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Although the 2000 edition of the Coincraft catalogue of British coins says the wartime pause was due to a surplus of pennies, numismatist Kerry Rodgers, in his 2016 article on the currency emergency in Fiji during the Second World War, cited a colonial legislative record to the effect that it was to conserve copper for munitions. Beginning with the 1942 production of 1940-dated pennies, the composition was altered, as tin was a critical war material, rare because most of it came from Malaya, so pennies from then until later in 1945 are 97 percent copper, 0.5 percent tin, and 2.5 percent zinc. Such coins tarnish to a colour different than the prewar coins, and they were treated with sodium thiosulphate to give them a darker tone. That substance, dubbed "hypo", had been used to darken all 1934 pennies before issue and most of the 1935 mintage, "Hypo" would be used again in 1946, discolouring the coins to discourage the hoarding of new pennies. Although the prewar alloy was restored in 1945, the Mint reversed itself in 1959, made pennies out of that wartime composition for the remainder of the coin's pre-decimal history without chemical treatment, and continued its use for the new decimal bronze pieces.
Although the 2000 edition of the Coincraft catalogue of British coins says the wartime pause was due to a surplus of pennies, numismatist Kerry Rodgers, in his 2016 article on the currency emergency in Fiji during the Second World War, cited a colonial legislative record to the effect that it was to conserve copper for munitions. Beginning with the 1942 production of 1940-dated pennies, the composition was altered, as tin was a critical war material, rare because most of it came from Malaya, so pennies from then until later in 1945 are 97 percent copper, 0.5 percent tin, and 2.5 percent zinc. Such coins tarnish to a colour different than the prewar coins, and they were treated with sodium thiosulphate to give them a darker tone. That substance, dubbed "hypo", had been used to darken all 1934 pennies before issue and most of the 1935 mintage, "Hypo" would be used again in 1946, discolouring the coins to discourage the hoarding of new pennies. Although the prewar alloy was restored in 1945, the Mint reversed itself in 1959, made pennies out of that wartime composition for the remainder of the coin's pre-decimal history without chemical treatment, and continued its use for the new decimal bronze pieces.
Although the 2000 edition of the Coincraft catalogue of British coins says the wartime pause was due to a surplus of pennies, numismatist Kerry Rodgers, in his 2016 article on the currency emergency in Fiji during the Second World War, cited a colonial legislative record to the effect that it was to conserve copper for munitions. Beginning with the 1942 production of 1940-dated pennies, the composition was altered, as tin was a critical war material, rare because most of it came from Malaya, so pennies from then until later in 1945 are 97 percent copper, 0.5 percent tin, and 2.5 percent zinc. Such coins tarnish to a colour different than the prewar coins, and they were treated with sodium thiosulphate to give them a darker tone. That substance, dubbed "hypo", had been used to darken all 1934 pennies before issue and most of the 1935 mintage, "Hypo" would be used again in 1946, discolouring the coins to discourage the hoarding of new pennies. Although the prewar alloy was restored in 1945, the Mint reversed itself in 1959, made pennies out of that wartime composition for the remainder of the coin's pre-decimal history without chemical treatment, and continued its use for the new decimal bronze pieces.
Although the 2000 edition of the Coincraft catalogue of British coins says the wartime pause was due to a surplus of pennies, numismatist Kerry Rodgers, in his 2016 article on the currency emergency in Fiji during the Second World War, cited a colonial legislative record to the effect that it was to conserve copper for munitions. Beginning with the 1942 production of 1940-dated pennies, the composition was altered, as tin was a critical war material, rare because most of it came from Malaya, so pennies from then until later in 1945 are 97 percent copper, 0.5 percent tin, and 2.5 percent zinc. Such coins tarnish to a colour different than the prewar coins, and they were treated with sodium thiosulphate to give them a darker tone. That substance, dubbed "hypo", had been used to darken all 1934 pennies before issue and most of the 1935 mintage, "Hypo" would be used again in 1946, discolouring the coins to discourage the hoarding of new pennies. Although the prewar alloy was restored in 1945, the Mint reversed itself in 1959, made pennies out of that wartime composition for the remainder of the coin's pre-decimal history without chemical treatment, and continued its use for the new decimal bronze pieces.
By the late 1940s, demand for pennies was falling in Britain, likely due to the popularity of the lighter, more convenient, brass threepence coin, which weighed less than a quarter of the same value in bronze coins. The immediate aftermath of the war had seen a strong demand for pennies until January 1949, when it dropped off and, in May of that year, the Royal Mint stopped the coin's production. Officials concluded that the fall in demand was permanent due to inflation; its purchasing power was minimal, and many automatic machines no longer took it. The Royal Mint redeemed surplus coppers from the banks for melting beginning in 1951, and by the end of the decade, some £1.2 million worth had been removed from circulation.
By the late 1940s, demand for pennies was falling in Britain, likely due to the popularity of the lighter, more convenient, brass threepence coin, which weighed less than a quarter of the same value in bronze coins. The immediate aftermath of the war had seen a strong demand for pennies until January 1949, when it dropped off and, in May of that year, the Royal Mint stopped the coin's production. Officials concluded that the fall in demand was permanent due to inflation; its purchasing power was minimal, and many automatic machines no longer took it. The Royal Mint redeemed surplus coppers from the banks for melting beginning in 1951, and by the end of the decade, some £1.2 million worth had been removed from circulation.
By the late 1940s, demand for pennies was falling in Britain, likely due to the popularity of the lighter, more convenient, brass threepence coin, which weighed less than a quarter of the same value in bronze coins. The immediate aftermath of the war had seen a strong demand for pennies until January 1949, when it dropped off and, in May of that year, the Royal Mint stopped the coin's production. Officials concluded that the fall in demand was permanent due to inflation; its purchasing power was minimal, and many automatic machines no longer took it. The Royal Mint redeemed surplus coppers from the banks for melting beginning in 1951, and by the end of the decade, some £1.2 million worth had been removed from circulation.
By the late 1940s, demand for pennies was falling in Britain, likely due to the popularity of the lighter, more convenient, brass threepence coin, which weighed less than a quarter of the same value in bronze coins. The immediate aftermath of the war had seen a strong demand for pennies until January 1949, when it dropped off and, in May of that year, the Royal Mint stopped the coin's production. Officials concluded that the fall in demand was permanent due to inflation; its purchasing power was minimal, and many automatic machines no longer took it. The Royal Mint redeemed surplus coppers from the banks for melting beginning in 1951, and by the end of the decade, some £1.2 million worth had been removed from circulation.
The 1950 and 1951 circulation pennies were produced only for the colonies as none were needed in Britain. During 1956, the entire 1950 mintage (still held in stock in Britain) and three-quarters of the 1951 production were sent to Bermuda. Both mintages were low compared with earlier George VI pennies, and London dealers descended on the islands, offering a pound a coin. Collecting coins by date (especially the penny) became popular in the early 1960s; after many bold claims about the investment potential of the 1951 penny were made, the coin acquired something of a cult status. One 1952 penny believed to be unique was struck by the Royal Mint.
The 1950 and 1951 circulation pennies were produced only for the colonies as none were needed in Britain. During 1956, the entire 1950 mintage (still held in stock in Britain) and three-quarters of the 1951 production were sent to Bermuda. Both mintages were low compared with earlier George VI pennies, and London dealers descended on the islands, offering a pound a coin. Collecting coins by date (especially the penny) became popular in the early 1960s; after many bold claims about the investment potential of the 1951 penny were made, the coin acquired something of a cult status. One 1952 penny believed to be unique was struck by the Royal Mint.
The 1950 and 1951 circulation pennies were produced only for the colonies as none were needed in Britain. During 1956, the entire 1950 mintage (still held in stock in Britain) and three-quarters of the 1951 production were sent to Bermuda. Both mintages were low compared with earlier George VI pennies, and London dealers descended on the islands, offering a pound a coin. Collecting coins by date (especially the penny) became popular in the early 1960s; after many bold claims about the investment potential of the 1951 penny were made, the coin acquired something of a cult status. One 1952 penny believed to be unique was struck by the Royal Mint.
The 1950 and 1951 circulation pennies were produced only for the colonies as none were needed in Britain. During 1956, the entire 1950 mintage (still held in stock in Britain) and three-quarters of the 1951 production were sent to Bermuda. Both mintages were low compared with earlier George VI pennies, and London dealers descended on the islands, offering a pound a coin. Collecting coins by date (especially the penny) became popular in the early 1960s; after many bold claims about the investment potential of the 1951 penny were made, the coin acquired something of a cult status. One 1952 penny believed to be unique was struck by the Royal Mint.
The series of pennies worth of a pound concludes with the pre-decimalisation issues for Queen Elizabeth II. No major change was made to the reverse designs of the penny or other bronze coins with the new reign, and her coins were made current by a proclamation of 25 November 1952, effective 1 January 1953. No pennies were struck for circulation in 1953, the only extant denomination between the farthing and half crown not to see a circulation issue. This was because of the large number of pennies in circulation. Specimen sets, including the penny, were issued for the Queen's Coronation that year, with the obverse of each coin inscribed ELIZABETH II DEI GRA BRITT OMN REGINA F D around the right-facing bust of the Queen by Mary Gillick. These were not issued for circulation, but as the specimen sets were sold for only a slight advance on face value, many were later broken open and spent. In all subsequent mintings of the penny, the inscription was ELIZABETH II DEI GRATIA REGINA F D. The deletion of the Latin for "Queen of all the Britains" in favour of designating her simply as "Queen" was due to the changing nature of the British Commonwealth, which by then included some republics.
The series of pennies worth of a pound concludes with the pre-decimalisation issues for Queen Elizabeth II. No major change was made to the reverse designs of the penny or other bronze coins with the new reign, and her coins were made current by a proclamation of 25 November 1952, effective 1 January 1953. No pennies were struck for circulation in 1953, the only extant denomination between the farthing and half crown not to see a circulation issue. This was because of the large number of pennies in circulation. Specimen sets, including the penny, were issued for the Queen's Coronation that year, with the obverse of each coin inscribed ELIZABETH II DEI GRA BRITT OMN REGINA F D around the right-facing bust of the Queen by Mary Gillick. These were not issued for circulation, but as the specimen sets were sold for only a slight advance on face value, many were later broken open and spent. In all subsequent mintings of the penny, the inscription was ELIZABETH II DEI GRATIA REGINA F D. The deletion of the Latin for "Queen of all the Britains" in favour of designating her simply as "Queen" was due to the changing nature of the British Commonwealth, which by then included some republics.
One 1954 penny is known, struck for die-testing purposes at the Royal Mint, and intended for melting, but recovered from circulation. By the end of the 1950s, the price of metal ensured that every bronze coin was struck at a loss; the Mint hoped for a reduction in size, and the demonetisation of the farthing at the end of 1960 helped clear the way for such a scheme. It was not until 1961 that there was a need for more pennies to be minted, and production continued each year in very large numbers until the final pre-decimal pennies for circulation, dated 1967, were coined.
One 1954 penny is known, struck for die-testing purposes at the Royal Mint, and intended for melting, but recovered from circulation. By the end of the 1950s, the price of metal ensured that every bronze coin was struck at a loss; the Mint hoped for a reduction in size, and the demonetisation of the farthing at the end of 1960 helped clear the way for such a scheme. It was not until 1961 that there was a need for more pennies to be minted, and production continued each year in very large numbers until the final pre-decimal pennies for circulation, dated 1967, were coined.
The old bronze penny was slated for elimination as decimal currency was planned in the 1960s. It continued to be struck after 1967, still bearing that date. The 97 percent copper, 0.5 percent tin, 2.5 percent zinc alloy was used again for the 1960s pennies. Finally, there was an issue of proof quality coins dated 1970 for collectors, to bid farewell to a denomination which had served the country well for 1200 years. The longstanding depiction of Britannia on the penny was translated by sculptor Christopher Ironside to the post-decimal fifty-pence coin.
The old bronze penny was slated for elimination as decimal currency was planned in the 1960s. It continued to be struck after 1967, still bearing that date. The 97 percent copper, 0.5 percent tin, 2.5 percent zinc alloy was used again for the 1960s pennies. Finally, there was an issue of proof quality coins dated 1970 for collectors, to bid farewell to a denomination which had served the country well for 1200 years. The longstanding depiction of Britannia on the penny was translated by sculptor Christopher Ironside to the post-decimal fifty-pence coin.
Qigong was born into a Manchu family in Beijing in 1912. Both his great-grandfather and grandfather were "Jinshi", the highest Chinese academic title roughly equivalent to a doctoral. He was a descendant of the Yongzheng Emperor through his son Hongzhou, and therefore a member of the Aisin Gioro imperial clan. Upon coming to prominence, he declined to use both the Manchu "Aisin Gioro" or sinicized Jin surname, and went by the legal surname of "Qi" to establish a name for himself removed from that of the Imperial family.
Qigong was born into a Manchu family in Beijing in 1912. Both his great-grandfather and grandfather were "Jinshi", the highest Chinese academic title roughly equivalent to a doctoral. He was a descendant of the Yongzheng Emperor through his son Hongzhou, and therefore a member of the Aisin Gioro imperial clan. Upon coming to prominence, he declined to use both the Manchu "Aisin Gioro" or sinicized Jin surname, and went by the legal surname of "Qi" to establish a name for himself removed from that of the Imperial family.
He learned Chinese calligraphy in his childhood, and studied various historical stone inscriptions of calligraphy in detail. He was deft in merging the characteristics of different eras and authors, and versatile in all the writing styles, especially the regular script (kaishu), the running hand (xingshu), and the cursive script (caoshu) styles. His style embodies the essence of great classical calligraphers like Wang Xizhi and Wang Xianzhi, yet unique in its own way. He was also a learned scholar in the areas of Chinese ancient song lyrics, phonology, semantics, and "Dream of the Red Chamber" study, and published extensively in these fields. He was also very versatile in poetry writing and appreciation, and used his own poems in his calligraphy extensively.
He learned Chinese calligraphy in his childhood, and studied various historical stone inscriptions of calligraphy in detail. He was deft in merging the characteristics of different eras and authors, and versatile in all the writing styles, especially the regular script (kaishu), the running hand (xingshu), and the cursive script (caoshu) styles. His style embodies the essence of great classical calligraphers like Wang Xizhi and Wang Xianzhi, yet unique in its own way. He was also a learned scholar in the areas of Chinese ancient song lyrics, phonology, semantics, and "Dream of the Red Chamber" study, and published extensively in these fields. He was also very versatile in poetry writing and appreciation, and used his own poems in his calligraphy extensively.
He learned Chinese calligraphy in his childhood, and studied various historical stone inscriptions of calligraphy in detail. He was deft in merging the characteristics of different eras and authors, and versatile in all the writing styles, especially the regular script (kaishu), the running hand (xingshu), and the cursive script (caoshu) styles. His style embodies the essence of great classical calligraphers like Wang Xizhi and Wang Xianzhi, yet unique in its own way. He was also a learned scholar in the areas of Chinese ancient song lyrics, phonology, semantics, and "Dream of the Red Chamber" study, and published extensively in these fields. He was also very versatile in poetry writing and appreciation, and used his own poems in his calligraphy extensively.
He learned Chinese calligraphy in his childhood, and studied various historical stone inscriptions of calligraphy in detail. He was deft in merging the characteristics of different eras and authors, and versatile in all the writing styles, especially the regular script (kaishu), the running hand (xingshu), and the cursive script (caoshu) styles. His style embodies the essence of great classical calligraphers like Wang Xizhi and Wang Xianzhi, yet unique in its own way. He was also a learned scholar in the areas of Chinese ancient song lyrics, phonology, semantics, and "Dream of the Red Chamber" study, and published extensively in these fields. He was also very versatile in poetry writing and appreciation, and used his own poems in his calligraphy extensively.
He also began to develop the eye of an art connoisseur by frequenting the Forbidden City, the imperial palace of China's last Dynasty. He authenticated, salvaged, and preserved abundant rare and valuable cultural relics for the country. He established himself internationally by attending various influential treasure-authenticating events and international academic conferences in countries such as Japan, Singapore, the United States, South Korea, Britain, and France, promoting international cultural exchanges. Qi Gong passed what he had learned from Chen Yuan, as well as his own selfless love, on to his generations of students. Qi Gong set up the Li Yun Grant in 1990 with 1.63 million yuan (US$196.904) of his own money, money raised at a sale of work in Hong Kong during which he sold out more than a hundred painting and calligraphic works of his own.
He also began to develop the eye of an art connoisseur by frequenting the Forbidden City, the imperial palace of China's last Dynasty. He authenticated, salvaged, and preserved abundant rare and valuable cultural relics for the country. He established himself internationally by attending various influential treasure-authenticating events and international academic conferences in countries such as Japan, Singapore, the United States, South Korea, Britain, and France, promoting international cultural exchanges. Qi Gong passed what he had learned from Chen Yuan, as well as his own selfless love, on to his generations of students. Qi Gong set up the Li Yun Grant in 1990 with 1.63 million yuan (US$196.904) of his own money, money raised at a sale of work in Hong Kong during which he sold out more than a hundred painting and calligraphic works of his own.
He also began to develop the eye of an art connoisseur by frequenting the Forbidden City, the imperial palace of China's last Dynasty. He authenticated, salvaged, and preserved abundant rare and valuable cultural relics for the country. He established himself internationally by attending various influential treasure-authenticating events and international academic conferences in countries such as Japan, Singapore, the United States, South Korea, Britain, and France, promoting international cultural exchanges. Qi Gong passed what he had learned from Chen Yuan, as well as his own selfless love, on to his generations of students. Qi Gong set up the Li Yun Grant in 1990 with 1.63 million yuan (US$196.904) of his own money, money raised at a sale of work in Hong Kong during which he sold out more than a hundred painting and calligraphic works of his own.
He also began to develop the eye of an art connoisseur by frequenting the Forbidden City, the imperial palace of China's last Dynasty. He authenticated, salvaged, and preserved abundant rare and valuable cultural relics for the country. He established himself internationally by attending various influential treasure-authenticating events and international academic conferences in countries such as Japan, Singapore, the United States, South Korea, Britain, and France, promoting international cultural exchanges. Qi Gong passed what he had learned from Chen Yuan, as well as his own selfless love, on to his generations of students. Qi Gong set up the Li Yun Grant in 1990 with 1.63 million yuan (US$196.904) of his own money, money raised at a sale of work in Hong Kong during which he sold out more than a hundred painting and calligraphic works of his own.
Despite the fact that he also chaired the Chinese Calligraphers' Association and served as a senior scholar on a team of national experts on cultural relics, Qi Gong was always unassuming, both among his peers and towards other artists. Before his death in 2005, he was the honorary president of Chinese Calligraphers' Association, director of Cultural Relic Authentication Committee of the State Council, professor of Beijing Normal University, and member of the National Committee of the Chinese People's Political Consultative Conference.
Despite the fact that he also chaired the Chinese Calligraphers' Association and served as a senior scholar on a team of national experts on cultural relics, Qi Gong was always unassuming, both among his peers and towards other artists. Before his death in 2005, he was the honorary president of Chinese Calligraphers' Association, director of Cultural Relic Authentication Committee of the State Council, professor of Beijing Normal University, and member of the National Committee of the Chinese People's Political Consultative Conference.
Run for the Sun is a 1956 Technicolor thriller adventure film released by United Artists, the third film to officially be based on Richard Connell's classic 1924 suspense story, "The Most Dangerous Game", after both RKO's "The Most Dangerous Game" (1932), and their remake, "A Game of Death" (1945). This version stars Richard Widmark, Trevor Howard, and Jane Greer, and was directed by Ray Boulting from a script written by Boulting and Dudley Nichols. Connell was credited for his short story.
Run for the Sun is a 1956 Technicolor thriller adventure film released by United Artists, the third film to officially be based on Richard Connell's classic 1924 suspense story, "The Most Dangerous Game", after both RKO's "The Most Dangerous Game" (1932), and their remake, "A Game of Death" (1945). This version stars Richard Widmark, Trevor Howard, and Jane Greer, and was directed by Ray Boulting from a script written by Boulting and Dudley Nichols. Connell was credited for his short story.
Katie Connors (Jane Greer), on the editorial staff of "Sight" magazine, journeys to San Marcos, a remote Mexican fishing village, seeking novelist and adventurer Mike Latimer (Richard Widmark), who has abandoned writing "at the peak of his fame" and dropped from sight. She soon learns that he is indeed there, indulging in drinking, fishing, hunting, and flying his aircraft. Katie contrives to meet him, pretending not to know his identity, but Latimer easily sees through her clumsy denials and is immediately attracted to her. Over the next several days they enjoy each other's company, but Katie may be falling in love with him and conceals the real reason she is there.
Katie Connors (Jane Greer), on the editorial staff of "Sight" magazine, journeys to San Marcos, a remote Mexican fishing village, seeking novelist and adventurer Mike Latimer (Richard Widmark), who has abandoned writing "at the peak of his fame" and dropped from sight. She soon learns that he is indeed there, indulging in drinking, fishing, hunting, and flying his aircraft. Katie contrives to meet him, pretending not to know his identity, but Latimer easily sees through her clumsy denials and is immediately attracted to her. Over the next several days they enjoy each other's company, but Katie may be falling in love with him and conceals the real reason she is there.
Katie Connors (Jane Greer), on the editorial staff of "Sight" magazine, journeys to San Marcos, a remote Mexican fishing village, seeking novelist and adventurer Mike Latimer (Richard Widmark), who has abandoned writing "at the peak of his fame" and dropped from sight. She soon learns that he is indeed there, indulging in drinking, fishing, hunting, and flying his aircraft. Katie contrives to meet him, pretending not to know his identity, but Latimer easily sees through her clumsy denials and is immediately attracted to her. Over the next several days they enjoy each other's company, but Katie may be falling in love with him and conceals the real reason she is there.
Katie Connors (Jane Greer), on the editorial staff of "Sight" magazine, journeys to San Marcos, a remote Mexican fishing village, seeking novelist and adventurer Mike Latimer (Richard Widmark), who has abandoned writing "at the peak of his fame" and dropped from sight. She soon learns that he is indeed there, indulging in drinking, fishing, hunting, and flying his aircraft. Katie contrives to meet him, pretending not to know his identity, but Latimer easily sees through her clumsy denials and is immediately attracted to her. Over the next several days they enjoy each other's company, but Katie may be falling in love with him and conceals the real reason she is there.
Katie Connors (Jane Greer), on the editorial staff of "Sight" magazine, journeys to San Marcos, a remote Mexican fishing village, seeking novelist and adventurer Mike Latimer (Richard Widmark), who has abandoned writing "at the peak of his fame" and dropped from sight. She soon learns that he is indeed there, indulging in drinking, fishing, hunting, and flying his aircraft. Katie contrives to meet him, pretending not to know his identity, but Latimer easily sees through her clumsy denials and is immediately attracted to her. Over the next several days they enjoy each other's company, but Katie may be falling in love with him and conceals the real reason she is there.
Katie Connors (Jane Greer), on the editorial staff of "Sight" magazine, journeys to San Marcos, a remote Mexican fishing village, seeking novelist and adventurer Mike Latimer (Richard Widmark), who has abandoned writing "at the peak of his fame" and dropped from sight. She soon learns that he is indeed there, indulging in drinking, fishing, hunting, and flying his aircraft. Katie contrives to meet him, pretending not to know his identity, but Latimer easily sees through her clumsy denials and is immediately attracted to her. Over the next several days they enjoy each other's company, but Katie may be falling in love with him and conceals the real reason she is there.
After Latimer explains that his wife was the muse behind his literary success, and that he quit writing because she left him to be with his best friend, Katie decides to go back to New York. Latimer offers to fly her to Mexico City and asks Katie to write down her address to keep in touch. During the flight, the magnetized notebook in Katie's purse affects the aircraft's magnetic compass and they find themselves lost over jungle. The aircraft runs out of fuel and Latimer crash-lands in a small clearing. Knocked unconscious, he wakes up to find himself in a bed in the main house of a hacienda.
After Latimer explains that his wife was the muse behind his literary success, and that he quit writing because she left him to be with his best friend, Katie decides to go back to New York. Latimer offers to fly her to Mexico City and asks Katie to write down her address to keep in touch. During the flight, the magnetized notebook in Katie's purse affects the aircraft's magnetic compass and they find themselves lost over jungle. The aircraft runs out of fuel and Latimer crash-lands in a small clearing. Knocked unconscious, he wakes up to find himself in a bed in the main house of a hacienda.
After Latimer explains that his wife was the muse behind his literary success, and that he quit writing because she left him to be with his best friend, Katie decides to go back to New York. Latimer offers to fly her to Mexico City and asks Katie to write down her address to keep in touch. During the flight, the magnetized notebook in Katie's purse affects the aircraft's magnetic compass and they find themselves lost over jungle. The aircraft runs out of fuel and Latimer crash-lands in a small clearing. Knocked unconscious, he wakes up to find himself in a bed in the main house of a hacienda.
After Latimer explains that his wife was the muse behind his literary success, and that he quit writing because she left him to be with his best friend, Katie decides to go back to New York. Latimer offers to fly her to Mexico City and asks Katie to write down her address to keep in touch. During the flight, the magnetized notebook in Katie's purse affects the aircraft's magnetic compass and they find themselves lost over jungle. The aircraft runs out of fuel and Latimer crash-lands in a small clearing. Knocked unconscious, he wakes up to find himself in a bed in the main house of a hacienda.
After Latimer explains that his wife was the muse behind his literary success, and that he quit writing because she left him to be with his best friend, Katie decides to go back to New York. Latimer offers to fly her to Mexico City and asks Katie to write down her address to keep in touch. During the flight, the magnetized notebook in Katie's purse affects the aircraft's magnetic compass and they find themselves lost over jungle. The aircraft runs out of fuel and Latimer crash-lands in a small clearing. Knocked unconscious, he wakes up to find himself in a bed in the main house of a hacienda.
After Latimer explains that his wife was the muse behind his literary success, and that he quit writing because she left him to be with his best friend, Katie decides to go back to New York. Latimer offers to fly her to Mexico City and asks Katie to write down her address to keep in touch. During the flight, the magnetized notebook in Katie's purse affects the aircraft's magnetic compass and they find themselves lost over jungle. The aircraft runs out of fuel and Latimer crash-lands in a small clearing. Knocked unconscious, he wakes up to find himself in a bed in the main house of a hacienda.
Katie introduces him to their rescuers, an Englishman named Browne (Trevor Howard) and the Dutch archaeologist Dr. van Anders (Peter van Eyck), who live on the estate with Jan (Carlos Henning) a third European. Latimer feels that he once met the cordial Browne, a big game hunter himself, but cannot place it. The more suspicious and secretive Anders asks about a rifle bullet that Latimer always carries with him, which Latimer relates is a souvenir and good luck charm from the D-Day invasion, a time when his courage failed him. Almost immediately the couple senses that things are not as they appear.
Katie introduces him to their rescuers, an Englishman named Browne (Trevor Howard) and the Dutch archaeologist Dr. van Anders (Peter van Eyck), who live on the estate with Jan (Carlos Henning) a third European. Latimer feels that he once met the cordial Browne, a big game hunter himself, but cannot place it. The more suspicious and secretive Anders asks about a rifle bullet that Latimer always carries with him, which Latimer relates is a souvenir and good luck charm from the D-Day invasion, a time when his courage failed him. Almost immediately the couple senses that things are not as they appear.
Katie introduces him to their rescuers, an Englishman named Browne (Trevor Howard) and the Dutch archaeologist Dr. van Anders (Peter van Eyck), who live on the estate with Jan (Carlos Henning) a third European. Latimer feels that he once met the cordial Browne, a big game hunter himself, but cannot place it. The more suspicious and secretive Anders asks about a rifle bullet that Latimer always carries with him, which Latimer relates is a souvenir and good luck charm from the D-Day invasion, a time when his courage failed him. Almost immediately the couple senses that things are not as they appear.
Katie introduces him to their rescuers, an Englishman named Browne (Trevor Howard) and the Dutch archaeologist Dr. van Anders (Peter van Eyck), who live on the estate with Jan (Carlos Henning) a third European. Latimer feels that he once met the cordial Browne, a big game hunter himself, but cannot place it. The more suspicious and secretive Anders asks about a rifle bullet that Latimer always carries with him, which Latimer relates is a souvenir and good luck charm from the D-Day invasion, a time when his courage failed him. Almost immediately the couple senses that things are not as they appear.
Katie introduces him to their rescuers, an Englishman named Browne (Trevor Howard) and the Dutch archaeologist Dr. van Anders (Peter van Eyck), who live on the estate with Jan (Carlos Henning) a third European. Latimer feels that he once met the cordial Browne, a big game hunter himself, but cannot place it. The more suspicious and secretive Anders asks about a rifle bullet that Latimer always carries with him, which Latimer relates is a souvenir and good luck charm from the D-Day invasion, a time when his courage failed him. Almost immediately the couple senses that things are not as they appear.
Katie introduces him to their rescuers, an Englishman named Browne (Trevor Howard) and the Dutch archaeologist Dr. van Anders (Peter van Eyck), who live on the estate with Jan (Carlos Henning) a third European. Latimer feels that he once met the cordial Browne, a big game hunter himself, but cannot place it. The more suspicious and secretive Anders asks about a rifle bullet that Latimer always carries with him, which Latimer relates is a souvenir and good luck charm from the D-Day invasion, a time when his courage failed him. Almost immediately the couple senses that things are not as they appear.
Browne keeps a pack of savage dogs to prowl the estate and control the local populace; when Latimer goes to examine the condition of his aircraft, it has disappeared; Browne claims he has no contact to the outside world and Katie doubts that Anders is really an archaeologist. However friction develops between them when a newscast on the radio announcing their disappearance reveals Katie's identity and original purpose. Katie tries to persuade Latimer that she no longer intends to write the story but he rebuffs her.
Browne keeps a pack of savage dogs to prowl the estate and control the local populace; when Latimer goes to examine the condition of his aircraft, it has disappeared; Browne claims he has no contact to the outside world and Katie doubts that Anders is really an archaeologist. However friction develops between them when a newscast on the radio announcing their disappearance reveals Katie's identity and original purpose. Katie tries to persuade Latimer that she no longer intends to write the story but he rebuffs her.
Browne keeps a pack of savage dogs to prowl the estate and control the local populace; when Latimer goes to examine the condition of his aircraft, it has disappeared; Browne claims he has no contact to the outside world and Katie doubts that Anders is really an archaeologist. However friction develops between them when a newscast on the radio announcing their disappearance reveals Katie's identity and original purpose. Katie tries to persuade Latimer that she no longer intends to write the story but he rebuffs her.
Browne keeps a pack of savage dogs to prowl the estate and control the local populace; when Latimer goes to examine the condition of his aircraft, it has disappeared; Browne claims he has no contact to the outside world and Katie doubts that Anders is really an archaeologist. However friction develops between them when a newscast on the radio announcing their disappearance reveals Katie's identity and original purpose. Katie tries to persuade Latimer that she no longer intends to write the story but he rebuffs her.
Browne keeps a pack of savage dogs to prowl the estate and control the local populace; when Latimer goes to examine the condition of his aircraft, it has disappeared; Browne claims he has no contact to the outside world and Katie doubts that Anders is really an archaeologist. However friction develops between them when a newscast on the radio announcing their disappearance reveals Katie's identity and original purpose. Katie tries to persuade Latimer that she no longer intends to write the story but he rebuffs her.
Browne keeps a pack of savage dogs to prowl the estate and control the local populace; when Latimer goes to examine the condition of his aircraft, it has disappeared; Browne claims he has no contact to the outside world and Katie doubts that Anders is really an archaeologist. However friction develops between them when a newscast on the radio announcing their disappearance reveals Katie's identity and original purpose. Katie tries to persuade Latimer that she no longer intends to write the story but he rebuffs her.
Latimer finally realizes it is Browne's voice he recognizes, and that he is an infamous turncoat who during the war broadcast Nazi propaganda from Berlin to Britain after he had married a German girl. The Englishman admits the truth and adds that his wife was Anders' sister, killed in a British air raid. Latimer tries to bargain for Katie's release but to no avail. Latimer realizes Anders is a German war criminal who massacred an entire village and intends to kill them. He and Katie try to steal the aircraft, but when Jan shoots at them, they flee into the jungle.
Latimer finally realizes it is Browne's voice he recognizes, and that he is an infamous turncoat who during the war broadcast Nazi propaganda from Berlin to Britain after he had married a German girl. The Englishman admits the truth and adds that his wife was Anders' sister, killed in a British air raid. Latimer tries to bargain for Katie's release but to no avail. Latimer realizes Anders is a German war criminal who massacred an entire village and intends to kill them. He and Katie try to steal the aircraft, but when Jan shoots at them, they flee into the jungle.
Latimer finally realizes it is Browne's voice he recognizes, and that he is an infamous turncoat who during the war broadcast Nazi propaganda from Berlin to Britain after he had married a German girl. The Englishman admits the truth and adds that his wife was Anders' sister, killed in a British air raid. Latimer tries to bargain for Katie's release but to no avail. Latimer realizes Anders is a German war criminal who massacred an entire village and intends to kill them. He and Katie try to steal the aircraft, but when Jan shoots at them, they flee into the jungle.
Latimer finally realizes it is Browne's voice he recognizes, and that he is an infamous turncoat who during the war broadcast Nazi propaganda from Berlin to Britain after he had married a German girl. The Englishman admits the truth and adds that his wife was Anders' sister, killed in a British air raid. Latimer tries to bargain for Katie's release but to no avail. Latimer realizes Anders is a German war criminal who massacred an entire village and intends to kill them. He and Katie try to steal the aircraft, but when Jan shoots at them, they flee into the jungle.
Latimer finally realizes it is Browne's voice he recognizes, and that he is an infamous turncoat who during the war broadcast Nazi propaganda from Berlin to Britain after he had married a German girl. The Englishman admits the truth and adds that his wife was Anders' sister, killed in a British air raid. Latimer tries to bargain for Katie's release but to no avail. Latimer realizes Anders is a German war criminal who massacred an entire village and intends to kill them. He and Katie try to steal the aircraft, but when Jan shoots at them, they flee into the jungle.
Latimer finally realizes it is Browne's voice he recognizes, and that he is an infamous turncoat who during the war broadcast Nazi propaganda from Berlin to Britain after he had married a German girl. The Englishman admits the truth and adds that his wife was Anders' sister, killed in a British air raid. Latimer tries to bargain for Katie's release but to no avail. Latimer realizes Anders is a German war criminal who massacred an entire village and intends to kill them. He and Katie try to steal the aircraft, but when Jan shoots at them, they flee into the jungle.
Browne, leading Anders, Jan and the dogs, follows their trail, failing to catch them the first day when a group of wild pigs attack the dogs. The next day, the wilderness-wise Latimer rigs a crude booby trap that kills Jan. With Katie nearing exhaustion, Latimer contrives to double back, and when Browne and Anders find Jan's dead body, they realize that the aircraft has been left unguarded. Stopping for the night, Latimer starts to cover Katie with his jacket and finds that she wrote down the office address of "Sight" magazine as her own, proving that she had been truthful about her feelings.
Browne, leading Anders, Jan and the dogs, follows their trail, failing to catch them the first day when a group of wild pigs attack the dogs. The next day, the wilderness-wise Latimer rigs a crude booby trap that kills Jan. With Katie nearing exhaustion, Latimer contrives to double back, and when Browne and Anders find Jan's dead body, they realize that the aircraft has been left unguarded. Stopping for the night, Latimer starts to cover Katie with his jacket and finds that she wrote down the office address of "Sight" magazine as her own, proving that she had been truthful about her feelings.
Browne, leading Anders, Jan and the dogs, follows their trail, failing to catch them the first day when a group of wild pigs attack the dogs. The next day, the wilderness-wise Latimer rigs a crude booby trap that kills Jan. With Katie nearing exhaustion, Latimer contrives to double back, and when Browne and Anders find Jan's dead body, they realize that the aircraft has been left unguarded. Stopping for the night, Latimer starts to cover Katie with his jacket and finds that she wrote down the office address of "Sight" magazine as her own, proving that she had been truthful about her feelings.
Browne, leading Anders, Jan and the dogs, follows their trail, failing to catch them the first day when a group of wild pigs attack the dogs. The next day, the wilderness-wise Latimer rigs a crude booby trap that kills Jan. With Katie nearing exhaustion, Latimer contrives to double back, and when Browne and Anders find Jan's dead body, they realize that the aircraft has been left unguarded. Stopping for the night, Latimer starts to cover Katie with his jacket and finds that she wrote down the office address of "Sight" magazine as her own, proving that she had been truthful about her feelings.
Browne, leading Anders, Jan and the dogs, follows their trail, failing to catch them the first day when a group of wild pigs attack the dogs. The next day, the wilderness-wise Latimer rigs a crude booby trap that kills Jan. With Katie nearing exhaustion, Latimer contrives to double back, and when Browne and Anders find Jan's dead body, they realize that the aircraft has been left unguarded. Stopping for the night, Latimer starts to cover Katie with his jacket and finds that she wrote down the office address of "Sight" magazine as her own, proving that she had been truthful about her feelings.
Browne, leading Anders, Jan and the dogs, follows their trail, failing to catch them the first day when a group of wild pigs attack the dogs. The next day, the wilderness-wise Latimer rigs a crude booby trap that kills Jan. With Katie nearing exhaustion, Latimer contrives to double back, and when Browne and Anders find Jan's dead body, they realize that the aircraft has been left unguarded. Stopping for the night, Latimer starts to cover Katie with his jacket and finds that she wrote down the office address of "Sight" magazine as her own, proving that she had been truthful about her feelings.
They reach the hacienda just ahead of their pursuers and barricade themselves in the chapel. Anders pretends to negotiate with Latimer and shoots through the door. Latimer ridicules him and when Anders goes to bring workers to break down the door, he is forced to lock up the dogs to get their cooperation. Browne fears the fanatical Nazi and offers to shoot Anders if Latimer flies him to South America. Latimer refuses and uses the bullet hole in the door as a makeshift gun barrel for his lucky bullet, striking the primer with a chisel and fatally shooting Browne. Latimer and Katie take off in Browne's aircraft, killing Anders with the propeller when he tries to block their path. They manage to safely escape.
They reach the hacienda just ahead of their pursuers and barricade themselves in the chapel. Anders pretends to negotiate with Latimer and shoots through the door. Latimer ridicules him and when Anders goes to bring workers to break down the door, he is forced to lock up the dogs to get their cooperation. Browne fears the fanatical Nazi and offers to shoot Anders if Latimer flies him to South America. Latimer refuses and uses the bullet hole in the door as a makeshift gun barrel for his lucky bullet, striking the primer with a chisel and fatally shooting Browne. Latimer and Katie take off in Browne's aircraft, killing Anders with the propeller when he tries to block their path. They manage to safely escape.
They reach the hacienda just ahead of their pursuers and barricade themselves in the chapel. Anders pretends to negotiate with Latimer and shoots through the door. Latimer ridicules him and when Anders goes to bring workers to break down the door, he is forced to lock up the dogs to get their cooperation. Browne fears the fanatical Nazi and offers to shoot Anders if Latimer flies him to South America. Latimer refuses and uses the bullet hole in the door as a makeshift gun barrel for his lucky bullet, striking the primer with a chisel and fatally shooting Browne. Latimer and Katie take off in Browne's aircraft, killing Anders with the propeller when he tries to block their path. They manage to safely escape.
They reach the hacienda just ahead of their pursuers and barricade themselves in the chapel. Anders pretends to negotiate with Latimer and shoots through the door. Latimer ridicules him and when Anders goes to bring workers to break down the door, he is forced to lock up the dogs to get their cooperation. Browne fears the fanatical Nazi and offers to shoot Anders if Latimer flies him to South America. Latimer refuses and uses the bullet hole in the door as a makeshift gun barrel for his lucky bullet, striking the primer with a chisel and fatally shooting Browne. Latimer and Katie take off in Browne's aircraft, killing Anders with the propeller when he tries to block their path. They manage to safely escape.
They reach the hacienda just ahead of their pursuers and barricade themselves in the chapel. Anders pretends to negotiate with Latimer and shoots through the door. Latimer ridicules him and when Anders goes to bring workers to break down the door, he is forced to lock up the dogs to get their cooperation. Browne fears the fanatical Nazi and offers to shoot Anders if Latimer flies him to South America. Latimer refuses and uses the bullet hole in the door as a makeshift gun barrel for his lucky bullet, striking the primer with a chisel and fatally shooting Browne. Latimer and Katie take off in Browne's aircraft, killing Anders with the propeller when he tries to block their path. They manage to safely escape.
They reach the hacienda just ahead of their pursuers and barricade themselves in the chapel. Anders pretends to negotiate with Latimer and shoots through the door. Latimer ridicules him and when Anders goes to bring workers to break down the door, he is forced to lock up the dogs to get their cooperation. Browne fears the fanatical Nazi and offers to shoot Anders if Latimer flies him to South America. Latimer refuses and uses the bullet hole in the door as a makeshift gun barrel for his lucky bullet, striking the primer with a chisel and fatally shooting Browne. Latimer and Katie take off in Browne's aircraft, killing Anders with the propeller when he tries to block their path. They manage to safely escape.
The jungle sequences in "Run for the Sun" were shot about 50 miles from Acapulco, Mexico. The location used for Browne and Van Anders' base was a vast, ruined, 16th century hacienda and sugar plantation/refinery built by Hernán Cortés at Atlacomulco, southeast of Cuernavaca. In the 1980s, the principal house and several other buildings were restored and turned into a hotel. The interior and patio of the house used in the film, as well as the interior of the small hotel where Katie Connors and Mike Latimer meet, were sets built at Estudios Churubusco in Mexico City. The house interior was reputed to be the largest set yet built in a Mexican studio.
The jungle sequences in "Run for the Sun" were shot about 50 miles from Acapulco, Mexico. The location used for Browne and Van Anders' base was a vast, ruined, 16th century hacienda and sugar plantation/refinery built by Hernán Cortés at Atlacomulco, southeast of Cuernavaca. In the 1980s, the principal house and several other buildings were restored and turned into a hotel. The interior and patio of the house used in the film, as well as the interior of the small hotel where Katie Connors and Mike Latimer meet, were sets built at Estudios Churubusco in Mexico City. The house interior was reputed to be the largest set yet built in a Mexican studio.
The jungle sequences in "Run for the Sun" were shot about 50 miles from Acapulco, Mexico. The location used for Browne and Van Anders' base was a vast, ruined, 16th century hacienda and sugar plantation/refinery built by Hernán Cortés at Atlacomulco, southeast of Cuernavaca. In the 1980s, the principal house and several other buildings were restored and turned into a hotel. The interior and patio of the house used in the film, as well as the interior of the small hotel where Katie Connors and Mike Latimer meet, were sets built at Estudios Churubusco in Mexico City. The house interior was reputed to be the largest set yet built in a Mexican studio.
The jungle sequences in "Run for the Sun" were shot about 50 miles from Acapulco, Mexico. The location used for Browne and Van Anders' base was a vast, ruined, 16th century hacienda and sugar plantation/refinery built by Hernán Cortés at Atlacomulco, southeast of Cuernavaca. In the 1980s, the principal house and several other buildings were restored and turned into a hotel. The interior and patio of the house used in the film, as well as the interior of the small hotel where Katie Connors and Mike Latimer meet, were sets built at Estudios Churubusco in Mexico City. The house interior was reputed to be the largest set yet built in a Mexican studio.
The city government considers the settlement a 'wild' one as it was built without any permits or plans. The total lack of infrastructure (including not just schools, ambulances or kindergartens, but such basic things like running water, grocery stores, pavement or electricity) prevented the settlement from any major growth. Out of 3,000 lots, only on 600 there are houses (out of which almost half is not finished). Population varies from 1,500 during summer to 700 during winter when conditions get even harsher.
The city government considers the settlement a 'wild' one as it was built without any permits or plans. The total lack of infrastructure (including not just schools, ambulances or kindergartens, but such basic things like running water, grocery stores, pavement or electricity) prevented the settlement from any major growth. Out of 3,000 lots, only on 600 there are houses (out of which almost half is not finished). Population varies from 1,500 during summer to 700 during winter when conditions get even harsher.
Year 2006 brought some changes. Accessible road to the settlement has been paved with asphalt, a bus line (No. 606) to connect Grmovac to Dobanovci and electricity were introduced and the construction of a church began. Electricity was supposed to be introduced in December 2006 on a temporary basis for 6 months from 'humanitarian reasons' as the entire settlement is classified as an illegal one, but was postponed until February 2007. However, city government accepted to make a regulatory plan for Grmovac until December 2007 so that settlement could develop further. The plan proposes complete urban and communal infrastructure to be finished in 3 years. Urban shaping continued with the construction of a new church, dedicated to the prophet Elijah, began in summer 2007. Introduction of the proper electrical grid in the settlement began in 2010.
Year 2006 brought some changes. Accessible road to the settlement has been paved with asphalt, a bus line (No. 606) to connect Grmovac to Dobanovci and electricity were introduced and the construction of a church began. Electricity was supposed to be introduced in December 2006 on a temporary basis for 6 months from 'humanitarian reasons' as the entire settlement is classified as an illegal one, but was postponed until February 2007. However, city government accepted to make a regulatory plan for Grmovac until December 2007 so that settlement could develop further. The plan proposes complete urban and communal infrastructure to be finished in 3 years. Urban shaping continued with the construction of a new church, dedicated to the prophet Elijah, began in summer 2007. Introduction of the proper electrical grid in the settlement began in 2010.
Bridei is also recorded as having "destroyed" the Orkney Islands in 681, at a time when the Northumbrian church was undergoing major religious reform. It had followed the traditions of the Columban church of Iona until the Synod of Whitby in 664 at which it pledged loyalty to the Roman Church. The Northumbrian diocese was divided and a number of new episcopal sees created. One of these was founded at Abercorn on the south coast of the Firth of Forth, and Trumwine was consecrated as Bishop of the Picts. Bridei, who was enthusiastically involved with the church of Iona, is unlikely to have viewed an encroachment of the Northumbrian-sponsored Roman church favourably.
Bridei is also recorded as having "destroyed" the Orkney Islands in 681, at a time when the Northumbrian church was undergoing major religious reform. It had followed the traditions of the Columban church of Iona until the Synod of Whitby in 664 at which it pledged loyalty to the Roman Church. The Northumbrian diocese was divided and a number of new episcopal sees created. One of these was founded at Abercorn on the south coast of the Firth of Forth, and Trumwine was consecrated as Bishop of the Picts. Bridei, who was enthusiastically involved with the church of Iona, is unlikely to have viewed an encroachment of the Northumbrian-sponsored Roman church favourably.
Bridei is also recorded as having "destroyed" the Orkney Islands in 681, at a time when the Northumbrian church was undergoing major religious reform. It had followed the traditions of the Columban church of Iona until the Synod of Whitby in 664 at which it pledged loyalty to the Roman Church. The Northumbrian diocese was divided and a number of new episcopal sees created. One of these was founded at Abercorn on the south coast of the Firth of Forth, and Trumwine was consecrated as Bishop of the Picts. Bridei, who was enthusiastically involved with the church of Iona, is unlikely to have viewed an encroachment of the Northumbrian-sponsored Roman church favourably.
Bridei is also recorded as having "destroyed" the Orkney Islands in 681, at a time when the Northumbrian church was undergoing major religious reform. It had followed the traditions of the Columban church of Iona until the Synod of Whitby in 664 at which it pledged loyalty to the Roman Church. The Northumbrian diocese was divided and a number of new episcopal sees created. One of these was founded at Abercorn on the south coast of the Firth of Forth, and Trumwine was consecrated as Bishop of the Picts. Bridei, who was enthusiastically involved with the church of Iona, is unlikely to have viewed an encroachment of the Northumbrian-sponsored Roman church favourably.
After his retirement as a player in 1992, Oberkfell embarked on a successful managerial career that saw him named Minor League Manager of the Year by "Baseball America" in 2005. He also served as the manager of the New Orleans Zephyrs from January 4, 2007 until June 17, 2008, when he was promoted to the Mets as their first base coach, replacing Tom Nieto. During 2009 and 2010, Oberkfell managed the Mets' Triple-A farm team, the Buffalo Bisons. On January 28, 2010, Oberkfell led the Leones del Escogido to their 13th championship in the Dominican Baseball Winter League as their manager.
After his retirement as a player in 1992, Oberkfell embarked on a successful managerial career that saw him named Minor League Manager of the Year by "Baseball America" in 2005. He also served as the manager of the New Orleans Zephyrs from January 4, 2007 until June 17, 2008, when he was promoted to the Mets as their first base coach, replacing Tom Nieto. During 2009 and 2010, Oberkfell managed the Mets' Triple-A farm team, the Buffalo Bisons. On January 28, 2010, Oberkfell led the Leones del Escogido to their 13th championship in the Dominican Baseball Winter League as their manager.
The Township of Norwich is a municipality located in Oxford County in Southwestern Ontario, Canada. At the centre of the Township of Norwich is the Town of Norwich. The preferred pronunciation of the town name is , which differs from the pronunciation used for the city of Norwich, England. The origin of Norwich, Ontario, is more likely Norwich in upper New York State, the area from which the pioneering families emigrated in the early 19th century, where the community was known as Norwichville.
The Township of Norwich is a municipality located in Oxford County in Southwestern Ontario, Canada. At the centre of the Township of Norwich is the Town of Norwich. The preferred pronunciation of the town name is , which differs from the pronunciation used for the city of Norwich, England. The origin of Norwich, Ontario, is more likely Norwich in upper New York State, the area from which the pioneering families emigrated in the early 19th century, where the community was known as Norwichville.
Upon his arrival in the province in 1792, the first proclamation issued by John Graves Simcoe, the Lieutenant Governor of Upper Canada while still at Kingston, announced the names and boundaries he had decided upon as political boundaries for Upper Canada. For areas lying to the west of Kingston, he decided that county names would be a "mirror of Britain". To accomplish this, the sequence of names for counties along Lake Ontario became Northumberland, Durham, York and Lincoln, and for counties along Lake Erie, the names became Norfolk, Suffolk, Essex and Kent. (This was the same sequence of county names in place along the eastern seacoast of England, running from the Scottish boundary down to the English Channel.) The proclamation defined the northern boundary of Norfolk County as being the Thames River. Norwich and Dereham townships were originally within the land area designated as belonging to Norfolk County in Upper Canada, and were named after the towns of Norwich and Dereham in Norfolk County in England.
Upon his arrival in the province in 1792, the first proclamation issued by John Graves Simcoe, the Lieutenant Governor of Upper Canada while still at Kingston, announced the names and boundaries he had decided upon as political boundaries for Upper Canada. For areas lying to the west of Kingston, he decided that county names would be a "mirror of Britain". To accomplish this, the sequence of names for counties along Lake Ontario became Northumberland, Durham, York and Lincoln, and for counties along Lake Erie, the names became Norfolk, Suffolk, Essex and Kent. (This was the same sequence of county names in place along the eastern seacoast of England, running from the Scottish boundary down to the English Channel.) The proclamation defined the northern boundary of Norfolk County as being the Thames River. Norwich and Dereham townships were originally within the land area designated as belonging to Norfolk County in Upper Canada, and were named after the towns of Norwich and Dereham in Norfolk County in England.
Upon his arrival in the province in 1792, the first proclamation issued by John Graves Simcoe, the Lieutenant Governor of Upper Canada while still at Kingston, announced the names and boundaries he had decided upon as political boundaries for Upper Canada. For areas lying to the west of Kingston, he decided that county names would be a "mirror of Britain". To accomplish this, the sequence of names for counties along Lake Ontario became Northumberland, Durham, York and Lincoln, and for counties along Lake Erie, the names became Norfolk, Suffolk, Essex and Kent. (This was the same sequence of county names in place along the eastern seacoast of England, running from the Scottish boundary down to the English Channel.) The proclamation defined the northern boundary of Norfolk County as being the Thames River. Norwich and Dereham townships were originally within the land area designated as belonging to Norfolk County in Upper Canada, and were named after the towns of Norwich and Dereham in Norfolk County in England.
Upon his arrival in the province in 1792, the first proclamation issued by John Graves Simcoe, the Lieutenant Governor of Upper Canada while still at Kingston, announced the names and boundaries he had decided upon as political boundaries for Upper Canada. For areas lying to the west of Kingston, he decided that county names would be a "mirror of Britain". To accomplish this, the sequence of names for counties along Lake Ontario became Northumberland, Durham, York and Lincoln, and for counties along Lake Erie, the names became Norfolk, Suffolk, Essex and Kent. (This was the same sequence of county names in place along the eastern seacoast of England, running from the Scottish boundary down to the English Channel.) The proclamation defined the northern boundary of Norfolk County as being the Thames River. Norwich and Dereham townships were originally within the land area designated as belonging to Norfolk County in Upper Canada, and were named after the towns of Norwich and Dereham in Norfolk County in England.
Upon his arrival in the province in 1792, the first proclamation issued by John Graves Simcoe, the Lieutenant Governor of Upper Canada while still at Kingston, announced the names and boundaries he had decided upon as political boundaries for Upper Canada. For areas lying to the west of Kingston, he decided that county names would be a "mirror of Britain". To accomplish this, the sequence of names for counties along Lake Ontario became Northumberland, Durham, York and Lincoln, and for counties along Lake Erie, the names became Norfolk, Suffolk, Essex and Kent. (This was the same sequence of county names in place along the eastern seacoast of England, running from the Scottish boundary down to the English Channel.) The proclamation defined the northern boundary of Norfolk County as being the Thames River. Norwich and Dereham townships were originally within the land area designated as belonging to Norfolk County in Upper Canada, and were named after the towns of Norwich and Dereham in Norfolk County in England.
Upon his arrival in the province in 1792, the first proclamation issued by John Graves Simcoe, the Lieutenant Governor of Upper Canada while still at Kingston, announced the names and boundaries he had decided upon as political boundaries for Upper Canada. For areas lying to the west of Kingston, he decided that county names would be a "mirror of Britain". To accomplish this, the sequence of names for counties along Lake Ontario became Northumberland, Durham, York and Lincoln, and for counties along Lake Erie, the names became Norfolk, Suffolk, Essex and Kent. (This was the same sequence of county names in place along the eastern seacoast of England, running from the Scottish boundary down to the English Channel.) The proclamation defined the northern boundary of Norfolk County as being the Thames River. Norwich and Dereham townships were originally within the land area designated as belonging to Norfolk County in Upper Canada, and were named after the towns of Norwich and Dereham in Norfolk County in England.
Gov. Simcoe with several other government officers, guided by a party of Six Nations warriors, conducted a wilderness tour on foot down and back up the length of the Thames River in 1793 and decided to assign additional place names to mirror those they knew along the Thames River in England. Middlesex County was the name assigned to the area around a town site reserved at the "lower forks" in the river, to be called London; Dorchester was the name for a town site at the "middle forks", and the area around the "upper forks" was to be Oxford - the same sequence of names as found along the Thames in England. When legislation was passed in Upper Canada in 1798 to implement these new divisions, Norwich and Dereham were separated from Norfolk County and added to the new Oxford County, which included also Burford, Blenheim, Blandford and Oxford townships - names drawn from Oxfordshire in England.
Gov. Simcoe with several other government officers, guided by a party of Six Nations warriors, conducted a wilderness tour on foot down and back up the length of the Thames River in 1793 and decided to assign additional place names to mirror those they knew along the Thames River in England. Middlesex County was the name assigned to the area around a town site reserved at the "lower forks" in the river, to be called London; Dorchester was the name for a town site at the "middle forks", and the area around the "upper forks" was to be Oxford - the same sequence of names as found along the Thames in England. When legislation was passed in Upper Canada in 1798 to implement these new divisions, Norwich and Dereham were separated from Norfolk County and added to the new Oxford County, which included also Burford, Blenheim, Blandford and Oxford townships - names drawn from Oxfordshire in England.
Gov. Simcoe with several other government officers, guided by a party of Six Nations warriors, conducted a wilderness tour on foot down and back up the length of the Thames River in 1793 and decided to assign additional place names to mirror those they knew along the Thames River in England. Middlesex County was the name assigned to the area around a town site reserved at the "lower forks" in the river, to be called London; Dorchester was the name for a town site at the "middle forks", and the area around the "upper forks" was to be Oxford - the same sequence of names as found along the Thames in England. When legislation was passed in Upper Canada in 1798 to implement these new divisions, Norwich and Dereham were separated from Norfolk County and added to the new Oxford County, which included also Burford, Blenheim, Blandford and Oxford townships - names drawn from Oxfordshire in England.
Gov. Simcoe with several other government officers, guided by a party of Six Nations warriors, conducted a wilderness tour on foot down and back up the length of the Thames River in 1793 and decided to assign additional place names to mirror those they knew along the Thames River in England. Middlesex County was the name assigned to the area around a town site reserved at the "lower forks" in the river, to be called London; Dorchester was the name for a town site at the "middle forks", and the area around the "upper forks" was to be Oxford - the same sequence of names as found along the Thames in England. When legislation was passed in Upper Canada in 1798 to implement these new divisions, Norwich and Dereham were separated from Norfolk County and added to the new Oxford County, which included also Burford, Blenheim, Blandford and Oxford townships - names drawn from Oxfordshire in England.