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From 1926 onwards, the fascias of Post Office kiosks were emblazoned with a prominent crown, representing the British government (of which the Post Office was an agency). The design was initially the "Tudor Crown", then in widespread use in government service. The same crown was used in all parts of the United Kingdom and British Empire. On the K2, the design was pierced through the ironwork, and acted as a ventilation hole. On the K6, a separate ventilation slot was provided, and the crown was embossed in bas-relief. |
From 1926 onwards, the fascias of Post Office kiosks were emblazoned with a prominent crown, representing the British government (of which the Post Office was an agency). The design was initially the "Tudor Crown", then in widespread use in government service. The same crown was used in all parts of the United Kingdom and British Empire. On the K2, the design was pierced through the ironwork, and acted as a ventilation hole. On the K6, a separate ventilation slot was provided, and the crown was embossed in bas-relief. |
From 1926 onwards, the fascias of Post Office kiosks were emblazoned with a prominent crown, representing the British government (of which the Post Office was an agency). The design was initially the "Tudor Crown", then in widespread use in government service. The same crown was used in all parts of the United Kingdom and British Empire. On the K2, the design was pierced through the ironwork, and acted as a ventilation hole. On the K6, a separate ventilation slot was provided, and the crown was embossed in bas-relief. |
From 1926 onwards, the fascias of Post Office kiosks were emblazoned with a prominent crown, representing the British government (of which the Post Office was an agency). The design was initially the "Tudor Crown", then in widespread use in government service. The same crown was used in all parts of the United Kingdom and British Empire. On the K2, the design was pierced through the ironwork, and acted as a ventilation hole. On the K6, a separate ventilation slot was provided, and the crown was embossed in bas-relief. |
St Edward's Crown was initially used on kiosks in all parts of the United Kingdom. However, in Scotland, following protests over the use of English insignia, the Post Office (like other government agencies there) began to use, from 1955, a representation of the actual Crown of Scotland. To accommodate the two different designs of crown on K6 kiosks, the fascia sections were henceforth cast with a slot in them, into which a plate bearing the appropriate crown was inserted before the roof section was fitted. |
St Edward's Crown was initially used on kiosks in all parts of the United Kingdom. However, in Scotland, following protests over the use of English insignia, the Post Office (like other government agencies there) began to use, from 1955, a representation of the actual Crown of Scotland. To accommodate the two different designs of crown on K6 kiosks, the fascia sections were henceforth cast with a slot in them, into which a plate bearing the appropriate crown was inserted before the roof section was fitted. |
St Edward's Crown was initially used on kiosks in all parts of the United Kingdom. However, in Scotland, following protests over the use of English insignia, the Post Office (like other government agencies there) began to use, from 1955, a representation of the actual Crown of Scotland. To accommodate the two different designs of crown on K6 kiosks, the fascia sections were henceforth cast with a slot in them, into which a plate bearing the appropriate crown was inserted before the roof section was fitted. |
St Edward's Crown was initially used on kiosks in all parts of the United Kingdom. However, in Scotland, following protests over the use of English insignia, the Post Office (like other government agencies there) began to use, from 1955, a representation of the actual Crown of Scotland. To accommodate the two different designs of crown on K6 kiosks, the fascia sections were henceforth cast with a slot in them, into which a plate bearing the appropriate crown was inserted before the roof section was fitted. |
In 1959 architect Neville Conder was commissioned to design a new box. The K7 design went no further than the prototype stage. K8 was introduced in 1968 designed by Bruce Martin. It was used primarily for new sites; around 11000 were installed, replacing earlier models only when they needed relocating or had been damaged beyond repair. The K8 retained a red colour scheme, but it was a different shade of red: a slightly brighter "Poppy Red", which went on to be the standard colour across all kiosks. |
In 1959 architect Neville Conder was commissioned to design a new box. The K7 design went no further than the prototype stage. K8 was introduced in 1968 designed by Bruce Martin. It was used primarily for new sites; around 11000 were installed, replacing earlier models only when they needed relocating or had been damaged beyond repair. The K8 retained a red colour scheme, but it was a different shade of red: a slightly brighter "Poppy Red", which went on to be the standard colour across all kiosks. |
With regards to create a new box with easier access, lower maintenance and brighter lighting, the Post Office introduced a prototype run of "Croydon" telephone boxes from 1972, named as such because they were erected in Croydon. The Croydon boxes, which featured a black handset silhouette with bright yellow paintwork, were erected as an experimental prototype to replace the red telephone boxes. However, whilst the trials were successful, the quality of the materials and design made it too expensive for the Post Office to mass-produce and the design was not adopted. |
With regards to create a new box with easier access, lower maintenance and brighter lighting, the Post Office introduced a prototype run of "Croydon" telephone boxes from 1972, named as such because they were erected in Croydon. The Croydon boxes, which featured a black handset silhouette with bright yellow paintwork, were erected as an experimental prototype to replace the red telephone boxes. However, whilst the trials were successful, the quality of the materials and design made it too expensive for the Post Office to mass-produce and the design was not adopted. |
In 1980, in preparation for privatisation, Post Office Telephones was rebranded as British Telecom (BT). In February 1981, it was announced that all the red telephone boxes would be repainted yellow, which was BT's new corporate colour. There was an immediate public outcry; the "Daily Mail" launched a campaign "against the yellow peril" and questions were asked in Parliament. In the House of Lords, the Earl of Gowrie, the Minister of State for Employment, called on BT "to abandon this ridiculous scheme". In the House of Commons, Mark Lennox-Boyd MP asked the Prime Minister, Margaret Thatcher, if she would treat the decision "with the greatest possible dismay". Thatcher, who was responsible for the privatisation, would only say that she could "see my honourable Friend's point". Shortly afterwards, BT announced that only 90 of the 77,000 remaining traditional boxes had been painted different colours "as an experiment" and that no final decision had been reached. |
In 1980, in preparation for privatisation, Post Office Telephones was rebranded as British Telecom (BT). In February 1981, it was announced that all the red telephone boxes would be repainted yellow, which was BT's new corporate colour. There was an immediate public outcry; the "Daily Mail" launched a campaign "against the yellow peril" and questions were asked in Parliament. In the House of Lords, the Earl of Gowrie, the Minister of State for Employment, called on BT "to abandon this ridiculous scheme". In the House of Commons, Mark Lennox-Boyd MP asked the Prime Minister, Margaret Thatcher, if she would treat the decision "with the greatest possible dismay". Thatcher, who was responsible for the privatisation, would only say that she could "see my honourable Friend's point". Shortly afterwards, BT announced that only 90 of the 77,000 remaining traditional boxes had been painted different colours "as an experiment" and that no final decision had been reached. |
After privatisation in 1982, British Telecom introduced the KX100, a more utilitarian design, which began to replace most of the existing boxes. The KX100 was one of a series of designs, including the wheelchair-accessible open-sided KX200, and the triangular-footprint KX300. In January 1985, Nick Kane, the Director of Marketing for BT Local Communications Services announced that the old red telephone boxes would be replaced because they "...no longer meet the needs of our customers. Few people like to use them. They are expensive and difficult to clean and maintain and cannot be used by handicapped people". This time, BT did not relent, despite another vociferous campaign. |
After privatisation in 1982, British Telecom introduced the KX100, a more utilitarian design, which began to replace most of the existing boxes. The KX100 was one of a series of designs, including the wheelchair-accessible open-sided KX200, and the triangular-footprint KX300. In January 1985, Nick Kane, the Director of Marketing for BT Local Communications Services announced that the old red telephone boxes would be replaced because they "...no longer meet the needs of our customers. Few people like to use them. They are expensive and difficult to clean and maintain and cannot be used by handicapped people". This time, BT did not relent, despite another vociferous campaign. |
Many local authorities used legislation designed to protect buildings of architectural or historic importance to keep old telephone boxes in prominent locations and around 2,000 of them were given listed status. Several thousand others were left on low-revenue mostly rural sites but many thousands of recovered K2 and K6 boxes were sold off. Some kiosks have been converted to be used as shower cubicles in private homes. In Kingston upon Thames a number of old K6 boxes have been used to form a work of art resembling a row of fallen dominoes. As of January 2020, it was estimated that 8,000 traditional red telephone boxes remain in public service. The KX+, better known as the KX100 PLUS, introduced in 1996 featured a domed roof reminiscent of the familiar K2 and K6. Subsequent designs have departed significantly from the old style red boxes. BT followed the KX series with the Multi.phone in 1999 and the ST6 in 2007. |
Many local authorities used legislation designed to protect buildings of architectural or historic importance to keep old telephone boxes in prominent locations and around 2,000 of them were given listed status. Several thousand others were left on low-revenue mostly rural sites but many thousands of recovered K2 and K6 boxes were sold off. Some kiosks have been converted to be used as shower cubicles in private homes. In Kingston upon Thames a number of old K6 boxes have been used to form a work of art resembling a row of fallen dominoes. As of January 2020, it was estimated that 8,000 traditional red telephone boxes remain in public service. The KX+, better known as the KX100 PLUS, introduced in 1996 featured a domed roof reminiscent of the familiar K2 and K6. Subsequent designs have departed significantly from the old style red boxes. BT followed the KX series with the Multi.phone in 1999 and the ST6 in 2007. |
Several of these distinctive telephone boxes have been installed on the Norman, Oklahoma, campus of the University of Oklahoma, where they continue to serve their originally intended function. Elsewhere in the United States, a few have also been installed in downtown Glenview, Illinois, and Glencoe, Illinois. There is also one outside the British Embassy in Washington, D.C. A red telephone box can also be found on the Courthouse Square in Oxford, Mississippi. There are two in use in Tennessee. One is located on the square in Collierville, Tennessee, and the other is located next to Pepper Palace in The Village Shops shopping center in Gatlinburg, Tennessee. |
Several of these distinctive telephone boxes have been installed on the Norman, Oklahoma, campus of the University of Oklahoma, where they continue to serve their originally intended function. Elsewhere in the United States, a few have also been installed in downtown Glenview, Illinois, and Glencoe, Illinois. There is also one outside the British Embassy in Washington, D.C. A red telephone box can also be found on the Courthouse Square in Oxford, Mississippi. There are two in use in Tennessee. One is located on the square in Collierville, Tennessee, and the other is located next to Pepper Palace in The Village Shops shopping center in Gatlinburg, Tennessee. |
Several of these distinctive telephone boxes have been installed on the Norman, Oklahoma, campus of the University of Oklahoma, where they continue to serve their originally intended function. Elsewhere in the United States, a few have also been installed in downtown Glenview, Illinois, and Glencoe, Illinois. There is also one outside the British Embassy in Washington, D.C. A red telephone box can also be found on the Courthouse Square in Oxford, Mississippi. There are two in use in Tennessee. One is located on the square in Collierville, Tennessee, and the other is located next to Pepper Palace in The Village Shops shopping center in Gatlinburg, Tennessee. |
Several of these distinctive telephone boxes have been installed on the Norman, Oklahoma, campus of the University of Oklahoma, where they continue to serve their originally intended function. Elsewhere in the United States, a few have also been installed in downtown Glenview, Illinois, and Glencoe, Illinois. There is also one outside the British Embassy in Washington, D.C. A red telephone box can also be found on the Courthouse Square in Oxford, Mississippi. There are two in use in Tennessee. One is located on the square in Collierville, Tennessee, and the other is located next to Pepper Palace in The Village Shops shopping center in Gatlinburg, Tennessee. |
Several of these distinctive telephone boxes have been installed on the Norman, Oklahoma, campus of the University of Oklahoma, where they continue to serve their originally intended function. Elsewhere in the United States, a few have also been installed in downtown Glenview, Illinois, and Glencoe, Illinois. There is also one outside the British Embassy in Washington, D.C. A red telephone box can also be found on the Courthouse Square in Oxford, Mississippi. There are two in use in Tennessee. One is located on the square in Collierville, Tennessee, and the other is located next to Pepper Palace in The Village Shops shopping center in Gatlinburg, Tennessee. |
Several of these distinctive telephone boxes have been installed on the Norman, Oklahoma, campus of the University of Oklahoma, where they continue to serve their originally intended function. Elsewhere in the United States, a few have also been installed in downtown Glenview, Illinois, and Glencoe, Illinois. There is also one outside the British Embassy in Washington, D.C. A red telephone box can also be found on the Courthouse Square in Oxford, Mississippi. There are two in use in Tennessee. One is located on the square in Collierville, Tennessee, and the other is located next to Pepper Palace in The Village Shops shopping center in Gatlinburg, Tennessee. |
In Massachusetts, there is also a red telephone box in the student centre of the Massachusetts Institute of Technology. In addition, there is a red telephone box outside the town building (town hall/police station/post office) in the tiny mountain town of Rowe, Massachusetts, which is an original installation dating back to when the town of Rowe first got telephone service. Two red telephone boxes are on display at the World Showcase area of Disney's Epcot in Orlando, Florida, one located in the United Kingdom area and one in the Canada area. One is on display at English Gardens a Place for Weddings in Winter Park close to downtown Orlando. An original K6 can also be found outside of the Allied Building in Treasure Island, Florida. There are also a few red boxes at the Ellenton Outlet Mall, just off I-75, near Bradenton, Florida. These still have their original STD code cards in place and have working US payphone equipment. There is a red telephone box in Westminster Maryland on the corner of West Main Street and Rt. 27 outside of Johanson's Dining House. |
In Massachusetts, there is also a red telephone box in the student centre of the Massachusetts Institute of Technology. In addition, there is a red telephone box outside the town building (town hall/police station/post office) in the tiny mountain town of Rowe, Massachusetts, which is an original installation dating back to when the town of Rowe first got telephone service. Two red telephone boxes are on display at the World Showcase area of Disney's Epcot in Orlando, Florida, one located in the United Kingdom area and one in the Canada area. One is on display at English Gardens a Place for Weddings in Winter Park close to downtown Orlando. An original K6 can also be found outside of the Allied Building in Treasure Island, Florida. There are also a few red boxes at the Ellenton Outlet Mall, just off I-75, near Bradenton, Florida. These still have their original STD code cards in place and have working US payphone equipment. There is a red telephone box in Westminster Maryland on the corner of West Main Street and Rt. 27 outside of Johanson's Dining House. |
In Massachusetts, there is also a red telephone box in the student centre of the Massachusetts Institute of Technology. In addition, there is a red telephone box outside the town building (town hall/police station/post office) in the tiny mountain town of Rowe, Massachusetts, which is an original installation dating back to when the town of Rowe first got telephone service. Two red telephone boxes are on display at the World Showcase area of Disney's Epcot in Orlando, Florida, one located in the United Kingdom area and one in the Canada area. One is on display at English Gardens a Place for Weddings in Winter Park close to downtown Orlando. An original K6 can also be found outside of the Allied Building in Treasure Island, Florida. There are also a few red boxes at the Ellenton Outlet Mall, just off I-75, near Bradenton, Florida. These still have their original STD code cards in place and have working US payphone equipment. There is a red telephone box in Westminster Maryland on the corner of West Main Street and Rt. 27 outside of Johanson's Dining House. |
In Massachusetts, there is also a red telephone box in the student centre of the Massachusetts Institute of Technology. In addition, there is a red telephone box outside the town building (town hall/police station/post office) in the tiny mountain town of Rowe, Massachusetts, which is an original installation dating back to when the town of Rowe first got telephone service. Two red telephone boxes are on display at the World Showcase area of Disney's Epcot in Orlando, Florida, one located in the United Kingdom area and one in the Canada area. One is on display at English Gardens a Place for Weddings in Winter Park close to downtown Orlando. An original K6 can also be found outside of the Allied Building in Treasure Island, Florida. There are also a few red boxes at the Ellenton Outlet Mall, just off I-75, near Bradenton, Florida. These still have their original STD code cards in place and have working US payphone equipment. There is a red telephone box in Westminster Maryland on the corner of West Main Street and Rt. 27 outside of Johanson's Dining House. |
In Massachusetts, there is also a red telephone box in the student centre of the Massachusetts Institute of Technology. In addition, there is a red telephone box outside the town building (town hall/police station/post office) in the tiny mountain town of Rowe, Massachusetts, which is an original installation dating back to when the town of Rowe first got telephone service. Two red telephone boxes are on display at the World Showcase area of Disney's Epcot in Orlando, Florida, one located in the United Kingdom area and one in the Canada area. One is on display at English Gardens a Place for Weddings in Winter Park close to downtown Orlando. An original K6 can also be found outside of the Allied Building in Treasure Island, Florida. There are also a few red boxes at the Ellenton Outlet Mall, just off I-75, near Bradenton, Florida. These still have their original STD code cards in place and have working US payphone equipment. There is a red telephone box in Westminster Maryland on the corner of West Main Street and Rt. 27 outside of Johanson's Dining House. |
In Massachusetts, there is also a red telephone box in the student centre of the Massachusetts Institute of Technology. In addition, there is a red telephone box outside the town building (town hall/police station/post office) in the tiny mountain town of Rowe, Massachusetts, which is an original installation dating back to when the town of Rowe first got telephone service. Two red telephone boxes are on display at the World Showcase area of Disney's Epcot in Orlando, Florida, one located in the United Kingdom area and one in the Canada area. One is on display at English Gardens a Place for Weddings in Winter Park close to downtown Orlando. An original K6 can also be found outside of the Allied Building in Treasure Island, Florida. There are also a few red boxes at the Ellenton Outlet Mall, just off I-75, near Bradenton, Florida. These still have their original STD code cards in place and have working US payphone equipment. There is a red telephone box in Westminster Maryland on the corner of West Main Street and Rt. 27 outside of Johanson's Dining House. |
The red telephone box has appeared in British pop culture. In music it has featured in Adele's video "Hello", the front cover of One Direction's album "Take Me Home", and the back cover of David Bowie's album "The Rise and Fall of Ziggy Stardust and the Spiders from Mars". In film it features in a prominent scene in the 1955 black comedy "The Ladykillers" where a motley gang of crooks led by Professor Marcus (Alec Guinness) cram into one, and a red telephone box near Scotland Yard appears in "Harry Potter and the Order of the Phoenix" (2007) as Harry Potter and Arthur Weasley enter the Ministry of Magic. |
The red telephone box has appeared in British pop culture. In music it has featured in Adele's video "Hello", the front cover of One Direction's album "Take Me Home", and the back cover of David Bowie's album "The Rise and Fall of Ziggy Stardust and the Spiders from Mars". In film it features in a prominent scene in the 1955 black comedy "The Ladykillers" where a motley gang of crooks led by Professor Marcus (Alec Guinness) cram into one, and a red telephone box near Scotland Yard appears in "Harry Potter and the Order of the Phoenix" (2007) as Harry Potter and Arthur Weasley enter the Ministry of Magic. |
Miami Beach is a coastal resort city in Miami-Dade County, Florida, United States. It was incorporated on March 26, 1915. The municipality is located on natural and man-made barrier islands between the Atlantic Ocean and Biscayne Bay, the latter of which separates the Beach from the mainland city of Miami. The neighborhood of South Beach, comprising the southernmost of Miami Beach, along with downtown Miami and the Port of Miami, collectively form the commercial center of South Florida. Miami Beach's estimated population is 88,885 according to the most recent United States census estimates. Miami Beach is the 26th largest city in Florida based on official 2019 estimates from the US Census Bureau. It has been one of America's pre-eminent beach resorts since the early 20th century. |
Miami Beach is a coastal resort city in Miami-Dade County, Florida, United States. It was incorporated on March 26, 1915. The municipality is located on natural and man-made barrier islands between the Atlantic Ocean and Biscayne Bay, the latter of which separates the Beach from the mainland city of Miami. The neighborhood of South Beach, comprising the southernmost of Miami Beach, along with downtown Miami and the Port of Miami, collectively form the commercial center of South Florida. Miami Beach's estimated population is 88,885 according to the most recent United States census estimates. Miami Beach is the 26th largest city in Florida based on official 2019 estimates from the US Census Bureau. It has been one of America's pre-eminent beach resorts since the early 20th century. |
In 1979, Miami Beach's Art Deco Historic District was listed on the National Register of Historic Places. The Art Deco District is the largest collection of Art Deco architecture in the world and comprises hundreds of hotels, apartments and other structures erected between 1923 and 1943. Mediterranean, Streamline Moderne and Art Deco are all represented in the District. The Historic District is bounded by the Atlantic Ocean on the East, Lenox Court on the West, 6th Street on the South and Dade Boulevard along the Collins Canal to the North. The movement to preserve the Art Deco District's architectural heritage was led by former interior designer Barbara Baer Capitman, who now has a street in the District named in her honor. |
In 1979, Miami Beach's Art Deco Historic District was listed on the National Register of Historic Places. The Art Deco District is the largest collection of Art Deco architecture in the world and comprises hundreds of hotels, apartments and other structures erected between 1923 and 1943. Mediterranean, Streamline Moderne and Art Deco are all represented in the District. The Historic District is bounded by the Atlantic Ocean on the East, Lenox Court on the West, 6th Street on the South and Dade Boulevard along the Collins Canal to the North. The movement to preserve the Art Deco District's architectural heritage was led by former interior designer Barbara Baer Capitman, who now has a street in the District named in her honor. |
In 1870, father and son Henry and Charles Lum purchased land on Miami Beach for 75 cents an acre. The first structure to be built on this uninhabited oceanfront was the Biscayne House of Refuge, constructed in 1876 by the United States Life-Saving Service through an executive order issued by President Ulysses S. Grant, at approximately 72nd Street. Its purpose was to provide food, water, and a return to civilization for people who were shipwrecked. The structure, which had fallen into disuse by the time the Life-Saving Service became the U.S. Coast Guard in 1915, was destroyed in the 1926 Miami Hurricane and never rebuilt. |
In 1870, father and son Henry and Charles Lum purchased land on Miami Beach for 75 cents an acre. The first structure to be built on this uninhabited oceanfront was the Biscayne House of Refuge, constructed in 1876 by the United States Life-Saving Service through an executive order issued by President Ulysses S. Grant, at approximately 72nd Street. Its purpose was to provide food, water, and a return to civilization for people who were shipwrecked. The structure, which had fallen into disuse by the time the Life-Saving Service became the U.S. Coast Guard in 1915, was destroyed in the 1926 Miami Hurricane and never rebuilt. |
In 1870, father and son Henry and Charles Lum purchased land on Miami Beach for 75 cents an acre. The first structure to be built on this uninhabited oceanfront was the Biscayne House of Refuge, constructed in 1876 by the United States Life-Saving Service through an executive order issued by President Ulysses S. Grant, at approximately 72nd Street. Its purpose was to provide food, water, and a return to civilization for people who were shipwrecked. The structure, which had fallen into disuse by the time the Life-Saving Service became the U.S. Coast Guard in 1915, was destroyed in the 1926 Miami Hurricane and never rebuilt. |
In 1870, father and son Henry and Charles Lum purchased land on Miami Beach for 75 cents an acre. The first structure to be built on this uninhabited oceanfront was the Biscayne House of Refuge, constructed in 1876 by the United States Life-Saving Service through an executive order issued by President Ulysses S. Grant, at approximately 72nd Street. Its purpose was to provide food, water, and a return to civilization for people who were shipwrecked. The structure, which had fallen into disuse by the time the Life-Saving Service became the U.S. Coast Guard in 1915, was destroyed in the 1926 Miami Hurricane and never rebuilt. |
In 1870, father and son Henry and Charles Lum purchased land on Miami Beach for 75 cents an acre. The first structure to be built on this uninhabited oceanfront was the Biscayne House of Refuge, constructed in 1876 by the United States Life-Saving Service through an executive order issued by President Ulysses S. Grant, at approximately 72nd Street. Its purpose was to provide food, water, and a return to civilization for people who were shipwrecked. The structure, which had fallen into disuse by the time the Life-Saving Service became the U.S. Coast Guard in 1915, was destroyed in the 1926 Miami Hurricane and never rebuilt. |
In 1870, father and son Henry and Charles Lum purchased land on Miami Beach for 75 cents an acre. The first structure to be built on this uninhabited oceanfront was the Biscayne House of Refuge, constructed in 1876 by the United States Life-Saving Service through an executive order issued by President Ulysses S. Grant, at approximately 72nd Street. Its purpose was to provide food, water, and a return to civilization for people who were shipwrecked. The structure, which had fallen into disuse by the time the Life-Saving Service became the U.S. Coast Guard in 1915, was destroyed in the 1926 Miami Hurricane and never rebuilt. |
The next step in the development of the future Miami Beach was the planting of a coconut plantation along the shore in the 1880s by New Jersey entrepreneurs Ezra Osborn and Elnathan T. Field, but this was a failed venture. One of the investors in the project was agriculturist John S. Collins, who achieved success by buying out other partners and planting different crops, notably avocados, on the land that would later become Miami Beach. Meanwhile, across Biscayne Bay, the City of Miami was established in 1896 with the arrival of the railroad and developed further as a port when the shipping channel of Government Cut was created in 1905, cutting off Fisher Island from the south end of the Miami Beach peninsula. |
The next step in the development of the future Miami Beach was the planting of a coconut plantation along the shore in the 1880s by New Jersey entrepreneurs Ezra Osborn and Elnathan T. Field, but this was a failed venture. One of the investors in the project was agriculturist John S. Collins, who achieved success by buying out other partners and planting different crops, notably avocados, on the land that would later become Miami Beach. Meanwhile, across Biscayne Bay, the City of Miami was established in 1896 with the arrival of the railroad and developed further as a port when the shipping channel of Government Cut was created in 1905, cutting off Fisher Island from the south end of the Miami Beach peninsula. |
The next step in the development of the future Miami Beach was the planting of a coconut plantation along the shore in the 1880s by New Jersey entrepreneurs Ezra Osborn and Elnathan T. Field, but this was a failed venture. One of the investors in the project was agriculturist John S. Collins, who achieved success by buying out other partners and planting different crops, notably avocados, on the land that would later become Miami Beach. Meanwhile, across Biscayne Bay, the City of Miami was established in 1896 with the arrival of the railroad and developed further as a port when the shipping channel of Government Cut was created in 1905, cutting off Fisher Island from the south end of the Miami Beach peninsula. |
The next step in the development of the future Miami Beach was the planting of a coconut plantation along the shore in the 1880s by New Jersey entrepreneurs Ezra Osborn and Elnathan T. Field, but this was a failed venture. One of the investors in the project was agriculturist John S. Collins, who achieved success by buying out other partners and planting different crops, notably avocados, on the land that would later become Miami Beach. Meanwhile, across Biscayne Bay, the City of Miami was established in 1896 with the arrival of the railroad and developed further as a port when the shipping channel of Government Cut was created in 1905, cutting off Fisher Island from the south end of the Miami Beach peninsula. |
The next step in the development of the future Miami Beach was the planting of a coconut plantation along the shore in the 1880s by New Jersey entrepreneurs Ezra Osborn and Elnathan T. Field, but this was a failed venture. One of the investors in the project was agriculturist John S. Collins, who achieved success by buying out other partners and planting different crops, notably avocados, on the land that would later become Miami Beach. Meanwhile, across Biscayne Bay, the City of Miami was established in 1896 with the arrival of the railroad and developed further as a port when the shipping channel of Government Cut was created in 1905, cutting off Fisher Island from the south end of the Miami Beach peninsula. |
The next step in the development of the future Miami Beach was the planting of a coconut plantation along the shore in the 1880s by New Jersey entrepreneurs Ezra Osborn and Elnathan T. Field, but this was a failed venture. One of the investors in the project was agriculturist John S. Collins, who achieved success by buying out other partners and planting different crops, notably avocados, on the land that would later become Miami Beach. Meanwhile, across Biscayne Bay, the City of Miami was established in 1896 with the arrival of the railroad and developed further as a port when the shipping channel of Government Cut was created in 1905, cutting off Fisher Island from the south end of the Miami Beach peninsula. |
Collins' family members saw the potential in developing the beach as a resort. This effort got underway in the early years of the 20th century by the Collins/Pancoast family, the Lummus brothers (bankers from Miami), and Indianapolis entrepreneur Carl G. Fisher. Until then, the beach here was only the destination for day-trips by ferry from Miami, across the bay. By 1912, Collins and Pancoast were working together to clear the land, plant crops, supervise the construction of canals to get their avocado crop to market, and set up the Miami Beach Improvement Company. There were bathhouses and food stands, but no hotel until Brown's Hotel was built in 1915 (still standing, at 112 Ocean Drive). Much of the interior landmass at that time was a tangled jungle of mangroves. Clearing it, deepening the channels and water bodies, and eliminating native growth almost everywhere in favor of landfill for development, was expensive. Once a 1600-acre, jungle-matted sand bar three miles out in the Atlantic, it grew to 2,800 acres when dredging and filling operations were completed. |
Collins' family members saw the potential in developing the beach as a resort. This effort got underway in the early years of the 20th century by the Collins/Pancoast family, the Lummus brothers (bankers from Miami), and Indianapolis entrepreneur Carl G. Fisher. Until then, the beach here was only the destination for day-trips by ferry from Miami, across the bay. By 1912, Collins and Pancoast were working together to clear the land, plant crops, supervise the construction of canals to get their avocado crop to market, and set up the Miami Beach Improvement Company. There were bathhouses and food stands, but no hotel until Brown's Hotel was built in 1915 (still standing, at 112 Ocean Drive). Much of the interior landmass at that time was a tangled jungle of mangroves. Clearing it, deepening the channels and water bodies, and eliminating native growth almost everywhere in favor of landfill for development, was expensive. Once a 1600-acre, jungle-matted sand bar three miles out in the Atlantic, it grew to 2,800 acres when dredging and filling operations were completed. |
Collins' family members saw the potential in developing the beach as a resort. This effort got underway in the early years of the 20th century by the Collins/Pancoast family, the Lummus brothers (bankers from Miami), and Indianapolis entrepreneur Carl G. Fisher. Until then, the beach here was only the destination for day-trips by ferry from Miami, across the bay. By 1912, Collins and Pancoast were working together to clear the land, plant crops, supervise the construction of canals to get their avocado crop to market, and set up the Miami Beach Improvement Company. There were bathhouses and food stands, but no hotel until Brown's Hotel was built in 1915 (still standing, at 112 Ocean Drive). Much of the interior landmass at that time was a tangled jungle of mangroves. Clearing it, deepening the channels and water bodies, and eliminating native growth almost everywhere in favor of landfill for development, was expensive. Once a 1600-acre, jungle-matted sand bar three miles out in the Atlantic, it grew to 2,800 acres when dredging and filling operations were completed. |
Collins' family members saw the potential in developing the beach as a resort. This effort got underway in the early years of the 20th century by the Collins/Pancoast family, the Lummus brothers (bankers from Miami), and Indianapolis entrepreneur Carl G. Fisher. Until then, the beach here was only the destination for day-trips by ferry from Miami, across the bay. By 1912, Collins and Pancoast were working together to clear the land, plant crops, supervise the construction of canals to get their avocado crop to market, and set up the Miami Beach Improvement Company. There were bathhouses and food stands, but no hotel until Brown's Hotel was built in 1915 (still standing, at 112 Ocean Drive). Much of the interior landmass at that time was a tangled jungle of mangroves. Clearing it, deepening the channels and water bodies, and eliminating native growth almost everywhere in favor of landfill for development, was expensive. Once a 1600-acre, jungle-matted sand bar three miles out in the Atlantic, it grew to 2,800 acres when dredging and filling operations were completed. |
Collins' family members saw the potential in developing the beach as a resort. This effort got underway in the early years of the 20th century by the Collins/Pancoast family, the Lummus brothers (bankers from Miami), and Indianapolis entrepreneur Carl G. Fisher. Until then, the beach here was only the destination for day-trips by ferry from Miami, across the bay. By 1912, Collins and Pancoast were working together to clear the land, plant crops, supervise the construction of canals to get their avocado crop to market, and set up the Miami Beach Improvement Company. There were bathhouses and food stands, but no hotel until Brown's Hotel was built in 1915 (still standing, at 112 Ocean Drive). Much of the interior landmass at that time was a tangled jungle of mangroves. Clearing it, deepening the channels and water bodies, and eliminating native growth almost everywhere in favor of landfill for development, was expensive. Once a 1600-acre, jungle-matted sand bar three miles out in the Atlantic, it grew to 2,800 acres when dredging and filling operations were completed. |
Collins' family members saw the potential in developing the beach as a resort. This effort got underway in the early years of the 20th century by the Collins/Pancoast family, the Lummus brothers (bankers from Miami), and Indianapolis entrepreneur Carl G. Fisher. Until then, the beach here was only the destination for day-trips by ferry from Miami, across the bay. By 1912, Collins and Pancoast were working together to clear the land, plant crops, supervise the construction of canals to get their avocado crop to market, and set up the Miami Beach Improvement Company. There were bathhouses and food stands, but no hotel until Brown's Hotel was built in 1915 (still standing, at 112 Ocean Drive). Much of the interior landmass at that time was a tangled jungle of mangroves. Clearing it, deepening the channels and water bodies, and eliminating native growth almost everywhere in favor of landfill for development, was expensive. Once a 1600-acre, jungle-matted sand bar three miles out in the Atlantic, it grew to 2,800 acres when dredging and filling operations were completed. |
With loans from the Lummus brothers, Collins had begun work on a 2½-mile-long wooden bridge, the world's longest wooden bridge at the time, to connect the island to the mainland. When funds ran dry and construction work stalled, Indianapolis millionaire and recent Miami transplant Fisher intervened, providing the financing needed to complete the Collins Bridge the following year in return for a land swap deal. That transaction kicked off the island's first real estate boom. The Collins Bridge cost over $150,000 and opened on June 12, 1913. Fisher helped by organizing an annual speed boat regatta, and by promoting Miami Beach as an Atlantic City-style playground and winter retreat for the wealthy. By 1915, Lummus, Collins, Pancoast, and Fisher were all living in mansions on the island, three hotels and two bathhouses had been erected, an aquarium built, and an 18-hole golf course landscaped. |
With loans from the Lummus brothers, Collins had begun work on a 2½-mile-long wooden bridge, the world's longest wooden bridge at the time, to connect the island to the mainland. When funds ran dry and construction work stalled, Indianapolis millionaire and recent Miami transplant Fisher intervened, providing the financing needed to complete the Collins Bridge the following year in return for a land swap deal. That transaction kicked off the island's first real estate boom. The Collins Bridge cost over $150,000 and opened on June 12, 1913. Fisher helped by organizing an annual speed boat regatta, and by promoting Miami Beach as an Atlantic City-style playground and winter retreat for the wealthy. By 1915, Lummus, Collins, Pancoast, and Fisher were all living in mansions on the island, three hotels and two bathhouses had been erected, an aquarium built, and an 18-hole golf course landscaped. |
With loans from the Lummus brothers, Collins had begun work on a 2½-mile-long wooden bridge, the world's longest wooden bridge at the time, to connect the island to the mainland. When funds ran dry and construction work stalled, Indianapolis millionaire and recent Miami transplant Fisher intervened, providing the financing needed to complete the Collins Bridge the following year in return for a land swap deal. That transaction kicked off the island's first real estate boom. The Collins Bridge cost over $150,000 and opened on June 12, 1913. Fisher helped by organizing an annual speed boat regatta, and by promoting Miami Beach as an Atlantic City-style playground and winter retreat for the wealthy. By 1915, Lummus, Collins, Pancoast, and Fisher were all living in mansions on the island, three hotels and two bathhouses had been erected, an aquarium built, and an 18-hole golf course landscaped. |
With loans from the Lummus brothers, Collins had begun work on a 2½-mile-long wooden bridge, the world's longest wooden bridge at the time, to connect the island to the mainland. When funds ran dry and construction work stalled, Indianapolis millionaire and recent Miami transplant Fisher intervened, providing the financing needed to complete the Collins Bridge the following year in return for a land swap deal. That transaction kicked off the island's first real estate boom. The Collins Bridge cost over $150,000 and opened on June 12, 1913. Fisher helped by organizing an annual speed boat regatta, and by promoting Miami Beach as an Atlantic City-style playground and winter retreat for the wealthy. By 1915, Lummus, Collins, Pancoast, and Fisher were all living in mansions on the island, three hotels and two bathhouses had been erected, an aquarium built, and an 18-hole golf course landscaped. |
With loans from the Lummus brothers, Collins had begun work on a 2½-mile-long wooden bridge, the world's longest wooden bridge at the time, to connect the island to the mainland. When funds ran dry and construction work stalled, Indianapolis millionaire and recent Miami transplant Fisher intervened, providing the financing needed to complete the Collins Bridge the following year in return for a land swap deal. That transaction kicked off the island's first real estate boom. The Collins Bridge cost over $150,000 and opened on June 12, 1913. Fisher helped by organizing an annual speed boat regatta, and by promoting Miami Beach as an Atlantic City-style playground and winter retreat for the wealthy. By 1915, Lummus, Collins, Pancoast, and Fisher were all living in mansions on the island, three hotels and two bathhouses had been erected, an aquarium built, and an 18-hole golf course landscaped. |
With loans from the Lummus brothers, Collins had begun work on a 2½-mile-long wooden bridge, the world's longest wooden bridge at the time, to connect the island to the mainland. When funds ran dry and construction work stalled, Indianapolis millionaire and recent Miami transplant Fisher intervened, providing the financing needed to complete the Collins Bridge the following year in return for a land swap deal. That transaction kicked off the island's first real estate boom. The Collins Bridge cost over $150,000 and opened on June 12, 1913. Fisher helped by organizing an annual speed boat regatta, and by promoting Miami Beach as an Atlantic City-style playground and winter retreat for the wealthy. By 1915, Lummus, Collins, Pancoast, and Fisher were all living in mansions on the island, three hotels and two bathhouses had been erected, an aquarium built, and an 18-hole golf course landscaped. |
The Town of Miami Beach was chartered on March 26, 1915; it grew to become a City in 1917. Even after the town was incorporated in 1915 under the name of Miami Beach, many visitors thought of the beach strip as Alton Beach, indicating just how well Fisher had advertised his interests there. The Lummus property was called Ocean Beach, with only the Collins interests previously referred to as Miami Beach. In 1925, the Collins Bridge was replaced by the Venetian Causeway, described as "a series of drawbridges and renamed the Venetian Causeway". |
The Town of Miami Beach was chartered on March 26, 1915; it grew to become a City in 1917. Even after the town was incorporated in 1915 under the name of Miami Beach, many visitors thought of the beach strip as Alton Beach, indicating just how well Fisher had advertised his interests there. The Lummus property was called Ocean Beach, with only the Collins interests previously referred to as Miami Beach. In 1925, the Collins Bridge was replaced by the Venetian Causeway, described as "a series of drawbridges and renamed the Venetian Causeway". |
The Town of Miami Beach was chartered on March 26, 1915; it grew to become a City in 1917. Even after the town was incorporated in 1915 under the name of Miami Beach, many visitors thought of the beach strip as Alton Beach, indicating just how well Fisher had advertised his interests there. The Lummus property was called Ocean Beach, with only the Collins interests previously referred to as Miami Beach. In 1925, the Collins Bridge was replaced by the Venetian Causeway, described as "a series of drawbridges and renamed the Venetian Causeway". |
The Town of Miami Beach was chartered on March 26, 1915; it grew to become a City in 1917. Even after the town was incorporated in 1915 under the name of Miami Beach, many visitors thought of the beach strip as Alton Beach, indicating just how well Fisher had advertised his interests there. The Lummus property was called Ocean Beach, with only the Collins interests previously referred to as Miami Beach. In 1925, the Collins Bridge was replaced by the Venetian Causeway, described as "a series of drawbridges and renamed the Venetian Causeway". |
The Town of Miami Beach was chartered on March 26, 1915; it grew to become a City in 1917. Even after the town was incorporated in 1915 under the name of Miami Beach, many visitors thought of the beach strip as Alton Beach, indicating just how well Fisher had advertised his interests there. The Lummus property was called Ocean Beach, with only the Collins interests previously referred to as Miami Beach. In 1925, the Collins Bridge was replaced by the Venetian Causeway, described as "a series of drawbridges and renamed the Venetian Causeway". |
The Town of Miami Beach was chartered on March 26, 1915; it grew to become a City in 1917. Even after the town was incorporated in 1915 under the name of Miami Beach, many visitors thought of the beach strip as Alton Beach, indicating just how well Fisher had advertised his interests there. The Lummus property was called Ocean Beach, with only the Collins interests previously referred to as Miami Beach. In 1925, the Collins Bridge was replaced by the Venetian Causeway, described as "a series of drawbridges and renamed the Venetian Causeway". |
Carl Fisher was the main promoter of Miami Beach's development in the 1920s as the site for wealthy industrialists from the north and Midwest to and build their winter homes here. Many other Northerners were targeted to vacation on the island. To accommodate the wealthy tourists, several grand hotels were built, among them: The Flamingo Hotel, The Fleetwood Hotel, The Floridian, The Nautilus, and the Roney Plaza Hotel. In the 1920s, Fisher and others created much of Miami Beach as landfill by dredging Biscayne Bay; this man-made territory includes Star, Palm, and Hibiscus Islands, the Sunset Islands, much of Normandy Isle, and all of the Venetian Islands except Belle Isle. The Miami Beach peninsula became an island in April 1925 when Haulover Cut was opened, connecting the ocean to the bay, north of present-day Bal Harbour. The great 1926 Miami hurricane put an end to this prosperous era of the Florida Boom, but in the 1930s Miami Beach still attracted tourists, and investors constructed the mostly small-scale, stucco hotels and rooming houses, for seasonal rental, that comprise much of the present "Art Deco" historic district. |
Carl Fisher was the main promoter of Miami Beach's development in the 1920s as the site for wealthy industrialists from the north and Midwest to and build their winter homes here. Many other Northerners were targeted to vacation on the island. To accommodate the wealthy tourists, several grand hotels were built, among them: The Flamingo Hotel, The Fleetwood Hotel, The Floridian, The Nautilus, and the Roney Plaza Hotel. In the 1920s, Fisher and others created much of Miami Beach as landfill by dredging Biscayne Bay; this man-made territory includes Star, Palm, and Hibiscus Islands, the Sunset Islands, much of Normandy Isle, and all of the Venetian Islands except Belle Isle. The Miami Beach peninsula became an island in April 1925 when Haulover Cut was opened, connecting the ocean to the bay, north of present-day Bal Harbour. The great 1926 Miami hurricane put an end to this prosperous era of the Florida Boom, but in the 1930s Miami Beach still attracted tourists, and investors constructed the mostly small-scale, stucco hotels and rooming houses, for seasonal rental, that comprise much of the present "Art Deco" historic district. |
Carl Fisher was the main promoter of Miami Beach's development in the 1920s as the site for wealthy industrialists from the north and Midwest to and build their winter homes here. Many other Northerners were targeted to vacation on the island. To accommodate the wealthy tourists, several grand hotels were built, among them: The Flamingo Hotel, The Fleetwood Hotel, The Floridian, The Nautilus, and the Roney Plaza Hotel. In the 1920s, Fisher and others created much of Miami Beach as landfill by dredging Biscayne Bay; this man-made territory includes Star, Palm, and Hibiscus Islands, the Sunset Islands, much of Normandy Isle, and all of the Venetian Islands except Belle Isle. The Miami Beach peninsula became an island in April 1925 when Haulover Cut was opened, connecting the ocean to the bay, north of present-day Bal Harbour. The great 1926 Miami hurricane put an end to this prosperous era of the Florida Boom, but in the 1930s Miami Beach still attracted tourists, and investors constructed the mostly small-scale, stucco hotels and rooming houses, for seasonal rental, that comprise much of the present "Art Deco" historic district. |
Carl Fisher was the main promoter of Miami Beach's development in the 1920s as the site for wealthy industrialists from the north and Midwest to and build their winter homes here. Many other Northerners were targeted to vacation on the island. To accommodate the wealthy tourists, several grand hotels were built, among them: The Flamingo Hotel, The Fleetwood Hotel, The Floridian, The Nautilus, and the Roney Plaza Hotel. In the 1920s, Fisher and others created much of Miami Beach as landfill by dredging Biscayne Bay; this man-made territory includes Star, Palm, and Hibiscus Islands, the Sunset Islands, much of Normandy Isle, and all of the Venetian Islands except Belle Isle. The Miami Beach peninsula became an island in April 1925 when Haulover Cut was opened, connecting the ocean to the bay, north of present-day Bal Harbour. The great 1926 Miami hurricane put an end to this prosperous era of the Florida Boom, but in the 1930s Miami Beach still attracted tourists, and investors constructed the mostly small-scale, stucco hotels and rooming houses, for seasonal rental, that comprise much of the present "Art Deco" historic district. |
Carl Fisher was the main promoter of Miami Beach's development in the 1920s as the site for wealthy industrialists from the north and Midwest to and build their winter homes here. Many other Northerners were targeted to vacation on the island. To accommodate the wealthy tourists, several grand hotels were built, among them: The Flamingo Hotel, The Fleetwood Hotel, The Floridian, The Nautilus, and the Roney Plaza Hotel. In the 1920s, Fisher and others created much of Miami Beach as landfill by dredging Biscayne Bay; this man-made territory includes Star, Palm, and Hibiscus Islands, the Sunset Islands, much of Normandy Isle, and all of the Venetian Islands except Belle Isle. The Miami Beach peninsula became an island in April 1925 when Haulover Cut was opened, connecting the ocean to the bay, north of present-day Bal Harbour. The great 1926 Miami hurricane put an end to this prosperous era of the Florida Boom, but in the 1930s Miami Beach still attracted tourists, and investors constructed the mostly small-scale, stucco hotels and rooming houses, for seasonal rental, that comprise much of the present "Art Deco" historic district. |
Carl Fisher was the main promoter of Miami Beach's development in the 1920s as the site for wealthy industrialists from the north and Midwest to and build their winter homes here. Many other Northerners were targeted to vacation on the island. To accommodate the wealthy tourists, several grand hotels were built, among them: The Flamingo Hotel, The Fleetwood Hotel, The Floridian, The Nautilus, and the Roney Plaza Hotel. In the 1920s, Fisher and others created much of Miami Beach as landfill by dredging Biscayne Bay; this man-made territory includes Star, Palm, and Hibiscus Islands, the Sunset Islands, much of Normandy Isle, and all of the Venetian Islands except Belle Isle. The Miami Beach peninsula became an island in April 1925 when Haulover Cut was opened, connecting the ocean to the bay, north of present-day Bal Harbour. The great 1926 Miami hurricane put an end to this prosperous era of the Florida Boom, but in the 1930s Miami Beach still attracted tourists, and investors constructed the mostly small-scale, stucco hotels and rooming houses, for seasonal rental, that comprise much of the present "Art Deco" historic district. |
Carl Fisher brought Steve Hannagan to Miami Beach in 1925 as his chief publicist. Hannagan set-up the Miami Beach News Bureau and notified news editors that they could "Print anything you want about Miami Beach; just make sure you get our name right." The News Bureau sent thousands of pictures of bathing beauties and press releases to columnists like Walter Winchell and Ed Sullivan. One of Hannagan's favorite venues was a billboard in Times Square, New York City, where he ran two taglines: "'It's always June in Miami Beach' and 'Miami Beach, Where Summer Spends the Winter.'" |
Carl Fisher brought Steve Hannagan to Miami Beach in 1925 as his chief publicist. Hannagan set-up the Miami Beach News Bureau and notified news editors that they could "Print anything you want about Miami Beach; just make sure you get our name right." The News Bureau sent thousands of pictures of bathing beauties and press releases to columnists like Walter Winchell and Ed Sullivan. One of Hannagan's favorite venues was a billboard in Times Square, New York City, where he ran two taglines: "'It's always June in Miami Beach' and 'Miami Beach, Where Summer Spends the Winter.'" |
Carl Fisher brought Steve Hannagan to Miami Beach in 1925 as his chief publicist. Hannagan set-up the Miami Beach News Bureau and notified news editors that they could "Print anything you want about Miami Beach; just make sure you get our name right." The News Bureau sent thousands of pictures of bathing beauties and press releases to columnists like Walter Winchell and Ed Sullivan. One of Hannagan's favorite venues was a billboard in Times Square, New York City, where he ran two taglines: "'It's always June in Miami Beach' and 'Miami Beach, Where Summer Spends the Winter.'" |
Carl Fisher brought Steve Hannagan to Miami Beach in 1925 as his chief publicist. Hannagan set-up the Miami Beach News Bureau and notified news editors that they could "Print anything you want about Miami Beach; just make sure you get our name right." The News Bureau sent thousands of pictures of bathing beauties and press releases to columnists like Walter Winchell and Ed Sullivan. One of Hannagan's favorite venues was a billboard in Times Square, New York City, where he ran two taglines: "'It's always June in Miami Beach' and 'Miami Beach, Where Summer Spends the Winter.'" |
Carl Fisher brought Steve Hannagan to Miami Beach in 1925 as his chief publicist. Hannagan set-up the Miami Beach News Bureau and notified news editors that they could "Print anything you want about Miami Beach; just make sure you get our name right." The News Bureau sent thousands of pictures of bathing beauties and press releases to columnists like Walter Winchell and Ed Sullivan. One of Hannagan's favorite venues was a billboard in Times Square, New York City, where he ran two taglines: "'It's always June in Miami Beach' and 'Miami Beach, Where Summer Spends the Winter.'" |
Carl Fisher brought Steve Hannagan to Miami Beach in 1925 as his chief publicist. Hannagan set-up the Miami Beach News Bureau and notified news editors that they could "Print anything you want about Miami Beach; just make sure you get our name right." The News Bureau sent thousands of pictures of bathing beauties and press releases to columnists like Walter Winchell and Ed Sullivan. One of Hannagan's favorite venues was a billboard in Times Square, New York City, where he ran two taglines: "'It's always June in Miami Beach' and 'Miami Beach, Where Summer Spends the Winter.'" |
Post–World War II economic expansion brought a wave of immigrants to South Florida from the Northern United States, which significantly increased the population in Miami Beach within a few decades. After Fidel Castro's rise to power in 1959, a wave of Cuban refugees entered South Florida and dramatically changed the demographic make-up of the area. In 2017, one study named zip code 33109 (Fisher Island, a 216-acre island located just south of Miami Beach), as having the 4th most expensive home sales and the highest average annual income ($2.5 million) in 2015. |
Post–World War II economic expansion brought a wave of immigrants to South Florida from the Northern United States, which significantly increased the population in Miami Beach within a few decades. After Fidel Castro's rise to power in 1959, a wave of Cuban refugees entered South Florida and dramatically changed the demographic make-up of the area. In 2017, one study named zip code 33109 (Fisher Island, a 216-acre island located just south of Miami Beach), as having the 4th most expensive home sales and the highest average annual income ($2.5 million) in 2015. |
Post–World War II economic expansion brought a wave of immigrants to South Florida from the Northern United States, which significantly increased the population in Miami Beach within a few decades. After Fidel Castro's rise to power in 1959, a wave of Cuban refugees entered South Florida and dramatically changed the demographic make-up of the area. In 2017, one study named zip code 33109 (Fisher Island, a 216-acre island located just south of Miami Beach), as having the 4th most expensive home sales and the highest average annual income ($2.5 million) in 2015. |
Post–World War II economic expansion brought a wave of immigrants to South Florida from the Northern United States, which significantly increased the population in Miami Beach within a few decades. After Fidel Castro's rise to power in 1959, a wave of Cuban refugees entered South Florida and dramatically changed the demographic make-up of the area. In 2017, one study named zip code 33109 (Fisher Island, a 216-acre island located just south of Miami Beach), as having the 4th most expensive home sales and the highest average annual income ($2.5 million) in 2015. |
Post–World War II economic expansion brought a wave of immigrants to South Florida from the Northern United States, which significantly increased the population in Miami Beach within a few decades. After Fidel Castro's rise to power in 1959, a wave of Cuban refugees entered South Florida and dramatically changed the demographic make-up of the area. In 2017, one study named zip code 33109 (Fisher Island, a 216-acre island located just south of Miami Beach), as having the 4th most expensive home sales and the highest average annual income ($2.5 million) in 2015. |
Post–World War II economic expansion brought a wave of immigrants to South Florida from the Northern United States, which significantly increased the population in Miami Beach within a few decades. After Fidel Castro's rise to power in 1959, a wave of Cuban refugees entered South Florida and dramatically changed the demographic make-up of the area. In 2017, one study named zip code 33109 (Fisher Island, a 216-acre island located just south of Miami Beach), as having the 4th most expensive home sales and the highest average annual income ($2.5 million) in 2015. |
South Beach (also known as SoBe, or simply the Beach), the area from Biscayne Street (also known as South Pointe Drive) one block south of 1st Street to about 23rd Street, is one of the more popular areas of Miami Beach. Although topless sunbathing by women has not been officially legalized, female toplessness is tolerated on South Beach and in a few hotel pools on Miami Beach. Before the TV show "Miami Vice" helped make the area popular, SoBe was under urban blight, with vacant buildings and a high crime rate. Today, it is considered one of the richest commercial areas on the beach, yet poverty and crime still remain in some places near the area. |
South Beach (also known as SoBe, or simply the Beach), the area from Biscayne Street (also known as South Pointe Drive) one block south of 1st Street to about 23rd Street, is one of the more popular areas of Miami Beach. Although topless sunbathing by women has not been officially legalized, female toplessness is tolerated on South Beach and in a few hotel pools on Miami Beach. Before the TV show "Miami Vice" helped make the area popular, SoBe was under urban blight, with vacant buildings and a high crime rate. Today, it is considered one of the richest commercial areas on the beach, yet poverty and crime still remain in some places near the area. |
In 1976, Barbara Baer Capitman and a group of fellow activists formed the Miami Design Preservation League (MDPL) to try to halt the destruction of the historic buildings in South Beach. After battling local developers and Washington DC bureaucrats, MDPL prevailed in its quest to have the Miami Beach Art Deco District named to the National Register of Historic Places in 1979. While the recognition did not offer protection for the buildings from demolition, it succeeded in drawing attention to the plight of the buildings. |
In 1976, Barbara Baer Capitman and a group of fellow activists formed the Miami Design Preservation League (MDPL) to try to halt the destruction of the historic buildings in South Beach. After battling local developers and Washington DC bureaucrats, MDPL prevailed in its quest to have the Miami Beach Art Deco District named to the National Register of Historic Places in 1979. While the recognition did not offer protection for the buildings from demolition, it succeeded in drawing attention to the plight of the buildings. |
In 1976, Barbara Baer Capitman and a group of fellow activists formed the Miami Design Preservation League (MDPL) to try to halt the destruction of the historic buildings in South Beach. After battling local developers and Washington DC bureaucrats, MDPL prevailed in its quest to have the Miami Beach Art Deco District named to the National Register of Historic Places in 1979. While the recognition did not offer protection for the buildings from demolition, it succeeded in drawing attention to the plight of the buildings. |
In 1976, Barbara Baer Capitman and a group of fellow activists formed the Miami Design Preservation League (MDPL) to try to halt the destruction of the historic buildings in South Beach. After battling local developers and Washington DC bureaucrats, MDPL prevailed in its quest to have the Miami Beach Art Deco District named to the National Register of Historic Places in 1979. While the recognition did not offer protection for the buildings from demolition, it succeeded in drawing attention to the plight of the buildings. |
In 1976, Barbara Baer Capitman and a group of fellow activists formed the Miami Design Preservation League (MDPL) to try to halt the destruction of the historic buildings in South Beach. After battling local developers and Washington DC bureaucrats, MDPL prevailed in its quest to have the Miami Beach Art Deco District named to the National Register of Historic Places in 1979. While the recognition did not offer protection for the buildings from demolition, it succeeded in drawing attention to the plight of the buildings. |
In 1976, Barbara Baer Capitman and a group of fellow activists formed the Miami Design Preservation League (MDPL) to try to halt the destruction of the historic buildings in South Beach. After battling local developers and Washington DC bureaucrats, MDPL prevailed in its quest to have the Miami Beach Art Deco District named to the National Register of Historic Places in 1979. While the recognition did not offer protection for the buildings from demolition, it succeeded in drawing attention to the plight of the buildings. |
Jackie Gleason hosted his "Jackie Gleason and His American Scene Magazine" (September 29, 1962 – June 4, 1966) television show, after moving it from New York to Miami Beach in 1964, reportedly because he liked year-round access to the golf course at the nearby Inverrary Country Club in Lauderhill (where he built his final home). His closing line became, almost invariably, "As always, the Miami Beach audience is the greatest audience in the world!" In the Fall 1966 television season, he abandoned the American Scene Magazine format and converted the show into a standard variety hour with guest performers. The show was renamed "The Jackie Gleason Show", lasting from September 17, 1966 – September 12, 1970. He started the 1966–1967 season with new, color episodes of "The Honeymooners", with Sheila MacRae and Jane Kean as Alice Kramden and Trixie Norton, respectively. The regular cast included Art Carney as Ed Norton; Milton Berle was a frequent guest star. The show was shot in color on videotape at the Miami Beach Auditorium (later renamed the Jackie Gleason Theatre of the Performing Arts), now known as Fillmore Miami Beach, and Gleason never tired of promoting the "sun and fun capital of the world" on camera. CBS canceled the series in 1970. |
Jackie Gleason hosted his "Jackie Gleason and His American Scene Magazine" (September 29, 1962 – June 4, 1966) television show, after moving it from New York to Miami Beach in 1964, reportedly because he liked year-round access to the golf course at the nearby Inverrary Country Club in Lauderhill (where he built his final home). His closing line became, almost invariably, "As always, the Miami Beach audience is the greatest audience in the world!" In the Fall 1966 television season, he abandoned the American Scene Magazine format and converted the show into a standard variety hour with guest performers. The show was renamed "The Jackie Gleason Show", lasting from September 17, 1966 – September 12, 1970. He started the 1966–1967 season with new, color episodes of "The Honeymooners", with Sheila MacRae and Jane Kean as Alice Kramden and Trixie Norton, respectively. The regular cast included Art Carney as Ed Norton; Milton Berle was a frequent guest star. The show was shot in color on videotape at the Miami Beach Auditorium (later renamed the Jackie Gleason Theatre of the Performing Arts), now known as Fillmore Miami Beach, and Gleason never tired of promoting the "sun and fun capital of the world" on camera. CBS canceled the series in 1970. |
Jackie Gleason hosted his "Jackie Gleason and His American Scene Magazine" (September 29, 1962 – June 4, 1966) television show, after moving it from New York to Miami Beach in 1964, reportedly because he liked year-round access to the golf course at the nearby Inverrary Country Club in Lauderhill (where he built his final home). His closing line became, almost invariably, "As always, the Miami Beach audience is the greatest audience in the world!" In the Fall 1966 television season, he abandoned the American Scene Magazine format and converted the show into a standard variety hour with guest performers. The show was renamed "The Jackie Gleason Show", lasting from September 17, 1966 – September 12, 1970. He started the 1966–1967 season with new, color episodes of "The Honeymooners", with Sheila MacRae and Jane Kean as Alice Kramden and Trixie Norton, respectively. The regular cast included Art Carney as Ed Norton; Milton Berle was a frequent guest star. The show was shot in color on videotape at the Miami Beach Auditorium (later renamed the Jackie Gleason Theatre of the Performing Arts), now known as Fillmore Miami Beach, and Gleason never tired of promoting the "sun and fun capital of the world" on camera. CBS canceled the series in 1970. |
Jackie Gleason hosted his "Jackie Gleason and His American Scene Magazine" (September 29, 1962 – June 4, 1966) television show, after moving it from New York to Miami Beach in 1964, reportedly because he liked year-round access to the golf course at the nearby Inverrary Country Club in Lauderhill (where he built his final home). His closing line became, almost invariably, "As always, the Miami Beach audience is the greatest audience in the world!" In the Fall 1966 television season, he abandoned the American Scene Magazine format and converted the show into a standard variety hour with guest performers. The show was renamed "The Jackie Gleason Show", lasting from September 17, 1966 – September 12, 1970. He started the 1966–1967 season with new, color episodes of "The Honeymooners", with Sheila MacRae and Jane Kean as Alice Kramden and Trixie Norton, respectively. The regular cast included Art Carney as Ed Norton; Milton Berle was a frequent guest star. The show was shot in color on videotape at the Miami Beach Auditorium (later renamed the Jackie Gleason Theatre of the Performing Arts), now known as Fillmore Miami Beach, and Gleason never tired of promoting the "sun and fun capital of the world" on camera. CBS canceled the series in 1970. |
Jackie Gleason hosted his "Jackie Gleason and His American Scene Magazine" (September 29, 1962 – June 4, 1966) television show, after moving it from New York to Miami Beach in 1964, reportedly because he liked year-round access to the golf course at the nearby Inverrary Country Club in Lauderhill (where he built his final home). His closing line became, almost invariably, "As always, the Miami Beach audience is the greatest audience in the world!" In the Fall 1966 television season, he abandoned the American Scene Magazine format and converted the show into a standard variety hour with guest performers. The show was renamed "The Jackie Gleason Show", lasting from September 17, 1966 – September 12, 1970. He started the 1966–1967 season with new, color episodes of "The Honeymooners", with Sheila MacRae and Jane Kean as Alice Kramden and Trixie Norton, respectively. The regular cast included Art Carney as Ed Norton; Milton Berle was a frequent guest star. The show was shot in color on videotape at the Miami Beach Auditorium (later renamed the Jackie Gleason Theatre of the Performing Arts), now known as Fillmore Miami Beach, and Gleason never tired of promoting the "sun and fun capital of the world" on camera. CBS canceled the series in 1970. |
Jackie Gleason hosted his "Jackie Gleason and His American Scene Magazine" (September 29, 1962 – June 4, 1966) television show, after moving it from New York to Miami Beach in 1964, reportedly because he liked year-round access to the golf course at the nearby Inverrary Country Club in Lauderhill (where he built his final home). His closing line became, almost invariably, "As always, the Miami Beach audience is the greatest audience in the world!" In the Fall 1966 television season, he abandoned the American Scene Magazine format and converted the show into a standard variety hour with guest performers. The show was renamed "The Jackie Gleason Show", lasting from September 17, 1966 – September 12, 1970. He started the 1966–1967 season with new, color episodes of "The Honeymooners", with Sheila MacRae and Jane Kean as Alice Kramden and Trixie Norton, respectively. The regular cast included Art Carney as Ed Norton; Milton Berle was a frequent guest star. The show was shot in color on videotape at the Miami Beach Auditorium (later renamed the Jackie Gleason Theatre of the Performing Arts), now known as Fillmore Miami Beach, and Gleason never tired of promoting the "sun and fun capital of the world" on camera. CBS canceled the series in 1970. |
Each December, the City of Miami Beach hosts Art Basel Miami Beach, one of the largest art shows in the United States. Art Basel Miami Beach, the sister event to the Art Basel event held each June in Basel, Switzerland, combines an international selection of top galleries with a program of special exhibitions, parties and crossover events featuring music, film, architecture, and design. Exhibition sites are located in the city's Art Deco District, and ancillary events are scattered throughout the greater Miami metropolitan area. |
Each December, the City of Miami Beach hosts Art Basel Miami Beach, one of the largest art shows in the United States. Art Basel Miami Beach, the sister event to the Art Basel event held each June in Basel, Switzerland, combines an international selection of top galleries with a program of special exhibitions, parties and crossover events featuring music, film, architecture, and design. Exhibition sites are located in the city's Art Deco District, and ancillary events are scattered throughout the greater Miami metropolitan area. |