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In January 2013, Victoria Acosta auditioned for American Idol and was selected by judges Randy Jackson, Mariah Carey, Keith Urban and Nicki Minaj, to advance to the trials in Hollywood, California. For her American Idol audition, she sang a cover of Fergie's "Big Girls Don't Cry", and for the women's Hollywood rounds she sang "Killing Me Softly with His Song" by The Fugees. She was eliminated from American Idol in the Hollywood group rounds. | Victoria Acosta | Victoria Acosta > American Idol | text | en | 2023-06-03T03:30:46 | 123 | 8,810,300 |
"Once Upon A Time" | Victoria Acosta | Victoria Acosta > Albums | text | en | 2023-06-03T03:30:46 | 16 | 8,810,301 |
"The World's Gone Crazy"
"Could This Be Love"
"Once Upon A Time"
"When I Lay Me Down To Sleep"
"I'm Sorry"
"Nothing Like A Friend"
"Not This Time"
"Move Your Thang" | Victoria Acosta | Victoria Acosta > Singles | text | en | 2023-06-03T03:30:46 | 67 | 8,810,302 |
| The Brink | |
| --- | --- |
| Poster | |
| Directed by | Alison Klayman |
| Produced by | Alison Klayman Therese Guirgis |
| Starring | Steve Bannon |
| Cinematography | Alison Klayman |
| Edited by | Brian Goetz Marina Katz |
| Music by | Ilan Isakov Dan Teicher |
| Release date | * 30 January 2019 (2019-01-30) (Sundance Film Festival) |
| Running time | 91 minutes |
| Country | United States |
| Language | English | | The Brink (2019 film) | The Brink (2019 film) | infobox | en | 2022-12-20T19:22:14 | 175 | 8,810,303 |
The Brink is a 2019 documentary film, directed by Alison Klayman. The film is produced by Marie Therese Guirgis, and Alison Klayman under the banner of AliKlay Productions, Claverie Films, and RYOT Films. The film stars Steve Bannon. | The Brink (2019 film) | The Brink (2019 film) | text | en | 2022-12-20T19:22:14 | 77 | 8,810,304 |
The film follows Bannon from his latter days in the Trump administration to just after the 2018 midterms as he attempts to form a global populist movement with like-minded individuals such as Nigel Farage, Marine Le Pen, Jair Bolsonaro, Viktor Orban, Kent Ekeroth, Filip Dewinter, and others. | The Brink (2019 film) | The Brink (2019 film) > Plot | text | en | 2022-12-20T19:22:14 | 82 | 8,810,305 |
Steve Bannon
Nigel Farage | The Brink (2019 film) | The Brink (2019 film) > Cast | text | en | 2022-12-20T19:22:14 | 18 | 8,810,306 |
On the review aggregator Rotten Tomatoes, the film holds an approval rating of 84%, based on 103 reviews, with an average rating of 7.2/10. The website's critical consensus reads, "The Brink won't change many minds about its subject, but it remains a compelling – if perhaps difficult to watch – look at a divisive ideological lightning rod." Metacritic, which uses a weighted average, assigned the film a score of 71 out of 100, based on 25 critics, indicating "Generally favorable reviews". | The Brink (2019 film) | The Brink (2019 film) > Reception | text | en | 2022-12-20T19:22:14 | 138 | 8,810,307 |
New York Magazine's David Edelstein wrote that the film is "the year’s most urgent documentary — the one you need to see this week, not this year." In his positive Variety review, Owen Glieberman wrote "The Brink is a far better and more penetrating film than Errol Morris’s Bannon portrait, American Dharma, which let Bannon bathe in his own aura." He also says "Bannon has a way of revealing himself when he thinks he’s not." | The Brink (2019 film) | The Brink (2019 film) > Reception | text | en | 2022-12-20T19:22:14 | 121 | 8,810,308 |
David Fear of Rolling Stone wrote in his review "Portrait of a Political Charlatan in Winter": "The Brink, Alison Klayman’s insightful and often unnerving look at one of the most divisive figures in recent memory, isn’t a particularly fun or easy watch". He also says the director's "methodology feels like a combo of fly-on-the-wall and give-’em-enough-rope.". A. O. Scott of The New York Times gave the film a Critic's Pick. | The Brink (2019 film) | The Brink (2019 film) > Reception | text | en | 2022-12-20T19:22:14 | 132 | 8,810,309 |
Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| Allmusic | link | | Luke Haines Is Dead | Luke Haines Is Dead | table | en | 2022-04-18T05:47:27 | 44 | 8,810,310 |
| Luke Haines is Dead | |
| --- | --- |
| | |
| Compilation album by Luke Haines | |
| Released | 18 July 2005 |
| Recorded | ? |
| Genre | Indie rock |
| Length | 3 Hours 22 Mins |
| Label | EMI |
| Producer | Luke Haines, Pete Hoffman & Phil Vinall |
| Luke Haines chronology | |
| | *Das Capital*(2003) | ***Luke Haines is Dead***(2005) | *Off My Rocker at the art School Bop*(2006) | | --- | --- | --- | | | | Luke Haines Is Dead | Luke Haines Is Dead | infobox | en | 2022-04-18T05:47:27 | 189 | 8,810,311 |
Luke Haines is Dead is a three-disc boxed set containing various rarities, remixes, b-sides, unreleased material and classic tracks from The Auteurs, Baader Meinhof and Haines' solo work. | Luke Haines Is Dead | Luke Haines Is Dead | text | en | 2022-04-18T05:47:27 | 60 | 8,810,312 |
"Das Capital Overture" – 4:33
"Bailed Out (Unreleased single)" – 4:16
"Showgirl" – 3:03
"Glad to Be Gone (B-Side)" – 2:16
"Staying Power (B-Side)" – 3:32
"Junk Shop Clothes (BBC session)" – 3:09
"She Might Take a Train (Limited edition single)" – 2:26
"Subculture (Limited edition single)" – 2:46
"Government Bookstore (BBC session)" – 5:02
"Housebreaker (Acoustic version)" – 3:50
"Valet Parking (Acoustic version)" – 3:34
"How Could I be Wrong" (Single version) – 4:33
"Starstruck (Live acoustic)" – 4:16
"Home Again Live acoustic)" – 3:03
"American Guitars" – 2:16
"Wedding Day (B-Side)" – 3:32
"High Diving Horses (B-Side)" – 3:09
"Lenny Valentino (Single recording)" – 2:26
"Disneyworld (B-Side)" – 2:46
"I'm a Rich Man's Toy" – 5:02 | Luke Haines Is Dead | Luke Haines Is Dead > Disc one | text | en | 2022-04-18T05:47:27 | 282 | 8,810,313 |
"The Upper Classes (BBC session)" – 4:33
"Everything You Say Will Destroy You (BBC session)" – 4:16
"A Sister Like You" – 3:03
"Underground Movies (Alternate recording/French single)" – 2:16
"Brainchild (Alternate recording/French single)" – 3:32
"Chinese Bakery (BBC session)" – 3:09
"Modern History (B-Side)" – 2:26
"New French Girlfriend (BBC session)" – 2:46
"Light Aircraft On Fire (Single recording)" – 5:02
"Carcrash (B-Side)" – 3:50
"X Boogie Man (B-Side)" – 3:34
"New Brat In Town (Unreleased version) – 4:33
"Tombstone (Unreleased version)" – 4:16
"Back With The Killer Again (EP track)" – 3:03
"Unsolved Child Murder" – 2:16
"Former Fan (EP Track)" – 3:32
"Kenneth Anger's Bad Dream (EP track)" – 3:09
"Kids' Issue (BBC session/EP track)" – 2:46
"A New Life, A New Family (BBC session/EP track)" – 5:02
"Buddha (BBC session/EP track)" – 2:46
"After Murder Park (BBC session/EP track)" – 5:02 | Luke Haines Is Dead | Luke Haines Is Dead > Disc two | text | en | 2022-04-18T05:47:27 | 324 | 8,810,314 |
"Baader Meinhof" – 4:33
"Meet Me At The Airport" – 4:16
"I've Been A Fool For You (Ltd Edition)" – 3:03
"Accident (Fuse remix)" – 2:16
"Mogadishu (Dalai Lama remix)" – 3:32
"ESP Kids (Unreleased)" – 3:09
"Future Generation (Unreleased version)" – 2:26
"Politic (Unreleased)" – 2:46
"Johnny and The Hurricanes (Bootboys out-take/Unreleased)" – 5:02
"The Rubettes" – 3:50
"Breaking Up Is Hard To Do (B-Side)" – 3:34
"Get Wrecked At Home (B-Side)" – 4:33
"Essex Bootboys (Bootboys Out-Take/Unreleased)" – 4:16
"Discomania (Alternate version/Unreleased)" – 3:03
"Couple Dancing (Unreleased)" – 2:16
"How To Hate The Working Classes" – 3:32
"The Oliver Twist Manifesto (Unreleased version)" – 3:09
"Never Work" – 2:26
"Skin Tight (From Film Showboy/Unreleased)" – 2:46
"Satan Wants Me" – 5:02
"The Mitford Sisters" – 2:46
"Bugger Bognor" – 5:02 | Luke Haines Is Dead | Luke Haines Is Dead > Disc three | text | en | 2022-04-18T05:47:27 | 332 | 8,810,315 |
The Terminal Experiment
| First edition (paperback) | |
| --- | --- |
| Author | Robert J. Sawyer |
| Country | Canada |
| Language | English |
| Genre | Science fiction |
| Publisher | Harper Prism |
| Publication date | May 1995 |
| Media type | Print (Hardcover & Paperback) |
| Pages | 333 |
| ISBN | 0-06-105310-4 |
| OCLC | 32448141 | | The Terminal Experiment | The Terminal Experiment | infobox | en | 2022-11-30T15:47:26 | 138 | 8,810,316 |
| View of Auvers-sur-Oise | |
| --- | --- |
| French: *Paysage d'Auvers-sur-Oise; Groupe de maisons, paysage d'île de France; Auvers: Vue générale du village*, German: *Ansicht von Aix, Bei Auvers, Regenlandschaft* | |
| | |
| Artist | Paul Cézanne |
| Year | 1879–80 |
| Catalogue | FWN 134 |
| Medium | Oil on canvas |
| Movement | Post-impressionism |
| Subject | Landscape |
| Dimensions | 46 cm × 55 cm (18.1 in × 21.6 in) |
| Condition | Stolen in 2000; current whereabouts unknown |
| Location | Last known location before theft: Ashmolean Museum, Oxford |
| Owner | Government of the United Kingdom |
| Accession | WA1980.79 |
| Preceded by | *Paysage avec route et clocher (Île de France près de Melun?)* |
| Followed by | *Paysage* | | View of Auvers-sur-Oise | View of Auvers-sur-Oise | infobox | en | 2023-05-18T20:56:10 | 295 | 8,810,317 |
The Terminal Experiment is a science fiction novel by Canadian writer Robert J. Sawyer. The book won the 1995 Nebula Award for Best Novel, and was nominated for the Hugo Award for Best Novel in 1996. Sawyer received a writer's reserve grant from the Ontario Arts Council in 1993 in support of his writing the novel. The story was first serialised in Analog magazine in the mid-December 1994 to March 1995 issues, under the name Hobson's Choice, before its first novel publication in May, 1995. A Hobson's choice is an apparently free choice that is really no choice at all. In this book it is a play on the main character's name and describes the choice between immortality and provable life after death. | The Terminal Experiment | The Terminal Experiment | text | en | 2022-11-30T15:47:26 | 165 | 8,810,318 |
View of Auvers-sur-Oise is the common English name for a Paul Cézanne painting known by various French names, usually Paysage d'Auvers-sur-Oise, or in the artist's catalogue raisonné, Groupe de maisons, paysage d'île de France. It is believed to have been painted in 1879–80, several years after Cézanne's residence in Auvers-sur-Oise, a small village northwest of Paris. The painting depicts a landscape of Northern France; the exact location has not been determined. | View of Auvers-sur-Oise | View of Auvers-sur-Oise | text | en | 2023-05-18T20:56:10 | 136 | 8,810,319 |
Dr. Peter Hobson invents a machine that detects a brain pattern that leaves the body after death, a pattern many believe is a soul. In order to test their theories on immortality and life after death, Hobson and his friend Sarkar Muhammed create three electronic simulations of Hobson's own personality. When people Hobson had a grudge against begin to die, he and Sarkar must try to find out which is responsible. But all three simulations – two modified, one a "control" – escape Sarkar's computer, into the Internet and the World Wide Web. | The Terminal Experiment | The Terminal Experiment > Plot introduction | text | en | 2022-11-30T15:47:26 | 136 | 8,810,320 |
Victor Chocquet bought the painting from the artist, and it remained in his family's collection until the early 20th century. Later it came into the possession of Bruno Cassirer, who loaned it to the Kunsthaus Zürich. It was inherited by Cassirer's daughter Sophie, and after her death in 1979 it was accepted in lieu of inheritance tax and allocated to the Ashmolean Museum at Oxford University. Shortly after midnight on New Year's Day 2000, guards at the Ashmolean, responding to a fire alarm, discovered the painting was missing. Police believe the thief or thieves used a smoke bomb and that night's millennium celebrations as a cover for the theft of the museum's only Cézanne and the only painting taken. It has not been recovered. | View of Auvers-sur-Oise | View of Auvers-sur-Oise | text | en | 2023-05-18T20:56:10 | 192 | 8,810,321 |
Dr. Peter Hobson - founder of Hobson Monitoring, a biomedical company, and devoted husband to Cathy.
Cathy Churchill Hobson - beautiful, intelligent wife of Peter, she has low self-esteem issues. Her confession to Peter that she had an affair with Hans taints their decades-long happy marriage.
Hans Larsen - coworker to Cathy, he is a promiscuous adulterer and womanizer, and cocky and boastful about it. He is maimed and murdered for having seduced Cathy.
Rod Churchill - uncaring father to Cathy, he is a retired gym teacher. He is also murdered.
Detective Sandra Philo - a detective investigating the deaths of Larsen and Churchill, she knows that the Hobsons are somehow involved.
Sarkar Muhammed - a friend and collaborator of Peter, he is a genius working in artificial intelligence | The Terminal Experiment | The Terminal Experiment > Characters | text | en | 2022-11-30T15:47:26 | 207 | 8,810,322 |
The oil-on-canvas painting depicts a rolling landscape below a blue sky filled with clouds, represented as smears of paint. Down a green slope from the viewer are a group of houses, white with roofs either blue or orange, again not depicted in detail. Scattered among them are trees, most green, but some with more yellowish color apparent. In the background another hillside with houses amid trees rises; a church spire rises at the crest. The location of the landscape depicted in the painting is unknown. The painting is 46 centimetres (18 in) high by 55 centimetres (22 in) wide. Cézanne's signature is in red paint at the lower left. | View of Auvers-sur-Oise | View of Auvers-sur-Oise > Description | text | en | 2023-05-18T20:56:10 | 181 | 8,810,323 |
The novel takes place in Toronto, briefly in 1995 and chiefly in 2011. Dr. Peter Hobson, a biomedical engineer, has invented many devices in the field of home automation. He has always been haunted by memories of monitoring an EKG during the dissection of a "corpse" for organ donation when he was in graduate school; the donor's heart was still beating and the body exhibited signs of anesthesia awareness. Now, Peter devises what he calls a superEEG in order to determine the exact moment when all electrical energy ceases in the brain; he wants to precisely "determine that someone is dead before they begin carving out his organs." | The Terminal Experiment | The Terminal Experiment > Plot | text | en | 2022-11-30T15:47:26 | 161 | 8,810,324 |
| Pos | Team | Pld | W | D | L | GF | GA | GD | Pts | Promotion or relegation |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| 1 | Knypersley Victoria | 36 | 26 | 3 | 7 | 105 | 34 | +71 | 81 | Promoted to the Premier Division |
| 2 | Darlaston | 36 | 25 | 6 | 5 | 69 | 27 | +42 | 81 |
| 3 | Lichfield | 36 | 23 | 6 | 7 | 75 | 42 | +33 | 75 | |
| 4 | Ettingshall Holy Trinity | 36 | 20 | 11 | 5 | 69 | 34 | +35 | 71 |
| 5 | Gornal Athletic | 36 | 17 | 8 | 11 | 75 | 52 | +23 | 59 |
| 6 | Cannock Chase | 36 | 16 | 4 | 16 | 50 | 59 | −9 | 52 |
| 7 | Wolverhampton United | 36 | 14 | 7 | 15 | 60 | 69 | −9 | 49 |
| 8 | Great Wyrley | 36 | 12 | 12 | 12 | 44 | 53 | −9 | 48 |
| 9 | Tividale | 36 | 14 | 5 | 17 | 76 | 67 | +9 | 47 |
| 10 | Hill Top Rangers | 36 | 13 | 8 | 15 | 58 | 62 | −4 | 47 |
| 11 | Donnington Wood | 36 | 12 | 11 | 13 | 67 | 77 | −10 | 47 |
| 12 | Malvern Town | 36 | 12 | 10 | 14 | 56 | 71 | −15 | 46 |
| 13 | Oldbury United reserves | 36 | 10 | 13 | 13 | 52 | 67 | −15 | 43 | Resigned from the league |
| 14 | Moxley Rangers | 36 | 11 | 11 | 14 | 48 | 53 | −5 | 41 | |
| 15 | Ludlow Town | 36 | 10 | 9 | 17 | 55 | 78 | −23 | 39 |
| 16 | Wolverhampton Casuals | 36 | 11 | 5 | 20 | 57 | 72 | −15 | 38 |
| 17 | Tipton Town | 36 | 9 | 11 | 16 | 42 | 63 | −21 | 38 |
| 18 | Gornal Sports | 36 | 7 | 6 | 23 | 42 | 75 | −33 | 27 |
| 19 | Wem Town | 36 | 4 | 6 | 26 | 39 | 84 | −45 | 18 | | 1992–93 West Midlands (Regional) League | 1992–93 West Midlands (Regional) League > Division One > League table | table | en | 2023-03-17T09:29:27 | 800 | 8,810,325 |
Camille Pissarro, whom Cézanne came to see as both friend and mentor, moved to Pontoise, a small country town northwest of Paris, in 1872 after his previous country residence in Louveciennes, west of Paris, was stripped of all its contents while he was in Paris during the Franco-Prussian War two years earlier. The following year, Cézanne moved to neighboring Auvers-sur-Oise, where he and Pissarro lived within walking distance of each other, and often painted side by side in plein air. They painted the same subjects, but in different and distinctive works. | View of Auvers-sur-Oise | View of Auvers-sur-Oise > History | text | en | 2023-05-18T20:56:10 | 149 | 8,810,326 |
Peter is hurt and angry when his beloved wife, Cathy, admits that she had sex with Hans Larsen, whom neither of them respects. A psychotherapist helps her to understand that she has low self-esteem because of emotional neglect by her critical father Rod. Peter throws himself into his work. This is the emotional set-up that drives events in the following five months. | The Terminal Experiment | The Terminal Experiment > Plot | text | en | 2022-11-30T15:47:26 | 93 | 8,810,327 |
The two were trying to capture the "perception of sensation" in their work. Cézanne's style, especially in his landscapes, reflected the influence of his fellow artist, even as the two preferred different techniques—Pissarro dabbing while Cézanne daubed or smeared, according to a local resident who watched them both paint. Cézanne began using brighter colors than he had previously, with less stark contrasts. | View of Auvers-sur-Oise | View of Auvers-sur-Oise > History | text | en | 2023-05-18T20:56:10 | 108 | 8,810,328 |
To his shock, when Peter places his superEEG on the head of a willing terminal patient, he afterwards finds in the readouts a small electrical field leaving the brain after death. He shares this discovery with his friend Sarkar Muhammed, who runs his own startup firm doing expert system design. Sarkar declares it a soul, which Peter, a skeptic, is reluctant to believe. To maintain precise scientific language, they call it a soulwave: "The soulwave had a distinctive electrical signature. The frequency was very high, well above that of normal electrochemical brain activity, so, even though the voltage was minuscule, it wasn't washed out in the mass of other signals within the brain." | The Terminal Experiment | The Terminal Experiment > Plot | text | en | 2022-11-30T15:47:26 | 168 | 8,810,329 |
A catalogue to a 2006 joint exhibition of their work from this period at the Musée d'Orsay in Paris calls the two Impressionism's "painters of the earth", counterparts to its two "painters of water", Claude Monet and Alfred Sisley. But "with Cézanne the spectator is openly invited to observe the way he portrays surfaces" the catalog observes. "Shapes are simplified and each brushstroke is amplified. His paintings are intense reflections of his method." | View of Auvers-sur-Oise | View of Auvers-sur-Oise > History | text | en | 2023-05-18T20:56:10 | 133 | 8,810,330 |
Peter experiments with more terminal patients to verify his finding; he tests pregnant women to discover when the fetus gains a soulwave (at about ten weeks); and he finds that, among animals, at least chimpanzees also have souls. When Peter holds a press conference to announce his breakthrough, human society around the world undergoes a revolution. He is repeatedly asked what life after death is like, though he has no idea. "I can't rely on the Koran, or the Bible, or anything else. All we know is that a cohesive energy field survives the death of the body. Whether that field lasts for any appreciable time after departure, or whether it carries any real information, is completely unknown—and any other interpretation at this point is just wishful thinking." | The Terminal Experiment | The Terminal Experiment > Plot | text | en | 2022-11-30T15:47:26 | 193 | 8,810,331 |
View of Auvers-sur-Oise was painted later, in 1879–80. By this time, Cézanne was preparing to leave Paris and return to his native Aix-en-Provence, where he continued painting in this style, including similar landscapes, moving toward Post-Impressionism. Ashmolean Museum director Christopher Brown describes the painting as important to understanding the artist's career, showing him transitioning from his early work to the mature style he brought to well-known later works. | View of Auvers-sur-Oise | View of Auvers-sur-Oise > History | text | en | 2023-05-18T20:56:10 | 123 | 8,810,332 |
In order to learn about immortality and life after death, Peter and Sarkar create three electronic simulations of Peter's own personality after a comprehensive scan of his mind and memories. From one, they seek "which neural nets are activated exclusively by biological concerns, and then zero those out" (p. 131), so that it is purely intellect; they call it Spirit. From the second, they edit all fears of aging and death, so that it "feels" itself to be immortal; they call this one Ambrotos. The third is a control, with Peter's knowledge up to the point of the brain scan. At first, the three "sims" enjoy exploring all that the Internet has to offer. One sim, however, hires a hit man to kill Hans and then, days later, Cathy's father. | The Terminal Experiment | The Terminal Experiment > Plot | text | en | 2022-11-30T15:47:26 | 194 | 8,810,333 |
French bureaucrat Victor Chocquet, a collector and advocate for Impressionism, bought the painting. After his death in 1891, it was bequeathed to his wife Marie. In 1899 the Chocquet collection was exhibited at Galerie Georges Petit in Paris, under the title Auvers. In turn it was purchased by another collector of Impressionist works, Thadée Natanson. | View of Auvers-sur-Oise | View of Auvers-sur-Oise > Provenance | text | en | 2023-05-18T20:56:10 | 101 | 8,810,334 |
Detective Sandra Philo takes the case and, questioning Cathy and her co-workers, realizes at once that Cathy is concealing her relationship with Hans. She also knows Peter is rich enough to afford hiring a professional hit. What she doesn't realize is that the guilty sim is prepared to have her killed, too. Peter and Sarkar race to find a way to "pull the plug" on the sims before Philo and perhaps others die. | The Terminal Experiment | The Terminal Experiment > Plot | text | en | 2022-11-30T15:47:26 | 106 | 8,810,335 |
Natanson auctioned his collection, including View of Auvers-sur-oise, at the Hôtel Drouot in 1908. It passed that way to another prominent collector, German publisher Bruno Cassirer. He loaned it to his cousin Paul for a 1921 Berlin exhibit of Cézanne works in private German collections; it was titled Ansicht an Aix. Bruno made the painting part of an extended loan to the Kunsthaus Zürich, which exhibited it in 1933 as Regenlandschaft. On another loan to a Swiss museum, the Kunsthalle Basel. This time it was known as Bei Auvers. | View of Auvers-sur-Oise | View of Auvers-sur-Oise > Provenance | text | en | 2023-05-18T20:56:10 | 144 | 8,810,336 |
Besides winning the Nebula Award, The Terminal Experiment won the Prix Aurora Award for Best Long Form in English of 1995. It also earned one of the nine HOMer Awards that Sawyer has won. The novel was a Preliminary Nominee for the Bram Stoker Award, for Superior Achievement in a Novel, and was nominated for the Science Fiction Chronicle Award. Brian Stableford wrote in an overview: "Sawyer's work became conspicuously more ambitious in the late 1990s. The Terminal Experiment (1995) has a murder mystery subplot, but foregrounds an enquiry into the roots of ethical philosophy, employing three artificial 'clones' of its protagonist's personality as subjects in an elaborate thought experiment." | The Terminal Experiment | The Terminal Experiment > Critical reception | text | en | 2022-11-30T15:47:26 | 185 | 8,810,337 |
Bruno's daughter Sophie inherited it after his death in 1941, by which time the family had moved to Oxford following Nazi persecution. She kept it in the family's hands and did not loan it out. Upon the deaths of her husband Richard Rudolf Walzer in 1975, followed by her own four years later, the estate incurred a large inheritance tax bill. The painting was accepted by the British government in lieu of inheritance tax to become part of the collection at the Ashmolean, which lists it in its catalogue under the English title A View of buildings in a valley in the Ile-de-France. In 1998 the Ashmolean loaned it to the Art Gallery of New South Wales, in Sydney, for its Classic Cézanne exhibit; in this it was given the French title Groupe de maisons, paysage d'île de France, the title used in the artist's current catalogue raisonné. | View of Auvers-sur-Oise | View of Auvers-sur-Oise > Provenance | text | en | 2023-05-18T20:56:10 | 218 | 8,810,338 |
Steven H Silver wrote, "Sawyer is writing a mystery with this book, and, to a certain extent, succeeds. The pace is good, keeping you turning the pages, and the characters are likeable, even the libidinous Hans and the un-enlightened Rod. However, because of the way Sawyer creates his mystery, there is no real chance of figuring out who is responsible." | The Terminal Experiment | The Terminal Experiment > Critical reception | text | en | 2022-11-30T15:47:26 | 96 | 8,810,339 |
At midnight on 31 December 1999, fireworks went off in Oxford as part of the global millennium celebrations that year. Police believe that at that time, someone used the distraction and noise to prevent anyone from noticing that they were climbing scaffolding around an extension to the museum's library that was under construction. Once they reached the roof, they broke a skylight over the museum's Hindley Smith Gallery and dropped a small smoke bomb in. | View of Auvers-sur-Oise | View of Auvers-sur-Oise > Theft | text | en | 2023-05-18T20:56:10 | 118 | 8,810,340 |
The burglar carried with them a small holdall holding a scalpel, tape, gloves and portable fan. They dropped a rope ladder into the gallery and descended. Once there they used the fan to blow the smoke around so neither the museum's security guards, should they come into the gallery, nor its CCTV cameras would be able to get a good view of their faces. After cutting View of Auvers-sur-Oise from its frame, they smashed the empty frame on the floor, climbed the rope ladder, went back down the scaffolding and out into the crowds still celebrating the new year and millennium. | View of Auvers-sur-Oise | View of Auvers-sur-Oise > Theft | text | en | 2023-05-18T20:56:10 | 160 | 8,810,341 |
Alarms had been set off during the burglary, but security at the museum assumed from the smoke that there had been a fire. When police and firefighters reached the museum at 1:43am, they went into the Smith Gallery and found the smoke had dissipated, with no signs of a fire. Instead what was left of the smoke bomb was on the floor, and a flashing light on the wall alerted them to the absence of the Cézanne painting next to it. | View of Auvers-sur-Oise | View of Auvers-sur-Oise > Theft | text | en | 2023-05-18T20:56:10 | 121 | 8,810,342 |
Director Brown, in London for the millennium celebrations, was alerted within the hour. He went immediately back to Oxford and saw the crime scene for himself. "It was like coming into your own house and finding evidence of a break-in," he said. "Any director builds up an intense relationship with the works of art that he or she is responsible for, and this was very personal to me." | View of Auvers-sur-Oise | View of Auvers-sur-Oise > Theft | text | en | 2023-05-18T20:56:10 | 100 | 8,810,343 |
Police soon determined that View of Auvers-sur-Oise was the only work taken from a room that also displayed paintings by Renoir, Rodin and Toulouse-Lautrec. This led them to theorise that the burglary had specifically targeted the painting, the only work by Cézanne in the Ashmolean. The thief or whoever they were working for had wanted it for a personal private collection. They may also have been motivated by the £18.2 million sale at Sotheby's of a Cézanne still life, Bouilloire et fruits, itself recently recovered following a theft in 1978, and hoped to make a similar profit. Katrina Burrows, editor of the London-based magazine Trace, which covers stolen art, doubted the thieves or anyone working for them would be able to sell the painting, if that was their goal, due to the considerable publicity surrounding the theft. | View of Auvers-sur-Oise | View of Auvers-sur-Oise > Theft | text | en | 2023-05-18T20:56:10 | 218 | 8,810,344 |
The Ashmolean valued the painting at £3 million. Like other artwork in British museums, it was not insured due to the high premiums required. Burrows also said that contrary to public perception of art theft as prevalent due to the recent box office success of The Thomas Crown Affair, it had actually become much rarer due to increased security and awareness of which works might have been stolen. "Anyone offered this painting will walk over to the shelf and look it up in a Cezanne book, and would see where it belongs", Brown said. | View of Auvers-sur-Oise | View of Auvers-sur-Oise > Theft | text | en | 2023-05-18T20:56:10 | 140 | 8,810,345 |
There had been other thefts and attempted thefts of art from the museum and other Oxford facilities in the late 1990s. A pair of 17th-century French bottles were taken in 1996, and the following year three thieves were caught after they broke open a glass display case to take a jewel made for Alfred the Great. Brown said the museum had not relaxed its security for the holiday. | View of Auvers-sur-Oise | View of Auvers-sur-Oise > Theft | text | en | 2023-05-18T20:56:10 | 102 | 8,810,346 |
The theft also drew comparisons to another recent film, Entrapment, in which the characters use the millennium celebrations as cover for an art theft. Investigators said the thief demonstrated a high level of skill. "It was a very clever ploy, a very professional theft", an unnamed police source told The Guardian. "Whoever has taken this painting has given some thought to how to steal it" agreed Oxford police superintendent John Carr. | View of Auvers-sur-Oise | View of Auvers-sur-Oise > Theft | text | en | 2023-05-18T20:56:10 | 116 | 8,810,347 |
Novelist Iain Pears, who lived nearby, said that he could have been a witness. "If I had been there 10 minutes earlier, I could have helped them load it into the car", he joked to The New York Times. He called the theft "jolly brilliant". He believed it was likely that the painting would be recovered. "Twenty years ago the Ashmolean lost a Persian carpet in a theft. They eventually got it back from a dry cleaners in New York." | View of Auvers-sur-Oise | View of Auvers-sur-Oise > Theft | text | en | 2023-05-18T20:56:10 | 123 | 8,810,348 |
In January 2014, the Ashmolean made up for the painting's absence by becoming the first European museum to host an exhibit of Impressionist works from the Henry and Rose Pearlman Collection at the Princeton University Art Museum. Of the fifty paintings in Cézanne and the Modern, twenty-four were by the title artist, spanning his whole career. Museum staff recalled the theft as a low point in the museum's recent history that made them more elated to host the Pearlman exhibit. | View of Auvers-sur-Oise | View of Auvers-sur-Oise > Theft | text | en | 2023-05-18T20:56:10 | 123 | 8,810,349 |
The Thames Valley Police assigned six officers to investigate. They knew their own resources would not be enough. "This is not a crime which is going to be solved overnight." said a spokesman. "We are more used to run-of-the-mill crimes. We need expertise." Accordingly they had called in specialists in art theft; customs officers at airports and harbours had been alerted in case anyone tried to take the painting out of Britain, although police believed that it was more likely in the possession of some domestic collector. | View of Auvers-sur-Oise | View of Auvers-sur-Oise > Investigation | text | en | 2023-05-18T20:56:10 | 137 | 8,810,350 |
At first police withheld some details of the crime in case a ransom request came in. Later in January they believed they were on the verge of recovering it after receiving a tip that it had been seen in a West Midlands pub. When they went there to investigate, it turned out to be a copy, its paint still wet, being painted by the landlord. As of 2021, no other leads have come in that police have discussed publicly; the investigation continues. In 2005 the U.S. Federal Bureau of Investigation (FBI) named the theft one the world's top ten art crimes; its Art Crime Team actively seeks information from the public that may lead to the recover of View of Auvers-sur-Oise. | View of Auvers-sur-Oise | View of Auvers-sur-Oise > Investigation | text | en | 2023-05-18T20:56:10 | 179 | 8,810,351 |
| Year recorded | Leader | Title | Label | Year released |
| --- | --- | --- | --- | --- |
| 1994 | Kei Akagi | *Mirror Puzzle* | AudioQuest | 1994 |
| 1998 | Ryan Kisor | *The Usual Suspects* | Lightyear | 1998 |
| 1998 | Arturo Sandoval | *Hot House* | N2K | 1998 |
| 1998 | Horace Silver | *Jazz Has a Sense of Humor* | Verve | 1999 |
| 1999 | Roy Hargrove | *Moment to Moment* | Verve | 2000 |
| 2001 | Peter Beets | *New York Trio* | Criss Cross Jazz | 2001 |
| 2001 | Jesse van Ruller | *Here and There* | Criss Cross Jazz | 2002 |
| 2002 | Peter Beets | *New York Trio – Page Two* | Criss Cross Jazz | 2003 |
| 2005 | Harold Mabern | *Somewhere Over the Rainbow* | Venus | 2006 |
| 2005 | Peter Zak | *For Tomorrow* | SteepleChase | 2007 |
| 2007 | Houston Person | *Thinking of You* | HighNote | 2007 |
| 2008? | Ryan Kisor | *Conception: Cool and Hot* | Birds | 2008 |
| 2009 | Cedar Walton | *Voices Deep Within* | HighNote | 2009 |
| 2010 | Houston Person | *Moment to Moment* | HighNote | 2010 |
| 2011 | Cedar Walton | *The Bouncer* | HighNote | 2011 |
| 2013 | Peter Zak | *The Disciple* | SteepleChase | 2014 |
| 2022? | Ron Jackson | *Standards and My Songs* | Roni Music | 2022 | | Willie Jones III | Willie Jones III > Discography > As sideman | table | en | 2023-02-21T08:43:30 | 507 | 8,810,352 |
| Name | DoB/Age | MS Rank | WS Rank | MD Rank | WD Rank | XD Rank |
| --- | --- | --- | --- | --- | --- | --- |
| Alexandra Bøje | (1999-06-12)12 June 1999 (aged 19) | – | – | – | 73 | 44 |
| Anders Antonsen | (1997-04-27)27 April 1997 (aged 21) | 20 | – | – | – | – |
| Anders Skaarup Rasmussen | (1989-02-15)15 February 1989 (aged 29) | – | – | 6 | – | – |
| Christinna Pedersen | (1986-05-12)12 May 1986 (aged 32) | – | – | – | 24 | 8 |
| David Daugaard | (1994-12-27)27 December 1994 (aged 24) | – | – | 53 | – | – |
| Frederik Søgaard | (1997-07-25)25 July 1997 (aged 21) | – | – | 53 | – | – |
| Julie Dawall Jakobsen | (1998-03-25)25 March 1998 (aged 20) | – | 60 | – | 287 | – |
| Kim Astrup | (1992-03-06)6 March 1992 (aged 26) | – | – | 6 | – | – |
| Line Kjærsfeldt | (1994-04-20)20 April 1994 (aged 24) | – | 21 | – | – | – |
| Mads Pieler Kolding | (1988-01-27)27 January 1988 (aged 31) | – | – | 15 | – | – |
| Maiken Fruergaard | (1995-05-11)11 May 1995 (aged 23) | – | – | – | 15 | – |
| Mathias Christiansen | (1994-02-20)20 February 1994 (aged 24) | – | – | 60 | – | 8 |
| Mia Blichfeldt | (1997-08-19)19 August 1997 (aged 21) | – | 19 | – | 1054 | – |
| Niclas Nøhr | (1991-08-20)20 August 1991 (aged 27) | – | – | 47 | – | 21 |
| Rasmus Gemke | (1997-01-11)11 January 1997 (aged 22) | 19 | – | – | – | – |
| Rikke Søby Hansen | (1995-02-01)1 February 1995 (aged 24) | – | – | – | 63 | 92 |
| Sara Thygesen | (1991-01-20)20 January 1991 (aged 28) | – | – | – | 15 | 21 |
| Viktor Axelsen | (1994-01-04)4 January 1994 (aged 25) | 6 | – | – | – | – | | 2019 European Mixed Team Badminton Championships squads | 2019 European Mixed Team Badminton Championships squads > Group 1 > Denmark | table | en | 2020-04-26T00:49:34 | 743 | 8,810,353 |
| Year recorded | Title | Label | Personnel/Notes **With Black Note** |
| --- | --- | --- | --- |
| 1991 | *43rd & Degnan* | World Stage | With Black Note |
| 1993 | *L.A. Underground* | Red | With Black Note |
| 1994 | *Jungle Music* | Columbia | With Black Note |
| 1996 | *Nothin' but the Swing* | Impulse! | With Black Note |
| 1996–99 | *Vol. 1...Straight Swingin'* | WJ3 | |
| 2001 | *Vol. 2...Don't Knock The Swing* | WJ3 | |
| 2006 | *Vol. III* | WJ3 | |
| 2009 | *The Next Phase* | WJ3 | |
| 2012 | *Willie Jones III Sextet Plays The Max Roach Songbook* | WJ3 | In concert |
| 2016\* | *Groundwork* | WJ3 | |
| 2017\* | *My Point Is...* | WJ3 | | | Willie Jones III | Willie Jones III > Discography > As leader/co-leader | table | en | 2023-02-21T08:43:30 | 316 | 8,810,354 |
| Pos | Team | Pld | W | D | L | GF | GA | GD | Pts | Promotion or relegation |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| 1 | Rushall Olympic reserves | 32 | 23 | 4 | 5 | 87 | 42 | +45 | 73 | Resigned from the league |
| 2 | Bloxwich Strollers | 32 | 23 | 2 | 7 | 99 | 39 | +60 | 71 | Promoted to Division One |
| 3 | Chasetown reserves | 32 | 21 | 5 | 6 | 81 | 28 | +53 | 68 | Resigned from the league |
| 4 | Rocester reserves | 32 | 20 | 6 | 6 | 104 | 49 | +55 | 66 |
| 5 | Manders | 32 | 20 | 5 | 7 | 83 | 40 | +43 | 65 | Promoted to Division One |
| 6 | Blackheath Electrodrives | 32 | 17 | 5 | 10 | 68 | 56 | +12 | 56 | Transferred to the Midland Combination |
| 7 | Mitchell & Butlers | 32 | 14 | 9 | 9 | 70 | 53 | +17 | 51 |
| 8 | Hinckley Athletic reserves | 32 | 14 | 9 | 9 | 57 | 48 | +9 | 51 | Resigned from the league |
| 9 | Lye Town reserves | 32 | 14 | 5 | 13 | 61 | 71 | −10 | 47 |
| 10 | Albright & Wilson | 32 | 13 | 5 | 14 | 53 | 62 | −9 | 44 | Transferred to the Midland Combination |
| 11 | Oldswinford reserves | 32 | 10 | 4 | 18 | 40 | 67 | −27 | 34 | Resigned from the league |
| 12 | Halesowen Harriers reserves | 32 | 9 | 6 | 17 | 49 | 86 | −37 | 33 |
| 13 | Cradley Town reserves | 32 | 8 | 4 | 20 | 38 | 68 | −30 | 28 |
| 14 | Wolverhampton Casuals reserves | 32 | 7 | 5 | 20 | 44 | 87 | −43 | 26 |
| 15 | Park Rangers | 32 | 6 | 5 | 21 | 34 | 80 | −46 | 23 | Transferred to the Midland Combination |
| 16 | Cheslyn Hay | 32 | 4 | 6 | 22 | 44 | 87 | −43 | 18 | Promoted to Division One |
| 17 | Tividale reserves | 32 | 5 | 3 | 24 | 38 | 87 | −49 | 18 | Resigned from the league | | 1992–93 West Midlands (Regional) League | 1992–93 West Midlands (Regional) League > Division Two > League table | table | en | 2023-03-17T09:29:27 | 824 | 8,810,355 |
| Willie Jones III | |
| --- | --- |
| Willie Jones III Aarhus, Denmark 2007 | |
| Background information | |
| Born | (1968-06-08)June 8, 1968Los Angeles, California, U.S. |
| Genres | Jazz |
| Occupation(s) | Musician, educator |
| Instrument(s) | Drums |
| Years active | 1990s–present |
| Labels | WJ3 |
| | |
| Website | www.williejones3.com | | Willie Jones III | Willie Jones III | infobox | en | 2023-02-21T08:43:30 | 152 | 8,810,356 |
Willie Jones III (born June 8, 1968 in Los Angeles, California) is a jazz drummer. He has played, toured, and recorded with Horace Silver, Roy Hargrove, Hank Jones, Cedar Walton, and Herbie Hancock. He played on Arturo Sandoval's Grammy-winning album Hot House (1998). | Willie Jones III | Willie Jones III | text | en | 2023-02-21T08:43:30 | 78 | 8,810,357 |
Jones' father, also named Willie Jones, was a pianist, composer and arranger, who moved to Los Angeles from Jacksonville in 1961. By the time Jones was born, his father "was gigging locally and working as a vocal coach for entertainers, including Ann-Margret." Willie Jones III was born on June 8, 1968, in Los Angeles. Jones reported that he wanted to be a jazz musician from the age of seven. | Willie Jones III | Willie Jones III > Early life | text | en | 2023-02-21T08:43:30 | 107 | 8,810,358 |
Jones was one of the founding members of the band Black Note in 1990. Members of this ensemble included, at various times, Ark Sano, Eric Reed, Gilbert Castellanos, James Mahone, Kenneth Crouch, Mark Shelby, and Richard E. Grant. They released several albums. In 1991, Jones began studying at the California Institute of the Arts, where he took drum lessons from Albert "Tootie" Heath. Jones played with Milt Jackson in 1994, and toured with trumpeter Arturo Sandoval from 1994 to 1998. Jones was based in Los Angeles until he moved to New York in 1997. He played in trumpeter Roy Hargrove's quintet from 1998 to 2006. | Willie Jones III | Willie Jones III > Later life and career | text | en | 2023-02-21T08:43:30 | 160 | 8,810,359 |
In 2000, Jones founded an independent jazz label, WJ3 Records. He said in 2017 that "It's a self-investment, [...] I'm not making a profit, but I'm not losing any money. I've become more proficient at putting out each project." He has regularly played with pianist Eric Reed, as the drummer for Wynton Marsalis' Jazz at Lincoln Center, and has several CDs released as a leader on his own label, playing hard bop and swing. Jones has taught at Northwestern University since 2010. In 2014, Jones filed a lawsuit against California rapper Kendrick Lamar for allegedly sampling "The Thorn" illegally in Lamar's song "Rigamortus". | Willie Jones III | Willie Jones III > Later life and career | text | en | 2023-02-21T08:43:30 | 174 | 8,810,360 |
Guitarist Russell Malone commented in 2017 that, "Some drummers can't get through two bars of music without trying to do something cute and slick, but with Willie, the time and the groove is not an afterthought. He's aware of each component of the song – the melody, the changes and the form. I like to incorporate different grooves into my things, and Willie does not turn up his nose at them. He knows exactly what to do." | Willie Jones III | Willie Jones III > Playing style | text | en | 2023-02-21T08:43:30 | 115 | 8,810,361 |
An asterisk (*) indicates that the year is that of release. | Willie Jones III | Willie Jones III > Discography | text | en | 2023-02-21T08:43:30 | 23 | 8,810,362 |
| Pos | Team | Pld | W | D | L | GF | GA | GD | Pts | Promotion or relegation |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| 1 | Oldbury United | 36 | 24 | 8 | 4 | 90 | 39 | +51 | 80 | |
| 2 | Chasetown | 36 | 23 | 11 | 2 | 56 | 28 | +28 | 80 |
| 3 | Paget Rangers | 36 | 21 | 7 | 8 | 84 | 54 | +30 | 70 |
| 4 | Rocester | 36 | 20 | 9 | 7 | 71 | 41 | +30 | 69 |
| 5 | Stourport Swifts | 36 | 19 | 9 | 8 | 69 | 38 | +31 | 66 |
| 6 | Ilkeston Town | 36 | 19 | 8 | 9 | 73 | 38 | +35 | 65 |
| 7 | Rushall Olympic | 36 | 17 | 7 | 12 | 61 | 53 | +8 | 58 |
| 8 | Wednesfield | 36 | 14 | 10 | 12 | 58 | 47 | +11 | 52 |
| 9 | Alvechurch | 36 | 14 | 5 | 17 | 58 | 65 | −7 | 47 | Club folded |
| 10 | West Bromwich Town | 36 | 13 | 6 | 17 | 55 | 86 | −31 | 45 | |
| 11 | Pelsall Villa | 36 | 10 | 12 | 14 | 60 | 54 | +6 | 42 |
| 12 | Blakenall | 36 | 9 | 13 | 14 | 57 | 75 | −18 | 40 |
| 13 | Willenhall Town | 36 | 12 | 4 | 20 | 49 | 69 | −20 | 40 |
| 14 | Hinckley Athletic | 36 | 11 | 6 | 19 | 56 | 68 | −12 | 39 |
| 15 | Halesowen Harriers | 36 | 8 | 9 | 19 | 44 | 62 | −18 | 33 |
| 16 | Cradley Town | 36 | 9 | 6 | 21 | 42 | 71 | −29 | 33 |
| 17 | Oldswinford | 36 | 9 | 6 | 21 | 39 | 80 | −41 | 33 |
| 18 | Westfields | 36 | 8 | 6 | 22 | 56 | 85 | −29 | 30 |
| 19 | Lye Town | 36 | 7 | 8 | 21 | 47 | 72 | −25 | 29 | | 1992–93 West Midlands (Regional) League | 1992–93 West Midlands (Regional) League > Premier Division > League table | table | en | 2023-03-17T09:29:27 | 783 | 8,810,363 |
West Midlands League
Premier Division
| Season | 1992–93 |
| --- | --- |
| Champions | Oldbury United |
| Matches played | 342 |
| Goals scored | 1,125 (3.29 per match) |
| ← 1991–92 1993–94 → | | | 1992–93 West Midlands (Regional) League | 1992–93 West Midlands (Regional) League > Premier Division | infobox | en | 2023-03-17T09:29:27 | 93 | 8,810,364 |
West Midlands League
Division One
| Season | 1992–93 |
| --- | --- |
| Champions | Knypersley Victoria |
| Promoted | Knypersley VictoriaDarlaston |
| ← 1991–92 1993–94 → | | | 1992–93 West Midlands (Regional) League | 1992–93 West Midlands (Regional) League > Division One | infobox | en | 2023-03-17T09:29:27 | 82 | 8,810,365 |
Luke Doerner
| | |
| --- | --- |
| Personal information | |
| Nationality | Australian |
| Sport | |
| Country | Australia |
| Sport | Field hockey |
| Event(s) | Men's team |
| Team | Tassie Tigers |
| Medal record | | | --- | | Men's field hockey | | | | Representing Australia | | | | Olympic Games | | | | Bronze medal – third place | 2008 Beijing | Team | | World Cup | | | | Gold medal – first place | 2010 New Delhi | Team | | Silver medal – second place | 2006 Mönchengladbach | Team | | Champions Trophy | | | | Gold medal – first place | 2005 Chennai | Team | | Gold medal – first place | 2008 Rotterdam | Team | | Gold medal – first place | 2009 Melbourne | Team | | Gold medal – first place | 2010 Mönchengladbach | Team | | Gold medal – first place | 2011 Auckland | Team | | Silver medal – second place | 2007 Kuala Lumpur | Team | | Commonwealth Games | | | | Gold medal – first place | 2006 Melbourne | Team | | Gold medal – first place | 2010 Delhi | Team | | | | Luke Doerner | Luke Doerner | infobox | en | 2023-07-18T17:32:39 | 365 | 8,810,366 |
Luke Doerner is an Australian field hockey player. He plays for the Tassie Tigers in the Australian Hockey League. He is a member of the Australia men's national field hockey team, and won a gold medal at the 2010 Commonwealth Games. He is trying to secure a spot on the national team in order to represent Australia at the 2012 Summer Olympics. He represents the Uttar Pradesh Wizards in the Hockey India League. | Luke Doerner | Luke Doerner | text | en | 2023-07-18T17:32:39 | 100 | 8,810,367 |
Doerner plays for the Tassie Tigers in the Australian Hockey League. He signed with and played for the team in 2011, competing in the first found of the 2011 season. Prior to 2011, he played for the Victorian team in the Australian Hockey League. Earlier, he played professional hockey in the Netherlands for HC Bloemendaal and Laren. In 2011, he played club hockey in Hobart. Doerner gave teammate Matthew Swann a yellow headband that Swann wears at every match. | Luke Doerner | Luke Doerner > Field hockey | text | en | 2023-07-18T17:32:39 | 121 | 8,810,368 |
Doerner is a member of the Australia men's national field hockey team. In 2006, he represented Australia at the Azlan Shah tournament in Malaysia. He competed in the 2007 Champions Trophy competition for Australia. In December 2007, he was a member of the Kookaburras squad that competed in the Dutch Series in Canberra. In January 2008, he was a member of the senior national team that competed at the Five Nations men's hockey tournament in South Africa. He won a bronze medal at the 2008 Summer Olympics. He scored a goal in the bronze medal game against the Netherlands in the country's 6–1 victory. He was a member of the 2009 Champions Trophy winning team, playing in the gold medal match against Germany that Australia won by a score of 5–3. New national team coach Ric Charlesworth named him a returning member, alongside fourteen total new players who had few than 10 national team caps to the squad before in April 2009 in a bid to ready the team for the 2010 Commonwealth Games. | Luke Doerner | Luke Doerner > National team | text | en | 2023-07-18T17:32:39 | 237 | 8,810,369 |
In 2009, he represented the country on a tour of Europe. He competed in the third match of the tour against England where Australia won 5–4. He represented Australia at the 2010 Commonwealth Games. He was sent off with ten minutes left in the game against the Netherlands as a result of having earned two red cards. In the gold medal match against India that Australia won 8–0, he scored two goals. Overall, he was the competition's leading scorer with eight goals. In 2010, he won a gold medal at the World Cup. In the 2–1 victory in the gold medal round against Germany, he scored a goal in the fifty-ninth minute. Because of other commitments, he could not compete at the Azlan Shah Cup in Malaysia in May 2011. In December 2011, he was named as one of twenty-eight players to be on the 2012 Summer Olympics Australian men's national training squad. This squad will be narrowed in June 2012. He trained with the team from 18 January to mid-March in Perth, Western Australia. In February during the training camp, he played in a four nations test series with the teams being the Kookaburras, Australia A Squad, the Netherlands and Argentina. The competition was his first since returning from time away from the game as a result of injury. He played for Australia A Squad. In the series, his team beat Argentina 4-2 and he scored a goal in the match. | Luke Doerner | Luke Doerner > National team | text | en | 2023-07-18T17:32:39 | 325 | 8,810,370 |
West Midlands League
Division Two
| Season | 1992–93 |
| --- | --- |
| Champions | Rushall Olympic reserves |
| Promoted | Bloxwich StrollersMandersCheslyn Hay |
| ← 1991–92 | | | 1992–93 West Midlands (Regional) League | 1992–93 West Midlands (Regional) League > Division Two | infobox | en | 2023-03-17T09:29:27 | 82 | 8,810,371 |
The 1992–93 West Midlands (Regional) League season was the 93rd in the history of the West Midlands (Regional) League, an English association football competition for semi-professional and amateur teams based in the West Midlands county, Shropshire, Herefordshire, Worcestershire and southern Staffordshire. | 1992–93 West Midlands (Regional) League | 1992–93 West Midlands (Regional) League | text | en | 2023-03-17T09:29:27 | 85 | 8,810,372 |
The Premier Division featured 17 clubs which competed in the division last season, along with two new clubs: Alvechurch, relegated from the Southern Football League
Ilkeston Town, promoted from Division One | 1992–93 West Midlands (Regional) League | 1992–93 West Midlands (Regional) League > Premier Division | text | en | 2023-03-17T09:29:27 | 63 | 8,810,373 |
Source: nonleaguemattersRules for classification: 1) points; 2) goal difference; 3) number of goals scored. | 1992–93 West Midlands (Regional) League | 1992–93 West Midlands (Regional) League > League table | text | en | 2023-03-17T09:29:27 | 43 | 8,810,374 |
The Division One featured 17 clubs which competed in the division last season, along with 2 new clubs: Malvern Town, relegated from the Premier Division
Gornal Sports, promoted from Division Two | 1992–93 West Midlands (Regional) League | 1992–93 West Midlands (Regional) League > Division One | text | en | 2023-03-17T09:29:27 | 60 | 8,810,375 |
Source: nonleaguemattersRules for classification: 1) points; 2) goal ratio; 3) number of goals scored.Notes: | 1992–93 West Midlands (Regional) League | 1992–93 West Midlands (Regional) League > League table | text | en | 2023-03-17T09:29:27 | 46 | 8,810,376 |
The Division Two featured 15 clubs which competed in the division last season, along with 2 new clubs: Hinckley Athletic reserves
Tividale reserves | 1992–93 West Midlands (Regional) League | 1992–93 West Midlands (Regional) League > Division Two | text | en | 2023-03-17T09:29:27 | 51 | 8,810,377 |
Source: nonleaguemattersRules for classification: 1) points; 2) goal ratio; 3) number of goals scored. | 1992–93 West Midlands (Regional) League | 1992–93 West Midlands (Regional) League > League table | text | en | 2023-03-17T09:29:27 | 43 | 8,810,378 |
| Name | DoB/Age | MS Rank | WS Rank | MD Rank | WD Rank | XD Rank |
| --- | --- | --- | --- | --- | --- | --- |
| Abigail Holden | (1999-08-29)29 August 1999 (aged 19) | – | 173 | – | 178 | 1292 |
| Ben Lane | (1997-07-13)13 July 1997 (aged 21) | – | – | 46 | – | 38 |
| Chloe Birch | (1995-09-16)16 September 1995 (aged 23) | – | 44 | – | 41 | |
| Chris Adcock | (1989-04-27)27 April 1989 (aged 29) | – | – | – | – | 7 |
| Chris Langridge | (1985-05-02)2 May 1985 (aged 33) | – | – | 18 | – | – |
| Gabby Adcock | (1990-09-30)30 September 1990 (aged 28) | – | – | – | – | 7 |
| Jenny Moore | (1995-08-31)31 August 1995 (aged 23) | – | – | – | 77 | 56 |
| Jessica Pugh | (1997-03-17)17 March 1997 (aged 21) | – | – | – | 84 | 38 |
| Lauren Smith | (1991-09-26)26 September 1991 (aged 27) | – | – | – | 41 | 13 |
| Marcus Ellis | (1989-09-14)14 September 1989 (aged 29) | – | – | 18 | – | 13 |
| Rajiv Ouseph | (1986-08-30)30 August 1986 (aged 32) | 34 | – | – | – | – |
| Sean Vendy | (1996-05-18)18 May 1996 (aged 22) | – | – | 46 | – | – |
| Toby Penty | (1992-08-12)12 August 1992 (aged 26) | 62 | – | – | – | – | | 2019 European Mixed Team Badminton Championships squads | 2019 European Mixed Team Badminton Championships squads > Group 2 > England | table | en | 2020-04-26T00:49:34 | 547 | 8,810,379 |