text
stringlengths 0
174
|
---|
...Ant Fugue. An imitation of a musical fugue: each voice enters with the same statement. The |
theme-holism versus reductionism-is introduced in a recursive picture composed of words |
composed of smaller words, etc. The words which appear on the four levels of this strange picture |
are "HOLISM", "REDLCTIONIsM", and "ML". The discussion veers off to a friend of the |
Anteater's Aunt Hillary, a conscious ant colony. The various levels of her thought processes are |
the topic of discussion. Many fugal tricks are ensconced in the Dialogue. As a hint to the reader, |
references are made to parallel tricks occurring in the fugue on the record to which the foursome |
is listening. At the end of the Ant Fugue, themes from the Prelude return, transformed |
considerably. |
Chapter XI: Brains and Thoughts. "How can thoughts he supported by the hardware of the brain is |
the topic of the Chapter. An overview of the large scale and small-scale structure of the brain is |
first given. Then the relation between concepts and neural activity is speculatively discussed in |
some detail. |
English French German Suite. An interlude consisting of Lewis Carroll's nonsense poem |
"Jabberwocky' 1 together with two translations: one into French and one into German, both done |
last century. |
Chapter XII: Minds and Thoughts. The preceding poems bring up in a forceful way the question |
of whether languages, or indeed minds, can be "mapped" onto each other. How is communication |
possible between two separate physical brains: What do all human brains have in common? A |
geographical analogy is used to suggest an answer. The question arises, "Can a brain be |
understood, in some objective sense, by an outsider?" |
Aria with Diverse Variations. A Dialogue whose form is based on Bach's Goldberg Variations, and |
whose content is related to number-theoretical problems such as the Goldbach conjecture. This |
hybrid has as its main purpose to show how number theory's subtlety stems from the fact that |
there are many diverse variations on the theme of searching through an infinite space. Some of |
them lead to infinite searches, some of them lead to finite searches, while some others hover in |
between. |
Chapter XIII: BIooP and FlooP and GIooP. These are the names of three computer languages. |
BIooP programs can carry out only predictably finite searches, while FlooP programs can carry |
out unpredictable or even infinite searches. The purpose of this Chapter is to give an intuition for |
the notions of primitive recursive and general recursive functions in number theory, for they are |
essential in Godel’s proof. |
Air on G's String. A Dialogue in which Godel’s self-referential construction is mirrored in words. |
The idea is due to W. V. O. Quine. This Dialogue serves as a prototype for the next Chapter. |
Chapter XIV: On Formally Undeeidable Propositions of TNT and Related Systems. This |
Chapter's title is an adaptation of the title of Godel’s 1931 article, in which his Incompleteness |
Theorem was first published. The two major parts of Godel’s proof are gone through carefully. It |
is shown how the assumption of consistency of TNT forces one to conclude that TNT (or any |
similar system) is incomplete. Relations to Euclidean and non-Euclidean geometry are discussed. |
Implications for the philosophy of mathematics are gone into with some care. |
Overview |
XI |
Birthday Cantatatata ... In which Achilles cannot convince the wily and skeptical Tortoise that today |
is his (Achilles') birthday. His repeated but unsuccessful tries to do so foreshadow the |
repeatability of the Godel argument. |
Chapter XV: Jumping out of the System. The repeatability of Godel’s argument is shown, with |
the implication that TNT is not only incomplete, but "essentially incomplete The fairly notorious |
argument by J. R. Lucas, to the effect that Godel’s Theorem demonstrates that human thought |
cannot in any sense be "mechanical", is analyzed and found to be wanting. |
Edifying Thoughts of a Tobacco Smoker. A Dialogue treating of many topics, with the thrust being |
problems connected with self-replication and self-reference. Television cameras filming |
television screens, and viruses and other subcellular entities which assemble themselves, are |
among the examples used. The title comes from a poem by J. S. Bach himself, which enters in a |
peculiar way. |
Chapter XVI: Self-Ref and Self-Rep. This Chapter is about the connection between self-reference |
in its various guises, and self-reproducing entities e.g., computer programs or DNA molecules). |
The relations between a self-reproducing entity and the mechanisms external to it which aid it in |
reproducing itself (e.g., a computer or proteins) are discussed-particularly the fuzziness of the |
distinction. How information travels between various levels of such systems is the central topic of |
this Chapter. |
The Magnificrab, Indeed. The title is a pun on Bach's Magnifacat in D. The tale is about the Crab, |
who gives the appearance of having a magical power of distinguishing between true and false |
statements of number theory by reading them as musical pieces, playing them on his flute, and |
determining whether they are "beautiful" or not. |
Chapter XVII: Church, Turing, Tarski, and Others. The fictional Crab of the preceding Dialogue |
is replaced by various real people with amazing mathematical abilities. The Church-Turing |
Thesis, which relates mental activity to computation, is presented in several versions of differing |
strengths. All are analyzed, particularly in terms of their implications for simulating human |
thought mechanically, or programming into a machine an ability to sense or create beauty. The |
connection between brain activity and computation brings up some other topics: the halting |
problem of Turing, and Tarski's Truth Theorem. |
SHRDLU, Toy of Man's Designing. This Dialogue is lifted out of an article by Terry Winograd on |
his program SHRDLU: only a few names have been changed. In it. a program communicates |
with a person about the so-called "blocks world" in rather impressive English. The computer |
program appears to exhibit some real understanding-in its limited world. The Dialogue's title is |
based on Jesu, joy of Mans Desiring , one movement of Bach's Cantata 147. |
Chapter XVIII: Artificial Intelligence: Retrospects, This Chapter opens with a discussion of the |
famous "Turing test"-a proposal by the computer pioneer Alan Turing for a way to detect the |
presence or absence of "thought" in a machine. From there, we go on to an abridged history of |