near an hour before a hackney-coach could be found; and then we were disposed in the same manner as before our accident. I am going this morning to see poor Madame Duval, and to inquire after her health, which I think must have suffered by her last night's misfortunes; though, indeed, she seems to be naturally strong and hearty. Adieu, my dear Sir, till to-morrow. </CHAPTER> <CHAPTER> LETTER XVII EVELINA IN CONTINUATION Friday Morning, April 15. SIR CLEMENT WILLOUGHBY called here yesterday at noon, and Captain Mirvan invited him to dinner. For my part I spent the day in a manner the most uncomfortable imaginable. I found Madame Duval at breakfast in bed, though Monsieur Du Bois was in the chamber; which so much astonished me, that I was, involuntarily, retiring, without considering how odd an appearance my retreat would have, when Madame Duval called me back, and laughed very heartily at my ignorance of foreign customs. The conversation, however, very soon took a more serious turn; for she began, with great bitterness, to inveigh against the barbarous brutality of that fellow the Captain, and the horrible ill-breeding of the English in general, declaring, she should make her escape with all expedition from so beastly a nation. But nothing can be more strangely absurd, than to hear politeness recommended in language so repugnant to it as that of Madame Duval. She lamented, very mournfully, the fate of her Lyons silk; and protested she had rather have parted with all the rest of her wardrobe, because it was the first gown she had bought to wear upon leaving off her weeds. She has a very bad cold, and Monsieur Du Bois is so hoarse, he can hardly speak. She insisted upon my staying with her all day; as she intended, she said, to introduce me to some of my own relations. I would very fain have excused myself, but she did not allow me any choice. Till the arrival of these relations, one continued series of questions on her side, and of answers on mine, filled up all the time we passed together. Her curiosity was insatiable; she inquired into every action of my life, and every particular that had fallen under my observation in the lives of all I knew. Again, she was so cruel as to avow the most inveterate rancour against the sole benefactor her deserted child and grand-child have met with; and such was the indignation her ingratitude raised, that I would actually have quitted her presence and house, had she not, in a manner the most peremptory, absolutely forbid me. But what, good Heaven! can induce her to such shocking injustice? O, my friend and father! I have no command of myself when this subject is started. She talked very much of taking me to Paris, and said I greatly wanted the polish of a French education. She lamented that I had been brought up in the country, which, she observed, had given me a very bumpkinish air. However, she bid me not despair, for she had known many girls much worse than me, who had become very fine ladies after a few years residence abroad; and she particularly instanced a Miss Polly Moore, daughter of a chandler's-shop woman, who, by an accident not worth relating, happened to be sent to Paris, where, from an awkward ill-bred girl, she so much improved, that she has since been taken for a woman of quality. The relations to whom she was pleased to introduce me, consisted of a Mr. Branghton, who is her nephew, and three of his children, the eldest of which is a son, and the two younger are daughters. Mr. Branghton appears about forty years of age. He does not seem to want a common understanding, though he is very contracted and prejudiced: he has spent his whole time in the city, and I believe feels a great contempt for all who reside elsewhere. His son seems weaker in his understanding, and more gay in his temper; but his gaiety is that of a foolish, overgrown school-boy, whose mirth consists in noise and disturbance. He disdains his father for his close attention to business, and love of money; though he seems himself to have no talents, spirit, or generosity, to make him superior to either. His chief delight appears to be tormenting and ridiculing his sisters; who, in return, most heartily despise him. Miss Branghton, the eldest daughter, is by no means ugly; but looks proud, ill-tempered, and conceited. She hates the city, though without knowing why; for it is easy to discover she has lived no where else. Miss Polly Branghton is rather pretty, very foolish, very ignorant, very giddy, and, I believe, very good-natured. The first half-hour was allotted to making themselves comfortable; for they complained of having had a very dirty walk, as they came on foot from Snow Hill, where Mr. Branghton keeps a silversmith's shop; and the young ladies had not only their coats to brush, and shoes to dry, but to adjust their head-dress, which their bonnets had totally discomposed. The manner in which Madame Duval was pleased to introduce me to this family extremely shocked me. "Here, my dears," said she, "here's a relation you little thought of; but you must know, my poor daughter Caroline had this child after she run away from me,-though I never knew nothing of it, not I, for a long while after; for they took care to keep it a secret from me, though the poor child has never a friend in the world besides." "Miss seems very tender-hearted, aunt," said Miss Polly; "and to be sure she's not to blame for her mama's undutifulness, for she couldn't help it." "Lord, no," answered she, "and I never took no notice of it to her: for, indeed, as to that, my own poor daughter wasn't so much to blame as you may think; for she'd never have gone astray, if it had not been for that meddling old parson I told you of." "If aunt pleases," said young Mr. Branghton, "we'll talk o' somewhat else, for Miss looks very uneasy-like." The next subject that was chosen was the age of the three young Branghtons and myself. The son is twenty; the daughters upon hearing that I was seventeen, said that was just the age of Miss Polly; but their brother, after a long dispute, proved that she was two years older, to the great anger of both sisters, who agreed that he was very ill-natured and spiteful. When this point was settled, the question was put, Which was tallest?-We were desired to measure, as the Branghtons were all of different opinions. None of them, however, disputed my being the tallest in the company; but, in regard to one another, they were extremely quarrelsome: the brother insisted upon their measuring fair, and not with heads and heels; but they would by no means consent to lose those privileges of our sex; and therefore the young man was cast, as shortest; though he appealed to all present upon the injustice of the decree. This ceremony over, the young ladies begun, very freely, to examine my dress, and to interrogate me concerning it. "This apron's your own work, I suppose, Miss? but these sprigs a'n't in fashion now. Pray, if it is not impertinent, what might you give a yard for this lutestring?-Do you make your own caps, Miss?" and many other questions equally interesting and well-bred. Then they asked me how I liked London? and whether I should not think the country a very dull place, when I returned thither? "Miss must try if she can't get a good husband," said Mr. Branghton, "and then she may stay and live here." The next topic was public places, or rather the theatres, for they knew of no other; and the merits and defects of all the actors and actresses were discussed: the young man here took the lead, and seemed to be very conversant on the subject. But during this time, what was my concern, and, suffer me to add, my indignation, when I found, by some words I occasionally heard, that Madame Duval was entertaining Mr. Branghton with all the most secret and cruel particulars of my situation! The eldest daughter was soon drawn to them by the recital; the youngest and the son still kept their places; intending, I believe, to divert me, though the conversation was all their own. In a few minutes, Miss Branghton coming suddenly up to her sister, exclaimed, "Lord, Polly, only think! Miss never saw her papa!" "Lord, how odd!" cried the other; "why, then, Miss, I suppose you wouldn't know him?" This was quite too much for me; I rose hastily, and ran out of the room: but I soon regretted I had so little command of myself; for the two sisters both followed, and insisted upon comforting me, notwithstanding my earnest intreaties to be left alone. As soon as I returned to the company, Madame Duval said, "Why, my dear, what was the matter with you? why did you run away so?" This question almost made me run again, for I knew not how to answer it. But, is it not very extraordinary, that she can put me in situations so shocking, and then wonder to find me sensible of any concern? Mr. Branghton junior now inquired of me, whether I had seen the Tower, or St. Paul's church? and upon my answering in the negative, they proposed making a party to shew them to me. Among other questions, they also asked, if I had ever seen such a thing as an opera? I told them I had. "Well," said Mr. Branghton, "I never saw one in my life, so long as I've lived in London; and I never desire to see one, if I live here as much longer." "Lord, papa," cried Miss Polly, "why not? you might as well for once, for the curiosity of the thing: besides, Miss Pomfret saw one, and she says it was very pretty." "Miss will think us very vulgar," said Miss Branghton, "to live in London, and never have been to an opera; but it's no fault of mine, I assure you, Miss, only papa don't like to go." The result was, that a party was proposed, and agreed to, for some early opportunity. I did not dare contradict them; but I said that my time, while I remained in town, was at the disposal of Mrs. Mirvan. However, I am sure I will not attend them, if I can possibly avoid doing so. When we parted, Madame Duval desired to see me the next day; and the Branghtons told me, that the first time I went towards Snow Hill, they should be very glad if I would call upon them. I wish we may not meet again till that time arrives. I am sure I shall not be very ambitious of being known to any more of my relations, if they have any resemblance to those whose acquaintance I have been introduced to already. </CHAPTER> <CHAPTER> LETTER XVIII EVELINA IN CONTINUATION I HAD just finished my letter to you this morning, when a violent rapping at the door made me run down stairs; and who should I see in the drawing room, but-Lord Orville! He was quite alone, for the family had not assembled to breakfast. He inquired first of mine, then of the health of Mrs. and Miss Mirvan, with a degree of concern that rather surprised me, till he said he had just been informed of the accident we had met with at Ranelagh. He expressed his sorrow upon the occasion with utmost politeness, and lamented that he had not been so fortunate as to hear of it in time to offer his services. "But I think," he added, "Sir Clement Willoughby had the honour of assisting you?" "He was with Captain Mirvan, my Lord." "I had heard of his being of your party." I hope that flighty man has not been telling Lord Orville he only assisted me! however, he did not pursue the subject: but said, "This accident though extremely unfortunate, will not, I hope, be the means of frightening you from gracing Ranelagh with your presence in future?" "Our time, my Lord, for London, is almost expired already." "Indeed! do you leave town so very soon?" "O yes, my Lord, our stay has already exceeded our intentions." "Are you, then, so particularly partial to the country?" "We merely came to town, my Lord, to meet Captain Mirvan." "And does Miss Anville feel no concern at the idea of the many mourners her absence will occasion?" "O, my Lord,-I'm sure you don't think-" I stopt there; for, indeed, I hardly knew what I was going to say. My foolish embarrassment, I suppose, was the cause of what followed; for he came to me, and took my hand saying, "I do think, that whoever has once seen Miss Anville, must receive an impression never to be forgotten." This compliment,-from Lord Orville,-so surprised me, that I could not speak; but felt myself change colour, and stood for some moments silent, and looking down: however, the instant I recollected my situation, I withdrew my hand, and told him that I would see if Mrs. Mirvan was not dressed. He did not oppose me-so away I went. I met them all on the stairs, and returned with them to breakfast. I have since been extremely angry with myself for neglecting so excellent an opportunity of apologizing for my behaviour at the ridotto: but, to own the truth, that affair never once occurred to me during the short tete-e-tete which we had together. But, if ever we should happen to be so situated again, I will certainly mention it; for I am inexpressibly concerned at the thought of his harbouring an opinion that I am bold or impertinent, and I could almost kill myself for having given him the shadow of a reason for so shocking an idea. But was not it very odd that he should make me such a compliment? I expected it not from him;-but gallantry, I believe, is common to all men, whatever other qualities they may have in particular. Our breakfast was the most agreeable meal, if it may be called a meal, that we have had since we came to town. Indeed, but for Madame Duval, I should like London extremely. The conversation of Lord Orville is really delightful. His manners are so elegant, so gentle, so unassuming, that they at once engage esteem, and diffuse complacence. Far from being indolently satisfied with his own accomplishments, as I have already observed many men here are, though without any pretensions to his merit, he is most assiduously attentive to please and to serve all who are in his company, and, though his success is invariable, he never manifests the smallest degree of consciousness. I could wish that you, my dearest Sir, knew Lord Orville, because I am sure you would love him; and I have felt that wish for no other person I have seen since I came to London. I sometimes imagine, that when his youth is flown, his vivacity abated, and his life is devoted to retirement, he will, perhaps, resemble him whom I most love and honour. His present sweetness, politeness, and diffidence, seem to promise in future the same benevolence, dignity, and goodness. But I must not expatiate upon this subject. When Lord Orville was gone,-and he made but a very short visit,-I was preparing, most reluctantly, to wait upon Madame Duval; but Mrs. Mirvan proposed to the Captain, that she should be invited to dinner in Queen Ann Street; and he readily consented, for he said he wished to ask after her Lyons negligee. The invitation is accepted, and we expect her every moment. But to me, it is very strange, that a woman who is the uncontrolled mistress of her time, fortune, and actions, should choose to expose herself voluntarily to the rudeness of a man who is openly determined to make her his sport. But she has very few acquaintance; and, I fancy, scarce knows how to employ herself. How great is my obligation to Mrs. Mirvan, for bestowing her time in a manner so disagreeable to herself, merely to promote my happiness! Every dispute in which her undeserving husband engages, is productive of pain and uneasiness to herself; of this I am so sensible, that I even besought her not to send to Madame Duval; but she declared she could not bear to have me pass all my time, while in town, with her only. Indeed she could not be more kind to me, were she your daughter. </CHAPTER> <CHAPTER> LETTER XIX EVELINA IN CONTINUATION Saturday Morning, April 16. MADAM DUVAL was accompanied by Monsieur Du Bois. I am surprised that she should choose to introduce him where he is so unwelcome: and, indeed, it is strange that they should be so constantly together, though I believe I should have taken notice of it, but that Captain Mirvan is perpetually rallying me upon my grandmama's beau. They were both received by Mrs. Mirvan with her usual good-breeding; but the Captain, most provokingly, attacked her immediately, saying, "Now, Madame, you that have lived abroad, please to tell me this here: Which did you like best, the warm room at Ranelagh, or the cold bath you went into afterwards? though I assure you, you look so well, that I should advise you to take another dip." "Ma foi, Sir," cried she, "nobody asked for your advice, so you may as well keep it to yourself: besides, it's no such great joke to be splashed, and to catch cold, and spoil all one's things, whatever you may think of it." "Splashed, quoth-a!-why I thought you were soused all over.-Come, come, don't mince the matter, never spoil a good story; you know you hadn't a dry thread about you-'Fore George, I shall never think on't without hollooing! such a poor forlorn draggle-tailed-gentlewoman! and poor Monseer French, here, like a drowned rat, by your side!-" "Well, the worse pickle we was in, so much the worser in you not to help us; for you knowed where we were fast enough, because, while I laid in the mud, I'm pretty sure I heard you snigger: so it's like enough you jostled us down yourself; for Monsieur Du Bois says, that he is sure he had a great jolt given him, or he shouldn't have fell." The Captain laughed so immoderately, that he really gave me also a suspicion that he was not entirely innocent of the charge: however, he disclaimed it very peremptorily. "Why then," continued she, "if you didn't do that, why didn't you come to help us?" "Who, I?-what, do you suppose I had forgot I was an Englishman, a filthy, beastly Englishman?" "Very well, Sir, very well; but I was a fool to expect any better, for it's all of a piece with the rest; you know, you wanted to fling me out of the coach-window, the very first time ever I see you: but I'll never go to Ranelagh with you no more, that I'm resolved; for I dare say, if the horses had runn'd over me, as I laid in that nastiness, you'd never have stirred a step to save me." "Lord, no, to be sure, Ma'am, not for the world! I know your opinion of our nation too well, to affront you by supposing a Frenchman would want my assistance to protect you. Did you think that Monseer here, and I had changed characters, and that he should pop you into the mud, and I help you out of it? Ha, ha, ha!" "O very well, Sir, laugh on, it's like your manners; however, if poor Monsieur Du Bois hadn't met with that unlucky accident himself I shouldn't have wanted nobody's help." "O, I promise you, Madame, you'd never have had mine; I knew my distance better: and as to your being a little ducked, or so, why, to be sure, Monseer and you settled that between yourselves; so it was no business of mine." "What, then, I suppose you want to make me believe as Monsieur Du Bois served me that trick o'purpose?" "O' purpose! ay, certainly; whoever doubted that? Do you think a Frenchman ever made a blunder? If he had been some clumsy-footed English fellow, indeed, it might have been accidental: but what the devil signifies all your hopping and capering with your dancing-masters, if you can't balance yourselves upright?" In the midst of this dialogue, Sir Clement Willoughby made his appearance. He affects to enter the house with the freedom of an old acquaintance; and this very easiness, which, to me, is astonishing, is what most particularly recommends him to the Captain. Indeed, he seems very successfully to study all the humours of that gentleman. After having heartily welcomed him, "You are just come in time, my boy," said he, "to settle a little matter of a dispute between this here gentlewoman and I; do you know she has been trying to persuade me, that she did not above half like the ducking Monseer gave her t'other night." "I should have hoped," said Sir Clement, with the utmost gravity, "that the friendship subsisting between that lady and gentleman would have guarded them against any actions professed disagreeable to each other: but, probably, they might not have discussed the matter previously; in which case the gentleman, I must own, seems to have been guilty of inattention, since, in my humble opinion, it was his business first to have inquired whether the lady preferred soft or hard ground, before he dropt her." "O very fine, gentlemen, very fine," cried Madame Duval, "you may try to set us together by the ears as much as you will; but I'm not such an ignorant person as to be made a fool of so easily; so you needn't talk no more about it, for I sees into your designs." Monsieur Du Bois, who was just able to discover the subject upon which the conversation turned, made his defence, in French, with great solemnity: he hoped, he said, that the company would at least acknowledge he did not come from a nation of brutes; and consequently, that to wilfully offend any lady, was, to him, utterly impossible; but that, on the contrary, in endeavouring, as was his duty, to save and guard her, he had himself suffered, in a manner which he would forbear to relate, but which, he greatly apprehended, he should feel the ill effects of for many months: and then, with a countenance exceedingly lengthened, he added, that he hoped it would not be attributed to him as national prejudice, when he owned that he must, to the best of his memory, aver, that his unfortunate fall was owing to a sudden but violent push, which, he was shocked to say, some malevolent person, with a design to his injury, must certainly have given him; but whether with a view to mortify him, by making him let the lady fall, or whether merely to spoil his clothes, he could not pretend to determine. This disputation was, at last, concluded by Mrs. Mirvan's proposing that we should all go to Cox's Museum. Nobody objected, and carriages were immediately ordered. In our way down stairs, Madame Duval, in a very passionate manner, said, "Ma foi, if I wouldn't give fifty guineas only to know who gave us that shove!" This Museum is very astonishing, and very superb; yet if afforded me but little pleasure, for it is a mere show, though a wonderful one. Sir Clement Willoughby, in our walk round the room, asked me what my opinion was of this brilliant spectacle! "It is a very fine, and very ingenious," answered I; "and yet-I don't know how it is-but I seem to miss something." "Excellently answered!" cried he; "you have exactly defined my own feelings, though in a manner I should never have arrived at. But I was certain your taste was too well formed, to be pleased at the expense of your understanding." "Pardi," cried Madame Duval, "I hope you two is difficult enough! I'm sure if you don't like this you like nothing; for it's the grandest, prettiest, finest sight that ever I see in England." "What," cried the Captain with a sneer, "I suppose this may be in your French taste? it's like enough, for it's all kickshaw work. But pr'ythee, friend," turning to the person who explained the devices, "will you tell me the use of all this? for I'm not enough of a conjuror to find it out." "Use, indeed!" repeated Madame Duval, disdainfully; "Lord if every thing's to be useful!-" "Why, Sir, as to that, Sir," said our conductor, "the ingenuity of the mechanism-the beauty of the workmanship-the-undoubtedly, Sir, any person of taste may easily discern the utility of such extraordinary performances." "Why then, Sir," answered the Captain, "your person of taste must be either a coxcomb, or a Frenchman; though, for the matter of that, 'tis the same thing." Just then our attention was attracted by a pine-apple; which, suddenly opening, discovered a nest of birds, which immediately began to sing. "Well," cried Madame Duval, "this is prettier than all the rest! I declare, in all my travels, I never see nothing eleganter." "Hark ye, friend," said the Captain, "hast never another pine-apple?" "Sir?-" "Because, if thou hast, pr'ythee give it us without the birds; for, d'ye see, I'm no Frenchman, and should relish something more substantial." This entertainment concluded with a concert of mechanical music: I cannot explain how it was produced, but the effect was pleasing. Madame Duval was in ecstasies; and the Captain flung himself into so many ridiculous distortions, by way of mimicking her, that he engaged the attention of all the company; and, in the midst of the performance of the Coronation Anthem, while Madame Duval was affecting to beat time, and uttering many expressions of delight, he called suddenly for salts, which a lady, apprehending some distress, politely handed to him, and which, instantly applying to the nostrils of poor Madame Duval, she involuntarily snuffed up such a quantity, that the pain and surprise made her scream aloud. When she recovered, she reproached him with her usual vehemence; but he protested he had taken that measure out of pure friendship, as he concluded, from her raptures, that she was going into hysterics. This excuse by no means appeased her, and they had a violent quarrel; but the only effect her anger had on the Captain, was to increase his diversion. Indeed, he laughs and talks so terribly loud in public, that he frequently makes us ashamed of belonging to him. Madame Duval, notwithstanding her wrath, made no scruple of returning to dine in Queen Ann Street. Mrs. Mirvan had secured places for the play at Drury-Lane Theatre, and, though ever uneasy in her company, she very politely invited Madame Duval to be of our party; however, she had a bad cold and chose to nurse it. I was sorry for her indisposition; but I knew not how to be sorry she did not accompany us, for she is-I must not say what, but very unlike other people. </CHAPTER> <CHAPTER> LETTER XX EVELINA IN CONTINUATION OUR places were in the front row of a side-box. Sir Clement Willoughby, who knew our intention, was at the door of the theatre, and handed us from the carriage. We had not been seated five minutes before Lord Orville, whom we saw in the stage-box, came to us; and he honoured us with his company all the evening; Miss Mirvan and I both rejoiced that Madam Duval was absent, as we hoped for the enjoyment of some conversation, uninterrupted by her quarrels with the Captain: but I soon found that her presence would have made very little alteration; for as far was I from daring to speak, that I knew not where even to look. The play was Love for Love; and though it is fraught with wit and entertainment I hope I shall never see it represented again; for it is so extremely indelicate-to use the softest word I can-that Miss Mirvan and I were perpetually out of countenance, and could neither make any observations ourselves, nor venture to listen to those of others. This was the most provoking, as Lord Orville was in excellent spirits, and exceedingly entertaining. When the play was over, I flattered myself I should be able to look about me with less restraint, as we intended to stay the farce; but the curtain had hardly dropped, when the box-door opened, and in came Mr. Lovel, the man by whose foppery and impertinence I was so much teased at the ball where I first saw Lord Orville. I turned away my head, and began talking to Miss Mirvan; for I was desirous to avoid speaking to him-but in vain; for, as soon as he had made his compliments to Lord Orville and Sir Clement Willoughby, who returned them very coldly, he bent his head forward and said to me, "I hope, Ma'am, you have enjoyed your health since I had the honour-I beg ten thousand pardons, but, I protest I was going to say the honour of dancing with you-however, I mean the honour of seeing you dance?" He spoke with a self-complacency that convinced me that he had studied this address, by way of making reprisals for my conduct at the ball; I therefore bowed slightly, but made no answer. After a short silence he again called my attention, by saying, in an easy, negligent way, "I think, Ma'am, you was never in town before?" "No, Sir." "So I did presume. Doubtless, Ma'am, every thing must be infinitely novel to you. Our customs, our manners, and les etiquettes de nous autres, can have little very resemblance to those you have been used to. I imagine, Ma'am, your retirement is at no very small distance from the capital?" I was so much disconcerted at this sneering speech, that I said not a word; though I have since thought my vexation both stimulated and delighted him. "The air we breathe here, however, Ma'am," continued he, very conceitedly, "though foreign to that you have been accustomed to, has not I hope been at variance with your health?" "Mr. Lovel," said Lord Orville, "could not your eye have spared that question?" "O, my Lord," answered he, "if health were the only cause of a lady's bloom, my eye, I grant, had been infallible from the first glance; but-" "Come, come," cried Mrs. Mirvan, "I must beg no insinuations of that sort: Miss Anville's colour, as you have successfully tried, may, you see, be heightened; but, I assure you, it would be past your skill to lessen it." "'Pon honour, Madam," returned he, "you wrong me; I presumed not to infer that rouge was the only succedaneum for health; but, really, I have known so many different causes for a lady's colour, such as flushing-anger-mauvaise honte-and so forth, that I never dare decide to which it may be owing." "As to such causes as them there," cried the Captain, "they must belong to those that they keep company with." "Very true, Captain," said Sir Clement; "the natural complexion has nothing to do with the occasional sallies of the passions, or any accidental causes." "No, truly," returned the Captain: "for now here's me, why I look like any other man; just now; and yet, if you were to put me in a passion, 'fore George, you'd soon see me have as fine a high colour as any painted Jezebel in all this place, be she never so bedaubed." "But," said Lord Orville, "the difference of natural and of artificial colour seems to me very easily discerned; that of nature is mottled and varying; that of art set, and too smooth; it wants that animation, that glow, that indescribable something, which, even now that I see it, wholly surpasses all my powers of expression." "Your Lordship," said Sir Clement, "is universally acknowledged to be a connoisseur in beauty." "And you, Sir Clement," returned he, "an enthusiast." "I am proud to own it," cried Sir Clement; "in such a cause, and before such objects, enthusiasm is simply the consequence of not being blind." "Pr'ythee, a truce with all this palavering," cried the Captain: "the women are vain enough already; no need for to puff 'em up more." "We must all submit to the commanding officer," said Sir Clement: "therefore, let us call another subject. Pray, ladies, how have you been entertained with the play?" "Want of entertainment," said Mrs. Mirvan, "is its least fault; but I own there are objections to it, which I should be glad to see removed." "I could have ventured to answer for the ladies," said Lord Orville, "since I am sure this is not a play that can be honoured with their approbation." "What, I suppose it is not sentimental enough!" cried the Captain, "or else it is too good for them; for I'll maintain it's one of the best comedies in our language, and has more wit in one scene than there is in all the new plays put together." "For my part," said Mr. Lovel, "I confess I seldom listen to the players: one has so much to do, in looking about and finding out one's acquaintance, that, really, one has no time to mind the stage. Pray," most affectedly fixing his eyes upon a diamond ring on his little finger, "pray-what was the play to-night?" "Why, what the D-l," cried the Captain, "do you come to the play without knowing what it is?" "O yes, Sir, yes, very frequently: I have no time to read play-bills; one merely comes to meet one's friends, and shew that one's alive." "Ha, ha, ha!-and so," cried the Captain, "it costs you five shillings a-night just to shew you're alive! Well, faith, my friends should all think me dead and underground before I'd be at that expense for 'em. Howsomever-this here you may take from me-they'll find you out fast enough if you have anything to give 'em.-And so you've been here all this time, and don't know what the play was?" "Why, really Sir, a play requires so much attention,-it is scarce possible to keep awake if one listens;-for, indeed, by the time it is evening, one has been so fatigued with dining,-or wine,-or the house,-or studying,-that it is-it is perfectly an impossibility. But, now I think of it, I believe I have a bill in my pocket; O, ay, here it is-Love for Love, ay,-true, ha, ha!-how could I be so stupid!" "O, easily enough, as to that, I warrant you," said the Captain; "but, by my soul, this is one of the best jokes I ever heard!-Come to a play, and not know what it is!-Why, I suppose you wouldn't have found it out, if they had fob'd you off with a scraping of fiddlers, or an opera?-Ha, ha, ha!-Why, now, I should have thought you might have taken some notice of one Mr. Tattle, that is in this play!" This sarcasm, which caused a general smile, made him colour: but, turning to the Captain with a look of conceit, which implied that he had a retort ready, he said, "Pray, Sir, give me leave to ask-What do you think of one Mr. Ben, who is also in this play?" The Captain, regarding him with the utmost contempt, answered in a loud voice, "Think of him!-why, I think he is a man!" And then, staring full in his face, he struck his cane on the ground with a violence that made him start. He did not however, choose to take any notice of this: but, having bit his nails some time in manifest confusion, he turned very quick to me, and in a sneering tone of voice, said, "For my part, I was most struck with the country young lady, Miss Prue; pray what do you think of her, Ma'am?" "Indeed, Sir," cried I, very much provoked, "I think-that is, I do not think any thing about her." "Well, really, Ma'am, you prodigiously surprise me!-mais, apparemment ce n'est qu'une facon de parler? -though I should beg your pardon, for probably you do not understand French?" I made no answer, for I thought his rudeness intolerable; but Sir Clement, with great warmth, said, "I am surprised that you can suppose such an object as Miss Prue would engage the attention of Miss Anville even for a moment." "O, Sir," returned this fop, "'tis the first character in the piece!-so well drawn!-so much the thing!-such true country breeding-such rural ignorance! ha, ha, ha!-'tis most admirably hit off, 'pon honour!" I could almost have cried, that such impertinence should be leveled at me; and yet, chagrined as I was, I could never behold Lord Orville and this man at the same time, and feel any regret for the cause I had given of displeasure. "The only female in the play," said Lord Orville, "worthy of being mentioned to these ladies is Angelica." "Angelica," cried Sir Clement, "is a noble girl; she tries her lover severely, but she rewards him generously." "Yet, in a trial so long," said Mrs. Mirvan, "there seems rather too much consciousness of her power." "Since my opinion has the sanction of Mrs. Mirvan," added Lord Orville, "I will venture to say, that Angelica bestows her hand rather with the air of a benefactress, than with the tenderness of a mistress. Generosity without delicacy, like wit without judgment, generally gives as much pain as pleasure. The uncertainty in which she keeps Valentine, and her manner of trifling with his temper, give no very favourable idea of her own." "Well, my Lord," said Mr. Lovel, "it must, however, be owned, that uncertainty is not the ton among our ladies at present; nay, indeed, I think they say,-though faith," taking a pinch of snuff, "I hope it is not true-but they say, that we now are most shy and backward." The curtain then drew up, and our conversation ceased. Mr. Lovel, finding we chose to attend to the players, left the box. How strange it is, Sir, that this man, not contented with the large share of foppery and nonsense which he has from nature, should think proper to affect yet more! for what he said of Tattle and of Miss Prue, convinced me that he really had listened to the play, though he was so ridiculous and foolish as to pretend ignorance. But how malicious and impertinent is this creature to talk to me in such a manner! I am sure I hope I shall never see him again. I should have despised him heartily as a fop, had he never spoken to me at all; but now, that he thinks proper to resent his supposed ill-usage, I am really quite afraid of him. The entertainment was, The Duece is in Him; which Lord Orville observed to be the most finished and elegant petit piece that was ever written in English. In our way home, Mrs. Mirvan put me into some consternation by saying, it was evident, from the resentment which this Mr. Lovel harbours of my conduct, that he would think it a provocation sufficiently important for a duel, if his courage equaled his wrath. I am terrified at the very idea. Good Heaven! that a man so weak and frivolous should be so revengeful! However, if bravery would have excited him to affront Lord Orville, how much reason have I to rejoice that cowardice makes him contended with venting his spleen upon me! But we shall leave town soon, and, I hope, see him no more. It was some consolation to me to hear from Miss Mirvan, that, while he was speaking to me so cavalierly, Lord Orville regarded him with great indignation. But, really, I think there ought to be a book of the laws and customs -e;-la-mode, presented to all young people upon their first introduction into public company. To-night we go to the opera, where I expect very great pleasure. We shall have the same party as at the play, for Lord Orville said he should be there, and would look for us. </CHAPTER> <CHAPTER> LETTER XXI EVELINA IN CONTINUATION I HAVE a volume to write of the adventures of yesterday. In the afternoon,-at Berry Hill I should have said the evening, for it was almost six o'clock,-while Miss Mirvan and I were dressing for the opera, and in high spirits from the expectation of great entertainment and pleasure, we heard a carriage stop at the door, and concluded that Sir Clement Willoughby, with his usual assiduity, was come to attend us to the Haymarket; but, in a few moments, what was our surprise to see our chamber door flung open, and the two Miss Branghtons enter the room! They advanced to me with great familiarity, saying, "How do you do, Cousin?-so we've caught you at the glass!-well, I'm determined I'll tell my brother of that!" Miss Mirvan, who had never before seen them, and could not at first imagine who they were, looked so much astonished, that I was ready to laugh myself, till the eldest said, "We're come to take you to the opera, Miss; papa and my brother are below, and we are to call for your grand-mama as we go along." "I am very sorry," answered I, "that you should have taken so much trouble, as I am engaged already." "Engaged! Lord, Miss, never mind that," cried the youngest; "this young lady will make your excuses I dare say; it's only doing as one would be done by, you know." "Indeed Ma'am," said Miss Mirvan, "I shall myself be very sorry to be deprived of Miss Anville's company this evening." "Well, Miss, that is not so very good-natured in you," said Miss Branghton, "considering we only come to give our cousin pleasure; it's no good to us; it's all upon her account; for we came, I don't know how much round about to take her up." "I am extremely obliged to you," said I, "and very sorry you have lost so much time; but I cannot possibly help it, for I engaged myself without knowing you would call." "Lord, what signifies that?" said Miss Polly, "you're no old maid, and so you needn't be so very formal: besides I dare say those you are engaged to a'n't half so near related to you as we are." "I must beg you not to press me any further, for I assure you it is not in my power to attend you." "Why, we came all out of the city on purpose: besides, your grand-mama expects you;-and, pray, what are we to say to her?" "Tell her, if you please, that I am much concerned,-but that I am pre-engaged." "And who to?" demanded the abrupt Miss Branghton. "To Mrs. Mirvan,-and a large party." "And, pray, what are you all going to do, that it would be such a mighty matter for you to come along with us?" "We are all going to-to the opera." "O dear, if that be all, why can't we go altogether?" I was extremely disconcerted at this forward and ignorant behaviour, and yet their rudeness very much lessened my concern at refusing them. Indeed, their dress was such as would have rendered their scheme of accompanying our party impracticable, even if I had desired it; and this, as they did not themselves find it out, I was obliged, in terms the least mortifying I could think of, to tell them. They were very much chagrined, and asked where I should sit. "In the pit," answered I. "In the pit," repeated Miss Branghton; "well, really, I must own, I should never have supposed that my gown was not good enough for the pit: but come, Polly, let's go; if Miss does not think us fine enough for her, why to be sure she may choose." Surprised at this ignorance, I would have explained to them, that the pit at the opera required the same dress as the boxes; but they were so much affronted they would not hear me; and, in great displeasure, left the room, saying, they would not have troubled me, only they thought I should not be proud with my own relations, and that they had at least as good a right to my company as strangers. I endeavoured to apologize, and would have sent a long message to Madame Duval: but they hastened away without listening to me; and I could not follow them down stairs, because I was not dressed. The last words I heard them say were, "Well, her grandmama will be in a fine passion, that's one good thing." Though I was extremely mad at this visit, yet I so heartily rejoiced at their going, that I would not suffer myself to think gravely about it. Soon after, Sir Clement actually came, and we all went down stairs. Mrs. Mirvan ordered tea; and we were engaged in a very lively conversation, when the servant announced Madame Duval, who instantly followed him into the room. Her face was the colour of scarlet, and her eyes sparkled with fury. She came up to me with a hasty step, saying, "So, Miss, you refuses to come to me, do you? And pray who are you, to dare to disobey me?" I was quite frightened;-I made no answer;-I even attempted to rise, and could not, but sat still, mute and motionless. Everybody but Miss Mirvan seemed in the utmost astonishment; and the Captain rising and approaching Madame Duval, with a voice of authority, said, "Why, how now, Mrs. Turkey-cock, what's put you into this here fluster?" "It's nothing to you," answered she, "so you may as well hold your tongue; for I shan't be called to no account by you, I assure you." "There you're out, Madame Fury," returned he; "for you must know, I never suffer anybody to be in a passion in my house, but myself." "But you shall," cried she, in a great rage; "for I'll be in as great a passion as ever I please, without asking your leave: so don't give yourself no more airs about it. And as for you Miss," again advancing to me, "I order you to follow me this moment, or else I'll make you repent it all your life." And, with these words, she flung out of the room. I was in such extreme terror, at being addressed and threatened in a manner to which I am so wholly unused, that I almost thought I should have fainted. "Don't be alarmed, my love," cried Mrs. Mirvan, "but stay where you are, and I will follow Madame Duval, and try to bring her to reason." Miss Mirvan took my hand, and most kindly endeavoured to raise my spirits. Sir Clement, too, approached me, with an air so interested in my distress, that I could not but feel myself obliged to him; and, taking my other hand, said, "For Heaven's sake, my dear Madam, compose yourself: surely the violence of such a wretch ought merely to move your contempt; she can have no right, I imagine, to lay her commands upon you, and I only wish that you would allow me to speak to her." "O no! not for the world!-indeed, I believe,-I am afraid-I had better follow her." "Follow her! Good God, my dear Miss Anville, would you trust yourself with a mad woman? for what else can you call a creature whose passions are so insolent? No, no; send her word at once to leave the house, and tell her you desire that she will never see you again." "O, Sir! you don't know who you talk of!-it would ill become me to send Madame Duval such a message." "But why," cried he, (looking very inquisitive,) "why should you scruple to treat her as she deserves?" I then found that his aim was to discover the nature of her connection with me; but I felt so much ashamed of my near relationship to her, that I could not persuade myself to answer him, and only intreated that he would leave her to Mrs. Mirvan, who just then entered the room. Before she could speak to me, the Captain, called out, "Well, Goody, what have you done with Madame French? is she cooled a little? cause if she ben't, I've just thought of a most excellent device to bring her to." "My dear Evelina," said Mrs. Mirvan, "I have been vainly endeavouring to appease her; I pleaded your engagement, and promised your future attendance: but I am sorry to say, my love, that I fear her rage will end in a total breach (which I think you had better avoid) if she is any further opposed." "Then I will go to her, Madam," cried I; "and, indeed, it is now no matter, for I should not be able to recover my spirits sufficiently to enjoy much pleasure any where this evening." Sir Clement began a very warm expostulation and intreaty, that I would not go; but I begged him to desist, and told him, very honestly, that, if my compliance were not indispensably necessary I should require no persuasion to stay. He then took my hand, to lead me down stairs; but the Captain desired him to be quiet, saying he would 'squire me himself, "because" he added, (exultingly rubbing his hands) "I have a wipe ready for the old lady, which may serve her to chew as she goes along." We found her in the parlour, "O you're come at last, Miss, are you?-fine airs you give yourself, indeed!-ma foi, if you hadn't come, you might have staid, I assure you, and have been a beggar, for your pains." "Heyday, Madam," cried the Captain, (prancing forward, with a look of great glee) "what, a'n't you got out of that there passion yet? why then, I'll tell you what to do to cool yourself; call upon your old friend, Monseer Slippery, who was with you at Ranelagh, and give my service to him, and tell him, if he sets any store by your health, that I desire he'll give you such another souse as he did before: he'll know what I mean, and I'll warrant you he'll do't for my sake." "Let him, if he dares!" cried Madame Duval; "but I shan't stay to answer you no more; you are a vulgar fellow;-and so, child, let us leave him to himself." "Hark ye, Madam," cried the Captain, "you'd best not call names; because, d'ye see, if you do, I shall make bold to shew you the door." She changed colour, and saying, "Pardi, I can shew it myself," hurried out of the room, and I followed her into a hackney-coach. But, before we drove off, the Captain, looking out of the parlour window, called out "D'ye hear, Madam, don't forget my message to Monseer." You will believe our ride was not the most agreeable in the world; indeed, it would be difficult to say which was least pleased, Madame Duval or me, though the reasons of our discontent were so different: however, Madame Duval soon got the start of me; for we had hardly turned out of Queen Ann Street, when a man, running full speed, stopt the coach. He came up to the window, and I saw he was the Captain's servant. He had a broad grin on his face, and panted for breath. Madame Duval demanded his business: "Madam," answered he, "my master desires his compliments to you, and-and-and he says he wishes it well over with you. He! he! he!-" Madame Duval instantly darted forward, and gave him a violent blow on the face; "Take that back for your answer, sirrah," cried she, "and learn not to grin at your betters another time. Coachman, drive on!" The servant was in a violent passion, and swore terribly; but we were soon out of hearing. The rage of Madame Duval was greater than ever; and she inveighed against the Captain with such fury, that I was even apprehensive she would have returned to his house, purposely to reproach him, which she repeatedly threatened to do; nor would she, I believe, have hesitated a moment, but that, notwithstanding her violence, he has really made her afraid of him. When we came to her lodgings we found all the Branghtons in the passage, impatiently waiting for us with the door open. "Only see, here's Miss!" cried the brother. "Well, I declare I thought as much!" said the younger sister. "Why, Miss," said Mr. Branghton, "I think you might as well have come with your cousins at once; it's throwing money in the dirt, to pay two coaches for one fare." "Lord, father," cried the son, "make no words about that; for I'll pay for the coach that Miss had." "O, I know very well," answered Mr. Branghton, "that you're always more ready to spend than to earn." I then interfered, and begged that I might myself be allowed to pay the fare, as the expense was incurred upon my account; they all said no, and proposed that the same coach should carry us to the opera. While this passed the Miss Branghtons were examining my dress, which, indeed, was very improper for my company; and, as I was extremely unwilling to be so conspicuous amongst them, I requested Madame Duval to borrow a hat or bonnet for me of the people of the house. But she never wears either herself, and thinks them very English and barbarous; therefore she insisted that I should go full dressed, as I had prepared myself for the pit, though I made many objections. We were then all crowded into the same carriage; but when we arrived at the opera-house, I contrived to pay the coachman. They made a great many speeches; but Mr. Branghton's reflection had determined me not to be indebted to him. If I had not been too much chagrined to laugh, I should have been extremely diverted at their ignorance of whatever belongs to an opera. In the first place they could not tell at what door we ought to enter, and we wandered about for some time, without knowing which way to turn: they did not choose to apply to me, though I was the only person of the party who had ever before been at an opera; because they were unwilling to suppose that their country counsin, as they were pleased to call me, should be better acquainted with any London public place than themselves. I was very indifferent and careless upon this subject; but not a little uneasy at finding that my dress, so different from that of the company to which I belonged, attracted general notice and observation. In a short time, however, we arrived at one of the door-keeper's bars. Mr. Branghton demanded for what part of the house they took money? They answered, the pit; and regarded us all with great earnestness. The son then advancing, said "Sir, if you please, I beg that I may treat Miss." "We'll settle that another time," answered Mr. Branghton, and put down a guinea. Two tickets of admission were given to him. Mr. Branghton, in his turn, now stared at the door-keeper, and demanded what he meant by giving him only two tickets for a guinea. "Only two, Sir!" said the man; "why, don't you know that the tickets are half-a guinea each?" "Half-a-guinea each!" repeated Mr. Branghton, "why, I never heard of such a thing in my life! And pray, Sir, how many will they admit?" "Just as usual, Sir, one person each." "But one person for half-a-guinea!-why, I only want to sit in the pit, friend." "Had not the ladies better sit in the gallery, Sir; for they'll hardly choose to go into the pit with their hats on?" "O, as to that," cried Miss Branghton, "if our hats are too high we'll take them off when we get in. I sha'n't mind, it, for I did my hair on purpose." Another party then approaching, the door-keeper could no longer attend to Mr. Branghton; who, taking up the guinea, told him it should be long enough before he'd see it again, and walked away. The young ladies, in some confusion, expressed their surprise that their papa should not know the opera prices, which, for their parts, they had read in the papers a thousand times. "The price of stocks," said he, "is enough for me to see after; and I took it for granted it was the same thing here as at the playhouse." "I knew well enough what the price was," said the son; "but I would not speak, because I thought perhaps they'd take less, as we're such a large party." The sisters both laughed very contemptuously at this idea, and asked him if he ever heard of people's abating any thing at a public place? I don't know whether I have or not," answered he; "but I am sure if they would, you'd like it so much the worse." "Very true, Tom," cried Mr. Branghton; "tell a woman that any thing is reasonable, and she'll be sure to hate it." "Well," said Miss Polly, "I hope that aunt and Miss will be of our side, for papa always takes part with Tom." "Come, come," cried Madame Duval, "if you stand talking here, we shan't get no place at all." Mr. Branghton then enquired the way to the gallery; and, when we came to the door-keeper, demanded what was to pay. "The usual price, Sir," said the man. "Then give me change," cried Mr. Branghton, again putting down his guinea. "For how many, Sir?" "Why-let's see,-for six." "For six, Sir? why, you're given me but a guinea." "But a guinea! why, how much would you have? I suppose it is'n't half-a-guinea a piece here too?" "No, Sir, only five shillings." Mr. Branghton again took up his unfortunate guinea, and protested he would not submit to no such imposition. I then proposed that we should return home, but Madame Duval would not consent; and we were conducted, by a woman who sells books of the opera, to another gallery-door, where, after some disputing, Mr. Branghton at last paid, and we all went up stairs. Madame Duval complained very much of the trouble of going so high: but Mr. Branghton desired her not to hold the place too cheap; "for, whatever you think," cried he, "I assure you I paid pit price; so don't suppose I come here to save my money." "Well, to be sure," said Miss Branghton, "there's no judging of a place by the outside, else, I must needs say, there's nothing very extraordinary in the stair-case." But, when we entered the gallery their amazement and disappointment became general. For a few instants, they looked at one another without speaking, and then they all broke silence at once. "Lord, papa," exclaimed Miss Polly, "why, you have brought us to the one-shilling gallery!" "I'll be glad to give you two shillings, though," answered he, "to pay. I was never so fooled out of my money before, since the house of my birth. Either the door-keeper's a knave, or this is the greatest imposition that ever was put upon the public." "Ma foi," cried Madame Duval, "I never sat in such a mean place in all my life;-why, it's as high-we shan't see nothing." "I thought at the time," said Mr. Branghton, "that three shillings was an exorbitant price for a place in the gallery: but as we'd been asked so much at the other doors, why I paid it without many words; but, then, to be sure, thinks I, it can never be like any other gallery, we shall see some crinkum-crankum or other for our money; but I find it's as arrant a take-in as ever I met with." "Why, it's as like the twelve-penny gallery at Drury Lane," cried the son, "as two peas are to one another. I never knew father so bit before." "Lord," said Miss Branghton, "I thought it would have been quite a fine place,-all over, I don't know what,-and done quite in taste." In this manner they continued to express their dissatisfaction till the curtain drew up; after which their observations were very curious. They made no allowance for the customs, or even for the language, of another country; but formed all their remarks upon comparisons with the English theatre. Notwithstanding my vexation at having been forced into a party so very disagreeable, and that, too, from one so much-so very much the contrary-yet, would they have suffered me to listen, I should have forgotten every thing unpleasant, and felt nothing but delight in hearing the sweet voice of Signor Millico, the first singer; but they tormented me with continual talking. "What a jabbering they make!" cried Mr. Branghton, "there's no knowing a word they say. Pray, what's the reason they can't as well sing in English?-but I suppose the fine folks would not like it, if they could understand it." "How unnatural their action is!" said the son: "why, now, who ever saw an Englishman put himself in such out-of-the-way postures?" "For my part," said Miss Polly, "I think it's very pretty, only I don't know what it means." "Lord, what does that signify," cried her sister; "mayn't one like a thing without being so very particular?-You may see that Miss likes it, and I don't suppose she knows more of the matter than we do." A gentleman, soon after, was so obliging as to make room in the front row for Miss Branghton and me. We had no sooner seated ourselves, than Miss Branghton exclaimed, "Good gracious! only see!-why, Polly, all the people in the pit are without hats, dressed like anything!" "Lord, so they are," cried Miss Polly; "well, I never saw the like!-it's worth coming to the opera, if one saw nothing else." I was then able to distinguish the happy party I had left; and I saw that Lord Orville had seated himself next to Mrs. Mirvan. Sir Clement had his eyes perpetually cast towards the five-shilling gallery, where I suppose he concluded that we were seated; however, before the opera was over, I have reason to believe that he had discovered me, high and distant as I was from him. Probably he distinguished me by my head-dress. At the end of the first act, as the green curtain dropped to prepare for the dance, they imagined that the opera was done; and Mr. Branghton expressed great indignation that he had been tricked out of his money with so little trouble. "Now, if any Englishman was to do such an impudent thing as this," said he, "why, he'd be pelted;-but here, one of these outlandish gentry may do just what he pleases, and come on, and squeak out a song or two, and then pocket your money without further ceremony." However, so determined he was to be dissatisfied, that, before the conclusion of the third act, he found still more fault with the opera for being too long; and wondered whether they thought their singing good enough to serve us for supper. During the symphony of a song of Signor Millico's, in the second act, young Mr. Branghton said, "It's my belief that that fellow's going to sing another song!-why, there's nothing but singing!-I wonder when they'll speak." This song, which was slow and pathetic, caught all my attention, and I leaned my head forward to avoid hearing their observations, that I might listen without interruption: but, upon turning round, when the song was over, I found that I was the object of general diversion to the whole party; for the Miss Branghtons were tittering, and the two gentlemen making signs and faces at me, implying their contempt of my affectation. This discovery determined me to appear as inattentive as themselves; but I was very much provoked at being thus prevented enjoying the only pleasure, which, in such a party, was within my power. "So Miss," said Mr. Branghton, "you're quite in the fashion, I see-so you like operas? Well, I'm not so polite; I can't like nonsense, let it be never so much the taste." "But pray, Miss," said the son, "what makes that fellow look so doleful while he is singing?" "Probably because the character he performs is in distress." "Why, then, I think he might as well let alone singing till he's in better cue: it's out of all nature for a man to be piping when he's in distress. For my part, I never sing but when I'm merry; yet I love a song as well as most people." When the curtain dropt they all rejoiced. "How do you like it?"-and "How do you like it?" passed from one to another with looks of the utmost contempt. "As for me," said Mr. Branghton, "they've caught me once; but if ever they do again, I'll give 'em leave to sing me to Bedlam for my pains: for such a heap of stuff never did I hear: there isn't one ounce of sense in the whole opera, nothing but one continued squeaking and squalling from beginning to end." "If I had been in the pit," said Madame Duval, "I should have liked it vastly, for music is my passion; but sitting in such a place as this, is quite unbearable." Miss Branghton, looking at me, declared, that she was not genteel enough to admire it. Miss Polly confessed, that, if they would but sing English, she would like it very well. The brother wished he could raise a riot in the house, because then he might get his money again. And, finally, they all agreed that it was monstrous dear. During the last dance, I perceived standing near the gallery-door, Sir Clement Willoughby. I was extremely vexed, and would have given the world to have avoided being seen by him: my chief objection was, from the apprehension that he would hear Miss Branghton call me cousin.-I fear you will think this London journey has made me grow very proud; but indeed this family is so low-bred and vulgar, that I should be equally ashamed of such a connection in the country, or anywhere. And really I had already been so much chagrined that Sir Clement had been a witness of Madame Duval's power over me, that I could not bear to be exposed to any further mortification. As the seats cleared, by parties going away, Sir Clement approached nearer to us. The Miss Branghtons observed with surprise, what a fine gentleman was come into the gallery; and they gave me great reason to expect, that they would endeavour to attract his notice, by familiarity with me, whenever he should join us; and so I formed a sort of plan to prevent any conversation. I'm afraid you will think it wrong; and so I do myself now;-but, at the time, I only considered how I might avoid immediate humiliation. As soon as he was within two seats of us, he spoke to me: "I am very happy, Miss Anville, to have found you, for the ladies below have each an humble attendant, and therefore I am come to offer my services here." "Why then," cried I, (not without hesitating) "if you please,-I will join them." "Will you allow me the honour of conducting you?" cried he eagerly; and, instantly taking my hand, he would have marched away with me: but I turned to Madame Duval, and said, "As our party is so large, Madame, if you will give me leave, I will go down to Mrs. Mirvan, that I may not crowd you in the coach." And then, without waiting for an answer, I suffered Sir Clement to hand me out of the gallery. Madame Duval, I doubt not, will be very angry; and so I am with myself now, and therefore I cannot be surprised: but Mr. Branghton, I am sure, will easily comfort himself, in having escaped the additional coach-expense of carrying me to Queen Ann Street; as to his daughters, they had no time to speak; but I saw they were in utter amazement. My intention was to join Mrs. Mirvan, and accompany her home. Sir Clement was in high spirits and good humour; and all the way he went, I was fool enough to rejoice in secret at the success of my plan; nor was it till I got down stairs, and amidst the servants, that any difficulty occurred to me of meeting with my friends. I then asked Sir Clement, how I should contrive to acquaint Mrs. Mirvan that I had left Madame Duval? "I fear it will be almost impossible to find her," answered he; "but you can have no objection to permitting me to see you safe home." He then desired his servant, who was waiting, to order his chariot to draw up. This quite startled me; I turned to him hastily, and said that I could not think of going away without Mrs. Mirvan. "But how can we meet with her?" cried he; "you will not choose to go into the pit yourself; I cannot send a servant there; and it is impossible for me to go and leave you alone." The truth of this was indisputable, and totally silenced me. Yet, as soon as I could recollect myself, I determined not to go into his chariot, and told him I believed I had best return to my party up stairs. He would not hear of this; and earnestly intreated me not to withdraw the trust I had reposed in him. While he was speaking, I saw Lord Orville, with several ladies and gentlemen, coming from the pit passage: unfortunately he saw me too, and, leaving his company, advanced instantly towards me, and with an air and voice of surprise, said, "Good God, do I see Miss Anville!" I now most severely felt the folly of my plan, and the awkwardness of my situation: however, I hastened to tell him, though in a hesitating manner, that I was waiting for Mrs. Mirvan; but what was my disappointment, when he acquainted me that she was already gone home! I was inexpressibly distressed; to suffer Lord Orville to think me satisfied with the single protection of Sir Clement Willoughby, I could not bear; yet I was more than ever averse to returning to a party which I dreaded his seeing. I stood some moments in suspense, and could not help exclaiming, "Good Heaven, what can I do!" "Why, my dear madam," cried Sir Clement, "should you be thus uneasy?-you will reach Queen Ann Street almost as soon as Mrs. Mirvan, and I am sure you cannot doubt being as safe." I made no answer, and Lord Orville then said, "My coach is here; and my servants are ready to take any commands Miss Anville will honour me with for them. I shall myself go home in a chair, and therefore-" How grateful did I feel for a proposal so considerate, and made with so much delicacy! I should gladly have accepted it, had I been permitted, but Sir Clement would not let him even finish his speech; he interrupted him with evident displeasure, and said, "My Lord, my own chariot is now at the door." And just then the servant came, and told him the carriage was ready. He begged to have the honour of conducting me to it, and would have taken my hand; but I drew it back, saying, "I can't-I can't indeed! pray go by yourself-and as to me, let me have a chair." "Impossible," cried he with vehemence, "I cannot think of trusting you with strange chairmen,-I cannot answer it to Mrs. Mirvan;-come, dear Madam, we shall be home in five minutes." Again I stood suspended. With what joy would I then have compromised with my pride, to have been once more with Madame Duval and the Branghtons, provided I had not met with Lord Orville! However, I flatter myself that he not only saw but pitied my embarrassment; for he said in a tone of voice unusually softened, "To offer my services in the presence of Sir Clement Willoughby would be superfluous; but I hope I need not assure Miss Anville how happy it would make me to be of the least use to her." I courtsied my thanks. Sir Clement, with great earnestness, pressed me to go; and while I was thus uneasily deliberating what to do, the dance, I suppose, finished, for the people crowded down stairs. Had Lord Orville then repeated his offer, I would have accepted it notwithstanding Sir Clement's repugnance; but I fancy he thought it would be impertinent. In a very few minutes I heard Madame Duval's voice, as she descended from the gallery. "Well," cried I hastily, "if I must go-" I stopt; but Sir Clement immediately handed me into his chariot, called out, "Queen Ann Street," and then jumped in himself. Lord Orville, with a bow and a half smile, wished me good night. My concern was so great at being seen and left by Lord Orville in so strange a situation, that I should have been best pleased to have remained wholly silent during our ride home; but Sir Clement took care to prevent that. He began by making many complaints of my unwillingness to trust myself with him, and begged to know what could be the reason? This question so much embarrassed me, that I could not tell what to answer; but only said, that I was sorry to have taken up so much of his time. "O Miss Anville," cried he, taking my hand, "if you knew with what transport I would dedicate to you not only the present but all the future time allotted to me, you would not injure me by making such an apology." I could not think of a word to say to this, nor to a great many other equally fine speeches with which he ran on; though I would fain have withdrawn my hand, and made almost continual attempts; but in vain, for he actually grasped it between both his, without any regard to my resistance. Soon after, he said that he believed the coachman was going the wrong way; and he called to his servant, and gave him directions. Then again addressing himself to me, "How often, how assiduously have I sought an opportunity of speaking to you, without the presence of that brute, Captain Mirvan! Fortune has now kindly favoured me with one; and permit me," again seizing my hand, "permit me to use it in telling you that I adore you." I was quite thunderstruck at this abrupt and unexpected declaration. For some moments I was silent; but when I recovered from my surprise, I said, "Indeed, Sir, if you were determined to make me repent leaving my own party so foolishly, you have very well succeeded." "My dearest life," cried he, "is it possible you can be so cruel? Can your nature and your countenance be so totally opposite? Can the sweet bloom upon those charming cheeks, which appears as much the result of good-humour as of beauty-" "O, Sir," cried I, interrupting him, "this is very fine; but I had hoped we had had enough of this sort of conversation at the ridotto, and I did not expect you would so soon resume it." "What I then said, my sweet reproacher, was the effect of a mistaken, a profane idea, that your understanding held no competition with your beauty; but now, now that I find you equally incomparable in both, all words, all powers of speech, are too feeble to express the admiration I feel of your excellencies." "Indeed," cried I, "if your thoughts had any connection with your language, you would never suppose that I could give credit to praise so very much above my desert." This speech, which I made very gravely, occasioned still stronger protestations; which he continued to pour forth, and I continued to disclaim, till I began to wonder that we were not in Queen Ann Street, and begged he would desire the coachman to drive faster. "And does this little moment," cried he, "which is the first of happiness I have ever known, does it already appear so very long to you?" "I am afraid the man has mistaken the way," answered I, "or else we should ere now have been at our journey's end. I must beg you will speak to him." "And can you think me so much my own enemy?-if my good genius has inspired the man with a desire of prolonging my happiness, can you expect that I should counteract its indulgence?" I now began to apprehend that he had himself ordered the man to go a wrong way; and I was so much alarmed at the idea, that, the very instant it occurred to me, I let down the glass, and made a sudden effort to open the chariot-door myself, with a view of jumping into the street; but he caught hold of me, exclaiming, "For Heaven's sake, what is the matter?" "I-I don't know," cried I (quite out of breath), "but I am sure the man goes wrong; and if you will not speak to him, I am determined I will get out myself." "You amaze me," answered he (still holding me), "I cannot imagine what you apprehend. Surely you can have no doubts of my honour?" He drew me towards him as he spoke. I was frightened dreadfully, and could hardly say, "No, Sir, no,-none at all: only Mrs. Mirvan,-I think she will be uneasy." "Whence this alarm, my dearest angel?-What can you fear?-my life is at your devotion, and can you, then, doubt my protection?" And so saying, he passionately kissed my hand. Never, in my whole life, have I been so terrified. I broke forcibly from him, and, putting my head out of the window, called aloud to the man to stop. Where we then were, I know not; but I saw not a human being, or I should have called for help. Sir Clement, with great earnestness, endeavoured to appease and compose me: "If you do not intend to murder me," cried I, "for mercy's, for pity's sake, let me get out!" "Compose your spirits, my dearest life," cried he, "and I will do everything you would have me." And then he called to the man himself, and bid him make haste to Queen Ann Street. "This stupid fellow," continued he, "has certainly mistaken my orders; but I hope you are now fully satisfied." I made no answer, but kept my head at the window watching which way he drove, but without any comfort to myself, as I was quite unacquainted with either the right or the wrong. Sir Clement now poured forth abundant protestations of honour, and assurances of respect, intreating my pardon for having offended me, and beseeching my good opinion: but I was quite silent, having too much apprehension to make reproaches, and too much anger to speak without. In this manner we went through several streets, till at last, to my great terror, he suddenly ordered the man to stop, and said, "Miss Anville, we are now within twenty yards of your house; but I cannot bear to part with you, till you generously forgive me for the offence you have taken, and promise not to make it known to the Mirvan's." I hesitated between fear and indignation. "Your reluctance to speak redoubles my contrition for having displeased you, since it shews the reliance I might have on a promise which you will not give without consideration." "I am very, very much distressed," cried I; "you ask a promise which you must be sensible I ought not to grant, and yet dare not refuse." "Drive on!" cried he to the coachman;-"Miss Anville, I will not compel you; I will exact no promise, but trust wholly to your generosity." This rather softened me; which advantage he no sooner received, than he determined to avail himself of; for he flung himself on his knees, and pleaded with so much submission, that I was really obliged to forgive him, because his humiliation made me quite ashamed: and, after that, he would not let me rest till I gave him my word that I would not complain of him to Mrs. Mirvan. My own folly and pride, which had put me in his power, were pleas which I could not but attend to in his favour. However, I shall take very particular care never to be again alone with him. When, at last, we arrived at our house, I was so overjoyed, that I should certainly have pardoned him then, if I had not before. As he handed me up stairs, he scolded his servant aloud, and very angrily, for having gone so much out of the way. Miss Mirvan ran out to meet me; -and who should I see behind her, but Lord Orville! All my joy now vanished, and gave place to shame and confusion; for I could not endure that he should know how long a time Sir Clement and I had been together, since I was not at liberty to assign any reason for it. They all expressed great satisfaction at seeing me; and said they had been extremely uneasy and surprised that I was so long coming home, as they had heard from Lord Orville that I was not with Madame Duval. Sir Clement, in an affected passion, said, that his booby of a servant had misunderstood his orders, and was driving us to the upper end of Piccadilly. For my part, I only coloured; for though I would not forfeit my word, I yet disdained to confirm a tale in which I had myself no belief. Lord Orville, with great politeness, congratulated me, that the troubles of the evening had so happily ended; and said, that he had found it impossible to return home, before he enquired after my safety. In a very short time he took his leave, and Sir Clement followed him. As soon as they were gone, Mrs. Mirvan, though with great softness, blamed me for having quitted Madame Duval. I assured her, and with truth, that for the future I would be more prudent. The adventures of the evening so much disconcerted me, that I could not sleep all night. I am under the most cruel apprehensions lest Lord Orville should suppose my being on the gallery-stairs with Sir Clement was a concerted scheme, and even that our continuing so long together in his chariot was with my approbation, since I did not say a word on the subject, nor express my dissatisfaction at the coachman's pretended blunder. Yet his coming hither to wait our arrival though it seems to imply some doubt, shews also some anxiety. Indeed, Miss Mirvan says, that he appeared extremely anxious, nay, uneasy and impatient for my return. If I did not fear to flatter myself, I should think it not impossible but that he had a suspicion of Sir Clement's design, and was therefore concerned for my safety. What a long letter is this! however, I shall not write many more from London; for the Captain said this morning, that he would leave town on Tuesday next. Madame Duval will dine here to-day, and then she is to be told his intention. I am very much amazed that she accepted Mrs. Mirvan's invitation, as she was in such wrath yesterday. I fear that to-day I shall myself be the principal object of her displeasure; but I must submit patiently, for I cannot defend myself. Adieu, my dearest Sir. Should this letter be productive of any uneasiness to you, more than ever shall I repent the heedless imprudence which it recites. </CHAPTER>

Volume I, Letter XV - Volume I, Letter XXI

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Mr. Villars writes to Evelina that he is distressed by her situation. He counsels her to avoid becoming like Madame Duval, but also to treat her grandmother with respect and deference. He feels uneasy about her experience with London life, and worries how the change back to remote Berry Hill will suit Evelina. Evelina writes him back to explain how Madame Duval is traveling a companion - a Frenchman named Monsieur Du Bois. He speaks very little English. She also tells him how the group decided to go to Ranelagh. Sir Clement Willoughby arrived on the morning of the trip, and managed to get on Captain Mirvan's good side by joining in his insults to Madame Duval. As a result, he was invited to Ranelagh. The party thus went on their way, but everyone was in ill humor. At Ranelagh, they learned that Lord Orville was also there, and he joined their party. His appearance "gave universal restraint to every body." However, it was not long before Madame Duval recommenced her vociferous arguments with the Captain and Sir Clement. Mrs. Mirvan, Maria, Evelina, and Lord Orville left them to conduct their own more pleasant conversation, although Evelina could not speak, so embarrassed she was by her assumption of Lord Orville's contemptuous opinion towards her. On the way home in the driving rain, the coach broke down. Sir Clement carried Evelina back to Ranelagh in his arms, and set her before a fire. He knelt before her, and began to apologize for his behavior at the ridotto, but he was interrupted by the entrance of everyone else except Madame Duval. She and Monsieur Du Bois finally showed up, covered in mud. Madame Duval was raging mad; it took her some time before she could explain that Monsieur had tried to lift her over some mud, but had tripped. The Captain was roaring in ecstasy and would not forebear teasing them. Finally, Madame Duval grew so angry that she spat in the Captain's face, and he violently grabbed her shoulders. The group then prepared to leave, but had to wait quite a while yet for a new hackney coach. In her continued letters, Evelina tells how she called on Madame Duval the day after the journey. She found the woman in bed, cursing the Captain in the bitterest fashion. However, Madame Duval did ask Evelina many questions about her life, and insisted the girl should be taken to Paris. Evelina was also introduced to Madame Duval's nephew, Mr. Branghton, and his three children. Mr. Branghton expressed much contempt for those who lived outside the city. His son, Young Branghton, was "weaker in understanding, and more gay in his temper." Miss Branghton, the eldest daughter, was not ugly but did look "proud, ill-tempered, and conceited." Miss Polly, the younger daughter, was pretty enough, but was also foolish and ignorant. Their conversation centered around the young people's ages, their heights, and finally Evelina's dress. Evelina found that they spoke too long on such banal subjects. The group then discussed the theaters, though Evelina overheard Madame Duval speaking of her to Mr. Branghton. The group decided to attend the opera together, but Evelina hoped they would not go if she was to be expected to attend with them. The next morning, Evelina discovered Lord Orville alone in the drawing room downstairs at her lodgings, waiting to join the Mirvans for breakfast. They spoke for a few moments. Evelina mentioned she would be leaving soon, and Lord Orville took her hand and said, "I think, that whoever has once seen Miss Anville, must receive an impression never to be forgotten." This compliment completely surprised Evelina, and she nervously withdrew her hand, and left to check on Mrs. Mirvan. She wonders why she has not yet found an opportunity to apologize to Lord Orville for her behavior at the ridotto. She further writes to Mr. Villars of Lord Orville's pleasing conversation at breakfast that morning; his manners are "so elegant, so gentle, so unassuming, that they at once engage, esteem, and diffuse complacence." Mrs. Mirvan later invited Madame Duval to dinner, and the latter accepted. Evelina was surprised, because she thought her grandmother would shy away from more potential conflict with the Captain. Indeed, once at dinner, the two argued most of the time. Halfway through the meal, Sir Clement came in. His easiness astonished Evelina as overly familiar, but that behavior was precisely why the Captain enjoyed him. The group decided to head to Cox's Museum, but Evelina could barely enjoy it. She felt very embarrassed by the captain's loud, gross, and rude behavior in public. That evening, the group went to the Drury Lane Theater and was joined by Lord Orville. The play was a bit shocking, especially for the ladies. At one point, the foppish man from the first party - Mr. Lovel - entered their box. He began to tease Evelina about all the customs and manners of London that she did not understand. Sir Clement and Lord Orville clearly did not much care for Mr. Lovel, and responded coldly to some of his statements. Lovel surprised the group when he claimed that he only came to plays to "shew that one's alive," not to actually watch them. Captain Mirvan was particularly amused by the idea that someone would attend a play but not know what was going on in it. Mr. Lovel further annoyed Evelina when he asked her what she thought of the play's young country lady character, Miss Prue. Provoked, Evelina answered that she did not think anything of her. By the end of the conversation, Evelina was aghast at this "malicious and impertinent" man who talked to her the way he did. She felt that there should be a rulebook provided to all young people upon their first introduction to society. In her next letter, Evelina tells Mr. Villars that she has volumes to write. She and Maria were dressing for the opera one night when the Miss Branghtons burst into the room, with orders to take her with them to the opera. She refused, saying she was already engaged to attend with the Mirvans. They were so rude and forward that she did not feel too bad for refusing them. They left in anger, but were succeeded by Madame Duval, who arrived full of fury. Frightened by her grandmother's anger, Evelina agreed to go with them. Evelina was very conscious of how overdressed she was for their seats , but they would not let her change. After an embarrassing encounter with the ticket seller - Mr. Branghton thought the opera was too expensive and only consented to the cheapest spot - they took their seats, far away from the stage. Evelina was exceedingly uncomfortable with their ignorance and coarseness. When the opera began, they tormented Evelina by talking, complaining about the opera's foreign language, and making fun of her for being engrossed in the drama onstage. She saw her friends seated elsewhere, and noticed Lord Orville as well. Mr. Branghton found much fault with the opera, first criticizing it for being first too short when he thought it was over, and then for being too long when it continued. When the show ended, the Branghtons rejoiced. They rudely offered their opinions of it, and Evelina felt "this family is so low-bred and vulgar, that I should be equally ashamed of such a connexion in the country, or any where." As they waited to exit their section, she observed Sir Clement coming towards them and tried to think how she could avoid any further humiliation. Nobody save the Mirvans knew of her family connections , and she did not want to be associated with the Branghtons. She allowed Sir Clement to quickly lead her from the gallery, rudely telling Madame Duval that she would ride home with Mrs. Mirvan. She was gone before they could ask any questions. Unfortunately, she discovered that the Mirvans had already left; her plan was foiled. The situation became more awkward when they encountered Lord Orville. He offered her his coach and said he would find another way home, but Sir Clement managed to steer her into his own chariot. On the way home, Sir Clement profusely complimented her, giving many "fine speeches" about his adoration. She was shocked into silence and continually tried to recall her hand from his grasp. She noticed that it was taking a long time to get to her lodgings, and worried that Sir Clement had told his coachman to take a different route. She grew terrified, and she put her head out of the window to demand that the coachman stop. Sir Clement tried to calm her, and finally told his coachman to get her home quickly. He apologized profusely, and begged for her pardon. When they arrived at their destination, he fell to his knees and begged so ardently for her forgiveness that she felt compelled to grant it. At the house, she saw that Lord Orville was waiting there; he said he could not return home until he knew she was safe. This angered Sir Clement. Both men left, and Maria told Evelina that Lord Orville had seemed very anxious and impatient about her safe return.

Evelina continues to brave the treacherous London scene, encountering foppish and ill-bred men, her coarse kinsmen, and confusing attentions from Lord Orville. Throughout the novel, Evelina evinces an uneasiness and anxiety that is acute and relatively consistent. To a large extent, this is due to her ignorance of city life. However, in this section, she has started to learn how to better navigate social expectation, and yet she remains extremely anxious. For instance, she makes several comments that show she begins to understand that good-breeding and social rules do not make good people. She notes how Mr. Lovel ought to be taught better manners , and notes that the ugly behavior of the Branghtons would be equally out of place in the country as it is in the city. Her anxiety is in fact due to much more than her unfamiliarity with London. Navigating the social scene for women was not an easy task for anyone, as they were beset with dangers of varying degrees. In her article on the "female difficulties" in Evelina, Susan Staves identifies the threats faced by the heroine. Staves first addresses the actual threats of physical violence. Evelina is slapped roughly by her grandmother, and repeatedly grabbed by Sir Clement and other men in the gardens. Being separated from her companions usually leads to physical confrontations with men; this happens at Vauxhall Gardens and Marybone Gardens later on. Staves notes that the heroines in Samuel Richardson's novels also encountered violence, but not in the same fashion as Evelina does; his heroines are "not subjected to the pervasive anonymous violence Evelina encounters," since they are not in public as much. Evelina's "terrors seem more immediate and real," and "most important, Evelina is usually too frightened to provide dignified condemnations or moral analyses of her persecutors' vices." Evelina is also worried about physic threats, and hopes her delicacy will not be compromised. Staves tries to define delicacy in the context of this novel, writing that "true delicacy is opposed to cruelty, impertinence, and boldness; it is also superior to artificial decorums. False delicacy invokes lesser conventions to ignore the real needs of others." Almost every other character in the novel suffers from a want of delicacy, and in some cases it is the most 'refined' characters who most lack it. Consider Mr. Lovel, the Branghtons, or even the well-spoken and generally well-behaved Sir Clement Willoughby. His assault in the carriage is both physically and physically threatening to her; her body, peace of mind, and potentially her chaste reputation are at stake. Staves looks into the question of what the novel is trying to say about delicacy and gender: does it seem to deny differences between the masculine and feminine ideals? On one hand, Mr. Villars later praises the way in which Evelina handled the Mr. Macartney-pistol episode, attributing her success to her masculine characteristics. Burney also heeded the 18th century tendency to praise feminine characteristics in men. Overall, though, the novel suggests a "discrete identity" of female delicacy, one that must be protected both for oneself and for the benefit of others. Evelina is quite aware of how she appears to others, and in many ways hates being accosted mostly because of how it appears. She seems to care more about being thought indelicate rather than actually being so. This was not a stupid fear, however, since "being thought to be indelicate is a serious social reality, not something to be dismissed in mere appearance." If a woman was thought to have lost her delicacy, it made her more privy to lascivious behavior and even rape from the men that now knew her to be a "lost woman." This is why Evelina is later so upset when she discoveres the true nature of her female saviors at the Marybone Gardens; associating with prostitutes would raise questions about herself. Overall, there are many difficulties that Evelina faces: there are physical limitations of women which make them prey to men's physical power, and there are psychological restraints that provide real and forced ignorance of many subjects. Evelina clearly demonstrates how difficult to was to be a young lady forced to navigate the perplexing public sphere. Burney's great achievement is that Evelina possesses both an eloquent insight, and a perspective of another life. Whereas someone like Miss Branghton, even if she did have Evelina's eloquence and sensitivity, only knows city life, Evelina knows of her pastoral life at Berry Hill and hence has special insight into the true horrors a woman faces, horrors that a woman brought up in society is far too easily taught to take for granted.

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Evelina.volume 1.chapters 22-31

volume 1, letter 22-31

{"name": "Volume I, Letter XXII - Volume I, Letter XXXI", "url": "https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-i-letter-xxii--volume-i-letter-xxxi", "summary": "Evelina continues to write to Mr. Villars of her adventures. Mrs. Mirvan spoke with Evelina, telling her how Lord Orville had reprimanded Mr. Lovel for his behavior at the opera. Evelina feels relieved to learn this, and praises the \"quiet courage\" of Lord Orville. At a dinner to which she was invited, Madame Duval scolded Evelina for two hours about her rudeness in leaving the opera. The conversation then turned to the party's plans to leave London. Madame Duval did not like this turn of events, and argued Evelina should stay in London. It was finally decided that Madame Duval would return with them to Howard Grove to continue spending time with her granddaughter. Though this alternative pleased no one, there was no other viable option. Evelina continues her letters, writing about her final adventures in London. The group spent some time at the Pantheon; Evelina admired the architecture. Sir Clement Willoughby was there, and Evelina was struck how by little embarrassment he showed over his behavior on the evening of the opera. Lord Orville and Mr. Lovel were also there, and Evelina was glad that the latter fellow no longer troubled her. The party went to tea while in that vicinity, and Evelina noticed another gentleman at Lord Orville's table who stared at her for the entire duration of tea-time. . She was startled to learn that he was a Lord; it is unfathomable that one of his rank could be so rude. The men at the table discussed the beauty of the building. The Captain, coarse as ever, teased Mr. Lovel about having not known what the play was about a few nights before. The young women were asked if they liked the opera, and though they replied in the affirmative, they were quickly shamed into silence when the Captain derided them for their opinions. The Captain also criticized Cox's Museum and Ranelagh, which surprised the company. Lord Merton, whose name Evelina does not yet procure, jested and teased her in a vulgar manner throughout the evening. When it was time for him and his party to depart, he insisted that Maria and Evelina attend. They declined the invitation, and Evelina was dismayed by the \"great liberty in this Lord, notwithstanding his rank, to treat me so freely.\" They insisted that they wished to return home. Several of the ladies tripped gaily away to their next event, but the Lord stayed behind to pay profuse compliments to Evelina. This annoyed her, especially because Lord Orville was speaking gravely to Mrs. Mirvan, and she wished to know what he said. It seemed that he was displeased with the particular attention the Lord paid to Evelina. In her letter, Evelina ruminates on the differences between men of rank. Some are like Lord Orville, with a \"politeness that knows no intermission,\" while others like Lord Merton seem to lack all good breeding. Everyone was in low spirits when they returned to the house. However, to their surprise, Lord Orville arrived soon after them to pay his respects before they left for the country. Sir Clement also arrived, and Evelina was piqued when the Captain offered him a visit to Howard Grove. Mr. Villars next writes to Evelina, advising that the nobleman is far less dangerous than Sir Clement because the latter \"contrives to avoid all appearance of intentional evil. He is far more dangerous, because more artful...\" He expresses his approbation of Lord Orville. He almost regrets permitting her to visit London, since her guileless and innocent nature is not fit for such environs. Evelina writes back to describe her experiences at Howard Grove, lamenting how Madame Duval and the Captain have ruined this once peaceful place. They quarrel violently and constantly. Lady Howard, however, was gracious and kind in welcoming them back. In another letter, she writes of an altogether shocking proposal made by Madame Duval, who believes they should attempt to legally prove Evelina's birthright and thereby procure the inheritance she is owed by her father Sir John Belmont. Madame Duval believes Evelina has a grand future waiting, and that the girl should spend time in Paris. As Evelina puts it, Madame Duval \"had it in her head to make something of me, and that they should soon call me by another name than that of Anville.\" This scheme had been instigated by the Branghtons. This plan caused great disturbance in the family. The only person who approved was Lady Howard. Evelina, for her part, is saddened about this indifferent father, and is little inclined to confront him, especially through legal means and for the purpose of money. Lady Howard next writes to Mr. Villars, explaining why she approves of Madame Duval's plan. She explains that \"your lovely charge, now first entering into life, has merit which ought not to be buried in obscurity.\" Though Mr. Villars does not agree, Lady Howard writes to Paris anyway, in hopes that her letter will reach Sir John Belmont.", "analysis": "Evelina continues to encounter a world in which social recognition is ironically disconnected from true human value. Lord Merton, though yet unnamed, is a total cad, more forward than anyone has yet been with her, and yet his name is more valuable than even Lord Orville's. Sir Clement remains a threat to her, mostly because, as Mr. Villars wisely indicates, he keeps his intentions hidden. Despite his social standing, his actions are insidious, and he is entirely oblivious to the constant threat this poses to the women he professes to care for. And the plan proposed by Madame Duval is shaped as one meant to ensure social respectability, but is actually motivated almost entirely by greed. The life of these aristocrats is full of pettiness and selfishness, which is one of the main reasons Evelina is at such odds with it. And yet she remains transfixed by the luxuries and entertainments of London, most likely because Burney herself was. Modern readers may not know the Pantheon in England; it was a public assembly room located in Oxford Street, and was known as the \"winter Ranelagh.\" It held winter balls, masquerades and concerts, all of which were very popular with the fashionable set. Samuel Johnson and his biographer James Boswell visited the site not long after it opened in 1772, but they preferred Ranelagh. Boswell's Life of Johnson relates how they argued whether anyone there was actually happy, and Dr. Johnson said, \"Yes, Sir, there are many happy people here. There are many people here who are watching hundreds, and who think hundreds are watching them.\" Captain Mirvan is one of Burney's most distasteful creations; he is misogynist, xenophobic, ill-bred, loud, vulgar, and frequently cruel. However, his opinions are merely exaggerations of a very real social pressure that women faced. In this set of letters, he voices his opinion that fashionable and educated young women neglect their traditional, natural domestic duties in favor of frivolous diversions. In her annotations to the Oxford World's Classics edition of the novel, Vivien Jones comments, \"Whereas most eighteenth century commentators are more likely to see a different education as the solution, Captain Mirvan's appeal is to violence and the law.\" He believes that Evelina and Maria's opinions are valueless, and thus shames them into silence. This silence represents the role women were forced to play in the 18th century; they possessed no identity of their own, and were placed under their father/guardian/husband's aegis in all respects. Mr. Villars, in contrast, remains an extremely positive force in Evelina's life. While he is deliberately vocal in his opinions for his young charge, he does not deny her what she asks, and praises her strength of character. Again, this kindness can be attributed to his separation from society; because he willfully avoids the world, he is not polluted by its forces. Of course, it is telling that he never enters the action of the novel, since it suggests the rather unrealistic nature of such a man. He serves more as a counterpoint than as an actual solution to the problems suggested in the narrative. Near the close of this first volume, Evelina is horrified to discover her grandmother's plan to confront her father and force her inheritance. She is more driven by fear and grief than by greed. One of those fears is that it would entail acting outside of her prescribed gender roles. Mr. Villars, ever the traditionalist, agrees, writing how this plan is antipathetic to female delicacy. The public scrutiny that would follow from a lawsuit would violate the conduct-book tradition of limited female presence in the public eye. Consider what John Gregory wrote in a contemporary guidebook: \"one of the chief beauties in a female character, is that of modest reserve, that retiring delicacy, which avoids the public eye, and is disconcerted even at the gaze of admiration.\" One of the implicit arguments against such limitations is the work itself. Though she had to publish the work anonymously, any audience who eventually realized she was a woman would be surprised not only by her accomplishment, but by her cleverness and erudition. Consider an allusion made to John Locke in this set of letters. Mr. Villars makes a particularly erudite comment in describing his disapprobation of the lawsuit plan to Lady Howard: he writes that \"As soon as I would discuss the effect of sound with the deaf, or the nature of colors with the blind, as aim at illuminating with conviction a mind so warped by prejudice, so much the slave of unruly and illiberal passions.\" In using this example as an analogy for meaninglessness, he is referring to the ideas of John Locke, as expressed in his Essay Concerning Human Understanding . Vivien Jones comments on this allusion in her annotations, \"ideas are not innate and can only be developed on the basis of physical stimuli, therefore the names of colours or sounds to the blind or deaf would be examples of words, which are, in his words, 'not intelligible at all'.\" Burney's effortless use of such erudite and complicated examples evidence her abilities."}

<CHAPTER> LETTER XXII EVELINA IN CONTINUATION Monday Morning, April 18. MRS. MIRVAN has just communicated to me an anecdote concerning Lord Orville, which has much surprised, half pleased, and half pained me. While they were sitting together during the opera, he told her that he had been greatly concerned at the impertinence which the young lady under her protection had suffered from Mr. Lovel; but that he had the pleasure of assuring her, she had no future disturbance to apprehend from him. Mrs. Mirvan, with great eagerness, begged he would explain himself; and said she hoped he had not thought so insignificant an affair worthy his serious attention. "There is nothing," answered he, "which requires more immediate notice than impertinence, for it ever encroaches when it is tolerated." He then added, that he believed he ought to apologize for the liberty he had taken in interfering; but that, as he regarded himself in the light of a party concerned, from having had the honour of dancing with Miss Anville, he could not possibly reconcile to himself a patient neutrality. He then proceeded to tell her, that he had waited upon Mr. Lovel the morning after the play; that the visit had proved an amicable one, but the particulars were neither entertaining nor necessary: he only assured her, Miss Anville might be perfectly easy, since Mr. Lovel had engaged his honour never more to mention, or even to hint at what had passed at Mrs. Stanley's assembly. Mrs. Mirvan expressed her satisfaction at this conclusion, and thanked him for his polite attention to her young friend. "It would be needless," said he, "to request that this affair may never transpire, since Mrs. Mirvan cannot but see the necessity of keeping it inviolably secret; but I thought it incumbent upon me, as the young lady is under your protection, to assure both you and her of Mr. Lovel's future respect." Had I known of this visit previous to Lord Orville's making it, what dreadful uneasiness would it have cost me! Yet that he should so much interest himself in securing me from offence, gives me, I must own, an internal pleasure, greater than I can express; for I feared he had too contemptuous an opinion of me, to take any trouble upon my account. Though, after all, this interference might rather be to satisfy his own delicacy, than from thinking well of me. But how cool, how quiet is true courage! Who, from seeing Lord Orville at the play, would have imagined his resentment would have hazarded his life? yet his displeasure was evident, though his real bravery and his politeness equally guarded him from entering into any discussion in our presence. Madame Duval, as I expected, was most terribly angry yesterday: she scolded me for, I believe, two hours, on account of having left her; and protested she had been so much surprised at my going, without giving her time to answer, that she hardly knew whether she was awake or asleep. But she assured me that if ever I did so again, she would never more take me into public. And she expressed an equal degree of displeasure against Sir Clement, because he had not even spoken to her, and because he was always of the Captain's side in an argument. The Captain, as bound in honour, warmly defended him, and then followed a dispute in the usual style. After dinner, Mrs. Mirvan introduced the subject of our leaving London. Madame Duval said she would stay a month or two longer. The Captain told her she was welcome, but that he and his family should go into the country on Tuesday morning. A most disagreeable scene followed. Madame Duval insisted upon keeping me with her; but Mrs. Mirvan said, that as I was actually engaged on a visit to Lady Howard, who had only consented to my leaving her for a few days, she could not think of returning without me. Perhaps, if the Captain had not interfered, the good-breeding and mildness of Mrs. Mirvan might have had some effect upon Madame Duval; but he passes no opportunity of provoking her; and therefore made so many gross and rude speeches, all of which she retorted, that, in conclusion, she vowed she would sooner go to law in right of her relationship, than that I should be taken away from her. I heard this account from Mrs. Mirvan, who was so kindly considerate as to give me a pretence for quitting the room as soon as this dispute began, lest Madame Duval should refer to me, and insist on my obedience. The final result of the conversation was, that, to soften matters for the present, Madame Duval should make one in the party to Howard Grove, whither we are positively to go next Wednesday. And though we are none of us satisfied with this plan, we know not how to form a better. Mrs. Mirvan is now writing to Lady Howard, to excuse bringing this unexpected guest, and prevent the disagreeable surprise which must otherwise attend her reception. This dear lady seems eternally studying my happiness and advantage. To-night we go to the Pantheon, which is the last diversion we shall partake of in London; for to-morrow- * * * * * This moment, my dearest Sir, I have received your kind letter. If you thought us too dissipated the first week, I almost fear to know what you will think of us this second;-however, the Pantheon this evening will probably be the last public place which I shall ever see. The assurance of your support and protection in regard to Madame Duval, though what I never doubted, excites my utmost gratitude. How, indeed, cherished under your roof, the happy object of your constant indulgence, how could I have borne to become the slave of her tyrannical humours? -Pardon me that I speak so hardly of her; but whenever the idea of passing my days with her occurs to me, the comparison which naturally follows, takes from me all that forbearance which, I believe, I owe her. You are already displeased with Sir Clement: to be sure, then, his behaviour after the opera will not make his peace with you. Indeed the more I reflect upon it, the more angry I am. I was entirely in his power, and it was cruel in him to cause me so much terror. O, my dearest Sir, were I but worthy the prayers and the wishes you offer for me, the utmost ambition of my heart would be fully satisfied! but I greatly fear you will find me, now that I am out of the reach of your assisting prudence, more weak and imperfect than you could have expected. I have not now time to write another word, for I must immediately hasten to dress for the evening. </CHAPTER> <CHAPTER> LETTER XXIII EVELINA IN CONTINUATION Queen Ann Street, Tuesday, April 19. THERE is something to me half melancholy in writing an account of our last adventures in London. However, as this day is merely appropriated to packing and preparations for our journey, and as I shall shortly have no more adventures to write, I think I may as well complete my town journal at once: and, when you have it all together, I hope, my dear Sir, you will send me your observations and thoughts upon it to Howard Grove. About eight o'clock we went to the Pantheon. I was extremely struck with the beauty of the building, which greatly surpassed whatever I could have expected or imagined. Yet it has more the appearance of a chapel than of a place of diversion; and, though I was quite charmed with the magnificence of the room, I felt that I could not be as gay and thoughtless there as at Ranelagh; for there is something in it which rather inspires awe and solemnity, than mirth and pleasure. However, perhaps it may only have this effect upon such a novice as myself. I should have said, that our party consisted only of Captain, Mrs. and Miss Mirvan, as Madame Duval spent the day in the city;-which I own I could not lament. There was a great deal of company; but the first person we saw was Sir Clement Willoughby. He addressed us with his usual ease, and joined us for the whole evening. I felt myself very uneasy in his presence; for I could not look at him, nor hear him speak, without recollecting the chariot adventure; but, to my great amazement, I observed that he looked at me without the least apparent discomposure, though, certainly, he ought not to think of his behaviour without blushing. I really wish I had not forgiven him, and then he could not have ventured to speak to me any more. There was an exceeding good concert, but too much talking to hear it well. Indeed I am quite astonished to find how little music is attended to in silence; for, though every body seems to admire, hardly any body listens. We did not see Lord Orville till we went into the tea-room, which is large, low, and under ground, and serves merely as a foil to the apartments above; he then sat next to us. He seemed to belong to a large party, chiefly of ladies; but, among the gentlemen attending them, I perceived Mr. Lovel. I was extremely irresolute whether or not I ought to make any acknowledgments to Lord Orville for his generous conduct in securing me from the future impertinence of that man; and I thought, that, as he had seemed to allow Mrs. Mirvan to acquaint me, though no one else, of the measures which he had taken, he might perhaps suppose me ungrateful if silent: however, I might have spared myself the trouble of deliberating, as I never once had the shadow of an opportunity of speaking unheard by Sir Clement. On the contrary, he was so exceedingly officious and forward, that I could not say a word to any body but instantly he bent his head forward, with an air of profound attention, as if I had addressed myself wholly to him; and yet I never once looked at him, and would not have spoken to him on any account. Indeed, Mrs. Mirvan herself, though unacquainted with the behaviour of Sir Clement after the opera, says it is not right for a young woman to be seen so frequently in public with the same gentleman; and, if our stay in town was to be lengthened, she would endeavour to represent to the Captain the impropriety of allowing his constant attendance; for Sir Clement with all his easiness, could not be so eternally of our parties, if the Captain was less fond of his company. At the same table with Lord Orville sat a gentleman,-I call him so only because he was at the same table,-who, almost from the moment I was seated, fixed his eyes steadfastly on my face, and never once removed them to any other object during tea-time, notwithstanding my dislike of his staring must, I am sure, have been very evident. I was quite surprised, that a man, whose boldness was so offensive, could have gained admission into a party of which Lord Orville made one; for I naturally concluded him to be some low-bred, uneducated man; and I thought my idea was indubitably confirmed, when I heard him say to Sir Clement Willoughby, in an audible whisper,-which is a mode of speech very distressing and disagreeable to bystanders,-"For Heaven's sake, Willoughby, who is that lovely creature?" But what was my amazement, when, listening attentively for the answer, though my head was turned another way, I heard Sir Clement say, "I am sorry I cannot inform your Lordship, but I am ignorant myself." Lordship! how extraordinary! that a nobleman, accustomed, in all probability, to the first rank of company in the kingdom, from his earliest infancy, can possibly be deficient in good manners, however faulty in morals and principles! Even Sir Clement Willoughby appeared modest in comparison with this person. During tea, a conversation was commenced upon the times, fashions, and public places, in which the company of both tables joined. It began by Sir Clement's inquiring of Miss Mirvan and of me, if the Pantheon had answered our expectations. We both readily agreed that it had greatly exceeded them. "Ay, to be sure," said the Captain, "why, you don't suppose they'd confess they didn't like it, do you? Whatever's the fashion, they must like, of course;-or else, I'd be bound for it, they'd own, that there never was such a dull place as this here invented." "And has, then, this building," said Lord Orville, "no merit that may serve to lessen your censure? Will not your eye, Sir, speak something in its favour?" "Eye!" cried the Lord, (I don't know his name,) "and is there any eye here, that can find pleasure in looking at dead walls or statues, when such heavenly living objects as I now see demand all their admiration?" "O, certainly," said Lord Orville, "the lifeless symmetry of architecture, however beautiful the design and proportion, no man would be so mad as to put in competition with the animated charms of nature: but when, as to-night, the eye may be regaled at the same time, and in one view, with all the excellence of art, and all the perfection of nature, I cannot think that either suffer by being seen together." "I grant, my Lord," said Sir Clement, "that the cool eye of unimpassioned philosophy may view both with equal attention, and equal safety; but, where the heart is not so well guarded, it is apt to interfere, and render, even to the eye, all objects but one insipid and uninteresting." "Aye, Aye," cried the Captain, "you may talk what you will of your eye here, and your eye there, and, for the matter of that, to be sure you have two,-but we all know they both squint one way." "Far be it from me," said Lord Orville, "to dispute the magnetic power of beauty, which irresistibly draws and attracts whatever has soul and sympathy: and I am happy to acknowledge, that though we have now no gods to occupy a mansion professedly built for them, yet we have secured their better halves, for we have goddesses to whom we all most willingly bow down." And then with a very droll air, he made a profound reverence to the ladies. "They'd need to be goddesses with a vengeance," said the Captain, "for they're mortal dear to look at. Howsomever, I should be glad to know what you can see in e'er a face among them that's worth half-a-guinea for a sight." "Half-a-guinea!" exclaimed that same Lord, "I would give half I am worth for a sight of only one, provided I make my own choice. And, prithee, how can money be better employed than in the service of fine women?" "If the ladies of his own party can pardon the Captain's speech," said Sir Clement, "I think he has a fair claim to the forgiveness of all." "Then you depend very much, as I doubt not but you may," said Lord Orville, "upon the general sweetness of the sex;-but as to the ladies of the Captain's party, they may easily pardon, for they cannot be hurt." "But they must have a devilish good conceit of themselves, though," said the Captain, "to believe all that. Howsomever, whether or no, I should be glad to be told by some of you, who seem to be knowing in them things, what kind of diversion can be found in such a place as this here, for one who has had, long ago, his full of face-hunting?" Every body laughed, but nobody spoke. "Why, look you there now," continued the Captain, "you're all at a dead stand!-not a man among you can answer that there question. Why, then, I must make bold to conclude, that you all come here for no manner of purpose but to stare at one another's pretty faces:-though, for the matter of that, half of 'em are plaguy ugly;-and, as to t'other half,-I believe it's none of God's manufactory." "What the ladies may come hither for, Sir," said Mr. Lovel, (stroking his ruffles, and looking down,) "it would ill become us to determine; but as to we men, doubtless we can have no other view than to admire them." "If I ben't mistaken," cried the Captain, (looking earnestly in his face,) "you are that same person we saw at Love for Love t'other night; ben't you?" Mr. Lovel bowed. "Why, then, Gentlemen," continued he, with a loud laugh, "I must tell you a most excellent good joke;-when all was over, as sure as you're alive, he asked what the play was! Ha, ha, ha!" "Sir," said Mr. Lovel, colouring, "if you were as much used to town-life as I am,-which, I presume, is not precisely the case,-I fancy you would not find so much diversion from a circumstance so common." "Common! What, is it common?" repeated the Captain; "why then, 'fore George, such chaps are more fit to be sent to school, and well disciplined with a cat-o'-nine tails, than to poke their heads into a play-house. Why, a play is the only thing left, now-a-days, that has a grain of sense in it; for as to all the rest of your public places, d'ye see, if they were all put together, I wouldn't give that for 'em!" (snapping his fingers.) "And now we're talking of them sort of things, there's your operas,-I should like to know, now, what any of you can find to say for them." Lord Orville, who was most able to have answered, seemed by no means to think the Captain worthy an argument, upon a subject concerning which he had neither knowledge nor feeling: but, turning to us, he said, "The ladies are silent, and we seem to have engrossed the conversation to ourselves, in which we are much more our own enemies than theirs. But," addressing himself to Miss Mirvan and me, "I am most desirous to hear the opinions of these young ladies, to whom all public places must, as yet, be new." We both, and with eagerness, declared that we had received as much, if not more pleasure, at the opera than any where: but we had better have been silent; for the Captain, quite displeased, said, "What signifies asking them girls? Do you think they know their own minds yet? Ask 'em after any thing that's called diversion, and you're sure they'll say it's vastly fine-they are a set of parrots, and speak by rote, for they all say the same thing: but ask 'em how they like making puddings and pies, and I'll warrant you'll pose 'em. As to them operas, I desire I may hear no more of their liking such nonsense; and for you, Moll" (to his daughter,) "I charge you, as you value my favour, that you'll never again be so impertinent as to have a taste of your own before my face. There are fools enough in the world, without your adding to their number. I'll have no daughter of mine affect them sort of megrims. It is a shame they a'n't put down; and if I'd my will, there's not a magistrate in this town but should be knocked on the head for suffering them. If you've a mind to praise any thing, why you may praise a play, and welcome, for I like it myself." This reproof effectually silenced us both for the rest of the evening. Nay, indeed, for some minutes it seemed to silence every body else; till Mr. Lovel, not willing to lose an opportunity of returning the Captain's sarcasm, said, "Why, really Sir, it is but natural to be most pleased with what is most familiar; and, I think, of all our diversions, there is not one so much in common between us and the country as a play. Not a village but has its barns and comedians; and as for the stage business, why it may be pretty equally done any where; and even in regard to us, and the canaille, confined as we all are within the semi-circle of a theatre, there is no place where the distinction is less obvious." While the Captain seemed considering for Mr. Lovel's meaning, Lord Orville, probably with a view to prevent his finding it, changed the subject to Cox's Museum, and asked what he thought of it? "Think!-"said he, "why I think as how it i'n't worth thinking about. I like no such jemcracks. It is only fit, in my mind, for monkeys:-though, for aught I know, they too might turn up their noses at it." "May we ask your Lordship's own opinion?" said Mrs. Mirvan. "The mechanism," answered he, "is wonderfully ingenioous: I am sorry it is turned to no better account; but its purport is so frivolous, so very remote from all aim at instruction or utility, that the sight of so fine a show leaves a regret on the mind, that so much work, and so much ingenuity, should not be better bestowed." "The truth is," said the Captain, "that in all this huge town, so full as it is of folks of all sorts, there i'n't so much as one public place, besides the play-house, where a man, that's to say, a man who is a man, ought not to be ashamed to shew his face. T'other day they got me to a ridotto: but, I believe, it will be long enough before they get me to another. I knew no more what to do with myself, than if my ship's company had been metamorphosed into Frenchman. Then, again, there's your famous Ranelagh, that you make such a fuss about;-why what a dull place is that!-it's the worst of all." "Ranelagh dull!"-"Ranelagh dull!-was echoed from mouth to mouth; and all the ladies, as if of one accord, regarded the Captain with looks of the most ironical contempt. "As to Ranelagh," said Mr. Lovell, "most indubitably, though the price is blebian, it is by no means adapted to the plebian taste. It requires a certain acquaintance with high life, and-and-and something of-of-something d'un vrai gout, to be really sensible of its merit. Those whose-whose connections, and so forth, are not among les gens comme il faut, can feel nothing but ennui at such a place as Ranelagh." "Ranelagh!" cried Lord -, "O, tis the divinest place under heaven,-or, indeed,-for aught I know-" "O you creature!" cried a pretty, but affected young lady, patting him with her fan, "you sha'n't talk so; I know what you are going to say; but, positively, I won't sit by you, if you're so wicked." "And how can one sit by you, and be good?" said he, "when only to look at you is enough to make one wicked-or wish to be so?" "Fie, my Lord!" returned she, "you really are insufferable. I don't think I shall speak to you again these seven years." "What a metamorphosis," cried Lord Orville," should you make a patriarch of his Lordship." "Seven years!" said he, "dear Madam, be contented with telling me you will not speak to me after seven years, and I will endeavour to submit." "O, very well, my Lord," answered she, "pray date the end of our speaking to each other as early as you please, I'll promise to agree to your time." "You know, dear Madam," said he, sipping his tea, "you know I only live in your sight." "O yes, my Lord, I have long known that. But I begin to fear we shall be too late for Ranelagh this evening." "O no, Madame," said Mr. Lovel, looking at his watch, "it is but just past ten." "No more!" cried she, "O then we shall do very well." All the ladies now started up, and declared they had no time to lose. "Why, what the D-l," cried the Captain, leaning forward with both his arms on the table," are you going to Ranelagh at this time of night?" The ladies looked at one another, and smiled. "To Ranelagh?" cried Lord -, "yes, and I hope you are going too; for we cannot possibly excuse these ladies." "I go to Ranelagh?-if I do, I'll be -." Everybody now stood up; and the stranger Lord, coming round to me, said, "You go, I hope?" "No, my Lord, I believe not." "O you cannot, must not be so barbarous." And he took my hand, and ran on, saying such fine speeches, and compliments, that I might almost have supposed myself a goddess, and him a pagan paying me adoration. As soon as I possibly could, I drew back my hand; but he frequently, in the course of conversation, contrived to take it again, though it was extremely disagreeable to me; and the more so, as I saw that Lord Orville had his eyes fixed upon us, with a gravity of attention that made me uneasy. And, surely, my dear Sir, it was a great liberty in this lord, not withstanding his rank, to treat me so freely. As to Sir Clement, he seemed in misery. They all endeavoured to prevail with the Captain to join the Ranelagh party; and this lord told me, in a low voice, that it was tearing his heart out to go without me. During this conversation Mr. Lovel came forward, and assuming a look of surprise, made me a bow, and inquired how I did, protesting upon his honour, that he had not seen me before, or would have sooner paid his respects to me. Though his politeness was evidently constrained, yet I was very glad to be thus assured of having nothing more to fear from him. The Captain, far from listening to their persuasions of accompanying them to Ranelagh, was quite in a passion at the proposal, and vowed he would sooner go to the Blackhole in Calcutta. "But," said Lord -, "if the ladies will take their tea at Ranelagh, you may depend upon our seeing them safe home; for we shall be proud of the honour of attending them." "May be so," said the Captain, "but I'll tell you what, if one of these places ben't enough for them to-night, why to-morrow they shall go to ne'er a one." We instantly declared ourselves ready to go home. "It is not for yourselves that we petition," said Lord -. "But for us; if you have any charity, you will not be so cruel as to deny us; we only beg you to prolong our happiness for a few minutes,-the favour is but a small one for you to grant, though so great a one for us to receive." "To tell you a piece of my mind," said the Captain, surlily, "I think you might as well not give the girls so much of this palaver; they'll take it all for gospel. As to Moll, why she's well enough, but nothing extraordinary; though, perhaps, you may persuade her that her pug nose is all the fashion; and as to the other, why she's good white and red to be sure; but what of that?-I'll warrant she'll moulder away as fast as her neighbours." "Is there," cried Lord -, "another man in this place, who, seeing such objects, could make such a speech?" "As to that there," returned the Captain, "I don't know whether there be or no, and, to make free, I don't care; for I sha'n't go for to model myself by any of these fair-weather chaps, who dare not so much as say their souls are their own,-and, for aught I know, no more they ben't. I'm almost as much ashamed of my countrymen as if I was a Frenchman, and I believe in my heart there i'n't a pin to choose between them; and, before long, we shall hear the very sailors talking that lingo, and see never a swabber without a bag and a sword." "He, he, he!-well, 'pon honour," cried Mr. Lovel, "you gentlemen of the ocean have a most severe way of judging." "Severe! 'fore George, that is impossible; for, to cut the matter short, the men, as they call themselves, are no better than monkeys; and as to the women, why they are mere dolls. So now you've got my opinion of this subject; and I so wish you good night." The ladies, who were very impatient to be gone, made their courtsies, and tripped away, followed by all the gentlemen of their party, except the lord before mentioned, and, Lord Orville, who stayed to make inquiries of Mrs. Mirvan concerning our leaving town; and then saying, with his usual politeness, something civil to each of us, with a very grave air he quitted us. Lord - remained some minutes longer, which he spent in making a profusion of compliments to me; by which he prevented my hearing distinctly what Lord Orville said, to my great vexation, especially as he looked-I thought so, at least-as if displeased at his particularity of behaviour to me. In going to an outward room, to wait for the carriage, I walked, and could not possibly avoid it, between this nobleman and Sir Clement Willoughby, and, when the servant said the coach stopped the way, though the latter offered me his hand, which I should much have preferred, this same lord, without any ceremony, took mine himself; and Sir Clement, with a look extremely provoked, conducted Mrs. Mirvan. In all ranks and all stations of life, how strangely do characters and manners differ! Lord Orville, with a politeness which knows no intermission, and makes no distinction, is as unassuming and modest as if he had never mixed with the great, and was totally ignorant of every qualification he possesses; this other lord, though lavish of compliments and fine speeches, seems to me an entire stranger to real good-breeding; whoever strikes his fancy, engrosses his whole attention. He is forward and bold; has an air of haughtiness towards men, and a look of libertinism towards woman; and his conscious quality seems to have given him a freedom in his way of speaking to either sex, that is very little short of rudeness. When we returned home, we were all low-spirited. The evening's entertainment had displeased the Captain; and his displeasure, I believe, disconcerted us all. And here I thought to have concluded my letter; but, to my great surprise, just now we had a visit from Lord Orville. He called, he said, to pay his respects to us before we left town, and made many inquiries concerning our return; and, when Mrs Mirvan told him we were going into the country without any view of again quitting it, he expressed concern in such terms-so polite, so flattering, so serious-that I could hardly forbear being sorry for myself. Were I to go immediately to Berry Hill, I am sure I should feel nothing but joy;-but, now we are joined by this Captain, and Madame Duval, I must own I expect very little pleasure at Howard Grove. Before Lord Orville went, Sir Clement Willoughby called. He was more grave than I had ever seen him; and made several attempts to speak to me in a low voice, and to assure me that his regret upon the occasion of our journey was entirely upon my account. But I was not in spirits, and could not bear to be teased by him. However, he has so well paid his court to Captain Mirvan, that he gave him a very hearty invitation to the Grove. At this he brightened,-and just then Lord Orville took leave. No doubt but he was disgusted at this ill-timed, ill-bred partiality; for surely it was very wrong to make an invitation before Lord Orville in which he was not included! I was so much chagrined, that, as soon as he went, I left the room; and I shall not go down stairs till Sir Clement is gone. Lord Orville cannot but observe his assiduous endeavours to ingratiate himself into my favour; and does not this extravagant civility of Captain Mirvan give him reason to suppose that it meets with our general approbation? I cannot thimk upon this subject without inexpressible uneasiness; and yet I can think of nothing else. Adieu, my dearest Sir. Pray write to me immediately. How many long letters has this one short fortnight produced! More than I may probably ever write again. I fear I shall have tired you with reading them; but you will now have time to rest, for I shall find but little to say in future. And now, most honoured Sir, with all the follies and imperfections which I have thus faithfully recounted, can you, and with unabated kindness, suffer me to sign myself Your dutiful and most affectionate EVELINA? </CHAPTER> <CHAPTER> LETTER XXIV MR VILLARS TO EVELINA Berry Hill, April 22. HOW much do I rejoice that I can again address my letters to Howard Grove! My Evelina would have grieved had she known the anxiety of my mind during her residence in the great world. My apprehensions have been inexpressibly alarming; and your journal, at once exciting and relieving my fears, has almost wholly occupied me since the time of your dating it from London. Sir Clement Willoughby must be an artful designing man: I am extremely irritated at his conduct. The passion he pretends for you has neither sincerity nor honour; the manner and the opportunities he has chosen to declare it, are bordering upon insult. His unworthy behaviour after the opera, convinces me, that, had not your vehemence frightened him, Queen Ann Street would have been the last place whither he would have ordered his chariot. O, my child, how thankful am I for your escape! I need not now, I am sure, enlarge upon your indiscretion and want of thought, in so hastily trusting yourself with a man so little known to you, and whose gaiety and flightiness should have put you on your guard. The nobleman you met at the Pantheon, bold and forward as you describe him to be, gives me no apprehension; a man who appears so openly licentious, and who makes his attack with so little regard to decorum, is one who, to a mind such as my Evelina's, can never be seen but with the disgust which his manners ought to excite. But Sir Clement, though he seeks occasion to give real offence, contrives to avoid all appearance of intentional evil. He is far more dangerous, because more artful: but I am happy to observe, that he seems to have made no impression upon your heart; and therefore a very little care and prudence may secure you from those designs which I fear he has formed. Lord Orville appears to be of a better order of beings. His spirited conduct to the meanly impertinent Lovel, and his anxiety for you after the opera, prove him to be a man of sense and feeling. Doubtless he thought there was much reason to tremble for your safety while exposed to the power of Sir Clement; and he acted with a regard to real honour, that will always incline me to think well of him, in so immediately acquainting the Mirvan family with your situation. Many men of this age, from a false and pretended delicacy to a friend, would have quietly pursued their own affairs, and thought it more honourable to leave an unsuspecting young creature to the mercy of a libertine, than to risk his displeasure by taking measures for her security. Your evident concern at leaving London is very natural, and yet it afflicts me. I ever dreaded your being too much pleased with a life of dissipation, which youth and vivacity render but too alluring; and I almost regret the consent for your journey, which I had not the resolution to withhold. Alas, my child, the artfulness of your nature, and the simplicity of your education, alike unfit you for the thorny paths of the great and busy world. The supposed obscurity of your birth and situation, makes you liable to a thousand disagreeable adventures. Not only my views, but my hopes for your future life, have ever centered in the country. Shall I own to you, that, however I may differ from Captain Mirvan in other respects, yet my opinion of the town, its manners, inhabitants, and diversions, is much upon upon a level with his own? Indeed it is the general harbour of fraud and of folly, of duplicity and of impertinence; and I wish few things more fervently, than that you may have taken a lasting leave of it. Remember, however, that I only speak in regard to a public and dissipated life; in private families we may doubtless find as much goodness, honesty, and virtue, in London as in the country. If contented with a retired station, I still hope I shall live to see my Evelina the ornament of her neighbourhood, and the pride and delight of her family; and giving and receiving joy from such society as may best deserve her affection, and employing herself in such useful and innocent occupations as may secure and merit the tenderest love of her friends, and the worthiest satisfaction of her own heart. Such are my hopes, and such have been my expectations. Disappointment them not, my beloved child; but cheer me with a few lines, that may assure me, this one short fortnight spent in town has not undone the work of seventeen years spent in the country. ARTHUR VILLARS. </CHAPTER> <CHAPTER> LETTER XXV EVELINA TO THE REV. MR. VILLARS Howard Grove, April 25. NO, my dear Sir, no: the work of seventeen years remains such as it was, ever unworthy your time and your labour; but not more so now-at least I hope not,-than before that fortnight which has so much alarmed you. And yet I must confess, that I am not half so happy here at present as I was ere I went to town: but the change is in the place, not in me. Captain Mirvan and Madame Duval have ruined Howard Grove. The harmony that reigned here is disturbed, our schemes are broken, our way of life is altered, and our comfort is destroyed. But do not suppose London to be the source of these evils; for, had our excursion been any where else, so disagreeable an addition to our household must have caused the same change at our return. I was sure you would be displeased with Sir Clement Willoughby, and therefore I am by no means surprised at what you say of him; but for Lord Orville-I must own I had greatly feared that my weak and imperfect account would not have procured him the good opinion which he so well deserves, and which I am delighted to find you seem to have of him. O, Sir, could I have done justice to the merit of which I believe him posessed;-could I have painted him to you such as he appeared to me;-then, indeed, you would have had some idea of the claim which he has to your approbation! After the last letter which I wrote in town, nothing more passed previous to our journey hither, except a very violent quarrel between Captain Mirvan and Madame Duval. As the Captain intended to travel on horseback, he had settled that we four females should make use of his coach. Madame Duval did not come to Queen Ann Street till the carriage had waited some time at the door; and then, attended by Monsieur Du Bois, she made her appearance. The Captain, impatient to be gone, would not suffer them to enter the house, but insisted that we should immediately get into the coach. We obeyed; but were no sooner seated, than Madame Duval said, "Come, Monsieur Du Bois, these girls can make very good room for you; sit closer, children." Mrs. Mirvan looked quite confounded; and M. Du Bois, after making some apologies about crowding us, actually got into the coach, on the side with Miss Mirvan and me. But no sooner was he seated, than the Captain, who had observed this transaction very quietly, walked up to the coach door, saying, "What, neither with your leave, nor by your leave?" M. Du Bois seemed rather shocked, and began to make abundance of excuses: but the Captain neither understood nor regarded him, and, very roughly, said, "Look'ee, Monseer, this here may be a French fashion for aught I know,-but give and take is fair in all nations; and so now, d'ye see, I'll make bold to show you an English one." And then, seizing his wrist, he made him jump out of the coach. M. Du Bois instantly put his hand upon his sword, and threatened to resent this indignity. The Captain, holding up his stick, bid him draw at his peril. Mrs. Mirvan, greatly alarmed, got out of the coach, and, standing between them, intreated her husband to re-enter the house. "None of your clack!" cried he angrily; "what the D-l, do you suppose I can't manage a Frenchman?" Meantime, Madame Duval called out to M. Du Bois, "Eh, laissez-le, mon ami, ne le corrigez pas; c'est une villaine bete qui n'en vaut pas la peine." "Monsieur le Capitaine," cried M. Du Bois, "voulez-vous bien ne demander pardon?" "O ho, you demand pardon, do you?" said the Captain," I thought as much; I thought you'd come to;-so you have lost your relish for an English salutation, have you?" strutting up to him with looks of defiance. A crowd was now gathering, and Mrs. Mirvan again besought her husband to go into the house. "Why, what a plague is the woman afraid of?-Did you ever know a Frenchman that could not take an affront?-I warrant Monseer knows what he is about;-don't you Monseer?" M. Du Bois, not understanding him, only said, "plait-il, Monsieur?" "No, nor dish me neither," answered the Captain; "but, be that as it may, what signifies our parleying here? If you've any thing to propose, speak at once; if not, why let us go on our journey without more ado." "Parbleu, je n'entends rien, moi!" cried M. Du Bois, shrugging up his shoulders, and looking very dismal. Mrs. Mirvan then advanced to him, and said in French, that she was sure the Captain had not any intention to affront him, and begged he would desist from a dispute which could only be productive of mutual misunderstanding, as neither of them knew the language of the other. This sensible remonstrance had the desired effect; and M. Du Bois, making a bow to every one except the Captain, very wisely gave up the point, and took leave. We then hoped to proceed quietly on our journey; but the turbulent Captain would not yet permit us. He approached Madame Duval with an exulting air, and said, "Why, how's this, Madame? what, has your champion deserted you? why, I thought you told me, that you old gentlewomen had it all your own way among them French sparks?" "As to that, Sir," answered she, "it's not of no consequence what you thought; for a person who can behave in such a low way, may think what he pleases for me, for I sha'n't mind." "Why then, Mistress, since you must needs make so free," cried he, "please to tell me the reason you took the liberty for to ask any of your followers into my coach without my leave? Answer me to that." "Why, then, pray, Sir," returned she, "tell me the reaon why you took the liberty to treat the gentleman in such an unpolite way, as to take and pull him neck and heels out? I'm sure he hadn't done nothing to affront you, nor nobody else; and I don't know what great hurt he would have done you, by just sitting still in the coach; he would not have eat it." "What, do you think, then, that my horses have nothing to do but to carry about your snivelling Frenchmen? If you do, Madam, I must make bold to tell you, you are out, for I'll see 'em hang'd first." "More brute you, then! For they've never carried nobody half so good." "Why, look'ee, Madam, if you must needs provoke me, I'll tell you a piece of my mind; you must know, I can see as far into a millstone as another man; and so, if you thought for to fob me off with another one of your smirking French puppies for a son-in-law, why you'll find yourself in a hobble, that's all." "Sir, you're a-but I won't say what;-but I protest I hadn't no such a thought, no more hadn't Monsieur Du Bois." "My dear," said Mrs. Mirvan, "we shall be very late." "Well, well," answered he, "get away then; off with you as fast as you can, it's high time. As to Molly, she's fine lady enough in all conscience; I want none of your French chaps to make her worse." And so saying he mounted his horse and we drove off. And I could not but think, with regret, of the different feelings we experienced upon leaving London, to what had belonged to our entering it. During the journey Madame Duval was so very violent against the Captain, that she obliged Mrs. Mirvan to tell her, that, when in her presence, she must beg her to choose some other subject of discourse. We had a most affectionate reception from Lady Howard, whose kindness and hospitality cannot fail of making every body happy who is disposed so to be. Adieu, my dearest Sir. I hope, though I have hitherto neglected to mention it, that you have always remembered me to whoever has made any inquiry concerning me. </CHAPTER> <CHAPTER> LETTER XXVI EVELINA TO THE REV. MR. VILLARS Howard Grove, April 27. O MY dear Sir, I now write in the greatest uneasiness! Madame Duval has made a proposal which terrifies me to death, and which was as unexpected as it is shocking. She had been employed for some hours this afternoon in reading letters from London: and, just about tea-time, she sent for me into her room, and said, with a look of great satisfaction, "Come here, child, I've got some very good news to tell you: something that will surprise you, I'll give you my word, for you ha'n't no notion of it." I begged her to explain herself; and then, in terms which I cannot repeat, she said she had been considering what a shame it was to see me such a poor country, shame-faced thing, when I ought to be a fine lady; and that she had long, and upon several occasions, blushed for me, though she must own the fault was none of mine; for nothing better could be expected from a girl who had been so immured. However, she assured me she had, at length, hit upon a plan, which would make quite another creature of me. I waited, without much impatience, to hear what this preface led to; but I was soon awakened to more lively sensations, when she aquainted me, that her intention was to prove my birthright, and to claim, by law, the inheritance of my real family! It would be impossible for me to express my extreme consternation when she thus unfolded her scheme. My surprise and terror were equally great; I could say nothing: I heard her with a silence which I had not the power to break. She then expatiated very warmly upon the advantages I should reap from her plan; talked in a high style of my future grandeur; assured me how heartily I should despise almost every body and every thing I had hitherto seen; predicted my marrying into some family of the first rank in the kingdom; and, finally, said I should spend a few months in Paris, where my education and manners might receive their last polish. She enlarged also upon the delight she should have, in common with myself, from mortifying the pride of certain people, and showing them that she was not to be slighted with impunity. In the midst of this discourse, I was relieved by a summons to tea. Madame Duval was in great spirits; but my emotion was too painful for concealment, and every body enquired into the cause. I would fain have waived the subject, but Madame Duval was determined to make it public. She told tham that she had it in her head to make something of me, and that they should soon call me by another name than that of Anville; and yet that she was not going to have the child married neither. I could not endure to hear her proceed, and was going to leave the room; which, when Lady Howard perceived, she begged Madame Duval would defer her intelligence to some other opportunity; but she was so eager to communicate her scheme, that she could bear no delay; and therefore they suffered me to go without opposition. Indeed, whenever my situation or affairs are mentioned by Madame Duval, she speaks of them with such bluntness and severity, that I cannot be enjoined a task more cruel than to hear her. I was afterwards accquainted with some particulars of the conversation by Miss Mirvan; who told me that Madame Duval informed them of her plan wih the utmost complacency, and seemed to think herself very fortunate in having suggested it; but, soon after, she accidentally betrayed, that she had been instigated to the scheme by her relations the Branghtons, whose letters, which she received today, first mentioned the proposal. She declared that she would have nothing to do with any roundabout ways, but go openly and instantly to law, in order to prove my birth, real name, and title to the estate of my ancestors. How impertinent and officious in these Branghtons, to interfere thus in my concerns! You can hardly imagine what a disturbance this plan has made in the family. The Captain, without enquiring into any particulars of the affair, has peremptorily declared himself against it, merely because it has been proposed by Madame Duval; and they have battled the point together with great violence. Mrs. Mirvan says, she will not even think, till she hears your opinion. But Lady Howard, to my great surprise, openly avows her appprobation of Madame Duval's intention; however, she will write her reasons and sentiments upon the subject to you herself. As to Miss Mirvan, she is my second self, and neither hopes nor fears but as I do. And as to me,-I know not what to say, nor even what to wish; I have often thought my fate peculiarly cruel, to have but one parent, and from that one to be banished for ever;-while, on the other side, I have but too well known and felt the propriety of the separation. And yet, you may much better imagine, than I can express, the internal anguish which sometimes oppresses my heart, when I reflect upon the strange indifference that must occasion a father never to make the least enquiry after the health, the welfare, or even the life of his child! O Sir, to me the loss is nothing!-greatly, sweetly, and most benevolently have you guarded me from feeling it; but for him, I grieve indeed!-I must be divested, not merely of all filial piety, but of all humanity, could I ever think upon this subject, and not be wounded to the soul. Again I must repeat, I know not what to wish; think for me, therefore, my dearest Sir, and suffer my doubting mind, that knows not which way to direct its hopes, to be guided by your wisdom and unerring counsel. EVELINA. </CHAPTER> <CHAPTER> LETTER XXVII LADY HOWARD TO THE REV. MR. VILLARS Howard Grove. Dear Sir, I CANNOT give a greater proof of the high opinion I have of your candour, than by the liberty I am now going to take, of presuming to offer you advice, upon a subject concerning which you have so just a claim to act for yourself; but I know you have too unaffected a love of justice, to be partially tenacious of your own judgment. Madame Duval has been proposing a scheme which has put us all in commotion, and against which, at first, in common with the rest of my family, I exclaimed: but, upon more mature consideration, I own my objections have almost wholly vanished. This scheme is no other than to commence a lawsuit with Sir John Belmont, to prove the validity of his marriage with Miss Evelyn; the necessary consequence of which proof will be, securing his fortune and estate to his daughter. And why, my dear Sir, should not this be? I know that, upon first hearing, such a plan conveys ideas that must shock you; but I know, too, that your mind is superior to being governed by prejudices, or to opposing any important cause on account of a few disagreeable attendant circumstances. Your lovely charge, now first entering into life, has merit which ought not to be buried in obscurity. She seems born for an ornament to the world. Nature has been bountiful to her of whatever she had to bestow; and the peculiar attention you have given to her education, has formed her mind to a degree of excellence, that in one so young I have scarce ever seen equalled. Fortune alone has hitherto been sparing of her gifts; and she, too, now opens the way which leads to all that is left to wish for her. What your reasons may have been, my good Sir, for so carefully concealing the birth, name, and pretensions of this amiable girl, and forbearing to make any claim upon Sir John Belmont, I am totally a stranger to; but, without knowing, I respect them, from the high opinion that I have of your character and judgment: but I hope they are not insuperable; for I cannot but think, that it was never designed for one who seems meant to grace the world, to have her life devoted to retirement. Surely Sir John Belmont, wretch as he has shown himself, could never see his accomplished daughter, and not be proud to own her, and eager to secure her the inheritance of his fortune. The admiration she met with in town, though merely the effect of her external attractions, was such, that Mrs. Mirvan assures me, she would have had the most splendid offers, had there not seemed to be some mystery in regard to her birth, which, she was well informed was assiduously, though vainly, endeavoured to be discovered. Can it be right, my dear Sir, that this promising young creature should be deprived of the fortune and rank of life to which she is lawfully entitled, and which you have prepared her to support and to use so nobly? To despise riches may, indeed, be philosophic; but to dispense them worthily must, surely, be more beneficial to mankind. Perhaps a few years, or indeed a much shorter time, may make this scheme impracticable: Sir John, tho' yet young, leads a life too dissipated for long duration; and when too late, we may regret that something was not sooner done: for it will be next to impossible, after he is gone, to settle or prove anything with his heirs and executors. Pardon the earnestness with which I write my sense of this affair; but your charming ward has made me so warmly her friend, that I cannot be indifferent upon a subject of such importance to her future life. Adieu, my dear Sir;-send me speedily an answer to this remonstrance, and believe me to be, -c. M. HOWARD. </CHAPTER> <CHAPTER> LETTER XXVIII MR VILLARS TO LADY HOWARD Berry Hill, May 2. YOUR letter, Madam, has opened a source of anxiety, to which I look forward with dread, and which, to see closed, I scarcely dare expect. I am unwilling to oppose my opinion to that of your Ladyship; nor, indeed, can I, but by arguments which I believe will rather rank me as a hermit ignorant of the world, and fit only for my cell, than as a proper guardian, in an age such as this, for an accomplished young woman. Yet, thus called upon, it behoves me to explain, and endeavour to vindicate, the reasons by which I have been hitherto guided. The mother of this dear child,-who was led to destruction by her own imprudence, the hardness of heart of Madame Duval, and the villany of Sir John Belmont,-was once, what her daughter is now, the best beloved of my heart: and her memory, so long as my own holds, I shall love, mourn and honour! On the fatal day that her gentle soul left its mansion, and not many hours ere she ceased to breathe, I solemnly plighted my faith, That her child if it lived, should know no father but myself, or her acknowledged husband. You cannot, Madam, suppose that I found much difficulty in adhering to this promise, and forbearing to make any claim upon Sir John Belmont. Could I feel an affection the most paternal for this poor sufferer, and not abominate her destroyer? Could I wish to deliver to him, who had so basely betrayed the mother, the helpless and innocent offspring, who, born in so much sorrow, seemed entitled to all the compassionate tenderness of pity? For many years, the name alone of that man, accidentally spoken in my hearing, almost divested me of my Christianity, and scarce could I forbear to execrate him. Yet I sought not, neither did I desire, to deprive him of his child, had he with any appearance of contrition, or, indeed, of humanity, endeavoured to become less unworthy such a blessing;-but he is a stranger to all parental feelings, and has with a savage insensibility, forborne to enquire even into the existence of this sweet orphan, though the situation of his injured wife was but too well known to him. You wish to be acquainted with my intentions.-I must acknowledge they were such as I now perceive would not be honoured with your Ladyship's approbation; for though I have sometimes thought of presenting Evelina to her father, and demanding the justice which is her due, yet, at other times, I have both disdained and feared the application; disdained lest it should be refused; and feared, lest it should be accepted! Lady Belmont, who was firmly persuaded of her approaching dissolution, frequently and earnestly besought me, that if her infant was a female, I would not abandon her to the direction of a man so wholly unfit to take the charge of her education: but, should she be importunately demanded, that I would retire with her abroad, and carefully conceal her from Sir John, till some apparent change in his sentiments and conduct should announce him less improper for such a trust. And often would she say, "Should the poor babe have any feelings correspondent with its mother's, it will have no want while under your protection." Alas! she had no sooner quitted it herself, than she was plunged into a gulph of misery, that swallowed up her peace, reputation, and life. During the childhood of Evelina, I suggested a thousand plans for the security of her birth-right;-but I as many times rejected them. I was in a perpetual conflict, between the desire that she should have justice done her, and the apprehension that, while I improved her fortune, I should endanger her mind. However, as her character began to be formed, and her disposition to be displayed, my perplexity abated; the road before me seemed less thorny and intricate, and I thought I could perceive the right path from the wrong: for when I observed the artless openness the ingenuous simplicity of her nature; when I saw that her guileless and innocent soul fancied all the world to be pure and disinterested as herself, and that her heart was open to every impression with which love, pity, or art might assail it;-then did I flatter myself, that to follow my own inclination, and to secure her welfare, was the same thing; since, to expose her to the snares and dangers inevitably encircling a house of which the master is dissipated and unprincipled, without the guidance of a mother, or any prudent and sensible female, seemed to me no less than suffering her to stumble into some dreadful pit, when the sun is in its meridian. My plan, therefore, was not merely to educate and to cherish her as my own, but to adopt her the heiress of my small fortune, and to bestow her upon some worthy man, with whom she might spend her days in tranquility, cheerfulness, and good-humour, untainted by vice, folly, or ambition. So much for the time past. Such have been the motives by which I have been governed; and I hope they will be allowed not merely to account for, but also to justify, the conduct which has resulted from them. It now remains to speak of the time to come. And here, indeed, I am sensible of difficulties which I almost despair of surmounting according to my wishes. I pay the highest deference to your Ladyship's opinion, which it is extremely painful to me not to concur with;-yet I am so well acquainted with your goodness, that I presume to hope it would not be absolutely impossible for me to offer such arguments as might lead you to think with me, that this young creature's chance of happiness seems less doubtful in retirement, than it would be in the gay and dissipated world. But why should I perplex your Ladyship with reasoning that can turn to so little account? for, alas! what arguments, what persuasions, can I make use of, with any prospect of success, to such a woman as Madame Duval? Her character and the violence of her disposition, intimidate me from making the attempt: she is too ignorant for instruction, too obstinate for intreaty, and too weak for reason. I will not, therefore, enter into a contest from which I have nothing to expect but altercation and impertinence. As soon would I discuss the effect of sound with the deaf, or the nature of colours with the blind, as aim at illuminating with conviction a mind so warped by prejudice, so much the slave of unruly and illiberal passions. Unused as she is to control, persuasion would but harden, and opposition incense her. I yield, therefore, to the necessity which compels my reluctant acquiescence; and shall now turn all my thoughts upon considering of such methods for the conducting this enterprise, as may be most conducive to the happiness of my child and least liable to wound her sensibility. The law-suit, therefore, I wholly and absolutely disapprove. Will you, my dear Madam, forgive the freedom of an old man, if I own myself greatly surprised, that you could, even for a moment, listen to a plan so violent, so public, so totally repugnant to all female delicacy? I am satisfied your Ladyship has not weighed this project. There was a time, indeed, when to assert the innocence of Lady Belmont, and to blazon to the world the wrongs, not guilt, by which she suffered, I proposed, nay attempted, a similar plan: but then all assistance and encouragement was denied. How cruel to the remembrance I bear of her woes is this tardy resentment of Madame Duval! She was deaf to the voice of Nature, though she has hearkened to that of Ambition. Never can I consent to have this dear and timid girl brought forward to the notice of the world by such a method; a method which will subject her to all the impertinence of curiosity, the sneers of conjecture, and the stings of ridicule. And for what?-the attainment of wealth which she does not want, and the gratification of vanity which she does not feel. A child to appear against a father!-no, Madam, old and infirm as I am, I would even yet sooner convey her myself to some remote part of the world, though I were sure of dying in the expedition. Far different had been the motives which would have stimulated her unhappy mother to such a proceeding; all her felicity in this world was irretrievably lost; her life was become a burthen to her; and her fair fame, which she had early been taught to prize above all other things, had received a mortal wound: therefore, to clear her own honour, and to secure from blemish the birth of her child, was all the good which fortune had reserved herself the power of bestowing. But even this last consolation was withheld from her! Let milder measures be adopted: and-since it must be so-let application be made to Sir John Belmont, but as to a law-suit, I hope, upon this subject, never more to hear it mentioned. With Madame Duval, all pleas of delicacy would be ineffectual; her scheme must be opposed by arguments better suited to her understanding. I will not, therefore, talk of its impropriety, but endeavour to prove its inutility. Have the goodness, then, to tell her, that her own intentions would be frustrated by her plan; since, should the lawsuit be commenced, and even should the cause be gained, Sir John Belmont would still have it in his power, and, if irritated, no doubt in his inclination, to cut off her grand-daughter with a shilling. She cannot do better herself than to remain quiet and inactive in the affair: the long and mutual animosity between her and Sir John will make her interference merely productive of debates and ill-will. Neither would I have Evelina appear till summoned. And as to myself, I must wholly decline acting; though I will, with unwearied zeal, devote all my thoughts to giving counsel: but, in truth, I have neither inclination nor spirits adequate to engaging personally with this man. My opinion is, that he would pay more respect to a letter from your Ladyship upon this subject, than from any other person. I, therefore, advise and hope, that you will yourself take the trouble of writing to him, in order to open the affair. When he shall be inclined to see Evelina, I have for him a posthumous letter, which his much injured lady left to be presented to him, if ever such a meeting should take place. The views of the Branghtons, in suggesting this scheme, are obviously interested. They hope, by securing to Evelina the fortune of her father, to induce Madame Duval to settle her own upon themselves. In this, however, they would probably be mistaken; for little minds have ever a propensity to bestow their wealth upon those who are already in affluence; and, therefore, the less her grandchild requires her assistance, the more gladly she will give it. I have but one thing more to add, from which, however, I can by no means recede: my word so solemnly given to Lady Belmont, that her child should never be owned but with her self, must be inviolably adhered to. I am, dear Madam, with great respect, Your Ladyship's most obedient servant, ARTHUR VILLARS. </CHAPTER> <CHAPTER> LETTER XXIX MR. VILLARS TO EVELINA Berry Hill, May 2. HOW sincerely do I sympathise in the uneasiness and concern which my beloved Evelina has so much reason to feel! The cruel scheme in agitation is equally repugnant to my judgment and my inclination;-yet to oppose it seems impracticable. To follow the dictates of my own heart, I should instantly recall you to myself, and never more consent to your being separated from me; but the manners and opinion of the world demand a different conduct. Hope, however, for the best, and be satisfied you shall meet with no indignity; if you are not received into your own family as you ought to be, and with the distinction that is your due, you shall leave it for ever; and once again restored to my protection, secure your own tranquillity, and make, as you have hitherto done, all the happiness of my life. ARTHUR VILLARS. </CHAPTER> <CHAPTER> LETTER XXX EVELINA TO THE REV. MR. VILLARS Howard Grove, May 6. THE die is thrown, and I attend the event in trembling! Lady Howard has written to Paris, and sent her letter to town, to be forwarded in the ambassador's packet; and, in less than a fortnight, therefore, she expects an answer. O, Sir, with what anxious impatience shall I wait its arrival! upon it seems to depend the fate of my future life. My solicitude is so great, and my suspense so painful, that I cannot rest a moment in peace, or turn my thoughts into any other channel. Deeply interested as I now am in the event, most sincerely do I regret that the plan was ever proposed. Methinks it cannot end to my satisfaction: for either I must be torn from the arms of my more than father,-or I must have the misery of being finally convinced, that I am cruelly rejected by him who has the natural claim to that dear title, which to write, mention, or think of, fills my whole soul with filial tenderness. The subject is discussed here eternally. Captain Mirvan and Madame Duval, as usual, quarrel whenever it is started: but I am so wholly engrossed by my own reflections, that I cannot even listen to them. My imagination changes the scene perpetually: one moment, I am embraced by a kind and relenting parent, who takes me to that heart from which I have hitherto been banished, and supplicates, through me, peace and forgiveness from the ashes of my mother!-at another, he regards me with detestation, considers me as the living image of an injured saint, and repulses me with horror!-But I will not afflict you with the melancholy phantasms of my brain; I will endeavour to compose my mind to a more tranquil state, and forbear to write again till I have in some measure succeeded. May Heaven bless you, my dearest Sir! and long, long may it continue you on earth, to bless Your grateful EVELINA </CHAPTER> <CHAPTER> LETTER XXXI LADY HOWARD TO SIR JOHN BELMONT, BART Howard Grove, May 5. Sir, YOU will, doubtless, be surprised at receiving a letter from one who had for so short a period the honour of your acquaintance, and that at so great a distance of time; but the motive which has induced me to take this liberty is of so delicate a nature, that were I to commence making apologies for my officiousness, I fear my letter would be too long for your patience. You have, probably, already conjectured the subject upon which I mean to treat. My regard for Mr. Evelyn, and his amiable daughter, was well known to you: nor can I ever cease to be interested in whatever belongs to their memory or family. I must own myself somewhat distressed in what manner to introduce the purport of my writing; yet as I think that, in affairs of this kind, frankness is the first requisite to a good understanding between the parties concerned, I will neither torment you nor myself with punctilious ceremonies, but proceed instantly and openly to the business which occasions my giving you this trouble. I presume, Sir, it would be superfluous to tell you, that your child resides still in Dorsetshire, and is still under the protection of the Reverend Mr. Villars, in whose house she was born: for, though no enquiries concerning her have reached his ears, or mine, I can never suppose it possible you have forborne to make them. It only remains, therefore, to tell you, that your daughter is now grown up; that she has been educated with the utmost care, and the utmost success; and that she is now a most deserving, accomplished, and amiable young woman. Whatever may be your view for her future destination in life, it seems time to declare it. She is greatly admired, and, I doubt not, will be very much sought after: it is proper, therefore, that her future expectations, and your pleasure concerning her, should be made known. Believe me, Sir, she merits your utmost attention and regard. You could not see and know her, and remain unmoved by those sensations of affection which belong to so near and tender a relationship. She is the lovely resemblance of her lovely mother;-pardon, Sir, the liberty I take in mentioning that unfortunate lady; but I think it behoves me, upon this occasion, to shew the esteem I felt for her: allow me, therefore, to say, and be not offended at my freedom, that the memory of that excellent lady has but too long remained under the aspersions of calumny; surely it is time to vindicate her fame;-and how can that be done in a manner more eligible, more grateful to her friends, or more honourable to yourself, than by openly receiving as your child, the daughter of the late Lady Belmont? The venerable man who has had the care of her education, deserves your warmest acknowledgments, for the unremitting pains he has taken, and the attention he has shewn in the discharge of his trust. Indeed she has been peculiarly fortunate in meeting with such a friend and guardian; a more worthy man, or one whose character seems nearer to perfection, does not exist. Permit me to assure you, Sir, she will amply repay whatever regard and favour you may hereafter shew her, by the comfort and happiness you cannot fail to find in her affection and duty. To be owned properly by you is the first wish of her heart; and, I am sure, that to merit your approbation will be the first study of her life. I fear that you will think this address impertinent; but I must rest upon the goodness of my intention to plead my excuse. I am, Sir, Your most obedient humble servant, M. HOWARD. </CHAPTER>

Volume I, Letter XXII - Volume I, Letter XXXI

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Evelina continues to write to Mr. Villars of her adventures. Mrs. Mirvan spoke with Evelina, telling her how Lord Orville had reprimanded Mr. Lovel for his behavior at the opera. Evelina feels relieved to learn this, and praises the "quiet courage" of Lord Orville. At a dinner to which she was invited, Madame Duval scolded Evelina for two hours about her rudeness in leaving the opera. The conversation then turned to the party's plans to leave London. Madame Duval did not like this turn of events, and argued Evelina should stay in London. It was finally decided that Madame Duval would return with them to Howard Grove to continue spending time with her granddaughter. Though this alternative pleased no one, there was no other viable option. Evelina continues her letters, writing about her final adventures in London. The group spent some time at the Pantheon; Evelina admired the architecture. Sir Clement Willoughby was there, and Evelina was struck how by little embarrassment he showed over his behavior on the evening of the opera. Lord Orville and Mr. Lovel were also there, and Evelina was glad that the latter fellow no longer troubled her. The party went to tea while in that vicinity, and Evelina noticed another gentleman at Lord Orville's table who stared at her for the entire duration of tea-time. . She was startled to learn that he was a Lord; it is unfathomable that one of his rank could be so rude. The men at the table discussed the beauty of the building. The Captain, coarse as ever, teased Mr. Lovel about having not known what the play was about a few nights before. The young women were asked if they liked the opera, and though they replied in the affirmative, they were quickly shamed into silence when the Captain derided them for their opinions. The Captain also criticized Cox's Museum and Ranelagh, which surprised the company. Lord Merton, whose name Evelina does not yet procure, jested and teased her in a vulgar manner throughout the evening. When it was time for him and his party to depart, he insisted that Maria and Evelina attend. They declined the invitation, and Evelina was dismayed by the "great liberty in this Lord, notwithstanding his rank, to treat me so freely." They insisted that they wished to return home. Several of the ladies tripped gaily away to their next event, but the Lord stayed behind to pay profuse compliments to Evelina. This annoyed her, especially because Lord Orville was speaking gravely to Mrs. Mirvan, and she wished to know what he said. It seemed that he was displeased with the particular attention the Lord paid to Evelina. In her letter, Evelina ruminates on the differences between men of rank. Some are like Lord Orville, with a "politeness that knows no intermission," while others like Lord Merton seem to lack all good breeding. Everyone was in low spirits when they returned to the house. However, to their surprise, Lord Orville arrived soon after them to pay his respects before they left for the country. Sir Clement also arrived, and Evelina was piqued when the Captain offered him a visit to Howard Grove. Mr. Villars next writes to Evelina, advising that the nobleman is far less dangerous than Sir Clement because the latter "contrives to avoid all appearance of intentional evil. He is far more dangerous, because more artful..." He expresses his approbation of Lord Orville. He almost regrets permitting her to visit London, since her guileless and innocent nature is not fit for such environs. Evelina writes back to describe her experiences at Howard Grove, lamenting how Madame Duval and the Captain have ruined this once peaceful place. They quarrel violently and constantly. Lady Howard, however, was gracious and kind in welcoming them back. In another letter, she writes of an altogether shocking proposal made by Madame Duval, who believes they should attempt to legally prove Evelina's birthright and thereby procure the inheritance she is owed by her father Sir John Belmont. Madame Duval believes Evelina has a grand future waiting, and that the girl should spend time in Paris. As Evelina puts it, Madame Duval "had it in her head to make something of me, and that they should soon call me by another name than that of Anville." This scheme had been instigated by the Branghtons. This plan caused great disturbance in the family. The only person who approved was Lady Howard. Evelina, for her part, is saddened about this indifferent father, and is little inclined to confront him, especially through legal means and for the purpose of money. Lady Howard next writes to Mr. Villars, explaining why she approves of Madame Duval's plan. She explains that "your lovely charge, now first entering into life, has merit which ought not to be buried in obscurity." Though Mr. Villars does not agree, Lady Howard writes to Paris anyway, in hopes that her letter will reach Sir John Belmont.

Evelina continues to encounter a world in which social recognition is ironically disconnected from true human value. Lord Merton, though yet unnamed, is a total cad, more forward than anyone has yet been with her, and yet his name is more valuable than even Lord Orville's. Sir Clement remains a threat to her, mostly because, as Mr. Villars wisely indicates, he keeps his intentions hidden. Despite his social standing, his actions are insidious, and he is entirely oblivious to the constant threat this poses to the women he professes to care for. And the plan proposed by Madame Duval is shaped as one meant to ensure social respectability, but is actually motivated almost entirely by greed. The life of these aristocrats is full of pettiness and selfishness, which is one of the main reasons Evelina is at such odds with it. And yet she remains transfixed by the luxuries and entertainments of London, most likely because Burney herself was. Modern readers may not know the Pantheon in England; it was a public assembly room located in Oxford Street, and was known as the "winter Ranelagh." It held winter balls, masquerades and concerts, all of which were very popular with the fashionable set. Samuel Johnson and his biographer James Boswell visited the site not long after it opened in 1772, but they preferred Ranelagh. Boswell's Life of Johnson relates how they argued whether anyone there was actually happy, and Dr. Johnson said, "Yes, Sir, there are many happy people here. There are many people here who are watching hundreds, and who think hundreds are watching them." Captain Mirvan is one of Burney's most distasteful creations; he is misogynist, xenophobic, ill-bred, loud, vulgar, and frequently cruel. However, his opinions are merely exaggerations of a very real social pressure that women faced. In this set of letters, he voices his opinion that fashionable and educated young women neglect their traditional, natural domestic duties in favor of frivolous diversions. In her annotations to the Oxford World's Classics edition of the novel, Vivien Jones comments, "Whereas most eighteenth century commentators are more likely to see a different education as the solution, Captain Mirvan's appeal is to violence and the law." He believes that Evelina and Maria's opinions are valueless, and thus shames them into silence. This silence represents the role women were forced to play in the 18th century; they possessed no identity of their own, and were placed under their father/guardian/husband's aegis in all respects. Mr. Villars, in contrast, remains an extremely positive force in Evelina's life. While he is deliberately vocal in his opinions for his young charge, he does not deny her what she asks, and praises her strength of character. Again, this kindness can be attributed to his separation from society; because he willfully avoids the world, he is not polluted by its forces. Of course, it is telling that he never enters the action of the novel, since it suggests the rather unrealistic nature of such a man. He serves more as a counterpoint than as an actual solution to the problems suggested in the narrative. Near the close of this first volume, Evelina is horrified to discover her grandmother's plan to confront her father and force her inheritance. She is more driven by fear and grief than by greed. One of those fears is that it would entail acting outside of her prescribed gender roles. Mr. Villars, ever the traditionalist, agrees, writing how this plan is antipathetic to female delicacy. The public scrutiny that would follow from a lawsuit would violate the conduct-book tradition of limited female presence in the public eye. Consider what John Gregory wrote in a contemporary guidebook: "one of the chief beauties in a female character, is that of modest reserve, that retiring delicacy, which avoids the public eye, and is disconcerted even at the gaze of admiration." One of the implicit arguments against such limitations is the work itself. Though she had to publish the work anonymously, any audience who eventually realized she was a woman would be surprised not only by her accomplishment, but by her cleverness and erudition. Consider an allusion made to John Locke in this set of letters. Mr. Villars makes a particularly erudite comment in describing his disapprobation of the lawsuit plan to Lady Howard: he writes that "As soon as I would discuss the effect of sound with the deaf, or the nature of colors with the blind, as aim at illuminating with conviction a mind so warped by prejudice, so much the slave of unruly and illiberal passions." In using this example as an analogy for meaninglessness, he is referring to the ideas of John Locke, as expressed in his Essay Concerning Human Understanding . Vivien Jones comments on this allusion in her annotations, "ideas are not innate and can only be developed on the basis of physical stimuli, therefore the names of colours or sounds to the blind or deaf would be examples of words, which are, in his words, 'not intelligible at all'." Burney's effortless use of such erudite and complicated examples evidence her abilities.

gradesaver

all_chapterized_books/6053-chapters/volume_2_chapters_1_to_11.txt

finished_summaries/gradesaver/Evelina/section_3_part_0.txt

Evelina.volume 2.chapters 1-11

volume 2, letter 1-11

{"name": "Volume II, Letter I - Volume II, Letter XI", "url": "https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-ii-letter-i--volume-ii-letter-xi", "summary": "Evelina continues to write to Mr. Villars of her time at Howard Grove. Howard Grove was enlivened by a visit from Sir Clement Willoughby. The Captain was extremely excited to see his friend, and hoped Sir Clement would help him annoy the \"old French-woman.\" Evelina, however, was dismayed to see their plans to do so put into place. One morning at breakfast, the Captain convinced Madame Duval that Monsieur Du Bois was in trouble with the law. He was shifty enough that she believed him, and she soon began to inquire after her friend with the appropriate authorities. That evening, a letter arrived stating that Du Bois had been imprisoned for \"suspicion of treasonable practices against the government.\" It had been written by the Captain, but Madame Duval did not realize it. Evelina could hardly believe that Madame Duval fell for this ruse. Upon request, Evelina commissioned a chariot to bring Madame Duval into town so she could investigate the claims. She also accompanied her grandmother. Evelina was ashamed to be involved in the affair, but feared the Captain might turn on her if she did not comply. In town, they learned that Monsieur Du Bois had \"escaped,\" and ordered the coachman to return home. Obviously, this information had been planted by the Captain. While heading back to Howard Grove, their coachman warned the women that thieves were about. This news, which Evelina knew to be part of the Captain's plan, terrified Madame Duval, who assumed they would be murdered. Because of the warning, they left their money and valuables with a friend. It was not long until two masked men accosted the chariot. One held Evelina, while the other pulled Madame Duval from the carriage despite her shrieks and resistance. Evelina soon realized it was Sir Clement who held her, as he entered the carriage to sit by her. He forcefully told her of his affection until she begged him to desist, and demanded he stop the cruelty towards her grandmother. The man in the other mask came back, laughing and saying that \"I've done for her!\" It was clearly the Captain in the other mask. After the men left, Evelina demanded the footman lead her to Madame Duval. She found her grandmother in a ditch, \"roaring, and in the utmost agony of rage and terror.\" Her feet were tied together with a strong rope fastened to the upper branch of a tree. She was in complete disorder - her clothes were torn or in disarray, her head curls had fallen off, and she was covered in dirt and dust. On the ride back to Howard Grove, Evelina asked Madame Duval for an account of what had happened. Madame Duval said that the robber dragged her down the road, and then shook her extremely hard. Pretending to be angry that they had no valuables, he revealed a rope, which she thought he would use to hang her. She screamed excessively, but he never said a word. He used the rope to tie her up and leave her in the state that Evelina found her in. Evelina almost wanted to laugh at the story, but she was mostly irritated with the Captain \"for carrying his love of tormenting - sport, he calls it - to such barbarous and unjustifiable extremes.\" At Howard Grove, Madame Duval went quickly upstairs. The men did not appear until supper, during which the Captain was in raptures over the prank's success. The next day, he wanted to do nothing but devise new ways in which to torture her. Evelina asked Mrs. Mirvan to talk to her husband about ceasing these torments, but Mrs. Mirvan said it was fruitless. Evelina announced she would make the request of Sir Clement, but Mrs. Mirvan warned her that it was sometimes unwise to make requests of men \"who are too desirous of receiving them.\" Indeed, the idea of asking Sir Clement for anything gave her pause. Evelina first confronted the Captain with her request. It made him gloomy. Later, Sir Clement found Evelina in private to say that he wished to honor her request, but would have to leave town suddenly so as to not anger the Captain for abandoning their plans. He implored her for one word or look of approbation, threatening that without it, he saw no reason to help her. After bearing his demands silently, she offered a sarcastic admonishment and then hurriedly left. To her surprise, Sir Clement left that evening anyway. She admits in her letter that his presence is conspicuous at dinner since he tends to pleasant and agreeable while in large company. That same evening, Madame Duval was puzzled when a letter from Monsieur Du Bois made no mention of imprisonment. The next letter is Sir John Belmont's short reply to Lady Howard. He wishes well for Evelina, but has nothing further to offer her. He also makes a veiled accusation of ill behavior on the part of Mr. Villars. Evelina writes to Mr. Villars of her profound distress at her father's rejection. She can barely think of anything else in her anguish. She also tells how Madame Duval was incensed by the letter, and hinted that she might go to Paris to demand justice face-to-face. Mr. Villars writes to Evelina to comfort her. He warns her to be careful of Sir Clement. He then writes to Lady Howard, mentioning how Madame Duval had visited him and was, as ever, exceedingly unpleasant. She demanded that Evelina live with her in London, threatening to withhold any fortune due the girl if he did not comply. He hates the idea, but is forced by this threat to reach a compromise: Evelina will live with her grandmother in London for one month. He then writes to inform Evelina of this plan, warning her to be a prudent judge and guardian of her delicate reputation. Evelina soon writes to Mr. Villars about her arrival in London. Though Evelina has separate lodgings with Madame Duval, her grandmother took her immediately to Mr. Branghton's house. While there, Madame Duval learned the truth about Monsieur Du Bois. As expected, she grew violently angry to realize what the Captain had done. She complains of the Branghton house, which is small and inconvenient. Downstairs is a shop where they conduct business; it is very uncomfortable to sit in, yet they are there all the time. While there, she once again encountered the Miss Branghtons. It was not a very cordial reception. They laughed uproariously when Madame Duval told her story of the \"robbers,\" which incensed the older woman. In talking with the two sisters, Evelina noted their \"extreme want of affection, and good-nature\" which \"increased the distaste I already felt for .\" Evelina writes to Maria Mirvan, complaining how different London is while living amongst the Branghtons. She no longer found it gay, but instead found it dull and gloomy. She then writes to Mr. Villars of how dinners were held at the Branghton house. They intended to dine in the room of their boarder, Mr. Smith, but he argued his room was only fit for after-dinner tea. Dinner was \"ill-served, ill-cooked, and ill-managed,\" and the family argued incessantly. While passing through the shop on the way to tea after dinner, they encountered the Branghton's other lodger - a very melancholy and serious young man named Mr. Macartney . Miss Branghton explained that she believes him to be a Scottish poet because of his demeanor, and because they found scraps of poetry in his room. They showed Evelina what they had found, and she read, \"an internal wretchedness, which, I own, affects me.\" While at Mr. Smith's for tea, he began to address himself to Evelina in a \"style of gallantry equally new and disagreeable to me.\" His manners were far worse than Sir Clement's. She spent the rest of the evening in painful attention to this \"irksome young man.\"", "analysis": "Burney's perspective as a woman grows more pronounced as the novel continues. In this set of letters, several incidents highlight her understanding of women as constantly in danger from male aggression. With the robbery prank, Captain Mirvan exceeds his previous torture of Madame Duval. It is an altogether strange and uncomfortable episode that serves as a demonstration of violence against women. The Captain's misogyny grows from verbal assaults into actual physical abuse. The psychological effect of his gleeful persecution is also much heightened by this particular attack; he is no longer sitting face-to-face with Madame Duval and trading insults, but is now constructing a situation to cultivate tremendous fear, anxiety, rage, and humiliation. What's more, he does all of this without having to take any responsibility for it. Madame Duval is treated like refuse, her femininity assaulted and mocked, and her person touched in an inappropriate way. Were the Captain's antagonist male, he would not have had recourse to the kneejerk fears that a woman felt while traveling unprotected. This episode reveals the length to which the Captain's hatred of women and foreigners extended, and, on a more macro scale, the ill treatment which women received at the hands of men in the 18th century. Further, Evelina's beauty has become not only a liability, but also a torture to her. Sir Clement's niceties are revealed as hypocritical when he threatens to continue torturing Madame Duval if Evelina is not sweet to him. He manipulates the delicacy that society forces women to maintain, and is less interested in actually deserving it than he is in receiving it. It is almost as though he fetishizes this feminine delicacy, which in turn suggests it is not just women he is interested in, but moreover his masculine control over them. This interpretation can easily be applied to the robbery prank as well. The episode with Mr. Smith, while less physically threatening, also touches on Evelina's helplessness. Decorum requires her to sit as this manner-less ass accosts her, showing no subtlety in his aggression. On a different subject, the epistolary structure of the novel begs some consideration. Why did Frances Burney write Evelina as a series of letters, rather than as a straightforward novel, and what points or themes does that reveal? In her influential critical article on the subject, Irene Tucker discusses letters and the theory of property. She sees Evelina's epistolary form as \" the paradox of owning letters into a paradox about property, representation, and, ultimately, the nature of the self.\" In other words, the idea of 'owning' a relationship through a person's letters is a complicated idea that touches on how we define ourselves. The complexities of the relationships between writers and recipients of letters is increased dramatically when they are part of an epistolary novel. Tucker expands her discussion to include properties of letters, and thereby touch on the novel's complexities. First, a real-world letter has an identifiable author and is addressed to a specific person. In an epistolary novel, there is also a second writer and addressee - the author of the novel and the novel's readers. Secondly, a letter implies an \"I,\" which in the novel is still the fictional construction of the novel's author. Thirdly, letters in an epistolary novel are dated to help the narrative movement by marking the passage of time, but they do not provide any real-world context of time. The reader's perspective is complicated because s/he does not know whether s/he is reading the letters as they are being written, as they are being read by their recipient, or at some other independent moment. Fourthly, letters are always written without any foreknowledge or an understanding of the future; they cannot trace out a destiny and are naturally fragmented. Thus, in Evelina, there is a tension between this fragmentation and the novel's unity. Fifthly, there is a \"splitting of material and ideal forms of the letter\" in that \"the idea of the letter is invoked, while many of the material aspects are held in abeyance\" in an epistolary novel. Burney has to control all the events of the story as author, while the form of letters sits in stark contrast to this kind of control and omniscience. All of these contradictions parallel Evelina's complicated place in the world. Burney places Evelina, a disowned heiress, \"at the center of the contradictions regarding property and identity.\" Mr. Villars, her guardian, reveals through his letters that he considers Evelina to be somewhat his property; there are similarities between him sending out letters and \"sending out\" Evelina into the world. The form of the letters changes throughout the novel. They are first short and very much like traditional letters. Later, however, as Evelina writes, they are longer and more novel-like. Evelina's letters show how she is growing apart from Mr. Villars as well. She is first hesitant to write, but then embraces her identity as a letter-writing subject and writes copiously. Tucker notes, \"the substitution of the ideality of the letter for the materiality of Evelina's actual body hence becomes a necessary condition of her developing autonomy.\" She becomes \"irreducibly different\" from Mr. Villars, and becomes progressively more confident in shaping her own life. Thus, Burney traces her primary growth not through the language of an omniscient narrator, but instead through the changing form of the letters Evelina writes."}

<CHAPTER> LETTER XXXII EVELINA TO THE REV. MR. VILLARS Howard Grove, Kent, May 10. OUR house has been enlivened to-day by the arrival of a London visitor; and the necessity I have been under of concealing the uneasiness of my mind, has made me exert myself so effectually, that I even think it is really diminished; or, at least, my thoughts are not so totally, so very anxiously, occupied by one subject only as they lately were. I was strolling this morning with Miss Mirvan, down a lane about a mile from the Grove, when we heard the trampling of horses; and, fearing the narrowness of the passage, we were turning hastily back, but stopped upon hearing a voice call out, "Pray, Ladies, don't be frightened, for I will walk my horse." We turned again, and then saw Sir Clement Willoughby. He dismounted; and approaching us with the reins in his hand, presently recollected us. "Good Heaven," cried he, with his usual quickness, "do I see Miss Anville ?-and you too, Miss Mirvan?" He immediately ordered his servant to take charge of his horse; and then, advancing to us, took a hand of each, which he pressed to his lips, and said a thousand fine things concerning his good fortune, our improved looks, and the charms of the country, when inhabited by such rural deities. "The town, Ladies, has languished since your absence;-or, at least, I have so much languished myself, as to be absolutely insensible to all it had to offer. One refreshing breeze, such as I now enjoy, awakens me to new vigour, life, and spirit. But I never before had the good luck to see the country in such perfection." "Has not almost every body left town, Sir?" said Miss Mirvan. "I am ashamed to answer you, Madam,-but indeed it is as full as ever, and will continue so till after the birth-day. However, you Ladies were so little seen, that there are but few who know what it has lost. For my own part, I felt it too sensibly, to be able to endure the place any longer." "Is there any body remaining there, that we were acquainted with?" cried I. "O yes, Ma'am." And then he named two or three persons we have seen when with him; but he did not mention Lord Orville, and I would not ask him, lest he should think me curious. Perhaps, if he stays here some time, he may speak of him by accident. He was proceeding in this complimentary style, when we were met by the Captain; who no sooner perceived Sir Clement, than he hastened up to him, gave him a hearty shake of the hand, a cordial slap on the back, and some other equally gentle tokens of satisfaction, assuring him of his great joy at his visit, and declaring he was as glad to see him as if he had been a messenger who brought news that a French ship was sunk. Sir Clement, on the other side, expressed himself with equal warmth; and protested he had been so eager to pay his respects to Captain Mirvan, that he had left London in its full lustre, and a thousand engagements unanswered, merely to give himself that pleasure. "We shall have rare sport," said the Captain; "for, do you know, the old French-woman is among us? 'Fore George, I have scarce made any use of her yet, by reason I have had nobody with me that could enjoy a joke: howsomever, it shall go hard but we'll have some diversion now." Sir Clement very much approved of the proposal; and we then went into the house, where he had a very grave reception from Mrs. Mirvan, who is by no means pleased with his visit, and a look of much discontent from Madame Duval, who said to me in a low voice, "I'd as soon have seen Old Nick as that man, for he's the most impertinentest person in the world, and isn't never of my side." The Captain is now actually occupied in contriving some scheme, which, he says, is to pay the old Dowager off; and so eager and delighted is he at the idea, that he can scarcely restrain his raptures sufficiently to conceal his design even from herself. I wish, however, since I do not dare put Madame Duval upon her guard, that he had the delicacy not to acquaint me with his intention. </CHAPTER> <CHAPTER> LETTER XXXIII EVELINA IN CONTINUATION May 13th. THE Captain's operations are begun,-and, I hope, ended; for, indeed, poor Madame Duval has already but too much reason to regret Sir Clement's visit to Howard Grove. Yesterday morning, during breakfast, as the Captain was reading the newspaper, Sir Clement suddenly begged to look at it, saying, he wanted to know if there was any account of a transaction, at which he had been present the evening before his journey hither, concerning a poor Frenchman, who had got into a scrape which might cost him his life. The Captain demanded particulars; and then Sir Clement told a long story of being with a party of country friends at the Tower, and hearing a man call out for mercy in French; and that, when he inquired into the occasion of his distress, he was informed that he had been taken up upon suspicion of treasonable practices against the government. "The poor fellow," continued he, "no sooner found that I spoke French, than he besought me to hear him, protesting that he had no evil designs; that he had been but a short time in England, and only waited the return of a lady from the country to quit it for ever." Madame Duval changed colour, and listened with the utmost attention. "Now, though I by no means approve of so many foreigners continually flocking into our country," added he, addressing himself to the Captain, "yet I could not help pitying the poor wretch, because he did not know enough of English to make his defence; however, I found it impossible to assist him; for the mob would not suffer me to interfere. In truth, I am afraid he was but roughly handled." "Why, did they duck him?" said the Captain. "Something of that sort," answered he. "So much the better! so much the better!" cried the Captain, "an impudent French puppy! I'll bet you what you will he was a rascal. I only wish all his countrymen were served the same." "I wish you had been in his place, with all my soul!" cried Madame Duval, warmly;-"but pray, Sir, did'n't nobody know who this poor gentleman was?" "Why I did hear his name," answered Sir Clement, "but I cannot recollect it." "It wasn't-it wasn't-Du Bois?" stammered out Madame Duval. "The very name!" answered he: "yes, Du Bois, I remember it now." Madame Duval's cup fell from her hand, as she repeated "Du Bois! Monsieur Du Bois, did you say?" "Du Bois! why, that's my friend," cried the Captain, "that's Monseer Slippery, i'n't it?-Why, he's plaguy fond of sousing work; howsomever, I'll be sworn they gave him his fill of it." "And I'll be sworn," cried Madame Duval, "that you're a-but I don't believe nothing about it, so you needn't be so overjoyed, for I dare say it was no more Monsieur Du Bois than I am." "I thought at the time," said Sir Clement, very gravely, "that I had seen the gentleman before; and now I recollect, I think it was in company with you, Madame." "With me, Sir?" cried Madame Duval. "Say you so?" said the Captain; "why then it must be he, as sure as you're alive!-Well, but, my good friend, what will they do with poor Monseer?" "It is difficult to say," answered Sir Clement, very thoughtfully; "but I should suppose, that if he has not good friends to appear for him, he will be in a very unpleasant situation; for these are serious sorts of affairs." "Why, do you think they'll hang him?" demanded the Captain. Sir Clement shook his head, but made no answer. Madame Duval could no longer contain her agitation; she started from her chair, repeating, with a voice half-choked, "Hang him!-they can't,-they sha'n't-let them at their peril!-However, it's all false, and I won't believe a word of it;-but I'll go to town this very moment, and see M. Du Bois myself;-I won't wait for nothing." Mrs. Mirvan begged her not to be alarmed; but she flew out of the room, and up stairs into her own apartment. Lady Howard blamed both the gentlemen for having been so abrupt, and followed her. I would have accompanied her, but the Captain stopped me; and, having first laughed very heartily, said he was going to read his commission to his ship's company. "Now, do you see," said he, "as to Lady Howard, I sha'n't pretend for to enlist her into my service, and so I shall e'en leave her to make it out as well as she can; but as to all you, I expect obedience and submission to orders; I am now upon a hazardous expedition, having undertaken to convoy a crazy vessel to the shore of Mortification; so, d'ye see, if any of you have anything to propose that will forward the enterprise,-why speak and welcome; but if any of you, that are of my chosen crew, capitulate, or enter into any treaty with the enemy,-I shall look upon you as mutinying, and turn you adrift." Having finished this harangue, which was interlarded with many expressions, and sea-phrases, that I cannot recollect, he gave Sir Clement a wink of intelligence, and left us to ourselves. Indeed, notwithstanding the attempts I so frequently make of writing some of the Captain's conversation, I can only give you a faint idea of his language; for almost every other word he utters is accompanied by an oath, which, I am sure, would be as unpleasant for you to read, as for me to write: and, besides, he makes use of a thousand sea-terms, which are to me quite unintelligible. Poor Madame Duval sent to inquire at all probable places, whether she could be conveyed to town in any stage-coach: but the Captain's servant brought her for answer, that no London stage would pass near Howard Grove till to-day. She then sent to order a chaise; but was soon assured, that no horses could be procured. She was so much inflamed by these disappointments, that she threatened to set out for town on foot; and it was with difficulty that Lady Howard dissuaded her from this mad scheme. The whole morning was filled up with these inquiries. But when we were all assembled to dinner, she endeavoured to appear perfectly unconcerned, and repeatedly protested that she gave not any credit to the report, as far as it regarded M. Du Bois, being very certain that he was not the person in question. The Captain used the most provoking efforts to convince her that she deceived herself; while Sir Clement, with more art, though not less malice, affected to be of her opinion; but, at the same time that he pretended to relieve her uneasiness, by saying that he doubted not having mistaken the name, he took care to enlarge upon the danger to which the unknown gentleman was exposed, and expressed great concern at his perilous situation. Dinner was hardly removed, when a letter was delivered to Madam Duval. The moment she had read it, she hastily demanded from whom it came. "A country boy brought it," answered the servant," but he would not wait." "Run after him this instant!" cried she, "and be sure you bring him back. Mon Dieu! quelle aventure! que feraije?" "What's the matter? what's the matter?" said the Captain. "Why nothing-nothing's the matter. O mon Dieu!" And she rose, and walked about the room. "Why, what,-has Monseer sent to you?" continued the Captain: "is that there letter from him?" "No,-it i'n't;-besides, if it is, it's nothing to you." "O then, I'm sure it is! Pray now, Madam, don't be so close; come tell us all about it-what does he say? how did he relish the horse-pond?-which did he find best, sousing single or double? 'Fore George, 'twas plaguy unlucky you was not with him!" "It's no such a thing, Sir," cried she, very angrily; "and if you're so very fond of a horse-pond, I wish you'd put yourself into one, and not be always a thinking about other people's being served so." The man then came in to acquaint her they could not overtake the boy. She scolded violently, and was in such perturbation, that Lady Howard interfered, and begged to know the cause of her uneasiness, and whether she could assist her. Madame Duval cast her eyes upon the Captain and Sir Clement, and said she should be glad to speak to her Ladyship without so many witnesses. "Well, then, Miss Anville," said the Captain, turning to me, "do you and Molly go into another room, and stay there till Mrs. Duval has opened her mind to us." "So you may think, Sir," cried she, "but who's fool then? no, no, you needn't trouble yourself to make a ninny of me neither, for I'm not so easily taken in, I'll assure you." Lady Howard then invited her into the dressing-room, and I was desired to attend her. As soon as we had shut the door, "O my Lady," exclaimed Madam Duval, "here's the most cruelest thing in the world has happened!-but that Captain is such a beast, I can't say nothing before him,-but it's all true! poor M. Du Bois is tooked up!" Lady Howard begged her to be comforted, saying that, as M. Du Bois was certainly innocent, there could be no doubt of his ability to clear himself. "To be sure, my Lady," answered she, "I know he is innocent; and to be sure they'll never be so wicked as to hang him for nothing?" "Certainly not," replied Lady Howard; "you have no reason to be uneasy. This is not a country where punishment is inflicted without proof." "Very true, my Lady: but the worst thing is this; I cannot bear that that fellow the Captain should know about it; for if he does, I sha'n't never hear the last of it;-no more won't poor M. Du Bois." "Well, well," said Lady Howard, "shew me the letter, and I will endeavour to advise you." The letter was then produced. It was signed by the clerk of a country justice; who acquainted her, that a prisoner, then upon trial for suspicion of treasonable practices against the government, was just upon the point of being committed to jail; but having declared that he was known to her, this clerk had been prevailed upon to write, in order to enquire if she really could speak to the character and family of a Frenchman who called himself Pierre Du Bois. When I heard the letter, I was quite amazed at its success. So improbable did it seem, that a foreigner should be taken before a country justice of peace, for a crime of so dangerous a nature, that I cannot imagine how Madame Duval could be alarmed, even for a moment. But, with all her violence of temper, I see that she is easily frightened, and in fact, more cowardly than many who have not half her spirit; and so little does she reflect upon circumstances, or probability, that she is continually the dupe of her own-I ought not to say ignorance, but yet I can think of no other word. I believe that Lady Howard, from the beginning of the transaction, suspected some contrivance of the Captain; and this letter, I am sure, must confirm her suspicion: however, though she is not at all pleased with his frolic, yet she would not hazard the consequence of discovering his designs: her looks, her manner, and her character, made me draw this conclusion from her apparent perplexity; for not a word did she say that implied any doubt of the authenticity of the letter. Indeed there seems to be a sort of tacit agreement between her and the Captain, that she should not appear to be acquainted with his schemes; by which means she at once avoids quarrels, and supports her dignity. While she was considering what to propose, Madame Duval begged to have the use of her Ladyship's chariot, that she might go immediately to the assistance of her friend. Lady Howard politely assured her, that it should be extremely at her service; and then Madame Duval besought her not to own to the Captain what had happened, protesting that she could not endure he should know poor M. Du Bois had met with so unfortunate an accident. Lady Howard could not help smiling, though she readily promised not to inform the Captain of the affair. As to me, she desired my attendance; which I was by no means rejoiced at, as I was certain that she was going upon a fruitless errand. I was then commissioned to order the chariot. At the foot of the stairs I met the Captain, who was most impatiently waiting the result of the conference. In an instant we were joined by Sir Clement. A thousand inquiries were then made concerning Madame Duval's opinion of the letter, and her intentions upon it: and when I would have left them, Sir Clement, pretending equal eagerness with the Captain, caught my hand, and repeatedly detained me, to ask some frivolous question, to the answer of which he must be totally indifferent. At length, however, I broke from them; they retired into the parlour, and I executed my commission. The carriage was soon ready; and Madame Duval, having begged Lady Howard to say she was not well, stole softly down stairs, desiring me to follow her. The chariot was ordered at the garden-door; and, when we were seated, she told the man, according to the clerk's directions, to drive to Mr. Justice Tyrell's, asking at the same time, how many miles off he lived? I expected he would have answered, that he knew of no such person; but, to my great surprise, he said, "Why, 'Squire Tyrell lives about nine miles beyond the park." "Drive fast, then," cried she, "and you sha'n't be no worse for it." During our ride, which was extremely tedious, she tormented herself with a thousand fears for M. Du Bois's safety; and piqued herself very much upon having escaped unseen by the Captain, not only that she avoided his triumph, but because she knew him to be so much M. Du Bois's enemy, that she was sure he would prejudice the justice against him, and endeavour to take away his life. For my part, I was quite ashamed of being engaged in so ridiculous an affair, and could only think of the absurd appearance we should make upon our arrival at Mr. Tyrell's. When we had been out near two hours, and expected every moment to stop at the place of our destination, I observed that Lady Howard's servant, who attended us on horseback, rode on forward till he was out of sight: and soon after returning, came up to the chariot window, and delivering a note to Madame Duval, said he had met a boy who was just coming with it to Howard Grove from the clerk of Mr. Tyrell. While she was reading it, he rode round to the other window, and making a sign for secrecy, put into my hand a slip of paper, on which was written, "Whatever happens, be not alarmed-for you are safe-though you endanger all mankind!" I readily imagined that Sir Clement must be the author of this note, which prepared me to expect some disagreeable adventure: but I had no time to ponder upon it; for Madame Duval had no sooner read her own letter, than, in an angry tone of voice, she exclaimed, "Why, now, what a thing is this! here we're come all this way for nothing!" She gave me the note; which informed her, that she need not trouble herself to go to Mr. Tyrell's, as the prisoner had had the address to escape. I congratulated her upon this fortunate incident; but she was so much concerned at having rode so far in vain, that she seemed to be less pleased than provoked. However, she ordered the man to make what haste he could home, as she hoped, at least, to return before the Captain should suspect what had passed. The carriage turned about; and we journeyed so quietly for near an hour, that I began to flatter myself we should be suffered to proceed to Howard Grove without any molestation, when suddenly, the footman called out, "John, are we going right?" "Why, I a'n't sure," said the coachman, "But I'm afraid we turned wrong." "What do you mean by that, sirrah?" said Madame Duval; "why, if you lose your way, we shall all be in the dark." "I think we should turn to the left," said the footman. "To the left!" answered the other; "No, no, I'm partly sure we should turn to the right." "You had better make some enquiry," said I. "Ma foi!" cried Madame Duval, "we're in a fine hole here!-they neither of them know no more than the post. However, I'll tell my Lady as sure as you're born, you'd better find the way." "Let's try this lane," said the footman. "No," said the coachman, "that's the road to Canterbury; we had best go straight on." "Why, that's the direct London road," returned the footman, "and will lead us twenty miles about." "Pardi," cried Madame Duval, "why, they won't go one way nor t'other! and now we're come all this jaunt for nothing, I suppose we shan't get home to-night!" "Let's go back to the public-house," said the footman, "and ask for a guide." "No, no," said the other, "if we stay here a few minutes, somebody or other will pass by; and the horses are almost knocked up already." "Well, I protest," cried Madame Duval, "I'd give a guinea to see them sots both horse-whipped! As sure as I'm alive they're drunk! Ten to one but they'll overturn us next." After much debating, they at length agreed to go on till we came to some inn, or met with a passenger who could direct us. We soon arrived at a farm-house, and the footman alighted, and went into it. In a few minutes he returned, and told us we might proceed, for that he had procured a direction: "But," added he, "it seems there are some thieves hereabouts; and so the best way will be for you to leave your watches and your purses with the farmer, whom I know very well, and who is an honest man, and a tenant of my Lady's." "Thieves!" cried Madame Duval, looking aghast; "the Lord help us!-I've no doubt but we shall be all murdered!" The farmer came up to us, and we gave him all we were worth, and the servants followed our example. We then proceeded; and Madame Duval's anger so entirely subsided, that, in the mildest manner imaginable, she intreated them to make haste, and promised to tell their Lady how diligent and obliging they had been. She perpetually stopped them, to ask if they apprehended any danger; and was at length so much overpowered by her fears, that she made the footman fasten his horse to the back of the carriage, and then come and seat himself within it. My endeavours to encourage her were fruitless: she sat in the middle, held the man by the arm, and protested that if he did but save her life, she would make his fortune. Her uneasiness gave me much concern, and it was with the utmost difficulty I forbore to acquaint her that she was imposed upon; but the mutual fear of the Captain's resentment to me, and of her own to him, neither of which would have any moderation, deterred me. As to the footman, he was evidently in torture from restraining his laughter; and I observed that he was frequently obliged to make most horrid grimaces, from pretended fear, in order to conceal his risibility. Very soon after, "The robbers are coming!" cried the coachman. The footman opened the door, and jumped out of the chariot. Madame Duval gave a loud scream. I could no longer preserve my silence. "For Heaven's sake, my dear Madame," said I, "don't be alarmed,-you are in no danger,-you are quite safe,-there is nothing but-" Here the chariot was stopped by two men in masks; who at each side put in their hands as if for our purses. Madame Duval sunk to the bottom of the chariot, and implored their mercy. I shrieked involuntarily, although prepared for the attack: one of them held me fast, while the other tore poor Madame Duval out of the carriage, in spite of her cries, threats, and resistance. I was really frightened, and trembled exceedingly. "My angel!" cried the man who held me, "you cannot surely be alarmed,-do you not know me?-I shall hold myself in eternal abhorrence, if I have really terrified you." "Indeed, Sir Clement, you have," cried I:-"but, for Heaven's sake, where is Madame Duval?-why is she forced away?" "She is perfectly safe; the Captain has her in charge: but suffer me now, my adored Miss Anville, to take the only opportunity that is allowed me, to speak upon another, a much dearer, much sweeter subject." And then he hastily came into the chariot, and seated himself next to me. I would fain have disengaged myself from him, but he would not let me: "Deny me not, most charming of women," cried he, "deny me not this only moment that is lent me, to pour forth my soul into your gentle ears,-to tell you how much I suffer from your absence,-how much I dread your displeasure,-and how cruelly I am affected by your coldness!" "O, Sir, this is no time for such language;-pray leave me, pray go to the relief of Madame Duval,-I cannot bear that she should be treated with such indignity." "And will you,-can you command my absence?-When may I speak to you, if not now?-Does the Captain suffer me to breathe a moment out of his sight?-and are not a thousand impertinent people for ever at your elbow?" "Indeed, Sir Clement, you must change your style, or I will not hear you. The impertinent people you mean are among my best friends; and you would not, if you really wished me well, speak of them so disrespectfully." "Wish you well!-O, Miss Anville, point but out to me how, in what manner, I may convince you of the fervour of my passion;-tell me but what services you will accept from me,-and you shall find my life, my fortune, my whole soul at your devotion." "I want nothing, Sir, that you can offer;-I beg you not to talk to me so-so strangely. Pray leave me; and pray assure yourself you cannot take any method so successless to show any regard for me, as entering into schemes so frightful to Madame Duval, and so disagreeable to myself." "The scheme was the Captain's: I even opposed it: though, I own, I could not refuse myself the so-long-wished-for happiness of speaking to you once more, without so many of-your friends to watch me. And I had flattered myself, that the note I charged the footman to give you, would have prevented the alarm you have received." "Well Sir, you have now, I hope, said enough; and, if you will not go yourself to see for Madame Duval, at least suffer me to inquire what is become of her." "And when may I speak to you again?" "No matter when,-I don't know,-perhaps-" "Perhaps what, my angel?" "Perhaps never, Sir,-if you torment me thus." "Never! O, Miss Anville, how cruel, how piercing to my soul is that icy word!-Indeed I cannot endure such displeasure." "Then, Sir, you must not provoke it. Pray leave me directly." "I will Madam: but let me, at least, make a merit of my obedience,-allow me to hope that you will, in future, be less averse to trusting yourself for a few moments alone with me" I was surprised at the freedom of this request: but, while I hesitated how to answer it, the other mask came up to the chariot-door, and, in a voice almost stifled with laughter said, "I've done for her!-the old buck is safe;-but we must sheer off directly, or we shall be all ground." Sir Clement instantly left me, mounted his horse, and rode off. The Captain having given some directions to the servants, followed him. I was both uneasy and impatient to know the fate of Madame Duval, and immediately got out of the chariot to seek her. I desired the footman to show me which way she was gone; he pointed with his finger by way of answer, and I saw that he dared not trust his voice to make any other. I walked on at a very quick pace, and soon, to my great consternation, perceived the poor lady seated upright in a ditch. I flew to her with unfeigned concern at her situation. She was sobbing, nay, almost roaring, and in the utmost agony of rage and terror. As soon as she saw me, she redoubled her cries; but her voice was so broken, I could not understand a word she said. I was so much shocked, that it was with difficulty I forebore exclaiming against the cruelty of the Captain for thus wantonly ill-treating her; and I could not forgive myself for having passively suffered the deception. I used my utmost endeavours to comfort her, assuring her of our present safety, and begging her to rise and return to the chariot. Almost bursting with passion, she pointed to her feet, and with frightful violence she actually tore the ground with her hands. I then saw that her feet were tied together with a strong rope, which was fastened to the upper branch of a tree, even with a hedge which ran along the ditch where she sat. I endeavoured to untie the knot; but soon found it was infinitely beyond my strength. I was, therefore, obliged to apply to the footman; but, being very unwilling to add to his mirth by the sight of Madame Duval's situation. I desired him to lend me a knife: I returned with it, and cut the rope. Her feet were soon disentangled; and then, though with great difficulty, I assisted her to rise. But what was my astonishment, when, the moment she was up, she hit me a violent slap on the face! I retreated from her with precipitation and dread: and she then loaded me with reproaches, which, though almost unintelligible, convinced me that she imagined I had voluntarily deserted her; but she seemed not to have the slightest suspicion that she had not been attacked by real robbers. I was so much surprised and confounded at the blow, that, for some time, I suffered her to rave without making any answer; but her extreme agitation, and real suffering, soon dispelled my anger, which all turned into compassion. I then told her, that I had been forcibly detained from following her, and assured her of my real sorrow of her ill-usage. She began to be somewhat appeased; and I again intreated her to return to the carriage, or give me leave to order that it should draw up to the place where we stood. She made no answer, till I told her, that the longer we remained still, the greater would be the danger of our ride home. Struck with this hint, she suddenly, and with hasty steps, moved forward. Her dress was in such disorder, that I was quite sorry to have her figure exposed to the servants, who all of them, in imitation of her master, hold her in derision: however the disgrace was unavoidable. The ditch, happily, was almost quite dry, or she must have suffered still more seriously; yet so forlorn, so miserable a figure, I never before saw her. Her head-dress had fallen off, her linen was torn, her negligee had not a pin left in it, her petticoats she was obliged to hold on, and her shoes were perpetually slipping off. She was covered with dirt, weeds, and filth, and her face was really horrible; for the pomatum and powder from her head, and the dust from the road, were quite pasted on her skin by her tears, which, with her rouge, made so frightful a mixture, that she hardly looked human. The servants were ready to die with laughter the moment they saw her; but not all my remonstrances could prevail upon her to get into the carriage, till she had most vehemently reproached them both for not rescuing her. The footman, fixing his eyes on the ground, as if fearful of again trusting himself to look at her, protested that the robbers had vowed they would shoot him if he moved an inch, and that one of them had stayed to watch the chariot, while the other carried her off, adding, that the reason of their behaving so barbarously, was to revenge our having secured our purses. Notwithstanding, her anger, she gave immediate credit to what he said; and really imagined that her want of money had irritated the pretended robbers to treat her with such cruelty. I determined, therefore, to be carefully upon my guard not to betray the imposition, which could now answer no other purpose, then occasioning an irreparable breach between her and the Captain. Just as we were seated in the chariot, she discovered the loss which her head had sustained, and called out, "My God! what is become of my hair?-why, the villain has stole all my curls!" She then ordered the man to run and see if he could find any of them in the ditch. He went, and presently returning, produced a great quantity of hair, in such nasty condition, that I was amazed she would take it; and the man, as he delivered it to her, found it impossible to keep his countenance; which she no sooner observed, than all her stormy passions were again raised. She flung the battered curls in his face, saying, "Sirrah, what do you grin for? I wish you'd been served so yourself, and you wouldn't have found it no such joke; you are the impudentest fellow ever I see; and if I find you dare grin at me any more, I shall make no ceremony of boxing your ears." Satisfied with the threat, the man hastily retired, and we drove on. Her anger now subsiding into grief, she began most sorrowfully to lament her case. "I believe," she cried, "never nobody was so unlucky as I am! and so here, because I ha'n't had misfortunes enough already, that puppy has made me lose my curls!-Why, I can't see nobody without them:-only look at me,-I was never so bad off in my life before. Pardi, if I'd know'd as much, I'd have brought two or three sets with me: but I'd never a thought of such a thing as this." Finding her now somewhat pacified, I ventured to ask an account of her adventure, which I will endeavour to write in her own words. "Why, child, all this misfortune comes of that puppy's making us leave our money behind us; for, as soon as the robber see I did put nothing in his hands, he lugged me out of the chariot by main force, and I verily thought he'd have murdered me. He was as strong as a lion; I was no more in his hands than a child. But I believe never nobody was so abused before; for he dragged me down the road, pulling and hauling me all the way, as if'd no more feeling than a horse. I'm sure I wish I could see that man cut up and quartered alive! however, he'll come to the gallows, that's one good thing. So soon as we'd got out of sight of the chariot, though he needn't have been afraid, for if he'd beat me to a mummy, those cowardly fellows wouldn't have said nothing to it-so, when I was got there, what does he do, but all of a sudden he takes me by both the shoulders, and he gives me such a shake!-Mon Dieu I shall never forget it, if I live to be an hundred. I'm sure I dare say I'm out of joint all over. And though I made as much noise as I ever could, he took no more notice of it than nothing at all; there he stood, shaking me in that manner, as if he was doing it for a wager. I'm determined, if it costs me all my fortune, I'll see that villain hanged. He shall be found out, if there's e'er a justice in England. So when he had shook me till he was tired, and I felt all over like a jelly, without saying never a word, he takes and pops me into the ditch! I'm sure, I thought he'd have murdered me, as much as ever I thought any thing in my life; for he kept bumping me about, as if he thought nothing too bad for me. However, I'm resolved I'll never leave my purse behind me again, the longest day I have to live. So when he couldn't stand over me no longer, he holds out his hands again for my money; but he was as cunning as could be, for he wouldn't speak a word, because I shouldn't swear to his voice; however, that sha'n't save him, for I'll swear to him any day in the year, if I can but catch him. So, when I told him I had no money, he fell to jerking me again, just as if he had but that moment begun! And, after that, he got me close by a tree, and out of his pocket he pulls a great cord!-It's a wonder I did not swoon away: for as sure as you're alive, he was going to hang to me that tree. I screamed like any thing mad, and told him if he would but spare my life, I'd never prosecute him, nor tell anybody what he'd done to me: so he stood some time quite in a brown study, a-thinking what he should do. And so, after that, he forced me to sit down in the ditch, and he tied my feet together, just as you see them: and then, as if he had not done enough, he twitched off my cap, and without saying nothing, got on his horse and left me in that condition; thinking, I suppose, that I might lie there and perish." Though this narrative almost compelled me to laugh, yet I was really irritated with the Captain, for carrying his love of tormenting,-sport, he calls it,-to such barbarous and unjustifiable extremes. I consoled and soothed her, as well as I was able: and told her, that since M. Du Bois had escaped, I hoped, when she recovered from her fright, all would end well. "Fright, child!" repeated she,-"why that's not half:-I promise you, I wish it was: but here I'm bruised from top to toe and it's well if ever I have the right use of my limbs again. However, I'm glad the villain got nothing but his trouble for his pains. But here the worst is to come, for I can't go out, because I've got no curls, and so he'll be escaped before I can get to the justice to stop him. I'm resolved I'll tell Lady Howard how her man served me; for if he hadn't made me fling 'em away, I dare say I would have pinned them up well enough for the country." "Perhaps Lady Howard may be able to lend you a cap that will wear without them." "Lady Howard, indeed! why, do you think I'd wear one of her dowdies? No, I'll promise you, I sha'n't put on no such disguisement. It's the unluckiest thing in the world that I did not make the man pick up the curls again; but he put me in such a passion, I could not think of nothing. I know I can't get none at Howard Grove for love nor money: for of all the stupid places ever I see, that Howard Grove is the worst; there's never no getting nothing one wants." This sort of conversation lasted till we arrived at our journey's end; and then a new distress occurred: Madame Duval was eager to speak to Lady Lady Howard and Mrs. Mirvan, and to relate her misfortunes: but she could not endure that Sir Clement or the Captain should see her in such disorder; so she said they were so ill-natured, that instead of pitying her, they would only make a jest of her disasters. She therefore sent me first into the house, to wait for an opportunity of their being out of the way, that she might steal up stairs unobserved. In this I succeeded, as the gentlemen thought it most prudent not to seem watching for her; though they both contrived to divert themselves with peeping at her as she passed. She went immediately to bed, where she had her supper. Lady Howard and Mrs. Mirvan both of them very kindly sat with her, and listened to her tale with compassionate attention: while Miss Mirvan and I retired to our own room, where I was very glad to end the troubles of the day in a comfortable conversation. The Captain's raptures, during supper, at the success of his plan, were boundless. I spoke afterwards to Mrs. Mirvan with the openness which her kindness encourages, and begged her to remonstrate with him upon the cruelty of tormenting Madame Duval so causelessly. She promised to take the first opportunity of starting up the subject: but said he was at present so much elated, that he would not listen to her with any patience. However, should he make any new efforts to molest her, I can by no means consent to be passive. Had I imagined he would have been so violent, I would have risked his anger in her defense much sooner. She had kept her bed all day, and declares she is almost bruised to death. Adieu, my dear Sir. What a long letter have I written! I could almost fancy I sent it to you from London! </CHAPTER> <CHAPTER> LETTER XXXIV EVELINA IN CONTINUATION Howard Grove, May 15. THIS insatiable Captain, if left to himself, would not, I believe, rest, till he had tormented Madame Duval into a fever. He seems to have no delight but in terrifying or provoking her; and all his thoughts apparently turn upon inventing such methods as may do it most effectually. She had her breakfast again in bed yesterday morning: but during ours, the Captain, with a very significant look at Sir Clement, gave us to understand, that he thought she had now rested long enough to bear the hardships of a fresh campaign. His meaning was obvious: and, therefore, I resolved to endeavour immediately to put a stop to his intended exploits. When breakfast was over, I followed Mrs. Mirvan out of the parlour, and begged her to lose no time in pleading the cause of Madame Duval with the Captain. "My love," answered she, "I have already expostulated with him; but all I can say is fruitless, while his favourite, Sir Clement, contrives to urge him on." "Then I will go and speak to Sir Clement," said I, "for I know he will desist if I request him." "Have I care, my dear!" said she, smiling: "it is sometimes dangerous to make requests to men who are too desirous of receiving them." "Well, then, my dear Madam, will you give me leave to speak myself to the Captain?" "Willingly: nay, I will accompany you to him." I thanked her, and we went to seek him. He was walking in the garden with Sir Clement. Mrs. Mirvan most obligingly made an opening for my purpose, by saying, "Mr. Mirvan, I have brought a petitioner with me." "Why, what's the matter now?" cried he. I was fearful of making him angry, and stammered very much, when I told him, I hoped he had no new plan for alarming Madame Duval. "New plan!" cried he; "why, you don't suppose the old one would do again, do you? Not but what it was a very good one, only I doubt she wouldn't bite." "Indeed, Sir," said I, "she had already suffered too much; and I hope you will pardon me, if I take the liberty of telling you, that I think it my my duty to do all in my power to prevent her being again so much terrified." A sullen gloominess instantly clouded his face, and, turning short from me, he said, I might do as I pleased, but that I should much sooner repent than repair my officiousness. I was too much disconcerted at this rebuff to attempt making any answer: and finding that Sir Clement warmly espoused my cause, I walked away, and left them to discuss the point together. Mrs. Mirvan, who never speaks to the Captain when he is out of humour, was glad to follow me, and with her usual sweetness made a thousand apologies for her husband's ill-manners. When I left her, I went to Madame Duval, who was just risen, and employed in examining the clothes she had on the day of her ill usage. "Here's a sight!" she cried. "Come, here child,-only look-Pardi, so long as I've lived, I never see so much before! Why, all my things are spoilt; and what's worse, my sacque was as good as new. Here's the second negligee I've used in this manner! - I'm sure I was a fool to put it on in such a lonesome place as this; however if I stay here these ten years, I'll never put on another good gown, that I'm resolved." "Will you let the maid try if she can iron it out, or clean it, Ma'am?" "No, she'll only make bad worse.-But look here, now, here's a cloak! Mon Dieu! why it looks like a dish-clout! Of all the unluckiness that ever I met, this is the worst! for, do you know, I bought it but the day before I left Paris!-Besides, into the bargain, my cap's quite gone: where the villain twitched it, I don't know; but I never see no more of it from that time to this. Now you must know that this was the becomingest cap I had in the world, for I've never another with pink ribbon in it; and, to tell you the truth, if I hadn't thought to have seen M. Du Bois, I'd no more have put it on than I'd have flown; for as to what one wears in such a stupid place as this, it signifies no more than nothing at all." She then told me, that she had been thinking all night of a contrivance to hinder the Captain from finding out her loss of curls; which was having a large gauge handkerchief pinned over her head as a hood, and saying she had the tooth-ache. "To tell you the truth," added she, "I believe that Captain is one of the worst men in the world; he's always making a joke of me; and as to his being a gentleman, he has no more manners than a bear, for he's always upon the grin when one's in distress; and, I declare I'd rather be done anything to than laughed at, for, to my mind, it's one or other the disagreeablest thing in the world." Mrs. Mirvan, I found, had been endeavouring to dissuade her from the design she had formed of having recourse to the law, in order to find out the supposed robbers; for she dreads a discovery of the Captain, during Madam Duval's stay at Howard Grove, as it could not fail being productive of infinite commotion. She has, therefore, taken great pains to show the inutility of applying to justice, unless she were more able to describe the offenders against whom she would appear; and has assured her, that as she neither heard their voices, nor saw their faces, she cannot possibly swear to their persons, or obtain any redress. Madame Duval, in telling me this, extremely lamented her hard fate, that she was thus prevented from revenging her injuries; which, however, she vowed she would not be persuaded to pocket tamely: "because," added she, "if such villains as these are let to have their own way, and nobody takes no notice of their impudence, they'll make no more ado than nothing at all of tying people in ditches, and such things as that: however, I shall consult with M. Du Bois, as soon as I can ferret out where he's hid himself. I'm sure I've a right to his advice, for it's all along of his gaping about at the Tower that I've met with these misfortunes." "M. Du Bois," said I, "will, I am sure, be very sorry when he hears what has happened." "And what good will that do now?-that won't unspoil all my clothes; I can tell him, I a'n't much obliged to him, though it's no fault of his;-yet it i'n't the less provokinger for that. I'm sure, if he had been there, to have seen me served in that manner, and put neck and heels into a ditch, he'd no more have thought it was me than the Pope of Rome. I'll promise you, whatever you may think of it, I sha'n't have no rest, night nor day, till I find out that rogue." "I have no doubt, Madam, but you will soon discover him." "Pardi, if I do, I'll hang him, as sure as fate!-but what's the oddest, is, that he should take such a special spite against me above all the rest! it was as much for nothing as could be; for I don't know what I had done, so particular bad, to be used in that manner: I'm sure, I hadn't given no offence, as I know of, for I never see his face all the time: and as to screaming a little, I think it's very hard if one mustn't do such a thing as that, when one's put in fear of one's life." During this conversation, she endeavoured to adjust her headdress, but could not at all please herself. Indeed, had I not been present, I should have thought it impossible for a woman, at her time of life, to be so very difficult in regard to dress. What she may have in view, I cannot imagine, but the labour of the toilette seems the chief business of her life. When I left her, in my way down stairs, I met Sir Clement; who with great earnestness, said he must not be denied the honour of a moment's conversation with me; and then, without waiting for an answer, he led me to the garden; at the door of which, however, I absolutely insisted upon stopping. He seemed very serious, and said, in a grave tone of voice, "At length, Miss Anville, I flatter myself I have hit upon an expedient that will oblige you; and therefore, though it is death to myself, I will put in practice." I begged him to explain himself. "I saw your desire of saving Madame Duval, and scarce could I refrain giving the brutal Captain my real opinion of his savage conduct; but I am unwilling to quarrel with him, lest I should be denied entrance into a house which you inhabit; I have been endeavouring to prevail with him to give up his absurd new scheme, but I find him impenetrable:-I have therefore determined to make a pretense for suddenly leaving this place, dear as it is to me, and containing all I most admire and adore;-and I will stay in town till the violence of this boobyish humour is abated." He stopped; but I was silent, for I knew not what I ought to say. He took my hand, which he pressed to his lips, saying, "And must I then, Miss Anville, must I quit you-sacrifice voluntarily my greatest felicity:-and yet not be honoured with one word, one look of approbation?" I withdrew my hand, and said with half a laugh, "You know so well, Sir Clement, the value of the favours you confer, that it would be superfluous for me to point it out." "Charming, charming girl! how does your wit, your understanding, rise upon me daily: and must I, can I part with you?-will no other method-" "O, Sir, do you so soon repent the good office you had planned for Madame Duval?" "For Madame Duval!-cruel creature, and will you not even suffer me to place to your account the sacrifice I am about to make?" "You must place it, Sir, to what account you please; but I am too much in haste now to stay here any longer." And then I would have left him; but he held me, and rather impatiently said, "If, then, I cannot be so happy as to oblige you, Miss Anville, you must not be surprised should I seek to oblige myself. If my scheme is not honoured with your approbation, for which alone it was formed, why should I, to my own infinite dissatisfaction, pursue it?" We were then, for a few minutes, both silent; I was really unwilling he should give up a plan which would so effectually break into the Captain's designs, and, at the same time, save me the pain of disobliging him; and I should instantly and thankfully have accepted his offered civility, had not Mrs. Mirvan's caution made me fearful. However, when he pressed me to speak, I said, in an ironical voice, "I had thought, Sir, that the very strong sense you have yourself of the favour you propose to me, would sufficiently have repaid you; but, as I was mistaken, I must thank you myself. And now," making a low courtesy, "I hope, Sir, you are satisfied." "Loveliest of thy sex-" he began; but I forced myself from him and ran upstairs. Soon after Miss Mirvan told me that Sir Clement had just received a letter, which obliged him instantly to leave the Grove, and that he had actually ordered a chaise. I then acquainted her with the real state of the affair. Indeed, I conceal nothing from her; she is so gentle and sweet-tempered, that it gives me great pleasure to place an entire confidence in her. At dinner, I must own, we all missed him; for though the flightiness of his behaviour to me, when we are by ourselves is very distressing; yet, in large companies, and general conversation, he is extremely entertaining and agreeable. As to the Captain, he has been so much chagrined at his departure, that he has scarce spoken a word since he went: but Madame Duval, who made her first public appearance since her accident, was quite in raptures that she escaped seeing him. The money which we left at the farm-house has been returned to us. What pains the Captain must have taken to arrange and manage the adventures which he chose we should meet with! Yet he must certainly be discovered; for Madame Duval is already very much perplexed, at having received a letter this morning from M. Du Bois, in which he makes no mention of his imprisonment. However, she has so little suspicion, that she imputes his silence upon the subject to his fears that the letter might be intercepted. Not one opportunity could I meet with, while Sir Clement was here, to enquire after his friend Lord Orville: but I think it was strange he should never mention him unasked. Indeed, I rather wonder that Mrs. Mirvan herself did not introduce the subject, for she always seemed particularly attentive to him. And now, once more, all my thoughts involuntarily turn upon the letter I so soon expect from Paris. This visit of Sir Clement has, however, somewhat diverted my fears; and, therefore, I am very glad he made it at this time. Adieu, my dear Sir. </CHAPTER> <CHAPTER> LETTER XXXV SIR JOHN BELMONT TO LADY HOWARD Paris, May 11. Madam, I HAVE this moment the honour of your Ladyship's Letter, and I will not wait another, before I return an answer. It seldom happens that a man, though extolled as a saint, is really without blemish; or that another, though reviled as a devil, is really without humanity. Perhaps the time is not very distant, when I may have the honour to convince your Ladyship of this truth, in regard to Mr. Villars and myself. As to the young lady, whom Mr. Villars so obligingly proposes presenting to me, I wish her all the happiness to which, by your ladyship's account, she seems entitled; and, if she has a third part of the merit of her to whom you compare her, I doubt not but Mr. Villars will be more successful in every other application he may make for her advantage, that he can ever be in any with which he may be pleased to favour me. I have the honour to be Madam, Your Ladyship's most humble, and most obedient servant, JOHN BELMONT. </CHAPTER> <CHAPTER> LETTER XXXVI EVELINA TO THE REV. MR. VILLARS Howard Grove, May 18. WELL, my dear Sir, all is now over! the letter so anxiously expected is at length arrived, and my doom is fixed. The various feelings which oppress me, I have not language to describe; nor need I-you know my heart, you have yourself formed it-and its sensations upon this occasion you may but too readily imagine. Outcast as I am, and rejected for ever by him to whom I of right belong-shall I now implore your continued protection?-No, no;-I will not offend your generous heart, which, open to distress, has no wish but to relieve it, with an application that would seem to imply a doubt. I am more secure than ever of your kindness, since you now know upon that is my sole dependence. I endeavour to bear this stroke with composure, and in such a manner as if I had already received your counsel and consolation. Yet, at times, my emotions are almost too much for me. O, Sir, what a letter for a parent to write! Must I not myself be deaf to the voice of nature, if I could endure to be thus absolutely abandoned without regret? I dare not even to you, nor would I, could I help it, to myself, acknowledge all that I might think; for, indeed, I have sometimes sentiments upon this rejection, which my strongest sense of duty can scarcely correct. Yet, suffer me to ask-might not this answer have been softened?-was it not enough to disclaim me for ever, without treating me with contempt, and wounding me with derision? But while I am thus thinking of myself, I forget how much more he is the object of sorrow than I am! Alas! what amends can he make himself for the anguish he is hoarding up for time to come! My heart bleeds for him, whenever this reflection occurs to me. What is said of you, my protector, my friend, my benefactor! I dare not trust myself to comment upon. Gracious Heaven! what a return for goodness so unparalleled! I would fain endeavour to divert my thoughts from this subject; but even that is not in my power; for, afflicting as this letter is to me, I find that it will not be allowed to conclude the affair, though it does all my expectations; for Madame Duval has determined not to let it rest here. She heard the letter in great wrath, and protested she would not be so easily answered; she regretted her facility in having been prevailed upon to yield the direction of this affair to those who knew not how to manage it, and vowed she would herself undertake and conduct it in future. It is in vain that I have pleaded against her resolution, and besought her to forbear an attack where she has nothing to expect but resentment: especially as there seems to be a hint, that Lady Howard will one day be more openly dealt with. She will not hear me: she is furiously bent upon a project which is terrible to think of;-for she means to go herself to Paris, take me with her, and there, face to face, demand justice! How to appease or to persuade her, I know not; but for the universe would I not be dragged, in such a manner, to an interview so awful, with a parent I have never yet beheld! Lady Howard and Mrs. Mirvan are both of them infinitely shocked at the present state of affairs, and they seem to be even more kind to me than ever; and my dear Maria, who is the friend of my heart, uses her utmost efforts to console me; and, when she fails in her design, with still greater kindness she sympathises in my sorrow. I very much rejoice, however, that Sir Clement Willoughby had left us before this letter arrived. I am sure the general confusion of the house would otherwise have betrayed to him the whole of a tale which I now, more than ever, wish to have buried in oblivion. Lady Howard thinks I ought not to disoblige Madame Duval, yet she acknowledges the impropriety of my accompanying her abroad on such an enterprise. Indeed, I would rather die than force myself into his presence. But so vehement is Madame Duval, that she would instantly have compelled me to attend her to town, in her way to Paris, had not Lady Howard so far exerted herself, as to declare she could by no means consent to my quitting her house, till she gave me up to you, by whose permission I had entered it. She was extremely angry at this denial; and the Captain, by his sneers and raillery, so much increased her rage, that she has positively declared, should your next letter dispute her authority to guide me by her own pleasure, she will, without hesitation, make a journey to Berry Hill, and teach you to know who she is. Should she put this threat in execution, nothing could give me greater uneasiness: for her violence and volubility would almost distract you. Unable as I am to act for myself, or to judge what conduct I ought to pursue, how grateful do I feel myself, that I have such a guide and director to counsel and instruct me as yourself! Adieu, my dearest Sir! Heaven, I trust, will never let me live to be repulsed, and derided by you, to whom I may now sign myself, wholly your EVELINA. </CHAPTER> <CHAPTER> LETTER XXXVII MR. VILLARS TO EVELINA Berry Hill, May 21. LET not my Evelina be depressed by a stroke of fortune for which she is not responsible. No breach of duty on your part has incurred the unkindness which has been shown you; nor have you, by any act of imprudence, provoked either censure or reproach. Let me intreat you, therefore, my dearest child, to support yourself with that courage which your innocency ought to inspire: and let all the affliction you allow yourself be for him only who, not having that support, must one day be but too severely sensible how much he wants it. The hint thrown out concerning myself is wholly unintelligible to me: my heart, I dare own, fully acquits me of vice; but without blemish, I have never ventured to pronounce myself. However, it seems his intention to be hereafter more explicit; and then,-should anything appear, that has on my part contributed to those misfortunes we lament, let me at least say, that the most partial of my friends cannot be so much astonished as I shall myself be at such a discovery. The mention, also, of any future applications I may make, is equally beyond my comprehension. But I will not dwell upon a subject, which almost compels from me reflections that cannot but be wounding to a heart so formed for filial tenderness as my Evelina's. There is an air of mystery throughout the letter, the explanation of which I will await in silence. The scheme of Madame Duval is such as might be reasonably expected from a woman so little inured to disappointment, and so totally incapable of considering the delicacy of your situation. Your averseness to her plan gives me pleasure, for it exactly corresponds with my own. Why will she not make the journey she projects by herself? She would not have even the wish of an opposition to encounter. And then, once more, might my child and myself be left to the quiet enjoyment of that peaceful happiness, which she alone has interrupted. As to her coming hither, I could, indeed, dispense with such a visit; but, if she will not be satisfied with my refusal by letter, I must submit to the task of giving it her in person. My impatience for your return is increased by your account of Sir Clement Willoughby's visit to Howard Grove. I am but little surprised at the perseverance of his assiduities to interest you in his favour; but I am very much hurt that you should be exposed to addresses, which, by their privacy, have an air that shocks me. You cannot, my love, be too circumspect; the slightest carelessness on your part will be taken advantage of by a man of his disposition. It is not sufficient for you to be reserved: his conduct even calls for your resentment; and should he again, as will doubtless be his endeavour, contrive to solicit your favour in private, let your disdain and displeasure be so marked, as to constrain a change in his behaviour. Though, indeed, should his visit be repeated while you remain at the Grove, Lady Howard must pardon me if I shorten yours. Adieu, my child. You will always make my respects to the hospitable family to which we are so much obliged. </CHAPTER> <CHAPTER> LETTER XXXVIII MR. VILLARS TO LADY HOWARD Berry Hill, May 27. Dear Madam, I BELIEVE your Ladyship will not be surprised at hearing I have had a visit from Madame Duval, as I doubt not her having made known her intention before she left Howard Grove. I would gladly have excused myself this meeting, could I have avoided it decently; but, after so long a journey, it was not possible to refuse her admittance. She told me, that she came to Berry Hill, in consequence of a letter I had sent to her grand-daughter, in which I forbid her going to Paris. Very roughly she then called me to account for the authority which I had assumed; and, had I been disposed to have argued with her, she would very angrily have disputed the right by which I used it. But I declined all debating. I therefore listened very quietly, till she had so much fatigued herself with talking, that she was glad, in her turn, to be silent. And then, I begged to know the purport of her visit. She answered, that she came to make me relinquish the power I had usurped over her grand-daughter; and assured me she would not quit the place till she succeeded. But I will not trouble your Ladyship with the particulars of this disagreeable conversation; nor should I, but on account of the result, have chosen so unpleasant a subject for your perusal. However, I will be as concise as I possibly can, that the better occupations of your Ladyship's time may be less impeded. When she found me inexorable in refusing Evelina's attending her to Paris, she peremptorily insisted that she should at least live with her in London till Sir John Belmont's return. I remonstrated against this scheme with all the energy in my power; but the contest was vain; she lost her patience, and I my time. She declared, that if I was resolute in opposing her, she would instantly make a will, in which she would leave all her fortune to strangers, though, otherwise, she intended her grand-daughter for her sole heiress. To me, I own, this threat seemed of little consequence; I have long accustomed myself to think, that, with a competency, of which she is sure, my child might be as happy as in the possession of millions; but the incertitude of her future fate deters me from following implicitly the dictates of my present judgement. The connections she may hereafter form, the style of life for which she may be destined, and the future family to which she may belong, are considerations which give but too much weight to the menaces of Madame Duval. In short, Madam, after a discourse infinitely tedious, I was obliged, though very reluctantly, to compromise with this ungovernable woman, by consenting that Evelina should pass one month with her. I never made a concession with so bad a grace, or so much regret. The violence and vulgarity of this woman, her total ignorance of propriety, the family to which she is related, and the company she is likely to keep, are objections so forcible to her having the charge of this dear child, that nothing less than my diffidence of the right I have of depriving her of so large a fortune, would have induced me to listen to her proposal. Indeed we parted, at last, equally discontented; she at what I had refused, I at what I had granted. It now only remains for me to return your Ladyship my humble acknowledgments for the kindness which you have so liberally shown to my ward; and to beg you would have the goodness to part with her when Madame Duval thinks proper to claim the promise which she has extorted from me. I am, Dear Madam, &c. ARTHUR VILLARS. </CHAPTER> <CHAPTER> LETTER XXXIX MR. VILLARS TO EVELINA Berry Hill, May 28. WITH a reluctance which occasions me inexpressible uneasiness, I have been almost compelled to consent that my Evelina should quit the protection of the hospitable and respectable Lady Howard, and accompany Madame Duval to a city which I had hoped she would never again have entered. But alas, my dear child, we are the slaves of custom, the dupes of prejudice, and dare not stem the torrent of an opposing world, even though our judgements condemn our compliance! However, since the die is cast, we must endeavor to make the best of it. You will have the occasion, in the course of the month you are to pass with Madame Duval, for all the circumspection and prudence you can call to your aid. She will not, I know, propose any thing to you which she thinks wrong herself; but you must learn not only to judge but to act for yourself; if any schemes are started, any engagements made, which your understanding represents to you as improper, exert yourself resolutely in avoiding them; and do not, by a too passive facility, risk the censure of the world, or your own future regret. You cannot too assiduously attend to Madame Duval herself; but I would wish you to mix as little as possible with her associates, who are not likely to be among those whose acquaintance would reflect credit upon you. Remember, my dear Evelina, nothing is so delicate as the reputation of a woman; it is at once the most beautiful and most brittle of all human things. Adieu, my beloved child; I shall be but ill at ease till this month is elapsed. A.V. </CHAPTER> <CHAPTER> LETTER XL EVELINA TO THE REV. MR. VILLARS London, June 6. ONCE more, my dearest Sir, I write to you from this great city. Yesterday morning, with the truest concern, I quitted the dear inhabitants of Howard Grove, and most impatiently shall I count the days till I see them again. Lady Howard and Mrs. Mirvan took leave of me with the most flattering kindness; but indeed I knew not how to part with Maria, whose own apparent sorrow redoubled mine. She made me promise to send her a letter every post: and I shall write to her with the same freedom, and almost the same confidence, you allow me to make use of to yourself. The Captain was very civil to me: but he wrangled with poor Madame Duval to the last moment; and, taking me aside, just before we got into the chaise, he said, "Hark'ee, Miss Anville, I've a favour for to ask of you, which is this; that you will write us word how the old gentlewoman finds herself, when she sees it was all a trick; and what the French lubber says to it, and all about it." I answered that I would obey him, though I was very little pleased with the commission, which, to me, was highly improper; but he will either treat me as an informer, or make me a party in his frolic. As soon as we drove away, Madame Duval, with much satisfaction, exclaimed, "Dieu merci, we've got off at last! I'm sure I never desire to see that place again. It's a wonder I've got away alive; for I believe I've had the worst luck ever was known, from the time I set my foot upon the threshold. I know I wish I'd never a gone. Besides, into the bargain, it's the most dullest place in all Christendom: there's never no diversions, nor nothing at all." Then she bewailed M. Du Bois; concerning whose adventures she continued to make various conjectures during the rest of our journey. When I asked her what part of London she should reside in, she told me that Mr. Branghton was to meet us at an inn, and would conduct us to a lodging. Accordingly, we proceeded to a house in Bishopsgate Street, and were led by a waiter into a room where we found Mr. Branghton. He received us very civilly; but seemed rather surprised at seeing me, saying, "Why, I didn't think of your bringing Miss; however, she's very welcome." "I'll tell you how it was," said Madame Duval: "you must know I've a mind to take the girl to Paris, that she may see something of the world, and improve herself a little; besides, I've another reason, that you and I will talk more about. But, do you know, that meddling old parson, as I told you of, would not let her go: however, I'm resolved I'll be even with him; for I shall take her on with me, without saying never a word more to nobody." I started at this intimation, which very much surprised me. But, I am very glad she has discovered her intention, as I shall be carefully upon my guard not to venture from town with her. Mr. Branghton then hoped we had passed our time agreeably in the country. "O Lord, cousin," cried she, "I've been the miserablest creature in the world! I'm sure all the horses in London sha'n't drag me into the country again of one while: why, how do you think I've been served?-only guess." "Indeed, cousin, I can't pretend to do that." "Why then I'll tell you. Do you know I've been robbed!-that is, the villain would have robbed me if he could, only I'd secured all my money." "Why, then cousin, I think your loss can't have been very great." "O Lord, you don't know what you're a saying; you're talking in the unthinkingest manner in the world: why, it was all along of not having no money that I met with that misfortune." "How's that, cousin? I don't see what great misfortune you can have met with, if you'd secured all your money." "That's because you don't know nothing of the matter: for there the villain came to the chaise; and, because we hadn't got nothing to give him, though he'd no more right to our money than the man in the moon, yet, do you know, he fell into the greatest passion ever you see, and abused me in such a manner, and put me in a ditch, and got a rope o'purpose to hang me;-and I'm sure, if that wasn't misfortune enough, why I don't know what is." "This is a hard case, indeed, cousin. But why don't you go to Justice Fielding?" "O as to that, I'm a going to him directly; but only I want first to see M. Du Bois; for the oddest thing of all is, that he has wrote to me, and never said nothing of where he is, nor what's become of him, nor nothing else." "M. Du Bois! why, he's at my house at this very time." "M. Du Bois at your house! well, I declare this is the surprisingest part of all: However, I assure you, I think he might have comed for me, as well as you, considering what I have gone through on his account; for, to tell you the truth, it was all along of him that I met with that accident; so I don't take it very kind of him, I promise you." "Well, but cousin, tell me some of the particulars of this affair." "As to the particulars, I'm sure they'd make your hair stand on end to hear them; however, the beginning of it all was through the fault of M. Du Bois: but, I'll assure you, he may take care of himself in future, since he don't so much as come to see if I'm dead or alive.-But, there, I went for him to a justice of peace, and rode all out of the way, and did every thing in the world, and was used worser than a dog, and all for the sake of serving of him; and now, you see, he don't so much-well, I was a fool for my pains.-However, he may get somebody else to be treated so another time; for, if he's taken up every day in the week, I'll never go after him no more." This occasioned an explanation; in the course of which Madame Duval, to her utter amazement, heard that M. Du Bois had never left London during her absence! nor did Mr. Branghton believe that he had ever been to the Tower, or met with any kind of accident. Almost instantly the whole truth of the transaction seemed to rush upon her mind, and her wrath was inconceivably violent. She asked me a thousand questions in a breath; but, fortunately, was too vehement to attend to my embarrassment, which must otherwise have betrayed my knowledge of the deceit. Revenge was her first wish; and she vowed she would go the next morning to Justice Fielding, and inquire what punishment she might lawfully inflict upon the Captain for his assault. I believe we were an hour at Bishopsgate Street before poor Madame Duval could allow any thing to be mentioned but her own story; at any length, however, Mr. Branghton told her, that M. Du Bois, and all his own family, were waiting for her at his house. A hackney-coach was then called, and we proceeded to Snow Hill. Mr. Branghton's house is small and inconvenient; though his shop, which takes in all the ground floor, is large and commodious. I believe I told you before, that he is a silver-smith. We were conducted up two pairs of stairs: for the dining-room, Mr. Branghton told us, was let. His two daughters, their brother, M. Du Bois, and a young man, were at tea. They had waited some time for Madame Duval, but I found they had not any expectation that I should accompany her; and the young ladies, I believe, were rather more surprised than pleased when I made my appearance; for they seemed hurt that I should see their apartment. Indeed, I would willingly have saved them that pain, had it been in my power. The first person who saw me was M. Du Bois, "Ah, mon Dieu!" exclaimed he, "voila Mademoiselle!" "Goodness," cried young Branghton, "if there isn't Miss!" "Lord, so there is!" said Miss Polly; "well, I'm sure I should never have dreamed of Miss's coming." "Nor I neither, I'm sure," cried Miss Branghton, "or else I would not have been in this room to see her: I'm quite ashamed about it;-only not thinking of seeing any body but my aunt-however, Tom, it's all your fault; for, you know very well I wanted to borrow Mr. Smith's room, only you were so grumpy you would not let me." "Lord, what signifies?" said her brother; "I dare be sworn Miss has been up two pair of stairs before now;-ha'n't you, Miss?" I begged that I might not give them the least disturbance; and assured them that I had not any choice in regard to what room we sat in. "Well," said Miss Polly, "when you come next, Miss, we'll have Mr. Smith's room: and it's a very pretty one, and only up one pair of stairs, and nicely furnished, and every thing." "To say the truth," said Miss Branghton, "I thought that my cousin would not, upon any account, have come to town in the summer-time; for it's not at all the fashion ;-so, to be sure, thinks I, she'll stay till September, when the play-houses open." This was my reception, which I believe you will not call a very cordial one. Madame Duval, who, after having severely reprimanded M. Du Bois for his negligence, was just entering upon the story of her misfortunes, now wholly engaged the company. M. Du Bois listened to her with a look of the utmost horror, repeatedly lifting up his eyes and hands, and exclaiming, "O ciel! quel barbare!" The young ladies gave her the most earnest attention; but their brother, and the young man, kept a broad grin upon their faces during the whole recital. She was, however, too much engaged to observe them; but, when she mentioned having been tied in a ditch, young Branghton, no longer able to contain himself, burst into a loud laugh, declaring that he had never heard any thing so funny in his life! His laugh was heartily re-echoed by his friend; the Miss Branghtons could not resist the example; and poor Madame Duval, to her extreme amazement, was absolutely overpowered and stopped by the violence of their mirth. For some minutes the room seemed quite in an uproar; the rage of Madame Duval, the astonishment of M. Du Bois, and the angry interrogatories of Mr. Branghton, on one side; the convulsive tittering of the sisters, and the loud laughs of the young men, on the other, occasioned such noise, passion and confusion, that had any one stopped an instant on the stairs, he must have concluded himself in Bedlam. At length, however, the father brought them to order; and, half-laughing, half-frightened, they made Madame Duval some very awkward apologies. But she would not be prevailed upon to continue her narrative, till they had protested they were laughing at the Captain, and not at her. Appeased by this, she resumed her story; which by the help of stuffing handkerchiefs into their mouths, the young people heard with tolerable decency. Every body agreed, that the ill-usage the Captain had given her was actionable; and Mr. Branghton said, he was sure she might recover what damages she pleased, since she had been put in fear of her life. She then, with great delight, declared, that she would lose no time in satisfying her revenge, and vowed she would not be contented with less than half his fortune: "For though," she said, "I don't put no value upon the money, because, Dieu merci, I ha'n't no want of it, yet I don't wish for nothing so much as to punish that fellow; for I'm sure, whatever's the cause of it, he owes me a great grudge, and I know no more what it's for than you do; but he's always been doing me one spite or another ever since I knew him." Soon after tea, Miss Branghton took an opportunity to tell me, in a whisper, that the young man I saw was a lover of her sister's, that his name was Brown, and that he was a haberdasher: with many other particulars of his circumstances and family; and then she declared her utter aversion to the thoughts of such a match; but added, that her sister had no manner of spirit or ambition, though, for her part, she would ten times rather die an old maid, than marry any person but a gentleman. "And, for that matter," added she, "I believe Polly herself don't care much for him, only she's in such a hurry, because, I suppose, she's a mind to be married before me; however, she's very welcome; for, I'm sure, I don't care a pin's point whether I ever marry at all;-it's all one to me." Some time after this, Miss Polly contrived to tell her story. She assured me, with much tittering, that her sister was in a great fright lest she should be married first. "So I make her believe that I will," continued she; "for I dearly love to plague her a little; though, I declare, I don't intend to have Mr. Brown in reality;-I'm sure I don't like him half well enough,-do you, Miss?" "It is not possible for me to judge of his merits," said I, "as I am entirely a stranger to him." "But what do you think of him, Miss?" "Why, really, I-I don't know." "But do you think him handsome? Some people reckon him to have a good pretty person;-but I'm sure, for my part, I think he's monstrous ugly:-don't you, Miss?" "I am no judge,-but I think his person is very-very well." "Very well! -Why, pray Miss," in a tone of vexation, "what fault can you find with it?" "O, none at all!" "I'm sure you must be very ill-natured if you could. Now there's Biddy says she thinks nothing of him,-but I know it's all out of spite. You must know, Miss, it makes her as mad as can be that I should have a lover before her; but she's so proud that nobody will court her, and I often tell her she'll die an old maid. But the thing is, she has taken it into her head to have a liking for Mr. Smith, as lodges on the first floor; but, Lord, he'll never have her, for he's quite a fine gentleman; and besides, Mr. Brown heard him say one day, that he'd never marry as long as he lived, for he'd no opinion of matrimony." "And did you tell your sister this?" "O, to be sure, I told her directly; but she did not mind me; however, if she will be a fool she must." This extreme want of affection and good-nature increased the distaste I already felt for these unamiable sisters; and a confidence so entirely unsolicited and unnecessary, manifested equally their folly and their want of decency. I was very glad when the time for our departing arrived. Mr. Branghton said our lodgings were in Holborn, that we might be near his house, and neighbourly. He accompanied us to them himself. Our rooms are large, and not inconvenient; our landlord is an hosier. I am sure I have a thousand reasons to rejoice that I am so little known: for my present situation is, in every respect, very unenviable; and I would not, for the world, be seen by any acquaintance of Mrs. Mirvan. This morning, Madame Duval, attended by all the Branghtons, actually went to a Justice in the neighborhood, to report the Captain's ill usage of her. I had great difficulty in excusing myself from being of the party, which would have given me very serious concern. Indeed, I was extremely anxious, though at home, till I heard the result of the application, for I dread to think of the uneasiness which such an affair would occasion the amiable Mrs. Mirvan. But, fortunately, Madame Duval has received very little encouragement to proceed in her design; for she has been informed, that, as she neither heard the voice, nor saw the face of the person suspected, she will find difficulty to cast him upon conjecture, and will have but little probability of gaining her cause, unless she can procure witnesses of the transaction. Mr. Branghton, therefore, who has considered all the circumstances of the affair, is of the opinion; the lawsuit will not only be expensive, but tedious and hazardous, and has advised against it. Madame Duval, though very unwillingly, has acquiesced in his decision; but vows, that if she ever is so affronted again, she will be revenged, even if she ruins herself. I am extremely glad that this ridiculous adventure seems now likely to end without more serious consequences. Adieu, my dearest Sir. My direction is at Mr. Dawkin's, a hosier in High Holborn. </CHAPTER> <CHAPTER> LETTER XLI EVELINA TO MISS MIRVAN June 7th I HAVE no words, my sweet friend, to express the thankfulness I feel for the unbounded kindness which you, your dear mother, and the much-honoured Lady Howard, have shown me; and still less can I find language to tell you with what reluctance I parted from such dear and generous friends, whose goodness reflects, at once, so much honour on their own hearts, and on her to whom it has been so liberally bestowed. But I will not repeat what I have already written to the kind Mrs. Mirvan; I will remember your admonitions, and confine to my own breast that gratitude with which you have filled it, and teach my pen to dwell upon subjects less painful to my generous correspondent. O, Maria! London now seems no longer the same place where I lately enjoyed so much happiness; every thing is new and strange to me; even the town itself has not the same aspect.-My situation so altered!-my home so different!-my companions so changed!-But you well know my averseness to this journey. Indeed, to me, London now seems a desert: that gay and busy appearance it so lately wore, is now succeeded by a look of gloom, fatigue, and lassitude; the air seems stagnant, the heat is intense, the dust intolerable, and the inhabitants illiterate and under-bred; At least, such is the face of things in the part of town where I at present reside. Tell me, my dear Maria, do you never retrace in your memory the time we passed here when together? to mine it recurs for ever! And yet I think I rather recollect a dream, or some visionary fancy, than a reality.-That I should ever have been known to Lord Orville,-that I should have spoken to-have danced with him,-seems now a romantic illusion: and that elegant politeness, that flattering attention, that high-bred delicacy, which so much distinguished him above all other men, and which struck us with so much admiration, I now retrace the remembrance of rather as belonging to an object of ideal perfection, formed by my own imagination, than to a being of the same race and nature as those with whom I at present converse. I have no news for you, my dear Miss Mirvan; for all that I could venture to say of Madame Duval I have already written to your sweet mother; and as to adventures, I have none to record. Situated as I now am, I heartily hope I shall not meet with any; my wish is to remain quiet and unnoticed. Adieu! excuse the gravity of this letter; and believe me, your most sincerely Affectionate and obliged EVELINA ANVILLE. </CHAPTER> <CHAPTER> LETTER XLII EVELINA TO THE REV. MR. VILLARS Holborn, June 9. YESTERDAY morning we received an invitation to dine and spend the day at Mr. Branghton's; and M. Du Bois, who was also invited, called to conduct us to Snow Hill. Young Branghton received us at the door; and the first words he spoke were, "Do you know, sisters a'n't dressed yet." Then, hurrying us into the house, he said to me, "Come, Miss, you shall go upstairs and catch 'em,-I dare say they're at the glass." He would have taken my hand; but I declined this civility, and begged to follow Madame Duval. Mr. Branghton then appeared, and led the way himself. We went, as before, up two pairs of stairs; but the moment the father opened the door, the daughters both gave a loud scream. We all stopped; and then Miss Branghton called out, "Lord, Papa, what do you bring the company up here for? why, Polly and I a'n't half dressed." "More shame for you," answered he; "here's your aunt, and cousin, and M. Du Bois, all waiting, and ne'er a room to take them to." "Who'd have thought of their coming so soon?" cried she: "I am sure for my part I thought Miss was used to nothing but quality hours." "Why, I sha'n't be ready this half-hour yet," said Miss Polly; "can't they stay in the shop till we're dressed?" Mr. Branghton was very angry, and scolded them violently: however, we were obliged to descend, and stools were procured for us in the shop, where we found the brother, who was highly delighted, he said, that his sisters had been catched; and he thought proper to entertain me with a long account of their tediousness, and the many quarrels they all had together. When, at length, these ladies were equipped to their satisfaction, they made their appearance; but before any conversation was suffered to pass between them and us, they had a long and most disagreeable dialogue with their father, to whose reprimands, though so justly incurred, they replied with the utmost pertness while their brother all the time laughed aloud. The moment they perceived this, they were so much provoked, that, instead of making any apologies to Madame Duval, they next began to quarrel with him. "Tom, what do you laugh for? I wonder what business you have to be always a laughing when Papa scolds us?" "Then what business have you to be such a while getting on your clothes? You're never ready, you know well enough." "Lord, Sir, I wonder what's that to you! I wish you'd mind your own affairs, and not trouble yourself about ours. How should a boy like you know any thing?" "A boy, indeed! not such a boy, neither: I'll warrant you'll be glad to be as young when you come to be old maids." This sort of dialogue we were amused with till dinner was ready, when we again mounted up two pairs of stairs. In our way, Miss Polly told me that her sister had asked Mr. Smith for his room to dine in, but he had refused to lend it; "because," she said, "one day it happened to be a little greased: however, we shall have it to drink tea in, and then, perhaps, you may see him; and I assure you he's quite like one of the quality, and dresses as fine, and goes to balls and dances, and every thing, quite in taste; and besides, Miss, he keeps a foot-boy of his own too." The dinner was ill-served, ill-cooked, and ill-managed. The maid who waited had so often to go down stairs for something that was forgotten, that the Branghtons were perpetually obliged to rise from table themselves, to get plates, knives, and forks, bread or beer. Had they been without pretensions, all this would have seemed of no consequence; but they aimed at appearing to advantage, and even fancied they succeeded. However, the most disagreeable part of our fare was that the whole family continually disputed whose turn it was to rise, and whose to be allowed to sit still. When this meal was over, Madame Duval, ever eager to discourse upon her travels, entered into an argument with Mr. Branghton, and, in broken English, M. Du Bois, concerning the French nation: and Miss Polly, then addressing herself to me, said "Don't you think, Miss, it's very dull sitting up stairs here? we'd better go down to shop, and then we shall see the people go by." "Lord, Poll," said the brother, "you're always wanting to be staring and gaping; and I'm sure you needn't be so fond of showing yourself, for you're ugly enough to frighten a horse." "Ugly, indeed! I wonder which is best, you or me. But, I tell you what, Tom, you've no need to give yourself such airs; for, if you do, I'll tell Miss of-you know what-" "Who cares if you do? you may tell what you will; I don't mind-" "Indeed," cried I, "I do not desire to hear any secrets." "O, but I'm resolved I'll tell you, because Tom's so very spiteful. You must know, Miss, t'other night-" "Poll," cried the brother, "if you tell of that, Miss shall know all about your meeting young Brown,-you know when!-So I'll be quits with you one way or other." Miss Polly coloured, and again proposed our going down stairs till Mr. Smith's room was ready for our reception. "Aye, so we will," said Miss Branghton; "I'll assure you, cousin, we have some very genteel people pass by our shop sometimes. Polly and I always go and sit there when we've cleaned ourselves." "Yes, Miss," cried the brother, "they do nothing else all day long, when father don't scold them. But the best fun is, when they've got all their dirty things on, and all their hair about their ears, sometimes I send young Brown up stairs to them: and then there's such a fuss!-There, they hide themselves, and run away, and squeal and squall, like any thing mad: and so then I puts the two cats into the room, and I gives them a good whipping, and so that sets them a squalling too; so there's such a noise and such an uproar!-Lord, you can't think, Miss, what fun it is!" This occasioned a fresh quarrel with the sisters; at the end of which, it was at length decided that we should go to the shop. In our way down stairs, Miss Branghton said aloud, "I wonder when Mr. Smith's room will be ready." "So do I," answered Polly; "I'm sure we should not do any harm to it now." This hint had not the desired effect; for we were suffered to proceed very quietly. As we entered the shop, I observed a young man in deep mourning leaning against the wall, with his arms folded, and his eyes fixed on the ground, apparently in profound and melancholy meditation; but the moment he perceived us, he started, and, making a passing bow, very abruptly retired. As I found he was permitted to go quite unnoticed, I could not forbear enquiring who he was. "Lord!" answered Miss Branghton, "he's nothing but a poor Scotch poet." "For my part," said Miss Polly, "I believe he's just starved, for I don't find he has anything to live upon." "Live upon!" cried the brother; "why, he's a poet, you know, so he may live upon learning." "Aye, and good enough for him, too," said Miss Branghton; "for he's as proud as he's poor." "Like enough," replied the brother; "but, for all that, you won't find he will live without meat and drink: no, no, catch a Scotchman at that if you can! why, they only come here for what they can get." "I'm sure," said Miss Branghton, "I wonder Papa'll be such a fool as to let him stay in the house, for I dare say he'll never pay for his lodging." "Why, no more he would, if he could get another lodger. You know the bill has been put up this fortnight. Miss, if you should hear of a person that wants a room, I assure you it is a very good one, for all it's up three pair of stairs." I answered, that as I had no acquaintance in London, I had not any chance of assisting them: but both my compassion and my curiosity were excited for this poor young man; and I asked them some further particulars concerning him. They then acquainted me, that they had only known him three months. When he first lodged with them, he agreed to board also; but had lately told them he would eat by himself, though they all believed he had hardly ever tasted a morsel of meat since he left their table. They said, that he had always appeared very low-spirited; but for the last month he had been duller than ever; and, all of a sudden, he had put himself into mourning, though they knew not for whom, nor for what; but they supposed it was only for convenience, as no person had ever been to see or enquire for him since his residence amongst them: and they were sure he was very poor, as he had not paid for his lodgings the last three weeks: and, finally, they concluded he was a poet, or else half-crazy, because they had, at different times, found scraps of poetry in his room. They then produced some unfinished verses, written on small pieces of paper, unconnected, and of a most melancholy cast. Among them was the fragment of an ode, which, at my request, they lent to me to copy; and as you may perhaps like to see it, I will write it now. O LIFE! thou lingering dream of grief, of pain, And every ill that Nature can sustain, Strange, mutable, and wild! Now flattering with Hope most fair, Depressing now with fell Despair, The nurse of Guilt, the slave of Pride, That, like a wayward child, Who, to himself a foe, Sees joy alone in what's denied, In what is granted, woe! O thou poor, feeble, fleeting, pow'r, By Vice seduc'd, by Folly woo'd, By Mis'ry, Shame, Remorse, pursu'd; And as thy toilsome steps proceed, Seeming to Youth the fairest flow'r, Proving to Age the rankest weed, A gilded but a bitter pill, Of varied, great, and complicated ill! These lines are harsh, but they indicate an internal wretchedness, which I own, affects me. Surely this young man must be involved in misfortunes of no common nature but I cannot imagine what can induce him to remain with this unfeeling family, where he is, most unworthily, despised for being poor, and most illiberally detested for being a Scotchman. He may, indeed, have motives, which he cannot surmount, for submitting to such a situation. Whatever they are, I most heartily pity him, and cannot but wish it were in my power to afford him some relief. During this conversation, Mr. Smith's foot-boy came to Miss Branghton, and informed her, that his master said she might have the room now when she liked it, for that he was presently going out. This very genteel message, though it perfectly satisfied the Miss Branghtons, by no means added to my desire of being introduced to this gentleman; and upon their rising, with intention to accept his offer, I begged they would excuse my attending them, and said I would sit with Madame Duval till the tea was ready. I therefore once more went up two pair of stairs with young Branghton, who insisted upon accompanying me; and there we remained till Mr. Smith's foot-boy summoned us to tea, when I followed Madame Duval into the dining-room. The Miss Branghtons were seated at one window, and Mr. Smith was lolling indolently out of the other. They all approached us at our entrance; and Mr. Smith, probably to show he was master of the department, most officiously handed me to a great chair at the upper end of the room, without taking any notice of Madame Duval, till I rose and offered her my own seat. Leaving the rest of the company to entertain themselves, he very abruptly began to address himself to me, in a style of gallantry equally new and disagreeable to me. It is true, no man can possibly pay me greater compliments, or make more fine speeches, than Sir Clement Willoughby: yet his language, though too flowery, is always that of a gentleman; and his address and manners are so very superior to those of the inhabitants of this house, that, to make any comparison between him and Mr. Smith, would be extremely unjust. This latter seems very desirous of appearing a man of gaiety and spirit; but his vivacity is so low-bred, and his whole behaviour so forward and disagreeable, that I should prefer the company of dullness itself, even as that goddess is described by Pope, to that of this sprightly young man. He made many apologies that he had not lent his room for our dinner, which he said, he should certainly have done, had he seen me first: and he assured me, that when I came again, he should be very glad to oblige me. I told him, and with sincerity, that every part of the house was equally indifferent to me. "Why, Ma'am, the truth is, Miss Biddy and Polly take no care of any thing; else, I'm sure, they should be always welcome to my room; for I'm never so happy as in obliging the ladies,-that's my character, Ma'am:-but, really, the last time they had it, every thing was made so greasy and so nasty, that, upon my word, to a man who wishes to have things a little genteel, it was quite cruel. Now, as to you, Ma'am, it's quite another thing, for I should not mind if every thing I had was spoilt, for the sake of having the pleasure to oblige you; and I assure you, Ma'am, it makes me quite happy that I have a room good enough to receive you." This elegant speech was followed by many others so much in the same style, that to write them would be superfluous; and as he did not allow me a moment to speak to any other person, the rest of the evening was consumed in a painful attention to this irksome young man, who seemed to intend appearing before me to the utmost advantage. Adieu, my dear Sir. I fear you will be sick of reading about this family; yet I must write of them, or not of any, since I mix with no other. Happy I shall be when I quit them all, and again return to Berry Hill. </CHAPTER>

Volume II, Letter I - Volume II, Letter XI

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Evelina continues to write to Mr. Villars of her time at Howard Grove. Howard Grove was enlivened by a visit from Sir Clement Willoughby. The Captain was extremely excited to see his friend, and hoped Sir Clement would help him annoy the "old French-woman." Evelina, however, was dismayed to see their plans to do so put into place. One morning at breakfast, the Captain convinced Madame Duval that Monsieur Du Bois was in trouble with the law. He was shifty enough that she believed him, and she soon began to inquire after her friend with the appropriate authorities. That evening, a letter arrived stating that Du Bois had been imprisoned for "suspicion of treasonable practices against the government." It had been written by the Captain, but Madame Duval did not realize it. Evelina could hardly believe that Madame Duval fell for this ruse. Upon request, Evelina commissioned a chariot to bring Madame Duval into town so she could investigate the claims. She also accompanied her grandmother. Evelina was ashamed to be involved in the affair, but feared the Captain might turn on her if she did not comply. In town, they learned that Monsieur Du Bois had "escaped," and ordered the coachman to return home. Obviously, this information had been planted by the Captain. While heading back to Howard Grove, their coachman warned the women that thieves were about. This news, which Evelina knew to be part of the Captain's plan, terrified Madame Duval, who assumed they would be murdered. Because of the warning, they left their money and valuables with a friend. It was not long until two masked men accosted the chariot. One held Evelina, while the other pulled Madame Duval from the carriage despite her shrieks and resistance. Evelina soon realized it was Sir Clement who held her, as he entered the carriage to sit by her. He forcefully told her of his affection until she begged him to desist, and demanded he stop the cruelty towards her grandmother. The man in the other mask came back, laughing and saying that "I've done for her!" It was clearly the Captain in the other mask. After the men left, Evelina demanded the footman lead her to Madame Duval. She found her grandmother in a ditch, "roaring, and in the utmost agony of rage and terror." Her feet were tied together with a strong rope fastened to the upper branch of a tree. She was in complete disorder - her clothes were torn or in disarray, her head curls had fallen off, and she was covered in dirt and dust. On the ride back to Howard Grove, Evelina asked Madame Duval for an account of what had happened. Madame Duval said that the robber dragged her down the road, and then shook her extremely hard. Pretending to be angry that they had no valuables, he revealed a rope, which she thought he would use to hang her. She screamed excessively, but he never said a word. He used the rope to tie her up and leave her in the state that Evelina found her in. Evelina almost wanted to laugh at the story, but she was mostly irritated with the Captain "for carrying his love of tormenting - sport, he calls it - to such barbarous and unjustifiable extremes." At Howard Grove, Madame Duval went quickly upstairs. The men did not appear until supper, during which the Captain was in raptures over the prank's success. The next day, he wanted to do nothing but devise new ways in which to torture her. Evelina asked Mrs. Mirvan to talk to her husband about ceasing these torments, but Mrs. Mirvan said it was fruitless. Evelina announced she would make the request of Sir Clement, but Mrs. Mirvan warned her that it was sometimes unwise to make requests of men "who are too desirous of receiving them." Indeed, the idea of asking Sir Clement for anything gave her pause. Evelina first confronted the Captain with her request. It made him gloomy. Later, Sir Clement found Evelina in private to say that he wished to honor her request, but would have to leave town suddenly so as to not anger the Captain for abandoning their plans. He implored her for one word or look of approbation, threatening that without it, he saw no reason to help her. After bearing his demands silently, she offered a sarcastic admonishment and then hurriedly left. To her surprise, Sir Clement left that evening anyway. She admits in her letter that his presence is conspicuous at dinner since he tends to pleasant and agreeable while in large company. That same evening, Madame Duval was puzzled when a letter from Monsieur Du Bois made no mention of imprisonment. The next letter is Sir John Belmont's short reply to Lady Howard. He wishes well for Evelina, but has nothing further to offer her. He also makes a veiled accusation of ill behavior on the part of Mr. Villars. Evelina writes to Mr. Villars of her profound distress at her father's rejection. She can barely think of anything else in her anguish. She also tells how Madame Duval was incensed by the letter, and hinted that she might go to Paris to demand justice face-to-face. Mr. Villars writes to Evelina to comfort her. He warns her to be careful of Sir Clement. He then writes to Lady Howard, mentioning how Madame Duval had visited him and was, as ever, exceedingly unpleasant. She demanded that Evelina live with her in London, threatening to withhold any fortune due the girl if he did not comply. He hates the idea, but is forced by this threat to reach a compromise: Evelina will live with her grandmother in London for one month. He then writes to inform Evelina of this plan, warning her to be a prudent judge and guardian of her delicate reputation. Evelina soon writes to Mr. Villars about her arrival in London. Though Evelina has separate lodgings with Madame Duval, her grandmother took her immediately to Mr. Branghton's house. While there, Madame Duval learned the truth about Monsieur Du Bois. As expected, she grew violently angry to realize what the Captain had done. She complains of the Branghton house, which is small and inconvenient. Downstairs is a shop where they conduct business; it is very uncomfortable to sit in, yet they are there all the time. While there, she once again encountered the Miss Branghtons. It was not a very cordial reception. They laughed uproariously when Madame Duval told her story of the "robbers," which incensed the older woman. In talking with the two sisters, Evelina noted their "extreme want of affection, and good-nature" which "increased the distaste I already felt for ." Evelina writes to Maria Mirvan, complaining how different London is while living amongst the Branghtons. She no longer found it gay, but instead found it dull and gloomy. She then writes to Mr. Villars of how dinners were held at the Branghton house. They intended to dine in the room of their boarder, Mr. Smith, but he argued his room was only fit for after-dinner tea. Dinner was "ill-served, ill-cooked, and ill-managed," and the family argued incessantly. While passing through the shop on the way to tea after dinner, they encountered the Branghton's other lodger - a very melancholy and serious young man named Mr. Macartney . Miss Branghton explained that she believes him to be a Scottish poet because of his demeanor, and because they found scraps of poetry in his room. They showed Evelina what they had found, and she read, "an internal wretchedness, which, I own, affects me." While at Mr. Smith's for tea, he began to address himself to Evelina in a "style of gallantry equally new and disagreeable to me." His manners were far worse than Sir Clement's. She spent the rest of the evening in painful attention to this "irksome young man."

Burney's perspective as a woman grows more pronounced as the novel continues. In this set of letters, several incidents highlight her understanding of women as constantly in danger from male aggression. With the robbery prank, Captain Mirvan exceeds his previous torture of Madame Duval. It is an altogether strange and uncomfortable episode that serves as a demonstration of violence against women. The Captain's misogyny grows from verbal assaults into actual physical abuse. The psychological effect of his gleeful persecution is also much heightened by this particular attack; he is no longer sitting face-to-face with Madame Duval and trading insults, but is now constructing a situation to cultivate tremendous fear, anxiety, rage, and humiliation. What's more, he does all of this without having to take any responsibility for it. Madame Duval is treated like refuse, her femininity assaulted and mocked, and her person touched in an inappropriate way. Were the Captain's antagonist male, he would not have had recourse to the kneejerk fears that a woman felt while traveling unprotected. This episode reveals the length to which the Captain's hatred of women and foreigners extended, and, on a more macro scale, the ill treatment which women received at the hands of men in the 18th century. Further, Evelina's beauty has become not only a liability, but also a torture to her. Sir Clement's niceties are revealed as hypocritical when he threatens to continue torturing Madame Duval if Evelina is not sweet to him. He manipulates the delicacy that society forces women to maintain, and is less interested in actually deserving it than he is in receiving it. It is almost as though he fetishizes this feminine delicacy, which in turn suggests it is not just women he is interested in, but moreover his masculine control over them. This interpretation can easily be applied to the robbery prank as well. The episode with Mr. Smith, while less physically threatening, also touches on Evelina's helplessness. Decorum requires her to sit as this manner-less ass accosts her, showing no subtlety in his aggression. On a different subject, the epistolary structure of the novel begs some consideration. Why did Frances Burney write Evelina as a series of letters, rather than as a straightforward novel, and what points or themes does that reveal? In her influential critical article on the subject, Irene Tucker discusses letters and the theory of property. She sees Evelina's epistolary form as " the paradox of owning letters into a paradox about property, representation, and, ultimately, the nature of the self." In other words, the idea of 'owning' a relationship through a person's letters is a complicated idea that touches on how we define ourselves. The complexities of the relationships between writers and recipients of letters is increased dramatically when they are part of an epistolary novel. Tucker expands her discussion to include properties of letters, and thereby touch on the novel's complexities. First, a real-world letter has an identifiable author and is addressed to a specific person. In an epistolary novel, there is also a second writer and addressee - the author of the novel and the novel's readers. Secondly, a letter implies an "I," which in the novel is still the fictional construction of the novel's author. Thirdly, letters in an epistolary novel are dated to help the narrative movement by marking the passage of time, but they do not provide any real-world context of time. The reader's perspective is complicated because s/he does not know whether s/he is reading the letters as they are being written, as they are being read by their recipient, or at some other independent moment. Fourthly, letters are always written without any foreknowledge or an understanding of the future; they cannot trace out a destiny and are naturally fragmented. Thus, in Evelina, there is a tension between this fragmentation and the novel's unity. Fifthly, there is a "splitting of material and ideal forms of the letter" in that "the idea of the letter is invoked, while many of the material aspects are held in abeyance" in an epistolary novel. Burney has to control all the events of the story as author, while the form of letters sits in stark contrast to this kind of control and omniscience. All of these contradictions parallel Evelina's complicated place in the world. Burney places Evelina, a disowned heiress, "at the center of the contradictions regarding property and identity." Mr. Villars, her guardian, reveals through his letters that he considers Evelina to be somewhat his property; there are similarities between him sending out letters and "sending out" Evelina into the world. The form of the letters changes throughout the novel. They are first short and very much like traditional letters. Later, however, as Evelina writes, they are longer and more novel-like. Evelina's letters show how she is growing apart from Mr. Villars as well. She is first hesitant to write, but then embraces her identity as a letter-writing subject and writes copiously. Tucker notes, "the substitution of the ideality of the letter for the materiality of Evelina's actual body hence becomes a necessary condition of her developing autonomy." She becomes "irreducibly different" from Mr. Villars, and becomes progressively more confident in shaping her own life. Thus, Burney traces her primary growth not through the language of an omniscient narrator, but instead through the changing form of the letters Evelina writes.

gradesaver

all_chapterized_books/6053-chapters/volume_2_chapters_12_to_19.txt

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Evelina.volume 2.chapters 12-19

volume 2, letter 12-19

{"name": "Volume II, Letter XII -Volume II, Letter XIX", "url": "https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-ii-letter-xii-volume-ii-letter-xix", "summary": "Evelina continues her letters to Mr. Villars. Mr. Smith called upon Evelina to invite her to the Hampstead Assembly, but she refused him. Despite his surprise and persistence, she would not change her mind. Finally, he appealed to Madame Duval through flattery, and succeeded in winning that lady's favor. The next day, Evelina saw the young Scottish man at the Branghton's shop. He was turning the corner up the stairs when she saw a pistol fall from his pocket. She was dumbfounded, and, realizing that he intended to commit suicide, she followed him upstairs to stop him. She rushed into his room and grabbed his arm, falling down by his side. He was utterly shocked, and Evelina grew embarrassed. She tried to take the pistols, imploring him to have mercy on himself. On his knees before her, he passionately called her his angel, and Evelina quickly seized the pistols and exited the room. He followed her downstairs, but their conversation was interrupted by the Branghtons. Evelina fainted from the encounter, and the Branghtons roused her with their loud talking. She told them what had happened. That day the \"rashness and misery of this ill-fated young man engrossed all thoughts,\" she writes to Mr. Villars. The next day, the Branghtons invited she and Madame Duval to dinner. They talked rudely about their lodger, until they were interrupted by the arrival of Mr. Smith. The party then amused themselves by reflecting on all the London locations Evelina had not seen. The next day, Evelina was sent back to the Branghtons while Madame Duval remained in bed with her vapors. Evelina saw Mr. Macartney reading in the corner of the shop, but was not able to speak with him. Instead, she sat with Miss Polly and her lover Mr. Brown, a situation that made her uncomfortable. Mr. Smith arrived sometime later to join the whole family. Evelina became increasingly irritated by him. She was also sensible of the family's rudeness in front of Mr. Macartney. She tried to \"shew civility to this unhappy man, whose misfortunes, with this family, only render him an object of scorn.\" She was happy that Monsieur Du Bois was there, because he was the only one who was kind and respectful to the Scot. A few days later, they journeyed to Vauxhall as a group: Madame Duval, Evelina, the Branghtons, Monsieur Du Bois, Mr. Brown, and Mr. Smith. Evelina enjoyed the hautbois concerto, finding it very enchanting. She also found the lights appealing, but greatly disliked her company. Mr. Smith annoyed her by attaching himself to her for the entire experience. Thankfully, she found some respite in the company of Monsieur Du Bois. The party had supper, and then the girls were given permission to walk about the gardens together. Miss Branghton proposed that they stroll along the dark walks, and Miss Polly agreed since it would allow her to playfully hide from Mr. Brown. The plan concerned Evelina, who worried they would get lost from their group, but she had no choice but to follow them. They soon encountered a boisterous and riotous group of young men who rushed upon them. One of them grabbed Evelina and called her a \"pretty little creature.\" She pulled away and ran up the walk, right into another group of men. One of them caught her hands and aggressively asked where she was going. Terrified she implored them to let her pass. One man in the group recognized her voice: Sir Clement Willoughby. He quickly pulled her away from the young men, astonished by her presence there. She found his attention annoying, and did not want him to see the company she was with. He followed her, however, asking her questions and complimenting her, then begging her forgiveness when she grew angry. They finally found her party, and she knew she could no longer conceal them from Sir Clement. He was astonished when he met them. Madame Duval, of course, was incensed to see the man who she knew had been involved in the Captain's schemes. Evelina was perturbed by Sir Clement's manners towards her, which adapted depending on the company they were in. Here, he seemed bolder and less restrained than when around the Mirvans. When inquiring about her situation with this party, he was far too open and blunt. The Branghton girls finally returned from the walks, and then the party looked at art for awhile. Everyone seemed in awe of Sir Clement, and his presence obviously made Mr. Smith jealous. When it was time to leave, Sir Clement managed to finagle his way into the same carriage as Madame Duval and Evelina, which distressed her since she did not want him to see where she was staying. Madame Duval was infuriated that he was with them. When they arrived, Evelina noticed him looking over the abode. The next morning, Miss Branghton and Mr. Smith were full of questions about Sir Clement. After a while, Clement himself entered the room to notify Evelina that he was heading towards Howard Grove the next day, and to inquire if she had any messages to send there. He then sat with the family, and discoursed on a variety of subjects. The group was disinclined to reply, each person for his or her own reason - Madame Duval was angry, Mr. Smith was afraid, young Branghton was ashamed, and the sisters were enamored. Finally, Madame Duval could forebear no longer, and she angrily accused Sir Clement of engineering the robbery prank. Her intensity made Sir Clement nervous, which in turn helped everyone else relax, so proud they were of how Madame Duval excoriated him. His attempts to defend himself made him behave awkwardly. He finally insisted he would depart, which subdued everyone else. Before he left, he asked Evelina why she kept company with such people. Evelina continues her letters to Mr. Villars. She writes of an encounter she had with Mr. Macartney, who generally seemed very shy and disordered around her. He tried to speak to her one day, to ask her who she was and why she seemed to be the \"arbitress and ruler of the destiny of such a wretch as I am?\" When she said she had merely meant to help him, he praised her voice. She was called upstairs by the Branghtons before any more was said. Mr. Villars writes to Evelina, praising her bravery in the case of Mr. Macartney, and lamenting the poor man's situation. Mr. Villars wonders whether the man's behavior is influenced by guilt and misconduct, rather than misfortune. He also once more criticizes Sir Clement. Evelina writes back, confessing that his conjectures on Macartney leave her uneasy, though his appearance suggests misery rather than guilt to her. Maria had recently written to her with news that Sir Clement had returned to Howard Grove, to the great delight of Captain Mirvan. Mr. Smith visited Evelina, and again insisted she should accompany him to the Hampstead Assembly. Once he appealed to Madame Duval, offering both ladies tickets, Evelina was forced to accept. He smugly expressed happiness over his victory. On the night of the assembly, the Branghtons quarreled in their usual coarse manner as Evelina got ready. Young Branghton warned Evelina to be wary of Mr. Smith, who often admitted he had no desire to marry. Mr. Smith, looking at Evelina, told Young Branghton, \"if I did marry, it should be your cousin.\" Evelina was shocked at his forthrightness. At the assembly, she watched her grandmother dance with Mr. Smith, while she delighted in being alone. She did have to reject many suitors, however. She equally refused to dance with Mr. Smith, no matter how hard he tried to recruit her. He grew frustrated with her abstinence, and commented that he would never again trouble to get tickets for a young lady if he was only to dance with her grandmother.", "analysis": "The concept of marriage becomes more prominent in this set of letters. This is to be expected, considering how inextricably linked the theme was to most 18th century literature written by and about women. Frances Burney had rejected a proposal when she was very young, and this novel, written a year later, was in many ways a response to that situation. In this book, she details the ever-present reality of a young woman's need to marry. She created a smart, intuitive, and virtuous young heroine to navigate the \"marriage market,\" as scholar Judith Newton deems it. Newton's article explains how, in Evelina, Burney is \"firmly committed to the assumption that marriage is a woman's only destiny and to the understanding that she achieves this destiny through displaying herself and waiting to be chosen.\" Of course, this situation means that a woman might often be viewed as overstocked merchandise or even as helpless prey. That Burney's intelligent heroine is nevertheless devoid of significant options is a damning enough condemnation of the reality, but that neither the author nor the protagonist even question this state of affairs is even worse. In the world of Evelina, men behave badly, and view women very much as commodities. Burney seems to accept this as unalterable fact, but she does not shy away from representing how oppressive it can be for women. Mr. Smith is the best example of a man who knows he is a \"buyer in a buyer's market,\" and therefore believes he can impress his will upon women. Recall the first assembly Evelina attends, and her observation that men there act as if they bestow gifts by asking a woman to dance. In the pleasure gardens, her situation becomes overwhelmingly oppressive; Evelina is grabbed, accosted, leered at, and finally \"rescued\" by Sir Clement, who uses the opportunity to try and seduce her. There is no sense that she has escaped an unjust situation; instead, the men feel lucky to now have her attention. The unkind men in the novel - Lord Merton, Mr. Smith, Mr. Lovel - are distinguished from Sir Clement because the latter man \"imposes upon his pursuit of Evelina the courtly fiction that she is Cinderella, the beautiful but distant object.\" He is thrilled to see her as sexual prey, and pursues her with a hunter's persistence - that is, he is not concerned with her feelings, but only with manipulating her feelings. He continues to play-act the role of a 'Prince Charming'; consider his profuse contrition after Evelina discovered he was driving aimlessly after the opera. However, Evelina prefers his advances to those of men like Mr. Smith because the former at least pretends that the pursuit has an air of civility. So naturally, Lord Orville stands in stark contrast to almost every other man. In some ways, he is the center of the fiction for Burney. Newton writes, \"That a man like Orville exists, that he ignores all the usual requirements of marriage, that he permanently confers upon Evelina the identity of Cinderella is a fiction so complete that Burney is moved either to anticipate the reader's disbelief or to reassure us that our hero has not been parted from his judgment.\" He is too good to be true and \"his extraordinary virtues are both wish fulfillment and compensation.\" He is both a dramatic and thematic necessity, since he provides counterpoint to a novel that would be overly pessimistic otherwise, but Burney has to take great pains to keep him dramatically interesting, as will be seen with his letter in coming sections. Newton also details Evelina's personal growth in the face of this 'marriage market'. Evelina does develop a defense against these forceful men, but she cannot truly maintain that defense, since she would ultimately have to abdicate that power to be a suitable wife. Lord Orville will have to intervene on her behalf multiple times in the third volume of the novel, as he will surely continue to do so in his role of husband. Considering that the third volume is where a protagonist would usually show the most agency, it is telling that this novel's protagonist will rely on another for that purpose. Overall, Evelina's encounter with the world \"is a woman's traditional encounter; it is a time of waiting, a time of transition, during which she is transferred from the protection of one male authority to the protection of another.\" The quality that makes Evelina dramatically interesting is her pastoral upbringing - she has a perspective on the cruel absurdity of her situation that a girl brought up solely in such society would never have. However, Evelina's journey is not a true bildungsroman because she cannot truly achieve the personal growth that a young man can. In other words, Burney somewhat lacks the original perspective Evelina does - we could imagine the latter finally realizing that the 'marriage market' is a sham, except that her creator is unwilling to go there. Fanny Burney wrote a novel that reveals an acceptance of a woman's role in the world, though there is a cynical edge in Lord Orville, since she can only temper her cynicism by \" fictions\" like him."}

<CHAPTER> LETTER XLIII EVELINA IN CONTINUATION June 10th THIS morning Mr. Smith called, on purpose, he said, to offer me a ticket for the next Hampstead assembly. I thanked him, but desired to be excused accepting it: he would not, however, be denied, nor answered; and, in a manner both vehement and free, pressed and urged his offer, till I was wearied to death: but, when he found me resolute, he seemed thunderstruck with amazement, and thought proper to desire I would tell him my reasons. Obvious as they must surely have been to any other person, they were such as I knew not how to repeat to him; and, when he found I hesitated, he said, "Indeed, Ma'am, you are too modest; I assure you the ticket is quite at your service, and I shall be very happy to dance with you; so pray don't be so coy." "Indeed, Sir," returned I, "you are mistaken; I never supposed you would offer a ticket without wishing it should be accepted; but it would answer no purpose to mention the reasons which make me decline it, since they cannot possibly be removed." This speech seemed very much to mortify him; which I could not be concerned at, as I did not choose to be treated by him with so much freedom. When he was, at last, convinced that his application to me was ineffectual, he addressed himself to Madame Duval, and begged she would interfere in his favour; offering at the same time to procure another ticket for herself. "Ma foi, Sir," answered she, angrily, "you might as well have had the complaisance to ask me before; for, I assure you, I don't approve of no such rudeness: however, you may keep your tickets to yourself, for we don't want none of 'em." This rebuke almost overset him; he made many apologies, and said that he should certainly have first applied to her, but that he had no notion the young lady would have refused him, and, on the contrary, had concluded that she would have assisted him to persuade Madame Duval herself. This excuse appeased her; and he pleaded his cause so successfully, that, to my great chagrin, he gained it, and Madame Duval promised that she would go herself, and take me to the Hampstead assembly whenever he pleased. Mr. Smith then, approaching me with an air of triumph, said, "Well, Ma'am, now I think you can't possibly keep to your denial." I made no answer; and he soon took leave, tho' not till he had so wonderfully gained the favour of Madame Duval, that she declared, when he was gone, he was the prettiest young man she had seen since she came to England. As soon as I could find an opportunity, I ventured, in the most humble manner, to intreat Madame Duval would not insist upon my attending her to this ball; and represented to her, as well as I was able, the impropriety of my accepting any present from a man so entirely unknown to me: but she laughed at my scruples; called me a foolish, ignorant country-girl; and said she should make it her business to teach me something of the world. This ball is to be next week. I am sure it is not more improper for, than unpleasant to me, and I will use every possible endeavour to avoid it. Perhaps I may apply to Miss Branghton for advice, as I believe she will be willing to assist me, from disliking, equally with myself, that I should dance with Mr. Smith. June 11th O, my dear Sir! I have been shocked to death; and yet at the same time delighted beyond expression, in the hope that I have happily been the instrument of saving a human creature from destruction. This morning Madame Duval said she would invite the Branghton family to return our visit to-morrow; and, not choosing to rise herself,-for she generally spends the morning in bed,-she desired me to wait upon them with her message. M. Du Bois, who just then called, insisted upon attending me. Mr. Branghton was in the shop, and told us that his son and daughter were out; but desired me to step up stairs, as he very soon expected them home. This I did, leaving M. Du Bois below. I went into the room where we had dined the day before; and, by a wonderful chance, I happened to seat myself, that I had a view of the stairs, and yet could not be seen from them. In about ten minutes time, I saw, passing by the door, with a look perturbed and affrighted, the same young man I mentioned in my last letter. Not heeding, as I suppose, how he went, in turning the corner of the stairs, which are narrow and winding, his foot slipped and he fell; but almost instantly rising, I plainly perceived the end of a pistol, which started from his pocket by hitting against the stairs. I was inexpressibly shocked. All that I had heard of his misery occurring to my memory, made me conclude that he was, at that very moment, meditating suicide! Struck with the dreadful idea, all my strength seemed to fail me. He moved on slowly, yet I soon lost sight of him; I sat motionless with terror; all power of action forsook me; and I grew almost stiff with horror; till recollecting that it was yet possible to prevent the fatal deed, all my faculties seemed to return, with the hope of saving him. My first thought was to fly to Mr. Branghton; but I feared, that an instant of time lost might for ever be rued; and, therefore, guided by the impulse of my apprehensions, as well as I was able I followed him up stairs, stepping very softly, and obliged to support myself by the banisters. When I came within a few stairs of the landing-place I stopped; for I could then see into his room, as he had not yet shut the door. He had put the pistol upon a table, and had his hand in his pocket, whence, in a few moments, he took out another: he then emptied something on the table from a small leather bag; after which, taking up both the pistols, one in each hand, he dropt hastily upon his knees, and called out, "O, God!-forgive me!" In a moment strength and courage seemed lent to me as by inspiration: I started, and rushing precipitately into the room, just caught his arm, and then, overcome by my own fears, I fell down at his side breathless and senseless. My recovery, however, was, I believe, almost instantaneous; and then the sight of this unhappy man, regarding me with a look of unutterable astonishment, mixed with concern, presently restored to me my recollection. I arose, though with difficulty; he did the same; the pistols, as I soon saw, were both on the floor. Unwilling to leave them, and, indeed, too weak to move, I leant one hand on the table, and then stood perfectly still; while he, his eyes cast wildly towards me, seemed too infinitely amazed to be capable of either speech or action. I believe we were some minutes in this extraordinary situation; but, as my strength returned, I felt myself both ashamed and awkward, and moved towards the door. Pale and motionless, he suffered me to pass, without changing his posture, or uttering a syllable; and, indeed, He look'd a bloodless image of despair.-POPE. When I reached the door, I turned round; I looked fearfully at the pistols, and, impelled by an emotion I could not repress, I hastily stepped back, with an intention of carrying them away: but their wretched owner, perceiving my design, and recovering from his astonishment, darting suddenly down, seized them both himself. Wild with fright, and scarce knowing what I did, I caught, almost involuntarily, hold of both his arms, and exclaimed, "O, Sir! have mercy on yourself!" The guilty pistols fell from his hands, which, disengaging from me, he fervently clasped, and cried, "Sweet Heaven! is this thy angel?" Encouraged by such gentleness, I again attempted to take the pistols; but, with a look half frantic, he again prevented me, saying "What would you do?" "Awaken you," I cried, with a courage I now wonder at, "to worthier thoughts, and rescue you from perdition." I then seized the pistols; he said not a word,-he made no effort to stop me;-I glided quick by him, and tottered down stairs ere he had recovered from the extremest amazement. The moment I reached again the room I had so fearfully left, I threw away the pistols, and flinging myself on the first chair, gave free vent to the feelings I had most painfully stifled, in a violent burst of tears, which, indeed, proved a happy relief to me. In this situation I remained some time; but when, at length, I lifted up my head, the first object I saw was the poor man who had occasioned my terror, standing, as if petrified, at the door, and gazing at me with eyes of wild wonder. I started from the chair; but trembled so excessively, that I almost instantly sunk again into it. He then, though without advancing, and, in a faultering voice, said, "Whoever, or whatever you are, relieve me, I pray you, from the suspense under which my soul labours-and tell me if indeed I do not dream?" To this address, so singular, and so solemn, I had not then the presence of mind to frame any answer; but as I presently perceived that his eyes turned from me to the pistols, and that he seemed to intend regaining them, I exerted all my strength, and saying, "O, for Heaven's sake forbear!" I rose and took them myself. "Do my sense deceive me!" cried he, "do I live-? And do you?" As he spoke he advanced towards me; and I, still guarding the pistols, retreated, saying, "No, no-you must not-must not have them!" "Why-for what purpose, tell me!-do you withhold them?"- "To give you time to think,-to save you from eternal misery; -and, I hope, to reserve you for mercy and forgiveness." "Wonderful!" cried he, with uplifted hands and eyes, "most wonderful!" For some time he seemed wrapped in deep thought, till a sudden noise of tongues below announcing the approach of the Branghtons, made him start from his reverie: he sprung hastily forward, -dropt on one knee,-caught hold of my gown, which he pressed to his lips; and then, quick as lightning, he rose, and flew up stairs to his own room. There was something in the whole of this extraordinary and shocking adventure, really too affecting to be borne; and so entirely had I spent my spirits, and exhausted my courage, that before the Branghtons reached me, I had sunk on the ground without sense or motion. I believe I must have been a very horrid sight to them on their entrance into the room; for to all appearance, I seemed to have suffered a violent death, either by my own rashness, or the cruelty of some murderer, as the pistols had fallen close by my side. How soon I recovered I know not; but, probably I was more indebted to the loudness of their cries than to their assistance; for they all concluded that I was dead, and, for some time, did not make any effort to revive me. Scarcely could I recollect where, or indeed what, I was, ere they poured upon me such a torrent of questions and enquiries, that I was almost stunned by their vociferation. However, as soon, and as well as I was able, I endeavoured to satisfy their curiosity, by recounting what had happened as clearly as was in my power. They all looked aghast at the recital; but, not being well enough to enter into any discussions, I begged to have a chair called, and to return instantly home. Before I left them, I recommended, with great earnestness, a vigilant observance of their unhappy lodger; and that they would take care to keep from him, if possible, all means of self-destruction. M. Du Bois, who seemed extremely concerned at my indisposition, walked by the side of the chair, and saw me safe to my own apartment. The rashness and the misery of this ill-fated young man engross all my thoughts. If indeed, he is bent upon destroying himself, all efforts to save him will be fruitless. How much do I wish it were in my power to discover the nature of the malady which thus maddens him and to offer or to procure alleviation to his sufferings! I am sure, my dearest Sir, you will be much concerned for this poor man; and, were you here, I doubt not but you would find some method of awakening him from the error which blinds him, and of pouring the balm of peace and comfort into his afflicted soul. </CHAPTER> <CHAPTER> LETTER XLIV EVELINA IN CONTINUATION Holborn, June 13th. YESTERDAY all the Branghtons dined here. Our conversation was almost wholly concerning the adventure of the day before. Mr. Branghton said, that his first thought was instantly to turn his lodger out of doors, "Lest," continued he, "his killing himself in my house should bring me into any trouble: but then I was afraid I should never get the money that he owes me; whereas, if he dies in my house, I have a right to all he leaves behind him, if he goes off in my debt. Indeed, I would put him in prison,-but what should I get by that? he could not earn anything there to pay me: so I considered about it some time, and then I determined to ask him, point-blank, for my money out of hand. And so I did; but he told me he'd pay me next week: however, I gave him to understand, that though I was no Scotchman, yet, I did not like to be over-reached any more than he: so he then gave me a ring, which, to my certain knowledge, must be worth ten guineas, and told me he would not part with it for his life, and a good deal more such sort of stuff, but that I might keep it until he could pay me." "It is ten to one, father," said young Branghton, "if he came fairly by it." "Very likely not," answered he; "but that will make no great difference, for I shall be able to prove my right to it all one." What principles! I could hardly stay in the room. "I'm determined," said the son, "I'll take some opportunity to affront him soon, now I know how poor he is, because of the airs he gave himself when he first came." "And pray how was that, child?" said Madame Duval. "Why, you never knew such a fuss in your life as he made, because one day at dinner I only happened to say, that I supposed he had never got such a good meal in his life before he came to England: there, he fell in such a passion as you can't think: but for my part, I took no notice of it: for to be sure, thinks I, he must needs be a gentleman, or he'd never go to be so angry about it. However, he won't put his tricks upon me again in a hurry." "Well," said Miss Polly, "he's grown quite another creature to what he was, and he doesn't run away from us, nor hide himself, nor any thing; and he's as civil as can be, and he's always in the shop, and he saunters about the stairs, and he looks at every body as comes in." "Why, you may see what he's after plain enough," said Mr. Branghton; "he wants to see Miss again." "Ha, ha, ha! Lord, how I should laugh," said the son, "if he should have fell in love with Miss!" "I'm sure," said Miss Branghton, "Miss is welcome; but, for my part, I should be quite ashamed of such a beggarly conquest." Such was the conversation till tea-time, when the appearance of Mr. Smith gave a new turn to the discourse. Miss Branghton desired me to remark with what a smart air he entered the room, and asked me if he had not very much a quality look? "Come," cried he, advancing to us, "you ladies must not sit together; wherever I go I always make it a rule to part the ladies." And then, handing Miss Branghton to the next chair, he seated himself between us. "Well, now, ladies, I think we sit very well. What say you? for my part I think it was a very good motion." "If my cousin likes it," said Miss Branghton, "I'm sure I've no objection." "O," cried he, "I always study what the ladies like,-that's my first thought. And, indeed, it is but natural that you should like best to sit by the gentlemen, for what can you find to say to one another?" "Say!" cried young Branghton; "O, never you think of that, they'll find enough to say, I'll be sworn. You know the women are never tired of talking." "Come, come, Tom," said Mr. Smith, "don't be severe upon the ladies; when I'm by, you know I always take their part." Soon after, when Miss Branghton offered me some cake, this man of gallantry said, "Well, if I was that lady, I'd never take any thing from a woman." "Why not, Sir?" "Because I should be afraid of being poisoned for being so handsome." "Who is severe upon the ladies now?" said I. "Why, really, Ma'am, it was a slip of the tongue; I did not intend to say such a thing; but one can't always be on one's guard." Soon after, the conversation turning upon public places, young Branghton asked if I had ever been to George's at Hampstead? "Indeed, I never heard the place mentioned." "Didn't you, Miss," cried he eagerly; "why, then you've a deal of fun to come, I'll promise you; and, I tell you what, I'll treat you there some Sunday, soon. So now, Bid and Poll, be sure you don't tell Miss about the chairs, and all that, for I've a mind to surprise her; and if I pay, I think I've a right to have it my own way." "George's at Hampstead!" repeated Mr. Smith contemptuously; "how came you to think the young lady would like to go to such a low place as that! But, pray, Ma'am, have you ever been to Don Saltero's at Chelsea?" "No, Sir." "No!-nay, then I must insist on having the pleasure of conducting you there before long. I assure you, Ma'am, many genteel people go, or else, I give you my word, I should not recommend it." "Pray, cousin," said Mr. Branghton, "have you been at Sadler's Wells yet?" "No, Sir." "No! why, then you've seen nothing!" "Pray, Miss," said the son, "how do you like the Tower of London?" "I have never been to it, Sir." "Goodness!" exclaimed he, "not seen the Tower!-why, may be, you ha'n't been o' top of the Monument, neither?" "No, indeed, I have not." "Why, then, you might as well not have come to London for aught I see, for you've been no where." "Pray, Miss," said Polly, "have you been all over Paul's Church yet?" "No, Ma'am." "Well, but, Ma'am," said Mr. Smith, "how do you like Vauxhall and Marybone?" "I never saw either, Sir." "No-God bless me!-you really surprise me,-why Vauxhall is the first pleasure in life!-I know nothing like it.-Well, Ma'am, you must have been with strange people, indeed, not to have taken you to Vauxhall. Why you have seen nothing of London yet. However, we must try if we can't make you amends." In the course of this catechism, many other places were mentioned, of which I have forgotten the names; but the looks of surprise and contempt that my repeated negatives incurred were very diverting. "Come," said Mr. Smith, after tea, "as this lady has been with such a queer set of people, let's show her the difference; suppose we go somewhere to-night!-I love to do things with spirit!-Come, ladies, where shall we go? For my part I should like Foote's-but the ladies must choose; I never speak myself." "Well, Mr. Smith is always in such spirits!" said Miss Branghton. "Why, yes, Ma'am, yes, thank God, pretty good spirits;-I have not yet the cares of the world upon me;-I am not married,-ha, ha, ha!-you'll excuse me, ladies,-but I can't help laughing!" No objection being made, to my great relief we all proceeded to the little theatre in the Haymarket, where I was extremely entertained by the performance of the Minor and the Commissary. They all returned hither to supper. </CHAPTER> <CHAPTER> LETTER XLV EVELINA IN CONTINUATION June 15th. YESTERDAY morning Madame Duval again sent me to Mr. Branghton's, attended by M. Du Bois, to make some party for the evening, because she had had the vapours the preceding day from staying at home. As I entered the shop, I perceived the unfortunate North Briton seated in a corner, with a book in his hand. He cast his melancholy eyes up as we came in; and, I believe, immediately recollected my face-for he started, and changed colour. I delivered Madame Duval's message to Mr. Branghton, who told me I should find Polly up stairs, but that the others were gone out. Up stairs, therefore, I went; and, seated on a window, with Mr. Brown at her side, sat Miss Polly. I felt a little awkward at disturbing them, and much more so at their behaviour afterwards; for, as soon as the common enquiries were over, Mr. Brown grew so fond and so foolish, that I was extremely disgusted. Polly, all the time, only rebuked him with, "La, now, Mr. Brown, do be quiet, can't you?-you should not behave so before company.-Why, now, what will Miss think of me?"-While her looks plainly showed not merely the pleasure, but the pride which she took in his caresses. I did not by any means think it necessary to punish myself by witnessing their tenderness; and therefore telling them I would see if Miss Branghton were returned home, I soon left them, and against descended into the shop. "So, Miss, you've come again," said Mr. Branghton; "what, I suppose you've a mind to sit a little in the shop, and see how the world goes, hey, Miss?" I made no answer; and M. Du Bois instantly brought me a chair. The unhappy stranger, who had risen at my entrance, again seated himself; and though his head leant towards his book, I could not help observing, his eyes were most intently and earnestly turned towards me. M. Du Bois, as well as his broken English would allow him, endeavoured to entertain us till the return of Miss Branghton and her brother. "Lord, how tired I am!" cried the former; "I have not a foot to stand upon." And, then, without any ceremony, she flung herself into the chair from which I had risen to receive her. "You tired!" said the brother; "why, then, what must I be, that have walked twice as far?" And, with equal politeness, he paid the same compliment to M. Du Bois which his sister had done to me. Two chairs and three stools completed the furniture of the shop; and Mr. Branghton, who chose to keep his own seat himself, desired M. Du Bois to take another; and then seeing that I was without any, called out to the stranger, "Come, Mr. Macartney, lend us your stool." Shocked at their rudeness, I declined the offer; and, approaching Miss Branghton, said, "If you will be so good as to make room for me on your chair, there will be no occasion to disturb that gentleman." "Lord, what signifies that?" cried the brother; "he has had his share of sitting, I'll be sworn." "And, if he has not," said the sister, "he has a chair up stairs; and the shop is our own, I hope." This grossness so much disgusted me, that I took the stool, and carrying it back to Mr. Macartney myself, I returned him thanks as civilly as I could for his politeness, but said that I had rather stand. He looked at me as if unaccustomed to such attention, bowed very respectfully, but neither spoke nor yet made use of it. I soon found that I was an object of derision to all present, except M. Du Bois; and therefore, I begged Mr. Branghton would give me an answer for Madame Duval, as I was in haste to return. "Well, then, Tom,-Biddy, where have you a mind to go tonight? your aunt and Miss want to be abroad and amongst them." "Why, then, Papa," said Miss Branghton, "we'll go to Don Saltero's. Mr. Smith likes that place, so may be he'll go along with us." "No, no," said the son, "I'm for White-Conduit House; so let's go there." "White-Conduit House, indeed!" cried his sister; "no, Tom, that I won't." "Why, then, let it alone; nobody wants your company;-we shall do as well without you, I'll be sworn, and better too." "I'll tell you what, Tom, if you don't hold your tongue, I'll make you repent it,-that I assure you." Just then Mr. Smith came into the shop, which he seemed to intend passing through; but when he saw me, he stopped, and began a most courteous enquiry after my health, protesting, that, had he known I was there, he should have come down sooner. "But, bless me, Ma'am," added he, "what is the reason you stand?" and then he flew to bring me the seat from which I had just parted. "Mr. Smith, you are come in very good time," said Mr. Branghton, "to end a dispute between my son and daughter, about where they shall all go to-night." "O, fie, Tom,-dispute with a lady!" cried Mr. Smith. "Now, as for me, I'm for where you will, provided this young lady is of the party;-one place is the same as another to me, so that it be but agreeable to the ladies.-I would go any where with you, Ma'am," (to me) "unless, indeed, it were to church; -ha, ha, ha!-You'll excuse me, Ma'am; but, really, I never could conquer my fear of a parson;-ha, ha, ha!-Really, ladies, I beg your pardon for being so rude; but I can't help laughing for my life!" "I was just saying, Mr. Smith," said Miss Branghton, "that I should like to go to Don Saltero's;-now, pray, where should you like to go?" "Why, really, Miss Biddy, you know I always let the ladies decide; I never fix any thing myself; but I should suppose it would be rather hot at the coffee-house:-however, pray, ladies, settle it among yourselves;-I'm agreeable to whatever you choose." It was easy for me to discover, that this man, with all his parade of conformity, objects to every thing that is not proposed by himself: but he is so much admired by this family for his gentility, that he thinks himself a complete fine gentleman! "Come," said Mr. Branghton, "the best way will be to put it to the vote, and then every body will speak their minds. Biddy, call Poll down stairs. We'll start fair." "Lord, Papa," said Miss Branghton, "why can't you as well send Tom?-you're always sending me of the errands." A dispute then ensued, but Miss Branghton was obliged to yield. When Mr. Brown and Miss Polly made their appearance, the latter uttered many complaints of having been called, saying, she did not want to come, and was very well where she was. "Now, ladies, your votes," cried Mr. Smith; "and so, Ma'am (to me), we'll begin with you. What place shall you like best?" and then, in a whisper, he added, "I assure you, I shall say the same as you do, whether I like it or not." I said, that as I was ignorant what choice was in my power, I must beg to hear their decisions first. This was reluctantly assented to; and then Miss Branghton voted for Saltero's Coffee-house; her sister, for a party to Mother Red Cap's; the brother for White-Conduit House; Mr. Brown, for Bagnigge Wells; Mr. Braughton, for Sadler's Wells; and Mr. Smith, for Vauxhall. "Well now, Ma'am," said Mr. Smith, "we have all spoken, and so you must give the casting vote. Come, what will you fix upon?" "Sir," answered I, "I was to speak last." "Well, so you will," said Miss Branghton, "for we've all spoke first." "Pardon me," returned I, "the voting has not yet been quite general." And I turned towards Mr. Macartney, to whom I wished extremely to show that I was not of the same brutal nature with those by whom he was treated so grossly. "Why, pray," said Mr. Branghton, "who have we left out? would you have the cats and dogs vote?" "No, Sir," cried I, with some spirit, "I would have that gentleman vote,-if, indeed, he is not superior to joining our party." They all looked at me, as if they doubted whether or not they had heard me right: but, in a few moments, their surprise gave way to a rude burst of laughter. Very much displeased, I told M. Du Bois that if he was not ready to go, I would have a coach called for myself. O yes, he said, he was always ready to attend me. Mr. Smith then, advancing, attempted to take my hand, and begged me not to leave them till I had settled the evening's plans. "I have nothing, Sir," said I, "to do with it, as it is my intention to stay at home; and therefore Mr. Branghton will be so good as to send Madame Duval word what place is fixed upon, when it is convenient to him." And then, making a slight courtesy, I left them. How much does my disgust for these people increase my pity for poor Mr. Macartney! I will not see them when I can avoid so doing; but I am determined to take every opportunity in my power to show civility to this unhappy man, whose misfortunes with this family, only render him an object of scorn. I was, however, very well pleased with M. Du Bois, who, far from joining in their mirth, expressed himself extremely shocked at their ill-breeding. We had not walked ten yards before we were followed by Mr. Smith, who came to make excuses, and to assure me they were only joking, and hoped I took nothing ill; for if I did, he would make a quarrel of it himself with the Branghtons, rather than I should receive any offense. I begged him not to take any trouble about so immaterial an affair, and assured him I should not myself. He was so officious, that he would not be prevailed upon to return home, till he had walked with us to Mr. Dawkins's. Madame Duval was very much displeased that I brought her so little satisfaction. White-Conduit House was at last fixed upon; and, notwithstanding my great dislike of such parties and such places, I was obliged to accompany them. Very disagreeable, and much according to my expectations, the evening proved. There were many people all smart and gaudy, and so pert and low-bred, that I could hardly endure being amongst them; but the party to which, unfortunately, I belonged, seemed all at home. </CHAPTER> <CHAPTER> LETTER XLVI EVELINA TO THE REV. MR. VILLARS Holborn, June 17th. YESTERDAY Mr. Smith carried his point of making a party for Vauxhall, consisting of Madame Duval, M. Du Bois, all the Branghtons, Mr. Brown, himself,-and me!-for I find all endeavours vain to escape any thing which these people desire I should not. There were twenty disputes previous to our setting out; first, as to the time of our going: Mr. Branghton, his son, and young Brown, were for six o'clock; and all the ladies and Mr. Smith were for eight;-the latter, however, conquered. Then, as to the way we should go; some were for a boat, others for a coach, and Mr. Branghton himself was for walking; but the boat at length was decided upon. Indeed this was the only part of the expedition that was agreeable to me; for the Thames was delightfully pleasant. The garden is very pretty, but too formal; I should have been better pleased, had it consisted less of straight walks, where Grove nods at grove, each alley has its brother. The trees, the numerous lights, and the company in the circle round the orchestra make a most brilliant and gay appearance; and had I been with a party less disagreeable to me, I should have thought it a place formed for animation and pleasure. There was a concert; in the course of which a hautbois concerto was so charmingly played, that I could have thought myself upon enchanted ground, had I had spirits more gentle to associate with. The hautbois in the open air is heavenly. Mr. Smith endeavoured to attach himself to me, with such officious assiduity and impertinent freedom, that he quite sickened me. Indeed M. Du Bois was the only man of the party to whom, voluntarily, I ever addressed myself. He is civil and respectful, and I have found nobody else so since I left Howard Grove. His English is very bad; but I prefer it to speaking French myself, which I dare not venture to do. I converse with him frequently, both to disengage myself from others, and to oblige Madame Duval, who is always pleased when he is attended to. As we were walking about the orchestra, I heard a bell ring; and, in a moment, Mr. Smith, flying up to me, caught my hand, and, with a motion too quick to be resisted, ran away with me many yards before I had breath to ask his meaning, though I struggled as well as I could, to get from him. At last, however, I insisted upon stopping: "Stopping, Ma'am!" cried he, "why we must run on or we shall lose the cascade!" And then again he hurried me away, mixing with a crowd of people, all running with so much velocity, that I could not imagine what had raised such an alarm. We were soon followed by the rest of the party; and my surprise and ignorance proved a source of diversion to them all, which was not exhausted the whole evening. Young Branghton, in particular, laughed till he could hardly stand. The scene of the cascade I thought extremely pretty, and the general effect striking and lively. But this was not the only surprise which was to divert them at my expense; for they led me about the garden purposely to enjoy my first sight of various other deceptions. About ten o'clock, Mr. Smith having chosen a box in a very conpicuous place, we all went to supper. Much fault was found with every thing that was ordered, though not a morsel of any thing was left; and the dearness of the provisions, with conjectures upon what profit was made by them, supplied discourse during the whole meal. When wine and cyder were brought, Mr. Smith said, "Now let's enjoy ourselves; now is the time, or never. Well, Ma'am, and how do you like Vauxhall?" "Like it!" cried young Branghton; "why, how can she help liking it? she has never seen such a place before, that I'll answer for." "For my part," said Miss Branghton, "I like it because it is not vulgar." "This must have been a fine treat for you, Miss," said Mr. Branghton; "why, I suppose you was never so happy in all your life before?" I endeavoured to express my satisfaction with some pleasure; yet, I believe, they were much amazed at my coldness. "Miss ought to stay in town till the last night," said young Branghton; "and then, it's my belief, she'd say something to it! Why, Lord, it's the best night of any; there's always a riot,-and there the folks run about,-and then there's such squealing and squalling!-and, there, all the lamps are broke,-and the women run skimper scamper.-I declare I would not take five guineas to miss the last night!" I was very glad when they all grew tired of sitting, and called for the waiter to pay the bill. The Miss Branghtons said they would walk on while the gentlemen settled the account, and asked me to accompany them; which, however, I declined. "You girls may do as you please," said Madame Duval; "but as to me, I promise you, I sha'n't go nowhere without the gentlemen." "No more, I suppose, will my cousin," said Miss Branghton, looking reproachfully towards Mr. Smith. This reflection, which I feared would flatter his vanity, made me most unfortunately request Madame Duval's permission to attend them. She granted it; and away we went, having promised to meet in the room. To the room, therefore, I would immediately have gone: but the sisters agreed that they would first have a little pleasure; and they tittered and talked so loud, that they attracted universal notice. "Lord, Polly," said the eldest, "suppose we were to take a turn in the dark walks!" "Aye, do," answered she; "and then we'll hide ourselves, and then Mr. Brown will think we are lost." I remonstrated very warmly against this plan, telling them it would endanger our missing the rest of the party all the evening. "O dear," cried Miss Branghton, "I thought how uneasy Miss would be without a beau!" This impertinence I did not think worth answering; and, quite by compulsion, I followed them down a long alley, in which there was hardly any light. By the time we came near the end, a large party of gentlemen, apparently very riotous, and who were hallooing, leaning on one another, and laughing immoderately, seemed to rush suddenly from behind some trees, and meeting us face to face, put their arms at their sides, and formed a kind of circle, which first stopped our proceeding, and then our retreating, for we were presently entirely enclosed. The Miss Branghtons screamed aloud, and I was frightened exceedingly; our screams were answered with bursts of laughter, and for some minutes we were kept prisoners, till at last one of them, rudely seizing hold of me, said I was a pretty little creature. Terrified to death, I struggled with such vehemence to disengage myself from him, that I succeeded, in spite of his efforts to detain me; and immediately, and with a swiftness which fear only could have given me, I flew rather than ran up the walk, hoping to secure my safety by returning to the lights and company we had so foolishly left: but before I could possibly accomplish my purpose, I was met by another party of men, one of whom placed himself so directly in my way, calling out, "Whither so fast, my love?"-that I could only have proceeded by running into his arms. In a moment both my hands, by different persons, were caught hold of, and one of them, in a most familiar manner, desired, when I ran next, to accompany me in a race; while the rest of the party stood still and laughed. I was almost distracted with terror, and so breathless with running, that I could not speak; till another, advancing, said, I was as handsome as an angel, and desired to be of the party. I then just articulated, "For Heaven's sake, gentlemen, let me pass!" Another then rushing suddenly forward, exclaimed, "Heaven and earth! What voice is that?-" "The voice of the prettiest little actress I have seen this age," answered one of my persecutors. "No,-no,-no-" I panted out, "I am no actress-pray let me go,-pray let me pass-" "By all that's sacred," cried the same voice, which I then knew for Sir Clement Willoughby's, "'tis herself!" "Sir Clement Willoughby!" cried I. "O, Sir, assist-assist me-or I shall die with terror!" "Gentlemen," cried he, disengaging them all from me in an instant, "pray leave this lady to me." Loud laughs proceeded from every mouth, and two or three said Willoughby has all the luck! But one of them, in a passionate manner, vowed he would not give me up, for that he had the first right to me, and would support it. "You are mistaken," said Sir Clement, "this lady is-I will explain myself to you another time; but, I assure you, you are all mistaken." And then taking my willing hand, he led me off, amidst the loud acclamations, laughter, and gross merriment of his impertinent companions. As soon as we had escaped from them, Sir Clement, with a voice of surprise, exclaimed, "My dearest creature, what wonder, what strange revolution, has brought you to such a place as this?" Ashamed of my situation, and extremely mortified to be thus recognized by him, I was for some time silent; and when he repeated his question, only stammered out, "I have,-I hardly know how,-lost from my party-" He caught my hand, and eagerly pressing it, in a passionate voice said, "O that I had sooner met with thee!" Surprised at a freedom so unexpected, I angrily broke from him, saying, "Is this the protection you give me, Sir Clement?" And then I saw, what the perturbation of my mind had prevented my sooner noticing, that he had led me, though I know not how, into another of the dark alleys, instead of the place whither I meant to go. "Good God!" I cried, "where am I?-What way are you going?" "Where," answered he, "we shall be least observed!" Astonished at this speech, I stopped short, and declared I would go no further. "And why not, my angel?" again endeavouring to take my hand. My heart beat with resentment; I pushed him away from me with all my strength, and demanded how he dared treat me with such insolence? "Insolence!" repeated he. "Yes, Sir Clement, insolence; from you, who know me, I had a claim for protection,-not to such treatment as this." "By Heaven," cried he, with warmth, "you distract me;-why, tell me,-why do I see you here?-Is this a place for Miss Anville?-these dark walks!-no party! no companion!-by all that's good I can scarce believe my senses!" Extremely offended at this speech, I turned angrily from him: and, not deigning to make any answer, walked on towards that part of the garden whence I perceived the lights and company. He followed me; but we were both some time silent. "So you will not explain to me your situation?" said he, at length. "No, Sir," answered I, disdainfully. "Nor yet-suffer me to make my own interpretation?-" I could not bear this strange manner of speaking; it made my very soul shudder,-and I burst into tears. He flew to me, and actually flung himself at my feet, as if regardless who might see him, saying, "O, Miss Anville,-loveliest of women,-forgive my,-my,-I beseech you forgive me;-if I have offended-if I have hurt you-I could kill myself at the thought!-" "No matter, Sir, no matter," cried I; "if I can but find my friends,-I will never speak to-never see you again!" "Good God!-good Heaven! My dearest life, what is it I have done?-what is it I have said?-" "You best know, Sir, what and why: but don't hold me here,-let me be gone; and do you!" "Not till you forgive me!-I cannot part with you in anger." "For shame, for shame, Sir!" cried I, indignantly, "do you suppose I am to be thus compelled?-do you take advantage of the absence of my friends to affront me?" "No, Madam," cried he, rising: "I would sooner forfeit my life than act so mean a part. But you have flung me into amazement unspeakable, and you will not condescend to listen to my request of giving me some explanation." "The manner, Sir," said I, "in which you spoke that request, made, and will make, me scorn to answer it." "Scorn!-I will own to you, I expected not such displeasure from Miss Anville." "Perhaps, Sir, if you had, you would less voluntarily have merited it." "My dearest life, surely it must be known to you, that the man does not breathe who adores you so passionately, so fervently, so tenderly as I do!-Why, then, will you delight in perplexing me?-in keeping me in suspense?-in torturing me with doubt?" "I, Sir, delight in perplexing you!-you are much mistaken.-Your suspense, your doubts, your perplexities,-are of your own creating; and believe me, Sir, they may offend, but they can never delight me:-but as you have yourself raised, you must yourself satisfy them." "Good God!-that such haughtiness and such sweetness can inhabit the same mansion!" I made no answer; but quickening my pace I walked on silently and sullenly, till this most impetuous of men, snatching my hand, which he grasped with violence, besought me to forgive him with such earnestness of supplication, that, merely to escape his importunities, I was forced to speak, and in some measure to grant the pardon he requested; though it was accorded with a very ill grace: but, indeed, I knew not how to resist the humility of his intreaties: yet never shall I recollect the occasion he gave me of displeasure, without feeling it renewed. We now soon arrived in the midst of the general crowd; and, my own safety being then insured, I grew extremely uneasy for the Miss Branghtons, whose danger, however imprudently incurred by their own folly, I too well knew how to tremble for. To this consideration all my pride of heart yielded, and I determined to seek my party with the utmost speed; though not without a sigh did I recollect the fruitless attempt I had made after the opera, of concealing from this man my unfortunate connections, which I was now obliged to make known. I hastened, therefore, to the room, with a view of sending young Branghton to the aid of his sisters. In a very short time I perceived Madame Duval, and the rest, looking at one of the paintings. I must own to you honestly, my dear Sir, that an involuntary repugnance seized me at presenting such a set to Sir Clement,-he who had been used to see me in parties so different!-My pace slackened as I approached them,-but they presently perceived me. "Ah, Mademoiselle!" cried M. Du Bois, "Que je suis charm-e; de vous voir!" "Pray, Miss," cried Mr. Brown, "where's Miss Polly?" "Why, Miss, you've been a long while gone," said Mr. Branghton; "we thought you'd been lost. But what have you done with your cousins?" I hesitated,-for Sir Clement regarded me with a look of wonder. "Pardi," cried Madame Duval, "I shan't let you leave me again in a hurry. Why, here we've been in such a fright!-and all the while, I suppose, you've been thinking nothing about the matter." "Well," said young Branghton," as long as Miss is come back, I don't mind; for as to Bid and Poll, they can take care of themselves. But the best joke is, Mr. Smith is gone all about a looking for you." These speeches were made almost in a breath: but when, at last, they waited for an answer, I told them, that, in walking up one of the long alleys, we had been frightened and separated. "The long alleys!" repeated Mr. Branghton, "and pray, what had you to do in the long alleys? why, to be sure, you must all of you have had a mind to be affronted!" This speech was not more impertinent to me, than surprising to Sir Clement, who regarded all the party with evident astonishment. However, I told young Branghton, no time ought to be lost, for that his sisters might require his immediate protection. "But how will they get it?" cried this brutal brother: "if they've a mind to behave in such a manner as that, they ought to protect themselves; and so they may for me." "Well," said the simple Mr. Brown, "whether you go or not, I think I may as well see after Miss Polly." The father then interfering, insisted that his son should accompany him; and away they went. It was now that Madame Duval first perceived Sir Clement; to whom, turning with a look of great displeasure, she angrily said, "Ma foi, so you are comed here, of all the people in the world!-I wonder, child, you would let such a-such a person as that keep company with you." "I am very sorry, Madam," said Sir Clement, in a tone of surprise, "if I had been so unfortunate as to offend you; but I believe you will not regret the honour I now have of attending Miss Anville, when you hear that I have been so happy as to do her some service." Just as Madame Duval, with her usual Ma foi, was beginning to reply, the attention of Sir Clement was wholly drawn from her, by the appearance of Mr. Smith, who, coming suddenly behind me, and freely putting his hands of my shoulders, cried, "O ho, my little runaway, have I found you at last? I have been scampering all over the gardens for you, for I was determined to find you, if you were above ground.-But how could you be so cruel as to leave us?" I turned round to him, and looked with a degree of contempt that I hoped would have quieted him: but he had not the sense to understand me; and, attempting to take my hand, he added, "Such a demure-looking lady as you are, who'd have thought of your leading one such a dance?-Come, now, don't be so coy; only think what a trouble I have had in running after you!" "The trouble, Sir," said I, "was of your own choice,-not mine." And I walked round to the other side of Madame Duval. Perhaps I was too proud;-but I could not endure that Sir Clement, whose eyes followed him with looks of the most surprised curiosity, should witness his unwelcome familiarity. Upon my removal he came up to me, and, in a low voice, said, "You are not, then, with the Mirvans?" "No, Sir." "And pray,-may I ask you,-have you left them long?" "No, Sir." "How unfortunate I am!-but yesterday I sent to acquaint the Captain I should reach the Grove by to-morrow noon! However, I shall get away as fast as possible. Shall you be long in town?" "I believe not, Sir." "And then, when you leave it-which way-will you allow me to ask, which way you shall travel?" "Indeed,-I don't know." "Not know!-But do you return to the Mirvans any more?" "I-I can't tell, Sir." And then I addressed myself to Madame Duval, with such a pretended earnestness, that he was obliged to be silent. As he cannot but observe the great change in my situation, which he knows not how to account for, there is something in all these questions, and this unrestrained curiosity, that I did not expect from a man who, when he pleases, can be so well-bred as Sir Clement Willoughby. He seems disposed to think that the alteration in my companions authorises an alteration in his manners. It is true, he has always treated me with uncommon freedom, but never before with so disrespectful an abruptness. This observation, which he has given me cause to make, of his changing with the tide, has sunk him more in my opinion than any other part of his conduct. Yet I could almost have laughed when I looked at Mr. Smith, who no sooner saw me addressed by Sir Clement, than, retreating aloof from the company, he seemed to lose at once all his happy self-sufficiency and conceit; looking now at the baronet, now at himself; surveying, with sorrowful eyes, his dress; struck with his air, his gestures, his easy gaiety, he gazed at him with envious admiration, and seemed himself, with conscious inferiority, to shrink into nothing. Soon after, Mr. Brown, running up to us, called out, "La, what, i'n't Miss Polly come yet?" "Come," said Mr. Branghton; "why, I thought you went to fetch her yourself, didn't you?" "Yes, but I couldn't find her;-yet I daresay I've been over half the garden." "Half? but why did not you go over it all?" "Why, so I will: but only I thought I'd just come and see if she was here first." "But where's Tom?" "Why, I don't know; for he would not stay with me, all as ever I could say: for we met some young gentlemen of his acquaintance, and so he bid me go and look by myself; for he said, says he, I can divert myself better another way, says he." This account being given, away again went this silly young man; and Mr. Branghton, extremely incensed, said he would go and see after them himself. "So, now", cried Madame Duval, "he's gone too! why, at this rate, we shall have to wait for one or other of them all night!" Observing that Sir Clement seemed disposed to renew his enquiries, I turned towards one of the paintings, and, pretending to be very much occupied in looking at it, asked M. Du Bois some questions concerning the figures. "O! Mon Dieu!" cried Madame Duval, "don't ask him; your best way is to ask Mr. Smith, for he's been here the oftenest. Come, Mr. Smith, I dare say you can tell us all about them." "Why, yes, Ma'am, yes," said Mr. Smith: who, brightening up at this application, advanced towards us with an air of assumed importance, which, however, sat very uneasily upon him, and begged to know what he should explain first: "For I have attended," said he, "to all these paintings, and know every thing in them perfectly well; for I am rather fond of pictures, Ma'am; and, really, I must say, I think, a pretty pictures is a-a very-is really a very-is something very pretty-" "So do I too," said Madame Duval; "but pray now, Sir, tell us who that is meant for," pointing to a figure of Neptune. "That!-why, that, Ma'am, is,-Lord bless me, I can't think how I come to be so stupid, but really I have forgot his name;-and yet, I know it as well as my own too:-however, he's a General, Ma'am, they are all Generals." I saw Sir Clement bite his lips; and, indeed, so did I mine. "Well," said Madame Duval, "it's the oddest dress for a general ever I see!" "He seems so capital a figure," said Sir Clement, to Mr. Smith, "that I imagine he must be Generalissimo of the whole army." "Yes, Sir, yes," answered Mr. Smith, respectfully bowing, and highly delighted at being thus referred to, "you are perfectly right;-but I cannot for my life think of his name;-perhaps, Sir, you may remember it?" "No, really," replied Sir Clement, "my acquaintance among the generals is not so extensive." The ironical tone of voice in which Sir Clement spoke entirely disconcerted Mr. Smith; who again retiring to an humble distance, seemed sensibly mortified at the failure of his attempt to recover his consequence. Soon after, Mr. Branghton returned with his youngest daughter, who he had rescued from a party of insolent young men; but he had not yet been able to find the eldest. Miss Polly was really frightened, and declared she would never go into the dark walks again. Her father, leaving her with us, went in quest of her sister. While she was relating her adventures, to which nobody listened more attentively than Sir Clement, we saw Mr. Brown enter the room. "O, la!" cried Miss Polly, "let me hide myself, and don't tell him I'm come." She then placed herself behind Madame Duval, in such a manner that she could not be seen. "So Miss Polly is not come yet!" said the simple swain: "well, I can't think where she can be! I've been looking, and looking, and looking all about, and can't find her all I can do." "Well, but, Mr. Brown," said Mr. Smith, "sha'n't you go and look for the lady again?" "Yes, Sir," said he, sitting down; "but I must rest me a little bit first. You can't think how tired I am." "O fie, Mr. Brown, fie," cried Mr. Smith, winking at us, "tired of looking for a lady! Go, go, for shame!" "So I will, Sir, presently; but you'd be tired too, if you had walked so far: besides, I think she's gone out of the garden, or else I must have seen something or other of her." A he, he he! of the tittering Polly, now betrayed her, and so ended this ingenious little artifice. At last appeared Mr. Branghton and Miss Biddy, who, with a face of mixed anger and confusion, addressing herself to me, said, "So, Miss, so you ran away from me! Well, see if I don't do as much by you some day or other! But I thought how it would be; you'd no mind to leave the gentlemen, though you run away from me." I was so much surprised at this attack, that I could not answer her for very amazement; and she proceeded to tell us how ill she had been used, and that two young men had been making her walk up and down the dark walks by absolute force, and as fast as ever they could tear her along; and many other particulars, which I will not tire you with relating. In conclusion, looking at Mr. Smith, she said, "But to be sure, thought I, at least all the company will be looking for me; so I little expected to find you all here, talking as comfortably as ever you can. However, I know I may thank my cousin for it!" "If you mean me, Madam," said I, very much shocked, "I am quite ignorant in what manner I can have been accessary to your distress." "Why, by running away so. If you'd stayed with us, I'll answer for it Mr. Smith and M. Du Bois would have come to look for us; but I suppose they could not leave your ladyship." The folly and unreasonableness of this speech would admit of no answer. But what a scene was this for Sir Clement! his surprise was evident; and I must acknowledge my confusion was equally great. We had now to wait for young Branghton, who did not appear for some time; and during this interval it was with difficulty that I avoided Sir Clement, who was on the rack of curiosity, and dying to speak to me. When, at last, the hopeful youth returned, a long and frightful quarrel ensued between him and his father, in which his sisters occasionally joined, concerning his neglect; and he defended himself only by a brutal mirth, which he indulged at their expense. Every one now seemed inclined to depart,-when, as usual, a dispute arose upon the way of our going, whether in a coach or a boat. After much debating, it was determined that we should make two parties, one by the water and the other by land; for Madame Duval declared she would not, upon any account, go into a boat at night. Sir Clement then said, that if she had no carriage in waiting, he should be happy to see her and me safe home, as his was in readiness. Fury started into her eyes, and passion inflamed every feature, as she answered, "Pardi, no-you may take care of yourself, if you please; but as to me, I promise you I sha'n't trust myself with no such person." He pretended not to comprehend her meaning; yet, to waive a discussion, acquiesced in her refusal. The coach-party fixed upon, consisted of Madame Duval, M. Du Bois, Miss Branghton, and myself. I now began to rejoice, in private, that at least our lodgings would be neither seen nor known by Sir Clement. We soon met with a hackney-coach, into which he handed me, and then took leave. Madame Duval having already given the coachman her direction, he mounted the box, and we were just driving off, when Sir Clement exclaimed, "By Heaven, this is the very coach I had in waiting for myself!" "This coach, your honour!" said the man; "no, that it i'n't." Sir Clement, however, swore that it was; and presently, the man, begging his pardon, said he had really forgotten that he was engaged. I have no doubt but that this scheme occurred to him at the moment, and that he made some sign to the coachman, which induced him to support it; for there is not the least probability that the accident really happened, as it is most likely his own chariot was in waiting. The man then opened the coach-door, and Sir Clement, advancing to it, said "I don't believe there is another carriage to be had, or I would not incommode you; but, as it may be disagreeable to you to wait here any longer, I beg you will not get out, for you shall be set down before I am carried home, if you will be so good as to make a little room." And so saying, in he jumped, and seated himself between M. Du Bois and me, while our astonishment at the whole transaction was too great for speech. He then ordered the coachman to drive on, according to the directions he had already received. For the first ten minutes no one uttered a word; and then, Madame Duval, no longer able to contain herself, exclaimed, "Ma foi, if this isn't one of the most impudentest things ever I see!" Sir Clement, regardless of this rebuke, attended only to me; however I answered nothing he said, when I could possibly avoid so doing. Miss Branghton made several attempts to attract his notice, but in vain, for he would not take the trouble of paying her any regard. Madame Duval, during the rest of the ride, addressed herself to M. Du Bois in French, and in that language exclaimed, with great vehemence, against boldness and assurance. I was extremely glad when I thought our journey must be nearly at an end, for my situation was very uneasy to me, as Sir Clement perpetually endeavoured to take my hand. I looked out of the coach-window, to see if we were near home: Sir Clement, stooping over me, did the same; and then, in a voice of infinite wonder, called out, "Where the d-l is the man driving to?-Why we are in Broad Street, St. Giles's!" "O, he's very right," cried Madame Duval, "so never trouble your head about that; for I sha'n't go by no directions of your's, I promise you." When, at last, we stopped at an hosier's in High Holborn,-Sir Clement said nothing, but his eyes, I saw, were very busily employed in viewing the place, and the situation of the house. The coach, he said, belong to him, and therefore he insisted upon paying for it; and then he took leave. M. Du Bois walked home with Miss Branghton, and Madame Duval and I retired to our apartments. How disagreeable an evening's adventure! not one of the party seemed satisfied, except Sir Clement, who was in high spirits: but Madame Duval was enraged at meeting with him; Mr. Branghton, angry with his children; the frolic of the Miss Branghtons had exceeded their plan, and ended in their own distress; their brother was provoked that there had been no riot; Mr. Brown was tired, and Mr. Smith mortified. As to myself, I must acknowledge, nothing could be more disagreeable to me, than being seen by Sir Clement Willoughby with a party at once so vulgar in themselves, and so familiar to me. And you, too, my dear Sir, will, I know, be sorry that I have met him; however, there is no apprehension of his visiting here, as Madame Duval is far too angry to admit him. </CHAPTER> <CHAPTER> LETTER XLVII. EVELINA TO THE REV. MR. VILLARS. Holborn, June 18th. MADAME DUVAL rose very late this morning, and, at one o'clock, we had but just breakfasted, when Miss Branghton, her brother, Mr. Smith, and Monsieur Du Bois, called to enquire after our healths. The civility in young Branghton, I much suspect, was merely the result of his father's commands; but his sister and Mr. Smith, I soon found, had motives of their own. Scarce had they spoken to Madame Duval, when, advancing eagerly to me, "Pray, Ma'am," said Mr. Smith, "who was that gentleman?" "Pray, cousin," cried Miss Branghton, "was not he the same gentleman you ran away with that night at the opera?" "Goodness! that he was," said young Branghton, "and, I declare, as soon as ever I saw him, I thought I knew his face." "I'm sure, I'll defy you to forget him," answered his sister, "if once you had seen him: he is the finest gentleman I ever saw in my life, don't you think so, Mr. Smith?" "Why, you won't give the lady time to speak," said Mr. Smith.-"Pray, Ma'am, what is the gentleman's name?" "Willoughby, Sir." "Willoughby! I think I have heard the name. Pray, Ma'am, is he married?" "Lord, no, that he is not," cried Miss Branghton; "he looks too smart by a great deal for a married man. Pray, cousin, how did you get acquainted with him?" "Pray, Miss," said young Branghton, in the same breath, "what's his business?" "Indeed I don't know," answered I. "Something very genteel, I dare say," added Miss Branghton, "because he dresses so fine." "It ought to be something that brings in a good income" said Mr. Smith; "for I'm sure that he did not get that suit of clothes he had on under thirty or forty pounds; for I know the price of clothes pretty well.-Pray, Ma'am, can you tell me what he has a-year?" "Don't talk no more about him," cried Madame Duval, "for I don't like to hear his name: I believe he's one of the worst persons in the world; for though I never did him no manner of harm, nor so much as hurt a hair of his head, I know he was an accomplice with the fellow, Captain Mirvan, to take away my life." Everybody, but myself, now crowding around her for an explanation, a violent rapping at the street-door was unheard; and, without any previous notice, in the midst of her narration, Sir Clement Willoughby entered the room. They all started; and, with looks of guilty confusion, as if they feared his resentment for having listened to Madame Duval, they scrambled for chairs, and in a moment were all formally seated. Sir Clement, after a general bow, singling out Madame Duval, said with his usual easiness, "I have done myself the honour of waiting on you, Madame, to enquire if you have any commands to Howard Grove, whither I am going to-morrow morning." Then, seeing the storm that gathered in her eyes, before he allowed her time to answer, he addressed himself to me;-"And if you, Madam, have any with which you will honour me, I shall be happy to execute them." "None at all, Sir." "None! -not to Miss Mirvan!-no message! no letter!" "I wrote to Miss Mirvan yesterday by the post." "My application should have been earlier, had I sooner known your address." "Ma foi," cried Madame Duval, recovering from her surprise, "I believe never nobody saw the like of this!" "Of what, Madam?" cried the undaunted Sir Clement, turning quick towards her; "I hope no one has offended you!" "You don't hope no such a thing!" cried she, half choked with passion, and rising from her chair. This motion was followed by the rest; and in a moment, every body stood up. Still Sir Clement was not abashed; affecting to make a bow of acknowledgment to the company in general, he said, "Pray-I beg-Ladies,-Gentlemen,-pray don't let me disturb you, pray keep your seats." "Pray, Sir," said Miss Branghton, moving a chair towards him, "won't you sit down yourself?" "You are extremely good, Ma'am:-rather than make any disturbance-" And so saying, this strange man seated himself, as did, in an instant every body else, even Madame Duval herself, who, overpowered by his boldness, seemed too full for utterance. He then, and with as much composure as if he had been an expected guest, began to discourse on the weather,-its uncertainty,-the heat of the public places in summer,-the emptiness of the town,-and other such common topics. Nobody, however, answered him; Mr. Smith seemed afraid, young Branghton ashamed, M. Du Bois amazed, Madame Duval enraged, and myself determined not to interfere. All that he could obtain, was the notice of Miss Branghton, whose nods, smiles, and attention, had some appearance of entering into conversation with him. At length, growing tired, I suppose, of engaging every body's eyes, and nobody's tongue, addressing himself to Madame Duval and to me, the said, "I regard myself as peculiarly unfortunate, Ladies, in having fixed upon a time for my visit to Howard Grove, when you are absent from it." "So I suppose, Sir, so I suppose," cried Madame Duval, hastily rising, and the next moment as hastily seating herself;-"you'll be wanting of somebody to make your game of, and so you may think to get me there again;-but, I promise you, Sir, you won't find it so easy a matter to make me a fool; and besides that," raising her voice, "I've found you out, I assure you; so if ever you go to play your tricks upon me again, I'll make no more ado, but go directly to a justice of peace; so, Sir, if you can't think of nothing but making people ride about the country at all hours of the night, just for your diversion, why, you'll find I know some justices as well as Justice Tyrrell." Sir Clement was evidently embarrassed at this attack; yet he affected a look of surprise, and protested he did not understand her meaning. "Well," cried she, "if I don't wonder where people can get such impudence! if you'll say that, you'll say anything: however, if you swear till you're black in the face, I sha'n't believe you; for nobody sha'n't persuade me out of my senses, that I'm resolved." "Doubtless not, Madam," answered he with some hesitation; "and I hope you do not suspect I ever had such an intention; my respect for you-" "O, Sir, you're vastly polite all of a sudden! but I know what it's all for! it's only for what you can get!-You could treat me like nobody at Howard Grove; but now you see I've a house of my own, you're mind to wheedle yourself into it; but I sees your design, so you needn't trouble yourself to take no more trouble about that, for you shall never get nothing at my house,-not so much as a dish of tea:-so now, Sir, you see I can play you trick for trick." There was something so extremely gross in this speech, that it even disconcerted Sir Clement, who was too much confounded to make any answer. It was curious to observe the effect which his embarrassment, added to the freedom with which Madame Duval addressed him, had upon the rest of the company. Every one, who before seemed at a loss how or if at all, to occupy a chair, how filled it with the most easy composure: and Mr. Smith, whose countenance had exhibited the most striking picture of mortified envy, now began to recover his usual expression of satisfied conceit. Young Branghton, too, who had been apparently awed by the presence of so fine a gentleman, was again himself, rude and familiar: while his mouth was wide distended into a broad grin, at hearing his aunt give the beau such a trimming. Madame Duval, encouraged by this success, looked around her with an air of triumph, and continued her harangue. "And so, Sir, I suppose you thought to have had it all your own way, and to have comed here as often as you pleased, and to have got me to Howard Grove again, on purpose to have served me as you did before; but you shall see I'm as cunning as you; so you may go and find somebody else to use in that manner, and to put your mask on, and to make a fool of; for as to me, if you go to tell me your stories about the Tower again, for a month together, I'll never believe 'm no more: and I'll promise you, Sir, if you think I like such jokes, you'll find I'm no such person." "I assure you, Ma'am,-upon my honour,-I really don't comprehend-I fancy there is some misunderstanding-" "What, I suppose you'll tell me next you don't know nothing of the matter?" "Not a word, upon my honour." O, Sir Clement, thought I, is it thus you prize your honour! "Pardi," cried Madame Duval, "this is the most provokingest part of all! why, you might as well tell me I don't know my own name." "Here is certainly some mistake; for I assure you, Ma'am-" "Don't assure me nothing," cried Madame Duval, raising her voice; "I know what I'm saying, and so do you too; for did not you tell me all that about the Tower, and about M. Du Bois?-why M. Du Bois wasn't never there, nor nigh it, and so it was all your own invention." "May there not be two persons of the same name? the mistake was but natural-" "Don't tell me of no mistake, for it was all on purpose: besides, did not you come, all in a mask, to the chariot-door, and help to get me put in that ditch?-I'll promise you, I've had the greatest mind in the world to take the law of you ever since; and if ever you do as much again, so I will, I assure you!" Here Miss Branghton tittered, Mr. Smith smiled contemptously, and young Branghton thrust his handkerchief into his mouth to stop his laughter. The situation of Sir Clement, who saw all that passed, became now very awkward even to himself, and he stammered very much in saying, "Surely, Madam-surely you-you cannot do me the-the injustice to think-that I had any share in the-the-the misfortune which-" "Ma foi, Sir," cried Madame Duval, with increasing passion, "you'd best not stand talking to me at that rate: I know it was you; and if you stay there, a provoking me in such a manner, I'll send for a constable this minute." Young Branghton, at these words, in spite of all his efforts, burst into a loud laugh; nor could either his sister or Mr. Smith, though with more moderation, forbear joining in his mirth. Sir Clement darted his eyes towards them with looks of the most angry contempt; and then told Madame Duval, that he would not now detain her to make his vindication, but would wait on her some time when she was alone. "O Pardi, Sir," cried she, "I don't desire none of your company; and if you wasn't the most boldest person in the world, you would not dare look me in the face." The ha, ha ha's! and he, he, he's! grew more and more uncontrollable, as if the restraint, from which they had burst, had added to their violence. Sir Clement could no longer endure being the object who excited them; and, having no answer ready for Madame Duval, he hastily stalked towards Mr. Smith and young Branghton, and sternly demanded what they laughed at? Struck by the air of importance which he assumed, and alarmed at the angry tone of his voice, their merriment ceased as instantaneously as if it had been directed by clock-work; and they stared foolishly, now at him, now at each other, without making any answer but a simple "Nothing, Sir." "O pour le coup," cried Madame Duval, "this is too much! Pray, Sir, what business have you to come here a ordering people that comes to see me? I suppose next nobody must laugh but yourself!" "With me, Madam," said Sir Clement, bowing, "a lady may do any thing, and consequently there is no liberty in which I shall not be happy to indulge you: -but it has never been my custom to give the same licence to gentlemen." Then, advancing to me, who had sat very quietly on a window during this scene, he said, "Miss Anville, I may at least acquaint our friends at Howard Grove that I had the honour of leaving you in good health." And then, lowering his voice, he added, "For Heaven's sake, my dearest creature, who are these people? and how came you so strangely situated?" "I beg my respects to all the family, Sir," answered I, aloud; "and I hope you will find them well." He looked at me reproachfully, but kissed my hand; and then, bowing to Madame Duval and Miss Branghton, passed hastily by the men, and made his exit. I fancy he will not be very eager to repeat his visit; for I should imagine he has rarely, if ever, been before in a situation so awkward and disagreeable. Madame Duval has been all spirits and exultation ever since he went, and only wishes Captain Mirvan would call, that she might do the same by him. Mr. Smith, upon hearing that he was a baronet, and seeing him drive off in a very beautiful chariot, declared that he would not have laughed upon any account, had he known his rank; and regretted extremely having missed such an opportunity of making so genteel an acquaintance. Young Branghton vowed, that if he had known as much, he would have asked for his custom: and his sister has sung his praises ever since, protesting she thought all along he was a man of quality by his look. </CHAPTER> <CHAPTER> LETTER XLVIII. EVELINA IN CONTINUATION. June 21st. THE last three evenings have passed tolerably quiet, for the Vauxhall adventures had given Madame Duval a surfeit of public places: home, however, soon growing tiresome, she determined to-night, she said, to relieve her ennui by some amusement; and it was therefore settled, that we should call upon the Branghtons at their house, and thence proceed to Marybone Gardens. But, before we reached Snow Hill, we were caught in a shower of rain: we hurried into the shop, where the first object I saw was Mr. Macartney, with a book in his hand, seated in the same corner where I saw him last; but his looks were still more wretched than before, his face yet thinner, and his eyes sunk almost hollow into his head. He lifted them up as we entered, and I even thought that they emitted a gleam of joy: involuntarily I made to him my first courtesy; he rose and bowed with a precipitation that manifested surprise and confusion. In a few minutes were joined by all the family, except Mr. Smith, who fortunately was engaged. Had all the future prosperity of our lives depended upon the good or bad weather of this evening, it could not have been treated as a subject of greater importance. "Sure, never anything was so unlucky!"-"Lord, how provoking!"-"It might rain for ever, if it would hold up now."-These, and such expressions, with many anxious observations upon the kennels, filled up all the conversation till the shower was over. And then a very warm debate arose, whether we should pursue our plan, or defer it to some finer evening. The Miss Branghtons were for the former; their father was sure it would rain again; Madame Duval, though she detested returning home, yet dreaded the dampness of the gardens. M. Du Bois then proposed going to the top of the house, to examine whether the clouds looked threatening or peaceable: Miss Branghton, starting at this proposal, said they might go to Mr. Macartney's room, if they would, but not to her's. This was enough for the brother; who, with a loud laugh, declared he would have some fun; and immediately led the way, calling to us all to follow. His sisters both ran after, but no one else moved. In a few minutes young Branghton, coming half-way down stairs, called out, "Lord, why don't you all come? why, here's Poll's things all about the room!" Mr. Branghton then went; and Madame Duval, who cannot bear to be excluded from whatever is going forward, was handed up stairs by M. Du Bois. I hesitated a few moments whether or not to join them; but, soon perceiving that Mr. Macartney had dropped his book, and that I engrossed his whole attention, I prepared, from mere embarrassment, to follow them. As I went, I heard him move from his chair, and walk slowly after me. Believing that he wished to speak to me, and earnestly desiring myself to know if, by your means, I could possibly be of any service to him, I first slackened my pace, and then turned back. But, though I thus met him half-way, he seemed to want courage or resolution to address me; for, when he saw me returning, with a look extremely disordered, he retreated hastily from me. Not knowing what I ought to do, I went to the street-door, where I stood some time, hoping he would be able to recover himself; but, on the contrary, his agitation increased every moment; he walked up and down the room in a quick but unsteady pace, seeming equally distressed and irresolute; and, at length, with a deep sigh, he flung himself into a chair. I was so much affected by the appearance of such extreme anguish, that I could remain no longer in the room: I therefore glided by him and went up stairs; but, ere I had gone five steps, he precipitately followed me, and, in a broken voice, called out "Madam!-for Heaven's sake-" He stopped; but I instantly descended, restraining, as well as I was able, the fulness of my own concern. I waited some time, in painful expectation, for his speaking: all that I had heard of his poverty occurring to me, I was upon the point of presenting him my purse; but the fear of mistaking or offending him deterred me. Finding, however, that he continued silent, I ventured to say, "Did you,-Sir, wish to speak to me?" "I did," cried he with quickness, "but now-I cannot!-" "Perhaps, Sir, another time,-perhaps if you recollect yourself-" "Another time?" repeated he mournfully; "alas! I look not forward but to misery and despair!" "O, Sir," cried I, extremely shocked, "you must not talk thus!-If you forsake yourself, how can you expect-" I stopped. "Tell me, tell me," cried he, with eagerness, "who you are?-whence you come?-and by what strange means you seem to be arbitress and ruler of the destiny of such a wretch as I am?" "Would to Heaven," cried I, "I could serve you!" "You can!" "And how? Pray tell me how?" "To tell you-is death to me! yet I will tell you.-I have a right to your assistance,-you have deprived me of the only resource to which I could apply,-and therefore-" "Pray, pray speak," cried I, putting my hand into my pocket; "they will be down stairs in a moment!" "I will, Madam.-Can you-will you-I think you will!-may I then-" he stopped and paused; "say, will you"-then, suddenly turning from me, "Great Heaven, I cannot speak!" and he went back to the shop. I now put my purse in my hand, and following him, said, "If, indeed, Sir, I can assist you, why should you deny me so great a satisfaction? Will you permit me to-" I dared not go on; but with a countenance very much softened, he approached me and said, "Your voice, Madam, is the voice of compassion!-such a voice as these ears have long been strangers to!" Just then young Branghton called out vehemently to me to come up stairs. I seized the opportunity of hastening away: and therefore saying, "Heaven, Sir, protect and comfort you!" I let fall my purse upon the ground, not daring to present it to him, and ran up stairs with the utmost swiftness. Too well do I know you, my ever honoured Sir, to fear your displeasure for this action: I must, however, assure you, I shall need no fresh supply during my stay in town, as I am at little expense, and hope soon to return to Howard Grove. Soon, did I say! when not a fortnight is yet expired of the long and tedious month I must linger out here! I had many witticisms to endure from the Branghtons, upon account of my staying so long with the Scotch mope, as they call him; but I attended to them very little, for my whole heart was filled with pity and concern. I was very glad to find the Marybone scheme was deferred, another shower of rain having put a stop to the dissension upon this subject; the rest of the evening was employed in most violent quarrelling between Miss Polly and her brother, on account of the discovery made by the latter of the state of her apartment. We came home early; and I have stolen from Madame Duval and M. Du Bois, who is here for ever, to write to my best friend. I am most sincerely rejoiced, that this opportunity has offered for my contributing what little relief was in my power to this unhappy man; and I hope it will be sufficient to enable him to pay his debts to this pitiless family. </CHAPTER> <CHAPTER> LETTER XLIX. MR. VILLARS TO EVELINA. Berry Hill. DISPLEASURE? my Evelina!-you have but done your duty; you have but shown that humanity without which I should blush to own my child. It is mine, however, to see that your generosity be not repressed by your suffering from indulging it; I remit to you, therefore, not merely a token of my approbation, but an acknowledgment of my desire to participate in your charity. O my child, were my fortune equal to my confidence in thy benevolence, with what transport should I, through thy means, devote it to the relief of indigent virtue! yet let us not repine at the limitation of our power; for while our bounty is proportioned to our ability, the difference of the greater or less donation can weigh but little in the scale of justice. In reading your account of the misguided man, whose misery has so largely excited your compassion, I am led to apprehend that his unhappy situation is less the effect of misfortune than of misconduct. If he is reduced to that state of poverty represented by the Branghtons, he should endeavour, by activity and industry, to retrieve his affairs, and not pass his time in idle reading in the very shop of his creditor. The pistol scene made me shudder; the courage with which you pursued this desperate man, at once delighted and terrified me. Be ever thus, my dearest Evelina, dauntless in the cause of distress! let no weak fears, no timid doubts, deter you from the exertion of your duty, according to the fullest sense of it that Nature has implanted in your mind. Though gentleness and modesty are the peculiar attributes of your sex, yet fortitude and firmness, when occasion demands them, are virtues as noble and as becoming in women as in men: the right line of conduct is the same for both sexes, though the manner in which it is pursued may somewhat vary, and be accommodated to the strength or weakness of the different travellers. There is, however, something so mysterious in all you have seen or heard of this wretched man, that I am unwilling to stamp a bad impression of his character upon so slight and partial a knowledge of it. Where any thing is doubtful, the ties of society, and the laws of humanity, claim a favourable interpretation; but remember, my dear child, that those of discretion have an equal claim to your regard. As to Sir Clement Willoughby, I know not how to express my indignation at his conduct. Insolence so insufferable, and the implication of suspicions so shocking, irritate me to a degree of wrath, which I hardly thought my almost worn-out passions were capable of again experiencing. You must converse with him no more: he imagines, from the pliability of your temper, that he may offend you with impunity; but his behaviour justifies, nay, calls for your avowed resentment; do not, therefore, hesitate in forbidding him your sight. The Branghtons, Mr. Smith, and young Brown, however ill-bred and disagreeable, are objects too contemptible for serious displeasure; yet I grieve much that my Evelina should be exposed to their rudeness and impertinence. The very day that this tedious month expires, I shall send Mrs. Clinton to town, who will accompany you to Howard Grove. Your stay there will, I hope, be short; for I feel daily an increasing impatience to fold my beloved child to my bosom! ARTHUR VILLARS. </CHAPTER> <CHAPTER> LETTER L. EVELINA TO THE REV. MR. VILLARS. Holborn, June 27th. I HAVE just received, my dearest Sir, your kind present, and still kinder letter. Surely, never had orphan so little to regret as your grateful Evelina! Though motherless, though worse than fatherless, bereft from infancy of the two first and greatest blessings of life, never has she had cause to deplore their loss; never has she felt the omission of a parent's tenderness, care, or indulgence; never, but from sorrow for them, had reason to grieve at the separation! Most thankfully do I receive the token of your approbation, and most studiously will I endeavour so to dispose of it, as may merit your generous confidence in my conduct. Your doubts concerning Mr. Macartney give me some uneasiness. Indeed, Sir, he has not the appearance of a man whose sorrows are the effect of guilt. But I hope, before I leave town, to be better acquainted with his situation, and enabled, with more certainty of his worth, to recommend him to your favour. I am very willing to relinquish all acquaintance with Sir Clement Willoughby, as far as it may depend upon myself so to do; but, indeed I know not how I should be able to absolutely forbid him my sight. Miss Mirvan, in her last letter, informs me that he is now at Howard Grove, where he continues in high favour with the Captain, and is the life and spirit of the house. My time, since I wrote last, has passed very quietly, Madame Duval having been kept at home by a bad cold, and the Branghtons by bad weather. The young man, indeed, has called two or three times; and his behavior, though equally absurd, is more unaccountable than ever: he speaks very little, takes hardly any notice of Madame Duval, and never looks at me without a broad grin. Sometimes he approaches me, as if with intention to communicate intelligence of importance; and then, suddenly stopping short, laughs rudely in my face. O how happy shall I be, when the worthy Mrs. Clinton arrives! June 29th. Yesterday morning, Mr. Smith called to acquaint us that the Hampstead assembly was to be held that evening; and then he presented Madame Duval with one ticket, and brought another to me. I thanked him for his intended civility, but told him I was surprised he had so soon forgotten my having already declined going to the ball. "Lord, Ma'am," cried he, "how should I suppose you was in earnest? come, come, don't be cross; here's your Grandmama ready to take care of you, so you can have no fair objection, for she'll see that I don't run away with you. Besides, Ma'am, I got the tickets on purpose." "If you were determined, Sir," said I, "in making me this offer, to allow me no choice of refusal or acceptance, I must think myself less obliged to your intention than I was willing to do." "Dear Ma'am," cried he, "you're so smart, there is no speaking to you;-indeed you are monstrous smart, Ma'am! but come, your Grandmama shall ask you, and then I know you'll not be so cruel." Madame Duval was very ready to interfere; she desired me to make no further opposition, said she should go herself, and insisted upon my accompanying her. It was in vain that I remonstrated; I only incurred her anger: and Mr. Smith having given both the tickets to Madame Duval with an air of triumph, said he should call early in the evening, and took leave. I was much chagrined at being thus compelled to owe even the shadow of an obligation to so forward a young man; but I determined that nothing should prevail upon me to dance with him, however my refusal might give offence. In the afternoon, when he returned, it was evident that he purposed to both charm and astonish me by his appearance: he was dressed in a very showy manner, but without any taste; and the inelegant smartness of his air and deportment, his visible struggle against education to put on the fine gentleman, added to his frequent conscious glances at a dress to which he was but little accustomed, very effectually destroyed his aim of figuring, and rendered all his efforts useless. During tea entered Miss Branghton and her brother. I was sorry to observe the consternation of the former, when she perceived Mr. Smith. I had intended applying to her for advice upon this occasion, but had been always deterred by her disagreeable abruptness. Having cast her eyes several times from Mr. Smith to me, with manifest displeasure, she seated herself sullenly in the window, scarce answering Madame Duval's enquiries; and when I spoke to her, turning absolutely away from me. Mr. Smith, delighted at this mark of his importance, sat indolently quiet on his chair, endeavouring by his looks rather to display, than to conceal, his inward satisfaction. "Good gracious!" cried young Branghton, "why, you're all as fine as a five-pence! Why, where are you going?" "To the Hampstead ball," answered Mr. Smith. "To a ball!" cried he. "Why, what, is aunt going to a ball? Ha, ha, ha!" "Yes, to be sure," cried Madame Duval; "I don't know nothing need hinder me." "And pray, aunt, will you dance too?" "Perhaps I may; but I suppose, Sir, that's none of your business, whether I do or not." "Lord! well, I should like to go! I should like to see aunt dance of all things! But the joke is, I don't believe she'll get ever a partner." "You're the most rudest boy ever I see," cried Madame Duval, angrily: "but, I promise you, I'll tell your father what you say, for I've no notion of such vulgarness." "Why, Lord, aunt, what are you so angry for? there's no speaking a word, but you fly into a passion: you're as bad as Biddy, or Poll, for that, for you're always a-scolding." "I desire, Tom," cried Miss Branghton, "you'd speak for yourself, and not make so free with my name." "There, now, she's up! There's nothing but quarrelling with the women; it's my belief they like it better than victuals and drink." "Fie, Tom," cried Mr. Smith, "you never remember your manners before the ladies: I'm sure you never heard me speak so rude to them." "Why, Lord, you are a beau; but that's nothing to me. So, if you've a mind, you may be so polite as to dance with aunt yourself." Then, with a loud laugh, he declared it would be good fun to see them. "Let it be never so good, or never so bad," cried Madame Duval, "you won't see nothing of it, I promise you; so pray don't let me hear no more of such vulgar pieces of fun; for, I assure you, I don't like it. And as to my dancing with Mr. Smith, you may see wonderfuller things than that any day in the week." "Why, as to that, Ma'am," said Mr. Smith, looking much surprised, "I always thought you intended to play at cards, and so I thought to dance with the young lady." I gladly seized this opportunity to make my declaration, that I should not dance at all. "Not dance at all!" repeated Miss Branghton; "yes, that's a likely matter truly, when people go to balls." "I wish she mayn't," said the brother; "'cause then Mr. Smith will have nobody but aunt for a partner. Lord, how mad he'll be!" "O, as to that," said Mr. Smith, "I don't at all fear of prevailing with the young lady, if once I get her to the room." "Indeed, Sir," cried I, much offended by his conceit, "you are mistaken; and therefore I beg leave to undeceive you, as you may be assured my resolution will not alter." "Then, pray, Miss, if it is not impertinent," cried Miss Branghton, sneeringly, "what do you go for?" "Merely and solely," answered I, "to comply with the request of Madame Duval." "Miss," cried young Branghton, "Bid only wishes it was she, for she has cast a sheep's eye at Mr. Smith this long while." "Tom," cried the sister, rising, "I've the greatest mind in the world to box your ears! How dare you say such a thing of me!" "No, hang it, Tom, no, that's wrong," said Mr. Smith, simpering; "it is indeed, to tell the lady's secrets.-But never mind him, Miss Biddy, for I won't believe him." "Why, I know Bid would give her ears to go," returned the brother; "but only Mr. Smith likes Miss best,-so does every body else." While the sister gave him a very angry answer, Mr. Smith said to me in a low voice, "Why now, Ma'am, how can you be so cruel as to be so much handsomer than your cousins? Nobody can look at them when you are by." "Miss," cried young Branghton, "whatever he says to you don't mind him for he means no good; I'll give you my word for it, he'll never marry you; for he has told me again and again, he'll never marry as long as he lives; besides, if he'd any mind to be married, there's Bid would have had him long ago, and thanked him too." "Come, come, Tom, don't tell secrets; you'll make the ladies afraid of me: but I assure you," lowering his voice, "if I did marry, it should be your cousin." Should be!-did you ever, my dear Sir, hear such unauthorised freedom? I looked at him with a contempt I did not wish to repress, and walked to the other end of the room. Very soon after Mr. Smith sent for a hackney-coach. When I would have taken leave of Miss Branghton, she turned angrily from me, without making any answer. She supposes, perhaps, that I have rather sought, than endeavoured to avoid, the notice and civilities of this conceited young man. The ball was at the long room at Hampstead. This room seems very well named, for I believe it would be difficult to find any other epithet which might with propriety distinguish it, as it is without ornament, elegance, or any sort of singularity, and merely to be marked by its length. I was saved from the importunities of Mr. Smith, the beginning of the evening, by Madame Duval's declaring her intention to dance the first two dances with him herself. Mr. Smith's chagrin was very evident; but as she paid no regard to it, he was necessitated to lead her out. I was, however, by no means pleased, when she said she was determined to dance a minuet. Indeed, I was quite astonished, not having had the least idea she would have consented to, much less proposed, such an exhibition of her person. She had some trouble to make her intentions known, as Mr. Smith was rather averse to speaking to the master of the ceremonies. During this minuet, how much did I rejoice in being surrounded only with strangers! She danced in a style so uncommon; her age, her showy dress, and an unusual quantity of rouge, drew upon her the eyes, and I fear the derision, of the whole company. Whom she danced with, I know not; but Mr. Smith was so ill-bred as to laugh at her very openly, and to speak of her with as much ridicule as was in his power. But I would neither look at, nor listen to him, nor would I suffer him to proceed with any speech which he began, expressive to his vexation at being forced to dance with her. I told him, very gravely, that complaints upon such a subject might, with less impropriety, be made to every person in the room than to me. When she returned to us, she distressed me very much, by asking what I thought of her minuet. I spoke as civilly as I could; but the coldness of my compliment evidently disappointed her. She then called upon Mr. Smith to secure a good place among the country dancers; and away they went, though not before he had taken the liberty to say to me in a low voice, "I protest to you, Ma'am, I shall be quite out of countenance, if any of my acquaintance should see me dancing with the old lady!" For a few moments I very much rejoiced at being relieved from this troublesome man; but scarce had I time to congratulate myself, before I was accosted by another, who begged the favour of hopping a dance with me. I told him that I should not dance at all; but he thought proper to importune me, very freely, not to be so cruel; and I was obliged to assume no little haughtiness before I could satisfy him I was serious. After this, I was addressed much in the same manner, by several other young men; of whom the appearance and language were equally inelegant and low-bred; so that I soon found my situation was both disagreeable and improper, since, as I was quite alone, I fear I must seem rather to invite than to forbid the offers and notice I received; and yet, so great was my apprehension of this interpretation, that I am sure, my dear Sir, you would have laughed had you seen how proudly grave I appeared. I knew not whether to be glad or sorry, when Madame Duval and Mr. Smith returned. The latter instantly renewed his tiresome intreaties, and Madame Duval said she would go to the card-table; and as soon as she was accommodated, she desired us to join the dancers. I will not trouble you with the arguments which followed. Mr. Smith teased me till I was weary of resistance; and I should at last have been obliged to submit, had I not fortunately recollected the affair of Mr. Lovel, and told my persecutor, that it was impossible I should dance with him, even if I wished it, as I had refused several persons in his absence. He was not contented with being extremely chagrined; but took the liberty, openly and warmly, to expostulate with me upon not having said I was engaged. The total disregard with which, involuntarily, I heard him, made him soon change the subject. In truth, I had no power to attend to him; for all my thoughts were occupied in re-tracing the transactions of the two former balls, at which I had been present. The party-the conversation-the company-O how great the contrast! In a short time, however, he contrived to draw my attention to himself, by his extreme impertinence; for he chose to express what he called his admiration of me, in terms so open and familiar, that he forced me to express my displeasure with equal plainness. But how was I surprised, when I found he had the temerity-what else can I call it?-to impute my resentment to doubts of his honour: for he said, "My dear Ma'am, you must be a little patient; I assure you I have no bad designs, I have not upon my word; but, really, there is no resolving upon such a thing as matrimony all at once; what with the loss of one's liberty, and what with the ridicule of all one's acquaintance,-I assure you Ma'am you are the first lady who ever made me even demur upon this subject; for, after all, my dear Ma'am, marriage is the devil." "Your opinion, Sir," answered I, "of either the married or the single life, can be of no manner of consequence to me; and therefore I would by no means trouble you to discuss their different merits." "Why, really, Ma'am, as to your being a little out of sorts, I must own I can't wonder at it; for, to be sure, marriage is all in all with the ladies; but with us gentlemen it's quite another thing! Now only put yourself in my place;-suppose you had such a large acquaintance of gentlemen as I have,-and that you had always been used to appear a little-a little smart among them-why, now could you like to let your self down all at once into a married man?" I could not tell what to answer; so much conceit, and so much ignorance, both astonished and silenced me. "I assure you, Ma'am," added he, "there is not only Miss Biddy,-though I should have scored to mention her, if her brother had not blab'd, for I'm quite particular in keeping ladies' secrets,-but there are a great many other ladies that have been proposed to me;-but I never thought twice of any of them, that is, not in a serious way:-so you may very well be proud," offering to take my hand; "for I assure you, there is nobody so likely to catch me at last as yourself." "Sir, "cried I, drawing myself back as haughtily as I could, "you are totally mistaken, if you imagine you have given me any pride I felt not before, by this conversation; on the contrary, you must allow me to tell you, I find it too humiliating to bear with it any longer." I then placed myself behind the chair of Madame Duval: who, when she heard of the partners I had refused, pitied my ignorance of the world, but no longer insisted upon my dancing. Indeed, the extreme vanity of this man, makes me exert a spirit which I did not, till now, know that I possessed: but I cannot endure that he should think me at his disposal. The rest of the evening passed very quietly, as Mr. Smith did not again attempt speaking to me; except, indeed, after we had left the room and while Madam Duval was seating herself in the coach, he said, in a voice of pique, "Next time I take the trouble to get any tickets for a young lady, I'll make a bargain before-hand, that she shan't turn me over to her grandmother." We came home very safe; and thus ended this so long projected and most disagreeable affair. </CHAPTER>

Volume II, Letter XII -Volume II, Letter XIX

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Evelina continues her letters to Mr. Villars. Mr. Smith called upon Evelina to invite her to the Hampstead Assembly, but she refused him. Despite his surprise and persistence, she would not change her mind. Finally, he appealed to Madame Duval through flattery, and succeeded in winning that lady's favor. The next day, Evelina saw the young Scottish man at the Branghton's shop. He was turning the corner up the stairs when she saw a pistol fall from his pocket. She was dumbfounded, and, realizing that he intended to commit suicide, she followed him upstairs to stop him. She rushed into his room and grabbed his arm, falling down by his side. He was utterly shocked, and Evelina grew embarrassed. She tried to take the pistols, imploring him to have mercy on himself. On his knees before her, he passionately called her his angel, and Evelina quickly seized the pistols and exited the room. He followed her downstairs, but their conversation was interrupted by the Branghtons. Evelina fainted from the encounter, and the Branghtons roused her with their loud talking. She told them what had happened. That day the "rashness and misery of this ill-fated young man engrossed all thoughts," she writes to Mr. Villars. The next day, the Branghtons invited she and Madame Duval to dinner. They talked rudely about their lodger, until they were interrupted by the arrival of Mr. Smith. The party then amused themselves by reflecting on all the London locations Evelina had not seen. The next day, Evelina was sent back to the Branghtons while Madame Duval remained in bed with her vapors. Evelina saw Mr. Macartney reading in the corner of the shop, but was not able to speak with him. Instead, she sat with Miss Polly and her lover Mr. Brown, a situation that made her uncomfortable. Mr. Smith arrived sometime later to join the whole family. Evelina became increasingly irritated by him. She was also sensible of the family's rudeness in front of Mr. Macartney. She tried to "shew civility to this unhappy man, whose misfortunes, with this family, only render him an object of scorn." She was happy that Monsieur Du Bois was there, because he was the only one who was kind and respectful to the Scot. A few days later, they journeyed to Vauxhall as a group: Madame Duval, Evelina, the Branghtons, Monsieur Du Bois, Mr. Brown, and Mr. Smith. Evelina enjoyed the hautbois concerto, finding it very enchanting. She also found the lights appealing, but greatly disliked her company. Mr. Smith annoyed her by attaching himself to her for the entire experience. Thankfully, she found some respite in the company of Monsieur Du Bois. The party had supper, and then the girls were given permission to walk about the gardens together. Miss Branghton proposed that they stroll along the dark walks, and Miss Polly agreed since it would allow her to playfully hide from Mr. Brown. The plan concerned Evelina, who worried they would get lost from their group, but she had no choice but to follow them. They soon encountered a boisterous and riotous group of young men who rushed upon them. One of them grabbed Evelina and called her a "pretty little creature." She pulled away and ran up the walk, right into another group of men. One of them caught her hands and aggressively asked where she was going. Terrified she implored them to let her pass. One man in the group recognized her voice: Sir Clement Willoughby. He quickly pulled her away from the young men, astonished by her presence there. She found his attention annoying, and did not want him to see the company she was with. He followed her, however, asking her questions and complimenting her, then begging her forgiveness when she grew angry. They finally found her party, and she knew she could no longer conceal them from Sir Clement. He was astonished when he met them. Madame Duval, of course, was incensed to see the man who she knew had been involved in the Captain's schemes. Evelina was perturbed by Sir Clement's manners towards her, which adapted depending on the company they were in. Here, he seemed bolder and less restrained than when around the Mirvans. When inquiring about her situation with this party, he was far too open and blunt. The Branghton girls finally returned from the walks, and then the party looked at art for awhile. Everyone seemed in awe of Sir Clement, and his presence obviously made Mr. Smith jealous. When it was time to leave, Sir Clement managed to finagle his way into the same carriage as Madame Duval and Evelina, which distressed her since she did not want him to see where she was staying. Madame Duval was infuriated that he was with them. When they arrived, Evelina noticed him looking over the abode. The next morning, Miss Branghton and Mr. Smith were full of questions about Sir Clement. After a while, Clement himself entered the room to notify Evelina that he was heading towards Howard Grove the next day, and to inquire if she had any messages to send there. He then sat with the family, and discoursed on a variety of subjects. The group was disinclined to reply, each person for his or her own reason - Madame Duval was angry, Mr. Smith was afraid, young Branghton was ashamed, and the sisters were enamored. Finally, Madame Duval could forebear no longer, and she angrily accused Sir Clement of engineering the robbery prank. Her intensity made Sir Clement nervous, which in turn helped everyone else relax, so proud they were of how Madame Duval excoriated him. His attempts to defend himself made him behave awkwardly. He finally insisted he would depart, which subdued everyone else. Before he left, he asked Evelina why she kept company with such people. Evelina continues her letters to Mr. Villars. She writes of an encounter she had with Mr. Macartney, who generally seemed very shy and disordered around her. He tried to speak to her one day, to ask her who she was and why she seemed to be the "arbitress and ruler of the destiny of such a wretch as I am?" When she said she had merely meant to help him, he praised her voice. She was called upstairs by the Branghtons before any more was said. Mr. Villars writes to Evelina, praising her bravery in the case of Mr. Macartney, and lamenting the poor man's situation. Mr. Villars wonders whether the man's behavior is influenced by guilt and misconduct, rather than misfortune. He also once more criticizes Sir Clement. Evelina writes back, confessing that his conjectures on Macartney leave her uneasy, though his appearance suggests misery rather than guilt to her. Maria had recently written to her with news that Sir Clement had returned to Howard Grove, to the great delight of Captain Mirvan. Mr. Smith visited Evelina, and again insisted she should accompany him to the Hampstead Assembly. Once he appealed to Madame Duval, offering both ladies tickets, Evelina was forced to accept. He smugly expressed happiness over his victory. On the night of the assembly, the Branghtons quarreled in their usual coarse manner as Evelina got ready. Young Branghton warned Evelina to be wary of Mr. Smith, who often admitted he had no desire to marry. Mr. Smith, looking at Evelina, told Young Branghton, "if I did marry, it should be your cousin." Evelina was shocked at his forthrightness. At the assembly, she watched her grandmother dance with Mr. Smith, while she delighted in being alone. She did have to reject many suitors, however. She equally refused to dance with Mr. Smith, no matter how hard he tried to recruit her. He grew frustrated with her abstinence, and commented that he would never again trouble to get tickets for a young lady if he was only to dance with her grandmother.

The concept of marriage becomes more prominent in this set of letters. This is to be expected, considering how inextricably linked the theme was to most 18th century literature written by and about women. Frances Burney had rejected a proposal when she was very young, and this novel, written a year later, was in many ways a response to that situation. In this book, she details the ever-present reality of a young woman's need to marry. She created a smart, intuitive, and virtuous young heroine to navigate the "marriage market," as scholar Judith Newton deems it. Newton's article explains how, in Evelina, Burney is "firmly committed to the assumption that marriage is a woman's only destiny and to the understanding that she achieves this destiny through displaying herself and waiting to be chosen." Of course, this situation means that a woman might often be viewed as overstocked merchandise or even as helpless prey. That Burney's intelligent heroine is nevertheless devoid of significant options is a damning enough condemnation of the reality, but that neither the author nor the protagonist even question this state of affairs is even worse. In the world of Evelina, men behave badly, and view women very much as commodities. Burney seems to accept this as unalterable fact, but she does not shy away from representing how oppressive it can be for women. Mr. Smith is the best example of a man who knows he is a "buyer in a buyer's market," and therefore believes he can impress his will upon women. Recall the first assembly Evelina attends, and her observation that men there act as if they bestow gifts by asking a woman to dance. In the pleasure gardens, her situation becomes overwhelmingly oppressive; Evelina is grabbed, accosted, leered at, and finally "rescued" by Sir Clement, who uses the opportunity to try and seduce her. There is no sense that she has escaped an unjust situation; instead, the men feel lucky to now have her attention. The unkind men in the novel - Lord Merton, Mr. Smith, Mr. Lovel - are distinguished from Sir Clement because the latter man "imposes upon his pursuit of Evelina the courtly fiction that she is Cinderella, the beautiful but distant object." He is thrilled to see her as sexual prey, and pursues her with a hunter's persistence - that is, he is not concerned with her feelings, but only with manipulating her feelings. He continues to play-act the role of a 'Prince Charming'; consider his profuse contrition after Evelina discovered he was driving aimlessly after the opera. However, Evelina prefers his advances to those of men like Mr. Smith because the former at least pretends that the pursuit has an air of civility. So naturally, Lord Orville stands in stark contrast to almost every other man. In some ways, he is the center of the fiction for Burney. Newton writes, "That a man like Orville exists, that he ignores all the usual requirements of marriage, that he permanently confers upon Evelina the identity of Cinderella is a fiction so complete that Burney is moved either to anticipate the reader's disbelief or to reassure us that our hero has not been parted from his judgment." He is too good to be true and "his extraordinary virtues are both wish fulfillment and compensation." He is both a dramatic and thematic necessity, since he provides counterpoint to a novel that would be overly pessimistic otherwise, but Burney has to take great pains to keep him dramatically interesting, as will be seen with his letter in coming sections. Newton also details Evelina's personal growth in the face of this 'marriage market'. Evelina does develop a defense against these forceful men, but she cannot truly maintain that defense, since she would ultimately have to abdicate that power to be a suitable wife. Lord Orville will have to intervene on her behalf multiple times in the third volume of the novel, as he will surely continue to do so in his role of husband. Considering that the third volume is where a protagonist would usually show the most agency, it is telling that this novel's protagonist will rely on another for that purpose. Overall, Evelina's encounter with the world "is a woman's traditional encounter; it is a time of waiting, a time of transition, during which she is transferred from the protection of one male authority to the protection of another." The quality that makes Evelina dramatically interesting is her pastoral upbringing - she has a perspective on the cruel absurdity of her situation that a girl brought up solely in such society would never have. However, Evelina's journey is not a true bildungsroman because she cannot truly achieve the personal growth that a young man can. In other words, Burney somewhat lacks the original perspective Evelina does - we could imagine the latter finally realizing that the 'marriage market' is a sham, except that her creator is unwilling to go there. Fanny Burney wrote a novel that reveals an acceptance of a woman's role in the world, though there is a cynical edge in Lord Orville, since she can only temper her cynicism by " fictions" like him.

gradesaver

all_chapterized_books/6053-chapters/volume_2_chapters_20_to_30.txt

finished_summaries/gradesaver/Evelina/section_5_part_0.txt

Evelina.volume 2.chapters 20-30

volume 2, letter 20-30

{"name": "Volume II, Letter XX - Volume II, Letter XXX", "url": "https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-ii-letter-xx--volume-ii-letter-xxx", "summary": "Evelina writes to Mr. Villars, including in her correspondence a letter from Mr. Macartney in which he relates to her his sad story. He writes that he had grown up with his mother in Scotland, and never knew his father, whom he was told had died. He had one particularly close friend, who used his fortune to leave Scotland and travel through Europe. Before he left, the friend asked Macartney to meet him in Paris. When Macartney finally complied, he met a young woman there whom he fell in love with. However, when her absent father returned to discover them together, the two men dueled and Macartney felled her father. Believing the man had died, he fled in terror. He later learned that the father had not died, but the news was even worse: that man was in fact Macartney's real father, which means his beloved is his sister. Macartney's life disintegrated from that point onwards, and so he purchased pistols to pursue a life of robbery. Evelina had in fact deterred him from that purpose , for which he is immensely grateful to her. Evelina continues her letters to Mr. Villars from London. She writes about how everyone went to Marybone-gardens. She enjoyed the fireworks and the orchestra there, but one firework was so terrifying that she ran away from it and got lost from her companions. As she wandered around, she encountered a group of men, one of whom accosted her. She was saved only by two young women who pulled her away; she soon realized they were prostitutes, and she tried to get away. Mr. Brown stumbled along while looking for her, and the prostitutes grabbed him as well. When they finally found the rest of their party, Evelina was concerned to see Lord Orville there with them. He seemed to be concerned to find her walking arm-in-arm with these women. Before he left, Lord Orville asked Evelina if he might pay his respects to her before he left town. She agreed. The prostitutes were eventually run off, and the group departed. Evelina reflected on how differently Lord Orville and Sir Clement reacted around her group - the former showed grace and politeness, and acted \"benevolently, not with insolence.\" The next morning, Lord Orville visited Evelina early in the morning. They spoke pleasantly for some time until he embarrassingly brought up the subject of the prostitutes, asking Evelina if she had kept company with them before. When she denied it, both awkwardly apologized to one other. He admitted he had not doubted her, but was made so curious to see her in such company, but was curious. He kissed her hand before he left; she was pleased to once again have his esteem. That same day, however, Evelina was annoyed by two new revelations: a) Madame Duval and Mr. Branghton were conspiring for her to marry Young Branghton; and b) Monsieur Du Bois was also attracted to her, as he confessed to her via note. The family went on a trip to Kensington-gardens, but Evelina was little impressed. She tried not to speak to Young Branghton at all, but felt sorry for avoiding Monsieur Du Bois, as he had always been kind to her. The Branghton girls continually pestered her about Lord Orville. When their father and brother heard that Evelina had once danced with the Lord, they thought this entitled them to make use of his carriage, which was sitting dormant with its driver at the gardens, to head home early. Evelina was mortified by this plan, but they would not desist . Even the footmen mocked their resolve, until one actually went to ask Lord Orville, and returned with word that \"his carriage will always be at Miss Anville's service.\" That night, Evelina felt uneasy; she had just returned to Lord Orville's good opinion, but was now surely sunk by her family's behavior. She was doubly mortified to learn that Young Branghton had attended Lord Orville to apologize about some glass that had been broken in the carriage on their trip home. Young Branghton visited her with this news, and brought Lord Orville's compliments. When she realized he had used her name to gain access to Lord Orville, she angrily fled the room. She was so mortified that she actually wrote Lord Orville a note to apologize. After an excursion with the group the next day, Evelina returned anxious to know whether anyone had called in her absence; both Lord Orville and Sir Clement had. When she and Monsieur du Bois were alone later, however, he dropped to his knees and professed his love to her. Madame Duval entered during this display, and she flew into a passion, since she had considered herself as the object of his affections. She raged that she would not take Evelina to Paris and that she must marry Branghton. Evelina refused to grant her consent, and left the room. She soon thereafter left London. Mr. Villars writes to Evelina that she must come by Berry Hill before she returns to Howard Grove. While at Berry Hill, Evelina writes Miss Mirvan to explain she has stopped a while to visit Mr. Villars before returning to Howard Grove. Her next letter to Maria is full of indignation. In it, she reveals how Lord Orville had indeed written her a response to her note, but his letter was gross and distasteful. It was filled with flowery language and bold sentiments, and sounded very unlike him. She felt deceived and betrayed, and wondered how it was possible he could be so inappropriately forward. She was not flattered that he clearly seemed to love her, since his behavior was loathsome. She decided not to tell Mr. Villars because he held the man in such esteem. Continuing her letters to Miss Mirvan, she writes that Mr. Villars's neighbor and friend Mrs. Selwyn wishes to take Evelina to Bristol. However, she does not want to be separated from her guardian, and has little desire to see any more of the world. Overall, she is quite depressed. Evelina continued to be depressed, and Mr. Villars watched her carefully. He finally confronted her about her sadness, mourning that he had lost his child. He persisted in questioning her, believing that she was bored with the serenity of Berry Hill after having lived such an exciting life in London. Not wanting him to believe she had lost affection for her childhood home, Evelina showed him Lord Orville's letter. He concluded that the man must have been intoxicated when he wrote it; that was the only plausible explanation. Evelina was somewhat relieved, but wondered, \"Why should I allow myself to be humbled by a man who can suffer his reason to be thus abjectly debased...\" Evelina writes to Miss Mirvan again after some time has passed, explaining that she had grown ill and finally agreed to accompany Mrs. Selwyn to Bristol, where she might recover. That woman was clever and had a \"masculine\" understanding; she lost all softness and gentleness. This did not offend Evelina, though she adds that Mr. Villars is annoyed by her \"unmerciful propensity to satire.\"", "analysis": "As Evelina continues to narrate her travels through London, she provides not only an insightful look at this 18th century metropolis for modern readers, but also further example of the limitations a woman faced at that time. Her group undertakes an excursion to Marybone-gardens, which was in west London, and had been opened to the public as a pleasure-garden in 1738. Vivien Jones writes in the annotations that there were \"gravel walks, elegant buildings such as the Great Room and the Orchestra, and regular concerts; and like the Vauxhall the usual fee was a shilling.\" It was famous for its concerts and fireworks displays, but was in decline by 1775, and closed in 1776. That it attracts such a wide swath of people helps explain how both the sophisticated Lord Orville and the boorish Branghtons might be there at the same time. Thus, it makes sense that questions of class and respectability arise in this place. In these gardens, Evelina comes into contact with the two prostitutes. While she and the Branghton girls realize who these women are, Madame Duval remains in ignorance. Jones uses this incident to confront the then-common assumption that places where social classes mixed encouraged an overall lapse of respectability. Whether this assumption is accurate or not, it certainly seems to be so for the upper class. The incident showcases how difficult it was for a young woman to protect her reputation. Evelina may be virtuous, but that's not enough; she has to work assiduously to maintain the impression of virtue. Lord Orville has no reason to suspect she fraternizes with prostitutes, but the appearance is enough to force him to bring up the question. The issue with his letter is significant for this same reason. Evelina writes a simple letter to Lord Orville, apologizing for her family's behavior, but she is utterly shocked by the excess sentiment contained in his response. However, she is in no position to simply write him off as a cad; the mere fact that he wrote that could potentially suggest to others that she had initiated such a flirtatious exchange. Certainly, her reputation had much more to lose than his. Further, the fact that he feels comfortable taking such advantage of her suggests he sees her in an unacceptable light. The sad truth is that it was considered inappropriate for young women even to correspond with men they were not engaged to; this makes up part of trouble faced by Clarissa in Samuel Richardson's novel of the same name. They had too much to lose by it. Two other places of interest are mentioned in this set of letters: Kensington Gardens and the Hotwells. The former had a dynamic landscape design, much of which had been altered at the request of Queen Caroline, wife of George II. Evelina expressed her preference for the modern and open garden style of Kensington as opposed to the formal alleys of Vauxhall; it was also frequented for most of the 1770's by a more genteel class of people. Hyde Park was part of Kensington Gardens, and was a fashionable place to see and be seen. The Hotwells became popular at the end of the 1600's when a pump room and lodging house were built. These springs, renowned for their medicinal properties, attracted a fashionable crowd during their open season from May to September. Finally, Evelina learns the sad story of the Scottish poet in this set of letters. This story does not quite cohere with the rest of the narrative at this point, but will become more significant as Evelina continues. The story is full of both melodramatic and real-world elements. The melodrama consists in the story of unrequited love, and the outrageous coincidence of Macartney's connection with his sister. The real world is reflected by the 'Grand Tour' that the poet's friend takes. The Grand Tour was quite common for wealthy young men, and was meant to enhance their education. Poor men like Macartney, however, hoped to be ordained by the Church of England or Scotland, and to obtain a living by a wealthy patron or a good parish. There is some consideration of class in this story, though it is overshadowed by the dramatic overtones of his sad story."}

<CHAPTER> LETTER LI. EVELINA IN CONTINUATION. I HAVE just received a most affecting letter from Mr. Macartney. I will inclose it, my dear Sir, for your perusal. More than ever have I cause to rejoice that I was able to assist him. Mr. Macartney to Miss Anville. Madam, IMPRESSED with deepest, the most heartfelt sense of the exalted humanity with which you have rescued from destruction an unhappy stranger, allow me, with humblest gratitude, to offer you my fervent acknowledgments, and to implore your pardon for the terror I have caused you. You bid me, Madam, live: I have now, indeed, a motive for life, since I should not willingly quit the world, while I withhold from the needy and distressed any share of that charity which a disposition so noble would otherwise bestow upon them. The benevolence with which you have interested yourself in my affairs, induces me to suppose you would wish to be acquainted with the cause of that desperation from which you snatched me, and the particulars of that misery of which you have so wonderfully been a witness. Yet, as this explanation will require that I should divulge secrets of a nature the most delicate, I must intreat you to regard them as sacred, even though I forbear to mention the names of the parties concerned. I was brought up in Scotland, though my mother, who had the sole care of me, was an English-woman, and had not one relation in that country. She devoted to me her whole time. The retirement in which we lived, and the distance from our natural friends, she often told me, were the effect of an unconquerable melancholy with which she was seized upon the sudden loss of my father, some time before I was born. At Aberdeen, where I finished my education, I formed a friendship with a young man of fortune, which I considered as the chief happiness of my life:-but, when he quitted his studies, I considered it as my chief misfortune; for he immediately prepared, by direction of his friends, to make the tour of Europe. As I was designed for the church, and had no prospect even of maintenance but from my own industry, I scarce dared permit even a wish of accompanying him. It is true, he would joyfully have borne my expenses: but my affection was as free from meanness as his own; and I made a determination the most solemn, never to lessen its dignity by submitting to pecuniary obligations. We corresponded with great regularity, and the most unbounded confidence, for the space of two years, when he arrived at Lyons in his way home. He wrote me thence the most pressing invitation to meet him at Paris, where he intended to remain some time. My desire to comply with his request, and shorten our absence, was so earnest, that my mother, too indulgent to control me lent me what assistance was in her power, and, in an ill-fated moment, I set out for that capital. My meeting with this dear friend was the happiest event of my life: he introduced me to all his acquaintance; and so quickly did time seem to pass at that delightful period, that the six weeks I had allotted for my stay were gone, ere I was sensible I had missed so many days. But I must now own, that the company of my friend was not the sole subject of my felicity: I became acquainted with a young lady, daughter of an Englishman of distinction, with whom I formed an attachment, which I have a thousand times vowed, a thousand times sincerely thought, would be lasting as my life. She had but just quitted a convent in which she had been placed when a child, and though English by birth, she could scarcely speak her native language. Her person and disposition were equally engaging; but chiefly I adored her for the greatness of the expectation, which, for my sake, she was willing to resign. When the time for my residence in Paris expired, I was almost distracted at the idea of quitting her; yet I had not the courage to make our attachment known to her father, who might reasonably form for her such views as would make him reflect, with a contempt which I could not bear to think of, such an offer as mine. Yet I had free access to the house, where she seemed to be left almost wholly to the guidance of an old servant, who was my fast friend. But, to be brief, the sudden and unexpected return of her father, one fatal afternoon, proved the beginning of the misery which has ever since devoured me. I doubt not but he had listened to our conversation; for he darted into the room with the rage of a madman. Heavens! what a scene followed!-what abusive language did the shame of a clandestine affair, and the consciousness of acting ill, induce me to brook! At length, however, his fury exceeded my patience, he called me a beggarly, cowardly Scotchman. Fired at the words, I drew my sword; he, with equal alertness, drew his; for he was not an old man, but, on the contrary, strong and able as myself. In vain his daughter pleaded;-in vain did I, repentant of my anger retreat-his reproaches continued; myself, my country, were loaded with infamy, till no longer constraining my rage,-we fought,-and he fell! At that moment I could almost have destroyed myself! The young lady fainted with terror; the old servant, drawn to us by the noise of the scuffle, entreated me to escape, and promised to bring intelligence of what should pass to my apartments. The disturbance which I heard raised in the house obliged me to comply; and, in a state of mind inconceivable wretched, I tore myself away. My friend, whom I found at home, soon discovered the whole affair. It was near midnight before the woman came. She told me that her master was living, and her young mistress restored to her senses. The absolute necessity for my leaving Paris, while any danger remained, was forcibly argued by my friend: the servant promised to acquaint him of whatever passed, and he to transmit to me her information. Thus circumstanced, with the assistance of this dear friend, I effected my departure from Paris, and, not long after, I returned to Scotland. I would fain have stopped by the way, that I might have been nearer the scene of all my concerns; but the low state of my finances denied me that satisfaction. The miserable situation of my mind was soon discovered by my mother; nor would she rest till I communicated the cause. She heard my whole story with an agitation which astonished me:-the name of the parties concerned seemed to strike her with horror:-but when I said, We fought, and he fell; -"My son," cried she, "you have then murdered your father!" and she sunk breathless at my feet. Comments, Madam, upon such a scene as this, would to you be superfluous, and to me agonizing: I cannot, for both our sakes, be too concise. When she recovered, she confessed all the particulars of a tale which she had hoped never to have revealed.-Alas! the loss she had sustained of my father was not by death!-bound to her by no ties but those of honour, he had voluntarily deserted her!-Her settling in Scotland was not the effect of choice,-she was banished thither by a family but too justly incensed.-Pardon, Madam, that I cannot be more explicit! My senses, in the greatness of my misery, actually forsook me, and, for more than a week, I was wholly delirious. My unfortunate mother was yet more to pitied; for she pined with unmitigated sorrow, eternally reproaching herself for the danger to which her too strict silence had exposed me. When I recovered my reason, my impatience to hear from Paris almost deprived me of it again; and though the length of time I waited for letters might justly be attributed to contrary winds, I could not bear the delay, and was twenty times upon the point of returning thither at all hazards. At length, however, several letters arrived at once, and from the most insupportable of my afflictions I was then relieved; for they acquainted me that the horrors of parricide were not in reserve for me. They informed me also, that as soon as the wound was healed, a journey would be made to England, where my unhappy sister was to be received by an aunt, with whom she was to live. This intelligence somewhat quieted the violence of my sorrows. I instantly formed a plan of meeting them in London, and, by revealing the whole dreadful story, convincing this irritated parent that he had nothing more to apprehend from his daughter's unfortunate choice. My mother consented, and gave me a letter to prove the truth of my assertions. As I could but ill afford to make this journey, I travelled in the cheapest way that was possible. I took an obscure lodging,-I need not, Madam, tell you where,-and boarded with the people of the house. Here I languished, week after week, vainly hoping for the arrival of my family; but my impetuosity had blinded me to the imprudence of which I was guilty in quitting Scotland so hastily. My wounded father, after his recovery, relapsed, and when I had waited in the most comfortless situation for six weeks, my friend wrote me word that the journey was yet deferred for some time longer. My finances were then nearly exhausted; and I was obliged, though most unwillingly, to beg further assistance from my mother, that I might return to Scotland. Oh, Madam!-my answer was not from herself;-it was written by a lady who had long been her companion, and aquainted me that she had been taken suddenly ill of a fever,-and was no more! The compassionate nature of which you have given such noble proofs, assures me I need not, if I could, paint to you the anguish of a mind overwhelmed with such accumulated sorrows. Inclosed was a letter to a near relation, which she had, during her illness, with much difficulty, written; and in which, with the strongest maternal tenderness, she described my deplorable situation, and intreated his interest to procure me some preferment. Yet so sunk was I by misfortune, that a fortnight elapsed before I had the courage or spirit to attempt delivering this letter. I was then compelled to it by want. To make my appearance with some decency, I was necessitated myself to the melancholy task of changing my coloured clothes for a suit of mourning;- and then I proceeded to seek my relation. I was informed he was not in town. In this desperate situation, the pride of my heart, which hitherto had not bowed to adversity, gave way; and I determined to intreat the assistance of my friend, whose offered services I had a thousand times rejected. Yet, Madam, so hard is it to root from the mind its favourite principles or prejudices, call them which you please, that I lingered another week ere I had the resolution to send away a letter, which I regarded as the death of my independence. At length, reduced to my last shilling, shunned insolently by the people of the house, and almost famished, I sealed this fatal letter; and, with a heavy heart, determined to take it to the post office. But Mr. Branghton and his son suffered me not to pass through their shop with impunity; they insulted me grossly, and threatened me with imprisonment, if I did not immediately satisfy their demands. Stung to the soul, I bid them have but a day's patience, and flung from them in a state of mind too terrible for description. My letter which I now found would be received too late to save me from disgrace, I tore into a thousand pieces; and scarce could I refrain from putting an instantaneous, an unlicensed, a period to my existence. In this disorder of my senses, I formed the horrible plan of turning foot-pad; for which purpose I returned to my lodging, and collected whatever of my apparel I could part with; which I immediately sold, and with the produce purchased a brace of pistols, powder and shot. I hope, however, you will believe me, when I most solemnly assure you, my sole intention was to frighten the passengers I should assault with these dangerous weapons; which I had not loaded but from a resolution,-a dreadful one, I own,-to save myself from an ignominious death if seized. And, indeed, I thought, that if I could but procure money sufficient to pay Mr. Branghton, and make a journey to Scotland, I should soon be able to, by the public papers, to discover whom I had injured, and to make private retribution. But, Madam, new to every species of villainy, my perturbation was so great, that I could with difficulty support myself, yet the Branghtons observed it not as I passed through the shop. Here I stop:-what followed is better known to yourself. But no time can ever efface from my memory that moment, when, in the very action of preparing for my own destruction, or the lawless seizure of the property of others, you rushed into the room and arrested my arm!-It was indeed an awful moment!-the hand of Providence seemed to intervene between me and eternity: I beheld you as an angel!-I thought you dropt from the clouds!-The earth, indeed, had never presented to my view a form so celestial!-What wonder, then, that a spectacle so astonishing should, to a man disordered as I was, appear too beautiful to be human? And now, Madam, that I have performed this painful task, the more grateful one remains of rewarding, as far as is in my power, your generous goodness, by assuring you it shall not be thrown away. You have awakened me to a sense of the false pride by which I have been actuated;-a pride which, while it scorned assistance from a friend, scrupled not to compel it from a stranger, though at the hazard of reducing that stranger to a situation as destitute as my own. Yet, oh! how violent was the struggle which tore my conflicting soul ere I could persuade myself to profit by the benevolence which you were so evidently disposed to exert in my favour! By means of a ring, the gift of my much-regretted mother, I have for the present satisfied Mr. Branghton; and, by means of your compassion, I hope to support myself either till I hear from my friend, to whom at length I have written, or till the relation of my mother returns to town. To talk to you, Madam, of paying my debt, would be vain; I never can! the service you have done me exceeds all power of return: you have restored me to my senses; you have taught me to curb those passions which bereft me of them; and, since I cannot avoid calamity, to bear it as a man! An interposition so wonderfully circumstanced can never be recollected without benefit. Yet allow me to say, the pecuniary part of my obligation must be settled by my first ability. I am, Madam, with the most profound respect, and heartfelt gratitude, Your obedient, and devoted humble servant, J. MACARTNEY. </CHAPTER> <CHAPTER> LETTER LII. EVELINA IN CONTINUATION. Holborn, July 1.-5 o'clock in the morning. O SIR, what and adventure have I to write!-all night it has occupied my thoughts, and I am now risen thus early to write it to you. Yesterday it was settled that we should spend the evening in Marybone Gardens, where M. Torre, a celebrated foreigner, was to exhibit some fire-works. The party consisted of Madame Duval, all the Branghtons, M. Du Bois, Mr. Smith, and Mr. Brown. We were almost the first persons who entered the Gardens, Mr. Branghton having declared he would have all he could get for his money, which, at best, was only fooled away at such silly and idle places. We walked in parties, and very much detached from one another. Mr. Brown and Miss Polly led the way by themselves; Miss Branghton and Mr. Smith followed; and the latter seemed determined to be revenged for my behaviour at the ball, by transferring all his former attention for me to Miss Branghton, who received it with an air of exultation; and very frequently they each of them, though from different motives, looked back, to discover whether I observed their good intelligence. Madame Duval walked with M. Du Bois, and Mr. Branghton by himself; but his son would willingly have attached himself wholly to me; saying frequently, "come, Miss, let's you and I have a little fun together: you see they have all left us, so now let's leave them." But I begged to be excused, and went to the other side of Madame Duval. This Garden, as it is called, is neither striking for magnificence nor for beauty; and we were all so dull and languid, that I was extremely glad when we were summoned to the orchestra, upon the opening of a concert; in the course of which I had the pleasure of hearing a concerto on the violin by Mr. Barthelemon, who to me seems a player of exquisite fancy, feeling and variety. When notice was given us that the fire-works were preparing we hurried along to secure good places for the sight; but very soon we were so encircled and incommoded by the crowd, that Mr. Smith proposed the ladies should make interest for a form to stand upon: this was soon effected: and the men then left us to accommodate themselves better; saying, they would return the moment the exhibition was over. The fire-work was really beautiful; and told, with wonderful ingenuity, the story of Orpheus and Eurydice: but, at the moment of the fatal look which separated them for ever, there was such an explosion of fire, and so horrible a noise, that we all, as of one accord, jumpt hastily from the form, and ran away some paces, fearing that we were in danger of mischief, from the innumerable sparks of fire which glittered in the air. For a moment or two I neither knew nor considered whither I had run; but my recollection was soon awakened by a stranger's addressing me with, "Come along with me, my dear, and I'll take care of you." I started; and then, to my great terror, perceived that I had outrun all my companions, and saw not one human being I knew! With all the speed in my power, and forgetful of my first fright, I hastened back to the place I had left;-but found the form occupied by a new set of people. In vain, from side to side, I looked for some face I knew; I found myself in the midst of a crowd, yet without party, friend, or acquaintance. I walked in disordered haste from place to place, without knowing which way to turn, or whither I went. Every other moment I was spoken to by some bold and unfeeling man; to whom my distress, which I think must be very apparent, only furnished a pretence for impertinent witticisms, or free gallantry. At last a young officer, marching fiercely up to me, said, "You are a sweet pretty creature, and I enlist you in my service;" and then, with great violence, he seized my hand. I screamed aloud with fear; and forcibly snatching it away, I ran hastily up to two ladies, and cried, "for Heaven's sake, dear ladies, afford me some protection!" They heard me with a loud laugh, but very readily said, "Ay, let her walk between us;" and each of them took hold of an arm. Then, in a drawling, ironical tone of voice, they asked what had frightened my little Ladyship? I told them my adventure very simply, and intreated they would have the goodness to assist me in finding my friends. O yes, to be sure, they said, I should not want for friends, whilst I was with them. Mine, I said, would be very grateful for any civilities with which they might favour me. But imagine, my dear Sir, how I must have been confounded, when I observed, that every other word I spoke produced a loud laugh! However, I will not dwell upon a conversation, which soon, to my inexpressible horror, convinced me I had sought protection from insult, of those who were themselves most likely to offer it! You, my dearest Sir, I well know, will both feel for and pity my terror, which I have no words to describe. Had I been at liberty, I should have instantly run away from them when I made the shocking discovery: but, as they held me fast, that was utterly impossible: and such was my dread of their resentment or abuse that I did not dare make any open attempt to escape. They asked me a thousand questions, accompanied by as many halloos, of who I was, what I was, and whence I came? My answers were very incoherent;-but what, good Heaven, were my emotions, when, a few moments afterwards, I perceived advancing our way-Lord Orville! Never shall I forget what I felt at that instant: had I, indeed, been sunk to the guilty state which such companions might lead him to suspect, I could scarce have had feelings more cruelly depressing. However, to my infinite joy, he passed us without distinguishing me; though I saw that in a careless manner, his eyes surveyed the party. As soon as he was gone, one of these unhappy women said, "Do you know that young fellow?" Not thinking it possible she should mean Lord Orville by such a term, I readily answered, "No, Madam." "Why then," answered she, "you have a monstrous good stare, for a little county Miss." I now found I had mistaken her, but was glad to avoid an explanation. A few minutes after, what was my delight to hear the voice of Mr. Brown, who called out," Lord, i'n't that Miss what's her name?" "Thank God," cried I, suddenly springing from them both, "thank God, I have found my party." Mr. Brown was, however, alone; and, without knowing what I did, I took hold of his arm. "Lord, Miss," cried he, "we've had such a hunt you can't think! some of them thought you was gone home: but I says, says I, I don't think, says I, that she's like to go home all alone, says I." "So that gentleman belongs to you, Miss, does he?" said one of the women. "Yes, Madam," answered I, "and I now thank you for your civility; but as I am safe, will not give you any further trouble." I courtsied slightly, and would gave walked away; but, most unfortunately, Madame Duval and the two Miss Branghtons just then joined us. They all began to make a thousand enquiries; to which I briefly answered, that I had been obliged to these two ladies for walking with me, and would tell them more another time: for, though I felt great comparative courage, I was yet too much intimidated by their presence, to dare be explicit. Nevertheless, I ventured once more to wish them a goodnight, and proposed seeking Mr. Branghton. These unhappy women listened to all that was said with a kind of callous curiosity, and seemed determined not to take any hint. But my vexation was terribly augmented when, after having whispered something to each other, they very cavalierly declared, that they intended joining our party! and then, one of them very boldly took hold of my arm, while the other, going round, seized that of Mr. Brown; and thus, almost forcibly, we were moved on between them, and followed by Madame Duval and the Miss Branghton. It would be very difficult to say which was greatest, my fright, or Mr. Brown's consternation; who ventured not to make the least resistance, though his uneasiness made him tremble almost as much as myself. I would instantly have withdrawn my arm: but it was held so tight I could not move it; and poor Mr. Brown was circumstanced in the same manner on the other side; for I heard him say, "Lord, Ma'am, there's no need to squeeze one's arm so!" And this was our situation,-for we had not taken three steps, when,-O sir,-we again met Lord Orville!-but not again did he pass quietly by us:-unhappily I caught his eye;-both mine immediately were bent to the ground; but he approached me, and we all stopped. I then looked up. He bowed. Good God, with what expressive eyes did he regard me! Never were surprise and concern so strongly marked:-yes, my dear Sir, he looked greatly concerned: and that, the remembrance of that, is the only consolation I feel for an evening the most painful of my life. What he said I know not; for indeed, I seemed to have neither ears nor understanding; but I recollect that I only courtsied in silence. He paused for an instant, as if-I believe so,-as if unwilling to pass on; and then, finding the whole party detained, he again bowed, and took leave. Indeed, my dear Sir, I thought I should have fainted; so great was my emotion, from shame, vexation, and a thousand other feelings, for which I have no expressions. I absolutely tore myself from the woman's arms; and then, disengaging myself from that of Mr. Brown, I went to Madame Duval, and besought that she would not suffer me to be again parted from her. I fancy-that Lord Orville saw what passed; for scarcely was I at liberty, ere he returned. Methought, my dear Sir, the pleasure, the surprise of that moment, recompensed me for all the chagrin I had before felt: for do you not think, that his return manifests, for a character so quiet, so reserved as Lord Orville's, something like solicitude in my concerns? such at least was the interpretation I involuntarily made upon again seeing him. With a politeness to which I have been sometime very little used, he apologized for returning; and then inquired after the health of Mrs. Mirvan, and the rest of the Howard Grove family. The flattering conjecture which I have just acknowledged, had so wonderfully restored my spirits, that I believe I never answered him so readily, and with so little constraint. Very short, however, was the duration of this conversation; for we were soon most disagreeably interrupted. The Miss Branghtons, though they saw almost immediately the characters of the women to whom I had so unfortunately applied, were, nevertheless, so weak and foolish, as merely to titter at their behaviour. As to Madame Duval, she was for some time so strangely imposed upon, that she thought they were two real fine ladies. Indeed, it is wonderful to see how easily and how frequently she is deceived. Our disturbance, however, arose from young Brown, who was now between the two women, by whom his arms were absolutely pinioned to his sides: for a few minutes his complaints had been only murmured: but he now called out aloud, "Goodness, Ladies, you hurt me like any thing! why, I can't walk at all, if you keep pinching my arms so!" This speech raised a loud laugh in the women, and redoubled the tittering of the Miss Branghtons. For my own part, I was most cruelly confused: while the countenance of Lord Orville manifested a sort of indignant astonishment; and, from that moment, he spoke to me no more till he took leave. Madame Duval, who now began to suspect her company, proposed our taking the first box we saw empty, bespeaking a supper, and waiting till Mr. Branghton should find us. Miss Polly mentioned one she had remarked, to which we all turned. Madame Duval instantly seated herself; and the two bold women, forcing the frightened Mr. Brown to go between them, followed her example. Lord Orville, with an air of gravity that wounded my very soul, then wished me good night. I said not a word; but my face, if it had any connection with my heart, must have looked melancholy indeed: and so I have some reason to believe it did; for he added with much more softness, though no less dignity, "Will Miss Anville allow me to ask her address, and to pay my respects to her before I leave town?" O how I changed colour at this unexpected request!-yet, what was the mortification I suffered in answering, "My Lord, I am-in Holborn!" He then bowed and left us. What, what can he think of this adventure! how strangely how cruelly have all appearances turned against me! Had I been blessed with any presence of mind, I should instantly have explained to him the accident which occasioned my being in such terrible company:-but I have none! As to the rest of the evening, I cannot relate the particulars of what passed; for, to you, I only write of what I think; and I can think of nothing but this unfortunate, this disgraceful meeting. These two wretched women continued to torment us all, but especially poor Mr. Brown, who seemed to afford them uncommon diversion, till we were discovered by Mr. Branghton, who very soon found means to release us from their persecutions, by frightening them away. We stayed but a short time after they left us, which was all employed in explanation. Whatever may be the construction which Lord Orville may put upon this affair, to me it cannot fail of being unfavourable; to be seen-gracious Heaven! to be seen in company with two women of such character!-How vainly, how proudly have I wished to avoid meeting him when only with the Branghtons and Madame Duval;-but now, how joyful should I be had he seen me to no greater disadvantage!-Holborn, too! what a direction! he who had always-but I will not torment you, my dearest Sir, with any more of my mortifying conjectures and apprehensions: perhaps he may call,-and then I shall have an opportunity of explaining to him all the most shocking part of the adventure. And yet, as I did not tell him at whose house I lived, he may not be able to discover me; I merely said in Holborn; and he, who I suppose saw my embarrassment, forbore to ask any other direction. Well, I must take my chance! Yet let me, in the justice to Lord Orville, and in justice to the high opinion I have always entertained of his honour and delicacy,-let me observe the difference of his behaviour, when nearly in the same situation, to that of Sir Clement Willoughby. He had, at least, equal cause to depreciate me in his opinion, and to mortify and sink me in my own; but far different was his conduct:-perplexed, indeed, he looked, and much surprised:-but it was benevolently, not with insolence. I am even inclined to think, that he could not see a young creature whom he had so lately known in a higher sphere, appear so suddenly, so strangely, so disgracefully altered in her situation, without some pity and concern. But whatever might be his doubts and suspicions, far from suffering them to influence his behaviour, he spoke, he looked with the same politeness and attention with which he had always honoured me when countenanced by Mrs. Mirvan. Once again, let me drop this subject. In every mortification, every disturbance, how grateful to my heart, how sweet to my recollection, is the certainty of your never-failing tenderness, sympathy and protection! Oh, Sir, could I upon this subject, could I write as I feel,-how animated would be the language of your devoted EVELINA. </CHAPTER> <CHAPTER> LETTER LIII. EVELINA IN CONTINUATION. Holborn, July 1st. LISTLESS, uneasy, and without either spirit or courage to employ myself, from the time I had finished my last letter, I indolently seated myself at the window, where, while I waited Madame Duval's summons to breakfast, I perceived, among the carriages which passed by, a coronet-coach, and in a few minutes, from the window of it, Lord Orville! I instantly retreated, but not I believe, unseen; for the coach immediately drove up to our door. Indeed, my dear Sir, I must own I was greatly agitated; the idea of receiving Lord Orville by myself,-the knowledge that his visit was entirely to me,-the wish of explaining the unfortunate adventure of yesterday,-and the mortification of my present circumstances,-all these thoughts, occurring to me nearly at the same time, occasioned me more anxiety, confusion, and perplexity, than I can possibly express. I believe he meant to sent up his name; but the maid, unused to such a ceremony, forgot it by the way, and only told me, that a great Lord was below, and desired to see me; and, the next moment, he appeared himself. If, formerly, when in the circle of high life, and accustomed to its manners, I so much admired and distinguished the grace, the elegance of Lord Orville, think Sir, how they must strike me now,-now, when far removed from that splendid circle, I live with those to whom even civility is unknown, and decorum a stranger! I am sure I received him very awkwardly: depressed by a situation so disagreeable-could I do otherwise? When his first enquiries were made, "I think myself very fortunate," he said, "in meeting with Miss Anville at home, and still more so in finding her disengaged." I only courtsied. He then talked of Mrs. Mirvan, asked how long I had been in town, and other such general questions, which happily gave me time to recover from my embarrassment. After which he said, "If Miss Anville will allow me the honour of sitting by her a few minutes (for we were both standing) I will venture to tell her the motive which, next to enquiring after her health, has prompted me to wait on her thus early." We were then both seated; and, after a short pause, he said, "How to apologize for so great a liberty as I am upon the point of taking, I know not;-shall I, therefore, rely wholly upon your goodness, and not apologize at all?" I only bowed. "I should be extremely sorry to appear impertinent,-yet hardly know how to avoid it." "Impertinent! O, my Lord," cried I, eagerly, "that, I am sure, is impossible!" "You are very good," answered he, "and encourage me to be ingenuous-" Again he stopped: but my expectation was too great for speech. At last, without looking at me, in a low voice, and hesitating manner, he said, "Were those ladies with whom I saw you last night ever in your company before?" "No, my Lord," cried I, rising and colouring violently, "nor will they ever be again." He rose too; and, with an air of the most condescending concern, said, "Pardon, Madam, the abruptness of a question which I knew not how to introduce as I ought, and for which I have no excuse to offer but my respect for Mrs. Mirvan, joined to the sincerest wishes for your happiness: yet I fear I have gone too far!" "I am very sensible of the honour of your lordship's attention," said I; "but-" "Permit me to assure you," cried he, finding I hesitated, "that officiousness is not my characteristic; and that I would by no means have risked your displeasure, had I not been fully satisfied you were too generous to be offended without a real cause of offence." "Offended!" cried I, "no, my Lord, I am only grieved-grieved, indeed! to find myself in a situation so unfortunate as to be obliged to make explanations, which cannot but mortify and shock me." "It is I alone," cried he, with some eagerness, "who am shocked, as it is I who deserve to be mortified. I seek no explanation, for I have no doubt; but in mistaking me, Miss Anville injures herself: allow me therefore, frankly and openly, to tell you the intention of my visit." I bowed, and we both returned to our seats. "I will own myself to have been greatly surprised," continued he, "when I met you yesterday evening, in company with two persons who I was sensible merited not the honour of your notice: nor was it easy for me to conjecture the cause of your being so situated; yet, believe me, my incertitude did not for a moment do you injury. I was satisfied that their characters must be unknown to you; and I thought, with concern, of the shock you would sustain when you discovered their unworthiness. I should not, however, upon so short an acquaintance, have usurped the privilege of intimacy, in giving my unasked sentiments upon so delicate a subject, had I not known that credulity is the sister of innocence, and therefore feared you might be deceived. A something which I could not resist, urged me to the freedom I have taken to caution you; but I shall not easily forgive myself if I have been so unfortunate as to give you pain." The pride which his first question had excited, now subsided into delight and gratitude; and I instantly related to him, as well as I could, the accident which had occasioned my joining the unhappy women with whom he had met me. He listened with an attention so flattering, seemed so much interested during the recital, and, when I had done, thanked me in terms so polite, for what he was pleased to call my condescension, that I was almost ashamed either to look at or hear him. Soon after the maid came to tell me, that Madame Duval desired to have breakfast made in her own room. "I fear," cried Lord Orville, instantly rising, "that I have intruded upon your time;-yet who, so situated, could do otherwise?" Then, taking my hand, "Will Miss Anville allow me thus to seal my peace?" he pressed it to his lips, and took leave. Generous, noble Lord Orville! how disinterested his conduct! how delicate his whole behaviour! Willing to advise, yet afraid to wound me!-Can I ever, in future, regret the adventure I met with at Marybone, since it has been productive of a visit so flattering? Had my mortifications been still more humiliating, my terrors still more alarming, such a mark of esteem-may I not call it so?-from Lord Orville, would have made me ample amends. And indeed, my dear Sir, I require some consolation in my present very disagreeable situation; for, since he went, two incidents have happened, that, had not my spirits been particularly elated, would greatly have disconcerted me. During breakfast, Madame Duval, very abruptly, asked, if I should like to be married? and added, that Mr. Branghton had been proposing a match for me with his son. Surprised, and, I must own, provoked, I assured her that in thinking of me, Mr. Branghton would very vainly lose his time. "Why," cried she, "I have had grander views for you myself, if once I could get you to Paris, and make you be owned; but if I can't do that, and you can do no better, why, as you are both my relations, I think to leave my fortune between you; and then, if you marry, you never need want for nothing." I begged her not to pursue the subject, as, I assured her, Mr. Branghton was totally disagreeable to me; but she continued her admonitions and reflections, with her usual disregard of whatever I could answer. She charged me, very peremptorily, neither wholly to discourage, nor yet to accept Mr. Branghton's offer, till she saw what could be done for me: the young man, she added, had often intended to speak to me himself, but, not well knowing how to introduce the subject, he had desired her to pave the way for him. I scrupled not, warmly and freely, to declare my aversion to this proposal; but it was to no effect; she concluded, just as she had begun, by saying, that I should not have him, if I could do better. Nothing, however, shall persuade me to listen to any other person concerning this odious affair. My second cause of uneasiness arises, very unexpectedly, from M. Du Bois; who, to my infinite surprise, upon Madame Duval's quitting the room after dinner, put into my hand a note, and immediately left the house. This note contains an open declaration of an attachment to me; which, he says, he should never have presumed to have acknowledged, had he not been informed that Madame Duval destined my hand to young Branghton,-a match which he cannot endure to think of. He beseeches me earnestly to pardon his temerity; professes the most inviolable respect; and commits his fate to time, patience, and pity. This conduct in M. du Bois gives me real concern, as I was disposed to think very well of him. It will not, however, be difficult to discourage him; and therefore, I shall not acquaint Madame Duval of his letter, as I have reason to believe it would greatly displease her. </CHAPTER> <CHAPTER> LETTER LIV. EVELINA IN CONTINUATION. July 3rd. O SIR, how much uneasiness must I suffer, to counterbalance one short morning of happiness! Yesterday the Branghtons proposed a party to Kensington Gardens; and, as usual, Madame Duval insisted upon my attendance. We went in a hackney-coach to Piccadilly, and then had a walk through Hyde Park; which in any other company would have been delightful. I was much pleased with Kensington Gardens, and think them infinitely preferable to those of Vauxhall. Young Branghton was extremely troublesome; he insisted upon walking by my side, and talked with me almost by compulsion; however, my reserve and coldness prevented his entering upon the hateful subject which Madame Duval had prepared me to apprehend. Once, indeed, when I was accidentally a few yards before the rest, he said, "I suppose, Miss, aunt has told you about-you know what?-ha'n't she, Miss?"-But I turned from him without making any answer. Neither Mr. Smith nor Mr. Brown were of the party; and poor M. Du Bois, when he found that I avoided him, looked so melancholy, that I was really sorry for him. While we were strolling round the garden, I perceived, walking with a party of ladies at some distance, Lord Orville! I instantly retreated behind Miss Branghton, and kept out of sight till we had passed him; for I dreaded being seen by him again in a public walk with a party of which I was ashamed. Happily I succeeded in my design, and saw no more of him; for a sudden and violent shower of rain made us all hasten out of the gardens. We ran till we came to a small green-shop, where we begged shelter. Here we found ourselves in company with two footmen, whom the rain had driven into the shop. Their livery I thought I had before seen; and, upon looking from the window, I perceived the same upon a coachman belonging to a carriage, which I immediately recollected to be Lord Orville's. Fearing to be know, I whispered Miss Branghton not to speak my name. Had I considered but a moment, I should have been sensible of the inutility of such a caution, since not one of the party call me by any other appellation than that of Cousin or of Miss; but I am perpetually involved in some distress or dilemma from my own heedlessness. This request excited very strongly her curiosity: and she attacked me with such eagerness and bluntness of enquiry, that I could not avoid telling her the reason of my making it, and, consequently, that I was known to Lord Orville: an acknowledgment which proved the most unfortunate in the world; for she would not rest till she had drawn from me the circumstances attending my first making the acquaintance. Then, calling to her sister, she said, "Lord, Polly, only think! Miss has danced with a Lord!" "Well," cried Polly, "that's a thing I should never have thought of! And pray, Miss, what did he say to you?" This question was much sooner asked than answered; and they both became so very inquisitive and earnest, that they soon drew the attention of Madame Duval and the rest of the party; to whom, in a very short time, they repeated all they had gathered from me. "Goodness, then," cried young Branghton, "if I was Miss, if I would not make free with his Lordship's coach, to take me to town." "Why, ay," said the father, "there would be some sense in that; that would be making some use of a Lord's acquaintance, for it would save us coach-hire." "Lord, Miss," cried Polly, "I wish you would; for I should like of all things to ride in a coronet-coach." "I promise you," said Madame Duval, "I'm glad you've thought of it, for I don't see no objection;-so let's have the coachman called." "Not for the world," cried I, very much alarmed: "indeed it is utterly impossible." "Why so?" demanded Mr. Branghton: "pray, where's the good of your knowing a Lord, if your never the better for him?" "Ma foi, child," said Madame Duval, "you don't know no more of the world that if you was a baby. Pray, Sir, (to one of the footmen) tell that coachman to draw up, for I wants to speak to him." The man stared, but did not move. "Pray, pray, Madame," said I, "pray, Mr. Branghton, have the goodness to give up this plan; I know but very little of his Lordship, and cannot, upon any account, take so great a liberty." "Don't say nothing about it," said Madam Duval, "for I shall have it my own way: so, if you won't call the coachman, Sir, I'll promise you I'll call him myself." The footman, very impertinently, laughed and turned upon his heel. Madame Duval, extremely irritated, ran out in the rain, and beckoned the coachman, who instantly obeyed her summons. Shocked beyond all expression, I flew after her, and entreated her, with the utmost earnestness, to let us return in a hackney coach:-but, oh!-she is impenetrable to persuasion! She told the man she wanted him to carry her directly to town, and that she would answer for him to Lord Orville. The man, with a sneer, thanked her, but said he should answer for himself; and was driving off; when another footman came up to him, with information that his Lord was gone into Kensington Palace, and would not want him for an hour or two. "Why, then, friend," said Mr. Branghton (for we were followed by all the party), "where will be the great harm of your taking us to town?" "Besides," said the son, "I'll promise you a pot of beer for my own share." These speeches had no other answer from the coachman than a loud laugh, which was echoed by the insolent footmen. I rejoiced at their resistance; though I was certain that, if their Lord had witnessed their impertinence, they would have been instantly dismissed his service. "Pardi," cried Madame Duval, "if I don't think all the footmen are the most impudentest fellows in the kingdom! But I'll promise you I'll have your master told of your airs; so you'll get no good by 'em." "Why, pray," said the coachman, rather alarmed, "did my Lord give you leave to use the coach?" "It's no matter for that," answered she; "I'm sure if he's a gentleman, he'd let us have it sooner than we should be wet to the skin; but I'll promise you he shall know how saucy you've been, for this young lady knows him very well." "Ay, that she does," said Miss Polly; "and she's danced with him too." Oh, how I repented my foolish mismanagement! The men bit their lips, and looked at one another in some confusion. This was perceived by our party; who, taking advantage of it, protested they would write Lord Orville word of their ill behaviour without delay. This quite startled them; and one of the footmen offered to run to the palace, and ask his Lord's permission for our having the carriage. This proposal really made me tremble, and the Branghtons all hung back upon it; but Madame Duval is never to be dissuaded from a scheme she has once formed. "Do so," cried she; "and give this child's compliments to your master; and tell him, as we ha'n't no coach here, we should be glad to go just as far as Holborn in his." "No, no, no!" cried I; "don't go,-I know nothing of his Lordship,-I send no message,-I have nothing to say to him!" The men, very much perplexed, could with difficulty restrain themselves from resuming their impertinent mirth. Madame Duval scolded me vary angrily, and then desired them to go directly. "Pray, then," said the coachman, "what name is to be given to my Lord?" "Anville," answered Madame Duval; "tell him Miss Anville wants the coach; the young lady he danced with once." I was really in an agony; but the winds could not have been more deaf to me, than those to whom I pleaded! and therefore the footman, urged by the repeated threats of Madame Duval, and perhaps recollecting the name himself, actually went to the palace with this strange message! He returned in a few minutes; and, bowing to me with the greatest respect, said, "My Lord desires his compliments, and his carriage will be always at Miss Anville's service." I was so much affected by this politeness, and chagrined at the whole affair, that I could scarce refrain from tears. Madame Duval, and the Miss Branghtons eagerly jumped into the coach, and desired me to follow. I would rather have submitted to the severest punishment; but all resistance was vain. During the whole ride I said not a word: however, the rest of the party were so talkative, that my silence was very immaterial. We stopped at our lodgings; but, when Madame Duval and I alighted, the Branghtons asked if they could not be carried on to Snow-Hill? The servants, now all civility, made no objection. Remonstrances from me would, I too well knew, be fruitless; and therefore, with a heavy heart, I retired to my room, and left them to their own direction. Seldom have I passed a night in greater uneasiness.-So lately to have cleared myself in the good opinion of Lord Orville,-so soon to forfeit it!-to give him reason to suppose I presumed to boast of his acquaintance!-to publish his having danced with me!-to take with him a liberty I should have blushed to have taken with the most intimate of my friends!-to treat with such impertinent freedom, one who has honoured me with such distinguished respect!-Indeed, Sir, I could have met with no accident that would so cruelly have tormented me! If such were, then, my feelings, imagine,-for I cannot describe, what I suffered during the scene I am now going to write. This morning, while I was alone in the dining-room, young Branghton called. He entered with a most important air; and, strutting up to me, said, "Miss, Lord Orville sends his compliments to you." "Lord Orville!" repeated I, much amazed. "Yes, Miss, Lord Orville; for I know his Lordship now, as well as you.-And a very civil gentleman he is, for all he's a Lord." "For Heaven's sake," cried I, "explain yourself." "Why, you must know, Miss, after we left you, we met with a little misfortune; but I don't mind it now, for it's all turned out for the best: but, just as we were a-going up Snow-Hill, plump we comes against a cart, with such a jogg it almost pulled the coach-wheel off. However, that i'n't the worst; for, as I went to open the door in a hurry, a-thinking the coach would be broke down, as ill-luck would have it, I never minded that the glass was up, and so I poked my head fairly through it.-Only see, Miss, how I've cut my forehead!" A much worse accident to himself would not, I believe, at that moment have given me any concern for him: however, he proceeded with his account, for I was too much confounded to interrupt him. "Goodness, Miss, we were in such a stew, us, and the servants, and all, as you can't think; for, besides the glass being broke, the coachman said how the coach wouldn't be safe to go back to Kensington. So we didn't know what to do; however, the footmen said they'd go and tell his Lordship what had happened. So then father grew quite uneasy like, for fear of his Lordship's taking offence, and prejudicing us in our business; so he said I should go this morning and ask his pardon, cause of having broke the glass. So then I asked the footmen the direction, and they told me he lived in Berkeley-square; so this morning I went,-and I soon found out the house." "You did!" cried I, quite out of breath with apprehension. "Yes, Miss, and a very fine house it is.-Did you ever see it?" "No." "No!-why, then, Miss, I know more of his Lordship than you do, for all you knew him first. So, when I came to the door, I was in a peck of troubles, a-thinking what I should say to him: however, the servants had no mind I should see him; for they told me he was busy, but I might leave my message. So I was just a-coming away, when I bethought myself to say I came from you." "From me!" "Yes, Miss, for you know, why should I have such a long walk as that for nothing? So I says to the porter, says I, tell his Lordship, says I, one wants to speak to him as comes from one Miss Anville, says I." "Good God," cried I, "and by what authority did you take such a liberty?" "Goodness, Miss don't be in such a hurry, for you'll be as glad as me, when you hear how well it all turned out. So then they made way for me, and said his Lordship would see me directly: and there I was led through such a heap of servants, and so many rooms, that my heart quite misgave me; for I thought, thinks I, he'll be so proud he'll hardly let me speak; but he's no more proud than I am, and he was as civil as if I'd been a lord myself. So then I said, I hoped he wouldn't take it amiss about the glass, for it was quite an accident; but he bid me not mention it, for it did not signify. And then he said he hoped you got safe home, and wasn't frightened so I said yes, and I gave your duty to him." "My duty to him!" exclaimed I,-"and who gave you leave?-who desired you?" "O, I did it out of my own head, just to make him think I came from you. But I should have told you before, how the footman said he was going out of town to-morrow evening, and that his sister was soon to be married, and that he was a-ordering a heap of things for that; so it come into my head, as he was so affable, that I'd ask him for his custom. So I says, says I, my Lord, says I, if your Lordship i'n't engaged particularly, my father is a silversmith, and he'll be very proud to serve you, says I; and Miss Anville, as danced with you, is his cousin, and she's my cousin too, and she'd be very much obligated to you, I'm sure." "You'll drive me wild," cried I, starting from my seat, "you have done me an irreparable injury;-but I will hear no more!"-and then I ran into my own room. I was half frantic, I really raved; the good opinion of Lord Orville seemed now irretrievable lost: a faint hope, which in the morning I had vainly encouraged, that I might see him again, and explain the transaction, wholly vanished, now I found he was so soon to leave town: and I could not but conclude, that, for the rest of my life, he would regard me as an object of utter contempt. The very idea was a dagger to my heart!-I could not support it, and-but I blush to proceed-I fear your disapprobation; yet I should not be conscious of having merited it, but that the repugnance I feel to relate to you what I have done, makes me suspect I must have erred. Will you forgive me, if I won that I first wrote an account of this transaction to Miss Mirvan?-and that I even thought of concealing it from you?-Short-lived, however, was the ungrateful idea, and sooner will I risk the justice of your displeasure, than unworthily betray your generous confidence. You are now probably prepared for what follows-which is a letter-a hasty letter, that, in the height of my agitation, I wrote to Lord Orville. "My Lord, "I am so infinitely ashamed of the application made yesterday for your Lordship's carriage in my name, and so greatly shocked at hearing how much it was injured, that I cannot forbear writing a few lines, to clear myself from the imputation of an impertinence which I blush to be suspected of, and to acquaint you, that the request for your carriage was made against my consent, and the visit with which you were importuned this morning without my knowledge. "I am inexpressibly concerned at having been the instrument, however innocently, of so much trouble to your Lordship; but I beg you to believe, that the reading these lines is the only part of it which I have given voluntarily. I am, my Lord, "Your Lordship's most Humble servant, "EVELINA ANVILLE." I applied to the maid of the house to get this note conveyed to Berkley-square; but scarce had I parted with it, before I regretted having written at all; and I was flying down stairs to recover it, when the voice of Sir Clement Willoughby stopped me. As Madame Duval had ordered we should be denied to him, I was obliged to return up stairs; and after he was gone, my application was too late, as the maid had given it to a porter. My time did not pass very serenely while he was gone; however, he brought me no answer, but that Lord Orville was not at home. Whether or not he will take the trouble to send any,-or whether he will condescend to call,-or whether the affair will rest as it is, I know not;-but, in being ignorant, am most cruelly anxious. <CHAPTER> LETTER LV. EVELINA IN CONTINUATION. July 4th. YOU may now, my dear Sir, send Mrs. Clinton for your Evelina with as much speed as she can conveniently make the journey, for no further opposition will be made to her leaving this town: happy had it perhaps been for her had she never entered it! This morning Madame Duval desired me to go to Snow-Hill, with an invitation to the Branghtons and Mr. Smith to spend the evening with her; and she desired M. Du Bois, who breakfasted with us, to accompany me. I was very unwilling to obey her, as I neither wished to walk with M. Du Bois, nor yet to meet young Branghton. And, indeed, another, a yet more powerful reason, added to my reluctance;-for I thought it possible that Lord Orville might send some answer, or perhaps might call, during my absence; however, I did not dare dispute her commands. Poor M. Du Bois spoke not a word during our walk, which was, I believe, equally unpleasant to us both. We found all the family assembled in the shop. Mr. Smith, the moment he perceived me, addressed himself to Miss Branghton, whom he entertained with all the gallantry in his power. I rejoice to find that my conduct at the Hampstead ball has had so good an effect. But young Branghton was extremely troublesome; he repeatedly laughed in my face, and looked so impertinently significant, that I was obliged to give up my reserve to M. Du Bois, and enter into conversation with him merely to avoid such boldness. "Miss," said Mr. Branghton, "I'm sorry to hear from my son that you wasn't pleased with what we did about that Lord Orville: but I should like to know what it was you found fault with, for we did all for the best." "Goodness!" cried the son, "why, if you'd seen Miss, you'd have been surprised-she went out of the room quite in a huff, like-" "It is too late, now," said I, "to reason upon this subject; but, for the future, I must take the liberty to request, that my name may never be made use of without my knowledge. May I tell Madame Duval that you will do her the favour to accept her invitation?" "As to me, Ma'am," said Mr. Smith, "I am much obliged to the old lady, but I have no mind to be taken in by her again; you'll excuse me, Ma'am." All the rest promised to come, and I then took leave; but, as I left the shop, I heard Mr. Branghton say, "Take courage, Tom, she's only coy." And, before I had walked ten yards, the youth followed. I was so much offended that I would not look at him, but began to converse with M. Du Bois, who was now more lively than I had ever before seen him; for, most unfortunately, he misinterpreted the reason of my attention to him. The first intelligence I received when I came home, was, that two gentlemen had called, and left cards. I eagerly enquired for them, and read the names of Lord Orville and Sir Clement Willoughby. I by no means regretted that I missed seeing the latter, but perhaps I may all my life regret that I missed the former; for probably he has now left town,-and I may see him no more! "My goodness," cried young Branghton, rudely looking over me, "only think of that Lord's coming all this way! It's my belief he'd got some order ready for father, and so he'd a mind to call and ask you if I'd told him the truth." "Pray, Betty," cried I, "how long has he been gone?" "Not two minutes, Ma'am." "Why then, I'll lay you any wager, "said young Branghton, "he saw you and I a-walking up Holborn Hill." "God forbid!" cried I, impatiently; and, too much chagrined to bear with any more of his remarks, I ran up stairs; but I heard him say to M. Du Bois, "Miss is so uppish this morning, that I think I had better not speak to her again." I wish M. Du Bois had taken the same resolution; but he chose to follow me into the dining-room, which he found empty. "Vous ne l'aimez donc pas, ce garcon, Mademoiselle!" cried he. "Me!" cried I, "no, I detest him!" for I was sick at heart. "Ah, tu me rends la vie!" cried he; and, flinging himself at my feet, he had just caught my hand as the door was opened by Madame Duval. Hastily, and with marks of guilty confusion in his face, he arose; but the rage of that lady quite amazed me! Advancing to the retreating M. Du Bois, she began, in French, an attack, which her extreme wrath and wonderful volubility almost rendered unintelligible; yet I understood but too much, since her reproaches convinced me she had herself proposed being the object of his affection. He defended himself in a weak and evasive manner; and, upon her commanding him from her sight, very readily withdrew: and then, with yet greater violence, she upbraided me with having seduced his heart, called me an ungrateful, designing girl, and protested she would neither take me to Paris, nor any more interest herself in my affairs, unless I would instantly agree to marry young Branghton. Frightened as I had been at her vehemence, this proposal restored all my courage; and I frankly told her, that in this point I never could obey her. More irritated than ever, she ordered me to quit the room. Such is the present situation of affairs. I shall excuse myself from seeing the Branghtons this afternoon: indeed, I never wish to see them again. I am sorry, however innocently, that I have displeased Madame Duval; yet I shall be very glad to quit this town, for I believe it does not now contain one person I ever wish to again meet. Had I but seen Lord Orville, I should regret nothing: I could then have more fully explained what I so hastily wrote; yet it will always be a pleasure to me to recollect that he called, since I flatter myself it was in consequence of his being satisfied with my letter. Adieu, my dear Sir; the time now approaches when I hope once more to receive your blessing, and to owe all my joy, all my happiness, to your kindness. </CHAPTER> <CHAPTER> LETTER LVI. MR. VILLARS TO EVELINA. Berry Hill, July 7th. WELCOME, thrice welcome, my darling Evelina, to the arms of the truest, the fondest of your friends! Mrs. Clinton, who shall hasten to you with these lines, will conduct you directly hither; for I can consent no longer to be parted from the child of my bosom!-the comfort of my age!-the sweet solace of all my infirmities! Your worthy friends at Howard Grove must pardon me that I rob them of the visit you proposed to make them before your return to Berry Hill, for I find my fortitude unequal to a longer separation. I have much to say to you, many comments to make upon your late letters, some parts of which give me no little uneasiness; but I will reserve my remarks for our future conversations. Hasten, then, to the spot of thy nativity, the abode of thy youth, where never yet care or sorrow had power to annoy thee.-O that they might ever be banished this peaceful dwelling! Adieu, my dearest Evelina! I pray but that thy satisfaction at our approaching meeting may bear any comparison with mine! ARTHUR VILLARS. </CHAPTER> <CHAPTER> LETTER LVII. EVELINA TO MISS MIRVAN. Berry Hill, July 14th. MY Sweet Maria will be much surprised, and I am willing to flatter myself, concerned, when, instead of her friend, she receives this letter;-this cold, this inanimate letter, which will but ill express the feelings of the heart which indites it. When I wrote to you last Friday, I was in hourly expectation of seeing Mrs. Clinton, with whom I intended to have set out for Howard Grove. Mrs. Clinton came; but my plan was necessarily altered, for she brought me a letter,-the sweetest that ever was penned, from the best and kindest friend that ever orphan was blessed with, requiring my immediate attendance at Berry Hill. I obeyed,-and pardon me if I own I obeyed without reluctance: after so long a separation, should I not else have been the most ungrateful of mortals?-And yet,-oh, Maria! though I wished to leave London, the gratification of my wish afforded me no happiness! and though I felt an impatience inexpressible to return hither, no words, no language, can explain the heaviness of heart with which I made the journey. I believe you would hardly have known me;-indeed, I hardly know myself. Perhaps, had I first seen you, in your kind and sympathizing bosom I might have ventured to have reposed every secret of my soul;-and then-but let me pursue my journal. Mrs. Clinton delivered Madame Duval a letter from Mr. Villars, which requested her leave for my return; and, indeed, it was very readily accorded: yet, when she found, by my willingness to quit town that M. Du Bois was really indifferent to me, she somewhat softened in my favour; and declared, that, but for punishing his folly in thinking of such a child, she would not have consented to my being again buried in the country. All the Branghtons called to take leave of me; but I will not write a word more about them: indeed I cannot, with any patience, think of that family, to whose forwardness and impertinence is owing all the uneasiness I at this moment suffer! So great was the depression of my spirits upon the road, that it was with great difficulty I could persuade the worthy Mrs. Clinton I was not ill; but, alas! the situation of my mind was such as would have rendered any mere bodily pain, by comparison, even enviable! And yet, when we arrived at Berry Hill,-when the chaise stopped at this place,-how did my heart throb with joy!-and when, through the window, I beheld the dearest, the most venerable of men, with uplifted hands, returning, as I doubt not, thanks for my safe arrival,-good God! I thought it would have burst my bosom!-I opened the chaise-door myself; I flew,-for my feet did not seem to touch the ground,-into the parlour: he had risen to meet me; but the moment I appeared he sunk into his chair, uttering, with a deep sigh, though his face beamed with delight, "My God, I thank thee!" I sprung forward; and, with a pleasure that bordered upon agony, I embraced his knees, I kissed his hands, I wept over them, but could not speak: while he, now raising his eyes in thankfulness towards heaven, now bowing down his reverend head, and folding me in his arms, could scarce articulate the blessings with which his kind and benevolent heart overflowed. O, Miss Mirvan, to be so beloved by the best of men,-should I not be happy?-Should I have one wish save that of meriting his goodness?-Yet think me not ungrateful; indeed I am not, although the internal sadness of my mind unfits me, at present, for enjoying as I ought the bounties of Providence. I cannot journalize, cannot arrange my ideas into order. How little has situation to do with happiness! I had flattered myself, that, when restored to Berry Hill, I should be restored to tranquillity: far otherwise have I found it, for never yet had tranquillity and Evelina so little intercourse. I blush for what I have written. Can you, Maria, forgive my gravity? but I restrain it so much, and so painfully, in the presence of Mr. Villars, that I know not how to deny myself the consolation of indulging it to you. Adieu, my dear Miss Mirvan. Yet one thing I must add: do not let the seriousness of this letter deceive you; do not impute to a wrong cause the melancholy I confess, by supposing that the heart of your friend mourns a too great susceptibility: no, indeed! believe me it never was, never can be, more assuredly her own than at this moment. So witness in all truth, Your affectionate, EVELINA. You will make my excuses to the honoured Lady Howard, and to your dear mother. </CHAPTER> <CHAPTER> LETTER LVIII. EVELINA TO MISS MIRVAN. Berry Hill, July 21st. YOU accuse me of mystery, and charge me with reserve: I cannot doubt but I must have merited the accusation; yet, to clear myself,-you know not how painful will be the task. But I cannot resist your kind entreaties;-indeed I do not wish to resist them; for your friendship and affection will soothe my chagrin. Had it arisen from any other cause, not a moment would I have deferred the communication you ask;-but as it is, I would, were it possible, not only conceal it from all the world, but endeavour to disbelieve it myself. Yet since I must tell you, why trifle with your impatience? I know not how to come to the point; twenty times have I attempted it in vain;-but I will force myself to proceed. Oh, Miss Mirvan, could you ever have believed, that one who seemed formed as a pattern for his fellow-creatures, as a model of perfection,-one whose elegance surpassed all description,-whose sweetness of manners disgraced all comparison;-oh, Miss Mirvan, could you ever have believed that Lord Orville, would have treated me with indignity? Never, never again will I trust to appearances;-never confide in my own weak judgment;-never believe that person to be good who seems to be amiable! What cruel maxims are we taught by a knowledge of the world!-But while my own reflections absorb me, I forget you are still in suspense. I had just finished the last letter which I wrote to you from London, when the maid of the house brought me a note. It was given to her, she said, by a footman, who told her he would call the next day for an answer. This note,-but let it speak for itself. "To Miss Anville. "With transport, most charming of thy sex, did I read the letter with which you yesterday morning favoured me. I am sorry the affair of the carriage should have given you any concern, but I am highly flattered by the anxiety you express so kindly. Believe me, my lovely girl, I am truly sensible to the honour of your good opinion, and feel myself deeply penetrated with love and gratitude. The correspondence you have so sweetly commenced, I shall be proud of continuing; and I hope the strong sense I have of the favour you do me will prevent your withdrawing it. Assure yourself, that I desire nothing more ardently than to pour forth my thanks at your feet, and to offer those vows which are so justly the tribute of your charms and accomplishments. In your next I intreat you to acquaint me how long you shall remain in town. The servant, whom I shall commission to call for an answer, has orders to ride post with it to me. My impatience for his arrival will be very great, though inferior to that with which I burn to tell you, in person, how much I am, my sweet girl, your grateful admirer, "ORVILLE." What a letter! how has my proud heart swelled every line I have copied! What I wrote to him you know; tell me, then, my dear friend, do you think it merited such an answer?-and that I have deservedly incurred the liberty he has taken? I meant nothing but a simple apology, which I thought as much due to my own character as to his; yet by the construction he seems to have put upon it, should you not have imagined it contained the avowal of sentiments which might indeed have provoked his contempt? The moment the letter was delivered to me, I retired to my own room to read it; and so eager was my first perusal, that,-I am ashamed to own,-it gave me no sensation but of delight. Unsuspicious of any impropriety from Lord Orville, I perceived not immediately the impertinence it implied,-I only marked the expressions of his own regard; and I was so much surprised, that I was unable for some time to compose myself, or read it again:-I could only walk up and down the room, repeating to myself, "Good God, is it possible?-am I then loved by Lord Orville?" But this dream was soon over, and I awoke to far different feelings. Upon a second reading I thought every word changed,-it did not seem the same letter,-I could not find one sentence that I could look at without blushing: my astonishment was extreme, and it was succeeded by the utmost indignation. If, as I am very ready to acknowledge, I erred in writing to Lord Orville, was it for him to punish the error? If he was offended, could he not have been silent? If he thought my letter ill-judged, should he not have pitied my ignorance? have considered my youth, and allowed for my inexperience? Oh, Maria! how have I been deceived in this man! Words have no power to tell the high opinion I had of him; to that was owing the unfortunate solicitude which prompted my writing; a solicitude I must for ever repent! Yet perhaps I have rather reason to rejoice than to grieve, since this affair has shown me his real disposition, and removed that partiality which, covering his every imperfection, left only his virtues and good qualities exposed to view. Had the deception continued much longer, had my mind received any additional prejudice in his favour, who knows whither my mistaken ideas might have led me? Indeed I fear I was in greater danger than I apprehended, or can now think of without trembling;-for, oh, if this weak heart of mine had been penetrated with too deep an impression of his merit,-my peace and happiness had been lost for ever. I would fain encourage more cheerful thoughts, fain drive from my mind the melancholy that has taken possession of it; but I cannot succeed: for, added to the humiliating feelings which so powerfully oppress me, I have yet another cause of concern;-alas, my dear Maria, I have broken the tranquillity of the best of men! I have never had the courage to show him this cruel letter; I could not bear so greatly to depreciate in his opinion, one whom I had, with infinite anxiety, raised in it myself. Indeed, my first determination was to confine my chagrin totally to my own bosom; but your friendly enquiries have drawn it from me: and now I wish I had made no concealment from the beginning, since I know not how to account for a gravity, which not all my endeavours can entirely hide or repress. My greatest apprehension is, lest he should imagine that my residence in London has given me a distaste to the country. Every body I see takes notice of my being altered, and looking pale and ill. I should be very indifferent to all such observations, did I not perceive that they draw upon me the eyes of Mr. Villars, which glisten with affectionate concern. This morning, in speaking of my London expedition he mentioned Lord Orville. I felt so much disturbed, that I would instantly have changed the subject; but he would not allow me, and, very unexpectedly, he began his panegyric; extolling in strong terms, his manly and honourable behaviour in regard to the Marybone adventure. My cheeks glowed with indignation every word he spoke;-so lately as I had myself fancied him the noblest of his sex, now that I was so well convinced of my mistake, I could not bear to hear his undeserved praises uttered by one so really good, so unsuspecting, so pure of heart. What he thought of my silence and uneasiness I fear to know; but I hope he will mention the subject no more. I will not, however, with ungrateful indolence, give way to a sadness which I find infectious to him who merits the most cheerful exertion of my spirits. I am thankful that he has forborne to probe my wound; and I will endeavour to heal it by the consciousness that I have not deserved the indignity I have received. Yet I cannot but lament to find myself in a world so deceitful, where we must suspect what we see, distrust what we hear, and doubt even what we feel! </CHAPTER> <CHAPTER> LETTER LIX. EVELINA IN CONTINUATION. Berry Hill, July 29th. I MUST own myself somewhat distressed how to answer your raillery: yet, believe me, my dear Maria, your suggestions are those of fancy, not of truth. I am unconscious of the weakness you suspect; yet, to dispel your doubts, I will animate myself more than ever to conquer my chagrin, and to recover my spirits. You wonder, you say, since my heart takes no part in this affair, why it should make me so unhappy? And can you, acquainted as you are with the high opinion I entertained of Lord Orville, can you wonder that so great a disappointment in his character should affect me? Indeed, had so strange a letter been sent to me from any body, it could not have failed shocking me; how much more sensibly, then, must I feel such an affront, when received from the man in the world I had imagined least capable of giving it? You are glad I made no reply; assure yourself, my dear friend, had this letter been the most respectful that could be written, the clandestine air given to it, by his proposal of sending his servant for my answer, instead of having it directed to his house, would effectually have prevented my writing. Indeed, I have an aversion the most sincere to all mysteries, all private actions; however foolishly and blameably, in regard to this letter, I have deviated from the open path which, from my earliest infancy, I was taught to tread. He talks of my having commenced a correspondence with him: and could Lord Orville indeed believe I had such a design? believe me so forward, so bold, so strangely ridiculous? I know not if his man called or not; but I rejoice that I quitted London before he came, and without leaving any message for him. What, indeed, could I have said? it would have been a condescension very unmerited to have taken any, the least notice of such a letter. Never shall I cease to wonder how he could write it. Oh, Maria! what, what could induce him so causelessly to wound and affront one who would sooner have died than wilfully offended him? -How mortifying a freedom of style! how cruel an implication conveyed by his thanks and expressions of gratitude! Is it not astonishing, that any man can appear so modest, who is so vain? Every hour I regret the secrecy I have observed with my beloved Mr. Villars; I know not what bewitched me, but I felt at first a repugnance to publishing this affair that I could not surmount;-and now, I am ashamed of confessing that I have any thing to confess! Yet I deserve to be punished for the false delicacy which occasioned my silence, since, if Lord Orville himself was contented to forfeit his character, was it for me, almost at the expense of my own, to support it? Yet I believe I should be very easy, now the first shock is over, and now that I see the whole affair with the resentment it merits, did not all my good friends in this neighbourhood, who think me extremely altered, tease me about my gravity, and torment Mr. Villars with observations upon my dejection and falling away. The subject is no sooner started, than a deep gloom overspreads his venerable countenance, and he looks at me with a tenderness so melancholy, that I know not how to endure the consciousness of exciting it. Mrs. Selwyn, a lady of large fortune, who lives about three miles from Berry Hill, and who has always honoured me with very distinguishing marks of regard, is going, in a short time, to Bristol, and has proposed to Mr. Villars to take me with her for the recovery of my health. He seemed very much distressed whether to consent or refuse; but I, without any hesitation, warmly opposed the scheme, protesting my health could no where be better than in this pure air. He had the goodness to thank me for this readiness to stay with him; but he is all goodness! Oh, that it were in my power to be indeed what, in the kindness of his heart, he has called me, the comfort of his age, and solace of his infirmities! Never do I wish to be again separated from him. If here I am grave, elsewhere I should be unhappy. In his presence, with a very little exertion, all the cheerfulness of my disposition seems ready to return; the benevolence of his countenance reanimates, the harmony of his temper composes, the purity of his character edifies me! I owe to him every thing! and, far from finding my debt of gratitude a weight, the first pride, the first pleasure of my life, is the recollection of the obligations conferred upon me by a goodness so unequalled. Once, indeed, I thought there existed another,-who, when time had wintered o'er his locks, would have shone forth among his fellow-creatures with the same brightness of worth which dignifies my honoured Mr. Villars; a brightness how superior in value to that which results from mere quickness of parts, wit, or imagination! a brightness, which, not contented with merely diffusing smiles, and gaining admiration from the sallies of the spirits, reflects a real and a glorious lustre upon all mankind! Oh, how great was my error! how ill did I judge! how cruelly have I been deceived! I will not go to Bristol, though Mrs. Selwyn is very urgent with me;-but I desire not to see any more of the world! the few months I have already passed in it, have sufficed to give me a disgust even to its name. I hope, too, I shall see Lord Orville no more: accustomed, from my first knowledge of him, to regard him as a being superior to his race, his presence, perhaps, might banish my resentment, and I might forget his ill conduct; for oh, Maria!-I should not know how to see Lord Orville -and to think of displeasure! As a sister I loved him;-I could have entrusted him with every thought of my heart, had he deigned to wish my confidence: so steady did I think his honour, so feminine his delicacy, and so amiable his nature! I have a thousand times imagined that the whole study of his life, and whole purport of his reflections, tended solely to the good and happiness of others: but I will talk,-write,-think of him no more! Adieu, my dear friend! </CHAPTER> <CHAPTER> LETTER LX. EVELINA IN CONTINUATION. Berry Hill, August 10th. YOU complain of my silence, my dear Miss Mirvan;-but what have I to write? Narrative does not offer, nor does a lively imagination supply the deficiency. I have, however, at present, sufficient matter for a letter, in relating a conversation I had yesterday with Mr. Villars. Our breakfast had been the most cheerful we have had since my return hither; and when it was over, he did not, as usual, retire to his study, but continued to converse with me while I worked. We might, probably, have passed all the morning thus sociably, but for the entrance of a farmer, who came to solicit advice concerning some domestic affairs. They withdrew together into the study. The moment I was alone my spirits failed me; the exertion with which I had supported them had fatigued my mind; I flung away my work, and, leaning my arms on the table, gave way to a train of disagreeable reflections, which, bursting from the restraint that had smothered them, filled me with unusual sadness. This was my situation, when, looking towards the door, which was open, I perceived Mr. Villars, who was earnestly regarding me. "Is Farmer Smith gone, Sir?" cried I, hastily rising, and snatching up my work. "Don't let me disturb you," said he, gravely; "I will go again to my study." "Will you, Sir?-I was in hopes you were coming to sit here." "In hopes!-and why, Evelina, should you hope it?" This question was so unexpected, that I knew not how to answer it; but, as I saw he was moving away, I followed, and begged him to return. "No, my dear, no," said he, with a forced smile, "I only interrupt your meditations." Again I knew not what to say; and while I hesitated, he retired. My heart was with him, but I had not the courage to follow. The idea of an explanation, brought on in so serious a manner, frightened me. I recollected the inference you had drawn from my uneasiness, and I feared that he might make a similar interpretation. Solitary and thoughtful, I passed the rest of the morning in my own room. At dinner I again attempted to be cheerful; but Mr. Villars himself was grave, and I had not sufficient spirits to support a conversation merely by my own efforts. As soon as dinner was over, he took a book, and I walked to the window. I believe I remained near an hour in this situation. All my thoughts were directed to considering how I might dispel the doubts which I apprehended Mr. Villars had formed, without acknowledging a circumstance which I had suffered so much pain merely to conceal. But while I was thus planning for the future, I forgot the present; and so intent was I upon the subject which occupied me, that the strange appearance of my unusual inactivity and extreme thoughtfulness never occurred to me. But when, at last, I recollected myself, and turned round, I saw that Mr. Villars, who had parted with his book, was wholly engrossed in attending to me. I started from my reverie, and, hardly knowing what I said, asked if he had been reading? He paused a moment, and then replied, "Yes, my child;-a book that both afflicts and perplexes me." He means me, thought I; and therefore I made no answer. "What if we read it together?" continued he, "will you assist me to clear its obscurity?" I knew not what to say; but I sighed involuntarily from the bottom of my heart. He rose, and approaching me, said, with emotion, "My child, I can no longer be a silent witness of thy sorrow,-is not thy sorrow my sorrow?-and ought I to be a stranger to the cause, when I so deeply sympathize in the effect?" "Cause, Sir!" cried I, greatly alarmed, "what cause?-I don't know,-I can't tell-I-" "Fear not," said he, kindly, "to unbosom thyself to me, my dearest Evelina; open to me thy whole heart,-it can have no feelings for which I will not make allowance. Tell me, therefore, what it is that thus afflicts us both; and who knows but I may suggest some means of relief?" "You are too, too good," cried I, greatly embarrassed; "but indeed I know not what you mean." "I see," said he, "it is painful to you to speak: suppose, then, I endeavour to save you by guessing?" "Impossible! impossible!" cried I, eagerly; "no one living could ever guess, ever suppose-" I stopped abruptly; for I then recollected I was acknowledging something was to be guessed: however, he noticed not my mistake. "At least let me try," answered he, mildly; "perhaps I may be a better diviner than you imagine: if I guess every thing that is probable, surely I must approach near the real reason. Be honest, then, my love, and speak without reserve;-does not the country, after so much gaiety, so much variety, does it not appear insipid and tiresome?" "No, indeed! I love it more than ever, and more than ever do I wish I had never, never quitted it!" "Oh, my child! that I had not permitted the journey! My judgment always opposed it, but my resolution was not proof against persuasion." "I blush, indeed," cried I, "to recollect my earnestness;-but I have been my own punisher!" "It is too late now," answered he, "to reflect upon this subject; let us endeavour to avoid repentance for the time to come, and we shall not have erred without reaping some instruction." Then, seating himself, and making me sit by him, he continued, "I must now guess again: perhaps you regret the loss of those friends you knew in town;-perhaps you miss their society, and fear you may see them no more?-perhaps Lord Orville-" I could not keep my seat; but, rising hastily, said, "Dear Sir, ask me nothing more!-for I have nothing to own,-nothing to say;-my gravity has been merely accidental, and I can give no reason for it at all.-Shall I fetch you another book?-or will you have this again?" For some minutes he was totally silent, and I pretended to employ myself in looking for a book. At last, with a deep sigh, "I see," said he, "I see but too plainly, that though Evelina is returned,-I have lost my child!" "No, Sir, no," cried I, inexpressibly shocked, "she is more your's than ever! Without you, the world would be a desert to her, and life a burthen:-forgive her, then, and,-if you can,-condescend to be, once more, the confidant of all her thoughts." "How highly I value, how greatly I wish for her confidence," returned he, "she cannot but know;-yet to extort, to tear it from her,-my justice, my affection both revolt at the idea. I am sorry that I was so earnest with you;-leave me, my dear, leave me, and compose yourself; we will meet again at tea." "Do you then refuse to hear me?" "No, but I abhor to compel you. I have long seen that your mind has been ill at ease, and mine has largely partaken of your concern: I forbore to question you; for I hoped that time and absence, from whatever excited your uneasiness, might best operate in silence: but, alas! your affliction seems only to augment,-your health declines,-your look alters!-Oh, Evelina, my aged heart bleeds to see the change!-bleeds to behold the darling it had cherished, the prop it had reared for its support, when bowed down by years and infirmities, sinking itself under the pressure of internal grief!-struggling to hide what it should seek to participate!-But go, my dear, go to your own room; we both want composure, and we will talk of this matter some other time." "Oh, Sir," cried I, penetrated to the soul, "bid me not leave you!-think me not so lost to feeling, to gratitude-" "Not a word of that," interrupted he: "it pains me you should think upon that subject; pains me you should ever remember that you have not a natural, an hereditary right to every thing within my power. I meant not to affect you thus,-I hoped to have soothed you!-but my anxiety betrayed me to an urgency that has distressed you. Comfort yourself, my love; and doubt not but that time will stand your friend, and all will end well." I burst into tears: with difficulty had I so long restrained them; for my heart, while it glowed with tenderness and gratitude, was oppressed with a sense of its own unworthiness. "You are all, all goodness!" cried I, in a voice scarce audible; "little as I deserve,-unable as I am to repay, such kindness,-yet my whole soul feels,-thanks you for it!" "My dearest child," cried he, "I cannot bear to see thy tears;-for my sake dry them: such a sight is too much for me: think of that, Evelina, and take comfort, I charge thee!" "Say then," cried I, kneeling at his feet, "say then that you forgive me! that you pardon my reserve,-that you will again suffer me to tell you my most secret thoughts, and rely upon my promise never more to forfeit your confidence!-my father!-my protector!-my ever-honoured,-ever-loved-my best and only friend!-say you forgive your Evelina, and she will study better to deserve your goodness!" He raised, he embraced me: he called me his sole joy, his only earthly hope, and the child of his bosom! He folded me to his heart; and, while I wept from the fulness of mine, with words of sweetest kindness and consolation, he soothed and tranquillised me. Dear to my remembrance will ever be that moment when, banishing the reserve I had so foolishly planned, and so painfully supported, I was restored to the confidence of the best of men! When at length we were again quietly and composedly seated by each other, and Mr. Villars waited for the explanation I had begged him to hear, I found myself extremely embarrassed how to introduce the subject which must lead to it. He saw my distress; and with a kind of benevolent pleasantry, asked me if I would let him guess any more? I assented in silence. "Shall I, then, go back to where I left off?" "If-if you please;-I believe so,-" said I, stammering. "Well, then, my love, I think I was speaking of the regret it was natural you should feel upon quitting those from whom you had received civility and kindness, with so little certainty of ever seeing them again, or being able to return their good offices. These are circumstances that afford but melancholy reflections to young minds; and the affectionate disposition of my Evelina, open to all social feelings, must be hurt more than usual by such considerations.-You are silent, my dear. Shall I name those whom I think most worthy the regret I speak of? We shall then see if our opinions coincide." Still I said nothing, and he continued. "In your London journal, nobody appears in a more amiable, a more respectable light than Lord Orville; and perhaps-" "I knew what you would say," cried I, hastily, "and I have long feared where your suspicions would fall; but indeed, Sir, you are mistaken: I hate Lord Orville,-he is the last man in the world in whose favour I should be prejudiced." I stopped; for Mr. Villars looked at me with such infinite surprise, that my own warmth made me blush. "You hate Lord Orville!" repeated he. I could make no answer; but took from my pocket-book the letter, and giving it to him, "See, Sir," said I, "how differently the same man can talk and write!" He read it three times before he spoke; and then said, "I am so much astonished, that I know not what I read. When had you this letter?" I told him. Again he read it, and, after considering its contents some time, said, "I can form but one conjecture concerning this most extraordinary performance: he must certainly have been intoxicated when he wrote it." "Lord Orville intoxicated!" repeated I: "once I thought him a stranger to all intemperance;-but it is very possible, for I can believe any thing now." "That a man who had behaved with so strict a regard to delicacy," continued Mr. Villars, "and who, as far as occasion had allowed, manifested sentiments the most honourable, should thus insolently, thus wantonly, insult a modest young woman, in his perfect senses, I cannot think possible. But, my dear, you should have inclosed this letter in an empty cover, and have returned it to him again: such a resentment would at once have become your character, and have given him an opportunity, in some measure, of clearing his own. He could not well have read this letter the next morning without being sensible of the impropriety of having written it." Oh, Maria! why had I not this thought? I might then have received some apology; the mortification would then have been his, not mine. It is true, he could not have reinstated himself so highly in my opinion as I had once ignorantly placed him, since the conviction of such intemperance would have levelled him with the rest of his imperfect race; yet my humbled pride might have been consoled by his acknowledgments. But why should I allow myself to be humbled by a man who can suffer his reason to be thus abjectly debased, when I am exalted by one who knows no vice, and scarcely a failing, but by hearsay? To think of his kindness, and reflect upon his praises, might animate and comfort me even in the midst of affliction. "Your indignation," said he, "is the result of virtue; you fancied Lord Orville was without fault-he had the appearance of infinite worthiness, and you supposed his character accorded with appearance: guileless yourself, how could you prepare against the duplicity of another? Your disappointment has but been proportioned to your expectations, and you have chiefly owed its severity to the innocence which hid its approach." I will bid these words dwell ever in my memory, and they shall cheer, comfort, and enliven me! This conversation, though extremely affecting to me at the time it passed, has relieved my mind from much anxiety. Concealment, my dear Maria, is the foe of tranquillity: however I may err in future, I will never be disingenuous in acknowledging my errors. To you and to Mr. Villars I vow an unremitting confidence. And yet, though I am more at ease, I am far from well: I have been some time writing this letter; but I hope I shall send you soon a more cheerful one. Adieu, my sweet friend. I intreat you not to acquaint even your dear mother with this affair; Lord Orville is a favourite with her, and why should I publish that he deserves not that honour? </CHAPTER> <CHAPTER> LETTER LXI. EVELINA IN CONTINUATION. Bristol Hotwells, August 28th. YOU will be again surprised, my dear Maria, at seeing whence I date my letter: but I have been very ill, and Mr. Villars was so much alarmed, that he not only insisted upon my accompanying Mrs. Selwyn hither, but earnestly desired she would hasten her intended journey. We travelled very slowly, and I did not find myself so much fatigued as I expected. We are situated upon a most delightful spot; the prospect is beautiful, the air pure, and the weather very favourable to invalids. I am already better, and I doubt not but I shall soon be well; as well, in regard to mere health, as I wish to be. I cannot express the reluctance with which I parted from my revered Mr. Villars: it was not like that parting which, last April, preceded my journey to Howard Grove, when, all expectation and hope, though I wept, I rejoiced, and, though I sincerely grieved to leave him, I yet wished to be gone: the sorrow I now felt was unmixed with any livelier sensation; expectation was vanished, and hope I had none! All that I held most dear upon earth I quitted; and that upon an errand, to the success of which I was totally indifferent, the re-establishment of my health. Had it been to have seen my sweet Maria, or her dear mother, I should not have repined. Mrs. Selwyn is very kind and attentive to me. She is extremely clever: her understanding, indeed, may be called masculine: but, unfortunately, her manners deserve the same epithet; for, in studying to acquire the knowledge of the other sex, she has lost all the softness of her own. In regard to myself, however, as I have neither courage nor inclination to argue with her, I have never been personally hurt at her want of gentleness; a virtue which, nevertheless, seems so essential a part of the female character, that I find myself more awkward, and less at ease, with a woman who wants it, than I do with a man. She is not a favourite with Mr. Villars, who has often been disgusted at her unmerciful propensity to satire: but his anxiety that I should try the effect of the Bristol waters, overcame his dislike of committing me to her care. Mrs. Clinton is also here; so that I shall be as well attended as his utmost partiality could desire. I will continue to write to you, my dear Miss Mirvan, with as much constancy as if I had no other correspondent; though, during my absence from Berry Hill, my letters may, perhaps, be shortened on account of the minuteness of the journal which I must write to my beloved Mr. Villars: but you, who know his expectations, and how many ties bind me to fulfil them, will I am sure, rather excuse any omission to yourself, than any negligence to him. </CHAPTER>

Volume II, Letter XX - Volume II, Letter XXX

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Evelina writes to Mr. Villars, including in her correspondence a letter from Mr. Macartney in which he relates to her his sad story. He writes that he had grown up with his mother in Scotland, and never knew his father, whom he was told had died. He had one particularly close friend, who used his fortune to leave Scotland and travel through Europe. Before he left, the friend asked Macartney to meet him in Paris. When Macartney finally complied, he met a young woman there whom he fell in love with. However, when her absent father returned to discover them together, the two men dueled and Macartney felled her father. Believing the man had died, he fled in terror. He later learned that the father had not died, but the news was even worse: that man was in fact Macartney's real father, which means his beloved is his sister. Macartney's life disintegrated from that point onwards, and so he purchased pistols to pursue a life of robbery. Evelina had in fact deterred him from that purpose , for which he is immensely grateful to her. Evelina continues her letters to Mr. Villars from London. She writes about how everyone went to Marybone-gardens. She enjoyed the fireworks and the orchestra there, but one firework was so terrifying that she ran away from it and got lost from her companions. As she wandered around, she encountered a group of men, one of whom accosted her. She was saved only by two young women who pulled her away; she soon realized they were prostitutes, and she tried to get away. Mr. Brown stumbled along while looking for her, and the prostitutes grabbed him as well. When they finally found the rest of their party, Evelina was concerned to see Lord Orville there with them. He seemed to be concerned to find her walking arm-in-arm with these women. Before he left, Lord Orville asked Evelina if he might pay his respects to her before he left town. She agreed. The prostitutes were eventually run off, and the group departed. Evelina reflected on how differently Lord Orville and Sir Clement reacted around her group - the former showed grace and politeness, and acted "benevolently, not with insolence." The next morning, Lord Orville visited Evelina early in the morning. They spoke pleasantly for some time until he embarrassingly brought up the subject of the prostitutes, asking Evelina if she had kept company with them before. When she denied it, both awkwardly apologized to one other. He admitted he had not doubted her, but was made so curious to see her in such company, but was curious. He kissed her hand before he left; she was pleased to once again have his esteem. That same day, however, Evelina was annoyed by two new revelations: a) Madame Duval and Mr. Branghton were conspiring for her to marry Young Branghton; and b) Monsieur Du Bois was also attracted to her, as he confessed to her via note. The family went on a trip to Kensington-gardens, but Evelina was little impressed. She tried not to speak to Young Branghton at all, but felt sorry for avoiding Monsieur Du Bois, as he had always been kind to her. The Branghton girls continually pestered her about Lord Orville. When their father and brother heard that Evelina had once danced with the Lord, they thought this entitled them to make use of his carriage, which was sitting dormant with its driver at the gardens, to head home early. Evelina was mortified by this plan, but they would not desist . Even the footmen mocked their resolve, until one actually went to ask Lord Orville, and returned with word that "his carriage will always be at Miss Anville's service." That night, Evelina felt uneasy; she had just returned to Lord Orville's good opinion, but was now surely sunk by her family's behavior. She was doubly mortified to learn that Young Branghton had attended Lord Orville to apologize about some glass that had been broken in the carriage on their trip home. Young Branghton visited her with this news, and brought Lord Orville's compliments. When she realized he had used her name to gain access to Lord Orville, she angrily fled the room. She was so mortified that she actually wrote Lord Orville a note to apologize. After an excursion with the group the next day, Evelina returned anxious to know whether anyone had called in her absence; both Lord Orville and Sir Clement had. When she and Monsieur du Bois were alone later, however, he dropped to his knees and professed his love to her. Madame Duval entered during this display, and she flew into a passion, since she had considered herself as the object of his affections. She raged that she would not take Evelina to Paris and that she must marry Branghton. Evelina refused to grant her consent, and left the room. She soon thereafter left London. Mr. Villars writes to Evelina that she must come by Berry Hill before she returns to Howard Grove. While at Berry Hill, Evelina writes Miss Mirvan to explain she has stopped a while to visit Mr. Villars before returning to Howard Grove. Her next letter to Maria is full of indignation. In it, she reveals how Lord Orville had indeed written her a response to her note, but his letter was gross and distasteful. It was filled with flowery language and bold sentiments, and sounded very unlike him. She felt deceived and betrayed, and wondered how it was possible he could be so inappropriately forward. She was not flattered that he clearly seemed to love her, since his behavior was loathsome. She decided not to tell Mr. Villars because he held the man in such esteem. Continuing her letters to Miss Mirvan, she writes that Mr. Villars's neighbor and friend Mrs. Selwyn wishes to take Evelina to Bristol. However, she does not want to be separated from her guardian, and has little desire to see any more of the world. Overall, she is quite depressed. Evelina continued to be depressed, and Mr. Villars watched her carefully. He finally confronted her about her sadness, mourning that he had lost his child. He persisted in questioning her, believing that she was bored with the serenity of Berry Hill after having lived such an exciting life in London. Not wanting him to believe she had lost affection for her childhood home, Evelina showed him Lord Orville's letter. He concluded that the man must have been intoxicated when he wrote it; that was the only plausible explanation. Evelina was somewhat relieved, but wondered, "Why should I allow myself to be humbled by a man who can suffer his reason to be thus abjectly debased..." Evelina writes to Miss Mirvan again after some time has passed, explaining that she had grown ill and finally agreed to accompany Mrs. Selwyn to Bristol, where she might recover. That woman was clever and had a "masculine" understanding; she lost all softness and gentleness. This did not offend Evelina, though she adds that Mr. Villars is annoyed by her "unmerciful propensity to satire."

As Evelina continues to narrate her travels through London, she provides not only an insightful look at this 18th century metropolis for modern readers, but also further example of the limitations a woman faced at that time. Her group undertakes an excursion to Marybone-gardens, which was in west London, and had been opened to the public as a pleasure-garden in 1738. Vivien Jones writes in the annotations that there were "gravel walks, elegant buildings such as the Great Room and the Orchestra, and regular concerts; and like the Vauxhall the usual fee was a shilling." It was famous for its concerts and fireworks displays, but was in decline by 1775, and closed in 1776. That it attracts such a wide swath of people helps explain how both the sophisticated Lord Orville and the boorish Branghtons might be there at the same time. Thus, it makes sense that questions of class and respectability arise in this place. In these gardens, Evelina comes into contact with the two prostitutes. While she and the Branghton girls realize who these women are, Madame Duval remains in ignorance. Jones uses this incident to confront the then-common assumption that places where social classes mixed encouraged an overall lapse of respectability. Whether this assumption is accurate or not, it certainly seems to be so for the upper class. The incident showcases how difficult it was for a young woman to protect her reputation. Evelina may be virtuous, but that's not enough; she has to work assiduously to maintain the impression of virtue. Lord Orville has no reason to suspect she fraternizes with prostitutes, but the appearance is enough to force him to bring up the question. The issue with his letter is significant for this same reason. Evelina writes a simple letter to Lord Orville, apologizing for her family's behavior, but she is utterly shocked by the excess sentiment contained in his response. However, she is in no position to simply write him off as a cad; the mere fact that he wrote that could potentially suggest to others that she had initiated such a flirtatious exchange. Certainly, her reputation had much more to lose than his. Further, the fact that he feels comfortable taking such advantage of her suggests he sees her in an unacceptable light. The sad truth is that it was considered inappropriate for young women even to correspond with men they were not engaged to; this makes up part of trouble faced by Clarissa in Samuel Richardson's novel of the same name. They had too much to lose by it. Two other places of interest are mentioned in this set of letters: Kensington Gardens and the Hotwells. The former had a dynamic landscape design, much of which had been altered at the request of Queen Caroline, wife of George II. Evelina expressed her preference for the modern and open garden style of Kensington as opposed to the formal alleys of Vauxhall; it was also frequented for most of the 1770's by a more genteel class of people. Hyde Park was part of Kensington Gardens, and was a fashionable place to see and be seen. The Hotwells became popular at the end of the 1600's when a pump room and lodging house were built. These springs, renowned for their medicinal properties, attracted a fashionable crowd during their open season from May to September. Finally, Evelina learns the sad story of the Scottish poet in this set of letters. This story does not quite cohere with the rest of the narrative at this point, but will become more significant as Evelina continues. The story is full of both melodramatic and real-world elements. The melodrama consists in the story of unrequited love, and the outrageous coincidence of Macartney's connection with his sister. The real world is reflected by the 'Grand Tour' that the poet's friend takes. The Grand Tour was quite common for wealthy young men, and was meant to enhance their education. Poor men like Macartney, however, hoped to be ordained by the Church of England or Scotland, and to obtain a living by a wealthy patron or a good parish. There is some consideration of class in this story, though it is overshadowed by the dramatic overtones of his sad story.

gradesaver

all_chapterized_books/6053-chapters/volume_3_chapters_1_to_5.txt

finished_summaries/gradesaver/Evelina/section_6_part_0.txt

Evelina.volume 3.chapters 1-5

volume 3, letter 1-5

{"name": "Volume III, Letter I - Volume III, Letter V", "url": "https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-iii-letter-i--volume-iii-letter-v", "summary": "Evelina writes to Mr. Villars. Mrs. Selwyn and Evelina walked together once at Bristol, but were bothered by bold young men addressing Evelina. She tried to reject them, but they were persistent. Mrs. Selwyn, in her bold and commanding manner, offered retorts to their behavior. They later encountered Lord Merton - the forward and rude aristocrat Evelina met earlier. This is when she learns his name. He was excessively frank and rude to them, though he vaguely recognized her. Later, they learned that he had only recently been given a title, and that he had spent almost all of his fortune already. He was a known libertine, but he was soon to be married. It was surprising to Evelina to learn that his bride-to-be was Lady Louisa Larpent, the sister of Lord Orville. She continues her letters to Mr. Villars, opening a new one with the excited words that Lord Orville had shown himself to be still possessed of noble behavior; clearly, his letter reflected a moment of intemperance. She then tells how she again met Lord Orville. Mrs. Selwyn and Evelina were invited to the home of Mrs. Beaumont, a friend of Mrs. Selwyn's and the relative of Lord Orville and Lady Louisa. Evelina suddenly saw them enter the room together. Lady Louisa was bored,restless and affected. She barely noticed Evelina. Evelina remembered seeing Lady Louisa at the Pantheon party, and suddenly understood why Lord Orville was so irritate when Lord Merton hit on her. She was especially nervous to encounter Lord Orville, but he was polite, pleasing, friendly, and quick to devote his attention to her. She was instinctively friendly with him, but then forced an emotional distance when she remembered his letter. Her abruptness surprised him, but she could hardly keep it up for very long. Her coldness wore away when she went out driving with him and Mrs. Selwyn. Though she did not participate in the conversation, she was pleased to listen to them. She ultimately concluded it was impractical to be indignant any further. The next day, the two women were invited to Mrs. Beaumont's house for dinner. Mrs. Beaumont was concerned almost solely with nobility of birth; she considered high birth and virtue the same thing. Her \"civility was too formal to be comfortable,\" Evelina writes. She also clearly disapproved of Lady Louisa's choice in Lord Merton due to his personality. Mr. Lovel later joined the company and Evelina was a perturbed by how conspicuously he ignored her, even though she was glad he no longer annoyed her outright. Lord Orville also joined the group, his presence acting as a counterpoint to the apathy and languor of the other young people. Lord Orville was far more polite than the others, and he addressed himself quite pleasantly to Evelina. Lord Merton's friend Mr. Coverley also arrived, and he and Lord Merton began arguing about who was a better phaeton driver. They decided to race each other, but Lady Louisa loudly expressed her displeasure. After this, the conversation turned solely to eating; Evelina was surprised at how knowledgeable Lord Merton, Mr. Lovel, and Mr. Coverley were. It was difficult to determine \"whether they were most to be distinguished as gluttons, or epicures,\" and Evelina became quite disgusted. Later, during tea, Evelina sat alone, a bit sad about how no one seemed to regard her at all. Thankfully, Lord Orville arrived and made her feel quite welcome. The group conversation turned to other ways the men could settle their dispute if they were not to race. Each person in the group was asked to provide an idea. Mrs. Selwyn embarrassed them by calling attention to their ignorace of the classics. Evelina suggested they compose an extempore couplet on a subject, and Mrs. Beaumont suggested the bet should decide who had the best bow. Lord Orville shamed them all, however, by suggesting the money should go to whoever brought the worthiest object to share it with. This subtle remonstrance left everyone chagrined for a short while. Later, Evelina apologized to him for \" your censure,\" since she thought she had been petty by proposing an idea. He insisted that his mockery did not apply to her. Evelina was even more pleased the next day when she learned that she and Mrs. Selwyn were invited to be houseguests of Mrs. Beaumont. She was happy to be in the constant company of Lord Orville, especially because Mrs. Selwyn was kind to her but generally more focused on herself and clever conversation than she was on Evelina's comfort. Indeed, it was very pleasant being around him all the time. Evelina was annoyed, however, to learn from Mrs. Selwyn that Mr. Lovel had mocked her social standing in front of Lady Louisa. She refused to be friendly towards him, even though he was \"important.\" She writes to Mr. Villars about how much she enjoys her time with Lord Orville, commenting, \"the attention with which Lord Orville honours me is as uniform as it is flattering, and seems to result from a benevolence of heart that proves him as much as stranger to caprice as to pride.\" The next morning, Evelina was strolling outside when she saw Mr. Macartney. He had come to find her, to thank her for so positively influencing his life. He explained that he was doing much better. While they talked, Lord Orville came outside looking for her, and found them together. He was about to bring her inside when Macartney asked Evelina if he could see her again; she felt obliged to answer in the positive. This was frightfully embarrassing for both Evelina and Lord Orville, and they walked back to the house in silence. He subtly suggested his concern over this strange man, and Evelina finally offered to later tell him what it all meant. He grew more at ease. They never seemed to find time to talk, however, and Evelina came to realize she had no authority to share Macartney's business with anyone else. She wrote to tell him she could not meet him the next day, but promised to find him before she left Bristol. The next day, Lord Orville and Evelina were awkward around one another. She finally confided that she was not at liberty to tell another's secrets, and he countered that he was only interested in knowing how it affected her. Though she revealed little, she was happy that they parted on good terms", "analysis": "In these letters, Evelina's 'well-bred' companions reveal just as much affectation, coarseness, insensibility, and judgmental attitudes as the Branghtons did. Lady Louisa, Lord Orville's sister, adopts an affected attitude that is most unpleasant. It actually enforces the then-contemporary notion that women were prone to nervous disorders and complaints. She is uptight by design. Mr. Lovel, who thankfully ignores Evelina, feels free to disparage her when she is not in his presence; he calls her a \"toad-eater,\" which, according the Vivien Jones's annotations, is a \"cruelly contemptuous term for someone who depends on their living on acting as a companion or attendant to a more wealthy patron.\" The men, excepting Lord Orville, again reveal their penchant for luxury and excess in their attention to food and frivolous gambling. Their lives are devoted to the pursuit of pleasure and dissipation. For someone like Evelina, who was raised to appreciate simple pleasures, this world seems wasteful and thereby distasteful. Mrs. Selwyn poses a fascinating question about feminism through her abrasive character. Unsurprisingly, the questions she raises are common for Burney's work. Rose Marie Cutting looks at all of Burney's novels to suggest that they are far more valuable than usually acknowledged, because they both depict social problems and invoke feminist ideals. Cutting first considers the heroines of the novels, commenting that they demonstrate independence of judgment, and, although \"naive and inexperienced, they have no trouble in recognizing fools or in repudiating folly.\" They all face a similar economic plight, and suffer much abuse from the men in their environs. There are also characters in Burney's novels that Cutting refers to as \"rebels,\" strong women who defy the stereotypes associated with their sex to claim a high degree of independence. Mrs. Selwyn is an apposite example of a \"feminist\" by this definition. She is neither passive nor dependent, and is fiercely defiant, aggressive, satirical, and ironic. She does not allow the silly men she encounters to get away with their behavior without at least being mocked for it. She incurs the ire of these men and even some of the women - including Evelina - for her bold style, thus affirming the discomfort many people felt at the time with women who acted outside of their prescribed gender roles. That women also find her difficult to handle suggests that all are generally uncomfortable when the expected social order is upended - even those who suffer because of it. It is telling that Mrs. Selwyn is so often described as masculine - this self-possession is not approved of in a female, and so does society discuss it as unnatural, or as a deficiency of some sort. Overall, Burney depicts women's suffering, and by doing so, offers an implicit condemnation of the society that subjected half of its population to cruel treatment and formidable restrictions of movement, expression, and autonomy. She devoted her final novel, The Wanderer , to the theme of suffering. This novel's \"call for self-sufficiency on the part of both sexes perhaps best summarizes Fanny Burney's protest against the humiliating dependency of her sex and her demand for a change in the condition of women.\" In this novel, the condemnation is less harsh but, even when Burney somewhat supports the status quo, her depiction reveals a perspective sensitive to those who are allowed little voice against their oppressors. Finally, a couple of notes on places and terms used in these letters are useful. The pump room was the room where visitors to the Hotwells conversed and took the waters, as well as listened to music. It therefore served as a place for gossip and visiting. Clifton Hills adjoined the Hotwells, and was a fashionable area of Bristol. A phaeton was a four-wheeled carriage that had a covered seat for the driver and at most two seats for passengers. They were very fashionable and could move at great speeds. The Court Calendar listed the details of royal families and their courts."}

<CHAPTER> LETTER LXII. EVELINA TO THE REV. MR. VILLARS. Bristol Hotwells, Sept. 12th. THE first fortnight that I passed here was so quiet, so serene, that it gave me reason to expect a settled calm during my stay; but if I may now judge of the time to come, by the present state of my mind, the calm will be succeeded by a storm, of which I dread the violence! This morning, in my way to the pump-room with Mrs. Selwyn, we were both very much incommoded by three gentlemen, who were sauntering by the side of the Avon, laughing and talking very loud, and lounging so disagreeably, that we knew not how to pass them. They all three fixed their eyes very boldly upon me, alternately looking under my hat, and whispering one another. Mrs. Selwyn assumed an air of uncommon sternness, and said, "You will please, gentlemen, either to proceed yourselves, or to suffer us." "Oh! Ma'am," cried one of them, "we will suffer you with the greatest pleasure in life." "You will suffer us both," answered she, "or I am much mistaken: you had better, therefore, make way quietly; for I should be sorry to give my servant the trouble of teaching you better manners." Her commanding air struck them, yet they all chose to laugh; and one of them wished the fellow would begin his lesson, that he might have the pleasure of rolling him into the Avon; while another, advancing to me with a freedom which made me start, said, "By my soul, I did not know you!-but I am sure I cannot be mistaken;-had not I the honour of seeing you once at the Pantheon?" I then recollected the nobleman, who, at that place, had so much embarrassed me. I courtsied without speaking. They all bowed, and making, though in a very easy manner, an apology to Mrs. Selwyn, they suffered us to pass on, but chose to accompany us. "And where," continued this Lord, "can you so long have hid yourself? do you know I have been in search of you this age? I could neither find you out, nor hear of you: not a creature could inform me what was become of you. I cannot imagine where you could be immured. I was at two or three public places every night, in hopes of meeting you. Pray, did you leave town?" "Yes, my Lord." "So early in the season!-what could possibly induce you to go before the birth-day?" "I had nothing, my Lord, to do with the birth-day." "By my soul, all the women who had, may rejoice you were away. Have you been here any time?" "Not above a fortnight, my Lord." "A fortnight!-how unlucky that I did not meet you sooner! but I have had a run of ill luck ever since I came. How long shall you stay?" "Indeed, my Lord, I don't know." "Six weeks, I hope; for I shall wish the place at the devil when you go." "Do you, then, flatter yourself, my Lord," said Mrs. Selwyn, who had hitherto listened in silent contempt, "that you shall see such a beautiful spot as this, when you visit the dominions of the devil?" "Ha, ha, ha! Faith, my Lord," said one of his companions, who still walked with us, though the other had taken leave, "the lady is rather hard upon you." "Not at all," answered Mrs. Selwyn; "for as I cannot doubt but his Lordship's rank and interest will secure him a place there, it would be reflecting on his understanding, to suppose he should not wish to enlarge and beautify his dwelling." Much as I was disgusted with this Lord, I must own Mrs. Selwyn's severity rather surprised me: but you, who have so often observed it, will not wonder she took so fair an opportunity of indulging her humour. "As to places," returned he, totally unmoved, "I am so indifferent to them, that the devil take me if I care which way I go! objects, indeed, I am not so easy about; and, therefore, I expect, that those angels with whose beauty I am so much enraptured in this world, will have the goodness to afford me some little consolation in the other." "What, my Lord!" cried Mrs. Selwyn, "would you wish to degrade the habitation of your friend, by admitting into it the insipid company of the upper regions?" "What do you do with yourself this evening?" said his Lordship, turning to me. "I shall be at home, my Lord." "O, -e;-propos,-where are you?" "Young ladies, my Lord," said Mrs. Selwyn, "are no where." "Prithee," whispered his Lordship, "is that queer woman your mother?" Good Heavens, Sir, what words for such a question! "No, my Lord." "Your maiden aunt then?" "No." "Whoever she is, I wish she would mind her own affairs: I don't know what the devil a woman lives for after thirty: she is only in other folk's way. Shall you be at the assembly?" "I believe not, my Lord." "No!-why then, how in the world can you contrive to pass your time?" "In a manner which your Lordship will think very extraordinary," cried Mrs. Selwyn, "for the young lady reads." "Ha, ha, ha! Egad, my Lord," cried the facetious companion, "you are got into bad hands." "You had better, Ma'am," answered he, "attack Jack Coverley here, for you will make nothing of me." "Of you, my Lord," cried she, "Heaven forbid I should ever entertain so idle an expectation! I only talk, like a silly woman, for the sake of talking; but I have by no means so low an opinion of your Lordship, as to suppose you vulnerable to censure." "Do, pray, Ma'am," cried he, "turn to Jack Coverley; he's the very man for you;-he'd be a wit himself if he was not too modest." "Prithee, my Lord, be quiet," returned the other; "if the lady is contented to bestow all her favours upon you, why should you make such a point of my going snacks?" "Don't be apprehensive, gentlemen," said Mrs. Selwyn, drily, "I am not romantic;-I have not the least design of doing good to either of you." "Have not you been ill since I saw you?" said his Lordship, again addressing himself to me. "Yes, my Lord." "I thought so; you are paler than you was, and I suppose that's the reason I did not recollect you sooner." "Has not your Lordship too much gallantry," cried Mrs. Selwyn, "to discover a young lady's illness by her looks?" "The devil a word can I speak for that woman," said he, in a low voice; "do, prithee, Jack, take her in hand." "Excuse me, my Lord," answered Mr. Coverley. "When shall I see you again?" continued his Lordship; "do you go to the pump-room every morning?" "No, my Lord." "Do you ride out?" "No, my Lord." Just then we arrived at the pump-room, and an end was put to our conversation, if it is not an abuse of words to give such a term to a string of rude questions and free compliments. He had not opportunity to say much more to me, as Mrs. Selwyn joined a large party, and I walked home between two ladies. He had, however, the curiosity to see us to the door. Mrs. Selwyn was very eager to know how I had made acquaintance with this nobleman, whose manners so evidently announced the character of a confirmed libertine. I could give her very little satisfaction, as I was ignorant even of his name: but, in the afternoon, Mr. Ridgeway, the apothecary, gave us very ample information. As his person was easily described, for he is remarkably tall, Mr. Ridgeway told us he was Lord Merton, a nobleman who is but lately come to his title, though he has already dissipated more than half his fortune; a professed admirer of beauty, but a man of most licentious character; that among men, his companions consisted chiefly of gamblers and jockeys, and among women he was rarely admitted. "Well, Miss Anville," said Mrs. Selwyn, "I am glad I was not more civil to him. You may depend upon me for keeping him at a distance." "O, Madam," said Mr. Ridgeway, "he may now be admitted any where, for he is going to reform." "Has he, under that notion, persuaded any fool to marry him?" "Not yet, Madam, but a marriage is expected to take place shortly: it has been some time in agitation; but the friends of the lady have obliged her to wait till she is of age: however, her brother, who has chiefly opposed the match, now that she is near being at her own disposal, is tolerably quiet. She is very pretty, and will have a large fortune. We expect her at the Wells every day." "What is her name?" said Mrs. Selwyn. "Larpent," answered he: "Lady Louisa Larpent, sister of Lord Orville." "Lord Orville!" repeated I, all amazement. "Yes, Ma'am; his Lordship is coming with her. I have had certain information. They are to be at the Honourable Mrs. Beaumont's. She is a relation of my Lord's, and has a very fine house upon Clifton Hill." His Lordship is coming with her! -Good God, what an emotion did those words give me! How strange, my dear Sir, that, just at this time, he should visit Bristol! It will be impossible for me to avoid seeing him, as Mrs. Selwyn is very well acquainted with Mrs. Beaumont. Indeed, I have had an escape in not being under the same roof with him, for Mrs. Beaumont invited us to her house immediately upon our arrival; but the inconvenience of being so distant from the pump-room made Mrs. Selwyn decline her civility. Oh that the first meeting were over!-or that I could quit Bristol without seeing him!-inexpressibly do I dread an interview! Should the same impertinent freedom be expressed by his looks, which dictated this cruel letter, I shall not know how to endure either him or myself. Had I but returned it, I should be easier, because my sentiments of it would then be known to him; but now, he can only gather them from my behaviour; and I tremble lest he should mistake my indignation for confusion!-lest he should misconstrue my reserve into embarrassment!-for how, my dearest Sir, how shall I be able totally to divest myself of the respect with which I have been used to think of him?-the pleasure with which I have been used to see him? Surely he, as well as I, must recollect the letter at the moment of our meeting; and he will, probably, mean to gather my thoughts of it from my looks;-oh that they could but convey to him my real detestation of impertinence and vanity! then would he see how much he had mistaken my disposition when he imagined them my due. There was a time when the very idea that such a man as Lord Merton should ever be connected with Lord Orville would have both surprised and shocked me; and even yet I am pleased to hear of his repugnance to the marriage. But how strange, that a man of so abandoned a character should be the choice of a sister of Lord Orville! and how strange, that, almost at the moment of the union, he should be so importunate in gallantry to another woman! What a world is this we live in! how corrupt! how degenerate! well might I be contented to see no more of it! If I find that the eyes of Lord Orville agree with his pen,-I shall then think, that of all mankind, the only virtuous individual resides at Berry Hill. </CHAPTER> <CHAPTER> LETTER LXIII. EVELINA IN CONTINUATION. Bristol Hotwells, Sept. 16th. OH, Sir, Lord Orville is still himself! still what, from the moment I beheld, I believed him to be-all that is amiable in man! and your happy Evelina, restored at once to spirits and tranquillity, is no longer sunk in her own opinion, nor discontented with the world;-no longer, with dejected eyes, sees the prospect of passing her future days in sadness, doubt, and suspicion!-with revived courage she now looks forward, and expects to meet with goodness, even among mankind:-though still she feels, as strongly as ever, the folly of hoping, in any second instance, to meet with perfection. Your conjecture was certainly right; Lord Orville, when he wrote that letter, could not be in his senses. Oh that intemperance should have power to degrade so low, a man so noble! This morning I accompanied Mrs. Selwyn to Clifton Hill, where, beautifully situated, is the house of Mrs. Beaumont. Most uncomfortable were my feelings during our walk, which was very slow; for the agitation of my mind made me more than usually sensible how weak I still continue. As we entered the house, I summoned all my resolution to my aid, determined rather to die than give Lord Orville reason to attribute my weakness to a wrong cause. I was happily relieved from my perturbation, when I saw Mrs. Beaumont was alone. We sat with her for, I believe, an hour without interruption; and then we saw a phaeton drive up to the gate, and a lady and gentleman alight from it. They entered the parlour with the ease of people who were at home. The gentleman, I soon saw, was Lord Merton: he came shuffling into the room with his boots on, and his whip in his hand; and having made something like a bow to Mrs. Beaumont, he turned towards me. His surprise was very evident; but he took no manner of notice of me. He waited, I believe, to discover, first, what chance had brought me to that house, where he did not look much rejoiced at meeting me. He seated himself very quietly at the window, without speaking to any body. Mean time the lady, who seemed very young, hobbling rather than walking into the room, made a passing courtsy to Mrs. Beaumont, saying, "How are you, Ma'am?" and then, without noticing any body else, with an air of languor she flung herself upon a sofa, protesting, in a most affected voice, and speaking so softly she could hardly be heard, that she was fatigued to death. "Really, Ma'am, the roads are so monstrous dusty,-you can't imagine how troublesome the dust is to one's eyes!-and the sun, too, is monstrous disagreeable!-I dare say I shall be so tanned: I shan't be fit to be seen this age. Indeed, my Lord, I won't go out with you any more, for you don't care where you take one." "Upon my honour," said Lord Merton, "I took you the pleasantest ride in England, the fault was in the sun, not me." "Your Lordship is in the right," said Mrs. Selwyn, "to transfer the fault to the sun, because it has so many excellencies to counterbalance partial inconveniences that a little blame will not injure that in our estimation." Lord Merton looked by no means delighted at this attack; which I believe she would not so readily have made, but to revenge his neglect of us. "Did you meet your brother, Lady Louisa?" said Mrs. Beaumont. "No, Ma'am. Is he rode out this morning?" I then found, what I had before suspected, that this lady was Lord Orville's sister: how strange, that such near relations should be so different to each other! There is, indeed, some resemblance in their features; but, in their manners, not the least. "Yes," answered Mrs. Beaumont, "and I believe he wished to see you." "My Lord drove so monstrous fast," said Lady Louisa, "that perhaps we passed him. He frightened me out of my senses; I declare my head is quite giddy. Do you know, Ma'am, we have done nothing but quarrel all the morning?-You can't think how I've scolded; have not I, my Lord?" and she smiled expressively at Lord Merton. "You have been, as you always are," said he, twisting his whip with his fingers, "all sweetness." "O fie, my Lord," cried she, "I know you don't think so; I know you think me very ill-natured;-don't you, my Lord?" "No, upon my honour;-how can your Ladyship ask such a question? Pray how goes time? my watch stands." "It is almost three," answered Mrs. Beaumont. "Lord, Ma'am, you frighten me!" cried Lady Louisa; and then, turning to Lord Merton, "why now, you wicked creature you, did you not tell me it was but one?" Mrs. Selwyn then rose to take leave; but Mrs. Beaumont asked if she would look at the shrubbery. "I should like it much," answered she, "but that I fear to fatigue Miss Anville." Lady Louisa, then, raising her head from her hand, on which it had leant, turned round to look at me; and having fully satisfied her curiosity, without any regard to the confusion it gave me, turned about, and, again leaning on her hand, took no further notice of me. I declared myself very able to walk, and begged that I might accompany them. "What say you, Lady Louisa," cried Mrs. Beaumont, "to a stroll in the garden?" "Me, Ma'am!-I declare I can't stir a step; the heat is so excessive, it would kill me. I'm half dead with it already; besides, I shall have no time to dress. Will any body be here to-day, Ma'am?" "I believe not, unless Lord Merton will favour us with his company." "With great pleasure, Madam." "Well, I declare you don't deserve to be asked," cried Lady Louisa, "you wicked creature you!-I must tell you one thing, Ma'am,-you can't think how abominable he was! do you know we met Mr. Lovel in his new phaeton, and my Lord was so cruel as to drive against it?-we really flew. I declare I could not breathe. Upon my word, my Lord, I'll never trust myself with you again,-I won't indeed." We then went into the garden, leaving them to discuss the point at their leisure. Do you remember a pretty but affected young lady I mentioned to have seen, in Lord Orville's party, at the Pantheon? How little did I then imagine her to be his sister! yet Lady Louisa Larpent is the very person. I can now account for the piqued manner of her speaking to Lord Merton that evening, and I can now account for the air of displeasure with which Lord Orville marked the undue attention of his future brother-in-law to me. We had not walked long, ere, at a distance, I perceived Lord Orville, who seemed just dismounted from his horse, enter the garden. All my perturbation returned at the sight of him!-yet I endeavoured to repress every feeling but resentment. As he approached us, he bowed to the whole party; but I turned away my head to avoid taking any share in his civility. Addressing himself immediately to Mrs. Beaumont, he was beginning to enquire after his sister: but, upon seeing my face, he suddenly exclaimed, "Miss Anville!-" and then he advanced, and made his compliments to me,-not with an air of vanity or impertinence, nor yet with a look of consciousness or shame;-but with a countenance open, manly, and charming!-with a smile that indicated pleasure, and eyes that sparkled with delight!-on my side was all that consciousness; for by him, I really believe, the letter was, at that moment, entirely forgotten. With what politeness did he address me! with what sweetness did he look at me! the very tone of his voice seemed flattering! he congratulated himself upon his good fortune in meeting with me;-hoped I should spend some time in Bristol, and enquired, even with anxiety enquired, if my health was the cause of my journey; in which case his satisfaction would be converted into apprehension. Yet, struck as I was with his manner, and charmed to find him such as he was wont to be, imagine not, my dear Sir, that I forgot the resentment I owe him, or the cause he has given me of displeasure; no, my behaviour was such, as I hope, had you seen, you would not have disapproved: I was grave and distant; I scarce looked at him when he spoke, or answered him when he was silent. As he must certainly observe this alteration in my conduct, I think it could not fail making him both recollect and repent the provocation he had so causelessly given me; for surely he was not so wholly lost to reason, as to be now ignorant he had ever offended me. The moment that, without absolute rudeness, I was able, I turned entirely from him, and asked Mrs. Selwyn if we should not be late home? How Lord Orville looked I know not, for I avoided meeting his eyes; but he did not speak another word as we proceeded to the garden gate. Indeed, I believe, my abruptness surprised him, for he did not seem to expect I had so much spirit. And, to own the truth, convinced as I was of the propriety, nay, necessity, of showing my displeasure, I yet almost hated myself for receiving his politeness so ungraciously. When we were taking leave, my eyes accidentally meeting his, I could not but observe that his gravity equalled my own; for it had entirely taken place of the smiles and good humour with which he had met me. "I am afraid this young lady," said Mrs. Beaumont, "is too weak for another long walk till she is again rested." "If the ladies will trust to my driving," said Lord Orville, "and are not afraid of a phaeton, mine shall be ready in a moment." "You are very good, my Lord, "said Mrs. Selwyn, "but my will is yet unsigned, and I don't choose to venture in a phaeton with a young man while that is the case." "O," cried Mrs. Beaumont, "you need not be afraid of my Lord Orville, for he is remarkably careful." "Well, Miss Anville," answered she, "what say you?" "Indeed," cried I, "I had much rather walk-." But then, looking at Lord Orville, I perceived in his face a surprise so serious at my abrupt refusal, that I could not forbear adding, "for I should be sorry to occasion so much trouble." Lord Orville, brightening at these words, came forward, and pressed his offer in a manner not to be denied;-so the phaeton was ordered! And indeed, my dear Sir,-I know not how it was;-but, from that moment, my coldness and reserve insensibly wore away! You must not be angry,-it was my intention, nay, my endeavour, to support them with firmness: but when I formed the plan, I thought only of the letter,-not of Lord Orville!-and how is it possible for resentmen to subsist without provocation? yet, believe me, my dearest Sir, had he sustained the part he began to act when he wrote this ever-to-be-regretted letter, your Evelina would have not forfeited her title to your esteem, by contentedly submitting to be treated with indignity. We continued in the garden till the phaeton was ready. When we parted from Mrs. Beaumont, she repeated her invitation to Mrs. Selwyn to accept an apartment in her house; but the reason I have already mentioned made it be again declined. Lord Orville drove very slow, and so cautiously, that, notwithstanding the height of the phaeton, fear would have been ridiculous. I supported no part in the conversation; but Mrs. Selwyn extremely well supplied the place of two. Lord Orville himself did not speak much; but the excellent sense and refined good-breeding which accompany every word he utters, give value and weight to whatever he says. "I suppose, my Lord," said Mrs. Selwyn, when we stopped at our lodgings, "you would have been extremely confused had we met any gentlemen who have the honour of knowing you." "If I had," answered he, gallantly, "it would have been from mere compassion at their envy." "No, my Lord," answered she, "it would have been from mere shame, that, in an age so daring, you alone should be such a coward as to forbear to frighten women." "O," cried he, laughing, "when a man is in a fright for himself, the ladies cannot but be in security; for you have not had half the apprehension for the safety of your persons, that I have for that of my heart." He then alighted, handed us out, took leave, and again mounting the phaeton, was out of sight in a minute. "Certainly," said Mrs. Selwyn, when he was gone, "there must have been some mistake in the birth of that young man; he was, undoubtedly, designed for the last age; for he is really polite!" And now, my dear Sir, do not you think, according to the present situation of affairs, I may give up my resentment, without imprudence or impropriety? I hope you will not blame me. Indeed, had you, like me, seen his respectful behaviour, you would have been convinced of the impracticability of supporting any further indignation. </CHAPTER> <CHAPTER> LETTER LXIV. EVELINA IN CONTINUATION. Bristol Hotwells, Sept. 19th. YESTERDAY morning Mrs. Selwyn received a card from Mrs. Beaumont, to ask her to dine with her to-day: and another, to the same purpose, came to me. The invitation was accepted, and we are but just arrived from Clifton Hill. We found Mrs. Beaumont alone in the parlour. I will write you the character of that lady, in the words of our satirical friend Mrs. Selwyn. "She is an absolute Court Calendar bigot; for, chancing herself to be born of a noble and ancient family, she thinks proper to be of opinion, that birth and virtue are one and the same thing. She has some good qualities; but they rather originate from pride than principle, as she piques herself upon being too high-born to be capable of an unworthy action, and thinks it incumbent upon her to support the dignity of her ancestry. Fortunately for the world in general, she has taken it into her head, that condescension is the most distinguishing virtue of high life; so that the same pride of family which renders others imperious, is with her the motive of affability. But her civility is too formal to be comfortable, and too mechanical to be flattering. That she does me the honour of so much notice, is merely owing to an accident, which, I am sure, is very painful to her remembrance; for it so happened, that I once did her some service, in regard to an apartment at Southampton; and I have since been informed, that, at the time she accepted my assistance, she thought I was a woman of quality; and I make no doubt but she was miserable when she discovered me to be a mere country gentlewoman: however, her nice notions of decorum have made her load me with favours ever since. But I am not much flattered by her civilities, as I am convinced I owe them neither to attachment nor gratitude; but solely to a desire of cancelling an obligation, which she cannot brook being under, to one whose name is no where to be found in the Court Calendar." You well know, my dear Sir, the delight this lady takes in giving way to her satirical humour. Mrs. Beaumont received us very graciously, though she some what distressed me by the questions she asked concerning my family;-such as, Whether I was related to the Anvilles in the North?-Whether some of my name did not live in Lincolnshire? and many other inquiries, which much embarrassed me. The conversation next turned upon the intended marriage in her family. She treated the subject with reserve; but it was evident she disapproved Lady Louisa's choice. She spoke in terms of the highest esteem of Lord Orville, calling him, in Marmontel's words, "Un jeune homme comme il y en a peu." I did not think this conversation very agreeably interrupted by the entrance of Mr. Lovel. Indeed I am heartily sorry he is now at the Hot Wells. He made his compliments with the most obsequious respect to Mrs. Beaumont, but took no sort of notice of any other person. In a few minutes Lady Louisa Larpent made her appearance. The same manners prevailed; for, courtsying, with "I hope you are well, Ma'am," to Mrs. Beaumont, she passed straight forward to her seat on the sofa; where, leaning her head on her hand, she cast her languishing eyes round the room, with a vacant stare, as if determined, though she looked, not to see who was in it. Mr. Lovel, presently approaching her, with reverence the most profound, hoped her Ladyship was not indisposed. "Mr. Lovel!" cried she, raising her head, "I declare I did not see you: have you been here long?" "By my watch, Madam," said he, "only five minutes,-but by your Ladyship's absence as many hours." "O! now I think of it," cried she, "I am very angry with you;-so go along, do; for I sha'n't speak to you all day." "Heaven forbid your La'ship's displeasure should last so long! in such cruel circumstances, a day would seem an age. But in what have I been so unfortunate as to offend?" "O, you half killed me the other morning, with terror! I have not yet recovered from my fright. How could you be so cruel as to drive your phaeton against my Lord Merton's?" "'Pon honour, Ma'am, your La'ship does me wrong;-it was all owing to the horses,-there was no curbing them. I protest I suffered more than your Ladyship, from the terror of alarming you." Just then entered Lord Merton; stalking up to Mrs. Beaumont, to whom alone he bowed, he hoped he had not made her wait; and then, advancing to Lady Louisa, said, in a careless manner, "How is your Ladyship this morning?" "Not well at all," answered she; "I have been dying with the head-ache ever since I got up." "Indeed!" cried he, with a countenance wholly unmoved, "I am very unhappy to hear it. But should not your Ladyship have some advice?" "I am quite sick of advice," answered she, "Mr. Ridgeway has but just left me,-but he has done me no good. Nobody here knows what is the matter with me, yet they all see how indifferent I am." "Your Ladyship's constitution," said Mr. Lovel, "is infinitely delicate." "Indeed it is," cried she, in a low voice, "I am nerve all over!" "I am glad, however," said Lord Merton, "that you did not take the air this morning, for Coverley has been driving against me as if he was mad: he has got two of the finest spirited horses I ever saw." "Pray my Lord," cried she, "why did not you bring Mr. Coverley with you? he's a droll creature; I like him monstrously." "Why, he promised to be here as soon as me. I suppose he'll come before dinner's over." In the midst of this trifling conversation Lord Orville made his appearance. O how different was his address! how superior did he look and move, to all about him! Having paid his respects to Mrs. Beaumont, and then to Mrs. Selwyn, he came up to me, and said, "I hope Miss Anville has not suffered from the fatigue of Monday morning?" Then, turning to Lady Louisa, who seemed rather surprised at his speaking to me, he added, "Give me leave, sister, to introduce Miss Anville to you." Lady Louisa, half-rising, said, very coldly, that she should be glad of the honour of knowing me; and then, abruptly turning to Lord Merton and Mr. Lovel, continued, in a half-whisper, her conversation. For my part, I had risen and courtsied, and now, feeling very foolish, I seated myself again: first I blushed at the unexpected politeness of Lord Orville, and immediately afterwards at the contemptuous failure of it in his sister. How can that young lady see her brother so universally admired for his manners and deportment, and yet be so unamiably opposite to him in hers! but while his mind, enlarged and noble, rises superior to the little prejudices of rank, hers, feeble and unsteady, sinks beneath their influence. Lord Orville, I am sure, was hurt and displeased: he bit his lips, and, turning from her, addressed himself wholly to me, till we were summoned to dinner. Do you think I was not grateful for his attention? yes, indeed, and every angry idea I had entertained was totally obliterated. As we were seating ourselves at the table, Mr. Coverley came into the room; he made a thousand apologies in a breath for being so late, but said he had been retarded by a little accident, for that he had overturned his phaeton, and broke it all to pieces. Lady Louisa screamed at this intelligence, and, looking at Lord Merton, declared she would never go into a phaeton again. "O," cried he, "never mind Jack Coverley; for he does not know how to drive." "My Lord," cried Mr. Coverley, "I'll drive against you for a thousand pounds." "Done!" returned the other; "name your day, and we'll each choose a judge." "The sooner the better," cried Mr. Coverley; "to-morrow, if the carriage can be repaired." "These enterprises," said Mrs. Selwyn, "are very proper for men of rank, since 'tis a million to one but both parties will be incapacitated for any better employment." "For Heaven's sake," cried Lady Louisa, changing colour, "don't talk so shockingly! Pray, my Lord, pray, Mr. Coverley, don't alarm me in this manner." "Compose yourself, Lady Louisa," said Mrs. Beaumont, "the gentlemen will think better of the scheme; they are neither of them in earnest." "The very mention of such a scheme," said Lady Louisa, taking out her salts, "makes me tremble all over! Indeed, my Lord, you have frightened me to death! I sha'n't eat a morsel of dinner." "Permit me," said Lord Orville, "to propose some other subject for the present, and we will discuss this matter another time." "Pray, brother, excuse me; my Lord must give me his word to drop the project,-for I declare it has made me sick as death." "To compromise the matter," said Lord Orville, "suppose, if both parties are unwilling to give up the bet, that, to make the ladies easy, we change its object to something less dangerous?" This proposal was so strongly seconded by all the party, that both Lord Merton and Mr. Coverley were obliged to comply with it; and it was then agreed that the affair should be finally settled in the afternoon. "I shall now be entirely out of conceit with phaetons again," said Mrs. Selwyn, "though Lord Orville had almost reconciled me to them." "My Lord Orville!" cried the witty Mr. Coverley, "why, my Lord Orville is as careful,-egad, as careful as an old woman! Why, I'd drive a one-horse cart against my Lord's phaeton for a hundred guineas!" This sally occasioned much laughter; for Mr. Coverley, I find, is regarded as a man of infinite humour. "Perhaps, Sir," said Mrs. Selwyn, "you have not discovered the reason my Lord Orville is so careful?" "Why, no, Ma'am; I must own I never heard any particular reason for it." "Why, then, Sir, I'll tell it you; and I believe you will confess it to be very particular; his Lordship's friends are not yet tired of him." Lord Orville laughed and bowed. Mr. Coverley, a little confused, turned to Lord Merton, and said, "No foul play, my Lord! I remember your Lordship recommended me to the notice of this lady the other morning, and, egad, I believe you have been doing me the same office to-day." "Give you joy, Jack!" cried Lord Merton, with a loud laugh. After this the conversation turned wholly upon eating, a subject which was discussed with the utmost delight; and, had I not known they were men of rank and fashion, I should have imagined that Lord Merton, Mr. Lovel, and Mr. Coverley, had all been professed cooks; for they displayed so much knowledge of sauces and made-dishes, and of the various methods of dressing the same things, that I am persuaded they must have given much time, and much study, to make themselves such adepts in this art. It would be very difficult to determine, whether they were most to be distinguished as gluttons or epicures; for they were, at once, dainty and voracious, understood the right and the wrong of every dish, and alike emptied the one and the other. I should have been quite sick of their remarks, had I not been entertained by seeing that Lord Orville, who, I am sure, was equally disgusted, not only read my sentiments, but, by his countenance, communicated to me his own. When dinner was over, Mrs. Beaumont recommended the gentlemen to the care of Lord Orville, and then attended the ladies to the drawing-room. The conversation, till tea-time, was extremely insipid; Mrs. Selwyn reserved herself for the gentlemen, Mrs. Beaumont was grave, and Lady Louisa languid. But, at tea, every body revived; we were joined by the gentlemen, and gaiety took the place of dullness. Since I, as Mr. Lovel says, am Nobody, I seated myself quietly at a window, and not very near to any body: Lord Merton, Mr. Coverley, and Mr. Lovel, severally passed me without notice, and surrounded the chair of Lady Louisa Larpent. I must own, I was rather piqued at the behaviour of Mr. Lovel, as he had formerly known me. It is true, I most sincerely despise his foppery; yet I should be grieved to meet with contempt from any body. But I was by no means sorry to find, that Lord Merton was determined not to know me before Lady Louisa, as his neglect relieved me from much embarrassment. As to Mr. Coverley, his attention or disregard were equally indifferent to me. Yet, altogether, I feel extremely uncomfortable in finding myself considered in a light very inferior to the rest of the company. But when Lord Orville appeared, the scene changed: he came up stairs last; and, seeing me sit alone, not only spoke to me directly, but drew a chair next mine, and honoured me with his entire attention. He enquired very particularly after my health, and hoped I had already found benefit from the Bristol air. "How little did I imagine," added he, "when I had last the pleasure of seeing you in town, that ill health would in so short a time have brought you hither! I am ashamed of myself for the satisfaction I feel at seeing you,-yet, how can I help it?" He then enquired after the Mirvan family, and spoke of Mrs. Mirvan in terms of most just praise. "She is gentle and amiable," said he, "a true feminine character." "Yes, indeed," answered I: "and her sweet daughter, to say every thing of her at once, is just the daughter such a mother deserves." "I am glad of it," said he, "for both their sakes, as such near relations must always reflect credit or disgrace on each other." After this he began to speak of the beauties of Clifton; but, in a few moments, he was interrupted by a call from the company, to discuss the affair of the wager. Lord Merton and Mr. Coverley, though they had been discoursing upon the subject some time, could not fix upon the thing that satisfied them both. When they asked the assistance of Lord Orville, he proposed that every body present should vote something; and that the two gentlemen should draw lots which, from the several votes, should decide the bet. "We must then begin with the ladies," said Lord Orville; and applied to Mrs. Selwyn. "With all my heart," answered she, with her usual readiness; "and, since the gentlemen are not allowed to risk their necks, suppose we decide the bet by their heads?" "By our heads?" cried Mr. Coverley. "Egad, I don't understand you." "I will then explain myself more fully. As I doubt not but you are both excellent classics, suppose, for the good of your own memories, and the entertainment and surprise of the company, the thousand pounds should fall to the share of him who can repeat by heart the longest ode of Horace?" Nobody could help laughing, the two gentlemen applied to excepted; who seemed, each of them, rather at a loss in what manner to receive this unexpected proposal. At length Mr. Coverley, bowing low, said, "Will your Lordship please to begin?" "Devil take me if I do!" answered he, turning on his heel, and stalking to the window. "Come, gentlemen," said Mrs. Selwyn, "why do you hesitate? I am sure you cannot be afraid of a weak woman? Besides, if you should chance to be out, Mr. Lovel, I dare say, will have the goodness to assist you." The laugh now turned against Mr. Lovel, whose change of countenance manifested no great pleasure at the transition. "Me, Madam!" said he, colouring; "no, really I must beg to be excused." "Why so, Sir?" "Why so, Ma'am!-Why, really-as to that,-'pon honour, Ma'am, you are rather-a little severe;-for how is it possible for a man who is in the house, to study the classics? I assure you, Ma'am, (with an affected shrug) I find quite business enough for my poor head in studying politics." "But, did you study politics at school, and at the university?" "At the university!" repeated he, with an embarrassed look; "why, as to that, Ma'am,-no, I can't say I did; but then, what with riding,-and -and-and so forth,-really, one has not much time, even at the university, for mere reading." "But, to be sure, Sir, you have read the classics?" "O dear, yes, Ma'am!-very often,-but not very-not very lately." "Which of the Odes do you recommend to these gentlemen to begin with?" "Which of the Odes!-Really, Ma'am, as to that, I have no very particular choice;-for, to own the truth, that Horace was never a very great favourite with me." "In truth I believe you!" said Mrs. Selwyn, very drily. Lord Merton, again advancing into the circle, with a nod and a laugh, said, "Give you joy, Lovel!" Lord Orville next applied to Mrs. Beaumont for her vote. "It would very agreeably remind me of past times," said she, "when bowing was in fashion, if the bet was to depend upon the best made bow." "Egad, my Lord," cried Mr. Coverley, "there I should beat you hollow, for your Lordship never bows at all." "And pray, Sir, do you?" said Mrs. Selwyn. "Do I, Ma'am?" cried he; "why, only see!" "I protest," cried she, "I should have taken that for a shrug, if you had not told me 'twas a bow." "My lord," cried Mr. Coverley, "let's practise;" and then, most ridiculously, they pranced about the room, making bows. "We must now," said Lord Orville, turning to me, "call upon Miss Anville." "O no, my Lord," cried I; "indeed I have nothing to propose." He would not, however, be refused; but urged me so much to say something, that at last, not to make him wait any longer, I ventured to propose an extempore couplet upon some given subject. Mr. Coverley instantly made me a bow, or, according to Mrs. Selwyn, a shrug, crying, "Thank you, Ma'am; egad, that's my forte!-why, my Lord, the Fates seem against you." Lady Louisa was then applied to; and every body seemed eager to hear her opinion. "I don't know what to say, I declare," cried she, affectedly; "can't you pass me?" "By no means," said Lord Merton. "Is it possible your Ladyship can make so cruel a request?" said Mr. Lovel. "Egad," cried Mr. Coverley, "if your Ladyship does not help us in this dilemma, we shall be forced to return to our phaetons." "Oh!" cried Lady Louisa, screaming; "you frightful creature, you, how can you be so abominable?" I believe this trifling lasted near half an hour; when at length, every body being tired, it was given up, and she said she would consider against another time. Lord Orville now called upon Mr. Lovel; who, after about ten minutes' deliberation, proposed, with a most important face, to determine the wager by who should draw the longest straw! I had much difficulty to forbear laughing at this unmeaning scheme; but saw, to my great surprise, not the least change of countenance in any other person: and, since we came home, Mrs. Selwyn has informed me, that to draw straws is a fashion of betting by no means uncommon. Good God! my dear Sir, does it not seem as if money were of no value or service, since those who possess, squander it away in a manner so infinitely absurd? It now only remained for Lord Orville to speak; and the attention of the company showed the expectations he had raised; yet, I believe, they by no means prevented his proposal from being heard with amazement; for it was no other, than that the money should be his due, who, according to the opinion of the judges, should bring the worthiest object with whom to share it! They all stared, without speaking. Indeed, I believe every one, for a moment at least, experienced something like shame, from having either proposed or countenanced an extravagance so useless and frivolous. For my part, I was so much struck and affected by a rebuke so noble to these spendthrifts, that I felt my eyes filled with tears. The short silence and momentary reflection into which the company was surprised, Mr. Coverley was the first to dispel, by saying, "Egad, my Lord, your Lordship has a most remarkable odd way of taking things." "Faith," said the incorrigible Lord Merton, "if this scheme takes, I shall fix upon my Swiss to share with me; for I don't know a worthier fellow breathing." After a few more of these attempts at wit, the two gentlemen agreed that they would settle the affair the next morning. The conversation then took a different turn; but I did not give it sufficient attention to write any account of it. Not long after, Lord Orville, resuming his seat near mine, said, "Why is Miss Anville so thoughtful?" "I am sorry, my Lord," said I, "to consider myself among those who have so justly incurred your censure." "My censure!-you amaze me!" "Indeed, my Lord, you have made me quite ashamed of myself for having given my vote so foolishly, when an opportunity offered, if, like your Lordship, I had had the sense to use it, of showing some humanity." "You treat this too seriously," said he, smiling; "and I hardly know if you do not now mean a rebuke to me." "To you, my Lord!" "Nay, who are most deserving of it; those who adapt their conversation to the company, or those who affect to be superior to it?" "O, my Lord, who else would do you so little justice?" "I flatter myself," answered he, "that, in fact, your opinion and mine, in this point, are the same, though you condescended to comply with the humour of the company. It is for me, therefore, to apologize for so unseasonable a gravity, which, but for the particular interest that I now take in the affairs of Lord Merton, I should not have been so officious to display." Such a compliment as this could not fail to reconcile me to myself; and with revived spirits, I entered into a conversation, which he supported with me till Mrs. Selwyn's carriage was announced; and we returned home. During our ride, Mrs. Selwyn very much surprised me, by asking, if I thought my health would now permit me to give up my morning walks to the pump-room, for the purpose of spending a week at Clifton? "for this poor Mrs. Beaumont," added she, "is so eager to have a discharge in full of her debt to me, that out of mere compassion, I am induced to listen to her. Besides, she has always a house full of people; and, though they are chiefly fools and cox-combs, yet there is some pleasure in cutting them up." I begged I might not, by any means, prevent her following her inclination, as my health was now very well established. And so, my dear Sir, to-morrow we are to be actually the guests of Mrs. Beaumont. I am not much delighted at this scheme; for, greatly as I am flattered by the attention of Lord Orville, it is not very comfortable to be neglected by every body else. Besides, as I am sure I owe the particularity of his civility to a generous feeling for my situation, I cannot expect him to support it so long as a week. How often do I wish, since I am absent from you, that I was under the protection of Mrs. Mirvan! It is true, Mrs. Selwyn is very obliging, and, in every respect, treats me as an equal; but she is contented with behaving well herself, and does not, with a distinguishing politeness, raise and support me with others. Yet I mean not to blame her, for I know she is sincerely my friend; but the fact is, she is herself so much occupied in conversation, when in company, that she has neither leisure nor thought to attend to the silent. Well, I must take my chance! But I knew not, till now, how requisite are birth and fortune to the attainment of respect and civility. </CHAPTER> <CHAPTER> LETTER LXV. EVELINA IN CONTINUATION. Clifton, Sept. 20th. HERE I am, my dear Sir, under the same roof, and an inmate of the same house as Lord Orville! Indeed, if this were not the case, my situation would be very disagreeable, as you will easily believe, when I tell you the light in which I am generally considered. "My dear," said Mrs. Selwyn, "did you ever before meet with that egregious fop, Lovel?" I very readily satisfied her as to my acquaintance with him. "O, then," said she, "I am the less surprised at his ill-nature, since he has already injured you." I begged her to explain herself; and then she told me, that while Lord Orville was speaking to me, Lady Louisa said to Mr. Lovel, "Do you know who that is?" "Why, Ma'am, no, 'pon honour," answered he, "I can't absolutely say I do; I only know she is a kind of a toad-eater. She made her first appearance in that capacity last spring, when she attended Miss Mirvan, a young lady of Kent." How cruel is it, my dear Sir, to be thus exposed to the impertinent suggestions of a man who is determined to do me ill offices! Lady Louisa may well despise a toad-eater; but, thank Heaven, her brother has not heard, or does not credit, the mortifying appellation. Mrs. Selwyn said, she would advise me to pay my court to this Mr. Lovel; "for," said she, "though he is malicious, he is fashionable, and may do you some harm in the great world." But I should disdain myself as much as I do him, were I capable of such duplicity as to flatter a man whom I scorn and despise. We were received by Mrs. Beaumont with great civility, and by Lord Orville with something more. As to Lady Louisa, she scarcely perceived that we were in the room. There has been company here all day, part of which I have spent most happily: for after tea, when the ladies played at cards, Lord Orville, who does not, and I, who cannot play, were consequently at our own disposal; and then his Lordship entered into a conversation with me, which lasted till supper-time. Almost insensibly, I find the constraint, the reserve, I have been wont to feel in his presence, wear away; the politeness, the sweetness, with which he speaks to me, restore all my natural cheerfulness, and make me almost as easy as he is himself;-and the more so, as, if I may judge by his looks, I am rather raised, than sunk of late in his opinion. I asked him how the bet was, at last, to be decided? He told me that, to his great satisfaction, the parties had been prevailed upon to lower the sum from one thousand to one hundred pounds; and that they had agreed it should be determined by a race between two old women, one of whom was to be chosen by each side, and both were to be proved more than eighty years of age, though, in other respects strong and healthy as possible. When I expressed my surprise at this extraordinary method of spending so much money, "I am charmed," said he, "at the novelty of meeting with one so unhackneyed in the world, as not to be yet influenced by custom to forget the use of reason: for certain it is, that the prevalence of fashion makes the greatest absurdities pass uncensured, and the mind naturally accommodates itself even to the most ridiculous improprieties, if they occur frequently." "I should have hoped," said I, "that the humane proposal made yesterday by your Lordship, would have had more effect." "O," cried he, laughing, "I was so far from expecting any success, that I shall think myself very fortunate if I escape the wit of Mr. Coverley in a lampoon! yet I spoke openly, because I do not wish to conceal that I am no friend to gaming." After this, he took up the New Bath Guide, and read it with me till supper-time. In our way down stairs, Lady Louisa said, "I thought, brother, you were engaged this evening?" "Yes, sister," answered he, "and I have been engaged." And he bowed to me with an air of gallantry that rather confused me. Sept. 23rd. Almost insensibly have three days glided on since I wrote last, and so serenely, that, but for your absence, I could not have formed a wish. My residence here is much happier than I had dared expect. The attention with which Lord Orville honours me, is as uniform as it is flattering, and seems to result from a benevolence of heart that proves him as much a stranger to caprice as to pride; for, as his particular civilities arose from a generous resentment at seeing me neglected, so will they, I trust, continue, as long as I shall, in any degree, deserve them. I am now not merely easy, but even gay in his presence: such is the effect of true politeness, that it banishes all restraint and embarrassment. When we walk out, he condescends to be my companion, and keeps by my side all the way we go. When we read, he marks the passages most worthy to be noticed, draws out my sentiments, and favours me with his own. At table, where he always sits next to me, he obliges me by a thousand nameless attentions; while the distinguishing good-breeding with which he treats me, prevents my repining at the visibly-felt superiority of the rest of the company. A thousand occasional meetings could not have brought us to that degree of social freedom, which four days spent under the same roof have, insensibly, been productive of: and, as my only friend in this house, Mrs. Selwyn, is too much engrossed in perpetual conversation to attend much to me, Lord Orville seems to regard me as a helpless stranger, and, as such, to think me entitled to his good offices and protection. Indeed, my dear Sir, I have reason to hope, that the depreciating opinion he formerly entertained of me is succeeded by one infinitely more partial.-It may be that I flatter myself; but yet his looks, his attentions, his desire of drawing me into conversation, and his solicitude to oblige me, all conspire to make me hope I do not. In short, my dearest Sir, these last four happy days would repay me for months of sorrow and pain! </CHAPTER> <CHAPTER> LETTER LXVI. EVELINA IN CONTINUATION. Clifton, Sept. 24th. THIS morning I came down stairs very early; and supposing that the family would not assemble for some time, I strolled out, purposing to take a long walk, in the manner I was wont to do at Berry Hill, before breakfast: but I had scarce shut the garden-gate, before I was met by a gentleman, who, immediately bowing to me, I recollected to be the unhappy Mr. Macartney. Very much surprised, I courtsied, and stopped till he came up to me. He was still in mourning, but looked better than when I saw him last, though he had the same air of melancholy which so much struck me at first sight of him. Addressing me with the utmost respect, "I am happy, Madam," said he, "to have met with you so soon. I came to Bristol but yesterday, and have had no small difficulty in tracing you to Clifton." "Did you know, then, of my being here?" "I did, Madam; the sole motive of my journey was to see you. I have been to Berry Hill, and there I had my intelligence, and, at the same time, the unwelcome information of your ill health." "Good God! Sir,-and can you possibly have taken so much trouble?" "Trouble! O, Madam, could there be any, to return you, the moment I had the power, my personal acknowledgments for your goodness?" I then enquired after Madame Duval and the Snow-Hill family. He told me they were all well, and that Madame Duval proposed soon returning to Paris. When I congratulated him on looking better, "It is yourself, Madam," said he, "you should congratulate; for to your humanity alone it may now be owing that I exist at all." He then told me, that his affairs were now in a less desperate situation; and that he hoped, by the assistance of time and reason, to accommodate his mind to a more cheerful submission to his fate. "The interest you so generously took in my affliction," added he, "assures me you will not be displeased to hear of my better fortune; I was therefore eager to acquaint you with it." He then told me that his friend, the moment he had received his letter, quitted Paris, and flew to give him his personal assistance and consolation. With a heavy heart, he acknowledged, he accepted it; "but yet," he added, "I have accepted it; and therefore, as bound equally by duty and honour, my first step was to hasten to the benefactress of my distress, and to return" (presenting me something in a paper) "the only part of my obligations that can be returned; for the rest, I have nothing but my gratitude to offer, and must always be contented to consider myself her debtor." I congratulated him most sincerely upon his dawning prosperity, but begged he would not deprive me of the pleasure of being his friend; and declined receiving the money, till his affairs were more settled. While this point was in agitation, I heard Lord Orville's voice inquiring of the gardener if he had seen me? I immediately opened the garden gate; and his Lordship, advancing to me with quickness, said, "Good God! Miss Anville, have you been out alone? Breakfast has been ready some time, and I have been round the garden in search of you." "Your Lordship has been very good," said I; "but I hope you have not waited." "Not waited!" repeated he, smiling: "Do you think we could sit down quietly to breakfast, with the idea that you had run away from us? But come," (offering to hand me) "if we do not return, they will suppose I am run away too; and they very naturally may, as they know the attraction of the magnet that draws me." "I will come, my Lord," said I, rather embarrassed, "in two minutes." Then, turning to Mr. Macartney, with yet more embarrassment, I wished him good morning. He advanced towards the garden, with the paper still in his hand. "No, no," cried I, "some other time." "May I then, Madam, have the honour of seeing you again?" I did not dare take the liberty of inviting any body to the house of Mrs. Beaumont, nor yet had I the presence of mind to make an excuse; and, therefore, not knowing how to refuse him, I said, "Perhaps you may be this way again to-morrow morning,-and I believe I shall walk out before breakfast." He bowed, and went away; while I, turning again to Lord Orville, saw his countenance so much altered, that I was frightened at what I had so hastily said. He did not again offer me his hand; but walked, silent and slow, by my side. Good Heaven! thought I, what may he not suppose from this adventure? May he not, by my desire of meeting Mr. Macartney to-morrow, imagine it was by design I walked out to meet him to-day? Tormented by this apprehension, I determined to avail myself of the freedom which his behaviour, since I came hither, has encouraged; and, since he would not ask any questions, begin an explanation myself. I therefore slackened my pace to gain time; and then said, "Was not your Lordship surprised to see me speaking with a stranger?" "A stranger?" repeated he; "is it possible that gentleman can be a stranger to you?" "No, my Lord," said I, stammering, "not to me -but only it might look-he might seem-" "No, believe me," said he, with a forced smile, "I could never suppose Miss Anville would make an appointment with a stranger." "An appointment, my Lord?" repeated I, colouring violently. "Pardon me, Madam," answered he, "but I thought I had heard one." I was so much confounded that I could not speak: yet, finding he walked quietly on, I could not endure he should make his own interpretation of my silence: and therefore, as soon as I recovered from my surprise, I said, "Indeed, my Lord, you are much mistaken, Mr. Macartney had particular business with me-and I could not-I knew not, how to refuse seeing him;-but indeed, my Lord-I had not,-he had not,-" I stammered so terribly that I could not go on. "I am very sorry," said he, gravely, "that I have been so unfortunate as to distress you; but I should not have followed you had I not imagined you were merely walked out for the air." "And so I was!" cried I, eagerly, "indeed, my Lord, I was! My meeting with Mr. Macartney was quite accidental; and, if your Lordship thinks there is any impropriety in my seeing him to-morrow, I am ready to give up that intention." "If I think!" said he, in a tone of surprise; "surely Miss Anville cannot leave the arbitration of a point so delicate to one who is ignorant of all the circumstances which attend it?" "If," said I, "it was worth your Lordship's time to hear them,-you should not be ignorant of the circumstances which attend it." "The sweetness of Miss Anville's disposition," said he, in a softened voice, "I have long admired; and the offer of a communication, which does me so much honour, is too grateful to me not to be eagerly caught at." Just then Mrs. Selwyn opened the parlour window, and our conversation ended. I was rallied upon my passion for solitary walking; but no questions were asked me. When breakfast was over, I hoped to have had some opportunity of speaking with Lord Orville; but Lord Merton and Mr. Coverley came in, and insisted up his opinion of the spot they had fixed upon for the old women's race. The ladies declared they would be of the party; and accordingly we all went. The race is to be run in Mrs. Beaumont's garden; the two gentlemen are as anxious, as if their joint lives depended upon it. They have at length fixed upon objects; but have found great difficulty in persuading them to practise running, in order to try their strength. This grand affair is to be decided next Thursday. When we returned to the house, the entrance of more company still prevented my having any conversation with Lord Orville. I was very much chagrined, as I knew he was engaged at the Hotwells in the afternoon. Seeing, therefore, no probability of speaking to him before the time of my meeting Mr. Macartney arrived, I determined that, rather than risk his ill opinion, I would leave Mr. Macartney to his own suggestions. Yet, when I reflected upon his peculiar situation, his poverty, his sadness, and, more than all the rest, the idea I knew he entertained of what he calls his obligations to me, I could not resolve upon a breach of promise, which might be attributed to causes, of all the others the most offensive to one whom misfortune has made extremely suspicious of slights and contempt. After the most uneasy consideration, I at length determined upon writing an excuse, which would, at once, save me from either meeting or affronting him. I therefore begged Mrs. Selwyn's leave to send her man to the Hotwells, which she instantly granted; and then I wrote the following note: "To Mr. Macartney. "SIR, "As it will not be in my power to walk out to-morrow morning, I would by no means give you the trouble of coming to Clifton. I hope, however, to have the pleasure of seeing you before you quit Bristol. I am, Sir, your obedient servant, "EVELINA ANVILLE." I desired the servant to enquire at the pump-room where Mr. Macartney lived, and returned to the parlour. As soon as the company dispersed, the ladies retired to dress. I then, unexpectedly, found myself alone with Lord Orville; who, the moment I rose to follow Mrs. Selwyn, advanced to me, and said, "Will Miss Anville pardon my impatience, if I remind her of the promise she was so good as to make me this morning?" I stopped, and would have returned to my seat; but before I had time, the servants came to lay the cloth. He retreated, and went towards the window; and, while I was considering in what manner to begin, I could not help asking myself what right I had to communicate the affairs of Mr. Macartney: and I doubted whether, to clear myself from one act of imprudence, I had not committed another. Distressed by this reflection, I thought it best to quit the room, and give myself some time for consideration before I spoke; and therefore, only saying I must hasten to dress, I ran up stairs, rather abruptly I own; and so, I fear, Lord Orville must think. Yet what could I do? Unused to the situations in which I find myself, and embarrassed by the slightest difficulties, I seldom, till too late, discover how I ought to act. Just as we were all assembled to dinner, Mrs. Selwyn's man, coming into the parlour, presented to me a letter, and said, "I can't find out Mr. Macartney, Madam; but the post-office people will let you know if they hear of him." I was extremely ashamed of this public message; and, meeting the eyes of Lord Orville, which were earnestly fixed on me, my confusion redoubled, and I knew not which way to look. All dinner-time he was as silent as myself; and the moment it was in my power I left the table, and went to my own room. Mrs. Selwyn presently followed me; and her questions obliged me to own almost all the particulars of my acquaintance with Mr. Macartney, in order to excuse my writing to him. She said it was a most romantic affair, and spoke her sentiments with great severity; declaring that she had no doubt but he was an adventurer and an impostor. And now, my dear Sir, I am totally at a loss what I ought to do; the more I reflect, the more sensible I am of the utter impropriety, nay, treachery, of revealing the story, and publishing the misfortunes and poverty of Mr. Macartney; who has an undoubted right to my secrecy and discretion, and whose letter charges me to regard his communication as sacred.-And yet, the appearance of mystery,-perhaps something worse, which this affair must have to Lord Orville,-his seriousness,-and the promise I have made him, are inducements scarce to be resisted for trusting him with the openness he has reason to expect from me. I am equally distressed, too, whether or not I should see Mr. Macartney to-morrow morning. Oh, Sir, could I now be enlightened by your counsel, from what anxiety and perplexity should I be relieved! But now,-I ought not to betray Mr. Macartney, and I will not forfeit a confidence which would never have been reposed in me, but from a reliance upon my honour, which I should blush to find myself unworthy of. Desirous as I am of the good opinion of Lord Orville, I will endeavour to act as if I was guided by your advice; and, making it my sole aim to deserve it, leave to time and to fate my success or disappointment. Since I have formed this resolution, my mind is more at ease. But I will not finish my letter till the affair is decided. Sept. 25th. I rose very early this morning; and, after a thousand different plans, not being able to resolve upon giving poor Mr. Macartney leave to suppose I neglected him, I thought it incumbent upon me to keep my word, since he had not received my letter; I therefore determined to make my own apologies, not to stay with him two minutes, and to excuse myself from meeting him any more. Yet, uncertain whether I was wrong or right, it was with fear and trembling that I opened the garden-gate;-judge then, of my feelings, when the first object I saw was Lord Orville!-he, too, looked extremely disconcerted, and said, in a hesitating manner, "Pardon me, Madam,-I did not intend,-I did not imagine you would have been here so soon-or-or I would not have come."-And then, with a hasty bow, he passed me, and proceeded to the garden. I was scarce able to stand, so greatly did I feel myself shocked; but, upon my saying, almost involuntarily, "Oh, my Lord!"-he turned back, and, after a short pause, said, "Did you speak to me, Madam?" I could not immediately answer; I seemed choaked, and was even forced to support myself by the garden-gate. Lord Orville, soon recovering his dignity, said, "I know not how to apologize for being, just now, at this place;-and I cannot, immediately-if ever -clear myself from the imputation of impertinent curiosity, to which I fear you will attribute it: however, at present, I will only intreat your pardon, without detaining you any longer." Again he bowed, and left me. For some moments I remained fixed to the same spot, and in the same position, immoveable, as if I had been transformed to a stone. My first impulse was to call him back, and instantly tell him the whole affair; but I checked this desire, though I would have given the world to have indulged it; something like pride aided what I thought due to Mr. Macartney, and I determined not only to keep his secret, but to delay any sort of explanation till Lord Orville should condescend to request it. Slowly he walked; and, before he entered the house, he looked back, but hastily withdrew his eyes, upon finding I observed him. Indeed, my dear Sir, you cannot easily imagine a situation more uncomfortable than mine was at that time; to be suspected by Lord Orville of any clandestine actions wounded my soul; I was too much discomposed to wait for Mr. Macartney, nor in truth, could I endure to have the design of my staying so well known. Yet I was so extremely agitated, that I could hardly move; and I have reason to believe Lord Orville, from the parlour-window, saw me tottering along; for, before I had taken five steps, he came out, and, hastening to meet me, said, "I fear you are not well; pray, allow me (offering his arm) to assist you." "No, my Lord," said I, with all the resolution I could assume; yet I was affected by an attention, at that time so little expected, and forced to turn away my head to conceal my emotion. "You must," said he, with earnestness, "indeed you must,-I am sure you are not well;-refuse me not the honour of assisting you;" and, almost forcibly, he took my hand, and, drawing it under his arm, obliged me to lean upon him. That I submitted was partly the effect of surprise, at an earnestness so uncommon in Lord Orville, and, partly, that I did not just then dare trust my voice to make any objection. When we came to the house, he led me into the parlour, and to a chair, and begged to know if I would not have a glass of water. "No, my Lord, I thank you," said I, "I am perfectly recovered;" and, rising, I walked to the window, where, for some time, I pretended to be occupied in looking at the garden. Determined as I was to act honourably by Mr. Macartney, I yet most anxiously wished to be restored to the good opinion of Lord Orville; but his silence, and the thoughtfulness of his air, discouraged me from speaking. My situation soon grew disagreeable and embarrassing, and I resolved to return to my chamber till breakfast was ready. To remain longer I feared might seem asking for his enquiries; and I was sure it would ill become me to be more eager to speak, than he was to hear. Just as I reached the door, turning to me hastily, he said, "Are you going, Miss Anville?" "I am, my Lord," answered I; yet I stopped. "Perhaps to return to-but I beg your pardon!" He spoke with a degree of agitation that made me readily comprehend he meant to the garden; and I instantly said, "To my own room, my Lord." And again I would have gone; but, convinced by my answer that I understood him, I believe he was sorry for the insinuation: he approached me with a very serious air, though at the same time he forced a smile, and said, "I know not what evil genius pursues me this morning, but I seem destined to do or to say something I ought not: I am so much ashamed of myself, that I can scarce solicit your forgiveness." "My forgiveness! my Lord?" cried I, abashed, rather than elated by his condescension; "surely you cannot-you are not serious?" "Indeed, never more so! yet, if I may be my own interpreter, Miss Anville's countenance pronounces my pardon." "I know not, my Lord, how any one can pardon, who never has been offended." "You are very good; yet I could expect no less from a sweetness of disposition which baffles all comparison: you will not think I am an encroacher, and that I take advantage of your goodness, should I once more remind you of the promise you vouchsafed me yesterday?" "No, indeed; on the contrary I shall be very happy to acquit myself in your Lordship's opinion." "Acquittal you need not," said he, leading me again to the window; "yet I own my curiosity is strongly excited." When I was seated, I found myself much at a loss what to say; yet, after a short silence, assuming all the courage in my power, "Will you not, my Lord," said I, "think me trifling and capricious, should I own I have repented the promise I made, and should I entreat your Lordship not to insist upon my strict performance of it?"-I spoke so hastily, that I did not, at the time, consider the impropriety of what I said. As he was entirely silent, and profoundly attentive, I continued to speak without interruption. "If your Lordship, by any other means, knew the circumstances attending my acquaintance with Mr. Macartney, I am most sure you would yourself disapprove my relating them. He is a gentleman, and has been very unfortunate;-but I am not-I think,-at liberty to say more: yet I am sure, if he knew your Lordship wished to hear any particulars of his affairs, he would readily consent to my acknowledging them;-shall I, my Lord, ask his permission?" "His affairs!" repeated Lord Orville; "by no means, I have not the least curiosity about them." "I beg your Lordship's pardon,-but indeed I had understood the contrary." "Is it possible, Madam, you could suppose the affairs of an utter stranger can excite my curiosity?" The gravity and coldness with which he asked this question very much abashed me. But Lord Orville is the most delicate of men! and, presently recollecting himself, he added, "I mean not to speak with indifference of any friend of yours,-far from it; any such will always command my good wishes: yet I own I am rather disappointed; and though I doubt not the justice of your reason, to which I implicitly submit, you must not wonder, that, when upon the point of being honoured with your confidence, I should feel the greatest regret at finding it withdrawn." Do you think, my dear sir, I did not, at that moment, require all my resolution to guard me from frankly telling him whatever he wished to hear? yet I rejoice that I did not; for, added to the actual wrong I should have done, Lord Orville himself, when he had heard, would, I am sure, have blamed me. Fortunately, this thought occurred to me; an I said, "Your Lordship shall yourself be my judge; the promise I made, though voluntary, was rash and inconsiderate; yet, had it concerned myself, I would not have hesitated in fulfilling it; but the gentleman, whose affairs I should be obliged to relate-" "Pardon me," cried he, "for interrupting you; yet allow me to assure you, I have not the slightest desire to be acquainted with his affairs, further than what belongs to the motives which induced you yesterday morning-" He stopped; but there was no occasion to say more. "That, my Lord," cried I, "I will tell you honestly. Mr. Macartney had some particular business with me, and I could not take the liberty to ask him hither." "And why not?-Mr. Beaumont, I am sure-" "I could not, my Lord, think of intruding upon Mrs. Beaumont's complaisance; and so, with the same hasty folly I promised your Lordship, I much more rashly promised to meet him." "And did you?" "No, my Lord," said I, colouring, "I returned before he came." Again, for some time, we were both silent; yet, unwilling to leave him to reflections which could not but be to my disadvantage, I summoned sufficient courage to say, "There is no young creature, my Lord, who so greatly wants, or so earnestly wishes for, the advice and assistance of her friends, as I do: I am new to the world, and unused to acting for myself;-my intentions are never willfully blameable, yet I err perpetually!-I have hitherto been blessed with the most affectionate of friends, and, indeed, the ablest of men, to guide and instruct me upon every occasion:-but he is too distant, now, to be applied to at the moment I want his aid:-and here,-there is not a human being whose counsel I can ask." "Would to Heaven," cried he, with a countenance from which all coldness and gravity were banished, and succeeded by the mildest benevolence, "that I were worthy,-and capable,-of supplying the place of such a friend to Miss Anville!" "You do me but too much honour," said I, "yet I hope your Lordship's candour,-perhaps I ought to say indulgence,-will make some allowance, on account of my inexperience, for behaviour so inconsiderate:-May I, my Lord, hope that you will?" "May I," cried he, "hope that you will pardon the ill-grace with which I have submitted to my disappointment? And that you will permit me (kissing my hand) thus to seal my peace?" "Our peace, my Lord!" said I, with revived spirits. "This, then," said he, again pressing it to his lips, "for our peace: and now,-are we not friends?" Just then the door opened, and I had only time to withdraw my hand, before the ladies came in to breakfast. I have been, all day, the happiest of human beings!-to be thus reconciled to Lord Orville, and yet to adhere to my resolution,-what could I wish for more?-he too has been very cheerful, and more attentive, more obliging to me than ever. Yet Heaven forbid I should again be in a similar situation, for I cannot express how much uneasiness I have suffered from the fear of incurring his ill opinion. But what will poor Mr. Macartney think of me? Happy as I am, I much regret the necessity I have been under of disappointing him. Adieu, my dearest Sir. </CHAPTER>

Volume III, Letter I - Volume III, Letter V

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Evelina writes to Mr. Villars. Mrs. Selwyn and Evelina walked together once at Bristol, but were bothered by bold young men addressing Evelina. She tried to reject them, but they were persistent. Mrs. Selwyn, in her bold and commanding manner, offered retorts to their behavior. They later encountered Lord Merton - the forward and rude aristocrat Evelina met earlier. This is when she learns his name. He was excessively frank and rude to them, though he vaguely recognized her. Later, they learned that he had only recently been given a title, and that he had spent almost all of his fortune already. He was a known libertine, but he was soon to be married. It was surprising to Evelina to learn that his bride-to-be was Lady Louisa Larpent, the sister of Lord Orville. She continues her letters to Mr. Villars, opening a new one with the excited words that Lord Orville had shown himself to be still possessed of noble behavior; clearly, his letter reflected a moment of intemperance. She then tells how she again met Lord Orville. Mrs. Selwyn and Evelina were invited to the home of Mrs. Beaumont, a friend of Mrs. Selwyn's and the relative of Lord Orville and Lady Louisa. Evelina suddenly saw them enter the room together. Lady Louisa was bored,restless and affected. She barely noticed Evelina. Evelina remembered seeing Lady Louisa at the Pantheon party, and suddenly understood why Lord Orville was so irritate when Lord Merton hit on her. She was especially nervous to encounter Lord Orville, but he was polite, pleasing, friendly, and quick to devote his attention to her. She was instinctively friendly with him, but then forced an emotional distance when she remembered his letter. Her abruptness surprised him, but she could hardly keep it up for very long. Her coldness wore away when she went out driving with him and Mrs. Selwyn. Though she did not participate in the conversation, she was pleased to listen to them. She ultimately concluded it was impractical to be indignant any further. The next day, the two women were invited to Mrs. Beaumont's house for dinner. Mrs. Beaumont was concerned almost solely with nobility of birth; she considered high birth and virtue the same thing. Her "civility was too formal to be comfortable," Evelina writes. She also clearly disapproved of Lady Louisa's choice in Lord Merton due to his personality. Mr. Lovel later joined the company and Evelina was a perturbed by how conspicuously he ignored her, even though she was glad he no longer annoyed her outright. Lord Orville also joined the group, his presence acting as a counterpoint to the apathy and languor of the other young people. Lord Orville was far more polite than the others, and he addressed himself quite pleasantly to Evelina. Lord Merton's friend Mr. Coverley also arrived, and he and Lord Merton began arguing about who was a better phaeton driver. They decided to race each other, but Lady Louisa loudly expressed her displeasure. After this, the conversation turned solely to eating; Evelina was surprised at how knowledgeable Lord Merton, Mr. Lovel, and Mr. Coverley were. It was difficult to determine "whether they were most to be distinguished as gluttons, or epicures," and Evelina became quite disgusted. Later, during tea, Evelina sat alone, a bit sad about how no one seemed to regard her at all. Thankfully, Lord Orville arrived and made her feel quite welcome. The group conversation turned to other ways the men could settle their dispute if they were not to race. Each person in the group was asked to provide an idea. Mrs. Selwyn embarrassed them by calling attention to their ignorace of the classics. Evelina suggested they compose an extempore couplet on a subject, and Mrs. Beaumont suggested the bet should decide who had the best bow. Lord Orville shamed them all, however, by suggesting the money should go to whoever brought the worthiest object to share it with. This subtle remonstrance left everyone chagrined for a short while. Later, Evelina apologized to him for " your censure," since she thought she had been petty by proposing an idea. He insisted that his mockery did not apply to her. Evelina was even more pleased the next day when she learned that she and Mrs. Selwyn were invited to be houseguests of Mrs. Beaumont. She was happy to be in the constant company of Lord Orville, especially because Mrs. Selwyn was kind to her but generally more focused on herself and clever conversation than she was on Evelina's comfort. Indeed, it was very pleasant being around him all the time. Evelina was annoyed, however, to learn from Mrs. Selwyn that Mr. Lovel had mocked her social standing in front of Lady Louisa. She refused to be friendly towards him, even though he was "important." She writes to Mr. Villars about how much she enjoys her time with Lord Orville, commenting, "the attention with which Lord Orville honours me is as uniform as it is flattering, and seems to result from a benevolence of heart that proves him as much as stranger to caprice as to pride." The next morning, Evelina was strolling outside when she saw Mr. Macartney. He had come to find her, to thank her for so positively influencing his life. He explained that he was doing much better. While they talked, Lord Orville came outside looking for her, and found them together. He was about to bring her inside when Macartney asked Evelina if he could see her again; she felt obliged to answer in the positive. This was frightfully embarrassing for both Evelina and Lord Orville, and they walked back to the house in silence. He subtly suggested his concern over this strange man, and Evelina finally offered to later tell him what it all meant. He grew more at ease. They never seemed to find time to talk, however, and Evelina came to realize she had no authority to share Macartney's business with anyone else. She wrote to tell him she could not meet him the next day, but promised to find him before she left Bristol. The next day, Lord Orville and Evelina were awkward around one another. She finally confided that she was not at liberty to tell another's secrets, and he countered that he was only interested in knowing how it affected her. Though she revealed little, she was happy that they parted on good terms

In these letters, Evelina's 'well-bred' companions reveal just as much affectation, coarseness, insensibility, and judgmental attitudes as the Branghtons did. Lady Louisa, Lord Orville's sister, adopts an affected attitude that is most unpleasant. It actually enforces the then-contemporary notion that women were prone to nervous disorders and complaints. She is uptight by design. Mr. Lovel, who thankfully ignores Evelina, feels free to disparage her when she is not in his presence; he calls her a "toad-eater," which, according the Vivien Jones's annotations, is a "cruelly contemptuous term for someone who depends on their living on acting as a companion or attendant to a more wealthy patron." The men, excepting Lord Orville, again reveal their penchant for luxury and excess in their attention to food and frivolous gambling. Their lives are devoted to the pursuit of pleasure and dissipation. For someone like Evelina, who was raised to appreciate simple pleasures, this world seems wasteful and thereby distasteful. Mrs. Selwyn poses a fascinating question about feminism through her abrasive character. Unsurprisingly, the questions she raises are common for Burney's work. Rose Marie Cutting looks at all of Burney's novels to suggest that they are far more valuable than usually acknowledged, because they both depict social problems and invoke feminist ideals. Cutting first considers the heroines of the novels, commenting that they demonstrate independence of judgment, and, although "naive and inexperienced, they have no trouble in recognizing fools or in repudiating folly." They all face a similar economic plight, and suffer much abuse from the men in their environs. There are also characters in Burney's novels that Cutting refers to as "rebels," strong women who defy the stereotypes associated with their sex to claim a high degree of independence. Mrs. Selwyn is an apposite example of a "feminist" by this definition. She is neither passive nor dependent, and is fiercely defiant, aggressive, satirical, and ironic. She does not allow the silly men she encounters to get away with their behavior without at least being mocked for it. She incurs the ire of these men and even some of the women - including Evelina - for her bold style, thus affirming the discomfort many people felt at the time with women who acted outside of their prescribed gender roles. That women also find her difficult to handle suggests that all are generally uncomfortable when the expected social order is upended - even those who suffer because of it. It is telling that Mrs. Selwyn is so often described as masculine - this self-possession is not approved of in a female, and so does society discuss it as unnatural, or as a deficiency of some sort. Overall, Burney depicts women's suffering, and by doing so, offers an implicit condemnation of the society that subjected half of its population to cruel treatment and formidable restrictions of movement, expression, and autonomy. She devoted her final novel, The Wanderer , to the theme of suffering. This novel's "call for self-sufficiency on the part of both sexes perhaps best summarizes Fanny Burney's protest against the humiliating dependency of her sex and her demand for a change in the condition of women." In this novel, the condemnation is less harsh but, even when Burney somewhat supports the status quo, her depiction reveals a perspective sensitive to those who are allowed little voice against their oppressors. Finally, a couple of notes on places and terms used in these letters are useful. The pump room was the room where visitors to the Hotwells conversed and took the waters, as well as listened to music. It therefore served as a place for gossip and visiting. Clifton Hills adjoined the Hotwells, and was a fashionable area of Bristol. A phaeton was a four-wheeled carriage that had a covered seat for the driver and at most two seats for passengers. They were very fashionable and could move at great speeds. The Court Calendar listed the details of royal families and their courts.

gradesaver

all_chapterized_books/6053-chapters/volume_3_chapters_6_to_15.txt

finished_summaries/gradesaver/Evelina/section_7_part_0.txt

Evelina.volume 3.chapters 6-15

volume 3, letter 6-15

{"name": "Volume III, Letter VI - Volume III, Letter XV", "url": "https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-iii-letter-vi--volume-iii-letter-xv", "summary": "Mr. Villars writes to Evelina and confesses his concern that she is too innocent to realize what is happening: Lord Orville is in love with her. Worse, she is attracted to him but does not realize it. As she has not been able to transcend her infatuation, he encourages her to quit him, since \"his sight is baneful to your repose, his society is death to your future tranquility!\" Evelina must not trust in appearances, but instead rely on her guardian's advice. Meanwhile, Evelina writes to him before has received his letter. She relates to him the day of the bet between Lord Merton and Mr. Coverley. The men chose to decide their bet through a footrace between two very old and infirm women. On that day, Lord Merton addressed himself presumptuously and inappropriately to Evelina, ignoring Louisa. When the time for the race came, the two men acted quite despicably in their disinterest in the old woman, and the competition was indeed sad and shameful. Lord Orville looked disapproving. Lord Merton won, and in his drunkenness that followed, he became extremely forward with Evelina. Riled up, she exclaimed a wish to have a brother to protect her, and Lord Orville quickly stepped to her aid with a promise to act as her brother. He then led her and Louisa away. Lady Louisa was both piqued with Lord Merton for his flirtations, and annoyed with her brother for so clearly favoring Evelina to her. Lord Orville proclaimed to Evelina that he would be both her sincere friend and her brother, and that she must accept his services. She was pleased to do so. The next evening, the entire group attended an assembly that Lord Orville had procured tickets to. At one point, Lord Orville danced with a young lady and Evelina overheard who she was: her name was Miss Belmont, and she was the daughter of an heiress. Evelina started; her father must have designated a new heiress in her stead. She spoke with Mrs. Selwyn about it, since that woman was familiar with her history, and she suggested Evelina go to town to research the matter further. Evelina asks Mr. Villars's permission to undertake this endeavor. Evelina also writes Mr. Villars of seeing Mr. Macartney at the pump room, and of that man's request to speak with her. She further details Lord Orville's curiosity on that same subject. She observed how awkward Mr. Macartney became when the young \"Miss Belmont\" entered the pump room, but did not know why he behaved thusly. Lord Orville promised Evelina he would help her fulfill her duty to Mr. Macartney, even though he did not know what it was. He invited the poet to the house and then kindly left them alone for a few moments. To Evelina's utter shock, the young man confessed to Evelina that that Miss Belmont was his former paramour. This meant that Macartney was Evelina's brother. Though she did not alert him to her realization, she did embrace him fervently and promise she would help however she could. Later, Evelina writes to tell Mr. Villars that she had received his letter about Lord Orville. She is flummoxed, broken-hearted, and ashamed. She feels ignorant and beguiled, and laments ever leaving her guardian. She had hoped to set out for Berry Hill immediately, but she was convinced by Mrs. Selwyn to stay a bit longer. She announces her intention to avoid Lord Orville completely. As she details in subsequent letters, her plan was difficult to enact, because he noticed her new coldness and continually inquired as to the cause of it. She later accompanied Mrs. Selwyn to town, and they stopped by the pump room first. To her consternation, all the young men there seemed to be talking about her, whispering odd snatches of verse. She was even more disturbed to run into Sir Clement Willoughby, who said he had been looking for her. He said he was brought to Bristol by accident and did not know she was there, but would have realized it quickly now that she was famous. Evelina inquired what he meant, and he explained that a copy of verse about her had been dropped in and around the pump room. He continued to compliment her, and implored her to spend time with him. She refused. Unfortunately, he quickly endeared himself to Mrs. Selwyn, and she forced Evelina to attend an assembly with them. Back with the group at Clifton, Lord Orville and Sir Clement eyed each other warily, and Lord Orville seemed confused by Evelina's growing aloofness. He tried to privately ask her whether he had offended her, and further asked whether she had known Sir Clement was in town. He was even more astonished to hear that she was engaged to Sir Clement at that night's assembly. Sir Clement continued to accost Evelina throughout the evening, and he showed her the paper of verse that he had copied from the original. It did indeed mention her name, and she believed it to be by Mr. Macartney, who was apt to praise her. Sir Clement bothered her incessantly, asking thousands of pointed questions, especially about Lord Orville. That night, Evelina confesses in a letter that she worries she is not acting honorably towards her former friend Lord Orville. Mr. Villars writes to Evelina about the Miss Belmont situation, ruminating that Miss Belmont may be the child of an after-marriage, but was certainly taking the place to which Evelina had an indisputable right. He deplores John Belmont's cruel treatment of Evelina's mother, and insists that the latter's reputation deserved to be cleared before public opinion. He includes in his correspondence a letter from her \"unhappy mother,\" which had been reserved for Sir Belmont should this very situation ever arise. The letter begs Sir John Belmont, in the most emotional and florid tones, to recognize his true daughter. Evelina writes back to Mr. Villars, detailing how forward and obnoxious Sir Clement was in monopolizing her time and attention. At one point, he found her in the garden, grabbed her hand and would not let her alone. Lord Orville came across them, and she finally asked him forcibly to have Sir Clement release her hand. He asked Sir Clement if he meant to detain her by force, and he proudly released her hand and insisted he did not need Lord Orville's opinion. Evelina flew indoors. Later, she heard about their subsequent conversation from Mrs. Selwyn, who eavesdropped upon it. Lord Orville had asked Sir Clement about his intentions, and Sir Clement rudely answered that he had none, since her birth was low. He also sneeringly asked why Lord Orville was so interested; the latter spoke of how Evelina was \"very young, very inexperienced, yet appears to be left totally to her own direction.\" The two men continued to argue until Mrs. Selwyn left for fear of discovery. Evelina next writes Mr. Villars of how Lord Orville found her alone, and begged to have a private moment. He very simply asked her why she had changed. She was disconcerted at how forthright and honest he was in his entreaty, but she remained silent. He asked her about Sir Clement, and she hotly denied that he mattered to her at all. Lord Orville was remarkably relieved by this. At dinner, he was excessively friendly and gay with Evelina. After dinner, he went into the library to help her choose a few books for her impending journey back to Berry Hill, and he could finally resist no longer. He declared his love and esteem for Evelina, and she could not resist him: \"he drew from me the most sacred secret of my heart!\" She acknowledges to Mr. Villars that there are many questions to address at a later point, but adds that they are blissfully happy. That night, Evelina wept from sheer happiness, and felt the tremendous honor of being chosen as wife by a man like Lord Orville. The next day, he asked to announce their affection publicly, but she implored him to wait until she had taken care of her business in town . He agreed with alacrity. Evelina concludes her letter to Mr. Villars by explaining how the two of them had actually discovered that Lord Orville never wrote that bold and inappropriate letter. He knew nothing about it. She hopes her guardian will think well of Lord Orville, and feel honored by his choice of her.", "analysis": "This set of letters presents examples of the rich behaving very, very badly. Lord Merton, in particular, is a dissolute and lascivious newly-made nobleman who enjoys exploiting and mocking those around him, simply to entertain himself. He does not care about his reputation because he knows his fortune will be secured when he marries Lady Louisa. He is a paragon of \"modern\" manners and stands contrast to the genteel and traditional Lord Orville. Even Mrs. Selwyn's wit and virulent satire can do little to quell the boisterous cruelty and brazen excess of Lord Merton. For all her strength, Lady Louisa is but a tool towards securing Lord Merton's wealth. She has no more power than Evelina does, though she has been raised to affect a superiority. In this way, she is far more pitiable than our heroine, especially when her fiancee so blatantly hits of Evelina in front of her. Lord Merton has replaced Captain Mirvan as the novel's grossest, rudest male, and Mrs. Selwyn has replaced Madame Duval as the older woman supervising Evelina. However, while Lord Merton possesses no redeeming qualities, Mrs. Selwyn remains valuable to Evelina because she protects her, respects her, and gently pushes her into self-awareness. Even though her satire sometimes seems coarse to Evelina, it does suggest to her that she is free to make up her own mind about Lord Orville, and does not need a man - Mr. Villars - to guide her any longer. Another instance of privileged cruelty is the race between the two old women, an episode that puzzles many critics, particularly as regards its origin. Most have tried to find literary, historical or anecdotal precedents for it, but one critic, as Jones points out, is probably right in claiming there was probably no single source. Betting on foot-races was pretty common; young laboring women raced against each other at fairs in \"smock races.\" Jones writes that this scene \"certainly captures the cruelty involved in many eighteenth-century amusements, while the introduction of 'poor old women' focuses on issues involving both gender and social status.\" In other words, the race is itself a cohesive symbol of all the oppressions related throughout the novel. Lord Orville is finally prompted to make his feelings known to Evelina, and it is significant that he does so without knowing the truth about her birth. She has dropped some hints about herself, but he remains oblivious to the exact particulars, and to the impending conflict with her father. Considering how important social status was - and how much of the 'marriage contract' was about securing a valuable commodity in a wife - Lord Orville is admirable in acting from his affection alone. He very clearly leans toward the fictional and unbelievable: while it is not impossible to imagine a young man with manners and a deep sense of decorum, it is unlikely that one in his social position would so blithely pursue a young woman whose birth was unknown. Burney's inclusion of such an angelic man is in many ways a deference towards the system of marriage, since her cynical attitude about people would otherwise overwhelm the book's perspective and make it far more transgressive than it ultimately is. And, of course, it would likely sell more copies it it conformed to what most of society thought, instead of explicitly attacking those thoughts. One note about some historical information is useful. A pamphlet-shop was a place that sold cheaper and unbound publications and was usually frequented by men as opposed to women, who procured their reading material from the circulating library. The fact that Mrs. Selwyn prefers this outlet demonstrates her more masculine education and taste. \"John trot style\" referred to a man who, according to the Oxford English Dictionary, was of \"slow or uncultured intellect, a bumpkin, a clown.\" Vivien Jones's annotations explain that \"the insult suggests that older women are masculinized, as well as stupid.\""}

<CHAPTER> LETTER LXVII. MR. VILLARS TO EVELINA. Berry Hill, Sept. 28th. DEAD to the world, and equally insensible to its pleasures or its pains, I long since bad adieu to all joy, and defiance to all sorrow, but what should spring from my Evelina,-sole source, to me, of all earthly felicity. How strange, then, is it, that the letter in which she tells me she is the happiest of human beings, should give me most mortal inquietude! Alas, my child!-that innocence, the first, best gift of Heaven, should, of all others, be the blindest to its own danger,-the most exposed to treachery,-and the least able to defend itself, in a world where it is little known, less valued, and perpetually deceived! Would to Heaven you were here!-then, by degrees, and with gentleness, I might enter upon a subject too delicate for distant discussion. Yet is it too interesting, and the situation too critical, to allow of delay.-Oh, my Evelina, your situation is critical indeed!-your peace of mind is at stake, and every chance for your future happiness may depend upon the conduct of the present moment. Hitherto I have forborne to speak with you upon the most important of all concerns, the state of your heart:-alas, I need no information! I have been silent, indeed, but I have not been blind. Long, and with the deepest regret, have I perceived the ascendancy which Lord Orville has gained upon your mind.-You will start at the mention of his name,-you will tremble every word you read;-I grieve to give pain to my gentle Evelina, but I dare not any longer spare her. Your first meeting with Lord Orville was decisive. Lively, fearless, free from all other impressions, such a man as you describe him could not fail of exciting your admiration; and the more dangerously, because he seemed as unconscious of his power as you of your weakness; and therefore you had no alarm, either from his vanity of your own prudence. Young, animated, entirely off your guard, and thoughtless of consequences, Imagination took the reins; and Reason, slow-paced, though sure-footed, was unequal to the race of so eccentric and flighty a companion. How rapid was then my Evelina's progress through those regions of fancy and passion whither her new guide conducted her!-She saw Lord Orville at a ball,-and he was the most amiable of men! -She met him again at another,-and he had every virtue under Heaven! I mean not to depreciate the merit of Lord Orville, who, one mysterious instance alone excepted, seems to have deserved the idea you formed of his character; but it was not time, it was not the knowledge of his worth, obtained your regard: your new comrade had not patience to wait any trial; her glowing pencil, dipt in the vivid colours of her creative ideas, painted to you, at the moment of your first acquaintance, all the excellencies, all the good and rare qualities, which a great length of time and intimacy could alone have really discovered. You flattered yourself that your partiality was the effect of esteem, founded upon a general love of merit, and a principle of justice; and your heart, which fell the sacrifice of your error, was totally gone ere you expected it was in danger. A thousand times have I been upon the point of showing you the perils of your situation; but the same inexperience which occasioned your mistake, I hoped, with the assistance of time and absence, would effect a cure: I was, indeed, most unwilling to destroy your illusion, while I dared hope it might itself contribute to the restoration of your tranquillity; since your ignorance of the danger, and force of your attachment, might possibly prevent that despondency with which young people, in similar circumstances, are apt to persuade themselves, that what is only difficult, is absolutely impossible. But, now, since you have again met, and have become more intimate than ever, all my hope from silence and seeming ignorance is at an end. Awake then, my dear, my deluded child, awake to the sense of your danger, and exert yourself to avoid the evils with which it threatens you:-evils which, to a mind like yours, are most to be dreaded; secret repining, and concealed, yet consuming regret! Make a noble effort for the recovery of your peace, which now, with sorrow I see it, depends wholly upon the presence of Lord Orville. This effort may indeed be painful; but trust to my experience, when I assure you it is requisite. You must quit him!-his sight is baneful to your repose, his society is death to your future tranquillity! Believe me, my beloved child, my heart aches for your suffering, while it dictates its necessity. Could I flatter myself that Lord Orville would, indeed, be sensible of your worth, and act with a nobleness of mind which should prove it congenial to your own, then would I leave my Evelina to the unmolested enjoyment of the cheerful society, and increasing regard, of a man she so greatly admires: but this is not an age in which we may trust to appearances; and imprudence is much sooner regretted than repaired. Your health, you tell me, is much mended:-Can you then consent to leave Bristol?-not abruptly, that I do not desire, but in a few days from the time you receive this? I will write to Mrs. Selwyn, and tell her how much I wish your return; and Mrs. Clinton can take sufficient care of you. I have meditated upon every possible expedient that might tend to your happiness, ere I fixed upon exacting from you a compliance which I am convinced will be most painful to you; but I can satisfy myself in none. This will at least be safe; and as to success,-we must leave it to time. I am very glad to hear of Mr. Macartney's welfare. Adieu, my dearest child! Heaven preserve and strengthen you! A.V. </CHAPTER> <CHAPTER> LETTER LXVIII. EVELINA TO THE REV. MR. VILLARS. Clifton, Sept. 28th. SWEETLY, most sweetly, have two days more passed since I wrote: but I have been too much engaged to be exact in my journal. To-day has been less tranquil. It was destined for the decision of the important bet, and has been productive of general confusion throughout the house. It was settled that the race should be run at five o'clock in the afternoon. Lord Merton breakfasted here, and staid till noon. He wanted to engage the ladies to bet on his side, in the true spirit of gaming, without seeing the racers. But he could only prevail on Lady Louisa, as Mrs. Selwyn said she never laid a wager against her own wishes, and Mrs. Beaumont would not take sides. As for me, I was not applied to. It is impossible for negligence to be more pointed than that of Lord Merton to me, in the presence of Lady Louisa. But, just before dinner, I happened to be alone in the drawing-room, when his Lordship suddenly returned; and, coming in with his usual familiarity, he was beginning, "You see, Lady Louisa,-" but stopping short, "Pray, where's every body gone?" "Indeed I don't know, my Lord." He then shut the door; and, with a great alteration in his face and manner, advanced eagerly towards me, and said, "How glad I am, my sweet girl, to meet you, at last, alone! By my soul I began to think there was a plot against me, for I've never been able to have you a minute to myself." And very freely he seized my hand. I was so much surprised at this address, after having been so long totally neglected, that I could make no other answer, than staring at him with unfeigned astonishment. "Why now," continued he, "if you was not the cruellest little angel in the world, you would have helped me to some expedient: for you see how I am watched here; Lady Louisa's eyes are never off me. She gives me a charming foretaste of the pleasures of a wife! However, it won't last long." Disgusted to the greatest degree, I attempted to draw away my hand; but I believe I should not have succeeded if Mrs. Beaumont had not made her appearance. He turned from me with the greatest assurance, and said, "How are you, Ma'am?-how is Lady Louisa?-you see I can't live a moment out of the house." Could you, my dearest Sir, have believed it possible for such effrontery to be in man? Before dinner came Mr. Coverley, and, before five o'clock, Mr. Lovel and some other company. The place marked out for the race, was a gravel-walk in Mrs. Beaumont's garden, and the length of the ground twenty yards. When we were summoned to the course, the two poor old women made their appearance. Though they seemed very healthy for their time of life, they yet looked so weak, so infirm, so feeble, that I could feel no sensation but that of pity at the sight. However, this was not the general sense of the company; for they no sooner came forward, than they were greeted with a laugh from every beholder, Lord Orville excepted, who looked very grave during the whole transaction. Doubtless he must be greatly discontented at the dissipated conduct and extravagance of a man, with whom he is soon to be so nearly connected. For some time, the scene was truly ridiculous: the agitation of the parties concerned, and the bets that were laid upon the old women, were absurd beyond measure. Who are you for? and whose side are you of? was echoed from mouth to mouth by the whole company. Lord Merton and Mr. Coverley were both so excessively gay and noisy, that I soon found they had been free in drinking to their success. They handed, with loud shouts, the old women to the race-ground, and encouraged them by liberal promises to exert themselves. When the signal was given for them to set off, the poor creatures, feeble and frightened, ran against each other: and, neither of them able to support the shock, they both fell on the ground. Lord Merton and Mr. Coverley flew to their assistance. Seats were brought for them; and they each drank a glass of wine. They complained of being much bruised; for, heavy and helpless, they had not been able to save themselves, but fell with their whole weight upon the gravel. However, as they seemed equal sufferers, both parties were too eager to have the affair deferred. Again therefore they set off, and hobbled along, nearly even with each other, for some time; yet frequently, to the inexpressible diversion of the company, they stumbled and tottered; and the confused hallooing of "Now, Coverley!" "Now, Merton!" run from side to side during the whole affair. Not long after, a foot of one of the poor women slipt, and with great force she came again to the ground. Involuntarily, I sprung forward to assist her; but Lord Merton, to whom she did not belong, stopped me, calling out, "No foul play! No foul play!" Mr. Coverley then, repeating the same words, went himself to help her, and insisted that the other should stop. A debate ensued; but the poor creature was too much hurt to move, and declared her utter inability to make another attempt. Mr. Coverley was quite brutal: he swore at her with unmanly rage, and seemed scarce able to refrain even from striking her. Lord Merton then, in great rapture, said it was a hollow thing; but Mr. Coverley contended, that the fall was accidental, and time should be allowed for the woman to recover. However, all the company being against him, he was pronounced the loser. We then went to the drawing-room, to tea. After which, the evening being remarkably warm, we all walked in the garden. Lord Merton was quite riotous, and Lady Louisa in high spirits; but Mr. Coverley endeavoured, in vain, to conceal his chagrin. As Lord Orville was thoughtful, and walked by himself, I expected that, as usual, I should pass unnoticed, and be left to my own meditations: but this was not the case; for Lord Merton, entirely off his guard, giddy equally from wine and success, was very troublesome to me; and, regardless of the presence of Lady Louisa, which hitherto has restrained him even from common civility, he attached himself to me, during the walk, with a freedom of gallantry that put me extremely out of countenance. He paid me the most high-flown compliments; and frequently and forcibly seized my hand, though I repeatedly, and with undissembled anger, drew it back. Lord Orville, I saw, watched us with earnestness; and Lady Louisa's smiles were converted into looks of disdain. I could not bear to be thus situated; and complaining I was tired, I quickened my pace, with intention to return to the house; but Lord Merton, hastily following, caught my hand, and saying the day was his own, vowed he would not let me go. "You must, my Lord," cried I, extremely flurried. "You are the most charming girl in the world," said he, "and never looked better than at this moment." "My Lord," cried Mrs. Selwyn, advancing to us, "you don't consider, that the better Miss Anville looks the more striking is the contrast with your Lordship; therefore, for your own sake, I would advise you not to hold her." "Egad, my Lord," cried Mr. Coverley, "I don't see what right you have to the best old, and the best young woman too, in the same day." "Best young woman!" repeated Mr. Lovel; "'pon honour, Jack, you have made a most unfortunate speech; however, if Lady Louisa can pardon you,-and her Ladyship is all goodness,-I am sure nobody else can; for you have committed an outrageous solecism in good manners." "And pray, Sir," said Mrs. Selwyn, "under what denomination may your own speech pass?" Mr. Lovel, turning another way, affected not to hear her: and Mr. Coverley, bowing to Lady Louisa, said, "Her Ladyship is well acquainted with my devotion;-but, egad, I don't know how it is,-I had always an unlucky turn at an epigram, and never could resist a smart play upon words in my life." "Pray, my Lord," cried I, "let go my hand! Pray, Mrs. Selwyn, speak for me." "My Lord," said Mrs. Selwyn, "in detaining Miss Anville any longer you only lose time; for we are already as well convinced of your valour and your strength, as if you were to hold her an age." "My Lord," said Mrs. Beaumont, "I must beg leave to interfere: I know not if Lady Louisa can pardon you; but as this young lady is at my house, I do not choose to have her made uneasy." "I pardon him!" cried Lady Louisa; "I declare I am monstrous glad to get rid of him." "Egad, my Lord," cried Mr. Coverley, "while you are grasping at a shadow, you'll lose a substance; you'd best make your peace while you can." "Pray, Mr. Coverley, be quiet," said Lady Louisa, peevishly; "for I declare I won't speak to him. Brother," taking hold of Lord Orville's arm, "will you walk in with me?" "Would to Heaven," cried I, frightened to see how much Lord Merton was in liquor, "that I too had a brother!-and then I should not be exposed to such treatment." Lord Orville, instantly quitting Lady Louisa, said, "Will Miss Anville allow me the honour of taking that title?" and then, without waiting for any answer, he disengaged me from Lord Merton; and, handing me to Lady Louisa, "Let me," added he, "take equal care of both my sisters;" and then, desiring her, to take hold of one arm, and begging me to make use of the other, we reached the house in a moment. Lord Merton, disordered as he was, attempted not to stop us. As soon as we entered the house, I withdrew my arm, and courtsied my thanks, for my heart was too full for speech. Lady Louisa, evidently hurt at her brother's condescension, and piqued extremely by Lord Merton's behaviour, silently drew away hers; and biting her lips, with a look of infinite vexation, walked sullenly up the hall. Lord Orville asked her if she would not go into the parlour? "No," answered she, haughtily, "I leave you and your new sister together:" and then she walked up stairs. I was quite confounded at the pride and rudeness of this speech. Lord Orville himself seemed thunderstruck: I turned from him, and went into the parlour: he followed me, saying, "Must I now apologize to Miss Anville for the liberty of my interference?-or ought I to apologize, that I did not, as I wished, interfere sooner?" "O, my Lord," cried I, with an emotion I could not repress, "it is from you alone I meet with any respect;-all others treat me with impertinence, or contempt!" I am sorry I had not more command of myself, as he had reason just then to suppose I particularly meant his sister; which, I am sure, must very much hurt him. "Good Heaven," cried he, "that so much sweetness and merit can fail to excite the love and admiration so justly their due! I cannot,-I dare not express to you half the indignation I feel at this moment!" "I am sorry, my Lord," said I, more calmly, "to have raised it; but yet,-in a situation that calls for protection, to meet only with mortifications,-indeed, but I am ill formed to bear them!" "My dear Miss Anville," cried he, warmly, "allow me to be your friend; think of me as if I were indeed your brother; and let me intreat you to accept my best services, if there is any thing in which I can be so happy as to show my regard,-my respect for you!" Before I had time to speak, the rest of the party entered the parlour; and, as I did not wish to see anything more of Lord Merton, at least before he had slept, I determined to leave it. Lord Orville, seeing my design, said, as I passed him, "Will you go?" "Had not I best, my Lord?" said I. "I am afraid," said he, smiling, "since I must now speak as your brother, I am afraid you had; -you see you may trust me, since I can advise against my own interest." I then left the room, and have been writing ever since. And, methinks, I can never lament the rudeness of Lord Merton, as it has more than ever confirmed to me the esteem of Lord Orville. </CHAPTER> <CHAPTER> LETTER LXIX. EVELINA IN CONTINUATION. Sept. 30th. OH, Sir, what a strange incident have I to recite! what a field of conjecture to open! Yesterday evening we all went to an assembly. Lord Orville presented tickets to the whole family; and did me the honour, to the no small surprise of all here, I believe, to dance with me. But every day abounds in fresh instances of his condescending politeness; and he now takes every opportunity of calling me his friend and his sister. Lord Merton offered a ticket to Lady Louisa; but she was so much incensed against him, that she refused it with the utmost disdain: neither could he prevail upon her to dance with him; she sat still the whole evening, and deigned not to look at or speak to him. To me her behaviour is almost the same: for she is cold, distant, and haughty, and her eyes express the greatest contempt. But for Lord Orville, how miserable would my residence here make me! We were joined in the ball-room by Mr. Coverley, Mr. Lovel, and Lord Merton, who looked as if he was doing penance, and sat all the evening next to Lady Louisa, vainly endeavouring to appease her anger. Lord Orville began the minuets: he danced with a young lady who seemed to engage the general attention, as she had not been seen here before. She is pretty, and looks mild and good-humoured. "Pray, Mr. Lovel," said Lady Louisa, "who is that?" "Miss Belmont," answered he, "the young heiress: she came to the Wells yesterday." Struck with the name, I involuntarily repeated it; but nobody heard me. "What is her family?" said Mrs. Beaumont. "Have you not heard of her, Ma'am?" cried he; "she is only daughter and heiress of Sir John Belmont." Good Heaven, how did I start! the name struck my ear like a thunderbolt. Mrs. Selwyn, who immediately looked at me, said, "Be calm, my dear, and we will learn the truth of all this." Till then I had never imagined her to be acquainted with my story; but she has since told me, that she knew my unhappy mother, and was well informed of the whole affair. She asked Mr. Lovel a multitude of questions; and I gathered from his answers, that this young lady was just come from abroad with Sir John Belmont, who was now in London; that she was under the care of his sister, Mrs. Paterson; and that she would inherit a considerable estate. I cannot express the strange feelings with which I was agitated during this recital. What, my dearest Sir, can it possibly mean? Did you ever hear of any after-marriage?-or must I suppose, that, while the lawful child is rejected, another is adopted?-I know not what to think! I am bewildered with a contrariety of ideas! When we came home, Mrs. Selwyn passed more than an hour in my room conversing upon this subject. She says, that I ought instantly to go to town, find out my father, and have the affair cleared up. She assures me I have too strong a resemblance to my dear, though unknown, mother, to allow of the least hesitation in my being owned, when once I am seen. For my part, I have no wish but to act by your direction. I cannot give any account of the evening; so disturbed, so occupied am I by this subject, that I can think of no other. I have entreated Mrs. Selwyn to observe the strictest secrecy, and she has promised that she will. Indeed, she has too much sense to be idly communicative. Lord Orville took notice of my being absent and silent; but I ventured not to intrust him with the cause. Fortunately, he was not of the party at the time Mr. Lovel made the discovery. Mrs. Selwyn says, that if you approve my going to town, she will herself accompany me. I had a thousand times rather ask the protection of Mrs. Mirvan, but, after this offer that will not be possible. Adieu, my dearest Sir. I am sure you will write immediately, and I shall be all impatience till your letter arrives. </CHAPTER> <CHAPTER> LETTER LXX. EVELINA IN CONTINUATION. Oct. 1st. GOOD God, my dear Sir, what a wonderful tale have I again to relate! even yet, I am not recovered from my extreme surprise. Yesterday morning, as soon as I had finished my hasty letter, I was summoned to attend a walking party to the Hot Wells. It consisted only of Mrs. Selwyn and Lord Orville. The latter walked by my side all the way; and his conversation dissipated my uneasiness, and insensibly restored my serenity. At the pump-room I saw Mr. Macartney; I courtsied to him twice ere he would speak to me. When he did, I began to apologize for having disappointed him; but I did not find it very easy to excuse myself, as Lord Orville's eyes, with an expression of anxiety that distressed me, turned from him to me, and me to him, every word I spoke. Convinced, however, that I had really trifled with Mr. Macartney, I scrupled not to beg his pardon. He was then not merely appeased, but even grateful. He requested me to see him to-morrow; but I had not the folly to be again guilty of an indiscretion; which had already caused me so much uneasiness; and therefore I told him frankly, that it was not in my power at present to see him but by accident; and, to prevent his being offended, I hinted to him the reason I could not receive him as I wished to do. When I had satisfied both him and myself upon this subject, I turned to Lord Orville, and saw, with concern, the gravity of his countenance. I would have spoken to him, but knew not how; I believe, however, he read my thoughts; for, in a little time, with a sort of serious smile, he said, "Does not Mr. Macartney complain of his disappointment?" "Not much, my Lord." "And how have you appeased him?" Finding I hesitated what to answer, "Am I not your brother?" continued he, "and must I not enquire into your affairs?" "Certainly, my Lord," said I, laughing. "I only wish it were better worth your Lordship's while." "Let me, then, make immediate use of my privilege. When shall you see Mr. Macartney again?" "Indeed, my Lord, I can't tell." "But,-do you know that I shall not suffer my sister to make a private appointment?" "Pray, my Lord," cried I earnestly, "use that word no more! Indeed you shock me extremely." "That would I not do for the world," cried he, "yet you know not how warmly, how deeply I am interested, not only in all your concerns, but in all your actions." This speech-the most particular one Lord Orville had ever made to me, ended our conversation at that time; for I was too much struck by it to make any answer. Soon after, Mr. Macartney, in a low voice, intreated me not to deny him the gratification of returning the money. While he was speaking, the young lady I saw yesterday at the assembly, with the large party, entered the pump-room. Mr. Macartney turned as pale as death, his voice faultered, and he seemed not to know what he said. I was myself almost equally disturbed, by the crowd of confused ideas that occurred to me. Good Heaven! thought I, why should he be thus agitated?-is it possible this can be the young lady he loved?- In a few minutes we quitted the pump-room; and, though I twice wished Mr. Macartney good morning, he was so absent he did not hear me. We did not immediately return to Clifton, as Mrs. Selwyn had business at a pamphlet shop. While she was looking at some new poems, Lord Orville again asked me when I should see Mr. Macartney? "Indeed, my Lord," cried I, "I know not, but I would give the universe for a few moments' conversation with him!" I spoke this with a simple sincerity, and was not aware of the force of my own words. "The universe!" repeated he, "Good God, Miss Anville, do you say this to me?" "I would say it," returned I, "to any body, my Lord." "I beg your pardon," said he, in a voice that showed him ill pleased, "I am answered." "My Lord," cried I, "you must not judge hardly of me. I spoke inadvertently; but if you knew the painful suspense I suffer at this moment, you would not be surprised at what I have said." "And would a meeting with Mr. Macartney relieve you from that suspense?" "Yes, my Lord, two words might be sufficient." "Would to Heaven," cried he, after a short pause, "that I were worthy to know their import!" "Worthy, my Lord!-O, if that were all, your Lordship could ask nothing I should not be ready to answer! If I were but at liberty to speak, I should be proud of your Lordship's enquiries: but, indeed, I am not-I have not any right to communicate the affairs of Mr. Macartney;-your Lordship cannot suppose I have." "I will own to you," answered he, "I know not what to suppose; yet there seems a frankness even in your mystery-and such an air of openness in your countenance, that I am willing to hope,-" He stopped a moment, and then added, "This meeting, you say, is essential to your repose?" "I did not say that, my Lord; but yet I have the most important reasons for wishing to speak to him." He paused a few minutes; and then said, with warmth, "Yes, you shall speak to him!-I will myself assist you!-Miss Anville, I am sure, cannot form a wish against propriety: I will ask no questions, I will rely upon her own purity, and, uninformed, blindfold as I am, I will serve her with all my power!" And then he went into the shop, leaving me so strangely affected by his generous behaviour, that I almost wished to follow him with my thanks. When Mrs. Selwyn had transacted her affairs, we returned home. The moment dinner was over, Lord Orville went out, and did not come back till just as we were summoned to supper. This is the longest time he has spent from the house since I have been at Clifton; and you cannot imagine, my dear Sir, how much I missed him. I scarce knew before how infinitely I am indebted to him alone for the happiness I have enjoyed since I have been at Mrs. Beaumont's. As I generally go down stairs last, he came to me, the moment the ladies had passed by, and said, "Shall you be at home tomorrow morning?" "I believe so, my Lord." "And will you then receive a visitor for me?" "For you, my Lord?" "Yes:-I have made acquaintance with Mr. Macartney, and he has promised to call upon me to-morrow about three o'clock." And then, taking my hand, he led me down stairs. O, Sir!-was there ever such another man as Lord Orville?-Yes, one other now resides at Berry Hill! This morning there has been a great deal of company here; but at the time appointed by Lord Orville, doubtless with that consideration, the parlour is almost always empty, as every body is dressing. Mrs. Beaumont, however, was not gone up stairs when Mr. Macartney sent in his name. Lord Orville immediately said, "Beg the favour of him to walk in. You see, Madam, that I consider myself as at home." "I hope so," answered Mrs. Beaumont, "or I should be very uneasy." Mr. Macartney then entered. I believe we both felt very conscious to whom the visit was paid: but Lord Orville received him as his own guest; and not merely entertained him as such while Mrs. Beaumont remained in the room, but for some time after she had left it, a delicacy that saved me from the embarrassment I should have felt, had he immediately quitted us. In a few minutes, however, he gave Mr. Macartney a book,-for I, too, by way of pretence for continuing in the room, pretended to be reading,-and begged he would be so good as to look it over, while he answered a note, which he would dispatch in a few minutes, and return to him. When he was gone, we both parted with our books; and Mr. Macartney, again producing the paper with the money, besought me to accept it. "Pray," said I, still declining it, "did you know the young lady who came into the pump-room yesterday morning?" "Know her!" repeated he, changing colour, "Oh, but too well!" "Indeed!" "Why, Madam, do you ask?" "I must beseech you to satisfy me further upon this subject; pray tell me who she is." "Inviolably as I meant to keep my secret, I can refuse you, Madam, nothing;-that lady-is the daughter of Sir John Belmont!-of my father!" "Gracious Heaven!" cried I, involuntarily laying my hand on his arm, "you are then-" my brother, I would have said, but my voice failed me, and I burst into tears. "Oh, Madam," cried he, "what does this mean?-what can thus distress you?" I could not answer, but held out my hand to him. He seemed greatly surprised, and talked in high terms of my condescension. "Spare yourself," cried I, wiping my eyes, "spare yourself this mistake,-you have a right to all I can do for you; the similarity of our circumstances-" We were then interrupted by the entrance of Mrs. Selwyn; and Mr. Macartney, finding no probability of our being left alone, was obliged to take leave, though, I believe, very reluctantly, while in such suspense. Mrs. Selwyn, then, by dint of interrogatories, drew from me the state of this affair. She is so penetrating, that there is no possibility of evading to give her satisfaction. Is not this a strange event? Good Heaven! how little did I think that the visits I so unwillingly paid at Mr. Branghton's would have introduced me to so near a relation! I will never again regret the time I spent in town this summer: a circumstance so fortunate will always make me think of it with pleasure. * * * * * * I have just received your letter,-and it has almost broken my heart!-Oh, Sir! the illusion is over, indeed! how vainly have I flattered, how miserably deceived myself! Long since, doubtful of the situation of my heart, I dreaded a scrutiny;-but now, now that I have so long escaped, I began, indeed, to think my safety insured, to hope that my fears were causeless, and to believe that my good opinion and esteem of Lord Orville might be owned without suspicion, and felt without danger;-miserably deceived, indeed! His sight is baneful to my repose;-his society is death to my future tranquillity! Oh, Lord Orville! could I have believed that a friendship so grateful to my heart, so soothing to my distresses, a friendship, which, in every respect, did me so much honour, would only serve to embitter all my future moments!-What a strange, what an unhappy circumstance, that my gratitude, though so justly excited, should be so fatal to my peace! Yes, Sir, I will quit him;-would to Heaven I could at this moment! without seeing him again,-without trusting to my now conscious emotion!-Oh, Lord Orville, how little do you know the evils I owe to you! how little suppose that, when most dignified by your attention, I was most to be pitied,-and when most exalted by your notice, you were most my enemy! You, Sir, relied upon my ignorance;-I, alas, upon your experience; and, whenever I doubted the weakness of my heart, the idea that you did not suspect it, reassured me,-restored my courage, and confirmed my error!-Yet am I most sensible of the kindness of your silence. Oh, Sir! why have I ever quitted you? why been exposed to dangers to which I am so unequal? But I will leave this place, leave Lord Orville,-leave him, perhaps, for ever!-no matter; your counsel, your goodness, may teach me how to recover the peace and the serenity of which my unguarded folly has beguiled me. To you alone do I trust,-in you alone confide, for every future hope I may form. The more I consider the parting with Lord Orville, the less fortitude do I feel to bear the separation;-the friendship he has shown me,-his politeness,-his sweetness of manners,-his concern in my affairs,-his solicitude to oblige me,-all, all to be given up!- No, I cannot tell him I am going,-I dare not trust myself to take leave of him,-I will run away without seeing him:-implicitly will I follow your advice, avoid his sight, and shun his society! To-morrow morning I will set off for Berry Hill. Mrs. Selwyn and Mrs. Beaumont shall alone know my intention. And to-day-I will spend in my own room. The readiness of my obedience is the only atonement I can offer for the weakness which calls for its exertion. Can you, will you, most honoured, most dear Sir! sole prop by which the poor Evelina is supported,-can you, without reproach, without displeasure, receive the child you have so carefully reared,-from whose education better fruit might have been expected, and who, blushing for her unworthiness, fears to meet the eye by which she has been cherished?-Oh, yes, I am sure you will! Your Evelina's errors are those of the judgment; and you, I well know, pardon all but those of the heart! </CHAPTER> <CHAPTER> LETTER LXXI. EVELINA IN CONTINUATION. Clifton, October 1st. I HAVE only time, my dearest Sir, for three words, to overtake my last letter, and prevent your expecting me immediately; for, when I communicated my intention to Mrs. Selwyn, she would not hear of it, and declared it would be highly ridiculous for me to go before I received an answer to my intelligence concerning the journey from Paris. She has, therefore, insisted upon my waiting till your next letter arrives. I hope you will not be displeased at my compliance, though it is rather against my own judgment: but Mrs. Selwyn quite overpowered me with the force of her arguments. I will, however, see very little of Lord Orville; I will never come down stairs before breakfast; give up all my walks in the garden; seat myself next to Mrs. Selwyn; and not merely avoid his conversation, but shun his presence. I will exert all the prudence and all the resolution in my power, to prevent this short delay from giving you any further uneasiness. Adieu, my dearest Sir. I shall not now leave Clifton till I have your directions. </CHAPTER> <CHAPTER> LETTER LXXII. EVELINA IN CONTINUATION. October 2nd. YESTERDAY, from the time I received your kind, though heart-piercing letter, I kept my room,-for I was equally unable and unwilling to see Lord Orville; but this morning, finding I seemed destined to pass a few days longer here, I endeavoured to calm my spirits, and to appear as usual; though I determined to avoid him to the utmost of my power. Indeed, as I entered the parlour, when called to breakfast, my thoughts were so much occupied with your letter, that I felt as much confusion at his sight, as if he had himself been informed of its contents. Mrs. Beaumont made me a slight compliment upon my recovery, for I had pleaded illness to excuse keeping my room: Lady Louisa spoke not a word; but Lord Orville, little imagining himself the cause of my indisposition, enquired concerning my health with the most distinguishing politeness. I hardly made any answer; and, for the first time since I have been here, contrived to sit at some distance from him. I could not help observing that my reserve surprised him; yet he persisted in his civilities, and seemed to wish to remove it. But I paid him very little attention; and the moment breakfast was over, instead of taking a book, or walking in the garden, I retired to my own room. Soon after, Mrs. Selwyn came to tell me, that Lord Orville had been proposing I should take an airing, and persuading her to let him drive us both in his phaeton. She delivered the message with an archness that made me blush; and added, that an airing, in my Lord Orville's carriage, could not fail to revive my spirits. There is no possibility of escaping her discernment; she has frequently rallied me upon his Lordship's attention,-and, alas!-upon the pleasure with which I have received it! However, I absolutely refused the offer. "Well," said she, laughing, "I cannot just now indulge you with any solicitation; for, to tell you the truth, I have business to transact at the Wells, and am glad to be excused myself. I would ask you to walk with me; -but since Lord Orville is refused, I have not the presumption to hope for success." "Indeed," cried I, "you are mistaken; I will attend you with pleasure." "O rare coquetry!" cried she, "surely it must be inherent in our sex, or it could not have been imbibed at Berry Hill." I had not spirits to answer her, and therefore put on my hat and cloak in silence. "I presume," continued she, drily, "his Lordship may walk with us." "If so, Madam," said I, "you will have a companion, and I will stay at home." "My dear child," cried she, "did you bring the certificate of your birth with you?" "Dear Madam, no!" "Why then, we shall never be known again at Berry Hill." I felt too conscious to enjoy her pleasantry; but I believe she was determined to torment me, for she asked if she should inform Lord Orville that I desired him not to be of the party? "By no means, Madam; but, indeed, I had rather not walk myself." "My dear," cried she, "I really do not know you this morning,-you have certainly been taking a lesson of Lady Louisa." She then went down stairs; but presently returning, told me she had acquainted Lord Orville that I did not choose to go out in the phaeton, but preferred a walk, tete-e-tete with her, by way of variety. I said nothing, but was really vexed. She bad me go down stairs, and said she would follow me immediately. Lord Orville met me in the hall. "I fear," said he, "Miss Anville is not yet quite well?" and he would have taken my hand, but I turned from him, and courtsying slightly, went into the parlour. Mrs. Beaumont and Lady Louisa were at work: Lord Merton was talking with the latter; for he has now made his peace, and is again received into favour. I seated myself, as usual, by the window. Lord Orville, in a few minutes, came to me, and said, "Why is Miss Anville so grave?" "Not grave, my Lord," said I, "only stupid;" and I took up a book. "You will go," said he, after a short pause, "to the assembly to-night?" "No, my Lord, certainly not." "Neither then will I; for I should be sorry to sully the remembrance I have of the happiness I enjoyed at the last." Mrs. Selwyn then coming in, general enquiries were made to all but me, of who would go to the assembly? Lord Orville instantly declared he had letters to write at home; but every one else settled to go. I then hastened Mrs. Selwyn away, though not before she had said to Lord Orville, "Pray, has your Lordship obtained Miss Anville's leave to favour us with your company?" "I have not, Madam," answered he, "had the vanity to ask it." During our walk, Mrs. Selvyn tormented me unmercifully. She told me, that since I declined any addition to our party, I must, doubtless, be conscious of my own powers of entertainment; and begged me, therefore, to exert them freely. I repented a thousand times having consented to walk alone with her; for though I made the most painful efforts to appear in spirits, her raillery quite overpowered me. We went first to the pump-room. It was full of company; and the moment we entered, I heard a murmuring of, "That's she!" and, to my great confusion, I saw every eye turned towards me. I pulled my hat over my face, and, by the assistance of Mrs. Selwyn, endeavoured to screen myself from observation, nevertheless, I found I was so much the object of general attention, that I entreated her to hasten away. But unfortunately she had entered into conversation, very earnestly, with a gentleman of her acquaintance, and would not listen to me; but said, that if I was tired of waiting, I might walk on to the milliner's with the Miss Watkins, two young ladies I had seen at Mrs. Beaumont's, who were going thither. I accepted the offer very readily, and away we went. But we had not gone three yards, before we were followed by a party of young men, who took every possible opportunity of looking at us, and, as they walked behind, talked aloud, in a manner at once unintelligible and absurd. "Yes," cried one," 'tis certainly she!-mark but her blushing cheek!" "And then her eye -her downcast eye!"-cried another. "True, oh most true," said a third, "every beauty is her own!" "But then," said the first, "her mind,-now the difficulty is, to find out the truth of that, for she will not say a word." "She is timid," answered another; "mark but her timid air." During this conversation, we walked on silent and quick; as we knew not to whom it was particularly addressed, we were all equally ashamed, and equally desirous to avoid such unaccountable observations. Soon after we were caught in a shower of rain. We hurried on; and these gentlemen, following us, offered their services in the most pressing manner, begging us to make use of their arms; and, while I almost ran, in order to avoid their impertinence, I was suddenly met by Sir Clement Willoughby! We both started; "Good God!" he exclaimed, "Miss Anville!" and then, regarding my tormentors with an air of displeasure, he earnestly enquired, if any thing had alarmed me? "No, no;" cried I, for I found no difficulty now to disengage myself from these youths, who, probably, concluding from the commanding air of Sir Clement, that he had a right to protect me, quietly gave way to him, and entirely quitted us. With his usual impetuosity, he then began a thousand enquiries, accompanied with as many compliments; and he told me, that he arrived at Bristol but this morning, which he had entirely devoted to endeavours to discover where I lodged. "Did you know, then," said I, "that I was at Bristol?" "Would to Heaven," cried he, "that I could remain in ignorance of your proceedings with the same contentment you do of mine! then should I not for ever journey upon the wings of Hope, to meet my own despair! You cannot even judge of the cruelty of my fate; for the ease and serenity of your mind incapacitates you from feeling for the agitation of mine!" The ease and serenity of my mind! alas, how little do I merit those words! "But," added he, "had accident brought me hither, had I not known of your journey, the voice of fame would have proclaimed it to me instantly upon my arrival." "The voice of fame!" repeated I. "Yes, for yours was the first name I heard at the pump-room. But had I not heard your name, such a description could have painted no one else." "Indeed," said I, "I do not understand you." But just then arriving at the milliner's our conversation ended; for Miss Watkins called me to look at caps and ribbons. Sir Clement, however, has the art of being always at home; he was very soon engaged, as busily as ourselves, in looking at lace ruffles; yet he took an opportunity of saying to me, in a low voice, "How charmed I am to see you look so well! I was told you were ill;-but I never saw you in better health,-never more infinitely lovely!" I turned away to examine the ribbons, and soon after Mrs. Selwyn made her appearance. I found that she was acquainted with Sir Clement; and her manner of speaking to him convinced me that he was a favourite with her. When their mutual compliments were over, she turned to me, and said, "Pray, Miss Anville, how long can you live without nourishment?" "Indeed, Ma'am," said I, laughing, "I have never tried." "Because so long, and no longer," answered she, "you may remain at Bristol." "Why, what is the matter, Ma'am?" "The matter!-why, all the ladies are at open war with you,-the whole pump-room is in confusion; and you, innocent as you pretend to look, are the cause. However, if you take my advice, you will be very careful how you eat and drink during your stay." I begged her to explain herself: and she then told me, that a copy of verses had been dropped in the pump-room, and read there aloud: "The beauties of the Wells," said she, "are all mentioned, but you are the Venus to whom the prize is given." "Is it then possible," cried Sir Clement, "that you have not seen these verses?" "I hardly know," answered I, "whether any body has." "I assure you," said Mrs. Selwyn, "if you give me the invention of them, you do me an honour I by no means deserve." "I wrote down in my tablets," said Sir Clement, "the stanzas which concern Miss Anville this morning at the pump-room; and I will do myself the honour of copying them for her this evening." "But why the part that concerns Miss Anville?" said Mrs. Selwyn; "Did you ever see her before this morning?" "O yes," answered he, "I have had that happiness frequently at Captain Mirvan's. Too, too frequently!" added he, in a low voice, as Mrs. Selwyn turned to the milliner: and as soon as she was occupied in examining some trimmings, he came to me, and almost whether I would or not, entered into conversation with me. "I have a thousand things," cried he, "to say to you. Pray where are you?" "With Mrs. Selwyn, Sir." "Indeed!-then, for once, chance is my friend. And how long have you been here?" "About three weeks." "Good Heaven! what an anxious search have I had, to discover your abode, since you so suddenly left town! The termagant, Madame Duval, refused me all intelligence. Oh, Miss Anville, did you know what I have endured! the sleepless, restless state of suspense I have been tortured with, you could not, all cruel as you are, you could not have received me with such frigid indifference?" "Received you, Sir!" "Why, is not my visit to you?" Do you think I should have made this journey, but for the happiness of again seeing you?" "Indeed it is possible I might,-since so many others do." "Cruel, cruel girl! you know that I adore you! you know you are the mistress of my soul, and arbitress of my fate!" Mrs. Selwyn then advancing to us, he assumed a more disengaged air, and asked, if he should not have the pleasure of seeing her in the evening at the assembly? "Oh, yes," cried she, "we shall certainly be there; so you may bring the verses with you, if Miss Anville can wait for them so long." "I hope then," returned he, "that you will do me the honour to dance with me?" I thanked him, but said I should not be at the assembly. "Not be at the assembly?" cried Mrs. Selwyn, "Why, have you, too, letters to write?" She looked at me with a significant archness, that made me colour; and I hastily answered, "No, indeed, Ma'am!" "You have not!" cried she, yet more drily; "then pray, my dear, do you stay at home to help,-or to hinder others?" "To do neither, Ma'am," answered I, in much confusion; "so, if you please, I will not stay at home." "You allow me, then," said Sir Clement, "to hope for the honour of your hand?" I only bowed,-for the dread of Mrs. Selwyn's raillery made me not dare refuse him. Soon after this we walked home: Sir Clement accompanied us; and the conversation that passed between Mrs. Selwyn and him was supported in so lively a manner, that I should have been much entertained, had my mind been more at ease: but, alas! I could think of nothing but the capricious, the unmeaning appearance which the alteration in my conduct must make in the eyes of the Lord Orville! And much as I wished to avoid him, greatly as I desire to save myself from having my weakness known to him,-yet I cannot endure to incur his ill opinion,-and, unacquainted as he is with the reasons by which I am actuated, how can he fail contemning a change to him so unaccountable? As we entered the garden, he was the first object we saw. He advanced to meet us; and I could not help observing, that at sight of each other both he and Sir Clement changed colour. We went into the parlour, where we found the same party we had left. Mrs. Selwyn presented Sir Clement to Mrs. Beaumont; Lady Louisa and Lord Merton he seemed well acquainted with already. The conversation was upon the general subjects, of the weather, the company at the Wells, and the news of the day. But Sir Clement, drawing his chair next to mine, took every opportunity of addressing himself to me in particular. I could not but remark the striking difference of his attention, and that of Lord Orville: the latter has such gentleness of manners, such delicacy of conduct, and an air so respectful, that, when he flatters most, he never distresses; and when he most confers honour, appears to receive it! The former obtrudes his attention, and forces mine; it is so pointed, that it always confuses me, and so public, that it attracts general notice. Indeed I have sometimes thought that he would rather wish, than dislike to have his partiality for me known, as he takes great care to prevent my being spoken to by any but himself. When at length he went away, Lord Orville took his seat, and said, with a half smile, "Shall I call Sir Clement,-or will you call me an usurper for taking this place?-You make me no answer?-Must I then suppose that Sir Clement-" "It is little worth your Lordship's while," said I, "to suppose any thing upon so insignificant an occasion." "Pardon me," cried he;-"to me nothing is insignificant in which you are concerned." To this I made no answer; neither did he say any thing more, till the ladies retired to dress: and then, when I would have followed them, he stopped me, saying, "One moment, I entreat you!" I turned back, and he went on, "I greatly fear that I have been so unfortunate as to offend you; yet so repugnant to my very soul is the idea, that I know not how to suppose it possible I can unwittingly have done the thing in the world that, designedly, I would wish to avoid." "No, indeed, my Lord, you have not," said I. "You sigh!" cried he, taking my hand, "would to Heaven I were the sharer of your uneasiness, whencesoever it springs! with what earnestness would I not struggle to alleviate it!-Tell me, my dear Miss Anville,-my new-adopted sister, my sweet and most amiable friend!-tell me, I beseech you, if I can afford you any assistance?" "None, none, my Lord!" cried I, withdrawing my hand, and moving towards the door. "Is it then impossible I can serve you?-Perhaps you wish to see Mr. Macartney again?" "No, my Lord." And I held the door open. "I am not, I own, sorry for that. Yet, oh! Miss Anville, there is a question,-there is a conjecture,-I know not how to mention, because I dread the result!-But I see you are in haste;-perhaps in the evening I may have the honour of a longer conversation.-Yet one thing, will you have the goodness to allow me to ask?-Did you, this morning, when you went to the Wells,-did you know whom you should meet there?" "Who, my Lord?" "I beg your pardon a thousand times for a curiosity so unlicensed;-but I will say no more at present." He bowed, expecting me to go;-and then, with quick steps, but a heavy heart, I came to my own room. His question, I am sure, meant Sir Clement Willoughby; and had I not imposed upon myself the severe task of avoiding, flying Lord Orville, with all my power, I would instantly have satisfied him of my ignorance of Sir Clement's journey. And yet more did I long to say something of the assembly, since I found he depended upon my spending the evening at home. I did not go down stairs again till the family was assembled to dinner. My dress, I saw, struck Lord Orville with astonishment; and I was myself so much ashamed of appearing whimsical and unsteady, that I could not look up. "I understood," said Mrs. Beaumont, "that Miss Anville did not go out this evening." "Her intention in the morning," said Mrs. Selwyn, "was to stay at home; but there is a fascinating power in an assembly, which, upon second thoughts, is not to be resisted." "The assembly!" cried Lord Orville; "are you then going to the assembly?" I made no answer; and we all took our places at table. It was not without difficulty that I contrived to give up my usual seat; but I was determined to adhere to the promise in my yesterday's letter, though I saw that Lord Orville seemed quite confounded at my visible endeavours to avoid him. After dinner, we all went into the drawing-room together, as there were no gentlemen to detain his Lordship; and then, before I could place myself out of his way, he said, "You are then really going to the assembly?-May I ask if you shall dance?" "I believe not,-my Lord." "If I did not fear," continued he, "that you would be tired of the same partner at two following assemblies, I would give up my letter-writing till to-morrow evening, and solicit the honour of your hand." "If I do dance," said I, in great confusion, "I believe I am engaged." "Engaged!" cried he, with earnestness, "May I ask to whom?" "To-Sir Clement Willoughby, my Lord." He said nothing, but looked very little pleased, and did not address himself to me any more all the afternoon. Oh, Sir!-thus situated, how comfortless were the feelings of your Evelina! Early in the evening, with his accustomed assiduity, Sir Clement came to conduct us to the assembly. He soon contrived to seat himself next me, and, in a low voice, paid me so many compliments, that I knew not which way to look. Lord Orville hardly spoke a word, and his countenance was grave and thoughtful; yet, whenever I raised my eyes, his, I perceived, were directed towards me, though instantly, upon meeting mine, he looked another way. In a short time, Sir Clement, taking from his pocket a folded paper, said, almost in a whisper, "Here, loveliest of women, you will see a faint, an unsuccessful attempt to paint the object of all my adoration! yet, weak as are the lines for the purpose, I envy beyond expression the happy mortal who has dared make the effort." "I will look at them," said I, "some other time." For, conscious that I was observed by Lord Orville, I could not bear he should see me take a written paper, so privately offered, from Sir Clement. But Sir Clement is an impracticable man, and I never succeeded in any attempt to frustrate whatever he had planned. "No," said he, still in a whisper, "you must take them now, while Lady Louisa is away;" for she and Mrs. Selwyn were gone up stairs to finish their dress, "as she must by no means see them." "Indeed," said I, "I have no intention to show them." "But the only way," answered he, "to avoid suspicion, is to take them in her absence. I would have read them aloud myself, but that they are not proper to be seen by any body in this house, yourself and Mrs. Selwyn excepted." Then again he presented me the paper, which I now was obliged to take, as I found declining it was vain. But I was sorry that this action should be seen, and the whispering remarked, though the purport of the conversation was left to conjecture. As I held it in my hand, Sir Clement teazed me to look at it immediately; and told me, the reason he could not produce the lines publicly was, that among the ladies who were mentioned, and supposed to be rejected, was Lady Louisa Larpent. I am much concerned at this circumstance, as I cannot doubt but that it will render me more disagreeable to her than ever, if she should hear of it. I will now copy the verses, which Sir Clement would not let me rest till I had read. See last advance, with bashful grace, Downcast eye, and blushing cheek, Timid air, and beauteous face, Anville,-whom the Graces seek. Though ev'ry beauty is her own, And though her mind each virtue fills, Anville,-to her power unknown, Artless strikes,-unconscious kills. I am sure, my dear Sir, you will not wonder that a panegyric such as this should, in reading, give me the greatest confusion; and, unfortunately, before I had finished it, the ladies returned. "What have you there, my dear?" said Mrs. Selwyn. "Nothing, Ma'am," said I, hastily folding, and putting it in my pocket. "And has nothing," cried she, "the power of rouge?" I made no answer; a deep sigh, which escaped Lord Orville at that moment, reached my ears, and gave me sensations-which I dare not mention! Lord Merton then handed Lady Louisa and Mrs. Beaumont to the latter's carriage. Mrs. Selwyn led the way to Sir Clement's, who handed me in after her. During the ride I did not once speak; but when I came to the assembly room, Sir Clement took care that I should not preserve my silence. He asked me immediately to dance; I begged him to excuse me, and seek some other partner. But on the contrary, he told me, he was very glad I would sit still, as he had a million of things to say to me. He then began to tell me, how much he had suffered from absence; how greatly he was alarmed when he heard I had left town; and how cruelly difficult he had found it to trace me; which, at last, he could only do by sacrificing another week to Captain Mirvan. "And Howard Grove," continued he, "which, at my first visit, I thought the most delightful spot upon earth, now appeared to me the most dismal: the face of the country seemed altered; the walks, which I had thought most pleasant, were now most stupid: Lady Howard, who had appeared a cheerful and respectable old lady, now appeared in the common John Trot style of other aged dames: Mrs. Mirvan, whom I had esteemed as an amiable piece of still-life, now became so insipid, that I could hardly keep awake in her company: the daughter, too, whom I had regarded as a good-humoured, pretty sort of a girl, now seemed too insignificant for notice: and as to the Captain, I had always thought him a booby,-but now he appeared a savage!" "Indeed, Sir Clement," cried I, angrily, "I will not hear you speak thus of my best friends." "I beg your pardon," said he, "but the contrast of my two visits was too striking not to be mentioned." He then asked what I thought of the verses? "Either," said I, "they are written ironically, or by some madman." Such a profusion of compliments ensued, that I was obliged to propose dancing, in my own defence. When we stood up, "I intended," said he, "to have discovered the author by his looks; but I find you so much the general loadstone of attention, that my suspicions change their object every moment. Surely you must yourself have some knowledge who he is?" I told him no. Yet, my dear Sir, I must own to you, I have no doubt but that Mr. Macartney must be the author; no one else would speak of me so partially; and, indeed, his poetical turn puts it, with me, beyond dispute. He asked me a thousand questions concerning Lord Orville; how long he had been at Bristol?-what time I had spent at Clifton?-whether he rode out every morning?-whether I ever trusted myself in a phaeton? and a multitude of other enquiries, all tending to discover if I was honoured with much of his Lordship's attention, and all made with his usual freedom and impetuosity. Fortunately, as I much wished to retire early, Lady Louisa makes a point of being the first who quit the rooms, and therefore we got home in very tolerable time. Lord Orville's reception of us was grave and cold: far from distinguishing me, as usual, by particular civilities, Lady Louisa herself could not have seen me enter the room with more frigid unconcern, nor have more scrupulously avoided honouring me with any notice. But chiefly I was struck to see, that he suffered Sir Clement, who stayed supper, to sit between us, without any effort to prevent him, though till then, he had seemed to be even tenacious of a seat next mine. This little circumstance affected me more than I can express; yet I endeavoured to rejoice at it, since neglect and indifference from him may be my best friends.-But, alas!-so suddenly, so abruptly to forfeit his attention!-to lose his friendship!-Oh, Sir, these thoughts pierced my soul!-scarce could I keep my seat; for not all my efforts could restrain the tears from trickling down my cheeks: however, as Lord Orville saw them not, for Sir Clement's head was constantly between us, I tried to collect my spirits, and succeeded so far as to keep my place with decency, till Sir Clement took leave; and then, not daring to trust my eyes to meet those of Lord Orville, I retired. I have been writing ever since; for, certain that I could not sleep, I would not go to bed. Tell me, my dearest Sir, if you possibly can, tell me that you approve my change of conduct,-tell me that my altered behaviour to Lord Orville is right,-that my flying his society, and avoiding his civilities, are actions which you would have dictated.-Tell me this, and the sacrifices I have made will comfort me in the midst of my regret,-for never, never can I cease to regret that I have lost the friendship of Lord Orville!-Oh, Sir, I have slighted,-have rejected,-have thrown it away!-No matter, it was an honour I merited not to preserve; and now I see,-that my mind was unequal to sustaining it without danger. Yet so strong is the desire you have implanted in me to act with uprightness and propriety, that, however the weakness of my heart may distress and afflict me, it will never, I humbly trust, render me wilfully culpable. The wish of doing well governs every other, as far as concerns my conduct,-for am I not your child?-the creature of your own forming!-Yet, Oh Sir, friend, parent, of my heart!-my feelings are all at war with my duties! and, while I most struggle to acquire self-approbation, my peace, my happiness, my hopes,-are lost! 'Tis you alone can compose a mind so cruelly agitated: you, I well know, can feel pity for the weakness to which you are a stranger; and, though you blame the affliction, soothe and comfort the afflicted. </CHAPTER> <CHAPTER> LETTER LXXIII. MR. VILLARS TO EVELINA. Berry Hill, Oct. 3rd. YOUR last communication, my dearest child, is indeed astonishing; that an acknowledged daughter and heiress of Sir John Belmont should be at Bristol, and still my Evelina bear the name of Anville, is to me inexplicable; yet the mystery of the letter to Lady Howard prepared me to expect something extraordinary upon Sir John Belmont's return to England. Whoever this young lady may be, it is certain she now takes a place to which you have a right indisputable. An after-marriage I never heard of; yet, supposing such a one to have happened, Miss Evelyn was certainly the first wife, and therefore her daughter must, at least, be entitled to the name of Belmont. Either there are circumstances in this affair at present utterly incomprehensible, or else some strange and most atrocious fraud has been practiced; which of these two is the case it now behoves us to enquire. My reluctance to this step gives way to my conviction of its propriety, since the reputation of your dear and much-injured mother must now either be fully cleared from blemish, or receive its final and indelible wound. The public appearance of a daughter of Sir John Belmont will revive the remembrance of Miss Evelyn's story in all who have heard it,-who the mother was, will be universally demanded,-and if any other Lady Belmont should be named, the birth of my Evelina will receive a stigma, against which, honour, truth, and innocence may appeal in vain!-a stigma, which will eternally blast the fair fame of her virtuous mother, and cast upon her blameless self the odium of a title, which not all her purity can rescue from established shame and dishonour! No, my dear child, no; I will not quietly suffer the ashes of your mother to be treated with ignominy! her spotless character shall be justified to the world-her marriage shall be acknowledged, and her child shall bear the name to which she is lawfully entitled. It is true, that Mrs. Mirvan would conduct this affair with more delicacy than Mrs. Selwyn; yet, perhaps, to save time, is of all considerations the most important, since the longer this mystery is suffered to continue, the more difficult may be rendered its explanation. The sooner, therefore, you can set out for town, the less formidable will be your task. Let not your timidity, my dear love, depress your spirits: I shall, indeed, tremble for you at a meeting so singular and so affecting, yet there can be no doubt of the success of your application: I enclose a letter from your unhappy mother, written, and reserved purposely for this occasion: Mrs. Clinton too, who attended her in her last illness, must accompany you to town.-But, without any other certificate of your birth, that which you carry in your countenance, as it could not be affected by artifice, so it cannot admit of a doubt. And now, my Evelina, committed at length to the care of your real parent, receive the fervent prayers, wishes, and blessings, of him who so fondly adopted you! May'st thou, O child of my bosom! may'st thou, in this change of situation, experience no change of disposition! but receive with humility, and support with meekness the elevation to which thou art rising! May thy manners, language, and deportment, all evince that modest equanimity, and cheerful gratitude, which not merely deserve, but dignify prosperity! May'st thou, to the last moments of an unblemished life, retain thy genuine simplicity, thy singleness of heart, thy guileless sincerity! And may'st thou, stranger to ostentation, and superior to insolence, with true greatness of soul shine forth conspicuous only in beneficence! ARTHUR VILLARS. </CHAPTER> <CHAPTER> LETTER LXXIV. LADY BELMONT TO SIR JOHN BELMONT. IN the firm hope that the moment of anguish which approaches will prove the period of my sufferings, once more I address myself to Sir John Belmont, in behalf of the child, who, if it survives its mother, will hereafter be the bearer of this letter. Yet, in what terms,-Oh, most cruel of men!-can the lost Caroline address you, and not address you in vain? Oh, deaf to the voice of compassion-deaf to the sting of truth-deaf to every tie of honour-say, in what terms may the lost Caroline address you, and not address you in vain! Shall I call you by the loved, the respected title of husband?-No, you disclaim it!-the father of my infant?-No, you doom it to infamy!-the lover who rescued me from a forced marriage?-No, you have yourself betrayed me!-the friend from whom I hoped succour and protection?-No, you have consigned me to misery and destruction! Oh, hardened against every plea of justice, remorse, or pity! how, and in what manner, may I hope to move thee? Is there one method I have left untried? remains there one resource unessayed? No! I have exhausted all the bitterness of reproach, and drained every sluice of compassion! Hopeless, and almost desperate, twenty times have I flung away my pen;-but the feelings of a mother, a mother agonizing for the fate of her child, again animating my courage, as often I have resumed it. Perhaps when I am no more, when the measure of my woes is completed, and the still, silent, unreproaching dust has received my sad remains,-then, perhaps, when accusation is no longer to be feared, nor detection to be dreaded, the voice of equity and the cry of nature may be heard. Listen, Oh Belmont, to their dictates! reprobate not your child, though you have reprobated its mother. The evils that are past, perhaps, when too late, you may wish to recal; the young creature you have persecuted, perhaps, when too late, you may regret that you have destroyed;-you may think with horror of the deceptions you have practised, and the pangs of remorse may follow me to the tomb:-Oh, Belmont, all my resentment softens into pity at the thought! what will become of thee, good Heaven, when, with the eye of penitence, thou reviewest thy past conduct! Hear, then, the solemn, the last address, with which the unhappy Caoline will importune thee. If when the time of thy contrition arrives,-for arrive it must!-when the sense of thy treachery shall rob thee of almost every other, if then thy tortured heart shall sigh to expiate thy guilt,-mark the conditions upon which I leave thee my forgiveness. Thou knowest I am thy wife!-clear, then, to the world the reputation thou hast sullied, and receive, as thy lawful successor, the child who will present thee this, my dying request! The worthiest, the most benevolent, the best of men, to whose consoling kindness I owe the little tranquillity I have been able to preserve, has plighted me his faith, that, upon no other conditions, he will part with his helpless charge. Should'st thou, in the features of this deserted innocent, trace the resemblance of the wretched Caroline,-should its face bear the marks of its birth, and revive in thy memory the image of its mother, wilt thou not, Belmont, wilt thou not therefore renounce it?-Oh, babe of my fondest affection! for whom already I experience all the tenderness of maternal pity! look not like thy unfortunate mother,-lest the parent, whom the hand of death may spare, shall be snatched from thee by the more cruel means of unnatural antipathy! I can write no more. The small share of serenity I have painfully acquired, will not bear the shock of the dreadful ideas that crowd upon me. Adieu,-for ever!- Yet, Oh!-shall I not, in this last farewell, which thou wilt not read till every stormy passion is extinct, and the kind grave has embosomed all my sorrows,-shall I not offer to the man, once so dear to me, a ray of consolation to those afflictions he has in reserve? Suffer me, then, to tell thee, that my pity far exceeds my indignation,-that I will pray for thee in my last moments, and that the recollection of the love I once bore thee, shall swallow up every other! Once more, adieu! CAROLINE BELMONT. </CHAPTER> <CHAPTER> LETTER LXXV. EVELINA TO THE REV. MR. VILLARS. Clifton, Oct. 3rd. THIS morning I saw from my window, that Lord Orville was walking in the garden; but I would not go down stairs till breakfast was ready: and then, he paid me his compliments almost as coldly as Lady Louisa paid hers. I took my usual place, and Mrs. Belmont, Lady Louisa, and Mrs. Selwyn, entered into their usual conversation.-Not so your Evelina: disregarded, silent, and melancholy, she sat like a cypher, whom, to nobody belonging, by nobody was noticed. Ill brooking such a situation, and unable to suport the neglect of Lord Orville, the moment breakfast was over I left the room, and was going up stairs; when, very unpleasantly, I was stopped by Sir Clement Willoughby, who, flying into the hall, prevented my proceeding. He enquired very particularly after my health, and entreated me to return into the parlour. Unwillingly, I consented, but thought any thing preferable to continuing alone with him; and he would neither leave me, nor suffer me to pass on. Yet, in returning, I felt not a little ashamed at appearing thus to take the visit of Sir Clement to myself. And, indeed, he endeavoured, by his manner of addressing me, to give it that air. He stayed, I believe, an hour; nor would he, perhaps, even then have gone, had not Mrs. Beaumont broken up the party, by proposing an airing in her coach. Lady Louisa consented to accompany her; but Mrs. Selwyn, when applied to, said, "If my Lord, or Sir Clement, will join us, I shall be happy to make one;-but really a trio of females will be nervous to the last degree." Sir Clement readily agreed to attend them; indeed, he makes it his evident study to court the favour of Mrs. Beaumont. Lord Orville excused himself from going out; and I retired to my own room. What he did with himself I know not, for I would not go down stairs till dinner was ready: his coldness, though my own change of behaviour had occasioned it, so cruelly depresses my spirits, that I know not how to support myself in his presence. At dinner, I found Sir Clement again of the party. Indeed, he manages every thing his own way; for Mrs. Beaumont, though by no means easy to please, seems quite at his disposal. The dinner, the afternoon, and the evening, were to me the most irksome imaginable: I was tormented by the assiduity of Sir Clement, who not only took, but made opportunities of speaking to me,-and I was hurt,-Oh, how inexpressibly hurt!-that Lord Orville not only forebore, as hitherto, seeking, he even neglected all occasions of talking with me! I begin to think, my dear Sir, that the sudden alteration in my behaviour was ill-judged and improper; for, as I had received no offence, as the cause of the change was upon my account, not his, I should not have assumed, so abruptly, a reserve for which I dared assign no reason,-nor have shunned his presence so obviously, without considering the strange appearance of such a conduct. Alas, my dearest Sir, that my reflections should always be too late to serve me! dearly, indeed, do I purchase experience! and much, I fear, I shall suffer yet more severely, from the heedless indiscretion of my temper, ere I attain that prudence and consideration, which, by foreseeing distant consequences, may rule and direct in present exigencies. Oct. 4th. Yesterday morning every body rode out, except Mrs. Selwyn and myself; and we two sat for some time together in her room; but, as soon as I could, I quitted her, to saunter in the garden; for she diverts herself so unmercifully with rallying me, either upon my gravity, or concerning Lord Orville,-that I dread having any conversation with her. Here I believe I spent an hour by myself; when, hearing the garden-gate open, I went into an arbour at the end of a long walk, where, ruminating, very unpleasantly, upon my future prospects, I remained quietly seated but a few minutes, before I was interrupted by the appearance of Sir Clement Willoughby. I started; and would have left the arbour, but he prevented me. Indeed, I am almost certain he had heard in the house where I was, as it is not, otherwise, probable he would have strolled down the garden alone. "Stop, stop," cried he, "loveliest and most beloved of women, stop and hear me!" Then, making me keep my place, he sat down by me, and would have taken my hand; but I drew it back, and said I could not stay. "Can you, then," cried he, "refuse me the smallest gratification, though, but yesterday, I almost suffered martyrdom for the pleasure of seeing you?" "Martyrdom! Sir Clement." "Yes, beauteous insensible! martyrdom: for did I not compel myself to be immured in a carriage, the tedious length of a whole morning, with the three most fatiguing women in England?" "Upon my word, the ladies are extremely obliged to you." "Oh," returned he, "they have, every one of them, so copious a share of their own personal esteem, that they have no right to repine at the failure of it in the world; and, indeed, they will themselves be the last to discover it." "How little," cried I, "are those ladies aware of such severity from you!" "They are guarded," answered he, "so happily and so securely by their own conceit, that they are not aware of it from any body. Oh, Miss Anville, to be torn away from you, in order to be shut up with them,-is there a human being, except your cruel self, could forbear to pity me?" "I believe, Sir Clement, however hardly you may choose to judge of them, your situation, by the world in general, would rather have been envied than pitied." "The world in general," answered he, "has the same opinion of them that I have myself: Mrs. Beaumont is every where laughed at, Lady Louisa ridiculed, and Mrs. Selwyn hated." "Good God, Sir Clement, what cruel strength of words do you use!" "It is you, my angel, are to blame, since your perfections have rendered their faults so glaring. I protest to you, during our whole ride, I thought the carriage drawn by snails. The absurd pride of Mrs. Beaumont, and the respect she exacts, are at once insufferable and stupifying; had I never before been in her company, I should have concluded that this had been her first airing from the herald's office,-and wished her nothing worse, than that it might also be the last. I assure you, that but for gaining the freedom of her house, I would fly her as I would plague, pestilence, and famine. Mrs. Selwyn, indeed, afforded some relief from this formality, but the unbounded license of her tongue-" "O, Sir Clement, do you object to that?" "Yes, my sweet reproacher, in a woman I do; in a woman I think it intolerable. She has wit, I acknowledge, and more understanding than half her sex put together; but she keeps alive a perpetual expectation of satire, that spreads a general uneasiness among all who are in her presence; and she talks so much, that even the best things she says weary the attention. As to the little Louisa, 'tis such a pretty piece of languor, that 'tis almost cruel to speak rationally about her,-else I should say, she is a mere compound of affectation, impertinence, and airs." "I am quite amazed," said I, "that, with such opinions, you can behave to them all with so much attention and civility." "Civility! my angel,-why I could worship, could adore them, only to procure myself a moment of your conversation! Have you not seen me pay my court to the gross Captain Mirvan, and the virago Madame Duval? Were it possible that a creature so horrid could be formed, as to partake of the worst qualities of all these characters,-a creature who should have the haughtiness of Mrs. Beaumont, the brutality of Captain Mirvan, the self-conceit of Mrs. Selwyn, the affectation of Lady Louisa, and the vulgarity of Madame Duval,-even to such a monster as that I would pay homage, and pour forth adulation, only to obtain one word, one look from my adored Miss Anville!" "Sir Clement," said I, "you are greatly mistaken if you suppose this duplicity of character recommends you to my good opinion. But I must take this opportunity of begging you never more to talk to me in this strain." "Oh, Miss Anville, your reproofs, your coldness, pierce me to the soul! look upon me with less rigour, and make me what you please;-you shall govern and direct all my actions,-you shall new-form, new-model me:-I will not have even a wish but of your suggestion; only deign to look upon me with pity-if not with favour!" "Suffer me, Sir," said I, very gravely, "to make use of this occasion to put a final conclusion to such expressions. I entreat you never again to address me in a language so flighty and so unwelcome. You have already given me great uneasiness; and I must frankly assure you, that if you do not desire to banish me from wherever you are, you will adopt a very different style and conduct in future." I then rose, and was going, but he flung himself at my feet to prevent me, exclaiming, in a most passionate manner, "Good God! Miss Anville, what do you say?-is it, can it be possible, that, so unmoved, that, with such petrifying indifference, you can tear from me even the remotest hope!" "I know not, Sir," said I, endeavouring to disengage myself from him, "what hope you mean, but I am sure that I never intended to give you any." "You distract me," cried he, "I cannot endure such scorn;-I beseech you to have some moderation in your cruelty, lest you make me desperate:-say, then, that you pity me,-O fairest inexorable! loveliest tyrant!-say, tell me, at least, that you pity me!" Just then, who should come in sight, as if intending to pass by the arbour, but Lord Orville! Good Heaven, how did I start! and he, the moment he saw me, turned pale, and was hastily retiring;-but I called out "Lord Orville!-Sir Clement, release me,-let go my hand!" Sir Clement, in some confusion, suddenly rose, but still grasped my hand. Lord Orville, who had turned back, was again walking away; but, still struggling to disengage myself, I called out "Pray, pray, my Lord, don't go!-Sir Clement, I insist upon your releasing me!" Lord Orville then, hastily approaching us, said, with great spirit, "Sir Clement, you cannot wish to detain Miss Anville by force!" "Neither, my Lord," cried Sir Clement, proudly, "do I request the honour of your Lordship's interference." However, he let go my hand, and I immediately ran into the house. I was now frightened to death, lest Sir Clement's mortified pride should provoke him to affront Lord Orville: I therefore ran hastily to Mrs. Selwyn, and entreated her, in a manner hardly to be understood, to walk towards the arbour. She asked no questions, for she is quick as lightening in taking a hint, but instantly hastened into the garden. Imagine, my dear Sir, how wretched I must be till I saw her return! scarce could I restrain myself from running back: however, I checked my impatience, and waited, though in agonies, till she came. And now, my dear Sir, I have a conversation to write, the most interesting to me that I ever heard. The comments and questions with which Mrs. Selwyn interrupted her account I shall not mention; for they are such as you may very easily suppose. Lord Orville and Sir Clement were both seated very quietly in the arbour: and Mrs. Selwyn, standing still, as soon as she was within a few yards of them, heard Sir Clement say, "Your question, my Lord, alarms me, and I can by no means answer it, unless you will allow me to propose another." "Undoubtedly, Sir." "You ask me, my Lord, what are my intentions?-I should be very happy to be satisfied as to your Lordship's." "I have never, Sir, professed any." Here they were both, for a few moments, silent; and then Sir Clement said, "To what, my Lord, must I then impute your desire of knowing mine?" "To an unaffected interest in Miss Anville's welfare." "Such an interest," said Sir Clement, drily, "is indeed very generous; but, except in a father,-a brother,-or a lover-" "Sir Clement," interrupted his Lordship, "I know your inference; and I acknowledge I have not the right of enquiry which any of those three titles bestow; and yet I confess the warmest wishes to serve her and to see her happy. Will you, then, excuse me, if I take the liberty to repeat my question?" "Yes, if your Lordship will excuse my repeating, that I think it a rather extraordinary one." "It may be so," said Lord Orville; "but this young lady seems to be peculiarly situated; she is very young, very inexperienced, yet appears to be left totally to her own direction. She does not, I believe, see the dangers to which she is exposed, and I will own to you, I feel a strong desire to point them out." "I don't rightly understand your Lordship,-but I think you cannot mean to prejudice her against me?" "Her sentiments of you, Sir, are as much unknown to me, as your intentions towards her. Perhaps, were I acquainted with either, my officiousness might be at an end: but I presume not to ask upon what terms-" Here he stopped; and Sir Clement said, "You know, my Lord, I am not given to despair; I am by no means such a puppy as to tell you I am upon sure ground; however, perseverance-" "You are, then, determined to perservere?" "I am, my Lord." "Pardon me, then, Sir Clement, if I speak to you with freedom. This young lady, though she seems alone, and, in some measure, unprotected, is not entirely without friends; she has been extremely well educated, and accustomed to good company; she has a natural love of virtue, and a mind that might adorn any station, however exalted: is such a young lady, Sir Clement, a proper object to trifle with?-for your principles, excuse me, Sir, are well known." "As to that, my Lord, let Miss Anville look to herself; she has an excellent understanding, and needs no counsellor." "Her understanding is indeed excellent; but she is too young for suspicion, and has an artlessness of disposition I never saw equalled." "My Lord," cried Sir Clement, warmly, "your praises make me doubt your disinterestedness, and there exists not the man, whom I would so unwillingly have for a rival as yourself. But you must give me leave to say, you have greatly deceived me in regard to this affair." "How so, Sir?" cried Lord Orville, with equal warmth. "You were pleased, my Lord," answered Sir Clement, "upon our first conversation concerning this young lady, to speak to her in terms by no means suited to your present encomiums; you said she was a poor, weak, ignorant girl, and I had great reason to believe you had a most contemptuous opinion of her." "It is very true," said Lord Orville, "that I did not, at our first acquaintance, do justice to the merits of Miss Anville; but I knew not then how new she was to the world; at present, however, I am convinced, that whatever might appear strange in her behaviour, was simply the effect of inexperience, timidity, and a retired education; for I find her informed, sensible, and intelligent. She is not, indeed, like most modern young ladies, to be known in half an hour: her modest worth, and fearful excellence, require both time and encouragement to show themselves. She does not, beautiful as she is, seize the soul by surprise, but, with more dangerous fascination, she steals it almost imperceptibly." "Enough, my Lord," cried Sir Clement, "your solicitude for her welfare is now sufficiently explained." "My friendship and esteem," returned Lord Orville, "I do not wish to disguise; but assure yourself, Sir Clement, I should not have troubled you upon this subject, had Miss Anville and I ever conversed but as friends. However, since you do not choose to avow your intentions, we must drop the subject." "My intentions," cried he, "I will frankly own, are hardly known to myself. I think Miss Anville the loveliest of her sex; and, were I a marrying man, she, of all the women I have seen, I would fix upon for a wife: but I believe that not even the philosophy of your Lordship would recommend me to a connection of that sort, with a girl of obscure birth, whose only dowry is her beauty, and who is evidently in a state of dependency." "Sir Clement," cried Lord Orville, with some heat, "we will discuss this point no further; we are both free agents, and must act for ourselves." Here Mrs. Selwyn, fearing a surprise, and finding my apprehensions of danger were groundless, retired hastily into another walk, and soon after came to give me this account. Good Heaven, what a man is this Sir Clement! So designing, though so easy; so deliberately artful, though so flighty! Greatly, however, is he mistaken, all confident as he seems; for the girl, obscure, poor, dependent as she is, far from wishing the honour of his alliance, would not only now, but always have rejected it. As to Lord Orville,-but I will not trust my pen to mention him,-tell me, my dear sir, what you think of him?-tell me if he is not the noblest of men?-and if you can either wonder at, or blame my admiration? The idea of being seen immediately by either party, after so singular a conversation, was both awkward and distressing to me; but I was obliged to appear at dinner. Sir Clement, I saw, was absent and uneasy; he watched me, he watched Lord Orville, and was evidently disturbed in his mind. Whenever he spoke to me, I turned from him with undisguised disdain, for I am too much irritated against him, to bear with his ill-meant assiduities any longer. But, not once,-not a moment, did I dare meet the eyes of Lord Orville! All consciousness myself, I dreaded his penetration, and directed mine every way-but towards his. The rest of the day I never quitted Mrs. Selwyn. Adieu, my dear Sir: to-morrow I expect your directions, whether I am to return to Berry Hill, or once more to visit London. </CHAPTER> <CHAPTER> LETTER LXXVI. EVELINA IN CONTINUATION. Oct. 6th. AND now, my dearest Sir, if the perturbation of my spirits will allow me, I will finish my last letter from Clifton Hill. This morning, though I did not go down stairs early, Lord Orville was the only person in the parlour when I entered it. I felt no small confusion at seeing him alone, after having so long and successfully avoided such a meeting. As soon as the usual compliments were over, I would have left the room, but he stopped me by saying, "If I disturb you Miss Anville, I am gone." "My Lord," said I, rather embarrassed, "I did not mean to stay." "I flattered myself," cried he, "I should have had a moment's conversation with you." I then turned back; and he seemed himself in some perplexity: but, after a short pause, "You are very good," said he, "to indulge my request; I have, indeed, for some time past, most ardently desired an opportunity of speaking to you." Again he paused; but I said nothing, so he went on. "You allowed me, Madam, a few days since, you allowed me to lay claim to your friendship,-to interest myself in your affairs,-to call you by the affectionate title of sister;-and the honour you did me, no man could have been more sensible of; I am ignorant, therefore, how I have been so unfortunate as to forfeit it:-but, at present, all is changed! you fly me,-your averted eye shuns to meet mine, and you sedulously avoid my conversation." I was extremely disconcerted at this grave, and but too just accusation, and I am sure I must look very simple;-but I made no answer. "You will not, I hope," continued he, "condemn me unheard; if there is any thing I have done,-or any thing I have neglected, tell me, I beseech you, what, and it shall be the whole study of my thoughts how to deserve your pardon." "Oh, my Lord," cried I, penetrated at once with shame and gratitude, "your too, too great politeness oppresses me!-you have done nothing,-I have never dreamt of offence-if there is any pardon to be asked it is rather for me, than for you to ask it." "You are all sweetness and condescension!" cried he, "and I flatter myself you will again allow me to claim those titles which I find myself so unable to forego. Yet, occupied as I am, with an idea that gives me the greatest uneasiness, I hope you will not think me impertinent, if I still solicit, still intreat, nay implore, you to tell me, to what cause your late sudden, and to me most painful, reserve was owing?" "Indeed, my Lord," said I, stammering, "I don't,-I can't,-indeed, my Lord,-" "I am sorry to distress you," said he, "and ashamed to be so urgent,-yet I know not how to be satisfied while in ignorance,-and the time when the change happened, makes me apprehend,-may I, Miss Anville, tell you what it makes me apprehend?" "Certainly, my Lord." "Tell me, then,-and pardon a question most essentially important to me;-Had, or had not, Sir Clement Willoughby any share in causing your inquietude?" "No, my Lord," answered I, with firmness, "none in the world." "A thousand, thousand thanks!" cried he: "you have relieved me from a weight of conjecture which I supported very painfully. But one thing more; is it, in any measure, to Sir Clement that I may attribute the alteration in your behaviour to myself, which, I could not but observe, began the very day after his arrival at the Hot Wells?" "To Sir Clement, my Lord," said I, "attribute nothing. He is the last man in the world who would have any influence over my conduct." "And will you, then, restore to me that share of confidence and favour with which you honoured me before he came?" Just then, to my great relief,-for I knew not what to say,-Mrs. Beaumont opened the door, and in a few minutes we went to breakfast. Lord Orville was all gaiety; never did I see him more lively or more agreeable. Very soon after, Sir Clement Willoughby called, to pay his respects, he said, to Mrs. Beaumont. I then came to my own room, where, indulging my reflections, which, now soothed, and now alarmed me, I remained very quietly, till I received your most kind letter. Oh, Sir, how sweet are the prayers you offer for your Evelina! how grateful to her are the blessings you pour upon her head!-You commit me to my real parent,-Ah, Guardian, Friend, Protector of my youth,-by whom my helpless infancy was cherished, my mind formed, my very life preserved,-you are the Parent my heart acknowledges, and to you do I vow eternal duty, gratitude, and affection! I look forward to the approaching interview with more fear than hope; but, important as is this subject, I am just now wholly engrossed with another, which I must hasten to communicate. I immediately acquainted Mrs. Selwyn with the purport of your letter. She was charmed to find your opinion agreed with her own, and settled that we should go to town to-morrow morning: and a chaise is actually ordered to be here by one o'clock. She then desired me to pack up my clothes; and said she must go herself to make speeches and tell lies to Mrs. Beaumont. When I went down stairs to dinner, Lord Orville, who was still in excellent spirits, reproached me for secluding myself so much from the company. He sat next me,-he would sit next me,-at table; and he might, I am sure, repeat what he once said of me before, that he almost exhausted himself in fruitless endeavours to entertain me; -for, indeed, I was not to be entertained: I was totally spiritless and dejected; the idea of the approaching meeting,-and Oh, Sir, the idea of the approaching parting,-gave a heaviness to my heart that I could neither conquer nor repress. I even regretted the half explanation that had passed, and wished Lord Orville had supported his own reserve, and suffered me to support mine. However, when, during dinner, Mrs. Beaumont spoke of our journey, my gravity was no longer singular; a cloud instantly overspread the countenance of Lord Orville, and he became nearly as thoughtful and as silent as myself. We all went together to the drawing-room. After a short and unentertaining conversation, Mrs. Selwyn said she must prepare for her journey, and begged me to see for some books she had left in the parlour. And here, while I was looking for them, I was followed by Lord Orville. He shut the door after he came in, and, approaching me with a look of anxiety, said, "Is this true, Miss Anville, are you going?" "I believe so, my Lord," said I, still looking for the books. "So suddenly, so unexpectedly must I lose you?" "No great loss, my Lord," cried I, endeavouring to speak cheerfully. "Is it possible," said he gravely, "Miss Anville can doubt my sincerity?" "I can't imagine," cried I, "what Mrs. Selwyn has done with these books." "Would to Heaven," continued he, "I might flatter myself you would allow me to prove it!" "I must run up stairs," cried I, greatly confused, "and ask what she has done with them." "You are going, then," cried he, taking my hand, "and you give me not the smallest hope of your return!-will you not, then, my too lovely friend!-will you not, at least, teach me, with fortitude like your own, to support your absence?" "My Lord," cried I, endeavouring to disengage my hand, "pray let me go!" "I will," cried he, to my inexpressible confusion, dropping on one knee, "if you wish to leave me!" "O, my Lord," exclaimed I, "rise, I beseech you, rise!-such a posture to me!-surely your Lordship is not so cruel as to mock me!" "Mock you!" repeated he earnestly, "no I revere you! I esteem and I admire you above all human beings! you are the friend to whom my soul is attached as to its better half! you are the most amiable, the most perfect of women! and you are dearer to me than language has the power of telling." I attempt not to describe my sensations at that moment; I scarce breathed; I doubted if I existed,-the blood forsook my cheeks, and my feet refused to sustain me: Lord Orville, hastily rising, supported me to a chair, upon which I sunk, almost lifeless. For a few minutes, we neither of us spoke; and then, seeing me recover, Lord Orville, though in terms hardly articulate, intreated my pardon for his abruptness. The moment my strength returned, I attempted to rise, but he would not permit me. I cannot write the scene that followed, though every word is engraven on my heart; but his protestations, his expressions, were too flattering for repetition: nor would he, in spite of my repeated efforts to leave him, suffer me to escape:-in short, my dear Sir, I was not proof against his solicitations-and he drew from me the most sacred secret of my heart! I know not how long we were together; but Lord Orville was upon his knees, when the door was opened by Mrs. Selwyn!-To tell you, Sir, the shame with which I overwhelmed, would be impossible;-I snatched my hand from Lord Orville,-he, too, started and rose, and Mrs. Selwyn, for some instants, stood facing us both in silence. At last, "My Lord" said she, sarcastically, "have you been so good as to help Miss Anville to look for my books?" "Yes, Madam," answered he, attempting to rally, "and I hope we shall soon be able to find them." "Your Lordship is extremely kind," said she, drily, "but I can by no means consent to take up any more of your time." Then looking on the window-seat, she presently found the books, and added, "Come, here are just three, and so like the servants in the Drummer, this important affair may give employment to us all." She then presented one of them to Lord Orville, another to me, and taking a third herself, with a most provoking look, she left the room. I would instantly have followed her; but Lord Orville, who could not help laughing, begged me to stay a minute, as he had many important matters to discuss. "No, indeed, my Lord, I cannot,-perhaps I have already stayed too long." "Does Miss Anville so soon repent her goodness?" "I scarce know what I do, my Lord,-I am quite bewildered!" "One hour's conversation," cried he, "will, I hope, compose your spirits, and confirm my happiness. When, then, may I hope to see you alone?-shall you walk in the garden to-morrow before breakfast?" "No, no, my Lord; you must not, a second time, reproach me with making an appointment." "Do you then," said he, laughing, "reserve that honour only for Mr. Macartney?" "Mr. Mccartney," said I, "is poor, and thinks himself obliged to me; otherwise-" "Poverty," cried he, "I will not plead; but, if being obliged to you has any weight, who shall dispute my title to an appointment?" "My Lord, I can stay no longer,-Mrs. Selwyn will lose all patience." "Deprive her not of the pleasure of her conjectures,-but tell me, are you under Mrs. Selwyn's care?" "Only for the present, my Lord." "Not a few are the questions I have to ask Miss Anville: among them, the most important is, whether she depends wholly on herself, or whether there is any other person for whose interest I must solicit?" "I hardly know, my Lord, I hardly know myself to whom I most belong." "Suffer, suffer me, then," cried he, with warmth, "to hasten the time when that shall no longer admit a doubt!-when your grateful Orville may call you all his own!" At length, but with difficulty, I broke from him. I went, however, to my own room, for I was too much agitated to follow Mrs. Selwyn. Good God, my dear Sir, what a scene! surely the meeting for which I shall prepare to-morrow cannot so greatly affect me! To be loved by Lord Orville,-to be the honoured choice of his noble heart,-my happiness seemed too infinite to be borne, and I wept, even bitterly I wept, from the excess of joy which overpowered me. In this state of almost painful felicity I continued till I was summoned to tea. When I re-entered the drawing room, I rejoiced much to find it full of company, as the confusion with which I met Lord Orville was rendered the less observable. Immediately after tea, most of the company played at cards,-and then-till supper time, Lord Orville devoted himself wholly to me. He saw that my eyes were red, and would not let me rest till he made me confess the cause; and when, though most reluctantly, I had acknowledged my weakness, I could with difficulty refrain from weeping again at the gratitude he expressed. He earnestly desired to know if my journey could not be postponed! and when I no, entreated permission to attend me to town. "Oh, my Lord," cried I, "what a request!" "The sooner," answered he, "I make my devotion to you in public, the sooner I may expect, from your delicacy, you will convince the world you encourage no mere danglers." "You teach me, then, my Lord, the inference I might expect, if I complied." "And can you wonder I should seek to hasten the happy time, when no scruples, no discretion will demand our separation? and the most punctilious delicacy will rather promote, than oppose, my happiness in attending you?" To this I was silent, and he re-urged his request. "My Lord," said I, "you ask what I have no power to grant. This journey will deprive me of all right to act for myself." "What does Miss Anville mean?" "I cannot now explain myself; indeed, if I could, the task would be both painful and tedious." "O, Miss Anville," cried he, "when may I hope to date the period of this mystery? when flatter myself that my promised friend will indeed honour me with her confidence?" "My Lord," said I, "I mean not to affect any mystery,-but my affairs are so circumstanced, that a long and most unhappy story can alone explain them. However, if a short suspense will give your Lordship any uneasiness,-" "My beloved Miss Anville," cried he, eagerly, "pardon my impatience!-You shall tell me nothing you would wish to conceal,-I will wait your own time for information, and trust to your goodness for its speed." "There is nothing, my Lord, I wish to conceal,-to postpone an explanation is all I desire." He then requested, that, since I would not allow him to accompany me to town, I would permit him to write to me, and promise to answer his letters. A sudden recollection of the two letters which had already passed between us occurring to me, I hastily answered, "No, indeed, my Lord!-" "I am extremely sorry," said he, gravely, "that you think me too presumptuous. I must own I had flattered myself, that, to soften the inquietude of an absence, which seems attended by so many inexplicable circumstances, would not have been to incur your displeasure." This seriousness hurt me; and I could not forbear saying, "Can you indeed desire, my Lord, that I should, a second time, expose myself, by an unguarded readiness, to write to you?" "A second time! unguarded readiness!" repeated he; "you amaze me!" "Has your Lordship then quite forgot the foolish letter I was so imprudent as to send you when in town?" "I have not the least idea," cried he, "of what you mean." "Why then, my Lord," said I, "we had better let the subject drop." "Impossible!" cried he, "I cannot rest without an explanation!" And then, he obliged me to speak very openly of both the letters: but, my dear Sir, imagine my surprise, when he assured me, in the most solemn manner, that, far from having ever written me a single line, he had never received, seen, or heard of my letter! This subject, which caused mutual astonishment and perplexity to us both, entirely engrossed us for the rest of the evening; and he made me promise to show him the letter I had received in his name to-morrow morning, that he might endeavour to discover the author. After supper, the conversation became general. And now, my dearest Sir, may I not call for your congratulations upon the events of this day? a day never to be recollected by me but with the most grateful joy! I know how much you are inclined to think well of Lord Orville; I cannot, therefore, apprehend that my frankness to him will displease you. Perhaps the time is not very distant, when your Evelina's choice may receive the sanction of her best friend's judgment and approbation,-which seems now all she has to wish! In regard to the change in my situation which must first take place, surely I cannot be blamed for what has passed! the partiality of Lord Orville must not only reflect honour upon me, but upon all to whom I do, or may belong. Adieu, most dear Sir, I will write again when I arrive at London. </CHAPTER>

Volume III, Letter VI - Volume III, Letter XV

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Mr. Villars writes to Evelina and confesses his concern that she is too innocent to realize what is happening: Lord Orville is in love with her. Worse, she is attracted to him but does not realize it. As she has not been able to transcend her infatuation, he encourages her to quit him, since "his sight is baneful to your repose, his society is death to your future tranquility!" Evelina must not trust in appearances, but instead rely on her guardian's advice. Meanwhile, Evelina writes to him before has received his letter. She relates to him the day of the bet between Lord Merton and Mr. Coverley. The men chose to decide their bet through a footrace between two very old and infirm women. On that day, Lord Merton addressed himself presumptuously and inappropriately to Evelina, ignoring Louisa. When the time for the race came, the two men acted quite despicably in their disinterest in the old woman, and the competition was indeed sad and shameful. Lord Orville looked disapproving. Lord Merton won, and in his drunkenness that followed, he became extremely forward with Evelina. Riled up, she exclaimed a wish to have a brother to protect her, and Lord Orville quickly stepped to her aid with a promise to act as her brother. He then led her and Louisa away. Lady Louisa was both piqued with Lord Merton for his flirtations, and annoyed with her brother for so clearly favoring Evelina to her. Lord Orville proclaimed to Evelina that he would be both her sincere friend and her brother, and that she must accept his services. She was pleased to do so. The next evening, the entire group attended an assembly that Lord Orville had procured tickets to. At one point, Lord Orville danced with a young lady and Evelina overheard who she was: her name was Miss Belmont, and she was the daughter of an heiress. Evelina started; her father must have designated a new heiress in her stead. She spoke with Mrs. Selwyn about it, since that woman was familiar with her history, and she suggested Evelina go to town to research the matter further. Evelina asks Mr. Villars's permission to undertake this endeavor. Evelina also writes Mr. Villars of seeing Mr. Macartney at the pump room, and of that man's request to speak with her. She further details Lord Orville's curiosity on that same subject. She observed how awkward Mr. Macartney became when the young "Miss Belmont" entered the pump room, but did not know why he behaved thusly. Lord Orville promised Evelina he would help her fulfill her duty to Mr. Macartney, even though he did not know what it was. He invited the poet to the house and then kindly left them alone for a few moments. To Evelina's utter shock, the young man confessed to Evelina that that Miss Belmont was his former paramour. This meant that Macartney was Evelina's brother. Though she did not alert him to her realization, she did embrace him fervently and promise she would help however she could. Later, Evelina writes to tell Mr. Villars that she had received his letter about Lord Orville. She is flummoxed, broken-hearted, and ashamed. She feels ignorant and beguiled, and laments ever leaving her guardian. She had hoped to set out for Berry Hill immediately, but she was convinced by Mrs. Selwyn to stay a bit longer. She announces her intention to avoid Lord Orville completely. As she details in subsequent letters, her plan was difficult to enact, because he noticed her new coldness and continually inquired as to the cause of it. She later accompanied Mrs. Selwyn to town, and they stopped by the pump room first. To her consternation, all the young men there seemed to be talking about her, whispering odd snatches of verse. She was even more disturbed to run into Sir Clement Willoughby, who said he had been looking for her. He said he was brought to Bristol by accident and did not know she was there, but would have realized it quickly now that she was famous. Evelina inquired what he meant, and he explained that a copy of verse about her had been dropped in and around the pump room. He continued to compliment her, and implored her to spend time with him. She refused. Unfortunately, he quickly endeared himself to Mrs. Selwyn, and she forced Evelina to attend an assembly with them. Back with the group at Clifton, Lord Orville and Sir Clement eyed each other warily, and Lord Orville seemed confused by Evelina's growing aloofness. He tried to privately ask her whether he had offended her, and further asked whether she had known Sir Clement was in town. He was even more astonished to hear that she was engaged to Sir Clement at that night's assembly. Sir Clement continued to accost Evelina throughout the evening, and he showed her the paper of verse that he had copied from the original. It did indeed mention her name, and she believed it to be by Mr. Macartney, who was apt to praise her. Sir Clement bothered her incessantly, asking thousands of pointed questions, especially about Lord Orville. That night, Evelina confesses in a letter that she worries she is not acting honorably towards her former friend Lord Orville. Mr. Villars writes to Evelina about the Miss Belmont situation, ruminating that Miss Belmont may be the child of an after-marriage, but was certainly taking the place to which Evelina had an indisputable right. He deplores John Belmont's cruel treatment of Evelina's mother, and insists that the latter's reputation deserved to be cleared before public opinion. He includes in his correspondence a letter from her "unhappy mother," which had been reserved for Sir Belmont should this very situation ever arise. The letter begs Sir John Belmont, in the most emotional and florid tones, to recognize his true daughter. Evelina writes back to Mr. Villars, detailing how forward and obnoxious Sir Clement was in monopolizing her time and attention. At one point, he found her in the garden, grabbed her hand and would not let her alone. Lord Orville came across them, and she finally asked him forcibly to have Sir Clement release her hand. He asked Sir Clement if he meant to detain her by force, and he proudly released her hand and insisted he did not need Lord Orville's opinion. Evelina flew indoors. Later, she heard about their subsequent conversation from Mrs. Selwyn, who eavesdropped upon it. Lord Orville had asked Sir Clement about his intentions, and Sir Clement rudely answered that he had none, since her birth was low. He also sneeringly asked why Lord Orville was so interested; the latter spoke of how Evelina was "very young, very inexperienced, yet appears to be left totally to her own direction." The two men continued to argue until Mrs. Selwyn left for fear of discovery. Evelina next writes Mr. Villars of how Lord Orville found her alone, and begged to have a private moment. He very simply asked her why she had changed. She was disconcerted at how forthright and honest he was in his entreaty, but she remained silent. He asked her about Sir Clement, and she hotly denied that he mattered to her at all. Lord Orville was remarkably relieved by this. At dinner, he was excessively friendly and gay with Evelina. After dinner, he went into the library to help her choose a few books for her impending journey back to Berry Hill, and he could finally resist no longer. He declared his love and esteem for Evelina, and she could not resist him: "he drew from me the most sacred secret of my heart!" She acknowledges to Mr. Villars that there are many questions to address at a later point, but adds that they are blissfully happy. That night, Evelina wept from sheer happiness, and felt the tremendous honor of being chosen as wife by a man like Lord Orville. The next day, he asked to announce their affection publicly, but she implored him to wait until she had taken care of her business in town . He agreed with alacrity. Evelina concludes her letter to Mr. Villars by explaining how the two of them had actually discovered that Lord Orville never wrote that bold and inappropriate letter. He knew nothing about it. She hopes her guardian will think well of Lord Orville, and feel honored by his choice of her.

This set of letters presents examples of the rich behaving very, very badly. Lord Merton, in particular, is a dissolute and lascivious newly-made nobleman who enjoys exploiting and mocking those around him, simply to entertain himself. He does not care about his reputation because he knows his fortune will be secured when he marries Lady Louisa. He is a paragon of "modern" manners and stands contrast to the genteel and traditional Lord Orville. Even Mrs. Selwyn's wit and virulent satire can do little to quell the boisterous cruelty and brazen excess of Lord Merton. For all her strength, Lady Louisa is but a tool towards securing Lord Merton's wealth. She has no more power than Evelina does, though she has been raised to affect a superiority. In this way, she is far more pitiable than our heroine, especially when her fiancee so blatantly hits of Evelina in front of her. Lord Merton has replaced Captain Mirvan as the novel's grossest, rudest male, and Mrs. Selwyn has replaced Madame Duval as the older woman supervising Evelina. However, while Lord Merton possesses no redeeming qualities, Mrs. Selwyn remains valuable to Evelina because she protects her, respects her, and gently pushes her into self-awareness. Even though her satire sometimes seems coarse to Evelina, it does suggest to her that she is free to make up her own mind about Lord Orville, and does not need a man - Mr. Villars - to guide her any longer. Another instance of privileged cruelty is the race between the two old women, an episode that puzzles many critics, particularly as regards its origin. Most have tried to find literary, historical or anecdotal precedents for it, but one critic, as Jones points out, is probably right in claiming there was probably no single source. Betting on foot-races was pretty common; young laboring women raced against each other at fairs in "smock races." Jones writes that this scene "certainly captures the cruelty involved in many eighteenth-century amusements, while the introduction of 'poor old women' focuses on issues involving both gender and social status." In other words, the race is itself a cohesive symbol of all the oppressions related throughout the novel. Lord Orville is finally prompted to make his feelings known to Evelina, and it is significant that he does so without knowing the truth about her birth. She has dropped some hints about herself, but he remains oblivious to the exact particulars, and to the impending conflict with her father. Considering how important social status was - and how much of the 'marriage contract' was about securing a valuable commodity in a wife - Lord Orville is admirable in acting from his affection alone. He very clearly leans toward the fictional and unbelievable: while it is not impossible to imagine a young man with manners and a deep sense of decorum, it is unlikely that one in his social position would so blithely pursue a young woman whose birth was unknown. Burney's inclusion of such an angelic man is in many ways a deference towards the system of marriage, since her cynical attitude about people would otherwise overwhelm the book's perspective and make it far more transgressive than it ultimately is. And, of course, it would likely sell more copies it it conformed to what most of society thought, instead of explicitly attacking those thoughts. One note about some historical information is useful. A pamphlet-shop was a place that sold cheaper and unbound publications and was usually frequented by men as opposed to women, who procured their reading material from the circulating library. The fact that Mrs. Selwyn prefers this outlet demonstrates her more masculine education and taste. "John trot style" referred to a man who, according to the Oxford English Dictionary, was of "slow or uncultured intellect, a bumpkin, a clown." Vivien Jones's annotations explain that "the insult suggests that older women are masculinized, as well as stupid."

gradesaver

all_chapterized_books/6053-chapters/volume_3_chapters_16_to_23.txt

finished_summaries/gradesaver/Evelina/section_8_part_0.txt

Evelina.volume 3.chapters 16-23

volume 3, letter 16-23

{"name": "Volume III, Letter XVI - Volume III, Letter XXIII", "url": "https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-iii-letter-xvi--volume-iii-letter-xxiii", "summary": "Evelina continues to write to Mr. Villars. In the morning during breakfast, Lord Orville asked Evelina if he could privately speak with her later, about the rude letter she had received. Later that day, Evelina was alone when Sir Clement Willoughby came into the room unexpectedly. When he saw that letter in her hand, he grew passionately agitated, asking her over and over again if the note had disgusted her, why she had not burned it, and whether she loved Lord Orville. She would not answer, even after he grow so distressed that he rudely exited the room as soon as others entered. That evening, Mrs. Selwyn tried to, in her ironic and piercing manner, determine why he had behaved with such panic. Evelina and Mr. Macartney met again at the house, using Lord Orville's invitation to him as a cover to arrange their meeting. He told her he was unable to gain audience with Miss Belmont, even though he had tried. Evelina suddenly exclaimed that she was his sister, and the two clasped hands in emotion. Lord Orville entered and saw this right before Mr. Macartney left. He was a bit surprised but soon pried from Evelina the news that Macartney was her brother. Meanwhile, as she had planned with Evelina, Mrs. Selwyn visited Sir John Belmont to tell him about her. When she returned, her countenance immediately revealed her anger and embarrassment. Sir John had been hostile to what he called the \"ridiculous story,\" and he explained his side of events. Soon after leaving Evelina's mother, a nursemaid brought him his daughter from the estate of Mr. Villars, and he put the girl into a convent to be educated. She had recently returned a grown woman, and was the Miss Belmont currently seen around town. Hence, Evelina must be only a ruse to extort money from him. After Evelina heard this, she was devastated. Lord Orville found her during her grief, and when he tried to comfort her, she sobbed that she was unworthy of him. Later, Mrs. Selwyn admitted she had told Lord Orville about the girl's past, and that he was now doubly committed to marrying her. She was excited about the match. She also proposed the next step in the plan: Evelina would attend Mrs. Selwyn on a visit to Sir John Belmont on the next day. Evelina agreed, but trembled at the thought. The next day, Evelina was full of shock and terror when they went to Sir John Belmont's abode. Mrs. Selwyn first confronted him privately; he was in particularly poor spirits at recently learning he had a son in Macartney. Mrs. Selwyn begged him to at least see Evelina once, and he agreed. Evelina thus came face-to-face with her father. When he saw her, he was profoundly affected by fervid emotion and disbelief. He exclaimed that Caroline Evelyn was still alive and breathing before him. He was so distressed that he apologized and ran upstairs, saying that he could never see Evelina's face again. Later, Mrs. Clinton and Mrs. Selwyn tried to understand the story. It seemed that there had been a poor nursemaid who attended Caroline's deathbed, and who also had a daughter. After Caroline died, the nursemaid and her infant daughter disappeared. Considering how much secrecy Mr. Villars had employed in raising Evelina , it seemed likely that Sir John Belmont might never have known about her. Mrs. Selwyn returned to Sir John's house to further investigate the matter. When she returned, she had an answer. She and Sir John questioned the nurse and discovered how the nurse had overheard Mr. Villars promising Caroline that he would raise Evelina. Seeing an opportunity to make her own poor daughter an heiress, she brought the wrong infant to Sir John and claimed it was his daughter from Caroline. Evelina was overjoyed to learn that her father's neglect was not born from cruelty of spirit. The next day, Evelina was shocked with more information - Mrs. Selwyn, Sir John, and even the kindhearted Lord Orville had decided that both girls were to be married immediately. This way, Miss Belmont would not be shamed by losing her noble name before she married Mr. Macartney , and so Evelina could soon reclaim her rightful place as Sir John's heiress. Evelina was overcome with emotion; she largely approved of the plan, but felt even better when Lord Orville promised that they could pass their first month of marriage at Berry Hill. While they remained at Clifton, Evelina noticed a change in Lady Louisa's demeanor. She had obviously learned about both her brother's proposal and Evelina's change in station. As a result, she treated the girl with more civility. Mr. Macartney and Evelina met again, this time with Lord Orville warmly and openly offering his sincere compliments to the man. The time came for Evelina to visit her father again. Their meeting was beset with fervent, consuming emotion on both sides. He was fraught with despair about how he had treated her, and begged her forgiveness. By the time the interview was over, they had reunited and he promised to overcome the guilt her countenance brought him . He would simply need some time to make peace with himself. After the meeting, Mr. Macartney told Evelina that Lord Orville had promised him that they would consider the poor Miss Green - the fake heiress - as a sister and co-heiress, if not in law then in justice. Evelina writes to Mr. Villars of this: \"Oh Lord Orville! - it shall be the sole study of my happy life, to express better than words, the sense I have of your exalted benevolence, and greatness of mind!\" Evelina receives a letter from Sir Clement, explaining that it was he who penned the rude letter and forged Lord Orville's signature. He had found Young Branghton on his way to deliver Evelina's letter, and intercepted it. He does not apologize for doing so, but felt he should explain himself. She marveled at his unrepentant attitude, and wrote him back that she would not be telling anyone about it. Lord Orville also confessed to Evelina that he had originally intended to investigate her past before proposing, but that he became so overcome with emotion that he did so before he had adequate time for it. The group traveled together to Bath to show Evelina the city. There, they encountered Captain Mirvan and his family; upon hearing of Evelina's engagement, Maria had convinced her parents to join her. Evelina loved Bath, but the trip was somewhat soured by the Captain's incessant persecution of Mr. Lovel, who was in attendance. He treated him as he had treated Madame Duval. At one point, he even dressed up a monkey in fine clothes and called him Mr. Lovel's brother. The entire company was shocked, and Mr. Lovel was frightfully embarrassed. Evelina finally receives a letter from Mr. Villars - she had been waiting anxiously for his approval and was profoundly relieved to hear how excited and pleased he was for the couple. The last letter from Evelina to Mr. Villars states that \"this morning, with fearful joy, and trembling gratitude, she united herself for ever with the object of her dearest, her eternal affection!\"", "analysis": "In this last set of letters, it becomes clear that Evelina has successfully navigated the perilous waters of the London social scene, reclaiming her birthright and marrying an extremely eligible man. Moreover, she has done so while retaining her most prized possession - her innocence. This is the novel's primary dramatic conflict: her internal innocence is threatened by a public world characterized by masculine licentiousness and assertiveness. Joanne Cutting-Gray's article on Evelina's innocence offers insight into the novel through a discussion of her namelessness and the act of writing. Evelina has no real name - she is not recognized by her father - and thus can identify herself only by the innocence she is expected to show as a woman. Her name is a diminutive of her mother's last name, which marks her as something of a doll. Almost everyone in the novel is concerned with preserving Evelina's innocence. Mr. Villars warns her in nearly all of the letters of what she will face and how to protect herself. Evelina is, however, not completely a \"tabula rasa of innocence upon which experience is engraved, for she has the reflexive ability to read more than one possible meaning in otherwise socially acceptable behavior.\" She can recognize the bad traits in others and justly condemn them. Further, she is willing to consider a situation's complications. Notice how, before she learns that Lord Orville had not penned the rude letter, she finds herself forgiving him nevertheless. She is willing to consider situations, and not view base behavior as the sum of a person's character. The facade required of women was thus very difficult to maintain: one had to be wise enough to recognize worldliness and stave off men's aggressive advances, but unworldly enough to appear diffident and guileless. Evelina enters a social world where her identity is already limned for her; this requires her to sublimate her own desires, and to allow her reflections to be \"covered over by the veneer of naivete.\" Someone like Sir Clement assumes she merely possesses the latter of the two aforementioned qualities. He only wishes to seduce her, not to marry her, and believes that her guilelessness and naivete will make her an assured victory. That she is strong continually surprises him. Evelina herself tries very diligently to convince everyone that she is powerless and deficient in thought. This unfortunately reduces her potential to further develop as a person; she remains one-dimensional and does not endeavor to be anything except molded by her world. However, as the narrative reveals, \"the Evelina who writes reveals a far more evaluative knowledge of her world than the Evelina she writes about.\" That is, she presents the proper face to society, but in private, is very witty, discriminating, and perceptive. For instance, when Evelina earlier rages over the way the Branghtons secured Lord Orville's carriage, she \"claims her own right to the disclosing as well as concealing power of name and discourse.\" She is clearly frustrated at her role as a nameless female and must assert herself. She must respect her own name, since, as a woman, nobody else will. Throughout the writing of her letters, Evelina discovers meaning and thereby discovers herself. She records what she sees in London, but does much more as well: she learns \"that she is capable of thought and therefore capable of speech.\" The \"persuasive power of her narrative compensates for the confusion and distress that a predetermined innocence causes her,\" Cutting-Gray concludes. She discovers the parallels and patterns in the events that shape the world, and is subsequently able to voice her opinions. As she gathers a greater vocabulary of experience, she gains perspective on events, while always grappling with the perils of innocence. Through writing, she is able to \"share in the composition of her own destiny\" and slough of the role of innocent bystander and passive spectator. The novel's happy ending confirms Evelina's growth, though it does finally reveal some limitations in Burney's perspective of female empowerment. For all of Evelina's personal strength , notice how we rarely hear about deep and witty conversations she has with Lord Orville; instead, she merely mentions to Mr. Villars that such conversations take place. It would perhaps have burst the unbelievable bubble of their relationship to test how a man and woman of their social standing would actually converse. Further, the happy ending is engendered much more by Lord Orville and Mrs. Selwyn than it is by Evelina. She loses agency as a protagonist, and actually relies on other characters to represent her in this final set of letters. The implicit idea is that she has succeeded once she finds a good match, and now she can sit back and let the more masculine forces to orchestrate an appropriate ending."}

<CHAPTER> LETTER LXXVII. EVELINA IN CONTINUATION. Clifton, Oct. 7th. YOU will see, my dear Sir, that I was mistaken in supposing I should write no more from this place, where my residence now seems more uncertain than ever. This morning, during breakfast, Lord Orville took an opportunity to beg me, in a low voice, to allow him a moment's conversation before I left Clifton; "May I hope," added he, "that you will stroll into the garden after breakfast?" I made no answer, but I believe my looks gave no denial; for, indeed, I much wished to be satisfied concerning the letter. The moment, therefore, that I could quit the parlour, I ran up stairs for my calash; but, before I reached my room, Mrs. Selwyn called after me, "If you are going to walk, Miss Anville, be so good as to bid Jenny bring down my hat, and I'll accompany you." Very much disconcerted, I turned into the drawing-room, without making any answer, and there I hoped to wait unseen, till she had otherwise disposed of herself. But, in a few minutes, the door opened, and Sir Clement Willoughby entered. Starting at the sight of him, in rising hastily, I let drop the letter which I had brought for Lord Orville's inspection, and, before I could recover it, Sir Clement, springing forward, had it in his hand. He was just presenting it to me, and, at the same time, enquiring after my health, when the signature caught his eye, and he read aloud, "Orville." I endeavoured, eagerly, to snatch it from him, but he would not permit me; and, holding it fast, in a passionate manner exclaimed, "Good God, Miss Anville, is it possible you can value such a letter as this?" The question surprised and confounded me, and I was too much ashamed to answer him; but, finding he made an attempt to secure it, I prevented him, and vehemently demanded him to return it. "Tell me first," said he, holding it above my reach, "tell me if you have since received any more letters from the same person?" "No, indeed," cried I, "never!" "And will you also, sweetest of women, promise that you never will receive any more? Say that, and you will make me the happiest of men." "Sir Clement," cried I, greatly confused, "pray give me the letter." "And will you not first satisfy my doubts?-will you not relieve me from the torture of the most distracting suspense?-tell me but that the detested Orville has written to you no more!" "Sir Clement," cried I, angrily, "you have no right to make any conditions,-so pray give me the letter directly." "Why such solicitude about this hateful letter? can it possibly deserve your eagerness? tell me, with truth, with sincerity tell me, does it really merit the least anxiety?" "No matter, Sir," cried I, in great perplexity, "the letter is mine, and therefore-" "I must conclude, then," said he, "that the letter deserves your utmost contempt,-but that the name of Orville is sufficient to make you prize it." "Sir Clement," cried I, colouring, "you are quite-you are very much-the letter is not-" "O, Miss Anville," cried he, "you blush!-you stammer!-Great Heaven! it is then all as I feared!" "I know not," cried I, half-frightened, "what you mean; but I beseech you to give me the letter, and to compose yourself." "The letter," cried he, gnashing his teeth, "you shall never see more! You ought to have burnt it the moment you had read it!" And in an instant he tore it into a thousand pieces. Alarmed at a fury so indecently outrageous, I would have run out of the room; but he caught hold of my gown, and cried, "Not yet, not yet must you go! I am but half-mad yet, and you must stay to finish your work. Tell me, therefore, does Orville know your fatal partiality?-Say yes," added he, trembling with passion, "and I will fly you for ever!" "For Heaven's sake, Sir Clement," cried I, "release me!-if you do not, you will force me to call for help." "Call then," cried he, "inexorable and most unfeeling girl; call, if you please, and bid all the world witness your triumph;-but could ten worlds obey your call, I would not part from you till you had answered me. Tell me, then, does Orville know you love him?" At any other time, an enquiry so gross would have given me inexpressible confusion; but now, the wildness of his manner terrified me, and I only said, "Whatever you wish to know, Sir Clement, I will tell you another time; but, for the present, I entreat you to let me go!" "Enough," cried he, "I understand you!-the art of Orville has prevailed;-cold, inanimate, phlegmatic as he is, you have rendered him the most envied of men!-One thing more, and I have done:-Will he marry you?" What a question! my cheeks glowed with indignation, and I felt too proud to make any answer. "I see, I see how it is," cried he, after a short pause, "and I find I am undone for ever!" Then, letting loose my gown, he put his hand to his forehead, and walked up and down the room in a hasty and agitated manner. Though now at liberty to go, I had not the courage to leave him: for his evident distress excited all my compassion. And this was our situation, when Lady Louisa, Mr Coverley, and Mrs. Beaumont entered the room. "Sir Clement Willoughby," said the latter, "I beg your pardon for making you wait so long, but-" She had not time for another word; Sir Clement, too much disordered to know or care what he did, snatched up his hat, and, brushing hastily past her, flew down stairs, and out of the house. And with him went my sincerest pity, though I earnestly hope I shall see him no more. But what, my dear Sir, am I to conclude from his strange speeches concerning the letter? Does it not seem as if he was himself the author of it? How else should he be so well acquainted with the contempt it merits? Neither do I know another human being who could serve any interest by such a deception. I remember, too, that just as I had given my own letter to the maid, Sir Clement came into the shop: probably he prevailed upon her, by some bribery, to give it to him; and afterwards, by the same means, to deliver to me an answer of his own writing. Indeed I can in no other manner account for this affair. Oh, Sir Clement, were you not yourself unhappy, I know not how I could pardon an artifice that has caused me so much uneasiness! His abrupt departure occasioned a kind of general consternation. "Very extraordinary behavior this!" cried Mrs. Beaumont. "Egad," said Mr. Coverley, "the baronet has a mind to tip us a touch of the heroics this morning!" "I declare," cried Miss Louisa, "I never saw any thing so monstrous in my life! it's quite abominable;-I fancy the man's mad;-I'm sure he has given me a shocking fright!" Soon after, Mrs. Selwyn came up stairs with Lord Merton. The former, advancing hastily to me, said, "Miss Anville, have you an almanack?" "Me?-no, Madam." "Who has one, then?" "Egad," cried Mr. Coverley, "I never bought one in my life; it would make me quite melancholy to have such a time-keeper in my pocket. I would as soon walk all day before an hour-glass." "You are in the right," said Mrs. Selwyn, "not to watch time, lest you should be betrayed, unawares, into reflecting how you employ it." "Egad, Ma'am," cried he, "if Time thought no more of me than I do of Time, I believe I should bid defiance, for one while, to old age and wrinkles; for deuce take me, if ever I think about it at all." "Pray, Mr. Coverley," said Mrs. Selwyn, "why do you think it necessary to tell me this so often?" "Often!" repeated he; "Egad, Madam, I don't know why I said it now;-but I'm sure I can't recollect that ever I owned as much before." "Owned it before!" cried she, "why, my dear Sir, you own it all day long; for every word, every look, every action proclaims it." I now not if he understood the full severity of her satire, but he only turned off with a laugh: and she then applied to Mr. Lovel, and asked if he had an almanack? Mr. Lovel, who always looks alarmed when she addresses him, with some hesitation answered, "I assure you, Ma'am, I have no manner of antipathy to an almanack,-none in the least,-I assure you;-I dare say I have four or five." "Four or five!-pray, may I ask what use you make of so many?" "Use!-really, Ma'am, as to that,-I don't make any particular use of them; but one must have them, to tell one the day of the month:-I'm sure, else I should never keep it in my head." "And does your time pass so smoothly unmarked, that, without an almanack, you could not distinguish one day from another?" "Really, Ma'am," cried he, colouring, "I don't see anything so very particular in having a few almanacks; other people have them, I believe, as well as me." "Don't be offended," cried she, "I have but made a little digression. All I want to know is, the state of the moon;-for if it is at the full, I shall be saved a world of conjectures, and know at once to what cause to attribute the inconsistencies I have witnessed this morning. In the first place, I heard Lord Orville excuse himself from going out, because he had business of importance to transact at home;-yet have I seen him sauntering alone in the garden this half hour. Miss Anville, on the other hand, I invited to walk out with me; and, after seeking her every where round the house, I find her quietly seated in the drawing-room. And, but a few minutes since, Sir Clement Willoughby, with even more than his usual politeness, told me he was come to spend the morning here;-when, just now, I met him flying down stairs, as if pursued by the Furies; and far from repeating his compliments, or making any excuse, he did not even answer a question I asked him, but rushed past me, with the rapidity of a thief from a bailiff!" "I protest," said Mrs. Beaumont, "I can't think what he meant; such rudeness, from a man of any family, is quite incomprehensible." "My Lord," cried Lady Louisa to Lord Merton, "do you know he did the same by me?-I was just going to ask him what was the matter; but he ran past me so quick, that I declare he quite dazzled my eyes. You can't think, my Lord, how he frightened me; I dare say I look as pale-don't I look very pale, my Lord?" "Your Ladyship," said Mr. Lovel, "so well becomes the lilies, that the roses might blush to see themselves so excelled." "Pray, Mr. Lovel," said Mrs. Selwyn," if the roses should blush, how would you find it out?" "Egad," cried Mr. Coverley, "I suppose they must blush, as the saying is, like a blue dog,-for they are red already." "Prithee, Jack," said Lord Merton, "don't you pretend to talk about blushes, that never knew what they were in your life." "My Lord," said Mrs. Selwyn, "if experience alone can justify mentioning them, what an admirable treatise upon the subject may we not expect from your Lordship!" "O, pray, Ma'am," answered he, "stick to Jack Coverley,-he's your only man; for my part, I confess I have a mortal aversion to arguments." "O, fie, my Lord," cried Mrs. Selwyn, "a senator of the nation! a member of the noblest parliament in the world!-and yet neglect the art of oratory!" "Why, faith, my Lord," said Mr. Lovel, "I think, in general, your House is not much addicted to study; we of the Lower House have indubitably most application; and, if I did not speak before a superior power (bowing to Lord Merton) I should presume to add, we have likewise the most able speakers." "Mr. Lovel," said Mrs. Selwyn, "you deserve immortality for that discovery! But for this observation, and the confession of Lord Merton, I protest that I should have supposed that a peer of the realm, and an able logician, were synonymous terms." Lord Merton, turning upon his heel, asked Lady Louisa if she would take the air before dinner? "Really," answered she, "I don't know;-I'm afraid it's monstrous hot; besides (putting her hand to her forehead) I an't half well; it's quite horrid to have such weak nerves!-the least thing in the world discomposes me: I declare, that man's oddness has given me such a shock,-I don't know when I shall recover from it. But I'm a sad, weak creature;-don't you think I am, my Lord?" "O, by no means," answered he, "your Ladyship is merely delicate,-and devil take me if ever I had the least passion for an Amazon." "I have the honour to be quite of your Lordship's opinion," said Mr. Lovel, looking maliciously at Mrs. Selwyn; "for I have an insuperable aversion to strength, either of body or mind, in a female." "Faith, and so have I," said Mr. Coverley; "for egad, I'd as soon see a woman chop wood, as hear her chop logic." "So would every man in his senses," said Lord Merton, "for a woman wants nothing to recommend her but beauty and good-nature; in everything else she is either impertinent or unnatural. For my part, deuce take me if ever I wish to hear a word of sense from a woman as long as I live!" "It has always been agreed," said Mrs. Selwyn, looking round her with the utmost contempt, "that no man ought to be connected with a woman whose understanding is superior to his own. Now I very much fear, that to accommodate all this good company, according to such a rule, would be utterly impracticable, unless we should choose subjects from Swift's hospital of idiots." How many enemies, my dear Sir, does this unbounded severity excite! Lord Merton, however, only whistled; Mr. Coverley sang; and Mr. Lovel, after biting his lips, said "'Pon honour, that lady-if she was not a lady-I should be half tempted to observe,-that there is something,-in such severity,-that is rather, I must say,-rather oddish." Just then a servant brought Lady Louisa a note upon a waiter, which is a ceremony always used to her Ladyship; and I took the opportunity of this interruption to the conversation to steal out of the room. I went immediately to the parlour, which I found quite empty; for I did not dare walk in the garden, after what Mrs. Selwyn had said. In a few minutes a servant announced Mr. Macartney; saying, as he entered the room, that he would acquaint Lord Orville he was there. Mr. Macartney rejoiced much at finding me alone. He told me he had taken the liberty to enquire for Lord Orville, by way of pretext for coming to the house. I then very eagerly enquired if he had seen his father. "I have, Madam," said he, "and the generous compassion you have shown made me hasten to acquaint you, that, upon reading my unhappy mother's letter, he did not hesitate to acknowledge me." "Good God," cried I, with no little emotion, "how similar are our circumstances! And did he receive you kindly?" "I could not, Madam, expect that he would; the cruel, transaction, which obliged me to fly to Paris, was recent in his memory." "And,-have you seen the young lady?" "No, Madam," said he, mournfully, "I was forbid her sight." "Forbid her sight!-and why?" "Partly, perhaps, from prudence,-and partly from the remains of a resentment which will not easily subside. I only requested leave to acquaint her with my relationship, and to be allowed to call her sister;-but it was denied me! 'You have no sister,' said Sir John, 'you must forget her existence.' Hard and vain command!" "You have-you have a sister!" cried I, from an impulse of pity, which I could not repress; "a sister who is most warmly interested in your welfare, and who only wants opportunity to manifest her friendship and regard." "Gracious Heaven!" cried he, "what does Miss Anville mean?" "Anville," said I, "is not my real name; Sir John Belmont is my father,-he is your's,-and I am your sister!-You see, therefore, the claim we mutually have to each other's regard; we are not merely bound by the ties of friendship, but by those of blood. I feel for you, already, all the affection of a sister; I felt it, indeed, before I knew I was one.-Why, my dear brother, do you not speak?-do you hesitate to acknowledge me?" "I am so lost in astonishment," cried he, "that I know not if I hear right!"- "I have, then, found a brother," cried I, holding out my hand, "and he will not own me!" "Own you!-Oh, Madam," cried he, accepting my offered hand, "is it indeed possible you can own me? -a poor, wretched adventurer! who so lately had no support but from your generosity?-whom your benevolence snatched from utter destruction?-Can you,-Oh, Madam, can you, indeed, and without a blush, condescend to own such an outcast for a brother?" "Oh, forbear, forbear," cried I, "is this language proper for a sister? are we not reciprocally bound to each other?-Will you not suffer me to expect from you all the good offices in your power?-But tell me, where is our father at present?" "At the Hot-Wells, Madam; he arrived there yesterday morning." I would have proceeded with further questions, but the entrance of Lord Orville prevented me. The moment he saw us, he started, and would have retreated; but, drawing my hand from Mr. Macartney's, I begged him to come in. For a few moments we were all silent, and, I believe, all in equal confusion. Mr. Macartney, however, recollecting himself said "I hope your Lordship will forgive the liberty I have taken in making use of your name." Lord Orville, rather coldly, bowed, but said nothing. Again we were all silent, and then Mr. Macartney took leave. "I fancy," said Lord Orville, when he was gone, "I have shortened Mr. Macartney's visit?" "No, my Lord, not at all." "I had presumed," said he, with some hesitation, "I should have seen Miss Anville in the garden;-but I knew not she was so much better engaged." Before I could answer, a servant came to tell me the chaise was ready, and that Mrs. Selwyn was enquiring for me. "I will wait on her immediately," cried I, and away I was running; but Lord Orville, stopping me, said, with great emotion, "Is it thus, Miss Anville, you leave me?" "My Lord," cried I, "how can I help it?-perhaps, soon, some better opportunity may offer-" "Good Heaven!" cried he, "do you take me for a Stoic! what better opportunity may I hope for?-is not the chaise come?-are you not going? have you even deigned to tell me whither?" "My journey, my Lord, will now be deferred. Mr. Macartney has brought me intelligence which renders it at present unnecessary." "Mr. Macartney," said he, gravely, "seems to have great influence;-yet he is a very young counsellor." "Is it possible, my Lord, Mr. Macartney can give you the least uneasiness?" "My dearest Miss Anville," said he, taking my hand, "I see, and I adore the purity of your mind, superior as it is to all little arts, and all apprehensions of suspicion; and I should do myself, as well as you, injustice, if I were capable of harbouring the smallest doubts of that goodness which makes you mine forever: nevertheless, pardon me, if I own myself surprised,-nay, alarmed, at these frequent meetings with so young a man as Mr. Macartney." "My Lord," cried I, eager to clear myself, "Mr. Macartney is my brother." "Your brother! you amaze me!-What strange mystery, then, makes his relationship a secret?" Just then Mrs. Selwyn opened the door. "O, you are here!" cried she: "Pray, is my Lord so kind as to assist you in preparing for your journey, or in retarding it?" "I should be most happy," said Lord Orville, smiling, "if it were in my power to do the latter." I then acquainted her with Mr. Macartney's communication. She immediately ordered the chaise away: and then took me into her own room, to consider what should be done. A few minutes sufficed to determine her; and she wrote the following note. "To Sir John Belmont, Bart." "MRS. SELWYN presents her compliments to Sir John Belmont; and, if he is at leisure, will be glad to wait on him this morning, upon business of importance." She then ordered her man to enquire at the pump-room for a direction; and went herself to Mrs. Beaumont to apologize for deferring her journey. An answer was presently returned, that Sir John would be glad to see her. She would have had me immediately accompany her to the Hot-Wells; but I entreated her to spare me the distress of so abrupt an introduction, and to pave the way for my reception. She consented rather reluctantly, and, attended only by her servant, walked to the Wells. She was not absent two hours; yet so miserably did time seem to linger, that I thought a thousand accidents had happened, and feared she would never return. I passed the whole time in my own room, for I was too much agitated even to converse with Lord Orville. The instant that, from my window, I saw her returning, I flew down stairs, and met her in the garden. We both walked to the arbour. Her looks, in which both disappointment and anger were expressed, presently announced to me the failure of her embassy. Finding that she did not speak, I asked her, in a faltering voice, whether or not I had a father? "You have not, my dear!" said she abruptly. "Very well, Madam," said I, with tolerable calmness, "let the chaise then be ordered again;-I will go to Berry Hill;-and there, I trust, I shall still find one!" It was some time ere she could give, or I could hear, the account of her visit; and then she related it in a hasty manner; yet, I believe I can recollect every word. "I found Sir John alone. He received me with the utmost politeness. I did not keep him a moment in suspense as to the purport of my visit. But I had no sooner made it known, than, with a supercilious smile, he said, 'And have you, Madam, been prevailed upon to revive that ridiculous old story?' Ridiculous, I told him, was a term which he would find no one else do him the favour to make use of, in speaking of the horrible actions belonging to the old story he made so light of; 'actions' continued I, 'which would dye still deeper the black annals of Nero or Caligula.' He attempted in vain to rally; for I pursued him with all the severity in my power, and ceased not painting the enormity of his crime till I stung him to the quick, and, in a voice of passion and impatience, he said, 'No more, Madam,-this is not a subject upon which I need a monitor.' 'Make then,' cried I, 'the only reparation in your power.-Your daughter is now at Clifton; send for her hither; and, in the face of the world, proclaim the legitimacy of her birth, and clear the reputation of your injured wife.' 'Madam,' said he, 'you are much mistaken, if you suppose I waited for the honour of this visit before I did what little justice now depends upon me, to the memory of that unfortunate woman: her daughter has been my care from her infancy; I have taken her into my house; she bears my name; and she will be my sole heiress.' For some time this assertion appeared so absurd, that I only laughed at it: but, at last, he assured me, I had myself been imposed upon; for that very woman who attended Lady Belmont in her last illness, conveyed the child to him while he was in London, before she was a year old. 'Unwilling,' he added, 'at that time to confirm the rumour of my being married, I sent the woman with the child to France: as soon as she was old enough, I put her into a convent, where she has been properly educated, and now I have taken her home. I have acknowledged her for my lawful child, and paid, at length, to the memory of her unhappy mother a tribute of fame, which has made me wish to hide myself hereafter from all the world.' This whole story sounded so improbable, that I did not scruple to tell him I discredited every word. He then rung his bell; and, enquiring if his hair-dresser was come, said he was sorry to leave me; but that, if I would favour him with my company to-morrow, he would do himself the honour of introducing Miss Belmont to me, instead of troubling me to introduce her to him. I rose in great indignation; and assuring him I would make his conduct as public as it was infamous-I left the house." Good Heaven, how strange the recital! how incomprehensible an affair! The Miss Belmont then who is actually at Bristol, passes for the daughter of my unhappy mother!-passes, in short, for your Evelina! Who she can be, or what this tale can mean, I have not any idea. Mrs. Selwyn soon after left me to my own reflections. Indeed they were not very pleasant. Quietly as I had borne her relation, the moment I was alone I felt most bitterly both the disgrace and sorrow of a rejection so cruelly inexplicable. I know not how long I might have continued in this situation, had I not been awakened from my melancholy reverie by the voice of Lord Orville. "May I come in," cried he, "or shall I interrupt you?" I was silent, and he seated himself next me. "I fear," he continued, "Miss Anville will think I persecute her: yet so much as I have to say, and so much as I wish to hear, with so few opportunities for either, she cannot wonder-and I hope she will not be offended-that I seize with such avidity every moment in my power to converse with her. You are grave," added he, taking my hand; "I hope the pleasure it gives to me, will not be a subject of pain to you? -You are silent!-Something, I am sure, has afflicted you:-would to Heaven I were able to console you!-Would to Heaven I were worthy to participate in your sorrows!" My heart was too full to bear this kindness, and I could only answer by my tears. "Good Heaven," cried he, "how you alarm me!-My love, my sweet Miss Anville, deny me no longer to be the sharer of your griefs!-tell me, at least, that you have not withdrawn your esteem!-that you do not repent the goodness you have shown me!-that you still think me the same grateful Orville, whose heart you have deigned to accept!" "Oh, my Lord," cried I, "your generosity overpowers me!" And I wept like an infant. For now, that all my hopes of being acknowledged seemed finally crushed, I felt the nobleness of his disinterested regard so forcibly, that I could scarce breathe under the weight of gratitude which oppressed me. He seemed greatly shocked; and, in terms the most flattering, the most respectfully tender, he at once soothed my distress, and urged me to tell him its cause. "My Lord," said I, when I was able to speak, "you little know what an outcast you have honoured with your choice!-a child of bounty,-an orphan from infancy,-dependant, even for subsistence, dependent, upon the kindness of compassion!-Rejected by my natural friends,-disowned for ever by my nearest relation,-Oh, my Lord, so circumstanced, can I deserve the distinction with which you honour me? No, no, I feel the inequality too painfully;-you must leave me, my Lord; you must suffer me to return to obscurity; and there, in the bosom of my first, best, my only friend,-I will pour forth all the grief of my heart!-while you, my Lord, must seek elsewhere-" I could not proceed; my whole soul recoiled against the charge I would have given, and my voice refused to utter it. "Never," cried he, warmly, "my heart is your's, and I swear to you an attachment eternal!-You prepare me, indeed, for a tale of horror, and I am almost breathless with expectation;-but so firm is my conviction, that, whatever are your misfortunes, to have merited them is not of the number, that I feel myself more strongly, more invincibly devoted to you than ever!-Tell me but where I may find this noble friend, whose virtues you have already taught me to reverence,-and I will fly to obtain his consent and intercession, that henceforward our fates my be indissolubly united;-and then shall it be the sole study of my life to endeavor to soften your past,-and guard you from future misfortunes!" I had just raised my eyes to answer this most generous of men, when the first object they met was Mrs. Selwyn. "So, my dear," cried she, "what, still courting the rural shades!-I thought ere now you would have been satiated with this retired seat, and I have been seeking you all over the house. But I find the only way to meet with you,-is to enquire for Lord Orville. However, don't let me disturb your meditation; you are possibly planning some pastoral dialogue." And, with this provoking speech, she walked on. In the greatest confusion I was quitting the arbour, when Lord Orville said, "Permit me to follow Mrs. Selwyn;-it is time to put an end to all impertinent conjectures; will you allow me to speak to her openly?" I assented in silence, and he left me. I then went to my own room, where I continued till I was summoned to dinner; after which, Mrs. Selwyn invited me to hers. The moment she had shut the door, "Your Ladyship'" said she, "will, I hope, be seated." "Ma'am!" cried I, staring. "O the sweet innocent! So you don't know what I mean?-but, my dear, my sole view is to accustom you a little to your dignity elect, lest, when you are addressed by your title, you should look another way, from an apprehension of listening to a discourse not meant for you to hear." Having, in this manner, diverted herself with my confusion, till her raillery was almost exhausted, she congratulated me very seriously upon the partiality of Lord Orville, and painted to me, in the strongest terms, his disinterested desire of being married to me immediately. She had told him, she said, my whole story, and yet he was willing, nay eager, that our union should take place of any further application to my family. "Now, my dear," continued she, "I advise you by all means to marry him directly; nothing can be more precarious than our success with Sir John; and the young men of this age are not to be trusted with too much time for deliberation, where their interests are concerned." "Good God, Madam," cried I, "do you think I would hurry Lord Orville?" "Well, do as you will," said she, "luckily you have an excellent subject for Quixotism;-otherwise this delay might prove your ruin; but Lord Orville is almost as romantic as if he had been born and bred at Berry Hill." She then proposed, as no better expedient seemed likely to be suggested, that I should accompany her at once in her visit to the Hot-Wells to-morrow morning. The very idea made me tremble; yet she represented so strongly the necessity of pursuing this unhappy affair with spirit, or giving it totally up, that, wanting her force of argument, I was almost obliged to yield to her proposal. In the evening we all walked in the garden; and Lord Orville, who never quitted my side, told me he had been listening to a tale, which though it had removed the perplexities that had so long tormented him, had penetrated him with sorrow and compassion. I acquainted him with Mrs. Selwyn's plan for to-morrow, and confessed the extreme terror it gave me. He then, in a manner almost unanswerable, besought me to leave to him the conduct of the affair, by consenting to be his before an interview took place. I could not but acknowledge my sense of his generosity; but I told him I was wholly dependent upon you; and that I was certain your opinion would be the same as mine; which was, that it would be highly improper I should dispose of myself for ever, so very near the time which must finally decide by whose authority I ought to be guided. The subject of this dreaded meeting, with the thousand conjectures and apprehensions to which it gives birth, employed all our conversation then, as it has all my thoughts since. Heaven only knows how I shall support myself, when the long expected-the wished-yet terrible moment arrives, that will prostrate me at the feet of the nearest, the most reverenced of all relations, whom my heart yearns to know, and longs to love! </CHAPTER> <CHAPTER> LETTER LXXVIII. EVELINA IN CONTINUATION. Oct. 9th. I COULD not write yesterday, so violent was the agitation of my mind;-but I will not, now, lose a moment till I have hastened to my best friend an account of the transactions of a day I can never recollect without emotion. Mrs. Selwyn determined upon sending no message, "Lest," said she, "Sir John, fatigued with the very idea of my reproaches, should endeavour to avoid a meeting. He cannot but see who you are, whether he will do you justice or not." We went early, and in Mrs. Beaumont's chariot; into which Lord Orville, uttering words of the kindest encouragement, handed us both. My uneasiness, during the ride, was excessive; but, when we stopped at the door, I was almost senseless with terror! the meeting, at last, was not so dreadful as that moment! I believe I was carried into the house; but I scarce recollect what was done with me: however, I know we remained some time in the parlour before Mrs. Selwyn could send any message up stairs. When I was somewhat recovered, I intreated her to let me return home, assuring her I felt myself quite unequal to supporting the interview. "No," said she; "you must stay now: your fears will but gain strength by delay; and we must not have such a shock as this repeated." Then, turning to the servant, she sent up her name. An answer was brought, that he was going out in great haste, but would attend her immediately. I turned so sick, that Mrs. Selwyn was apprehensive I should have fainted; and, opening a door which led to an inner apartment, she begged me to wait there till I was somewhat composed, and till she had prepared for my reception. Glad of every moment's reprieve, I willingly agreed to the proposal; and Mrs. Selwyn had but just time to shut me in, before her presence was necessary. The voice of a father -Oh, dear and revered name!-which then, for the first time, struck my ears, affected me in a manner I cannot describe, though it was only employed in giving orders to a servant as he came down stairs. Then, entering the parlour, I heard him say, "I am sorry, Madam, I made you wait; but I have an engagement which now calls me away: however, if you have any commands for me, I shall be glad of the honour of your company some other time." "I am come, Sir," said Mrs. Selwyn, "to introduce your daughter to you." "I am infinitely obliged to you," answered he; "but I have just had the satisfaction of breakfasting with her. Ma'am, your most obedient." "You refuse, then, to see her?" "I am much indebted to you, Madam, for this desire of increasing my family; but you must excuse me if I decline taking advantage of it. I have already a daughter, to whom I owe everything; and it is not three days since that I had the pleasure of discovering a son: how many more sons and daughters may be brought to me, I am yet to learn; but I am already perfectly satisfied with the size of my family." "Had you a thousand children, Sir John," said Mrs. Selwyn, "this only one, of which Lady Belmont was the mother, ought to be most distinguished; and, far from avoiding her sight, you should thank your stars, in humble gratitude, that there yet remains in your power the smallest opportunity of doing the injured wife you have destroyed, the poor justice of acknowledging her child!" "I am very unwilling, Madam," answered he, "to enter into any discussion of this point; but you are determined to compel me to speak. There lives not at this time the human being, who should talk to me of the regret due to the memory of that ill-fated woman; no one can feel it so severely as myself; but let me, nevertheless, assure you, I have already done all that remained in my power to prove the respect she merited from me: her child I have educated, and owned for my lawful heiress: if, madam, you can suggest to me any other means by which I may more fully do her justice, and more clearly manifest her innocence, name them to me; and, though they should wound my character still deeper, I will perform them readily." "All this sounds vastly well," returned Mrs. Selwyn; "but I must own it is rather too enigmatical for my faculties of comprehension. You can, however, have no objection to seeing this young lady." "None in the world." "Come forth, then, my dear," cried she, opening the door; "come forth and see your father!" Then, taking my trembling hand, she led me forward. I would have withdrawn it and retreated; but, as he advanced instantly towards me, I found myself already before him. What a moment for your Evelina-an involuntary scream escaped me, and, covering my face with my hands, I sunk on the floor. He had, however, seen me first; for, in a voice scarce articulate, he exclaimed, "My God! does Caroline Evelyn still live!" Mrs. Selwyn said something, but I could not listen to her; and in a few minutes he added, "Lift up thy head-if my sight has not blasted thee!-lift up thy head, thou image of my long lost Caroline!" Affected beyond measure, I half arose, and embraced his knees, while yet on my own. "Yes, yes," cried he, looking earnestly in my face, "I see, I see thou art her child! she lives-she breathes,-she is present to my view!-Oh, God, that she indeed lived!-Go, child, go," added he, wildly starting, and pushing me from him: "take her away, Madam,-I cannot bear to look at her!" And then, breaking hastily from me, he rushed out of the room. Speechless, motionless myself, I attempted not to stop him; but Mrs. Selwyn, hastening after him, caught hold of his arm: "Leave me, Madam," cried he, with quickness, "and take care of the poor child:-bid her not think me unkind; tell her, I would at this moment plunge a dagger in my heart to serve her: but she has set my brain on fire; and I can see her no more!" Then, with a violence almost frantic, he ran up stairs. Oh, Sir, had I not indeed cause to dread this interview?-an interview so unspeakably painful and afflicting to us both! Mrs. Selwyn would have immediately returned to Clifton; but I entreated her to wait some time, in the hope that my unhappy father, when his first emotion was over, would again bear me in his sight. However, he soon after sent his servant to enquire how I did; and to tell Mrs. Selwyn he was much indisposed, but would hope for the honour of seeing her to-morrow, at any time she would please to appoint. She fixed upon ten o'clock in the morning; and then, with a heavy heart, I got into the chariot. Those afflicting words, I can see her no more! were never a moment absent from my mind. Yet the sight of Lord Orville, who handed us from the carriage, gave some relief to the sadness of my thoughts. I could not, however, enter upon the painful subject; but, begging Mrs. Selwyn to satisfy him, I went to my own room. As soon as I communicated to the good Mrs. Clinton the present situation of my affairs, an idea occurred to her which seemed to clear up all the mystery of my having been so long disowned. The woman, she says, who attended my ever-to-be-regretted mother in her last illness, and who nursed me the first four months of my life, soon after being discharged from your house, left Berry Hill entirely, with her baby, who was but six weeks older than myself. Mrs. Clinton remembers, that her quitting the place appeared, at the time, very extraordinary to the neighbours; but, as she was never heard of afterwards, she was by degrees quite forgotten. The moment this was mentioned, it struck Mrs. Selwyn, as well as Mrs. Clinton herself, that my father had been imposed upon; and that the nurse, who said she had brought his child to him, had, in fact, carried her own. The name by which I was known, the secrecy observed in regard to my family, and the retirement in which I lived, all conspired to render this scheme, however daring and fraudulent, by no means impracticable; and, in short, the idea was no sooner started, than conviction seemed to follow it. Mrs. Selwyn determined immediately to discover the truth or mistake of this conjecture; therefore, the moment she had dined, she walked to the Hot Wells, attended by Mrs. Clinton. I waited in my room till her return; and then heard the following account of her visit: She found my poor father in great agitation. She immediately informed him of the occasion of her so speedy return, and of her suspicions of the woman who had pretended to convey to him his child. Interrupting her with quickness, he said he had just sent her from his presence; that the certainty I carried in my countenance of my real birth, made him, the moment he had recovered from a surprise which had almost deprived him of reason, suspect, himself, the imposition she mentioned. He had therefore sent for the woman, and questioned her with the utmost austerity; she turned pale, and was extremely embarrassed; but still she persisted in affirming, that she had really brought him the daughter of Lady Belmont. His perplexity, he said, almost distracted him: he had always observed, that his daughter bore no resemblance to either of her parents; but, as he had never doubted the veracity of the nurse, this circumstance did not give birth to any suspicion. At Mrs. Selwyn's desire, the woman was again called, and interrogated with equal art and severity; her confusion was evident, and her answers often contradictory; yet she still declared she was no impostor. "We will see that in a minute," said Mrs. Selwyn; and then desired Mrs. Clinton might be called up stairs. The poor wretch, changing colour, would have escaped out of the room; but, being prevented, dropt on her knees, and implored forgiveness. A confession of the whole affair was then extorted from her. Doubtless, my dear Sir, you must remember Dame Green, who was my first nurse. The deceit she has practised was suggested, she says, by a conversation she overheard; in which my unhappy mother besought you, that, if her child survived her, you would take the sole care of its education; and, in particular, if it should be a female, you would by no means part with her in early life. You not only consented, she says, but assured her you would even retire abroad with me yourself, if my father should importunately demand me. Her own child, she said, was then in her arms; and she could not forbear wishing it were possible to give her the fortune which seemed so little valued for me. This wish once raised was not easily suppressed; on the contrary, what at first appeared a mere idle desire, in a short time seemed a feasible scheme. Her husband was dead, and she had little regard for any body but her child; and, in short, having saved money for the journey, she contrived to enquire a direction to my father; and, telling her neighbours she was going to settle in Devonshire, she set out on her expedition. When Mrs. Selwyn asked her how she dared perpetrate such a fraud, she protested she had no ill designs; but that, as Miss would be never the worse for it, she thought it pity nobody should be the better. Her success we are already acquainted with. Indeed everything seemed to contribute towards it: my father had no correspondent at Berry Hill; the child was instantly sent to France; where, being brought up in as much retirement as myself, nothing but accident could discover the fraud. And here let me indulge myself in observing, and rejoicing to observe, that the total neglect I thought I met with was not the effect of insensibility or unkindness, but of imposition and error; and that, at the very time we concluded I was unnaturally rejected, my deluded father meant to show me most favour and protection. He acknowledges that Lady Howard's letter flung him into some perplexity: he immediately communicated it to Dame Green, who confessed it was the greatest shock she had ever received in her life; yet she had the art and boldness to assert, that Lady Howard must herself have been deceived: and as she had, from the beginning of her enterprise, declared she had stolen away the child without your knowledge, he concluded that some deceit was then intended him; and this thought occasioned his abrupt answer. Dame Green owned, that, from the moment the journey to England was settled, she gave herself up for lost. All her hope was to have had her daughter married before it took place; for which reason she had so much promoted Mr. Macartney's addresses; for though such a match was inadequate to the pretensions of Miss Belmont, she well knew it was far superior to those her daughter could form after the discovery of her birth. My first enquiry was, if this innocent daughter was yet acquainted with the affair? "No," Mrs. Selwyn said; nor was any plan settled how to divulge it to her. Poor unfortunate girl! how hard is her fate! She is entitled to my kindest offices, and I shall always consider her as my sister. I then asked whether my father would again allow me to see him! "Why, no, my dear, not yet," answered she; "he declares the sight of you is too much for him: however, we are to settle everything concerning you to-morrow; for this woman took up all our time to-day." This morning, therefore, she is again gone to the Hot Wells. I am waiting in all impatience for her return; but, as I know you will be anxious for the account this letter contains, I will not delay sending it. </CHAPTER> <CHAPTER> LETTER LXXIX. EVELINA IN CONTINUATION. October 9th. HOW agitated, my dear Sir, is the present life of your Evelina! every day seems important, and one event only a prelude to another. Mrs. Selwyn, upon her return this morning from the Hot Wells, entering my room very abruptly, said, "Oh, my dear, I have terrible news for you!" "For me, Ma'am!-Good God! what now?" "Arm yourself," cried she, "with all your Berry Hill philosophy;-con over every lesson of fortitude or resignation you ever learnt in your life;-for know,-you are next week to be married to Lord Orville!" Doubt, astonishment, and a kind of perturbation I cannot describe, made this abrupt communication alarm me extremely; and, almost breathless, I could only exclaim, "Good God, Madam, what do you tell me!" "You may well be frightened, my dear," said she, ironically; "for really there is something mighty terrific in becoming, at once, the wife of the man you adore,-and a Countess!" I entreated her to spare her raillery, and tell me her real meaning. She could not prevail with herself to grant the first request, though she readily complied with the second. My poor father, she said, was still in the utmost uneasiness: he entered upon his affairs with great openness, and told her, he was equally disturbed how to dispose either of the daughter he had discovered, or the daughter he was now to give up; the former he dreaded to trust himself with again beholding, and the latter he knew not how to shock with the intelligence of her disgrace. Mrs. Selwyn then acquainted him with my situation in regard to Lord Orville: this delighted him extremely; and, when he heard of his Lordship's eagerness, he said he was himself of opinion, the sooner the union took place the better; and, in return, he informed her of the affair of Mr. Macartney. "And, after a very long conversation," continued Mrs. Selwyn, "we agreed, that the most eligible scheme for all parties would be, to have both the real and the fictitious daughter married without delay. Therefore, if either of you have any inclination to pull caps for the title of Miss Belmont, you must do it with all speed, as next week will take from both of you all pretensions to it." "Next week!-dear Madam, what a strange plan!-without my being consulted,-without applying to Mr. Villars,-without even the concurrence of Lord Orville!" "As to consulting you, my dear, it was out of all question; because, you know, young ladies' hearts and hands are always to be given with reluctance;-as to Mr. Villars, it is sufficient we know him for your friend;-and as for Lord Orville, he is a party concerned." "A party concerned!-you amaze me!" "Why, yes; for, as I found our consultation likely to redound to his advantage, I persuaded Sir John to send for him." "Send for him!-Good God!" "Yes; and Sir John agreed. I told the servant, that if he could not hear of his Lordship in the house, he might be pretty certain of encountering him in the arbour.-Why do you colour, my dear?-Well, he was with us in a moment: I introduced him to Sir John; and we proceeded to business." "I am very, very sorry for it!-Lord Orville must himself think this conduct strangely precipitate." "No, my dear, you are mistaken; Lord Orville has too much good sense. Everything was then discussed in a rational manner. You are to be married privately, though not secretly, and then go to one of his Lordship's country seats: and poor little Miss Green and your brother, who have no house of their own, must go to one of Sir John's." "But why, my dear Madam, why all this haste? why may we not be allowed a little longer time?" "I could give you a thousand reasons," answered she, "but that I am tolerably certain two or three will be more than you can controvert, even with all the logic of genuine coquetry. In the first place, you doubtless wish to quit the house of Mrs. Beaumont: to whose, then, can you with such propriety remove as to Lord Orville's?" "Surely, Madam," cried I, "I am not more destitute now than when I thought myself an orphan." "Your father, my dear," answered she, "is willing to save the little impostor as much of the mortification of her disgrace as is in his power; now, if you immediately take her place, according to your right, as Miss Belmont, why, not all that either of you can do for her, will prevent her being eternally stigmatized as the bantling of Dame Green, wash-woman and wet nurse, of Berry Hill, Dorsetshire. Now such a genealogy will not be very flattering, even to Mr. Macartney, who, all-dismal as he is, you will find by no means wanting in pride and self-consequence." "For the universe," interrupted I, "I would not be accessary to the degradation you mention; but surely, Madam, I may return to Berry Hill?" "By no means," said she; "for though compassion may make us wish to save the poor girl the confusion of an immediate and public fall, yet justice demands you should appear henceforward in no other light than that of Sir John Belmont's daughter. Besides, between friends, I, who know the world, can see that half this prodigious delicacy for the little usurper is the mere result of self-interest; for, while her affairs are hushed up, Sir John's, you know, are kept from being brought further to light. Now the double marriage we have projected obviates all rational objections. Sir John will give you immediately L.30,000; all settlements, and so forth, will be made for you in the name of Evelina Belmont:-Mr. Macartney will at the same time take poor Polly Green; and yet, at first, it will only be generally known that a daughter of Sir John Belmont is married." In this manner, though she did not convince me, yet the quickness of her arguments silenced and perplexed me. I enquired, however, if I might not be permitted to again see my father, or whether I must regard myself as banished his presence for ever? "My dear," said she, "he does not know you: he concludes that you have been brought up to detest him; and therefore he is rather prepared to dread than to love you." This answer made me very unhappy: I wished, most impatiently, to remove his prejudice, and endeavour, by dutiful assiduity, to engage his kindness; yet knew not how to propose seeing him, while conscious he wished to avoid me. This evening, as soon as the company was engaged with cards, Lord Orville exerted his utmost eloquence to reconcile me to this hasty plan; but how was I startled when he told me that next Tuesday was the day appointed by my father to be the most important of my life! "Next Tuesday!" repeated I, quite out of breath, "Oh, my Lord!-" "My sweet Evelina," said he, "the day which will make me the happiest of mortals, would probably appear awful to you, were it to be deferred a twelvemonth. Mrs. Selwyn has, doubtless, acquainted you with the many motives which, independent of my eagerness, require it to be speedy; suffer, therefore, its acceleration, and generously complete my felicity, by endeavouring to suffer it without repugnance." "Indeed, my Lord, I would not wilfully raise objections, nor do I desire to appear insensible of the honour of your good opinion;-but there is something in this plan-so very hasty-so unreasonably precipitate:-besides, I shall have no time to hear from Berry Hill;-and believe me, my Lord, I should be for ever miserable, were I, in an affair so important, to act without the sanction of Mr. Villars's advice." He offered to wait on you himself: but I told him I had rather write to you. And then he proposed, that, instead of my immediately accompanying him to Lincolnshire, we should first pass a month at my native Berry Hill. This was, indeed, a grateful proposal to me, and I listened to it with undisguised pleasure. And, in short, I was obliged to consent to a compromise in merely deferring the day till Thursday! He readily undertook to engage my father's concurrence in this little delay; and I besought him, at the same time, to make use of his influence to obtain me a second interview, and to represent the deep concern I felt in being thus banished his sight. He would then have spoken of settlements; but I assured him I was almost ignorant of the word. And now, my dearest Sir, what is your opinion of these hasty proceedings? Believe me, I half regret the simple facility with which I have suffered myself to be hurried into compliance; and, should you start but the smallest objection, I will yet insist upon being allowed more time. I must now write a concise account of the state of my affairs to Howard Grove, and to Madame Duval. Adieu, dearest and most honoured Sir! everything at present depends upon your single decision; to which, though I yield in trembling, I yield implicitly. </CHAPTER> <CHAPTER> LETTER LXXX. EVELINA IN CONTINUATION. Oct. 11th. YESTERDAY morning, as soon as breakfast was over, Lord Orville went to the Hot Wells, to wait upon my father with my double petition. Mrs. Beaumont then, in general terms, proposed a walk in the garden. Mrs. Selwyn said she had letters to write; but Lady Louisa rose to accompany Mrs. Beaumont. I had had some reason to imagine, from the notice with which her Ladyship had honoured me during breakfast, that her brother had acquainted her with my present situation: and her behaviour now confirmed my conjectures: for, when I would have gone up stairs, instead of suffering me, as usual, to pass disregarded, she called after me with an affected surprise, "Miss Anville, don't you walk with us?" There seemed something so little-minded in this sudden change of conduct, that, from an involuntary motion of contempt, I thanked her with a coldness like her own, and declined her offer. Yet, observing that she blushed extremely at my refusal, and recollecting she was sister to Lord Orville, my indignation subsided; and, upon Mrs. Beaumont repeating the invitation, I accepted it. Our walk proved extremely dull: Mrs. Beaumont, who never says much, was more silent than usual; Lady Louisa strove in vain to lay aside the restraint and distance she has hitherto preserved; and, as to me, I was too conscious of the circumstances to which I owed their attention, to feel either pride or pleasure from receiving it. Lord Orville was not long absent: he joined us in the garden with a look of gaiety and good humour that revived us all. "You are just the party," said he, "I wished to see together. Will you, Madam (taking my hand), allow me the honour of introducing you, by your real name, to two of my nearest relations? Mrs. Beaumont, give me leave to present to you the daughter of Sir John Belmont, a young lady who, I am sure, must long since have engaged your esteem and admiration, though you were a stranger to her birth." "My Lord," said Mrs. Beaumont, graciously saluting me, "the young lady's rank in life, your Lordship's recommendation, or her own merit, would, any one of them, have been sufficient to have entitled her to my regard; and I hope she has always met with that respect in my house which is so much her due; though, had I been sooner made acquainted with her family, I should doubtless have better known how to have secured it." "Miss Belmont," said Lord Orville, "can receive no lustre from family, whatever she may give to it. Louisa, you will, I am sure, be happy to make yourself an interest in the friendship of Miss Belmont, whom I hope shortly (kissing my hand, and joining it with her Ladyship's) to have the happiness of presenting to you by yet another name, and by the most endearing of all titles." I believe it would be difficult to say whose cheeks were, at that moment, of the deepest dye, Lady Louisa's or my own; for the conscious pride with which she has hitherto slighted me, gave to her an embarrassment which equalled the confusion that an introduction so unexpected gave to me. She saluted me, however; and, with a faint smile said, "I shall esteem myself very happy to profit by the honour of Miss Belmont's acquaintance." I only courtsied, and we walked on; but it was evident, from the little surprise they expressed, that they had been already informed of the state of the affair. We were soon after joined by more company: and Lord Orville then, in a low voice, took an opportunity to tell me the success of his visit. In the first place, Thursday was agreed to; and, in the second, my father, he said, was much concerned to hear of my uneasiness; sent me his blessing; and complied with my request of seeing him, with the same readiness he should agree to any other I could make. Lord Orville, therefore, settled that I should wait upon him in the evening, and, at his particular request, unaccompanied by Mrs. Selwyn. This kind message, and the prospect of so soon seeing him, gave me sensations of mixed pleasure and pain, which wholly occupied my mind till the time of my going to the Hot Wells. Mrs. Beaumont lent me her chariot, and Lord Orville absolutely insisted upon attending me. "If you go alone," said he, "Mrs. Selwyn will certainly be offended; but if you allow me to conduct you, though she may give the freer scope to her raillery, she cannot possibly be affronted: and we had much better suffer her laughter, than provoke her satire." Indeed, I must own, I had no reason to regret being so accompanied; for his conversation supported my spirits from drooping, and made the ride seem so short, that we actually stopped at my father's door, before I knew we had proceeded ten yards. He handed me from the carriage, and conducted me to the parlour, at the door of which I was met by Mr. Macartney. "Ah, my dear brother," cried I, "how happy am I to see you here!" He bowed, and thanked me. Lord Orville, then, holding out his hand, said, "Mr. Macartney, I hope we shall be better acquainted; I promise myself much pleasure from cultivating your friendship." "Your Lordship does me but too much honour," answered Mr. Macartney. "But where," cried I, "is my sister? for so I must already call, and always consider her:-I am afraid she avoids me;-you must endeavour, my dear brother, to prepossess her in my favour, and reconcile her to owning me." "Oh, Madam," cried he, "you are all goodness and benevolence! but at present I hope you will excuse her, for I fear she has hardly fortitude sufficient to see you: in a short time perhaps-" "In a very short time, then," said Lord Orville, "I hope you will yourself introduce her, and that we shall have the pleasure of wishing you both joy:-allow me, my Evelina, to say we, and permit me, in your name, as well as my own, to entreat that the first guests we shall have the happiness of receiving may be Mr. and Mrs. Macartney." A servant then came to beg I would walk up stairs. I besought Lord Orville to accompany me; but he feared the displeasure of Sir John, who had desired to see me alone. He led me, however, to the foot of the stairs, and made the kindest efforts to give me courage: but indeed he did not succeed; for the interview appeared to me in all its terrors, and left me no feeling but apprehension. The moment I reached the landing-place, the drawing-room door was opened: and my father, with a voice of kindness, called out, "My child, is it you?" "Yes, Sir," cried I, springing forward, and kneeling at his feet, "it is your child, if you will own her!" He knelt by my side, and, folding me in his arms, "Own thee," repeated he, "yes, my poor girl, and Heaven knows with what bitter contrition!" Then, raising both himself and me, he brought me into the drawing-room, shut the door, and took me to the window; where, looking at me with great earnestness, "Poor unhappy Caroline!" cried he; and, to my inexpressible concern, he burst into tears. Need I tell you, my dear Sir, how mine flowed at the sight? I would again have embraced his knees; but, hurrying from me, he flung himself upon a sofa, and, leaning his face on his arms, seemed for some time absorbed in bitterness of grief. I ventured not to interrupt a sorrow I so much respected; but waited in silence, and at a distance, till he recovered from its violence. But then it seemed in a moment to give way to a kind of frantic fury; for starting suddenly, with a sternness which at once surprised and frightened me, "Child," cried he, "hast thou yet sufficiently humbled thy father?-if thou hast, be contented with this proof of my weakness, and no longer force thyself into my presence!" Thunderstruck by a command so unexpected, I stood still and speechless, and doubted whether my own ears did not deceive me. "Oh go, go!" cried he, passionately; "in pity-in compassion,-if thou valuest my senses, leave me,-and for ever!" "I will, I will," cried I, greatly terrified; and I moved hastily towards the door: yet, stopping when I reached it, and, almost involuntarily, dropping on my knees, "Vouchsafe," cried I, "Oh, Sir, vouchsafe but once to bless your daughter, and her sight shall never more offend you!" "Alas," cried he, in a softened voice, "I am not worthy to bless thee!-I am not worthy to call thee daughter!-I am not worthy that the fair light of Heaven should visit my eyes!-Oh God! that I could but call back the time ere thou wast born,-or else bury its remembrance in eternal oblivion!" "Would to Heaven," cried I, "that the sight of me were less terrible to you! that, instead of irritating, I could soothe your sorrows!-Oh Sir, how thankfully would I then prove my duty, even at the hazard of my life!" "Are you so kind?" cried he, gently; "come hither, child;-rise, Evelina:-Alas, it is for me to kneel,-not you;-and I would kneel,-I would crawl upon the earth,-I would kiss the dust,-could I, by such submission, obtain the forgiveness of the representative of the most injured of women!" "Oh, Sir," exclaimed I, "that you could but read my heart!-that you could but see the filial tenderness and concern with which it overflows!-you would not then talk thus,-you would not then banish me your presence, and exclude me from your affection!" "Good God," cried he, "is it then possible that you do not hate me?-Can the child of the wronged Caroline look at,-and not execrate me? Wast thou not born to abhor, and bred to curse me? Did not thy mother bequeath thee her blessing on condition that thou should'st detest and avoid me ?" "Oh no, no, no!" cried I; "think not so unkindly of her, nor so hardly of me." I then took from my pocketbook her last letter; and, pressing it to my lips, with a trembling hand, and still upon my knees, I held it out to him. Hastily snatching it from me, "Great Heaven!" cried he, "'tis her writing-Whence comes this?-who gave it you-why had I it not sooner?" I made no answer; his vehemence intimidated me, and I ventured not to move from the suppliant posture in which I had put myself. He went from me to the window, where his eyes were for some time rivetted upon the direction of the letter, though his hand shook so violently he could hardly hold it. Then, bringing it to me, "Open it,"-cried he,-"for I cannot!" I had myself hardly strength to obey him: but when I had, he took it back, and walked hastily up and down the room, as if dreading to read it. At length, turning to me, "Do you know," cried he, "its contents?" "No, Sir," answered I, "it has never been unsealed." He then again went to the window, and began reading. Having hastily run it over, he cast up his eyes with a look of desperation; the letter fell from his hand, and he exclaimed, "Yes! thou art sainted!-thou art blessed!-and I am cursed for ever!" He continued some time fixed in this melancholy position; after which, casting himself with violence upon the ground, "Oh wretch," cried he, "unworthy life and light, in what dungeon canst thou hide thy head?" I could restrain myself no longer; I rose and went to him; I did not dare speak; but, with pity and concern unutterable, I wept and hung over him. Soon after, starting up, he again seized the letter, exclaiming, "Acknowledge thee, Caroline!-yes, with my heart's best blood would I acknowledge thee!-Oh that thou could'st witness the agony of my soul!-Ten thousand daggers could not have wounded me like this letter!" Then, after again reading it, "Evelina," he cried, "she charges me to receive thee;-wilt thou, in obedience to her will, own for thy father the destroyer of thy mother?" What a dreadful question!-I shuddered, but could not speak. "To clear her fame, and receive her child," continued he, looking stedfastly at the letter, "are the conditions upon which she leaves me her forgiveness: her fame I have already cleared;-and Oh, how willingly would I take her child to my bosom, fold her to my heart,-call upon her to mitigate my anguish, and pour the balm of comfort on my wounds, were I not conscious I deserve not to receive it, and that all my affliction is the result of my own guilt!" It was in vain I attempted to speak; horror and grief took from me all power of utterance. He then read aloud from the letter, "Look not like thy unfortunate mother!" "Sweet soul, with what bitterness of spirit hast thou written!-Come hither, Evelina: Gracious Heaven! (looking earnestly at me) never was likeness more striking!-the eyes-the face-the form-Oh, my child, my child!" Imagine, Sir,-for I can never describe my feelings, when I saw him sink upon his knees before me! "Oh, dear resemblance of thy murdered mother!-Oh, all that remains of the most injured of women! behold thy father at thy feet!-bending thus lowly to implore you would not hate him.-Oh, then, thou representative of my departed wife, speak to me in her name, and say that the remorse which tears my soul tortures me not in vain!" "Oh, rise, rise, my beloved father," cried I, attempting to assist him; "I cannot bear to see you thus; reverse not the law of nature; rise yourself, and bless your kneeling daughter!" "May Heaven bless thee, my child!-"cried he, "for I dare not." He then rose; and, embracing me most affectionately, added, "I see, I see that thou art all kindness, softness, and tenderness; I need not have feared thee, thou art all the fondest father could wish, and I will try to frame my mind to less painful sensations at thy sight. Perhaps the time may come, when I may know the comfort of such a daughter;-at present I am only fit to be alone: dreadful as are my reflections, they ought merely to torment myself.-Adieu, my child;-be not angry,-I cannot stay with thee;-Oh, Evelina! thy countenance is a dagger to my heart!-just so thy mother looked,-just so-" Tears and sighs seemed to choak him;-and, waving his hand, he would have left me;-but, clinging to him, "Oh, Sir," cried I, "will you so soon abandon me?-am I again an orphan!-Oh, my dear, my long-lost father, leave me not, I beseech you! take pity on your child, and rob her not of the parent she so fondly hoped would cherish her!" "You know not what you ask," cried he; "the emotions which now rend my soul are more than my reason can endure; suffer me then, to leave you;-impute it not to unkindness, but think of me as well as thou canst. Lord Orville has behaved nobly;-I believe he will make thee happy." Then, again embracing me, "God bless thee, my dear child," cried he, "God bless thee, my Evelina!-endeavour to love,-at least not to hate me,-and to make me an interest in thy filial bosom, by thinking of me as thy father." I could not speak; I kissed his hands on my knees: and then, with yet more emotion, he again blessed me, and hurried out of the room,-leaving me almost drowned in tears. Oh, Sir, all goodness as you are, how much will you feel for your Evelina, during a scene of such agitation! I pray Heaven to accept the tribute of his remorse, and restore him to tranquillity! When I was sufficiently composed to return to the parlour, I found Lord Orville waiting for me with the utmost anxiety:-and then a new scene of emotion, though of a far different nature, awaited me; for I learned by Mr. Macartney, that this noblest of men had insisted the so-long supposed Miss Belmont should be considered, indeed, as my sister, and as the co-heiress of my father; though not in law, in justice, he says, she ought ever to be treated as the daughter of Sir John Belmont. Oh! Lord Orville!-it shall be the sole study of my happy life, to express, better than by words, the sense I have of your exalted benevolence and greatness of mind! </CHAPTER> <CHAPTER> LETTER LXXXI. EVELINA IN CONTINUATION. Clifton, Oct. 12th. THIS morning, early, I received the following letter from Sir Clement Willoughby: "To Miss Anville. "I HAVE this moment received intelligence that preparations are actually making for your marriage with Lord Orville. "Imagine not that I write with the imbecile idea of rendering those preparations abortive. No, I am not so mad. My sole view is to explain the motive of my conduct in a particular instance, and to obviate the accusation of treachery which may be laid to my charge. "My unguarded behaviour, when I last saw you, has, probably, already acquainted you, that the letter I then saw you reading was written by myself. For your further satisfaction, let me have the honour of informing you, that the letter you had designed for Lord Orville, had fallen into my hands. "However I may have been urged on by a passion the most violent that ever warmed the heart of man, I can by no means calmly submit to be stigmatized for an action seemingly so dishonourable; and it is for this reason that I trouble you with this justification. "Lord Orville,-the happy Orville, whom you are so ready to bless,-had made me believe he loved you not;-nay, that he held you in contempt. "Such were my thoughts of his sentiments of you, when I got possession of the letter you meant to send him. I pretend not to vindicate either the means I used to obtain it, or the action of breaking the seal; but I was impelled, by an impetuous curiosity, to discover the terms upon which you wrote to him. "The letter, however, was wholly unintelligible to me, and the perusal of it only added to my perplexity. "A tame suspense I was not born to endure, and I determined to clear my doubts at all hazards and events. "I answered it, therefore, in Orville's name. "The views which I am now going to acknowledge, must, infallibly, incur your displeasure;-yet I scorn all palliation. "Briefly, then, I concealed your letter to prevent a discovery of your capacity; and I wrote you an answer, which I hoped would prevent your wishing for any other. "I am well aware of every thing which can be said upon this subject. Lord Orville will, possibly, think himself ill-used; but I am extremely indifferent as to his opinion; nor do I now write by way of offering any apology to him, but merely to make known to yourself the reasons by which I have been governed. "I intend to set off next week for the Continent. Should his Lordship have any commands for me in the mean time, I shall be glad to receive them. I say not this by way of defiance,-I should blush to be suspected of so doing through an indirect channel; but simply that, if you show him this letter, he may know I dare defend, as well as excuse, my conduct. "CLEMENT WILLOUGHBY." What a strange letter! how proud and how piqued does its writer appear! To what alternate meanness and rashness do the passions lead, when reason and self-denial do not oppose them! Sir Clement is conscious he has acted dishonourably; yet the same unbridled vehemence, which urged him to gratify a blameable curiosity, will sooner prompt him to risk his life, than, confess his misconduct. The rudeness of his manner of writing to me, springs, from the same cause: the proof which he has received of my indifference to him, has stung him to the soul, and he has neither the delicacy nor forbearance to disguise his displeasure. I determined not to show this letter to Lord Orville, and thought it most prudent to let Sir Clement know I should not. I therefore wrote the following note: "To Sir Clement Willoughby. "SIR, "The letter you have been pleased to address to me, is so little calculated to afford Lord Orville any satisfaction, that you may depend upon my carefully keeping it from his sight. I will bear you no resentment for what is past; but I most earnestly intreat, nay implore, that you will not write again, while in your present frame of mind, by any channel, direct or indirect. "I hope you will have much pleasure in your promised expedition; and I beg leave to assure you of my good wishes." Not knowing by what name to sign, I was obliged to send it without any. The preparations which Sir Clement mentions, go on just as if your consent were arrived: it is in vain that I expostulate; Lord Orville says, should any objections be raised, all shall be given up; but that, as his hopes forbid him to expect any, he must proceed as if already assured of your concurrence. We have had, this afternoon, a most interesting conversation, in which we have traced our sentiments of each other from our first acquaintance. I have made him confess how ill he thought of me upon my foolish giddiness at Mrs. Stanley's ball; but he flatters me with assurances, that every succeeding time he saw me, I appeared to something less and less disadvantage. When I expressed my amazement that he could honour with his choice a girl who seemed so infinitely, in every respect, beneath his alliance, he frankly owned, that he had fully intended making more minute inquiries into my family and connections; particularly concerning those people he saw me with at Marybone, before he acknowledged his prepossession in my favour: but seeing me again, put him quite off his guard; and, "divesting him of prudence, left him nothing but love." These were his words; and yet, he has repeatedly assured me, that his partiality has known no bounds from the time of my residing at Clifton. * * * * * * Mr. Macartney has just been with me, on an embassy from my father. He has sent me his kindest love and assurances of favour; and desired to know if I am happy in the prospect of changing my situation, and if there is any thing I can name which he can do for me. And, at the same time, Mr. Macartney delivered to me a draught on my father's banker for a thousand pounds, which he insisted that I should receive entirely for my own use, and expend in equipping myself properly for the new rank of life to which I seem destined. I am sure I need not say how much I was penetrated by this goodness: I wrote my thanks, and acknowledged, frankly, that if I could see him restored to tranquillity, my heart would be without a wish. </CHAPTER> <CHAPTER> LETTER LXXXII. EVELINA IN CONTINUATION. Clifton, Oct. 13th. THE time approaches now when I hope we shall meet;-yet I cannot sleep;-great joy is a restless as sorrow,-and therefore I will continue my journal. As I had never had an opportunity of seeing Bath, a party was formed last night for showing me that celebrated city; and this morning, after breakfast, we set out in three phaetons. Lady Louisa and Mrs. Beaumont with Lord Merton; Mr. Coverley, Mr. Lovel, and Mrs. Selwyn; and myself with Lord Orville. We had hardly proceeded half a mile, when a gentleman from the post-chaise which came gallopping after us, called out to the servants, "Holla, my lads!-pray, is one Miss Anville in any of them thing-em-bobs?" I immediately recollected the voice of Captain Mirvan; and Lord Orville stopped the phaeton. He was out of the chaise, and with us in a moment. "So, Miss Anville," cried he, "how do you do? So I hear you're Miss Belmont now;-pray, how does old Madame French do?" "Madame Duval," said I, "is, I believe, very well." "I hope she is in good case," said he, winking significantly, "and won't flinch at seeing service: she has laid by long enough to refit and be made tight. And pray how does poor Monseer Doleful do? Is he as lank-jawed as ever?" "They are neither of them," said I, "in Bristol." "No!" cried he, with a look of disappointment; "but surely the old dowager intends coming to the wedding! 'twill be a most excellent opportunity to show off her best Lyons silk. Besides, I purpose to dance a new fashioned jig with her. Don't you know when she'll come?" "I have no reason to expect her at all." "No!-'Fore George, this here's the worst news I'd wish to hear!-why I've thought of nothing all the way, but what trick I should serve her." "You have been very obliging!" said I, laughing. "O, I promise you," cried he, "our Moll would never have wheedled me into this jaunt, if I'd known she was not here; for, to let you into the secret, I fully intended to have treated the old buck with another frolic." "Did Miss Mirvan, then, persuade you to this journey?" "Yes, and we've been travelling all night." "We!" cried I: "Is Miss Mirvan, then, with you?" "What, Molly?-yes, she's in that there chaise." "Good God, Sir, why did you not tell me sooner?" cried I; and immediately, with Lord Orville's assistance, I jumped out of the phaeton, and ran to the dear girl. Lord Orville opened the chaise door; and I am sure I need not tell you what unfeigned joy accompanied our meeting. We both begged we might not be parted during the ride; and Lord Orville was so good as to invite Captain Mirvan into his phaeton. I think I was hardly ever more rejoiced than at this so seasonable visit from my dear Maria; who had no sooner heard the situation of my affairs, than with the assistance of Lady Howard, and her kind mother, she besought her father with such earnestness to consent to the journey, that he had not been able to withstand their united intreaties; though she owned that, had he not expected to have met with Madame Duval, she believes he would not so readily have yielded. They arrived at Mrs. Beaumont's but a few minutes after we were out of sight, and overtook us without much difficulty. I say nothing of our conversation, because you may so well suppose both the subjects we chose, and our manner of discussing them. We all stopped at a great hotel, where we were obliged to enquire for a room, as Lady Louisa, fatigued to death, desired to take something before we began our rambles. As soon as the party was assembled, the Captain, abruptly saluting me, said, "So, Miss Belmont, I wish you joy; so I hear you've quarrelled with your new name already?" "Me!-no, indeed, Sir." "Then please for to tell me the reason you're in such a hurry to change it?" "Miss Belmont!" cried Mr. Lovel. Looking around him with the utmost astonishment: "I beg pardon;-but, if it is not impertinent,-I must beg leave to say I always understood that lady's name was Anville." "'Fore George," cried the Captain, "it runs in my head, I've seen you somewhere before! And now I think on't, pray a'n't you the person I saw at the play one night, and who didn't know, all the time, whether it was a tragedy or a comedy, or a concert of fiddlers?" "I believe, Sir," said Mr. Lovel, stammering, "I, had once,-I think-the pleasure of seeing you last spring." "Aye, and if I live an hundred springs," answered he, "I shall never forget it; by Jingo, it has served me for a most excellent good joke ever since. Well, howsomever, I'm glad to see you still in the land of the living," (shaking him roughly by the hand.) "Pray, if a body may be so bold, how much a night may you give at present to keep the undertakers aloof?" "Me, Sir!" said Mr. Lovel, very much discomposed; "I protest I never thought myself in such imminent danger as to-really, Sir, I don't understand you." "O, you don't! why then I'll make free for to explain myself. Gentlemen and Ladies, I'll tell you what; do you know this here gentleman, simple as he sits there, pays five shillings a-night to let his friends know he's alive!" "And very cheap too," said Mrs. Selwyn, "if we consider the value of the intelligence." Lady Louisa being now refreshed, we proceeded upon our expedition. The charming city of Bath answered all my expectations. The Crescent, the prospect from it, and the elegant symmetry of the Circus, delighted me. The Parades, I own, rather disappointed me; one of them is scarce preferable to some of the best paved streets in London; and the other, though it affords a beautiful prospect, a charming view of Prior Park and of the Avon, yet wanted something in itself of more striking elegance than a mere broad pavement, to satisfy the ideas I had formed of it. At the pump-room, I was amazed at the public exhibition of the ladies in the bath; it is true, their heads are covered with bonnets; but the very idea of being seen, in such a situation, by whoever pleases to look, is indelicate. "'Fore George," said the Captain, looking into the bath, "this would be a most excellent place for old Madame French to dance a fandango in! By Jingo, I wou'dn't wish for better sport than to swing her round this here pond!" "She would be very much obliged to you," said Lord Orville, "for so extraordinary a mark of your favour." "Why, to let you know," answered the Captain, "she hit my fancy mightily; I never took so much to an old tabby before." "Really now," cried Mr. Lovel, looking also into the bath, "I must confess it is, to me, very incomprehensible why the ladies choose that frightful unbecoming dress to bathe in! I have often pondered very seriously upon the subject, but could never hit upon the reason." "Well, I declare," said Lady Louisa, "I should like of all things to set something new a-going; I always hated bathing, because one can get no pretty dress for it! now do, there's a good creature, try to help me to something." "Who, me!-O, dear Ma'am," said he, simpering, "I can't pretend to assist a person of your Ladyship's tastes; besides, I have not the least head for fashions.-I really don't think I ever invented above three in my life! But I never had the least turn for dress,-never any notion of fancy or elegance." "O fie, Mr. Lovel! how can you talk so?-don't we all know that you lead the ton in the beau monde? I declare, I think you dress better than any body." "O, dear Ma'am, you confuse me to the last degree! I dress well!-I protest I don't think I'm ever fit to be seen! I'm often shocked to death to think what a figure I go. If your Ladyship will believe me, I was full half an hour this morning thinking what I should put on!" "Odds my life," cried the Captain, "I wish I'd been near you! I warrant I'd have quickened your motions a little; Half an hour thinking what you'd put on; and who the deuce do you think cares the snuff of a candle whether you've any thing on or not?" "O pray, Captain," cried Mrs. Selwyn, "don't be angry with the gentleman for thinking, whatever be the cause, for I assure you he makes no common practice of offending in that way." "Really, Ma'am, you're prodigiously kind," said Mr. Lovel, angrily. "Pray now," said the Captain, "did you ever get a ducking in that there place yourself?" "A ducking, Sir!" repeated Mr. Lovel: "I protest I think that's rather an odd term!-but if you mean a bathing, it is an honour I have had many times." "And pray, if a body may be so bold, what do you do with that frizle-frize top of your own? Why, I'll lay you what you will, there is fat and grease enough on your crown to buoy you up, if you were to go in head downwards." "And I don't know," cried Mrs. Selwyn, "but that might be the easiest way; for I'm sure it would be the lightest." "For the matter of that there," said the Captain, "you must make him a soldier, before you can tell which is lightest, head or heels. Howsomever, I'd lay ten pounds to a shilling, I could whisk him so dexterously over into the pool, that he should light plump upon his foretop and turn round like a tetotum." "Done!" cried Lord Merton; "I take your odds." "Will you?" returned he; "why, then, 'fore George, I'd do it as soon as say Jack Robinson." "He, he!" faintly laughed Mr. Lovel, as he moved abruptly from the window; "'pon honour, this is pleasant enough; but I don't see what right any body has to lay wagers about one without one's consent." "There, Lovel, you are out," cried Mr. Coverley, "any man may lay what wager about you he will; your consent is nothing to the purpose: he may lay that your nose is a sky-blue, if he pleases." "Ay," said Mrs. Selwyn, "or that your mind is more adorned than your person;-or any absurdity whatsoever." "I protest," said Mr. Lovel, "I think it's a very disagreeable privilege, and I must beg that nobody may take such a liberty with me." "Like enough you may," cried the Captain;" but what's that to the purpose? Suppose I've a mind to lay that you've never a tooth in your head-pray, how will you hinder me?" "You'll allow me, at least, Sir, to take the liberty of asking how you'll prove it?" "How?-why, by knocking them all down your throat." "Knocking them all down my throat, Sir!" repeated Mr. Lovel, with a look of horror; "I protest I never heard any thing so shocking in my life! And I must beg leave to observe, that no wager, in my opinion, could justify such a barbarous action." Here Lord Orville interfered, and hurried us to our carriages. We returned in the same order we came. Mrs. Beaumont invited all the party to dinner, and has been so obliging as to beg Miss Mirvan may continue at her house during her stay. The Captain will lodge at the Wells. The first half-hour after our return was devoted to hearing Mr. Lovel's apologies for dining in his riding-dress. Mrs. Beaumont then, addressing herself to Miss Mirvan and me, inquired how we liked Bath? "I hope," said Mr. Lovel, "the ladies do not call this seeing Bath." "No!-what should ail 'em?" cried the Captain, "do you suppose they put their eyes in their pockets?" "No, Sir; but I fancy you will find no person-that is-no person of any condition-call going about a few places in a morning seeing Bath." "Mayhap, then," said the literal Captain, "you think we should see it better by going about at midnight?" "No, Sir, no," said Mr. Lovel, with a supercilious smile, "I perceive you don't understand me;-we should never call it seeing Bath, without going at the right season." "Why, what a plague, then," demanded he, "can you only see at one season of the year?" Mr. Lovel again smiled; but seemed superior to making any answer. "The Bath amusements," said Lord Orville, "have a sameness in them, which, after a short time, renders them rather insipid; but the greatest objection that can be made to the place, is the encouragement it gives to gamesters." "Why, I hope, my Lord, you would not think of abolishing gaming," cried Lord Merton, "'tis the very zest of life! Devil take me if I could live without it." "I am sorry for it," said Lord Orville, gravely, and looking at Lady Louisa. "Your Lordship is no judge of this subject," continued the other; "but if once we could get you to a gaming-table, you'd never be happy away from it!" "I hope, my Lord," cried Lady Louisa, "that nobody here ever occasions your quitting it." "Your Ladyship," said Lord Merton, recollecting himself, "has power to make me quit any thing." "Except herself," said Mr. Coverley. "Egad, my Lord, I think I've helpt you out there!" "You men of wit, Jack," answered his Lordship, "are always ready;-for my part, I don't pretend to any talents that way." "Really, my Lord?" asked the sarcastic Mrs. Selwyn; "well, that is wonderful, considering success would be so much in your power." "Pray, Ma'am," said Mr. Lovel to Lady Louisa, "has your Ladyship heard the news?" "News!-what news?" "Why, the report circulating at the Wells concerning a certain person." "O Lord, no: pray tell me what it is?" "O no, Ma'am, I beg your La'ship will excuse me; 'tis a profound secret, and I would not have mentioned it, if I had not thought you knew it." "Lord, now, how can you be so monstrous? I declare, now, you're a provoking creature! But come, I know you'll tell me;-won't you now?" "Your La'ship knows I am but too happy to obey you; but, 'pon honour, I can't speak a word, if you won't all promise me the most inviolable secrecy." "I wish you'd wait for that from me," said the Captain, "and I'll give you my word you'd be dumb for one while. Secrecy, quoth-a!-'Fore George, I wonder you an't ashamed to mention such a word, when you talk of telling it to a woman. Though, for the matter of that, I'd as lieve blab it to the whole sex at once, as to go for to tell it to such a thing as you." "Such a thing as me, Sir!" said Mr. Lovel, letting fall his knife and fork, and looking very important; "I really have not the honour to understand your expression." "It's all one for that," said the Captain; "you may have it explained whenever you like it." "'Pon honour, Sir," returned Mr. Lovel, "I must take the liberty to tell you, that I should be extremely offended, but that I suppose it to be some sea-phrase; and therefore I'll let it pass without further notice." Lord Orville, then, to change the discourse, asked Miss Mirvan if she should spend the ensuing winter in London? "No, to be sure," said the Captain, "what should she for? She saw all that was to be seen before." "Is London, then," said Mr. Lovel, smiling at Lady Louisa, "only to be regarded as a sight?" "Why, pray, Mr. Wiseacre, how are you pleased for to regard it yourself?-Answer me to that." "O Sir, my opinion, I fancy, you would hardly find intelligible. I don't understand sea-phrases enough to define it to your comprehension. Does not your La'ship think the task would be rather difficult?" "O Lard, yes," cried Lady Louisa; "I declare I'd as soon teach my parrot to talk Welsh." "Ha! ha! ha! Admirable;-'Pon honour, your La'ship's quite in luck to-day; but that, indeed, your La'ship is every day. Though, to be sure, it is but candid to acknowledge, that the gentlemen of the ocean have a set of ideas, as well as a dialect, so opposite to our's, that it is by no means surprising they should regard London as a mere show, that may be seen by being looked at. Ha! ha! ha!" "Ha! ha!" echoed Lady Louisa; "Well, I declare you are the drollest creature." "He! he! 'Pon honour, I can't help laughing at the conceit of seeing London in a few weeks!" "And what a plague should hinder you?" cried the Captain; "do you want to spend a day in every street?" Here again Lady Louisa and Mr. Lovel interchanged smiles. "Why, I warrant you, if I had the showing it, I'd haul you from St. James's to Wapping the very first morning." The smiles were now, with added contempt, repeated; which the Captain observing, looked very fiercely at Mr. Lovel, and said, "Hark'ee my spark, none of your grinning!-'tis a lingo I don't understand; and if you give me any more of it, I shall go near to lend you a box o' the ear." "I protest, Sir," said Mr. Lovel, turning extremely pale, "I think it's taking a very particular liberty with a person, to talk to one in such a style as this!" "It's like you may," returned the Captain: "but give a good gulp, and I'll warrant you'll swallow it." Then, calling for a glass of ale, with a very provoking and significant nod, he drank to his easy digestion. Mr. Lovel made no answer, but looked extremely sullen; and, soon after, we left the gentlemen to themselves. I had then two letters delivered to me; one from Lady Howard and Mrs. Mirvan, which contained the kindest congratulations; and the other from Madame Duval;-but not a word from you,-to my no small surprise and concern. Madame Duval seems greatly rejoiced at my late intelligence: a violent cold, she says, prevents her coming to Bristol. The Branghtons, she tells me, are all well; Miss Polly is soon to be married to Mr. Brown; but Mr. Smith has changed his lodgings, "which," she adds, "has made the house extremely dull. However, that's not the worst news; pardi, I wish it was! but I've been used like nobody,-for Monsieur Du Bois has had the baseness to go back to France without me." In conclusion, she assures me, as you prognosticated she would, that I shall be sole heiress of all she is worth, when Lady Orville. At tea-time, we were joined by all the gentlemen but Captain Mirvan, who went to the hotel where he was to sleep, and made his daughter accompany him, to separate her trumpery, as he called it, from his clothes. As soon as they were gone, Mr. Lovel, who still appeared extremely sulky, said, "I protest, I never saw such a vulgar, abusive fellow in my life, as that Captain: 'pon honour, I believe he came here for no purpose in the world but to pick a quarrel; however, for my part, I vow I wo'n't humour him." "I declare," cried Lady Louisa, "he put me in a monstrous fright;-I never heard any body talk so shocking in my life!" "I think," said Mrs. Selwyn, with great solemnity, "he threatened to box your ears, Mr. Lovel;-did not he?" "Really, Ma'am," said Mr. Lovel, colouring, "if one was to mind every thing those low kind of people say, one should never be at rest for one impertinence or other; so I think the best way is to be above taking any notice of them." "What," said Mrs. Selwyn, with the same gravity, "and so receive the blow in silence!" During this discourse, I heard the Captain's chaise stop at the door, and ran downstairs to meet Maria. She was alone, and told me that her father, who, she was sure, had some scheme in agitation against Mr. Lovel, had sent her on before him. We continued in the parlour till his return, and were joined by Lord Orville, who begged me not to insist on a patience so unnatural, as submitting to be excluded our society. And let me, my dear Sir, with a grateful heart let me own, I never before passed half an hour in such perfect felicity. I believe we were all sorry when the Captain returned; yet his inward satisfaction, from however different a cause, did not seem inferior to what our's had been. He chucked Maria under the chin, rubbed his hands, and was scarce able to contain the fullness of his glee. We all attended him to the drawing room; where, having composed his countenance, without any previous attention to Mrs. Beaumont, he marched up to Mr. Lovel, and abruptly said, "Pray, have you e'er a brother in these here parts?" "Me, Sir?-no, thank Heaven, I'm free from all encumbrances of that sort." "Well," cried the Captain, "I met a person just now so like you, I could have sworn he had been your twin brother." "It would have been a most singular pleasure to me," said Mr. Lovel, "if I also could have seen him; for, really, I have not the least notion what sort of a person I am, and I have a prodigious curiosity to know." Just then the Captain's servant, opening the door, said, "A little gentleman below desires to see one Mr. Lovel." "Beg him to walk up stairs," said Mrs. Beaumont. "But, pray what is the reason William is out of the way?" The man shut the door without any answer. "I can't imagine who it is," said Mr. Lovel: "I recollect no little gentleman of my acquaintance now at Bristol,-except, indeed the Marquis of Charlton;-but I don't much fancy it can be him. Let me see, who else is there so very little?" A confused noise among the servants now drew all eyes towards the door: the impatient Captain hastened to open it; and then, clapping his hands, called out, "'Fore George, 'tis the same person I took for your relation!" And then, to the utter astonishment of every body but himself, he hauled into the room a monkey, full-dressed, and extravagantly -e; la mode! The dismay of the company was almost general. Poor Mr. Lovel seemed thunderstruck with indignation and surprise: Lady Louisa began a scream, which for some time was incessant; Miss Mirvan and I jumped involuntarily upon the seats of our chairs; Mrs. Beaumont herself followed our example; Lord Orville placed himself before me as a guard; and Mrs. Selwyn, Lord Merton, and Mr. Coverley, burst into a loud, immoderate, ungovernable fit of laughter, in which they were joined by the Captain, till, unable to support himself, he rolled on the floor. The first voice which made its way through this general noise was that of Lady Louisa, which her fright and screaming rendered extremely shrill. "Take it away!" cried she, "take the monster away;-I shall faint, I shall faint if you don't!" Mr. Lovel, irritated beyond endurance, angrily demanded of the Captain what he meant? "Mean?" cried the Captain, as soon as he was able to speak; "why only to shew you in your proper colours." Then rising, and pointing to the monkey, "Why now, ladies and gentlemen, I'll be judged by you all!-Did you ever see any thing more like?-Odds my life, if it wasn't for this here tail, you wouldn't know one from t'other." "Sir," cried Mr. Lovel, stamping, "I shall take a time to make you feel my wrath." "Come now," continued the regardless Captain, "just for the fun's sake, doff your coat and waistcoat, and swop with Monseer Grinagain here; and I'll warrant you'll not know yourself which is which." "Not know myself from a monkey!-I assure you, Sir, I'm not to be used in this manner, and I won't bear it-curse me if I will!" "Why, hey-day!" cried the Captain, "what, is master in a passion?-well, don't be angry:-come, he shan't hurt you;-here, shake a paw with him:-why, he'll do you no harm, man!-come, kiss and be friends!" "Who, I?" cried Mr. Lovel, almost mad with vexation; "as I'm a living creature, I would not touch him for a thousand worlds!" "Send him a challenge," cried Mr. Coverley, "and I'll be your second." "Ay, do," said the Captain; "and I'll be second to my friend, Monseer Clapperclaw here. Come to it at once!-tooth and nail!" "God forbid!" cried Mr. Lovel, retreating, "I would sooner trust my person with a mad bull!" "I don't like the look of him myself," said Lord Merton, "for he grins most horribly." "Oh, I'm frightened out of my senses!" cried Lady Louisa, "take him away, or I shall die!" "Captain," said Lord Orville, "the ladies are alarmed; and I must beg you would send the monkey away." "Why, where can be the mighty harm of one monkey more than another?" answered the Captain: "howsomever, if its agreeable to the ladies, suppose we turn them out together?" "What do you mean by that, Sir?" cried Mr. Lovel, lifting up his cane. "What do you mean?" cried the Captain, fiercely, "be so good as to down with your cane." Poor Mr. Lovel, too much intimidated to stand his ground, yet too much enraged to submit, turned hastily round, and, forgetful of consequences, vented his passion by giving a furious blow to the monkey. The creature darting forwards, sprung instantly upon him; and, clinging round his neck, fastened his teeth to one of his ears. I was really sorry for the poor man; who, though an egregious fop, had committed no offence that merited such chastisement. It was impossible now to distinguish whose screams were loudest, those of Mr. Lovel, or of the terrified Lady Louisa, who I believe, thought her own turn was approaching: but the unrelenting Captain roared with joy. Not so Lord Orville: ever humane, generous, and benevolent he quitted his charge, who he saw was wholly out of danger, and seizing the monkey by the collar, made him loosen the ear; and then with a sudden swing, flung him out of the room, and shut the door. Poor Mr. Lovel, almost fainting with terror, sunk upon the floor, crying out, "Oh, I shall die, I shall die!-Oh, I'm bit to death!" "Captain Mirvan," said Mrs. Beaumont, with no little indignation, "I must own I don't perceive the wit of this action; and I am sorry to have such cruelty practised in my house." "Why Lord, Ma'am," said the Captain, when his rapture abated sufficiently for speech, "how could I tell they'd fall out so?-By jingo, I brought him to be a messmate for t'other." "Egad," said Mr. Coverley, "I would not have been served so for a thousand pounds." "Why, then, there's the odds of it," said the Captain; "for you see he is served so for nothing. But come," turning to Mr. Lovel, "be of good heart, all may end well yet, and you and Monseer Longtail be as good friends as ever." "I'm surprised, Mrs. Beaumont," cried Mr. Lovel, starting up, "that you can suffer a person under your roof to be treated so inhumanly." "What argufies so many words?" said the unfeeling Captain; "it is but a slit of the ear; it only looks as if you had been in the pillory." "Very true," added Mrs. Selwyn; "and who knows but it may acquire you the credit of being an anti-ministerial writer?" "I protest," cried Mr. Lovel, looking ruefully at his dress, "my new riding suit's all over blood!" "Ha, ha, ha," cried the Captain, "see what comes of studying for an hour what you shall put on!" Mr. Lovel then walked to the glass; and, looking at the place, exclaimed, "Oh heaven, what a monstrous wound! my ear will never be fit to be seen again!" "Why then," said the Captain, "you must hide it;-'tis but wearing a wig." "A wig!" repeated the affrighted Mr. Lovel; "I wear a wig?-no, not if you would give me a thousand pounds an hour!" "I declare," said Lady Louisa, "I never heard such a shocking proposal in my life!" Lord Orville, then, seeing no prospect that the altercation would cease, proposed to the Captain to walk. He assented; and having given Mr. Lovel a nod of exultation, accompanied his Lordship down stairs. "'Pon honour," said Mr. Lovel, the moment the door was shut, "that fellow is the greatest brute in nature! he ought not to be admitted into a civilized society." "Lovel," said Mr. Coverley, affecting to whisper, "you must certainly pink him: you must not put up with such an affront." "Sir," said Mr. Lovel, "with any common person I should not deliberate an instant; but really with a fellow who has done nothing but fight all his life, 'pon honour, Sir, I can't think of it!" "Lovel," said Lord Merton, in the same voice, "you must call him to account." "Every man," said he, pettishly, "is the best judge of his own affairs; and I don't ask the honour of any person's advice." "Egad, Lovel," said Mr. Coverley, "you're in for it!-you can't possibly be off!" "Sir," cried he, very impatiently, "upon any proper occasion I should be as ready to show my courage as any body; but as to fighting for such a trifle as this-I protest I should blush to think of it!" "A trifle!" cried Mrs. Selwyn, "good Heaven! and have you made this astonishing riot about a trifle?" "Ma'am," answered the poor wretch, in great confusion, "I did not know at first but that my cheek might have been bit; but as 'tis no worse, why, it does not a great deal signify. Mrs. Beaumont, I have the honour to wish you a good evening; I'm sure my carriage must be waiting." And then, very abruptly, he left the room. What a commotion has this mischief-loving Captain raised! Were I to remain here long, even the society of my dear Maria could scarce compensate for the disturbances which he excites. When he returned, and heard of the quiet exit of Mr. Lovel, his triumph was intolerable. "I think, I think," he cried, "I have peppered him well! I'll warrant he won't give an hour tomorrow morning to settling what he shall put on; why, his coat," turning to me, "would be a most excellent match for old Madame Furbelow's best Lyons silk! 'Fore George, I'd desire no better sport than to have that there old cat here to go her snacks!" All the company the, Lord Orville, Miss Mirvan, and myself excepted, played at cards; and we -oh, how much better did we pass our time! While we were engaged in a most delightful conversation, a servant brought me a letter, which he told me had by some accident been mislaid. Judge of my feelings when I saw, my dearest Sir, your revered hand-writing! My emotions soon betrayed to Lord Orville whom the letter was from; the importance of the contents he well knew; and, assuring me I should not be seen by the card-players, he besought me to open it without delay. Open it, indeed, I did-but read it I could not;-the willing, yet awful consent you have granted-the tenderness of your expressions-the certainty that no obstacle remained to my eternal union with the loved owner of my heart, gave me sensations too various, and, though joyful, too little placid for observation. Finding myself unable to proceed, and blinded by the tears of gratitude and delight, which started into my eyes, I gave over the attempt of reading till I retired to my own room; and, having no voice to answer the enquiries of Lord Orville, I put the letter into his hands, and left it to speak both for me and itself. Lord Orville was himself affected by your kindness: he kissed the letter as he returned it; and, pressing my hand affectionately to his heart, "Your are now," said he, in a low voice, "all my own! Oh, my Evelina, how will my soul find room for its happiness?-it seems already bursting!" I could make no reply, indeed I hardly spoke another word the rest of the evening; so little talkative is the fulness of contentment. O, my dearest Sir, the thankfulness of my heart I must pour forth at our meeting, when, at your feet, my happiness receives its confirmation from your blessing; and when my noble-minded, my beloved Lord Orville, presents to you the highly-honoured, and thrice-happy Evelina. A few lines I will endeavour to write on Thursday, which shall be sent off express, to give you, should nothing intervene, yet more certain assurance of our meeting. Now then, therefore, for the first-and probably the last time I shall ever own the name, permit me to sign myself, Most dear Sir, your gratefully affectionate, EVELINA BELMONT. Lady Louisa, at her own particular desire, will be present at the ceremony, as well as Miss Mirvan and Mrs. Selwyn: Mr. Macartney will, the same morning, be united to my foster-sister; and my father himself will give us both away. </CHAPTER> <CHAPTER> LETTER LXXXIII. MR. VILLARS TO EVELINA. EVERY wish of my soul is now fulfilled-for the felicity of my Evelina is equal to her worthiness! Yes, my child, thy happiness is engraved in golden characters upon the tablets of my heart; and their impression is indelible: for, should the rude and deep-searching hand of Misfortune attempt to pluck them from their repository, the fleeting fabric of life would give way; and in tearing from my vitals the nourishment by which they are supported, she would but grasp at a shadow insensible to her touch. Give thee my consent?-Oh thou joy, comfort, and pride of my life, how cold is that word to express the fervency of my approbation! Yes, I do indeed give thee my consent; and so thankfully, that, with the humblest gratitude to Providence, I would seal it with the remnant of my days. Hasten then, my love, to bless me with thy presence, and to receive the blessings with which my fond heart overflows!-And oh, my Evelina, hear and assist in one only, humble, but ardent prayer, which yet animates my devotions: That the height of bliss to which thou art rising may not render thee giddy, but that the purity of thy mind may form the brightest splendour of thy prosperity!-and that the weak and aged frame of thy almost idolizing parent, nearly worn out by time, past afflictions, and infirmities, may yet be able to sustain a meeting with all its better part holds dear; and then, that all the wounds which the former severity of fortune inflicted, may be healed and purified by the ultimate consolation of pouring forth my dying words in blessings on my child!-closing these joy-streaming eyes in her presence, and breathing my last faint sighs in her loved arms! Grieve not, oh child of my care! Grieve not at the inevitable moment! but may thy own end be equally propitious! Oh, may'st thou, when full of days, and full of honour, sink down as gently to rest!-be loved as kindly, watched as tenderly, as thy happy father! And mayest thou, when thy glass is run, be sweetly, but not bitterly, mourned by some remaining darling of thy affections-some yet surviving Evelina! ARTHUR VILLARS. </CHAPTER> <CHAPTER> LETTER LXXXIV. EVELINA TO THE REV. MR. VILLARS. ALL is over, my dearest Sir; and the fate of your Evelina is decided! This morning, with fearful joy and trembling gratitude, she united herself for ever with the object of her dearest, her eternal affection. I have time for no more; the chaise now waits which is to conduct me to dear Berry Hill, and to the arms of the best of men. EVELINA. THE END. </CHAPTER>

Volume III, Letter XVI - Volume III, Letter XXIII

https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-iii-letter-xvi--volume-iii-letter-xxiii

Evelina continues to write to Mr. Villars. In the morning during breakfast, Lord Orville asked Evelina if he could privately speak with her later, about the rude letter she had received. Later that day, Evelina was alone when Sir Clement Willoughby came into the room unexpectedly. When he saw that letter in her hand, he grew passionately agitated, asking her over and over again if the note had disgusted her, why she had not burned it, and whether she loved Lord Orville. She would not answer, even after he grow so distressed that he rudely exited the room as soon as others entered. That evening, Mrs. Selwyn tried to, in her ironic and piercing manner, determine why he had behaved with such panic. Evelina and Mr. Macartney met again at the house, using Lord Orville's invitation to him as a cover to arrange their meeting. He told her he was unable to gain audience with Miss Belmont, even though he had tried. Evelina suddenly exclaimed that she was his sister, and the two clasped hands in emotion. Lord Orville entered and saw this right before Mr. Macartney left. He was a bit surprised but soon pried from Evelina the news that Macartney was her brother. Meanwhile, as she had planned with Evelina, Mrs. Selwyn visited Sir John Belmont to tell him about her. When she returned, her countenance immediately revealed her anger and embarrassment. Sir John had been hostile to what he called the "ridiculous story," and he explained his side of events. Soon after leaving Evelina's mother, a nursemaid brought him his daughter from the estate of Mr. Villars, and he put the girl into a convent to be educated. She had recently returned a grown woman, and was the Miss Belmont currently seen around town. Hence, Evelina must be only a ruse to extort money from him. After Evelina heard this, she was devastated. Lord Orville found her during her grief, and when he tried to comfort her, she sobbed that she was unworthy of him. Later, Mrs. Selwyn admitted she had told Lord Orville about the girl's past, and that he was now doubly committed to marrying her. She was excited about the match. She also proposed the next step in the plan: Evelina would attend Mrs. Selwyn on a visit to Sir John Belmont on the next day. Evelina agreed, but trembled at the thought. The next day, Evelina was full of shock and terror when they went to Sir John Belmont's abode. Mrs. Selwyn first confronted him privately; he was in particularly poor spirits at recently learning he had a son in Macartney. Mrs. Selwyn begged him to at least see Evelina once, and he agreed. Evelina thus came face-to-face with her father. When he saw her, he was profoundly affected by fervid emotion and disbelief. He exclaimed that Caroline Evelyn was still alive and breathing before him. He was so distressed that he apologized and ran upstairs, saying that he could never see Evelina's face again. Later, Mrs. Clinton and Mrs. Selwyn tried to understand the story. It seemed that there had been a poor nursemaid who attended Caroline's deathbed, and who also had a daughter. After Caroline died, the nursemaid and her infant daughter disappeared. Considering how much secrecy Mr. Villars had employed in raising Evelina , it seemed likely that Sir John Belmont might never have known about her. Mrs. Selwyn returned to Sir John's house to further investigate the matter. When she returned, she had an answer. She and Sir John questioned the nurse and discovered how the nurse had overheard Mr. Villars promising Caroline that he would raise Evelina. Seeing an opportunity to make her own poor daughter an heiress, she brought the wrong infant to Sir John and claimed it was his daughter from Caroline. Evelina was overjoyed to learn that her father's neglect was not born from cruelty of spirit. The next day, Evelina was shocked with more information - Mrs. Selwyn, Sir John, and even the kindhearted Lord Orville had decided that both girls were to be married immediately. This way, Miss Belmont would not be shamed by losing her noble name before she married Mr. Macartney , and so Evelina could soon reclaim her rightful place as Sir John's heiress. Evelina was overcome with emotion; she largely approved of the plan, but felt even better when Lord Orville promised that they could pass their first month of marriage at Berry Hill. While they remained at Clifton, Evelina noticed a change in Lady Louisa's demeanor. She had obviously learned about both her brother's proposal and Evelina's change in station. As a result, she treated the girl with more civility. Mr. Macartney and Evelina met again, this time with Lord Orville warmly and openly offering his sincere compliments to the man. The time came for Evelina to visit her father again. Their meeting was beset with fervent, consuming emotion on both sides. He was fraught with despair about how he had treated her, and begged her forgiveness. By the time the interview was over, they had reunited and he promised to overcome the guilt her countenance brought him . He would simply need some time to make peace with himself. After the meeting, Mr. Macartney told Evelina that Lord Orville had promised him that they would consider the poor Miss Green - the fake heiress - as a sister and co-heiress, if not in law then in justice. Evelina writes to Mr. Villars of this: "Oh Lord Orville! - it shall be the sole study of my happy life, to express better than words, the sense I have of your exalted benevolence, and greatness of mind!" Evelina receives a letter from Sir Clement, explaining that it was he who penned the rude letter and forged Lord Orville's signature. He had found Young Branghton on his way to deliver Evelina's letter, and intercepted it. He does not apologize for doing so, but felt he should explain himself. She marveled at his unrepentant attitude, and wrote him back that she would not be telling anyone about it. Lord Orville also confessed to Evelina that he had originally intended to investigate her past before proposing, but that he became so overcome with emotion that he did so before he had adequate time for it. The group traveled together to Bath to show Evelina the city. There, they encountered Captain Mirvan and his family; upon hearing of Evelina's engagement, Maria had convinced her parents to join her. Evelina loved Bath, but the trip was somewhat soured by the Captain's incessant persecution of Mr. Lovel, who was in attendance. He treated him as he had treated Madame Duval. At one point, he even dressed up a monkey in fine clothes and called him Mr. Lovel's brother. The entire company was shocked, and Mr. Lovel was frightfully embarrassed. Evelina finally receives a letter from Mr. Villars - she had been waiting anxiously for his approval and was profoundly relieved to hear how excited and pleased he was for the couple. The last letter from Evelina to Mr. Villars states that "this morning, with fearful joy, and trembling gratitude, she united herself for ever with the object of her dearest, her eternal affection!"

In this last set of letters, it becomes clear that Evelina has successfully navigated the perilous waters of the London social scene, reclaiming her birthright and marrying an extremely eligible man. Moreover, she has done so while retaining her most prized possession - her innocence. This is the novel's primary dramatic conflict: her internal innocence is threatened by a public world characterized by masculine licentiousness and assertiveness. Joanne Cutting-Gray's article on Evelina's innocence offers insight into the novel through a discussion of her namelessness and the act of writing. Evelina has no real name - she is not recognized by her father - and thus can identify herself only by the innocence she is expected to show as a woman. Her name is a diminutive of her mother's last name, which marks her as something of a doll. Almost everyone in the novel is concerned with preserving Evelina's innocence. Mr. Villars warns her in nearly all of the letters of what she will face and how to protect herself. Evelina is, however, not completely a "tabula rasa of innocence upon which experience is engraved, for she has the reflexive ability to read more than one possible meaning in otherwise socially acceptable behavior." She can recognize the bad traits in others and justly condemn them. Further, she is willing to consider a situation's complications. Notice how, before she learns that Lord Orville had not penned the rude letter, she finds herself forgiving him nevertheless. She is willing to consider situations, and not view base behavior as the sum of a person's character. The facade required of women was thus very difficult to maintain: one had to be wise enough to recognize worldliness and stave off men's aggressive advances, but unworldly enough to appear diffident and guileless. Evelina enters a social world where her identity is already limned for her; this requires her to sublimate her own desires, and to allow her reflections to be "covered over by the veneer of naivete." Someone like Sir Clement assumes she merely possesses the latter of the two aforementioned qualities. He only wishes to seduce her, not to marry her, and believes that her guilelessness and naivete will make her an assured victory. That she is strong continually surprises him. Evelina herself tries very diligently to convince everyone that she is powerless and deficient in thought. This unfortunately reduces her potential to further develop as a person; she remains one-dimensional and does not endeavor to be anything except molded by her world. However, as the narrative reveals, "the Evelina who writes reveals a far more evaluative knowledge of her world than the Evelina she writes about." That is, she presents the proper face to society, but in private, is very witty, discriminating, and perceptive. For instance, when Evelina earlier rages over the way the Branghtons secured Lord Orville's carriage, she "claims her own right to the disclosing as well as concealing power of name and discourse." She is clearly frustrated at her role as a nameless female and must assert herself. She must respect her own name, since, as a woman, nobody else will. Throughout the writing of her letters, Evelina discovers meaning and thereby discovers herself. She records what she sees in London, but does much more as well: she learns "that she is capable of thought and therefore capable of speech." The "persuasive power of her narrative compensates for the confusion and distress that a predetermined innocence causes her," Cutting-Gray concludes. She discovers the parallels and patterns in the events that shape the world, and is subsequently able to voice her opinions. As she gathers a greater vocabulary of experience, she gains perspective on events, while always grappling with the perils of innocence. Through writing, she is able to "share in the composition of her own destiny" and slough of the role of innocent bystander and passive spectator. The novel's happy ending confirms Evelina's growth, though it does finally reveal some limitations in Burney's perspective of female empowerment. For all of Evelina's personal strength , notice how we rarely hear about deep and witty conversations she has with Lord Orville; instead, she merely mentions to Mr. Villars that such conversations take place. It would perhaps have burst the unbelievable bubble of their relationship to test how a man and woman of their social standing would actually converse. Further, the happy ending is engendered much more by Lord Orville and Mrs. Selwyn than it is by Evelina. She loses agency as a protagonist, and actually relies on other characters to represent her in this final set of letters. The implicit idea is that she has succeeded once she finds a good match, and now she can sit back and let the more masculine forces to orchestrate an appropriate ending.

gradesaver

all_chapterized_books/1134-chapters/act_1.txt

finished_summaries/gradesaver/The Winter's Tale/section_0_part_0.txt

The Winter's Tale.act 1.scene 1-scene 2

act 1

{"name": "Act 1", "url": "https://web.archive.org/web/20210411083408/https://www.gradesaver.com/the-winters-tale/study-guide/summary-act-1", "summary": "Scene One is a short conversation between Archidamus, a Bohemian courtier, and Camillo, a Sicilian courtier and trusted friend of Leontes, King of Sicilia. Archidamus praises the generous hospitality he has been treated to in Sicilia, apologizing for any inadequacies Camillo might experience should he travel to Bohemia. Camillo talks about the friendship between Leontes and Polixenes, King of Bohemia. The two rulers were raised together since boyhood, although now their responsibilities as kings keep them apart. Both courtiers agree that Prince Mamillius of Sicilia shows great promise. Scene ii: Enter Leontes, Hermione, Mamillius, Polixenes, Camillo, and Attendants. Polixenes proclaims his intent to return home. He has been staying as a guest in the court of Leontes for nine months, and he fears that troubles may start at home if he stays away much longer. Leontes tries, without any success, to convince Polixenes to stay a short while longer. At Leontes' request, Hermione, Leontes' queen, tries to convince Polixenes to stay. She is eloquent and persuasive, and Polixenes gives in. She then asks to hear more stories from the kings' boyhood days together. Polixenes paints a picture of innocence and pure friendship in days before the two men knew anything of women. Hermione is extremely affectionate to Polixenes, treating him with great love because he is her husband's best and oldest friend. In asides to the audience, Leontes reveals that he is insanely jealous of Polixenes and Hermione. He is convinced that they are secretly committing adultery, although he has no hard evidence on which to base his suspicions. In full view of the others, he asks his young son Mamillius questions loaded with double meanings about whether or not the child is his boy. When Hermione and Polixenes ask if Leontes is feeling well, he replies that he is only unsettled because Mamillius reminds him of himself in the days of his own childhood. Leontes asks if Polixenes' son back in Bohemia is as dear as Mamillius, and Polixenes speaks of the great love he has for his own boy. Hermione, Polixenes, and the Attendants exit, leaving Leontes to continue his strange, angry conversation with his uncomprehending son. Mamillius exits, and Leontes, in an aside, speaks of how the tryst between Polixenes and Hermione must be obvious to everyone. He questions Camillo, who is clearly unaware of the king's suspicions. The king, convinced that Camillo is either stupid or playing dumb, grows increasingly irate. When he finally tells Camillo of what he suspects, the advisor is horrified and does not believe it. Leontes' grows increasingly furious, and Camillo, seeing the king's conviction, seems to give in. At Leontes' expressed desire to see Polixenes dead of poison, he offers to carry out the task. His condition is that Leontes' keep the queen in her present status, and do nothing to stain her honor. The king agrees, and Camillo affirms again that he will poison Polixenes. The king leaves, and Camillo reveals to the audience that he is horrified by the task set before him. He is a loyal courtier, but he believes Polixenes and Hermione are innocent. He resolves not to do it. Polixenes enters, disturbed by his most recent brush with Leontes. He asks Camillo about the change in the king's manner, and Camillo initially refuses to give a straightforward answer. When Polixenes continues to entreat Camillo, worried that his safety might be at risk, Camillo tells him the truth. He agrees to help Polixenes, using his authority as Leontes' most trusted advisor to ensure a safe escape for Polixenes and all of his men. Camillo says that he will serve at Polixenes' court, since in helping Polixenes he can no longer stay in Sicilia. Polixenes' ship has been ready for departure for days, and Polixenes assures Camillo that he will remember this service.", "analysis": "Scene One establishes characters and situation. We learn that the kings of Sicilia and Bohemia have been good friends since childhood, and that Sicilia has a young prince who shows great promise. Although Archidamus is not particularly important as a character, Camillo is one of the play's most important characters. From his praise of his king and his prince, we see that he is a faithful and patriotic courtier, full of love for his position. He is an ideal advisor, happiest when he has a good ruler to serve. In Scene Two, Shakespeare gives us a deep psychological portrait of Leontes. Directors control the level of the flirtatiousness between Hermione and Polixenes in productions of The Winter's Tale, but an important part of the characterization of Leontes is that his fears are not grounded in any real impropriety. The less proof he has, the more crazed he becomes. Although people at court speak often of how much Mamillius resembles him, he persists in the delusion that the child's paternity is questionable. And when his most trusted advisor insists that Hermione is innocent, his rage shows unequivocally that he will not have his delusions questioned. He dwells obsessively on the idea of being a known cuckold, a man whose wife is an adulterer, although Camillo's responses indicate that no one at court views the king that way. A recurring theme in many of Shakespeare's plays is the conflict between marriage and friendship. In The Winter's Tale, Shakespeare continues to play with this familiar theme, although in a more oblique manner. The boyhood days of Leontes are mentioned with some prominence in Scene Two, and the discussion of the old days becomes a counterpoint to his current jealous rage. Polixenes stresses their boyhood days as pre-sexual, days before they knew women and the duties of marriage. Hermione chides that she and Polixenes' wife must be devils, because they have lured the men out of these days of innocence. Her joke has serious undertones. The introduction of women into the lives of Polixenes and Leontes puts an end to the days without responsibility. In Scene Two, we watch Leontes return to the days without responsibility in two parallel ways: he remembers the days of his youth, and he puts aside responsibilities as a man, husband, father, and king in favor of jealousy and rage. Manhood brings power, but Leontes' masculinity is fragile; it is something that can be lost, and its integrity depends on keeping his wife faithful. For that, he only has her word. Once suspicion becomes paranoid delusion, Leontes' manhood is threatened. He imagines his oldest friend as a rival, a rival who seeks to be more of a man than Leontes by conquering Leontes' wife. Three closely connected themes come play themselves out in Scene Two. The responsibility of kings, the threat of tyranny, and the connection between the king as head of the family and the king as head of state : these are important themes not only in The Winter's Tale, but in many of Shakespeare's plays. These three themes are often at work when a Shakespearean ruler transforms himself from good king to bad king, good father/husband to bad father/husband, good man to bad man. By indulging in his groundless paranoia, Leontes transforms himself from good king to bad king, and a large part of this change comes because of his failure to live up to his roles as husband and father. Marriage brings with it great duty, and as Shakespeare depicts it, a king's duties as husband and father are inseparable from his duties as head of state. In his indulgence in jealousy and paranoid fantasy, the king separates himself from his duties. The responsibility of kings is a common Shakespearean theme; one of those responsibilities is to produce an heir and raise that heir into adulthood. Having produced an heir, Leontes shirks his duty to be a good father. Leontes questions the paternity of Mamillius, and so absolves himself of the responsibility to provide for the boy's safety, happiness, and wellbeing. Leontes' outrageous behavior will eventually cost him the life of his heir Mamillius, as well as the loss of his second child, Perdita. When Leontes' looks into his son's face and claims that he sees himself in the days of his youth, he is explaining his strange behavior dishonestly, but the words of his response emphasize his longing to return to a world without duty. A tragic aspect of Leontes' fall is that he cannot regain the happiness of his boyhood by reenacting its irresponsibility. The consequences are not freedom, but tragedy. His delusions include a terrible betrayal of his boyhood friend. His obsession makes him unable to rule effectively as king. Part of kingship is the ability to benefit from the counsel of wise advisors like Camillo, and here we watch as Camillo's rational advice does little but drive Leontes further into his delusions. In ordering the assassination of Polixenes, Leontes orders an act that is barbaric and potentially harmful to his state. Poisoning Polixenes will not be without repercussions for his country; the connection between the state's health and the king's personal affairs becomes clear when Camillo tells Leontes that he must not sully Hermione's honor. Hermione must be kept as queen to protect Sicilia from scandal and loss of honor among her allies. Camillo's suggestion is not only about saving face; he is concerned for the security of his country. The death of Polixenes while he is a guest in Sicilia would have massive repercussions for Leontes' kingdom; his act is not only a violation of friendship, but of his important duties to his people. Camillo, the faithful advisor, is a man of conscience. He has a powerful sense of duty; his training and talents are geared towards aiding a king to rule effectively, but he does not allow his loyalty to override his sense of right and wrong. The conflict between duty and conscience is an important theme in The Winter's Tale, and Camillo's resolves to serve his sense of right and wrong before any king. Camillo's decision ultimately makes the play's happy ending possible. His choice is the first in a series of events that protects The Winter's Tale from the momentum towards tragedy set up by Leontes' jealousy."}

Sicilia. The palace of LEONTES Enter CAMILLO and ARCHIDAMUS ARCHIDAMUS. If you shall chance, Camillo, to visit Bohemia, on the like occasion whereon my services are now on foot, you shall see, as I have said, great difference betwixt our Bohemia and your Sicilia. CAMILLO. I think this coming summer the King of Sicilia means to pay Bohemia the visitation which he justly owes him. ARCHIDAMUS. Wherein our entertainment shall shame us we will be justified in our loves; for indeed- CAMILLO. Beseech you- ARCHIDAMUS. Verily, I speak it in the freedom of my knowledge: we cannot with such magnificence, in so rare- I know not what to say. We will give you sleepy drinks, that your senses, unintelligent of our insufficience, may, though they cannot praise us, as little accuse us. CAMILLO. You pay a great deal too dear for what's given freely. ARCHIDAMUS. Believe me, I speak as my understanding instructs me and as mine honesty puts it to utterance. CAMILLO. Sicilia cannot show himself overkind to Bohemia. They were train'd together in their childhoods; and there rooted betwixt them then such an affection which cannot choose but branch now. Since their more mature dignities and royal necessities made separation of their society, their encounters, though not personal, have been royally attorneyed with interchange of gifts, letters, loving embassies; that they have seem'd to be together, though absent; shook hands, as over a vast; and embrac'd as it were from the ends of opposed winds. The heavens continue their loves! ARCHIDAMUS. I think there is not in the world either malice or matter to alter it. You have an unspeakable comfort of your young Prince Mamillius; it is a gentleman of the greatest promise that ever came into my note. CAMILLO. I very well agree with you in the hopes of him. It is a gallant child; one that indeed physics the subject, makes old hearts fresh; they that went on crutches ere he was born desire yet their life to see him a man. ARCHIDAMUS. Would they else be content to die? CAMILLO. Yes; if there were no other excuse why they should desire to live. ARCHIDAMUS. If the King had no son, they would desire to live on crutches till he had one. Exeunt Sicilia. The palace of LEONTES Enter LEONTES, POLIXENES, HERMIONE, MAMILLIUS, CAMILLO, and ATTENDANTS POLIXENES. Nine changes of the wat'ry star hath been The shepherd's note since we have left our throne Without a burden. Time as long again Would be fill'd up, my brother, with our thanks; And yet we should for perpetuity Go hence in debt. And therefore, like a cipher, Yet standing in rich place, I multiply With one 'We thank you' many thousands moe That go before it. LEONTES. Stay your thanks a while, And pay them when you part. POLIXENES. Sir, that's to-morrow. I am question'd by my fears of what may chance Or breed upon our absence, that may blow No sneaping winds at home, to make us say 'This is put forth too truly.' Besides, I have stay'd To tire your royalty. LEONTES. We are tougher, brother, Than you can put us to't. POLIXENES. No longer stay. LEONTES. One sev'night longer. POLIXENES. Very sooth, to-morrow. LEONTES. We'll part the time between's then; and in that I'll no gainsaying. POLIXENES. Press me not, beseech you, so. There is no tongue that moves, none, none i' th' world, So soon as yours could win me. So it should now, Were there necessity in your request, although 'Twere needful I denied it. My affairs Do even drag me homeward; which to hinder Were in your love a whip to me; my stay To you a charge and trouble. To save both, Farewell, our brother. LEONTES. Tongue-tied, our Queen? Speak you. HERMIONE. I had thought, sir, to have held my peace until You had drawn oaths from him not to stay. You, sir, Charge him too coldly. Tell him you are sure All in Bohemia's well- this satisfaction The by-gone day proclaim'd. Say this to him, He's beat from his best ward. LEONTES. Well said, Hermione. HERMIONE. To tell he longs to see his son were strong; But let him say so then, and let him go; But let him swear so, and he shall not stay; We'll thwack him hence with distaffs. [To POLIXENES] Yet of your royal presence I'll adventure the borrow of a week. When at Bohemia You take my lord, I'll give him my commission To let him there a month behind the gest Prefix'd for's parting.- Yet, good deed, Leontes, I love thee not a jar o' th' clock behind What lady she her lord.- You'll stay? POLIXENES. No, madam. HERMIONE. Nay, but you will? POLIXENES. I may not, verily. HERMIONE. Verily! You put me off with limber vows; but I, Though you would seek t' unsphere the stars with oaths, Should yet say 'Sir, no going.' Verily, You shall not go; a lady's 'verily' is As potent as a lord's. Will go yet? Force me to keep you as a prisoner, Not like a guest; so you shall pay your fees When you depart, and save your thanks. How say you? My prisoner or my guest? By your dread 'verily,' One of them you shall be. POLIXENES. Your guest, then, madam: To be your prisoner should import offending; Which is for me less easy to commit Than you to punish. HERMIONE. Not your gaoler then, But your kind. hostess. Come, I'll question you Of my lord's tricks and yours when you were boys. You were pretty lordings then! POLIXENES. We were, fair Queen, Two lads that thought there was no more behind But such a day to-morrow as to-day, And to be boy eternal. HERMIONE. Was not my lord The verier wag o' th' two? POLIXENES. We were as twinn'd lambs that did frisk i' th' sun And bleat the one at th' other. What we chang'd Was innocence for innocence; we knew not The doctrine of ill-doing, nor dream'd That any did. Had we pursu'd that life, And our weak spirits ne'er been higher rear'd With stronger blood, we should have answer'd heaven Boldly 'Not guilty,' the imposition clear'd Hereditary ours. HERMIONE. By this we gather You have tripp'd since. POLIXENES. O my most sacred lady, Temptations have since then been born to 's, for In those unfledg'd days was my wife a girl; Your precious self had then not cross'd the eyes Of my young playfellow. HERMIONE. Grace to boot! Of this make no conclusion, lest you say Your queen and I are devils. Yet, go on; Th' offences we have made you do we'll answer, If you first sinn'd with us, and that with us You did continue fault, and that you slipp'd not With any but with us. LEONTES. Is he won yet? HERMIONE. He'll stay, my lord. LEONTES. At my request he would not. Hermione, my dearest, thou never spok'st To better purpose. HERMIONE. Never? LEONTES. Never but once. HERMIONE. What! Have I twice said well? When was't before? I prithee tell me; cram's with praise, and make's As fat as tame things. One good deed dying tongueless Slaughters a thousand waiting upon that. Our praises are our wages; you may ride's With one soft kiss a thousand furlongs ere With spur we heat an acre. But to th' goal: My last good deed was to entreat his stay; What was my first? It has an elder sister, Or I mistake you. O, would her name were Grace! But once before I spoke to th' purpose- When? Nay, let me have't; I long. LEONTES. Why, that was when Three crabbed months had sour'd themselves to death, Ere I could make thee open thy white hand And clap thyself my love; then didst thou utter 'I am yours for ever.' HERMIONE. 'Tis Grace indeed. Why, lo you now, I have spoke to th' purpose twice: The one for ever earn'd a royal husband; Th' other for some while a friend. [Giving her hand to POLIXENES] LEONTES. [Aside] Too hot, too hot! To mingle friendship far is mingling bloods. I have tremor cordis on me; my heart dances, But not for joy, not joy. This entertainment May a free face put on; derive a liberty From heartiness, from bounty, fertile bosom, And well become the agent. 'T may, I grant; But to be paddling palms and pinching fingers, As now they are, and making practis'd smiles As in a looking-glass; and then to sigh, as 'twere The mort o' th' deer. O, that is entertainment My bosom likes not, nor my brows! Mamillius, Art thou my boy? MAMILLIUS. Ay, my good lord. LEONTES. I' fecks! Why, that's my bawcock. What! hast smutch'd thy nose? They say it is a copy out of mine. Come, Captain, We must be neat- not neat, but cleanly, Captain. And yet the steer, the heifer, and the calf, Are all call'd neat.- Still virginalling Upon his palm?- How now, you wanton calf, Art thou my calf? MAMILLIUS. Yes, if you will, my lord. LEONTES. Thou want'st a rough pash and the shoots that I have, To be full like me; yet they say we are Almost as like as eggs. Women say so, That will say anything. But were they false As o'er-dy'd blacks, as wind, as waters- false As dice are to be wish'd by one that fixes No bourn 'twixt his and mine; yet were it true To say this boy were like me. Come, sir page, Look on me with your welkin eye. Sweet villain! Most dear'st! my collop! Can thy dam?- may't be? Affection! thy intention stabs the centre. Thou dost make possible things not so held, Communicat'st with dreams- how can this be?- With what's unreal thou coactive art, And fellow'st nothing. Then 'tis very credent Thou mayst co-join with something; and thou dost- And that beyond commission; and I find it, And that to the infection of my brains And hard'ning of my brows. POLIXENES. What means Sicilia? HERMIONE. He something seems unsettled. POLIXENES. How, my lord! What cheer? How is't with you, best brother? HERMIONE. You look As if you held a brow of much distraction. Are you mov'd, my lord? LEONTES. No, in good earnest. How sometimes nature will betray its folly, Its tenderness, and make itself a pastime To harder bosoms! Looking on the lines Of my boy's face, methoughts I did recoil Twenty-three years; and saw myself unbreech'd, In my green velvet coat; my dagger muzzl'd, Lest it should bite its master and so prove, As ornaments oft do, too dangerous. How like, methought, I then was to this kernel, This squash, this gentleman. Mine honest friend, Will you take eggs for money? MAMILLIUS. No, my lord, I'll fight. LEONTES. You will? Why, happy man be's dole! My brother, Are you so fond of your young prince as we Do seem to be of ours? POLIXENES. If at home, sir, He's all my exercise, my mirth, my matter; Now my sworn friend, and then mine enemy; My parasite, my soldier, statesman, all. He makes a July's day short as December, And with his varying childness cures in me Thoughts that would thick my blood. LEONTES. So stands this squire Offic'd with me. We two will walk, my lord, And leave you to your graver steps. Hermione, How thou lov'st us show in our brother's welcome; Let what is dear in Sicily be cheap; Next to thyself and my young rover, he's Apparent to my heart. HERMIONE. If you would seek us, We are yours i' th' garden. Shall's attend you there? LEONTES. To your own bents dispose you; you'll be found, Be you beneath the sky. [Aside] I am angling now, Though you perceive me not how I give line. Go to, go to! How she holds up the neb, the bill to him! And arms her with the boldness of a wife To her allowing husband! Exeunt POLIXENES, HERMIONE, and ATTENDANTS Gone already! Inch-thick, knee-deep, o'er head and ears a fork'd one! Go, play, boy, play; thy mother plays, and I Play too; but so disgrac'd a part, whose issue Will hiss me to my grave. Contempt and clamour Will be my knell. Go, play, boy, play. There have been, Or I am much deceiv'd, cuckolds ere now; And many a man there is, even at this present, Now while I speak this, holds his wife by th' arm That little thinks she has been sluic'd in's absence, And his pond fish'd by his next neighbour, by Sir Smile, his neighbour. Nay, there's comfort in't, Whiles other men have gates and those gates open'd, As mine, against their will. Should all despair That hath revolted wives, the tenth of mankind Would hang themselves. Physic for't there's none; It is a bawdy planet, that will strike Where 'tis predominant; and 'tis pow'rfull, think it, From east, west, north, and south. Be it concluded, No barricado for a belly. Know't, It will let in and out the enemy With bag and baggage. Many thousand on's Have the disease, and feel't not. How now, boy! MAMILLIUS. I am like you, they say. LEONTES. Why, that's some comfort. What! Camillo there? CAMILLO. Ay, my good lord. LEONTES. Go play, Mamillius; thou'rt an honest man. Exit MAMILLIUS Camillo, this great sir will yet stay longer. CAMILLO. You had much ado to make his anchor hold; When you cast out, it still came home. LEONTES. Didst note it? CAMILLO. He would not stay at your petitions; made His business more material. LEONTES. Didst perceive it? [Aside] They're here with me already; whisp'ring, rounding, 'Sicilia is a so-forth.' 'Tis far gone When I shall gust it last.- How came't, Camillo, That he did stay? CAMILLO. At the good Queen's entreaty. LEONTES. 'At the Queen's' be't. 'Good' should be pertinent; But so it is, it is not. Was this taken By any understanding pate but thine? For thy conceit is soaking, will draw in More than the common blocks. Not noted, is't, But of the finer natures, by some severals Of head-piece extraordinary? Lower messes Perchance are to this business purblind? Say. CAMILLO. Business, my lord? I think most understand Bohemia stays here longer. LEONTES. Ha? CAMILLO. Stays here longer. LEONTES. Ay, but why? CAMILLO. To satisfy your Highness, and the entreaties Of our most gracious mistress. LEONTES. Satisfy Th' entreaties of your mistress! Satisfy! Let that suffice. I have trusted thee, Camillo, With all the nearest things to my heart, as well My chamber-councils, wherein, priest-like, thou Hast cleans'd my bosom- I from thee departed Thy penitent reform'd; but we have been Deceiv'd in thy integrity, deceiv'd In that which seems so. CAMILLO. Be it forbid, my lord! LEONTES. To bide upon't: thou art not honest; or, If thou inclin'st that way, thou art a coward, Which hoxes honesty behind, restraining From course requir'd; or else thou must be counted A servant grafted in my serious trust, And therein negligent; or else a fool That seest a game play'd home, the rich stake drawn, And tak'st it all for jest. CAMILLO. My gracious lord, I may be negligent, foolish, and fearful: In every one of these no man is free But that his negligence, his folly, fear, Among the infinite doings of the world, Sometime puts forth. In your affairs, my lord, If ever I were wilfull-negligent, It was my folly; if industriously I play'd the fool, it was my negligence, Not weighing well the end; if ever fearful To do a thing where I the issue doubted, Whereof the execution did cry out Against the non-performance, 'twas a fear Which oft infects the wisest. These, my lord, Are such allow'd infirmities that honesty Is never free of. But, beseech your Grace, Be plainer with me; let me know my trespass By its own visage; if I then deny it, 'Tis none of mine. LEONTES. Ha' not you seen, Camillo- But that's past doubt; you have, or your eye-glass Is thicker than a cuckold's horn- or heard- For to a vision so apparent rumour Cannot be mute- or thought- for cogitation Resides not in that man that does not think- My wife is slippery? If thou wilt confess- Or else be impudently negative, To have nor eyes nor ears nor thought- then say My wife's a hobby-horse, deserves a name As rank as any flax-wench that puts to Before her troth-plight. Say't and justify't. CAMILLO. I would not be a stander-by to hear My sovereign mistress clouded so, without My present vengeance taken. Shrew my heart! You never spoke what did become you less Than this; which to reiterate were sin As deep as that, though true. LEONTES. Is whispering nothing? Is leaning cheek to cheek? Is meeting noses? Kissing with inside lip? Stopping the career Of laughter with a sigh?- a note infallible Of breaking honesty. Horsing foot on foot? Skulking in corners? Wishing clocks more swift; Hours, minutes; noon, midnight? And all eyes Blind with the pin and web but theirs, theirs only, That would unseen be wicked- is this nothing? Why, then the world and all that's in't is nothing; The covering sky is nothing; Bohemia nothing; My is nothing; nor nothing have these nothings, If this be nothing. CAMILLO. Good my lord, be cur'd Of this diseas'd opinion, and betimes; For 'tis most dangerous. LEONTES. Say it be, 'tis true. CAMILLO. No, no, my lord. LEONTES. It is; you lie, you lie. I say thou liest, Camillo, and I hate thee; Pronounce thee a gross lout, a mindless slave, Or else a hovering temporizer that Canst with thine eyes at once see good and evil, Inclining to them both. Were my wife's liver Infected as her life, she would not live The running of one glass. CAMILLO. Who does her? LEONTES. Why, he that wears her like her medal, hanging About his neck, Bohemia; who- if I Had servants true about me that bare eyes To see alike mine honour as their profits, Their own particular thrifts, they would do that Which should undo more doing. Ay, and thou, His cupbearer- whom I from meaner form Have bench'd and rear'd to worship; who mayst see, Plainly as heaven sees earth and earth sees heaven, How I am gall'd- mightst bespice a cup To give mine enemy a lasting wink; Which draught to me were cordial. CAMILLO. Sir, my lord, I could do this; and that with no rash potion, But with a ling'ring dram that should not work Maliciously like poison. But I cannot Believe this crack to be in my dread mistress, So sovereignly being honourable. I have lov'd thee- LEONTES. Make that thy question, and go rot! Dost think I am so muddy, so unsettled, To appoint myself in this vexation; sully The purity and whiteness of my sheets- Which to preserve is sleep, which being spotted Is goads, thorns, nettles, tails of wasps; Give scandal to the blood o' th' Prince, my son- Who I do think is mine, and love as mine- Without ripe moving to 't? Would I do this? Could man so blench? CAMILLO. I must believe you, sir. I do; and will fetch off Bohemia for't; Provided that, when he's remov'd, your Highness Will take again your queen as yours at first, Even for your son's sake; and thereby for sealing The injury of tongues in courts and kingdoms Known and allied to yours. LEONTES. Thou dost advise me Even so as I mine own course have set down. I'll give no blemish to her honour, none. CAMILLO. My lord, Go then; and with a countenance as clear As friendship wears at feasts, keep with Bohemia And with your queen. I am his cupbearer; If from me he have wholesome beverage, Account me not your servant. LEONTES. This is all: Do't, and thou hast the one half of my heart; Do't not, thou split'st thine own. CAMILLO. I'll do't, my lord. LEONTES. I will seem friendly, as thou hast advis'd me. Exit CAMILLO. O miserable lady! But, for me, What case stand I in? I must be the poisoner Of good Polixenes; and my ground to do't Is the obedience to a master; one Who, in rebellion with himself, will have All that are his so too. To do this deed, Promotion follows. If I could find example Of thousands that had struck anointed kings And flourish'd after, I'd not do't; but since Nor brass, nor stone, nor parchment, bears not one, Let villainy itself forswear't. I must Forsake the court. To do't, or no, is certain To me a break-neck. Happy star reign now! Here comes Bohemia. Enter POLIXENES POLIXENES. This is strange. Methinks My favour here begins to warp. Not speak? Good day, Camillo. CAMILLO. Hail, most royal sir! POLIXENES. What is the news i' th' court? CAMILLO. None rare, my lord. POLIXENES. The King hath on him such a countenance As he had lost some province, and a region Lov'd as he loves himself; even now I met him With customary compliment, when he, Wafting his eyes to th' contrary and falling A lip of much contempt, speeds from me; So leaves me to consider what is breeding That changes thus his manners. CAMILLO. I dare not know, my lord. POLIXENES. How, dare not! Do not. Do you know, and dare not Be intelligent to me? 'Tis thereabouts; For, to yourself, what you do know, you must, And cannot say you dare not. Good Camillo, Your chang'd complexions are to me a mirror Which shows me mine chang'd too; for I must be A party in this alteration, finding Myself thus alter'd with't. CAMILLO. There is a sickness Which puts some of us in distemper; but I cannot name the disease; and it is caught Of you that yet are well. POLIXENES. How! caught of me? Make me not sighted like the basilisk; I have look'd on thousands who have sped the better By my regard, but kill'd none so. Camillo- As you are certainly a gentleman; thereto Clerk-like experienc'd, which no less adorns Our gentry than our parents' noble names, In whose success we are gentle- I beseech you, If you know aught which does behove my knowledge Thereof to be inform'd, imprison't not In ignorant concealment. CAMILLO. I may not answer. POLIXENES. A sickness caught of me, and yet I well? I must be answer'd. Dost thou hear, Camillo? I conjure thee, by all the parts of man Which honour does acknowledge, whereof the least Is not this suit of mine, that thou declare What incidency thou dost guess of harm Is creeping toward me; how far off, how near; Which way to be prevented, if to be; If not, how best to bear it. CAMILLO. Sir, I will tell you; Since I am charg'd in honour, and by him That I think honourable. Therefore mark my counsel, Which must be ev'n as swiftly followed as I mean to utter it, or both yourself and me Cry lost, and so goodnight. POLIXENES. On, good Camillo. CAMILLO. I am appointed him to murder you. POLIXENES. By whom, Camillo? CAMILLO. By the King. POLIXENES. For what? CAMILLO. He thinks, nay, with all confidence he swears, As he had seen 't or been an instrument To vice you to't, that you have touch'd his queen Forbiddenly. POLIXENES. O, then my best blood turn To an infected jelly, and my name Be yok'd with his that did betray the Best! Turn then my freshest reputation to A savour that may strike the dullest nostril Where I arrive, and my approach be shunn'd, Nay, hated too, worse than the great'st infection That e'er was heard or read! CAMILLO. Swear his thought over By each particular star in heaven and By all their influences, you may as well Forbid the sea for to obey the moon As or by oath remove or counsel shake The fabric of his folly, whose foundation Is pil'd upon his faith and will continue The standing of his body. POLIXENES. How should this grow? CAMILLO. I know not; but I am sure 'tis safer to Avoid what's grown than question how 'tis born. If therefore you dare trust my honesty, That lies enclosed in this trunk which you Shall bear along impawn'd, away to-night. Your followers I will whisper to the business; And will, by twos and threes, at several posterns, Clear them o' th' city. For myself, I'll put My fortunes to your service, which are here By this discovery lost. Be not uncertain, For, by the honour of my parents, I Have utt'red truth; which if you seek to prove, I dare not stand by; nor shall you be safer Than one condemn'd by the King's own mouth, thereon His execution sworn. POLIXENES. I do believe thee: I saw his heart in's face. Give me thy hand; Be pilot to me, and thy places shall Still neighbour mine. My ships are ready, and My people did expect my hence departure Two days ago. This jealousy Is for a precious creature; as she's rare, Must it be great; and, as his person's mighty, Must it be violent; and as he does conceive He is dishonour'd by a man which ever Profess'd to him, why, his revenges must In that be made more bitter. Fear o'ershades me. Good expedition be my friend, and comfort The gracious Queen, part of this theme, but nothing Of his ill-ta'en suspicion! Come, Camillo; I will respect thee as a father, if Thou bear'st my life off hence. Let us avoid. CAMILLO. It is in mine authority to command The keys of all the posterns. Please your Highness To take the urgent hour. Come, sir, away. Exeunt

Act 1

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Scene One is a short conversation between Archidamus, a Bohemian courtier, and Camillo, a Sicilian courtier and trusted friend of Leontes, King of Sicilia. Archidamus praises the generous hospitality he has been treated to in Sicilia, apologizing for any inadequacies Camillo might experience should he travel to Bohemia. Camillo talks about the friendship between Leontes and Polixenes, King of Bohemia. The two rulers were raised together since boyhood, although now their responsibilities as kings keep them apart. Both courtiers agree that Prince Mamillius of Sicilia shows great promise. Scene ii: Enter Leontes, Hermione, Mamillius, Polixenes, Camillo, and Attendants. Polixenes proclaims his intent to return home. He has been staying as a guest in the court of Leontes for nine months, and he fears that troubles may start at home if he stays away much longer. Leontes tries, without any success, to convince Polixenes to stay a short while longer. At Leontes' request, Hermione, Leontes' queen, tries to convince Polixenes to stay. She is eloquent and persuasive, and Polixenes gives in. She then asks to hear more stories from the kings' boyhood days together. Polixenes paints a picture of innocence and pure friendship in days before the two men knew anything of women. Hermione is extremely affectionate to Polixenes, treating him with great love because he is her husband's best and oldest friend. In asides to the audience, Leontes reveals that he is insanely jealous of Polixenes and Hermione. He is convinced that they are secretly committing adultery, although he has no hard evidence on which to base his suspicions. In full view of the others, he asks his young son Mamillius questions loaded with double meanings about whether or not the child is his boy. When Hermione and Polixenes ask if Leontes is feeling well, he replies that he is only unsettled because Mamillius reminds him of himself in the days of his own childhood. Leontes asks if Polixenes' son back in Bohemia is as dear as Mamillius, and Polixenes speaks of the great love he has for his own boy. Hermione, Polixenes, and the Attendants exit, leaving Leontes to continue his strange, angry conversation with his uncomprehending son. Mamillius exits, and Leontes, in an aside, speaks of how the tryst between Polixenes and Hermione must be obvious to everyone. He questions Camillo, who is clearly unaware of the king's suspicions. The king, convinced that Camillo is either stupid or playing dumb, grows increasingly irate. When he finally tells Camillo of what he suspects, the advisor is horrified and does not believe it. Leontes' grows increasingly furious, and Camillo, seeing the king's conviction, seems to give in. At Leontes' expressed desire to see Polixenes dead of poison, he offers to carry out the task. His condition is that Leontes' keep the queen in her present status, and do nothing to stain her honor. The king agrees, and Camillo affirms again that he will poison Polixenes. The king leaves, and Camillo reveals to the audience that he is horrified by the task set before him. He is a loyal courtier, but he believes Polixenes and Hermione are innocent. He resolves not to do it. Polixenes enters, disturbed by his most recent brush with Leontes. He asks Camillo about the change in the king's manner, and Camillo initially refuses to give a straightforward answer. When Polixenes continues to entreat Camillo, worried that his safety might be at risk, Camillo tells him the truth. He agrees to help Polixenes, using his authority as Leontes' most trusted advisor to ensure a safe escape for Polixenes and all of his men. Camillo says that he will serve at Polixenes' court, since in helping Polixenes he can no longer stay in Sicilia. Polixenes' ship has been ready for departure for days, and Polixenes assures Camillo that he will remember this service.

Scene One establishes characters and situation. We learn that the kings of Sicilia and Bohemia have been good friends since childhood, and that Sicilia has a young prince who shows great promise. Although Archidamus is not particularly important as a character, Camillo is one of the play's most important characters. From his praise of his king and his prince, we see that he is a faithful and patriotic courtier, full of love for his position. He is an ideal advisor, happiest when he has a good ruler to serve. In Scene Two, Shakespeare gives us a deep psychological portrait of Leontes. Directors control the level of the flirtatiousness between Hermione and Polixenes in productions of The Winter's Tale, but an important part of the characterization of Leontes is that his fears are not grounded in any real impropriety. The less proof he has, the more crazed he becomes. Although people at court speak often of how much Mamillius resembles him, he persists in the delusion that the child's paternity is questionable. And when his most trusted advisor insists that Hermione is innocent, his rage shows unequivocally that he will not have his delusions questioned. He dwells obsessively on the idea of being a known cuckold, a man whose wife is an adulterer, although Camillo's responses indicate that no one at court views the king that way. A recurring theme in many of Shakespeare's plays is the conflict between marriage and friendship. In The Winter's Tale, Shakespeare continues to play with this familiar theme, although in a more oblique manner. The boyhood days of Leontes are mentioned with some prominence in Scene Two, and the discussion of the old days becomes a counterpoint to his current jealous rage. Polixenes stresses their boyhood days as pre-sexual, days before they knew women and the duties of marriage. Hermione chides that she and Polixenes' wife must be devils, because they have lured the men out of these days of innocence. Her joke has serious undertones. The introduction of women into the lives of Polixenes and Leontes puts an end to the days without responsibility. In Scene Two, we watch Leontes return to the days without responsibility in two parallel ways: he remembers the days of his youth, and he puts aside responsibilities as a man, husband, father, and king in favor of jealousy and rage. Manhood brings power, but Leontes' masculinity is fragile; it is something that can be lost, and its integrity depends on keeping his wife faithful. For that, he only has her word. Once suspicion becomes paranoid delusion, Leontes' manhood is threatened. He imagines his oldest friend as a rival, a rival who seeks to be more of a man than Leontes by conquering Leontes' wife. Three closely connected themes come play themselves out in Scene Two. The responsibility of kings, the threat of tyranny, and the connection between the king as head of the family and the king as head of state : these are important themes not only in The Winter's Tale, but in many of Shakespeare's plays. These three themes are often at work when a Shakespearean ruler transforms himself from good king to bad king, good father/husband to bad father/husband, good man to bad man. By indulging in his groundless paranoia, Leontes transforms himself from good king to bad king, and a large part of this change comes because of his failure to live up to his roles as husband and father. Marriage brings with it great duty, and as Shakespeare depicts it, a king's duties as husband and father are inseparable from his duties as head of state. In his indulgence in jealousy and paranoid fantasy, the king separates himself from his duties. The responsibility of kings is a common Shakespearean theme; one of those responsibilities is to produce an heir and raise that heir into adulthood. Having produced an heir, Leontes shirks his duty to be a good father. Leontes questions the paternity of Mamillius, and so absolves himself of the responsibility to provide for the boy's safety, happiness, and wellbeing. Leontes' outrageous behavior will eventually cost him the life of his heir Mamillius, as well as the loss of his second child, Perdita. When Leontes' looks into his son's face and claims that he sees himself in the days of his youth, he is explaining his strange behavior dishonestly, but the words of his response emphasize his longing to return to a world without duty. A tragic aspect of Leontes' fall is that he cannot regain the happiness of his boyhood by reenacting its irresponsibility. The consequences are not freedom, but tragedy. His delusions include a terrible betrayal of his boyhood friend. His obsession makes him unable to rule effectively as king. Part of kingship is the ability to benefit from the counsel of wise advisors like Camillo, and here we watch as Camillo's rational advice does little but drive Leontes further into his delusions. In ordering the assassination of Polixenes, Leontes orders an act that is barbaric and potentially harmful to his state. Poisoning Polixenes will not be without repercussions for his country; the connection between the state's health and the king's personal affairs becomes clear when Camillo tells Leontes that he must not sully Hermione's honor. Hermione must be kept as queen to protect Sicilia from scandal and loss of honor among her allies. Camillo's suggestion is not only about saving face; he is concerned for the security of his country. The death of Polixenes while he is a guest in Sicilia would have massive repercussions for Leontes' kingdom; his act is not only a violation of friendship, but of his important duties to his people. Camillo, the faithful advisor, is a man of conscience. He has a powerful sense of duty; his training and talents are geared towards aiding a king to rule effectively, but he does not allow his loyalty to override his sense of right and wrong. The conflict between duty and conscience is an important theme in The Winter's Tale, and Camillo's resolves to serve his sense of right and wrong before any king. Camillo's decision ultimately makes the play's happy ending possible. His choice is the first in a series of events that protects The Winter's Tale from the momentum towards tragedy set up by Leontes' jealousy.

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all_chapterized_books/1134-chapters/act_2.txt

finished_summaries/gradesaver/The Winter's Tale/section_1_part_0.txt

The Winter's Tale.act 2.scene 1-scene 3

act 2

{"name": "Act 2", "url": "https://web.archive.org/web/20210411083408/https://www.gradesaver.com/the-winters-tale/study-guide/summary-act-2", "summary": "Hermione sits with her ladies-in-waiting and Mamillius. The child is mischievous and charming, delighting his mother and her ladies with irreverent humor. Leontes enters with Antigonus and various unnamed lords. They are telling him about the flight of Camillo and Polixenes, and their news makes Leontes feel certain that his suspicions were correct. He now believes that Camillo was a double agent working for Polixenes. He has Mamillius taken from Hermione, and he cruelly insults Hermione in full view of the lords and Hermione's ladies. He says that she has committed adultery, and Hermione bears his insults with dignity. When he tells her that she is to be put in prison, she insists that her ladies accompany her because she is pregnant and needs their help. The lords weep as she is escorted out, and she tells them that they would have reason to weep if she were guilty; for the innocent, suffering leads to grace. She brings her women with her as she goes to her prison. Antigonus tries without success to make Leontes reconsider his suspicions. He professes absolute faith in the queen's virtue, but Leontes remains unconvinced. From Leontes' point of view, the truth of the matter is apparent, and he seeks no counsel from his men in determining whether or not his suspicions are correct; he has been all the more convinced by Camillo's flight. The king announces that he has sent messengers to Apollo's oracle at Delphos to ask about the queen's fidelity. Although he has no doubt as to what the answer will be, the oracle will at least put the minds of his subjects at ease. Scene ii: Paulina, courtier and wife of Antigonus, tries to see the queen in her cell, but the guard will not let her pass. Instead, the jailer will allow Emilia, one of Hermione's ladies-in-waiting, to come out and speak for the queen. Emilia reveals that Hermione has had her baby, a healthy daughter. Paulina resolves to take the baby to the king, in hopes that the sight of his daughter will restore his senses to him. The jailer has anxieties about releasing the child, but Paulina convinces him that the baby should not be in prison. She also assures him that she will protect him from harm. Scene iii: Leontes, alone, speaks of burning the queen to put his mind at rest. A servant enters, and from their conversation we learn that Prince Mamillius has been sick since his mother's imprisonment. Leontes tells the servant to tend to the boy. He then bemoans the fact that he cannot harm Polixenes, whose kingdom and allies put him beyond Leontes' reach. Since he cannot harm Camillo and Polixenes, he will satisfy himself by dealing with Hermione. Paulina enters, along with Antigonus, servants, and lords. She fearlessly confronts the king, defending the queen's innocence and condemning the king's tyrannical behavior. She refuses to do anything but praise the queen's character. The king mocks Antigonus for being unable to control his wife, but Paulina brushes these comments aside. She tries to convince the king that the infant is his by pointing out the strong physical resemblance between the monarch and the child, but the king remains unmoved. He keeps telling Antigonus to control his wife better, but Antigonus does not bother trying. Paulina leaves the child, hoping that Leontes will soften and come to his senses. The king orders Antigonus to destroy the child. Leontes accuses Antigonus of instructing his wife to behave as she has, which Antigonus denies, with the lords backing his word. The king refuses to believe them. He asks Antigonus what he would be willing to sacrifice to save the child's life, and Antigonus replies that he would give anything. Leontes asks him to swear to do his bidding, in order to save the life of the child, and Antigonus swears. The king orders Antigonus to take the child and leave it in a wild and remote place, to be saved or killed according to the dictates of chance. If Antigonus does not do so, he and Paulina will both be executed. Antigonus is compelled to obey because he has given his word, but he is loath to carry out the king's orders. He goes to it miserably. A servant enters with the news that Dion and Cleomenes have arrived back from the oracle. Leontes announces his attention to have the queen put on trial.", "analysis": "Act 2 opens with the idyllic scene of the prince playing with his mother and the ladies-in-waiting. The charm and happiness of the moment makes the contrast with the jealousy of Leontes all the more jarring. Shakespeare is giving us a glimpse of the normal pattern of their family life, which invites greater sympathy for the queen and prince and gives us a sense of what Leontes is destroying. Leontes' delusions isolate him from his family and his court. He removes his wife and son from his company, and he continues to believe fervently in Hermione's infidelity even though everyone at court thinks the idea is ludicrous. He is completely alone in his suspicions, insisting on them most violently when someone at court tries to contradict him. These scenes reveal a king who is withdrawing further and further into his own paranoid fantasies. He interprets Camillo's flight with Polixenes as conclusive proof of his suspicions, ignoring the fact that if Camillo, Hermione, and Polixenes were innocent Camillo would do exactly the same thing. The theme of tyranny is present throughout Act 2, as Leontes' throne protects him from the need for rationality, compassion, and listening to counsel. Paulina is one of Shakespeare's most fearless heroines, defiantly scolding the king and defending her queen. Scene Two shows us that she commands a great deal of respect in Sicilia: Emilia is relieved when she learns that Paulina will plea for Hermione to Leontes, and the jailer defers to Paulina's authority and believes her when she promises to protect him. Directors have a great deal of influence over how Act 2, Scene Three is played. In some productions, Leontes does not take Paulina seriously, and bears her mostly by ignoring her. She is able to get away with scolding him because he does not view her as an equal; this interpretation is consistent with the manner in which he tries to silence her. Notice that Leontes addresses Antigonus, Paulina's husband, rather than her. He criticizes Antigonus for being unable to control his wife, and the scene can be played to make Paulina almost comic. On the other hand, the scene can be played to make Paulina incredibly threatening. Played this way, Leontes addresses her husband because he has no idea how to deal with a strong woman. Both the comic and threatening interpretations of Paulina's character are grounded in her gender. The fact that she is a woman can mean either that she is taken less seriously by the lords or that the men are disabled by her strength. From the characters' discussion of the oracle, we know that we are meant to assume that the oracle will speak the truth. Interestingly enough, this viewpoint was totally against the religious teachings of Shakespeare's England. Many theological writings of the time had determined that there was no divine inspiration for the oracles of the ancients, but Shakespeare asks us to take the oracle's word as truth. Throughout The Winter's Tale, Shakespeare creates an atmosphere of the fantastic, in part by creating a world in which the mythology of the ancient Greeks is accepted without rational skepticism or Christian prejudice. Significantly, the idea of a dependable oracle also grounds Truth in the play, giving characters a reliable source of judgments and a sure knowledge of divine will. The fantastic qualities of the play and the accessibility of the truth help to disarm the tragedy that Leontes' jealousy might provoke in another Shakespearean drama."}

Sicilia. The palace of LEONTES Enter HERMIONE, MAMILLIUS, and LADIES HERMIONE. Take the boy to you; he so troubles me, 'Tis past enduring. FIRST LADY. Come, my gracious lord, Shall I be your playfellow? MAMILLIUS. No, I'll none of you. FIRST LADY. Why, my sweet lord? MAMILLIUS. You'll kiss me hard, and speak to me as if I were a baby still. I love you better. SECOND LADY. And why so, my lord? MAMILLIUS. Not for because Your brows are blacker; yet black brows, they say, Become some women best; so that there be not Too much hair there, but in a semicircle Or a half-moon made with a pen. SECOND LADY. Who taught't this? MAMILLIUS. I learn'd it out of women's faces. Pray now, What colour are your eyebrows? FIRST LADY. Blue, my lord. MAMILLIUS. Nay, that's a mock. I have seen a lady's nose That has been blue, but not her eyebrows. FIRST LADY. Hark ye: The Queen your mother rounds apace. We shall Present our services to a fine new prince One of these days; and then you'd wanton with us, If we would have you. SECOND LADY. She is spread of late Into a goodly bulk. Good time encounter her! HERMIONE. What wisdom stirs amongst you? Come, sir, now I am for you again. Pray you sit by us, And tell's a tale. MAMILLIUS. Merry or sad shall't be? HERMIONE. As merry as you will. MAMILLIUS. A sad tale's best for winter. I have one Of sprites and goblins. HERMIONE. Let's have that, good sir. Come on, sit down; come on, and do your best To fright me with your sprites; you're pow'rfull at it. MAMILLIUS. There was a man- HERMIONE. Nay, come, sit down; then on. MAMILLIUS. Dwelt by a churchyard- I will tell it softly; Yond crickets shall not hear it. HERMIONE. Come on then, And give't me in mine ear. Enter LEONTES, ANTIGONUS, LORDS, and OTHERS LEONTES. he met there? his train? Camillo with him? FIRST LORD. Behind the tuft of pines I met them; never Saw I men scour so on their way. I ey'd them Even to their ships. LEONTES. How blest am I In my just censure, in my true opinion! Alack, for lesser knowledge! How accurs'd In being so blest! There may be in the cup A spider steep'd, and one may drink, depart, And yet partake no venom, for his knowledge Is not infected; but if one present Th' abhorr'd ingredient to his eye, make known How he hath drunk, he cracks his gorge, his sides, With violent hefts. I have drunk, and seen the spider. Camillo was his help in this, his pander. There is a plot against my life, my crown; All's true that is mistrusted. That false villain Whom I employ'd was pre-employ'd by him; He has discover'd my design, and I Remain a pinch'd thing; yea, a very trick For them to play at will. How came the posterns So easily open? FIRST LORD. By his great authority; Which often hath no less prevail'd than so On your command. LEONTES. I know't too well. Give me the boy. I am glad you did not nurse him; Though he does bear some signs of me, yet you Have too much blood in him. HERMIONE. What is this? Sport? LEONTES. Bear the boy hence; he shall not come about her; Away with him; and let her sport herself [MAMILLIUS is led out] With that she's big with- for 'tis Polixenes Has made thee swell thus. HERMIONE. But I'd say he had not, And I'll be sworn you would believe my saying, Howe'er you lean to th' nayward. LEONTES. You, my lords, Look on her, mark her well; be but about To say 'She is a goodly lady' and The justice of your hearts will thereto ad 'Tis pity she's not honest- honourable.' Praise her but for this her without-door form, Which on my faith deserves high speech, and straight The shrug, the hum or ha, these petty brands That calumny doth use- O, I am out!- That mercy does, for calumny will sear Virtue itself- these shrugs, these hum's and ha's, When you have said she's goodly, come between, Ere you can say she's honest. But be't known, From him that has most cause to grieve it should be, She's an adultress. HERMIONE. Should a villain say so, The most replenish'd villain in the world, He were as much more villain: you, my lord, Do but mistake. LEONTES. You have mistook, my lady, Polixenes for Leontes. O thou thing! Which I'll not call a creature of thy place, Lest barbarism, making me the precedent, Should a like language use to all degrees And mannerly distinguishment leave out Betwixt the prince and beggar. I have said She's an adultress; I have said with whom. More, she's a traitor; and Camillo is A federary with her, and one that knows What she should shame to know herself But with her most vile principal- that she's A bed-swerver, even as bad as those That vulgars give bold'st titles; ay, and privy To this their late escape. HERMIONE. No, by my life, Privy to none of this. How will this grieve you, When you shall come to clearer knowledge, that You thus have publish'd me! Gentle my lord, You scarce can right me throughly then to say You did mistake. LEONTES. No; if I mistake In those foundations which I build upon, The centre is not big enough to bear A school-boy's top. Away with her to prison. He who shall speak for her is afar off guilty But that he speaks. HERMIONE. There's some ill planet reigns. I must be patient till the heavens look With an aspect more favourable. Good my lords, I am not prone to weeping, as our sex Commonly are- the want of which vain dew Perchance shall dry your pities- but I have That honourable grief lodg'd here which burns Worse than tears drown. Beseech you all, my lords, With thoughts so qualified as your charities Shall best instruct you, measure me; and so The King's will be perform'd! LEONTES. [To the GUARD] Shall I be heard? HERMIONE. Who is't that goes with me? Beseech your highness My women may be with me, for you see My plight requires it. Do not weep, good fools; There is no cause; when you shall know your mistress Has deserv'd prison, then abound in tears As I come out: this action I now go on Is for my better grace. Adieu, my lord. I never wish'd to see you sorry; now I trust I shall. My women, come; you have leave. LEONTES. Go, do our bidding; hence! Exeunt HERMIONE, guarded, and LADIES FIRST LORD. Beseech your Highness, call the Queen again. ANTIGONUS. Be certain what you do, sir, lest your justice Prove violence, in the which three great ones suffer, Yourself, your queen, your son. FIRST LORD. For her, my lord, I dare my life lay down- and will do't, sir, Please you t' accept it- that the Queen is spotless I' th' eyes of heaven and to you- I mean In this which you accuse her. ANTIGONUS. If it prove She's otherwise, I'll keep my stables where I lodge my wife; I'll go in couples with her; Than when I feel and see her no farther trust her; For every inch of woman in the world, Ay, every dram of woman's flesh is false, If she be. LEONTES. Hold your peaces. FIRST LORD. Good my lord- ANTIGONUS. It is for you we speak, not for ourselves. You are abus'd, and by some putter-on That will be damn'd for't. Would I knew the villain! I would land-damn him. Be she honour-flaw'd- I have three daughters: the eldest is eleven; The second and the third, nine and some five; If this prove true, they'll pay for 't. By mine honour, I'll geld 'em all; fourteen they shall not see To bring false generations. They are co-heirs; And I had rather glib myself than they Should not produce fair issue. LEONTES. Cease; no more. You smell this business with a sense as cold As is a dead man's nose; but I do see't and feel't As you feel doing thus; and see withal The instruments that feel. ANTIGONUS. If it be so, We need no grave to bury honesty; There's not a grain of it the face to sweeten Of the whole dungy earth. LEONTES. What! Lack I credit? FIRST LORD. I had rather you did lack than I, my lord, Upon this ground; and more it would content me To have her honour true than your suspicion, Be blam'd for't how you might. LEONTES. Why, what need we Commune with you of this, but rather follow Our forceful instigation? Our prerogative Calls not your counsels; but our natural goodness Imparts this; which, if you- or stupified Or seeming so in skill- cannot or will not Relish a truth like us, inform yourselves We need no more of your advice. The matter, The loss, the gain, the ord'ring on't, is all Properly ours. ANTIGONUS. And I wish, my liege, You had only in your silent judgment tried it, Without more overture. LEONTES. How could that be? Either thou art most ignorant by age, Or thou wert born a fool. Camillo's flight, Added to their familiarity- Which was as gross as ever touch'd conjecture, That lack'd sight only, nought for approbation But only seeing, all other circumstances Made up to th' deed- doth push on this proceeding. Yet, for a greater confirmation- For, in an act of this importance, 'twere Most piteous to be wild- I have dispatch'd in post To sacred Delphos, to Apollo's temple, Cleomenes and Dion, whom you know Of stuff'd sufficiency. Now, from the oracle They will bring all, whose spiritual counsel had, Shall stop or spur me. Have I done well? FIRST LORD. Well done, my lord. LEONTES. Though I am satisfied, and need no more Than what I know, yet shall the oracle Give rest to th' minds of others such as he Whose ignorant credulity will not Come up to th' truth. So have we thought it good From our free person she should be confin'd, Lest that the treachery of the two fled hence Be left her to perform. Come, follow us; We are to speak in public; for this business Will raise us all. ANTIGONUS. [Aside] To laughter, as I take it, If the good truth were known. Exeunt Sicilia. A prison Enter PAULINA, a GENTLEMAN, and ATTENDANTS PAULINA. The keeper of the prison- call to him; Let him have knowledge who I am. Exit GENTLEMAN Good lady! No court in Europe is too good for thee; What dost thou then in prison? Re-enter GENTLEMAN with the GAOLER Now, good sir, You know me, do you not? GAOLER. For a worthy lady, And one who much I honour. PAULINA. Pray you, then, Conduct me to the Queen. GAOLER. I may not, madam; To the contrary I have express commandment. PAULINA. Here's ado, to lock up honesty and honour from Th' access of gentle visitors! Is't lawful, pray you, To see her women- any of them? Emilia? GAOLER. So please you, madam, To put apart these your attendants, Shall bring Emilia forth. PAULINA. I pray now, call her. Withdraw yourselves. Exeunt ATTENDANTS GAOLER. And, madam, I must be present at your conference. PAULINA. Well, be't so, prithee. Exit GAOLER Here's such ado to make no stain a stain As passes colouring. Re-enter GAOLER, with EMILIA Dear gentlewoman, How fares our gracious lady? EMILIA. As well as one so great and so forlorn May hold together. On her frights and griefs, Which never tender lady hath borne greater, She is, something before her time, deliver'd. PAULINA. A boy? EMILIA. A daughter, and a goodly babe, Lusty, and like to live. The Queen receives Much comfort in't; says 'My poor prisoner, I am as innocent as you.' PAULINA. I dare be sworn. These dangerous unsafe lunes i' th' King, beshrew them! He must be told on't, and he shall. The office Becomes a woman best; I'll take't upon me; If I prove honey-mouth'd, let my tongue blister, And never to my red-look'd anger be The trumpet any more. Pray you, Emilia, Commend my best obedience to the Queen; If she dares trust me with her little babe, I'll show't the King, and undertake to be Her advocate to th' loud'st. We do not know How he may soften at the sight o' th' child: The silence often of pure innocence Persuades when speaking fails. EMILIA. Most worthy madam, Your honour and your goodness is so evident That your free undertaking cannot miss A thriving issue; there is no lady living So meet for this great errand. Please your ladyship To visit the next room, I'll presently Acquaint the Queen of your most noble offer Who but to-day hammer'd of this design, But durst not tempt a minister of honour, Lest she should be denied. PAULINA. Tell her, Emilia, I'll use that tongue I have; if wit flow from't As boldness from my bosom, let't not be doubted I shall do good. EMILIA. Now be you blest for it! I'll to the Queen. Please you come something nearer. GAOLER. Madam, if't please the Queen to send the babe, I know not what I shall incur to pass it, Having no warrant. PAULINA. You need not fear it, sir. This child was prisoner to the womb, and is By law and process of great Nature thence Freed and enfranchis'd- not a party to The anger of the King, nor guilty of, If any be, the trespass of the Queen. GAOLER. I do believe it. PAULINA. Do not you fear. Upon mine honour, I Will stand betwixt you and danger. Exeunt Sicilia. The palace of LEONTES Enter LEONTES, ANTIGONUS, LORDS, and SERVANTS LEONTES. Nor night nor day no rest! It is but weakness To bear the matter thus- mere weakness. If The cause were not in being- part o' th' cause, She, th' adultress; for the harlot king Is quite beyond mine arm, out of the blank And level of my brain, plot-proof; but she I can hook to me- say that she were gone, Given to the fire, a moiety of my rest Might come to me again. Who's there? FIRST SERVANT. My lord? LEONTES. How does the boy? FIRST SERVANT. He took good rest to-night; 'Tis hop'd his sickness is discharg'd. LEONTES. To see his nobleness! Conceiving the dishonour of his mother, He straight declin'd, droop'd, took it deeply, Fasten'd and fix'd the shame on't in himself, Threw off his spirit, his appetite, his sleep, And downright languish'd. Leave me solely. Go, See how he fares. [Exit SERVANT] Fie, fie! no thought of him! The very thought of my revenges that way Recoil upon me- in himself too mighty, And in his parties, his alliance. Let him be, Until a time may serve; for present vengeance, Take it on her. Camillo and Polixenes Laugh at me, make their pastime at my sorrow. They should not laugh if I could reach them; nor Shall she, within my pow'r. Enter PAULINA, with a CHILD FIRST LORD. You must not enter. PAULINA. Nay, rather, good my lords, be second to me. Fear you his tyrannous passion more, alas, Than the Queen's life? A gracious innocent soul, More free than he is jealous. ANTIGONUS. That's enough. SECOND SERVANT. Madam, he hath not slept to-night; commanded None should come at him. PAULINA. Not so hot, good sir; I come to bring him sleep. 'Tis such as you, That creep like shadows by him, and do sigh At each his needless heavings- such as you Nourish the cause of his awaking: I Do come with words as medicinal as true, Honest as either, to purge him of that humour That presses him from sleep. LEONTES. What noise there, ho? PAULINA. No noise, my lord; but needful conference About some gossips for your Highness. LEONTES. How! Away with that audacious lady! Antigonus, I charg'd thee that she should not come about me; I knew she would. ANTIGONUS. I told her so, my lord, On your displeasure's peril, and on mine, She should not visit you. LEONTES. What, canst not rule her? PAULINA. From all dishonesty he can: in this, Unless he take the course that you have done- Commit me for committing honour- trust it, He shall not rule me. ANTIGONUS. La you now, you hear! When she will take the rein, I let her run; But she'll not stumble. PAULINA. Good my liege, I come- And I beseech you hear me, who professes Myself your loyal servant, your physician, Your most obedient counsellor; yet that dares Less appear so, in comforting your evils, Than such as most seem yours- I say I come From your good Queen. LEONTES. Good Queen! PAULINA. Good Queen, my lord, good Queen- I say good Queen; And would by combat make her good, so were I A man, the worst about you. LEONTES. Force her hence. PAULINA. Let him that makes but trifles of his eyes First hand me. On mine own accord I'll off; But first I'll do my errand. The good Queen, For she is good, hath brought you forth a daughter; Here 'tis; commends it to your blessing. [Laying down the child] LEONTES. Out! A mankind witch! Hence with her, out o' door! A most intelligencing bawd! PAULINA. Not so. I am as ignorant in that as you In so entitling me; and no less honest Than you are mad; which is enough, I'll warrant, As this world goes, to pass for honest. LEONTES. Traitors! Will you not push her out? Give her the bastard. [To ANTIGONUS] Thou dotard, thou art woman-tir'd, unroosted By thy Dame Partlet here. Take up the bastard; Take't up, I say; give't to thy crone. PAULINA. For ever Unvenerable be thy hands, if thou Tak'st up the Princess by that forced baseness Which he has put upon't! LEONTES. He dreads his wife. PAULINA. So I would you did; then 'twere past all doubt You'd call your children yours. LEONTES. A nest of traitors! ANTIGONUS. I am none, by this good light. PAULINA. Nor I; nor any But one that's here; and that's himself; for he The sacred honour of himself, his Queen's, His hopeful son's, his babe's, betrays to slander, Whose sting is sharper than the sword's; and will not- For, as the case now stands, it is a curse He cannot be compell'd to 't- once remove The root of his opinion, which is rotten As ever oak or stone was sound. LEONTES. A callat Of boundless tongue, who late hath beat her husband, And now baits me! This brat is none of mine; It is the issue of Polixenes. Hence with it, and together with the dam Commit them to the fire. PAULINA. It is yours. And, might we lay th' old proverb to your charge, So like you 'tis the worse. Behold, my lords, Although the print be little, the whole matter And copy of the father- eye, nose, lip, The trick of's frown, his forehead; nay, the valley, The pretty dimples of his chin and cheek; his smiles; The very mould and frame of hand, nail, finger. And thou, good goddess Nature, which hast made it So like to him that got it, if thou hast The ordering of the mind too, 'mongst all colours No yellow in't, lest she suspect, as he does, Her children not her husband's! LEONTES. A gross hag! And, lozel, thou art worthy to be hang'd That wilt not stay her tongue. ANTIGONUS. Hang all the husbands That cannot do that feat, you'll leave yourself Hardly one subject. LEONTES. Once more, take her hence. PAULINA. A most unworthy and unnatural lord Can do no more. LEONTES. I'll ha' thee burnt. PAULINA. I care not. It is an heretic that makes the fire, Not she which burns in't. I'll not call you tyrant But this most cruel usage of your Queen- Not able to produce more accusation Than your own weak-hing'd fancy- something savours Of tyranny, and will ignoble make you, Yea, scandalous to the world. LEONTES. On your allegiance, Out of the chamber with her! Were I a tyrant, Where were her life? She durst not call me so, If she did know me one. Away with her! PAULINA. I pray you, do not push me; I'll be gone. Look to your babe, my lord; 'tis yours. Jove send her A better guiding spirit! What needs these hands? You that are thus so tender o'er his follies Will never do him good, not one of you. So, so. Farewell; we are gone. Exit LEONTES. Thou, traitor, hast set on thy wife to this. My child! Away with't. Even thou, that hast A heart so tender o'er it, take it hence, And see it instantly consum'd with fire; Even thou, and none but thou. Take it up straight. Within this hour bring me word 'tis done, And by good testimony, or I'll seize thy life, With that thou else call'st thine. If thou refuse, And wilt encounter with my wrath, say so; The bastard brains with these my proper hands Shall I dash out. Go, take it to the fire; For thou set'st on thy wife. ANTIGONUS. I did not, sir. These lords, my noble fellows, if they please, Can clear me in't. LORDS. We can. My royal liege, He is not guilty of her coming hither. LEONTES. You're liars all. FIRST LORD. Beseech your Highness, give us better credit. We have always truly serv'd you; and beseech So to esteem of us; and on our knees we beg, As recompense of our dear services Past and to come, that you do change this purpose, Which being so horrible, so bloody, must Lead on to some foul issue. We all kneel. LEONTES. I am a feather for each wind that blows. Shall I live on to see this bastard kneel And call me father? Better burn it now Than curse it then. But be it; let it live. It shall not neither. [To ANTIGONUS] You, Sir, come you hither. You that have been so tenderly officious With Lady Margery, your midwife there, To save this bastard's life- for 'tis a bastard, So sure as this beard's grey- what will you adventure To save this brat's life? ANTIGONUS. Anything, my lord, That my ability may undergo, And nobleness impose. At least, thus much: I'll pawn the little blood which I have left To save the innocent- anything possible. LEONTES. It shall be possible. Swear by this sword Thou wilt perform my bidding. ANTIGONUS. I will, my lord. LEONTES. Mark, and perform it- seest thou? For the fail Of any point in't shall not only be Death to thyself, but to thy lewd-tongu'd wife, Whom for this time we pardon. We enjoin thee, As thou art liegeman to us, that thou carry This female bastard hence; and that thou bear it To some remote and desert place, quite out Of our dominions; and that there thou leave it, Without more mercy, to it own protection And favour of the climate. As by strange fortune It came to us, I do in justice charge thee, On thy soul's peril and thy body's torture, That thou commend it strangely to some place Where chance may nurse or end it. Take it up. ANTIGONUS. I swear to do this, though a present death Had been more merciful. Come on, poor babe. Some powerful spirit instruct the kites and ravens To be thy nurses! Wolves and bears, they say, Casting their savageness aside, have done Like offices of pity. Sir, be prosperous In more than this deed does require! And blessing Against this cruelty fight on thy side, Poor thing, condemn'd to loss! Exit with the child LEONTES. No, I'll not rear Another's issue. Enter a SERVANT SERVANT. Please your Highness, posts From those you sent to th' oracle are come An hour since. Cleomenes and Dion, Being well arriv'd from Delphos, are both landed, Hasting to th' court. FIRST LORD. So please you, sir, their speed Hath been beyond account. LEONTES. Twenty-three days They have been absent; 'tis good speed; foretells The great Apollo suddenly will have The truth of this appear. Prepare you, lords; Summon a session, that we may arraign Our most disloyal lady; for, as she hath Been publicly accus'd, so shall she have A just and open trial. While she lives, My heart will be a burden to me. Leave me; And think upon my bidding. Exeunt

Act 2

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Hermione sits with her ladies-in-waiting and Mamillius. The child is mischievous and charming, delighting his mother and her ladies with irreverent humor. Leontes enters with Antigonus and various unnamed lords. They are telling him about the flight of Camillo and Polixenes, and their news makes Leontes feel certain that his suspicions were correct. He now believes that Camillo was a double agent working for Polixenes. He has Mamillius taken from Hermione, and he cruelly insults Hermione in full view of the lords and Hermione's ladies. He says that she has committed adultery, and Hermione bears his insults with dignity. When he tells her that she is to be put in prison, she insists that her ladies accompany her because she is pregnant and needs their help. The lords weep as she is escorted out, and she tells them that they would have reason to weep if she were guilty; for the innocent, suffering leads to grace. She brings her women with her as she goes to her prison. Antigonus tries without success to make Leontes reconsider his suspicions. He professes absolute faith in the queen's virtue, but Leontes remains unconvinced. From Leontes' point of view, the truth of the matter is apparent, and he seeks no counsel from his men in determining whether or not his suspicions are correct; he has been all the more convinced by Camillo's flight. The king announces that he has sent messengers to Apollo's oracle at Delphos to ask about the queen's fidelity. Although he has no doubt as to what the answer will be, the oracle will at least put the minds of his subjects at ease. Scene ii: Paulina, courtier and wife of Antigonus, tries to see the queen in her cell, but the guard will not let her pass. Instead, the jailer will allow Emilia, one of Hermione's ladies-in-waiting, to come out and speak for the queen. Emilia reveals that Hermione has had her baby, a healthy daughter. Paulina resolves to take the baby to the king, in hopes that the sight of his daughter will restore his senses to him. The jailer has anxieties about releasing the child, but Paulina convinces him that the baby should not be in prison. She also assures him that she will protect him from harm. Scene iii: Leontes, alone, speaks of burning the queen to put his mind at rest. A servant enters, and from their conversation we learn that Prince Mamillius has been sick since his mother's imprisonment. Leontes tells the servant to tend to the boy. He then bemoans the fact that he cannot harm Polixenes, whose kingdom and allies put him beyond Leontes' reach. Since he cannot harm Camillo and Polixenes, he will satisfy himself by dealing with Hermione. Paulina enters, along with Antigonus, servants, and lords. She fearlessly confronts the king, defending the queen's innocence and condemning the king's tyrannical behavior. She refuses to do anything but praise the queen's character. The king mocks Antigonus for being unable to control his wife, but Paulina brushes these comments aside. She tries to convince the king that the infant is his by pointing out the strong physical resemblance between the monarch and the child, but the king remains unmoved. He keeps telling Antigonus to control his wife better, but Antigonus does not bother trying. Paulina leaves the child, hoping that Leontes will soften and come to his senses. The king orders Antigonus to destroy the child. Leontes accuses Antigonus of instructing his wife to behave as she has, which Antigonus denies, with the lords backing his word. The king refuses to believe them. He asks Antigonus what he would be willing to sacrifice to save the child's life, and Antigonus replies that he would give anything. Leontes asks him to swear to do his bidding, in order to save the life of the child, and Antigonus swears. The king orders Antigonus to take the child and leave it in a wild and remote place, to be saved or killed according to the dictates of chance. If Antigonus does not do so, he and Paulina will both be executed. Antigonus is compelled to obey because he has given his word, but he is loath to carry out the king's orders. He goes to it miserably. A servant enters with the news that Dion and Cleomenes have arrived back from the oracle. Leontes announces his attention to have the queen put on trial.

Act 2 opens with the idyllic scene of the prince playing with his mother and the ladies-in-waiting. The charm and happiness of the moment makes the contrast with the jealousy of Leontes all the more jarring. Shakespeare is giving us a glimpse of the normal pattern of their family life, which invites greater sympathy for the queen and prince and gives us a sense of what Leontes is destroying. Leontes' delusions isolate him from his family and his court. He removes his wife and son from his company, and he continues to believe fervently in Hermione's infidelity even though everyone at court thinks the idea is ludicrous. He is completely alone in his suspicions, insisting on them most violently when someone at court tries to contradict him. These scenes reveal a king who is withdrawing further and further into his own paranoid fantasies. He interprets Camillo's flight with Polixenes as conclusive proof of his suspicions, ignoring the fact that if Camillo, Hermione, and Polixenes were innocent Camillo would do exactly the same thing. The theme of tyranny is present throughout Act 2, as Leontes' throne protects him from the need for rationality, compassion, and listening to counsel. Paulina is one of Shakespeare's most fearless heroines, defiantly scolding the king and defending her queen. Scene Two shows us that she commands a great deal of respect in Sicilia: Emilia is relieved when she learns that Paulina will plea for Hermione to Leontes, and the jailer defers to Paulina's authority and believes her when she promises to protect him. Directors have a great deal of influence over how Act 2, Scene Three is played. In some productions, Leontes does not take Paulina seriously, and bears her mostly by ignoring her. She is able to get away with scolding him because he does not view her as an equal; this interpretation is consistent with the manner in which he tries to silence her. Notice that Leontes addresses Antigonus, Paulina's husband, rather than her. He criticizes Antigonus for being unable to control his wife, and the scene can be played to make Paulina almost comic. On the other hand, the scene can be played to make Paulina incredibly threatening. Played this way, Leontes addresses her husband because he has no idea how to deal with a strong woman. Both the comic and threatening interpretations of Paulina's character are grounded in her gender. The fact that she is a woman can mean either that she is taken less seriously by the lords or that the men are disabled by her strength. From the characters' discussion of the oracle, we know that we are meant to assume that the oracle will speak the truth. Interestingly enough, this viewpoint was totally against the religious teachings of Shakespeare's England. Many theological writings of the time had determined that there was no divine inspiration for the oracles of the ancients, but Shakespeare asks us to take the oracle's word as truth. Throughout The Winter's Tale, Shakespeare creates an atmosphere of the fantastic, in part by creating a world in which the mythology of the ancient Greeks is accepted without rational skepticism or Christian prejudice. Significantly, the idea of a dependable oracle also grounds Truth in the play, giving characters a reliable source of judgments and a sure knowledge of divine will. The fantastic qualities of the play and the accessibility of the truth help to disarm the tragedy that Leontes' jealousy might provoke in another Shakespearean drama.

gradesaver

all_chapterized_books/1134-chapters/act_3.txt

finished_summaries/gradesaver/The Winter's Tale/section_2_part_0.txt

The Winter's Tale.act 3.scene 1-scene 3

act 3

{"name": "Act 3", "url": "https://web.archive.org/web/20210411083408/https://www.gradesaver.com/the-winters-tale/study-guide/summary-act-3", "summary": "Cleomenes and Dion, the courtiers dispatched by Leontes to the oracle at Delphi, speak with wonder about the ceremony they witnessed at the shrine. They hope that the oracle's judgment will help Queen Hermione. Scene ii: The trial of Hermione. With dignity and restraint, Hermione defends her chastity and condemns the injustice that has been done to her. Leontes remains as stubborn and angry as ever, attacking and threatening Hermione while she counters him eloquently. An officer breaks the seal on the message from the oracle and reads: Hermione, Polixenes, and Camillo are innocent and Leontes is a jealous tyrant. The oracle also predicts that Leontes will be without an heir unless the lost daughter is found. The court is delighted, but Leontes denounces the words of the oracle as false. But then a servant enters, bringing terrible news: Prince Mamillius is dead, killed by anxiety about his mother's fate. Leontes believes that the gods have killed the child as punishment to the king, and finally he realizes that he has been in error. Hermione swoons, and is helped out of the room by Paulina and several officers. Leontes is now fully penitent, asking the gods' forgiveness and promising to make amends. Paulina reenters and lashes out at the king, condemning his tyranny and jealousy. Hermione is dead. Paulina continues to rebuke the king harshly, but when she sees his grief and penitence she regrets her roughness. Leontes says that he will have queen and prince buried in the same grave, and he will grieve for the rest of his days. Scene iii: Antigonus, carrying the baby, enters with a mariner. They have set down on the shores of Bohemia, and the sailor is nervous because the sky is threatening. He fears the gods are angry with them because of what they are doing, and he warns Antigonus not to wander too far or too long, because this land is famous for its wild beasts. After the sailor exits, Antigonus tells the baby that he saw Hermione's spirit last night in a dream. The ghost wept and then told him that the child's name is Perdita, because she is lost. Hermione's ghost also informed Antigonus that because of his hand in the child's abandonment, Antigonus will never see his wife again. Antigonus believes that the dream is a sign of Hermione's death. He has either come to believe or forced himself to believe Leontes' suspicions, and so he is abandoning the child in the wilds of Bohemia, the land of her supposed father. He leaves the child with a bundle and a box. He regrets his task, but he feels bound by his oath. Then he suddenly exits, pursued by a bear. A Shepherd wanders onstage, complaining about young people and looking for two lost sheep; instead of finding them, he stumbles onto Perdita. He believes she must be the unwanted illegitimate offspring of two servants, and he resolves to take care of her. His son enters, having just witnessed two fantastic scenes. On the sea, a ship was swallowed up by the waves, and on land, a bear killed and began to devour a nobleman. The Shepherd's Son has no idea who these victims were, although the audience knows immediately that he is talking about Antigonus and the ship that carried him from Sicilia. The Shepherd feels pity for the dead, but he also has great hope for the child that he has found: \"Thou met'st with things dying, I with things newborn\" . The Shepherd and his son find that the box left with the baby is full of gold, and he now believes that the child is a changeling, a child left by fairies. The Shepherd's Son announces his intent to return to the scene of the bear attack so he can bury whatever is left of the nobleman's body.", "analysis": "We see in the exchange between Cleomenes and Dion that the people of Sicilia have a great deal of respect and love for Queen Hermione. When put on trial, she is an exemplar of a specific kind of strength. Although the setting is pagan, her forbearance and resolve follow Christian models of virtue, particularly passive and feminine virtue. She wishes that her father, the emperor of Russia, might see her, but to provide comfort rather than a means to revenge. Her suffering is almost completely passive; she trusts to the gods to provide testimony on her behalf, and chooses to nobly endure suffering rather than try to escape or more actively oppose the king. At the end of the play, when she is miraculously restored, she takes him back without question. One of The Winter's Tale's important themes is the drive to preserve and restore order, with that order being embodied in patriarchy, the king, and the royal family. Ironically, women like Hermione and Paulina are often the key preservers of this patriarchal order. Hermione's virtue comes in part through her sense of her place; although she criticizes Leontes' treatment of her, she is ultimately obedient to her husband. When on trial, she points out that the love she showed Polixenes was consistent with what Leontes himself commanded, and this obedience to her husband's will is part of why people praise her. Although Leontes behaves like a tyrant, no character tries to remove the king from his throne. The action of the play is to repair the damage caused by Leontes' jealousy, but note what characters are not willing to do: Camillo flees, Hermione endures, and Paulina, though she criticizes the king, will eventually restore his wife to him. Unlike tragedy, where a man of high position falls because of excesses or flaws in his character, here that momentum is totally disarmed. A happy ending is possible because so many characters, though critical of Leontes' tyranny, are ultimately loyal to him and work tirelessly to restore to him what he himself has destroyed. When obedience to Leontes becomes impossible because of the dictates of conscience, loyalty to his office and position remains. Paulina confronts him fearlessly, but even she tells the lord who bars her way that she comes to bring Leontes comfort and sleep. And once she sees that Leontes is remorseful, she forgives him even though he has caused the death of Hermione and Mamillius, and eventually causes the death of Paulina's husband. Camillo, who of all the king's beloved most directly disobeys him, must immediately replace his old master with a new one. Camillo is incomplete without a monarch to serve. And even Camillo, in the end, will long to return to Sicilia and the king that he could not obey with a clear conscience. The king's recognition of his error and his subsequent remorse come about as suddenly as did his jealousy. Though we are meant to take the word of the oracle as truth, Leontes initially does not. The much-awaited word of the oracle is quickly brushed aside, and it is the death of his son moments later that suddenly convinces Leontes that he has been wrong. The king believes that he is being punished by Apollo. But why should he interpret the boy's death this way, when moments earlier he was convinced that he was not Mamillius' true father? It is possible to argue that Mamillius' death convinces him of the oracle's accuracy because it fulfills the prediction that Leontes would go without an heir until the retrieval of his daughter. And yet that explanation seems unconvincing, because Leontes' remorse comes so quickly after he hears the news of Mamillius' death; there seems to be no time to realize that the oracle's prophecy is being fulfilled. Leontes himself certainly never explains his reversal this way. He comes around because he interprets the boy's death as retribution from the gods, even though other explanations seem more plausible. Shakespeare's portrayal of Leontes' remorse is not about a triumph of reason. Instead, the king's reversal is a canny and penetrating depiction of the power of guilt, which, in this case, is strong enough to break down Leontes' delusions. Although until now he has persevered in his fantasies with the single-mindedness of a madman, there are signs earlier in the play that some part of him recognizes the truth. In Act 2, Scene Three, he hears the news about Mamillius' illness with some degree of concern, and he instructs the servant to make sure that the child is given proper care. Is this compassion normal for Leontes? In that same scene, he orders his infant daughter to death by exposure to the elements and thinks happily of setting fire to his wife: clearly, he is not feeling any strong need to treat anyone with compassion or mercy. Yet some concern remains for his boy. In Act 3, his sudden remorse betrays some knowledge Leontes must have of his wife's faithfulness. He can only interpret Mamillius' death as punishment if he believes that the child is his. Mamillius' sudden death from sickness, caused by the boy's anxiety, which in turn was caused by the king's treatment of Hermione, finally sticks to Leontes' conscience. Sorrow and then guilt set in, accomplishing what the words of the oracle could not. Leontes has deliberately persevered in his delusions, isolating himself from love of his wife and son, from compassion, and from his court. Guilt returns him to them. A close look at Antigonus and Camillo illuminates the important theme of conflict between loyalty and conscience. Shakespeare sets up strong parallels between Camillo and Antigonus, making each man an alternate version of the other . The difference is that Camillo follows his conscience. Although he has told his king that he will commit murder, instead he chooses to help the intended victim to escape. Antigonus, on the other hand, sticks to his oath and leaves an infant to what seems to be a certain death. The gods do not validate his choice: although the ghost of Hermione seems to recognize that Antigonus acts under extreme pressure , the gods still punish him for his role in Perdita's abandonment. Self-deception has been necessary for him to be able to do what he knows is wrong: although he previously defended Hermione's virtue, in Scene Three he seems to have accepted that Perdita is a bastard. To ease his conscience, he has convinced himself that Leontes' absurd suspicions are the truth. Shakespeare calls attention to Antigonus' failure through the character's name. It is a male form of \"Antigone,\" the great heroine of Sophocles' drama who defies the king and dies for her beliefs . Although Sophocles' play was not performed for the English audiences of Shakespeare's time, the story was known, and Antigonus' ignoble and comic death becomes all the more embarrassing in light of Antigone's glorious martyrdom. His comic death at the hands of an angry bear is a rich moment. Many critics have pointed to his death as the play's moment of transformation from tragedy to comedy and romance. The Shepherd calls attention to Scene Three as a time of contrasts and cycles. His son finds death, but the Shepherd finds life; the rest of the play will move towards repairing the damage that Leontes has caused. Bears hibernate during the winter and then emerge during spring, acting out the death and rebirth alluded to by the shepherd. The fact that Perdita is found by shepherds also has obvious Christian connotations. Like the good shepherd of Christ's parables, the Shepherd is looking for his lost sheep. He finds the infant instead, and immediately the old man feels compassion for the child. Shakespeare synthesizes Christian and pagan worldviews to create a new myth of death and rebirth in The Winter's Tale, and miraculous death and rebirth is one of the play's most important themes. The next act is set in the countryside during a time of feasting, and the pastoral setting is a welcome change from the oppressive atmosphere of the tyrant-ruled Sicilian court."}

Sicilia. On the road to the Capital Enter CLEOMENES and DION CLEOMENES. The climate's delicate, the air most sweet, Fertile the isle, the temple much surpassing The common praise it bears. DION. I shall report, For most it caught me, the celestial habits- Methinks I so should term them- and the reverence Of the grave wearers. O, the sacrifice! How ceremonious, solemn, and unearthly, It was i' th' off'ring! CLEOMENES. But of all, the burst And the ear-deaf'ning voice o' th' oracle, Kin to Jove's thunder, so surpris'd my sense That I was nothing. DION. If th' event o' th' journey Prove as successful to the Queen- O, be't so!- As it hath been to us rare, pleasant, speedy, The time is worth the use on't. CLEOMENES. Great Apollo Turn all to th' best! These proclamations, So forcing faults upon Hermione, I little like. DION. The violent carriage of it Will clear or end the business. When the oracle- Thus by Apollo's great divine seal'd up- Shall the contents discover, something rare Even then will rush to knowledge. Go; fresh horses. And gracious be the issue! Exeunt Sicilia. A court of justice Enter LEONTES, LORDS, and OFFICERS LEONTES. This sessions, to our great grief we pronounce, Even pushes 'gainst our heart- the party tried, The daughter of a king, our wife, and one Of us too much belov'd. Let us be clear'd Of being tyrannous, since we so openly Proceed in justice, which shall have due course, Even to the guilt or the purgation. Produce the prisoner. OFFICER. It is his Highness' pleasure that the Queen Appear in person here in court. Enter HERMIONE, as to her trial, PAULINA, and LADIES Silence! LEONTES. Read the indictment. OFFICER. [Reads] 'Hermione, Queen to the worthy Leontes, King of Sicilia, thou art here accused and arraigned of high treason, in committing adultery with Polixenes, King of Bohemia; and conspiring with Camillo to take away the life of our sovereign lord the King, thy royal husband: the pretence whereof being by circumstances partly laid open, thou, Hermione, contrary to the faith and allegiance of true subject, didst counsel and aid them, for their better safety, to fly away by night.' HERMIONE. Since what I am to say must be but that Which contradicts my accusation, and The testimony on my part no other But what comes from myself, it shall scarce boot me To say 'Not guilty.' Mine integrity Being counted falsehood shall, as I express it, Be so receiv'd. But thus- if pow'rs divine Behold our human actions, as they do, I doubt not then but innocence shall make False accusation blush, and tyranny Tremble at patience. You, my lord, best know- Who least will seem to do so- my past life Hath been as continent, as chaste, as true, As I am now unhappy; which is more Than history can pattern, though devis'd And play'd to take spectators; for behold me- A fellow of the royal bed, which owe A moiety of the throne, a great king's daughter, The mother to a hopeful prince- here standing To prate and talk for life and honour fore Who please to come and hear. For life, I prize it As I weigh grief, which I would spare; for honour, 'Tis a derivative from me to mine, And only that I stand for. I appeal To your own conscience, sir, before Polixenes Came to your court, how I was in your grace, How merited to be so; since he came, With what encounter so uncurrent I Have strain'd t' appear thus; if one jot beyond The bound of honour, or in act or will That way inclining, hard'ned be the hearts Of all that hear me, and my near'st of kin Cry fie upon my grave! LEONTES. I ne'er heard yet That any of these bolder vices wanted Less impudence to gainsay what they did Than to perform it first. HERMIONE. That's true enough; Though 'tis a saying, sir, not due to me. LEONTES. You will not own it. HERMIONE. More than mistress of Which comes to me in name of fault, I must not At all acknowledge. For Polixenes, With whom I am accus'd, I do confess I lov'd him as in honour he requir'd; With such a kind of love as might become A lady like me; with a love even such, So and no other, as yourself commanded; Which not to have done, I think had been in me Both disobedience and ingratitude To you and toward your friend; whose love had spoke, Ever since it could speak, from an infant, freely, That it was yours. Now for conspiracy: I know not how it tastes, though it be dish'd For me to try how; all I know of it Is that Camillo was an honest man; And why he left your court, the gods themselves, Wotting no more than I, are ignorant. LEONTES. You knew of his departure, as you know What you have underta'en to do in's absence. HERMIONE. Sir, You speak a language that I understand not. My life stands in the level of your dreams, Which I'll lay down. LEONTES. Your actions are my dreams. You had a bastard by Polixenes, And I but dream'd it. As you were past all shame- Those of your fact are so- so past all truth; Which to deny concerns more than avails; for as Thy brat hath been cast out, like to itself, No father owning it- which is indeed More criminal in thee than it- so thou Shalt feel our justice; in whose easiest passage Look for no less than death. HERMIONE. Sir, spare your threats. The bug which you would fright me with I seek. To me can life be no commodity. The crown and comfort of my life, your favour, I do give lost, for I do feel it gone, But know not how it went; my second joy And first fruits of my body, from his presence I am barr'd, like one infectious; my third comfort, Starr'd most unluckily, is from my breast- The innocent milk in it most innocent mouth- Hal'd out to murder; myself on every post Proclaim'd a strumpet; with immodest hatred The child-bed privilege denied, which 'longs To women of all fashion; lastly, hurried Here to this place, i' th' open air, before I have got strength of limit. Now, my liege, Tell me what blessings I have here alive That I should fear to die. Therefore proceed. But yet hear this- mistake me not: no life, I prize it not a straw, but for mine honour Which I would free- if I shall be condemn'd Upon surmises, all proofs sleeping else But what your jealousies awake, I tell you 'Tis rigour, and not law. Your honours all, I do refer me to the oracle: Apollo be my judge! FIRST LORD. This your request Is altogether just. Therefore, bring forth, And in Apollo's name, his oracle. Exeunt certain OFFICERS HERMIONE. The Emperor of Russia was my father; O that he were alive, and here beholding His daughter's trial! that he did but see The flatness of my misery; yet with eyes Of pity, not revenge! Re-enter OFFICERS, with CLEOMENES and DION OFFICER. You here shall swear upon this sword of justice That you, Cleomenes and Dion, have Been both at Delphos, and from thence have brought This seal'd-up oracle, by the hand deliver'd Of great Apollo's priest; and that since then You have not dar'd to break the holy seal Nor read the secrets in't. CLEOMENES, DION. All this we swear. LEONTES. Break up the seals and read. OFFICER. [Reads] 'Hermione is chaste; Polixenes blameless; Camillo a true subject; Leontes a jealous tyrant; his innocent babe truly begotten; and the King shall live without an heir, if that which is lost be not found.' LORDS. Now blessed be the great Apollo! HERMIONE. Praised! LEONTES. Hast thou read truth? OFFICER. Ay, my lord; even so As it is here set down. LEONTES. There is no truth at all i' th' oracle. The sessions shall proceed. This is mere falsehood. Enter a SERVANT SERVANT. My lord the King, the King! LEONTES. What is the business? SERVANT. O sir, I shall be hated to report it: The Prince your son, with mere conceit and fear Of the Queen's speed, is gone. LEONTES. How! Gone? SERVANT. Is dead. LEONTES. Apollo's angry; and the heavens themselves Do strike at my injustice. [HERMIONE swoons] How now, there! PAULINA. This news is mortal to the Queen. Look down And see what death is doing. LEONTES. Take her hence. Her heart is but o'ercharg'd; she will recover. I have too much believ'd mine own suspicion. Beseech you tenderly apply to her Some remedies for life. Exeunt PAULINA and LADIES with HERMIONE Apollo, pardon My great profaneness 'gainst thine oracle. I'll reconcile me to Polixenes, New woo my queen, recall the good Camillo- Whom I proclaim a man of truth, of mercy. For, being transported by my jealousies To bloody thoughts and to revenge, I chose Camillo for the minister to poison My friend Polixenes; which had been done But that the good mind of Camillo tardied My swift command, though I with death and with Reward did threaten and encourage him, Not doing it and being done. He, most humane And fill'd with honour, to my kingly guest Unclasp'd my practice, quit his fortunes here, Which you knew great, and to the certain hazard Of all incertainties himself commended, No richer than his honour. How he glisters Thorough my rust! And how his piety Does my deeds make the blacker! Re-enter PAULINA PAULINA. Woe the while! O, cut my lace, lest my heart, cracking it, Break too! FIRST LORD. What fit is this, good lady? PAULINA. What studied torments, tyrant, hast for me? What wheels, racks, fires? what flaying, boiling In leads or oils? What old or newer torture Must I receive, whose every word deserves To taste of thy most worst? Thy tyranny Together working with thy jealousies, Fancies too weak for boys, too green and idle For girls of nine- O, think what they have done, And then run mad indeed, stark mad; for all Thy by-gone fooleries were but spices of it. That thou betray'dst Polixenes, 'twas nothing; That did but show thee, of a fool, inconstant, And damnable ingrateful. Nor was't much Thou wouldst have poison'd good Camillo's honour, To have him kill a king- poor trespasses, More monstrous standing by; whereof I reckon The casting forth to crows thy baby daughter To be or none or little, though a devil Would have shed water out of fire ere done't; Nor is't directly laid to thee, the death Of the young Prince, whose honourable thoughts- Thoughts high for one so tender- cleft the heart That could conceive a gross and foolish sire Blemish'd his gracious dam. This is not, no, Laid to thy answer; but the last- O lords, When I have said, cry 'Woe!'- the Queen, the Queen, The sweet'st, dear'st creature's dead; and vengeance For't not dropp'd down yet. FIRST LORD. The higher pow'rs forbid! PAULINA. I say she's dead; I'll swear't. If word nor oath Prevail not, go and see. If you can bring Tincture or lustre in her lip, her eye, Heat outwardly or breath within, I'll serve you As I would do the gods. But, O thou tyrant! Do not repent these things, for they are heavier Than all thy woes can stir; therefore betake thee To nothing but despair. A thousand knees Ten thousand years together, naked, fasting, Upon a barren mountain, and still winter In storm perpetual, could not move the gods To look that way thou wert. LEONTES. Go on, go on. Thou canst not speak too much; I have deserv'd All tongues to talk their bitt'rest. FIRST LORD. Say no more; Howe'er the business goes, you have made fault I' th' boldness of your speech. PAULINA. I am sorry for't. All faults I make, when I shall come to know them. I do repent. Alas, I have show'd too much The rashness of a woman! He is touch'd To th' noble heart. What's gone and what's past help Should be past grief. Do not receive affliction At my petition; I beseech you, rather Let me be punish'd that have minded you Of what you should forget. Now, good my liege, Sir, royal sir, forgive a foolish woman. The love I bore your queen- lo, fool again! I'll speak of her no more, nor of your children; I'll not remember you of my own lord, Who is lost too. Take your patience to you, And I'll say nothing. LEONTES. Thou didst speak but well When most the truth; which I receive much better Than to be pitied of thee. Prithee, bring me To the dead bodies of my queen and son. One grave shall be for both. Upon them shall The causes of their death appear, unto Our shame perpetual. Once a day I'll visit The chapel where they lie; and tears shed there Shall be my recreation. So long as nature Will bear up with this exercise, so long I daily vow to use it. Come, and lead me To these sorrows. Exeunt Bohemia. The sea-coast Enter ANTIGONUS with the CHILD, and a MARINER ANTIGONUS. Thou art perfect then our ship hath touch'd upon The deserts of Bohemia? MARINER. Ay, my lord, and fear We have landed in ill time; the skies look grimly And threaten present blusters. In my conscience, The heavens with that we have in hand are angry And frown upon 's. ANTIGONUS. Their sacred wills be done! Go, get aboard; Look to thy bark. I'll not be long before I call upon thee. MARINER. Make your best haste; and go not Too far i' th' land; 'tis like to be loud weather; Besides, this place is famous for the creatures Of prey that keep upon't. ANTIGONUS. Go thou away; I'll follow instantly. MARINER. I am glad at heart To be so rid o' th' business. Exit ANTIGONUS. Come, poor babe. I have heard, but not believ'd, the spirits o' th' dead May walk again. If such thing be, thy mother Appear'd to me last night; for ne'er was dream So like a waking. To me comes a creature, Sometimes her head on one side some another- I never saw a vessel of like sorrow, So fill'd and so becoming; in pure white robes, Like very sanctity, she did approach My cabin where I lay; thrice bow'd before me; And, gasping to begin some speech, her eyes Became two spouts; the fury spent, anon Did this break from her: 'Good Antigonus, Since fate, against thy better disposition, Hath made thy person for the thrower-out Of my poor babe, according to thine oath, Places remote enough are in Bohemia, There weep, and leave it crying; and, for the babe Is counted lost for ever, Perdita I prithee call't. For this ungentle business, Put on thee by my lord, thou ne'er shalt see Thy wife Paulina more.' so, with shrieks, She melted into air. Affrighted much, I did in time collect myself, and thought This was so and no slumber. Dreams are toys; Yet, for this once, yea, superstitiously, I will be squar'd by this. I do believe Hermione hath suffer'd death, and that Apollo would, this being indeed the issue Of King Polixenes, it should here be laid, Either for life or death, upon the earth Of its right father. Blossom, speed thee well! [Laying down the child] There lie, and there thy character; there these [Laying down a bundle] Which may, if fortune please, both breed thee, pretty, And still rest thine. The storm begins. Poor wretch, That for thy mother's fault art thus expos'd To loss and what may follow! Weep I cannot, But my heart bleeds; and most accurs'd am I To be by oath enjoin'd to this. Farewell! The day frowns more and more. Thou'rt like to have A lullaby too rough; I never saw The heavens so dim by day. [Noise of hunt within] A savage clamour! Well may I get aboard! This is the chase; I am gone for ever. Exit, pursued by a bear Enter an old SHEPHERD SHEPHERD. I would there were no age between ten and three and twenty, or that youth would sleep out the rest; for there is nothing in the between but getting wenches with child, wronging the ancientry, stealing, fighting- [Horns] Hark you now! Would any but these boil'd brains of nineteen and two and twenty hunt this weather? They have scar'd away two of my best sheep, which I fear the wolf will sooner find than the master. If any where I have them, 'tis by the sea-side, browsing of ivy. Good luck, an't be thy will! What have we here? [Taking up the child] Mercy on's, a barne! A very pretty barne. A boy or a child, I wonder? A pretty one; a very pretty one- sure, some scape. Though I am not bookish, yet I can read waiting-gentlewoman in the scape. This has been some stair-work, some trunk-work, some behind-door-work; they were warmer that got this than the poor thing is here. I'll take it up for pity; yet I'll tarry till my son come; he halloo'd but even now. Whoa-ho-hoa! Enter CLOWN CLOWN. Hilloa, loa! SHEPHERD. What, art so near? If thou'lt see a thing to talk on when thou art dead and rotten, come hither. What ail'st thou, man? CLOWN. I have seen two such sights, by sea and by land! But I am not to say it is a sea, for it is now the sky; betwixt the firmament and it you cannot thrust a bodkin's point. SHEPHERD. Why, boy, how is it? CLOWN. I would you did but see how it chafes, how it rages, how it takes up the shore! But that's not to the point. O, the most piteous cry of the poor souls! Sometimes to see 'em, and not to see 'em; now the ship boring the moon with her mainmast, and anon swallowed with yeast and froth, as you'd thrust a cork into a hogshead. And then for the land service- to see how the bear tore out his shoulder-bone; how he cried to me for help, and said his name was Antigonus, a nobleman! But to make an end of the ship- to see how the sea flap-dragon'd it; but first, how the poor souls roared, and the sea mock'd them; and how the poor gentleman roared, and the bear mock'd him, both roaring louder than the sea or weather. SHEPHERD. Name of mercy, when was this, boy? CLOWN. Now, now; I have not wink'd since I saw these sights; the men are not yet cold under water, nor the bear half din'd on the gentleman; he's at it now. SHEPHERD. Would I had been by to have help'd the old man! CLOWN. I would you had been by the ship-side, to have help'd her; there your charity would have lack'd footing. SHEPHERD. Heavy matters, heavy matters! But look thee here, boy. Now bless thyself; thou met'st with things dying, I with things new-born. Here's a sight for thee; look thee, a bearing-cloth for a squire's child! Look thee here; take up, take up, boy; open't. So, let's see- it was told me I should be rich by the fairies. This is some changeling. Open't. What's within, boy? CLOWN. You're a made old man; if the sins of your youth are forgiven you, you're well to live. Gold! all gold! SHEPHERD. This is fairy gold, boy, and 'twill prove so. Up with't, keep it close. Home, home, the next way! We are lucky, boy; and to be so still requires nothing but secrecy. Let my sheep go. Come, good boy, the next way home. CLOWN. Go you the next way with your findings. I'll go see if the bear be gone from the gentleman, and how much he hath eaten. They are never curst but when they are hungry. If there be any of him left, I'll bury it. SHEPHERD. That's a good deed. If thou mayest discern by that which is left of him what he is, fetch me to th' sight of him. CLOWN. Marry, will I; and you shall help to put him i' th' ground. SHEPHERD. 'Tis a lucky day, boy; and we'll do good deeds on't. Exeunt

Act 3

https://web.archive.org/web/20210411083408/https://www.gradesaver.com/the-winters-tale/study-guide/summary-act-3

Cleomenes and Dion, the courtiers dispatched by Leontes to the oracle at Delphi, speak with wonder about the ceremony they witnessed at the shrine. They hope that the oracle's judgment will help Queen Hermione. Scene ii: The trial of Hermione. With dignity and restraint, Hermione defends her chastity and condemns the injustice that has been done to her. Leontes remains as stubborn and angry as ever, attacking and threatening Hermione while she counters him eloquently. An officer breaks the seal on the message from the oracle and reads: Hermione, Polixenes, and Camillo are innocent and Leontes is a jealous tyrant. The oracle also predicts that Leontes will be without an heir unless the lost daughter is found. The court is delighted, but Leontes denounces the words of the oracle as false. But then a servant enters, bringing terrible news: Prince Mamillius is dead, killed by anxiety about his mother's fate. Leontes believes that the gods have killed the child as punishment to the king, and finally he realizes that he has been in error. Hermione swoons, and is helped out of the room by Paulina and several officers. Leontes is now fully penitent, asking the gods' forgiveness and promising to make amends. Paulina reenters and lashes out at the king, condemning his tyranny and jealousy. Hermione is dead. Paulina continues to rebuke the king harshly, but when she sees his grief and penitence she regrets her roughness. Leontes says that he will have queen and prince buried in the same grave, and he will grieve for the rest of his days. Scene iii: Antigonus, carrying the baby, enters with a mariner. They have set down on the shores of Bohemia, and the sailor is nervous because the sky is threatening. He fears the gods are angry with them because of what they are doing, and he warns Antigonus not to wander too far or too long, because this land is famous for its wild beasts. After the sailor exits, Antigonus tells the baby that he saw Hermione's spirit last night in a dream. The ghost wept and then told him that the child's name is Perdita, because she is lost. Hermione's ghost also informed Antigonus that because of his hand in the child's abandonment, Antigonus will never see his wife again. Antigonus believes that the dream is a sign of Hermione's death. He has either come to believe or forced himself to believe Leontes' suspicions, and so he is abandoning the child in the wilds of Bohemia, the land of her supposed father. He leaves the child with a bundle and a box. He regrets his task, but he feels bound by his oath. Then he suddenly exits, pursued by a bear. A Shepherd wanders onstage, complaining about young people and looking for two lost sheep; instead of finding them, he stumbles onto Perdita. He believes she must be the unwanted illegitimate offspring of two servants, and he resolves to take care of her. His son enters, having just witnessed two fantastic scenes. On the sea, a ship was swallowed up by the waves, and on land, a bear killed and began to devour a nobleman. The Shepherd's Son has no idea who these victims were, although the audience knows immediately that he is talking about Antigonus and the ship that carried him from Sicilia. The Shepherd feels pity for the dead, but he also has great hope for the child that he has found: "Thou met'st with things dying, I with things newborn" . The Shepherd and his son find that the box left with the baby is full of gold, and he now believes that the child is a changeling, a child left by fairies. The Shepherd's Son announces his intent to return to the scene of the bear attack so he can bury whatever is left of the nobleman's body.

We see in the exchange between Cleomenes and Dion that the people of Sicilia have a great deal of respect and love for Queen Hermione. When put on trial, she is an exemplar of a specific kind of strength. Although the setting is pagan, her forbearance and resolve follow Christian models of virtue, particularly passive and feminine virtue. She wishes that her father, the emperor of Russia, might see her, but to provide comfort rather than a means to revenge. Her suffering is almost completely passive; she trusts to the gods to provide testimony on her behalf, and chooses to nobly endure suffering rather than try to escape or more actively oppose the king. At the end of the play, when she is miraculously restored, she takes him back without question. One of The Winter's Tale's important themes is the drive to preserve and restore order, with that order being embodied in patriarchy, the king, and the royal family. Ironically, women like Hermione and Paulina are often the key preservers of this patriarchal order. Hermione's virtue comes in part through her sense of her place; although she criticizes Leontes' treatment of her, she is ultimately obedient to her husband. When on trial, she points out that the love she showed Polixenes was consistent with what Leontes himself commanded, and this obedience to her husband's will is part of why people praise her. Although Leontes behaves like a tyrant, no character tries to remove the king from his throne. The action of the play is to repair the damage caused by Leontes' jealousy, but note what characters are not willing to do: Camillo flees, Hermione endures, and Paulina, though she criticizes the king, will eventually restore his wife to him. Unlike tragedy, where a man of high position falls because of excesses or flaws in his character, here that momentum is totally disarmed. A happy ending is possible because so many characters, though critical of Leontes' tyranny, are ultimately loyal to him and work tirelessly to restore to him what he himself has destroyed. When obedience to Leontes becomes impossible because of the dictates of conscience, loyalty to his office and position remains. Paulina confronts him fearlessly, but even she tells the lord who bars her way that she comes to bring Leontes comfort and sleep. And once she sees that Leontes is remorseful, she forgives him even though he has caused the death of Hermione and Mamillius, and eventually causes the death of Paulina's husband. Camillo, who of all the king's beloved most directly disobeys him, must immediately replace his old master with a new one. Camillo is incomplete without a monarch to serve. And even Camillo, in the end, will long to return to Sicilia and the king that he could not obey with a clear conscience. The king's recognition of his error and his subsequent remorse come about as suddenly as did his jealousy. Though we are meant to take the word of the oracle as truth, Leontes initially does not. The much-awaited word of the oracle is quickly brushed aside, and it is the death of his son moments later that suddenly convinces Leontes that he has been wrong. The king believes that he is being punished by Apollo. But why should he interpret the boy's death this way, when moments earlier he was convinced that he was not Mamillius' true father? It is possible to argue that Mamillius' death convinces him of the oracle's accuracy because it fulfills the prediction that Leontes would go without an heir until the retrieval of his daughter. And yet that explanation seems unconvincing, because Leontes' remorse comes so quickly after he hears the news of Mamillius' death; there seems to be no time to realize that the oracle's prophecy is being fulfilled. Leontes himself certainly never explains his reversal this way. He comes around because he interprets the boy's death as retribution from the gods, even though other explanations seem more plausible. Shakespeare's portrayal of Leontes' remorse is not about a triumph of reason. Instead, the king's reversal is a canny and penetrating depiction of the power of guilt, which, in this case, is strong enough to break down Leontes' delusions. Although until now he has persevered in his fantasies with the single-mindedness of a madman, there are signs earlier in the play that some part of him recognizes the truth. In Act 2, Scene Three, he hears the news about Mamillius' illness with some degree of concern, and he instructs the servant to make sure that the child is given proper care. Is this compassion normal for Leontes? In that same scene, he orders his infant daughter to death by exposure to the elements and thinks happily of setting fire to his wife: clearly, he is not feeling any strong need to treat anyone with compassion or mercy. Yet some concern remains for his boy. In Act 3, his sudden remorse betrays some knowledge Leontes must have of his wife's faithfulness. He can only interpret Mamillius' death as punishment if he believes that the child is his. Mamillius' sudden death from sickness, caused by the boy's anxiety, which in turn was caused by the king's treatment of Hermione, finally sticks to Leontes' conscience. Sorrow and then guilt set in, accomplishing what the words of the oracle could not. Leontes has deliberately persevered in his delusions, isolating himself from love of his wife and son, from compassion, and from his court. Guilt returns him to them. A close look at Antigonus and Camillo illuminates the important theme of conflict between loyalty and conscience. Shakespeare sets up strong parallels between Camillo and Antigonus, making each man an alternate version of the other . The difference is that Camillo follows his conscience. Although he has told his king that he will commit murder, instead he chooses to help the intended victim to escape. Antigonus, on the other hand, sticks to his oath and leaves an infant to what seems to be a certain death. The gods do not validate his choice: although the ghost of Hermione seems to recognize that Antigonus acts under extreme pressure , the gods still punish him for his role in Perdita's abandonment. Self-deception has been necessary for him to be able to do what he knows is wrong: although he previously defended Hermione's virtue, in Scene Three he seems to have accepted that Perdita is a bastard. To ease his conscience, he has convinced himself that Leontes' absurd suspicions are the truth. Shakespeare calls attention to Antigonus' failure through the character's name. It is a male form of "Antigone," the great heroine of Sophocles' drama who defies the king and dies for her beliefs . Although Sophocles' play was not performed for the English audiences of Shakespeare's time, the story was known, and Antigonus' ignoble and comic death becomes all the more embarrassing in light of Antigone's glorious martyrdom. His comic death at the hands of an angry bear is a rich moment. Many critics have pointed to his death as the play's moment of transformation from tragedy to comedy and romance. The Shepherd calls attention to Scene Three as a time of contrasts and cycles. His son finds death, but the Shepherd finds life; the rest of the play will move towards repairing the damage that Leontes has caused. Bears hibernate during the winter and then emerge during spring, acting out the death and rebirth alluded to by the shepherd. The fact that Perdita is found by shepherds also has obvious Christian connotations. Like the good shepherd of Christ's parables, the Shepherd is looking for his lost sheep. He finds the infant instead, and immediately the old man feels compassion for the child. Shakespeare synthesizes Christian and pagan worldviews to create a new myth of death and rebirth in The Winter's Tale, and miraculous death and rebirth is one of the play's most important themes. The next act is set in the countryside during a time of feasting, and the pastoral setting is a welcome change from the oppressive atmosphere of the tyrant-ruled Sicilian court.

gradesaver

all_chapterized_books/1134-chapters/act_4.txt

finished_summaries/gradesaver/The Winter's Tale/section_3_part_0.txt

The Winter's Tale.act 4.scene 1-scene 4

act 4

{"name": "Act 4", "url": "https://web.archive.org/web/20210411083408/https://www.gradesaver.com/the-winters-tale/study-guide/summary-act-4", "summary": "Father Time, the chorus of this play, tells the audience that sixteen years have passed since the end of Act 3. We leave behind Leontes, grieving in Sicilia, and come to Bohemia. Perdita, now a young woman, grows in grace and beauty. Father Time asks us also to remember that Polixenes has a son, Florizell, who is now a young man. Scene ii: Camillo is asking Polixenes to allow him to return home. Leontes has asked Camillo to come back, and Camillo longs to see his homeland and his old master. Polixenes has come to depend on Camillo's administrative abilities, and urges the courtier to stay. Their conversation implies that Bohemia and Sicilia enjoy restored relations, although the friendship between the kings has never recovered. Polixenes asks if Camillo knows the whereabouts of Prince Florizell, who lately is often absent. The king has heard that Florizell often visits the house of a shepherd who has a beautiful daughter. He asks Camillo to go with him, disguised, in order to find out what Florizell has been doing. Scene iii: Autolycus, a young man formerly in the service of the prince, now makes his living as a con artist. He pretends that he has been wounded by highway robbers. The unsuspecting Shepherd's Son, out buying supplies and ingredients for the sheep-shearing feast, stops to help him. While the Shepherd's Son is distracted, the rogue swipes the dim man's purse. When Autolycus hears about the sheep-shearing festival, he sees an opportunity to strike again. Scene iv: Florizell and Perdita speak to each other lovingly at the Shepherd's house. She wears a nice dress for the festival, while the prince is disguised as a young peasant. We learn that they first met because his hunting falcon flew out over the grounds of Perdita's home. Florizell is aglow with love for Perdita, but she is nervous about the prince's rank. She fears that if his father finds out, it will be a disaster for her and her family. We learn that although the two youths are in love, they have not consummated the affair. Florizell tells Perdita that he will risk being disowned for her. Enter the Shepherd, the Shepherd's Son, Mopsa, Dorcas, shepherds and shepherdesses, servants, musicians, and Polixenes and Camillo in disguise. The Shepherd encourages his daughter to devote herself wholeheartedly to the role of hostess, describing how his deceased wife was a hostess worth emulating. Perdita obeys her father and is charming and gracious to the guests. Polixenes and Camillo are impressed by the girl's beauty and bearing. Polixenes talks to the Shepherd, asking the identity of the young man with Perdita. The Shepherd does not know Florizell's true identity; he believes that Florizell is a country youth named Doricles. He tells the disguised king that the boy and Perdita are in love, and the Shepherd approves of the match. A servant announces the approach of a ballad-singer selling ribbons and other trinkets, and the Shepherd's Son eagerly calls for him to be brought in. Perdita warns that the ballad singer must not use obscene words. In comes the singer, who is none other than Autolycus. He sings a song about the wares he sells. We learn that the Shepherd's Son and the girl Mopsa are a pair, although Dorcas often playfully flirts with him. The three sing a ballad with Autolycus, and they all exit, with the Shepherd's Son promising to buy trifles for both women. A servant announces the approach of rustics who have dressed themselves as satyrs. The Shepherd, worried that he is boring his guests with too much \"homely foolery,\" is about to send the satyrs away, but Polixenes is delighted by the prospect of dancing satyrs and insists that they be brought in. After the dance, Polixenes chats with Florizell, who has not recognized him. Florizell eloquently proclaims his love of Perdita, and Perdita indicates that she feels the same way. The Shepherd approves the match. The disguised Polixenes asks Florizell if he has a father, and if his father knows of this match. Florizell admits that his father knows nothing, nor will he know. Polixenes presses him to tell his father, and the Shepherd agrees that Florizell's father should know. When Florizell still refuses to share the important news with his father, Polixenes reveals himself. Furious, he disowns his son and threatens the Shepherd and Perdita. The Shepherd will escape harm this time, but if Perdita sees Florizell again she will be executed. Polixenes exits. Perdita was about to tell him that the same sun shines on the court and on her cottage, but now the chance is past and her concern is for the safety of her and her family. She asks Florizell to leave. The Shepherd is angry with both children for their deception, and he exits in a huff. Florizell is undeterred by his father's disapproval. He still wants to marry Perdita. Camillo, now revealed, tries to caution the prince about rash behavior, but the prince has made his choice. He will marry Perdita and, if necessary, flee Bohemia. In an aside, Camillo wonders if he can help the prince to escape as well as use the event to his advantage, so that he can once again see Sicilia and his old master, King Leontes. Camillo has a plan. Florizell and Perdita should go to Sicilia, where King Leontes will welcome them. In their absence, Camillo will try to convince Polixenes to accept his son's decision. Florizell and Perdita will pretend to be emissaries of Polixenes, with letters and instructions from Camillo to make the act believable. Autolycus re-enters, having sold all of his junk. Camillo pays him to switch clothes with Florizell, so that the prince can escape in disguise. The hat is given to Perdita. In an aside, Camillo reveals that he will tell the king where the children have gone, in hopes that the king will follow them to Sicilia. Camillo will accompany him, and the old courtier will be able to see his homeland once again. Perdita, Camillo, and Florizell exit. Autolycus knows Camillo and the prince, but he decides not to tell the king, because the act of honesty would not suit his knavish character. The Shepherd and the Shepherd's Son re-enter, discussing their plight. The Shepherd's Son convinces the Shepherd that they must tell Polixenes that Perdita is a changeling. Autolycus approaches them, pretending to be a great courtier. He warns the men that the king is furious, and fools them into believing that the king plans brutal tortures for all those involved in Florizell's courtship of Perdita. He tells them that if needs be, he will present them to the king and put in a good word for them. The Shepherd and the Shepherd's Son are duped, and they give Autolycus gold to thank him for his help. Autolycus reveals in an aside to the audience that he will work to benefit his old master, the prince, in hopes that he may achieve some advancement. While helping the prince, there is no hurt in conning the peasants out of a little more gold.", "analysis": "The shift in tone and focus between Act 2 and Act 3 is one of the most dramatic transitions in Shakespeare. Suddenly, the tragic momentum set up by Leontes' irrational jealousy and tyrannical behavior is left behind; at the request of the chorus, Father Time, we leave the world of Sicilia and enter the pastoral world of Bohemia's countryside. The focus here is the love story of Perdita and Florizell, set in an idyllic landscape of shepherds, rogues, and peasants dressed as forest satyrs. The court of Bohemia never enters our consideration; when we do see courtiers and royalty, they are foundlings unaware of their true identity or they are in disguise. Nature and its regenerative powers dominate the stage. When we first see Florizell and Perdita, he compares her to a goddess of nature, and later, men dressed as mythical satyrs dance for our entertainment. Shakespeare is creating a charming rural world full of allusions to the nature deities of ancient Greece. Depictions of the pastoral have a long tradition in English literature. A pastoral is an idealized literary portrait of life in the country, often involving shepherds and shepherdesses who are surprisingly literate and given to speaking in verse. To many of the Londoners who saw Shakespeare's plays, the pastoral was a form of escapism to a life that was removed from the hubbub of the city. Literate aristocrats, fond throughout the ages of romanticizing poverty that they do not share, enjoyed the fantasy images of sheep tending, quaint festivals, and poetry-spouting peasants. These pastorals depicted a world that was supposedly more simple and beautiful than the lives of the urban or the rich. Here, the pastoral setting contributes to the important theme of death and rebirth. Leontes has caused the deaths of his wife and son and the apparent death of his daughter. Yet Perdita has miraculously survived, and her restoration to her father will seem, to the grieving court of Sicilia, like a miraculous resurrection. The idealized world of Bohemia's countryside is the site of nature's cycles, which parallel the loss and death of the first three acts followed by the renewal and restoration in Acts Four and Five. The dangers of tyranny are present in Act 4, but this time Polixenes is the man at fault. His anger with his son is understandable, but it is also excessive. When he threatens Perdita with physical violence, it is the act of a man whose throne will protect him even if he terrorizes his subjects. Tyranny separates a king from his people; remember Leontes' delusions and his tyrannical behavior, which isolated him farther and farther from his court and family. The Winter's Tale warns against this kind of isolation: good kingship means guarding against it. Perdita's intended words of advice to the king are to the point: \"I was not much afeard, for once or twice / I was about to speak and tell him plainly / The selfsame sun that shines upon his court / Hides not his visage from our cottage but / Looks on all alike\" . Monarchs should be responsible, like everyone else, for the proper treatment of friends and family; kings are linked even to their poorest subjects by a common humanity. Throughout Shakespeare's plays, a king forgets these truths at his peril. Yet in this play, Shakespeare goes easy on Leontes and Polixenes. They are allowed, despite their misuses of their power, to have a happy ending. Fate is generous and forgiving. Polixenes never even has to apologize for his rough treatment of Perdita and her adoptive family, nor does he have to learn the lesson that Perdita was about to share with him. His problem with his son's marriage takes care of itself when Perdita's true parentage is revealed. Although both kings at different points misuse their power, the play does not leave them isolated. Leontes and Polixenes learn their lessons or half-learn them; either way, fate accommodates them and restores their relationships with friends and family."}

Enter TIME, the CHORUS TIME. I, that please some, try all, both joy and terror Of good and bad, that makes and unfolds error, Now take upon me, in the name of Time, To use my wings. Impute it not a crime To me or my swift passage that I slide O'er sixteen years, and leave the growth untried Of that wide gap, since it is in my pow'r To o'erthrow law, and in one self-born hour To plant and o'erwhelm custom. Let me pass The same I am, ere ancient'st order was Or what is now receiv'd. I witness to The times that brought them in; so shall I do To th' freshest things now reigning, and make stale The glistering of this present, as my tale Now seems to it. Your patience this allowing, I turn my glass, and give my scene such growing As you had slept between. Leontes leaving- Th' effects of his fond jealousies so grieving That he shuts up himself- imagine me, Gentle spectators, that I now may be In fair Bohemia; and remember well I mention'd a son o' th' King's, which Florizel I now name to you; and with speed so pace To speak of Perdita, now grown in grace Equal with wond'ring. What of her ensues I list not prophesy; but let Time's news Be known when 'tis brought forth. A shepherd's daughter, And what to her adheres, which follows after, Is th' argument of Time. Of this allow, If ever you have spent time worse ere now; If never, yet that Time himself doth say He wishes earnestly you never may. Exit Bohemia. The palace of POLIXENES Enter POLIXENES and CAMILLO POLIXENES. I pray thee, good Camillo, be no more importunate: 'tis a sickness denying thee anything; a death to grant this. CAMILLO. It is fifteen years since I saw my country; though I have for the most part been aired abroad, I desire to lay my bones there. Besides, the penitent King, my master, hath sent for me; to whose feeling sorrows I might be some allay, or I o'erween to think so, which is another spur to my departure. POLIXENES. As thou lov'st me, Camillo, wipe not out the rest of thy services by leaving me now. The need I have of thee thine own goodness hath made. Better not to have had thee than thus to want thee; thou, having made me businesses which none without thee can sufficiently manage, must either stay to execute them thyself, or take away with thee the very services thou hast done; which if I have not enough considered- as too much I cannot- to be more thankful to thee shall be my study; and my profit therein the heaping friendships. Of that fatal country Sicilia, prithee, speak no more; whose very naming punishes me with the remembrance of that penitent, as thou call'st him, and reconciled king, my brother; whose loss of his most precious queen and children are even now to be afresh lamented. Say to me, when saw'st thou the Prince Florizel, my son? Kings are no less unhappy, their issue not being gracious, than they are in losing them when they have approved their virtues. CAMILLO. Sir, it is three days since I saw the Prince. What his happier affairs may be are to me unknown; but I have missingly noted he is of late much retired from court, and is less frequent to his princely exercises than formerly he hath appeared. POLIXENES. I have considered so much, Camillo, and with some care, so far that I have eyes under my service which look upon his removedness; from whom I have this intelligence, that he is seldom from the house of a most homely shepherd- a man, they say, that from very nothing, and beyond the imagination of his neighbours, is grown into an unspeakable estate. CAMILLO. I have heard, sir, of such a man, who hath a daughter of most rare note. The report of her is extended more than can be thought to begin from such a cottage. POLIXENES. That's likewise part of my intelligence; but, I fear, the angle that plucks our son thither. Thou shalt accompany us to the place; where we will, not appearing what we are, have some question with the shepherd; from whose simplicity I think it not uneasy to get the cause of my son's resort thither. Prithee be my present partner in this business, and lay aside the thoughts of Sicilia. CAMILLO. I willingly obey your command. POLIXENES. My best Camillo! We must disguise ourselves. Exeunt Bohemia. A road near the SHEPHERD'S cottage Enter AUTOLYCUS, singing When daffodils begin to peer, With heigh! the doxy over the dale, Why, then comes in the sweet o' the year, For the red blood reigns in the winter's pale. The white sheet bleaching on the hedge, With heigh! the sweet birds, O, how they sing! Doth set my pugging tooth on edge, For a quart of ale is a dish for a king. The lark, that tirra-lirra chants, With heigh! with heigh! the thrush and the jay, Are summer songs for me and my aunts, While we lie tumbling in the hay. I have serv'd Prince Florizel, and in my time wore three-pile; but now I am out of service. But shall I go mourn for that, my dear? The pale moon shines by night; And when I wander here and there, I then do most go right. If tinkers may have leave to live, And bear the sow-skin budget, Then my account I well may give And in the stocks avouch it. My traffic is sheets; when the kite builds, look to lesser linen. My father nam'd me Autolycus; who, being, I as am, litter'd under Mercury, was likewise a snapper-up of unconsidered trifles. With die and drab I purchas'd this caparison; and my revenue is the silly-cheat. Gallows and knock are too powerful on the highway; beating and hanging are terrors to me; for the life to come, I sleep out the thought of it. A prize! a prize! Enter CLOWN CLOWN. Let me see: every 'leven wether tods; every tod yields pound and odd shilling; fifteen hundred shorn, what comes the wool to? AUTOLYCUS. [Aside] If the springe hold, the cock's mine. CLOWN. I cannot do 't without counters. Let me see: what am I to buy for our sheep-shearing feast? Three pound of sugar, five pound of currants, rice- what will this sister of mine do with rice? But my father hath made her mistress of the feast, and she lays it on. She hath made me four and twenty nosegays for the shearers- three-man song-men all, and very good ones; but they are most of them means and bases; but one Puritan amongst them, and he sings psalms to hornpipes. I must have saffron to colour the warden pies; mace; dates- none, that's out of my note; nutmegs, seven; race or two of ginger, but that I may beg; four pound of prunes, and as many of raisins o' th' sun. AUTOLYCUS. [Grovelling on the ground] O that ever I was born! CLOWN. I' th' name of me! AUTOLYCUS. O, help me, help me! Pluck but off these rags; and then, death, death! CLOWN. Alack, poor soul! thou hast need of more rags to lay on thee, rather than have these off. AUTOLYCUS. O sir, the loathsomeness of them offend me more than the stripes I have received, which are mighty ones and millions. CLOWN. Alas, poor man! a million of beating may come to a great matter. AUTOLYCUS. I am robb'd, sir, and beaten; my money and apparel ta'en from me, and these detestable things put upon me. CLOWN. What, by a horseman or a footman? AUTOLYCUS. A footman, sweet sir, a footman. CLOWN. Indeed, he should be a footman, by the garments he has left with thee; if this be a horseman's coat, it hath seen very hot service. Lend me thy hand, I'll help thee. Come, lend me thy hand. [Helping him up] AUTOLYCUS. O, good sir, tenderly, O! CLOWN. Alas, poor soul! AUTOLYCUS. O, good sir, softly, good sir; I fear, sir, my shoulder blade is out. CLOWN. How now! Canst stand? AUTOLYCUS. Softly, dear sir [Picks his pocket]; good sir, softly. You ha' done me a charitable office. CLOWN. Dost lack any money? I have a little money for thee. AUTOLYCUS. No, good sweet sir; no, I beseech you, sir. I have a kinsman not past three quarters of a mile hence, unto whom I was going; I shall there have money or anything I want. Offer me no money, I pray you; that kills my heart. CLOWN. What manner of fellow was he that robb'd you? AUTOLYCUS. A fellow, sir, that I have known to go about with troll-my-dames; I knew him once a servant of the Prince. I cannot tell, good sir, for which of his virtues it was, but he was certainly whipt out of the court. CLOWN. His vices, you would say; there's no virtue whipt out of the court. They cherish it to make it stay there; and yet it will no more but abide. AUTOLYCUS. Vices, I would say, sir. I know this man well; he hath been since an ape-bearer; then a process-server, a bailiff; then he compass'd a motion of the Prodigal Son, and married a tinker's wife within a mile where my land and living lies; and, having flown over many knavish professions, he settled only in rogue. Some call him Autolycus. CLOWN. Out upon him! prig, for my life, prig! He haunts wakes, fairs, and bear-baitings. AUTOLYCUS. Very true, sir; he, sir, he; that's the rogue that put me into this apparel. CLOWN. Not a more cowardly rogue in all Bohemia; if you had but look'd big and spit at him, he'd have run. AUTOLYCUS. I must confess to you, sir, I am no fighter; I am false of heart that way, and that he knew, I warrant him. CLOWN. How do you now? AUTOLYCUS. Sweet sir, much better than I was; I can stand and walk. I will even take my leave of you and pace softly towards my kinsman's. CLOWN. Shall I bring thee on the way? AUTOLYCUS. No, good-fac'd sir; no, sweet sir. CLOWN. Then fare thee well. I must go buy spices for our sheep-shearing. AUTOLYCUS. Prosper you, sweet sir! Exit CLOWN Your purse is not hot enough to purchase your spice. I'll be with you at your sheep-shearing too. If I make not this cheat bring out another, and the shearers prove sheep, let me be unroll'd, and my name put in the book of virtue! [Sings] Jog on, jog on, the footpath way, And merrily hent the stile-a; A merry heart goes all the day, Your sad tires in a mile-a. Exit Bohemia. The SHEPHERD'S cottage Enter FLORIZEL and PERDITA FLORIZEL. These your unusual weeds to each part of you Do give a life- no shepherdess, but Flora Peering in April's front. This your sheep-shearing Is as a meeting of the petty gods, And you the Queen on't. PERDITA. Sir, my gracious lord, To chide at your extremes it not becomes me- O, pardon that I name them! Your high self, The gracious mark o' th' land, you have obscur'd With a swain's wearing; and me, poor lowly maid, Most goddess-like prank'd up. But that our feasts In every mess have folly, and the feeders Digest it with a custom, I should blush To see you so attir'd; swoon, I think, To show myself a glass. FLORIZEL. I bless the time When my good falcon made her flight across Thy father's ground. PERDITA. Now Jove afford you cause! To me the difference forges dread; your greatness Hath not been us'd to fear. Even now I tremble To think your father, by some accident, Should pass this way, as you did. O, the Fates! How would he look to see his work, so noble, Vilely bound up? What would he say? Or how Should I, in these my borrowed flaunts, behold The sternness of his presence? FLORIZEL. Apprehend Nothing but jollity. The gods themselves, Humbling their deities to love, have taken The shapes of beasts upon them: Jupiter Became a bull and bellow'd; the green Neptune A ram and bleated; and the fire-rob'd god, Golden Apollo, a poor humble swain, As I seem now. Their transformations Were never for a piece of beauty rarer, Nor in a way so chaste, since my desires Run not before mine honour, nor my lusts Burn hotter than my faith. PERDITA. O, but, sir, Your resolution cannot hold when 'tis Oppos'd, as it must be, by th' pow'r of the King. One of these two must be necessities, Which then will speak, that you must change this purpose, Or I my life. FLORIZEL. Thou dearest Perdita, With these forc'd thoughts, I prithee, darken not The mirth o' th' feast. Or I'll be thine, my fair, Or not my father's; for I cannot be Mine own, nor anything to any, if I be not thine. To this I am most constant, Though destiny say no. Be merry, gentle; Strangle such thoughts as these with any thing That you behold the while. Your guests are coming. Lift up your countenance, as it were the day Of celebration of that nuptial which We two have sworn shall come. PERDITA. O Lady Fortune, Stand you auspicious! FLORIZEL. See, your guests approach. Address yourself to entertain them sprightly, And let's be red with mirth. Enter SHEPHERD, with POLIXENES and CAMILLO, disguised; CLOWN, MOPSA, DORCAS, with OTHERS SHEPHERD. Fie, daughter! When my old wife liv'd, upon This day she was both pantler, butler, cook; Both dame and servant; welcom'd all; serv'd all; Would sing her song and dance her turn; now here At upper end o' th' table, now i' th' middle; On his shoulder, and his; her face o' fire With labour, and the thing she took to quench it She would to each one sip. You are retired, As if you were a feasted one, and not The hostess of the meeting. Pray you bid These unknown friends to's welcome, for it is A way to make us better friends, more known. Come, quench your blushes, and present yourself That which you are, Mistress o' th' Feast. Come on, And bid us welcome to your sheep-shearing, As your good flock shall prosper. PERDITA. [To POLIXENES] Sir, welcome. It is my father's will I should take on me The hostess-ship o' th' day. [To CAMILLO] You're welcome, sir. Give me those flow'rs there, Dorcas. Reverend sirs, For you there's rosemary and rue; these keep Seeming and savour all the winter long. Grace and remembrance be to you both! And welcome to our shearing. POLIXENES. Shepherdess- A fair one are you- well you fit our ages With flow'rs of winter. PERDITA. Sir, the year growing ancient, Not yet on summer's death nor on the birth Of trembling winter, the fairest flow'rs o' th' season Are our carnations and streak'd gillyvors, Which some call nature's bastards. Of that kind Our rustic garden's barren; and I care not To get slips of them. POLIXENES. Wherefore, gentle maiden, Do you neglect them? PERDITA. For I have heard it said There is an art which in their piedness shares With great creating nature. POLIXENES. Say there be; Yet nature is made better by no mean But nature makes that mean; so over that art Which you say adds to nature, is an art That nature makes. You see, sweet maid, we marry A gentler scion to the wildest stock, And make conceive a bark of baser kind By bud of nobler race. This is an art Which does mend nature- change it rather; but The art itself is nature. PERDITA. So it is. POLIXENES. Then make your garden rich in gillyvors, And do not call them bastards. PERDITA. I'll not put The dibble in earth to set one slip of them; No more than were I painted I would wish This youth should say 'twere well, and only therefore Desire to breed by me. Here's flow'rs for you: Hot lavender, mints, savory, marjoram; The marigold, that goes to bed wi' th' sun, And with him rises weeping; these are flow'rs Of middle summer, and I think they are given To men of middle age. Y'are very welcome. CAMILLO. I should leave grazing, were I of your flock, And only live by gazing. PERDITA. Out, alas! You'd be so lean that blasts of January Would blow you through and through. Now, my fair'st friend, I would I had some flow'rs o' th' spring that might Become your time of day- and yours, and yours, That wear upon your virgin branches yet Your maidenheads growing. O Proserpina, From the flowers now that, frighted, thou let'st fall From Dis's waggon!- daffodils, That come before the swallow dares, and take The winds of March with beauty; violets, dim But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried ere they can behold Bright Phoebus in his strength- a malady Most incident to maids; bold oxlips, and The crown-imperial; lilies of all kinds, The flow'r-de-luce being one. O, these I lack To make you garlands of, and my sweet friend To strew him o'er and o'er! FLORIZEL. What, like a corse? PERDITA. No; like a bank for love to lie and play on; Not like a corse; or if- not to be buried, But quick, and in mine arms. Come, take your flow'rs. Methinks I play as I have seen them do In Whitsun pastorals. Sure, this robe of mine Does change my disposition. FLORIZEL. What you do Still betters what is done. When you speak, sweet, I'd have you do it ever. When you sing, I'd have you buy and sell so; so give alms; Pray so; and, for the ord'ring your affairs, To sing them too. When you do dance, I wish you A wave o' th' sea, that you might ever do Nothing but that; move still, still so, And own no other function. Each your doing, So singular in each particular, Crowns what you are doing in the present deeds, That all your acts are queens. PERDITA. O Doricles, Your praises are too large. But that your youth, And the true blood which peeps fairly through't, Do plainly give you out an unstain'd shepherd, With wisdom I might fear, my Doricles, You woo'd me the false way. FLORIZEL. I think you have As little skill to fear as I have purpose To put you to't. But, come; our dance, I pray. Your hand, my Perdita; so turtles pair That never mean to part. PERDITA. I'll swear for 'em. POLIXENES. This is the prettiest low-born lass that ever Ran on the green-sward; nothing she does or seems But smacks of something greater than herself, Too noble for this place. CAMILLO. He tells her something That makes her blood look out. Good sooth, she is The queen of curds and cream. CLOWN. Come on, strike up. DORCAS. Mopsa must be your mistress; marry, garlic, To mend her kissing with! MOPSA. Now, in good time! CLOWN. Not a word, a word; we stand upon our manners. Come, strike up. [Music] Here a dance Of SHEPHERDS and SHEPHERDESSES POLIXENES. Pray, good shepherd, what fair swain is this Which dances with your daughter? SHEPHERD. They call him Doricles, and boasts himself To have a worthy feeding; but I have it Upon his own report, and I believe it: He looks like sooth. He says he loves my daughter; I think so too; for never gaz'd the moon Upon the water as he'll stand and read, As 'twere my daughter's eyes; and, to be plain, I think there is not half a kiss to choose Who loves another best. POLIXENES. She dances featly. SHEPHERD. So she does any thing; though I report it That should be silent. If young Doricles Do light upon her, she shall bring him that Which he not dreams of. Enter a SERVANT SERVANT. O master, if you did but hear the pedlar at the door, you would never dance again after a tabor and pipe; no, the bagpipe could not move you. He sings several tunes faster than you'll tell money; he utters them as he had eaten ballads, and all men's ears grew to his tunes. CLOWN. He could never come better; he shall come in. I love a ballad but even too well, if it be doleful matter merrily set down, or a very pleasant thing indeed and sung lamentably. SERVANT. He hath songs for man or woman of all sizes; no milliner can so fit his customers with gloves. He has the prettiest love-songs for maids; so without bawdry, which is strange; with such delicate burdens of dildos and fadings, 'jump her and thump her'; and where some stretch-mouth'd rascal would, as it were, mean mischief, and break a foul gap into the matter, he makes the maid to answer 'Whoop, do me no harm, good man'- puts him off, slights him, with 'Whoop, do me no harm, good man.' POLIXENES. This is a brave fellow. CLOWN. Believe me, thou talkest of an admirable conceited fellow. Has he any unbraided wares? SERVANT. He hath ribbons of all the colours i' th' rainbow; points, more than all the lawyers in Bohemia can learnedly handle, though they come to him by th' gross; inkles, caddisses, cambrics, lawns. Why he sings 'em over as they were gods or goddesses; you would think a smock were she-angel, he so chants to the sleeve-hand and the work about the square on't. CLOWN. Prithee bring him in; and let him approach singing. PERDITA. Forewarn him that he use no scurrilous words in's tunes. Exit SERVANT CLOWN. You have of these pedlars that have more in them than you'd think, sister. PERDITA. Ay, good brother, or go about to think. Enter AUTOLYCUS, Singing Lawn as white as driven snow; Cypress black as e'er was crow; Gloves as sweet as damask roses; Masks for faces and for noses; Bugle bracelet, necklace amber, Perfume for a lady's chamber; Golden quoifs and stomachers, For my lads to give their dears; Pins and poking-sticks of steel- What maids lack from head to heel. Come, buy of me, come; come buy, come buy; Buy, lads, or else your lasses cry. Come, buy. CLOWN. If I were not in love with Mopsa, thou shouldst take no money of me; but being enthrall'd as I am, it will also be the bondage of certain ribbons and gloves. MOPSA. I was promis'd them against the feast; but they come not too late now. DORCAS. He hath promis'd you more than that, or there be liars. MOPSA. He hath paid you all he promis'd you. May be he has paid you more, which will shame you to give him again. CLOWN. Is there no manners left among maids? Will they wear their plackets where they should bear their faces? Is there not milking-time, when you are going to bed, or kiln-hole, to whistle off these secrets, but you must be tittle-tattling before all our guests? 'Tis well they are whisp'ring. Clammer your tongues, and not a word more. MOPSA. I have done. Come, you promis'd me a tawdry-lace, and a pair of sweet gloves. CLOWN. Have I not told thee how I was cozen'd by the way, and lost all my money? AUTOLYCUS. And indeed, sir, there are cozeners abroad; therefore it behoves men to be wary. CLOWN. Fear not thou, man; thou shalt lose nothing here. AUTOLYCUS. I hope so, sir; for I have about me many parcels of charge. CLOWN. What hast here? Ballads? MOPSA. Pray now, buy some. I love a ballad in print a-life, for then we are sure they are true. AUTOLYCUS. Here's one to a very doleful tune: how a usurer's wife was brought to bed of twenty money-bags at a burden, and how she long'd to eat adders' heads and toads carbonado'd. MOPSA. Is it true, think you? AUTOLYCUS. Very true, and but a month old. DORCAS. Bless me from marrying a usurer! AUTOLYCUS. Here's the midwife's name to't, one Mistress Taleporter, and five or six honest wives that were present. Why should I carry lies abroad? MOPSA. Pray you now, buy it. CLOWN. Come on, lay it by; and let's first see moe ballads; we'll buy the other things anon. AUTOLYCUS. Here's another ballad, of a fish that appeared upon the coast on Wednesday the fourscore of April, forty thousand fathom above water, and sung this ballad against the hard hearts of maids. It was thought she was a woman, and was turn'd into a cold fish for she would not exchange flesh with one that lov'd her. The ballad is very pitiful, and as true. DORCAS. Is it true too, think you? AUTOLYCUS. Five justices' hands at it; and witnesses more than my pack will hold. CLOWN. Lay it by too. Another. AUTOLYCUS. This is a merry ballad, but a very pretty one. MOPSA. Let's have some merry ones. AUTOLYCUS. Why, this is a passing merry one, and goes to the tune of 'Two maids wooing a man.' There's scarce a maid westward but she sings it; 'tis in request, I can tell you. MOPSA. can both sing it. If thou'lt bear a part, thou shalt hear; 'tis in three parts. DORCAS. We had the tune on't a month ago. AUTOLYCUS. I can bear my part; you must know 'tis my occupation. Have at it with you. SONG AUTOLYCUS. Get you hence, for I must go Where it fits not you to know. DORCAS. Whither? MOPSA. O, whither? DORCAS. Whither? MOPSA. It becomes thy oath full well Thou to me thy secrets tell. DORCAS. Me too! Let me go thither MOPSA. Or thou goest to th' grange or mill. DORCAS. If to either, thou dost ill. AUTOLYCUS. Neither. DORCAS. What, neither? AUTOLYCUS. Neither. DORCAS. Thou hast sworn my love to be. MOPSA. Thou hast sworn it more to me. Then whither goest? Say, whither? CLOWN. We'll have this song out anon by ourselves; my father and the gentlemen are in sad talk, and we'll not trouble them. Come, bring away thy pack after me. Wenches, I'll buy for you both. Pedlar, let's have the first choice. Follow me, girls. Exit with DORCAS and MOPSA AUTOLYCUS. And you shall pay well for 'em. Exit AUTOLYCUS, Singing Will you buy any tape, Or lace for your cape, My dainty duck, my dear-a? Any silk, any thread, Any toys for your head, Of the new'st and fin'st, fin'st wear-a? Come to the pedlar; Money's a meddler That doth utter all men's ware-a. Re-enter SERVANT SERVANT. Master, there is three carters, three shepherds, three neat-herds, three swineherds, that have made themselves all men of hair; they call themselves Saltiers, and they have dance which the wenches say is a gallimaufry of gambols, because they are not in't; but they themselves are o' th' mind, if it be not too rough for some that know little but bowling, it will please plentifully. SHEPHERD. Away! We'll none on't; here has been too much homely foolery already. I know, sir, we weary you. POLIXENES. You weary those that refresh us. Pray, let's see these four threes of herdsmen. SERVANT. One three of them, by their own report, sir, hath danc'd before the King; and not the worst of the three but jumps twelve foot and a half by th' squier. SHEPHERD. Leave your prating; since these good men are pleas'd, let them come in; but quickly now. SERVANT. Why, they stay at door, sir. Exit Here a dance of twelve SATYRS POLIXENES. [To SHEPHERD] O, father, you'll know more of that hereafter. [To CAMILLO] Is it not too far gone? 'Tis time to part them. He's simple and tells much. [To FLORIZEL] How now, fair shepherd! Your heart is full of something that does take Your mind from feasting. Sooth, when I was young And handed love as you do, I was wont To load my she with knacks; I would have ransack'd The pedlar's silken treasury and have pour'd it To her acceptance: you have let him go And nothing marted with him. If your lass Interpretation should abuse and call this Your lack of love or bounty, you were straited For a reply, at least if you make a care Of happy holding her. FLORIZEL. Old sir, I know She prizes not such trifles as these are. The gifts she looks from me are pack'd and lock'd Up in my heart, which I have given already, But not deliver'd. O, hear me breathe my life Before this ancient sir, whom, it should seem, Hath sometime lov'd. I take thy hand- this hand, As soft as dove's down and as white as it, Or Ethiopian's tooth, or the fann'd snow that's bolted By th' northern blasts twice o'er. POLIXENES. What follows this? How prettily the young swain seems to wash The hand was fair before! I have put you out. But to your protestation; let me hear What you profess. FLORIZEL. Do, and be witness to't. POLIXENES. And this my neighbour too? FLORIZEL. And he, and more Than he, and men- the earth, the heavens, and all: That, were I crown'd the most imperial monarch, Thereof most worthy, were I the fairest youth That ever made eye swerve, had force and knowledge More than was ever man's, I would not prize them Without her love; for her employ them all; Commend them and condemn them to her service Or to their own perdition. POLIXENES. Fairly offer'd. CAMILLO. This shows a sound affection. SHEPHERD. But, my daughter, Say you the like to him? PERDITA. I cannot speak So well, nothing so well; no, nor mean better. By th' pattern of mine own thoughts I cut out The purity of his. SHEPHERD. Take hands, a bargain! And, friends unknown, you shall bear witness to't: I give my daughter to him, and will make Her portion equal his. FLORIZEL. O, that must be I' th' virtue of your daughter. One being dead, I shall have more than you can dream of yet; Enough then for your wonder. But come on, Contract us fore these witnesses. SHEPHERD. Come, your hand; And, daughter, yours. POLIXENES. Soft, swain, awhile, beseech you; Have you a father? FLORIZEL. I have, but what of him? POLIXENES. Knows he of this? FLORIZEL. He neither does nor shall. POLIXENES. Methinks a father Is at the nuptial of his son a guest That best becomes the table. Pray you, once more, Is not your father grown incapable Of reasonable affairs? Is he not stupid With age and alt'ring rheums? Can he speak, hear, Know man from man, dispute his own estate? Lies he not bed-rid, and again does nothing But what he did being childish? FLORIZEL. No, good sir; He has his health, and ampler strength indeed Than most have of his age. POLIXENES. By my white beard, You offer him, if this be so, a wrong Something unfilial. Reason my son Should choose himself a wife; but as good reason The father- all whose joy is nothing else But fair posterity- should hold some counsel In such a business. FLORIZEL. I yield all this; But, for some other reasons, my grave sir, Which 'tis not fit you know, I not acquaint My father of this business. POLIXENES. Let him know't. FLORIZEL. He shall not. POLIXENES. Prithee let him. FLORIZEL. No, he must not. SHEPHERD. Let him, my son; he shall not need to grieve At knowing of thy choice. FLORIZEL. Come, come, he must not. Mark our contract. POLIXENES. [Discovering himself] Mark your divorce, young sir, Whom son I dare not call; thou art too base To be acknowledg'd- thou a sceptre's heir, That thus affects a sheep-hook! Thou, old traitor, I am sorry that by hanging thee I can but Shorten thy life one week. And thou, fresh piece Of excellent witchcraft, who of force must know The royal fool thou cop'st with- SHEPHERD. O, my heart! POLIXENES. I'll have thy beauty scratch'd with briers and made More homely than thy state. For thee, fond boy, If I may ever know thou dost but sigh That thou no more shalt see this knack- as never I mean thou shalt- we'll bar thee from succession; Not hold thee of our blood, no, not our kin, Farre than Deucalion off. Mark thou my words. Follow us to the court. Thou churl, for this time, Though full of our displeasure, yet we free thee From the dead blow of it. And you, enchantment, Worthy enough a herdsman- yea, him too That makes himself, but for our honour therein, Unworthy thee- if ever henceforth thou These rural latches to his entrance open, Or hoop his body more with thy embraces, I will devise a death as cruel for thee As thou art tender to't. Exit PERDITA. Even here undone! I was not much afeard; for once or twice I was about to speak and tell him plainly The self-same sun that shines upon his court Hides not his visage from our cottage, but Looks on alike. [To FLORIZEL] Will't please you, sir, be gone? I told you what would come of this. Beseech you, Of your own state take care. This dream of mine- Being now awake, I'll queen it no inch farther, But milk my ewes and weep. CAMILLO. Why, how now, father! Speak ere thou diest. SHEPHERD. I cannot speak nor think, Nor dare to know that which I know. [To FLORIZEL] O sir, You have undone a man of fourscore-three That thought to fill his grave in quiet, yea, To die upon the bed my father died, To lie close by his honest bones; but now Some hangman must put on my shroud and lay me Where no priest shovels in dust. [To PERDITA] O cursed wretch, That knew'st this was the Prince, and wouldst adventure To mingle faith with him!- Undone, undone! If I might die within this hour, I have liv'd To die when I desire. Exit FLORIZEL. Why look you so upon me? I am but sorry, not afeard; delay'd, But nothing alt'red. What I was, I am: More straining on for plucking back; not following My leash unwillingly. CAMILLO. Gracious, my lord, You know your father's temper. At this time He will allow no speech- which I do guess You do not purpose to him- and as hardly Will he endure your sight as yet, I fear; Then, till the fury of his Highness settle, Come not before him. FLORIZEL. I not purpose it. I think Camillo? CAMILLO. Even he, my lord. PERDITA. How often have I told you 'twould be thus! How often said my dignity would last But till 'twere known! FLORIZEL. It cannot fail but by The violation of my faith; and then Let nature crush the sides o' th' earth together And mar the seeds within! Lift up thy looks. From my succession wipe me, father; I Am heir to my affection. CAMILLO. Be advis'd. FLORIZEL. I am- and by my fancy; if my reason Will thereto be obedient, I have reason; If not, my senses, better pleas'd with madness, Do bid it welcome. CAMILLO. This is desperate, sir. FLORIZEL. So call it; but it does fulfil my vow: I needs must think it honesty. Camillo, Not for Bohemia, nor the pomp that may Be thereat glean'd, for all the sun sees or The close earth wombs, or the profound seas hides In unknown fathoms, will I break my oath To this my fair belov'd. Therefore, I pray you, As you have ever been my father's honour'd friend, When he shall miss me- as, in faith, I mean not To see him any more- cast your good counsels Upon his passion. Let myself and Fortune Tug for the time to come. This you may know, And so deliver: I am put to sea With her who here I cannot hold on shore. And most opportune to her need I have A vessel rides fast by, but not prepar'd For this design. What course I mean to hold Shall nothing benefit your knowledge, nor Concern me the reporting. CAMILLO. O my lord, I would your spirit were easier for advice. Or stronger for your need. FLORIZEL. Hark, Perdita. [Takes her aside] [To CAMILLO] I'll hear you by and by. CAMILLO. He's irremovable, Resolv'd for flight. Now were I happy if His going I could frame to serve my turn, Save him from danger, do him love and honour, Purchase the sight again of dear Sicilia And that unhappy king, my master, whom I so much thirst to see. FLORIZEL. Now, good Camillo, I am so fraught with curious business that I leave out ceremony. CAMILLO. Sir, I think You have heard of my poor services i' th' love That I have borne your father? FLORIZEL. Very nobly Have you deserv'd. It is my father's music To speak your deeds; not little of his care To have them recompens'd as thought on. CAMILLO. Well, my lord, If you may please to think I love the King, And through him what's nearest to him, which is Your gracious self, embrace but my direction. If your more ponderous and settled project May suffer alteration, on mine honour, I'll point you where you shall have such receiving As shall become your Highness; where you may Enjoy your mistress, from the whom, I see, There's no disjunction to be made but by, As heavens forfend! your ruin- marry her; And with my best endeavours in your absence Your discontenting father strive to qualify, And bring him up to liking. FLORIZEL. How, Camillo, May this, almost a miracle, be done? That I may call thee something more than man, And after that trust to thee. CAMILLO. Have you thought on A place whereto you'll go? FLORIZEL. Not any yet; But as th' unthought-on accident is guilty To what we wildly do, so we profess Ourselves to be the slaves of chance and flies Of every wind that blows. CAMILLO. Then list to me. This follows, if you will not change your purpose But undergo this flight: make for Sicilia, And there present yourself and your fair princess- For so, I see, she must be- fore Leontes. She shall be habited as it becomes The partner of your bed. Methinks I see Leontes opening his free arms and weeping His welcomes forth; asks thee there 'Son, forgiveness!' As 'twere i' th' father's person; kisses the hands Of your fresh princess; o'er and o'er divides him 'Twixt his unkindness and his kindness- th' one He chides to hell, and bids the other grow Faster than thought or time. FLORIZEL. Worthy Camillo, What colour for my visitation shall I Hold up before him? CAMILLO. Sent by the King your father To greet him and to give him comforts. Sir, The manner of your bearing towards him, with What you as from your father shall deliver, Things known betwixt us three, I'll write you down; The which shall point you forth at every sitting What you must say, that he shall not perceive But that you have your father's bosom there And speak his very heart. FLORIZEL. I am bound to you. There is some sap in this. CAMILLO. A course more promising Than a wild dedication of yourselves To unpath'd waters, undream'd shores, most certain To miseries enough; no hope to help you, But as you shake off one to take another; Nothing so certain as your anchors, who Do their best office if they can but stay you Where you'll be loath to be. Besides, you know Prosperity's the very bond of love, Whose fresh complexion and whose heart together Affliction alters. PERDITA. One of these is true: I think affliction may subdue the cheek, But not take in the mind. CAMILLO. Yea, say you so? There shall not at your father's house these seven years Be born another such. FLORIZEL. My good Camillo, She is as forward of her breeding as She is i' th' rear o' our birth. CAMILLO. I cannot say 'tis pity She lacks instructions, for she seems a mistress To most that teach. PERDITA. Your pardon, sir; for this I'll blush you thanks. FLORIZEL. My prettiest Perdita! But, O, the thorns we stand upon! Camillo- Preserver of my father, now of me; The medicine of our house- how shall we do? We are not furnish'd like Bohemia's son; Nor shall appear in Sicilia. CAMILLO. My lord, Fear none of this. I think you know my fortunes Do all lie there. It shall be so my care To have you royally appointed as if The scene you play were mine. For instance, sir, That you may know you shall not want- one word. [They talk aside] Re-enter AUTOLYCUS AUTOLYCUS. Ha, ha! what a fool Honesty is! and Trust, his sworn brother, a very simple gentleman! I have sold all my trumpery; not a counterfeit stone, not a ribbon, glass, pomander, brooch, table-book, ballad, knife, tape, glove, shoe-tie, bracelet, horn-ring, to keep my pack from fasting. They throng who should buy first, as if my trinkets had been hallowed and brought a benediction to the buyer; by which means I saw whose purse was best in picture; and what I saw, to my good use I rememb'red. My clown, who wants but something to be a reasonable man, grew so in love with the wenches' song that he would not stir his pettitoes till he had both tune and words, which so drew the rest of the herd to me that all their other senses stuck in ears. You might have pinch'd a placket, it was senseless; 'twas nothing to geld a codpiece of a purse; I would have fil'd keys off that hung in chains. No hearing, no feeling, but my sir's song, and admiring the nothing of it. So that in this time of lethargy I pick'd and cut most of their festival purses; and had not the old man come in with whoobub against his daughter and the King's son and scar'd my choughs from the chaff, I had not left a purse alive in the whole army. CAMILLO, FLORIZEL, and PERDITA come forward CAMILLO. Nay, but my letters, by this means being there So soon as you arrive, shall clear that doubt. FLORIZEL. And those that you'll procure from King Leontes? CAMILLO. Shall satisfy your father. PERDITA. Happy be you! All that you speak shows fair. CAMILLO. [seeing AUTOLYCUS] Who have we here? We'll make an instrument of this; omit Nothing may give us aid. AUTOLYCUS. [Aside] If they have overheard me now- why, hanging. CAMILLO. How now, good fellow! Why shak'st thou so? Fear not, man; here's no harm intended to thee. AUTOLYCUS. I am a poor fellow, sir. CAMILLO. Why, be so still; here's nobody will steal that from thee. Yet for the outside of thy poverty we must make an exchange; therefore discase thee instantly- thou must think there's a necessity in't- and change garments with this gentleman. Though the pennyworth on his side be the worst, yet hold thee, there's some boot. [Giving money] AUTOLYCUS. I am a poor fellow, sir. [Aside] I know ye well enough. CAMILLO. Nay, prithee dispatch. The gentleman is half flay'd already. AUTOLYCUS. Are you in camest, sir? [Aside] I smell the trick on't. FLORIZEL. Dispatch, I prithee. AUTOLYCUS. Indeed, I have had earnest; but I cannot with conscience take it. CAMILLO. Unbuckle, unbuckle. FLORIZEL and AUTOLYCUS exchange garments Fortunate mistress- let my prophecy Come home to ye!- you must retire yourself Into some covert; take your sweetheart's hat And pluck it o'er your brows, muffle your face, Dismantle you, and, as you can, disliken The truth of your own seeming, that you may- For I do fear eyes over- to shipboard Get undescried. PERDITA. I see the play so lies That I must bear a part. CAMILLO. No remedy. Have you done there? FLORIZEL. Should I now meet my father, He would not call me son. CAMILLO. Nay, you shall have no hat. [Giving it to PERDITA] Come, lady, come. Farewell, my friend. AUTOLYCUS. Adieu, sir. FLORIZEL. O Perdita, what have we twain forgot! Pray you a word. [They converse apart] CAMILLO. [Aside] What I do next shall be to tell the King Of this escape, and whither they are bound; Wherein my hope is I shall so prevail To force him after; in whose company I shall re-view Sicilia, for whose sight I have a woman's longing. FLORIZEL. Fortune speed us! Thus we set on, Camillo, to th' sea-side. CAMILLO. The swifter speed the better. Exeunt FLORIZEL, PERDITA, and CAMILLO AUTOLYCUS. I understand the business, I hear it. To have an open ear, a quick eye, and a nimble hand, is necessary for a cut-purse; a good nose is requisite also, to smell out work for th' other senses. I see this is the time that the unjust man doth thrive. What an exchange had this been without boot! What a boot is here with this exchange! Sure, the gods do this year connive at us, and we may do anything extempore. The Prince himself is about a piece of iniquity- stealing away from his father with his clog at his heels. If I thought it were a piece of honesty to acquaint the King withal, I would not do't. I hold it the more knavery to conceal it; and therein am I constant to my profession. Re-enter CLOWN and SHEPHERD Aside, aside- here is more matter for a hot brain. Every lane's end, every shop, church, session, hanging, yields a careful man work. CLOWN. See, see; what a man you are now! There is no other way but to tell the King she's a changeling and none of your flesh and blood. SHEPHERD. Nay, but hear me. CLOWN. Nay- but hear me. SHEPHERD. Go to, then. CLOWN. She being none of your flesh and blood, your flesh and blood has not offended the King; and so your flesh and blood is not to be punish'd by him. Show those things you found about her, those secret things- all but what she has with her. This being done, let the law go whistle; I warrant you. SHEPHERD. I will tell the King all, every word- yea, and his son's pranks too; who, I may say, is no honest man, neither to his father nor to me, to go about to make me the King's brother-in-law. CLOWN. Indeed, brother-in-law was the farthest off you could have been to him; and then your blood had been the dearer by I know how much an ounce. AUTOLYCUS. [Aside] Very wisely, puppies! SHEPHERD. Well, let us to the King. There is that in this fardel will make him scratch his beard. AUTOLYCUS. [Aside] I know not what impediment this complaint may be to the flight of my master. CLOWN. Pray heartily he be at palace. AUTOLYCUS. [Aside] Though I am not naturally honest, I am so sometimes by chance. Let me pocket up my pedlar's excrement. [Takes off his false beard] How now, rustics! Whither are you bound? SHEPHERD. To th' palace, an it like your worship. AUTOLYCUS. Your affairs there, what, with whom, the condition of that fardel, the place of your dwelling, your names, your ages, of what having, breeding, and anything that is fitting to be known- discover. CLOWN. We are but plain fellows, sir. AUTOLYCUS. A lie: you are rough and hairy. Let me have no lying; it becomes none but tradesmen, and they often give us soldiers the lie; but we pay them for it with stamped coin, not stabbing steel; therefore they do not give us the lie. CLOWN. Your worship had like to have given us one, if you had not taken yourself with the manner. SHEPHERD. Are you a courtier, an't like you, sir? AUTOLYCUS. Whether it like me or no, I am a courtier. Seest thou not the air of the court in these enfoldings? Hath not my gait in it the measure of the court? Receives not thy nose court-odour from me? Reflect I not on thy baseness court-contempt? Think'st thou, for that I insinuate, that toaze from thee thy business, I am therefore no courtier? I am courtier cap-a-pe, and one that will either push on or pluck back thy business there; whereupon I command the to open thy affair. SHEPHERD. My business, sir, is to the King. AUTOLYCUS. What advocate hast thou to him? SHEPHERD. I know not, an't like you. CLOWN. Advocate's the court-word for a pheasant; say you have none. SHEPHERD. None, sir; I have no pheasant, cock nor hen. AUTOLYCUS. How blessed are we that are not simple men! Yet nature might have made me as these are, Therefore I will not disdain. CLOWN. This cannot be but a great courtier. SHEPHERD. His garments are rich, but he wears them not handsomely. CLOWN. He seems to be the more noble in being fantastical. A great man, I'll warrant; I know by the picking on's teeth. AUTOLYCUS. The fardel there? What's i' th' fardel? Wherefore that box? SHEPHERD. Sir, there lies such secrets in this fardel and box which none must know but the King; and which he shall know within this hour, if I may come to th' speech of him. AUTOLYCUS. Age, thou hast lost thy labour. SHEPHERD. Why, Sir? AUTOLYCUS. The King is not at the palace; he is gone aboard a new ship to purge melancholy and air himself; for, if thou be'st capable of things serious, thou must know the King is full of grief. SHEPHERD. So 'tis said, sir- about his son, that should have married a shepherd's daughter. AUTOLYCUS. If that shepherd be not in hand-fast, let him fly; the curses he shall have, the tortures he shall feel, will break the back of man, the heart of monster. CLOWN. Think you so, sir? AUTOLYCUS. Not he alone shall suffer what wit can make heavy and vengeance bitter; but those that are germane to him, though remov'd fifty times, shall all come under the hangman- which, though it be great pity, yet it is necessary. An old sheep-whistling rogue, a ram-tender, to offer to have his daughter come into grace! Some say he shall be ston'd; but that death is too soft for him, say I. Draw our throne into a sheep-cote!- all deaths are too few, the sharpest too easy. CLOWN. Has the old man e'er a son, sir, do you hear, an't like you, sir? AUTOLYCUS. He has a son- who shall be flay'd alive; then 'nointed over with honey, set on the head of a wasp's nest; then stand till he be three quarters and a dram dead; then recover'd again with aqua-vitae or some other hot infusion; then, raw as he is, and in the hottest day prognostication proclaims, shall he be set against a brick wall, the sun looking with a southward eye upon him, where he is to behold him with flies blown to death. But what talk we of these traitorly rascals, whose miseries are to be smil'd at, their offences being so capital? Tell me, for you seem to be honest plain men, what you have to the King. Being something gently consider'd, I'll bring you where he is aboard, tender your persons to his presence, whisper him in your behalfs; and if it be in man besides the King to effect your suits, here is man shall do it. CLOWN. He seems to be of great authority. Close with him, give him gold; and though authority be a stubborn bear, yet he is oft led by the nose with gold. Show the inside of your purse to the outside of his hand, and no more ado. Remember- ston'd and flay'd alive. SHEPHERD. An't please you, sir, to undertake the business for us, here is that gold I have. I'll make it as much more, and leave this young man in pawn till I bring it you. AUTOLYCUS. After I have done what I promised? SHEPHERD. Ay, sir. AUTOLYCUS. Well, give me the moiety. Are you a party in this business? CLOWN. In some sort, sir; but though my case be a pitiful one, I hope I shall not be flay'd out of it. AUTOLYCUS. O, that's the case of the shepherd's son! Hang him, he'll be made an example. CLOWN. Comfort, good comfort! We must to the King and show our strange sights. He must know 'tis none of your daughter nor my sister; we are gone else. Sir, I will give you as much as this old man does, when the business is performed; and remain, as he says, your pawn till it be brought you. AUTOLYCUS. I will trust you. Walk before toward the sea-side; go on the right-hand; I will but look upon the hedge, and follow you. CLOWN. We are blest in this man, as I may say, even blest. SHEPHERD. Let's before, as he bids us. He was provided to do us good. Exeunt SHEPHERD and CLOWN AUTOLYCUS. If I had a mind to be honest, I see Fortune would not suffer me: she drops booties in my mouth. I am courted now with a double occasion- gold, and a means to do the Prince my master good; which who knows how that may turn back to my advancement? I will bring these two moles, these blind ones, aboard him. If he think it fit to shore them again, and that the complaint they have to the King concerns him nothing, let him call me rogue for being so far officious; for I am proof against that title, and what shame else belongs to't. To him will I present them. There may be matter in it. Exit

Act 4

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Father Time, the chorus of this play, tells the audience that sixteen years have passed since the end of Act 3. We leave behind Leontes, grieving in Sicilia, and come to Bohemia. Perdita, now a young woman, grows in grace and beauty. Father Time asks us also to remember that Polixenes has a son, Florizell, who is now a young man. Scene ii: Camillo is asking Polixenes to allow him to return home. Leontes has asked Camillo to come back, and Camillo longs to see his homeland and his old master. Polixenes has come to depend on Camillo's administrative abilities, and urges the courtier to stay. Their conversation implies that Bohemia and Sicilia enjoy restored relations, although the friendship between the kings has never recovered. Polixenes asks if Camillo knows the whereabouts of Prince Florizell, who lately is often absent. The king has heard that Florizell often visits the house of a shepherd who has a beautiful daughter. He asks Camillo to go with him, disguised, in order to find out what Florizell has been doing. Scene iii: Autolycus, a young man formerly in the service of the prince, now makes his living as a con artist. He pretends that he has been wounded by highway robbers. The unsuspecting Shepherd's Son, out buying supplies and ingredients for the sheep-shearing feast, stops to help him. While the Shepherd's Son is distracted, the rogue swipes the dim man's purse. When Autolycus hears about the sheep-shearing festival, he sees an opportunity to strike again. Scene iv: Florizell and Perdita speak to each other lovingly at the Shepherd's house. She wears a nice dress for the festival, while the prince is disguised as a young peasant. We learn that they first met because his hunting falcon flew out over the grounds of Perdita's home. Florizell is aglow with love for Perdita, but she is nervous about the prince's rank. She fears that if his father finds out, it will be a disaster for her and her family. We learn that although the two youths are in love, they have not consummated the affair. Florizell tells Perdita that he will risk being disowned for her. Enter the Shepherd, the Shepherd's Son, Mopsa, Dorcas, shepherds and shepherdesses, servants, musicians, and Polixenes and Camillo in disguise. The Shepherd encourages his daughter to devote herself wholeheartedly to the role of hostess, describing how his deceased wife was a hostess worth emulating. Perdita obeys her father and is charming and gracious to the guests. Polixenes and Camillo are impressed by the girl's beauty and bearing. Polixenes talks to the Shepherd, asking the identity of the young man with Perdita. The Shepherd does not know Florizell's true identity; he believes that Florizell is a country youth named Doricles. He tells the disguised king that the boy and Perdita are in love, and the Shepherd approves of the match. A servant announces the approach of a ballad-singer selling ribbons and other trinkets, and the Shepherd's Son eagerly calls for him to be brought in. Perdita warns that the ballad singer must not use obscene words. In comes the singer, who is none other than Autolycus. He sings a song about the wares he sells. We learn that the Shepherd's Son and the girl Mopsa are a pair, although Dorcas often playfully flirts with him. The three sing a ballad with Autolycus, and they all exit, with the Shepherd's Son promising to buy trifles for both women. A servant announces the approach of rustics who have dressed themselves as satyrs. The Shepherd, worried that he is boring his guests with too much "homely foolery," is about to send the satyrs away, but Polixenes is delighted by the prospect of dancing satyrs and insists that they be brought in. After the dance, Polixenes chats with Florizell, who has not recognized him. Florizell eloquently proclaims his love of Perdita, and Perdita indicates that she feels the same way. The Shepherd approves the match. The disguised Polixenes asks Florizell if he has a father, and if his father knows of this match. Florizell admits that his father knows nothing, nor will he know. Polixenes presses him to tell his father, and the Shepherd agrees that Florizell's father should know. When Florizell still refuses to share the important news with his father, Polixenes reveals himself. Furious, he disowns his son and threatens the Shepherd and Perdita. The Shepherd will escape harm this time, but if Perdita sees Florizell again she will be executed. Polixenes exits. Perdita was about to tell him that the same sun shines on the court and on her cottage, but now the chance is past and her concern is for the safety of her and her family. She asks Florizell to leave. The Shepherd is angry with both children for their deception, and he exits in a huff. Florizell is undeterred by his father's disapproval. He still wants to marry Perdita. Camillo, now revealed, tries to caution the prince about rash behavior, but the prince has made his choice. He will marry Perdita and, if necessary, flee Bohemia. In an aside, Camillo wonders if he can help the prince to escape as well as use the event to his advantage, so that he can once again see Sicilia and his old master, King Leontes. Camillo has a plan. Florizell and Perdita should go to Sicilia, where King Leontes will welcome them. In their absence, Camillo will try to convince Polixenes to accept his son's decision. Florizell and Perdita will pretend to be emissaries of Polixenes, with letters and instructions from Camillo to make the act believable. Autolycus re-enters, having sold all of his junk. Camillo pays him to switch clothes with Florizell, so that the prince can escape in disguise. The hat is given to Perdita. In an aside, Camillo reveals that he will tell the king where the children have gone, in hopes that the king will follow them to Sicilia. Camillo will accompany him, and the old courtier will be able to see his homeland once again. Perdita, Camillo, and Florizell exit. Autolycus knows Camillo and the prince, but he decides not to tell the king, because the act of honesty would not suit his knavish character. The Shepherd and the Shepherd's Son re-enter, discussing their plight. The Shepherd's Son convinces the Shepherd that they must tell Polixenes that Perdita is a changeling. Autolycus approaches them, pretending to be a great courtier. He warns the men that the king is furious, and fools them into believing that the king plans brutal tortures for all those involved in Florizell's courtship of Perdita. He tells them that if needs be, he will present them to the king and put in a good word for them. The Shepherd and the Shepherd's Son are duped, and they give Autolycus gold to thank him for his help. Autolycus reveals in an aside to the audience that he will work to benefit his old master, the prince, in hopes that he may achieve some advancement. While helping the prince, there is no hurt in conning the peasants out of a little more gold.

The shift in tone and focus between Act 2 and Act 3 is one of the most dramatic transitions in Shakespeare. Suddenly, the tragic momentum set up by Leontes' irrational jealousy and tyrannical behavior is left behind; at the request of the chorus, Father Time, we leave the world of Sicilia and enter the pastoral world of Bohemia's countryside. The focus here is the love story of Perdita and Florizell, set in an idyllic landscape of shepherds, rogues, and peasants dressed as forest satyrs. The court of Bohemia never enters our consideration; when we do see courtiers and royalty, they are foundlings unaware of their true identity or they are in disguise. Nature and its regenerative powers dominate the stage. When we first see Florizell and Perdita, he compares her to a goddess of nature, and later, men dressed as mythical satyrs dance for our entertainment. Shakespeare is creating a charming rural world full of allusions to the nature deities of ancient Greece. Depictions of the pastoral have a long tradition in English literature. A pastoral is an idealized literary portrait of life in the country, often involving shepherds and shepherdesses who are surprisingly literate and given to speaking in verse. To many of the Londoners who saw Shakespeare's plays, the pastoral was a form of escapism to a life that was removed from the hubbub of the city. Literate aristocrats, fond throughout the ages of romanticizing poverty that they do not share, enjoyed the fantasy images of sheep tending, quaint festivals, and poetry-spouting peasants. These pastorals depicted a world that was supposedly more simple and beautiful than the lives of the urban or the rich. Here, the pastoral setting contributes to the important theme of death and rebirth. Leontes has caused the deaths of his wife and son and the apparent death of his daughter. Yet Perdita has miraculously survived, and her restoration to her father will seem, to the grieving court of Sicilia, like a miraculous resurrection. The idealized world of Bohemia's countryside is the site of nature's cycles, which parallel the loss and death of the first three acts followed by the renewal and restoration in Acts Four and Five. The dangers of tyranny are present in Act 4, but this time Polixenes is the man at fault. His anger with his son is understandable, but it is also excessive. When he threatens Perdita with physical violence, it is the act of a man whose throne will protect him even if he terrorizes his subjects. Tyranny separates a king from his people; remember Leontes' delusions and his tyrannical behavior, which isolated him farther and farther from his court and family. The Winter's Tale warns against this kind of isolation: good kingship means guarding against it. Perdita's intended words of advice to the king are to the point: "I was not much afeard, for once or twice / I was about to speak and tell him plainly / The selfsame sun that shines upon his court / Hides not his visage from our cottage but / Looks on all alike" . Monarchs should be responsible, like everyone else, for the proper treatment of friends and family; kings are linked even to their poorest subjects by a common humanity. Throughout Shakespeare's plays, a king forgets these truths at his peril. Yet in this play, Shakespeare goes easy on Leontes and Polixenes. They are allowed, despite their misuses of their power, to have a happy ending. Fate is generous and forgiving. Polixenes never even has to apologize for his rough treatment of Perdita and her adoptive family, nor does he have to learn the lesson that Perdita was about to share with him. His problem with his son's marriage takes care of itself when Perdita's true parentage is revealed. Although both kings at different points misuse their power, the play does not leave them isolated. Leontes and Polixenes learn their lessons or half-learn them; either way, fate accommodates them and restores their relationships with friends and family.

gradesaver

all_chapterized_books/1134-chapters/act_5.txt

finished_summaries/gradesaver/The Winter's Tale/section_4_part_0.txt

The Winter's Tale.act 5.scene 1-scene 3

act 5

{"name": "Act 5", "url": "https://web.archive.org/web/20210411083408/https://www.gradesaver.com/the-winters-tale/study-guide/summary-act-5", "summary": "The courtiers comfort Leontes, who has never forgiven himself for the deaths of Mamillius and Hermione. Paulina's words to the king include a dose of harsh honesty. Though the other courtiers want him to remarry, Paulina urges him not to do it. She reminds him of Apollo's prophecy, which proclaimed that Leontes would have no heir unless the lost daughter were found. To remarry for the purposes of producing an heir would therefore be futile. She persuades him never to remarry again unless Paulina chooses the bride. Leontes agrees, and Paulina says that if she is to have her way, he will never marry until his queen draws breath again. A servant announces the arrival of Florizell and his wife. Because the visit is sudden and unexpected, Leontes suspects that Florizell comes because of some accident or disaster. The servant praises Florizell's wife, whom he has assumed is a princess. When he says that the princess is peerless among women past and present, Paulina takes exception to the compliment, because she will not have her old queen, Hermione, ranked second to anyone. The servant apologizes but promises that Paulina, too, will be awed by the girl. Florizell and Perdita enter, and Leontes greets them with great emotion and warmth. Florizell pretends that Perdita is a princess of Libya, and that they are newly married. But a servant interrupts them, bringing news that Polixenes is in Sicilia. He has come for his son, who fled Bohemia with a shepherd's daughter. The Shepherd and the Shepherd's Son are with him. Florizell correctly infers that Camillo has betrayed him. To Perdita's great alarm, the servant reports that Shepherd and Shepherd's Son were begging the king for mercy, who ignored their pleas and threatened them with great harm. Leontes is not angry about the deception, and he speaks comforting words to the prince. Florizell asks Leontes to speak on behalf of the young couple, and the king promises that he will try to help them. Scene ii: The truth about Perdita's parentage has been revealed. We never see the event happen onstage; instead, we hear about it in a conversation between three gentleman and Autolycus. When the Shepherd produced the items that he found with the infant Perdita, which included garments and jewels that belonged to Hermione and letters written by Antigonus, all those present realized the truth. The two royal families and their attendant advisors and friends were overcome by joy and sorrow. Paulina rejoiced to see the oracle fulfilled, but she mourned for the loss of her husband. Leontes was overwhelmed by the miraculous return of his daughter, but it reminded him afresh of Hermione's death. The whole scene, one gentleman promised, would have moved anyone who witnessed it. Leontes, Polixenes, Florizell, Perdita, Camillo, Paulina, and various lords have all gone to Paulina's house. There, a statue of Hermione is nearing completion. They go there to view the statue and sup together. Alone with the audience, Autolycus says that earlier on the prince's ship he tried to tell Florizell that Perdita was a foundling, but Perdita and Florizell were too busy with seasickness to listen to him. His chances for advancement seem slim, but he takes it all in stride. The Shepherd and the Shepherd's Son enter, now decked out in fine clothes. They are overjoyed at their new good fortune, proclaiming themselves to be gentlemen; kings and courtiers have thanked them and called them brother for taking care of Perdita. Autolycus asks forgiveness for the tricks he played on them, and he also requests that they put in a good word for him with Florizell. The Shepherd's Son promises to be his advocate. Scene iii: In Paulina's house, Paulina draws back the curtain to reveal the statue of Hermione. The statue is remarkably lifelike, and it is made to look like an older Hermione, as if the queen had lived and aged these past sixteen years. The likeness of Hermione stirs up deep emotions for Perdita, who has never known a mother. Leontes is moved to great sorrow by the statue, and Paulina offers repeatedly to draw the curtain so as to spare him pain. Paulina then offers to make the statue move, although she fears to do so if any consider this magic unnatural. At the king's urging, Paulina wakes the statue, miraculously restoring Hermione to life. All are amazed. Hermione takes her king by the hand. Paulina presents Perdita to Hermione, and the queen lovingly asks her daughter to tell her everything that has happened while the queen has been gone. Paulina encourages them to go together and enjoy the reunification of their family, while she stays behind to mourn the loss of Antigonus. Leontes tells her to leave her sorrow behind. He wants her to fulfill her vow to take a husband of the king's choosing, just as he agreed to remarry the wife she chose for him. Leontes chooses Camillo, a perfect match for Paulina. For all the wrongs he committed against Polixenes and Hermione, Leontes begs forgiveness. With Paulina leading the way, the characters exit. Finally, reunited family and friends will share what has happened to them since their separation sixteen years ago.", "analysis": "We return in the final act to the grieving court of Sicilia, still sorrowful for the queen's death and anxious about the stability of their kingdom, which remains without an heir. Act 5 restores stability and solves the problems of both kings without any revolution. The queen and daughter Leontes lost return to him miraculously. For Polixenes, the commoner his son wanted to marry has turned out to be a princess, and no less, she is the daughter of his oldest friend. The happy ending is fantastic, so full of magic and unlikely coincidences that characters constantly remark that if the events they have witnessed were retold as a story, no one would believe it. A \"winter's tale\" is a long story to be told by a warm fire, often one full of fantasy and clever invention. But the audience is not being told a story: we are allowed, along with the characters, to witness the wondrous events of the play. The most fantastic event of the show, Hermione's miraculous resurrection, is also one of the most powerful. Shakespeare's audience might have had some anxiety about the magical resurrection of the dead, but Leontes remarks that the effects of Paulina's magic are so wondrous that her craft must be embraced as natural and good. The pagan and pastoral elements of the play also help to deflect the charge of witchcraft. Act 4 immersed the audience in a healing and restorative world of nature and romance. The Greek and Christian stories of regeneration and resurrection have prepared us for this ending, as has the pagan myth of Pygmalion, in which a sculptor's creation comes to life through the aid of the gods. Lines in Act 5 foreshadow the resurrection. When Paulina tells the king that he will never marry until his wife draws breath again, the talk of Hermione's resurrection is a prediction rather than a rhetorical device. And when the gentlemen discuss the revealing of Perdita's parentage, one of them remarks that even those \"most marble there changed color\" . The phrase means that even the most hard-hearted were moved, but the gentleman is also unwittingly foreshadowing the restoration of the one who is literally \"most marble,\" the statue of Hermione. She changes color when the blush of life enters her cheeks again. In moving towards the happy ending, more than magic is required. Paulina and Hermione join the ranks of other Shakespearean women who work to preserve or restore the status quo. The two women represent vastly different kinds of feminine virtue. Hermione is the passive, obedient wife, who without question takes back the husband who caused the death of herself and her son. Paulina is the sharp-tongued, fearless, and shrewish woman who never shirks from scolding any wrongdoer, even if he happens to be the king. But Paulina, too, is ultimately loyal to Leontes and his throne. Her magic restores his wife to him, and she obeys him when he asks her to marry Camillo. Paulina is strong-willed and admirable, and her counsel is especially needed after the departure of the wise and competent Camillo, but she is no revolutionary. All of the characters of the play remain deeply loyal to the two kings. Camillo obeys his conscience, but once Leontes repents, Camillo longs to see his old master again. Shakespeare presents us with admirable heroes who speak their minds, like Paulina, or obey their consciences, like Camillo; and yet these heroes must work within the system of patriarchy and monarchy. Both heroes are distinguished by their loyalty. Kings err, but for the happy ending to be possible they must be forgiven. The play's joyous ending makes a strong statement about social bonds and monarchy; its vision of what it means to be a good king and a good subject is both optimistic and conservative. The family of Leontes provides a model for a wide array of other social structures and hierarchies, including the families of subjects and the larger family of the nation. Preservation or restoration of these structures, including restoring and protecting patriarchs who abuse their power, is the central struggle of this play. The prophecy of the oracle gives us a sense that the hand of providence is at work. In delivering a message about truth and God, Apollo's prediction functions as Teiresias the seer functions in the plays of Sophocles: yes, there is a divine plan, and yes, sometimes parts of it are accessible to man. There is truth, something to aspire to, and there is meaning and order. Finally, the prophecy of Apollo has been fulfilled, and Perdita has returned home to be reunified with her father and mother. The play ends with restored order and great happiness. For modern audiences who have grown up under democracy and who also might view the idea of providence with great skepticism, The Winter's Tale can be a strange and even unsettling play. But its faith in existing social structures and the benign hand of the divine also make this play one of Shakespeare's most hopeful and uplifting works. In the reunification of Leontes' family and the new marriage of Perdita, The Winter's Tale leaves us with an optimistic vision of order and renewal."}

ACT V. SCENE I. Sicilia. The palace of LEONTES Enter LEONTES, CLEOMENES, DION, PAULINA, and OTHERS CLEOMENES. Sir, you have done enough, and have perform'd A saint-like sorrow. No fault could you make Which you have not redeem'd; indeed, paid down More penitence than done trespass. At the last, Do as the heavens have done: forget your evil; With them forgive yourself. LEONTES. Whilst I remember Her and her virtues, I cannot forget My blemishes in them, and so still think of The wrong I did myself; which was so much That heirless it hath made my kingdom, and Destroy'd the sweet'st companion that e'er man Bred his hopes out of. PAULINA. True, too true, my lord. If, one by one, you wedded all the world, Or from the all that are took something good To make a perfect woman, she you kill'd Would be unparallel'd. LEONTES. I think so. Kill'd! She I kill'd! I did so; but thou strik'st me Sorely, to say I did. It is as bitter Upon thy tongue as in my thought. Now, good now, Say so but seldom. CLEOMENES. Not at all, good lady. You might have spoken a thousand things that would Have done the time more benefit, and grac'd Your kindness better. PAULINA. You are one of those Would have him wed again. DION. If you would not so, You pity not the state, nor the remembrance Of his most sovereign name; consider little What dangers, by his Highness' fail of issue, May drop upon his kingdom and devour Incertain lookers-on. What were more holy Than to rejoice the former queen is well? What holier than, for royalty's repair, For present comfort, and for future good, To bless the bed of majesty again With a sweet fellow to't? PAULINA. There is none worthy, Respecting her that's gone. Besides, the gods Will have fulfill'd their secret purposes; For has not the divine Apollo said, Is't not the tenour of his oracle, That King Leontes shall not have an heir Till his lost child be found? Which that it shall, Is all as monstrous to our human reason As my Antigonus to break his grave And come again to me; who, on my life, Did perish with the infant. 'Tis your counsel My lord should to the heavens be contrary, Oppose against their wills. [To LEONTES] Care not for issue; The crown will find an heir. Great Alexander Left his to th' worthiest; so his successor Was like to be the best. LEONTES. Good Paulina, Who hast the memory of Hermione, I know, in honour, O that ever I Had squar'd me to thy counsel! Then, even now, I might have look'd upon my queen's full eyes, Have taken treasure from her lips- PAULINA. And left them More rich for what they yielded. LEONTES. Thou speak'st truth. No more such wives; therefore, no wife. One worse, And better us'd, would make her sainted spirit Again possess her corpse, and on this stage, Where we offend her now, appear soul-vex'd, And begin 'Why to me'- PAULINA. Had she such power, She had just cause. LEONTES. She had; and would incense me To murder her I married. PAULINA. I should so. Were I the ghost that walk'd, I'd bid you mark Her eye, and tell me for what dull part in't You chose her; then I'd shriek, that even your ears Should rift to hear me; and the words that follow'd Should be 'Remember mine.' LEONTES. Stars, stars, And all eyes else dead coals! Fear thou no wife; I'll have no wife, Paulina. PAULINA. Will you swear Never to marry but by my free leave? LEONTES. Never, Paulina; so be blest my spirit! PAULINA. Then, good my lords, bear witness to his oath. CLEOMENES. You tempt him over-much. PAULINA. Unless another, As like Hermione as is her picture, Affront his eye. CLEOMENES. Good madam- PAULINA. I have done. Yet, if my lord will marry- if you will, sir, No remedy but you will- give me the office To choose you a queen. She shall not be so young As was your former; but she shall be such As, walk'd your first queen's ghost, it should take joy To see her in your arms. LEONTES. My true Paulina, We shall not marry till thou bid'st us. PAULINA. That Shall be when your first queen's again in breath; Never till then. Enter a GENTLEMAN GENTLEMAN. One that gives out himself Prince Florizel, Son of Polixenes, with his princess- she The fairest I have yet beheld- desires access To your high presence. LEONTES. What with him? He comes not Like to his father's greatness. His approach, So out of circumstance and sudden, tells us 'Tis not a visitation fram'd, but forc'd By need and accident. What train? GENTLEMAN. But few, And those but mean. LEONTES. His princess, say you, with him? GENTLEMAN. Ay; the most peerless piece of earth, I think, That e'er the sun shone bright on. PAULINA. O Hermione, As every present time doth boast itself Above a better gone, so must thy grave Give way to what's seen now! Sir, you yourself Have said and writ so, but your writing now Is colder than that theme: 'She had not been, Nor was not to be equall'd.' Thus your verse Flow'd with her beauty once; 'tis shrewdly ebb'd, To say you have seen a better. GENTLEMAN. Pardon, madam. The one I have almost forgot- your pardon; The other, when she has obtain'd your eye, Will have your tongue too. This is a creature, Would she begin a sect, might quench the zeal Of all professors else, make proselytes Of who she but bid follow. PAULINA. How! not women? GENTLEMAN. Women will love her that she is a woman More worth than any man; men, that she is The rarest of all women. LEONTES. Go, Cleomenes; Yourself, assisted with your honour'd friends, Bring them to our embracement. Exeunt Still, 'tis strange He thus should steal upon us. PAULINA. Had our prince, Jewel of children, seen this hour, he had pair'd Well with this lord; there was not full a month Between their births. LEONTES. Prithee no more; cease. Thou know'st He dies to me again when talk'd of. Sure, When I shall see this gentleman, thy speeches Will bring me to consider that which may Unfurnish me of reason. Re-enter CLEOMENES, with FLORIZEL, PERDITA, and ATTENDANTS They are come. Your mother was most true to wedlock, Prince; For she did print your royal father off, Conceiving you. Were I but twenty-one, Your father's image is so hit in you His very air, that I should call you brother, As I did him, and speak of something wildly By us perform'd before. Most dearly welcome! And your fair princess- goddess! O, alas! I lost a couple that 'twixt heaven and earth Might thus have stood begetting wonder as You, gracious couple, do. And then I lost- All mine own folly- the society, Amity too, of your brave father, whom, Though bearing misery, I desire my life Once more to look on him. FLORIZEL. By his command Have I here touch'd Sicilia, and from him Give you all greetings that a king, at friend, Can send his brother; and, but infirmity, Which waits upon worn times, hath something seiz'd His wish'd ability, he had himself The lands and waters 'twixt your throne and his Measur'd, to look upon you; whom he loves, He bade me say so, more than all the sceptres And those that bear them living. LEONTES. O my brother- Good gentleman!- the wrongs I have done thee stir Afresh within me; and these thy offices, So rarely kind, are as interpreters Of my behind-hand slackness! Welcome hither, As is the spring to th' earth. And hath he too Expos'd this paragon to th' fearful usage, At least ungentle, of the dreadful Neptune, To greet a man not worth her pains, much less Th' adventure of her person? FLORIZEL. Good, my lord, She came from Libya. LEONTES. Where the warlike Smalus, That noble honour'd lord, is fear'd and lov'd? FLORIZEL. Most royal sir, from thence; from him whose daughter His tears proclaim'd his, parting with her; thence, A prosperous south-wind friendly, we have cross'd, To execute the charge my father gave me For visiting your Highness. My best train I have from your Sicilian shores dismiss'd; Who for Bohemia bend, to signify Not only my success in Libya, sir, But my arrival and my wife's in safety Here where we are. LEONTES. The blessed gods Purge all infection from our air whilst you Do climate here! You have a holy father, A graceful gentleman, against whose person, So sacred as it is, I have done sin, For which the heavens, taking angry note, Have left me issueless; and your father's blest, As he from heaven merits it, with you, Worthy his goodness. What might I have been, Might I a son and daughter now have look'd on, Such goodly things as you! Enter a LORD LORD. Most noble sir, That which I shall report will bear no credit, Were not the proof so nigh. Please you, great sir, Bohemia greets you from himself by me; Desires you to attach his son, who has- His dignity and duty both cast off- Fled from his father, from his hopes, and with A shepherd's daughter. LEONTES. Where's Bohemia? Speak. LORD. Here in your city; I now came from him. I speak amazedly; and it becomes My marvel and my message. To your court Whiles he was hast'ning- in the chase, it seems, Of this fair couple- meets he on the way The father of this seeming lady and Her brother, having both their country quitted With this young prince. FLORIZEL. Camillo has betray'd me; Whose honour and whose honesty till now Endur'd all weathers. LORD. Lay't so to his charge; He's with the King your father. LEONTES. Who? Camillo? LORD. Camillo, sir; I spake with him; who now Has these poor men in question. Never saw I Wretches so quake. They kneel, they kiss the earth; Forswear themselves as often as they speak. Bohemia stops his ears, and threatens them With divers deaths in death. PERDITA. O my poor father! The heaven sets spies upon us, will not have Our contract celebrated. LEONTES. You are married? FLORIZEL. We are not, sir, nor are we like to be; The stars, I see, will kiss the valleys first. The odds for high and low's alike. LEONTES. My lord, Is this the daughter of a king? FLORIZEL. She is, When once she is my wife. LEONTES. That 'once,' I see by your good father's speed, Will come on very slowly. I am sorry, Most sorry, you have broken from his liking Where you were tied in duty; and as sorry Your choice is not so rich in worth as beauty, That you might well enjoy her. FLORIZEL. Dear, look up. Though Fortune, visible an enemy, Should chase us with my father, pow'r no jot Hath she to change our loves. Beseech you, sir, Remember since you ow'd no more to time Than I do now. With thought of such affections, Step forth mine advocate; at your request My father will grant precious things as trifles. LEONTES. Would he do so, I'd beg your precious mistress, Which he counts but a trifle. PAULINA. Sir, my liege, Your eye hath too much youth in't. Not a month Fore your queen died, she was more worth such gazes Than what you look on now. LEONTES. I thought of her Even in these looks I made. [To FLORIZEL] But your petition Is yet unanswer'd. I will to your father. Your honour not o'erthrown by your desires, I am friend to them and you. Upon which errand I now go toward him; therefore, follow me, And mark what way I make. Come, good my lord. Exeunt Sicilia. Before the palace of LEONTES Enter AUTOLYCUS and a GENTLEMAN AUTOLYCUS. Beseech you, sir, were you present at this relation? FIRST GENTLEMAN. I was by at the opening of the fardel, heard the old shepherd deliver the manner how he found it; whereupon, after a little amazedness, we were all commanded out of the chamber; only this, methought I heard the shepherd say he found the child. AUTOLYCUS. I would most gladly know the issue of it. FIRST GENTLEMAN. I make a broken delivery of the business; but the changes I perceived in the King and Camillo were very notes of admiration. They seem'd almost, with staring on one another, to tear the cases of their eyes; there was speech in their dumbness, language in their very gesture; they look'd as they had heard of a world ransom'd, or one destroyed. A notable passion of wonder appeared in them; but the wisest beholder that knew no more but seeing could not say if th' importance were joy or sorrow- but in the extremity of the one it must needs be. Enter another GENTLEMAN Here comes a gentleman that happily knows more. The news, Rogero? SECOND GENTLEMAN. Nothing but bonfires. The oracle is fulfill'd: the King's daughter is found. Such a deal of wonder is broken out within this hour that ballad-makers cannot be able to express it. Enter another GENTLEMAN Here comes the Lady Paulina's steward; he can deliver you more. How goes it now, sir? This news, which is call'd true, is so like an old tale that the verity of it is in strong suspicion. Has the King found his heir? THIRD GENTLEMAN. Most true, if ever truth were pregnant by circumstance. That which you hear you'll swear you see, there is such unity in the proofs. The mantle of Queen Hermione's; her jewel about the neck of it; the letters of Antigonus found with it, which they know to be his character; the majesty of the creature in resemblance of the mother; the affection of nobleness which nature shows above her breeding; and many other evidences- proclaim her with all certainty to be the King's daughter. Did you see the meeting of the two kings? SECOND GENTLEMAN. No. THIRD GENTLEMAN. Then you have lost a sight which was to be seen, cannot be spoken of. There might you have beheld one joy crown another, so and in such manner that it seem'd sorrow wept to take leave of them; for their joy waded in tears. There was casting up of eyes, holding up of hands, with countenance of such distraction that they were to be known by garment, not by favour. Our king, being ready to leap out of himself for joy of his found daughter, as if that joy were now become a loss, cries 'O, thy mother, thy mother!' then asks Bohemia forgiveness; then embraces his son-in-law; then again worries he his daughter with clipping her. Now he thanks the old shepherd, which stands by like a weather-bitten conduit of many kings' reigns. I never heard of such another encounter, which lames report to follow it and undoes description to do it. SECOND GENTLEMAN. What, pray you, became of Antigonus, that carried hence the child? THIRD GENTLEMAN. Like an old tale still, which will have matter to rehearse, though credit be asleep and not an ear open: he was torn to pieces with a bear. This avouches the shepherd's son, who has not only his innocence, which seems much, to justify him, but a handkerchief and rings of his that Paulina knows. FIRST GENTLEMAN. What became of his bark and his followers? THIRD GENTLEMAN. Wreck'd the same instant of their master's death, and in the view of the shepherd; so that all the instruments which aided to expose the child were even then lost when it was found. But, O, the noble combat that 'twixt joy and sorrow was fought in Paulina! She had one eye declin'd for the loss of her husband, another elevated that the oracle was fulfill'd. She lifted the Princess from the earth, and so locks her in embracing as if she would pin her to her heart, that she might no more be in danger of losing. FIRST GENTLEMAN. The dignity of this act was worth the audience of kings and princes; for by such was it acted. THIRD GENTLEMAN. One of the prettiest touches of all, and that which angl'd for mine eyes- caught the water, though not the fish- was, when at the relation of the Queen's death, with the manner how she came to't bravely confess'd and lamented by the King, how attentivenes wounded his daughter; till, from one sign of dolour to another, she did with an 'Alas!'- I would fain say- bleed tears; for I am sure my heart wept blood. Who was most marble there changed colour; some swooned, all sorrowed. If all the world could have seen't, the woe had been universal. FIRST GENTLEMAN. Are they returned to the court? THIRD GENTLEMAN. No. The Princess hearing of her mother's statue, which is in the keeping of Paulina- a piece many years in doing and now newly perform'd by that rare Italian master, Julio Romano, who, had he himself eternity and could put breath into his work, would beguile nature of her custom, so perfectly he is her ape. He so near to Hermione hath done Hermione that they say one would speak to her and stand in hope of answer- thither with all greediness of affection are they gone, and there they intend to sup. SECOND GENTLEMAN. I thought she had some great matter there in hand; for she hath privately twice or thrice a day, ever since the death of Hermione, visited that removed house. Shall we thither, and with our company piece the rejoicing? FIRST GENTLEMAN. Who would be thence that has the benefit of access? Every wink of an eye some new grace will be born. Our absence makes us unthrifty to our knowledge. Let's along. Exeunt GENTLEMEN AUTOLYCUS. Now, had I not the dash of my former life in me, would preferment drop on my head. I brought the old man and his son aboard the Prince; told him I heard them talk of a fardel and I know not what; but he at that time over-fond of the shepherd's daughter- so he then took her to be- who began to be much sea-sick, and himself little better, extremity of weather continuing, this mystery remained undiscover'd. But 'tis all one to me; for had I been the finder-out of this secret, it would not have relish'd among my other discredits. Enter SHEPHERD and CLOWN Here come those I have done good to against my will, and already appearing in the blossoms of their fortune. SHEPHERD. Come, boy; I am past moe children, but thy sons and daughters will be all gentlemen born. CLOWN. You are well met, sir. You denied to fight with me this other day, because I was no gentleman born. See you these clothes? Say you see them not and think me still no gentleman born. You were best say these robes are not gentlemen born. Give me the lie, do; and try whether I am not now a gentleman born. AUTOLYCUS. I know you are now, sir, a gentleman born. CLOWN. Ay, and have been so any time these four hours. SHEPHERD. And so have I, boy. CLOWN. So you have; but I was a gentleman born before my father; for the King's son took me by the hand and call'd me brother; and then the two kings call'd my father brother; and then the Prince, my brother, and the Princess, my sister, call'd my father father. And so we wept; and there was the first gentleman-like tears that ever we shed. SHEPHERD. We may live, son, to shed many more. CLOWN. Ay; or else 'twere hard luck, being in so preposterous estate as we are. AUTOLYCUS. I humbly beseech you, sir, to pardon me all the faults I have committed to your worship, and to give me your good report to the Prince my master. SHEPHERD. Prithee, son, do; for we must be gentle, now we are gentlemen. CLOWN. Thou wilt amend thy life? AUTOLYCUS. Ay, an it like your good worship. CLOWN. Give me thy hand. I will swear to the Prince thou art as honest a true fellow as any is in Bohemia. SHEPHERD. You may say it, but not swear it. CLOWN. Not swear it, now I am a gentleman? Let boors and franklins say it: I'll swear it. SHEPHERD. How if it be false, son? CLOWN. If it be ne'er so false, a true gentleman may swear it in the behalf of his friend. And I'll swear to the Prince thou art a tall fellow of thy hands and that thou wilt not be drunk; but I know thou art no tall fellow of thy hands and that thou wilt be drunk. But I'll swear it; and I would thou wouldst be a tall fellow of thy hands. AUTOLYCUS. I will prove so, sir, to my power. CLOWN. Ay, by any means, prove a tall fellow. If I do not wonder how thou dar'st venture to be drunk not being a tall fellow, trust me not. Hark! the kings and the princes, our kindred, are going to see the Queen's picture. Come, follow us; we'll be thy good masters. Exeunt Sicilia. A chapel in PAULINA's house Enter LEONTES, POLIXENES, FLORIZEL, PERDITA, CAMILLO, PAULINA, LORDS and ATTENDANTS LEONTES. O grave and good Paulina, the great comfort That I have had of thee! PAULINA. What, sovereign sir, I did not well, I meant well. All my services You have paid home; but that you have vouchsaf'd, With your crown'd brother and these your contracted Heirs of your kingdoms, my poor house to visit, It is a surplus of your grace, which never My life may last to answer. LEONTES. O Paulina, We honour you with trouble; but we came To see the statue of our queen. Your gallery Have we pass'd through, not without much content In many singularities; but we saw not That which my daughter came to look upon, The statue of her mother. PAULINA. As she liv'd peerless, So her dead likeness, I do well believe, Excels whatever yet you look'd upon Or hand of man hath done; therefore I keep it Lonely, apart. But here it is. Prepare To see the life as lively mock'd as ever Still sleep mock'd death. Behold; and say 'tis well. [PAULINA draws a curtain, and discovers HERMIONE standing like a statue] I like your silence; it the more shows off Your wonder; but yet speak. First, you, my liege. Comes it not something near? LEONTES. Her natural posture! Chide me, dear stone, that I may say indeed Thou art Hermione; or rather, thou art she In thy not chiding; for she was as tender As infancy and grace. But yet, Paulina, Hermione was not so much wrinkled, nothing So aged as this seems. POLIXENES. O, not by much! PAULINA. So much the more our carver's excellence, Which lets go by some sixteen years and makes her As she liv'd now. LEONTES. As now she might have done, So much to my good comfort as it is Now piercing to my soul. O, thus she stood, Even with such life of majesty- warm life, As now it coldly stands- when first I woo'd her! I am asham'd. Does not the stone rebuke me For being more stone than it? O royal piece, There's magic in thy majesty, which has My evils conjur'd to remembrance, and From thy admiring daughter took the spirits, Standing like stone with thee! PERDITA. And give me leave, And do not say 'tis superstition that I kneel, and then implore her blessing. Lady, Dear queen, that ended when I but began, Give me that hand of yours to kiss. PAULINA. O, patience! The statue is but newly fix'd, the colour's Not dry. CAMILLO. My lord, your sorrow was too sore laid on, Which sixteen winters cannot blow away, So many summers dry. Scarce any joy Did ever so long live; no sorrow But kill'd itself much sooner. POLIXENES. Dear my brother, Let him that was the cause of this have pow'r To take off so much grief from you as he Will piece up in himself. PAULINA. Indeed, my lord, If I had thought the sight of my poor image Would thus have wrought you- for the stone is mine- I'd not have show'd it. LEONTES. Do not draw the curtain. PAULINA. No longer shall you gaze on't, lest your fancy May think anon it moves. LEONTES. Let be, let be. Would I were dead, but that methinks already- What was he that did make it? See, my lord, Would you not deem it breath'd, and that those veins Did verily bear blood? POLIXENES. Masterly done! The very life seems warm upon her lip. LEONTES. The fixture of her eye has motion in't, As we are mock'd with art. PAULINA. I'll draw the curtain. My lord's almost so far transported that He'll think anon it lives. LEONTES. O sweet Paulina, Make me to think so twenty years together! No settled senses of the world can match The pleasure of that madness. Let 't alone. PAULINA. I am sorry, sir, I have thus far stirr'd you; but I could afflict you farther. LEONTES. Do, Paulina; For this affliction has a taste as sweet As any cordial comfort. Still, methinks, There is an air comes from her. What fine chisel Could ever yet cut breath? Let no man mock me, For I will kiss her. PAULINA. Good my lord, forbear. The ruddiness upon her lip is wet; You'll mar it if you kiss it; stain your own With oily painting. Shall I draw the curtain? LEONTES. No, not these twenty years. PERDITA. So long could I Stand by, a looker-on. PAULINA. Either forbear, Quit presently the chapel, or resolve you For more amazement. If you can behold it, I'll make the statue move indeed, descend, And take you by the hand, but then you'll think- Which I protest against- I am assisted By wicked powers. LEONTES. What you can make her do I am content to look on; what to speak I am content to hear; for 'tis as easy To make her speak as move. PAULINA. It is requir'd You do awake your faith. Then all stand still; Or those that think it is unlawful business I am about, let them depart. LEONTES. Proceed. No foot shall stir. PAULINA. Music, awake her: strike. [Music] 'Tis time; descend; be stone no more; approach; Strike all that look upon with marvel. Come; I'll fill your grave up. Stir; nay, come away. Bequeath to death your numbness, for from him Dear life redeems you. You perceive she stirs. [HERMIONE comes down from the pedestal] Start not; her actions shall be holy as You hear my spell is lawful. Do not shun her Until you see her die again; for then You kill her double. Nay, present your hand. When she was young you woo'd her; now in age Is she become the suitor? LEONTES. O, she's warm! If this be magic, let it be an art Lawful as eating. POLIXENES. She embraces him. CAMILLO. She hangs about his neck. If she pertain to life, let her speak too. POLIXENES. Ay, and make it manifest where she has liv'd, Or how stol'n from the dead. PAULINA. That she is living, Were it but told you, should be hooted at Like an old tale; but it appears she lives Though yet she speak not. Mark a little while. Please you to interpose, fair madam. Kneel, And pray your mother's blessing. Turn, good lady; Our Perdita is found. HERMIONE. You gods, look down, And from your sacred vials pour your graces Upon my daughter's head! Tell me, mine own, Where hast thou been preserv'd? Where liv'd? How found Thy father's court? For thou shalt hear that I, Knowing by Paulina that the oracle Gave hope thou wast in being, have preserv'd Myself to see the issue. PAULINA. There's time enough for that, Lest they desire upon this push to trouble Your joys with like relation. Go together, You precious winners all; your exultation Partake to every one. I, an old turtle, Will wing me to some wither'd bough, and there My mate, that's never to be found again, Lament till I am lost. LEONTES. O peace, Paulina! Thou shouldst a husband take by my consent, As I by thine a wife. This is a match, And made between's by vows. Thou hast found mine; But how, is to be question'd; for I saw her, As I thought, dead; and have, in vain, said many A prayer upon her grave. I'll not seek far- For him, I partly know his mind- to find thee An honourable husband. Come, Camillo, And take her by the hand whose worth and honesty Is richly noted, and here justified By us, a pair of kings. Let's from this place. What! look upon my brother. Both your pardons, That e'er I put between your holy looks My ill suspicion. This your son-in-law, And son unto the King, whom heavens directing, Is troth-plight to your daughter. Good Paulina, Lead us from hence where we may leisurely Each one demand and answer to his part Perform'd in this wide gap of time since first We were dissever'd. Hastily lead away. Exeunt THE END

Act 5

https://web.archive.org/web/20210411083408/https://www.gradesaver.com/the-winters-tale/study-guide/summary-act-5

The courtiers comfort Leontes, who has never forgiven himself for the deaths of Mamillius and Hermione. Paulina's words to the king include a dose of harsh honesty. Though the other courtiers want him to remarry, Paulina urges him not to do it. She reminds him of Apollo's prophecy, which proclaimed that Leontes would have no heir unless the lost daughter were found. To remarry for the purposes of producing an heir would therefore be futile. She persuades him never to remarry again unless Paulina chooses the bride. Leontes agrees, and Paulina says that if she is to have her way, he will never marry until his queen draws breath again. A servant announces the arrival of Florizell and his wife. Because the visit is sudden and unexpected, Leontes suspects that Florizell comes because of some accident or disaster. The servant praises Florizell's wife, whom he has assumed is a princess. When he says that the princess is peerless among women past and present, Paulina takes exception to the compliment, because she will not have her old queen, Hermione, ranked second to anyone. The servant apologizes but promises that Paulina, too, will be awed by the girl. Florizell and Perdita enter, and Leontes greets them with great emotion and warmth. Florizell pretends that Perdita is a princess of Libya, and that they are newly married. But a servant interrupts them, bringing news that Polixenes is in Sicilia. He has come for his son, who fled Bohemia with a shepherd's daughter. The Shepherd and the Shepherd's Son are with him. Florizell correctly infers that Camillo has betrayed him. To Perdita's great alarm, the servant reports that Shepherd and Shepherd's Son were begging the king for mercy, who ignored their pleas and threatened them with great harm. Leontes is not angry about the deception, and he speaks comforting words to the prince. Florizell asks Leontes to speak on behalf of the young couple, and the king promises that he will try to help them. Scene ii: The truth about Perdita's parentage has been revealed. We never see the event happen onstage; instead, we hear about it in a conversation between three gentleman and Autolycus. When the Shepherd produced the items that he found with the infant Perdita, which included garments and jewels that belonged to Hermione and letters written by Antigonus, all those present realized the truth. The two royal families and their attendant advisors and friends were overcome by joy and sorrow. Paulina rejoiced to see the oracle fulfilled, but she mourned for the loss of her husband. Leontes was overwhelmed by the miraculous return of his daughter, but it reminded him afresh of Hermione's death. The whole scene, one gentleman promised, would have moved anyone who witnessed it. Leontes, Polixenes, Florizell, Perdita, Camillo, Paulina, and various lords have all gone to Paulina's house. There, a statue of Hermione is nearing completion. They go there to view the statue and sup together. Alone with the audience, Autolycus says that earlier on the prince's ship he tried to tell Florizell that Perdita was a foundling, but Perdita and Florizell were too busy with seasickness to listen to him. His chances for advancement seem slim, but he takes it all in stride. The Shepherd and the Shepherd's Son enter, now decked out in fine clothes. They are overjoyed at their new good fortune, proclaiming themselves to be gentlemen; kings and courtiers have thanked them and called them brother for taking care of Perdita. Autolycus asks forgiveness for the tricks he played on them, and he also requests that they put in a good word for him with Florizell. The Shepherd's Son promises to be his advocate. Scene iii: In Paulina's house, Paulina draws back the curtain to reveal the statue of Hermione. The statue is remarkably lifelike, and it is made to look like an older Hermione, as if the queen had lived and aged these past sixteen years. The likeness of Hermione stirs up deep emotions for Perdita, who has never known a mother. Leontes is moved to great sorrow by the statue, and Paulina offers repeatedly to draw the curtain so as to spare him pain. Paulina then offers to make the statue move, although she fears to do so if any consider this magic unnatural. At the king's urging, Paulina wakes the statue, miraculously restoring Hermione to life. All are amazed. Hermione takes her king by the hand. Paulina presents Perdita to Hermione, and the queen lovingly asks her daughter to tell her everything that has happened while the queen has been gone. Paulina encourages them to go together and enjoy the reunification of their family, while she stays behind to mourn the loss of Antigonus. Leontes tells her to leave her sorrow behind. He wants her to fulfill her vow to take a husband of the king's choosing, just as he agreed to remarry the wife she chose for him. Leontes chooses Camillo, a perfect match for Paulina. For all the wrongs he committed against Polixenes and Hermione, Leontes begs forgiveness. With Paulina leading the way, the characters exit. Finally, reunited family and friends will share what has happened to them since their separation sixteen years ago.

We return in the final act to the grieving court of Sicilia, still sorrowful for the queen's death and anxious about the stability of their kingdom, which remains without an heir. Act 5 restores stability and solves the problems of both kings without any revolution. The queen and daughter Leontes lost return to him miraculously. For Polixenes, the commoner his son wanted to marry has turned out to be a princess, and no less, she is the daughter of his oldest friend. The happy ending is fantastic, so full of magic and unlikely coincidences that characters constantly remark that if the events they have witnessed were retold as a story, no one would believe it. A "winter's tale" is a long story to be told by a warm fire, often one full of fantasy and clever invention. But the audience is not being told a story: we are allowed, along with the characters, to witness the wondrous events of the play. The most fantastic event of the show, Hermione's miraculous resurrection, is also one of the most powerful. Shakespeare's audience might have had some anxiety about the magical resurrection of the dead, but Leontes remarks that the effects of Paulina's magic are so wondrous that her craft must be embraced as natural and good. The pagan and pastoral elements of the play also help to deflect the charge of witchcraft. Act 4 immersed the audience in a healing and restorative world of nature and romance. The Greek and Christian stories of regeneration and resurrection have prepared us for this ending, as has the pagan myth of Pygmalion, in which a sculptor's creation comes to life through the aid of the gods. Lines in Act 5 foreshadow the resurrection. When Paulina tells the king that he will never marry until his wife draws breath again, the talk of Hermione's resurrection is a prediction rather than a rhetorical device. And when the gentlemen discuss the revealing of Perdita's parentage, one of them remarks that even those "most marble there changed color" . The phrase means that even the most hard-hearted were moved, but the gentleman is also unwittingly foreshadowing the restoration of the one who is literally "most marble," the statue of Hermione. She changes color when the blush of life enters her cheeks again. In moving towards the happy ending, more than magic is required. Paulina and Hermione join the ranks of other Shakespearean women who work to preserve or restore the status quo. The two women represent vastly different kinds of feminine virtue. Hermione is the passive, obedient wife, who without question takes back the husband who caused the death of herself and her son. Paulina is the sharp-tongued, fearless, and shrewish woman who never shirks from scolding any wrongdoer, even if he happens to be the king. But Paulina, too, is ultimately loyal to Leontes and his throne. Her magic restores his wife to him, and she obeys him when he asks her to marry Camillo. Paulina is strong-willed and admirable, and her counsel is especially needed after the departure of the wise and competent Camillo, but she is no revolutionary. All of the characters of the play remain deeply loyal to the two kings. Camillo obeys his conscience, but once Leontes repents, Camillo longs to see his old master again. Shakespeare presents us with admirable heroes who speak their minds, like Paulina, or obey their consciences, like Camillo; and yet these heroes must work within the system of patriarchy and monarchy. Both heroes are distinguished by their loyalty. Kings err, but for the happy ending to be possible they must be forgiven. The play's joyous ending makes a strong statement about social bonds and monarchy; its vision of what it means to be a good king and a good subject is both optimistic and conservative. The family of Leontes provides a model for a wide array of other social structures and hierarchies, including the families of subjects and the larger family of the nation. Preservation or restoration of these structures, including restoring and protecting patriarchs who abuse their power, is the central struggle of this play. The prophecy of the oracle gives us a sense that the hand of providence is at work. In delivering a message about truth and God, Apollo's prediction functions as Teiresias the seer functions in the plays of Sophocles: yes, there is a divine plan, and yes, sometimes parts of it are accessible to man. There is truth, something to aspire to, and there is meaning and order. Finally, the prophecy of Apollo has been fulfilled, and Perdita has returned home to be reunified with her father and mother. The play ends with restored order and great happiness. For modern audiences who have grown up under democracy and who also might view the idea of providence with great skepticism, The Winter's Tale can be a strange and even unsettling play. But its faith in existing social structures and the benign hand of the divine also make this play one of Shakespeare's most hopeful and uplifting works. In the reunification of Leontes' family and the new marriage of Perdita, The Winter's Tale leaves us with an optimistic vision of order and renewal.

cliffnotes

all_chapterized_books/1134-chapters/1.txt

finished_summaries/cliffnotes/The Winter's Tale/section_0_part_0.txt

The Winter's Tale.act 1.scene 1

scene 1

{"name": "Scene 1", "url": "https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-i-scene-1", "summary": "Archidamus, a lord of Bohemia, tells Camillo, a lord of Sicilia, that should he ever visit Bohemia that he would find great differences between the two countries. Camillo responds that he thinks his king plans an exchange visit during the coming summer. Archidamus predicts that although their entertainments cannot match Sicilia's, they will manage to express their love. When Camillo protests the apology, Archidamus emphasizes that he knows that his country of Bohemia cannot produce \"such magnificence.\" Archidamus then envisions offering drinks that will drug the visitors; if unable to praise their hosts, they will at least not be able to blame them for inadequate \"magnificence.\" Camillo then tells Archidamus that Leontes is being so generous because of the great love that he has had for the Bohemian king since childhood. All of the formal, diplomatic gifts that the kings have exchanged during the intervening years of separation have maintained the strong friendship that still binds them. Camillo calls for help from the heavens to maintain this love. Archidamus comments that no earthly force could be strong enough to alter that love. Then he praises Leontes' son, Prince Mamillius, as the most promising young man he has ever observed. Camillo agrees, claiming that Leontes' elderly subjects remain alive only for the joy of observing Mamillius when he grows to adulthood. Archidamus, more realistically, states that the elderly would find a reason to continue to survive even if Mamillius did not exist.", "analysis": "The conversation between Archidamus and Camillo establishes the two main settings of the play and introduces the theme of deep and lasting friendship between the two kings. We can also infer that Leontes possesses natural riches far beyond those of Polixenes . The fact that no single main character appears in this scene forces our initial focus onto the contrasting settings; Sicilia is established as being the preferable location. While Archidamus bemoans the impossibility of matching the hospitality of Sicilia, he introduces a human temptation that will cause great harm throughout the play -- that is, confusing reality with illusion. First, he is stymied by reality: \"We cannot with such magnificence -- in so rare -- I know not what to say.\" Then, he envisions a means to avoid the reality: \"We will give you sleepy drinks, that your senses, unintelligent of our insufficience, may, though they cannot praise us, as little accuse us.\" A little later, Archidamus reverses his vision and returns to reality, when he counters Camillo's claim about Mamillius: \"They that went on crutches ere he was born desire yet their life to see him a man.\" Archidamus doubts that the elderly would die without the inspiration of Mamillius, and he bluntly declares: \"If the King had no son, they would desire to live on crutches till he had one.\" Archidamus then speaks of the long friendship between the two kings, and he says that he doubts if there is \"in the world either malice or matter to alter it.\" In fact, no reality does exist to alter that friendship, but illusion can, and will, alter it."}

Sicilia. The palace of LEONTES Enter CAMILLO and ARCHIDAMUS ARCHIDAMUS. If you shall chance, Camillo, to visit Bohemia, on the like occasion whereon my services are now on foot, you shall see, as I have said, great difference betwixt our Bohemia and your Sicilia. CAMILLO. I think this coming summer the King of Sicilia means to pay Bohemia the visitation which he justly owes him. ARCHIDAMUS. Wherein our entertainment shall shame us we will be justified in our loves; for indeed- CAMILLO. Beseech you- ARCHIDAMUS. Verily, I speak it in the freedom of my knowledge: we cannot with such magnificence, in so rare- I know not what to say. We will give you sleepy drinks, that your senses, unintelligent of our insufficience, may, though they cannot praise us, as little accuse us. CAMILLO. You pay a great deal too dear for what's given freely. ARCHIDAMUS. Believe me, I speak as my understanding instructs me and as mine honesty puts it to utterance. CAMILLO. Sicilia cannot show himself overkind to Bohemia. They were train'd together in their childhoods; and there rooted betwixt them then such an affection which cannot choose but branch now. Since their more mature dignities and royal necessities made separation of their society, their encounters, though not personal, have been royally attorneyed with interchange of gifts, letters, loving embassies; that they have seem'd to be together, though absent; shook hands, as over a vast; and embrac'd as it were from the ends of opposed winds. The heavens continue their loves! ARCHIDAMUS. I think there is not in the world either malice or matter to alter it. You have an unspeakable comfort of your young Prince Mamillius; it is a gentleman of the greatest promise that ever came into my note. CAMILLO. I very well agree with you in the hopes of him. It is a gallant child; one that indeed physics the subject, makes old hearts fresh; they that went on crutches ere he was born desire yet their life to see him a man. ARCHIDAMUS. Would they else be content to die? CAMILLO. Yes; if there were no other excuse why they should desire to live. ARCHIDAMUS. If the King had no son, they would desire to live on crutches till he had one. Exeunt

Scene 1

https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-i-scene-1

Archidamus, a lord of Bohemia, tells Camillo, a lord of Sicilia, that should he ever visit Bohemia that he would find great differences between the two countries. Camillo responds that he thinks his king plans an exchange visit during the coming summer. Archidamus predicts that although their entertainments cannot match Sicilia's, they will manage to express their love. When Camillo protests the apology, Archidamus emphasizes that he knows that his country of Bohemia cannot produce "such magnificence." Archidamus then envisions offering drinks that will drug the visitors; if unable to praise their hosts, they will at least not be able to blame them for inadequate "magnificence." Camillo then tells Archidamus that Leontes is being so generous because of the great love that he has had for the Bohemian king since childhood. All of the formal, diplomatic gifts that the kings have exchanged during the intervening years of separation have maintained the strong friendship that still binds them. Camillo calls for help from the heavens to maintain this love. Archidamus comments that no earthly force could be strong enough to alter that love. Then he praises Leontes' son, Prince Mamillius, as the most promising young man he has ever observed. Camillo agrees, claiming that Leontes' elderly subjects remain alive only for the joy of observing Mamillius when he grows to adulthood. Archidamus, more realistically, states that the elderly would find a reason to continue to survive even if Mamillius did not exist.

The conversation between Archidamus and Camillo establishes the two main settings of the play and introduces the theme of deep and lasting friendship between the two kings. We can also infer that Leontes possesses natural riches far beyond those of Polixenes . The fact that no single main character appears in this scene forces our initial focus onto the contrasting settings; Sicilia is established as being the preferable location. While Archidamus bemoans the impossibility of matching the hospitality of Sicilia, he introduces a human temptation that will cause great harm throughout the play -- that is, confusing reality with illusion. First, he is stymied by reality: "We cannot with such magnificence -- in so rare -- I know not what to say." Then, he envisions a means to avoid the reality: "We will give you sleepy drinks, that your senses, unintelligent of our insufficience, may, though they cannot praise us, as little accuse us." A little later, Archidamus reverses his vision and returns to reality, when he counters Camillo's claim about Mamillius: "They that went on crutches ere he was born desire yet their life to see him a man." Archidamus doubts that the elderly would die without the inspiration of Mamillius, and he bluntly declares: "If the King had no son, they would desire to live on crutches till he had one." Archidamus then speaks of the long friendship between the two kings, and he says that he doubts if there is "in the world either malice or matter to alter it." In fact, no reality does exist to alter that friendship, but illusion can, and will, alter it.

cliffnotes

all_chapterized_books/1134-chapters/2.txt

finished_summaries/cliffnotes/The Winter's Tale/section_1_part_0.txt

The Winter's Tale.act 1.scene 2

scene 2

{"name": "Scene 2", "url": "https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-i-scene-2", "summary": "Leontes, his wife Hermione, Polixenes, Camillo, and a bevy of lords stroll quietly on stage. Polixenes announces that after nine months away from his royal duties, he must return home tomorrow. Leontes urges Polixenes to stay at least another week, but Polixenes insists that he must leave the following day to tend to his duties, although no one could touch him so emotionally as Leontes can. Leontes then urges his wife to speak. Hermione reassures Polixenes that all is surely well in Bohemia; otherwise, he would have heard by now. Thus, he is free to stay. When Polixenes continues to resist the invitation to stay, Hermione declares that he will stay, either as her guest or as her prisoner. Given that choice, Polixenes agrees to stay one more week. Polixenes then enters into a reverie of his boyhood with Leontes. Hermione is curious about Leontes at that age. Polixenes recalls that they were both innocent, as alike as lambs. When teased about their loss of innocence, Polixenes graciously explains that neither of them had yet met the women whom they would eventually wed. Hermione then asks if their wives made them sinners or if they had sinned with others. Noticing the liveliness of their conversation, Leontes calls out: \"Is he won yet?\" Hermione responds that Polixenes will stay. Leontes congratulates his wife on her power of speaking convincingly, saying that only once before has she spoken so well. Hermione is intrigued and asks when was the other time. Leontes responds that it occurred at the end of their courtship when she said, \"I am yours forever.\" Hermione responds that the first time she spoke well earned her a husband; the second time, a good friend. Hermione extends her hand to Polixenes, and they walk away from the others. Leontes fumes over every small gesture that the couple makes. He interprets impropriety, and he calls his son over and unleashes a mixture of double entendres with dirty innuendos. Enraged by jealousy, Leontes examines his son for signs of illegitimacy. Recognizing his emotional distress, he proclaims \"the infection of my brains/ And hardening of my brows.\" Concerned about the change in Leontes' appearance, Polixenes and Hermione ask him if he is all right. Leontes lies, saying that while he was looking at Mamillius, he was reminded of his own \"lost\" youth. Leontes then asks Polixenes if he is fond of his son. Polixenes describes both the frustration and the pride of fatherhood, but despite them both, he says that his son means everything to him. Leontes claims that his son means the same to him. He states that he will walk with his son awhile and urges Polixenes and Hermione to walk elsewhere. Hermione says they will walk to the garden where they can be found if Leontes wants them. After watching the couple's actions, Leontes lashes out at his son: \"Go play, boy, play. Thy mother plays,\" adding that she will \"hiss\" him to his grave. Clearly, the Sicilian king is convinced that his wife is unfaithful -- as are most wives -- in his estimation. Noticing Camillo, Leontes asks him for his version of what has happened. Camillo answers that Polixenes would not stay when Leontes asked him to do so, but changed his mind when Hermione entreated him. Leontes thus assumes that Camillo and others are already whispering about his cuckoldry. But when pressed to confirm Hermione's infidelity, Camillo is shocked, and he criticizes his king. After Leontes attacks Camillo's character and his reliability as a witness for not admitting or noticing that Hermione is \"slippery\" and a \"hobby-horse,\" Camillo retorts: \"You never spoke what did become you less than this.\" Unable to force Camillo to agree with him, Leontes slips into the role of a tyrant. He orders Camillo to poison Polixenes. Camillo agrees this would be easy enough, especially since he is Polixenes' cupbearer, and he promises to poison Polixenes if Leontes promises to treat Hermione as though nothing has happened -- for the sake of their son and for the purpose of forestalling international gossip. After Leontes agrees, Camillo urges Leontes to join Polixenes and Hermione and to seem to be friendly with them. Camillo then reveals to us that he is all too aware what happens to men who would poison a king. Polixenes enters confused and asks Camillo for an explanation of Leontes' unfriendly behavior; Camillo refers vaguely to a sickness. Polixenes presses Camillo for a clearer explanation, and Camillo finally admits that he has been ordered to poison Polixenes because the king suspects him of philandering with Hermione. At first, Polixenes wants to confront Leontes, face-to-face, with a denial, but he is persuaded by Camillo that this would be as useless as forbidding \"the sea . . . to obey the moon.\" Finally, Polixenes accepts Camillo's plan for them to secretly slip away in small groups, and he promises Camillo asylum in return. As Polixenes remembers the rarity and purity of Hermione, he fears that Leontes' insane jealousy of Polixenes will result in violence. The two men then exit to begin their hasty escape.", "analysis": "As hinted by Archidamus in the previous scene, nothing that is real in this world is altering the present situation. Incoherence now even afflicts Leontes: Then 'tis very credent Thou may'st co-join with something; and thou dost, And that beyond commission, and I find it, And that to the infection of my brains And hardening of my brows. Leontes' jealousy in this scene is the key to the quality of the conflict, the probability, and the development of both plot and character throughout the play. The onset of Leontes' jealousy comes without warning, motivation, or justification. Leontes' first jealous reaction is: \"At my request he would not,\" meaning that Polixenes was not swayed by Leontes' entreaties. This statement is reinforced when Leontes reminds Hermione that she had spoken to equally good purpose when she promised him, \"I am yours forever.\" Significantly, since Hermione and Polixenes are both innocent, they both fail to detect the rivalry and the jealousy which Leontes is now displaying. To Leontes, everything that the couple does inflames him; he assumes that they are flaunting their attraction for one another. Most damaging of all to Leontes is his increasing self-seduction by illusion. Observing some innocent courtly handplay, he spits out: \"Too hot, too hot!/ To mingle friendship far is mingling blood.\" Suspecting even the illegitimacy of his son, Mamillius, Leontes imagines the snickering whispers of everyone about his cuckoldry \"Inch-thick, knee-deep, o'er head and ears a forked one!\" He tells Mamillius, sarcastically, to go \"play,\" like his mother, and then he indulges in his fantasies, telling himself that many men consort with their wives without realizing that \"she has been sluiced in's absence.\" He concludes that the problem must be widespread because there is no medicine, no protection against it: No barricado for a belly: know't; It will let in and out the enemy With bag and baggage. At this stage, the innocent charm of his son and the reality offered by Camillo can no longer link Leontes with reality. Thus, the Sicilian king sinks further and further into illusion: Is whispering nothing? Is leaning cheek to cheek? Is meeting noses? Kissing with inside lip? stopping the career Of laughter with a sigh? -- a note infallible Of breaking honesty; -- horsing foot on foot? Skulking in corners? wishing clocks more swift? In vain, Camillo pleads for Leontes to quickly be cured of this diseased opinion\" because of its danger. Here, Leontes turns to tyranny, a transformation that is extremely dangerous because of the power which he commands during his sickness. He commands Camillo to verify the truth of his observations. Camillo refuses. Leontes insists, \"It is; you lie, you lie!/ I say thou liest, Camillo, and I hate thee.\" Stoking his power with anger, he orders Camillo to poison Polixenes. It is no wonder that Camillo perceives himself in a hopeless dilemma and thus turns to Polixenes for help. When Polixenes correctly interprets Camillo's allusion to \"a sickness/ Which puts some of us in distemper\" , the Bohemian king clearly understands the hopelessness of the situation: This jealousy Is for a precious creature. As she's rare, Must it be great; and as his person's mighty, Must it be violent. Affirming the queen's innocence, Polixenes can only wish her well and flee for his life. The major conflict of the play begins to shape the plot: Leontes has flung himself against reality. He is willing to destroy his richest possessions -- the love and loyalty of his family, his best friend, and his court advisers -- for revenge. We can understand Leontes' tyranny because of our knowledge that human nature, when inflamed by jealousy, is often a cause of murder. In addition, Leontes' extraordinary power increases his capacity to murder. Camillo and Polixenes are sufficiently developed as characters to realize that their interpretations of reality leave them helpless before the sick illusion of the king's jealousy. The protests that the audience might feel because their observations of reality conflict with Leontes' conclusions are contained in the protests of Camillo. Shakespeare's stage and acting directions are superb aids for actors during these scenes. For instance, the friendship between the two kings is keenly illustrated with action: \"They have seemed to be together, though absent; shook hands, as over a vast; and embraced, as it were, from the ends of opposed winds.\" Note, too, Shakespeare's clues for the actions of Hermione and Polixenes are ones that must sufficiently motivate Leontes. Intertwined with the warm sharing of childhood memories, these two must act out an enticing, inciting scene of \"paddling palms,\" \"pinching fingers,\" and laughter cut short. This dramatization increases in significance with the knowledge that Shakespeare altered the truly imprudent behavior of Hermione in his source and substituted, instead, the simple, innocent action of handplay to incite Leontes' jealousy. Although no truly exciting action occurs in this scene, the dramatic pace quickens with the infusion of the king's perverted emotions. Jealousy and then fear shatter the peaceful, sleepy grace of the first scene. One other central idea is subtly introduced in this scene. With the seemingly minor theme of youth, Shakespeare begins building the key theme of rebirth -- one of those concepts which separates this group of final plays from the tragedies. As a brief review, remember that Camillo believes that the elderly subjects of Sicilia stay alive merely to experience the promise of Mamillius' youth; remember also the strength of the bonds formed during the innocent youth of the two kings. More specific to the purpose of resolving Leontes' disease, notice references to the healing power of youth, such as \"physics the subject\" and \"makes old hearts fresh.\" Later, when Perdita emerges as the symbol of spring and rebirth, she will belong to a tradition within the world of the play."}

Sicilia. The palace of LEONTES Enter LEONTES, POLIXENES, HERMIONE, MAMILLIUS, CAMILLO, and ATTENDANTS POLIXENES. Nine changes of the wat'ry star hath been The shepherd's note since we have left our throne Without a burden. Time as long again Would be fill'd up, my brother, with our thanks; And yet we should for perpetuity Go hence in debt. And therefore, like a cipher, Yet standing in rich place, I multiply With one 'We thank you' many thousands moe That go before it. LEONTES. Stay your thanks a while, And pay them when you part. POLIXENES. Sir, that's to-morrow. I am question'd by my fears of what may chance Or breed upon our absence, that may blow No sneaping winds at home, to make us say 'This is put forth too truly.' Besides, I have stay'd To tire your royalty. LEONTES. We are tougher, brother, Than you can put us to't. POLIXENES. No longer stay. LEONTES. One sev'night longer. POLIXENES. Very sooth, to-morrow. LEONTES. We'll part the time between's then; and in that I'll no gainsaying. POLIXENES. Press me not, beseech you, so. There is no tongue that moves, none, none i' th' world, So soon as yours could win me. So it should now, Were there necessity in your request, although 'Twere needful I denied it. My affairs Do even drag me homeward; which to hinder Were in your love a whip to me; my stay To you a charge and trouble. To save both, Farewell, our brother. LEONTES. Tongue-tied, our Queen? Speak you. HERMIONE. I had thought, sir, to have held my peace until You had drawn oaths from him not to stay. You, sir, Charge him too coldly. Tell him you are sure All in Bohemia's well- this satisfaction The by-gone day proclaim'd. Say this to him, He's beat from his best ward. LEONTES. Well said, Hermione. HERMIONE. To tell he longs to see his son were strong; But let him say so then, and let him go; But let him swear so, and he shall not stay; We'll thwack him hence with distaffs. [To POLIXENES] Yet of your royal presence I'll adventure the borrow of a week. When at Bohemia You take my lord, I'll give him my commission To let him there a month behind the gest Prefix'd for's parting.- Yet, good deed, Leontes, I love thee not a jar o' th' clock behind What lady she her lord.- You'll stay? POLIXENES. No, madam. HERMIONE. Nay, but you will? POLIXENES. I may not, verily. HERMIONE. Verily! You put me off with limber vows; but I, Though you would seek t' unsphere the stars with oaths, Should yet say 'Sir, no going.' Verily, You shall not go; a lady's 'verily' is As potent as a lord's. Will go yet? Force me to keep you as a prisoner, Not like a guest; so you shall pay your fees When you depart, and save your thanks. How say you? My prisoner or my guest? By your dread 'verily,' One of them you shall be. POLIXENES. Your guest, then, madam: To be your prisoner should import offending; Which is for me less easy to commit Than you to punish. HERMIONE. Not your gaoler then, But your kind. hostess. Come, I'll question you Of my lord's tricks and yours when you were boys. You were pretty lordings then! POLIXENES. We were, fair Queen, Two lads that thought there was no more behind But such a day to-morrow as to-day, And to be boy eternal. HERMIONE. Was not my lord The verier wag o' th' two? POLIXENES. We were as twinn'd lambs that did frisk i' th' sun And bleat the one at th' other. What we chang'd Was innocence for innocence; we knew not The doctrine of ill-doing, nor dream'd That any did. Had we pursu'd that life, And our weak spirits ne'er been higher rear'd With stronger blood, we should have answer'd heaven Boldly 'Not guilty,' the imposition clear'd Hereditary ours. HERMIONE. By this we gather You have tripp'd since. POLIXENES. O my most sacred lady, Temptations have since then been born to 's, for In those unfledg'd days was my wife a girl; Your precious self had then not cross'd the eyes Of my young playfellow. HERMIONE. Grace to boot! Of this make no conclusion, lest you say Your queen and I are devils. Yet, go on; Th' offences we have made you do we'll answer, If you first sinn'd with us, and that with us You did continue fault, and that you slipp'd not With any but with us. LEONTES. Is he won yet? HERMIONE. He'll stay, my lord. LEONTES. At my request he would not. Hermione, my dearest, thou never spok'st To better purpose. HERMIONE. Never? LEONTES. Never but once. HERMIONE. What! Have I twice said well? When was't before? I prithee tell me; cram's with praise, and make's As fat as tame things. One good deed dying tongueless Slaughters a thousand waiting upon that. Our praises are our wages; you may ride's With one soft kiss a thousand furlongs ere With spur we heat an acre. But to th' goal: My last good deed was to entreat his stay; What was my first? It has an elder sister, Or I mistake you. O, would her name were Grace! But once before I spoke to th' purpose- When? Nay, let me have't; I long. LEONTES. Why, that was when Three crabbed months had sour'd themselves to death, Ere I could make thee open thy white hand And clap thyself my love; then didst thou utter 'I am yours for ever.' HERMIONE. 'Tis Grace indeed. Why, lo you now, I have spoke to th' purpose twice: The one for ever earn'd a royal husband; Th' other for some while a friend. [Giving her hand to POLIXENES] LEONTES. [Aside] Too hot, too hot! To mingle friendship far is mingling bloods. I have tremor cordis on me; my heart dances, But not for joy, not joy. This entertainment May a free face put on; derive a liberty From heartiness, from bounty, fertile bosom, And well become the agent. 'T may, I grant; But to be paddling palms and pinching fingers, As now they are, and making practis'd smiles As in a looking-glass; and then to sigh, as 'twere The mort o' th' deer. O, that is entertainment My bosom likes not, nor my brows! Mamillius, Art thou my boy? MAMILLIUS. Ay, my good lord. LEONTES. I' fecks! Why, that's my bawcock. What! hast smutch'd thy nose? They say it is a copy out of mine. Come, Captain, We must be neat- not neat, but cleanly, Captain. And yet the steer, the heifer, and the calf, Are all call'd neat.- Still virginalling Upon his palm?- How now, you wanton calf, Art thou my calf? MAMILLIUS. Yes, if you will, my lord. LEONTES. Thou want'st a rough pash and the shoots that I have, To be full like me; yet they say we are Almost as like as eggs. Women say so, That will say anything. But were they false As o'er-dy'd blacks, as wind, as waters- false As dice are to be wish'd by one that fixes No bourn 'twixt his and mine; yet were it true To say this boy were like me. Come, sir page, Look on me with your welkin eye. Sweet villain! Most dear'st! my collop! Can thy dam?- may't be? Affection! thy intention stabs the centre. Thou dost make possible things not so held, Communicat'st with dreams- how can this be?- With what's unreal thou coactive art, And fellow'st nothing. Then 'tis very credent Thou mayst co-join with something; and thou dost- And that beyond commission; and I find it, And that to the infection of my brains And hard'ning of my brows. POLIXENES. What means Sicilia? HERMIONE. He something seems unsettled. POLIXENES. How, my lord! What cheer? How is't with you, best brother? HERMIONE. You look As if you held a brow of much distraction. Are you mov'd, my lord? LEONTES. No, in good earnest. How sometimes nature will betray its folly, Its tenderness, and make itself a pastime To harder bosoms! Looking on the lines Of my boy's face, methoughts I did recoil Twenty-three years; and saw myself unbreech'd, In my green velvet coat; my dagger muzzl'd, Lest it should bite its master and so prove, As ornaments oft do, too dangerous. How like, methought, I then was to this kernel, This squash, this gentleman. Mine honest friend, Will you take eggs for money? MAMILLIUS. No, my lord, I'll fight. LEONTES. You will? Why, happy man be's dole! My brother, Are you so fond of your young prince as we Do seem to be of ours? POLIXENES. If at home, sir, He's all my exercise, my mirth, my matter; Now my sworn friend, and then mine enemy; My parasite, my soldier, statesman, all. He makes a July's day short as December, And with his varying childness cures in me Thoughts that would thick my blood. LEONTES. So stands this squire Offic'd with me. We two will walk, my lord, And leave you to your graver steps. Hermione, How thou lov'st us show in our brother's welcome; Let what is dear in Sicily be cheap; Next to thyself and my young rover, he's Apparent to my heart. HERMIONE. If you would seek us, We are yours i' th' garden. Shall's attend you there? LEONTES. To your own bents dispose you; you'll be found, Be you beneath the sky. [Aside] I am angling now, Though you perceive me not how I give line. Go to, go to! How she holds up the neb, the bill to him! And arms her with the boldness of a wife To her allowing husband! Exeunt POLIXENES, HERMIONE, and ATTENDANTS Gone already! Inch-thick, knee-deep, o'er head and ears a fork'd one! Go, play, boy, play; thy mother plays, and I Play too; but so disgrac'd a part, whose issue Will hiss me to my grave. Contempt and clamour Will be my knell. Go, play, boy, play. There have been, Or I am much deceiv'd, cuckolds ere now; And many a man there is, even at this present, Now while I speak this, holds his wife by th' arm That little thinks she has been sluic'd in's absence, And his pond fish'd by his next neighbour, by Sir Smile, his neighbour. Nay, there's comfort in't, Whiles other men have gates and those gates open'd, As mine, against their will. Should all despair That hath revolted wives, the tenth of mankind Would hang themselves. Physic for't there's none; It is a bawdy planet, that will strike Where 'tis predominant; and 'tis pow'rfull, think it, From east, west, north, and south. Be it concluded, No barricado for a belly. Know't, It will let in and out the enemy With bag and baggage. Many thousand on's Have the disease, and feel't not. How now, boy! MAMILLIUS. I am like you, they say. LEONTES. Why, that's some comfort. What! Camillo there? CAMILLO. Ay, my good lord. LEONTES. Go play, Mamillius; thou'rt an honest man. Exit MAMILLIUS Camillo, this great sir will yet stay longer. CAMILLO. You had much ado to make his anchor hold; When you cast out, it still came home. LEONTES. Didst note it? CAMILLO. He would not stay at your petitions; made His business more material. LEONTES. Didst perceive it? [Aside] They're here with me already; whisp'ring, rounding, 'Sicilia is a so-forth.' 'Tis far gone When I shall gust it last.- How came't, Camillo, That he did stay? CAMILLO. At the good Queen's entreaty. LEONTES. 'At the Queen's' be't. 'Good' should be pertinent; But so it is, it is not. Was this taken By any understanding pate but thine? For thy conceit is soaking, will draw in More than the common blocks. Not noted, is't, But of the finer natures, by some severals Of head-piece extraordinary? Lower messes Perchance are to this business purblind? Say. CAMILLO. Business, my lord? I think most understand Bohemia stays here longer. LEONTES. Ha? CAMILLO. Stays here longer. LEONTES. Ay, but why? CAMILLO. To satisfy your Highness, and the entreaties Of our most gracious mistress. LEONTES. Satisfy Th' entreaties of your mistress! Satisfy! Let that suffice. I have trusted thee, Camillo, With all the nearest things to my heart, as well My chamber-councils, wherein, priest-like, thou Hast cleans'd my bosom- I from thee departed Thy penitent reform'd; but we have been Deceiv'd in thy integrity, deceiv'd In that which seems so. CAMILLO. Be it forbid, my lord! LEONTES. To bide upon't: thou art not honest; or, If thou inclin'st that way, thou art a coward, Which hoxes honesty behind, restraining From course requir'd; or else thou must be counted A servant grafted in my serious trust, And therein negligent; or else a fool That seest a game play'd home, the rich stake drawn, And tak'st it all for jest. CAMILLO. My gracious lord, I may be negligent, foolish, and fearful: In every one of these no man is free But that his negligence, his folly, fear, Among the infinite doings of the world, Sometime puts forth. In your affairs, my lord, If ever I were wilfull-negligent, It was my folly; if industriously I play'd the fool, it was my negligence, Not weighing well the end; if ever fearful To do a thing where I the issue doubted, Whereof the execution did cry out Against the non-performance, 'twas a fear Which oft infects the wisest. These, my lord, Are such allow'd infirmities that honesty Is never free of. But, beseech your Grace, Be plainer with me; let me know my trespass By its own visage; if I then deny it, 'Tis none of mine. LEONTES. Ha' not you seen, Camillo- But that's past doubt; you have, or your eye-glass Is thicker than a cuckold's horn- or heard- For to a vision so apparent rumour Cannot be mute- or thought- for cogitation Resides not in that man that does not think- My wife is slippery? If thou wilt confess- Or else be impudently negative, To have nor eyes nor ears nor thought- then say My wife's a hobby-horse, deserves a name As rank as any flax-wench that puts to Before her troth-plight. Say't and justify't. CAMILLO. I would not be a stander-by to hear My sovereign mistress clouded so, without My present vengeance taken. Shrew my heart! You never spoke what did become you less Than this; which to reiterate were sin As deep as that, though true. LEONTES. Is whispering nothing? Is leaning cheek to cheek? Is meeting noses? Kissing with inside lip? Stopping the career Of laughter with a sigh?- a note infallible Of breaking honesty. Horsing foot on foot? Skulking in corners? Wishing clocks more swift; Hours, minutes; noon, midnight? And all eyes Blind with the pin and web but theirs, theirs only, That would unseen be wicked- is this nothing? Why, then the world and all that's in't is nothing; The covering sky is nothing; Bohemia nothing; My is nothing; nor nothing have these nothings, If this be nothing. CAMILLO. Good my lord, be cur'd Of this diseas'd opinion, and betimes; For 'tis most dangerous. LEONTES. Say it be, 'tis true. CAMILLO. No, no, my lord. LEONTES. It is; you lie, you lie. I say thou liest, Camillo, and I hate thee; Pronounce thee a gross lout, a mindless slave, Or else a hovering temporizer that Canst with thine eyes at once see good and evil, Inclining to them both. Were my wife's liver Infected as her life, she would not live The running of one glass. CAMILLO. Who does her? LEONTES. Why, he that wears her like her medal, hanging About his neck, Bohemia; who- if I Had servants true about me that bare eyes To see alike mine honour as their profits, Their own particular thrifts, they would do that Which should undo more doing. Ay, and thou, His cupbearer- whom I from meaner form Have bench'd and rear'd to worship; who mayst see, Plainly as heaven sees earth and earth sees heaven, How I am gall'd- mightst bespice a cup To give mine enemy a lasting wink; Which draught to me were cordial. CAMILLO. Sir, my lord, I could do this; and that with no rash potion, But with a ling'ring dram that should not work Maliciously like poison. But I cannot Believe this crack to be in my dread mistress, So sovereignly being honourable. I have lov'd thee- LEONTES. Make that thy question, and go rot! Dost think I am so muddy, so unsettled, To appoint myself in this vexation; sully The purity and whiteness of my sheets- Which to preserve is sleep, which being spotted Is goads, thorns, nettles, tails of wasps; Give scandal to the blood o' th' Prince, my son- Who I do think is mine, and love as mine- Without ripe moving to 't? Would I do this? Could man so blench? CAMILLO. I must believe you, sir. I do; and will fetch off Bohemia for't; Provided that, when he's remov'd, your Highness Will take again your queen as yours at first, Even for your son's sake; and thereby for sealing The injury of tongues in courts and kingdoms Known and allied to yours. LEONTES. Thou dost advise me Even so as I mine own course have set down. I'll give no blemish to her honour, none. CAMILLO. My lord, Go then; and with a countenance as clear As friendship wears at feasts, keep with Bohemia And with your queen. I am his cupbearer; If from me he have wholesome beverage, Account me not your servant. LEONTES. This is all: Do't, and thou hast the one half of my heart; Do't not, thou split'st thine own. CAMILLO. I'll do't, my lord. LEONTES. I will seem friendly, as thou hast advis'd me. Exit CAMILLO. O miserable lady! But, for me, What case stand I in? I must be the poisoner Of good Polixenes; and my ground to do't Is the obedience to a master; one Who, in rebellion with himself, will have All that are his so too. To do this deed, Promotion follows. If I could find example Of thousands that had struck anointed kings And flourish'd after, I'd not do't; but since Nor brass, nor stone, nor parchment, bears not one, Let villainy itself forswear't. I must Forsake the court. To do't, or no, is certain To me a break-neck. Happy star reign now! Here comes Bohemia. Enter POLIXENES POLIXENES. This is strange. Methinks My favour here begins to warp. Not speak? Good day, Camillo. CAMILLO. Hail, most royal sir! POLIXENES. What is the news i' th' court? CAMILLO. None rare, my lord. POLIXENES. The King hath on him such a countenance As he had lost some province, and a region Lov'd as he loves himself; even now I met him With customary compliment, when he, Wafting his eyes to th' contrary and falling A lip of much contempt, speeds from me; So leaves me to consider what is breeding That changes thus his manners. CAMILLO. I dare not know, my lord. POLIXENES. How, dare not! Do not. Do you know, and dare not Be intelligent to me? 'Tis thereabouts; For, to yourself, what you do know, you must, And cannot say you dare not. Good Camillo, Your chang'd complexions are to me a mirror Which shows me mine chang'd too; for I must be A party in this alteration, finding Myself thus alter'd with't. CAMILLO. There is a sickness Which puts some of us in distemper; but I cannot name the disease; and it is caught Of you that yet are well. POLIXENES. How! caught of me? Make me not sighted like the basilisk; I have look'd on thousands who have sped the better By my regard, but kill'd none so. Camillo- As you are certainly a gentleman; thereto Clerk-like experienc'd, which no less adorns Our gentry than our parents' noble names, In whose success we are gentle- I beseech you, If you know aught which does behove my knowledge Thereof to be inform'd, imprison't not In ignorant concealment. CAMILLO. I may not answer. POLIXENES. A sickness caught of me, and yet I well? I must be answer'd. Dost thou hear, Camillo? I conjure thee, by all the parts of man Which honour does acknowledge, whereof the least Is not this suit of mine, that thou declare What incidency thou dost guess of harm Is creeping toward me; how far off, how near; Which way to be prevented, if to be; If not, how best to bear it. CAMILLO. Sir, I will tell you; Since I am charg'd in honour, and by him That I think honourable. Therefore mark my counsel, Which must be ev'n as swiftly followed as I mean to utter it, or both yourself and me Cry lost, and so goodnight. POLIXENES. On, good Camillo. CAMILLO. I am appointed him to murder you. POLIXENES. By whom, Camillo? CAMILLO. By the King. POLIXENES. For what? CAMILLO. He thinks, nay, with all confidence he swears, As he had seen 't or been an instrument To vice you to't, that you have touch'd his queen Forbiddenly. POLIXENES. O, then my best blood turn To an infected jelly, and my name Be yok'd with his that did betray the Best! Turn then my freshest reputation to A savour that may strike the dullest nostril Where I arrive, and my approach be shunn'd, Nay, hated too, worse than the great'st infection That e'er was heard or read! CAMILLO. Swear his thought over By each particular star in heaven and By all their influences, you may as well Forbid the sea for to obey the moon As or by oath remove or counsel shake The fabric of his folly, whose foundation Is pil'd upon his faith and will continue The standing of his body. POLIXENES. How should this grow? CAMILLO. I know not; but I am sure 'tis safer to Avoid what's grown than question how 'tis born. If therefore you dare trust my honesty, That lies enclosed in this trunk which you Shall bear along impawn'd, away to-night. Your followers I will whisper to the business; And will, by twos and threes, at several posterns, Clear them o' th' city. For myself, I'll put My fortunes to your service, which are here By this discovery lost. Be not uncertain, For, by the honour of my parents, I Have utt'red truth; which if you seek to prove, I dare not stand by; nor shall you be safer Than one condemn'd by the King's own mouth, thereon His execution sworn. POLIXENES. I do believe thee: I saw his heart in's face. Give me thy hand; Be pilot to me, and thy places shall Still neighbour mine. My ships are ready, and My people did expect my hence departure Two days ago. This jealousy Is for a precious creature; as she's rare, Must it be great; and, as his person's mighty, Must it be violent; and as he does conceive He is dishonour'd by a man which ever Profess'd to him, why, his revenges must In that be made more bitter. Fear o'ershades me. Good expedition be my friend, and comfort The gracious Queen, part of this theme, but nothing Of his ill-ta'en suspicion! Come, Camillo; I will respect thee as a father, if Thou bear'st my life off hence. Let us avoid. CAMILLO. It is in mine authority to command The keys of all the posterns. Please your Highness To take the urgent hour. Come, sir, away. Exeunt

Scene 2

https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-i-scene-2

Leontes, his wife Hermione, Polixenes, Camillo, and a bevy of lords stroll quietly on stage. Polixenes announces that after nine months away from his royal duties, he must return home tomorrow. Leontes urges Polixenes to stay at least another week, but Polixenes insists that he must leave the following day to tend to his duties, although no one could touch him so emotionally as Leontes can. Leontes then urges his wife to speak. Hermione reassures Polixenes that all is surely well in Bohemia; otherwise, he would have heard by now. Thus, he is free to stay. When Polixenes continues to resist the invitation to stay, Hermione declares that he will stay, either as her guest or as her prisoner. Given that choice, Polixenes agrees to stay one more week. Polixenes then enters into a reverie of his boyhood with Leontes. Hermione is curious about Leontes at that age. Polixenes recalls that they were both innocent, as alike as lambs. When teased about their loss of innocence, Polixenes graciously explains that neither of them had yet met the women whom they would eventually wed. Hermione then asks if their wives made them sinners or if they had sinned with others. Noticing the liveliness of their conversation, Leontes calls out: "Is he won yet?" Hermione responds that Polixenes will stay. Leontes congratulates his wife on her power of speaking convincingly, saying that only once before has she spoken so well. Hermione is intrigued and asks when was the other time. Leontes responds that it occurred at the end of their courtship when she said, "I am yours forever." Hermione responds that the first time she spoke well earned her a husband; the second time, a good friend. Hermione extends her hand to Polixenes, and they walk away from the others. Leontes fumes over every small gesture that the couple makes. He interprets impropriety, and he calls his son over and unleashes a mixture of double entendres with dirty innuendos. Enraged by jealousy, Leontes examines his son for signs of illegitimacy. Recognizing his emotional distress, he proclaims "the infection of my brains/ And hardening of my brows." Concerned about the change in Leontes' appearance, Polixenes and Hermione ask him if he is all right. Leontes lies, saying that while he was looking at Mamillius, he was reminded of his own "lost" youth. Leontes then asks Polixenes if he is fond of his son. Polixenes describes both the frustration and the pride of fatherhood, but despite them both, he says that his son means everything to him. Leontes claims that his son means the same to him. He states that he will walk with his son awhile and urges Polixenes and Hermione to walk elsewhere. Hermione says they will walk to the garden where they can be found if Leontes wants them. After watching the couple's actions, Leontes lashes out at his son: "Go play, boy, play. Thy mother plays," adding that she will "hiss" him to his grave. Clearly, the Sicilian king is convinced that his wife is unfaithful -- as are most wives -- in his estimation. Noticing Camillo, Leontes asks him for his version of what has happened. Camillo answers that Polixenes would not stay when Leontes asked him to do so, but changed his mind when Hermione entreated him. Leontes thus assumes that Camillo and others are already whispering about his cuckoldry. But when pressed to confirm Hermione's infidelity, Camillo is shocked, and he criticizes his king. After Leontes attacks Camillo's character and his reliability as a witness for not admitting or noticing that Hermione is "slippery" and a "hobby-horse," Camillo retorts: "You never spoke what did become you less than this." Unable to force Camillo to agree with him, Leontes slips into the role of a tyrant. He orders Camillo to poison Polixenes. Camillo agrees this would be easy enough, especially since he is Polixenes' cupbearer, and he promises to poison Polixenes if Leontes promises to treat Hermione as though nothing has happened -- for the sake of their son and for the purpose of forestalling international gossip. After Leontes agrees, Camillo urges Leontes to join Polixenes and Hermione and to seem to be friendly with them. Camillo then reveals to us that he is all too aware what happens to men who would poison a king. Polixenes enters confused and asks Camillo for an explanation of Leontes' unfriendly behavior; Camillo refers vaguely to a sickness. Polixenes presses Camillo for a clearer explanation, and Camillo finally admits that he has been ordered to poison Polixenes because the king suspects him of philandering with Hermione. At first, Polixenes wants to confront Leontes, face-to-face, with a denial, but he is persuaded by Camillo that this would be as useless as forbidding "the sea . . . to obey the moon." Finally, Polixenes accepts Camillo's plan for them to secretly slip away in small groups, and he promises Camillo asylum in return. As Polixenes remembers the rarity and purity of Hermione, he fears that Leontes' insane jealousy of Polixenes will result in violence. The two men then exit to begin their hasty escape.

As hinted by Archidamus in the previous scene, nothing that is real in this world is altering the present situation. Incoherence now even afflicts Leontes: Then 'tis very credent Thou may'st co-join with something; and thou dost, And that beyond commission, and I find it, And that to the infection of my brains And hardening of my brows. Leontes' jealousy in this scene is the key to the quality of the conflict, the probability, and the development of both plot and character throughout the play. The onset of Leontes' jealousy comes without warning, motivation, or justification. Leontes' first jealous reaction is: "At my request he would not," meaning that Polixenes was not swayed by Leontes' entreaties. This statement is reinforced when Leontes reminds Hermione that she had spoken to equally good purpose when she promised him, "I am yours forever." Significantly, since Hermione and Polixenes are both innocent, they both fail to detect the rivalry and the jealousy which Leontes is now displaying. To Leontes, everything that the couple does inflames him; he assumes that they are flaunting their attraction for one another. Most damaging of all to Leontes is his increasing self-seduction by illusion. Observing some innocent courtly handplay, he spits out: "Too hot, too hot!/ To mingle friendship far is mingling blood." Suspecting even the illegitimacy of his son, Mamillius, Leontes imagines the snickering whispers of everyone about his cuckoldry "Inch-thick, knee-deep, o'er head and ears a forked one!" He tells Mamillius, sarcastically, to go "play," like his mother, and then he indulges in his fantasies, telling himself that many men consort with their wives without realizing that "she has been sluiced in's absence." He concludes that the problem must be widespread because there is no medicine, no protection against it: No barricado for a belly: know't; It will let in and out the enemy With bag and baggage. At this stage, the innocent charm of his son and the reality offered by Camillo can no longer link Leontes with reality. Thus, the Sicilian king sinks further and further into illusion: Is whispering nothing? Is leaning cheek to cheek? Is meeting noses? Kissing with inside lip? stopping the career Of laughter with a sigh? -- a note infallible Of breaking honesty; -- horsing foot on foot? Skulking in corners? wishing clocks more swift? In vain, Camillo pleads for Leontes to quickly be cured of this diseased opinion" because of its danger. Here, Leontes turns to tyranny, a transformation that is extremely dangerous because of the power which he commands during his sickness. He commands Camillo to verify the truth of his observations. Camillo refuses. Leontes insists, "It is; you lie, you lie!/ I say thou liest, Camillo, and I hate thee." Stoking his power with anger, he orders Camillo to poison Polixenes. It is no wonder that Camillo perceives himself in a hopeless dilemma and thus turns to Polixenes for help. When Polixenes correctly interprets Camillo's allusion to "a sickness/ Which puts some of us in distemper" , the Bohemian king clearly understands the hopelessness of the situation: This jealousy Is for a precious creature. As she's rare, Must it be great; and as his person's mighty, Must it be violent. Affirming the queen's innocence, Polixenes can only wish her well and flee for his life. The major conflict of the play begins to shape the plot: Leontes has flung himself against reality. He is willing to destroy his richest possessions -- the love and loyalty of his family, his best friend, and his court advisers -- for revenge. We can understand Leontes' tyranny because of our knowledge that human nature, when inflamed by jealousy, is often a cause of murder. In addition, Leontes' extraordinary power increases his capacity to murder. Camillo and Polixenes are sufficiently developed as characters to realize that their interpretations of reality leave them helpless before the sick illusion of the king's jealousy. The protests that the audience might feel because their observations of reality conflict with Leontes' conclusions are contained in the protests of Camillo. Shakespeare's stage and acting directions are superb aids for actors during these scenes. For instance, the friendship between the two kings is keenly illustrated with action: "They have seemed to be together, though absent; shook hands, as over a vast; and embraced, as it were, from the ends of opposed winds." Note, too, Shakespeare's clues for the actions of Hermione and Polixenes are ones that must sufficiently motivate Leontes. Intertwined with the warm sharing of childhood memories, these two must act out an enticing, inciting scene of "paddling palms," "pinching fingers," and laughter cut short. This dramatization increases in significance with the knowledge that Shakespeare altered the truly imprudent behavior of Hermione in his source and substituted, instead, the simple, innocent action of handplay to incite Leontes' jealousy. Although no truly exciting action occurs in this scene, the dramatic pace quickens with the infusion of the king's perverted emotions. Jealousy and then fear shatter the peaceful, sleepy grace of the first scene. One other central idea is subtly introduced in this scene. With the seemingly minor theme of youth, Shakespeare begins building the key theme of rebirth -- one of those concepts which separates this group of final plays from the tragedies. As a brief review, remember that Camillo believes that the elderly subjects of Sicilia stay alive merely to experience the promise of Mamillius' youth; remember also the strength of the bonds formed during the innocent youth of the two kings. More specific to the purpose of resolving Leontes' disease, notice references to the healing power of youth, such as "physics the subject" and "makes old hearts fresh." Later, when Perdita emerges as the symbol of spring and rebirth, she will belong to a tradition within the world of the play.

cliffnotes

all_chapterized_books/1134-chapters/3.txt

finished_summaries/cliffnotes/The Winter's Tale/section_2_part_0.txt

The Winter's Tale.act 2.scene 1

scene 1

{"name": "Scene 1", "url": "https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-ii-scene-1", "summary": "Although Hermione and Mamillius enter together, Hermione immediately turns to her ladies-in-waiting and asks them to take the boy. Mamillius immediately engages the ladies with his precocious wit. One lady teases Mamillius about how much he will want their company after the new prince is born. The second lady observes that Hermione appears to be filling out rapidly, and she wishes her a speedy delivery. Hermione asks what they are talking about, then she asks her son to tell her a tale. \"Merry or sad?\" asks her son. \"As merry as you will,\" Hermione responds. Mamillius decides, \"A sad tale's best for winter.\" Hermione encourages him to try to frighten her with his sprites since he is good at that. Teasingly, he whispers the story to her so that the ladies-in-waiting cannot hear it. Leontes enters with Antigonus and some other lords, just as Leontes is receiving news of the departure of Camillo and Polixenes. He interprets their sudden departure as verification for his accusations, and he says that he finds the knowledge as odious as seeing a spider in a cup from which he has just drunk. Since Camillo was with the departing party, Leontes states that there must indeed be a plot against his life and his crown. In addition, he declares that Camillo must have been employed by Polixenes prior to the plan for poisoning; now, he fears what plots their combined knowledge will inspire them to hatch. Puzzled about how they got through the gates, he is informed that Camillo used his keys. Leontes demands that Hermione give Mamillius to him. Saying that he is glad she did not nurse him, he declares that already she has too much of her blood in him. Astonished, Hermione asks if this is some kind of game. As an answer, Leontes orders Mamillius to be taken out and kept from his mother; cruelly, he adds that Hermione can amuse herself with the child by Polixenes, the one whom she now carries. Hermione denies that the unborn child is Polixenes' and states that she believes her word should be enough to dissuade Leontes from his jealous accusations. Leontes announces to everyone that they may look at her and find her \"goodly,\" but that they cannot find her \"honest\"; Hermione, he says, is an adulteress. Hermione reacts cautiously. Had a villain said that, she says, he would have become more of a villain, but Leontes is simply mistaken. In response, Leontes escalates his accusation. Not only is Hermione an adulteress, but she is a traitor in consort with Camillo and Polixenes -- and had knowledge of their plan to escape. Gently, Hermione denies the accusations and predicts that Leontes will grieve over his statements when he finally knows the truth. She says that he can make this up to her -- but only by declaring his mistake. Leontes, however, is convinced that he has built truth from facts; he orders her to prison and says that anyone who speaks in her behalf will be judged to be as guilty as she is. Hermione observes that \"some ill planet reigns\" and decides to be patient until the disorder is corrected. She tells the lords that, although she is not as prone to tears as most females are, she feels an \"honorable grief.\" She asks the lords to judge her feelings but to obey their king. She then requests that her ladies accompany her to prison in order to help her with her pregnancy. Admonishing her ladies not to weep since there is no cause, she advises them to save their tears in the event that she should ever deserve to be sent to prison. As part of her graceful obedience, she tells Leontes that she never wished to see him sorry, but now she realizes that she will see him eventually very sorry. The king orders them out, and Hermione leaves in the company of her ladies and guards. Immediately, the lords begin to argue against the king's order. Antigonus prophesies that Hermione, Leontes, and Mamillius will all suffer for this act. One lord wagers his life that the queen is innocent. Antigonus pledges to keep his wife in the stables if Hermione is proven guilty, because such a sin would mean that no woman could be faithful. Leontes tells them to keep quiet. Antigonus says that he is sure that Leontes has listened to a liar, and he says that in addition to his pledge to keep his wife in the stables, he vows to geld his daughters to prevent any issue -- if Hermione is proven guilty. Leontes again tells them to be quiet. He says that their senses are dead; only he feels and sees the issues clearly. All honesty, Antigonus says, is dead. Leontes is amazed that his lords do not trust his judgment. At this, one of the lords says that he would prefer to disbelieve his king than to accept this judgment; furthermore, he would prefer to believe in Hermione's honor than in Leontes' suspicions. Leontes declares an end to all advice; since his lords do not seem to be able to discern truth, he will have to rely on his own \"natural goodness\" as judge and counsel. Calling upon royal prerogative, he reminds them that he need not seek their advice in the matter because he has all the power needed to proceed. Then he informs them that he has taken a step to curb any possible rashness; he has sent Cleomenes and Dion to Apollo's temple in Delphos, and he promises to abide by the spiritual counsel of the oracle. When told that he has done well, Leontes quickly adds that he is convinced that he has acted correctly and really needs no more information; he trusts that the oracle will reassure those who cannot now perceive the truth. Meanwhile, Hermione will remain in prison so that she cannot carry out any treasonous plots left undone by the two who fled. Leontes calls on them all to accompany him as he publicly announces the events.", "analysis": "This act's structure is similar to that of Act I. It opens with a sleepy, peaceful pace -- which Leontes will soon shatter. Hermione requests a tale from her son, and Mamillius suggests a sad tale as \"best for winter.\" A \"winter's tale\" means a story to pass the long evening hours of winter, especially a story that its listeners will enjoy when it is retold. With Leontes' entrance and simultaneous reaction to the report about the escape of Camillo and Polixenes, the season of royal discontent disintegrates quickly into general discontent. Because of the play's title and because of Mamillius' \"tale suitable for winter,\" the situation becomes reminiscent of Richard III's phrase, \"the winter of our discontent.\" In effect, Leontes creates a perpetual winter's death without the hope of spring's rebirth and regeneration. Leontes eliminates the hope of rebirth and rehealing when he rejects his unborn child and when he isolates his son. In these \"problem plays,\" rejection usually leaves only tragedy as the possible consequence of the destructive tyranny that Leontes has initiated. His disease must now progress untreated unless the circumstances change. As Leontes destroyed his friendship with Polixenes in the previous act, he now destroys his family. Again, note that nothing that exists in their world justifies altering those relationships: illusion motivates Leontes. He alters everything to suit his sense of 'Justice,\" justice which he metes out unfairly because of misconstrued events. With his jealous imagination still gnawing at him, Leontes leaps to an even more serious accusation against Hermione -- treason. The facts from which he draws this conclusion, however, do not influence others to deduce the same conclusion. A lord reports that he saw Camillo, Polixenes, and Polixenes' attendants rushing to their ships. Immediately, Leontes exclaims: \"How blest am I/ In my just censure, in my true opinion!\" But Leontes fails to remember his own wicked, recently conceived poison plot! Pausing only to regret the knowledge he now has, he declares, with no further information: Camillo was his help in this, his pander. There is a plot against my life, my crown. All's true that is mistrusted. That false villain Whom I employed was pre-employed by him. As Polixenes predicted, Leontes' jealousy \"for a precious creature\" is enormous, and because of his powerful position, that jealousy now turns \"violent.\" In fact, Leontes becomes increasingly paranoid. The disruption of his senses seems alarmingly probable. Declaring that sometimes it's better not to know unpleasant facts, Leontes illustrates this \"truth\" with fevered imagery similar to an unbalanced Lear: There may be in the cup A spider steeped, and one may drink, depart, And yet partake no venom, for his knowledge Is not infected; but if one present The abhorred ingredient to his eye, make known How he hath drunk, he cracks his gorge, his sides, With violent hefts. I have drunk, and seen the spider. This chilling image provides a clue to Leontes' insane -- like disturbances. Later, Leontes decides that Hermione is also involved in the nonexistent plot against him. I have saidShe's an adultress, I have said with whom;More, she's a traitor, and Camillo isA fedary with her . . . To Leontes, the causal sequences of Camillo's departure with Polixenes -- immediately after Leontes' accusation that Polixenes committed adultery with Hermione -- are proof enough that all three of them are involved in a treasonous plot. Of course, Leontes can provide no reasonable motivation for such a plot, and the audience is well aware that they have seen nothing to substantiate the accusation. Again, probability is maintained because the audience's evidence is firmly, unanimously supported by the arguing lords of Sicilia. Leontes now escalates the tyranny that he first exhibited when he conspired with Camillo. As in the scene with Camillo, Leontes is suspicious of anyone who will not substantiate his illusions: thus, he unknowingly denies himself the benefit of more accurate, more truthful observations. Leontes refuses to listen to any opposing opinions. He even exhibits a streak of meanness when he pinches Antigonus; then he reveals even more of his evil nature when he forbids anyone to offer an opposing opinion as he sends Hermione to prison. After it becomes clear that the lords will not cease arguing, he calmly declares: Why, what need we Commune with you of this, but rather follow Our forceful instigation? Our prerogative Calls not your counsels, but our natural goodness Imparts this; which if you, or stupefied Or seeming so in skill, cannot or will not Relish a truth like us, inform yourselves We need no more of your advice. With this speech, Leontes now isolates himself with his insanity. Confused because no one will accept his \"evidence\" or authority, his speech disintegrates into short, violent outbursts, sometimes barely coherent. With everyone and every fact arguing against his actions, Leontes is clearly abusing and misusing Free Will. Hermione, in fact, concludes that \"some ill planet\" reigns; thus, she resigns herself to being patient until the heavens look with a more favorable aspect upon her. All of this is the dramatic basis for the major conflict. We have witnessed the jealous, tyrannical Leontes as he flung his distorted illusions against reality. We watched Leontes escalate the willful destruction of his richest possessions. As a protagonist, he has severed his ties with his family and has isolated them; then he escalated his own isolation from the loyal advice of all who could have helped him see the truth. He has isolated himself from all objective communication, and finally he is left with only his own wrong illusions. Suitably, the setting increasingly becomes a series of confined, isolated fragments. Hermione moves to prison, Mamillius is confined to his quarters, and Leontes places himself apart from anyone who disagrees with him. Characterization is of secondary interest in this scene. Leontes is developed almost as a stereotype to \"Human Nature disrupted by Insanity.\" On the other hand, Hermione's goodness comes close to being unbelievable, were it not for the fact that we see her growing stronger, more self-sufficient, and patient -- as do many pregnant women confronted with emergencies. Perhaps her unshakable pureness and goodness are essential in order to motivate all the underlings to argue with their king, but the audience may well wonder whether such a rare creature could actually exist beyond the stage of this play. The age of Mamillius remains a mystery. Shakespeare portrays him as a spirited, flirtatious, proud and secretive youth -- perhaps a young teenager. But his ties to his mother seem to indicate a much younger child. He lives, and soon dies, and he remains largely an inscrutable mystery."}

Sicilia. The palace of LEONTES Enter HERMIONE, MAMILLIUS, and LADIES HERMIONE. Take the boy to you; he so troubles me, 'Tis past enduring. FIRST LADY. Come, my gracious lord, Shall I be your playfellow? MAMILLIUS. No, I'll none of you. FIRST LADY. Why, my sweet lord? MAMILLIUS. You'll kiss me hard, and speak to me as if I were a baby still. I love you better. SECOND LADY. And why so, my lord? MAMILLIUS. Not for because Your brows are blacker; yet black brows, they say, Become some women best; so that there be not Too much hair there, but in a semicircle Or a half-moon made with a pen. SECOND LADY. Who taught't this? MAMILLIUS. I learn'd it out of women's faces. Pray now, What colour are your eyebrows? FIRST LADY. Blue, my lord. MAMILLIUS. Nay, that's a mock. I have seen a lady's nose That has been blue, but not her eyebrows. FIRST LADY. Hark ye: The Queen your mother rounds apace. We shall Present our services to a fine new prince One of these days; and then you'd wanton with us, If we would have you. SECOND LADY. She is spread of late Into a goodly bulk. Good time encounter her! HERMIONE. What wisdom stirs amongst you? Come, sir, now I am for you again. Pray you sit by us, And tell's a tale. MAMILLIUS. Merry or sad shall't be? HERMIONE. As merry as you will. MAMILLIUS. A sad tale's best for winter. I have one Of sprites and goblins. HERMIONE. Let's have that, good sir. Come on, sit down; come on, and do your best To fright me with your sprites; you're pow'rfull at it. MAMILLIUS. There was a man- HERMIONE. Nay, come, sit down; then on. MAMILLIUS. Dwelt by a churchyard- I will tell it softly; Yond crickets shall not hear it. HERMIONE. Come on then, And give't me in mine ear. Enter LEONTES, ANTIGONUS, LORDS, and OTHERS LEONTES. he met there? his train? Camillo with him? FIRST LORD. Behind the tuft of pines I met them; never Saw I men scour so on their way. I ey'd them Even to their ships. LEONTES. How blest am I In my just censure, in my true opinion! Alack, for lesser knowledge! How accurs'd In being so blest! There may be in the cup A spider steep'd, and one may drink, depart, And yet partake no venom, for his knowledge Is not infected; but if one present Th' abhorr'd ingredient to his eye, make known How he hath drunk, he cracks his gorge, his sides, With violent hefts. I have drunk, and seen the spider. Camillo was his help in this, his pander. There is a plot against my life, my crown; All's true that is mistrusted. That false villain Whom I employ'd was pre-employ'd by him; He has discover'd my design, and I Remain a pinch'd thing; yea, a very trick For them to play at will. How came the posterns So easily open? FIRST LORD. By his great authority; Which often hath no less prevail'd than so On your command. LEONTES. I know't too well. Give me the boy. I am glad you did not nurse him; Though he does bear some signs of me, yet you Have too much blood in him. HERMIONE. What is this? Sport? LEONTES. Bear the boy hence; he shall not come about her; Away with him; and let her sport herself [MAMILLIUS is led out] With that she's big with- for 'tis Polixenes Has made thee swell thus. HERMIONE. But I'd say he had not, And I'll be sworn you would believe my saying, Howe'er you lean to th' nayward. LEONTES. You, my lords, Look on her, mark her well; be but about To say 'She is a goodly lady' and The justice of your hearts will thereto ad 'Tis pity she's not honest- honourable.' Praise her but for this her without-door form, Which on my faith deserves high speech, and straight The shrug, the hum or ha, these petty brands That calumny doth use- O, I am out!- That mercy does, for calumny will sear Virtue itself- these shrugs, these hum's and ha's, When you have said she's goodly, come between, Ere you can say she's honest. But be't known, From him that has most cause to grieve it should be, She's an adultress. HERMIONE. Should a villain say so, The most replenish'd villain in the world, He were as much more villain: you, my lord, Do but mistake. LEONTES. You have mistook, my lady, Polixenes for Leontes. O thou thing! Which I'll not call a creature of thy place, Lest barbarism, making me the precedent, Should a like language use to all degrees And mannerly distinguishment leave out Betwixt the prince and beggar. I have said She's an adultress; I have said with whom. More, she's a traitor; and Camillo is A federary with her, and one that knows What she should shame to know herself But with her most vile principal- that she's A bed-swerver, even as bad as those That vulgars give bold'st titles; ay, and privy To this their late escape. HERMIONE. No, by my life, Privy to none of this. How will this grieve you, When you shall come to clearer knowledge, that You thus have publish'd me! Gentle my lord, You scarce can right me throughly then to say You did mistake. LEONTES. No; if I mistake In those foundations which I build upon, The centre is not big enough to bear A school-boy's top. Away with her to prison. He who shall speak for her is afar off guilty But that he speaks. HERMIONE. There's some ill planet reigns. I must be patient till the heavens look With an aspect more favourable. Good my lords, I am not prone to weeping, as our sex Commonly are- the want of which vain dew Perchance shall dry your pities- but I have That honourable grief lodg'd here which burns Worse than tears drown. Beseech you all, my lords, With thoughts so qualified as your charities Shall best instruct you, measure me; and so The King's will be perform'd! LEONTES. [To the GUARD] Shall I be heard? HERMIONE. Who is't that goes with me? Beseech your highness My women may be with me, for you see My plight requires it. Do not weep, good fools; There is no cause; when you shall know your mistress Has deserv'd prison, then abound in tears As I come out: this action I now go on Is for my better grace. Adieu, my lord. I never wish'd to see you sorry; now I trust I shall. My women, come; you have leave. LEONTES. Go, do our bidding; hence! Exeunt HERMIONE, guarded, and LADIES FIRST LORD. Beseech your Highness, call the Queen again. ANTIGONUS. Be certain what you do, sir, lest your justice Prove violence, in the which three great ones suffer, Yourself, your queen, your son. FIRST LORD. For her, my lord, I dare my life lay down- and will do't, sir, Please you t' accept it- that the Queen is spotless I' th' eyes of heaven and to you- I mean In this which you accuse her. ANTIGONUS. If it prove She's otherwise, I'll keep my stables where I lodge my wife; I'll go in couples with her; Than when I feel and see her no farther trust her; For every inch of woman in the world, Ay, every dram of woman's flesh is false, If she be. LEONTES. Hold your peaces. FIRST LORD. Good my lord- ANTIGONUS. It is for you we speak, not for ourselves. You are abus'd, and by some putter-on That will be damn'd for't. Would I knew the villain! I would land-damn him. Be she honour-flaw'd- I have three daughters: the eldest is eleven; The second and the third, nine and some five; If this prove true, they'll pay for 't. By mine honour, I'll geld 'em all; fourteen they shall not see To bring false generations. They are co-heirs; And I had rather glib myself than they Should not produce fair issue. LEONTES. Cease; no more. You smell this business with a sense as cold As is a dead man's nose; but I do see't and feel't As you feel doing thus; and see withal The instruments that feel. ANTIGONUS. If it be so, We need no grave to bury honesty; There's not a grain of it the face to sweeten Of the whole dungy earth. LEONTES. What! Lack I credit? FIRST LORD. I had rather you did lack than I, my lord, Upon this ground; and more it would content me To have her honour true than your suspicion, Be blam'd for't how you might. LEONTES. Why, what need we Commune with you of this, but rather follow Our forceful instigation? Our prerogative Calls not your counsels; but our natural goodness Imparts this; which, if you- or stupified Or seeming so in skill- cannot or will not Relish a truth like us, inform yourselves We need no more of your advice. The matter, The loss, the gain, the ord'ring on't, is all Properly ours. ANTIGONUS. And I wish, my liege, You had only in your silent judgment tried it, Without more overture. LEONTES. How could that be? Either thou art most ignorant by age, Or thou wert born a fool. Camillo's flight, Added to their familiarity- Which was as gross as ever touch'd conjecture, That lack'd sight only, nought for approbation But only seeing, all other circumstances Made up to th' deed- doth push on this proceeding. Yet, for a greater confirmation- For, in an act of this importance, 'twere Most piteous to be wild- I have dispatch'd in post To sacred Delphos, to Apollo's temple, Cleomenes and Dion, whom you know Of stuff'd sufficiency. Now, from the oracle They will bring all, whose spiritual counsel had, Shall stop or spur me. Have I done well? FIRST LORD. Well done, my lord. LEONTES. Though I am satisfied, and need no more Than what I know, yet shall the oracle Give rest to th' minds of others such as he Whose ignorant credulity will not Come up to th' truth. So have we thought it good From our free person she should be confin'd, Lest that the treachery of the two fled hence Be left her to perform. Come, follow us; We are to speak in public; for this business Will raise us all. ANTIGONUS. [Aside] To laughter, as I take it, If the good truth were known. Exeunt

Scene 1

https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-ii-scene-1

Although Hermione and Mamillius enter together, Hermione immediately turns to her ladies-in-waiting and asks them to take the boy. Mamillius immediately engages the ladies with his precocious wit. One lady teases Mamillius about how much he will want their company after the new prince is born. The second lady observes that Hermione appears to be filling out rapidly, and she wishes her a speedy delivery. Hermione asks what they are talking about, then she asks her son to tell her a tale. "Merry or sad?" asks her son. "As merry as you will," Hermione responds. Mamillius decides, "A sad tale's best for winter." Hermione encourages him to try to frighten her with his sprites since he is good at that. Teasingly, he whispers the story to her so that the ladies-in-waiting cannot hear it. Leontes enters with Antigonus and some other lords, just as Leontes is receiving news of the departure of Camillo and Polixenes. He interprets their sudden departure as verification for his accusations, and he says that he finds the knowledge as odious as seeing a spider in a cup from which he has just drunk. Since Camillo was with the departing party, Leontes states that there must indeed be a plot against his life and his crown. In addition, he declares that Camillo must have been employed by Polixenes prior to the plan for poisoning; now, he fears what plots their combined knowledge will inspire them to hatch. Puzzled about how they got through the gates, he is informed that Camillo used his keys. Leontes demands that Hermione give Mamillius to him. Saying that he is glad she did not nurse him, he declares that already she has too much of her blood in him. Astonished, Hermione asks if this is some kind of game. As an answer, Leontes orders Mamillius to be taken out and kept from his mother; cruelly, he adds that Hermione can amuse herself with the child by Polixenes, the one whom she now carries. Hermione denies that the unborn child is Polixenes' and states that she believes her word should be enough to dissuade Leontes from his jealous accusations. Leontes announces to everyone that they may look at her and find her "goodly," but that they cannot find her "honest"; Hermione, he says, is an adulteress. Hermione reacts cautiously. Had a villain said that, she says, he would have become more of a villain, but Leontes is simply mistaken. In response, Leontes escalates his accusation. Not only is Hermione an adulteress, but she is a traitor in consort with Camillo and Polixenes -- and had knowledge of their plan to escape. Gently, Hermione denies the accusations and predicts that Leontes will grieve over his statements when he finally knows the truth. She says that he can make this up to her -- but only by declaring his mistake. Leontes, however, is convinced that he has built truth from facts; he orders her to prison and says that anyone who speaks in her behalf will be judged to be as guilty as she is. Hermione observes that "some ill planet reigns" and decides to be patient until the disorder is corrected. She tells the lords that, although she is not as prone to tears as most females are, she feels an "honorable grief." She asks the lords to judge her feelings but to obey their king. She then requests that her ladies accompany her to prison in order to help her with her pregnancy. Admonishing her ladies not to weep since there is no cause, she advises them to save their tears in the event that she should ever deserve to be sent to prison. As part of her graceful obedience, she tells Leontes that she never wished to see him sorry, but now she realizes that she will see him eventually very sorry. The king orders them out, and Hermione leaves in the company of her ladies and guards. Immediately, the lords begin to argue against the king's order. Antigonus prophesies that Hermione, Leontes, and Mamillius will all suffer for this act. One lord wagers his life that the queen is innocent. Antigonus pledges to keep his wife in the stables if Hermione is proven guilty, because such a sin would mean that no woman could be faithful. Leontes tells them to keep quiet. Antigonus says that he is sure that Leontes has listened to a liar, and he says that in addition to his pledge to keep his wife in the stables, he vows to geld his daughters to prevent any issue -- if Hermione is proven guilty. Leontes again tells them to be quiet. He says that their senses are dead; only he feels and sees the issues clearly. All honesty, Antigonus says, is dead. Leontes is amazed that his lords do not trust his judgment. At this, one of the lords says that he would prefer to disbelieve his king than to accept this judgment; furthermore, he would prefer to believe in Hermione's honor than in Leontes' suspicions. Leontes declares an end to all advice; since his lords do not seem to be able to discern truth, he will have to rely on his own "natural goodness" as judge and counsel. Calling upon royal prerogative, he reminds them that he need not seek their advice in the matter because he has all the power needed to proceed. Then he informs them that he has taken a step to curb any possible rashness; he has sent Cleomenes and Dion to Apollo's temple in Delphos, and he promises to abide by the spiritual counsel of the oracle. When told that he has done well, Leontes quickly adds that he is convinced that he has acted correctly and really needs no more information; he trusts that the oracle will reassure those who cannot now perceive the truth. Meanwhile, Hermione will remain in prison so that she cannot carry out any treasonous plots left undone by the two who fled. Leontes calls on them all to accompany him as he publicly announces the events.

This act's structure is similar to that of Act I. It opens with a sleepy, peaceful pace -- which Leontes will soon shatter. Hermione requests a tale from her son, and Mamillius suggests a sad tale as "best for winter." A "winter's tale" means a story to pass the long evening hours of winter, especially a story that its listeners will enjoy when it is retold. With Leontes' entrance and simultaneous reaction to the report about the escape of Camillo and Polixenes, the season of royal discontent disintegrates quickly into general discontent. Because of the play's title and because of Mamillius' "tale suitable for winter," the situation becomes reminiscent of Richard III's phrase, "the winter of our discontent." In effect, Leontes creates a perpetual winter's death without the hope of spring's rebirth and regeneration. Leontes eliminates the hope of rebirth and rehealing when he rejects his unborn child and when he isolates his son. In these "problem plays," rejection usually leaves only tragedy as the possible consequence of the destructive tyranny that Leontes has initiated. His disease must now progress untreated unless the circumstances change. As Leontes destroyed his friendship with Polixenes in the previous act, he now destroys his family. Again, note that nothing that exists in their world justifies altering those relationships: illusion motivates Leontes. He alters everything to suit his sense of 'Justice," justice which he metes out unfairly because of misconstrued events. With his jealous imagination still gnawing at him, Leontes leaps to an even more serious accusation against Hermione -- treason. The facts from which he draws this conclusion, however, do not influence others to deduce the same conclusion. A lord reports that he saw Camillo, Polixenes, and Polixenes' attendants rushing to their ships. Immediately, Leontes exclaims: "How blest am I/ In my just censure, in my true opinion!" But Leontes fails to remember his own wicked, recently conceived poison plot! Pausing only to regret the knowledge he now has, he declares, with no further information: Camillo was his help in this, his pander. There is a plot against my life, my crown. All's true that is mistrusted. That false villain Whom I employed was pre-employed by him. As Polixenes predicted, Leontes' jealousy "for a precious creature" is enormous, and because of his powerful position, that jealousy now turns "violent." In fact, Leontes becomes increasingly paranoid. The disruption of his senses seems alarmingly probable. Declaring that sometimes it's better not to know unpleasant facts, Leontes illustrates this "truth" with fevered imagery similar to an unbalanced Lear: There may be in the cup A spider steeped, and one may drink, depart, And yet partake no venom, for his knowledge Is not infected; but if one present The abhorred ingredient to his eye, make known How he hath drunk, he cracks his gorge, his sides, With violent hefts. I have drunk, and seen the spider. This chilling image provides a clue to Leontes' insane -- like disturbances. Later, Leontes decides that Hermione is also involved in the nonexistent plot against him. I have saidShe's an adultress, I have said with whom;More, she's a traitor, and Camillo isA fedary with her . . . To Leontes, the causal sequences of Camillo's departure with Polixenes -- immediately after Leontes' accusation that Polixenes committed adultery with Hermione -- are proof enough that all three of them are involved in a treasonous plot. Of course, Leontes can provide no reasonable motivation for such a plot, and the audience is well aware that they have seen nothing to substantiate the accusation. Again, probability is maintained because the audience's evidence is firmly, unanimously supported by the arguing lords of Sicilia. Leontes now escalates the tyranny that he first exhibited when he conspired with Camillo. As in the scene with Camillo, Leontes is suspicious of anyone who will not substantiate his illusions: thus, he unknowingly denies himself the benefit of more accurate, more truthful observations. Leontes refuses to listen to any opposing opinions. He even exhibits a streak of meanness when he pinches Antigonus; then he reveals even more of his evil nature when he forbids anyone to offer an opposing opinion as he sends Hermione to prison. After it becomes clear that the lords will not cease arguing, he calmly declares: Why, what need we Commune with you of this, but rather follow Our forceful instigation? Our prerogative Calls not your counsels, but our natural goodness Imparts this; which if you, or stupefied Or seeming so in skill, cannot or will not Relish a truth like us, inform yourselves We need no more of your advice. With this speech, Leontes now isolates himself with his insanity. Confused because no one will accept his "evidence" or authority, his speech disintegrates into short, violent outbursts, sometimes barely coherent. With everyone and every fact arguing against his actions, Leontes is clearly abusing and misusing Free Will. Hermione, in fact, concludes that "some ill planet" reigns; thus, she resigns herself to being patient until the heavens look with a more favorable aspect upon her. All of this is the dramatic basis for the major conflict. We have witnessed the jealous, tyrannical Leontes as he flung his distorted illusions against reality. We watched Leontes escalate the willful destruction of his richest possessions. As a protagonist, he has severed his ties with his family and has isolated them; then he escalated his own isolation from the loyal advice of all who could have helped him see the truth. He has isolated himself from all objective communication, and finally he is left with only his own wrong illusions. Suitably, the setting increasingly becomes a series of confined, isolated fragments. Hermione moves to prison, Mamillius is confined to his quarters, and Leontes places himself apart from anyone who disagrees with him. Characterization is of secondary interest in this scene. Leontes is developed almost as a stereotype to "Human Nature disrupted by Insanity." On the other hand, Hermione's goodness comes close to being unbelievable, were it not for the fact that we see her growing stronger, more self-sufficient, and patient -- as do many pregnant women confronted with emergencies. Perhaps her unshakable pureness and goodness are essential in order to motivate all the underlings to argue with their king, but the audience may well wonder whether such a rare creature could actually exist beyond the stage of this play. The age of Mamillius remains a mystery. Shakespeare portrays him as a spirited, flirtatious, proud and secretive youth -- perhaps a young teenager. But his ties to his mother seem to indicate a much younger child. He lives, and soon dies, and he remains largely an inscrutable mystery.

cliffnotes

all_chapterized_books/1134-chapters/4.txt

finished_summaries/cliffnotes/The Winter's Tale/section_3_part_0.txt

The Winter's Tale.act 2.scene 2

scene 2

{"name": "Scene 2", "url": "https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-ii-scene-2", "summary": "Paulina and her attendants appear at the prison to request a visit with Hermione. The gaoler replies that he has orders not to allow visitors. Paulina then requests a chance to speak to one of the queen's ladies, Emilia if possible. The gaoler agrees to bring Emilia to Paulina if she dismisses her attendants, and if he himself can attend the conference. Paulina cooperates, but she expresses in asides the building fury that she feels about her good queen's imprisonment. Emilia reports that Hermione is doing as well as one \"so great and so forlorn\" might expect in her situation. Blaming the fears and sadnesses that weigh upon the queen, Emilia reports the premature delivery of a daughter. In spite of the \"dangerous unsafe lunes i' the king,\" Paulina decides to show Leontes his infant daughter, and she pledges a blistering advocacy for the queen. If Hermione will trust her with the infant, Paulina feels that the sight of the innocent baby will persuade Leontes to change his attitude toward the queen. Emilia praises Paulina as the most suitable woman to undertake the brave errand. In fact, she says, Hermione had thought of the same plan but had rejected it because she feared that anyone whom she might ask to do so would turn her down. When Emilia exits to ask for the baby, the gaoler tells Paulina that he cannot allow the baby to leave the prison unless he sees a warrant. Paulina convinces him that the baby entered the prison as an innocent in her mother's womb and therefore needs no warrant in order to leave. This argument easily sways the simple gaoler, but Paulina further soothes his fears by pledging to stand between him and any danger from Leontes.", "analysis": "Compared to Hermione's gentle, obedient reaction to Leontes' tyranny, Paulina's rage is graphically gathering as she prepares to confront her king. Obviously she has no intention of using the diplomatic ploys of Camillo or the other advisers; she will voice only her own absolute outrage at the mistreatment of the innocent. Well aware of the \"lunes\" that now control Leontes, Paulina determines that a direct attack of Truth will shake him loose from his insanity. And clearly, Leontes' actions can be called insane for they have destroyed a peaceful court life and a happy family life. The scene is focused on Hermione's hard and unjust imprisonment and Paulina's resulting rebellion: \"Here's ado,/ To lock up honesty and honor from/ The access of gentle visitors.\" Paulina must claw her way into a position to argue the queen's case. She is not only a singular volunteer, but she is the most qualified person to do so, according to Emilia: \"There is no lady living/ So meet for this great errand.\" Paulina believes that she knows what Leontes really wants, and what truly motivates him. She believes that he wants to love his wife and child, but needs a new cause to do so. She is correct, but only after many tragedies and many years will this be proven. At present, Paulina chooses her own dangerous, unswerving course."}

Sicilia. A prison Enter PAULINA, a GENTLEMAN, and ATTENDANTS PAULINA. The keeper of the prison- call to him; Let him have knowledge who I am. Exit GENTLEMAN Good lady! No court in Europe is too good for thee; What dost thou then in prison? Re-enter GENTLEMAN with the GAOLER Now, good sir, You know me, do you not? GAOLER. For a worthy lady, And one who much I honour. PAULINA. Pray you, then, Conduct me to the Queen. GAOLER. I may not, madam; To the contrary I have express commandment. PAULINA. Here's ado, to lock up honesty and honour from Th' access of gentle visitors! Is't lawful, pray you, To see her women- any of them? Emilia? GAOLER. So please you, madam, To put apart these your attendants, Shall bring Emilia forth. PAULINA. I pray now, call her. Withdraw yourselves. Exeunt ATTENDANTS GAOLER. And, madam, I must be present at your conference. PAULINA. Well, be't so, prithee. Exit GAOLER Here's such ado to make no stain a stain As passes colouring. Re-enter GAOLER, with EMILIA Dear gentlewoman, How fares our gracious lady? EMILIA. As well as one so great and so forlorn May hold together. On her frights and griefs, Which never tender lady hath borne greater, She is, something before her time, deliver'd. PAULINA. A boy? EMILIA. A daughter, and a goodly babe, Lusty, and like to live. The Queen receives Much comfort in't; says 'My poor prisoner, I am as innocent as you.' PAULINA. I dare be sworn. These dangerous unsafe lunes i' th' King, beshrew them! He must be told on't, and he shall. The office Becomes a woman best; I'll take't upon me; If I prove honey-mouth'd, let my tongue blister, And never to my red-look'd anger be The trumpet any more. Pray you, Emilia, Commend my best obedience to the Queen; If she dares trust me with her little babe, I'll show't the King, and undertake to be Her advocate to th' loud'st. We do not know How he may soften at the sight o' th' child: The silence often of pure innocence Persuades when speaking fails. EMILIA. Most worthy madam, Your honour and your goodness is so evident That your free undertaking cannot miss A thriving issue; there is no lady living So meet for this great errand. Please your ladyship To visit the next room, I'll presently Acquaint the Queen of your most noble offer Who but to-day hammer'd of this design, But durst not tempt a minister of honour, Lest she should be denied. PAULINA. Tell her, Emilia, I'll use that tongue I have; if wit flow from't As boldness from my bosom, let't not be doubted I shall do good. EMILIA. Now be you blest for it! I'll to the Queen. Please you come something nearer. GAOLER. Madam, if't please the Queen to send the babe, I know not what I shall incur to pass it, Having no warrant. PAULINA. You need not fear it, sir. This child was prisoner to the womb, and is By law and process of great Nature thence Freed and enfranchis'd- not a party to The anger of the King, nor guilty of, If any be, the trespass of the Queen. GAOLER. I do believe it. PAULINA. Do not you fear. Upon mine honour, I Will stand betwixt you and danger. Exeunt

Scene 2

https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-ii-scene-2

Paulina and her attendants appear at the prison to request a visit with Hermione. The gaoler replies that he has orders not to allow visitors. Paulina then requests a chance to speak to one of the queen's ladies, Emilia if possible. The gaoler agrees to bring Emilia to Paulina if she dismisses her attendants, and if he himself can attend the conference. Paulina cooperates, but she expresses in asides the building fury that she feels about her good queen's imprisonment. Emilia reports that Hermione is doing as well as one "so great and so forlorn" might expect in her situation. Blaming the fears and sadnesses that weigh upon the queen, Emilia reports the premature delivery of a daughter. In spite of the "dangerous unsafe lunes i' the king," Paulina decides to show Leontes his infant daughter, and she pledges a blistering advocacy for the queen. If Hermione will trust her with the infant, Paulina feels that the sight of the innocent baby will persuade Leontes to change his attitude toward the queen. Emilia praises Paulina as the most suitable woman to undertake the brave errand. In fact, she says, Hermione had thought of the same plan but had rejected it because she feared that anyone whom she might ask to do so would turn her down. When Emilia exits to ask for the baby, the gaoler tells Paulina that he cannot allow the baby to leave the prison unless he sees a warrant. Paulina convinces him that the baby entered the prison as an innocent in her mother's womb and therefore needs no warrant in order to leave. This argument easily sways the simple gaoler, but Paulina further soothes his fears by pledging to stand between him and any danger from Leontes.

Compared to Hermione's gentle, obedient reaction to Leontes' tyranny, Paulina's rage is graphically gathering as she prepares to confront her king. Obviously she has no intention of using the diplomatic ploys of Camillo or the other advisers; she will voice only her own absolute outrage at the mistreatment of the innocent. Well aware of the "lunes" that now control Leontes, Paulina determines that a direct attack of Truth will shake him loose from his insanity. And clearly, Leontes' actions can be called insane for they have destroyed a peaceful court life and a happy family life. The scene is focused on Hermione's hard and unjust imprisonment and Paulina's resulting rebellion: "Here's ado,/ To lock up honesty and honor from/ The access of gentle visitors." Paulina must claw her way into a position to argue the queen's case. She is not only a singular volunteer, but she is the most qualified person to do so, according to Emilia: "There is no lady living/ So meet for this great errand." Paulina believes that she knows what Leontes really wants, and what truly motivates him. She believes that he wants to love his wife and child, but needs a new cause to do so. She is correct, but only after many tragedies and many years will this be proven. At present, Paulina chooses her own dangerous, unswerving course.

cliffnotes

all_chapterized_books/1134-chapters/5.txt

finished_summaries/cliffnotes/The Winter's Tale/section_4_part_0.txt

The Winter's Tale.act 2.scene 3

scene 3

{"name": "Scene 3", "url": "https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-ii-scene-3", "summary": "Leontes enters with a group of lords and servants -- captives, really, who must listen to his ravings. He complains, first, that his inability to punish the traitors is causing him to suffer from insomnia. The \"harlot king\" -- Polixenes -- is out of reach, but at least Hermione is under control; now, if he could permanently free himself of her threat, he says, he believes that he might at least rest a little. He considers burning his wife. When a servant reports that Mamillius may be finally recovering from his illness, Leontes says that the boy's problem is guilt about his mother's dishonor. The king then sends the servant to check on the prince and begins to rage about the power and the distance which make it impossible to revenge himself upon Polixenes and Camillo. He imagines at this moment that they are probably laughing at him. At this moment, however, Paulina enters with the baby. When warned that the king has not slept and should not be approached, Paulina argues for the queen and for the truth that shall set the king free. Leontes suddenly explodes at Antigonus for not controlling his wife. Paulina retorts that Antigonus can control her dishonesty, but not her honesty. Paulina pronounces herself a physician and a \"counsellor.\" She champions Leontes' \"good queen\" and presents him with his baby. Leontes reacts with a tantrum. He orders Paulina and \"the bastard\" removed. No one obeys, and so Leontes denounces all in the room as \"traitors.\" Antigonus and Paulina both object to the charge. Paulina retorts that Leontes is cursed by his own slanders. Again, Leontes ridicules Antigonus as being henpecked. He then orders the baby and Hermione to be thrown into a fire. Paulina calls upon all present to mark the baby's resemblance to Leontes. In a frenzy, the king calls for Antigonus to be hanged because he cannot control his wife's speech. Antigonus replies that nearly all the husbands in the kingdom would have to die -- if that is the punishment for a man who cannot control his wife. Leontes then threatens to burn Paulina. She retorts: \"I care not;/ It is an heretic that makes the fire) Not she which burns in't.\" Careful to state that she is not accusing Leontes of being a tyrant, Paulina berates him for his \"cruel usage of your queen,/ Not able to produce more accusation/ Than your own weak-hinged fancy\"; she says that he is \"ignoble\" and \"scandalous to the world.\" Leontes orders Paulina to be taken out of the chamber, then he defends his reputation by claiming that if he were a tyrant he would have killed her. As she is pushed from the chamber, Paulina gives the baby to Leontes and tells everyone that humoring Leontes only makes his madness worse. Freed from Paulina's attacks at last, Leontes penalizes Antigonus for not controlling his wife by ordering him to burn the baby within the hour, or Antigonus and all his family will die. Should Antigonus refuse, Leontes promises to \"dash out\" the brains of the baby. Antigonus and all the lords swear that Antigonus did not send Paulina to attack Leontes. The king, however, declares them all liars. The lords kneel and beg Leontes to repay their past loyal service by refusing to carry through his terrible plan. At first, Leontes contends that it will be better to burn the baby than to later resent her. But he gives Antigonus a chance to offer something in exchange for the baby's life. Antigonus offers anything \"that my ability may undergo/ And nobleness impose.\" He even offers what \"little blood\" he has \"to save the innocent.\" Leontes presents a sword on which Antigonus is to swear that he will do anything ordered. Antigonus does so. Telling Antigonus to listen carefully because failure at any point will forfeit his own life and Paulina's, Leontes orders the old man to carry \"the female bastard\" to a remote place far from Sicilia where the baby must be abandoned. This action will leave the baby's life to Fate and circumstance. Antigonus promises to do the king's bidding although instant death might be more merciful, he says. As he picks the baby up, he calls for \"some powerful spirit\" to instruct wild birds and beasts to nurse her and to bless this tiny innocent who is used so cruelly. As soon as Antigonus exits with the baby, Leontes mutters, \"No, I'll not rear/ Another's issue.\" A messenger announces the return of Cleomenes and Dion from the oracle at Delphos. All are amazed at the brevity of the twenty-three-day round trip. Leontes takes this as a sign that the oracle's message will support the truth that only he has deduced. He confidently orders the lords to prepare a \"just and open trial\" for Hermione during which the \"truth\" of his public accusations will be verified.", "analysis": "Conflict never abates in this scene. Tensions build as everyone on stage contributes to the many attempts to resolve the complications. Leontes, however, continues to speak for illusion, while all the others speak for reality. Leontes, the only character blinded by illusion, wants to throw Hermione, Paulina, and the baby into a cleansing fire. Already desperate from lack of sleep and absence of resolution, he cannot tolerate what is thrust at him by Paulina. In desperation, he orders her hauled from the chambers. That leaves only the baby to punish. He cruelly orders that the baby must be abandoned in a desolate spot where Fate may decide whether or not she lives or dies. These compromises on the lives of Paulina and the baby weaken the illusion that Leontes craves, so he looks forward to the proof that he believes will be contained in the oracle's message. Paulina characterizes herself as a physician and counselor, one who has come to heal the torments caused by Leontes' illusions. She urges the king's advisers to realize that their tolerance of his moods only exacerbates the problem. Leontes, of course, finds Paulina intolerable. She increases his frenzy, and she cures nothing. However, she does prove that her brave confrontations with truth at least can curb the king's tyranny, for he cannot exercise his cruel orders until Paulina is removed from the scene. Unfortunately for the king's family and his subjects, none of the lords follow her example. They continue to appeal to a reasoning power that no longer operates within him. In a final attempt to resolve Leontes' mad conflict, they kneel and beg for him to reward their past faithful service by sparing the life of the baby. Antigonus desperately promises to do anything to spare the baby's life. Their begging, however, inspires only more tyranny. All the focus on the baby, however, does cause Leontes to change his order about her fate, but he does not really alter his cruel tyranny, and he manages to punish Antigonus for supporting his brave and loyal wife, as well as conceiving a cruel death for the innocent baby. At this point, Leontes seems hopelessly desperate. He is insanely irrational; he wants revenge because he needs control. Instead of gaining control, however, every step he takes increases his own frenzy and diminishes all chances for help. Only by accepting reality, including his own contributions to the events, can Leontes regain emotional control of himself and his court. Although the honesty of Camillo, Hermione, and Paulina prevent total mad tyranny, Leontes' frenzy increases. Leontes' \"nature\" can no longer tolerate any limits. He trusts no judgment but his own; thus, he blurts out: \"You're liars all.\" The Elizabethan notion of the Order of the Universe that Leontes should be absolutely duty-bound to imitate has disintegrated before his mad illusions. Only the oracle's message offers hope for resolution of the conflict."}

Sicilia. The palace of LEONTES Enter LEONTES, ANTIGONUS, LORDS, and SERVANTS LEONTES. Nor night nor day no rest! It is but weakness To bear the matter thus- mere weakness. If The cause were not in being- part o' th' cause, She, th' adultress; for the harlot king Is quite beyond mine arm, out of the blank And level of my brain, plot-proof; but she I can hook to me- say that she were gone, Given to the fire, a moiety of my rest Might come to me again. Who's there? FIRST SERVANT. My lord? LEONTES. How does the boy? FIRST SERVANT. He took good rest to-night; 'Tis hop'd his sickness is discharg'd. LEONTES. To see his nobleness! Conceiving the dishonour of his mother, He straight declin'd, droop'd, took it deeply, Fasten'd and fix'd the shame on't in himself, Threw off his spirit, his appetite, his sleep, And downright languish'd. Leave me solely. Go, See how he fares. [Exit SERVANT] Fie, fie! no thought of him! The very thought of my revenges that way Recoil upon me- in himself too mighty, And in his parties, his alliance. Let him be, Until a time may serve; for present vengeance, Take it on her. Camillo and Polixenes Laugh at me, make their pastime at my sorrow. They should not laugh if I could reach them; nor Shall she, within my pow'r. Enter PAULINA, with a CHILD FIRST LORD. You must not enter. PAULINA. Nay, rather, good my lords, be second to me. Fear you his tyrannous passion more, alas, Than the Queen's life? A gracious innocent soul, More free than he is jealous. ANTIGONUS. That's enough. SECOND SERVANT. Madam, he hath not slept to-night; commanded None should come at him. PAULINA. Not so hot, good sir; I come to bring him sleep. 'Tis such as you, That creep like shadows by him, and do sigh At each his needless heavings- such as you Nourish the cause of his awaking: I Do come with words as medicinal as true, Honest as either, to purge him of that humour That presses him from sleep. LEONTES. What noise there, ho? PAULINA. No noise, my lord; but needful conference About some gossips for your Highness. LEONTES. How! Away with that audacious lady! Antigonus, I charg'd thee that she should not come about me; I knew she would. ANTIGONUS. I told her so, my lord, On your displeasure's peril, and on mine, She should not visit you. LEONTES. What, canst not rule her? PAULINA. From all dishonesty he can: in this, Unless he take the course that you have done- Commit me for committing honour- trust it, He shall not rule me. ANTIGONUS. La you now, you hear! When she will take the rein, I let her run; But she'll not stumble. PAULINA. Good my liege, I come- And I beseech you hear me, who professes Myself your loyal servant, your physician, Your most obedient counsellor; yet that dares Less appear so, in comforting your evils, Than such as most seem yours- I say I come From your good Queen. LEONTES. Good Queen! PAULINA. Good Queen, my lord, good Queen- I say good Queen; And would by combat make her good, so were I A man, the worst about you. LEONTES. Force her hence. PAULINA. Let him that makes but trifles of his eyes First hand me. On mine own accord I'll off; But first I'll do my errand. The good Queen, For she is good, hath brought you forth a daughter; Here 'tis; commends it to your blessing. [Laying down the child] LEONTES. Out! A mankind witch! Hence with her, out o' door! A most intelligencing bawd! PAULINA. Not so. I am as ignorant in that as you In so entitling me; and no less honest Than you are mad; which is enough, I'll warrant, As this world goes, to pass for honest. LEONTES. Traitors! Will you not push her out? Give her the bastard. [To ANTIGONUS] Thou dotard, thou art woman-tir'd, unroosted By thy Dame Partlet here. Take up the bastard; Take't up, I say; give't to thy crone. PAULINA. For ever Unvenerable be thy hands, if thou Tak'st up the Princess by that forced baseness Which he has put upon't! LEONTES. He dreads his wife. PAULINA. So I would you did; then 'twere past all doubt You'd call your children yours. LEONTES. A nest of traitors! ANTIGONUS. I am none, by this good light. PAULINA. Nor I; nor any But one that's here; and that's himself; for he The sacred honour of himself, his Queen's, His hopeful son's, his babe's, betrays to slander, Whose sting is sharper than the sword's; and will not- For, as the case now stands, it is a curse He cannot be compell'd to 't- once remove The root of his opinion, which is rotten As ever oak or stone was sound. LEONTES. A callat Of boundless tongue, who late hath beat her husband, And now baits me! This brat is none of mine; It is the issue of Polixenes. Hence with it, and together with the dam Commit them to the fire. PAULINA. It is yours. And, might we lay th' old proverb to your charge, So like you 'tis the worse. Behold, my lords, Although the print be little, the whole matter And copy of the father- eye, nose, lip, The trick of's frown, his forehead; nay, the valley, The pretty dimples of his chin and cheek; his smiles; The very mould and frame of hand, nail, finger. And thou, good goddess Nature, which hast made it So like to him that got it, if thou hast The ordering of the mind too, 'mongst all colours No yellow in't, lest she suspect, as he does, Her children not her husband's! LEONTES. A gross hag! And, lozel, thou art worthy to be hang'd That wilt not stay her tongue. ANTIGONUS. Hang all the husbands That cannot do that feat, you'll leave yourself Hardly one subject. LEONTES. Once more, take her hence. PAULINA. A most unworthy and unnatural lord Can do no more. LEONTES. I'll ha' thee burnt. PAULINA. I care not. It is an heretic that makes the fire, Not she which burns in't. I'll not call you tyrant But this most cruel usage of your Queen- Not able to produce more accusation Than your own weak-hing'd fancy- something savours Of tyranny, and will ignoble make you, Yea, scandalous to the world. LEONTES. On your allegiance, Out of the chamber with her! Were I a tyrant, Where were her life? She durst not call me so, If she did know me one. Away with her! PAULINA. I pray you, do not push me; I'll be gone. Look to your babe, my lord; 'tis yours. Jove send her A better guiding spirit! What needs these hands? You that are thus so tender o'er his follies Will never do him good, not one of you. So, so. Farewell; we are gone. Exit LEONTES. Thou, traitor, hast set on thy wife to this. My child! Away with't. Even thou, that hast A heart so tender o'er it, take it hence, And see it instantly consum'd with fire; Even thou, and none but thou. Take it up straight. Within this hour bring me word 'tis done, And by good testimony, or I'll seize thy life, With that thou else call'st thine. If thou refuse, And wilt encounter with my wrath, say so; The bastard brains with these my proper hands Shall I dash out. Go, take it to the fire; For thou set'st on thy wife. ANTIGONUS. I did not, sir. These lords, my noble fellows, if they please, Can clear me in't. LORDS. We can. My royal liege, He is not guilty of her coming hither. LEONTES. You're liars all. FIRST LORD. Beseech your Highness, give us better credit. We have always truly serv'd you; and beseech So to esteem of us; and on our knees we beg, As recompense of our dear services Past and to come, that you do change this purpose, Which being so horrible, so bloody, must Lead on to some foul issue. We all kneel. LEONTES. I am a feather for each wind that blows. Shall I live on to see this bastard kneel And call me father? Better burn it now Than curse it then. But be it; let it live. It shall not neither. [To ANTIGONUS] You, Sir, come you hither. You that have been so tenderly officious With Lady Margery, your midwife there, To save this bastard's life- for 'tis a bastard, So sure as this beard's grey- what will you adventure To save this brat's life? ANTIGONUS. Anything, my lord, That my ability may undergo, And nobleness impose. At least, thus much: I'll pawn the little blood which I have left To save the innocent- anything possible. LEONTES. It shall be possible. Swear by this sword Thou wilt perform my bidding. ANTIGONUS. I will, my lord. LEONTES. Mark, and perform it- seest thou? For the fail Of any point in't shall not only be Death to thyself, but to thy lewd-tongu'd wife, Whom for this time we pardon. We enjoin thee, As thou art liegeman to us, that thou carry This female bastard hence; and that thou bear it To some remote and desert place, quite out Of our dominions; and that there thou leave it, Without more mercy, to it own protection And favour of the climate. As by strange fortune It came to us, I do in justice charge thee, On thy soul's peril and thy body's torture, That thou commend it strangely to some place Where chance may nurse or end it. Take it up. ANTIGONUS. I swear to do this, though a present death Had been more merciful. Come on, poor babe. Some powerful spirit instruct the kites and ravens To be thy nurses! Wolves and bears, they say, Casting their savageness aside, have done Like offices of pity. Sir, be prosperous In more than this deed does require! And blessing Against this cruelty fight on thy side, Poor thing, condemn'd to loss! Exit with the child LEONTES. No, I'll not rear Another's issue. Enter a SERVANT SERVANT. Please your Highness, posts From those you sent to th' oracle are come An hour since. Cleomenes and Dion, Being well arriv'd from Delphos, are both landed, Hasting to th' court. FIRST LORD. So please you, sir, their speed Hath been beyond account. LEONTES. Twenty-three days They have been absent; 'tis good speed; foretells The great Apollo suddenly will have The truth of this appear. Prepare you, lords; Summon a session, that we may arraign Our most disloyal lady; for, as she hath Been publicly accus'd, so shall she have A just and open trial. While she lives, My heart will be a burden to me. Leave me; And think upon my bidding. Exeunt

Scene 3

https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-ii-scene-3

Leontes enters with a group of lords and servants -- captives, really, who must listen to his ravings. He complains, first, that his inability to punish the traitors is causing him to suffer from insomnia. The "harlot king" -- Polixenes -- is out of reach, but at least Hermione is under control; now, if he could permanently free himself of her threat, he says, he believes that he might at least rest a little. He considers burning his wife. When a servant reports that Mamillius may be finally recovering from his illness, Leontes says that the boy's problem is guilt about his mother's dishonor. The king then sends the servant to check on the prince and begins to rage about the power and the distance which make it impossible to revenge himself upon Polixenes and Camillo. He imagines at this moment that they are probably laughing at him. At this moment, however, Paulina enters with the baby. When warned that the king has not slept and should not be approached, Paulina argues for the queen and for the truth that shall set the king free. Leontes suddenly explodes at Antigonus for not controlling his wife. Paulina retorts that Antigonus can control her dishonesty, but not her honesty. Paulina pronounces herself a physician and a "counsellor." She champions Leontes' "good queen" and presents him with his baby. Leontes reacts with a tantrum. He orders Paulina and "the bastard" removed. No one obeys, and so Leontes denounces all in the room as "traitors." Antigonus and Paulina both object to the charge. Paulina retorts that Leontes is cursed by his own slanders. Again, Leontes ridicules Antigonus as being henpecked. He then orders the baby and Hermione to be thrown into a fire. Paulina calls upon all present to mark the baby's resemblance to Leontes. In a frenzy, the king calls for Antigonus to be hanged because he cannot control his wife's speech. Antigonus replies that nearly all the husbands in the kingdom would have to die -- if that is the punishment for a man who cannot control his wife. Leontes then threatens to burn Paulina. She retorts: "I care not;/ It is an heretic that makes the fire) Not she which burns in't." Careful to state that she is not accusing Leontes of being a tyrant, Paulina berates him for his "cruel usage of your queen,/ Not able to produce more accusation/ Than your own weak-hinged fancy"; she says that he is "ignoble" and "scandalous to the world." Leontes orders Paulina to be taken out of the chamber, then he defends his reputation by claiming that if he were a tyrant he would have killed her. As she is pushed from the chamber, Paulina gives the baby to Leontes and tells everyone that humoring Leontes only makes his madness worse. Freed from Paulina's attacks at last, Leontes penalizes Antigonus for not controlling his wife by ordering him to burn the baby within the hour, or Antigonus and all his family will die. Should Antigonus refuse, Leontes promises to "dash out" the brains of the baby. Antigonus and all the lords swear that Antigonus did not send Paulina to attack Leontes. The king, however, declares them all liars. The lords kneel and beg Leontes to repay their past loyal service by refusing to carry through his terrible plan. At first, Leontes contends that it will be better to burn the baby than to later resent her. But he gives Antigonus a chance to offer something in exchange for the baby's life. Antigonus offers anything "that my ability may undergo/ And nobleness impose." He even offers what "little blood" he has "to save the innocent." Leontes presents a sword on which Antigonus is to swear that he will do anything ordered. Antigonus does so. Telling Antigonus to listen carefully because failure at any point will forfeit his own life and Paulina's, Leontes orders the old man to carry "the female bastard" to a remote place far from Sicilia where the baby must be abandoned. This action will leave the baby's life to Fate and circumstance. Antigonus promises to do the king's bidding although instant death might be more merciful, he says. As he picks the baby up, he calls for "some powerful spirit" to instruct wild birds and beasts to nurse her and to bless this tiny innocent who is used so cruelly. As soon as Antigonus exits with the baby, Leontes mutters, "No, I'll not rear/ Another's issue." A messenger announces the return of Cleomenes and Dion from the oracle at Delphos. All are amazed at the brevity of the twenty-three-day round trip. Leontes takes this as a sign that the oracle's message will support the truth that only he has deduced. He confidently orders the lords to prepare a "just and open trial" for Hermione during which the "truth" of his public accusations will be verified.

Conflict never abates in this scene. Tensions build as everyone on stage contributes to the many attempts to resolve the complications. Leontes, however, continues to speak for illusion, while all the others speak for reality. Leontes, the only character blinded by illusion, wants to throw Hermione, Paulina, and the baby into a cleansing fire. Already desperate from lack of sleep and absence of resolution, he cannot tolerate what is thrust at him by Paulina. In desperation, he orders her hauled from the chambers. That leaves only the baby to punish. He cruelly orders that the baby must be abandoned in a desolate spot where Fate may decide whether or not she lives or dies. These compromises on the lives of Paulina and the baby weaken the illusion that Leontes craves, so he looks forward to the proof that he believes will be contained in the oracle's message. Paulina characterizes herself as a physician and counselor, one who has come to heal the torments caused by Leontes' illusions. She urges the king's advisers to realize that their tolerance of his moods only exacerbates the problem. Leontes, of course, finds Paulina intolerable. She increases his frenzy, and she cures nothing. However, she does prove that her brave confrontations with truth at least can curb the king's tyranny, for he cannot exercise his cruel orders until Paulina is removed from the scene. Unfortunately for the king's family and his subjects, none of the lords follow her example. They continue to appeal to a reasoning power that no longer operates within him. In a final attempt to resolve Leontes' mad conflict, they kneel and beg for him to reward their past faithful service by sparing the life of the baby. Antigonus desperately promises to do anything to spare the baby's life. Their begging, however, inspires only more tyranny. All the focus on the baby, however, does cause Leontes to change his order about her fate, but he does not really alter his cruel tyranny, and he manages to punish Antigonus for supporting his brave and loyal wife, as well as conceiving a cruel death for the innocent baby. At this point, Leontes seems hopelessly desperate. He is insanely irrational; he wants revenge because he needs control. Instead of gaining control, however, every step he takes increases his own frenzy and diminishes all chances for help. Only by accepting reality, including his own contributions to the events, can Leontes regain emotional control of himself and his court. Although the honesty of Camillo, Hermione, and Paulina prevent total mad tyranny, Leontes' frenzy increases. Leontes' "nature" can no longer tolerate any limits. He trusts no judgment but his own; thus, he blurts out: "You're liars all." The Elizabethan notion of the Order of the Universe that Leontes should be absolutely duty-bound to imitate has disintegrated before his mad illusions. Only the oracle's message offers hope for resolution of the conflict.

cliffnotes

all_chapterized_books/1134-chapters/6.txt

finished_summaries/cliffnotes/The Winter's Tale/section_5_part_0.txt

The Winter's Tale.act 3.scene 1

scene 1

{"name": "Scene 1", "url": "https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-iii-scene-1", "summary": "Walking through the streets of a Sicilian town, Cleomenes and Dion exchange their impressions of the general appearance and, especially, the religious atmosphere that they observed on the \"island of Delphos .\" Cleomenes remembers vividly the thundering voice of the oracle; Dion says that he hopes that the trip will prove as successful for the queen as it has for them. Both messengers are certain that Apollo's divination will clear up all doubts surrounding the accusations against Hermione. The two messengers exit to mount fresh horses in order to speed their delivery of the sealed message.", "analysis": "At first glance, this brief scene seems to serve only as extraneous travelogue. It serves this purpose, but more important, it adds to the dramatic tension as preparations are being made for Hermione's trial. By verifying the \"religious\" authenticity of their visit to Delphos and by anticipating the divine perception of Hermione's innocence, the messengers seem now to bear an unimpeachable testimony against Leontes' tyranny. As was mentioned earlier, the scene also employs the license that is recognizable in the Pastoral Romance genre when Delphos is described as an island."}

Sicilia. On the road to the Capital Enter CLEOMENES and DION CLEOMENES. The climate's delicate, the air most sweet, Fertile the isle, the temple much surpassing The common praise it bears. DION. I shall report, For most it caught me, the celestial habits- Methinks I so should term them- and the reverence Of the grave wearers. O, the sacrifice! How ceremonious, solemn, and unearthly, It was i' th' off'ring! CLEOMENES. But of all, the burst And the ear-deaf'ning voice o' th' oracle, Kin to Jove's thunder, so surpris'd my sense That I was nothing. DION. If th' event o' th' journey Prove as successful to the Queen- O, be't so!- As it hath been to us rare, pleasant, speedy, The time is worth the use on't. CLEOMENES. Great Apollo Turn all to th' best! These proclamations, So forcing faults upon Hermione, I little like. DION. The violent carriage of it Will clear or end the business. When the oracle- Thus by Apollo's great divine seal'd up- Shall the contents discover, something rare Even then will rush to knowledge. Go; fresh horses. And gracious be the issue! Exeunt

Scene 1

https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-iii-scene-1

Walking through the streets of a Sicilian town, Cleomenes and Dion exchange their impressions of the general appearance and, especially, the religious atmosphere that they observed on the "island of Delphos ." Cleomenes remembers vividly the thundering voice of the oracle; Dion says that he hopes that the trip will prove as successful for the queen as it has for them. Both messengers are certain that Apollo's divination will clear up all doubts surrounding the accusations against Hermione. The two messengers exit to mount fresh horses in order to speed their delivery of the sealed message.

At first glance, this brief scene seems to serve only as extraneous travelogue. It serves this purpose, but more important, it adds to the dramatic tension as preparations are being made for Hermione's trial. By verifying the "religious" authenticity of their visit to Delphos and by anticipating the divine perception of Hermione's innocence, the messengers seem now to bear an unimpeachable testimony against Leontes' tyranny. As was mentioned earlier, the scene also employs the license that is recognizable in the Pastoral Romance genre when Delphos is described as an island.

cliffnotes

all_chapterized_books/1134-chapters/7.txt

finished_summaries/cliffnotes/The Winter's Tale/section_6_part_0.txt

The Winter's Tale.act 3.scene 2

scene 2

{"name": "Scene 2", "url": "https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-iii-scene-2", "summary": "Leontes expresses his grief to the lords and officers who enter the scene of the trial. Describing the accused Hermione as the daughter of a king, his wife, and also as someone who is \"too much beloved,\" he urges the beginning of an open trial which can both clear him of all charges of tyranny and can determine Hermione's guilt or innocence. After an officer opens the trial by announcing Hermione's personal appearance, the queen enters with Paulina and her faithful ladies-in-waiting. On Leontes' command, the officer reads the indictment. Hermione is formally \"accused and arraigned of high treason\" for committing adultery with Polixenes, conspiring with Camillo to kill Leontes, and then both advising and aiding \"them, for their better safety, to fly away by night.\" Hermione responds that, so accused, she can do little but deny the accusations. She realizes that a plea of \"not guilty\" will serve little purpose since her integrity has already been \"counted falsehood.\" Instead, she builds this hypothesis into her argument: If powers divine Behold our human actions, as they do, I doubt not then but innocence shall make False accusation blush, and tyranny Tremble at patience. She calls upon Leontes to remember, as the one who best can, her years of true and faithful behavior. Hermione cites her credentials the daughter of a great king, and the mother of a \"hopeful prince\" and in contrast to the humiliation of pleading publicly for her life and honor, she says that as much as she values life and honor, she willingly risks both by requesting specific proof from Leontes in this public forum, to cite even one incident from her life before -- or during Polixenes' visit, which justifies the charges. Leontes mutters about the general impudence of criminals. True, agrees Hermione, but she cannot agree that the generality applies to her. You just won't admit it, answers Leontes. Hermione says that she admits only the facts. First, she loved Polixenes in a way suitable to their rank and honor, as Leontes had commanded her to do. Refusal to do so would have been classified as \"disobedience and ingratitude\" toward both him and his childhood friend. Second, she has no experience in treason. She knows only that Camillo was an honest man. If the gods know no more about his departure than she does, even they must be able to guess why. Again, Leontes responds with generalities. Hermione despairs of understanding him. \"My life stands in the level of your dreams) Which I'll lay down.\" Leontes rants, \"Your actions are my dreams.\" Again, he voices his jealousy, disguised as a legal charge: Hermione has a bastard daughter by Polixenes; thus, she is past shame or truth. As surely as the infant was cast out, shamed because no father would claim it, so shall Hermione suffer the pangs of justice. The easiest of her punishments will be death. Hermione requests respite from Leontes' taunts. The death threat with which he tries to frighten her is the very thing she now wants. Life holds no comfort now that her most worthwhile achievement, his favor, is clearly lost, although the reason for the loss is not clear. Also lost is her second joy, the company of their son, and her third joy, the innocent baby daughter who was murdered before she was weaned. Hermione then lists other experiences that now make death attractive to her. She has suffered from public accusations about her immorality and from the cruel denial of care during childbirth, for which women of all classes yearn. Finally, before she has recovered from childbirth, she has been rushed to this open-air public trial. Accordingly, what lure of life should cause her to fear death? However, as willing as Hermione is for Leontes to proceed with the death sentence, she still yearns for the honorable memory that she deserves: If I shall be condemnedUpon surmises, all proofs sleeping elseBut what your jealousies awake, I tell you'Tis rigour and not law. In a ringing challenge to all who judge her, she exhorts: \"Apollo be my judge!\" One of the lords agrees that her request is just, so he calls for the oracle's message. During the bustle of officers leaving the trial to fetch Cleomenes and Dion, Hermione expresses how much she yearns for the presence of her dead father, the Emperor of Russia, so that someone would regard her with \"pity, not revenge.\" An officer then swears in Cleomenes and Dion, who attest to the condition of the untampered, sealed message from Delphos. Leontes orders the breaking of the seal and the reading of the message. An officer reads: \"Hermione is chaste; Polixenes blameless; Camilio a true subject; Leontes a jealous tyrant; his innocent babe truly begotten; and the King shall live without an heir, if that which is lost be not found.\" The lords and Hermione praise Apollo. Leontes asks: \"Hast thou read truth?\" The officer confirms it. Then, Leontes declares, \"There is no truth at all i' th' oracle./ The sessions shall proceed; this is mere falsehood.\" A servant bursts in to announce, reluctantly, that Mamillius has just died from anxious conjecture about his mother's fate. Leontes cries out: \"Apollo's angry; and the heavens themselves/ Do strike at my injustice.\" Hermione faints. Paulina examines her, then commands Leontes to watch as Hermione dies. Leontes orders that Hermione receive tender care until she recovers. Remorsefully, he confesses that he has \"too much believed mine own suspicion.\" After a party carries Hermione out, Leontes beseeches Apollo to forgive his profanity of the oracle. In a burst of clarity, Leontes promises to earn again the love of Hermione and to restore Camillo to office. Recognizing the damage done by his jealous quest for revenge as well as the probability that Camillo fled because of Leontes' command to poison Polixenes, Leontes praises the glowing honor of Camillo: \"How he glisters/ Through my dark rust!\" Immediately after Leontes' confession, Paulina enters, consumed with hysterical grief. She confronts the \"tyrant\": the consequences of Leontes' jealousy should cause him to flee in despair. Paulina then catalogs the harm caused: betraying Polixenes, dishonoring Camillo for refusing to poison Polixenes, casting his baby daughter to the crows, and causing his young son to die. And now, the good, sweet queen has died. When a lord protests the news, Paulina swears to it and then boldly challenges any of them to bring Hermione to life. Paulina berates Leontes. For this death, repentance is useless; only unending despair can be his future. Leontes urges her to continue. He feels that he deserves every syllable of her bitter, unceasing criticism. A lord chastises Paulina for the bold speech which he deems unsuitable under any circumstances, and Paulina apologizes finally for showing \"the rashness of a woman\" when she observes Leontes' grief. \"What's gone and what's past help/ Should be past grief.\" Again, she requests punishment but, this time, for her error since she caused him to grieve about a matter that he should forget. Paulina asks for the king's forgiveness and promises to stop reminding him about their dead queen, his dead children, or her own lost husband. Clearly, Leontes prefers her truthful speech to her pity. He asks Paulina to lead him to the bodies of his son and wife. After he views them, Leontes wants them to share the same grave, which shall be marked by the shameful causes of their deaths. He promises daily, penitent visits to the chapel where they will be buried.", "analysis": "In this scene, Leontes speaks of the contrasts between his reputation for tyranny and Hermione's reputation for noble innocence. Although he claims that he wants the guilt or innocence of Hermione to be proven, obviously the only way that Leontes can be found innocent of the accusations of tyranny would be to prove Hermione is guilty. Determining her guilt or her innocence, however, is a potentially exclusive proposition. Leontes is using a single motivation -- jealousy -- to prove Hermione guilty in order to prove that he has acted correctly from his sense of \"natural goodness.\" Therefore, Apollo's message will be unacceptable. The trial itself dramatizes the conflict between \"reality\" and Leontes' \"nature,\" but this is not a matter of guilt or innocence. This is clearly illustrated in an exchange between Hermione and Leontes. In despair after trying to elicit facts, Hermione says, \"My life stands in the level of your dreams.\" Leontes retorts: \"Your actions are my dreams.\" Within this structure, the climax of the scene cannot occur with Apollo's message because Leontes must push for his original motivation. Neither facts, as requested by Hermione, nor truth, as delivered from Apollo, will dissuade Leontes. Leontes is not yet ready for redemption. Although his tyranny has been curbed, he has not earned trust from Hermione and Paulina, who must feel certain that Leontes is now stable enough to be trusted. Hermione has already asked Apollo to control Leontes' sick illusions, and Apollo said that \"the king shall live without an heir\" , emphasizing if , \"that which is lost be not found.\" This message clearly cannot reassure the ladies. So, this critical scene sets up the turning point of the plot by requiring the important subplot of rebirth through the healing power of youth. Only then will Order be restored to the Universe. While the plot is maturing, characterization is also developing. For example, Leontes must suffer for his monumental mistake. He realizes that fact as soon as Mamillius dies: \"the heavens themselves/ Do strike at my injustice.\" Consequently, he realizes that after he destroyed his family and kingdom, he began to destroy the natural Order of the Universe. Realizing that altering the Order will not be treated lightly, the king encourages Paulina to remind him of why he suffers throughout his long years of penance. This realization helps focus on the major motivation for Leontes; that is, he needs to renew his love for his wife and child. Thus, this motivation overrides the one which opened this scene -- that is, his vow to prove Hermione guilty. Although the message from Apollo does not change Leontes' jealousy, the news of his son's death shocks him into a realization that he has been wrong and that he has done great harm. This shock climaxes when Paulina announces Hermione's death. Trapped midway between reality and illusion, and shocked by the tragic consequences of his tyranny, Leontes pledges a morbid expression of deep atonement: Once a day I'll visit The chapel where they lie, and tears shed there Shall be my recreation. So long as nature Will bear up with this exercise . . . Thus, Leontes must yet learn the full dimension of love and how to express it. Paulina devotes her life to speaking for the honor of the queen. Interestingly, she seems to recognize the power of subtlety because unlike her previous confrontation with Leontes, here she quickly asks forgiveness for her boldness and rashness with no intention of quitting needling him, as she promises to do."}

Sicilia. A court of justice Enter LEONTES, LORDS, and OFFICERS LEONTES. This sessions, to our great grief we pronounce, Even pushes 'gainst our heart- the party tried, The daughter of a king, our wife, and one Of us too much belov'd. Let us be clear'd Of being tyrannous, since we so openly Proceed in justice, which shall have due course, Even to the guilt or the purgation. Produce the prisoner. OFFICER. It is his Highness' pleasure that the Queen Appear in person here in court. Enter HERMIONE, as to her trial, PAULINA, and LADIES Silence! LEONTES. Read the indictment. OFFICER. [Reads] 'Hermione, Queen to the worthy Leontes, King of Sicilia, thou art here accused and arraigned of high treason, in committing adultery with Polixenes, King of Bohemia; and conspiring with Camillo to take away the life of our sovereign lord the King, thy royal husband: the pretence whereof being by circumstances partly laid open, thou, Hermione, contrary to the faith and allegiance of true subject, didst counsel and aid them, for their better safety, to fly away by night.' HERMIONE. Since what I am to say must be but that Which contradicts my accusation, and The testimony on my part no other But what comes from myself, it shall scarce boot me To say 'Not guilty.' Mine integrity Being counted falsehood shall, as I express it, Be so receiv'd. But thus- if pow'rs divine Behold our human actions, as they do, I doubt not then but innocence shall make False accusation blush, and tyranny Tremble at patience. You, my lord, best know- Who least will seem to do so- my past life Hath been as continent, as chaste, as true, As I am now unhappy; which is more Than history can pattern, though devis'd And play'd to take spectators; for behold me- A fellow of the royal bed, which owe A moiety of the throne, a great king's daughter, The mother to a hopeful prince- here standing To prate and talk for life and honour fore Who please to come and hear. For life, I prize it As I weigh grief, which I would spare; for honour, 'Tis a derivative from me to mine, And only that I stand for. I appeal To your own conscience, sir, before Polixenes Came to your court, how I was in your grace, How merited to be so; since he came, With what encounter so uncurrent I Have strain'd t' appear thus; if one jot beyond The bound of honour, or in act or will That way inclining, hard'ned be the hearts Of all that hear me, and my near'st of kin Cry fie upon my grave! LEONTES. I ne'er heard yet That any of these bolder vices wanted Less impudence to gainsay what they did Than to perform it first. HERMIONE. That's true enough; Though 'tis a saying, sir, not due to me. LEONTES. You will not own it. HERMIONE. More than mistress of Which comes to me in name of fault, I must not At all acknowledge. For Polixenes, With whom I am accus'd, I do confess I lov'd him as in honour he requir'd; With such a kind of love as might become A lady like me; with a love even such, So and no other, as yourself commanded; Which not to have done, I think had been in me Both disobedience and ingratitude To you and toward your friend; whose love had spoke, Ever since it could speak, from an infant, freely, That it was yours. Now for conspiracy: I know not how it tastes, though it be dish'd For me to try how; all I know of it Is that Camillo was an honest man; And why he left your court, the gods themselves, Wotting no more than I, are ignorant. LEONTES. You knew of his departure, as you know What you have underta'en to do in's absence. HERMIONE. Sir, You speak a language that I understand not. My life stands in the level of your dreams, Which I'll lay down. LEONTES. Your actions are my dreams. You had a bastard by Polixenes, And I but dream'd it. As you were past all shame- Those of your fact are so- so past all truth; Which to deny concerns more than avails; for as Thy brat hath been cast out, like to itself, No father owning it- which is indeed More criminal in thee than it- so thou Shalt feel our justice; in whose easiest passage Look for no less than death. HERMIONE. Sir, spare your threats. The bug which you would fright me with I seek. To me can life be no commodity. The crown and comfort of my life, your favour, I do give lost, for I do feel it gone, But know not how it went; my second joy And first fruits of my body, from his presence I am barr'd, like one infectious; my third comfort, Starr'd most unluckily, is from my breast- The innocent milk in it most innocent mouth- Hal'd out to murder; myself on every post Proclaim'd a strumpet; with immodest hatred The child-bed privilege denied, which 'longs To women of all fashion; lastly, hurried Here to this place, i' th' open air, before I have got strength of limit. Now, my liege, Tell me what blessings I have here alive That I should fear to die. Therefore proceed. But yet hear this- mistake me not: no life, I prize it not a straw, but for mine honour Which I would free- if I shall be condemn'd Upon surmises, all proofs sleeping else But what your jealousies awake, I tell you 'Tis rigour, and not law. Your honours all, I do refer me to the oracle: Apollo be my judge! FIRST LORD. This your request Is altogether just. Therefore, bring forth, And in Apollo's name, his oracle. Exeunt certain OFFICERS HERMIONE. The Emperor of Russia was my father; O that he were alive, and here beholding His daughter's trial! that he did but see The flatness of my misery; yet with eyes Of pity, not revenge! Re-enter OFFICERS, with CLEOMENES and DION OFFICER. You here shall swear upon this sword of justice That you, Cleomenes and Dion, have Been both at Delphos, and from thence have brought This seal'd-up oracle, by the hand deliver'd Of great Apollo's priest; and that since then You have not dar'd to break the holy seal Nor read the secrets in't. CLEOMENES, DION. All this we swear. LEONTES. Break up the seals and read. OFFICER. [Reads] 'Hermione is chaste; Polixenes blameless; Camillo a true subject; Leontes a jealous tyrant; his innocent babe truly begotten; and the King shall live without an heir, if that which is lost be not found.' LORDS. Now blessed be the great Apollo! HERMIONE. Praised! LEONTES. Hast thou read truth? OFFICER. Ay, my lord; even so As it is here set down. LEONTES. There is no truth at all i' th' oracle. The sessions shall proceed. This is mere falsehood. Enter a SERVANT SERVANT. My lord the King, the King! LEONTES. What is the business? SERVANT. O sir, I shall be hated to report it: The Prince your son, with mere conceit and fear Of the Queen's speed, is gone. LEONTES. How! Gone? SERVANT. Is dead. LEONTES. Apollo's angry; and the heavens themselves Do strike at my injustice. [HERMIONE swoons] How now, there! PAULINA. This news is mortal to the Queen. Look down And see what death is doing. LEONTES. Take her hence. Her heart is but o'ercharg'd; she will recover. I have too much believ'd mine own suspicion. Beseech you tenderly apply to her Some remedies for life. Exeunt PAULINA and LADIES with HERMIONE Apollo, pardon My great profaneness 'gainst thine oracle. I'll reconcile me to Polixenes, New woo my queen, recall the good Camillo- Whom I proclaim a man of truth, of mercy. For, being transported by my jealousies To bloody thoughts and to revenge, I chose Camillo for the minister to poison My friend Polixenes; which had been done But that the good mind of Camillo tardied My swift command, though I with death and with Reward did threaten and encourage him, Not doing it and being done. He, most humane And fill'd with honour, to my kingly guest Unclasp'd my practice, quit his fortunes here, Which you knew great, and to the certain hazard Of all incertainties himself commended, No richer than his honour. How he glisters Thorough my rust! And how his piety Does my deeds make the blacker! Re-enter PAULINA PAULINA. Woe the while! O, cut my lace, lest my heart, cracking it, Break too! FIRST LORD. What fit is this, good lady? PAULINA. What studied torments, tyrant, hast for me? What wheels, racks, fires? what flaying, boiling In leads or oils? What old or newer torture Must I receive, whose every word deserves To taste of thy most worst? Thy tyranny Together working with thy jealousies, Fancies too weak for boys, too green and idle For girls of nine- O, think what they have done, And then run mad indeed, stark mad; for all Thy by-gone fooleries were but spices of it. That thou betray'dst Polixenes, 'twas nothing; That did but show thee, of a fool, inconstant, And damnable ingrateful. Nor was't much Thou wouldst have poison'd good Camillo's honour, To have him kill a king- poor trespasses, More monstrous standing by; whereof I reckon The casting forth to crows thy baby daughter To be or none or little, though a devil Would have shed water out of fire ere done't; Nor is't directly laid to thee, the death Of the young Prince, whose honourable thoughts- Thoughts high for one so tender- cleft the heart That could conceive a gross and foolish sire Blemish'd his gracious dam. This is not, no, Laid to thy answer; but the last- O lords, When I have said, cry 'Woe!'- the Queen, the Queen, The sweet'st, dear'st creature's dead; and vengeance For't not dropp'd down yet. FIRST LORD. The higher pow'rs forbid! PAULINA. I say she's dead; I'll swear't. If word nor oath Prevail not, go and see. If you can bring Tincture or lustre in her lip, her eye, Heat outwardly or breath within, I'll serve you As I would do the gods. But, O thou tyrant! Do not repent these things, for they are heavier Than all thy woes can stir; therefore betake thee To nothing but despair. A thousand knees Ten thousand years together, naked, fasting, Upon a barren mountain, and still winter In storm perpetual, could not move the gods To look that way thou wert. LEONTES. Go on, go on. Thou canst not speak too much; I have deserv'd All tongues to talk their bitt'rest. FIRST LORD. Say no more; Howe'er the business goes, you have made fault I' th' boldness of your speech. PAULINA. I am sorry for't. All faults I make, when I shall come to know them. I do repent. Alas, I have show'd too much The rashness of a woman! He is touch'd To th' noble heart. What's gone and what's past help Should be past grief. Do not receive affliction At my petition; I beseech you, rather Let me be punish'd that have minded you Of what you should forget. Now, good my liege, Sir, royal sir, forgive a foolish woman. The love I bore your queen- lo, fool again! I'll speak of her no more, nor of your children; I'll not remember you of my own lord, Who is lost too. Take your patience to you, And I'll say nothing. LEONTES. Thou didst speak but well When most the truth; which I receive much better Than to be pitied of thee. Prithee, bring me To the dead bodies of my queen and son. One grave shall be for both. Upon them shall The causes of their death appear, unto Our shame perpetual. Once a day I'll visit The chapel where they lie; and tears shed there Shall be my recreation. So long as nature Will bear up with this exercise, so long I daily vow to use it. Come, and lead me To these sorrows. Exeunt

Scene 2

https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-iii-scene-2

Leontes expresses his grief to the lords and officers who enter the scene of the trial. Describing the accused Hermione as the daughter of a king, his wife, and also as someone who is "too much beloved," he urges the beginning of an open trial which can both clear him of all charges of tyranny and can determine Hermione's guilt or innocence. After an officer opens the trial by announcing Hermione's personal appearance, the queen enters with Paulina and her faithful ladies-in-waiting. On Leontes' command, the officer reads the indictment. Hermione is formally "accused and arraigned of high treason" for committing adultery with Polixenes, conspiring with Camillo to kill Leontes, and then both advising and aiding "them, for their better safety, to fly away by night." Hermione responds that, so accused, she can do little but deny the accusations. She realizes that a plea of "not guilty" will serve little purpose since her integrity has already been "counted falsehood." Instead, she builds this hypothesis into her argument: If powers divine Behold our human actions, as they do, I doubt not then but innocence shall make False accusation blush, and tyranny Tremble at patience. She calls upon Leontes to remember, as the one who best can, her years of true and faithful behavior. Hermione cites her credentials the daughter of a great king, and the mother of a "hopeful prince" and in contrast to the humiliation of pleading publicly for her life and honor, she says that as much as she values life and honor, she willingly risks both by requesting specific proof from Leontes in this public forum, to cite even one incident from her life before -- or during Polixenes' visit, which justifies the charges. Leontes mutters about the general impudence of criminals. True, agrees Hermione, but she cannot agree that the generality applies to her. You just won't admit it, answers Leontes. Hermione says that she admits only the facts. First, she loved Polixenes in a way suitable to their rank and honor, as Leontes had commanded her to do. Refusal to do so would have been classified as "disobedience and ingratitude" toward both him and his childhood friend. Second, she has no experience in treason. She knows only that Camillo was an honest man. If the gods know no more about his departure than she does, even they must be able to guess why. Again, Leontes responds with generalities. Hermione despairs of understanding him. "My life stands in the level of your dreams) Which I'll lay down." Leontes rants, "Your actions are my dreams." Again, he voices his jealousy, disguised as a legal charge: Hermione has a bastard daughter by Polixenes; thus, she is past shame or truth. As surely as the infant was cast out, shamed because no father would claim it, so shall Hermione suffer the pangs of justice. The easiest of her punishments will be death. Hermione requests respite from Leontes' taunts. The death threat with which he tries to frighten her is the very thing she now wants. Life holds no comfort now that her most worthwhile achievement, his favor, is clearly lost, although the reason for the loss is not clear. Also lost is her second joy, the company of their son, and her third joy, the innocent baby daughter who was murdered before she was weaned. Hermione then lists other experiences that now make death attractive to her. She has suffered from public accusations about her immorality and from the cruel denial of care during childbirth, for which women of all classes yearn. Finally, before she has recovered from childbirth, she has been rushed to this open-air public trial. Accordingly, what lure of life should cause her to fear death? However, as willing as Hermione is for Leontes to proceed with the death sentence, she still yearns for the honorable memory that she deserves: If I shall be condemnedUpon surmises, all proofs sleeping elseBut what your jealousies awake, I tell you'Tis rigour and not law. In a ringing challenge to all who judge her, she exhorts: "Apollo be my judge!" One of the lords agrees that her request is just, so he calls for the oracle's message. During the bustle of officers leaving the trial to fetch Cleomenes and Dion, Hermione expresses how much she yearns for the presence of her dead father, the Emperor of Russia, so that someone would regard her with "pity, not revenge." An officer then swears in Cleomenes and Dion, who attest to the condition of the untampered, sealed message from Delphos. Leontes orders the breaking of the seal and the reading of the message. An officer reads: "Hermione is chaste; Polixenes blameless; Camilio a true subject; Leontes a jealous tyrant; his innocent babe truly begotten; and the King shall live without an heir, if that which is lost be not found." The lords and Hermione praise Apollo. Leontes asks: "Hast thou read truth?" The officer confirms it. Then, Leontes declares, "There is no truth at all i' th' oracle./ The sessions shall proceed; this is mere falsehood." A servant bursts in to announce, reluctantly, that Mamillius has just died from anxious conjecture about his mother's fate. Leontes cries out: "Apollo's angry; and the heavens themselves/ Do strike at my injustice." Hermione faints. Paulina examines her, then commands Leontes to watch as Hermione dies. Leontes orders that Hermione receive tender care until she recovers. Remorsefully, he confesses that he has "too much believed mine own suspicion." After a party carries Hermione out, Leontes beseeches Apollo to forgive his profanity of the oracle. In a burst of clarity, Leontes promises to earn again the love of Hermione and to restore Camillo to office. Recognizing the damage done by his jealous quest for revenge as well as the probability that Camillo fled because of Leontes' command to poison Polixenes, Leontes praises the glowing honor of Camillo: "How he glisters/ Through my dark rust!" Immediately after Leontes' confession, Paulina enters, consumed with hysterical grief. She confronts the "tyrant": the consequences of Leontes' jealousy should cause him to flee in despair. Paulina then catalogs the harm caused: betraying Polixenes, dishonoring Camillo for refusing to poison Polixenes, casting his baby daughter to the crows, and causing his young son to die. And now, the good, sweet queen has died. When a lord protests the news, Paulina swears to it and then boldly challenges any of them to bring Hermione to life. Paulina berates Leontes. For this death, repentance is useless; only unending despair can be his future. Leontes urges her to continue. He feels that he deserves every syllable of her bitter, unceasing criticism. A lord chastises Paulina for the bold speech which he deems unsuitable under any circumstances, and Paulina apologizes finally for showing "the rashness of a woman" when she observes Leontes' grief. "What's gone and what's past help/ Should be past grief." Again, she requests punishment but, this time, for her error since she caused him to grieve about a matter that he should forget. Paulina asks for the king's forgiveness and promises to stop reminding him about their dead queen, his dead children, or her own lost husband. Clearly, Leontes prefers her truthful speech to her pity. He asks Paulina to lead him to the bodies of his son and wife. After he views them, Leontes wants them to share the same grave, which shall be marked by the shameful causes of their deaths. He promises daily, penitent visits to the chapel where they will be buried.

In this scene, Leontes speaks of the contrasts between his reputation for tyranny and Hermione's reputation for noble innocence. Although he claims that he wants the guilt or innocence of Hermione to be proven, obviously the only way that Leontes can be found innocent of the accusations of tyranny would be to prove Hermione is guilty. Determining her guilt or her innocence, however, is a potentially exclusive proposition. Leontes is using a single motivation -- jealousy -- to prove Hermione guilty in order to prove that he has acted correctly from his sense of "natural goodness." Therefore, Apollo's message will be unacceptable. The trial itself dramatizes the conflict between "reality" and Leontes' "nature," but this is not a matter of guilt or innocence. This is clearly illustrated in an exchange between Hermione and Leontes. In despair after trying to elicit facts, Hermione says, "My life stands in the level of your dreams." Leontes retorts: "Your actions are my dreams." Within this structure, the climax of the scene cannot occur with Apollo's message because Leontes must push for his original motivation. Neither facts, as requested by Hermione, nor truth, as delivered from Apollo, will dissuade Leontes. Leontes is not yet ready for redemption. Although his tyranny has been curbed, he has not earned trust from Hermione and Paulina, who must feel certain that Leontes is now stable enough to be trusted. Hermione has already asked Apollo to control Leontes' sick illusions, and Apollo said that "the king shall live without an heir" , emphasizing if , "that which is lost be not found." This message clearly cannot reassure the ladies. So, this critical scene sets up the turning point of the plot by requiring the important subplot of rebirth through the healing power of youth. Only then will Order be restored to the Universe. While the plot is maturing, characterization is also developing. For example, Leontes must suffer for his monumental mistake. He realizes that fact as soon as Mamillius dies: "the heavens themselves/ Do strike at my injustice." Consequently, he realizes that after he destroyed his family and kingdom, he began to destroy the natural Order of the Universe. Realizing that altering the Order will not be treated lightly, the king encourages Paulina to remind him of why he suffers throughout his long years of penance. This realization helps focus on the major motivation for Leontes; that is, he needs to renew his love for his wife and child. Thus, this motivation overrides the one which opened this scene -- that is, his vow to prove Hermione guilty. Although the message from Apollo does not change Leontes' jealousy, the news of his son's death shocks him into a realization that he has been wrong and that he has done great harm. This shock climaxes when Paulina announces Hermione's death. Trapped midway between reality and illusion, and shocked by the tragic consequences of his tyranny, Leontes pledges a morbid expression of deep atonement: Once a day I'll visit The chapel where they lie, and tears shed there Shall be my recreation. So long as nature Will bear up with this exercise . . . Thus, Leontes must yet learn the full dimension of love and how to express it. Paulina devotes her life to speaking for the honor of the queen. Interestingly, she seems to recognize the power of subtlety because unlike her previous confrontation with Leontes, here she quickly asks forgiveness for her boldness and rashness with no intention of quitting needling him, as she promises to do.

cliffnotes

all_chapterized_books/1134-chapters/8.txt

finished_summaries/cliffnotes/The Winter's Tale/section_7_part_0.txt

The Winter's Tale.act 3.scene 3

scene 3

{"name": "Scene 3", "url": "https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-iii-scene-3", "summary": "Antigonus, who is carrying the hapless royal infant, asks his mariner if they have landed upon \"the deserts of Bohemia.\" The mariner confirms that they have, but he worries about an approaching storm that he interprets as a punishment by the angry heavens. Antigonus orders the mariner to return to take care of the ship and promises to hurry back. The mariner urges Antigonus to stay close to the shore and to hurry and avoid the wild beasts that lurk inland. As Antigonus leaves, the mariner says he will be glad to be finished with this assignment. Meanwhile, Antigonus talks to the infant about a dream he had the night before. Believing Hermione to be dead, Antigonus describes a nightmarish appearance of the queen's spirit. Like a beautiful \"vessel of . . . sorrow,\" the white-robed spirit approached him, bowed three times, then emitted fury, as a configuration of two spouts projected from her eyes. This dream figure acknowledged that a \"fate, against thy better disposition,/ Hath made thy person for the thrower-out/ Of my poor babe.\" She requested that Antigonus leave the baby in Bohemia and name her Perdita, which means \"the lost one.\" Because of the unpleasant duty that Antigonus had pledged to do, Antigonus will never again see Paulina. Then the spectral figure of Hermione disappeared amidst frightening shrieks. Antigonus confesses both his fright and his belief that the events seem too real to be called only a dream. Giving full rein to superstition, he interprets that Hermione is dead and that Apollo has directed the baby to the homeland of her real father, Polixenes. But he is not certain of the fate for the baby. So, he blesses her and tenderly lays her down with her few belongings. At that instant, the storm begins. Poor wretch,That for thy mother's fault art thus exposedTo loss and what may follow! Weep I cannot,But my heart bleeds; and most accursed am ITo be by oath enjoined to this. Farewell! Then, seemingly in confirmation of the dream-prophecy, the storm bursts, and a bear chases Antigonus off the stage. A shepherd enters, grumbling about the useless aggravation caused by boys between the ages of ten and twenty-three. Apparently, he suspects that some youths with the 'boiled brains\" of this age group have been hunting in the storm and have scared off two of his best sheep. Suddenly he sees the \"very pretty\" child, Hermione's daughter. Having already said that boys do nothing but harm, including \"getting wenches with child,\" he assumes this child was born of just such an escapade. Overwhelmed by pity, the shepherd decides to take the baby home. But first, he calls his son, \"the clown,\" to see it: \"What, art so near? If thou'lt see a thing to talk on when thou art dead and rotten, come hither.\" The shepherd notices that his son is upset, so he asks what is wrong. Two different disasters have shaken the boy. First, during a storm that he describes as encompassing the sea and the sky, he heard the screams and watched the deaths of the entire crew aboard a wrecked ship. Then, someone named Antigonus begged for help as a \"bear tore out his shoulder-bone.\" As the sailors yelled for help, \"the sea mocked them,\" and as Antigonus screamed for help, \"the bear mocked him\"; eventually, the clown says, all of the victims were \"roaring louder than the sea or weather.\" The shepherd asks when this happened. Just now, responds his son, too soon for the men to be chilled in the sea or the bear to be \"half dined on the gentleman.\" Both men are distraught at their helplessness. So in contrast, the shepherd draws the clown's attention to \"things new-born,\" and points out \"a bearing-cloth for a Squire's child.\" The shepherd speculates that this baby is a changeling, given to him by fairies to fulfill an old prediction that someday he would be rich. The clown declares that his father will be rich from the gold which is tucked in the baby's wrapping, but the shepherd warns his son to keep the \"fairy gold\" a secret; he wants to hasten home without bothering to search any longer for his missing sheep. The clown tells his father to take everything home; he will return to the place where Antigonus was killed. Reasoning that if the bear ate until it was sated, it will no longer be dangerous; the boy wants to see if there is enough left of Antigonus to bury. After commending his son for his goodness, the shepherd asks to be brought to the scene so that he himself can see if enough is left on Antigonus to identify his origins. As they exit, the shepherd says cheerfully, \"'Tis a lucky day, boy, and we'll do good deeds on I.\"", "analysis": "This scene is structured on irony and laced with sardonic humor. Dramatic irony is first evident when Antigonus swears to faithfully carry out the king's order to abandon the baby; the audience, you should remember, knows full well that Leontes has now repented of his tyranny. There is additional irony here because of the old shepherd's vituperative attacks on young men; obviously, his son does not conform to the shepherd's notion of the norm. Consider also the many tragedies that preceded the shepherd's finding the baby, contrasted with his simple belief that the fairies dropped both the baby and gold in his pathway in order to make him rich. From this point until the end of the play, comedy will be threaded throughout the central plot, which focuses primarily on poetic justice. The comedy here is based on Shakespeare's incorporating the astounding and incredible. Consider that in this scene alone, Shakespeare includes noisy thunder, ghosts, an attacking bear, slapstick humor, fairies, and a rags-to-riches myth! Another use of the astounding that contributes to the plot involves the fate of Antigonus, of Perdita, and that of the mariners. Antigonus and the crew, of course, must die so that no one can report to Bohemia who the infant is, and no one can bring news to Sicilia where the infant was abandoned. Since Antigonus did not select Bohemia as his destination prior to embarking from Sicilia, Perdita is now completely abandoned to Fate. As with all Pastoral Romances, the events in this scene can flourish without insistence upon absolute truth. On the way to the \"deserts of Bohemia,\" Antigonus believes that he experiences a supernatural vision which he incorrectly interprets as proof that Hermione has died and that Perdita was fathered by Polixenes. Equally as confused as Antigonus, the old shepherd irrationally believes that something supernatural guided the fairies to leave him a changeling and the gold for his own fortune. Another element that is consistent with the genre of Pastoral Romance is Shakespeare's moral lessons about virtue and vice. Both Antigonus and the mariner worry about retribution by the heavens for their participation in the heartless, unwarranted punishment of the infant. And this retribution occurs just after Antigonus leaves the infant, stating \"most accursed am L\" A hungry bear chases Antigonus off the stage at the very moment that the thunderstorm breaks. This storm would most certainly have been viewed by Elizabethan audiences as a disruption of the Heavenly Order. Shakespeare's humor softens this horror when the shepherd and clown bury Antigonus because \"'Tis a lucky day\" which calls for \"good deeds.\" Clearly, these two characters are characterized by their rewards for virtue as surely as Leontes is characterized by his punishment for the absence of such virtue. Significantly, all the fantastic elements are used to save Perdita for the healing role that she must play in order for the major conflict to be resolved. Realism, here, is achieved through characterization. Antigonus, already established as a kind of man who is reluctant to carry out the king's orders, contributes to the possible survival of the infant by wrapping a substantial amount of gold in her blankets. The gold must have been his own; certainly, it was not provided by the crazed Leontes. Antigonus' foresight does attract the attention of the shepherd, and although he believes the superstitious possibility that the baby is a changeling , the shepherd is also a good man who never considers killing the baby -- only keeping the gold. He unwaveringly accepts the responsibility to raise the baby -- initially, when he thought it was an abandoned bastard and, later, when he thought that it was an instrument of the fairies. Probability in the plot depends upon the acceptance of illusion: If Perdita were in the hands of these characters on a seacoast of a place called Bohemia where wild bears roamed at the very moment a vicious storm broke, then this might follow. Modern audiences will all surely recognize and forgive this perceived breach of probability. The scene balances comedy and tragedy nicely, introduces new major characters, and it saves the baby for the resolution of renewal and rebirth. Its final dramatic result is that it places Perdita in the very middle of illusion and reality."}

Bohemia. The sea-coast Enter ANTIGONUS with the CHILD, and a MARINER ANTIGONUS. Thou art perfect then our ship hath touch'd upon The deserts of Bohemia? MARINER. Ay, my lord, and fear We have landed in ill time; the skies look grimly And threaten present blusters. In my conscience, The heavens with that we have in hand are angry And frown upon 's. ANTIGONUS. Their sacred wills be done! Go, get aboard; Look to thy bark. I'll not be long before I call upon thee. MARINER. Make your best haste; and go not Too far i' th' land; 'tis like to be loud weather; Besides, this place is famous for the creatures Of prey that keep upon't. ANTIGONUS. Go thou away; I'll follow instantly. MARINER. I am glad at heart To be so rid o' th' business. Exit ANTIGONUS. Come, poor babe. I have heard, but not believ'd, the spirits o' th' dead May walk again. If such thing be, thy mother Appear'd to me last night; for ne'er was dream So like a waking. To me comes a creature, Sometimes her head on one side some another- I never saw a vessel of like sorrow, So fill'd and so becoming; in pure white robes, Like very sanctity, she did approach My cabin where I lay; thrice bow'd before me; And, gasping to begin some speech, her eyes Became two spouts; the fury spent, anon Did this break from her: 'Good Antigonus, Since fate, against thy better disposition, Hath made thy person for the thrower-out Of my poor babe, according to thine oath, Places remote enough are in Bohemia, There weep, and leave it crying; and, for the babe Is counted lost for ever, Perdita I prithee call't. For this ungentle business, Put on thee by my lord, thou ne'er shalt see Thy wife Paulina more.' so, with shrieks, She melted into air. Affrighted much, I did in time collect myself, and thought This was so and no slumber. Dreams are toys; Yet, for this once, yea, superstitiously, I will be squar'd by this. I do believe Hermione hath suffer'd death, and that Apollo would, this being indeed the issue Of King Polixenes, it should here be laid, Either for life or death, upon the earth Of its right father. Blossom, speed thee well! [Laying down the child] There lie, and there thy character; there these [Laying down a bundle] Which may, if fortune please, both breed thee, pretty, And still rest thine. The storm begins. Poor wretch, That for thy mother's fault art thus expos'd To loss and what may follow! Weep I cannot, But my heart bleeds; and most accurs'd am I To be by oath enjoin'd to this. Farewell! The day frowns more and more. Thou'rt like to have A lullaby too rough; I never saw The heavens so dim by day. [Noise of hunt within] A savage clamour! Well may I get aboard! This is the chase; I am gone for ever. Exit, pursued by a bear Enter an old SHEPHERD SHEPHERD. I would there were no age between ten and three and twenty, or that youth would sleep out the rest; for there is nothing in the between but getting wenches with child, wronging the ancientry, stealing, fighting- [Horns] Hark you now! Would any but these boil'd brains of nineteen and two and twenty hunt this weather? They have scar'd away two of my best sheep, which I fear the wolf will sooner find than the master. If any where I have them, 'tis by the sea-side, browsing of ivy. Good luck, an't be thy will! What have we here? [Taking up the child] Mercy on's, a barne! A very pretty barne. A boy or a child, I wonder? A pretty one; a very pretty one- sure, some scape. Though I am not bookish, yet I can read waiting-gentlewoman in the scape. This has been some stair-work, some trunk-work, some behind-door-work; they were warmer that got this than the poor thing is here. I'll take it up for pity; yet I'll tarry till my son come; he halloo'd but even now. Whoa-ho-hoa! Enter CLOWN CLOWN. Hilloa, loa! SHEPHERD. What, art so near? If thou'lt see a thing to talk on when thou art dead and rotten, come hither. What ail'st thou, man? CLOWN. I have seen two such sights, by sea and by land! But I am not to say it is a sea, for it is now the sky; betwixt the firmament and it you cannot thrust a bodkin's point. SHEPHERD. Why, boy, how is it? CLOWN. I would you did but see how it chafes, how it rages, how it takes up the shore! But that's not to the point. O, the most piteous cry of the poor souls! Sometimes to see 'em, and not to see 'em; now the ship boring the moon with her mainmast, and anon swallowed with yeast and froth, as you'd thrust a cork into a hogshead. And then for the land service- to see how the bear tore out his shoulder-bone; how he cried to me for help, and said his name was Antigonus, a nobleman! But to make an end of the ship- to see how the sea flap-dragon'd it; but first, how the poor souls roared, and the sea mock'd them; and how the poor gentleman roared, and the bear mock'd him, both roaring louder than the sea or weather. SHEPHERD. Name of mercy, when was this, boy? CLOWN. Now, now; I have not wink'd since I saw these sights; the men are not yet cold under water, nor the bear half din'd on the gentleman; he's at it now. SHEPHERD. Would I had been by to have help'd the old man! CLOWN. I would you had been by the ship-side, to have help'd her; there your charity would have lack'd footing. SHEPHERD. Heavy matters, heavy matters! But look thee here, boy. Now bless thyself; thou met'st with things dying, I with things new-born. Here's a sight for thee; look thee, a bearing-cloth for a squire's child! Look thee here; take up, take up, boy; open't. So, let's see- it was told me I should be rich by the fairies. This is some changeling. Open't. What's within, boy? CLOWN. You're a made old man; if the sins of your youth are forgiven you, you're well to live. Gold! all gold! SHEPHERD. This is fairy gold, boy, and 'twill prove so. Up with't, keep it close. Home, home, the next way! We are lucky, boy; and to be so still requires nothing but secrecy. Let my sheep go. Come, good boy, the next way home. CLOWN. Go you the next way with your findings. I'll go see if the bear be gone from the gentleman, and how much he hath eaten. They are never curst but when they are hungry. If there be any of him left, I'll bury it. SHEPHERD. That's a good deed. If thou mayest discern by that which is left of him what he is, fetch me to th' sight of him. CLOWN. Marry, will I; and you shall help to put him i' th' ground. SHEPHERD. 'Tis a lucky day, boy; and we'll do good deeds on't. Exeunt

Scene 3

https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-iii-scene-3

Antigonus, who is carrying the hapless royal infant, asks his mariner if they have landed upon "the deserts of Bohemia." The mariner confirms that they have, but he worries about an approaching storm that he interprets as a punishment by the angry heavens. Antigonus orders the mariner to return to take care of the ship and promises to hurry back. The mariner urges Antigonus to stay close to the shore and to hurry and avoid the wild beasts that lurk inland. As Antigonus leaves, the mariner says he will be glad to be finished with this assignment. Meanwhile, Antigonus talks to the infant about a dream he had the night before. Believing Hermione to be dead, Antigonus describes a nightmarish appearance of the queen's spirit. Like a beautiful "vessel of . . . sorrow," the white-robed spirit approached him, bowed three times, then emitted fury, as a configuration of two spouts projected from her eyes. This dream figure acknowledged that a "fate, against thy better disposition,/ Hath made thy person for the thrower-out/ Of my poor babe." She requested that Antigonus leave the baby in Bohemia and name her Perdita, which means "the lost one." Because of the unpleasant duty that Antigonus had pledged to do, Antigonus will never again see Paulina. Then the spectral figure of Hermione disappeared amidst frightening shrieks. Antigonus confesses both his fright and his belief that the events seem too real to be called only a dream. Giving full rein to superstition, he interprets that Hermione is dead and that Apollo has directed the baby to the homeland of her real father, Polixenes. But he is not certain of the fate for the baby. So, he blesses her and tenderly lays her down with her few belongings. At that instant, the storm begins. Poor wretch,That for thy mother's fault art thus exposedTo loss and what may follow! Weep I cannot,But my heart bleeds; and most accursed am ITo be by oath enjoined to this. Farewell! Then, seemingly in confirmation of the dream-prophecy, the storm bursts, and a bear chases Antigonus off the stage. A shepherd enters, grumbling about the useless aggravation caused by boys between the ages of ten and twenty-three. Apparently, he suspects that some youths with the 'boiled brains" of this age group have been hunting in the storm and have scared off two of his best sheep. Suddenly he sees the "very pretty" child, Hermione's daughter. Having already said that boys do nothing but harm, including "getting wenches with child," he assumes this child was born of just such an escapade. Overwhelmed by pity, the shepherd decides to take the baby home. But first, he calls his son, "the clown," to see it: "What, art so near? If thou'lt see a thing to talk on when thou art dead and rotten, come hither." The shepherd notices that his son is upset, so he asks what is wrong. Two different disasters have shaken the boy. First, during a storm that he describes as encompassing the sea and the sky, he heard the screams and watched the deaths of the entire crew aboard a wrecked ship. Then, someone named Antigonus begged for help as a "bear tore out his shoulder-bone." As the sailors yelled for help, "the sea mocked them," and as Antigonus screamed for help, "the bear mocked him"; eventually, the clown says, all of the victims were "roaring louder than the sea or weather." The shepherd asks when this happened. Just now, responds his son, too soon for the men to be chilled in the sea or the bear to be "half dined on the gentleman." Both men are distraught at their helplessness. So in contrast, the shepherd draws the clown's attention to "things new-born," and points out "a bearing-cloth for a Squire's child." The shepherd speculates that this baby is a changeling, given to him by fairies to fulfill an old prediction that someday he would be rich. The clown declares that his father will be rich from the gold which is tucked in the baby's wrapping, but the shepherd warns his son to keep the "fairy gold" a secret; he wants to hasten home without bothering to search any longer for his missing sheep. The clown tells his father to take everything home; he will return to the place where Antigonus was killed. Reasoning that if the bear ate until it was sated, it will no longer be dangerous; the boy wants to see if there is enough left of Antigonus to bury. After commending his son for his goodness, the shepherd asks to be brought to the scene so that he himself can see if enough is left on Antigonus to identify his origins. As they exit, the shepherd says cheerfully, "'Tis a lucky day, boy, and we'll do good deeds on I."

This scene is structured on irony and laced with sardonic humor. Dramatic irony is first evident when Antigonus swears to faithfully carry out the king's order to abandon the baby; the audience, you should remember, knows full well that Leontes has now repented of his tyranny. There is additional irony here because of the old shepherd's vituperative attacks on young men; obviously, his son does not conform to the shepherd's notion of the norm. Consider also the many tragedies that preceded the shepherd's finding the baby, contrasted with his simple belief that the fairies dropped both the baby and gold in his pathway in order to make him rich. From this point until the end of the play, comedy will be threaded throughout the central plot, which focuses primarily on poetic justice. The comedy here is based on Shakespeare's incorporating the astounding and incredible. Consider that in this scene alone, Shakespeare includes noisy thunder, ghosts, an attacking bear, slapstick humor, fairies, and a rags-to-riches myth! Another use of the astounding that contributes to the plot involves the fate of Antigonus, of Perdita, and that of the mariners. Antigonus and the crew, of course, must die so that no one can report to Bohemia who the infant is, and no one can bring news to Sicilia where the infant was abandoned. Since Antigonus did not select Bohemia as his destination prior to embarking from Sicilia, Perdita is now completely abandoned to Fate. As with all Pastoral Romances, the events in this scene can flourish without insistence upon absolute truth. On the way to the "deserts of Bohemia," Antigonus believes that he experiences a supernatural vision which he incorrectly interprets as proof that Hermione has died and that Perdita was fathered by Polixenes. Equally as confused as Antigonus, the old shepherd irrationally believes that something supernatural guided the fairies to leave him a changeling and the gold for his own fortune. Another element that is consistent with the genre of Pastoral Romance is Shakespeare's moral lessons about virtue and vice. Both Antigonus and the mariner worry about retribution by the heavens for their participation in the heartless, unwarranted punishment of the infant. And this retribution occurs just after Antigonus leaves the infant, stating "most accursed am L" A hungry bear chases Antigonus off the stage at the very moment that the thunderstorm breaks. This storm would most certainly have been viewed by Elizabethan audiences as a disruption of the Heavenly Order. Shakespeare's humor softens this horror when the shepherd and clown bury Antigonus because "'Tis a lucky day" which calls for "good deeds." Clearly, these two characters are characterized by their rewards for virtue as surely as Leontes is characterized by his punishment for the absence of such virtue. Significantly, all the fantastic elements are used to save Perdita for the healing role that she must play in order for the major conflict to be resolved. Realism, here, is achieved through characterization. Antigonus, already established as a kind of man who is reluctant to carry out the king's orders, contributes to the possible survival of the infant by wrapping a substantial amount of gold in her blankets. The gold must have been his own; certainly, it was not provided by the crazed Leontes. Antigonus' foresight does attract the attention of the shepherd, and although he believes the superstitious possibility that the baby is a changeling , the shepherd is also a good man who never considers killing the baby -- only keeping the gold. He unwaveringly accepts the responsibility to raise the baby -- initially, when he thought it was an abandoned bastard and, later, when he thought that it was an instrument of the fairies. Probability in the plot depends upon the acceptance of illusion: If Perdita were in the hands of these characters on a seacoast of a place called Bohemia where wild bears roamed at the very moment a vicious storm broke, then this might follow. Modern audiences will all surely recognize and forgive this perceived breach of probability. The scene balances comedy and tragedy nicely, introduces new major characters, and it saves the baby for the resolution of renewal and rebirth. Its final dramatic result is that it places Perdita in the very middle of illusion and reality.

cliffnotes

all_chapterized_books/1134-chapters/9.txt

finished_summaries/cliffnotes/The Winter's Tale/section_8_part_0.txt

The Winter's Tale.act 4.scene 1

scene 1

{"name": "Scene 1", "url": "https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-iv-scene-1", "summary": "A Chorus symbolizing Time announces that sixteen years have passed. During those years, Leontes has replaced his jealousy with seclusion, while Florizel and Perdita have grown up and matured in Bohemia.", "analysis": "As in ancient Greek plays, a Chorus substitutes narrative for dramatic action. In addition to preparing the audience for an adult Florizel and Perdita, when next we see them, the narrative transcends the focus from the actions of Leontes to the actions of the Bohemian cast of characters."}

Enter TIME, the CHORUS TIME. I, that please some, try all, both joy and terror Of good and bad, that makes and unfolds error, Now take upon me, in the name of Time, To use my wings. Impute it not a crime To me or my swift passage that I slide O'er sixteen years, and leave the growth untried Of that wide gap, since it is in my pow'r To o'erthrow law, and in one self-born hour To plant and o'erwhelm custom. Let me pass The same I am, ere ancient'st order was Or what is now receiv'd. I witness to The times that brought them in; so shall I do To th' freshest things now reigning, and make stale The glistering of this present, as my tale Now seems to it. Your patience this allowing, I turn my glass, and give my scene such growing As you had slept between. Leontes leaving- Th' effects of his fond jealousies so grieving That he shuts up himself- imagine me, Gentle spectators, that I now may be In fair Bohemia; and remember well I mention'd a son o' th' King's, which Florizel I now name to you; and with speed so pace To speak of Perdita, now grown in grace Equal with wond'ring. What of her ensues I list not prophesy; but let Time's news Be known when 'tis brought forth. A shepherd's daughter, And what to her adheres, which follows after, Is th' argument of Time. Of this allow, If ever you have spent time worse ere now; If never, yet that Time himself doth say He wishes earnestly you never may. Exit

Scene 1

https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-iv-scene-1

A Chorus symbolizing Time announces that sixteen years have passed. During those years, Leontes has replaced his jealousy with seclusion, while Florizel and Perdita have grown up and matured in Bohemia.

As in ancient Greek plays, a Chorus substitutes narrative for dramatic action. In addition to preparing the audience for an adult Florizel and Perdita, when next we see them, the narrative transcends the focus from the actions of Leontes to the actions of the Bohemian cast of characters.