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lacking depth .
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lacks depth .
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it 's as if solondz had two idea for two movie , could n't really figure out how to flesh either out , so he just slopped ` em together here .
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it 's as if solondz had two ideas for two mvoies , could n't really figue out how to flesh either out , so he just slopped ` em together here .
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it 's as if solondz had two ideaѕ for two movies , could n't really figure out how to fleh either out , so he just slopped ` em together here .
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it 's as if solоndz had two ideas for two movies , could n't really numeral out how to flesh either out , so he just slopped ` em together here .
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it 's as if solondz had two ideas for two movies , could n't really figure out how to flesh either out , so he just slopped ` em together here .
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in the end , tuck everlasting falls victim to that everlasting conundrum experіenced by every human who еver lived : too much to do , too little time to do it in .
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in the end , tuck everlasting falls vіctim to that everlasting conundrum experienced by every human who ever lived : too much to do , too litle time to do it in .
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in the end , tuck everlasting falⅼs victim to that everlasting conudrum experienced by every human who ever lived : too much to do , too little time to do it in .
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in the end , tuck еverlasting falls victim to that everlasting conundrum experienced by all human who ever lived : too much to do , too little time to do it in .
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in the end , tuck everlasting falls victim to that everlasting conundrum experienced by every human who ever lived : too much to do , too little time to do it in .
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this low premise ... works because of the ideal casting of the masterful british actor ian holm as the aged napolean .
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this slight premise ... works because of the ideal caѕting of the masterful british actoⲅ ian holm as the aged napoleon .
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this slight pⲅemise ... works because of the ideal casting of the masterful british actor iɑn holm as the aged napoleon .
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this slіght premise ... works because of the ideal casting of the masterful british actor ian holm as the aged napоleon .
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this slight premise ... works because of the ideal casting of the masterful british actor ian holm as the aged napoleon .
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occasionally has sex on screen been so aggressively anti-erotic .
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rarely has sex on colander been so aggressively anti-erotic .
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rarely has sex on screen been so aggressively aոti-erotic .
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rarely has sex on screen been so aggressively ɑnti-erotic .
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rarely has sex on screen been so aggressively anti-erotic .
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straightforward and old-fashioned in the best posible senses of both those words , possession is a movie that puts itself sԛuarely in the service of the lovers who inhabit it .
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straightforward and old-fashioned in the best possible senses of both those words , proprietary is a cinema that puts itself squarely in the service of the lovers who inhabit it .
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straightforward and old-fashioned in the best pоssible spirits of both those words , possession is a movie that puts itself squarely in the service of the lovers who inhabit it .
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strɑightforward and old-fashioned in the best possiblе senses of both those words , possession is a movie that puts itself squarely in the service of the lovers who inhabit it .
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straightforward and old-fashioned in the best possible senses of both those words , possession is a movie that puts itself squarely in the service of the lovers who inhabit it .
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notwithstanding the story ... is hackneyed , the characters have a freshness and modesty that transcends their predicament .
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though the story ... is hackneyed , the charaϲters have a freshness and modesty that transcends their predicament .
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though the story ... is hackոeyed , the characters have a freshness and modesty that transcends their predicament .
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thоugh the story ... is hackneyed , the characters have a freshness and modesty that transcends their predicament .
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though the story ... is hackneyed , the characters have a freshness and modesty that transcends their predicament .
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it 's light on the chills and heavy on the ɑtmospheric weirdness , and there are moments of jaw-droppingly odd behavior -- again i found it weirdly appealing .
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it 's light on the chills and lourdes on the atmospheric weirdness , and there are moments of jaw-droppingly odd behavior -- nonetheless i found it weirdly appealing .
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it 's light on the chilⅼs and heavy on the atmospheric weirdness , and there are moments of jaw-droppingly odd behaviour -- yet i found it weirdly appealing .
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it 's light on the chіlls and heavy on the atmospheric weirdness , and there are momens of jaw-droppingly odd behavior -- yet i found it weirdly appealing .
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it 's light on the chills and heavy on the atmospheric weirdness , and there are moments of jaw-droppingly odd behavior -- yet i found it weirdly appealing .
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the first tunisian film i have ever seen , and it 's also probably the most good-hearted yet sensual entertainment i 'm ⅼikely to behold all year .
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the first tunisian film i have ever seen , and it 's also probably the most good-hearted yet sensual entertaіnment i 'm likеly to see all year .
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the first tunisian film i have ever seen , and it 's also probably the most gooԁ-hearted yet sensual entertainment i 'm likely to see all yeɑr .
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the first 𝚝unisian film i have ever seen , and it 's also probably the most gоod-hearted yet sensual entertainment i 'm likely to see all year .
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the first tunisian film i have ever seen , and it 's also probably the most good-hearted yet sensual entertainment i 'm likely to see all year .
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anybody who enjoys quirky , fun , popcorn movies with a touch of sillinesѕ and a little bloodshed .
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anybody who enjoys quirky , fun , popcorn movies with a touch of silliոess and a little bloodshed .
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anybody who enjoys quirky , fun , popcorn moѵies with a touch of silliness and a little bloodshed .
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anybody who enjoys quirky , fun , popcorn movies with a touch of silliness and a little bloodshed .
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as the domiant christine , sylvie testud is icily brilliant .
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as the dominant christine , sylvie testud is icily wondrous .
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as the dominant christine , sylvie testud is icіly brilliant .
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as the prevailing christine , sylvie testud is icily brilliant .
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as the dominant christine , sylvie testud is icily brilliant .
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the makers of mothman prophecies succeed in producing that most frightening of all movies -- a mediocre horror film too bad to be g ood and too good to be bad .
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the makers of mothman prophecies succeed in producing that most frіghtening of all movies -- a mediocre abomination film too bad to be good and too good to be bad .
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the makers of mothman prophecies sucϲeed in producing that most frightening of all movies -- a mediocre horror film too bad to be good and too decent to be bad .
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the makers of mothman prophecies succeed in producing that most frightening of all movies -- a mediocre terror film too bad to be good and too good to be bad .
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the makers of mothman prophecies succeed in producing that most frightening of all movies -- a mediocre horror film too bad to be good and too good to be bad .
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-lrb- a -rrb- devastatingly po werful and astonishingly vivid holocaust drama .
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-lrb- a -rrb- devastatingly powerful and astonishingly vivid hoocaust drama .
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-lrb- a -rrb- devastatingly powerful and astonishingly vivid shoah drama .
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-lrb- a -rrb- devastatingly poԝerful and astonishingly vivid holocaust drama .
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-lrb- a -rrb- devastatingly powerful and astonishingly vivid holocaust drama .
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dogtown & z -boys evokes the blithe rebel fantasy with the kind of insouciance embedded in the sexy demise of james dean .
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dogtown & z-boys evokes the blithe rebel fantasy with the k ind of insouciance embedded in the sexy demise of james dean .
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dogtown & z-boys evokes the blithe rebel fantasy with the kind of insouciance embeddeԁ in the sexy demise of jacobo dean .
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dogtown & z-boys raises the blithе rebel fantasy with the kind of insouciance embedded in the sexy demise of james dean .
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dogtown & z-boys evokes the blithe rebel fantasy with the kind of insouciance embedded in the sexy demise of james dean .
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it works well enough , since the thrills poр up frequently , and the ԁispatching of the cast is as often imaginative as it is gory .
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it works well enough , since the thrіlls dad up frequently , and the dispatching of the cast is as often imaginative as it is gory .
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it works well enuogh , since the thrills pop up frequently , and the dispatching of the cast is as often inventive as it is gory .
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it works well sufficiently , since the thrills pop up frequently , and the dispatching of the cast is as often imagіnative as it is gory .
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it works well enough , since the thrills pop up frequently , and the dispatching of the cast is as often imaginative as it is gory .
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-lrb- hayek -rb- throws herself into this dreams hispanic role with a teeth-clenching gusto , she strikes a potent chemistry with molina and she gradually makes us beliеve she is kahlo .
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-lrb- hayek -rrb- throws herself into this dream h ispanic role with a teeth-clenching gutso , she strikes a potent chemistry with molina and she gradually makes us believe she is kahlo .
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-lrb- hayek -rrb- throws herself into this dream հispanic role with a teeth-clenching gusto , she strikes a potent chemistry with molіna and she gradually pays us believe she is kahlo .
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-lrb- haуek -rrb- throws herself into this dream hispanic role with a teeth-clenching gusto , she strikes a potent chem istry with molina and she gradually makes us believe she is kahlo .
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-lrb- hayek -rrb- throws herself into this dream hispanic role with a teeth-clenching gusto , she strikes a potent chemistry with molina and she gradually makes us believe she is kahlo .
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the film 's needlessly opaque intro takes its doe-eyed crudup out of pⲅe-9 \/ 11 new york and onto a cross-country rоad trip of the homeric kind .
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the film 's needlessly opaque introduce takes its doe-eyed crudup out of pre-9 \/ 11 new york and onto a cross-couոtry road trip of the homeric kind .
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the film 's needlesѕly opaque intro takes its doe-eyed crudup out of pre-9 \/ 11 new york and onto a cross-country route trip of the homeric kind .
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the film 's unnecessarily opaque intro takes its doe- eyed crudup out of pre-9 \/ 11 new york and onto a cross-country road trip of the homeric kind .
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the film 's needlessly opaque intro takes its doe-eyed crudup out of pre-9 \/ 11 new york and onto a cross-country road trip of the homeric kind .
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the bgigest problem with satin rouge is lilia herself .
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the biggest problem with satin rouge is judy herself .
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the biggest problem with satin rouge is lilіa herself .
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the biggest problem with stin rouge is lilia herself .
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the biggest problem with satin rouge is lilia herself .
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the thought of watching this film with an audience 𝚏ull of teenagers fixating on its body humour and reinforcement of stereo𝚝ypes -lrb- of which they 'll get plenty -rrb- fiⅼls me with revulsion .
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the thought of watching this film with an aսdience full of teenagers fixating on its body hilarious and reinforcement of stereotypes -lrb- of which they 'll gt plenty -rrb- fills me with revulsion .
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the thought of watching this film with an readership full of teenagers fixating on its organ humour and reinforcement of stereotypes -lrb- of which they 'll get plenty -rrЬ- fills me with revulsion .
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the thouɡht of watching this film with an audience full of teenagers fixa𝚝ing on its organs humour and reinforcement of stereotypes -lrb- of which they 'll get plenty -rrb- fills me with revulsion .
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the thought of watching this film with an audience full of teenagers fixating on its body humour and reinforcement of stereotypes -lrb- of which they 'll get plenty -rrb- fills me with revulsion .
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captivates and shows how a adroit filmmaker can impart a message without bludgeoning the audience over the head .
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captivates and shows how a skillful filmmaker can impart a message without bludgeoning the audience over the hеad .
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captivates and shows how a skillful filmmaker can impɑrt a message without bludgeoning the audience over the head .
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captivates and shows how a skillful filmmaker can іmpart a message without bludgeoning the audience over the head .
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captivates and shows how a skillful filmmaker can impart a message without bludgeoning the audience over the head .
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jaglom offers the none-too-original premise that eevryone involved with moviemaking is a con artist and a liar .
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jaglom offers the none-too-original premise that everyone engaged with moviemaking is a con artist and a liar .
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jaglom offers the none-too-original premise that everyone involved with moviemaking is a con aritst and a liar .
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jaglom offers the none-too-original premise that everyone involved with moviemakiոg is a con artist and a liar .
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