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Question: Does the following movie review have positive or negative in sentiment?
Review: Ok, where do we start with this little gem? Mutant slugs begin to take over a small New England (?) town. Only one man can stop them... and that man... is Mike Brady! Now, if that wasn't laughable enough, stay tuned.<br /><br />The footage of the slugs is what's known as stock footage. No matter who the slugs attack or where they are, the same shot of piles of slugs oozing everywhere is shown. Keep in mind, this singular shot occupies at least half the movie.<br /><br />The acting in the movie was knock down, drag out, steal your wallet, punch your girlfriend, kill your dog, BAD. I'm sure there's worse, but you're going to be hard pressed to find it. The only gem was... you guessed it.... MIKE BRADY! He must have taken a few night classes at the YMCA, because he was the best in the bunch.<br /><br />As for horror? This film is not to be taken seriously. There isn't horror! They're slugs for crying out loud. The entire rising action could have been avoided with a salt shaker or two. Only watch this film in a MST3K type environment, otherwise I can see some major damage to the brain.
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Question: Does the following movie review have positive or negative in sentiment?
Review: This is a great movie. In the same genre of the "Memphis Belle". Seen it about 10 years ago. And would like to see it again. There is a link with the history of the hells angels!! How the pilot crew fight the Germans in WO2. And most Changes form pilots to Harley motor cycle rs. The movie is in a way really happened. See the movie! And reed the history of the hells angels at hells at hells angels.com Regards Frederik.<br /><br />Cast & Crew: John Stamos, John Stockwell, Teri Polo, Kris Kamm, directed by Graham Baker more » Synopsis: The story of a rowdy backwoods rebel biker who joins the Army to avoid a stiff prison sentence after a minor brush with the law. Though he chafes at Army discipline, he soon proves himself under fire as a daring and charismatic leader of men in a Motorcycle Scout Troop in pr-World War II Spain. more » MPAA Rating: PG Runtime: 88 minutes
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Question: Does the following movie review have positive or negative in sentiment?
Review: This movie has successfully proved what we all already know, that professional basket-ball players suck at everything besides playing basket-ball. Especially rapping and acting. I can not even begin to describe how bad this movie truly is. First of all, is it just me, or is that the ugliest kid you have ever seen? I mean, his teeth could be used as a can-opener. Secondly, why would a genie want to pursue a career in the music industry when, even though he has magical powers, he sucks horribly at making music? Third, I have read the Bible. In no way shape or form did it say that Jesus made genies. Fourth, what was the deal with all the crappy special effects? I assure you that any acne-addled nerdy teenager with a computer could make better effects than that. Fifth, why did the ending suck so badly? And what the hell is a djin? And finally, whoever created the nightmare known as Kazaam needs to be thrown off of a plane and onto the Eiffel Tower, because this movie take the word "suck" to an entirely new level.
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Question: Does the following movie review have positive or negative in sentiment?
Review: This isn't as violent as I was expecting which makes the violent scenes appear all the more brutal and effective.<br /><br />There are a lot of twists and turns and back stabbing and double crossing all the way through the film making it hard to know who's side a particular character is on.<br /><br />The plot is pacey with some good dialogue and character development and gives an interesting view of the workings of the Triad gang it follows.<br /><br />The violence when it comes is brutal, no guns or martial art scenes with special effects, this is believable in your face violence and for all the dialogue you are never allowed forget that the Triad is a violent criminal organisation.<br /><br />The ending is surprising but thoroughly consistent and believable.
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Review: Guys and Dolls has to be one of my favorite musical movies ever. It is a very fun movie to watch and nothing more. it embodies what people have forgotten about musicals-musicals were made to entertain, not to to preach. Nowadays we have Rent and Chicago which are great musicals and good movies but they fail to bring us solid entertainment with no strings attached. The only thing that bothered me in the movie was Marlon Brando, the guy can't sing! It was very annoying to listen to him sing and talk when I couldn't understand him. If it weren't for Marlon I would have given this 10 stars. Guys and Dolls provides old-fashioned entertainment that we rarely get these days. Watch it to have a good time!!
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Review: This movie is terrible. Carlitos Way(1993) is a great film. Goodgfellas it isn't but its one of the better crime films done. This movie should be considered closer to THE STING Part2 or maybe speed Zone. Remember those gems! The only reason this movie was made was to capitalize on the cult following of the original. This movie lacked everything De Palma, Pacino and Penn worked so hard on. There wasn't a likable character and that is the fault of everyone responsible for making it. I hope RISE TO POWER wins every RAZZIE it possibly can and maybe even invent some new categories to allow it be a record holder. After I watched this S@*T FEST movie, I sat down and watched the original Carlitos way to get th bad taste out of my mouth. After watching this I wish Pachanga came and whacked me out of my misery.
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Question: Does the following movie review have positive or negative in sentiment?
Review: Leslie Sands' stilted play "Deadlock" becomes a poor-choice vehicle for Bette Davis and Gary Merrill, just after their joint-success in "All About Eve". After killing her spouse, a scheming woman is visited by her husband's best friend, who passes himself off as her husband once others begin stopping by the house. Irving Rapper, one of Bette's best directors from her peak years, is sadly unable to elevate this ridiculous material, in which Davis is curiously aloof and restrained until the outrageous finale (where she thankfully pulls out all the stops). Production and supporting cast strictly second-rate; only for Bette Davis completists. *1/2 from ****
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Review: This movie is very funny. Amitabh Bachan and Govinda are absolutely hilarious. Acting is good. Comedy is great. They are up to their usual thing. It would be good to see a sequel to this :)<br /><br />Watch it. Good time-pass movie
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Question: Does the following movie review have positive or negative in sentiment?
Review: I am always wary of taking too instant a dislike to a film. Look at it a month later and you might see it differently, or dig it up after 50 years in a different continent and some cult followers find something stylistically remarkable that went unnoticed at first. After sitting through The Great Ecstasy of Robert Carmichael at its UK premiere, it came as no surprise to me that I found the question and answer session afterwards more interesting than the film itself. Shane Danielsen (Artistic Director of the Edinburgh International Film Festival), aided by the film's director and producer, gave a spirited defence of a movie than received an overall negative response from the audience. Edinburgh Festival audiences are not easily shocked. Only one person walked out in disgust. The criticisms of the film included very articulate and constructive ones from the lay public as well as an actor and a woman who teaches M.A. film directors. This was not an overly 'shocking' film. There was a degree of uninterrupted sexual violence, but far less extreme than many movies (most actual weapon contact was obscured, as were aroused genitals). The audience disliked it because they had sat through two hours that were quite boring, where the acting standards were not high, where the plot was poor, predictable and drawn out, and where they had been subjected to clumsy and pretentious film-making on the promise of a controversial movie. Metaphors to the war in Iraq are contrived, over-emphasised and sloppy (apart from a general allusion to violence, any deeper meaning is unclear); and the 'fig-leaf' reference Marquis de Sade, as one audience member put it, seems a mere tokenistic excuse for lack of plot development towards the finale.<br /><br />We have the story of an adolescent who has a certain amount going for him (he stands out at school for his musical ability) but takes drugs and hangs out with youths who have little or nothing going for them and whose criminal activities extend to rape and violence. When pushed, Robert seems to have a lot of violence locked inside him.<br /><br />The film is not entirely without merit. The audience is left to decide how Robert got that way: was it the influence of his peers? Why did all the good influences and concern from parents and teachers not manage to include him in a better approach to life? Cinematically, there is a carefully-montaged scene where he hangs back (whether through too much drugs, shyness, a latent sense of morality or just waiting his turn?). Several of his friends are raping a woman in a back room, partly glimpsed and framed in the centre of the screen. In the foreground of the bare bones flat, a DJ is more concerned that the girl's screams interrupt his happy house music than with any thought for the woman. Ultimately he is a bit annoyed if their activities attract police attention. The stark juxtaposition of serious headphones enjoyment of his music even when he knows a rape is going on points up his utter disdain in a deeply unsettling way. Robert slumps with his back to us in the foreground.<br /><br />But the rest of the film, including its supposedly controversial climax involving considerable (if not overly realistic) sexual violence, is not up to this standard. Some people have had a strong reaction to it (the filmmakers' stated intention: "If they vomit, we have succeeded in producing a reaction") but mostly - and as far as I can tell the Edinburgh reaction seems to mirror reports from Cannes - they feel, "Why have programmers subjected us to such inferior quality film-making?" Director Clay Hugh can talk the talk but has not developed artistic vision. His replies about holding up a mirror to life to tell the truth about things that are swept under the carpet, even his defence that there is little plot development because he didn't want to do a standard Hollywood movie - all are good answers to criticisms, but unfortunately they do not apply to his film, any more than they do to holding up a mirror while someone defecates, or wastes film while playing ineptly with symbols. Wanting to try and give him the benefit of any lingering doubt, I spoke to him for a few minutes after the screening, but I found him as distasteful as his movie and soon moved to the bar to wash my mouth out with something more substantial. There are many truths. One aspect of art is to educate, another to entertain, another to inspire. I had asked him if he had any social or political agenda and he mentions Ken Loach (one of the many great names he takes in vain) without going so far as to admit any agenda himself. He then falls back on his mantra about his job being to tell the truth. I am left with the feeling that this was an overambitious project for a new director, or else a disingenuous attempt to put himself on the map by courting publicity for second rate work<br /><br />Andy Warhol could paint a tin of soup and it was art. Clay Hugh would like to emulate the great directors that have made controversial cinema and pushed boundaries. Sadly, his ability at the moment only extends to making high-sounding excuses for a publicity-seeking film.
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Question: Does the following movie review have positive or negative in sentiment?
Review: It has been almost 5 years since the release of this stylish action flick.I have watched this movie almost 10 times and it a great effort by Gautham.From my perspective,I feel this movie is virtually flawless. Surya as ACP Anbuchelvan-no doubt..classy.Jyothika played her role as Maya very well.The character suits her very well.The character that caught movie-goers attention was Pandia.Jeevan played the role of Pandia very well.Brutal and fearsome.Jeevan deservedly received the Best Villain award in the ITFA 2004.The supporting cast of Daniel Balaji,Devadharshini and other performed well.<br /><br />Racy screenplay,perfectly-timed dialogues and brilliant narration by Gautham.The soundtrack by Harris Jeyaraj are all chart-busters while the BGM suits the movie very well.Cinematography by R.D. Rajasekhar is rich.Peter Hein choreographed the stunts well.Anthony's editing is precise.Above all,Kaakha Kaakha is a perfect cop film filled with right doses of action and romance.<br /><br />Even some Hollywood film cant compete with Kaakha Kaakha...undoubtedly.
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Question: Does the following movie review have positive or negative in sentiment?
Review: A comedy of epically funny proportions from the guys that brought you South Park, and most of the guys from Orgazmo. This vulgur, obscence movie has utterly disgusting, eggotistical, and satirical content. It portrays incredibly cruel treatment of humans and animals. I LOVE IT!!!!! This is some funny stuff. Really funny. Two loser friends create a game in thier driveway, which explodes into a national sensation. Corruption and greed and blackmail turn the sport sour, and its up ta Coop ta fix it. And along the way, you will laugh. Alot. That's all there is. Enjoy!!!!
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Question: Does the following movie review have positive or negative in sentiment?
Review: These slasher pics are past their sell by date, but this one is good fun.<br /><br />The valentine cards themselves are witty, and well thought out.<br /><br />The film has one Peach of a line... "He's no Angel...." when he in fact IS Angel!!! Watching Buffy reruns will never be the same!<br /><br />The cast is a sizzling display of young talent, but the story does not give them enough real depth. Denise Richards on the DVD extras seemed to think the girls on set bonded well together and this would give the feeling that you empathised with their characters. Sorry but NO!<br /><br />The direction is very good, managing to show very little actual gore, and relying on your imaginations implied threat. Much can be said also for the similar manner in which Miss Richards and Heigel do not remove their clothes...:-(<br /><br />Essentially, the main directorial plus, lies within the "borrowing" of various other ideas from previous slasher flicks. Psycho's shower scene is tributed, along with Halloween's "masking". <br /><br />Murdering someone hiding in a bodybag though is a pretty original one as far as I know!!!<br /><br />Light viewing, not very scary but a few good jump moments. If it was a choice between The Hole and this though, choose The Hole. Slasher movies have had their day, and this is just another slasher. A very good slasher, but nothing groundbreaking!!!
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Question: Does the following movie review have positive or negative in sentiment?
Review: Charles Bronson stars as Lt Crowe a police detective who declares war on a pimp named Duke (Juan Fernandez) who kidnaps the daughter of a Japanese businessman who is the man who sexually harassed Crowe's daughter (Amy Hathaway) in this sleazy yet stylishly helmed revenge thriller. Kinjite may not be for everyone with it's somewhat disturbing plot threads but it is well made and indeed entertaining.
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Question: Does the following movie review have positive or negative in sentiment?
Review: Harvey Keital's best performance so far the new century. Very nicely photographed, a beautiful snap-shot of pre-Castro Cuba. The story revolves around the nephew of a local minor crime boss who develops a friendship with an American with Hollywood connections. It's really about the moment when a boy awakens to the fact that the small circle of people he knows actually live in a much larger, much more complex world that he doesn't yet understand.the script is strong and filled with humor, the direction is crisp. Over all, a really professional job that fits in well with the tradition of Latin American cinema. The one weakness is the decision to shoot in sync-sound English rather than Spanish - probably to improve sales in the US. Unfortunately, this just makes the film a little less convincing. But if you can see beyond this, you will find a heartfelt trip to another world. Recommended.
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Review: This a superb self-contained work that is unconnected with anything before or after. Brat Pack crooning and club exclusivity are not my biscuits of choice, but in this law-free world they make an alluring ambiance. The film is packed with Our Guys, distinctive actors who add distinction to this work with winning performances. The dialogue is a joy. In fact it's a new vernacular. One of the few films that can be watched repeatedly with deepening appreciation.<br /><br />Highpoints include Billy Idol's British loutishness, Ben London's vulturine brassware, Kyle's squirmishness, and the survey of ad hoc philosophies.
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Review: This movie is tremendous for uplifting the Spirits.<br /><br />Every time I watch it, I see & hear funny little things that I missed before.<br /><br />The soundtrack is unbelievable. Mick Jones (Foreigner) and Chris Difford (Squeeze) penned the songs, making Strange Fruit the best thing that ever hit today's music scene.<br /><br />Unfortunately, Strange Fruit are a strictly fictitional washed up '60's to 70's band that were never good to begin with, due to drug use and inner fighting. One wonders what might have been, while listening to their fanatstic soundtrack.<br /><br />The Fruit draw inspiration from The Rolling Stones, Deep Purple, David Bowie, and The Who.<br /><br />Each member of Fruit are quite memorable. Stephen Rea stars as down-and-dead-broke Tony Costello, who is asked by a festival promoter to reunite his band for a reunion tour, with hopes of reaping monetary benefits. Costello haply approaches ex-roadie Karen Knowles, played by Juliet Aubrey, to help him rekindle the flame of a dream long past.<br /><br />Juliet gathers up the bitter Jimmy Nail (Les Wickes), blundering Timothy Spall (David 'Beano' Baggot), and extravagantly glamouresque Ray Simms (Bill Nighy). Tumbling in is another ex-roadie, the hippy-toker-jokester Hughie (Billy Connolly), who never let the flame burn out.<br /><br />As Juliet searches for the last member of their motley band, the elusive guitarist-songwriter Brian Lovell (played by the brooding Bruce Robinson), the reunited members squabble, just like old times, fighting over each others' rusty talent.<br /><br />The band is then given the chance to do a small Dutch tour, to prepare for the festival. With young Hendrix-like Luke Shand (Hans Matheson) taking the place of Lovell, the crew hits the road. The sparks fly as their memories flame forward, threatening to burn their unfinished goals...<br /><br />Be prepared to laugh, sing, cheer, and cry, as these memorable characters etch themselves back into your hearts...
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Review: After all the crap that Hollywood (and the Indies) have churned out, we finally get a movie that delivers some scary moments. There are some clichéd moments, but I'm not sure it's possible nowadays to make an entirely original movie. There's not much new here...it's just done well.<br /><br />Make sure and pay attention, as the "subtle" scares come quickly and often. This is not a movie to watch while you're eating pizza.<br /><br />There's one very well-written red herring in this movie and, unfortunately, one very poorly-cast role. Cheri Christian just doesn't make an effective Julie (the wife/mother). For one thing, she's totally unsympathetic. I know, I know...she's just gone through a traumatic experience. But the viewer never gets to know her as she "normally" is and the relationship between her and her husband is rather discomforting (in an unintentional way). I think that the director had meant for us to have some sympathy for her, but I never did.<br /><br />Finally, a thumbs-up for the ending, which is both disturbing and satisfying. It could easily have been cheapened with a sound effect at the beginning of the end credits, but the director wisely resisted.<br /><br />This is not a masterpiece by any means, but it IS a good, old-fashioned scary movie...something that's rather rare nowadays.
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Review: when i first heard about this movie i thought it would be like The Duchess(2008), but when i saw the first 30 minutes of The Young Victoria i knew this wouldn't just be a solid movie. Almost everything in this movie is great, the costumes are really amazing and the settings are also beautifully shot.<br /><br />The only thing that really let me down are the performances. Emily Blunt(The Devil Wears Prada) is the star of the film, bringing Victoria to life and with this movie she shows that she is a great actress and maybe picking a first Oscar nomination for her performance. Rupert Friend is almost bland as Prince Albert but he has great chemistry with Emily Blunt. Paul Bettany is also solid as Lord Melbourne although i expected more of him. Jim Broadbent and Miranda Richardson both have supporting roles but are forgettable.<br /><br />To me the film feels like unfinished. Maybe that the screenwriters changed too many things in the script, i don't know but that's how i feel about the movie.<br /><br />But overall it's a great movie about the early years of Victoria with a Great performance from Emily Blunt.
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Review: Unless I'm sadly mistaken, I rented A Nightmare on Elm Street 3 several years ago and there was a music video, I'm pretty sure which was called Dream Warriors, at the end of it, and I rented this one on DVD hoping that the video would be there because it was one of the funniest things I've ever seen. It's amazing how stuff from the 80s is so funny now, but nothing is funnier than 80s rap videos. There was this rap group singing that song Dream Warriors on the VHS version of this movie after the credits, and they're all wearing like denim jackets with no shirt underneath and form fitting jean shorts that are all frayed at the bottoms like Daisy Dukes. What could make a rap group look more foolish I can't imagine.<br /><br />(spoilers) At any rate, I was disappointed in looking for that video on the DVD version, so all I had was this mediocre installment in the Freddy Krueger series. The movie sort of starts off with the same idea as part 2, with the main character witnessing all kinds of gruesome murders and then sort of coming out of a trance and finding himself with the bloody hands. Kristen Parker (Patricia Arquette) has a nightmare about the infamous house that Nancy Thompson used to live in, then runs to the bathroom, the sink's handles turn into Freddy's hands and attack her, and then she wakes up standing in her bathroom having slit her own wrists. From there, the movie turns into the usual mental hospital installment. <br /><br />`Larry' Fishburne, tired of always playing the bad guy in his roles, was happy to take on the role in this film as a nice-guy orderly, stern but accommodating when the patients want to bend the rules a little. Not surprisingly, he turns in what is by leaps and bounds the best performance in the movie. Arquette later goes on to become an accomplished actor, but had not perfected her acting skills when she starred in this film. The characters in the movie are mostly all patients at the mental hospital that Kristen is placed into after cutting her wrists. All of them are cynical and uncooperative, almost none believing that they really belong there at all. Eventually, they realize and are able to convince the staff that they are all having dreams about the same man and it's not just some kind of group hysteria.<br /><br />Heather Langenkamp has returned in her famous role as Nancy Thompson, this time grown up into a dream researcher as a result of her childhood experiences involving Freddy Krueger. Not surprisingly, she is able to quickly relate to the hysterical Kristen and the rest of the patients, since she had experienced exactly what they're going through. There are some interesting murders in this installment, and the technology used for the special effects have taken a huge jump. There is a gigantic, worm-like Freddy that tries to swallow Kristen whole, there is a scene where a television turns into Freddy and with mechanical arms he picks up one of the patients there for some late night entertainment and punishes her for sitting too close to the TV, but there is also an unconvincing go-motion scene where a couple guys have a fight with Freddy Krueger's skeleton, which has been rotting in the trunk of some car in a car junkyard. And one of the more groan-inducing scenes was one where Freddy attacks one of the patients in his dream (the one famous for sleepwalking), tearing the muscles and tendons out of his arms and legs and leading him around like a puppet. Ouch.<br /><br />We get a peek into Freddy's past in this installment. Not only do we meet his mother, but we also find out the circumstances that led to Freddy being fathered by more than 100 maniacs. In fighting Freddy, the patients all band together and, in their dreams, use their special powers (most of which reflect their shortcomings in real life) to fight him. One student, bound to a wheelchair, is able to walk in his dreams, another has the hilarious powers of what he calls the `Wizard Master,' another is `beautiful and bad' (she has lots of makeup, her hair stands up in a foot-high Mohawk, and she has knives). Clever, but the movie falters when it has only one of the patients, the one who can't speak, not have any powers in his dreams until the climax of the movie, when he suddenly realizes that he can talk in his dreams (at just the right moment to save the day). His dream power was a little too obvious to have been left out for that long, but collectively, now you see why the movie was subtitled Dream Warriors.<br /><br />Altogether, this is not an entirely weak entry into the series. The acting is pretty shoddy, but it's actually pretty good for a horror movie. Larry Fishburne vastly overshadows the rest of the cast, displaying wonderful acting skills early on in his career, and the movie is not simply a rehash of either of the first two a problem that plagues the Friday the 13th movies much more than the Elm Street films. The characters are never developed enough to allow for the later creation of much tension, which is why most of the deaths come across more as creative ways to kill off someone in a horror film than the tragic loss of the life of one of the characters that we've come to know and root for their triumph over evil. But then again, not a lot of horror movies take the time to really develop their characters to the point where you throw up your hands in defeat when they are killed, or are on the edge of your seat as they run for their lives. But it's important to note that the few horror films that actually do that are almost invariably the best ones
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Review: Sidney Stratton is having trouble maintaining jobs at various textile mills mainly because of his experimentation in the textile laboratories. Stratton's experimenting on a formula for a new fabric which would create the ultimate fabric, one that never gets dirty, never wrinkles, or wears out. When Stratton eventually creates the fabric he creates enemies in all the textile workers (who will lose their jobs) and the owners (who will lose money since one mill has the exclusive rights), so Stratton in his white suit becomes the most hunted man in England. The film is ideal and only Ealing could have made it so. Guiness' performance (and a great supporting cast such as Greenwood, Thesiger, and Parker) and Mackendrick's direction make the film a delight, but the real hero is the story itself, a nice satire on business and industry with additional elements of drama, romance, and suspense. Rating, 8.
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Review: Mr Michael Jackson is an artistic phenomenon. His short movies, i.e. music videos, are simply the best. I do not care if I get a sane sci-fi feature from this man, but I do care to get a medley of his crazy dancing, shriek yells, cool crowd choreography, and some bits of CGI and animation. There also should be a few uninterrupted videos. Everything I've mentioned is here. Stupid plot and over-the-top "vanity fair" are not a problem when I witness Mr Michael Jackson in action. To me he will always be the ultimate king of music videos (not "king of pop" which sounds moronic, especially for us, Russians, because "pop" sounds like the Russian word for "arses" and MJ is definitely not "king of arses"). I can re-watch his best music videos (which are artistically beautiful) and I never get tired of them.<br /><br />My first impression of this film was "What is this...?" (bits of different videos, some drawn images, unsettling jumps from one theme to another, absence of any cohesive plot line, some kids fooling around, etc.) but as I watched it till the end, I could tell that it was great and really nothing like anything else shown on TV nowadays. What I like here too is that it never shows any shameful material and can be watched by kids easily.<br /><br />Without Mr Michael Jackson the universe of music videos would be rather poor. Even the best classic videos of other artists cannot come very close to the energetic hyperbole of MJ musical insanity and artistic quality. He knew how to get the audience of different ages and he knew how to remain a man with moral principles.<br /><br />When I see a proper DVD release with Mr Michael Jackson videos I know that it deserves to be purchased even if some clips have already appeared in some other previous release. "HIStory I", "HIStory II", and "Moonwalker" are all great, though only "Moonwalker" is more like one movie (with a solid "Smooth Criminal" theme, "paparazzi" topic, and a few weird spoofs and twists).<br /><br />Being no fan of MJ I can still give this "film... like no other" a solid 9 out of 10 (I've been hit by "Smooth Criminal" for sure and my major complains are the following: initial segments of the movie could have been dropped while the main "MJ anti-drug campaign" should have been given more "sky-rocketing insanity and stress" and there should have been more "moonwalking" itself of course). Thanks for attention.
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Review: Hitokiri (which translates roughly as "assassination"), a/k/a "Tenchu" which translates roughly as "divine punishment") showcases Hideo Gosha at the top of his form. Do NOT miss this one, or Gosha's other classic, Goyokin! Hitokiri is not only one of Gosha's best films, it's one of the best "samurai/chambara" films ever made, and perhaps one of the best Japanese films ever exported.<br /><br />Be warned, all of the intricate plot details in Hitokiri can be a little hard to follow for those unfamiliar with 19th century Japanese history. Even so, the underlying human drama is obvious and open to all viewers. As per the norm for Gosha, Hitokiri provides yet another variation on his traditional theme of "loyalty to one's lord" vs. "doing the right thing". However, Gosha develops his favorite theme with such sophistication, that it's really _the_ movie to see (along with Goyokin, of course).<br /><br />I suppose it breaks down like this: If you want a simpler, more action-oriented tale, you might want to see Goyokin. However, if you want a more thoughtful, multilayered (albeit grim) drama, see this one.<br /><br />(OK, OK, essentially, the historical backdrop is a massive power grap between many different samurai clans who are either (1) working to reform, yet retain, the Tokugawa Shogunate, and (2) those who are trying to install the Emperor Meiji as the supreme ruler of Japan. Of course, those clans working "for" Emperor Meiji were often less interested in "reforming" Japan than in ensuring their own clan more power in the "new world order". Ironically, the entire feudal system was officially abolished as one of the first reforms of the Meiji government. It's ironic twists like this -- Gosha's big on irony -- that make the entire plot all the more bittersweet.)<br /><br />What distinguishes "Hitokiri" from Gosha's other movies is Gosha's mature sense of cinematography. Every shot is thoughtfully composed, and (much like Kubrick's Barry Lyndon) each frame of the movie could hold its own as a still composition. Of course, this is typical Gosha. Hitokiri really stands out with stunning backdrops, including(as with Goyokin) many riveting seascapes. Just watch the opening sequence, and you're hooked! Make no mistake, this is no English period piece: Hitokiri is extremely violent (don't say you weren't warned).<br /><br />What else, other than cool camera work, makes Hitokiri stand out? The performances seem (to me) a bit more subtle in this one. Katsu Shintaro (of Zatoichi/Hanzo the Razor fame) turns in a star performance as the conflicted protagonist/antihero, Okada Izo. Katsu manages to instill humanity to a character that seems almost more wild animal than villain. Throughout the movie, you're never quite sure if you're engaged or revolted by Okada's character. At the same time, Katsu's portrayal of Okada's ravenous hunger for respect, and his later pathetic attempts at redemption, seem so human that you can't help but feel empathy/sympathy. Of course, after seeing Nakadai Tatsuya play the tortured hero in "Goyokin", it's great to see him play such a ruthless villain in "Hitokiri". He's just perfect, there's nothing more to say!<br /><br />As a final note, perhaps more interesting to buffs than to casual fans, don't miss the last screen appearance of Mishima Yukio (yes, the closeted gay right-wing ultranationalist novelist who committed suicide by seppuku before the crowd of jeering Japanese military personnel he "kidnapped" in 1970, and had a movie on his life and work made by Paul Schrader), who actually does a pretty solid job of portraying the honorable (for an assassin) Shinbei Tanaka.
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Review: From the Q & A before and after, this is what I could gather: Some Irish guy wants to make a movie. Nothing in particular, just any movie. So, one night at a party, he hears some ex-roadie tell him a classic bit of rock n' roll lore; the one about how Gram Parsons' corpse was stolen from LAX by his loyal roadie so he could honor Parsons' wishes that he be cremated out in JoshuaTree. Wow!<br /><br />What a great idea for a movie! Rock n' Roll (well, country), grave robbing, escapes, friendship, the 70's! I guess we could get Johnny Knoxville from "Jackass", cause it's kind of a prank, right, and Knoxville wants to do "a movie" too. Why he must have thought he had the next "Snatch" on his hand!<br /><br />But this story's not really that exciting...we need something for Knoxville to struggle against.like a psychotic girlfirend after his money! But Parsons' was married at the time. That's O.K., no one knows that. Besides we could get Christina Applegate. But what if the audience doesn't like the idea of stealing a corpse.well, we'll get his dad to join the chase, but give permission in the end. But Parsons' dad killed himself when he was 10, in fact his orphan status, and tragic childhood, are key parts of the Parsons Mythology. Mythology? We're making "A Movie!" This is creative problem solving.<br /><br />It's an uncomfortable experience for anybody even vaguely knowledgeable on or interested in the subject. Applegate's presence is doubling jarring. First her invented character is a Beverly Hills bitch before her time -she might as well have walked around the whole movie a cell phone in her hand, and secondly, what kind of man would Parsons be if he ever associated himself with that kind of harpy? Facts aren't just distorted or left out, but REVERSED. They could have easily found the villain they wanted in Parsons STEPfather, who was attempting to whisk the body back to his home state where law would favor him in dividing up the considerable inheritance.<br /><br />And the music, oh, the music I love. The music is hacked up (the bridge of a song here, the chorus there), forced to the background, and in the end, horribly covered by the hippest new indie band, Starsailor. My girlfriend asked the unnecessary, but irresistable question after the movie --was anyone up there, the writer, the producers, the director, actually a Gram Parson's fan? Well, no. He'd never actually heard of Gram Parsons, but of course, blah blah blah, I learned to love it, and here's some factoids I read in a bio online. Another guy vouched for Parsons' coolness by saying he and Keith Richards tripped on acid together and wrote "Wild Horses" together, a mixed up bunch of facts as off-base as the movie. Another person asked, wasn't it morally questionable to rewrite history when most people would only know about it from this film? Well, he had the real roadie's permission (he was even set) and the Parsons estate gave permission, and all these other people who got paychecks said it was great.<br /><br />But what I really wondered was, and asked in the embarassingly trembling voice of a truly impassioned Parsons geek, was, if the movie's so cheaply made (a million), had they not considered the original Gram Parsons fanbase as an audience? The director and writer seemed to think he was a nothing figure with no fanbase, though I doubt any Mojo magazine reading, country-rock 70's music fan would agree. But a bunch of Brits made it I guess, and they just didn't care about Cosmic American Music, or even knew it existed. This isn't just not a truthful Parsons flick, it's not even in the right spirit -it doesn't even fit the legend. At the very least it should have had the sentimentality of one of his songs. And plenty of people would love to be told.<br /><br />I should mention the movie was received well from the bunch of stoned college kids, just off the slopes, and into Johnny Knoxville. But if you're a Parsons fan ignore the title, it's just a movie for Jackass fans.
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Review: Yes, it can be done. John De Bello and Costa Dillon cleaned out the garbage of their minds and come up with the worst comedic, horror , Sc-Fi musical. If there is any acting, it is terrible or way over the top. Special effects; take your pick...very low budget or kindergarten. Every cheap cliché thought of is used. No doubt a fun movie to watch. Worth a cold six-pack or two. Point the finger at radiation if you need an excuse. Mutant tomatoes grow to almost the size of a tow truck and begin attacking mankind. San Diego is a good place as any to start. Scientists and an absent minded military must find the way to stop this red rolling menace. This cult favorite features: David Miller, Eric Christmas, Al Sklar, Tom Coleman, Sharon Taylor and John Qualls.
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Review: Richard Pryor's early 80s running down the street on fire incident must have affected him somehow. In his stand up,he jokes about it getting great laughs. It seemed to have done something involving the projects he chose. The Toy is about the lamest he ever chose,aside from I guess Another You.<br /><br />A movie where a white man buys his son a black man? Nice little bit of underlying political incorrectness before thee was such a thing. It's seeing Richard getting all sentimental that made me finally walk out before the end. I wanted to see Pryor get even with this brat,instead it becomes the misunderstood kid nauseum! At least Gleason had his moments. Ignore this and watch Pryor with Gene Wilder or any of his '70s stuff. This is a waste of any movie watcher's time!
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Review: I can remember watching this for the first time, when I was 9 years old. I wanted to be one of the "barbarian brothers". This movie is still great. One original aspect was that the fight scenes where very short. Implying that the "barbarian brothers" where so good that they finished there enemies off quickly! Plus, you have chases, a cage fight, a dragon, and yes even a bar brawl! <br /><br />Yes, the acting is bad so that's why it's not a ten, also the story line has received a lot of criticism. I think it is quite original. Not to many movies in it's genre have the same original story lines, or colorful dialogue. <br /><br />I definitely recommend this film.
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Review: MINOR SPOILER<br /><br />Underrated little Stephen King shocker. It's not perfect, by any stretch of the imagination--even if the limp performances of Dale Midkiff and Denise Crosby were better, there'd still be the mismanaged mystical story elements to contend with. The old Micmac burial ground, Rachel's terminally ill sister, and the Jacob-Marley-an Victor Pascow never really come together into anything coherent, and the film in places feels confused and overstuffed. But few horror movies really are perfect, and what this one may lack in other areas it makes up for in its willingness to shock. `Pet Sematary' may actually be one of the cruelest horror films in recent memory, with its murderous zombie baby and its insanely insensitive portrayal of Zelda. It's politically incorrect, it's tasteless, it's gratuitous--and yet it makes us squirm with revulsion in a way `safer' horror movies never can. Add to that one of Fred Gwynne's best performances and Mary Lambert's witty direction, and you have an intensely satisfying scary movie--even with the hokey ending. Highly recommended for genre fans. 7.5 out of 10.
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Review: Deliverance is the fascinating, haunting and sometimes even disturbing tale by James Dickey, turned into a brilliant movie by John Boorman. It's about four businessmen, driven by manhood and macho-behavior, who're spending a canoeing weekend high up in the mountains. Up there, they're faced with every darkest side of man and every worst form of human misery...poverty, buggery and even physical harassment! These four men intended to travel down the river for adventure and excitement but their trip soon changes into an odyssey through a violent and lurking mountain-land, completely estranged from all forms of civilisation. All these elements actually make Deliverance one of the most nightmarish films I've ever seen. Just about everything that happens to these men, you pray that you'll never find yourself to be in a similar situation. Pure talking cinema, Deliverance is a very important movie as well. John Boorman's best (closely followed by Zardoz and Excalibur) was - and still is - a very influential film and it contains several memorable scenes that already featured in numberless other movies. Just think about the terrific "Duelling banjos" musical score and, of course, the unforgettable homosexual "squeal like a pig" rape scene. All the actors deliver (haha) perfect acting performances. Especially Jon Voight. A must see motion picture!!
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Review: If you like to be entertained, do not go see this movie. If you like to see heroics of war, do not go see this movie. If you like to see good acting and an excellent screenplay, do not go see this movie. If you like typical hollywood war films that end just in time to give a politically charged appeal to the public about the greatness and glory of war, GO SEE THIS MOVIE. Otherwise, don't waste your time. I am always interested in war movies because I think that if they are done well, they can TEACH us something about the paradoxical and worthless qualities of war. This film shows a bunch of guys running around the countryside, saying whorrible cliche lines, doing the most predictable things, and defending the oppressed with the same exact force and brutality that was being given to the oppressed. This film is a disgrace to filmmaking and to the United States of America! Can you imagine being a person from Europe or Africa, or any other country and watching this, being told that this is how Americans truly are? No wonder everyone hates us! Please, please, please, don't waste your time on this piece of junk; if you must, wait and rent it. 4/10
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Review: While I don't consider myself a big fan of fairy tale movies, Stardust intrigued me based on seeing Michelle Pfeiffer in the trailers as a villain (especially since I was about to see her as the bossy Velma Von Tussle in Hairspray). Boy, is she so convincingly evil here as a witch, especially with her age-ugly makeup in the beginning and end! Robert De Niro is also great as the pirate captain who's forced to hide "in the closet" to protect his "reputation"! Just about all the actors like Claire Danes, Rupert Everett, Ricky Gervais, Peter O'Toole and many others do fine work here. While Danes and Pfeiffer are classic beauties, there's also stunning faces of Sienna Miller, Olivia Grant (as Girl Bernard), and Kate Magowan especially when we first meet her. Newcomer Charlie Cox is fine as the lead Tristan and he looked so much like his father Dunstan as a young man that I thought that was him in early scenes with Magowan (actually Ben Barnes). Many comments have compared this to The Princess Bride and while I can see some resemblances, the main difference was that with PB, you always knew it was just an imaginary tale as told by an old man to his grandson. Stardust makes you believe, for the most part, that what you're seeing and hearing could have actually happened even with all the hilarity that happens throughout. So on that note, I highly recommended Stardust.
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Review: I consider myself a huge movie buff. I was sick on the couch and popped in this film. Right from the opening to the end I watched in awe at these great actors, i'd never seen, say great word. The filming was beautiful. It was just what I needed. I hope that this message is heard over any bad comments written by others. The Director has a heart and it beats with his actors throughout. Thanku for making a film like this one. Just wonderfully awkward, beautiful kind characters who are flawed and graceful all at once. Just great. I can't submit this without 10 lines in total so I will simply go on to say that I wish for more from this director, more from all the actors in this film and more from the writer. I didn't want it to end. The end
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Review: Jet Li, is one of the best hand to hand combat fighters in the world. He has been for over 20 years and he puts others in the genre to shame. While he is big in Asia, he is almost unknown here in the US.<br /><br />Black Mask is supposed to be a breakout movie for him, but it fails horribly. First of all, it is dubbed. While it may have camp value (the dubbing isn't even close and it is flat in tone), it seems inappropriate for the ordinary movie viewer. Secondly, the director in this movie, Daniel Lee, does a horrible job. He cuts scenes so fast, at times, you don't know what's going on. Other times, the camera shakes and wobbles. Fans see Jet Li's movies for the fantastic martial arts. However, the director edits the scenes so fast that you don't even know who's who half the time! Other times, a scene is left hanging (ie Li is beginning to cut a hole in the floor of a jeep, while the badguys arm their guns, two seconds later, both Li and the love interest are already under the car!) Other scenes are so improbable, that they cross over the point of being completely ridiculous (killer CD roms? Just give him Throwing Stars!!!!). Li, needs a director who is less prone to machine gun cutting and more to creating a cinematic mise-a-scene. The added rap/techno music goes from being okay to intrusive. The plot has possibilities but are all squandered by cartoonish characters that take away from any credibility that this movie strives for. And are we really to believe that the love interest would not recognize Simon, because he has a half mask on? Wouldn't the hair, lower jaw, or voice give it away?<br /><br />If you want to see a Jet Li movie, try Iron Monkey or his classic Shaolin Temple. This disjointed mess is a complete waste of time.....2/10
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Review: Most of the French films I've seen - and enjoyed - were more talk than action, but that's okay. I found them interesting, well-photographed and with intriguing actors. (However, I did at one point wonder if Gerald Depardieu was in every French film ever made! It seemed that way.)<br /><br />This movie has the same interesting visuals and had a good opening. But then it became talk, talk and more talk....which is fine for a drama but not for a murder mystery. After awhile, I almost fell asleep watching this.<br /><br />Actually, the film was more like a play with almost all the scenes played out in one room. Thus, if you love plays, you should like this...but I want a little more bang for a murder story.
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Review: Poorly structured, badly written, loaded with cliches and flat dialogue. Not a single scene shines. The actors struggle with a painfully dull scenario that manages to completely avoid any surprises, plot twists or conflict. You know from the first ten minutes where it's going.<br /><br />For a movie set in NY, it has almost no feeling for the city. There are a dozen other indie movies that manage to make it seem magical on a small budget. This one seems like it was shot in Toronto.<br /><br />If you cast Natasha Henstridge, why dress her in baggy sweaters? Why make Vartan look boring and drab? Where's the attraction? I felt like I was watching a sub-par Christian movie of the week it was so asexual and moralizing.<br /><br />Steven Feder's big success is that he convinced people to make this bland movie.
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Review: A bondage, humiliation, S&M show, and not much else. The plot is flat, really just a banal setup for the stylishly depraved set-pieces. The host of the aforementioned show, a silly little man who spouts drivel while prancing around the stage in dresses, was almost as painfully distracting as the attempts at artful editing. The dream-like ending felt tacked on. To the film's credit though, Aya Sugimoto was fairly convincing as the tortured lead. Flower and Snake has been compared with Eyes Wide Shut but aside from some minor surface similarities, Kubrick's is easily the more layered, artistic, and atmospheric picture.
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Review: this is quite possibly the worst acting i have ever seen in a movie... ever. and what is up with the casting. the leading lady in this movie has some kind of nose dis-figuration and is almost impossible to look at for any period of time without becoming fixated on her nose. you could go to your local grocery store on a Sunday afternoon and easily find 50 more qualified, better looking possible leading ladies. i made the unfortunate mistake of renting this movie because it had a "cool" DVD case. This movie looks like it is just some class project for a group of multimedia students at a local technical college. i would rather have spent the hour or so that this movie was on watching public access television... at least the special effects are better and the people on there are more attractive than anyone you will see in this film
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Review: this movie was definitely the worst movie i've seen in my entire life, and i've seen some pretty bad movies. i didn't like the way this movie was filmed. all of the actors are unknown, and it looks as though a bunch of friends got together and decided to film their own movie. but it's absolutely horrible. i've never seen a worse movie. the story is so fake, and i just found that it took a really long time to get to the end of the movie. there was no plot, it looked as though it wasn't planned out before they started filming. the story is too weird. i didn't like how slow it took to get to the point of the movie. there was no point in even filming this movie. if you're considering watching this movie, don't. you're just wasting your time.
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Review: This movie is among my favorite foreign films, some of the others are Amilee and My Life As a Dog. The similarities with those movies as with so many great foreign films, is that it takes a mundane slice of life and transforms it into a profound heartfelt lesson. <br /><br />In Japan, a man who is bored with his mundane life and the rut of his married life, sees a beautiful Japanese woman staring out the window of a dance studio. In the instant that it takes his train to pass, he is enthralled by her. But is it only by her beauty, by her faraway glance, or a connection that they will both discover that they share? <br /><br />Shall We Dance has memorable wonderful characters who have to deal with painful realities by transcending them through the world of dance. Breaking traditional moulds and stereo types of Japanese society, they risk all for happiness and find that joy is not too far away. It is one of those movies that is so magical and meaningful and, in itself, transcends the mundane by showing the true magic and miracle that life can be.
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Review: Geez! This is one of those movies that you think you previously reviewed but you didn't. I mean, you didn't give a crap about it but somehow it came to your mind.<br /><br />To be honest and brief; this is one of the worst, boring, and stupid slashers ever made. I can't say anything good about this piece of crap because there are barely decent sequences that could tell it's made by professional film makers.<br /><br />The death scenes are horrible, bloodless, stupid. The plot is somehow good taking in account that it copied "Popcorn" from 1991.<br /><br />To make things even worse, this isn't a movie so bad that it's good. It's just plain bad.<br /><br />Molly Ringwald tried to do her best but it wasn't enough.
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Review: I was always curious about this film because it is so tough to find, so when I stumbled upon it on Ebay I forked over the $10 and bought it, now I understand why its so rare! This film is SO bad, so terribly written and hopelessly low budget that the ending credits, which show all of the cut scenes where they fumbled their lines, are literally the movie's highlight. The film is about a psychic (Pettyjohn, cast for one obvious reason, her topless scene) whom uses her powers with an experimental machine to pull objects from another dimension into this reality. When she pulls in some kind of box like object the military nonchalantly throws it into the open back of a truck with one soldier to guard it, and gee, what do you know? SURPRISE! A kid in a foam-rubber monster costume pops out, instantly kills the soldier with a scratch across his face, then escapes to a nearby city. But rather than deploy half the armed forces of the county to find it and protect the public those in charge just leave it up to Pettyjohn and Ray to find it on their own, but no matter, this movie blows all its credibility LONG before then. This barely escapes being voted a 1 by me only because of unintentional laughs, somebody needs to alert the producers of "Mystery Science Theater 3000" if they don't know about it already! 2 out 10, really, REALLY bad!
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Review: I'm not quite sure why, but this movie just doesn't play the way it should. It should be humerous and fun, but instead is just boring. I think a large part of it is because they way over played the "gadgets." The old cartoon it is based on is much better.<br /><br />3/10
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Review: My scalp still smarts from the burning coals heaped on it when I vowed I love this film. Bring on the coals; I'll walk over them as well to say again that I love "Bend it Like Beckham." Granted, there's a lot of "in spite of" in that confession. It's a bit movie-of-the-week; the screenplay is on the paint-by-numbers side. And, most troublingly, the director's commentary implies that in this film beauty can be found primarily amongst the white of skin.<br /><br />The film's genius is not in what's obvious to the Syd Field-doctored eye: character arcs, themes, construction. It's in both the surface and what lurks deep beneath, but not in those layers of artistic topsoil that reviewers seem most often to scratch at. Powerful, sometimes semi-clad female bodies not simply on display but kicking the crap out of a football do a better job of naturalizing female strength and agility than Lara Croft or Zhang Ziyi will ever do. These are real bodies (Keira Knightley's excepted) whose work is not to look great first and kick butt later. They are working bodies whose beauty is in their movement and self-determination. And, in my book, lead actress Parminder Nagra is one of the most gorgeous creatures ever captured on screen not only because she can lay claim to that hackneyed adjective, "luminous," but because her performance has an honesty and un-bookish intelligence that's utterly compelling.<br /><br />The result is a film women can enjoy without feeling like they're making a pact with the devil to do so. As in Chadha's "Bride and Prejudice," the relationships amongst women sizzle with a chemistry that can't be neatly slotted into the stodgy, Sweet Valley High categories of "best friends" or "sisters." Perhaps Chadha is even right in her commentary to disavow the film's flirtation with lesbianism. "Bend it Like Beckham" has an electricity that can't be reduced to the simple hetero/homosexual love triangle its conventionally structured script would suggest. The precise nature of its pleasure is, ultimately, a bit of a mystery and is all the more seductive for it.<br /><br />Oh yes, and did I mention that it's hilarious?
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Review: This movie is great! Brad Pitt will never be able to out act the performance he gave in this movie. Duchovny was top notch, as was Forbes and Lewis. The 4 main characters embark on a scenic road tour of historic murder sites, in one of the coolest cars ever made, 1960's model Lincoln Continental. Early Grace is a simpleton with a taste for dry toothbrushes and carnage. He likes his women to not curse or smoke, and wear PWT dresses. Duchovny and Forbes are a pair of artists from the city, while Early and Lewis are Trailer parkers from the rural outskirts. Even though the majority tone in the film is dark, there are plenty of funny scenes to be had. The writing, directing, and acting are brilliant. If you like road movies, murder, humor, and narration, watch this film. Everyone delivers, and you will want more when the credits roll. One of my all time favorites. "hey...shave that dog n teach it to hunt!"
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Review: This is without a doubt one of the worst movies EVER, I emphasize, EVER made. What´s worse, my old hero Dolph is in it and he´s starring it. Jesus... The story is actually quite good but the way it´s carried out made even my body hurt. The fighting scenes for starters are about as well choreographed as a fight between two drunks slugging it out in the gutter. The actors, except for Dolph who kinda sucks also, perform so badly you can´t help but wonder if their reason for being there is that they´re all friends of the director, who by the way must have been absent most, if not all, of the time. This is §12 million spent in an unimaginable way, because by the look of the effects and scenery, the cost can´t be a cent above §1000.
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Review: I'm a fan of Crash and Blade Runner and this movie explores some of those highway death and 80s film noir themes that I like to see, so I enjoyed it.<br /><br />In general though, the essential stupidity of the film noir protagonist is not pulled off well by the female lead and her hero is nearly a neanderthal, hence the kitch warning.
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Review: Although I had some hopes for this film, particularly since I enjoy the acting of Jason Segel (Freaks & Geeks, Undeclared) so much, I must say it was one of the worst films I've seen in recent memory (Loser and Dr T and the Women are also on that list).<br /><br />Yes, there were a couple of laugh out loud moments, although the movie could have been so much better. The premise was not bad- scam artists cheating their way through college meet their match when they're discovered by someone with a proposition for them. The problem is that the characters were all so unlikable, that I didn't care about any of them. The blackmailer (played by talented Jason Schwartzman) was such a psychopath that it wasn't that funny to watch him- he wasn't deranged in a particularly funny or charming way, he was just a crazy loser, who was actually rather dangerous and not fun to watch. The editing of the movie was hard to follow-- it kept cutting between fantasy and reality and it was often unclear which was which. Only two or three of the gang's scams were really shown, you just had to take it on faith that they were indeed scam artists-- showing their schemes would have made for a better movie. The so-called love story was absurd and unbelievable, in fact it was silly and poorly written and directed throughout. I could go on about the movie's shortcomings, but you get the idea. Not worth the $4 rental or the gas it takes to drive to and from the movie store to rent!
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Review: The big problem is where to begin as this movie needs your attention the forthcoming two hours and you better not miss some minutes for getting a coke as there is a danger you can't follow. But good there is also a pause-button. Bruce Willis must travel into a timemachine to find out some antivirus for a virus that made animals rule over the world in 1996. Thanks to some mistakes he first ends up in 1990, then in the First World War and how messed up it all might look like, Terry Gilliam comes up with what must be one of the most intelligent scripts ever. This ex-Monty Phyton man knows exactly how genius SF-stories has to be told like and his choice of cast couldn't have been any better, there is the lunatic Brad Pitt (his performance in the asylum is memorable) and a superb Bruce Willis who proves he is more than some Schwarzenegger-wanna be. It's a movie you can watch over and over again as the script is so weird and complicated (and yet you can follow) that every view gives you other surprises. One of my big favourites.
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Review: It felt like I watched this movie thousand times before.It was absolutely predictable.Every time the story tried to get a bit twisted,every time I awaited something interesting to happen, I saw nothing but what I expected. Like "The bread factory opened up another facility,because there was not enough bread". In two words:Flat story,that has become a cliché,bad acting,bad special effects...Only the dumb Russian cop,Vlad, was a bit funny while punishing around the bad guys.The pile of muscles was so incredibly STUPID,that it made me laugh at him for a moment. I wonder why i waste my time spitting on that shame-of-a-movie... It won't get worse (because it is not possible) :D
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Review: Zombi 3 has an interesting history in it's making. Firstly, it is a sequel to Fulci's hit Zombi 2, with Zombi 2 itself being of course a marketing ploy to trick people into thinking it was a sequel to George A. Romero's Dawn of the Dead aka Zombi. Confusing enough? Basically, none of the films have anything to do with one another, but who cares when they make money. I guess Fulci himself starting to not care about the production about half way through Zombi 3 when he decided to walk out. Bruno Mattei was brought on board to help pad the film with additional scenes to lengthen the running time.<br /><br />Zombi 3's plot is your typical zombie fare. Scientists develop a serum on an island in the Philippines, terrorists steal it unleashing a plague, and zombie run amok. The scientists want to create an antidote, while the military is set on mowing down everyone without prejudice. There are also brief inserts of a Radio DJ preaching about how we treat the planet. <br /><br />Overall, I actually liked this film. I heard horrible things, but I find the goofy dialogue quite enjoyable. The film seems to be an attempt at raising awareness about pollution, corrupted military, Man playing God, etc. I get the feeling this was at one point a serious film, but it veered off in a weird direction, presumably when Mattei came on board.<br /><br />Besides ripping off other zombie flicks, this was very reminiscent of Romero's The Crazies. You hear the Radio DJ breaking the good news with, "When you see the men in white suits & gas masks, Run to them for Help." This is of course played to the images of the men in white gunning down zombies. Later, they straight up steal a scene from Crazies in which one of the regular, uncontaminated people is killed by mistake.<br /><br />The gore factor is pretty good in this one with zombie hordes around every corner. How is it cool? Let me count the ways
1. Zombie Birth 2. Flying Zombie Head 3. Zombie Birds. 4. Zombie with no legs swimming in a pool. My favorite zombie was the machete-wielding maniac at the gas station. He was bad ass and nearly tore down the entire building trying to kill a girl.<br /><br />Favorite Quote When a sergeant insists on cremating a zombie, the scientists asks, "Don't you think that once the ash is in the air, it will fall to the ground, and contaminate everything?" To which the Sargeant boldly replies, "Now you're talking science fiction." He also continues to mention the "Science Fiction" told by the scientists even at the end when everyone dies.<br /><br />Extras: Gallery, Trailers, and Interviews, most notably the one with Mattei where he insists he directed 40% of the scenes, yet cannot recall which ones or any other significant details.<br /><br />Bottom Line: A must see for zombie and Fulci fans.<br /><br />Rating: 7/10<br /><br />Molly Celaschi www.HorrorYearbook.com MySpace.com/HorrorYearbook
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Review: This film, which is based on a true story, comes from first time director and long time actor, Denzel Washington. Denzel Washington has given us some of the best performances of the last decade, as a black soldier in the Civil War in Glory, and a lawyer in the acclaimed Philadelphia. And of course, he made special notoriety last year when he won the Academy Award for Best Actor in Training Day, in which Denzel Washington became the first African American to receive the award for Best Actor. I guess Denzel wanted a change of pace, so he chose to direct Antwone Fisher, in which he also stars. Fisher is played by Derek Luke, who is new to the silver screen, but has made some guest appearances on such television shows as King of Queens, and he will be appearing in the upcoming film release of Biker Boyz.<br /><br /> This is a truly well done film from Denzel Washington, considering it was his first time directing. Undoubtedly, Denzel felt some kind of commitment and believed in the real life story of Antwone Fisher. Antwone Fisher is about a young African American man in the Navy who constantly gets into fights, and after one particular brawl he is sent to see a Navy psychiatrist named Jerome Davenport, played by Denzel Washington. Davenport helps Antwone to deal with his troubled past and learn to move on with his life, by finding his birth mother who had to give him up at birth because she was in prison. What makes this film good is the fact that it's not overly melodramatic. I was expecting something a little more like Good Will Hunting, with a lot of swearing, fighting and vulgarity. Not that I didn't like Good Will Hunting, or the swearing, fighting and vulgarity of the film were out of place. Quite the contrary! However, Antwone Fisher is a true story, and I don't think that Washington wanted to sensationalize the story for dramatic affect in the film. Don't get me wrong, there are moments when we see Antwone fighting, carrying on and having moments when it seems like the world is closing in on him. After all, in his first session with his psychiatrist, the character played by Washington, Devenport asks Fisher where he was born, and Fisher's response is, `from under a rock,' an obvious jab at the pressures waning on Antwone Fisher's soul. But I had to appreciate the fact that this film wasn't sensationalized for dramatic affect. I think it shows real character on the part of Denzel Washington to deliver a more realistic story and to avoid the typical clichés that are common in Hollywood films, even those based on true stories. One other point that I would like to bring up about Antwone Fisher is the acting. Over all, performances were good in the film, but not great. At times, I think it was a bit obvious that the main characters were actors, but overall, to complain about performances in this film would be ludicrous. One actress that I would like to point out in this film is Viola Davis. She plays Antwone's mother, but she says barely two sentences in the movie at all, but not so much because she appears at the end of the film, but more because she in shock that her long lost son, Antwone has found her. What I would like to point out about her as an actress in the lack of use of her. She in basically a character actress, and I haven't seen her play any really elaborate roles. She made appearances in Traffic, Out Of Sight, Kate & Leopold, and two recent films: Far From Heaven and Solaris. In Steven Soderberg's remake of Solaris, she played a scientist on a doomed space craft orbiting a planet. In that film, she is confronted by George Clooney's character and she drawn to tears by what Clooney tells her in a particular scene. When I first saw Solaris, I remember seeing her tear up in the scene and thinking, wow, this woman can act. It was as if you could feel the character's grief. In that brief shot of her face, she gave so much expression and I honestly felt very sorry for her character's sadness and trouble in the film. I think she has definite potential as an actress and should be used more often perhaps in leading roles, rather than just as a character driven actress. Nonetheless, Antwone Fisher is a very good movie. Denzel Washington, as always, pulls off a great performance and he gives us a great directorial debut. Also, Derek Luke is a very talented actor. I think that Antwone Fisher will bring his immense critical fame for his portrayal of the troubled man, but I think that his public popularity will increase with the release of Biker Boyz, which also stars Lawrence Fishburn. Antwone Fisher is based on the book `Finding Fish: A Memoir,' by Antwone Quenton Fisher. ***
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Review: Predictable parody, just about failed to impress throughout it's looooooong eight minutes. The only thing that made it worthwhile was the DO NOT COLORIZE line at the end credits. Shame something more entertaining wasn't put on the DVD, like Jonathan Ross' enjoyable profile of Romero on 'The Incredible Strange Film Show.'
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Review: This movie is an amusing and utterly sarcastic view of pop culture and the producers thereof. I was impressed with the photography that consisted of vivid colors and spin doctored settings, especially when you think that this is Zukovic's first large scale attempt.<br /><br />One warning, do not take the movie's message that seriously. It is not for mass consumption ( and that is not a compliment). The message is a somewhat stylized post-college, neophyte view of society.<br /><br />I did enjoy the basic plot line of a fictitious 'zine editor verbally whipping the mobocracy of the 90's.
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Review: This movie was billed as a comedy and a mystery. It fails badly at both. The only mystery here is why would anybody make such a poorly constructed movie. The only comedy is the laugh I got when I saw how high the readers here ranked it. Could there be two movies with the same name? The movie I saw starred a girl with pretty blue eyes and a plot that wasn't there.<br /><br />
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Review: Okay, now what the hell is this supposed to be? Is it a family fantasy movie to cash in further on the huge success of Spielberg's "Close Encounters of the Third Kind"? Or a throwback to the glorious days of prehistoric epics such as "When Dinosaurs Ruled the Earth" and "The Lost World"? Perhaps it's an intellectual & philosophical masterpiece we all fail to comprehend? Yes, that must be it! Whatever it is, the creators of "The Day Time Ended" (good old John 'Bud' Cardos of "Kingdom of the Spiders" and writer David Schmoeller of "Tourist Trap") must have been sniffing quite a lot glue when they penned down the ideas for this demented hodgepodge of genres. The story doesn't make the slightest bit of sense and the narrative structure is incoherent as hell but, hey, who cares as long as it's got papier-mâché dinosaurs, miniature spacecrafts, headache-inducing light & laser shows and spontaneously combusting supernovas! The voice-over introduction is practically inaudible, but no worries as it's all gibberish! Did you know that the definition of 'time' isn't what we all think it is? Time doesn't necessarily pass by chronologically, it is one giant paradox! Words that were spoken thousands of years ago are still floating around now and even things that will happen in the future are already surrounding us. I have absolutely NO idea what all this means, but apparently it provides an easy excuse to gather tap-dancing midget aliens and well-mannered dinosaurs on screen together. I deliberately say well-mannered dinosaurs, because at a certain point one of the prehistoric monsters politely knocks on the front door before menacing his targets. The crazy plot revolves on a family of weirdos living in their solar-powered house in the middle of nowhere. Grandpa is extremely annoying, the granddaughter even more, granny is a walking & talking advertisement billboard for plastic surgery, the youngest son strangely resembles Prince Valiant and the young mother is
incredibly hot! Chris Mitchum for some reason also pointless wanders around the filming sets as the hot mommy's husband on business travel. The special effects are purely cheesy and absolutely laughable (I sincerely hope that the other reviewer who talked about "excellent special effects" was being sarcastic), but the absolute most genius aspect here are the dialogs! Just read this wondrous example of extraordinary writing: <br /><br />Grandpa: "You know what this is, don't you? This is a time-space warp!<br /><br />Stevie: "I'm not quite sure if I know what that means, dad"<br /><br />Grandpa: "Well, I guess nobody really does" <br /><br />Make up your mind, gramps! Do you know what it is or don't you? And stop talking about "The Vortex" like you're some kind of expert in the field! "The Day Time Ended" is an incredibly childish and not-worth-bothering-for fantasy movie, though I can totally understand that some of its fans cherish the film because they saw it at young age and became fascinated with the flamboyant effects. The ending completely comes out of nowhere, like they suddenly ran out of money or like the effects of the mushrooms they were eating wore out unexpectedly.
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Review: I honestly don't understand how tripe like this gets made. The worst junior-high talent show skit you've ever seen is more entertaining than this film. Will Ferrell's wrestling fetish provides the only (briefly) humorous moments. Utterly horrible.
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Review: Well, it's yet again a film that plays with your sentiments and you come out all soft as opposed to a rocky film. But I'm a sucker for those so I gave it a good score... the acting was very good and there were a lot of feeling. The violence is kept to a minimal which makes a change. I'd have given it a 9 if it were not for the salute at the end! All in all a good movie with very good actors.<br /><br />
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Review: This movie was absolutely ghastly! I cannot fathom how this movie made it to production. Nothing against the cast of the movie, of course, this is all the fault of the writing team. You take the old average plot - let's dance our way out of being poor and destitute - or STEP in this case. But this one lacks any semblance of a true plot - or at least one that anyone would care about. With Canadian speaking actors in what is supposed to be an American setting - this film falls very flat. On a positive note, the directing was pretty good and cinematography was pretty decent as well. Looks like the production budget was very generous as well. My only request is that this team leave the writing alone and go find actual screenwriters to help them bring words alive on film. Net result - How she move is How she sucks.
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Review: `Bruce Almighty' will sweep the Academy Awards with a record 14 Oscar wins! It will surpass `Titanic' as the highest grossing film of all time! Jim Carrey's illustriousness will be at such a supreme level that he will announce his presidential candidacy for the 2004 White House playoffs. Almighty then! These grandeur fantasies would only transpire if the filmmakers (Carrey included) would possess the powers of God. That very same premise is the paramount ingredient in Carrey's new laugh riot `Bruce Almighty'. Carrey plays Bruce Nolan, a televison reporter who is so utterly obsessed in being the main anchor that he holds God to total culpability for his own contretemps. God, heavenly played by Morgan Freeman, grants Bruce the `Gift of God'(his powers) in order to challenge him if he can do God's job any better. Obviously, Bruce gets `carreyed' away with his newfound blissful faculties and uses them selfishly. Carrey is back in his habitual almighty comedic form in `Bruce Almighty'. Jennifer Aniston was not `mis.pittiful' as Bruce's girlfriend. However, my premier kudos goes to Director Tom Shadyac for not letting the dog out of the house for #2, and showing us the most hilarious doggoned bathroom scene of all time! `Bruce Almighty' is not the most in-depth Carrey film, but it is still an almighty chuckling exhibition of `Carreyism'! **** Good
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Review: This is without a doubt the funniest of the Curly stooges shorts. I've seen it dozens of times and it always makes me laugh. Hilarious pantomime sequences. A perfect example of "musical comedy". Even people who don't like the knuckleheads remember this one fondly.
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Review: After "Central City" loses its mob boss to murder, partner-in-crime Robert Armstrong (as "Doc" Rogers) decides to take drastic measures To preserve criminal continuity, he recruits the dead mobster's milquetoast son, Richard Cromwell (as Edward "Baby Face" Morgan), to run the family business. The naive Mr. Cromwell is taken to the city, and installed as President of his father's "Acme Protection Agency", a front for gangsters. While Cromwell sells innocently sells insurance, his "employees" run an extortion racket. Cromwell falls for pretty client Mary Carlisle (as Virginia Clark); and, the duo find themselves in great danger
"Baby Face Morgan" catches star Cromwell and Ms. Carlisle nearing the end of their once "promising" film careers. It's a quick, light, and inoffensive little crime drama.<br /><br />**** Baby Face Morgan (1942) Arthur Dreifuss ~ Richard Cromwell, Mary Carlisle, Robert Armstrong
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Review: Being an Elvis fan, I can't understand how this proyect could be done. Is by far the worst Elvis related movie of all time, totally unfunny, silly and plenty of mistakes about The King. Come on, Elvis' grave in a public park? A mention about Suspicious Minds in 1958?...and these are just two examples. Some people in the cast tries to do their best, Mike Starr is funny (specially as an impersonator), the Tom Hanks cameo is a surprise, but the guy playing the young Elvis sucks.Overall the movie lacks fun and becomes more boring minute after minute. If you want to see an ultra cheap, insane but absolutely funny little film related to Elvis, I truly recommend you "Bubba Ho-Tep" instead of this mess.
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Review: Okay, I'm not going to critique this film in depth. I note the many elogious reviews in advance of me, and as I generally like Maria de Medeiros, I have been long hesitant to make a disparaging comment - and in such fashion nearly a year has passed. But each time I see that DVD on my shelf, I sense an inner groan. Anyway, let the elogious voices override me! But for other cinephiles like me - beware.<br /><br />Expressed in simplest and gentlest terms, here's my stance:<br /><br />The political turmoil and overthrow providing the backdrop for this film also served as a backdrop for a certain period of my life - via newspapers I read daily in my local middle-European pub. At that time, I followed the newsreports, but never fully grasped what the heck was transpiring. The reporters tended to report either in non-partisan terms, or with a conservatism which frowned upon any groups disturbing the peace or fomenting rebellion against the establishment. Those were times when other winds of unrest swirled through Paris, Berlin, Prague, and various places in the U.S., all of whose issues I understand clearly at the time - but dictatorship or not, my papers tended to treat the govermentment of Portugal simply as the establishment - not as a well-fleshed out "evil empire", to use flippant Star War terms.<br /><br />So, week after week, I read of disturbances, but never found an intelligent editorial that might provide the history behind them, or evaluate the practices and social-economic impacts of the dictatorship, etc.<br /><br />So, in purchasing this film, I had at least two hopes: to finally understand the details leading up to the social unrest, and to enjoy a well-conceived drama. This film gave me neither.<br /><br />The film presupposes that viewers already have ample knowledge and deep emotions regarding the historical facts. And the drama - well, as I said, I want to encourage Maria de Medeiros and the Portugues film industry, but - it was trite and shallow.<br /><br />I obtained my copy of the DVD from France - "Selection Official Cannes 2000 - Un Certain Regard". The box shows smiling clean-shaven actors, the lead giving the victory sign in a fashion that reminds me more of the Playboy bunny. After seeing the work, I wondered what the French could have thought of it - though as a shallow piece of "cinema verite'" with sensitive ethnic content, I can understand their natural inclination to praise it for its "honesty" but...<br /><br />Look at the back of the box: "Un regard chaleuruex sur la Revolution" - a warm regard? Try describing Allende's overthrown and murder with a a "warm regard"! Try it with Czechoslovakia in 1968! Try it with the whole line-up of overthrows, and civil rebellions!<br /><br />Another review: Maria de Medeiros a renoue' avec son pays, son enfance et son histoire." Rubbish, rubbish, rubbish! At least for me.<br /><br />I love Portugal. In all of Europe, Lisbon, Barcelona and Prague are my favorite cities. But my love for a city and a country doesn't flesh out a vacuous film. I'll hang on to my ancient VHS tapes of Capas Negras and A Cancao de Lisboa - meanwhile, I'm stuck with a zone 2 by the above title that might as well go in the trash.
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Review: For those of you unfamiliar with Jimmy Stewart, this is one of his "lesser" films from later in his career. And, while it isn't a great film compared to many of his other pictures, it isn't bad and is a decent time-passer--but not much more.<br /><br />Kim Novak is a witch in New York City and for some inexplicable reason, she decides to cast a spell on poor Jimmy to make him fall in love with her. Over time, the cold and detached Ms. Novak also begins to fall in love with Stewart--and apparently in the witch's rule book, this is a definite NO, NO!! <br /><br />The film is odd in its sensibilities about the witches. They are neither the baby-sacrificing nor the all-powerful variety. Most of their magic is pretty limited and pointless (such as Jack Lemmon using his powers to turn off street lamps). And, very oddly, the witches all seem to be bohemians who hang out in hip bars where you might find people wearing berets and listening to crappy jazz. Considering what I think of jazz, it must really stink to be a witch in this movie's world!<br /><br />Anyway, the film is pretty romantic and mildly comedic, but not something I would rush out to watch. The acting is pretty good, but the script doesn't offer enough payoff to make this an exceptional film--in fact, I almost scored the film a 6--it was really close.
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Review: I bought this on DVD for my brother who is a big Michelle Pfeiffer fan. I decided to watch it myself earlier this week.<br /><br />It is a reasonably entertaining piece containing two completely separate story lines. The section with Michelle Pfeiffer was by far the more interesting of the two. She plays a rising Hollywood actress who has had many short unfulfilling relationships. She literally bumps into Brian Kerwin (A regular married guy with Kids)after driving her car into the back of his. After being initially hostile to one another he offers to drive her home as she no longer feels comfortable to drive. Romance develops eventually leading to tragedy when his wife finds out. What happens at the end I was not prepared for but the slow pacing and routine TV direction takes any drama out of the plot.<br /><br />The other section involves an old Studio boss played by Darren McGavin. This section actually has the better cast with Kenneth McMillan, Lois Chiles, Steven Bauer & Stella Stevens. They all want something from the studio boss but in the end when he is asked to resign, they all realize their careers will now be going nowhere. <br /><br />It passes the time but is not all that interesting and I am glad this was not bought for me. I am not a Michelle Pffeifer fan but she was admittedly the only actor worth watching in this film and even in 1983 she was a decent actress. Overall though unless you are a fan of hers avoid this as it is very routine.
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Review: Eddie Murphy's "Delirious" is completely and totally rude, crude, crass and lude. This is indeed the only way to describe this appalling, trashy piece of stand-up. Eddie Murphy goes for shock value rather than laughs to try and win his following over. He does manage to be funny occasionally, but mostly loses the plot with obscene language and distasteful sex jokes.<br /><br />Forget it! Unless you happen to enjoy Eddie's foul style. I don't think I will bother with "Eddie Murphy Raw". I much prefer Eddie in the confines of a movie script.<br /><br />Saturday, January 17, 1998 - Video
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Review: I really looked forward to see Planet of the Apes, but it was a huge dissapointment.<br /><br />The settings and masks are great, but that is the only good aspect of the film. All other things are really annoying. Mark Wahlberg is not acting, he is just in the movie, looking stupid. The other actors are also not very good.<br /><br />But the worst point of all, is the story. It is absolutely ridiculous! For example: the apes are lying unconsiousness on the ground, but the humans don`t attack them, no, they wait until they are up again! This is just one example for the stupid story, but it would take too long to tell them all.
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Review: First off, let me say that I am a great believer in Fanpro stuff. I see it as a way to continue a good show long after it has been cancelled. Star Trek Voyages and Star Wars Revelations are examples of decent efforts. So I have a soft-spot for fanpro stuff that means I'll overlook things that I would ordinarily slate badly.<br /><br />So on to ST: HF. Well, first off the good things. Enthusiasm is a major part of making any show believable and, for the most part, the crew of the various ships all seem to be having a good time with their roles. Next, the effects aren't bad for a home-brew effort, with nothing to make you really wince. The stories aren't too bad either. Nothing particularly innovative, but solid enough stuff and at least there are ongoing story-arcs.<br /><br />But it has a lot of faults.<br /><br />First off, although they quite obviously HAVE to rip-off Star Trek footage, set backdrops, music and effects, I see no reason why they proceeded to rip off virtually every other sci-fi musical score ever made. Everything from Aliens to Starship Troopers rears it orchestral head at one point or another. Likewise, much of the footage is from other movies, dutifully CGI'd over to make it look different. The Grey warships, for instance, though disguised, are quite obviously Star Destroyers from Star Wars. And the station is also rather obviously Fleet Battle Station Ticonderoga from Starship Troopers. Likewise, sound effects from various Star Wars movies appear in space battles between fighters, as does animated over footage. In one scene in either first or second season, I think, you even see two TIE fighters fly past during a battle, which hardly does your suspension of disbelief any favours.<br /><br />Acting varies from the reasonable to the hideously painful to watch. Everyone does improve as the seasons progress, though, but expect to grimace at the screen a lot, especially in the early seasons. They've also made some interesting acting choices. Let's just say that the food replicators on this show seem permanently set to "cake" and leave it at that.<br /><br />Make-up effects are generally quite effective on the whole. But they really ought to mercilessly club to death the person who decided to use cheap Ferengi and Cardassian masks for anything other than background use or "passing" shots. They are just beyond unrealistic. Every time I saw one of these (apart from trying not to laugh too much) I kept expecting the unfortunate soul wearing it to pull out a gun and announce that "This is a stick-up!" In one scene a "Cardassian" actually talks whilst wearing one of these. Not only do the lips not move, but the mask doesn't even have an opening where the mouth should be. Someone needs to be slapped hard for that. Couldn't they have taken a craft knife to it, for goodness' sake! There are also some well-done, but unintentionally funny make-up jobs, such as the Herman Munster look alike.<br /><br />The writing, though coherent, is nothing new. Instead the script runs like a continuation of DS9, with the ships heading out from DS12 on various missions. The new enemy, "The Grey" aren't very menacing and the plot line involving them is effectively a reworking of the Borg threads. i.e. Starfleet meet the Grey, the Grey are hugely powerful, Starfleet barely escape with their lives, then through technology they begin to find ways to combat the enemy etc etc. All done before with the Borg.<br /><br />Another bone of contention is the dialogue. Star Trek writers have long had the ability to write "insert technobabble here" into a script. It usually means an exposition of the latest plan to combat the enemy using "quantum phase discriminators" or "isolytic charges" etc. In other words, nonsense that tells you that they are on the case and a resolution is at hand.<br /><br />The words are just gibberish really. I've no problem with this, but where ST:HF makes a mess of it is where they include real-world comments into this concept.<br /><br />Tactical advice such as "We need to regroup" sounds good, but not when uttered by trio of characters already standing in a group. Likewise when asked what the situation is, a tactical officer is heard to reply "We count three battleships". He actually needed to count them? C'mon! I expected the questioner to ask him "Are you sure?" or "Can you double check". But my all-time favourite comment is this: <br /><br />Captain: "Can we establish two-way communication?"<br /><br />Comms officer: "No, we can only send and receive.."<br /><br />Well, duh!.....<br /><br />Having said all the above, the show does improve as it goes along. Seasons 1 and 2 are pretty bad, 3 shows an improvement but 4 & 5 are where it starts to get noticeably better. Season 6 so far looks quite reasonable.<br /><br />I do have a problem with their choice of media for the shows though. Quicktime sucks, quite frankly and the sooner they move to divx/avi format the better. Some of us like to actually take our downloaded shows and watch them on decent size screen and not peer at a tiny QT window on a computer monitor. Not only does Quicktime make this difficult, but the 320x180 resolution the shows are in does not scale at all well. In fact, it makes the shows pretty unwatchable, like they were a tenth-generation VHS tape copy. The least they could do was to include a hi-res downloadable option.<br /><br />Anyway, the show has promise, and I'm even beginning to like some of the characters. But that's 40 episodes on, so I'm not sure this says that much about character development at all.<br /><br />But what can you say, it's free....<br /><br />PS: Out of 28 votes, 19 people rated this show as a 9 or 10. Hmmmm... were we watching the same show? Or are you 19 all three year olds?
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Review: I just saw the movie on tv. I really enjoyed it. I like a good mystery. and this one had me guessing up to the end. Sean Connery did a good job. I would recomend it to a friend.
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Review: Or listening to, for that matter. Even the soundtrack is a bore. <br /><br />Honestly, this isn't the worst gay movie I've seen (that would be Regarding Billy), but it's down there very close to the bottom of the barrel.<br /><br />This thing drags and drags and drags. It's not that the plot is inane--in the hands of a good writer it might have worked . . . it certainly could have been much more entertaining. There's not one plot point you can't see coming for ten miles down the road. The dialog is flat. The jokes are old. To add insult to injury, it's full of one-dimensional, stereotypical gays. <br /><br />Nothing in this movie convinced me that the situation or the relationship of the two leads was possible, much less real. There was no chemistry, no dynamic, in fact no evidence of why the leads love each other . . . we're just told they're in love. Hard to figure when they have nothing in common and aren't compatible sexually. They like the same book? Huh?<br /><br />The acting is not totally bad, but the pacing is excruciatingly slow. I mean, almost Jarmusch- slow, but without Jarmusch quality. In fact, that would be a good barometer for you. If you like Jarmusch films, avoid this one.
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Review: This series got me into Deighton's writing and the genre when I was younger and I love this presentation of the story. I would however disagree with the above comment. From what I have read in the past, it is not Holm's performance that lead Deighton to refuse to have the series released but the butchering that all three books received in the translation to the screen. A great example of this is the rewrite of the boarder crossing that ended Samson's field career. The scene is not in the book, the character who dies in the minefield was never in any of the books and the crossing in Sinker was from East Germany to West Germany, not the Polish frontier. This whole storyline is cloth. The changes in Set similarly damage the integrity of the story. My perspective on Holm's performance was that he portrayed the disorientation of Samson during his wife's defection excellently and I believe comported himself well in portraying the aging field agent desperately trying to bridge the class divide. Samson both pays for his father's idealism and suffers due to its influence on his life. As Clevemore comments, had he gotten himself an education he would have probably been running the department. I think the true loss of performance is due to physical appearance more than anything. Holm is diminutive when compared to the Samson of the book - a physically impressive man capable of using his size to impose a presence.
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Review: I'm a Jean Harlow fan, because she had star quality. I don't think her movies are good and I don't even think that she was a good actress, but she certainly was Great in comedies. Every bit of comedy in The Girl from Missouri is very good. But this movie is perhaps more like a love story. Jean Harlow is wonderful in this one and you can forget the rest of the cast - their performances bring nothing new. It always impresses me much to think that Harlow's beautiful body was that of an ill woman. Well, in this movie she does look beautiful.
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Review: You know those films that have you trapped in the cinema? You're stuck there in the best seat in the house, centre of the row in your own special sweet spot that you swapped three times before you got just the right seat - and after about what feels like 13 hours you are still trapped there, uncomfortable and itchy, thinking "When the F*** is this film ever going to END???" (You know the feeling - think of A.I. and The Village).<br /><br />Well, Visitor Q delivers a weird variant of that feeling. I sat there for the first 30 minutes wondering when the thing was going to f***ing start! It is interminable! So "Arty" it hurts. This is the first Miike Takashi film I have watched. Apparently he makes films by the dozen and, if they are all pretentious w@nk like this, I suspect it will be the last.<br /><br />I'm not against Pretentious w@nk. David Lynch is up there amongst the top 10 directors for me but Visitor Q is cut-rate, cheap, and nasty pretentious w@nk. <br /><br />As you may have worked out by now - I hated it.
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Review: Yes, definitely better than my viewing of Death Tunnel. Actually some of the deaths were pretty original and the gore was decent. It was kind of like Wrong Turn meets the Hills Have Eyes.<br /><br />BUT: 1.) When the "kids" (high school or college?) are discussing horror movies in the kitchen, everything Shae says is almost an exact quote from Scream (1996). The thing about the big-breasted girls etc.<br /><br />2.) Was Steve NOT a bootleg Randy from Scream? 3.) Besides the fact that it took place in October, what the hell did the movie have to do with Samhain? Pretty unnecessary if you ask me. I find it humorous when I see those horror movies from the 80's that explain away loose ends by pointing the fingers at the druids or a pentagram.<br /><br />4.) Wow they made a Sam Raimi reference!!! 5.) Why was Gary and his sister in the movie? They're characters had nothing to do with anything. And hes so psychic that he couldn't even see his OWN death? 6.) When Gary was being killed in the bathroom (at that point, the deaths became simply Troma-licious) how could she hear the screams when she was downstairs but not hear them when she was standing outside the door? 7.) Gary's sister commented on Haggis- thats primarily a Scottish dish, not Irish.<br /><br />8.) So the lesson is if you ARE like Shae and don't have any fun or crack a smile through the whole film, you'll be the one to live? 9.) The mutants were pretty cool, but they looked like walking dishes of Chili con carne.<br /><br />10.) When they brought in Gary's sister, did they forget that Steve HAD been strapped there and wonder where he went? 11.) Was there not more than one killer? Shae beat that one, but never encountered any more of them.<br /><br />12.) What was with the flashbacks to those other people? Half of them Shae didn't know if they were dead or alive, so what was with that? 13.) Why didn't they kill Gary and his sister before? 14.) Why did no one ever call the police? And apparently everybody KNEW those people lived in the woods, why did they never organize some kind of raid? 15.)As far as I know, they were not zombies OR vampires- so how could she "turn into" one at the end? I'm with everyone else on the giant "huh?" at the end.<br /><br />Way better than death tunnel, but still quite sloppy. I still don't understand why they even placed it IN Ireland, considering Samhain had close to nothing to do with the plot.
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Review: Actually, Goldie Hawn is from Washington (Takoma Park, Maryland), but I digress. This is sort of a Mr. Smith goes to Washington type of movie, with some variations but the same premise. I taped this movie off of cable years ago because I had a huge crush on Goldie Hawn. The story is interesting, but it's highly unlikely that some cocktail waitress will get an important job in the government just because she saved some big shot's life. It made me laugh and made me mad at the same time. It made me laugh because some of the situations she found herself in were so ridiculous, I had to laugh. (POSSIBLE SPOILER AHEAD). It made me mad to think that our government would set up an average citizen in the manner she was set up. And the speech she made at the end...beautiful. Too bad not many people have guts like that in real life.
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Review: This flick reminded me of those lame "erotic thrillers" I used to stay up late and watch on Cinemax when I was 13. I'd label this flick softer-core since there is just no simulated bump and grinder. There is, however, a ton of nudity- the opening scene is in a strip club, we see Kane Hodder's keester (or at least a stunt butt) and then an inexplicable 10 minute lesbian dance scene in the middle of the film and a nude female werewolf who looks like they mugged on of the Munster's for a costume. 13 year old boys rejoice.<br /><br />Other than that the werewolf transformation scenes have the worst CGI I've seen in years. The shots look like FMV's from the video game Resident Evil in terms of quality. The wolf is too bad to be explained and, despite the poor quality of the suit is shown way, way too many times.<br /><br />The plot and acting make no sense. There is some oddball back story about werewolves and hybrid-werewolves- the Darkwolf is the latter but from what I can tell hybrids do the same thing all werewolves do- look human, change to a wolf an kill people. The Darkwolf is trying to find a mate but oddly can't find the mate but can sniff out anyone she touches. Once more, this skills proves less than useful since the Darkwolf winds up killing several folks his target never touched, met or even saw as best I can tell. The mate doesn't know she's a werewolf and she's fighting the transformation or something.<br /><br />You'd think it'd be hard to mess up a simple monster movie s bad as this but, well they did. Want quality low-end werewolf-ism, go rent Dog soldiers want a ton of T&A this is your flick.
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Review: Wow, how bad can it get. This was seriously bad. Not in terms of the gore - which was mainly laughable CGI - but in acting, atmosphere and direction.<br /><br />The story was dreadful - the character arc of the main lead was a total joke. Within a few nights of stalking Vinnie Jones, he starts to become 'haunted' to the point of crying when photographing his girlfriend. Um... are all New York photographers this childish, suggestible and weak? His character development had absolutely no justification or point whatsoever - and by the very end you'll be laughing out loud at the utterly predictable, and totally absurd twist his character takes.<br /><br />The gory moments were clearly just a weak, low-self-esteemed effort to jump onto the modern MTV style gore wagon - all cgi, blood yet no real emotion whatsoever. These parts were unintentionally funny - and distracting by their self-consciousness - wacky camera angles etc.<br /><br />Overall this film commits the crime of blowing another potential idea. What could have had atmosphere (until the stupid monsters at the end) is ruined in favour of 'look at me'style self-conscious directing. This film wasn't made for and audience - it was made for a CV - a deeply selfish motive.
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Review: Beyond the excellent direction,production,acting & the predictable drama lies an essential message in the script:<br /><br />"Listening leads all the way" In order for the voice to flourish,listen.To harmonise with other in voice,listen. In order to approach yourself,listen.To discover the needs of any situation or others,listen. It appears that the script writers are conveying a "life's secret".Listening leads to an awareness of one's Self. It awakens the other senses, especially vision & expands the horizon.One's soul too can be discovered. The artistry of this movie "As it is in Heaven" magnificently displayed the unfolding of life,not only its joy & sadness,but ultimately the hope of life. All this by the leading character's first instruction to the choir;<br /><br />"Just Listen,it leads all the way"
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Review: "The Return of Chandu" is notable, if one can say that, for the casting of Bela Lugosi as the hero rather than the villain. Why he even gets the girl.<br /><br /> The story as such, involves the Black Magic Cult of Ubasti trying to capture the last Egyptian princess Nadji (the delectable Maria Alba) and use her as a sacrifice as a means of reviving their ancient leader who just happens to look like Nadji. Lugosi as Chandu, who possesses magical powers, tries to thwart the villains.<br /><br /> Director Ray Taylor does his best with limited resources and extensive stock footage. Fans of King Kong (1933) will recognize the giant doors that were used to keep Kong at bay in several scenes. The acting is for the most part, awful. The actor who plays the high priest (I believe Lucien Prival) for example, uses that acting coach inspired pronunciation that was so common in the early talkies. The less said about the others the better.<br /><br /> It is a mystery why Lugosi accepted parts in independent quickies at this stage of his career, because he was still a bankable star at Universal at this time. Maybe it was because in this case he got to play the hero and get the girl, who knows. As his career started to spiral downwards in the late 30s, this kind of fare would become the norm for Lugosi rather than the exception.<br /><br />
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Review: I'm still trying to figure out if there was a point to this film.<br /><br />For content that's supposed to be so 'rebellious' and 'controversial' the things that Maddox distributes to the students are awfully lame. Students seem to be easily swayed by vague anti-authoritarian sentiments and snippets of words illegibly scrawled onto leaflets. Rebel, everybody.<br /><br />I suppose it would have been too much to ask to have a teenage rebellion film where a school fire alarm doesn't get set off.<br /><br />Apparently a 'huge fight up on the football fields' is a fight that consists of two people.<br /><br />Characters personalities seem to wildly vary at random. A football jock who Maddox was fighting (and who subsequently got a staple on the face) is all smiles and apologies the next day.<br /><br />The fact that it doesn't come to any real conclusion of the plot makes me feel that the whole thing could have been fitted into a half hour after school special. If they had cut most of the attempted pseudo-glitch soundtrack.
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Review: Without a doubt, Private Lessons II is the greatest movie I have ever seen. A Japanese import (poorly) translated into English, its a joy to watch. Not much of it makes sense, but that doesn't matter. It's the greatest comedy around without ever being intentionally funny.<br /><br />The film is rare and unavailable on video, but I have caught it a couple of time late, late at night on pay cable. My taped copy has been watched dozens and dozens of times as I slowly, person-by-person, introduce this film gem to the world.<br /><br />Joanna Pacula plays the tutor/lover to Ken, our hero. (She apparently was just working for her check.) Ken is played by Goro Inagaki, of the Japanese pop band SMAP, who gives it his all and has great hair through out the movie. Stacy Edwards, of "In the Company of Men" fame, shows up in the movie too and is probably happy that she found other film work afterwards.<br /><br />It takes at least three viewings to sorta figure out what the plot is. On repeating viewing you can enjoy elements like the abnormal amount of vases Ken has in his house (at least 50) or that Ken is wearing a shirt with embroidered husks of corn in the movie's finale.<br /><br />The movie is predictable, but highly quotable. My friends and I reenact entire scenes. Yes, it sounds like we're lame losers and we are ... but we're lame losers who have seen "Private Lessons II." Be one of ten people in the world who have seen this movie. You'll thank me for it.
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Review: I hope the viewer who regards 'Dream Machine' as one of Corey Haim's finest and the "best movies of the century" was kidding. Undetected sarcasm on my part? I sincerely hope so.<br /><br />'The Dream Machine' marks the first of a long line of mediocre capers that would plague the rest of Corey Haim's career (except 'Prayer of the Rollerboys' which was surprisingly decent). Here, Haim plays nonchalant college boy, Bernie, who supposes that a cool car will attract his dream girl's attention. Lucky for Bernie, a rich woman aiming to get back at her cheating husband, hastily decides to reward her faithful piano tuner--Bernie--with a gift: a slick Porsche Turbo. However, unbeknownst to the woman, and unfortunate for Bernie, is that her dead husband was murdered and his body was hidden in the trunk. Now, being that in this movie, bodies don't seem to decay or possess a rather foul funk, Bernie is unaware of this. In fact, the oblivious boy has no idea that something suspicious is afoot despite several odd circumstances that arise. In particular, a grizzly man follows him around, desperate to get hold of that body relatively undetected.<br /><br />This is a low-grade action fizzle as many of Haim's films like this are (see The Double O Kid). Despite being part action, part romantic comedy, this movie fails to offer the viewer much of anything of interest for at least the first forty-five minutes in which the filmmakers take more than enough time to show the immediate problem (i.e. Bernie being in possession of a car and a dead body, and a hit-man finding out that the Porsche is going to be hard to find). After which, and thanks to poor acting by Haim (I loved this kid, too, but it's not exactly sacrilegious to admit the times when he obviously couldn't act well) and the lack of real immediacy and emergency between Bernie and the villain that makes much of the events unconvincing and as a result, inappreciable. To add injury to insult, the soundtrack was unbelievably laughable and sounded more like self-evident songs you would hear in Team America (see the 'date' montage).<br /><br />Loyal Corey Haim fans, however, should not be disappointed to see their boy in abundance. However, others understanding that Haim's career probably peaked when he was 14 or 15 and never recovered, might expect mediocrity, as will viewers just looking for early 90s b-comedy fluff to pass the time.
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Review: To put it simply, I am not fond of westerns. And having never sat through one from beginning to end, I decided to watch "My Darling Clementine" and see it all the way through, no matter how painful it was for me. At first it was excruciating as expected. I found the acting to be laughable, the scenery (your standard dessert, horses and cowboys) boring and the music and its timing teetering on the edge of painful. However, after mentally pep talking myself to struggle on, after the first 20 minutes it began to be quite a bit easier for me to endure. Focusing in on the cinematography, and how John Ford managed to make even the dullest situations (dull according to me that is) look quite stunning at times, made it a lot more interesting. <br /><br />In conclusion, I can't go so far as to say that I enjoyed the movie by the end of it. However it was made well enough for me to sit all the way through to the very end, and that in itself impresses me.
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Review: Look it's Eva Longoria and Paul Rudd in a movie about a dead girlfriend haunting the new girlfriend. It's Gabrielle from Desperate Housewives and the guy who wore "sex Panther cologne" in Anchorman. If you are expecting a Golden Globe nominated movie then you need to rethink how you look at movies. However, if you are willing to suspend reality for 90 minutes and want to watch a funny movie then you've come to the right place. The characters are all funny. They work together very well. The real match up is Paul Rudd and Lake Bell. He's as funny as he was on Friends and she was funny and good looking all at the same time. I went with my wife, she enjoyed it and so did I.
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Review: Famous was "famous" for their tension and release style of cartoon where the semi-main character is in terrible peril, only to be rescued by the hero at the last second. This particular Casper is the only one I can remember where death actually takes a hand. But even in death, there is still a happy ending.<br /><br />The constant in Famous Studios cartoons is that "virtue always triumphs". Popeye always gets to his spinach in time, Baby Huey always out-foxes the fox, Little Audery always "learns her lesson". And some FS cartoons ARE really dark and depressing.<br /><br />You have to give them credit. as much as I love Looney Tunes and "Tom and Jerry" I don't think anyone was putting out a better cartoon product at that time than Paramount. Color, animation, music (the great Winston Sharples), editing, voices. They were consistent and a glowing example of the best that the art form had to offer.
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Review: In today's world of digital fabrication, there is no computer than can replace the actor and writer. Alas, this type of "character driven" film is far too rare these days. Duvall's performance as well as James Earl Jones are faithful to their audience's high expectations. I wonder if this movie was made for TV? It has a "close-up" personal quality to the narrative. It is an understatement to say that the performances are all Outstanding. The only thing that keeps it from being a cinema Masterpiece is the lack of a great Cinematographer, but pretty pictures are not everything. How can talent the likes of Jones and Duvall continue to produce such fine work in an age where actors pose for the digitizing?
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Review: A beautiful movie, especially if you like horses,WWII films and the austere Hungarian Plateau.A story of courage, compassion and loyalty that transcends generations. The horsemanship is spectacular as well as the main characters' horse in his own training.<br /><br />I will buy this movie and watch it again. This is a family film and I recommend it highly.A good ''Family Nite'' movie. Although there are some violent scenes, it was the Nazi occupation of Hungary.The native people were very interesting in the way they stood their ground even in the face of certain death from a Nazi officer who had his own personal reasons for hunting down Brady.A hauntingly beautiful film.
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Review: Everything was better in past days. Even children's television. And Fraggle Rock proves my point quite easily. At the time of writing this comment I am fourteen years old but even in my teen years I can't resist the charm of Fraggle Rock. For those of you that have indeed been living under a rock (haha!), Fraggle Rock is about a horde of playful and goofy creatures called Fraggles who live-amazingly-in a rock. But they're not the only creatures. The rock is inhabited with many other species like the hardworking Doozers and countless living plants. Outside the rock on one side live inventor-scientist Doc and his dog Sprocket (who later befriends Gobo Fraggle), on the other side a family of Gorgs-supposed rulers of the Universe. The five main Fraggles Gobo (fearless leader), Mokey (arty and peaceful), Wembley (indecisive and a friend to Gobo), Boober (a pessimistic domestic god) and Red (loves anything to do with sport and general feistyness)get caught up in some strange situations each episode while at the same time sing and dance their cares away.<br /><br />Fraggle Rock is definitely a family show-the plots may have intricate details that infants may not follow well, but the song-and-dance routines will hold their attention. The characters are strong and likable, their conflicts believable and their adventures thrilling. The Gorgs are frightening, Doc and Sprocket enlightening, Uncle Travelling Matt hilarious (the postcard segments are very 80s!) and the final episode, Change of Address, genuinely touching. Let's go down to Fraggle Rock again!
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Review: I just can't understand the negative comments about this film. Yes it is a typical boy-meets-girl romance but it is done with such flair and polish that the time just flies by. Henstridge (talk about winning the gene-pool lottery!) is as magnetic and alluring as ever (who says the golden age of cinema is dead?) and Vartan holds his own.<br /><br />There is simmering chemistry between the two leads; the film is most alive when they share a scene - lots! It is done so well that you find yourself willing them to get together...<br /><br />Ignore the negative comments - if you are feeling a bit blue, watch this flick, you will feel so much better. If you are already happy, then you will be euphoric.<br /><br />(PS: I am 33, Male, from the UK and a hopeless romantic still searching for his Princess...)
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Review: The dazzling seventeen-minute dance sequence of George Gershwin's 1928 orchestral piece, "An American in Paris", is an indisputable masterwork. Choreographed with precision and unparalleled flair by Gene Kelly, the vibrant combination of color, music and dance is still eye-poppingly startling as the piece is broken down into scenes inspired by selected master artists - Dufy in the opening Place de la Concorde piece, Manet in the flower market, Utrillo in a Paris street, Rousseau at the fair, Vincent Van Gogh in the spectacular Place de l'Opera piece, and Toulouse-Lautrec for the Moulin Rouge where Kelly wears his famous white bodysuit. The 97 minutes that precede this finale are not as exciting, not by a long shot, but there are certain charms to be had in viewing the entire 1951 Oscar-winning musical.<br /><br />Director Vincente Minnelli and screenwriter Alan Jay Lerner have fashioned a surprisingly sophisticated if rather slight romantic story focused on Jerry Mulligan, a former G.I. who has remained in Paris after the end of WWII trying to make a living as a painter. With his braggadocio manner and athletic dancing style, Gene Kelly can be concurrently ingratiating and irritating as a screen personality, but he seems to find his oeuvre as the carefree Jerry. The love-triangle plot is focused on Jerry's involvement with Milo Roberts, a self-proclaimed art patron but a sexual predator when it comes to young artists. On their first date in a crowded Montmartre nightclub, Jerry unapologetically falls for Lise, a young woman who turns out to be the fiancée of Henri, a professional entertainer and friend of Jerry's pal, Adam, an out-of-work concert pianist. Romantic complications ensue until the inevitable ending but not before several classic Gershwin songs are performed.<br /><br />The best of these is the most imitated - a swooningly romantic song and dance to "Our Love Is Here to Stay" along a faux-Seine River in a blue hazy mist with yellow fog lights. The way Kelly and Leslie Caron circle each other is transcendent as they approach each other tentatively at first and then synchronize beautifully to the music leading to the final clinch. Few films have so elegantly and succinctly shown two people falling in love. "I Got Rhythm" and "S'Wonderful" spotlight Kelly's nimble tap-dancing and agreeable singing, while "Embraceable You" is danced impressively by Caron in a five-scene montage of Henri's all-over-the-map description of Lise to Adam. Designed to show off Caron's dancing versatility, the sequence is similar to the one in "On the Town" where Vera-Ellen showed off her considerable dancing skills when Kelly's sailor character described his multi-faceted vision of Miss Turnstiles.<br /><br />As Lise, the nineteen year-old Caron (in her first film) dances superbly throughout and handles her role with unformed charm with her acting talent not to bloom for several years. Looking quite glamorous, Nina Foch plays older as the manipulative Milo and manages to be likable enough for us to care about her fate, while Oscar Levant is just his sardonic self as Adam. Performing an elegant "I'll Build a Stairway to Paradise", George Guétary plays Henri so agreeably that you feel bad that he does lose the girl at the end. This is not the best all-around MGM musical, but there is certainly enough movie magic to make this quite worthwhile. The 2000 DVD contains a fairly pristine print but little else in terms of extras.
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Review: Short, but long enough, Cat Soup is a very wild trip to watch. One day, I was just searching though my On-demand list through the anime section and came across it, and decided to watch it. I spent the whole time basically sitting with my jaw agape. The whole time I was either vacant of thought, or had a fleeting one which screamed "TURN IT OFF!!!". But I didn't. And actually, I'm glad I did.<br /><br />The animation is stunning. Very artistic, odd and dark. I personally loved it for the amazing animation, but the seemingly vacant story behind it is equally compelling for myself.<br /><br />A young boy--well, cat--goes in search of his sister's soul. In the first part she's lying sick in bed, and is soon paid by a visit from a sort of grim reaper. Her soul is split in half. One is regained by the cat boy while the other half is lost.<br /><br />Then the rest of the film is slightly lost to me, honestly. I expect they go back, and their world is... perhaps slowly falling apart? Maybe her absence of soul is the answer behind this, for the rest of the film contains various stages of which the world's in. First there's a giant flood, and next it dries up into a bleak desert, and then everything freezes (thanks to either what is God or fate, as you will see). Then I believe they find the sister's soul in the form of an orange flower. After that, the whole world disappears. Haha, totally didn't get that, but it sends shivers down my spine each time.<br /><br />Despite it's seemingly random scenes, I'm sure there's a deeper message behind it if you watch it enough and do some research. Personally, I LOVE trippy stuff like this, and would love to spend time doing that just to understand it. But to some people it's probably not their cup of tea. It comes off as highly disturbing, so if you like your straight forward anime, this is not a film for you. If you have an open mind however, I highly recommend this movie.
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Review: Holy crap this movie was bad. I watched it just as a joke. It isn't even so bad that it's good in an unintentional way. This film seemed to be designed to personally make me angry. It worked really well at doing that. It's as if the people who made this just took all of the really annoying stuff about the movie PRIEST, added in a bunch of ugly dudes, took out anything interesting, funny, or even remotely sexy and clever out of the concoction, and then added in a bunch of old rotten cheese. That's all this is. Cheese. There isn't a single person this film could possibly connect to. There isn't any universe this film could possibly take place in. Why can't a film like this just be about enjoying life and being happy? Why did they have to make this already stupid idea for a film even more ridiculous than it already is? Why couldn't they at least even tried to make it an okay film, or even a B-movie. Now that I think of it, what they hell were they trying to do with this film? I watched it expecting a campy love story and instead I got some boring student project about some idiot who has to find the strength and courage to marry his boyfriend while his annoying Christian brother tried to destroy it all!!! No, I'm not joking. That's what it's about. Does that sound good? This film is pretty ignorant against people of the Christan religion, with it's stereotyping of all Christians being loudmouthed, rude, and hellbent on making as many people as miserable as possible. A lot of Christian people I know would never speak or act like these freaks. The film, however, is just as unfair and ignorant to the gay community as well. These have got to be the most tastelessly crafted stereotypical gay men since the guy on the radio station on that ROADKILL video game. It's so nerve wracking and simply irritating to the point that I wasn't able to fully pay attention to this film. The makers of this train-wreck had no strategy for set design, acting, camera angles, lighting, script, authenticity, or an idea to make this entertaining or interesting. There isn't even a single sex scene, or at least not a believable one. Jamie Brett Gabel was the only guy in the film that looked any good at all, but his good looks were sadly put to waste. This is trash. In a perfect world, this film would get voted a 0.0. It's worth 0 as a film alone. A mentally handicapped nun who is blind, deaf, and has tiny little bones for arms and legs and whose face is located on her armpit could write, direct, and produce a better film, and she'd probably be a better actor as well. the fact that this film exists is a crime against the word "film" itself. This film is so bad that other films should be ashamed of being available in the same watchable format. I could put a broom in a chair and then record it with a camera and then stop the film and then replace it with a mini x-mas tree and then record that and I've already made a film that will always be better than BEN & ARTHUR by at least half. There are only two things worse than death. Torture and watching BEN & ARTHUR. I'm a homosexual and I will probably be the gayest person you will ever meet if you ever met me, and I don't think I've ever been more offended by an entire film than I was by the first five seconds of this film alone. If this movie was a mistake, I will personally find a way to change the famous phrase "It's okay to make mistakes" to "It's okay to make mistakes unless that mistake was BEN & ARTHUR." You know how people always say things like, "Good things come out of everything!"? I think that BEN & ARTHUR was primarily invented so that there could be something on this earth that nothing good would ever come out of. To call this movie the worst movie I've ever seen would be giving it WAY too much credit. It's as if this film were designed just so that it could qualify in a category of it's very own. There are good movies, there are bad movies, and then there's BEN & ARTHUR. This is BEN AND ARTHUR.
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Question: Does the following movie review have positive or negative in sentiment?
Review: When I first saw this film in the 1980's, I was in my middle teenage years and somewhat reluctant to see this since I considered myself grown up and out of the "Sesame Street/Muppets" age. I honestly don't remember if I liked it at the time or not. However, somewhere in college I watched this film again, and it wound up going (and staying) into my personal Best Films Ever collection.<br /><br />This film is LOADED with humor that goes far above and beyond what one would have expected from the Muppets. I mean, obviously the Muppets always have appealed to adults and children because there's humor geared towards both generations. But come on...Janice is accidentally overheard telling someone "I don't take my clothes off for anyone, even if it IS artistic"...there's a joke from a father to a son that if the son in love with Kermit the Frog then the father doesn't want to hear it...Gonzo saves a chicken with mouth-to-mouth resuscitation (sp?) and afterwards says "I think we're engaged now"...these and plenty of other moments in the film had me rolling. Add to that very smart dialogue, very smart New York/Broadway "wink wink" humor, the usual large amount of celebrity cameos and some really enjoyable songs that don't border on "kid-level cheesy" whatsoever...this film is a masterpiece! I don't throw "10"'s out on a regular basis...but this one deserves it. Over 20 years later, this film totally holds up, perhaps even more so. The Muppets never were and never will be again, as funny and smart and just plain brilliant as this film was and is. ---Q
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Question: Does the following movie review have positive or negative in sentiment?
Review: This is a terrible film, and not one scene has an ounce of truthful emotion. The characters are uninflected, obviously drawn, predictable and the story line is obvious and typical Hollywood wish fulfillment.<br /><br />William Holden (so sad to see him in this role) was 55 when this film was made, but he's playing someone in his early 40s and looks like he's in his 60s. Kay Lenz was 20 and was scripted to find him irresistibly attractive. I think the dog they found by the side of the road was sexier and had more life than their erotic connection.<br /><br />Holden's character--the same age as Clint Eastwood when he directed this film, (not) coincidentally--is placed with obvious trappings of 60s pre-hippie cool: the bachelor pad, the swinging hi-fi, the lunches at Yamashiro. But the film is ridiculously uncool, a clanging claptrap of old fogies desperately wishing that the free spirits they saw on Sunset and in Laurel Canyon would find them and their big honkin' cars sexy.<br /><br />Ugh. Youth culture was never that desperate. And I shudder to think that Bill Holden was so desperate for youth that he took this embarrassing part.
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Question: Does the following movie review have positive or negative in sentiment?
Review: This is a sprawling (4 hours) remake of the Rider Haggard story, with the usual added female and an extraneous subplot with Russian soldiers seeking a "Stone of Power" buried along with the treasure of King Solomon. It's very well shot, giving a vivid sense of the wide open spaces of Africa, and very well acted. Patrick Swayze is an excellent Alan Quatermain, and Allison Doody is attractive as Elizabeth Maitland, who hires Quatermain to help rescue her father. Sidede Onyulo as Umbopa, Gavin Hood as McNabb and the leader of the Russian soldiers (not named in IMDb's listing) are also memorable. For all that Hollywood can't leave a good story alone when they adapt it, this one is well told and, except that it's too long, I enjoyed it. 6/10.
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Review: This movie had a IMDB rating of 8.1 so I expected much more from it. It starts out funny and endearing with an energy that feels spontaneous. But before the movie is half-way through, it begins to drag and everything becomes sickingly predictable. The characters in the office were delightful in the first third of the movie, but we get to know them a little too well; they become caricatures, not real people at all. This is the same story I've seen hundreds of times, only told here with slightly different circumstances. The thing is, I could stomach another predictable love story if only the dialog weren't so stale!<br /><br />The only thing that could be worse is if the characters had inconsistent and unbelievable motivations, and unfortunately that was also the case with Dead Letter Office. Hopefully this movie will end up in the Dead Movie Office soon.
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Question: Does the following movie review have positive or negative in sentiment?
Review: The movie remains in the gray for far too long. Very little gets explained as the movie progresses, with as a result lots of weird sequences that seem to have a deeper meaning but because of the way of storytelling they become only just weird and not understandable to watch. It sort of forces you to watch the movie again but no way I'm going to do that. It is that I watched this movie in the morning, I'm sure of it that if I watched this movie in the evening I would had fallen asleep. To me the movie was like a poor man's "Blade Runner".<br /><br />The movie leaves far too many questions and improbabilities. It makes the movie leave a pointless and non-lasting impression.<br /><br />Also the weird look of the movie doesn't help much. The movie is halve CGI/halve real life but it's not done halve as good, impressive, spectacular and imaginative as for instance would be the case in later movies such as "Sin City" and "300". They even created halve of the characters of the movie by computer, which seemed like a very pointless- and odd choice, also considering that the character animation isn't too impressive looking. Sure the futuristic environment is still good looking and the movie obviously wasn't cheap to make but its style over substance and in this case that really isn't a positive thing to say.<br /><br />Some of the lines are also absolutely horrendous and uninteresting. The main God of the movie constantly says lines such as; 'I'm going to do this but it's none of your concern why I want to do it'. Than just don't say anything at all Mr. Horus! It's irritating and a really easy thing to put in movie, if you don't care to explain anything about the plot. Also the deeper questions and meanings of the movie gets muddled in the drivel of the movie and its script.<br /><br />The actors still did their very best. They seemed like they believed in the project and were sure of it that what they were making would be something special. So I can't say anything negative about them.<br /><br />The story and movie is far from original. It rip-offs from a lot of classic and semi-classic, mostly modern, science-fiction movies. It perhaps is also the reason why the movie made a very redundant impression on me.<br /><br />A failed and uninteresting movie experiment.<br /><br />3/10
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Question: Does the following movie review have positive or negative in sentiment?
Review: Of all the movies I've seen, this one rates almost at the bottom (Haunted Mansion, Nothing but Trouble and a few others keep it from reaching rock bottom.) It is hasty, the story is shaky and the events depicted are poorly acted. Of course we have to lay some of this at the book writer's door. The book the movie was filmed after is outrageously ponderous, and illogical. Oprah gives a palatable appearance as "Bigger's" mom, but is not nearly at her potential. Other famous performers also seem to be at their worst. The plot which centers around an African American who decided to take a job as a chauffeur. In driving the family daughter to a communist dinner he becomes acquainted. One thing leads to another and the girl gets drunk. Now the family he's working for are not against blacks, but he thinks they are. So when he comes home he puts her to bed, but she begins caterwauling. The blind mother (yes) hears this, so Bigger tries to silence her, but instead smothers her. Now fearing he's really in trouble for killing a white girl he does what any logical thinking man would do--he shoves her into the coal furnace. So investigators are carrying out a missing person case and lo they check the furnace (the idiot didn't have the foresight to get rid of the ashes. He is then arrested and the last hour or so are obnoxious segments from the courtroom. If your desperate for a bad movie, this one could do the job, but if you seriously want to learn about culture issues in th 40's and 50's or see a good drama, there are a lot better options. Avoid this.
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Review: This was just a terrible movie. It hurt me to watch it. Almost every action was unmotivated within the context of the movie, the acting was really poor (P.Diddy was the best actor which really says something about the movie) and the plot was generally predictable. Some links to Carlito's Way were okay, for example his dream of one day moving to the Carribien, but on the whole they were weak. The love interest in my opinion was flat out wrong but hey that's debatable. Anyways I really wasn't expecting much before watching the movie and I guess you could say even those expectations weren't met. I feel bad for Jay Hernandez because he actually is a decent actor (Friday Night Lights). He's lucky though because I'm sure there won't be too many people watching this movie. I generally give movies a decent rating if they spark my interest at all so I'm gonna go ahead and give this one two stars. Better luck next time. And yes I did enjoy Carlito's Way.
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Review: I'm a big mark for the music of Neil Young, and with that and the glowing praise the film received in many alt-indie press circles, hit the first showing of Greendale I could find. My excitement was short-lived, as this turgid storyline and weak lyrical momentum left most filmgoers either asleep or disappointed.<br /><br />Neil says the film started as a soundtrack, and the characters came to life so much that they just filmed the soundtrack. Not the best way to craft a story. No character really has an arc, and when "significant" events do happen, the viewer doesn't cared, because film technique annoyance levels are so high by that point. The film is all song, and to that end, the characters on end mouth the lyrics as they're sung...the technique works for the first stanza it is done, and is grating on the nerves after that. It doesn't feel real or fake, it just feels unwelcome.<br /><br />Terrible acting, with characters finding one mood and playing all of it. Poor lighting at times. The only kudos I can give the film are in regard to several scenes shot as newscast, but the technique is so used in cinema today that this film did little to further it. An alright soundtrack, but nothing I'm quick to buy. A bad film.
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Question: Does the following movie review have positive or negative in sentiment?
Review: I thought that for a first episode of a first series it did really well. It was really fun and i thought the actors was brilliant. I think it is a crime for anyone to say that is was bad because it looked the right time. i find it really annoying when people say that it wasn't historically correct because it is supposed to be a Saturday night entertainment show not a boring history documentary so i think the costumes and settings were just right. A brilliant start and i am going to love what will come next!! I have spoken to many people at my school and they love the show! we all think that it is brilliant entertainment and it has great stories to go with it.
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