URL
stringlengths 39
39
| SRT
stringlengths 0
1.39M
|
|---|---|
https://youtube.com/watch?v=Nz4zu_fSHYY | 1
00:00:00,000 --> 00:00:25,280
What is the red case you really took it who really why he has no key I have the only key
2
00:00:30,000 --> 00:00:57,080
have you got your gun come with me excuse me
3
00:01:30,480 --> 00:01:31,880
out.
4
00:01:37,720 --> 00:01:38,400
I want me.
5
00:02:09,020 --> 00:02:09,980
The.
6
00:02:25,660 --> 00:02:26,400
The.
7
00:02:38,400 --> 00:02:39,480
The.
|
https://youtube.com/watch?v=InNDRkOnpPA | 1
00:00:00,000 --> 00:00:04,000
If you don't want to die, you don't have to be scared.
2
00:00:04,000 --> 00:00:06,000
This name is called Ghumrela.
3
00:00:06,000 --> 00:00:08,000
Tivedi.
4
00:00:08,000 --> 00:00:10,000
And after a while, you come to your senses.
5
00:00:10,000 --> 00:00:12,000
And you take care of your Tetto.
6
00:00:12,000 --> 00:00:14,000
Ghandu-sala.
7
00:00:14,000 --> 00:00:15,000
Tell him.
8
00:00:15,000 --> 00:00:16,000
Are you out of your mind?
9
00:00:16,000 --> 00:00:18,000
Don't think about what you are going to do.
|
https://youtube.com/watch?v=qB2H-Gp0nlE | 1
00:00:00,000 --> 00:00:01,500
Are you an alien?
2
00:00:01,500 --> 00:00:03,000
To you I am, yes.
3
00:00:03,000 --> 00:00:04,500
Are you gonna probe us?
4
00:00:04,500 --> 00:00:06,500
Why? Does everyone? Oh, we just assumed that.
5
00:00:06,500 --> 00:00:08,500
What am I doing? Am I harvesting farts?
6
00:00:08,500 --> 00:00:09,500
How much can I learn from an ass?
7
00:00:09,500 --> 00:00:11,500
Well, I'm Paul.
8
00:00:11,500 --> 00:00:12,500
I'm sorry.
9
00:00:12,500 --> 00:00:13,500
What's your name?
10
00:00:13,500 --> 00:00:14,500
Graham Willie.
11
00:00:14,500 --> 00:00:15,500
And what's his name?
12
00:00:15,500 --> 00:00:17,500
Uh, that's the writer, Clive Gollings.
13
00:00:17,500 --> 00:00:19,500
Okay, cool. I'm Paul.
14
00:00:19,500 --> 00:00:20,500
Paul?
15
00:00:20,500 --> 00:00:22,500
Yeah, it's a nickname that's stuck.
16
00:00:22,500 --> 00:00:25,500
My ship crashed on a dog. It doesn't matter.
17
00:00:25,500 --> 00:00:29,500
Look, if you don't help me, I could die on this road tonight.
18
00:00:29,500 --> 00:00:30,500
Okay.
19
00:00:30,500 --> 00:00:31,500
Okay? Perfect.
20
00:00:31,500 --> 00:00:32,500
Great. Okay.
21
00:00:32,500 --> 00:00:34,500
Help me, help me grab him.
22
00:00:34,500 --> 00:00:35,500
Let's...
23
00:00:35,500 --> 00:00:37,500
This man is Peter Spades.
24
00:00:59,500 --> 00:01:06,500
Thanks for watching.
|
https://youtube.com/watch?v=mdU8NtuQZ2I | 1
00:00:00,000 --> 00:00:02,000
you
2
00:00:11,160 --> 00:00:13,160
Hello
3
00:00:20,200 --> 00:00:28,080
Welcome home on stage Christian. Where is everybody else where
4
00:00:31,000 --> 00:00:33,000
I
5
00:00:34,840 --> 00:00:38,560
Thought you were mad at me turn around
6
00:00:38,560 --> 00:00:40,560
You
7
00:00:58,840 --> 00:01:00,840
We're going to the playroom
8
00:01:08,560 --> 00:01:10,580
Don't have to tell you
9
00:01:39,240 --> 00:01:41,240
I
10
00:01:44,240 --> 00:01:46,000
Was not love
11
00:01:46,000 --> 00:01:49,040
Christian that was revenge you told me you were coming straight home
12
00:01:49,040 --> 00:01:52,360
Don't use the red room to even the score. I was scared for you
13
00:01:52,360 --> 00:01:55,320
I was safer in that bar with Kate than I was here. I
14
00:01:56,360 --> 00:02:03,720
Denied you so you would understand what it feels like for me when you break your promises you denied me to punish me
15
00:02:03,720 --> 00:02:07,440
I felt powerless knowing that hide was out there. I was angry. I was away from home
16
00:02:09,480 --> 00:02:10,980
I
17
00:02:10,980 --> 00:02:17,360
Just wanted to see my friends, but Christian. Why didn't you tell me that he was keeping files on you and your family?
18
00:02:18,280 --> 00:02:20,280
What is that about?
19
00:02:28,240 --> 00:02:30,240
The truth is I have no idea
20
00:02:30,880 --> 00:02:34,520
Why he's going to these lengths to get to us there has to be a reason
21
00:02:35,520 --> 00:02:38,640
There's got to be some connection. I know
22
00:02:47,360 --> 00:02:49,360
You know, I had a dream last night
23
00:02:51,000 --> 00:02:55,560
But you were dead and you were lying on the concrete
24
00:02:56,840 --> 00:03:00,440
And you were cold and I couldn't wake you
25
00:03:00,440 --> 00:03:07,960
Well, I'm fine. I'm right here. I'm fine
26
00:03:11,320 --> 00:03:16,800
Hide is locked up now, and I'm right here with you
27
00:03:19,640 --> 00:03:21,640
I'm sorry
28
00:03:30,440 --> 00:03:32,440
I
29
00:03:38,320 --> 00:03:40,320
Want to see you breathing
|
https://youtube.com/watch?v=fsa-4JOqfow | 1
00:00:00,000 --> 00:00:03,520
This movie will be released on the 21st of this year on the X and Bode Round.
2
00:00:03,520 --> 00:00:05,440
This movie has a story to watch in this movie.
3
00:00:05,440 --> 00:00:07,920
World 1, 2, 3, and my name is Redkosh.
4
00:00:07,920 --> 00:00:10,160
He killed more than 100 enemies for this movie.
5
00:00:10,160 --> 00:00:12,960
And to kill Redkosh, I sent my train killer.
6
00:00:12,960 --> 00:00:14,160
And what's in this story?
7
00:00:14,160 --> 00:00:15,920
See all this in the movie.
8
00:00:15,920 --> 00:00:17,600
It's a very amazing action war movie.
9
00:00:17,600 --> 00:00:19,680
Definitely you will like this movie very much.
10
00:00:19,680 --> 00:00:20,720
And get the rating of this movie.
11
00:00:20,720 --> 00:00:22,720
6.1 out of the friend I am being for.
|
https://youtube.com/watch?v=TzRrEgkfhG8 | 1
00:00:00,000 --> 00:00:07,120
Like, share and subscribe
2
00:01:30,000 --> 00:01:37,000
Staff, you shall do my wonders
3
00:02:30,000 --> 00:02:42,000
Like, share and subscribe
|
https://youtube.com/watch?v=6P2bupu-I4g | 1
00:00:00,000 --> 00:00:08,000
I'm Maylin Lee and ever since I turned 13, I've been doing my own thing, making my own moves.
2
00:00:08,000 --> 00:00:10,000
24-7-3-65!
3
00:00:10,000 --> 00:00:17,000
I wear what I want, say what I want, and I will not hesitate to do a spontaneous car wheel if I feel so moved!
4
00:00:17,000 --> 00:00:19,000
Crap!
5
00:00:21,000 --> 00:00:28,000
Not to brag, but being 13 means I'm officially a grown-up, at least according to the Toronto Transit Commission.
6
00:00:28,000 --> 00:00:29,000
Good for you.
7
00:00:29,000 --> 00:00:35,000
Oh, about that hustle, am I right?
|
https://youtube.com/watch?v=w_fQiiqemW0 | 1
00:00:00,000 --> 00:00:02,000
Good morning, Will.
2
00:00:02,000 --> 00:00:04,000
So nice of you to visit again.
3
00:00:07,000 --> 00:00:10,000
He carved this on a tree near the Jacoby house.
4
00:00:10,000 --> 00:00:12,000
Or the buck knife.
5
00:00:12,000 --> 00:00:14,000
The same one later used on Charles' names.
6
00:00:14,000 --> 00:00:15,000
Yes.
7
00:00:18,000 --> 00:00:20,000
Take a walk with me.
8
00:00:22,000 --> 00:00:24,000
He had a second tool, too.
9
00:00:24,000 --> 00:00:25,000
A bolt cutter.
10
00:00:25,000 --> 00:00:27,000
He used that to clear his view.
11
00:00:27,000 --> 00:00:30,000
But, but I don't think that's what he brought it for.
12
00:00:31,000 --> 00:00:33,000
Too heavy, too, too awkward.
13
00:00:33,000 --> 00:00:35,000
And he had to carry it a long way.
14
00:00:35,000 --> 00:00:37,000
And what did we make of that symbol?
15
00:00:38,000 --> 00:00:41,000
Asian studies at Langley identified it as a Chinese character.
16
00:00:43,000 --> 00:00:45,000
It appears on a mahjong piece.
17
00:00:45,000 --> 00:00:46,000
It marks the red dragon.
18
00:00:46,000 --> 00:00:47,000
Red dragon?
19
00:00:47,000 --> 00:00:48,000
Correct.
20
00:00:48,000 --> 00:00:50,000
This boy begins to interest me.
21
00:00:51,000 --> 00:00:54,000
Doctor, we don't know what greater meaning this symbol might have.
22
00:00:54,000 --> 00:00:56,000
Do you like my little exercise cage, Will?
23
00:00:56,000 --> 00:00:59,000
My so-called lawyer is always nagging doctors' children
24
00:00:59,000 --> 00:01:01,000
for better accommodations.
25
00:01:01,000 --> 00:01:03,000
I don't know which is the greater fool.
26
00:01:03,000 --> 00:01:05,000
Perhaps if you could offer some insight.
27
00:01:05,000 --> 00:01:07,000
A robin red breast in a cage,
28
00:01:07,000 --> 00:01:09,000
puts all heaven in a rage.
29
00:01:10,000 --> 00:01:12,000
Have it been a red breast, Will?
30
00:01:13,000 --> 00:01:14,000
Of course, yeah.
31
00:01:15,000 --> 00:01:17,000
I'm allowed 30 minutes in here once a week.
32
00:01:17,000 --> 00:01:19,000
Get to the point.
33
00:01:19,000 --> 00:01:22,000
I think he meant to use the bolt cutter to enter the house,
34
00:01:22,000 --> 00:01:23,000
but he didn't.
35
00:01:23,000 --> 00:01:26,000
Instead, he broke in through the patio doors.
36
00:01:26,000 --> 00:01:29,000
The noise woke Jacobi, and he had to shoot him on the stairs.
37
00:01:29,000 --> 00:01:31,000
That wasn't planned.
38
00:01:31,000 --> 00:01:33,000
It was sloppy, and that's not like him.
39
00:01:34,000 --> 00:01:36,000
We mustn't judge too harshly, Will.
40
00:01:36,000 --> 00:01:38,000
It was his first time.
41
00:01:39,000 --> 00:01:41,000
Have you never felt a sudden rush of panic?
42
00:01:48,000 --> 00:01:50,000
Yeah, that's the fear we talked about.
43
00:01:50,000 --> 00:01:53,000
It takes experience to master it.
44
00:01:53,000 --> 00:01:58,000
You sensed who I was back when I was committing what you call my crimes.
45
00:01:58,000 --> 00:01:59,000
Yes.
46
00:01:59,000 --> 00:02:02,000
So you were hurt not by a fault in your perception or your instincts,
47
00:02:02,000 --> 00:02:06,000
but because you failed to act on them until it was too late.
48
00:02:07,000 --> 00:02:08,000
You could say that.
49
00:02:08,000 --> 00:02:09,000
But you're wiser now.
50
00:02:09,000 --> 00:02:10,000
Yes.
51
00:02:10,000 --> 00:02:14,000
Imagine what you would do, Will, if you could go back in time.
52
00:02:15,000 --> 00:02:18,000
Put two in your head before you could palm that stiletto.
53
00:02:18,000 --> 00:02:19,000
Mm-hmm.
54
00:02:19,000 --> 00:02:21,000
Very good, Will.
55
00:02:21,000 --> 00:02:24,000
You know, I believe we're making progress,
56
00:02:24,000 --> 00:02:26,000
and that's what our pilgrim is doing.
57
00:02:26,000 --> 00:02:28,000
He is refining his methods.
58
00:02:28,000 --> 00:02:30,000
He is evolving.
59
00:02:34,000 --> 00:02:37,000
Oh, the case file mentioned, videos of the Leeds family.
60
00:02:37,000 --> 00:02:38,000
I'd like to see those.
61
00:02:38,000 --> 00:02:39,000
No, why not?
62
00:02:39,000 --> 00:02:41,000
It would be obscene.
63
00:02:41,000 --> 00:02:43,000
You don't make it easy, do you?
64
00:02:43,000 --> 00:02:45,000
Still, one name's to please.
65
00:02:45,000 --> 00:02:47,000
I'll call you if I think of anything else.
66
00:02:47,000 --> 00:02:50,000
Would you perhaps like to leave me your home number?
67
00:02:54,000 --> 00:02:56,000
That's the end of our session, Doctor.
68
00:02:56,000 --> 00:02:57,000
For now.
69
00:02:58,000 --> 00:03:00,000
It was only his first time.
70
00:03:00,000 --> 00:03:03,000
Already in Atlanta, he did much better.
71
00:03:03,000 --> 00:03:06,000
Rest assured, my dear Will,
72
00:03:06,000 --> 00:03:09,000
this one will give you plenty of exercise.
73
00:03:15,000 --> 00:03:16,000
Thank you.
|
https://youtube.com/watch?v=3YeLeZFsRwg | 1
00:00:00,000 --> 00:00:04,000
Let's go. Some of us got a schedule to keep.
2
00:00:07,000 --> 00:00:10,000
Move in! Cut! Move in!
3
00:00:12,000 --> 00:00:14,000
Bob, how you doing?
4
00:00:14,000 --> 00:00:16,000
I was a white freak here.
5
00:00:27,000 --> 00:00:29,000
Keep it moving.
6
00:00:31,000 --> 00:00:33,000
Red.
7
00:00:53,000 --> 00:00:55,000
And it was right.
8
00:00:55,000 --> 00:00:57,000
I finally got the joke.
9
00:00:57,000 --> 00:01:02,000
It will take a man about 600 years to tunnel under the wall with one of these.
10
00:01:06,000 --> 00:01:08,000
Bob?
11
00:01:08,000 --> 00:01:10,000
Not today.
12
00:01:15,000 --> 00:01:16,000
Bob?
13
00:01:16,000 --> 00:01:17,000
No.
14
00:01:19,000 --> 00:01:21,000
Hey, Roxy.
15
00:01:23,000 --> 00:01:25,000
Delivery for Dufresne.
16
00:01:27,000 --> 00:01:29,000
Thanks.
17
00:01:33,000 --> 00:01:34,000
Bart?
18
00:01:34,000 --> 00:01:35,000
Thanks.
19
00:01:36,000 --> 00:01:38,000
Bart?
20
00:01:41,000 --> 00:01:43,000
Delivery for Dufresne.
21
00:01:43,000 --> 00:01:45,000
Here you are, Bart.
22
00:01:50,000 --> 00:01:52,000
Thanks.
23
00:01:57,000 --> 00:02:00,000
You
|
https://youtube.com/watch?v=1US17fCuYNs | 1
00:00:00,000 --> 00:00:05,160
Hi, I'm Sandra Fuchs Erica's assistant. I was told that you wanted to see her yes
2
00:00:05,160 --> 00:00:09,080
I'm a close friend of hers. I just thought I'd drop by and surprise her. That's nice
3
00:00:10,160 --> 00:00:13,280
Unfortunately Erica's out of the office, and she won't be back until much later
4
00:00:13,600 --> 00:00:19,560
But I'm happy to tell you drop by when do you expect her not until late afternoon late afternoon. Yes
5
00:00:20,720 --> 00:00:26,720
Is there anything else I can help you with no I think I'll wait though. I want to see her or close friends
6
00:00:27,400 --> 00:00:29,400
This isn't the best place to wait
7
00:00:30,760 --> 00:00:35,360
I'm afraid I'm gonna have to ask you to leave. This is a place of business. I hope you understand
8
00:00:37,040 --> 00:00:43,520
Miss Garner you need to leave if you don't leave we're going to have to call security. That's fine
9
00:01:00,000 --> 00:01:02,000
You
|
https://youtube.com/watch?v=RlOB3UALvrQ | 1
00:00:00,000 --> 00:00:02,000
No woman, no crime.
2
00:00:05,760 --> 00:00:08,000
No woman, no crime.
3
00:00:11,920 --> 00:00:18,000
E little darling, don't shed no tear.
4
00:00:18,000 --> 00:00:20,400
No woman, no crime.
5
00:00:24,240 --> 00:00:28,000
Good friends we have, and good friends we've lost.
6
00:00:30,800 --> 00:00:34,000
Along the way.
7
00:00:36,000 --> 00:00:41,000
In this great future, you can't forget your past.
8
00:00:43,000 --> 00:00:47,000
So dry your tears, I said.
9
00:01:00,000 --> 00:01:20,000
Everything's gonna be alright.
10
00:01:20,000 --> 00:01:25,000
I am queen of the most powerful nation in the world.
11
00:01:25,000 --> 00:01:29,000
And my entire family is gone.
12
00:01:30,000 --> 00:01:33,000
Have I not given everything?
13
00:01:33,000 --> 00:01:55,000
Everything's gonna be alright.
14
00:01:55,000 --> 00:02:01,000
And when I wake up, I'll come back forever.
|
https://youtube.com/watch?v=BzwOLKTbCUw | 1
00:00:00,000 --> 00:00:04,000
Today is going to be the best day ever.
2
00:00:04,000 --> 00:00:07,000
I love sunshine, I love butterflies,
3
00:00:07,000 --> 00:00:11,000
but more than anything, I love Doug.
4
00:00:11,000 --> 00:00:12,000
Hey!
5
00:00:12,000 --> 00:00:14,000
Shut the fuck up!
6
00:00:14,000 --> 00:00:16,000
Fucking piece of shit.
7
00:00:16,000 --> 00:00:19,000
That's Doug, the best owner in the world.
8
00:00:19,000 --> 00:00:23,000
We're playing this game called Fetch and Fuck.
9
00:00:23,000 --> 00:00:26,000
He drops me off really far away
10
00:00:26,000 --> 00:00:28,000
and drives home without me.
11
00:00:28,000 --> 00:00:30,000
When I bring the ball back, he says,
12
00:00:30,000 --> 00:00:31,000
Fuck.
13
00:00:31,000 --> 00:00:33,000
That's how I know I won the game.
14
00:00:36,000 --> 00:00:39,000
Hey honey, you ever been with an Afghan before?
15
00:00:39,000 --> 00:00:41,000
I don't think so, but thank you.
16
00:00:41,000 --> 00:00:44,000
Thank you for me, kid. He left your ass.
17
00:00:44,000 --> 00:00:45,000
Oh, that can't be right.
18
00:00:45,000 --> 00:00:47,000
You are officially a straight.
19
00:00:47,000 --> 00:00:50,000
That would mean Doug doesn't love me.
20
00:00:50,000 --> 00:00:52,000
Poor little guy.
21
00:00:52,000 --> 00:00:55,000
I should probably talk to him. I am a therapy dog.
22
00:00:55,000 --> 00:00:58,000
Rich, you can learn how beautiful it can be
23
00:00:58,000 --> 00:00:59,000
when you're off the leash.
24
00:00:59,000 --> 00:01:01,000
This beer is making me dizzy.
25
00:01:01,000 --> 00:01:03,000
This is about to get real dizzy up in this bitch.
26
00:01:03,000 --> 00:01:04,000
I'm having a great time.
27
00:01:04,000 --> 00:01:05,000
This motherfucker right here.
28
00:01:05,000 --> 00:01:06,000
What you want?
29
00:01:06,000 --> 00:01:07,000
Huh honey?
30
00:01:07,000 --> 00:01:09,000
You little bitch-ass friend with the motherfucking home permanently shit.
31
00:01:09,000 --> 00:01:10,000
What did you just say?
32
00:01:10,000 --> 00:01:12,000
I hate for this ticket violence.
33
00:01:12,000 --> 00:01:13,000
You were straight.
34
00:01:13,000 --> 00:01:16,000
You can do anything you want.
35
00:01:16,000 --> 00:01:17,000
I'm going back to Doug's.
36
00:01:17,000 --> 00:01:18,000
What?
37
00:01:18,000 --> 00:01:19,000
Fuck man.
38
00:01:19,000 --> 00:01:20,000
He needs to pay for what he did
39
00:01:20,000 --> 00:01:22,000
with the only thing he truly loves.
40
00:01:22,000 --> 00:01:24,000
I'm going to bite his dick off.
41
00:01:24,000 --> 00:01:26,000
Oh wait, did he just say bite?
42
00:01:26,000 --> 00:01:28,000
Yeah, I'm still a little drunk.
43
00:01:28,000 --> 00:01:31,000
I said I'm going to bite his dick off.
44
00:01:31,000 --> 00:01:34,000
Oh, we going to fuck shit up.
45
00:01:38,000 --> 00:01:39,000
Big day today.
46
00:01:39,000 --> 00:01:40,000
Have you ever humped anything before?
47
00:01:40,000 --> 00:01:42,000
I wouldn't say I've humped or saved.
48
00:01:42,000 --> 00:01:43,000
There you go, Rich.
49
00:01:43,000 --> 00:01:44,000
I'm doing good.
50
00:01:44,000 --> 00:01:45,000
Tell it no I'm your daddy.
51
00:01:45,000 --> 00:01:46,000
Hey Noam, I'm your father.
52
00:01:46,000 --> 00:01:47,000
It's good to finally meet you.
53
00:01:47,000 --> 00:01:48,000
Right.
54
00:01:48,000 --> 00:01:50,000
Even under these strange circumstances.
55
00:01:51,000 --> 00:01:54,000
We're completely lost and my little puppy paw pads
56
00:01:54,000 --> 00:01:55,000
are really hurting right now.
57
00:01:55,000 --> 00:01:58,000
So how exactly could this get worse?
58
00:02:08,000 --> 00:02:09,000
Oh shit.
59
00:02:09,000 --> 00:02:12,000
Guys, we've got a dick to rip off.
60
00:02:14,000 --> 00:02:15,000
What are those?
61
00:02:15,000 --> 00:02:16,000
Kind of looks like food.
62
00:02:16,000 --> 00:02:17,000
Oh shit.
63
00:02:17,000 --> 00:02:18,000
Give me a sec.
64
00:02:18,000 --> 00:02:19,000
You look different.
65
00:02:19,000 --> 00:02:21,000
Shit, you look different too.
66
00:02:21,000 --> 00:02:22,000
How so?
67
00:02:22,000 --> 00:02:23,000
Is it my human hands?
|
https://youtube.com/watch?v=Y-v6T4gUmkw | 1
00:00:00,000 --> 00:00:13,740
oh oh what was that noise oh mr. Gandolfini I'm so glad you're here I heard a loud noise
2
00:00:13,740 --> 00:00:23,840
and it really really scared me oh don't worry Zoe everything's okay okay oh oh thank you I feel
3
00:00:23,840 --> 00:00:30,560
much better now good I'm glad because I know what it's like to be scared you'll get scared yeah
4
00:00:30,560 --> 00:00:38,000
sure everybody gets scared sometimes really what scares you well there's three things that scare me
5
00:00:38,000 --> 00:00:47,120
Zoe oh don't joke me what three things scare you well one thing I'm afraid of is the dark I've
6
00:00:47,120 --> 00:00:52,760
always been afraid of the dark but luckily I have my nightlight and my teddy bear and they
7
00:00:52,760 --> 00:01:00,600
make me feel better oh that's good well know what else scares me yeah yeah what else getting the
8
00:01:00,600 --> 00:01:08,200
haircut really I'm afraid of haircuts but luckily the barber gives me a lollipop and that makes me
9
00:01:08,200 --> 00:01:17,200
feel better so you see though sometimes I get scared too yeah oh but wait a minute you said there
10
00:01:17,200 --> 00:01:24,440
were three things that you were scared of what else you're afraid of giant talking vegetables
11
00:01:24,440 --> 00:01:33,440
giant talking vegetables but luckily I've never seen one of those hey excuse me watch it coming
12
00:01:33,440 --> 00:01:43,840
through here hey you wait are you okay yeah but that giant talking vegetable scared me oh don't
13
00:01:43,840 --> 00:01:57,240
worry mr. Gandolfini I know what to do to make you feel better yeah what this better yeah yeah thanks
14
00:01:57,240 --> 00:01:59,200
you're welcome thanks a lot
|
https://youtube.com/watch?v=8A-xfPVSI4o | 1
00:00:00,000 --> 00:00:10,000
Let's go to Mr. Mandar with me, he doesn't have all the things, I have talked to him, let's go.
2
00:00:10,000 --> 00:00:14,000
No Ajit, he will not understand anything, what do you think?
3
00:00:14,000 --> 00:00:16,000
Didn't you think about him?
4
00:00:16,000 --> 00:00:19,000
Come, let's go son.
5
00:00:30,000 --> 00:00:48,000
You had thrown Akshay in the lake by closing him in the car, didn't you?
6
00:00:49,000 --> 00:00:58,000
He couldn't even breathe without oxygen, and he fainted.
7
00:00:58,000 --> 00:01:08,000
I don't have any blood, but I still have to take your oxygen.
8
00:01:18,000 --> 00:01:33,000
Come sir.
9
00:01:48,000 --> 00:02:17,000
Thank you for watching.
|
https://youtube.com/watch?v=18a14fazY0k | 1
00:00:00,000 --> 00:00:04,220
2
2
00:00:30,280 --> 00:00:32,420
Makiko
3
00:00:42,700 --> 00:00:44,080
He wasn't there.
4
00:00:44,340 --> 00:00:46,280
He was here.
5
00:01:00,460 --> 00:01:02,620
He was here.
6
00:01:12,800 --> 00:01:13,420
Vicky!
7
00:01:23,420 --> 00:01:24,240
Vicky.
8
00:01:24,340 --> 00:01:26,100
I think Conc presidents and Party leaders...
9
00:01:26,120 --> 00:01:27,780
are at a good time, right?
10
00:01:57,780 --> 00:01:59,300
You'll be fine.
11
00:02:57,900 --> 00:02:59,780
A film by
12
00:02:59,780 --> 00:03:01,780
A film by
13
00:03:01,780 --> 00:03:03,780
A film by
14
00:03:03,780 --> 00:03:05,780
A film by
15
00:03:05,780 --> 00:03:07,780
A film by
|
https://youtube.com/watch?v=Cg0Mv2QaBpQ | 1
00:00:00,000 --> 00:00:11,700
Music
2
00:00:15,200 --> 00:00:17,500
Hey, you are getting angry with me.
3
00:00:17,500 --> 00:00:19,500
First tell me the matter and then we can talk.
4
00:00:19,500 --> 00:00:20,500
You are here, right?
5
00:00:20,500 --> 00:00:21,500
What? What?
6
00:00:21,500 --> 00:00:24,000
Anjambadai, Karun Kali, Kallalimangam.
7
00:00:24,000 --> 00:00:26,000
You are wasting your time.
8
00:00:26,000 --> 00:00:27,000
I will not tell you.
9
00:00:28,000 --> 00:00:29,000
Priya.
10
00:00:29,000 --> 00:00:30,000
Priya.
11
00:00:30,000 --> 00:00:31,000
Priya.
12
00:00:31,000 --> 00:00:32,000
Priya.
13
00:00:32,000 --> 00:00:33,000
Why are you calling me?
14
00:00:33,000 --> 00:00:34,000
I will come to you.
15
00:00:35,000 --> 00:00:36,000
What is it, mummy?
16
00:00:36,000 --> 00:00:37,000
What are you doing in the room?
17
00:00:37,000 --> 00:00:39,000
It is very boring at home.
18
00:00:39,000 --> 00:00:41,000
I am thinking of going out somewhere.
19
00:00:41,000 --> 00:00:43,000
Shall we go for a bath today?
20
00:00:43,000 --> 00:00:44,000
Shall we go?
21
00:00:44,000 --> 00:00:45,000
I have a ticket to the dressing table.
22
00:00:45,000 --> 00:00:46,000
Take it.
23
00:00:46,000 --> 00:00:47,000
Thank you, mummy.
24
00:00:49,000 --> 00:00:50,000
What is it?
25
00:00:50,000 --> 00:00:51,000
What is it?
26
00:00:51,000 --> 00:00:53,000
There will be a big crowd at Varani's house.
27
00:00:53,000 --> 00:00:54,000
Put on your clothes.
28
00:00:54,000 --> 00:00:55,000
What is the matter?
29
00:00:55,000 --> 00:00:56,000
I will tell you now.
30
00:00:56,000 --> 00:00:59,000
He has been waiting for her to buy two tickets
31
00:00:59,000 --> 00:01:01,000
for a movie in Alankar theater.
32
00:01:01,000 --> 00:01:03,000
What do you mean by that?
33
00:01:03,000 --> 00:01:04,000
One for one.
34
00:01:04,000 --> 00:01:06,000
Shall we separate them?
35
00:01:06,000 --> 00:01:08,000
If we do not separate them, we can separate them.
36
00:01:08,000 --> 00:01:10,000
You are a big crowd.
37
00:01:10,000 --> 00:01:11,000
What is it?
38
00:01:11,000 --> 00:01:12,000
I came to tell you in the villa.
39
00:01:13,000 --> 00:01:16,000
He waited for her till 9 o'clock from 6 o'clock.
40
00:01:16,000 --> 00:01:17,000
Only then he will understand.
41
00:01:17,000 --> 00:01:18,000
Okay.
42
00:01:18,000 --> 00:01:20,000
Mummy, daddy, see you.
43
00:01:20,000 --> 00:01:21,000
Bye-bye.
44
00:01:27,000 --> 00:01:28,000
Oh, no! You are late.
45
00:01:28,000 --> 00:01:29,000
What is it?
46
00:01:29,000 --> 00:01:30,000
There is a meeting today.
47
00:01:30,000 --> 00:01:31,000
We have to go now.
48
00:01:31,000 --> 00:01:32,000
What is this?
49
00:01:32,000 --> 00:01:33,000
Why are you going to such a big crowd?
50
00:01:33,000 --> 00:01:34,000
Go and put on your suit.
51
00:01:34,000 --> 00:01:35,000
Oh, no! I am a big crowd.
52
00:01:35,000 --> 00:01:36,000
Leave me alone.
53
00:01:45,000 --> 00:01:46,000
Hi, dad.
54
00:01:46,000 --> 00:01:47,000
Where did you come from?
55
00:01:47,000 --> 00:01:48,000
Did you come before me?
56
00:01:48,000 --> 00:01:49,000
I came from Varani.
57
00:01:49,000 --> 00:01:50,000
Why, daddy?
58
00:01:50,000 --> 00:01:51,000
Do something shameful for you.
59
00:01:51,000 --> 00:01:52,000
What is it, daddy?
60
00:01:52,000 --> 00:01:53,000
Are you going to see Rama?
61
00:01:53,000 --> 00:01:54,000
Yes.
62
00:01:55,000 --> 00:01:58,000
Your boyfriend is waiting for you at Alankar Theater.
63
00:01:58,000 --> 00:01:59,000
Isn't it?
64
00:01:59,000 --> 00:02:00,000
What?
65
00:02:00,000 --> 00:02:02,000
Your boyfriend was calling you about this.
66
00:02:02,000 --> 00:02:04,000
Did your mother attend it?
67
00:02:04,000 --> 00:02:05,000
Enough.
68
00:02:05,000 --> 00:02:06,000
How can you say that?
69
00:02:06,000 --> 00:02:09,000
She showed you the place and sent you here.
70
00:02:10,000 --> 00:02:11,000
Mummy, he is a big daddy.
71
00:02:11,000 --> 00:02:12,000
No, daddy.
72
00:02:12,000 --> 00:02:13,000
All the mothers will be like that.
73
00:02:13,000 --> 00:02:14,000
Your daddy did not like it.
74
00:02:14,000 --> 00:02:15,000
That is why I came here.
75
00:02:16,000 --> 00:02:17,000
What are you doing?
76
00:02:17,000 --> 00:02:18,000
You are at Alankar Theater.
77
00:02:18,000 --> 00:02:24,000
I am going to see your boyfriend's jolly and playful movie.
78
00:02:24,000 --> 00:02:26,000
Daddy is a big daddy.
79
00:02:29,000 --> 00:02:30,000
See you, daddy.
80
00:02:30,000 --> 00:02:31,000
Bye-bye.
81
00:02:49,000 --> 00:02:50,000
What is his name?
82
00:02:50,000 --> 00:02:51,000
What is his name?
83
00:02:57,000 --> 00:02:58,000
How is he?
84
00:02:58,000 --> 00:02:59,000
He is fine.
85
00:03:00,000 --> 00:03:01,000
Why does he have a headache?
86
00:03:01,000 --> 00:03:02,000
I have a headache.
87
00:03:03,000 --> 00:03:05,000
Is chamber of commerce meeting taking place here?
88
00:03:05,000 --> 00:03:06,000
I have changed.
89
00:03:07,000 --> 00:03:08,000
Start the way.
90
00:03:08,000 --> 00:03:09,000
Yes.
91
00:03:10,000 --> 00:03:12,000
Is the chamber of commerce meeting taking place here?
92
00:03:12,000 --> 00:03:13,000
I have changed.
93
00:03:13,000 --> 00:03:14,000
Yes.
94
00:03:14,000 --> 00:03:15,000
Start the way.
95
00:03:15,000 --> 00:03:16,000
Yes.
96
00:03:18,000 --> 00:03:20,000
Has the girl got so much support?
97
00:03:21,000 --> 00:03:23,000
I did not do anything wrong.
98
00:03:24,000 --> 00:03:25,000
I am free today.
99
00:03:25,000 --> 00:03:26,000
Come and watch the drama.
100
00:03:26,000 --> 00:03:27,000
What drama?
101
00:03:27,000 --> 00:03:28,000
That is...
102
00:03:28,000 --> 00:03:29,000
Sivathandavan.
103
00:03:29,000 --> 00:03:30,000
Come home.
104
00:03:30,000 --> 00:03:32,000
I will show you my Sivathandavan.
105
00:03:34,000 --> 00:03:35,000
It is very loud.
106
00:03:36,000 --> 00:03:37,000
Come.
107
00:03:39,000 --> 00:03:40,000
It is very loud.
108
00:03:40,000 --> 00:03:41,000
It is very loud.
109
00:03:43,000 --> 00:03:44,000
Why are you sitting?
110
00:03:44,000 --> 00:03:45,000
I will tell your daughter.
111
00:03:47,000 --> 00:03:48,000
Look at this.
112
00:03:48,000 --> 00:03:50,000
You spoke to Priya.
113
00:03:52,000 --> 00:03:53,000
I will give you a hand.
114
00:03:55,000 --> 00:03:56,000
Come.
115
00:03:57,000 --> 00:03:58,000
Mummy.
116
00:03:59,000 --> 00:04:00,000
Why are you sitting here?
117
00:04:00,000 --> 00:04:01,000
Priya.
118
00:04:01,000 --> 00:04:02,000
One minute.
119
00:04:02,000 --> 00:04:03,000
Go and wash your hands and eat.
120
00:04:03,000 --> 00:04:04,000
Action.
121
00:04:04,000 --> 00:04:05,000
What happened?
122
00:04:05,000 --> 00:04:06,000
Nothing.
123
00:04:06,000 --> 00:04:07,000
Jaladosh.
124
00:04:07,000 --> 00:04:08,000
Go.
125
00:04:08,000 --> 00:04:09,000
What?
126
00:04:09,000 --> 00:04:10,000
There is a dosy.
127
00:04:11,000 --> 00:04:12,000
Action.
128
00:04:17,000 --> 00:04:18,000
Your turn.
129
00:04:22,000 --> 00:04:23,000
Mummy.
130
00:04:24,000 --> 00:04:25,000
Tell me.
131
00:04:25,000 --> 00:04:26,000
Mummy.
132
00:04:26,000 --> 00:04:27,000
I am ready.
133
00:04:28,000 --> 00:04:29,000
What?
134
00:04:29,000 --> 00:04:30,000
How was Manohar drama?
135
00:04:30,000 --> 00:04:31,000
Shit.
136
00:04:31,000 --> 00:04:32,000
What happened?
137
00:04:33,000 --> 00:04:34,000
I will go and sleep here.
138
00:04:35,000 --> 00:04:36,000
Sleep here.
139
00:04:36,000 --> 00:04:37,000
How was the drama?
140
00:04:37,000 --> 00:04:38,000
Superb, Mummy.
141
00:04:38,000 --> 00:04:39,000
Stop class.
142
00:04:39,000 --> 00:04:40,000
Will you give me E?
143
00:04:40,000 --> 00:04:41,000
No.
144
00:04:42,000 --> 00:04:43,000
Why?
145
00:04:43,000 --> 00:04:44,000
How was the drama?
146
00:04:45,000 --> 00:04:46,000
Stop class, Mummy.
147
00:04:46,000 --> 00:04:49,000
Every scene he plays is full of claps.
148
00:04:49,000 --> 00:04:51,000
Especially in his Sivathandavan scene.
149
00:04:51,000 --> 00:04:54,000
He started clapping as soon as we got up.
150
00:04:54,000 --> 00:04:55,000
How?
151
00:04:55,000 --> 00:04:56,000
Like this.
152
00:04:56,000 --> 00:04:57,000
Like this.
153
00:04:57,000 --> 00:04:59,000
You sit here and eat.
154
00:04:59,000 --> 00:05:00,000
Okay.
155
00:05:01,000 --> 00:05:02,000
Why?
156
00:05:02,000 --> 00:05:04,000
How was Ekduja Kilepada?
157
00:05:04,000 --> 00:05:05,000
She was like this.
158
00:05:05,000 --> 00:05:06,000
This is so cute.
159
00:05:06,000 --> 00:05:07,000
That's why.
160
00:05:08,000 --> 00:05:10,000
I am not interested in your boyfriend's Sivathandavan.
161
00:05:10,000 --> 00:05:12,000
I am just wondering how it happened.
162
00:05:13,000 --> 00:05:17,000
You are different from what your father did.
163
00:05:17,000 --> 00:05:18,000
You are different.
164
00:05:19,000 --> 00:05:20,000
No.
165
00:05:20,000 --> 00:05:21,000
He was a little girl.
166
00:05:21,000 --> 00:05:22,000
She was a kid.
167
00:05:22,000 --> 00:05:23,000
They were very good friends.
168
00:05:23,000 --> 00:05:24,000
You were just scolding him.
169
00:05:24,000 --> 00:05:25,000
You were scolding him.
170
00:05:25,000 --> 00:05:26,000
You were scolding him.
171
00:05:26,000 --> 00:05:27,000
You were scolding him.
172
00:05:27,000 --> 00:05:28,000
I forgive him.
173
00:05:28,000 --> 00:05:29,000
I will do one thing.
174
00:05:29,000 --> 00:05:30,000
I will be your colleague.
175
00:05:30,000 --> 00:05:31,000
I will show your boyfriend the house.
176
00:05:31,000 --> 00:05:32,000
I will also see him.
177
00:05:32,000 --> 00:05:34,000
If you like him, we will change the house.
178
00:05:35,000 --> 00:05:36,000
Great.
179
00:05:36,000 --> 00:05:37,000
You are great.
180
00:05:39,000 --> 00:05:40,000
He is great.
181
00:05:41,000 --> 00:05:42,000
Look at him.
182
00:05:42,000 --> 00:05:43,000
He is scolding his mother.
183
00:05:43,000 --> 00:05:44,000
I will take care of that.
184
00:05:44,000 --> 00:05:46,000
Everything will be adjusted in the middle of the night.
185
00:05:47,000 --> 00:05:48,000
Both of us will go and have dinner.
186
00:05:48,000 --> 00:05:49,000
Look.
187
00:05:49,000 --> 00:05:50,000
Anyhow.
188
00:05:50,000 --> 00:05:51,000
Thank you very much.
189
00:05:51,000 --> 00:05:52,000
Welcome.
190
00:05:52,000 --> 00:05:53,000
Good night, brother.
191
00:05:53,000 --> 00:05:54,000
Thank you.
192
00:05:55,000 --> 00:05:56,000
What?
193
00:05:56,000 --> 00:05:57,000
What is this?
194
00:05:57,000 --> 00:05:58,000
Look.
195
00:05:58,000 --> 00:06:00,000
There is a big stone.
196
00:06:00,000 --> 00:06:01,000
Art.
197
00:06:01,000 --> 00:06:03,000
When you are three years old,
198
00:06:03,000 --> 00:06:04,000
you should keep the stone.
199
00:06:04,000 --> 00:06:05,000
When you are three years old,
200
00:06:05,000 --> 00:06:06,000
you should be 14 years old.
201
00:06:06,000 --> 00:06:07,000
You should look at everything.
202
00:06:07,000 --> 00:06:08,000
You should look at everything.
203
00:06:08,000 --> 00:06:09,000
When you are 16 years old,
204
00:06:09,000 --> 00:06:10,000
you should be friends.
205
00:06:10,000 --> 00:06:11,000
That is the secret.
206
00:06:11,000 --> 00:06:12,000
If you don't know everything,
207
00:06:12,000 --> 00:06:14,000
you are joking a lot.
208
00:06:14,000 --> 00:06:15,000
You are joking a lot.
209
00:06:15,000 --> 00:06:16,000
Do you know how I am now?
210
00:06:17,000 --> 00:06:18,000
I have to do it now.
|
https://youtube.com/watch?v=VvNX7pOAK58 | 1
00:00:00,000 --> 00:00:01,200
Get to the ship!
2
00:00:01,200 --> 00:00:02,700
No! No!
3
00:00:06,200 --> 00:00:07,800
No! No!
4
00:00:15,600 --> 00:00:16,300
What about what?
5
00:00:16,300 --> 00:00:17,500
How is that through?
6
00:00:17,500 --> 00:00:19,500
Lead the man to the far side of the island.
7
00:00:19,500 --> 00:00:20,000
Right.
8
00:00:20,000 --> 00:00:21,000
Garba, go with the man.
9
00:00:21,000 --> 00:00:22,000
I think I'll stay.
10
00:00:22,000 --> 00:00:24,000
Just in case you're thinking of doing something crazy.
11
00:00:24,000 --> 00:00:27,000
I could buy them a few minutes if I give that thing someone to hunt.
12
00:00:27,800 --> 00:00:29,500
Then I can double that time.
13
00:00:31,000 --> 00:00:32,000
Here!
14
00:00:32,000 --> 00:00:33,000
Oh, no!
15
00:00:33,000 --> 00:00:34,000
Here!
16
00:00:45,000 --> 00:00:46,000
Come on!
17
00:00:47,000 --> 00:00:48,000
Baby!
18
00:00:48,000 --> 00:00:49,000
No! Me!
19
00:00:56,000 --> 00:00:57,000
Yeah!
20
00:00:57,000 --> 00:00:59,000
Drop the op! Watch your backs!
21
00:01:00,000 --> 00:01:01,000
Move, fish legs!
22
00:01:02,000 --> 00:01:04,000
Look at us! We're on a dragon!
23
00:01:04,000 --> 00:01:06,000
We're on a dragon! All of us!
24
00:01:10,000 --> 00:01:14,000
Every bit, the boreheaded, stubborn viking you ever wear.
25
00:01:16,000 --> 00:01:17,000
Fish legs, break it down.
26
00:01:17,000 --> 00:01:18,000
Okay.
27
00:01:18,000 --> 00:01:21,000
Heavily armored skull and tail made from passion and crushing.
28
00:01:21,000 --> 00:01:22,000
Steer clear of both.
29
00:01:22,000 --> 00:01:25,000
Small eyes, large nostrils, relies on hearing and smell.
30
00:01:25,000 --> 00:01:26,000
Okay, left.
31
00:01:26,000 --> 00:01:29,000
Legs, hanging his blind spot, make some noise, keep him confused.
32
00:01:29,000 --> 00:01:31,000
Rough, tough, find out if it has a sharp limit.
33
00:01:31,000 --> 00:01:32,000
Make it mad.
34
00:01:32,000 --> 00:01:34,000
That's my specialty.
35
00:01:34,000 --> 00:01:36,000
It's when everyone knows I'm irritating, see?
36
00:01:37,000 --> 00:01:39,000
Just do what I told you.
37
00:01:39,000 --> 00:01:41,000
I'll be back as soon as I can.
38
00:01:41,000 --> 00:01:43,000
Don't worry, we've got it covered.
39
00:01:43,000 --> 00:01:44,000
Yeah!
40
00:01:53,000 --> 00:01:54,000
Brawl!
41
00:01:54,000 --> 00:01:55,000
Bride of Grendel.
42
00:01:56,000 --> 00:01:57,000
Whoa!
43
00:02:01,000 --> 00:02:04,000
Um, this thing doesn't have a blind spot.
44
00:02:06,000 --> 00:02:07,000
There.
45
00:02:16,000 --> 00:02:17,000
Go help the others.
46
00:02:19,000 --> 00:02:20,000
Okay, hold on, hold on.
47
00:02:24,000 --> 00:02:25,000
It's working!
48
00:02:25,000 --> 00:02:27,000
Yeah, it's working!
49
00:02:32,000 --> 00:02:33,000
Move!
50
00:02:36,000 --> 00:02:38,000
I've lost power on the Bronco.
51
00:02:38,000 --> 00:02:40,000
Small eyes, do something!
52
00:02:43,000 --> 00:02:44,000
I'm okay.
53
00:02:45,000 --> 00:02:46,000
Left okay.
54
00:02:49,000 --> 00:02:50,000
I can't miss.
55
00:02:50,000 --> 00:02:51,000
What's wrong, buddy?
56
00:02:51,000 --> 00:02:53,000
You got something in your eye?
57
00:02:56,000 --> 00:02:59,000
Yeah! You're the Viking!
58
00:03:05,000 --> 00:03:06,000
Whoa!
59
00:03:25,000 --> 00:03:26,000
Dad?
60
00:03:36,000 --> 00:03:37,000
Dad?
61
00:03:56,000 --> 00:03:58,000
You got it, buddy.
62
00:04:01,000 --> 00:04:02,000
Wake up.
63
00:04:04,000 --> 00:04:05,000
I'm sorry.
64
00:04:06,000 --> 00:04:07,000
For, for everything.
65
00:04:08,000 --> 00:04:09,000
Yeah, me too.
66
00:04:09,000 --> 00:04:11,000
You don't have to go up there.
67
00:04:12,000 --> 00:04:13,000
We're Vikings.
68
00:04:13,000 --> 00:04:15,000
It's an occupational hazard.
69
00:04:16,000 --> 00:04:19,000
I'm proud to call you my son.
70
00:04:21,000 --> 00:04:22,000
Thanks, Dad.
71
00:04:25,000 --> 00:04:26,000
Thank you.
|
https://youtube.com/watch?v=ol7mAR25TFQ | 1
00:00:00,000 --> 00:00:16,160
THANKS FOR WATCHING!
|
https://youtube.com/watch?v=EySzoi62ZQw | 1
00:00:00,000 --> 00:00:08,000
They want you dead, or in their lie.
2
00:00:13,000 --> 00:00:16,000
Only one thing a man can do.
3
00:00:18,000 --> 00:00:21,000
Find something that's his.
4
00:00:23,000 --> 00:00:26,000
Make an island for himself.
5
00:00:30,000 --> 00:00:45,000
If I never meet you in this life, let me feel the lack.
6
00:00:45,000 --> 00:00:58,000
A glance from your eyes, and my life will be yours.
7
00:01:15,000 --> 00:01:25,000
A glance from your eyes, and my life will be yours.
8
00:01:45,000 --> 00:02:00,000
I'm determined now, I've been through the thick and thin of it.
9
00:02:00,000 --> 00:02:04,000
I may be young, but I live plenty of life.
10
00:02:04,000 --> 00:02:06,000
I'm ready to start living it good.
11
00:02:06,000 --> 00:02:11,000
My daddy always told me it's going to get a whole lot worse before it gets better.
12
00:02:11,000 --> 00:02:16,000
You know, because life ain't supposed to be that hard when you're young.
13
00:02:16,000 --> 00:02:20,000
Well, I figure after this, the worse it's going to be going on.
14
00:02:20,000 --> 00:02:22,000
It's time for things to get better.
15
00:02:22,000 --> 00:02:25,000
That's what I want.
16
00:02:25,000 --> 00:02:28,000
That's what's going to happen.
17
00:02:28,000 --> 00:02:31,000
We're getting older now.
18
00:02:31,000 --> 00:02:34,000
I know it means older, but older.
19
00:02:34,000 --> 00:02:37,000
Where is it that we were together?
20
00:02:41,000 --> 00:02:48,000
Who were you that I lived with?
21
00:02:48,000 --> 00:02:57,000
Walked with.
22
00:02:57,000 --> 00:03:06,000
The brother.
23
00:03:06,000 --> 00:03:35,000
The friend.
24
00:03:35,000 --> 00:03:46,000
Are they the workings of one mind?
25
00:03:46,000 --> 00:04:03,000
The features of the same face?
26
00:04:03,000 --> 00:04:07,000
Oh, my soul.
27
00:04:07,000 --> 00:04:15,000
Let me be in you now.
28
00:04:15,000 --> 00:04:19,000
Look out through my eyes.
29
00:04:19,000 --> 00:04:26,000
Look out at the things you made.
30
00:04:26,000 --> 00:04:36,000
All things shining.
31
00:04:56,000 --> 00:05:06,000
All things shining.
|
https://youtube.com/watch?v=v1dTnLPL9gU | 1
00:00:00,000 --> 00:00:05,000
These days, wickedness is on the rise.
2
00:00:05,000 --> 00:00:09,000
These days, wickedness is on the rise.
3
00:00:09,000 --> 00:00:13,000
Things could happen to a kid your size.
4
00:00:13,000 --> 00:00:16,000
Happen to a kid my size.
5
00:00:16,000 --> 00:00:20,000
You should never talk to strangers.
6
00:00:20,000 --> 00:00:25,000
You'd be sorry if you do.
7
00:00:25,000 --> 00:00:28,000
Say hello to strangers.
8
00:00:28,000 --> 00:00:33,000
Say goodbye to you.
9
00:00:44,000 --> 00:00:48,000
Why think badly of the human race?
10
00:00:48,000 --> 00:00:52,000
I think badly of the human race.
11
00:00:52,000 --> 00:00:57,000
I can't always tell a friendly face.
12
00:00:57,000 --> 00:01:00,000
Just in case.
13
00:01:00,000 --> 00:01:04,000
If you never talk to strangers.
14
00:01:04,000 --> 00:01:08,000
You may never make a friend.
15
00:01:08,000 --> 00:01:12,000
And a friendly looking stranger.
16
00:01:12,000 --> 00:01:15,000
Is no danger.
17
00:01:15,000 --> 00:01:19,000
It's a crazy world, my dear.
18
00:01:19,000 --> 00:01:23,000
People always in the hurry.
19
00:01:23,000 --> 00:01:27,000
Some young ladies disappear.
20
00:01:27,000 --> 00:01:31,000
Long as I'm here, why worry?
21
00:01:31,000 --> 00:01:35,000
Worry.
22
00:01:35,000 --> 00:01:40,000
These days, wickedness is on the rise.
23
00:01:40,000 --> 00:01:44,000
What a lot of silly lies.
24
00:01:44,000 --> 00:01:48,000
You can't always trust and confide.
25
00:01:48,000 --> 00:01:51,000
Just my eyes.
26
00:01:51,000 --> 00:01:55,000
You should never talk to strangers.
27
00:01:55,000 --> 00:01:59,000
You'll get nothing but regret.
28
00:01:59,000 --> 00:02:03,000
Never ever talk to strangers.
29
00:02:03,000 --> 00:02:09,000
Until you met, but if you never talk to strangers.
30
00:02:09,000 --> 00:02:13,000
You might never get to meet.
31
00:02:13,000 --> 00:02:17,000
And I've never met a stranger.
32
00:02:17,000 --> 00:02:24,000
Who looked quite so sweet.
33
00:02:43,000 --> 00:02:48,000
You're the one who's always there.
34
00:02:48,000 --> 00:02:52,000
You're the one who's always there.
35
00:02:52,000 --> 00:02:56,000
You're the one who's always there.
|
https://youtube.com/watch?v=Nd_w27m2GME | 1
00:00:00,000 --> 00:00:02,860
Every single time you do I'm in shock
2
00:00:02,860 --> 00:00:07,360
every single time I put something in my mouth
3
00:00:07,360 --> 00:00:08,600
I'm like Gabriel, I'm so naun…
4
00:00:08,600 --> 00:00:09,040
I'm 자잘유..
5
00:00:09,040 --> 00:00:09,780
WHAT?
6
00:00:09,780 --> 00:00:13,840
Re-inc Chef Cult is totally different than I thought
7
00:00:13,840 --> 00:00:15,100
I was just a true chef
8
00:00:15,100 --> 00:00:16,000
oh no
9
00:00:19,320 --> 00:00:20,260
crossing my side
10
00:00:20,260 --> 00:00:22,120
there's one more for all of us
11
00:00:22,120 --> 00:00:24,160
chunk up the beach
12
00:00:25,760 --> 00:00:27,240
even if I eat the leuk homosexual
13
00:00:27,240 --> 00:00:28,840
their clothes are...
14
00:00:28,840 --> 00:00:29,780
shinny
15
00:00:30,100 --> 00:00:32,440
you're justunden
16
00:00:33,720 --> 00:00:34,420
hello???
17
00:00:34,680 --> 00:00:36,040
scuse me
18
00:00:38,180 --> 00:00:39,020
hello??
19
00:00:39,740 --> 00:00:41,640
I don't' think this is how I get up
20
00:00:48,820 --> 00:00:49,580
get up
21
00:00:49,580 --> 00:00:50,700
This Is my room
22
00:00:51,160 --> 00:00:52,200
this is my room
23
00:00:52,200 --> 00:00:53,840
I pay $2000 as rent
24
00:00:54,340 --> 00:00:56,440
I mean you really want rent
25
00:00:56,920 --> 00:00:57,560
then I'm...
26
00:00:57,560 --> 00:00:58,460
show you a house
27
00:00:58,460 --> 00:00:59,060
what...
28
00:00:59,640 --> 00:01:00,560
will you give me your face?
29
00:01:00,560 --> 00:01:02,040
even your face looks better than yours
30
00:01:02,440 --> 00:01:04,040
you don't have to talk too much
31
00:01:04,400 --> 00:01:05,400
this is my room
32
00:01:05,660 --> 00:01:06,760
mom I'll ask mom
33
00:01:06,760 --> 00:01:07,600
MOM!
34
00:01:23,380 --> 00:01:23,880
hello
35
00:01:25,800 --> 00:01:26,300
Kiran
36
00:01:27,580 --> 00:01:28,280
how are you?
37
00:01:30,060 --> 00:01:31,060
I'm so upset
38
00:01:33,060 --> 00:01:38,060
because my mom and dad gave my room to the tenant
39
00:01:40,060 --> 00:01:42,060
I want to live in my own room
40
00:01:46,060 --> 00:01:47,060
yes man
41
00:01:47,060 --> 00:01:48,060
what should I do?
42
00:01:48,060 --> 00:01:49,060
I mean
43
00:01:49,060 --> 00:01:51,060
my mom and dad are not strong
44
00:01:54,060 --> 00:01:55,060
yes
45
00:01:55,060 --> 00:01:56,060
I'll make her so upset
46
00:01:56,060 --> 00:01:58,060
I'll make her so upset
47
00:01:58,060 --> 00:02:01,060
that she'll leave my room by herself
48
00:02:04,060 --> 00:02:05,060
yes man
49
00:02:09,060 --> 00:02:10,060
okay
50
00:02:11,060 --> 00:02:12,060
okay
51
00:02:12,060 --> 00:02:13,060
bye
52
00:02:29,060 --> 00:02:30,060
phone ringing
53
00:02:51,060 --> 00:02:52,060
battery
54
00:02:58,060 --> 00:02:59,060
phone ringing
55
00:03:29,060 --> 00:03:30,060
phone ringing
56
00:03:31,060 --> 00:03:34,060
looks like this is the washroom
57
00:03:35,060 --> 00:03:37,060
this is the right place
58
00:03:46,060 --> 00:03:48,060
you must be very fond of it
59
00:03:50,060 --> 00:03:51,060
now it'll be fun
60
00:03:58,060 --> 00:03:59,060
phone ringing
61
00:04:22,060 --> 00:04:23,060
okay
62
00:04:23,060 --> 00:04:24,060
so this is what you do every day
63
00:04:24,060 --> 00:04:26,060
and you put water in the back
64
00:04:26,060 --> 00:04:29,060
you don't know how expensive it is
65
00:04:30,060 --> 00:04:32,060
I have stolen my book with you
66
00:04:32,060 --> 00:04:34,060
yes I have stolen it
67
00:04:34,060 --> 00:04:35,060
what will you do?
68
00:04:35,060 --> 00:04:36,060
will you ask mom and dad?
69
00:04:36,060 --> 00:04:37,060
tell them
70
00:04:37,060 --> 00:04:38,060
I'm not scared
71
00:04:38,060 --> 00:04:41,060
and till you empty my room
72
00:04:41,060 --> 00:04:43,060
I'll keep troubling you
73
00:04:43,060 --> 00:04:44,060
you want your room
74
00:04:44,060 --> 00:04:45,060
I'll empty it
75
00:04:45,060 --> 00:04:46,060
okay
76
00:04:56,060 --> 00:04:58,060
you
|
https://youtube.com/watch?v=oJYD9FIILm0 | 1
00:00:00,000 --> 00:00:07,000
My mom cuts his hair at the salon, and I felt it.
2
00:00:07,000 --> 00:00:09,000
It's very soft.
3
00:00:09,000 --> 00:00:11,000
Whoa, can I have some?
4
00:00:11,000 --> 00:00:13,000
Yeah, Abby, hook a sister up.
5
00:00:13,000 --> 00:00:15,000
Eugh, he looks like a hobo.
6
00:00:15,000 --> 00:00:17,000
A hot hobo.
7
00:00:17,000 --> 00:00:20,000
May I remind you what real men look like?
8
00:00:20,000 --> 00:00:21,000
Fortale.
9
00:00:21,000 --> 00:00:24,000
Yes, fortale.
10
00:00:24,000 --> 00:00:26,000
Fortale.
11
00:00:26,000 --> 00:00:29,000
Jesse went to art school.
12
00:00:29,000 --> 00:00:33,000
Hey, young fosters, injured dough.
13
00:00:33,000 --> 00:00:36,000
Rebelle speaks French.
14
00:00:36,000 --> 00:00:40,000
And Aaron T. and Aaron Z. are like really talented, too.
15
00:00:40,000 --> 00:00:42,000
We are poor townies.
16
00:00:42,000 --> 00:00:43,000
Remember?
17
00:00:43,000 --> 00:00:46,000
Ride or die!
18
00:00:56,000 --> 00:01:00,000
Yeah, but tickets to Fortown are like a bajillion dollars,
19
00:01:00,000 --> 00:01:01,000
and Devin's right here.
20
00:01:01,000 --> 00:01:03,000
And free!
21
00:01:03,000 --> 00:01:05,000
Breakfast is ready.
22
00:01:05,000 --> 00:01:07,000
Here, no sugar.
23
00:01:09,000 --> 00:01:11,000
Coming.
24
00:01:14,000 --> 00:01:16,000
Forage.
25
00:01:26,000 --> 00:01:28,000
No.
26
00:01:28,000 --> 00:01:30,000
This isn't happening.
27
00:01:30,000 --> 00:01:32,000
This isn't happening.
28
00:01:40,000 --> 00:01:42,000
Wake up, wake up, wake up!
29
00:01:42,000 --> 00:01:46,000
What's going on, honey?
30
00:01:46,000 --> 00:01:47,000
Are you sick?
31
00:01:47,000 --> 00:01:48,000
Is it a fever?
32
00:01:48,000 --> 00:01:49,000
A stomach ache?
33
00:01:49,000 --> 00:01:50,000
Chills?
34
00:01:50,000 --> 00:01:51,000
Constipation?
35
00:01:51,000 --> 00:01:54,000
Wait, is it that?
36
00:01:54,000 --> 00:01:58,000
Did the red peony bloom?
37
00:01:58,000 --> 00:01:59,000
No!
38
00:01:59,000 --> 00:02:01,000
Maybe?
39
00:02:01,000 --> 00:02:03,000
Fortown's coming to Toronto!
40
00:02:03,000 --> 00:02:04,000
What?
41
00:02:04,000 --> 00:02:06,000
Ah!
42
00:02:06,000 --> 00:02:07,000
Shh!
43
00:02:07,000 --> 00:02:09,000
I mean, you just need to shut up.
44
00:02:09,000 --> 00:02:10,000
It's okay, it's okay.
45
00:02:10,000 --> 00:02:12,000
It's May, calm down.
46
00:02:12,000 --> 00:02:15,000
I'm going to let go, and you're going to be chill.
47
00:02:15,000 --> 00:02:16,000
What?
48
00:02:16,000 --> 00:02:18,000
Chill.
49
00:02:20,000 --> 00:02:21,000
May?
50
00:02:22,000 --> 00:02:23,000
Are you a werewolf?
51
00:02:23,000 --> 00:02:24,000
No!
52
00:02:24,000 --> 00:02:25,000
What?
53
00:02:25,000 --> 00:02:26,000
He's a red penta!
54
00:02:26,000 --> 00:02:27,000
Sick.
55
00:02:27,000 --> 00:02:28,000
You're so fluffy!
56
00:02:28,000 --> 00:02:29,000
You're so fluffy!
57
00:02:29,000 --> 00:02:31,000
I've always wanted a tail.
58
00:02:31,000 --> 00:02:32,000
Priya, Abby, quit it.
59
00:02:32,000 --> 00:02:34,000
May, what the heck happened?
60
00:02:34,000 --> 00:02:37,000
It's just some, you know,
61
00:02:37,000 --> 00:02:42,000
inconvenient genetic thingy I got from my mom.
62
00:02:42,000 --> 00:02:45,000
I mean, it'll go away.
63
00:02:45,000 --> 00:02:47,000
Eventually.
64
00:02:47,000 --> 00:02:48,000
Maybe.
65
00:02:48,000 --> 00:02:49,000
I hate this.
66
00:02:49,000 --> 00:02:52,000
I'm sorry, I'm smelly.
67
00:02:52,000 --> 00:02:54,000
My mom won't even look at me,
68
00:02:54,000 --> 00:02:56,000
and now, Fortown,
69
00:02:56,000 --> 00:02:58,000
what are they coming?
70
00:02:58,000 --> 00:02:59,000
May 18th.
71
00:02:59,000 --> 00:03:00,000
They just announced it.
72
00:03:00,000 --> 00:03:01,000
May 18th?
73
00:03:01,000 --> 00:03:03,000
There's no way!
74
00:03:03,000 --> 00:03:04,000
This will be gone by then.
75
00:03:04,000 --> 00:03:06,000
Just, just go,
76
00:03:06,000 --> 00:03:09,000
go become women without me.
77
00:03:09,000 --> 00:03:12,000
May, it's going to be okay.
78
00:03:12,000 --> 00:03:13,000
No!
79
00:03:13,000 --> 00:03:16,000
It's going to be okay.
80
00:03:16,000 --> 00:03:17,000
No!
81
00:03:17,000 --> 00:03:18,000
It's not.
82
00:03:18,000 --> 00:03:19,000
I'm, I'm a freak.
83
00:03:19,000 --> 00:03:22,000
Just, just leave me alone.
84
00:03:22,000 --> 00:03:26,000
...
85
00:03:26,000 --> 00:03:30,000
∂∂
86
00:03:32,000 --> 00:03:35,000
∂∂
87
00:03:35,000 --> 00:03:36,000
∂∂
88
00:03:36,000 --> 00:03:39,000
∂∂
89
00:03:39,000 --> 00:03:42,000
∂∂
90
00:03:42,000 --> 00:03:45,000
∂∂
91
00:03:45,000 --> 00:03:48,000
∂∂
92
00:03:48,000 --> 00:03:51,000
∂∂
93
00:03:51,000 --> 00:03:54,000
∂∂
94
00:03:54,000 --> 00:03:57,000
∂∂
95
00:03:57,000 --> 00:03:59,000
∂∂
96
00:03:59,000 --> 00:04:02,000
∂∂
97
00:04:02,000 --> 00:04:05,000
∂∂
98
00:04:06,000 --> 00:04:08,000
∂∂
99
00:04:08,000 --> 00:04:11,000
∂∂
100
00:04:11,000 --> 00:04:14,000
∂∂
101
00:04:14,000 --> 00:04:17,000
∂∂
102
00:04:17,000 --> 00:04:20,000
∂∂
103
00:04:20,000 --> 00:04:23,000
∂∂
104
00:04:23,000 --> 00:04:26,000
∂∂
105
00:04:26,000 --> 00:04:29,000
∂∂
106
00:04:29,000 --> 00:04:32,000
∂∂
107
00:04:32,000 --> 00:04:35,000
∂∂
108
00:04:35,000 --> 00:04:38,000
∂∂
109
00:04:38,000 --> 00:04:40,000
∂∂
110
00:04:40,000 --> 00:04:45,000
∂∂
111
00:04:45,000 --> 00:04:48,000
∂∂
112
00:04:48,000 --> 00:04:50,000
∂∂
113
00:04:50,000 --> 00:04:52,000
∂∂
114
00:04:52,000 --> 00:04:53,000
∂∂
115
00:04:53,000 --> 00:04:55,000
∂∂
116
00:04:55,000 --> 00:04:56,000
∂∂
117
00:04:56,000 --> 00:04:57,000
∂∂
118
00:04:57,000 --> 00:04:58,000
∂∂
119
00:04:58,000 --> 00:04:59,000
∂∂
120
00:04:59,000 --> 00:05:00,000
∂∂
121
00:05:00,000 --> 00:05:01,000
∂∂
122
00:05:01,000 --> 00:05:02,000
∂∂
123
00:05:02,000 --> 00:05:03,000
∂∂
124
00:05:03,000 --> 00:05:04,000
∂∂
125
00:05:04,000 --> 00:05:05,000
∂∂
126
00:05:05,000 --> 00:05:06,000
∂∂
127
00:05:07,000 --> 00:05:08,000
∂∂
128
00:05:08,000 --> 00:05:09,000
∂∂
129
00:05:09,000 --> 00:05:10,000
∂∂
130
00:05:10,000 --> 00:05:11,000
∂∂
131
00:05:11,000 --> 00:05:12,000
∂∂
132
00:05:12,000 --> 00:05:13,000
∂∂
133
00:05:13,000 --> 00:05:14,000
∂∂
134
00:05:14,000 --> 00:05:15,000
∂∂
135
00:05:15,000 --> 00:05:16,000
∂∂
136
00:05:16,000 --> 00:05:17,000
∂∂
137
00:05:17,000 --> 00:05:18,000
∂∂
138
00:05:18,000 --> 00:05:19,000
∂∂
139
00:05:19,000 --> 00:05:20,000
∂∂
140
00:05:20,000 --> 00:05:21,000
∂∂
141
00:05:27,000 --> 00:05:28,000
∂∂
142
00:05:28,000 --> 00:05:29,000
∂∂
143
00:05:29,000 --> 00:05:30,000
∂∂
144
00:05:31,000 --> 00:05:32,000
∂∂
145
00:05:33,000 --> 00:05:34,000
∂∂
146
00:05:34,000 --> 00:05:35,000
∂∂
147
00:05:36,000 --> 00:05:37,000
∂∂
148
00:05:37,000 --> 00:05:39,000
∂∂
149
00:05:44,000 --> 00:05:45,000
∂∂
150
00:05:47,000 --> 00:05:48,000
∂∂
151
00:05:48,000 --> 00:05:49,000
∂∂
152
00:05:50,000 --> 00:05:51,000
∂∂
153
00:05:51,000 --> 00:05:52,000
∂∂
154
00:05:52,000 --> 00:05:53,000
∂∂
155
00:05:53,000 --> 00:05:54,000
∂∂
156
00:05:54,000 --> 00:05:55,000
∂∂
157
00:05:56,000 --> 00:05:57,000
∂∂
158
00:05:57,000 --> 00:05:58,000
∂∂
159
00:05:58,000 --> 00:05:59,000
∂∂
160
00:05:59,000 --> 00:06:00,000
∂∂
161
00:06:00,000 --> 00:06:01,000
∂∂
162
00:06:04,000 --> 00:06:05,000
∂∂
163
00:06:05,000 --> 00:06:06,000
∂∂
|
https://youtube.com/watch?v=UO77icnbh-o | 1
00:00:00,000 --> 00:00:06,240
Thanks for watching !
|
https://youtube.com/watch?v=A0Z-efARwhg | 1
00:00:00,000 --> 00:00:06,000
All our work is gone. Ultron cleared out, used the internet as an escape edge.
2
00:00:06,000 --> 00:00:07,000
Ultron.
3
00:00:07,000 --> 00:00:13,000
He's been in everything. Files, surveillance, probably knows more about us than we know about each other.
4
00:00:13,000 --> 00:00:18,000
He's in your files, he's in the internet. What if he decides to access something a little more exciting?
5
00:00:18,000 --> 00:00:19,000
Nuclear codes.
6
00:00:19,000 --> 00:00:20,000
Nuclear codes.
7
00:00:20,000 --> 00:00:24,000
Look, we need to make some calls, assuming we still can.
8
00:00:24,000 --> 00:00:26,000
Nukes? He said he wanted us dead.
9
00:00:26,000 --> 00:00:29,000
He didn't say dead. He said extinct.
10
00:00:29,000 --> 00:00:31,000
He also said he killed somebody.
11
00:00:31,000 --> 00:00:33,000
But there wasn't anyone else in the building.
12
00:00:33,000 --> 00:00:35,000
Yes, there was.
13
00:00:47,000 --> 00:00:49,000
This is insane.
14
00:00:49,000 --> 00:00:53,000
Jarvis was the first line of defense. He would have shut Ultron down, it makes sense.
15
00:00:53,000 --> 00:01:00,000
No, Ultron could have assimilated Jarvis. This isn't strategy, this is rage.
16
00:01:02,000 --> 00:01:03,000
Whoa, whoa, whoa.
17
00:01:03,000 --> 00:01:04,000
It's going around.
18
00:01:04,000 --> 00:01:05,000
Come on, you get your works, buddy.
19
00:01:05,000 --> 00:01:07,000
I have more than enough words to describe you a star.
20
00:01:07,000 --> 00:01:09,000
Caller, the Legionnaire.
21
00:01:12,000 --> 00:01:17,000
The trail went cold about a hundred miles out, but it's headed north, and it has the scepter.
22
00:01:17,000 --> 00:01:19,000
Now we have to retrieve it, again.
23
00:01:19,000 --> 00:01:22,000
The genie's out of that bottle. Clearing present is Ultron.
24
00:01:22,000 --> 00:01:24,000
I don't understand.
25
00:01:24,000 --> 00:01:26,000
You built this program.
26
00:01:28,000 --> 00:01:30,000
Why is it trying to kill us?
27
00:01:36,000 --> 00:01:38,000
You think this is funny?
28
00:01:38,000 --> 00:01:39,000
No.
29
00:01:40,000 --> 00:01:42,000
It's probably not, right?
30
00:01:43,000 --> 00:01:45,000
This is very terrible.
31
00:01:45,000 --> 00:01:46,000
Is it so?
32
00:01:46,000 --> 00:01:48,000
It is, it's so terrible.
33
00:01:48,000 --> 00:01:51,000
This could have been avoided if you hadn't played with something you don't understand.
34
00:01:51,000 --> 00:01:52,000
I'm sorry.
35
00:01:52,000 --> 00:01:53,000
I'm sorry.
36
00:01:53,000 --> 00:01:54,000
It is funny.
37
00:01:54,000 --> 00:01:57,000
It's a hoot that you don't get why we need this.
38
00:01:57,000 --> 00:01:59,000
Tony, maybe this might not be the time.
39
00:01:59,000 --> 00:02:00,000
Really?
40
00:02:00,000 --> 00:02:01,000
That's it.
41
00:02:01,000 --> 00:02:04,000
You just roll over, show your belly, every time somebody snarls.
42
00:02:04,000 --> 00:02:06,000
Only when I've created a murder bot.
43
00:02:06,000 --> 00:02:07,000
We didn't.
44
00:02:07,000 --> 00:02:08,000
We weren't even close.
45
00:02:08,000 --> 00:02:09,000
Were we close to an interface?
46
00:02:09,000 --> 00:02:11,000
Well, you did something right.
47
00:02:11,000 --> 00:02:13,000
And you did it right here.
48
00:02:13,000 --> 00:02:15,000
The Avengers were supposed to be different than she was.
49
00:02:15,000 --> 00:02:18,000
Anybody remember when I carried a nuke through a wormhole?
50
00:02:18,000 --> 00:02:19,000
No, it's never come up.
51
00:02:19,000 --> 00:02:20,000
Save New York?
52
00:02:20,000 --> 00:02:21,000
Never heard that.
53
00:02:21,000 --> 00:02:22,000
Recall that?
54
00:02:22,000 --> 00:02:26,000
A hostile alien army came charging through a hole in space.
55
00:02:26,000 --> 00:02:29,000
We're standing 300 feet below it.
56
00:02:30,000 --> 00:02:32,000
We're the Avengers.
57
00:02:32,000 --> 00:02:39,000
We can bust arms dealers all the live long day, but that up there, that's the end game.
58
00:02:39,000 --> 00:02:42,000
How are you guys planning on beating that?
59
00:02:42,000 --> 00:02:44,000
Together.
60
00:02:45,000 --> 00:02:49,000
We'll lose.
61
00:02:49,000 --> 00:02:51,000
And we'll do that together, too.
62
00:02:54,000 --> 00:02:55,000
Thor's right.
63
00:02:55,000 --> 00:02:57,000
Ultron's calling us out.
64
00:02:57,000 --> 00:03:00,000
And I'd like to find him before he's ready for us.
65
00:03:00,000 --> 00:03:02,000
The world's a big place.
66
00:03:02,000 --> 00:03:04,000
It started making it smaller.
67
00:03:14,000 --> 00:03:17,000
You
|
https://youtube.com/watch?v=86x_f1zrXVE | 1
00:00:00,000 --> 00:00:04,240
Shakira announces split from partner Gerard Piquet.
2
00:00:04,240 --> 00:00:09,040
The cut is finally out of the bag after speculations that all was not well in the relationship
3
00:00:09,040 --> 00:00:14,640
between Colombian singer Shakira and her footballer partner Gerard Piquet.
4
00:00:14,640 --> 00:00:17,760
Shakira's communication agency released a statement that reads,
5
00:00:17,760 --> 00:00:23,520
We regret to confirm that we are parting ways for the well-being of our children who are our IS
6
00:00:23,520 --> 00:00:29,120
priority. We ask that you respect their privacy. Thank you for your understanding and of course,
7
00:00:29,120 --> 00:00:34,400
all of this is coming after various reports stated that the Barcelona football club defender
8
00:00:34,400 --> 00:00:40,240
was allegedly caught in bed with another woman. It was also reported that Shakira and Gerard Piquet
9
00:00:40,240 --> 00:00:45,840
have been living separately for a few weeks after he was kicked out of their family home.
10
00:00:45,840 --> 00:00:52,160
Just so you know, Shakira and Gerard's relationship began in 2010 and they both shared two songs together,
11
00:00:52,160 --> 00:00:53,600
Milan and Sasha.
12
00:00:53,680 --> 00:01:00,800
Shakira's relationship was a yardstick of conversation that marriage is not necessary because
13
00:01:01,600 --> 00:01:07,120
they are not married but they are partners living together, two kids taking pictures everywhere.
14
00:01:07,120 --> 00:01:10,800
You're seeing her supporting him, you're seeing him supporting her. I don't know if I saw them,
15
00:01:10,800 --> 00:01:15,040
we talked about it late last week that there are rumors circulating around
16
00:01:15,040 --> 00:01:22,160
that Shakira managed to release that statement. It's crazy man, how will you cheat on Shakira?
17
00:01:22,240 --> 00:01:29,520
Sorry, so is this a situation of men have come or what? No, it's because Gerard Piquet exists.
18
00:01:29,520 --> 00:01:34,240
No, no, no, no. First Gerard Piquet. All right, so first story, uncle carried to wife.
19
00:01:34,240 --> 00:01:40,400
Now, uncle is cheating on him. It's great. So you see what I'm saying? It's great, it's great on my sister.
20
00:01:40,400 --> 00:01:45,360
Nobody should come and say that. Because no, no, no. I've been out talking about
21
00:01:45,360 --> 00:01:51,200
those people doing super close snatching, snatching, snatching, just tackling them.
22
00:01:51,200 --> 00:01:55,520
Oh, okay. Even Shakira, Shakira that is breaking and bending all the waist.
23
00:01:55,520 --> 00:01:59,120
Crazy man. And then you cheat. What do men want? What do they want?
24
00:01:59,120 --> 00:02:03,840
And like, you bend your waist, bend every... You literally said you can see one thing in
25
00:02:03,840 --> 00:02:07,440
this one and like this one, then you see all that thing in that one. Stupid excuse, by the way.
26
00:02:07,440 --> 00:02:11,040
Why not just put everything in the same frame? I have to say, at least stupid excuse.
27
00:02:11,040 --> 00:02:15,680
But this one is actually very sad. I mentally saw this working out for some reason.
28
00:02:15,680 --> 00:02:19,040
Of course. Because she wrote these games. She was like, she would be the biggest
29
00:02:19,040 --> 00:02:21,360
she has ever done. She's making videos. She's doing all that.
30
00:02:21,360 --> 00:02:24,880
And then you guys have like a whole family and then they will say, cut coats.
31
00:02:26,320 --> 00:02:28,080
Wow. Wow. It's just crazy.
32
00:02:29,040 --> 00:02:32,480
Yeah. Some days I don't even see the point of being married again because you just enter
33
00:02:32,480 --> 00:02:37,600
to come out the game. There are various rumors now that the person is cheating on
34
00:02:38,320 --> 00:02:44,880
with, the person is cheating on with is a fellow footballer. It's him and his mother,
35
00:02:45,920 --> 00:02:49,440
which is awkward on his own. That one's tough. Yeah. I don't know how to tell you that.
36
00:02:49,440 --> 00:02:53,040
That one, please. If that's true. We are playing football together, but
37
00:02:53,040 --> 00:02:56,080
you are my mother. Yeah. This is true. Yeah.
38
00:02:56,080 --> 00:02:57,840
Yeah. Well, that's the word that lies. So do off-shipping.
39
00:02:57,840 --> 00:03:01,440
Ah, not terrible. It's a little bit, it's a little bit, it's a little bit, it's a little bit.
40
00:03:01,440 --> 00:03:05,600
It's a little bit, it's a little bit. It's a little bit, it's a little bit, it's a little bit.
41
00:03:05,600 --> 00:03:11,200
Actually very sad. Well, I mean, everybody will do us best for them at the end of the day.
|
https://youtube.com/watch?v=L54bxmZy_NE | 1
00:00:00,000 --> 00:00:10,000
Generations of choosy females have given the evolution of these remarkable displays.
2
00:00:10,000 --> 00:00:15,000
The more extravagant a male is, the more likely he'll be noticed.
3
00:00:30,000 --> 00:00:42,000
The six-pruned bird of paradise displays in his special clearing on the forest floor.
4
00:00:42,000 --> 00:00:54,000
The magnificent bird of paradise favors the low branches of bushes.
5
00:00:54,000 --> 00:01:03,000
His female is modestly dressed.
6
00:01:03,000 --> 00:01:19,000
The male has a good set of lungs, but he'll have to do more than flutter his eyelids if he wants to impress her.
7
00:01:19,000 --> 00:01:27,000
It'll all depend on his performance.
8
00:01:27,000 --> 00:01:33,000
The females may be dull-looking, but they're very picky.
9
00:01:33,000 --> 00:01:41,000
And it's time for a really close inspection.
10
00:01:41,000 --> 00:01:50,000
His right side looks fine, but what about his left?
11
00:01:50,000 --> 00:01:56,000
Pretty impressive, but is he magnificent enough?
12
00:01:56,000 --> 00:01:59,000
Oh dear, her departure says it all.
|
https://youtube.com/watch?v=BAxp_ISRurU | 1
00:00:00,000 --> 00:00:19,280
First, the look of anger, for which I seek refuge in God from His wrath.
2
00:00:19,280 --> 00:00:27,320
But this look, praised by God, was very rare.
3
00:00:28,320 --> 00:00:36,320
Second, the glance of love and compassion.
4
00:00:36,320 --> 00:00:46,320
This was His permanent and all-encompassing glance, bringing joy and delight.
5
00:00:46,320 --> 00:00:56,320
Third, that magnetic, captivating and all-conquering gaze.
6
00:00:56,320 --> 00:01:15,320
On many an occasion, in the narrow, dark alleys of Akka, I have observed non-behides who followed us utterly attracted and captivated by Abdu'l-Bahá, until dismissed by Him.
7
00:01:15,320 --> 00:01:25,320
This glance had certain characteristics which I cannot even begin to describe.
8
00:01:25,320 --> 00:01:30,320
With a glance, the kings conquer a realm.
9
00:01:30,320 --> 00:01:38,320
With a glance to the kingdom of hearts, you lay claim.
10
00:01:38,320 --> 00:01:48,320
Fourth, the look of satisfaction, which meant I am well pleased with you.
11
00:01:48,320 --> 00:01:56,320
This look was the same for both obedient and the rebellious.
12
00:01:56,320 --> 00:02:07,320
Fifth, the gaze which proceeds through divine power, the desire of the one beheld.
13
00:02:07,320 --> 00:02:18,320
In this date, I felt that if I asked for sovereignty over the earth and heavens, He would grant it to me.
14
00:02:18,320 --> 00:02:26,320
But in that instant, one could have no other wish but that which was the will of God.
15
00:02:26,320 --> 00:02:32,320
I saw this look many a time.
16
00:02:32,320 --> 00:02:41,320
Under its influence, one desires suffering in the path of God.
17
00:02:41,320 --> 00:02:58,320
Sixth, the searching glance, so that the one beheld realized that everything in his heart and mind, from past to future, was laid bare before him.
18
00:02:58,320 --> 00:03:07,320
Those secrets and deceit that in man may lie hidden before God are clear as daylight.
19
00:03:07,320 --> 00:03:12,320
So it is written.
20
00:03:12,320 --> 00:03:22,320
Seventh, and above all, the look that bestows knowledge and understanding.
21
00:03:22,320 --> 00:03:34,320
We were witnesses to two individuals who became enraptured with such a glance and received true understanding.
22
00:03:53,320 --> 00:03:58,320
Copyright © 2020 Mooji Media Ltd. All Rights Reserved.
23
00:03:58,320 --> 00:04:05,320
No part of this recording may be reproduced without Mooji Media Ltd.
|
https://youtube.com/watch?v=lfT44i81jwM | 1
00:00:00,000 --> 00:00:02,000
Deadpool
2
00:00:05,240 --> 00:00:07,240
Captain Deadpool
3
00:00:08,840 --> 00:00:16,900
No, just just it to you mr. Pool Deadpool that sounds like a fucking franchise
4
00:00:31,000 --> 00:00:33,000
This shit's gonna have nuts in it
5
00:00:49,480 --> 00:00:51,480
Where's Francis
6
00:00:52,480 --> 00:00:54,480
Every bad guy
7
00:00:59,640 --> 00:01:03,820
Salsa water and lemon for blood, but we're red
8
00:01:22,120 --> 00:01:24,120
Ah
9
00:01:24,440 --> 00:01:26,440
Don't make me ask twice
10
00:01:27,400 --> 00:01:30,360
Where it's Francis
11
00:01:31,480 --> 00:01:34,820
Made me ask twice. Is the mask my voice
12
00:01:51,640 --> 00:01:53,640
Oh
13
00:01:54,600 --> 00:01:57,800
You're about to be killed by is that voting
14
00:02:00,960 --> 00:02:05,160
Please oh god, I'm so sorry
15
00:02:05,160 --> 00:02:07,160
Oh
16
00:02:16,560 --> 00:02:22,160
It's just confusing is it sexist they hit you is it is it more sexist than I did you I mean the line is real
17
00:02:35,160 --> 00:02:38,040
You
|
https://youtube.com/watch?v=YzhjuCmreus | 1
00:00:00,000 --> 00:00:04,000
I'm sorry. Really, I am sorry.
2
00:00:04,000 --> 00:00:07,000
Have a nice day, Sandra.
3
00:00:07,000 --> 00:00:09,000
I need to be better.
4
00:00:09,000 --> 00:00:12,000
I can be better. I know I can.
5
00:00:12,000 --> 00:00:15,000
I cleaned the kitchen.
6
00:00:15,000 --> 00:00:20,000
And I was thinking maybe tomorrow I could borrow your car
7
00:00:20,000 --> 00:00:25,000
and pick up Kayla from school after I finish the factory.
8
00:00:30,000 --> 00:00:32,000
Thank you.
9
00:00:33,000 --> 00:00:35,000
Kayla!
10
00:00:35,000 --> 00:00:37,000
What is it?
11
00:00:37,000 --> 00:00:40,000
I thought I'd come and pick you up tonight.
12
00:00:40,000 --> 00:00:42,000
Don't you fucking care.
13
00:00:50,000 --> 00:00:51,000
What did I do?
14
00:00:51,000 --> 00:00:53,000
I'm not meant to have that. I'm not meant to have food.
15
00:00:53,000 --> 00:00:55,000
Hey, Ian.
16
00:00:55,000 --> 00:00:57,000
Get that to me!
17
00:01:01,000 --> 00:01:02,000
Hi.
18
00:01:02,000 --> 00:01:04,000
Where were you?
|
https://youtube.com/watch?v=HcXm9X7rizQ | 1
00:00:00,000 --> 00:00:02,000
Ha! Interesting!
2
00:00:02,000 --> 00:00:04,000
You're fired!
|
https://youtube.com/watch?v=454WwfYuETU | 1
00:00:00,000 --> 00:00:02,000
I
2
00:00:07,040 --> 00:00:10,380
Those faces those terrible faces I can't stand it
3
00:00:15,240 --> 00:00:17,240
Don't be scared folks
4
00:00:30,400 --> 00:00:40,800
If you think that's a tangle wait until you see what happens to Dean and Jerry when a gang of ruthless killers get on their trail
5
00:00:43,680 --> 00:00:49,440
Somebody's got to move the heat's on in New York, so they stowaway on a cruise to Cuba
6
00:00:54,440 --> 00:00:59,900
Now I know what a sardine feels like but the chill is on in the haunted castle of Lost Island
7
00:01:00,000 --> 00:01:03,440
When the boys go spook hunting with beautiful Elizabeth Scott
|
https://youtube.com/watch?v=q8FZKPK4ZQQ | 1
00:00:00,000 --> 00:00:05,360
Monsters, but don't worry, there's one of them things within a mile of us. I'll sense it
2
00:00:06,960 --> 00:00:08,960
Maybe a little off my game here
3
00:00:30,360 --> 00:00:32,360
Yeah
4
00:00:32,360 --> 00:00:34,360
Oh
5
00:01:02,360 --> 00:01:04,360
Oh
6
00:01:32,360 --> 00:01:34,360
Oh
7
00:02:02,360 --> 00:02:04,360
Oh
8
00:02:32,360 --> 00:02:34,360
Oh
|
https://youtube.com/watch?v=ZeXjFO67IJI | 1
00:00:00,000 --> 00:00:02,500
Dominique, uh, Gordoba.
2
00:00:02,500 --> 00:00:04,500
You know my name?
3
00:00:04,500 --> 00:00:07,500
You told me.
4
00:00:07,500 --> 00:00:10,500
You stole my ID from the pool.
5
00:00:10,500 --> 00:00:13,500
That would be illegal.
6
00:00:13,500 --> 00:00:15,500
Were you just looking for me?
7
00:00:15,500 --> 00:00:17,500
I don't know where to find you if I was.
8
00:00:17,500 --> 00:00:19,500
Listen, I'm curious, did you want me to know
9
00:00:19,500 --> 00:00:21,500
that you were following me or are you just real clumsy?
10
00:00:21,500 --> 00:00:23,500
The Americans always think that
11
00:00:23,500 --> 00:00:25,500
the rest of us are so interested in you, don't you?
12
00:00:25,500 --> 00:00:28,500
So what made you want to become a translator?
13
00:00:28,500 --> 00:00:30,500
My mother is unwell. If I work for the government,
14
00:00:30,500 --> 00:00:33,500
the state helps me take care of her.
15
00:00:33,500 --> 00:00:35,500
My uncle helped me get the job.
16
00:00:35,500 --> 00:00:37,500
Your uncle is a very powerful man.
17
00:00:37,500 --> 00:00:39,500
In my country, if you don't matter to the men in power,
18
00:00:39,500 --> 00:00:41,500
you do not matter.
19
00:00:41,500 --> 00:00:43,500
Hey, uh, I'd like to see you again.
20
00:00:43,500 --> 00:00:46,500
Why are we going to become friends?
21
00:00:46,500 --> 00:00:48,500
Is that what you want?
22
00:00:48,500 --> 00:00:50,500
I don't have any.
23
00:00:50,500 --> 00:00:52,500
There's a Russian restaurant right by the opera.
24
00:00:52,500 --> 00:00:54,500
Have dinner with me there.
25
00:00:54,500 --> 00:00:57,500
Tomorrow at eight.
26
00:00:57,500 --> 00:00:59,500
Okay.
|
https://youtube.com/watch?v=x9x39CoXyXA | 1
00:00:00,000 --> 00:00:06,000
Oh, Lakshman, your tongue has become clean while you were doing the mimicry of Naina.
2
00:00:06,000 --> 00:00:09,000
What are you talking about, Lakshman? I am not doing the mimicry.
3
00:00:09,000 --> 00:00:13,000
I am not Lakshman, the bird born from the dead.
4
00:00:14,000 --> 00:00:18,000
Look at this, Lakshman. Don't be afraid. Or else...
5
00:00:20,000 --> 00:00:21,000
I will kill you.
6
00:00:23,000 --> 00:00:29,000
It's good. It's good. What's the fear? I will show you.
7
00:00:30,000 --> 00:00:31,000
I will show you.
|
https://youtube.com/watch?v=0pecFd5KDyQ | 1
00:00:00,000 --> 00:00:06,480
I always absorbed women in my 20s as girls see you kind of projecting up especially with your fitness and you're working on business
2
00:00:06,480 --> 00:00:11,360
They tell you're not a bomb. You're not a video game guy. You're not getting drunk all the time like you're on a mission
3
00:00:11,360 --> 00:00:16,560
They just jump right in front of you just run them over. I wasn't out doing pick up. In fact, I've never really learned pick up
4
00:00:16,560 --> 00:00:20,160
I don't think I have good game. I think I have good absorption signals
|
https://youtube.com/watch?v=9hk8dbHf22w | 1
00:00:00,000 --> 00:00:02,440
W-w-w-w-what's up, dogs?
2
00:00:02,440 --> 00:00:05,000
So, you want to be a dream chaser, huh?
3
00:00:05,000 --> 00:00:07,840
Well, that takes skill, courage, practice,
4
00:00:07,840 --> 00:00:09,800
and an amazing instructor.
5
00:00:09,800 --> 00:00:12,440
Lucky for you, you have me.
6
00:00:12,440 --> 00:00:14,480
This is Logan's totally terrific
7
00:00:14,480 --> 00:00:16,840
dream chaser training tutorials.
8
00:00:16,840 --> 00:00:18,280
Ready? Here we go.
9
00:00:19,520 --> 00:00:20,980
Meet our heroes.
10
00:00:20,980 --> 00:00:24,020
Or should I say, zeroes, huh?
11
00:00:24,020 --> 00:00:26,960
Anyway, this is Mateo and Izzy.
12
00:00:26,960 --> 00:00:28,860
Welcome to the dream realm.
13
00:00:28,920 --> 00:00:31,960
It's real pretty, but can get pretty sketchy real quick
14
00:00:31,960 --> 00:00:33,980
if you don't know what you're doing.
15
00:00:33,980 --> 00:00:35,860
A good example of not knowing what you're doing
16
00:00:35,860 --> 00:00:37,460
is what you're seeing right now.
17
00:00:37,460 --> 00:00:39,660
Huh, noobs.
18
00:00:39,660 --> 00:00:41,660
You gotta be equipped with a sharp mind,
19
00:00:41,660 --> 00:00:44,200
a strong body, and a good fashion sense
20
00:00:44,200 --> 00:00:45,900
to survive the dream realm.
21
00:00:45,900 --> 00:00:49,100
But first, I gotta tell you about these little things.
22
00:00:49,100 --> 00:00:51,860
Ho-ho-ho, the Grim Spawn.
23
00:00:51,860 --> 00:00:55,580
Nasty, evil, constantly annoying pawns
24
00:00:55,580 --> 00:00:57,180
who work for the Nightmare King.
25
00:00:59,620 --> 00:01:03,960
As you can see, Mateo and Izzy are real beginners
26
00:01:03,960 --> 00:01:05,620
when it comes to self-defense.
27
00:01:05,620 --> 00:01:07,760
That's why, like you, they're enrolled
28
00:01:07,760 --> 00:01:10,100
in Logan's totally terrific dream chaser
29
00:01:10,100 --> 00:01:12,200
training tutorial lessons.
30
00:01:12,200 --> 00:01:14,640
We call this move running and hiding.
31
00:01:14,640 --> 00:01:15,860
These guys did well.
32
00:01:15,860 --> 00:01:18,700
I think they're turning this dream into a nightmare.
33
00:01:18,700 --> 00:01:22,740
Speaking of nightmare, ho-ho, big bad coming your way.
34
00:01:23,940 --> 00:01:27,140
Everyone, meet the big creepy cagey guy.
35
00:01:27,140 --> 00:01:28,940
These dudes are no joke.
36
00:01:28,940 --> 00:01:31,140
Bad attitudes and bad breath.
37
00:01:34,220 --> 00:01:35,740
Maddie here is scared,
38
00:01:35,740 --> 00:01:37,860
and without awesome experience like me,
39
00:01:37,860 --> 00:01:40,900
his instinct is to run with a pencil.
40
00:01:40,900 --> 00:01:42,380
All right, pause it.
41
00:01:42,380 --> 00:01:44,300
Okay, kids, I think we can all agree
42
00:01:44,300 --> 00:01:46,820
that we are all smarter than our boy Mateo here,
43
00:01:46,820 --> 00:01:50,100
but I think I should mention, never run with pencils.
44
00:01:50,100 --> 00:01:52,780
I mean, you can fall and someone could get hurt.
45
00:01:52,780 --> 00:01:54,420
You guys are so lucky I'm here.
46
00:01:54,420 --> 00:01:55,420
All right, roll it.
47
00:01:56,420 --> 00:01:58,220
What, you see, see?
48
00:01:58,220 --> 00:01:59,060
What'd I tell you?
49
00:01:59,060 --> 00:02:01,460
You run with pencils, you get stabbed in the foot.
50
00:02:01,460 --> 00:02:02,980
It's not rocket science, folks.
51
00:02:02,980 --> 00:02:03,820
It's math.
52
00:02:05,820 --> 00:02:07,660
Okay, now what are they doing?
53
00:02:07,660 --> 00:02:09,060
Oh, running again.
54
00:02:12,860 --> 00:02:16,380
Yep, straight into a dead end filled with Grim spawn.
55
00:02:16,380 --> 00:02:17,500
Good job, noobs.
56
00:02:20,740 --> 00:02:22,060
Wait, is that my phone?
57
00:02:23,060 --> 00:02:26,100
And of course, chickening out at the last moment.
58
00:02:26,100 --> 00:02:27,420
Very Mateo.
59
00:02:30,420 --> 00:02:33,300
Okay, so you know how I mentioned the Nightmare King?
60
00:02:33,300 --> 00:02:36,300
Well, this scary-looking dude is the Night Hunter.
61
00:02:36,300 --> 00:02:37,660
Say it with me now.
62
00:02:40,500 --> 00:02:43,100
He's the right-hand man of the Nightmare King.
63
00:02:43,100 --> 00:02:45,180
He's tough, but not as tough as me.
64
00:02:46,380 --> 00:02:47,740
I know all these tricks,
65
00:02:47,740 --> 00:02:49,100
and if you want to learn them,
66
00:02:49,100 --> 00:02:51,220
you better stick around and pay attention.
67
00:02:51,380 --> 00:02:54,140
Or else, you're gonna end up like Cooper over here.
68
00:02:54,140 --> 00:02:56,300
Oh, and no one wants that.
69
00:02:58,740 --> 00:03:00,140
And there you have it.
70
00:03:00,140 --> 00:03:01,900
I hope you learned something, noobs.
71
00:03:01,900 --> 00:03:03,780
And don't forget, join me next time
72
00:03:03,780 --> 00:03:08,300
for Logan's totally terrific Dream Chaser training tutorials.
73
00:03:08,300 --> 00:03:09,660
Never run with pencils!
|
https://youtube.com/watch?v=woy-wdxT3hM | 1
00:00:00,000 --> 00:00:02,000
I
2
00:00:30,000 --> 00:00:36,880
You haven't fun yet. I'll let you know when I start having fun
3
00:00:40,320 --> 00:00:42,320
You betrayed me
4
00:00:49,640 --> 00:00:52,600
You know, it's on the same thing if you want me
5
00:00:52,600 --> 00:01:02,280
How much is a US pain 20 million are you kidding me?
6
00:01:22,600 --> 00:01:24,600
I
7
00:01:26,360 --> 00:01:32,200
Need your help I know there's a part of you who wants to do the right thing there is a weapon
8
00:01:43,760 --> 00:01:49,540
This bomb headed for London right now 11 million people are gonna lose their lives if you don't help me
9
00:01:52,600 --> 00:01:54,600
Oh
10
00:02:23,200 --> 00:02:30,040
All right, let's go
11
00:02:36,120 --> 00:02:38,760
This doesn't mean I'm not going to kill you later
12
00:02:42,400 --> 00:02:48,080
I think the way to make a relationship work is that neither of you give up who you are don't you agree Marvin?
13
00:02:52,720 --> 00:02:54,720
Vegetables
14
00:02:57,640 --> 00:03:06,680
Waves exactly exactly what Marvin says falling in love is like it's like jumping off a cliff you just have to believe and let go
15
00:03:23,600 --> 00:03:25,600
Talk to her
16
00:03:40,200 --> 00:03:44,360
Kill Bailey secured a weapon our canopy
17
00:03:52,600 --> 00:03:54,600
You
|
https://youtube.com/watch?v=bzSZsnzCxsA | 1
00:00:30,000 --> 00:00:32,000
I think it's a video
2
00:01:00,000 --> 00:01:02,000
I
3
00:01:30,000 --> 00:01:32,000
I
4
00:02:00,000 --> 00:02:02,000
I
5
00:02:30,000 --> 00:02:32,000
I
6
00:03:00,000 --> 00:03:02,000
I
7
00:03:30,000 --> 00:03:32,000
I
8
00:04:00,000 --> 00:04:02,000
I
9
00:04:30,000 --> 00:04:32,000
I
10
00:05:00,000 --> 00:05:02,000
I
11
00:05:30,000 --> 00:05:32,000
I
12
00:06:00,000 --> 00:06:02,000
I
13
00:06:30,000 --> 00:06:32,000
I
14
00:07:00,000 --> 00:07:02,000
I
15
00:07:30,000 --> 00:07:32,000
I
16
00:08:00,000 --> 00:08:02,000
I
17
00:08:30,000 --> 00:08:50,000
I
18
00:08:50,000 --> 00:08:52,000
I
19
00:08:52,000 --> 00:08:54,000
I
20
00:08:54,000 --> 00:08:56,000
I
21
00:08:56,000 --> 00:08:58,000
I
22
00:08:58,000 --> 00:09:00,000
I
23
00:09:00,000 --> 00:09:02,000
I
24
00:09:06,000 --> 00:09:08,000
I
25
00:09:08,000 --> 00:09:10,000
I
26
00:09:10,000 --> 00:09:12,000
I
27
00:09:12,000 --> 00:09:14,000
I
28
00:09:14,000 --> 00:09:16,000
I
29
00:09:16,000 --> 00:09:18,000
I
30
00:09:18,000 --> 00:09:20,000
I
31
00:09:20,000 --> 00:09:22,000
I
32
00:09:22,000 --> 00:09:24,000
I
33
00:09:24,000 --> 00:09:26,000
I
34
00:09:26,000 --> 00:09:28,000
I
35
00:09:28,000 --> 00:09:30,000
I
36
00:09:34,000 --> 00:09:36,000
I
37
00:09:36,000 --> 00:09:38,000
I
38
00:09:38,000 --> 00:09:40,000
I
39
00:09:40,000 --> 00:09:42,000
I
40
00:09:42,000 --> 00:09:44,000
I
41
00:09:44,000 --> 00:09:46,000
I
42
00:09:46,000 --> 00:09:48,000
I
43
00:09:48,000 --> 00:09:50,000
I
44
00:09:50,000 --> 00:09:52,000
I
45
00:09:52,000 --> 00:09:54,000
I
46
00:09:54,000 --> 00:09:56,000
I
47
00:09:56,000 --> 00:09:58,000
I
48
00:09:58,000 --> 00:10:00,000
I
49
00:10:00,000 --> 00:10:02,000
I
50
00:10:02,000 --> 00:10:04,000
I
51
00:10:04,000 --> 00:10:06,000
I
52
00:10:06,000 --> 00:10:08,000
I
53
00:10:08,000 --> 00:10:10,000
I
54
00:10:10,000 --> 00:10:12,000
I
55
00:10:12,000 --> 00:10:14,000
I
56
00:10:16,000 --> 00:10:18,000
I
57
00:10:18,000 --> 00:10:20,000
I
58
00:10:20,000 --> 00:10:22,000
I
59
00:10:22,000 --> 00:10:24,000
I
60
00:10:24,000 --> 00:10:26,000
I
61
00:10:30,000 --> 00:10:32,000
I
62
00:10:32,000 --> 00:10:34,000
I
63
00:10:34,000 --> 00:10:36,000
I
64
00:10:36,000 --> 00:10:38,000
I
65
00:10:38,000 --> 00:10:40,000
I
66
00:10:40,000 --> 00:10:42,000
I
67
00:10:42,000 --> 00:10:44,000
I
68
00:10:44,000 --> 00:10:46,000
I
69
00:10:46,000 --> 00:10:48,000
I
70
00:10:48,000 --> 00:10:50,000
I
71
00:10:50,000 --> 00:10:52,000
I
72
00:10:52,000 --> 00:10:54,000
I
73
00:10:54,000 --> 00:10:56,000
I
74
00:10:56,000 --> 00:10:58,000
I
75
00:10:58,000 --> 00:11:00,000
I
76
00:11:00,000 --> 00:11:02,000
I
77
00:11:02,000 --> 00:11:04,000
I
78
00:11:04,000 --> 00:11:06,000
I
79
00:11:06,000 --> 00:11:08,000
I
80
00:11:08,000 --> 00:11:10,000
I
81
00:11:12,000 --> 00:11:14,000
I
82
00:11:14,000 --> 00:11:16,000
I
83
00:11:16,000 --> 00:11:18,000
I
84
00:11:18,000 --> 00:11:20,000
I
85
00:11:20,000 --> 00:11:22,000
I
86
00:11:22,000 --> 00:11:24,000
I
87
00:11:24,000 --> 00:11:26,000
I
88
00:11:26,000 --> 00:11:28,000
I
89
00:11:28,000 --> 00:11:30,000
I
90
00:11:30,000 --> 00:11:32,000
I
91
00:11:32,000 --> 00:11:34,000
I
92
00:11:34,000 --> 00:11:36,000
I
93
00:11:36,000 --> 00:11:38,000
I
94
00:11:40,000 --> 00:11:42,000
I
|
https://youtube.com/watch?v=DYsJH2JWJTY | 1
00:00:00,000 --> 00:00:05,920
during the week of the blood moon the werewolf may pass his curse on with a
2
00:00:05,920 --> 00:00:12,240
single bite during a normal full moon the wolf bite will kill you but during a
3
00:00:12,240 --> 00:00:22,260
blood moon your very souls are in danger until the blood moon wanes in three
4
00:00:22,260 --> 00:00:29,520
days you will never truly be safe we're safe now I killed the wolf in his lair
5
00:00:29,520 --> 00:00:33,720
the cave at Mount Grimoire you have been deceived by this beast from the very
6
00:00:33,720 --> 00:00:37,200
start it made you think he'd lived on Mount Grimoire so that you would not look
7
00:00:37,200 --> 00:00:48,840
for it in the most obvious place the wolf lives here in this village among you
8
00:00:48,840 --> 00:00:58,240
the real killer could be your neighbor your best friend even your wife
|
https://youtube.com/watch?v=E5ta3J2x_kc | 1
00:00:00,000 --> 00:00:10,000
At the Max Planck Institute for Evolutionary Anthropology in Leipzig, Germany, psychologist Joseph Cole places a peanut inside a clear tube.
2
00:00:14,000 --> 00:00:19,000
How can the chimpanzee get the snack? She's never seen this puzzle before.
3
00:00:19,000 --> 00:00:25,000
For 10 minutes there's no solution inside and all of a sudden, boom, they solve it.
4
00:00:31,000 --> 00:00:42,000
They have to understand that they can use the water as a tool.
5
00:00:48,000 --> 00:00:51,000
This is interesting because the water itself doesn't have any shape.
6
00:00:54,000 --> 00:00:59,000
Using water as a tool seems like something we would do on a good day.
7
00:01:00,000 --> 00:01:03,000
For more information visit www.mooji.org
|
https://youtube.com/watch?v=pe8SHi11kqY | 1
00:00:00,000 --> 00:00:05,000
Ravach, Bhavach, Onuluka, Ma Koi Manu Na Roke
|
https://youtube.com/watch?v=dCRGqmbIDLU | 1
00:00:01,000 --> 00:00:02,660
Ain't got shambles.
2
00:00:05,280 --> 00:00:07,400
R içinde Frankes r assemble.
3
00:00:16,760 --> 00:00:19,600
Snip Đây dammit.
4
00:00:22,640 --> 00:00:25,600
RchtN upside the lube in the window.
|
https://youtube.com/watch?v=vFos7j34L08 | 1
00:00:00,700 --> 00:00:02,000
M
2
00:00:02,000 --> 00:00:04,000
M
3
00:00:04,000 --> 00:00:06,000
M
4
00:00:06,000 --> 00:00:08,000
M
5
00:00:08,000 --> 00:00:10,000
M
6
00:00:10,000 --> 00:00:12,000
M
7
00:00:12,000 --> 00:00:14,000
M
8
00:00:14,000 --> 00:00:16,000
M
9
00:00:16,000 --> 00:00:18,000
M
10
00:00:18,000 --> 00:00:20,000
M
11
00:00:20,000 --> 00:00:22,000
M
12
00:00:22,000 --> 00:00:24,000
M
13
00:00:24,000 --> 00:00:26,000
M
14
00:00:26,000 --> 00:00:28,000
N
15
00:00:28,000 --> 00:00:30,000
M
16
00:00:30,000 --> 00:00:32,000
M
17
00:00:32,000 --> 00:00:34,000
M
18
00:00:34,000 --> 00:00:36,000
M
19
00:00:36,000 --> 00:00:38,000
M
20
00:00:38,000 --> 00:00:40,000
M
21
00:00:40,000 --> 00:00:42,000
M
22
00:00:42,000 --> 00:00:44,000
M
23
00:00:44,000 --> 00:00:46,000
M
24
00:00:46,000 --> 00:00:48,000
M
25
00:00:48,000 --> 00:00:50,000
M
26
00:00:50,000 --> 00:00:52,000
M
27
00:00:54,000 --> 00:00:56,000
M
28
00:00:56,000 --> 00:00:58,000
M
29
00:00:58,000 --> 00:01:00,000
M
30
00:01:00,000 --> 00:01:02,000
M
31
00:01:02,000 --> 00:01:04,000
M
32
00:01:04,000 --> 00:01:06,000
M
33
00:01:06,000 --> 00:01:08,000
M
34
00:01:08,000 --> 00:01:10,000
M
35
00:01:10,000 --> 00:01:12,000
M
36
00:01:12,000 --> 00:01:14,000
M
37
00:01:14,000 --> 00:01:16,000
M
38
00:01:16,000 --> 00:01:18,000
M
39
00:01:18,000 --> 00:01:20,000
M
40
00:01:20,000 --> 00:01:22,000
M
41
00:01:22,000 --> 00:01:24,000
M
42
00:01:24,000 --> 00:01:28,000
M
43
00:01:28,000 --> 00:01:30,000
M
44
00:01:30,000 --> 00:01:32,000
M
45
00:01:32,000 --> 00:01:34,000
M
46
00:01:34,000 --> 00:01:36,000
M
47
00:01:36,000 --> 00:01:38,000
M
48
00:01:38,000 --> 00:01:40,000
M
49
00:01:40,000 --> 00:01:42,000
M
50
00:01:42,000 --> 00:01:44,000
M
51
00:01:44,000 --> 00:01:46,000
M
52
00:01:46,000 --> 00:01:48,000
M
53
00:01:48,000 --> 00:01:50,000
M
54
00:01:50,000 --> 00:01:52,000
M
55
00:01:52,000 --> 00:01:56,000
M
56
00:01:56,000 --> 00:02:00,000
M
57
00:02:00,000 --> 00:02:04,000
M
58
00:02:04,000 --> 00:02:08,000
M
59
00:02:08,000 --> 00:02:12,000
M
60
00:02:12,000 --> 00:02:16,000
M
61
00:02:16,000 --> 00:02:20,000
M
62
00:02:20,000 --> 00:02:24,000
M
63
00:02:24,000 --> 00:02:28,000
M
64
00:02:28,000 --> 00:02:32,000
M
65
00:02:32,000 --> 00:02:36,000
M
66
00:02:36,000 --> 00:02:40,000
M
67
00:02:40,000 --> 00:02:44,000
M
68
00:02:44,000 --> 00:02:48,000
M
69
00:02:48,000 --> 00:02:52,000
M
70
00:02:52,000 --> 00:02:56,000
M
71
00:02:56,000 --> 00:03:00,000
M
72
00:03:00,000 --> 00:03:04,000
M
73
00:03:04,000 --> 00:03:08,000
M
74
00:03:08,000 --> 00:03:12,000
M
75
00:03:12,000 --> 00:03:16,000
M
|
https://youtube.com/watch?v=JOas2BLjPR4 | 1
00:00:00,000 --> 00:00:05,000
foreshadowing is a powerful tool in storytelling.
2
00:00:05,000 --> 00:00:11,000
A way to give the audience a hint of what's to come, whether they know it or not.
3
00:00:11,000 --> 00:00:17,000
Today, we're looking at two types of foreshadowing and the various ways they can be employed.
4
00:00:17,000 --> 00:00:19,000
He killed his family with an axe.
5
00:00:19,000 --> 00:00:23,000
He can rest assured, Mr. Almond, that's not going to happen with me.
6
00:00:25,000 --> 00:00:28,000
Here's Johnny!
7
00:00:29,000 --> 00:00:33,000
This is What is foreshadowing?
8
00:00:35,000 --> 00:00:40,000
Subscribe to StudioBinder to stay up to date on all our new filmmaking videos.
9
00:00:40,000 --> 00:00:44,000
Be warned, we will be spoiling the following movies.
10
00:00:44,000 --> 00:00:46,000
Let's begin.
11
00:00:46,000 --> 00:00:48,000
What exactly is foreshadowing?
12
00:00:48,000 --> 00:00:50,000
No one's ever seen it.
13
00:00:50,000 --> 00:00:56,000
They keep a monster in the basement, right next to a huge steaming ball of foreshadowing.
14
00:00:56,000 --> 00:01:02,000
foreshadowing is a literary device used to give an indication or hint of what is to come later in the story.
15
00:01:02,000 --> 00:01:08,000
The term has been used since the 16th century, but the technique can be found in some of the earliest written stories,
16
00:01:08,000 --> 00:01:14,000
like in the Epic of Gilgamesh, when Enkidu's dream foreshadows his own death at the hands of the gods.
17
00:01:14,000 --> 00:01:20,000
foreshadowing is a highly useful narrative tool, and we can see it in every genre.
18
00:01:20,000 --> 00:01:23,000
It creates cohesive storytelling.
19
00:01:27,000 --> 00:01:30,000
I knew it.
20
00:01:30,000 --> 00:01:33,000
Builds anticipation for future events.
21
00:01:33,000 --> 00:01:36,000
You're not going to tell me how you're planning to get out of here, are you?
22
00:01:36,000 --> 00:01:39,000
I'm going to walk right out the front door, anything else.
23
00:01:39,000 --> 00:01:43,000
And makes the ultimate payoff feel all the more earned.
24
00:01:43,000 --> 00:01:49,000
In the words of David Trottier, inventive foreshadowing creates a sense of unity in a story,
25
00:01:49,000 --> 00:01:54,000
even when the audience may not be consciously aware of the foreshadowing and payoff.
26
00:01:54,000 --> 00:01:58,000
In other words, using foreshadowing is just good storytelling.
27
00:01:58,000 --> 00:02:01,000
I am your father.
28
00:02:01,000 --> 00:02:03,000
No!
29
00:02:03,000 --> 00:02:08,000
Now, there are two forms of foreshadowing, direct and indirect.
30
00:02:11,000 --> 00:02:15,000
Direct foreshadowing refers to explicit illusions to future events.
31
00:02:15,000 --> 00:02:21,000
We're trying to tell you that the entire planet is about to be destroyed.
32
00:02:21,000 --> 00:02:25,000
When direct foreshadowing is happening, the audience knows it.
33
00:02:25,000 --> 00:02:27,000
Before this war is over, I'm going to kill you.
34
00:02:27,000 --> 00:02:30,000
These illusions can either hint at what's to come.
35
00:02:30,000 --> 00:02:32,000
You think all this can last.
36
00:02:32,000 --> 00:02:35,000
There's a storm coming, Mr. Wayne.
37
00:02:35,000 --> 00:02:38,000
Or indicate specific plot points.
38
00:02:38,000 --> 00:02:41,000
One of you is going to die.
39
00:02:42,000 --> 00:02:46,000
Which one will be up to you?
40
00:02:46,000 --> 00:02:53,000
Either way, this type of foreshadowing creates expectations that keep the audience more invested in the narrative.
41
00:02:55,000 --> 00:03:00,000
In the opening scene of Macbeth, the witches foretell Macbeth's rise to power,
42
00:03:00,000 --> 00:03:03,000
indicating exactly what is going to happen.
43
00:03:03,000 --> 00:03:07,000
All hail Macbeth! Hail to the Thane of Glombs!
44
00:03:07,000 --> 00:03:13,000
All hail Macbeth! Hail to the Thane of Codor!
45
00:03:13,000 --> 00:03:20,000
All hail Macbeth! That shall be king hereafter.
46
00:03:20,000 --> 00:03:23,000
You might think that this revelation spoils the plot,
47
00:03:23,000 --> 00:03:27,000
but the story of Macbeth is less about the power he obtains,
48
00:03:27,000 --> 00:03:30,000
and more about what he does to obtain it.
49
00:03:30,000 --> 00:03:37,000
These indications allow the audience to focus more on the journey, rather than the outcome itself.
50
00:03:37,000 --> 00:03:40,000
What's done is done.
51
00:03:40,000 --> 00:03:44,000
We have scorched the snake, not killed it.
52
00:03:44,000 --> 00:03:50,000
In Frozen, direct foreshadowing merely hints at the story's resolution.
53
00:03:50,000 --> 00:03:54,000
When Anna is cursed, she is also told how she could be saved.
54
00:03:54,000 --> 00:03:59,000
Only an act of true love can thaw a frozen heart.
55
00:03:59,000 --> 00:04:01,000
An act of true love?
56
00:04:01,000 --> 00:04:04,000
A true love's kiss, perhaps?
57
00:04:04,000 --> 00:04:09,000
The hints ambiguity allows for misdirection.
58
00:04:09,000 --> 00:04:12,000
Anna and the audience expect a romantic love,
59
00:04:12,000 --> 00:04:15,000
but the love that cures her comes from an unexpected source.
60
00:04:15,000 --> 00:04:17,000
No!
61
00:04:26,000 --> 00:04:30,000
You've sacrificed yourself for me.
62
00:04:30,000 --> 00:04:32,000
I love you.
63
00:04:32,000 --> 00:04:37,000
An act of true love will thaw a frozen heart.
64
00:04:37,000 --> 00:04:41,000
Things like this are still explicit enough to be direct foreshadowing,
65
00:04:41,000 --> 00:04:45,000
while leaving enough room for mystery or subversion.
66
00:04:45,000 --> 00:04:49,000
But what if we want our foreshadowing to go unnoticed?
67
00:04:49,000 --> 00:04:53,000
Indirect foreshadowing refers to clues of future events
68
00:04:53,000 --> 00:04:57,000
that are less obvious or recognizable than their direct counterparts.
69
00:04:57,000 --> 00:05:02,000
You either die a hero, or you live long enough to see yourself become the villain.
70
00:05:02,000 --> 00:05:04,000
You live.
71
00:05:05,000 --> 00:05:08,000
You die.
72
00:05:08,000 --> 00:05:10,000
Now we're talking.
73
00:05:10,000 --> 00:05:14,000
In fact, most indirect foreshadowing is only evident in hindsight,
74
00:05:14,000 --> 00:05:17,000
like this conversation that lays out the rest of the plot.
75
00:05:17,000 --> 00:05:19,000
You know what we should do tomorrow?
76
00:05:19,000 --> 00:05:22,000
Keep drinking. We'll have a Bloody Mary first thing.
77
00:05:22,000 --> 00:05:25,000
Now seriously, Mary, this is it.
78
00:05:28,000 --> 00:05:30,000
I'll bite the king's head.
79
00:05:30,000 --> 00:05:33,000
Couple of little princesses.
80
00:05:33,000 --> 00:05:35,000
We'll go to the Winchester.
81
00:05:37,000 --> 00:05:40,000
We'll stagger back here.
82
00:05:40,000 --> 00:05:43,000
Back of the bar for shots.
83
00:05:43,000 --> 00:05:46,000
How's that for a slice of fine gold?
84
00:05:46,000 --> 00:05:48,000
This is different from Easter Eggs,
85
00:05:48,000 --> 00:05:51,000
which are deliberately hidden references or inside jokes,
86
00:05:51,000 --> 00:05:54,000
and typically have little bearing on the story.
87
00:05:54,000 --> 00:05:58,000
I've just about had enough of you.
88
00:05:58,000 --> 00:06:01,000
Indirect foreshadowing can be as subtle as finding a way
89
00:06:01,000 --> 00:06:04,000
to make two female ends of a seatbelt work.
90
00:06:04,000 --> 00:06:07,000
Bad wind sheers. We have to drop pretty fast, so hold on.
91
00:06:07,000 --> 00:06:11,000
Which symbolizes a crucial twist later in the film.
92
00:06:11,000 --> 00:06:14,000
There's no unauthorized breeding in Jurassic Park.
93
00:06:14,000 --> 00:06:18,000
How do you know they can't breed?
94
00:06:18,000 --> 00:06:21,000
Well, because all the animals in Jurassic Park are female.
95
00:06:21,000 --> 00:06:24,000
We've engineered them that way.
96
00:06:24,000 --> 00:06:26,000
Why?
97
00:06:30,000 --> 00:06:32,000
I've found a way.
98
00:06:32,000 --> 00:06:36,000
But the technique can also be blatant.
99
00:06:36,000 --> 00:06:41,000
In Midsummer, the first image we see tells us the entire story.
100
00:06:41,000 --> 00:06:44,000
First-time viewers have no idea that this mural represents
101
00:06:44,000 --> 00:06:47,000
the entire narrative of the film.
102
00:06:47,000 --> 00:06:50,000
It is only at the end, or perhaps even a second viewing,
103
00:06:50,000 --> 00:06:53,000
that we realize the complete plot was laid out for us.
104
00:06:53,000 --> 00:06:57,000
And this is just the beginning of an indirect foreshadowing in the film.
105
00:07:01,000 --> 00:07:04,000
A tapestry presents the steps needed to create a love potion
106
00:07:04,000 --> 00:07:07,000
that will ensnare Christian.
107
00:07:14,000 --> 00:07:18,000
And this image of a burning bear foretells his ultimate fate.
108
00:07:18,000 --> 00:07:21,000
Mäktiga och hemska bäst.
109
00:07:21,000 --> 00:07:28,000
Med dig renar vi oss från våra mest oheliga affekter.
110
00:07:31,000 --> 00:07:35,000
Upon a second viewing, director Ari Astor's use of indirect foreshadowing
111
00:07:35,000 --> 00:07:38,000
creates a feeling of inevitability.
112
00:07:38,000 --> 00:07:41,000
Dani has always been the chosen one.
113
00:07:41,000 --> 00:07:45,000
And the fate of her companions was sealed from the beginning.
114
00:07:46,000 --> 00:07:49,000
Now that we've covered the two types of foreshadowing,
115
00:07:49,000 --> 00:07:52,000
let's look at the various applications.
116
00:07:52,000 --> 00:07:54,000
You're part of this, too.
117
00:07:54,000 --> 00:07:56,000
How am I part of this?
118
00:07:56,000 --> 00:07:58,000
You'll see.
119
00:07:58,000 --> 00:08:02,000
One of the most common methods filmmakers foreshadow is through dialogue,
120
00:08:02,000 --> 00:08:06,000
where a character alludes to future events, either explicitly...
121
00:08:06,000 --> 00:08:09,000
Why do I get the feeling you're going to be the death of me?
122
00:08:11,000 --> 00:08:12,000
Or implicitly...
123
00:08:12,000 --> 00:08:15,000
People die at their dinner tables.
124
00:08:15,000 --> 00:08:18,000
They die in their beds.
125
00:08:18,000 --> 00:08:21,000
They die squatting over their chamber pots.
126
00:08:24,000 --> 00:08:27,000
Movie titles can also foreshadow the plot,
127
00:08:27,000 --> 00:08:31,000
like The Return of the King, or Twelve Years a Slave.
128
00:08:31,000 --> 00:08:35,000
Foreshadowing can also be found in props and set dressing.
129
00:08:35,000 --> 00:08:38,000
In Magnolia, the many references to eight and two
130
00:08:38,000 --> 00:08:40,000
point directly to a passage in Exodus
131
00:08:40,000 --> 00:08:43,000
that foretells a plague of frogs.
132
00:08:53,000 --> 00:08:57,000
Arguably the most famous example is Chekhov's gun.
133
00:08:57,000 --> 00:09:01,000
This is a principle that says everything in your story should have a purpose,
134
00:09:01,000 --> 00:09:04,000
and that everything else should be discarded.
135
00:09:04,000 --> 00:09:08,000
Therefore, by default, successful applications of Chekhov's gun
136
00:09:08,000 --> 00:09:13,000
can also create expectations for future events, similarly to foreshadowing.
137
00:09:13,000 --> 00:09:16,000
I feel like kind of a fifth wheel around here. Is there anything I can do?
138
00:09:16,000 --> 00:09:18,000
I don't know. Is there anything you can do?
139
00:09:18,000 --> 00:09:20,000
Well, I can drive that loader.
140
00:09:20,000 --> 00:09:22,000
Be my guest.
141
00:09:29,000 --> 00:09:33,000
For more on this concept, check out our video on the subject.
142
00:09:39,000 --> 00:09:42,000
Objects can also simply hint at future events
143
00:09:42,000 --> 00:09:45,000
without necessarily showing up again.
144
00:09:45,000 --> 00:09:48,000
Props can even foreshadow sequels.
145
00:09:58,000 --> 00:10:01,000
Foreshadowing can also be found in character traits.
146
00:10:01,000 --> 00:10:05,000
Certain elements in a person might hint at their actions.
147
00:10:09,000 --> 00:10:12,000
I won't lose you the way I lost my mother.
148
00:10:12,000 --> 00:10:13,000
Success.
149
00:10:13,000 --> 00:10:15,000
I am the chosen one.
150
00:10:15,000 --> 00:10:17,000
Only I can destroy him.
151
00:10:20,000 --> 00:10:22,000
Or demise later in the film.
152
00:10:22,000 --> 00:10:27,000
Ron Burgundy will read anything that is put on that teleprompter.
153
00:10:30,000 --> 00:10:33,000
Go f*** yourself, San Diego.
154
00:10:34,000 --> 00:10:37,000
Storytelling can mix and match these forms of foreshadowing
155
00:10:37,000 --> 00:10:42,000
to create a coherent narrative and an ending we expect or should have expected.
156
00:10:49,000 --> 00:10:51,000
I see people.
157
00:10:53,000 --> 00:10:55,000
They don't know they're dead.
158
00:10:58,000 --> 00:11:02,000
The next time you watch a film, keep an eye out for foreshadowing.
159
00:11:02,000 --> 00:11:05,000
More likely than not, you'll find something.
160
00:11:05,000 --> 00:11:07,000
Whether it be in dialogue.
161
00:11:07,000 --> 00:11:09,000
I don't think you've got to be doing this to yourself, Andy.
162
00:11:09,000 --> 00:11:11,000
This is a s***y pipe dreams.
163
00:11:12,000 --> 00:11:14,000
Character traits.
164
00:11:16,000 --> 00:11:19,000
Or props that hints at the future.
165
00:11:19,000 --> 00:11:24,000
And if you don't notice it the first time around, you surely will upon rewatch.
166
00:11:25,000 --> 00:11:28,000
What are some of your favourite examples of foreshadowing?
167
00:11:28,000 --> 00:11:30,000
Let us know in the comments.
168
00:11:30,000 --> 00:11:31,000
See you next time.
169
00:11:32,000 --> 00:11:34,000
I should have seen this coming.
170
00:11:34,000 --> 00:11:36,000
And next time we'll be better prepared.
171
00:11:36,000 --> 00:11:38,000
Well, keep your eyes peeled.
|
https://youtube.com/watch?v=HYCnmw3N-ow | 1
00:00:00,000 --> 00:00:04,000
From this day forward, you will become sparrows.
2
00:00:04,000 --> 00:00:08,000
Weapons in a global struggle for power.
3
00:00:08,000 --> 00:00:11,000
Every human being is a puzzle of need.
4
00:00:11,000 --> 00:00:15,000
You must learn to intuit what is missing, become the missing piece,
5
00:00:15,000 --> 00:00:18,000
and they will give you anything.
6
00:00:18,000 --> 00:00:21,000
Take off your clothes.
7
00:00:25,000 --> 00:00:27,000
Your body belongs to the state.
8
00:00:27,000 --> 00:00:32,000
Since your birth, the state nourished it, now the state asks something in return.
9
00:00:37,000 --> 00:00:41,000
You must learn to sacrifice for a higher purpose.
10
00:00:41,000 --> 00:00:44,000
To push yourself beyond all limitation.
11
00:00:44,000 --> 00:00:48,000
And forget the sentimental morality with which you were raised.
12
00:00:57,000 --> 00:01:00,000
Honey mama, what is it?
13
00:01:00,000 --> 00:01:02,000
I have to go away for a while.
14
00:01:07,000 --> 00:01:10,000
I was told to take a man to a hotel.
15
00:01:11,000 --> 00:01:14,000
I said he was an enemy of the state.
16
00:01:14,000 --> 00:01:16,000
Take off your dress.
17
00:01:16,000 --> 00:01:19,000
And then exchange my mother who get the doctor she needed.
18
00:01:21,000 --> 00:01:23,000
Instead they cut his throat.
19
00:01:24,000 --> 00:01:26,000
There could be no witnesses.
20
00:01:27,000 --> 00:01:30,000
So they gave me a choice.
21
00:01:30,000 --> 00:01:33,000
Die or become a sparrow.
22
00:01:35,000 --> 00:01:38,000
From this day forward, you will become sparrows.
23
00:01:39,000 --> 00:01:42,000
Weapons in a global struggle for power.
24
00:01:44,000 --> 00:01:48,000
You will be trained in psychological manipulation.
25
00:01:48,000 --> 00:01:52,000
You must learn to push yourself beyond all limitation.
26
00:01:52,000 --> 00:01:54,000
Take off your clothes.
27
00:01:54,000 --> 00:01:58,000
When we are finished with you, the person you were will no longer exist.
28
00:02:00,000 --> 00:02:03,000
Every human being is a puzzle of need.
29
00:02:03,000 --> 00:02:07,000
You must become the missing piece and they will tell you anything.
30
00:02:08,000 --> 00:02:11,000
You have a gift. You know how to survive.
31
00:02:13,000 --> 00:02:15,000
This is what you were meant to do.
32
00:02:18,000 --> 00:02:21,000
There is a traitor in the government.
33
00:02:22,000 --> 00:02:25,000
His last known contact is an American.
34
00:02:25,000 --> 00:02:27,000
Get close to him.
35
00:02:27,000 --> 00:02:29,000
I thought I saw you in the pool yesterday.
36
00:02:29,000 --> 00:02:31,000
Are we going to become friends?
37
00:02:31,000 --> 00:02:33,000
Is that what you want?
38
00:02:36,000 --> 00:02:37,000
She's a sparrow.
39
00:02:37,000 --> 00:02:40,000
You only matter because of what you can do for them.
40
00:02:40,000 --> 00:02:43,000
Work with me and make these men pay.
41
00:02:44,000 --> 00:02:47,000
You are better at this than any of us.
42
00:02:48,000 --> 00:02:51,000
Your only problem is you have a soul.
43
00:02:54,000 --> 00:02:57,000
We can't trust a word that comes out of her mouth.
44
00:02:57,000 --> 00:03:00,000
There's something else. We're announcing it.
45
00:03:06,000 --> 00:03:09,000
If she's compromised, she will be eliminated.
46
00:03:10,000 --> 00:03:12,000
What have you done?
47
00:03:13,000 --> 00:03:15,000
You belong to them.
48
00:03:15,000 --> 00:03:17,000
They will never let you go.
49
00:03:17,000 --> 00:03:19,000
I'll find a way.
50
00:03:42,000 --> 00:03:46,000
THE END
|
https://youtube.com/watch?v=37afkb1cDbg | 1
00:00:00,000 --> 00:00:04,600
I mean, there's a lot of scope in Bhojpuri film's items songs, isn't it?
2
00:00:04,800 --> 00:00:05,800
That's the best.
3
00:00:06,000 --> 00:00:08,600
I know, Ubleyande.
4
00:00:08,600 --> 00:00:11,600
It was nice of you, but now you'll go to the worst place in the world.
5
00:00:11,600 --> 00:00:13,000
In your Instagram account?
6
00:00:13,200 --> 00:00:14,000
Sunbe.
7
00:00:14,800 --> 00:00:16,400
It's spreading like a stone.
8
00:00:16,600 --> 00:00:19,400
But that Russian Mooli hit just one shot on the ground.
9
00:00:19,400 --> 00:00:20,400
Why? Okay.
10
00:00:21,600 --> 00:00:23,000
Oh, so it's her lover.
11
00:00:23,200 --> 00:00:24,200
How did she kill him?
12
00:00:26,800 --> 00:00:27,600
I'm not a beggar.
13
00:00:28,200 --> 00:00:29,200
No, you're a cook.
14
00:00:30,000 --> 00:00:31,000
Oh, it's an image!
|
https://youtube.com/watch?v=U5uAhNWScjg | 1
00:00:00,000 --> 00:00:10,000
We enforced battalion.
2
00:00:10,000 --> 00:00:16,000
We need to go back.
3
00:00:16,000 --> 00:00:22,000
Tell the dead.
4
00:00:22,000 --> 00:00:24,000
Let's go.
5
00:00:30,000 --> 00:00:40,000
Let's go.
6
00:01:00,000 --> 00:01:10,000
Let's go.
7
00:01:10,000 --> 00:01:20,000
Let's go.
8
00:01:20,000 --> 00:01:48,000
One of us needs to stay here. Hold him off.
9
00:01:48,000 --> 00:01:58,000
We'll be alright.
10
00:01:58,000 --> 00:02:08,000
My friend here didn't have long. So you go. You go on ahead.
11
00:02:28,000 --> 00:02:38,000
Where is he?
12
00:02:58,000 --> 00:03:22,000
They're coming.
13
00:03:22,000 --> 00:03:26,000
I know. I don't want you to be afraid.
14
00:03:26,000 --> 00:03:42,000
Just hide out here until you hear a firing. Then push on down the river.
15
00:03:42,000 --> 00:03:52,000
Let's go.
16
00:03:52,000 --> 00:04:12,000
Let's go.
17
00:04:12,000 --> 00:04:16,000
Get back. Get back. They're coming.
18
00:04:16,000 --> 00:04:20,000
All back.
19
00:04:20,000 --> 00:04:48,000
Where is he?
20
00:04:48,000 --> 00:05:04,000
Where is he?
21
00:05:04,000 --> 00:05:24,000
There he is.
22
00:05:24,000 --> 00:05:42,000
Here he is.
23
00:05:42,000 --> 00:06:02,000
Here he is.
24
00:06:02,000 --> 00:06:10,000
Do you understand?
25
00:06:10,000 --> 00:06:16,000
I don't want to kill you. I'm surrounded.
26
00:06:16,000 --> 00:06:20,000
I'm just scared.
27
00:06:20,000 --> 00:06:30,000
You're the one who killed my friend.
28
00:06:30,000 --> 00:06:38,000
Don't move.
29
00:06:38,000 --> 00:06:48,000
Don't shoot.
30
00:07:08,000 --> 00:07:30,000
Thanks for watching.
|
https://youtube.com/watch?v=c89TzPC-JJM | 1
00:00:00,000 --> 00:00:07,000
Music
2
00:00:08,000 --> 00:00:09,000
There is something in the bottom.
3
00:00:10,000 --> 00:00:11,000
Is it a fire?
4
00:00:11,000 --> 00:00:12,000
Or with Sanjay?
5
00:00:13,000 --> 00:00:15,000
No, no, he will laugh.
6
00:00:26,000 --> 00:00:27,000
Sanjay!
7
00:00:28,000 --> 00:00:29,000
Hi Beb.
8
00:00:29,000 --> 00:00:31,000
Sorry, I am late again.
9
00:00:31,000 --> 00:00:33,000
What are we going to do? Work?
10
00:00:34,000 --> 00:00:35,000
Wow!
11
00:00:35,000 --> 00:00:37,000
So many fresh apples?
12
00:00:38,000 --> 00:00:39,000
No, no, don't eat.
13
00:00:40,000 --> 00:00:41,000
Why? Why didn't you say no?
14
00:00:42,000 --> 00:00:44,000
I am cooking.
15
00:00:44,000 --> 00:00:48,000
If I eat this, I will get hungry and die.
16
00:00:48,000 --> 00:00:49,000
You are right.
17
00:00:49,000 --> 00:00:51,000
If you finish cooking, I will come now.
18
00:00:51,000 --> 00:00:52,000
Today is my favorite match.
19
00:00:59,000 --> 00:01:27,000
Music
20
00:01:28,000 --> 00:01:29,000
Come on Sachin.
21
00:01:30,000 --> 00:01:31,000
What a shot!
22
00:01:32,000 --> 00:01:33,000
Lovely man.
23
00:01:34,000 --> 00:01:38,000
If you get Rs.100,000 in 15 overs, you will get Rs.300.
24
00:01:40,000 --> 00:01:42,000
Oh, four, four, four, four, four.
25
00:01:42,000 --> 00:01:43,000
Wow!
26
00:01:43,000 --> 00:01:56,000
Music
27
00:01:56,000 --> 00:01:57,000
Oh, shit!
28
00:01:57,000 --> 00:01:58,000
One more out.
29
00:01:58,000 --> 00:01:59,000
Shit!
30
00:02:00,000 --> 00:02:01,000
Very bad.
31
00:02:01,000 --> 00:02:02,000
Our team should be saved by God.
32
00:02:02,000 --> 00:02:04,000
They are all there to fight.
33
00:02:05,000 --> 00:02:06,000
3 ups are done.
34
00:02:13,000 --> 00:02:21,000
Music
35
00:02:21,000 --> 00:02:23,000
Sanjay, where did you take it from?
36
00:02:23,000 --> 00:02:25,000
Relax darling, what happened?
37
00:02:28,000 --> 00:02:29,000
If you don't eat, then listen.
38
00:02:30,000 --> 00:02:31,000
Why?
39
00:02:32,000 --> 00:02:34,000
I bought it from someone else.
40
00:02:36,000 --> 00:02:37,000
What will happen if you eat it alone?
41
00:02:37,000 --> 00:02:39,000
There are still many in the fridge, right?
42
00:02:39,000 --> 00:02:40,000
Relax.
43
00:02:43,000 --> 00:02:53,000
Music
44
00:02:53,000 --> 00:02:54,000
How is it?
45
00:02:56,000 --> 00:02:57,000
For whom?
46
00:02:58,000 --> 00:02:59,000
Apple.
47
00:02:59,000 --> 00:03:01,000
Why are you asking like this?
48
00:03:01,000 --> 00:03:02,000
What do you mean?
49
00:03:03,000 --> 00:03:04,000
How is the taste?
50
00:03:06,000 --> 00:03:07,000
It is very good.
51
00:03:07,000 --> 00:03:12,000
Music
52
00:03:12,000 --> 00:03:13,000
What happened darling?
53
00:03:13,000 --> 00:03:15,000
Why are you looking so small?
54
00:03:15,000 --> 00:03:16,000
Nothing.
55
00:03:17,000 --> 00:03:19,000
It is very tight.
56
00:03:22,000 --> 00:03:23,000
Sleep Sanjay. Good night.
57
00:03:23,000 --> 00:03:26,000
Music
58
00:03:26,000 --> 00:03:27,000
Good night.
59
00:03:27,000 --> 00:03:41,000
Music
60
00:03:41,000 --> 00:03:56,000
Music
|
https://youtube.com/watch?v=n8iHeBJz_2s | 1
00:00:00,000 --> 00:00:03,040
Lynn, how are you today? I'm good. How are you, Rory?
2
00:00:03,040 --> 00:00:08,640
Really good. Such a pleasure to talk to you. I'm not sure if I'll ever get a more perfect
3
00:00:08,640 --> 00:00:14,480
opportunity to ask you this question. What is your favorite scary movie of all time?
4
00:00:14,480 --> 00:00:21,680
The Shining. I mean, it's just a hands down whenever I think because of all the films I've seen,
5
00:00:22,240 --> 00:00:28,080
I'll never, ever, ever forget Jack Nicholson in that movie. And there was something so eerie
6
00:00:28,720 --> 00:00:32,640
because it wasn't just scary. And I think that's an important element. You know, there's jump
7
00:00:32,640 --> 00:00:43,040
scares and there's something that penetrates you to a point where I thought about that film for
8
00:00:43,040 --> 00:00:48,720
weeks and weeks after I saw it. And it still is a scary. He is so scary in that movie to me.
9
00:00:48,720 --> 00:00:53,120
There's some lovely stories around, lovelies maybe not the right word, but there are some spooky
10
00:00:53,120 --> 00:01:00,320
stories around some famous horror movies and how the sets themselves have had like creepy
11
00:01:00,320 --> 00:01:06,320
goings on. And considering you're, you are considered one of our now modern great screen
12
00:01:06,320 --> 00:01:12,160
queens and you've got some fantastic horror movies on your CV. Have you ever experienced
13
00:01:12,160 --> 00:01:17,680
or been told about anything spooky or creepy that happened while making a horror movie?
14
00:01:17,680 --> 00:01:21,120
I have. I once filmed, I can't even remember the name of the film right now,
15
00:01:21,840 --> 00:01:29,440
but we filmed in an old mental institution. And really, there you have it. You just told the rest
16
00:01:29,440 --> 00:01:38,640
of the story and nothing further to add. I mean, it's partly, listen, it's partly our imaginations
17
00:01:38,640 --> 00:01:44,560
because we are creative people. And so, you know, you give us a couple little sentences and we take
18
00:01:44,560 --> 00:01:51,120
it in a little too, sometimes too deeply into our hearts. But that was creepy. And I swear to you,
19
00:01:51,120 --> 00:01:56,560
I mean, everybody, again, it was whatever we were manifesting from our own experiences,
20
00:01:56,560 --> 00:02:01,360
just being in this, in this environment, or whether there really was, but there's stuff with rooms
21
00:02:01,360 --> 00:02:06,320
hearing Dora's lamb, you know, and I mean, there was that stuff, you know, and you go,
22
00:02:06,320 --> 00:02:10,240
who's down there? And there was empty, we would walk down there and there was nobody there.
23
00:02:10,240 --> 00:02:13,760
And that is when you go, I haven't really, it's, I don't want to talk about this anymore.
24
00:02:15,600 --> 00:02:23,120
Next question. So your answers, yes. Yeah. The second you said the location, I was like,
25
00:02:23,120 --> 00:02:29,680
oh, gosh, I'm gone. Well, it was really bad. And there were old bathtubs that had never really
26
00:02:29,680 --> 00:02:35,040
been cleaned. It was, it's a horrible place. It's here in, I can't remember, it's outside LA.
27
00:02:35,040 --> 00:02:40,800
But I think it seems to be closed down. It's probably for the level there.
28
00:02:43,600 --> 00:02:48,720
And look, I was, I was doing, I was looking at your, again, your impressive CB and again,
29
00:02:48,720 --> 00:02:54,880
this opportunity, it feels very sep, serendipitous because next week or the week after, it is the
30
00:02:54,880 --> 00:03:03,680
25 year anniversary of there's something about Mary, which is shocking. So I want to come out and
31
00:03:03,680 --> 00:03:09,360
I remember so clearly seeing that. Do you have any particular standout memories now quarter,
32
00:03:09,360 --> 00:03:14,000
quarter of a century on really for some people's like favorite comedy of all time?
33
00:03:14,000 --> 00:03:18,720
I mean, all of it, I, because I, that's such a story about, they didn't want to see me for the
34
00:03:18,720 --> 00:03:24,080
role. And I had met the Fairleys when I did Kingpin, which was the first movie I did for them.
35
00:03:24,880 --> 00:03:29,200
And when I read they were doing this, I, I asked them if I could audition for, you know,
36
00:03:29,200 --> 00:03:33,280
for Magda and they said, you know, you're not right for it. It was another, they did that to me
37
00:03:33,280 --> 00:03:39,920
twice and I had to convince them. I mean, I begged them to just, you know, to let, let me come in
38
00:03:39,920 --> 00:03:46,400
and read for them and stuff. And then they did cast me. And she's just a, it's just a wonderful
39
00:03:46,400 --> 00:03:50,960
person. I mean, there's something, we just saw it again. It was, I think was in honor of this
40
00:03:50,960 --> 00:03:56,320
anniversary coming up. So we saw it in the theater just a few weeks ago. And it totally holds up.
41
00:03:56,320 --> 00:04:00,400
It's one of the funniest movies ever. I mean, that's seen with Ben Stiller and Puffy.
42
00:04:01,280 --> 00:04:07,680
You can't, there's no way, nobody, the physical comedy that he displays in that film. And, and
43
00:04:07,680 --> 00:04:14,160
all of them in Matt Dillon, I mean, Cameron is just like a beacon. I mean, she's, she is so beautiful
44
00:04:14,160 --> 00:04:20,400
in that movie. She just, she lights you up watching her. So I think it's, it's a timeless film.
45
00:04:20,400 --> 00:04:24,560
I think in 50 years, it will still be as wonderful as it is today.
46
00:04:24,560 --> 00:04:27,840
Absolutely. 100%. Lynn, thank you so much for your time today.
47
00:04:27,840 --> 00:04:30,240
Oh, I appreciate it. So I wish we could talk forever.
48
00:04:31,200 --> 00:04:36,240
Listen, again, for hours, but the only topic we can talk about is that one particular
49
00:04:36,240 --> 00:04:41,680
movie that starts off the table now. Okay, bye. Thank you. Bye bye.
50
00:04:42,720 --> 00:04:47,680
Something is following us. I'm going to need you to remain still.
51
00:04:51,200 --> 00:04:53,200
Hello?
52
00:04:58,720 --> 00:05:00,240
Tony and St. Clara, how are you doing today?
53
00:05:00,240 --> 00:05:00,720
Good.
54
00:05:00,720 --> 00:05:01,440
How are you?
55
00:05:01,440 --> 00:05:05,680
I'm really good. It's such a pleasure to talk to you both. We're going to kick off with a difficult
56
00:05:05,680 --> 00:05:10,800
but cliched question. What is your favorite scary movie of all time?
57
00:05:10,800 --> 00:05:14,880
I'm going to have to go with The Conjuring One. I think that was like one of the only horror movies
58
00:05:14,880 --> 00:05:19,520
that has legitimately scared me. So yeah.
59
00:05:19,520 --> 00:05:27,360
It's very spooky. I think for me, it's probably It, which is more just I remember how old I was,
60
00:05:27,360 --> 00:05:30,160
I remember where I was, I remember how I felt.
61
00:05:30,160 --> 00:05:33,760
There's a scene in this and it's, it's kind of close to start. I don't want to spoil anything
62
00:05:33,760 --> 00:05:40,640
for anyone, but it reminded me so much of that now legendary jump scare from the first insidious
63
00:05:40,640 --> 00:05:44,960
where something just suddenly appears. And I was telling Patrick that when that scene began,
64
00:05:44,960 --> 00:05:50,160
I had a full drink in my hand and when that scene ended, I no longer have a full drink in my hand.
65
00:05:50,800 --> 00:05:56,480
But also on the flip side of it, it's as good as the editing and the scores and all that.
66
00:05:56,480 --> 00:06:03,360
You have to have what I am now calling really good jump scare acting because if the reaction to the
67
00:06:03,360 --> 00:06:07,520
jump scare isn't good, then you're kind of taken out of it. So first of all, congratulations to
68
00:06:07,600 --> 00:06:12,720
you both because the jump scare acting in this is tremendous. Boss, do you have any tips maybe
69
00:06:12,720 --> 00:06:18,880
for anyone who hasn't done a horror yet? Where do you go to when you're getting into the jump
70
00:06:18,880 --> 00:06:26,560
scare scene? I think personally, because it's very, it's a hard thing to just try and actually
71
00:06:26,560 --> 00:06:31,200
make yourself scared versus when you're being sad or angry, it's easier to kind of do that.
72
00:06:31,200 --> 00:06:37,040
With this, I feel like it's really just about committing to it, throwing all of your insecurities
73
00:06:37,040 --> 00:06:42,720
and how stupid you think you look out the window and just fully commit to screaming as loud as you
74
00:06:42,720 --> 00:06:47,920
can and looking as scared as you can, falling on your ass or like whatever it is. But on top of
75
00:06:47,920 --> 00:06:53,120
that, I really think it's the build up that makes it what it is. Is that safe for you, Sinclair?
76
00:06:53,120 --> 00:06:58,880
Oh yeah, you said it. I think that you just have to kind of throw yourself into it. There's no
77
00:06:58,880 --> 00:07:06,480
other way because if not, it doesn't look real and then somebody will probably come walk from
78
00:07:06,480 --> 00:07:11,840
behind the camera and tell you. So the sooner that you can commit, the sooner you can move on to
79
00:07:11,840 --> 00:07:17,920
the next scene. For Patrick, you can tell he is such a fan of horror anyway because obviously
80
00:07:17,920 --> 00:07:22,320
he's got so much to be in the CB, but just talking to him about the genre, you get the feeling that
81
00:07:22,960 --> 00:07:29,120
he doesn't look down on it the way some people might look down on it. It is horror. People
82
00:07:29,120 --> 00:07:35,680
love going to the cinema to see scary movies, but when he was, or when both of you were chatting
83
00:07:35,680 --> 00:07:41,840
to him about this, were there any particular outside of insidious, were there any particular
84
00:07:41,840 --> 00:07:47,520
touchstones, I guess, that he mentioned when it came to either your characters or some of the scenes
85
00:07:47,520 --> 00:07:54,320
in this? Well, I'll say he referenced a lot of movies and I wish I had seen them all, but you
86
00:07:54,320 --> 00:07:58,960
know, he walked us through what they were. One thing that he did talk to me a little bit about,
87
00:07:59,760 --> 00:08:04,640
he said that horror movies are not so different from musical theater, which I thought was an
88
00:08:04,640 --> 00:08:10,160
interesting comparison because you just kind of have to be big and loud and you're not really
89
00:08:10,800 --> 00:08:15,360
ashamed or self-conscious about the sound coming out of your mouth and it has to be a little heightened.
90
00:08:16,080 --> 00:08:21,760
Sometimes a little ridiculous is how it might feel and that really helped me. I come from a
91
00:08:21,760 --> 00:08:28,160
theater background and so I was like, oh, okay, just go a little more and that'll actually read
92
00:08:28,160 --> 00:08:34,400
pretty well. Right, yeah, yeah. I mean, I know he talks a lot about just kind of cinematography-wise
93
00:08:34,400 --> 00:08:40,800
and tone-wise, just James Wan in general. I know he really wanted to try and bring that aspect to it,
94
00:08:41,760 --> 00:08:48,080
but then, yeah, a lot of the, I'm going to call it overacting in a way of just really,
95
00:08:48,080 --> 00:08:53,120
that was a little more tough for me to do sometimes just because film acting is so,
96
00:08:54,240 --> 00:08:59,840
because you can get really close to a person, so it's very kind of defined. You have to be very
97
00:08:59,840 --> 00:09:05,680
specific with your choices of what you're doing with your face versus theaters is a lot more kind
98
00:09:05,680 --> 00:09:10,960
of in your body, in your voice, and it can be a lot bigger. I think the three of us need to pitch that
99
00:09:10,960 --> 00:09:15,840
to Patrick next. His next project should be a musical theater horror. Yeah, yeah.
100
00:09:15,840 --> 00:09:20,320
Yeah, he's gonna get it all the way. Yeah. Perfect.
101
00:09:20,320 --> 00:09:23,840
Tommy Sinclair, thank you so much for your time today. Thank you. Thank you.
102
00:09:32,480 --> 00:09:37,840
The further you travel, the riskier the journey becomes.
|
https://youtube.com/watch?v=e-VPi-Idibg | 1
00:00:00,000 --> 00:00:04,000
I'm coming.
2
00:00:04,000 --> 00:00:05,000
Who?
3
00:00:05,000 --> 00:00:06,000
Anandhan.
4
00:00:06,000 --> 00:00:07,000
Anandhan?
5
00:00:07,000 --> 00:00:09,000
I'm coming.
6
00:00:09,000 --> 00:00:11,000
Let's see where it's safe.
7
00:00:11,000 --> 00:00:13,000
Tell me, where to hide?
8
00:00:13,000 --> 00:00:15,000
Where are you going?
9
00:00:15,000 --> 00:00:16,000
I'm telling you.
10
00:00:17,000 --> 00:00:19,000
I've got 3-4 people.
11
00:00:19,000 --> 00:00:21,000
3-4?
12
00:00:26,000 --> 00:00:27,000
What?
13
00:00:27,000 --> 00:00:29,000
We're going to...
14
00:00:29,000 --> 00:00:31,000
Sir, where are you going?
15
00:00:39,000 --> 00:00:41,000
Well done, my boy.
16
00:00:44,000 --> 00:00:46,000
Well done, my boy.
17
00:00:47,000 --> 00:00:50,000
Mr. Anandhan, you're very intelligent.
18
00:00:50,000 --> 00:00:53,000
You've done a very good job.
19
00:00:53,000 --> 00:00:54,000
One minute.
20
00:00:54,000 --> 00:00:56,000
Listen, my boy.
21
00:00:56,000 --> 00:00:58,000
I promise you.
22
00:00:58,000 --> 00:01:01,000
I'll take care of your little boy.
23
00:01:01,000 --> 00:01:03,000
Look at this.
24
00:01:05,000 --> 00:01:07,000
Look at me.
25
00:01:08,000 --> 00:01:10,000
Look at me.
26
00:01:14,000 --> 00:01:16,000
Come, my boy.
27
00:01:16,000 --> 00:01:19,000
I'll kill you.
28
00:01:19,000 --> 00:01:21,000
I won't let you go.
29
00:01:21,000 --> 00:01:23,000
By the way, who's the master planer?
30
00:01:23,000 --> 00:01:25,000
I don't know.
31
00:01:27,000 --> 00:01:29,000
Well, Mr. Anandhan.
32
00:01:29,000 --> 00:01:31,000
Even if we think about it,
33
00:01:31,000 --> 00:01:33,000
many things will happen here.
34
00:01:33,000 --> 00:01:35,000
Let's leave now.
35
00:01:35,000 --> 00:01:36,000
No, no.
36
00:01:36,000 --> 00:01:38,000
You take care of it.
37
00:01:38,000 --> 00:01:39,000
Thank you very much.
38
00:01:39,000 --> 00:01:40,000
Do you need money?
39
00:01:40,000 --> 00:01:41,000
No, I don't.
40
00:01:41,000 --> 00:01:42,000
Just go and give it to him.
41
00:01:42,000 --> 00:01:44,000
Look, Mr. Anandhan.
42
00:01:44,000 --> 00:01:46,000
If you come here for such small things,
43
00:01:46,000 --> 00:01:48,000
won't you help us?
44
00:01:48,000 --> 00:01:49,000
Good.
45
00:01:49,000 --> 00:01:50,000
Very good.
46
00:01:51,000 --> 00:01:52,000
Are you serious?
47
00:01:52,000 --> 00:01:53,000
I'm serious.
48
00:01:53,000 --> 00:01:54,000
Why are you saying this?
49
00:01:54,000 --> 00:01:56,000
Please tell me, tell me, tell me, tell me.
50
00:02:01,000 --> 00:02:03,000
He's Karthik.
51
00:02:03,000 --> 00:02:04,000
A lorry driver.
52
00:02:04,000 --> 00:02:05,000
I'm going to kill him.
53
00:02:05,000 --> 00:02:07,000
This girl is Kasturi.
54
00:02:07,000 --> 00:02:08,000
She doesn't look like a poor girl.
55
00:02:08,000 --> 00:02:10,000
I don't want her.
56
00:02:10,000 --> 00:02:11,000
No, I don't.
57
00:02:11,000 --> 00:02:13,000
What are you saying?
58
00:02:13,000 --> 00:02:14,000
That's it.
59
00:02:14,000 --> 00:02:16,000
There's a lot of work to be done.
60
00:02:16,000 --> 00:02:17,000
I'll take care of it.
61
00:02:17,000 --> 00:02:18,000
Tell me.
62
00:02:18,000 --> 00:02:19,000
How much do you want?
63
00:02:19,000 --> 00:02:20,000
I don't want.
64
00:02:20,000 --> 00:02:22,000
Let the work be done.
65
00:02:25,000 --> 00:02:27,000
Wish you all the best, my friends.
66
00:02:27,000 --> 00:02:29,000
Nasser, take the vehicle.
67
00:02:29,000 --> 00:02:30,000
Nasser, take the vehicle.
68
00:02:36,000 --> 00:02:37,000
I'll tell you something.
69
00:02:37,000 --> 00:02:39,000
I'm not going to kill anyone.
70
00:02:39,000 --> 00:02:40,000
I'll go to my aunt.
71
00:02:40,000 --> 00:02:41,000
If you go like that,
72
00:02:41,000 --> 00:02:42,000
will you solve the problems here?
73
00:02:42,000 --> 00:02:45,000
Hey, this is enough to see your problems.
74
00:02:45,000 --> 00:02:46,000
Until then, stay with me.
75
00:02:46,000 --> 00:02:48,000
I don't understand what you're saying.
76
00:02:48,000 --> 00:02:49,000
You don't understand anything.
77
00:02:50,000 --> 00:02:52,000
Let's move aside.
78
00:02:52,000 --> 00:02:54,000
My half of the problems have been solved
79
00:02:54,000 --> 00:02:56,000
because of Chechi's marriage.
80
00:02:56,000 --> 00:02:57,000
If you continue with the problems,
81
00:02:57,000 --> 00:02:58,000
I'll be happy when you get married.
82
00:02:58,000 --> 00:03:02,000
Ananda, this is the difference between me and the demon.
83
00:03:02,000 --> 00:03:05,000
You and uncle will be saved in this valley.
84
00:03:05,000 --> 00:03:06,000
Even if you give us food,
85
00:03:06,000 --> 00:03:08,000
we'll give you a job.
86
00:03:08,000 --> 00:03:10,000
If everything goes well,
87
00:03:10,000 --> 00:03:12,000
we'll save Anandan Hippopotamus for the first time.
88
00:03:12,000 --> 00:03:13,000
We'll save him.
89
00:03:13,000 --> 00:03:14,000
All of a sudden,
90
00:03:14,000 --> 00:03:15,000
that Kainottakar, who is going to die,
91
00:03:15,000 --> 00:03:16,000
is saying that he's going to die.
92
00:03:16,000 --> 00:03:17,000
All of a sudden,
93
00:03:17,000 --> 00:03:19,000
you're going to die with a snake bite
94
00:03:19,000 --> 00:03:21,000
or a snake bite in your tongue.
95
00:03:21,000 --> 00:03:23,000
That's the difference between you and the demon.
96
00:03:23,000 --> 00:03:25,000
Krishna, I'm sorry.
97
00:03:25,000 --> 00:03:26,000
Listen,
98
00:03:26,000 --> 00:03:27,000
I'm sorry.
99
00:03:27,000 --> 00:03:28,000
I'm sorry.
100
00:03:28,000 --> 00:03:30,000
Good morning everybody.
101
00:03:33,000 --> 00:03:35,000
A snake bite
102
00:03:35,000 --> 00:03:36,000
or a snake bite in your head,
103
00:03:36,000 --> 00:03:37,000
who is it?
104
00:03:37,000 --> 00:03:38,000
That's Karthikeyan.
105
00:03:38,000 --> 00:03:39,000
Right?
106
00:03:39,000 --> 00:03:40,000
Very good.
107
00:03:40,000 --> 00:03:42,000
Then you plan to kill someone
108
00:03:42,000 --> 00:03:43,000
in a new style, right?
109
00:03:45,000 --> 00:03:46,000
Right, Ramani?
110
00:03:46,000 --> 00:03:47,000
Right.
111
00:03:47,000 --> 00:03:48,000
Karthikeyan is a good idea
112
00:03:48,000 --> 00:03:50,000
to kill someone in a new style.
113
00:03:50,000 --> 00:03:51,000
I'll tell you the rest.
114
00:03:51,000 --> 00:03:53,000
Then you have to catch Kasturi.
115
00:03:53,000 --> 00:03:54,000
Right?
116
00:03:54,000 --> 00:03:55,000
Right.
117
00:03:56,000 --> 00:03:57,000
That's sincerity.
118
00:03:57,000 --> 00:03:59,000
Then there's a good news.
119
00:03:59,000 --> 00:04:01,000
Karthikeyan and Kasturi are in the city.
120
00:04:02,000 --> 00:04:04,000
Then they went on a trip.
121
00:04:04,000 --> 00:04:05,000
Then,
122
00:04:05,000 --> 00:04:07,000
I'll tell you the truth.
123
00:04:07,000 --> 00:04:09,000
In this Anandan valley,
124
00:04:09,000 --> 00:04:10,000
if you get caught,
125
00:04:10,000 --> 00:04:12,000
you won't be able to save Karthikeyan.
126
00:04:14,000 --> 00:04:15,000
Do you know?
127
00:04:15,000 --> 00:04:17,000
With remote control,
128
00:04:17,000 --> 00:04:19,000
I know every movement of yours.
129
00:04:19,000 --> 00:04:21,000
If you show any dirty tricks,
130
00:04:22,000 --> 00:04:24,000
you three will die.
131
00:04:24,000 --> 00:04:26,000
You won't be able to do post-mortem.
132
00:04:26,000 --> 00:04:28,000
You'll be punished.
133
00:04:28,000 --> 00:04:29,000
Okay?
134
00:04:29,000 --> 00:04:30,000
Come on.
135
00:04:46,000 --> 00:04:47,000
Karthikeyan!
136
00:05:03,000 --> 00:05:04,000
Sonu, where are you?
137
00:05:04,000 --> 00:05:06,000
I'm admitted to the city hospital.
138
00:05:06,000 --> 00:05:07,000
Come on, Thu.
139
00:05:07,000 --> 00:05:08,000
That's why I can't see the tiger.
140
00:05:08,000 --> 00:05:09,000
You're also there, right?
141
00:05:09,000 --> 00:05:11,000
That's very busy.
142
00:05:11,000 --> 00:05:12,000
What busy?
143
00:05:12,000 --> 00:05:13,000
What busy?
144
00:05:14,000 --> 00:05:15,000
What's the problem?
145
00:05:15,000 --> 00:05:17,000
I had a dream for a day.
146
00:05:17,000 --> 00:05:19,000
I was afraid that I might get caught.
147
00:05:19,000 --> 00:05:20,000
What did you say?
148
00:05:20,000 --> 00:05:21,000
He's gone.
149
00:05:21,000 --> 00:05:22,000
I'll take care of him later.
150
00:05:22,000 --> 00:05:23,000
Okay, I'll go.
151
00:05:43,000 --> 00:05:44,000
Where is she?
152
00:05:45,000 --> 00:05:46,000
I don't know.
153
00:05:46,000 --> 00:05:47,000
Do you know where she is?
154
00:05:47,000 --> 00:05:48,000
I don't know.
155
00:05:48,000 --> 00:05:49,000
You tell me.
156
00:06:12,000 --> 00:06:13,000
Come on.
157
00:06:31,000 --> 00:06:32,000
Catch him.
158
00:06:32,000 --> 00:06:33,000
Come on.
159
00:06:33,000 --> 00:06:34,000
Catch him.
160
00:06:38,000 --> 00:06:39,000
Catch him.
161
00:06:39,000 --> 00:06:40,000
Catch him.
162
00:06:42,000 --> 00:06:43,000
Catch him.
163
00:06:44,000 --> 00:06:45,000
Catch him.
164
00:06:50,000 --> 00:06:51,000
Meenu!
165
00:06:53,000 --> 00:06:54,000
Meenu!
166
00:07:12,000 --> 00:07:14,000
Meenu!
167
00:07:42,000 --> 00:07:43,000
Come on.
168
00:08:01,000 --> 00:08:02,000
Take the bodies and go away.
169
00:08:02,000 --> 00:08:03,000
Come on.
170
00:08:06,000 --> 00:08:07,000
The body.
171
00:08:08,000 --> 00:08:09,000
Come on.
172
00:08:09,000 --> 00:08:10,000
Catch him.
173
00:08:10,000 --> 00:08:11,000
Come on.
174
00:08:12,000 --> 00:08:13,000
Catch him.
175
00:08:15,000 --> 00:08:16,000
Catch him.
176
00:08:17,000 --> 00:08:18,000
Who is he?
177
00:08:18,000 --> 00:08:19,000
I don't know.
178
00:08:19,000 --> 00:08:20,000
You know.
179
00:08:20,000 --> 00:08:21,000
You know everything.
180
00:08:21,000 --> 00:08:23,000
You're in a group of terrorists.
181
00:08:23,000 --> 00:08:24,000
Get lost.
182
00:08:24,000 --> 00:08:25,000
I'll kill you.
183
00:08:25,000 --> 00:08:26,000
Leave me.
184
00:08:26,000 --> 00:08:27,000
Leave me.
185
00:08:27,000 --> 00:08:28,000
This is a man's house.
186
00:08:28,000 --> 00:08:30,000
A man doesn't come here alone.
187
00:08:30,000 --> 00:08:32,000
He has to tell the truth.
188
00:08:32,000 --> 00:08:33,000
He wanted to kill him.
189
00:08:33,000 --> 00:08:34,000
Your name is also mentioned.
190
00:08:34,000 --> 00:08:35,000
Who are you?
191
00:08:35,000 --> 00:08:37,000
Why are you hiding behind us?
192
00:08:37,000 --> 00:08:38,000
I don't know.
193
00:08:38,000 --> 00:08:39,000
Hey!
194
00:08:39,000 --> 00:08:40,000
She didn't tell you.
195
00:08:40,000 --> 00:08:41,000
She's an educated girl.
196
00:08:42,000 --> 00:08:43,000
Why are you taking our risk?
197
00:08:43,000 --> 00:08:45,000
Anand knows everything.
198
00:08:45,000 --> 00:08:46,000
He'll pay you 10 lakhs.
199
00:08:46,000 --> 00:08:48,000
What should we do with him?
200
00:08:48,000 --> 00:08:49,000
I'll kill you.
201
00:08:51,000 --> 00:08:52,000
Don't worry.
202
00:08:52,000 --> 00:08:53,000
Let him be here.
203
00:08:53,000 --> 00:08:54,000
Let's go.
204
00:08:57,000 --> 00:08:58,000
Why did you call him?
205
00:08:58,000 --> 00:08:59,000
Don't do that, Sunita.
206
00:08:59,000 --> 00:09:01,000
She told you everything.
207
00:09:01,000 --> 00:09:02,000
I understand.
208
00:09:02,000 --> 00:09:03,000
What?
209
00:09:04,000 --> 00:09:05,000
I understand.
210
00:09:05,000 --> 00:09:06,000
What are you saying?
211
00:09:06,000 --> 00:09:07,000
Sukuna!
212
00:09:07,000 --> 00:09:09,000
I've heard about the past food.
213
00:09:09,000 --> 00:09:11,000
This is the first time I've seen the past love.
214
00:09:11,000 --> 00:09:12,000
That's nothing.
215
00:09:12,000 --> 00:09:13,000
Tell me something, Sunita.
216
00:09:14,000 --> 00:09:15,000
He said something.
217
00:09:15,000 --> 00:09:17,000
Let's wait and see.
218
00:09:26,000 --> 00:09:27,000
Who is she?
219
00:09:27,000 --> 00:09:28,000
I've seen this place, sir.
220
00:09:29,000 --> 00:09:32,000
All the rooms in the house without the police.
221
00:09:32,000 --> 00:09:33,000
I don't want her.
222
00:09:33,000 --> 00:09:34,000
I want her.
223
00:09:35,000 --> 00:09:36,000
I don't want her.
|
https://youtube.com/watch?v=eQBqsbP62Ic | 1
00:00:00,000 --> 00:00:15,820
.
2
00:00:15,820 --> 00:00:27,980
.
3
00:00:28,480 --> 00:00:30,820
.
4
00:00:30,820 --> 00:00:34,580
That dimwit, I told him not to shoot his gun.
5
00:00:34,580 --> 00:00:53,780
.
|
https://youtube.com/watch?v=9xvFWTPpjTU | 1
00:00:00,000 --> 00:00:02,300
Dr. Bloom sent me your article on surgical addiction
2
00:00:02,300 --> 00:00:05,100
in the Journal of Forensic Psychiatry.
3
00:00:05,100 --> 00:00:07,100
And?
4
00:00:07,100 --> 00:00:08,600
Very interesting.
5
00:00:08,600 --> 00:00:10,100
Even to a layman.
6
00:00:14,900 --> 00:00:16,900
You say you're a layman.
7
00:00:24,100 --> 00:00:27,100
But it was you who caught me.
8
00:00:27,100 --> 00:00:29,100
Wasn't it, Will?
9
00:00:30,500 --> 00:00:32,500
Do you know how you did it?
10
00:00:32,500 --> 00:00:34,500
I got lucky.
11
00:00:34,500 --> 00:00:36,500
I don't think you believe that.
12
00:00:37,500 --> 00:00:40,500
If it's in the transcript, what does it matter now?
13
00:00:40,500 --> 00:00:42,500
Doesn't matter to me, Will.
14
00:00:42,500 --> 00:00:44,500
I need your advice, Dr. Lecter.
15
00:00:47,500 --> 00:00:50,500
Birmingham and Atlanta.
16
00:00:50,500 --> 00:00:53,500
You want to know how he's choosing them, don't you?
17
00:00:53,500 --> 00:00:56,500
I thought you'd have some ideas I'm asking you to tell me what they are.
18
00:00:56,500 --> 00:00:58,500
Why should I?
19
00:00:58,500 --> 00:01:00,500
There are things you don't have.
20
00:01:00,500 --> 00:01:02,500
Research materials. Maybe even computer access.
21
00:01:02,500 --> 00:01:04,500
I'd speak to the Chief of Staff.
22
00:01:04,500 --> 00:01:07,500
Ah, yes. Dr. Chilton.
23
00:01:07,500 --> 00:01:09,500
Gruesome, isn't he?
24
00:01:09,500 --> 00:01:13,500
He fumbles at your head like a freshman putting at a panty-kirtle.
25
00:01:14,500 --> 00:01:19,500
If you recall, Will, our last collaboration ended rather messily.
26
00:01:21,500 --> 00:01:24,500
You get to see the file on this case.
27
00:01:24,500 --> 00:01:26,500
And there's another reason.
28
00:01:26,500 --> 00:01:28,500
I'm all ears.
29
00:01:28,500 --> 00:01:31,500
I thought you might enjoy the challenge.
30
00:01:31,500 --> 00:01:34,500
Find out if you're smarter than the person I'm looking for.
31
00:01:41,500 --> 00:01:45,500
Then by implication, you think you're smarter than I am.
32
00:01:45,500 --> 00:01:47,500
Since it was you who caught me.
33
00:01:47,500 --> 00:01:49,500
No, I know I'm not smarter than you.
34
00:01:49,500 --> 00:01:51,500
Then how did you catch me?
35
00:01:51,500 --> 00:01:54,500
You had disadvantages.
36
00:01:54,500 --> 00:01:56,500
What disadvantages?
37
00:01:56,500 --> 00:01:58,500
You're insane.
38
00:02:03,500 --> 00:02:06,500
You're very tanned, Will.
39
00:02:06,500 --> 00:02:09,500
Your hands are so rough, not like a cop's hands anymore.
40
00:02:09,500 --> 00:02:12,500
And that shaving lotion is something a child would select.
41
00:02:12,500 --> 00:02:15,500
It has a little ship on the bottle, does it not?
42
00:02:16,500 --> 00:02:20,500
And how is young Josh and the lovely Molly?
43
00:02:20,500 --> 00:02:22,500
They're always in my thoughts, you know.
44
00:02:22,500 --> 00:02:26,500
You will not persuade me with appeals to my intellectual vanity.
45
00:02:26,500 --> 00:02:29,500
I don't think I'll persuade you at all. You'll either do it or you won't.
46
00:02:29,500 --> 00:02:31,500
Is that the case, Will?
47
00:02:31,500 --> 00:02:33,500
Yes.
48
00:02:33,500 --> 00:02:36,500
With photos, let me keep them and I might consider it.
49
00:02:36,500 --> 00:02:38,500
No.
50
00:02:40,500 --> 00:02:42,500
Do you dream much, Will?
51
00:02:42,500 --> 00:02:44,500
Goodbye, Dr. Lecter.
52
00:02:44,500 --> 00:02:47,500
You haven't threatened to take away my books yet.
53
00:02:47,500 --> 00:02:50,500
Give me the file, then.
54
00:02:51,500 --> 00:02:54,500
And I'll tell you what I think.
55
00:02:56,500 --> 00:02:59,500
I need one hour and privacy.
56
00:03:05,500 --> 00:03:08,500
Just like old times, eh, Will?
|
https://youtube.com/watch?v=w-a2DWUTu7o | 1
00:00:00,000 --> 00:00:02,680
And it's just begging for me to steal it.
2
00:00:02,680 --> 00:00:03,880
I'd be on my way there right now
3
00:00:03,880 --> 00:00:05,480
if you weren't such a super cop.
4
00:00:07,520 --> 00:00:08,360
Don't do that.
5
00:00:08,360 --> 00:00:09,200
What?
6
00:00:09,200 --> 00:00:10,040
Don't do that.
7
00:00:10,040 --> 00:00:10,880
What?
8
00:00:10,880 --> 00:00:11,720
I know what you're doing, don't do that.
9
00:00:11,720 --> 00:00:12,560
I know what you're doing.
10
00:00:12,560 --> 00:00:13,520
I'm not doing anything.
11
00:00:13,520 --> 00:00:14,360
Listen to me.
12
00:00:14,360 --> 00:00:15,800
These guys here, they find out,
13
00:00:15,800 --> 00:00:17,320
they find out you're a COP.
14
00:00:17,320 --> 00:00:19,680
This is a room full of convicted murderers
15
00:00:19,680 --> 00:00:21,040
and toilet vodka enthusiasts.
16
00:00:21,040 --> 00:00:22,640
We gotta make sure that they know you're not a cop.
17
00:00:22,640 --> 00:00:23,480
Don't.
18
00:00:23,480 --> 00:00:24,320
Listen to me.
19
00:00:24,320 --> 00:00:26,320
Niet, Niet, policia!
20
00:00:27,320 --> 00:00:30,840
Guys, Niet, policia, not a cop.
21
00:00:30,840 --> 00:00:33,600
This man is not a cop.
22
00:00:33,600 --> 00:00:36,480
All right, get that through your thick skulls right now.
23
00:00:36,480 --> 00:00:39,280
He's a profiler for the FBI,
24
00:00:39,280 --> 00:00:41,680
which does fall under the umbrella of law enforcement,
25
00:00:41,680 --> 00:00:42,680
but not a cop.
26
00:00:42,680 --> 00:00:44,320
It's similar, but it's not the same thing.
27
00:00:44,320 --> 00:00:46,000
It's a complicated backstory.
28
00:00:46,000 --> 00:00:48,360
All right, this is our good friend, special agent,
29
00:00:48,360 --> 00:00:49,200
John Hartley.
30
00:00:49,200 --> 00:00:51,360
Let's give him a warm welcome to the prison, guys.
31
00:00:52,360 --> 00:00:55,360
Thank you, guys.
32
00:00:55,360 --> 00:00:56,360
I don't think anyone hurt me.
33
00:00:56,360 --> 00:00:57,360
We're good.
34
00:00:57,360 --> 00:00:59,360
Paul's quiet on the western front.
35
00:00:59,360 --> 00:01:01,360
Nobody's still dealing with him.
36
00:01:01,360 --> 00:01:02,360
Yeah.
37
00:01:02,360 --> 00:01:04,360
Draco Grande, I heard, here he comes.
38
00:01:06,360 --> 00:01:07,360
Okay, be cool.
39
00:01:07,360 --> 00:01:08,360
Don't embarrass me.
40
00:01:12,360 --> 00:01:13,360
Hello, sir.
41
00:01:14,360 --> 00:01:15,360
Polizia.
42
00:01:17,360 --> 00:01:18,360
You died.
43
00:01:18,360 --> 00:01:20,360
Okay, he knows.
44
00:01:20,360 --> 00:01:22,360
He knows you're a cop.
45
00:01:22,360 --> 00:01:23,360
The jig is up.
46
00:01:33,360 --> 00:01:34,360
It's okay.
47
00:01:36,360 --> 00:01:38,360
You can have mine.
48
00:01:38,360 --> 00:01:39,360
It's nourishment.
49
00:01:49,360 --> 00:01:50,360
You should get up.
50
00:01:50,360 --> 00:01:52,360
You look like a little bitch right now.
51
00:01:52,360 --> 00:01:54,360
I say that as a friend.
52
00:01:58,360 --> 00:01:59,360
Okay, look.
53
00:01:59,360 --> 00:02:02,360
I don't want to do a whole prison fight thing with you.
54
00:02:02,360 --> 00:02:04,360
You got this somewhere in your corner.
55
00:02:04,360 --> 00:02:07,360
So, please, no fight.
56
00:02:07,360 --> 00:02:09,360
Let's just go back and finish our meals.
57
00:02:18,360 --> 00:02:19,360
Go!
58
00:02:19,360 --> 00:02:20,360
Go!
59
00:02:20,360 --> 00:02:21,360
Go!
60
00:02:21,360 --> 00:02:22,360
Go!
61
00:02:22,360 --> 00:02:23,360
Go!
62
00:02:23,360 --> 00:02:24,360
Go!
63
00:02:24,360 --> 00:02:25,360
Go!
64
00:02:25,360 --> 00:02:26,360
Go!
|
https://youtube.com/watch?v=7Sw6I7dlFA4 | 1
00:00:00,000 --> 00:00:08,000
This world is beyond cruelty.
2
00:00:08,000 --> 00:00:13,000
You've been fighting the Harkonnins for decades.
3
00:00:13,000 --> 00:00:16,000
My family's been fighting them for centuries.
4
00:00:16,000 --> 00:00:19,000
They were massacred.
5
00:00:19,000 --> 00:00:21,000
Alongside my father.
6
00:00:21,000 --> 00:00:25,000
Your father didn't believe in revenge.
7
00:00:25,000 --> 00:00:28,000
We believe in Fremen.
8
00:00:28,000 --> 00:00:30,000
Let me fight beside you.
9
00:00:33,000 --> 00:00:34,000
Reload!
10
00:00:42,000 --> 00:00:43,000
He said that.
11
00:00:43,000 --> 00:00:44,000
I got that.
12
00:00:44,000 --> 00:00:45,000
Thanks.
13
00:00:46,000 --> 00:00:48,000
I won't be fighting for him.
14
00:00:48,000 --> 00:00:50,000
I'm fighting for my people.
15
00:00:54,000 --> 00:00:56,000
You young pop.
16
00:00:59,000 --> 00:01:02,000
Do you believe in Paul?
17
00:01:02,000 --> 00:01:04,000
Better science.
18
00:01:08,000 --> 00:01:09,000
The prophet.
19
00:01:09,000 --> 00:01:10,000
Why is that a bad thing?
20
00:01:10,000 --> 00:01:11,000
Use it.
21
00:01:12,000 --> 00:01:15,000
Because Paul and my visions lead to horror.
22
00:01:17,000 --> 00:01:19,000
Because you lose control.
23
00:01:19,000 --> 00:01:21,000
Because I gain it.
24
00:01:23,000 --> 00:01:26,000
Johnny, do you believe in me?
25
00:01:29,000 --> 00:01:31,000
Paul the Trades is still alive.
26
00:01:37,000 --> 00:01:39,000
Deal with this prophet.
27
00:01:41,000 --> 00:01:43,000
Show me who you are.
28
00:01:48,000 --> 00:01:49,000
Your father.
29
00:01:54,000 --> 00:01:56,000
Was a wicked man.
30
00:01:59,000 --> 00:02:01,000
Luke who's back from the dead.
31
00:02:02,000 --> 00:02:04,000
I will do what must be done.
32
00:02:06,000 --> 00:02:08,000
We gave them something to hope for.
33
00:02:08,000 --> 00:02:09,000
That's not how.
34
00:02:11,000 --> 00:02:12,000
Johnny!
35
00:02:15,000 --> 00:02:17,000
I will love you as long as I breathe.
36
00:02:18,000 --> 00:02:21,000
This prophecy is how they enslave us.
37
00:02:22,000 --> 00:02:24,000
It's not a prophecy.
38
00:02:24,000 --> 00:02:25,000
It's a story.
39
00:02:25,000 --> 00:02:27,000
I don't care what you believe.
40
00:02:27,000 --> 00:02:28,000
I believe.
41
00:02:33,000 --> 00:02:36,000
I am Paul Mojima, Trades.
42
00:02:37,000 --> 00:02:39,000
Luke of Arrakis.
43
00:02:42,000 --> 00:02:44,000
I don't believe in you as I die.
44
00:02:48,000 --> 00:02:51,000
He who can destroy a thing has the real control of it.
45
00:02:57,000 --> 00:03:00,000
To be continued...
|
https://youtube.com/watch?v=jgBlVYUL8hM | 1
00:00:00,000 --> 00:00:01,000
You can't be alive.
2
00:00:01,000 --> 00:00:02,000
Why not?
3
00:00:02,000 --> 00:00:04,000
He's in the picture, your turn is next.
4
00:00:08,000 --> 00:00:10,000
And no number, of course it is.
5
00:00:12,000 --> 00:00:13,000
Truth or dare?
6
00:00:14,000 --> 00:00:15,000
Wow, a text, really?
7
00:00:15,000 --> 00:00:17,000
I mean, there's no way a human could have said that.
8
00:00:17,000 --> 00:00:18,000
Just answer it.
9
00:00:18,000 --> 00:00:19,000
Fine.
10
00:00:20,000 --> 00:00:21,000
Here.
11
00:00:22,000 --> 00:00:24,000
Dare you to follow through with your promise.
12
00:00:25,000 --> 00:00:27,000
Break Olivia's hand.
|
https://youtube.com/watch?v=K_1KQ4GT0wg | 1
00:00:30,000 --> 00:00:33,000
Guys, what are we even doing up here?
2
00:00:33,000 --> 00:00:35,000
We should just go back.
3
00:00:35,000 --> 00:00:37,000
Matt, I'm sorry.
4
00:00:37,000 --> 00:00:39,000
My parents are still down there.
5
00:00:39,000 --> 00:00:42,000
I'm-I'm worried something's gonna happen to my dad.
6
00:00:42,000 --> 00:00:43,000
Maybe he could help us.
7
00:00:43,000 --> 00:00:45,000
He can't help us, Darryl.
8
00:00:45,000 --> 00:00:46,000
He's helping them.
9
00:00:46,000 --> 00:00:47,000
What's that supposed to mean?
10
00:00:47,000 --> 00:00:49,000
It means he's helping them.
11
00:00:49,000 --> 00:00:50,000
You saw him.
12
00:00:50,000 --> 00:00:52,000
He just stood there and watched.
13
00:00:52,000 --> 00:00:53,000
What else is he supposed to do?
14
00:00:53,000 --> 00:00:57,000
Our dad made a choice.
15
00:00:57,000 --> 00:00:59,000
And Darryl's dad's gotta make one, too.
16
00:00:59,000 --> 00:01:00,000
We all do.
17
00:01:07,000 --> 00:01:09,000
We're going home.
18
00:01:09,000 --> 00:01:12,000
Robert, parents aren't down there.
19
00:01:16,000 --> 00:01:17,000
I saw it.
20
00:01:17,000 --> 00:01:18,000
I didn't know how to tell you.
21
00:01:18,000 --> 00:01:19,000
I saw it.
22
00:01:19,000 --> 00:01:20,000
I-I didn't know how to tell you.
23
00:01:20,000 --> 00:01:21,000
I saw it.
24
00:01:21,000 --> 00:01:22,000
I-I didn't know how to tell you.
25
00:01:22,000 --> 00:01:23,000
I saw it.
26
00:01:23,000 --> 00:01:24,000
I saw it.
27
00:01:24,000 --> 00:01:25,000
I saw it.
28
00:01:25,000 --> 00:01:26,000
I saw it.
29
00:01:26,000 --> 00:01:27,000
I saw it.
30
00:01:27,000 --> 00:01:28,000
I saw it.
31
00:01:28,000 --> 00:01:29,000
I saw it.
32
00:01:29,000 --> 00:01:30,000
I saw it.
33
00:01:30,000 --> 00:01:31,000
I saw it.
34
00:01:37,000 --> 00:01:39,000
We can't go home.
35
00:01:40,000 --> 00:01:41,000
We can't keep running.
36
00:01:41,000 --> 00:01:42,000
What are we supposed to do?
37
00:01:46,000 --> 00:01:47,000
I'm gonna fight.
38
00:01:50,000 --> 00:01:51,000
I'm gonna fight.
39
00:01:52,000 --> 00:01:56,000
Now, this is easier for me because I'm used to it.
40
00:01:56,000 --> 00:01:59,000
The rest of you are gonna have a tougher choice.
41
00:02:00,000 --> 00:02:02,000
And look, I don't want to sell it to you.
42
00:02:02,000 --> 00:02:03,000
It's too ugly for that.
43
00:02:04,000 --> 00:02:06,000
It's ugly and it's hard.
44
00:02:07,000 --> 00:02:09,000
But when you're fighting in your own backyard,
45
00:02:09,000 --> 00:02:11,000
you're fighting for your family,
46
00:02:12,000 --> 00:02:15,000
it all hurts a little less and it makes a little more sense.
47
00:02:16,000 --> 00:02:19,000
And for them, this is just some place.
48
00:02:20,000 --> 00:02:24,000
But for us, this is our home.
49
00:02:29,000 --> 00:02:32,000
Now, obviously, we don't stand a chance against these guys in a straight-up fight.
50
00:02:34,000 --> 00:02:38,000
If you look at the Viet Cong or the Moushidin or even the Minutemen, it's clear.
51
00:02:39,000 --> 00:02:42,000
Even the tiniest flea can drive a big dog crazy.
52
00:02:43,000 --> 00:02:48,000
So, the first thing we have to do is learn how to work together.
53
00:02:49,000 --> 00:02:50,000
Become a unit.
54
00:02:51,000 --> 00:02:53,000
And that's gonna take some time.
55
00:02:58,000 --> 00:03:00,000
It doesn't take much to pull a trigger.
56
00:03:01,000 --> 00:03:04,000
But keeping your shit together in a firefight is a whole different story.
57
00:03:06,000 --> 00:03:08,000
So, we're gonna have to evolve.
58
00:03:08,000 --> 00:03:10,000
Rewire our reflexes.
59
00:03:11,000 --> 00:03:14,000
Learn new skills and adapt old ones.
60
00:03:16,000 --> 00:03:20,000
There's almost half a million faces down there and they can't track them all.
61
00:03:21,000 --> 00:03:23,000
So, we'll find people we can trust.
62
00:03:24,000 --> 00:03:28,000
Friends with their ears to the ground who can help us get the things we need to fight back.
63
00:03:32,000 --> 00:03:33,000
We'll watch what they do.
64
00:03:34,000 --> 00:03:35,000
Study their tactics.
65
00:03:35,000 --> 00:03:38,000
The more we know the easier it will be to hurt them.
66
00:03:40,000 --> 00:03:43,000
But we'll need to be smart and we'll need to be patient.
67
00:03:45,000 --> 00:03:49,000
And we'll hit them on our terms when we're good and ready.
68
00:03:56,000 --> 00:03:58,000
We inherited our freedom.
69
00:03:59,000 --> 00:04:02,000
We inherited our freedom.
70
00:04:05,000 --> 00:04:07,000
Now it's up to all of us to fight for it.
|
https://youtube.com/watch?v=hOtQFL1driM | 1
00:00:00,000 --> 00:00:12,000
Oh, I love that, yeah.
2
00:00:12,000 --> 00:00:20,000
You'll stay with us until it's all right.
3
00:00:30,000 --> 00:00:56,000
Round, round, round.
4
00:00:57,000 --> 00:00:59,000
Round, round, round.
5
00:00:59,000 --> 00:01:01,000
Round, round, round.
6
00:01:01,000 --> 00:01:02,000
Is that enough of the dog?
7
00:01:02,000 --> 00:01:03,000
Yeah, absolutely.
8
00:01:03,000 --> 00:01:04,000
And dog exits frame?
9
00:01:04,000 --> 00:01:05,000
All right.
10
00:01:05,000 --> 00:01:31,000
Drop it.
11
00:01:31,000 --> 00:01:34,000
Oh, it's not too much to say.
12
00:01:34,000 --> 00:01:36,000
Okay, we're going.
13
00:01:36,000 --> 00:01:58,000
Ready, back, stop.
14
00:01:58,000 --> 00:02:00,000
What is he doing?
15
00:02:00,000 --> 00:02:02,000
What is he doing?
16
00:02:02,000 --> 00:02:05,000
Go for it.
17
00:02:05,000 --> 00:02:09,000
Okay, cover it.
18
00:02:09,000 --> 00:02:12,000
When are we going to get straight on this?
19
00:02:12,000 --> 00:02:13,000
Back round.
20
00:02:13,000 --> 00:02:14,000
Get down.
21
00:02:14,000 --> 00:02:15,000
Look at it.
22
00:02:15,000 --> 00:02:19,000
Yeah, who gave him that much water?
23
00:02:19,000 --> 00:02:21,000
Maybe that's one.
24
00:02:21,000 --> 00:02:22,000
Okay, ready?
25
00:02:22,000 --> 00:02:23,000
And action.
26
00:02:23,000 --> 00:02:25,000
Back round.
27
00:02:25,000 --> 00:02:30,000
So I know you had all those extra lines, but now just stay a little bit closer there.
28
00:02:30,000 --> 00:02:34,000
So when she takes off across the street, yeah.
29
00:02:35,000 --> 00:02:37,000
It's not today.
30
00:02:37,000 --> 00:02:40,000
Yeah, but nobody actually does that.
31
00:02:40,000 --> 00:02:42,000
This one just wants a hug.
32
00:02:42,000 --> 00:02:43,000
Come on, Mom.
33
00:02:43,000 --> 00:02:44,000
One, two.
34
00:02:44,000 --> 00:02:45,000
All right.
35
00:02:45,000 --> 00:02:46,000
Ready?
36
00:02:46,000 --> 00:02:47,000
Let's go.
37
00:02:47,000 --> 00:02:48,000
Okay.
38
00:02:48,000 --> 00:02:49,000
Ready?
39
00:02:49,000 --> 00:02:50,000
Ready?
40
00:02:50,000 --> 00:02:51,000
Go.
41
00:02:51,000 --> 00:02:52,000
Okay.
42
00:02:52,000 --> 00:02:53,000
That's correct.
43
00:02:53,000 --> 00:02:54,000
What are you doing?
44
00:02:54,000 --> 00:02:55,000
I'm going to go.
45
00:02:55,000 --> 00:02:56,000
Okay, go.
46
00:02:56,000 --> 00:02:57,000
Go.
47
00:02:57,000 --> 00:02:58,000
Okay.
48
00:02:58,000 --> 00:02:59,000
One, two.
49
00:02:59,000 --> 00:03:00,000
Okay.
50
00:03:00,000 --> 00:03:01,000
Okay.
51
00:03:01,000 --> 00:03:02,000
Okay.
52
00:03:02,000 --> 00:03:03,000
Okay, ready?
53
00:03:03,000 --> 00:03:04,000
Ready?
54
00:03:04,000 --> 00:03:05,000
Okay.
55
00:03:05,000 --> 00:03:06,000
Okay.
56
00:03:06,000 --> 00:03:07,000
Okay.
57
00:03:07,000 --> 00:03:08,000
Okay.
58
00:03:08,000 --> 00:03:09,000
Okay.
59
00:03:09,000 --> 00:03:10,000
Good job.
60
00:03:10,000 --> 00:03:11,000
Okay.
61
00:03:11,000 --> 00:03:12,000
Okay.
62
00:03:12,000 --> 00:03:13,000
Okay.
63
00:03:13,000 --> 00:03:14,000
Okay.
64
00:03:35,000 --> 00:03:40,000
Orange won't stop.
65
00:03:40,000 --> 00:03:41,000
Okay.
66
00:03:41,000 --> 00:03:42,000
Okay.
67
00:03:42,000 --> 00:03:43,000
Okay.
68
00:04:07,000 --> 00:04:10,000
S.E.B.s and you're still a little scared and nervous
69
00:04:10,000 --> 00:04:12,000
because you don't know how to drive that.
70
00:04:12,000 --> 00:04:13,000
Okay?
71
00:04:13,000 --> 00:04:14,000
Alright.
72
00:04:14,000 --> 00:04:16,000
Also that steering wheel is going to turn
73
00:04:16,000 --> 00:04:17,000
as far as it's going to be running.
74
00:04:17,000 --> 00:04:20,000
So when I turn, your hands just be on the wheel
75
00:04:20,000 --> 00:04:22,000
as I move with the wheel.
76
00:04:41,000 --> 00:04:42,000
Action!
77
00:04:46,000 --> 00:04:47,000
Freeze, guys!
78
00:04:52,000 --> 00:04:53,000
It's on! Go!
79
00:04:54,000 --> 00:04:55,000
I'm hurrying!
80
00:04:58,000 --> 00:04:59,000
Go away.
81
00:04:59,000 --> 00:05:00,000
Hi.
82
00:05:03,000 --> 00:05:04,000
That's my dance.
83
00:05:04,000 --> 00:05:05,000
What's up?
84
00:05:05,000 --> 00:05:06,000
What's up?
85
00:05:08,000 --> 00:05:09,000
And action!
86
00:05:11,000 --> 00:05:12,000
Come on, hurry!
87
00:05:12,000 --> 00:05:13,000
Now!
88
00:05:19,000 --> 00:05:20,000
Hurry up!
89
00:05:20,000 --> 00:05:21,000
They're coming!
90
00:05:24,000 --> 00:05:25,000
And action!
91
00:05:26,000 --> 00:05:28,000
Well first, for his incredible service
92
00:05:28,000 --> 00:05:31,000
I would just like to thank Captain Watkinson for sure.
93
00:05:31,000 --> 00:05:35,000
So thank you so much for coming today.
94
00:05:40,000 --> 00:05:42,000
It's all because it's just...
95
00:05:46,000 --> 00:05:48,000
Action, perfect!
96
00:05:48,000 --> 00:05:50,000
We'll also shoot it.
97
00:05:50,000 --> 00:05:52,000
Why didn't we shoot it?
98
00:05:52,000 --> 00:05:54,000
Look out, Puppet, go to the ceiling!
99
00:05:54,000 --> 00:05:55,000
Yeah, right.
100
00:05:55,000 --> 00:05:56,000
You're on your right.
101
00:05:56,000 --> 00:05:57,000
Right!
102
00:05:57,000 --> 00:05:58,000
Yeah, yeah, yeah.
103
00:05:58,000 --> 00:05:59,000
This is in the feed here.
104
00:05:59,000 --> 00:06:00,000
Yeah, yeah, yeah.
105
00:06:00,000 --> 00:06:01,000
Go around.
106
00:06:02,000 --> 00:06:03,000
Sorry.
107
00:06:10,000 --> 00:06:11,000
So that's it.
108
00:06:11,000 --> 00:06:13,000
Basically, we're going to just do, like, the run-up.
109
00:06:14,000 --> 00:06:16,000
And it'll be the start of the shooting.
110
00:06:16,000 --> 00:06:18,000
So we're not going to do it again.
111
00:06:19,000 --> 00:06:20,000
I'm not seeing it.
112
00:06:20,000 --> 00:06:21,000
It's soon.
113
00:06:22,000 --> 00:06:24,000
It's about to soon be run-up.
114
00:06:25,000 --> 00:06:26,000
Okay.
115
00:06:27,000 --> 00:06:28,000
Get it out!
116
00:06:47,000 --> 00:06:48,000
Get it away!
117
00:06:48,000 --> 00:06:49,000
Come on!
118
00:06:57,000 --> 00:06:59,000
Let me get you there!
119
00:07:02,000 --> 00:07:03,000
Show them.
120
00:07:03,000 --> 00:07:04,000
Wow.
121
00:07:04,000 --> 00:07:05,000
Yeah.
122
00:07:07,000 --> 00:07:08,000
Yes!
123
00:07:10,000 --> 00:07:11,000
Look at you.
124
00:07:11,000 --> 00:07:12,000
Uh-oh, uh-oh!
125
00:07:13,000 --> 00:07:14,000
Go ahead, folk!
126
00:07:26,000 --> 00:07:27,000
Go ahead.
127
00:07:36,000 --> 00:07:37,000
Oh, my lecture.
128
00:07:41,000 --> 00:07:42,000
Bye!
129
00:07:44,000 --> 00:07:45,000
The more faith...
130
00:07:45,000 --> 00:07:46,000
Peter knows.
131
00:07:46,000 --> 00:07:47,000
More faith's time I can get.
132
00:07:52,000 --> 00:07:53,000
That's all I want.
133
00:07:56,000 --> 00:07:57,000
I mean, yeah.
134
00:08:02,000 --> 00:08:03,000
All right, let's do it.
135
00:08:03,000 --> 00:08:04,000
Please, here we go.
136
00:08:06,000 --> 00:08:07,000
Run.
137
00:08:09,000 --> 00:08:10,000
Run.
138
00:08:11,000 --> 00:08:12,000
Run.
139
00:08:13,000 --> 00:08:14,000
Run.
140
00:08:26,000 --> 00:08:27,000
Run.
141
00:08:44,000 --> 00:08:45,000
It's good.
142
00:08:45,000 --> 00:08:46,000
It's really good.
143
00:08:46,000 --> 00:08:47,000
Like, that came off.
144
00:08:47,000 --> 00:08:48,000
Oh, that's cool.
145
00:08:48,000 --> 00:08:50,000
Like, oh, you know,
146
00:08:50,000 --> 00:08:52,000
I'm pretty impressed with that.
147
00:08:52,000 --> 00:08:53,000
Yeah.
148
00:08:56,000 --> 00:08:57,000
Yeah.
149
00:09:08,000 --> 00:09:09,000
Do you see it?
150
00:09:09,000 --> 00:09:10,000
No, I don't see it.
151
00:09:10,000 --> 00:09:11,000
I don't see it.
152
00:09:27,000 --> 00:09:28,000
Hahaha!
153
00:09:31,000 --> 00:09:32,000
You don't delegate?
154
00:09:32,000 --> 00:09:33,000
I don't delegate.
155
00:09:56,000 --> 00:09:58,000
I hope they don't make a mistake here, flooding...
156
00:09:58,000 --> 00:10:00,000
Oh, yeah, I hope they don't make a mistake here.
157
00:10:00,000 --> 00:10:02,000
Yeah, I haven't made a mistake here for a whole year.
158
00:10:03,000 --> 00:10:04,000
That's crazy.
159
00:10:05,000 --> 00:10:06,000
Shut up.
160
00:10:06,000 --> 00:10:07,000
Okay.
161
00:10:07,000 --> 00:10:08,000
impressions like this...
162
00:10:08,000 --> 00:10:09,000
Okay...
163
00:10:13,000 --> 00:10:14,000
Not over here.
164
00:10:21,000 --> 00:10:22,000
You guys.
165
00:10:23,000 --> 00:10:24,000
Make some noise.
166
00:10:24,000 --> 00:10:25,000
Making some noise.
167
00:10:25,000 --> 00:10:26,000
Make some noise.
168
00:10:34,000 --> 00:10:35,000
Come on.
169
00:10:35,000 --> 00:10:36,000
Let's do it.
170
00:10:36,000 --> 00:10:37,000
Okay.
171
00:10:38,000 --> 00:10:39,000
Come on.
172
00:10:45,000 --> 00:10:46,000
Hey.
173
00:10:47,000 --> 00:10:48,000
Come on.
174
00:10:53,000 --> 00:10:54,000
Now.
175
00:10:54,000 --> 00:10:55,000
Justin.
176
00:10:55,000 --> 00:10:56,000
Justin.
177
00:11:03,000 --> 00:11:04,000
That is...
178
00:11:05,000 --> 00:11:06,000
Killer оно...
179
00:11:07,000 --> 00:11:08,000
Nooo...
180
00:11:19,000 --> 00:11:20,000
Do your best...
181
00:11:20,000 --> 00:11:21,000
I can't ever get in this.
182
00:11:21,000 --> 00:11:22,000
You sit on the ground.
183
00:11:24,000 --> 00:11:25,000
Stop it.
184
00:11:34,000 --> 00:11:35,000
You're like...
185
00:11:35,000 --> 00:11:36,000
Peter!
186
00:11:36,000 --> 00:11:37,000
I can't pop it.
187
00:11:37,000 --> 00:11:38,000
Oh...
188
00:11:39,000 --> 00:11:40,000
Shut up.
189
00:11:40,000 --> 00:11:41,000
Yeah.
190
00:11:55,000 --> 00:11:56,000
Rolling.
191
00:11:56,000 --> 00:11:57,000
Rolling, rolling.
192
00:11:58,000 --> 00:11:59,000
Now skate.
193
00:11:59,000 --> 00:12:00,000
Good.
194
00:12:00,000 --> 00:12:01,000
You're in the fast.
195
00:12:16,000 --> 00:12:17,000
Hi.
196
00:12:18,000 --> 00:12:19,000
You're hot.
197
00:12:19,000 --> 00:12:21,000
Go get a drink with that tanker.
198
00:12:21,000 --> 00:12:22,000
Yeah.
199
00:12:22,000 --> 00:12:23,000
You are so hot.
200
00:12:23,000 --> 00:12:24,000
No, I'm hot.
201
00:12:24,000 --> 00:12:25,000
You're doing it.
202
00:12:25,000 --> 00:12:26,000
Now we can.
203
00:12:26,000 --> 00:12:27,000
Go to my place.
204
00:12:28,000 --> 00:12:29,000
Yeah.
205
00:12:29,000 --> 00:12:31,000
Then you'll do your, uh,
206
00:12:31,000 --> 00:12:32,000
very well lined, right?
207
00:12:32,000 --> 00:12:34,000
Which is, we thought you were dead.
208
00:12:34,000 --> 00:12:35,000
Right?
209
00:12:35,000 --> 00:12:36,000
And I said,
210
00:12:36,000 --> 00:12:38,000
well I hope
211
00:12:40,000 --> 00:12:41,000
there's something about...
212
00:12:41,000 --> 00:12:42,000
I don't know.
213
00:12:46,000 --> 00:12:47,000
My face...
214
00:12:47,000 --> 00:12:48,000
is so beautiful.
215
00:12:48,000 --> 00:12:49,000
It's beautiful.
216
00:12:49,000 --> 00:12:50,000
It's beautiful.
217
00:12:51,000 --> 00:12:52,000
Look at that.
218
00:12:52,000 --> 00:12:53,000
It's pretty.
219
00:12:56,000 --> 00:12:57,000
In a minute,
220
00:12:59,000 --> 00:13:00,000
some people are leaving.
221
00:13:02,000 --> 00:13:03,000
I'll do my work.
222
00:13:03,000 --> 00:13:04,000
Come on.
223
00:13:04,000 --> 00:13:05,000
Hello.
224
00:13:05,000 --> 00:13:06,000
Come on.
225
00:13:06,000 --> 00:13:07,000
Come on.
226
00:13:07,000 --> 00:13:08,000
Come on.
227
00:13:08,000 --> 00:13:09,000
Come on.
228
00:13:09,000 --> 00:13:10,000
Come on.
229
00:13:10,000 --> 00:13:11,000
Come on.
230
00:13:11,000 --> 00:13:12,000
Come on.
231
00:13:12,000 --> 00:13:13,000
Come on.
232
00:13:13,000 --> 00:13:14,000
Come on.
233
00:13:14,000 --> 00:13:15,000
Come on.
234
00:13:15,000 --> 00:13:16,000
Come on.
235
00:13:16,000 --> 00:13:17,000
Come on.
236
00:13:17,000 --> 00:13:18,000
Come on.
237
00:13:18,000 --> 00:13:19,000
Come on.
238
00:13:26,000 --> 00:13:29,000
I'm not sure if that's even a word.
239
00:13:29,000 --> 00:13:31,000
This is bright red
240
00:13:31,000 --> 00:13:33,000
and the size of a blue beard.
241
00:13:33,000 --> 00:13:36,000
It's also the kindest, most loving dog
242
00:13:36,000 --> 00:13:38,000
in the whole wide world.
243
00:13:39,000 --> 00:13:40,000
Wait.
244
00:13:40,000 --> 00:13:41,000
What are you doing?
245
00:13:41,000 --> 00:13:42,000
Who are part of the family?
246
00:13:43,000 --> 00:13:44,000
It's me.
247
00:13:45,000 --> 00:13:46,000
It's alright.
248
00:13:46,000 --> 00:13:47,000
I'm so glad you're here.
249
00:13:47,000 --> 00:13:49,000
We have a few right in front of you guys.
250
00:13:49,000 --> 00:13:51,000
Yeah, she's bright red
251
00:13:51,000 --> 00:13:53,000
and the size of a blue beard.
252
00:13:55,000 --> 00:13:56,000
What's the best?
253
00:13:58,000 --> 00:14:00,000
Hey, it smells okay too.
254
00:14:02,000 --> 00:14:03,000
Stand down.
255
00:14:03,000 --> 00:14:04,000
Yeah!
256
00:14:04,000 --> 00:14:05,000
Yeah!
257
00:14:08,000 --> 00:14:09,000
Good boy!
258
00:14:17,000 --> 00:14:20,000
We're waiting down here, guys.
259
00:14:20,000 --> 00:14:21,000
I know you're coming.
260
00:14:21,000 --> 00:14:22,000
Keep on.
261
00:14:22,000 --> 00:14:23,000
Alright.
262
00:14:23,000 --> 00:14:26,000
So, where do you want to pick it up from?
263
00:14:26,000 --> 00:14:29,000
Do you want to pick it up from facing running in?
264
00:14:31,000 --> 00:14:32,000
You're hot.
265
00:14:32,000 --> 00:14:33,000
You need a drink.
266
00:14:33,000 --> 00:14:35,000
There's a pink blue dump ball over there.
267
00:14:37,000 --> 00:14:39,000
Mr. Brillo!
268
00:14:39,000 --> 00:14:40,000
Emily!
269
00:14:40,000 --> 00:14:41,000
Emily!
270
00:14:41,000 --> 00:14:42,000
Yes, ma'am.
271
00:14:42,000 --> 00:14:43,000
Come on, look over here.
272
00:14:43,000 --> 00:14:44,000
Emily thought you were dead.
273
00:14:44,000 --> 00:14:45,000
Oh, no.
274
00:14:45,000 --> 00:14:46,000
Oh, no.
275
00:14:46,000 --> 00:14:48,000
I just want the safari.
276
00:14:50,000 --> 00:14:51,000
Got it.
277
00:14:57,000 --> 00:14:59,000
Is that a nice picture?
278
00:14:59,000 --> 00:15:00,000
Oh, fabulous.
279
00:15:00,000 --> 00:15:01,000
Yeah?
280
00:15:01,000 --> 00:15:02,000
Yeah.
281
00:15:02,000 --> 00:15:03,000
Can I get the set?
282
00:15:03,000 --> 00:15:04,000
I think you should get a set here.
283
00:15:04,000 --> 00:15:05,000
Oh, hello.
284
00:15:05,000 --> 00:15:06,000
Yeah.
285
00:15:07,000 --> 00:15:09,000
Expecting and then if you react spontaneous,
286
00:15:09,000 --> 00:15:11,000
it really works, doesn't it?
287
00:15:11,000 --> 00:15:13,000
What did you think of a sloth?
288
00:15:13,000 --> 00:15:14,000
Unbelievable.
289
00:15:14,000 --> 00:15:15,000
Yes.
290
00:15:15,000 --> 00:15:16,000
Beautiful.
291
00:15:16,000 --> 00:15:17,000
She is.
292
00:15:17,000 --> 00:15:18,000
She, yep.
293
00:15:18,000 --> 00:15:19,000
Chewy.
294
00:15:19,000 --> 00:15:20,000
Yeah.
295
00:15:20,000 --> 00:15:22,000
Chewy, I thought that was funny.
296
00:15:22,000 --> 00:15:23,000
Hello.
297
00:15:26,000 --> 00:15:28,000
What are you sniffing me for?
298
00:15:28,000 --> 00:15:29,000
Taking it all in.
299
00:15:29,000 --> 00:15:30,000
Yeah.
300
00:15:31,000 --> 00:15:32,000
I know.
301
00:15:34,000 --> 00:15:36,000
The softest part about this one?
302
00:15:38,000 --> 00:15:41,000
This time you can put the other guys in the water.
303
00:15:41,000 --> 00:15:42,000
What?
304
00:15:42,000 --> 00:15:43,000
So you put it down, eat.
305
00:15:43,000 --> 00:15:44,000
What now?
306
00:15:44,000 --> 00:15:45,000
Right?
307
00:15:45,000 --> 00:15:47,000
And then the next time you grab it,
308
00:15:47,000 --> 00:15:49,000
you can grab it like this, eat some more,
309
00:15:49,000 --> 00:15:51,000
and then you put it down like that.
310
00:15:51,000 --> 00:15:52,000
Okay.
311
00:15:52,000 --> 00:15:53,000
Is that all right?
312
00:15:53,000 --> 00:15:54,000
Yeah.
313
00:15:54,000 --> 00:15:55,000
All right, guys.
314
00:15:55,000 --> 00:15:56,000
I'm sorry.
315
00:15:56,000 --> 00:15:57,000
I'm sorry.
316
00:16:02,000 --> 00:16:03,000
Okay.
317
00:16:03,000 --> 00:16:05,000
I'll ask them.
318
00:16:05,000 --> 00:16:07,000
I'll figure it out.
319
00:16:07,000 --> 00:16:08,000
Okay.
320
00:16:12,000 --> 00:16:13,000
Okay.
321
00:16:26,000 --> 00:16:27,000
Take three.
322
00:16:27,000 --> 00:16:28,000
Real nine.
323
00:16:28,000 --> 00:16:30,000
Real nine, yeah.
324
00:16:30,000 --> 00:16:31,000
Real nine, no.
325
00:16:33,000 --> 00:16:35,000
Hey, girl.
326
00:16:35,000 --> 00:16:37,000
Emily, I just got a call from the school.
327
00:16:37,000 --> 00:16:39,000
They said you weren't there today.
328
00:16:39,000 --> 00:16:40,000
What?
329
00:16:40,000 --> 00:16:43,000
That is crazy talk, girl.
330
00:16:43,000 --> 00:16:45,000
Of course I was at school.
331
00:16:45,000 --> 00:16:47,000
Casey, can I explain?
332
00:16:47,000 --> 00:16:49,000
You're a better liar.
333
00:16:53,000 --> 00:16:55,000
We're still blowing through, guys.
334
00:16:59,000 --> 00:17:00,000
There we go.
335
00:17:00,000 --> 00:17:01,000
No, no.
336
00:17:02,000 --> 00:17:03,000
Sorry.
337
00:17:03,000 --> 00:17:04,000
Satisfied.
338
00:17:04,000 --> 00:17:06,000
46 seconds left.
339
00:17:07,000 --> 00:17:09,000
So I'll just watch this video.
340
00:17:09,000 --> 00:17:12,000
No guy or girl on this video, please.
341
00:17:13,000 --> 00:17:16,000
Until Bidwell gave him a parakeet,
342
00:17:16,000 --> 00:17:20,000
that bird kept repeating affirmations daily.
343
00:17:20,000 --> 00:17:24,000
Now this guy has an eagle the size of a tessix.
344
00:17:25,000 --> 00:17:27,000
Sorry, I'm a little bit of the,
345
00:17:27,000 --> 00:17:29,000
you know what domestic is.
346
00:17:30,000 --> 00:17:31,000
It's good.
347
00:17:31,000 --> 00:17:33,000
All right, so if you want to,
348
00:17:33,000 --> 00:17:34,000
like that.
349
00:17:34,000 --> 00:17:35,000
Yes, sir.
350
00:17:35,000 --> 00:17:37,000
Okay, take this tessix.
351
00:17:37,000 --> 00:17:38,000
Yeah, yeah, good.
352
00:17:38,000 --> 00:17:39,000
I like that.
353
00:17:39,000 --> 00:17:40,000
But we could definitely do one more,
354
00:17:40,000 --> 00:17:41,000
I would get it.
355
00:17:42,000 --> 00:17:43,000
So, sort of where we were,
356
00:17:43,000 --> 00:17:45,000
but just closer.
357
00:17:45,000 --> 00:17:46,000
Yeah.
358
00:17:46,000 --> 00:17:47,000
Okay, now.
359
00:17:49,000 --> 00:17:51,000
Oh, Bill's good.
360
00:17:51,000 --> 00:17:52,000
We just have a library
361
00:17:52,000 --> 00:17:53,000
closer to that, right?
362
00:17:53,000 --> 00:17:55,000
He's gone.
363
00:17:55,000 --> 00:17:57,000
All right, he's gone.
364
00:17:58,000 --> 00:17:59,000
Yesterday was his last day.
365
00:17:59,000 --> 00:18:00,000
He was one of the couple.
366
00:18:04,000 --> 00:18:05,000
Yo.
367
00:18:05,000 --> 00:18:06,000
Yo.
368
00:18:06,000 --> 00:18:07,000
Yo.
369
00:18:07,000 --> 00:18:08,000
Yo.
370
00:18:08,000 --> 00:18:09,000
Yo.
371
00:18:09,000 --> 00:18:10,000
Yo.
372
00:18:10,000 --> 00:18:11,000
Yo.
373
00:18:11,000 --> 00:18:12,000
Yo.
374
00:18:12,000 --> 00:18:13,000
Yo.
375
00:18:13,000 --> 00:18:14,000
Yo.
376
00:18:14,000 --> 00:18:15,000
Yo.
377
00:18:15,000 --> 00:18:17,000
In a while, I could just listen to his heart.
378
00:18:17,000 --> 00:18:18,000
Yeah.
379
00:18:18,000 --> 00:18:19,000
Yeah.
380
00:18:19,000 --> 00:18:20,000
Yeah, well, I'm going to do that.
381
00:18:20,000 --> 00:18:21,000
Let's do that.
382
00:18:21,000 --> 00:18:22,000
Well, let's do your heart now, buddy.
383
00:18:22,000 --> 00:18:23,000
All right.
384
00:18:23,000 --> 00:18:24,000
Okay.
385
00:18:24,000 --> 00:18:25,000
Okay.
386
00:18:28,000 --> 00:18:29,000
What's it gonna be?
387
00:18:29,000 --> 00:18:31,000
Well, you know, I've got to say,
388
00:18:31,000 --> 00:18:33,000
besides being big and red,
389
00:18:33,000 --> 00:18:35,000
this dog is healthy as a,
390
00:18:35,000 --> 00:18:37,000
well, a horse.
391
00:18:39,000 --> 00:18:40,000
Now, do you think it's fun here
392
00:18:40,000 --> 00:18:41,000
if you do it after the,
393
00:18:41,000 --> 00:18:43,000
well, well, well, or after his,
394
00:18:43,000 --> 00:18:45,000
is that a medical opinion?
395
00:18:45,000 --> 00:18:46,000
That's not a very scientific.
396
00:18:46,000 --> 00:18:47,000
That's not a very scientific.
397
00:18:47,000 --> 00:18:48,000
And then you go,
398
00:18:48,000 --> 00:18:49,000
you know,
399
00:18:49,000 --> 00:18:50,000
uh,
400
00:18:50,000 --> 00:18:53,000
the floor?
401
00:18:53,000 --> 00:18:54,000
Yeah,
402
00:18:54,000 --> 00:18:55,000
basically,
403
00:18:55,000 --> 00:18:56,000
but if it's the audience,
404
00:18:56,000 --> 00:18:57,000
I add a bit ofruktur
405
00:18:57,000 --> 00:18:58,000
and,
406
00:18:58,000 --> 00:18:59,000
ah,
407
00:18:59,000 --> 00:19:00,000
I box it in,
408
00:19:00,000 --> 00:19:01,000
and I drop it.
409
00:19:01,000 --> 00:19:02,000
And you,
410
00:19:02,000 --> 00:19:03,000
there you go.
411
00:19:03,000 --> 00:19:05,000
No problem.
412
00:19:05,000 --> 00:19:06,000
Thank you.
413
00:19:06,000 --> 00:19:07,000
Okay.
414
00:19:09,000 --> 00:19:10,000
Hey.
415
00:19:10,000 --> 00:19:11,000
I don't trust him.
416
00:19:11,000 --> 00:19:12,000
Uh,
417
00:19:12,000 --> 00:19:13,000
I've gone to a universe
418
00:19:13,000 --> 00:19:14,000
that doesn't have to be
419
00:19:14,000 --> 00:19:17,000
introduced to this ma唉,
420
00:19:17,000 --> 00:19:18,000
blah, blah.
421
00:19:19,000 --> 00:19:20,000
Forward.
422
00:19:21,000 --> 00:19:22,000
Line.
423
00:19:22,000 --> 00:19:23,000
What's the first?
424
00:19:23,000 --> 00:19:24,000
We're over there.
425
00:19:33,000 --> 00:19:34,000
Ready.
426
00:19:34,000 --> 00:19:35,000
And,
427
00:19:35,000 --> 00:19:36,000
here we go.
428
00:19:36,000 --> 00:19:37,000
He's carrying you left,
429
00:19:37,000 --> 00:19:38,000
he's giving you light,
430
00:19:38,000 --> 00:19:39,000
he's looking ahead,
431
00:19:40,000 --> 00:19:42,000
he's looking forward.
432
00:19:44,000 --> 00:19:45,000
Goodness.
433
00:19:45,000 --> 00:19:46,000
Goodness.
434
00:19:47,000 --> 00:19:48,000
He's huge.
435
00:19:51,000 --> 00:19:52,000
For the line about
436
00:19:52,000 --> 00:19:53,000
animals,
437
00:19:53,000 --> 00:19:54,000
rescues,
438
00:19:54,000 --> 00:19:55,000
you laugh.
439
00:20:02,000 --> 00:20:03,000
All right,
440
00:20:03,000 --> 00:20:04,000
Zeus, come on.
441
00:20:06,000 --> 00:20:07,000
So,
442
00:20:07,000 --> 00:20:08,000
we might have to do this
443
00:20:08,000 --> 00:20:09,000
a few times.
444
00:20:09,000 --> 00:20:10,000
You stay right here.
445
00:20:10,000 --> 00:20:11,000
Guys,
446
00:20:11,000 --> 00:20:12,000
you're going to need
447
00:20:12,000 --> 00:20:13,000
not least,
448
00:20:13,000 --> 00:20:14,000
we've got this.
449
00:20:15,000 --> 00:20:16,000
Oh,
450
00:20:16,000 --> 00:20:17,000
guys,
451
00:20:17,000 --> 00:20:18,000
the snake is ready.
452
00:20:18,000 --> 00:20:19,000
Okay.
453
00:20:20,000 --> 00:20:21,000
Whoa,
454
00:20:21,000 --> 00:20:22,000
boy,
455
00:20:23,000 --> 00:20:25,000
why would you put that there?
456
00:20:29,000 --> 00:20:30,000
Are we setting?
457
00:20:30,000 --> 00:20:31,000
That was good.
458
00:20:31,000 --> 00:20:32,000
We'll try one more like that.
459
00:20:35,000 --> 00:20:36,000
Good job.
460
00:20:36,000 --> 00:20:37,000
I'm just next one.
461
00:20:37,000 --> 00:20:38,000
I'm sure I don't know.
462
00:20:38,000 --> 00:20:39,000
I'm sure I don't know.
463
00:20:39,000 --> 00:20:40,000
Brighter and lappier,
464
00:20:40,000 --> 00:20:41,000
okay.
465
00:20:41,000 --> 00:20:42,000
Okay.
466
00:20:43,000 --> 00:20:44,000
Here.
467
00:20:44,000 --> 00:20:46,000
John Stott's here.
468
00:20:58,000 --> 00:20:59,000
Jack,
469
00:20:59,000 --> 00:21:01,000
are you covered animal-wise
470
00:21:01,000 --> 00:21:02,000
except we're...
471
00:21:06,000 --> 00:21:07,000
See him, right?
472
00:21:08,000 --> 00:21:09,000
He will.
473
00:21:09,000 --> 00:21:10,000
Yep.
474
00:21:11,000 --> 00:21:12,000
Okay.
475
00:21:12,000 --> 00:21:13,000
So,
476
00:21:13,000 --> 00:21:14,000
I need Dobby, please,
477
00:21:14,000 --> 00:21:15,000
and John,
478
00:21:15,000 --> 00:21:16,000
and we can rehearse.
479
00:21:19,000 --> 00:21:20,000
Radio.
480
00:21:20,000 --> 00:21:21,000
John, come on.
481
00:21:21,000 --> 00:21:22,000
How much?
482
00:21:22,000 --> 00:21:23,000
You were over here first.
483
00:21:24,000 --> 00:21:25,000
No way.
484
00:21:25,000 --> 00:21:26,000
No idea.
485
00:21:26,000 --> 00:21:27,000
So...
486
00:21:28,000 --> 00:21:29,000
Karen,
487
00:21:29,000 --> 00:21:30,000
you got it?
488
00:21:37,000 --> 00:21:38,000
Got it.
489
00:21:38,000 --> 00:21:39,000
And one over here.
490
00:21:42,000 --> 00:21:43,000
Yes.
491
00:21:54,000 --> 00:21:55,000
Is Peter ready?
492
00:22:01,000 --> 00:22:02,000
Yeah,
493
00:22:02,000 --> 00:22:03,000
you're all good,
494
00:22:03,000 --> 00:22:04,000
like,
495
00:22:04,000 --> 00:22:05,000
I'm chasing down
496
00:22:05,000 --> 00:22:06,000
where the guy's going to go
497
00:22:06,000 --> 00:22:07,000
to a car right over there.
498
00:22:07,000 --> 00:22:08,000
It's good.
499
00:22:09,000 --> 00:22:10,000
Hey there,
500
00:22:10,000 --> 00:22:11,000
it's Lisa here
501
00:22:11,000 --> 00:22:12,000
with today's bonus clip.
502
00:22:12,000 --> 00:22:13,000
Now,
503
00:22:13,000 --> 00:22:14,000
there are a lot of family movies
504
00:22:14,000 --> 00:22:15,000
with animals as the protagonist,
505
00:22:15,000 --> 00:22:16,000
but not just any animal
506
00:22:16,000 --> 00:22:18,000
with man's best friend,
507
00:22:18,000 --> 00:22:19,000
dogs.
508
00:22:19,000 --> 00:22:20,000
Some of the best family movies
509
00:22:20,000 --> 00:22:22,000
with dogs are Homeward Bound,
510
00:22:22,000 --> 00:22:23,000
Benji,
511
00:22:23,000 --> 00:22:24,000
Air Bud,
512
00:22:24,000 --> 00:22:25,000
Beverly Hills 2 Hour,
513
00:22:25,000 --> 00:22:26,000
and The Dog's Way Home.
514
00:22:26,000 --> 00:22:27,000
What's your favourite dog movie?
515
00:22:27,000 --> 00:22:28,000
Let me know below,
516
00:22:28,000 --> 00:22:29,000
and remember,
517
00:22:29,000 --> 00:22:30,000
click down here to subscribe
518
00:22:30,000 --> 00:22:31,000
or on the side
519
00:22:31,000 --> 00:22:32,000
for more great content.
|
https://youtube.com/watch?v=YUTremZDpls | 1
00:00:00,000 --> 00:00:09,600
The trailer is out and people are liking this trailer a lot.
2
00:00:09,600 --> 00:00:14,880
The trailer is full of action from all sides, which is clear that in most of the parts of the
3
00:00:14,880 --> 00:00:18,840
film you will not get to learn anything and there will be a fight between 10,000 Afghans.
4
00:00:18,840 --> 00:00:23,680
And the trailer shows the SSM which has stood for a long time, so let's see the 6 SSM of the
5
00:00:23,680 --> 00:00:26,560
trailer, which surprised everyone.
6
00:00:26,560 --> 00:00:27,560
1.
7
00:00:27,560 --> 00:00:31,720
In the beginning of the trailer, there was a great scene where we see a great dialogue
8
00:00:31,720 --> 00:00:36,520
with Akshay Kumar and Akshay Kumar said, A gore had told me that you are a rose,
9
00:00:36,520 --> 00:00:40,880
you are born from the soil of India, but today is the time to give an answer.
10
00:00:40,880 --> 00:00:45,320
And friends, the battle of Keshari begins and then we get to see Akshay Kumar's Keshari
11
00:00:45,320 --> 00:00:49,440
and then we get to see Akshay Kumar's Keshari and then we get to see a romantic scene
12
00:00:49,440 --> 00:00:53,480
between a great fight, in which we see Akshay Kumar and Perni Chopra and this was the
13
00:00:53,480 --> 00:00:57,520
same scene of the trailer in which we saw Perni Chopra and then we see such a scene
14
00:00:57,520 --> 00:01:03,800
in which we see 10,000 Afghans and Akshay Kumar is planning himself and then the
15
00:01:03,800 --> 00:01:06,480
battle is filled and the first bullet is fired.
16
00:01:06,480 --> 00:01:07,480
4.
17
00:01:07,480 --> 00:01:11,480
Then we see the action scene of the film in which Akshay Kumar is walking with a rope
18
00:01:11,480 --> 00:01:16,160
and everyone fights in a different way.
19
00:01:16,160 --> 00:01:17,160
5.
20
00:01:17,160 --> 00:01:21,160
Friends, Akshay Kumar calls us the best dialogue of the film, which Akshay Kumar says,
21
00:01:21,160 --> 00:01:26,360
Today my goat is Keshari, which will be my lion is Keshari and my answer is Keshari.
22
00:01:26,360 --> 00:01:30,800
And then we see Akshay Kumar in the middle of the Afghans and leaving the Afghans behind.
23
00:01:30,800 --> 00:01:31,800
6.
24
00:01:31,800 --> 00:01:34,880
Friends, then we saw the last scene of the trailer, when Akshay Kumar stands in the air with his
25
00:01:34,880 --> 00:01:40,680
sword and then the whole trailer looks like a ghost, the roar of Akshay Kumar, then
26
00:01:40,680 --> 00:01:46,160
he saw Keshari's trailer and in this hall, you can see the color of the Keshari and
27
00:01:46,160 --> 00:01:52,280
then you can comment on the best scene of the Keshari trailer and also subscribe to the
28
00:01:52,280 --> 00:01:54,680
channel for the latest updates related to Bollywood, like, share, and comment.
29
00:01:56,360 --> 00:01:57,360
Thanks for watching.
30
00:01:57,360 --> 00:01:57,360
|
https://youtube.com/watch?v=GjZ7oar2oO0 | 1
00:00:00,000 --> 00:00:06,120
Here we are on the Puerto Rican wilderness walking along the trails in the jungle, and there's an interesting plant that I've just come across called
2
00:00:06,120 --> 00:00:12,440
deafenbachia, or dumb cane, and this plant makes calcium oxalate crystals to prevent itself against their bivouery.
3
00:00:13,000 --> 00:00:15,000
These calcium oxalate crystals,
4
00:00:15,800 --> 00:00:17,560
when they get,
5
00:00:17,560 --> 00:00:23,400
the cells get ruptured, they shoot needles out, and that prevents herbivores from continuing to eat it.
6
00:00:23,400 --> 00:00:28,160
And here's a quick clip under the microscope of the needles being shot out of the cell.
7
00:00:30,120 --> 00:00:37,400
Here the needles are being shot out of the cell on the top left of the video.
8
00:00:43,280 --> 00:00:51,840
It's called dumb cane because it somewhat looks like sugar cane, but unlike sugar cane, the crystals make your mouth go numb and can be fatal if enough is ingested.
9
00:00:54,200 --> 00:00:57,360
Remember follow along Twitter, Facebook, and Instagram.
10
00:00:57,360 --> 00:01:00,200
Thank you for watching this video.
|
https://youtube.com/watch?v=zDPvUbt0qB0 | 1
00:00:00,000 --> 00:00:00,380
Get lost.
2
00:00:23,020 --> 00:00:24,240
Why is the box not allowed.
3
00:00:24,380 --> 00:00:25,300
What is that?
4
00:00:25,300 --> 00:00:26,220
It's not allowed.
5
00:00:26,260 --> 00:00:27,360
What did he say.
6
00:00:27,620 --> 00:00:29,560
Go put this box there and give the token.
7
00:00:29,600 --> 00:00:32,640
If you give me the 10 lakhs token, will you give me 10 rupees token?
8
00:00:32,640 --> 00:00:33,640
It's been 5 years.
9
00:01:59,560 --> 00:02:01,560
No tension, it doesn't matter.
10
00:02:03,060 --> 00:02:04,060
Where are they?
11
00:02:04,060 --> 00:02:05,060
They are in my room.
12
00:02:05,060 --> 00:02:06,060
After all the work is done.
13
00:02:06,060 --> 00:02:07,060
Until my son comes.
14
00:02:07,060 --> 00:02:08,060
If I tell him, he will tell me.
15
00:02:08,060 --> 00:02:09,060
Okay.
16
00:02:09,060 --> 00:02:10,060
Good.
17
00:02:10,060 --> 00:02:11,060
Who are you?
18
00:02:12,060 --> 00:02:15,060
If you are looking for a girl on the road, you have to come to Nagarjun to save her.
19
00:02:16,060 --> 00:02:17,060
Am I a snake?
20
00:02:17,060 --> 00:02:18,060
Hey!
21
00:02:18,060 --> 00:02:19,060
Hey!
22
00:02:19,060 --> 00:02:20,060
Hey!
23
00:02:20,060 --> 00:02:21,060
Hey!
24
00:02:21,060 --> 00:02:22,060
Hey!
25
00:02:22,060 --> 00:02:23,060
Hey!
26
00:02:23,060 --> 00:02:24,060
Hey!
27
00:02:24,060 --> 00:02:25,060
Hey!
28
00:02:25,060 --> 00:02:26,060
Hey!
29
00:02:26,060 --> 00:02:27,060
Hey!
30
00:02:27,060 --> 00:02:28,060
Hey!
31
00:02:28,060 --> 00:02:29,060
Hey!
32
00:02:29,060 --> 00:02:30,060
Hey!
33
00:02:35,560 --> 00:02:36,560
What is your problem?
|
https://youtube.com/watch?v=qnwlIfsv9JQ | 1
00:00:00,000 --> 00:00:07,000
Okay, fine, fine. Because you had a nightmare, but just tonight.
2
00:00:07,000 --> 00:00:10,000
I'm not buying the nightmare story, though.
3
00:00:10,000 --> 00:00:13,000
Excuse me, did you talk to Nima Pampoleo?
4
00:00:13,000 --> 00:00:16,000
Oh, really, you too. Get in.
5
00:00:16,000 --> 00:00:18,000
Thank you.
6
00:00:18,000 --> 00:00:33,000
Minions, the rise of groove.
|
https://youtube.com/watch?v=56iiepMP6-s | 1
00:00:00,000 --> 00:00:06,080
Welcome back everybody to another episode of Caravan of Garbage, where this week we
2
00:00:06,080 --> 00:00:08,880
go let's do animation.
3
00:00:08,880 --> 00:00:09,880
Yes.
4
00:00:09,880 --> 00:00:12,160
We're not doing any animation, we're going to talk about an animation.
5
00:00:12,160 --> 00:00:13,560
Can I have this flip book ready?
6
00:00:13,560 --> 00:00:14,560
Let's say it.
7
00:00:14,560 --> 00:00:15,560
Crap.
8
00:00:15,560 --> 00:00:16,560
Let's put it away.
9
00:00:16,560 --> 00:00:17,560
Put it away.
10
00:00:17,560 --> 00:00:18,560
Burn it.
11
00:00:18,560 --> 00:00:19,560
He's with his family.
12
00:00:19,560 --> 00:00:20,560
Burn it in front of me.
13
00:00:20,560 --> 00:00:21,560
He's family and then he's...
14
00:00:21,560 --> 00:00:24,200
Oh, he's having a nice picnic in this little flip book.
15
00:00:24,200 --> 00:00:27,480
I decided to go against action and they're just having a nice time.
16
00:00:27,480 --> 00:00:30,440
If everyone could leave a like this week, because we are talking about in particular
17
00:00:30,440 --> 00:00:36,760
a couple of episodes of the 1990s animated Iron Man television series.
18
00:00:36,760 --> 00:00:41,600
I forgot this existed, but I'm sure I saw some of it in that era.
19
00:00:41,600 --> 00:00:47,320
I was a mad Iron Man fan back in the day, pre-movies, can you imagine, when he was just
20
00:00:47,320 --> 00:00:54,680
a garbage character with his stupid little mustache and his mullet and et cetera.
21
00:00:54,680 --> 00:00:55,680
And et cetera, yeah.
22
00:00:55,720 --> 00:01:00,400
That is when he had his second rate home brand Avengers team called Forceworks.
23
00:01:00,400 --> 00:01:01,400
Oh my God.
24
00:01:01,400 --> 00:01:06,080
I do want to talk about all of that, but before we do, I'd like to talk about the origins
25
00:01:06,080 --> 00:01:07,080
of this.
26
00:01:07,080 --> 00:01:08,080
Please.
27
00:01:08,080 --> 00:01:11,560
So off the back of Batman, the animated series, everybody was looking for that.
28
00:01:11,560 --> 00:01:12,560
Scrambling.
29
00:01:12,560 --> 00:01:13,560
Exactly.
30
00:01:13,560 --> 00:01:16,040
Marvel had a massive hit with the X-Men animated series.
31
00:01:16,040 --> 00:01:17,040
Yes.
32
00:01:17,040 --> 00:01:18,040
Which is coming back, baby.
33
00:01:18,040 --> 00:01:19,040
Which is coming back.
34
00:01:19,040 --> 00:01:25,120
And what's good about that series in particular was that it managed to tell a long form story.
35
00:01:25,120 --> 00:01:27,280
And it took a lot of the elements from the comics.
36
00:01:27,280 --> 00:01:31,000
You know, we're doing Dark Phoenix Saga, we're doing The Days of Future Past or whatever.
37
00:01:31,000 --> 00:01:32,000
They did all these different things.
38
00:01:32,000 --> 00:01:36,360
And then they thought, what if we did Iron Man, but just sort of half-assed that element
39
00:01:36,360 --> 00:01:37,360
of this.
40
00:01:37,360 --> 00:01:38,360
We don't have any plot elements.
41
00:01:38,360 --> 00:01:39,360
Could we just do Masters of the Universe?
42
00:01:39,360 --> 00:01:40,360
But it's Iron Man?
43
00:01:40,360 --> 00:01:41,360
Yeah.
44
00:01:41,360 --> 00:01:42,360
Why not?
45
00:01:42,360 --> 00:01:46,280
Well, it's funny you should say that because that is exactly what they were aiming for.
46
00:01:46,280 --> 00:01:51,560
Because it is instead of Skeletor trying to constantly get into Castle Grayskull to get
47
00:01:51,560 --> 00:01:52,560
the magic within.
48
00:01:52,560 --> 00:01:57,240
And it's the Mandarin and he's always attempting to break into Stark Enterprises so they can
49
00:01:57,240 --> 00:01:58,240
get the magic within.
50
00:01:58,240 --> 00:01:59,240
And the magic within.
51
00:01:59,240 --> 00:02:00,800
And the alcohol, probably.
52
00:02:00,800 --> 00:02:01,800
Probably, yeah.
53
00:02:01,800 --> 00:02:02,800
That's right.
54
00:02:02,800 --> 00:02:07,280
Now we're looking at two episodes today, both of which feature Hawkeye because Hawkeye
55
00:02:07,280 --> 00:02:08,280
show, I guess.
56
00:02:08,280 --> 00:02:10,720
Episode one, the defecation of Hawkeye.
57
00:02:10,720 --> 00:02:12,440
I'm assuming I read that correctly, right?
58
00:02:12,440 --> 00:02:17,720
Just 22 minutes of him struggling on the loo in between breakfast cereal commercials.
59
00:02:17,720 --> 00:02:21,920
It's the defection of Hawkeye in stereo, where available.
60
00:02:21,920 --> 00:02:25,960
And then in season two, and I want to talk about the changes between the two seasons,
61
00:02:25,960 --> 00:02:30,480
we look at another episode called something something Iron Man shrinks and goes inside
62
00:02:30,480 --> 00:02:31,480
Hawkeye or whatever.
63
00:02:31,480 --> 00:02:32,480
Iron Man's little shrinky dink, man.
64
00:02:32,480 --> 00:02:33,480
Yeah, that's right.
65
00:02:33,480 --> 00:02:37,760
So what I think is interesting about this is that they do try to bring in Forceworks
66
00:02:37,760 --> 00:02:39,080
like you mentioned.
67
00:02:39,080 --> 00:02:40,760
So we've got, let's name some characters.
68
00:02:40,760 --> 00:02:41,760
I've written them down.
69
00:02:41,760 --> 00:02:42,760
I can't do them off the top of my head.
70
00:02:42,760 --> 00:02:43,760
Okay, Spider Woman.
71
00:02:43,760 --> 00:02:44,760
Yep.
72
00:02:44,760 --> 00:02:45,760
The Julia Carpenter version.
73
00:02:45,760 --> 00:02:46,760
Pepper Pot's out the door, mate.
74
00:02:46,760 --> 00:02:49,560
Pepper Pot's out the door, so they're like, well, another redhead, doesn't matter.
75
00:02:49,560 --> 00:02:54,640
Let's see, we got, we got Scarlet Witches in there, being especially Russian or wherever
76
00:02:54,640 --> 00:02:56,200
she's from in this universe.
77
00:02:56,200 --> 00:03:00,680
They couldn't get US agent for some reason, so Hawkeye's in this instead, and War Machine
78
00:03:00,680 --> 00:03:07,560
is in this, and Century, who's an alien robot from another planet or something.
79
00:03:07,560 --> 00:03:08,560
Why does he look like that?
80
00:03:08,560 --> 00:03:09,560
He could look like anything.
81
00:03:09,560 --> 00:03:10,560
Great question.
82
00:03:10,560 --> 00:03:14,560
He's got a teleporting halberd situation.
83
00:03:14,560 --> 00:03:16,680
He's got magic or technology.
84
00:03:16,680 --> 00:03:19,840
He's got a hundred different personalities, but I don't think they bring that into the
85
00:03:19,840 --> 00:03:21,040
cartoon or anything.
86
00:03:21,040 --> 00:03:22,040
And instead of-
87
00:03:22,040 --> 00:03:23,040
They gave him no personalities.
88
00:03:23,040 --> 00:03:24,040
That's exactly right.
89
00:03:24,040 --> 00:03:28,320
Instead of Jarvis or Friday, Iron Man's home computer is Homer.
90
00:03:28,320 --> 00:03:31,720
Yes, that's right, exactly, which is more of a season two thing.
91
00:03:31,720 --> 00:03:36,080
So they're going up against whatever version of the Manderan this is supposed to be.
92
00:03:36,080 --> 00:03:37,600
To avoid racial tensions.
93
00:03:37,600 --> 00:03:38,600
He's green.
94
00:03:38,600 --> 00:03:40,000
He's a green alien man of sorts.
95
00:03:40,000 --> 00:03:43,880
There is an origin story where he goes into a cave and touches a big gem, and now he's
96
00:03:43,880 --> 00:03:44,880
like, I'm a green man.
97
00:03:44,880 --> 00:03:46,000
I'm a green man, everybody.
98
00:03:46,000 --> 00:03:47,000
Everybody look at me.
99
00:03:47,000 --> 00:03:51,480
Before I was a man of indeterminate race, and now I'm green.
100
00:03:51,480 --> 00:03:56,800
And in the origin, it says, in touching the crystal and getting the rings or whatever,
101
00:03:56,800 --> 00:04:01,000
it grew my strength and intellect until it became incalculable.
102
00:04:01,000 --> 00:04:02,000
Disagree.
103
00:04:02,000 --> 00:04:03,960
All of this is very calculable.
104
00:04:03,960 --> 00:04:08,160
I would say he's in the probably, maybe the high nineties in terms of intellect.
105
00:04:08,160 --> 00:04:10,640
In terms of IQ, sure, right?
106
00:04:10,640 --> 00:04:13,000
Not that IQ was ever really a proper thing, you know what I mean anyway.
107
00:04:13,000 --> 00:04:15,000
Sure, but if it were, he'd be below average.
108
00:04:16,000 --> 00:04:23,840
And he's got a, like an assortment of miscellaneous bad guys, Modoc, Black Lash, Blizzard, Grey
109
00:04:23,840 --> 00:04:29,280
Gargoyle, and Hypnotia, who I think was made up for this series, I think.
110
00:04:29,280 --> 00:04:31,560
You're forgetting both Dread Knight and Will Wind.
111
00:04:31,560 --> 00:04:32,560
Oh yeah, that's great.
112
00:04:32,560 --> 00:04:36,240
I mean, I would have also forgot that, but I wrote them down because I knew I'd immediately
113
00:04:36,240 --> 00:04:37,240
forget.
114
00:04:37,240 --> 00:04:42,040
At one point in the first episode, the Forceworks are battling these bad guys, and Spider Woman
115
00:04:42,040 --> 00:04:46,680
says, don't have time for Dread and Chill, like, is that it?
116
00:04:46,680 --> 00:04:47,680
What does that mean?
117
00:04:47,680 --> 00:04:48,680
Is that an expression?
118
00:04:48,680 --> 00:04:49,680
Yeah, it's an expression.
119
00:04:49,680 --> 00:04:50,680
Is that where Netflix and Chill came from?
120
00:04:50,680 --> 00:04:51,680
That's right.
121
00:04:51,680 --> 00:04:55,840
You just sat at home and you dreaded things, and you chilled out.
122
00:04:55,840 --> 00:04:59,360
Dread and Chill, I think, refer to when things used to be blockbuster, and you'd be dreading
123
00:04:59,360 --> 00:05:00,360
the late fees for that VHS.
124
00:05:00,360 --> 00:05:01,360
Oh, absolutely.
125
00:05:01,360 --> 00:05:05,520
You're dreading the fact that maybe you forgot to rewind the tape, and they're going to charge
126
00:05:05,520 --> 00:05:07,280
you next time you come in.
127
00:05:07,280 --> 00:05:08,280
That's it.
128
00:05:08,280 --> 00:05:10,720
So as you mentioned, he's always trying to steal some stuff, and this time around,
129
00:05:10,720 --> 00:05:15,560
he's trying to hijack a shipment of adamantium, but Iron Man is on it.
130
00:05:15,560 --> 00:05:19,960
I love the way the suit goes over him when he's in his, you see that in, like, the helicopter
131
00:05:19,960 --> 00:05:20,960
in Civil War.
132
00:05:20,960 --> 00:05:21,960
Yeah.
133
00:05:21,960 --> 00:05:25,360
It's very much, this is very much the genesis of everything Iron Man owns, has an Iron Man
134
00:05:25,360 --> 00:05:31,000
suit in it, just in case he needs one, his apartment, his bloody car, hat stand.
135
00:05:31,000 --> 00:05:32,720
Yeah, so it doesn't all.
136
00:05:32,720 --> 00:05:35,560
It's weird because when he flies out of the car, the chair that he was sitting in disappears,
137
00:05:35,560 --> 00:05:36,800
I don't know what happens to it.
138
00:05:36,800 --> 00:05:37,800
Look, it's neither here nor there.
139
00:05:37,880 --> 00:05:42,440
What's interesting, obviously, in the opening title sequence, which is just, they clearly
140
00:05:42,440 --> 00:05:43,760
didn't know what they were doing yet.
141
00:05:43,760 --> 00:05:44,840
They're like, what is this?
142
00:05:44,840 --> 00:05:47,360
It's got this weird chamber orchestra music going on.
143
00:05:47,360 --> 00:05:50,360
It's so much, there's a lot of pipe organ in this, right?
144
00:05:50,360 --> 00:05:51,360
And synth.
145
00:05:51,360 --> 00:05:52,360
Yeah.
146
00:05:52,360 --> 00:05:55,320
Again, changes in the second season, but also when he unlocks his, like, briefcase with
147
00:05:55,320 --> 00:05:59,160
the Iron Man suit, I don't know, the helmet's right at the bottom, by the feet, and it just
148
00:05:59,160 --> 00:06:03,800
upset me in a way that I'm not sure I quite had a process, but then he has to bend down
149
00:06:03,800 --> 00:06:04,800
and get it, I guess.
150
00:06:04,800 --> 00:06:08,040
Or it slides up his legs in some sort of weird ratchet situation.
151
00:06:08,040 --> 00:06:09,040
I didn't like it.
152
00:06:09,040 --> 00:06:10,040
I don't like it.
153
00:06:10,040 --> 00:06:11,040
I don't like it at all.
154
00:06:11,040 --> 00:06:15,600
But the reason this particular heist goes awry, even though it's fake adamantium or
155
00:06:15,600 --> 00:06:18,640
something, it's because Hawkeye doesn't show up.
156
00:06:18,640 --> 00:06:20,720
And they're like, what is wrong with this guy?
157
00:06:20,720 --> 00:06:21,720
He's supposed to be here.
158
00:06:21,720 --> 00:06:23,280
He's always late and whatever.
159
00:06:23,280 --> 00:06:25,480
And it turns out that he has a secret.
160
00:06:25,480 --> 00:06:29,080
And by that, I mean, he's got a grandpa that he occasionally visits or whatever.
161
00:06:29,080 --> 00:06:30,080
Grandpa, yeah.
162
00:06:30,080 --> 00:06:33,360
But the bad guys, we're not going to get caught up in the story too much because I think...
163
00:06:33,400 --> 00:06:34,400
It's irrelevant.
164
00:06:34,400 --> 00:06:38,720
Everything around this cartoon is better than the cartoon itself, in terms of interest.
165
00:06:38,720 --> 00:06:44,560
But the bad guys, including Justin Hammer, hypnotize him and take photos of him accepting
166
00:06:44,560 --> 00:06:45,560
money.
167
00:06:45,560 --> 00:06:48,520
So it looks like that he's been bribed by the bad guys.
168
00:06:48,520 --> 00:06:52,280
And then nobody twigs like, maybe it's the hypnosis lady that we all know exists and
169
00:06:52,280 --> 00:06:56,320
we've encountered probably a dozen times before in this cartoon that we live in.
170
00:06:56,320 --> 00:07:01,760
But what I love is when they bring him in for questioning, this is even before all the
171
00:07:01,760 --> 00:07:03,480
hypnosis stuff happens or whatever.
172
00:07:03,480 --> 00:07:04,480
They're like, where were you?
173
00:07:04,480 --> 00:07:05,480
And he's like, none of your business.
174
00:07:05,480 --> 00:07:06,480
I'm a freewheeling guy.
175
00:07:06,480 --> 00:07:07,480
Stay out of my business.
176
00:07:07,480 --> 00:07:08,480
Fuck you.
177
00:07:08,480 --> 00:07:09,480
See you later.
178
00:07:09,480 --> 00:07:14,160
I'm a freewheeling rebel wearing a polo shirt tucked into some big slacks because this
179
00:07:14,160 --> 00:07:16,720
is a Marvel cartoon in the 90s and that's how we all dressed.
180
00:07:16,720 --> 00:07:17,720
You're not wrong.
181
00:07:17,720 --> 00:07:20,560
I'm taking this straight out of the Peter Parker Playbook.
182
00:07:20,560 --> 00:07:21,560
Very true.
183
00:07:21,560 --> 00:07:24,840
And then when they finally bring him in, then they show him the photos and they give him
184
00:07:24,840 --> 00:07:25,840
a real drilling.
185
00:07:25,840 --> 00:07:30,760
And Rode is like, you're lazy and we hate you and you complain too much.
186
00:07:30,760 --> 00:07:31,760
But guess what?
187
00:07:31,760 --> 00:07:32,760
We know you're cool.
188
00:07:32,760 --> 00:07:33,760
We know this is fake or whatever.
189
00:07:33,760 --> 00:07:35,320
So it's like, why did you do that?
190
00:07:35,320 --> 00:07:36,680
Why did you say those things?
191
00:07:36,680 --> 00:07:38,640
Because of the audience, the audience of kids.
192
00:07:38,640 --> 00:07:43,440
Also, one of my favorite parts about this first episode we watched is that Spider Woman
193
00:07:43,440 --> 00:07:47,480
decide she's going to tail Hawkeye, but obviously Hawkeye is a master of espionage.
194
00:07:47,480 --> 00:07:49,280
He leaves that fence like it's nice.
195
00:07:49,280 --> 00:07:50,960
He's a regular man.
196
00:07:50,960 --> 00:07:53,680
You can't, you know, you can't, you know, he'll know if you're tailing him.
197
00:07:53,680 --> 00:07:58,040
So what you do is you dress up the Stark Enterprises flying car as a, as a, as an exterminating
198
00:07:58,040 --> 00:07:59,040
vehicle.
199
00:07:59,040 --> 00:08:05,720
Just this amazing future flying car and you put a roach on the top and you write roach
200
00:08:05,720 --> 00:08:06,720
busters on the back.
201
00:08:06,720 --> 00:08:07,720
He'll never twig.
202
00:08:07,720 --> 00:08:08,720
He can't tell.
203
00:08:08,720 --> 00:08:09,720
Oh my God.
204
00:08:09,720 --> 00:08:12,600
That exterminator has one of those future cars, Tony Starkones.
205
00:08:12,600 --> 00:08:13,600
Do we live in the future?
206
00:08:13,600 --> 00:08:14,600
I don't think so.
207
00:08:14,600 --> 00:08:15,600
I think it's 1994.
208
00:08:15,600 --> 00:08:17,120
I'm not sure actually.
209
00:08:17,120 --> 00:08:22,360
Did Hawkeye in this era, was he known for being like aloof and unreliable?
210
00:08:22,360 --> 00:08:23,960
Was this a thing that the character was?
211
00:08:23,960 --> 00:08:24,960
Yeah.
212
00:08:24,960 --> 00:08:26,760
He was more rebellious, I think, because he started out as a criminal.
213
00:08:26,760 --> 00:08:27,760
I don't know if you're aware.
214
00:08:27,760 --> 00:08:28,760
Yeah.
215
00:08:28,760 --> 00:08:29,760
Okay.
216
00:08:29,760 --> 00:08:30,760
Well, that makes sense, I guess.
217
00:08:30,760 --> 00:08:32,720
But you're just so enraptured by the Jeremy Renner version that you think he's always
218
00:08:32,720 --> 00:08:36,720
just a super cool super spy and it's always Christmas or whatever.
219
00:08:36,720 --> 00:08:37,720
That's right.
220
00:08:37,720 --> 00:08:38,720
Yeah.
221
00:08:38,720 --> 00:08:39,720
You might be right.
222
00:08:39,720 --> 00:08:40,720
I do want to jump over to our season two, though.
223
00:08:40,720 --> 00:08:41,720
Okay.
224
00:08:41,720 --> 00:08:44,120
So you're probably not going to be surprised, but the minds behind this, two of them are
225
00:08:44,120 --> 00:08:46,040
Avi Arid and Ike Perlmutter.
226
00:08:46,040 --> 00:08:50,360
Oh, the dream team, the dynamic duo.
227
00:08:50,360 --> 00:08:51,800
Not the only people involved, obviously.
228
00:08:51,800 --> 00:08:53,280
Two guys who suck.
229
00:08:53,800 --> 00:08:59,560
And they realized, well, not just them, but the ratings and reviews made them realize
230
00:08:59,560 --> 00:09:04,200
that they are stretching themselves too thin for this and the quality of animation and
231
00:09:04,200 --> 00:09:05,800
storytelling wasn't quite there.
232
00:09:05,800 --> 00:09:09,640
So they disbanded Forceworks because they were like, there's too many people in this.
233
00:09:09,640 --> 00:09:13,080
We're going to have kind of more of an ongoing story in season two.
234
00:09:13,080 --> 00:09:16,120
But obviously the biggest change for the second season is...
235
00:09:16,120 --> 00:09:17,120
It got really metal.
236
00:09:17,120 --> 00:09:18,120
Yes, it did.
237
00:09:18,120 --> 00:09:19,120
Tony Stark's raw mullets.
238
00:09:19,120 --> 00:09:20,120
Yeah, absolutely.
239
00:09:20,800 --> 00:09:24,520
But the last one, again, like they had this weird pipe organ intro, but this new one's
240
00:09:24,520 --> 00:09:25,520
all like...
241
00:09:25,520 --> 00:09:26,520
Clang!
242
00:09:26,520 --> 00:09:27,520
Clang!
243
00:09:27,520 --> 00:09:28,520
Clang!
244
00:09:28,520 --> 00:09:29,520
Clang!
245
00:09:29,520 --> 00:09:30,520
Pretty good, I thought.
246
00:09:30,520 --> 00:09:31,520
They're both bad.
247
00:09:31,520 --> 00:09:33,920
I thought I liked the second one a lot.
248
00:09:33,920 --> 00:09:35,120
Yeah, it's a little bit better.
249
00:09:35,120 --> 00:09:39,080
And actually it's funny because they gave him a mullet, apparently, to distinguish him
250
00:09:39,080 --> 00:09:40,480
from Bruce Wayne.
251
00:09:40,480 --> 00:09:42,720
They're like, Bruce Wayne's a squeeze and nerd.
252
00:09:42,720 --> 00:09:43,720
Look at this guy.
253
00:09:43,720 --> 00:09:44,720
He doesn't even have a mustache.
254
00:09:44,720 --> 00:09:45,720
Sure.
255
00:09:45,720 --> 00:09:46,720
Yeah.
256
00:09:46,720 --> 00:09:51,680
Speaking of Bruce Wayne, Coco Enterprises, who animated Batman the Animated series, stepped
257
00:09:51,680 --> 00:09:52,680
in to this.
258
00:09:52,680 --> 00:09:53,680
And yeah, you're right.
259
00:09:53,680 --> 00:09:54,680
The intro is much better.
260
00:09:54,680 --> 00:09:56,360
I've sold it short here.
261
00:09:56,360 --> 00:10:01,200
But I still think, regardless of all of that, this is not a patch on Batman the Animated
262
00:10:01,200 --> 00:10:02,200
series.
263
00:10:02,200 --> 00:10:03,200
It's not a patch on X-Men.
264
00:10:03,200 --> 00:10:06,440
It's not a patch on the Spider-Man series, which was going at the same time.
265
00:10:06,440 --> 00:10:08,280
Better than Inspector Gadget?
266
00:10:08,280 --> 00:10:09,280
Yes.
267
00:10:09,280 --> 00:10:12,520
Everything's better than Inspector Gadget, except the movie Inspector Gadget.
268
00:10:12,520 --> 00:10:14,360
It's way worse than Inspector Gadget.
269
00:10:14,360 --> 00:10:15,360
How'd they do it?
270
00:10:15,360 --> 00:10:16,360
I don't know how they did it.
271
00:10:16,800 --> 00:10:20,800
So in this one, look again, we've kind of, we've just picked Hawkeye episodes, but it
272
00:10:20,800 --> 00:10:21,800
doesn't matter.
273
00:10:21,800 --> 00:10:22,800
We're scraping the model over the barrel.
274
00:10:22,800 --> 00:10:24,600
He doesn't have a lot of expanded media, really.
275
00:10:24,600 --> 00:10:26,000
Yeah, in this one.
276
00:10:26,000 --> 00:10:29,720
Well, look, to be fair, it was either this or play the Hawkeye expansion on that Avengers
277
00:10:29,720 --> 00:10:35,760
video game, which I finally bought and I played the expansion and I just went, I just don't
278
00:10:35,760 --> 00:10:37,000
like this enough.
279
00:10:37,000 --> 00:10:38,000
Or not even.
280
00:10:38,000 --> 00:10:39,000
This isn't interesting enough.
281
00:10:39,000 --> 00:10:40,000
I think mechanically.
282
00:10:40,000 --> 00:10:42,040
So this cartoon is better than the Hawkeye expansion.
283
00:10:42,040 --> 00:10:43,040
I don't even know that.
284
00:10:43,080 --> 00:10:48,040
Look, I think mechanically very solid, but it's just there's so much bullshit packed
285
00:10:48,040 --> 00:10:53,840
into that game that you just to get through to just like playing a level and playing an
286
00:10:53,840 --> 00:10:58,080
interesting mission where you're not just fighting robots, which is every mission is
287
00:10:58,080 --> 00:10:59,080
impossible.
288
00:10:59,080 --> 00:11:00,080
Okay.
289
00:11:00,080 --> 00:11:01,080
But does he have some great little outfits?
290
00:11:01,080 --> 00:11:02,080
Yeah, probably.
291
00:11:02,080 --> 00:11:05,120
But you probably have to pay for them and whatever, because again, there's a fucking metric ton
292
00:11:05,120 --> 00:11:07,240
of bullshit all over that game.
293
00:11:07,240 --> 00:11:09,080
And I know the people who made that game look fine.
294
00:11:09,080 --> 00:11:10,080
We're here.
295
00:11:10,080 --> 00:11:11,080
I'll talk about it.
296
00:11:11,080 --> 00:11:12,080
Okay.
297
00:11:12,120 --> 00:11:13,120
I'm not sure why this fell.
298
00:11:13,120 --> 00:11:17,120
Why didn't people like it because you choked it in garbage and you gave it to a company
299
00:11:17,120 --> 00:11:21,960
who made the Tomb Raider games who were very good at making like linear ish single player
300
00:11:21,960 --> 00:11:25,800
narratives and you just went, let's just blow this out into a big pile of crap.
301
00:11:25,800 --> 00:11:28,640
Why don't people like this big pile of crap that we made?
302
00:11:28,640 --> 00:11:29,640
What's wrong with that?
303
00:11:29,640 --> 00:11:31,840
We put an Avengers logo on this big pile of crap.
304
00:11:31,840 --> 00:11:35,080
We thought that was printing money didn't work somehow.
305
00:11:35,080 --> 00:11:36,080
So there you go.
306
00:11:36,080 --> 00:11:38,080
Anyway, that's my review of that terrible fucking game.
307
00:11:38,080 --> 00:11:44,240
Anyway, in this episode, Hawkeye gets injured, gravely injured, and he's probably going
308
00:11:44,240 --> 00:11:45,240
to die.
309
00:11:45,240 --> 00:11:46,240
A plane falls on him.
310
00:11:46,240 --> 00:11:47,240
A plane does fall on him.
311
00:11:47,240 --> 00:11:48,240
Ultimo throw.
312
00:11:48,240 --> 00:11:49,240
He's a plane on him or something.
313
00:11:49,240 --> 00:11:52,680
Well, actually, a lot seems to have happened in between the first season and the second
314
00:11:52,680 --> 00:11:53,680
season.
315
00:11:53,680 --> 00:11:56,640
First of all, it seems like Spider Woman is now in love with Iron Man.
316
00:11:56,640 --> 00:11:57,640
Sure.
317
00:11:57,640 --> 00:12:00,720
But he's like, that would be an inappropriate workplace relationship, which is probably
318
00:12:00,720 --> 00:12:02,120
the first time he's ever said that.
319
00:12:02,120 --> 00:12:03,120
And then also...
320
00:12:03,120 --> 00:12:04,120
It's just saying it because the kids are watching.
321
00:12:04,120 --> 00:12:05,120
Yeah, yeah.
322
00:12:05,120 --> 00:12:06,120
That's for...
323
00:12:06,120 --> 00:12:07,120
Oh, good point.
324
00:12:07,120 --> 00:12:11,440
The first works broke up and they're all like, we all hate you, hate you, Iron Man, whatever.
325
00:12:11,440 --> 00:12:12,440
So...
326
00:12:12,440 --> 00:12:13,440
We hate Ike Pearl.
327
00:12:13,440 --> 00:12:15,440
We don't mean Iron Man.
328
00:12:15,440 --> 00:12:20,200
So Iron Man is on the outs with Hawkeye, but Hawkeye saves him from a big robot.
329
00:12:20,200 --> 00:12:22,840
And then he's a plane falls on him.
330
00:12:22,840 --> 00:12:25,080
And then Iron Man's like, well, I've got to save him.
331
00:12:25,080 --> 00:12:29,320
So the only way to save him is to shrink down real small and go into his body.
332
00:12:29,320 --> 00:12:31,480
It becomes a magic school bus episode, doesn't it?
333
00:12:31,480 --> 00:12:32,480
It sure does, yeah.
334
00:12:32,480 --> 00:12:36,360
But I guess the difference here being, you're not really learning anything, which quite
335
00:12:36,360 --> 00:12:40,280
frankly, is my favorite type of children's television, where you don't learn a god damn
336
00:12:40,280 --> 00:12:41,280
thing.
337
00:12:41,280 --> 00:12:45,120
If anything, children watching this will probably come away with a lot of lessons about how the
338
00:12:45,120 --> 00:12:46,120
human body doesn't work.
339
00:12:46,120 --> 00:12:47,120
And they'll...
340
00:12:47,120 --> 00:12:50,480
You could fix a spine with a man who shrinks down with a magic weapon or something.
341
00:12:50,480 --> 00:12:52,040
Yeah, very good.
342
00:12:52,040 --> 00:12:55,440
I also like so the villain who's controlling Ultimo.
343
00:12:55,440 --> 00:12:58,800
We don't find out to the very end who it is, who this mysterious character is.
344
00:12:58,800 --> 00:12:59,800
It's the hacker.
345
00:12:59,800 --> 00:13:02,160
Just some nerd, it turns out.
346
00:13:02,160 --> 00:13:05,680
But it's interesting because they show that he's like a bad boy and on the edge because
347
00:13:05,680 --> 00:13:11,240
at one point you see a Howard Stern poster in his bedroom, which I love.
348
00:13:11,240 --> 00:13:15,160
And also, it's at this point in the series where his suit can just do whatever.
349
00:13:15,160 --> 00:13:19,520
It can just turn into all the other suits and therefore all the other action figures.
350
00:13:19,520 --> 00:13:24,600
So of course, if you don't buy all the action figures, how are you going to play along with
351
00:13:24,600 --> 00:13:25,600
the cartoon?
352
00:13:25,600 --> 00:13:26,600
The show that you don't like.
353
00:13:26,600 --> 00:13:27,600
How are you going to play along with it?
354
00:13:27,600 --> 00:13:28,600
Yeah.
355
00:13:28,600 --> 00:13:30,800
I mean, now you could probably buy the whole set for like four bucks an ABabe, but still.
356
00:13:30,800 --> 00:13:34,760
I don't know about that because, okay, this is part of the reason why the show was canceled
357
00:13:34,760 --> 00:13:39,600
because the toys were quite costly to make, but at the same time, were not very popular.
358
00:13:39,600 --> 00:13:40,600
And dangerous.
359
00:13:40,600 --> 00:13:41,600
And dangerous.
360
00:13:41,600 --> 00:13:44,640
So they had a lot of like bits that would like clip onto them.
361
00:13:44,640 --> 00:13:47,280
There were multiple Iron Man suits, like the quality of them.
362
00:13:47,280 --> 00:13:50,000
If you see them in here, they are Ben and Lawrence put them in.
363
00:13:50,000 --> 00:13:51,000
Well done.
364
00:13:51,000 --> 00:13:52,000
Whoa.
365
00:13:52,000 --> 00:13:53,000
Yeah.
366
00:13:53,000 --> 00:13:54,000
In a little flip book form.
367
00:13:54,000 --> 00:13:55,000
No.
368
00:13:55,000 --> 00:13:59,240
But like, no one's like, oh man, I want the gray gargoyle action figure, you know, it's
369
00:13:59,240 --> 00:14:00,240
nonsense.
370
00:14:00,240 --> 00:14:03,160
Anyway, he, he gets, he fixes his back and whatever.
371
00:14:03,160 --> 00:14:05,400
But then Ultimo, the giant robot also shrinks down into.
372
00:14:05,400 --> 00:14:06,400
Oh yeah.
373
00:14:06,400 --> 00:14:07,400
Yeah.
374
00:14:07,400 --> 00:14:08,400
It's like, um, in a space.
375
00:14:08,400 --> 00:14:12,200
It turns into the movie in a space and then they sort of become friends, but not really.
376
00:14:12,200 --> 00:14:16,280
Iron Man just fires off some X-rays in, in the Hawkeye's brain at that point.
377
00:14:16,280 --> 00:14:17,280
Yeah.
378
00:14:17,280 --> 00:14:18,280
That's fine.
379
00:14:18,280 --> 00:14:19,280
That's fine.
380
00:14:19,280 --> 00:14:20,280
He's like, this'll be fine.
381
00:14:20,280 --> 00:14:21,280
Well, it's.
382
00:14:21,280 --> 00:14:22,280
Yeah.
383
00:14:22,280 --> 00:14:23,280
Yeah.
384
00:14:23,280 --> 00:14:24,280
Yeah.
385
00:14:24,280 --> 00:14:25,280
Yeah.
386
00:14:25,280 --> 00:14:26,280
All right.
387
00:14:26,280 --> 00:14:27,280
But anyway, they become friends and whatever.
388
00:14:27,280 --> 00:14:28,280
But what I do think is interesting about this, that all the animated Marvel series from
389
00:14:28,280 --> 00:14:30,880
the nineties, it is one big universe.
390
00:14:31,000 --> 00:14:35,320
PIXELS did a really good video of this, how this was kind of like the first Marvel kind
391
00:14:35,320 --> 00:14:40,440
of shared universe across like multiple years, because Iron Man does make an appearance with
392
00:14:40,440 --> 00:14:44,360
the same voice actor in like the Incredible Hulk and Spider-Man and the Fantastic Four
393
00:14:44,360 --> 00:14:48,800
and these shows kind of go on, you know, and there ends up being this like a future-ish
394
00:14:48,800 --> 00:14:49,800
Marvel show.
395
00:14:49,800 --> 00:14:50,800
If you remember.
396
00:14:50,800 --> 00:14:51,800
Our future-ish Marvel show.
397
00:14:51,800 --> 00:14:52,800
Future-ish Marvel show.
398
00:14:52,800 --> 00:14:54,320
That's good fun.
399
00:14:54,320 --> 00:14:58,480
Welcome to the future-ish, I would say, at the start of every episode.
400
00:14:58,480 --> 00:15:05,880
So yeah, I think it did a good job of existing, but beyond that, there's not really much
401
00:15:05,880 --> 00:15:10,160
here on offer, which you couldn't get in better shows, even from Marvel.
402
00:15:10,160 --> 00:15:11,160
Or in a comic book.
403
00:15:11,160 --> 00:15:14,320
Or in a comic book at the same time, exactly.
404
00:15:14,320 --> 00:15:17,640
So all in all, it's not great, is it?
405
00:15:17,640 --> 00:15:20,040
Not really, but it's all on Disney Plus, so if you want to check it out.
406
00:15:20,040 --> 00:15:21,040
That's right.
407
00:15:21,040 --> 00:15:22,040
Just like we did.
408
00:15:22,040 --> 00:15:25,800
You don't have to wait for somebody to upload every episode to YouTube and then they all
409
00:15:25,800 --> 00:15:26,800
get taken down.
410
00:15:27,240 --> 00:15:28,240
Yeah.
411
00:15:28,240 --> 00:15:29,240
And whatever.
412
00:15:29,240 --> 00:15:30,240
A question for everybody though.
413
00:15:30,240 --> 00:15:31,760
Do you want us to come back to this at some point?
414
00:15:31,760 --> 00:15:34,200
Because they do cover like popular storylines.
415
00:15:34,200 --> 00:15:35,680
They do armor wars.
416
00:15:35,680 --> 00:15:37,600
There's an episode with Bill Clinton in it.
417
00:15:37,600 --> 00:15:38,600
Do you know what I mean?
418
00:15:38,600 --> 00:15:39,600
Does he play the saxophone?
419
00:15:39,600 --> 00:15:40,600
I don't think.
420
00:15:40,600 --> 00:15:41,600
I think he just picks up a phone.
421
00:15:41,600 --> 00:15:44,920
He's like, I'm Bill Clinton, I'm a sex criminal, but I'm never going to jail that he puts
422
00:15:44,920 --> 00:15:45,920
the phone down.
423
00:15:45,920 --> 00:15:46,920
Wow.
424
00:15:46,920 --> 00:15:47,920
Yeah, I know, right?
425
00:15:47,920 --> 00:15:48,920
They got him to voice it too.
426
00:15:48,920 --> 00:15:49,920
He didn't even care.
427
00:15:49,920 --> 00:15:50,920
He's like, they'll never get me.
428
00:15:50,920 --> 00:15:51,920
I don't care.
429
00:15:51,920 --> 00:15:54,680
That's just how he answers the phone when you call him.
430
00:15:54,680 --> 00:15:58,000
But yeah, if there's any particular storylines you'd like us to come back to, or even some
431
00:15:58,000 --> 00:16:01,680
of the other animated series, because before we have looked at Fantastic Four, we've looked
432
00:16:01,680 --> 00:16:06,120
at some of the X-Men, but there's a lot of interesting stuff here, I think, in this era.
433
00:16:06,120 --> 00:16:07,120
That's true.
434
00:16:07,120 --> 00:16:08,920
We did some animated Spider-Man stuff even, didn't we?
435
00:16:08,920 --> 00:16:09,920
We did that Mysterio one.
436
00:16:09,920 --> 00:16:12,480
We did several episodes about Mysterio, yeah.
437
00:16:12,480 --> 00:16:13,640
There's too many, I think.
438
00:16:13,640 --> 00:16:14,640
Kenny.
439
00:16:14,640 --> 00:16:15,640
I don't mind that show.
440
00:16:15,640 --> 00:16:16,640
Anyways, this is Caravan of Garbage.
441
00:16:16,640 --> 00:16:20,920
We do this every week and you might wish, you might wish and want and hope that in your
442
00:16:20,920 --> 00:16:21,920
heart you could see these early.
443
00:16:21,920 --> 00:16:22,920
And you can actually.
444
00:16:22,920 --> 00:16:26,600
If you head over to BigSanwich.co, it is like our Patreon.
445
00:16:26,600 --> 00:16:29,680
If you do want to sign up, there's early videos including these.
446
00:16:29,680 --> 00:16:32,000
There's bonus podcasts that we do.
447
00:16:32,000 --> 00:16:33,640
There's movie commentaries.
448
00:16:33,640 --> 00:16:35,600
We've done some movie commentaries, haven't we?
449
00:16:35,600 --> 00:16:36,600
So many Marvel ones actually.
450
00:16:36,600 --> 00:16:37,600
Oh my God, so many, yeah.
451
00:16:37,600 --> 00:16:38,600
Too many, I think.
452
00:16:38,600 --> 00:16:42,360
And if enough people sign up, we'll get Tony Stark mullets and mustaches.
453
00:16:42,360 --> 00:16:43,360
We don't mind.
454
00:16:43,360 --> 00:16:44,360
Yeah.
455
00:16:44,360 --> 00:16:45,360
We don't mind at all.
456
00:16:45,360 --> 00:16:46,360
We'll do it.
457
00:16:46,360 --> 00:16:47,360
Anyways, here's a hint towards next week.
458
00:16:47,360 --> 00:16:52,920
David Banner faces his greatest trial, the trial of the incredible Hulk.
459
00:16:52,920 --> 00:16:55,880
Also our podcast, The Weekly Planet, where we talk movies and comics and TV shows that
460
00:16:55,880 --> 00:16:57,960
goes up there every week.
461
00:16:57,960 --> 00:17:01,480
And if you do like Hawkeye, we're doing Hawkeye Recaps here every week, aren't we also?
462
00:17:01,480 --> 00:17:03,520
Hawkeye Bonanza, isn't it lately?
463
00:17:03,520 --> 00:17:04,520
It really is.
464
00:17:04,520 --> 00:17:08,920
Yeah, all those, those six guys out there who are like, can't wait for Hawkeye to take
465
00:17:08,920 --> 00:17:09,920
center stage.
466
00:17:09,920 --> 00:17:10,920
Well, it is happening right now.
467
00:17:10,920 --> 00:17:12,640
Anyways, I'm at Mr. Sunday Movies on Twitter.
468
00:17:12,640 --> 00:17:14,000
I'm at Wikipedia, Brown on Twitter.
469
00:17:14,000 --> 00:17:15,000
See you guys in the next video.
470
00:17:15,000 --> 00:17:16,000
We'll wrap that jam.
471
00:17:16,000 --> 00:17:17,000
You guys will see you real soon.
472
00:17:17,000 --> 00:17:17,640
Goodbye.
|
https://youtube.com/watch?v=B7hhmscSp3g | 1
00:00:00,000 --> 00:00:01,720
Do we have to wait?
2
00:00:01,720 --> 00:00:06,040
I mean, if we want to leave now, no, Susan, you don't have to wait.
3
00:00:06,040 --> 00:00:07,400
You can leave whenever you like.
4
00:00:07,400 --> 00:00:11,160
Okay, listen, I know it's tough to think about leaving our homes, but
5
00:00:11,160 --> 00:00:14,600
clearly it's the most responsible thing to do right now.
6
00:00:14,600 --> 00:00:18,480
Quite likely nothing will happen, but it's better to be safe than sorry.
7
00:00:18,480 --> 00:00:22,320
I want you to remember, no one should leave tonight without a copy of the town's
8
00:00:22,320 --> 00:00:24,040
emergency evacuation plan.
9
00:00:24,040 --> 00:00:27,200
They will be handed out at the door on your way out.
10
00:00:27,200 --> 00:00:29,920
I'd like to turn the floor over now to Dr. Harry Dalton.
11
00:00:29,920 --> 00:00:31,040
Thank you, Mayor Wondo.
12
00:00:31,040 --> 00:00:34,240
Ladies and gentlemen, first of all, I'd like to thank you all for coming down here.
13
00:00:34,240 --> 00:00:36,000
I'm out of here before it all hits the fan.
14
00:00:36,000 --> 00:00:37,720
I'm just as brief as possible.
15
00:00:37,720 --> 00:00:43,080
I would like to underline that these are just precautionary measures.
16
00:00:43,080 --> 00:00:46,680
We don't want to start a panic.
17
00:00:46,680 --> 00:00:48,760
Did anybody feel that?
18
00:00:48,760 --> 00:00:51,080
Ladies and gentlemen, please remain calm.
19
00:00:51,080 --> 00:00:53,080
Please just stay calm.
20
00:01:00,320 --> 00:01:01,320
I felt that.
21
00:01:01,320 --> 00:01:03,320
Just stay calm.
22
00:01:03,320 --> 00:01:04,320
Don't push.
23
00:01:04,320 --> 00:01:06,320
Please, stay calm.
24
00:01:06,320 --> 00:01:07,920
Do not rush.
25
00:01:07,920 --> 00:01:09,920
Do not rush.
26
00:01:24,920 --> 00:01:25,920
Glory!
27
00:01:25,920 --> 00:01:26,920
Glory to Him!
28
00:01:26,920 --> 00:01:27,920
Glory!
29
00:01:29,920 --> 00:01:31,920
Don't rush.
30
00:01:31,920 --> 00:01:33,920
Please, be calm.
31
00:01:33,920 --> 00:01:35,920
Don't push.
32
00:01:35,920 --> 00:01:37,920
Don't push.
33
00:01:37,920 --> 00:01:39,920
Please.
34
00:01:39,920 --> 00:01:41,920
Ah!
35
00:01:41,920 --> 00:01:43,920
Don't push.
36
00:01:43,920 --> 00:01:45,920
Don't push.
37
00:01:45,920 --> 00:01:47,920
It's okay. Please.
38
00:01:47,920 --> 00:01:49,920
Don't go.
39
00:01:49,920 --> 00:01:51,920
We have to pull this way.
40
00:01:51,920 --> 00:01:53,920
Stand.
41
00:01:53,920 --> 00:01:55,920
Look at this.
42
00:01:55,920 --> 00:01:57,920
Why look at computers?
43
00:01:58,920 --> 00:02:01,920
Looks like it's about to launch.
44
00:02:09,920 --> 00:02:11,920
This is not good. This is not good.
45
00:02:17,920 --> 00:02:19,920
Oh, God. Oh, my God.
46
00:02:19,920 --> 00:02:21,920
Oh, no.
47
00:02:27,920 --> 00:02:29,920
I've got to get to the kids.
48
00:02:49,920 --> 00:02:51,920
Watch out.
49
00:02:58,920 --> 00:03:01,920
Help!
50
00:03:09,920 --> 00:03:11,920
Help!
51
00:03:13,920 --> 00:03:15,920
Come on!
52
00:03:19,920 --> 00:03:21,920
Help!
53
00:03:21,920 --> 00:03:23,920
Help!
54
00:03:27,920 --> 00:03:29,920
Help!
55
00:03:33,920 --> 00:03:35,920
Help!
56
00:03:45,920 --> 00:03:47,920
Where did he go?
57
00:03:47,920 --> 00:03:49,920
Oh, God. It's completely blocked. Go left.
58
00:03:49,920 --> 00:03:51,920
Go on up, girl.
59
00:03:51,920 --> 00:03:53,920
Help!
60
00:03:55,920 --> 00:03:57,920
Look out! Jesus!
61
00:04:03,920 --> 00:04:05,920
Take a light. Go down the alley.
62
00:04:21,920 --> 00:04:23,920
Help!
63
00:04:41,920 --> 00:04:43,920
Come on, come on.
64
00:04:51,920 --> 00:04:53,920
Help!
65
00:05:21,920 --> 00:05:23,920
Help!
|
https://youtube.com/watch?v=E5VOPMr7SKg | 1
00:00:00,000 --> 00:00:02,000
I
2
00:00:08,400 --> 00:00:13,360
What is it something I made just for you near down
3
00:00:16,320 --> 00:00:21,020
No, don't distract me for I must get this right
4
00:00:21,020 --> 00:00:27,780
Willow wool and thistle thread
5
00:00:28,860 --> 00:00:30,940
Guard thy wearer
6
00:00:30,940 --> 00:00:32,940
cloaked in red
7
00:00:33,380 --> 00:00:35,380
Magic weave a potent charm
8
00:00:36,180 --> 00:00:38,180
Let you nothing bring her home
9
00:00:39,420 --> 00:00:44,580
Guide her through the winding wood for a woodlands daughter's good
10
00:00:45,740 --> 00:00:48,700
Over meadow field and farm
11
00:00:49,420 --> 00:00:57,060
Let you nothing bring her home no one nothing bring her home
12
00:01:06,140 --> 00:01:08,140
So pretty
13
00:01:09,300 --> 00:01:11,300
Must I always wear it? Oh, yes
14
00:01:11,740 --> 00:01:15,540
But why when you wear it and only when you wear it?
15
00:01:16,220 --> 00:01:18,220
You might see a fairy
16
00:01:19,700 --> 00:01:21,700
What a beautiful present
17
00:01:22,100 --> 00:01:24,100
It's magical mother
18
00:01:24,380 --> 00:01:26,700
Nanny best says if I wear I may see a fairy
19
00:01:27,260 --> 00:01:31,500
Mother, please you have to be careful what you say and do people will say you are a witch
20
00:01:33,740 --> 00:01:39,060
No daughter no just because I know a few things that doesn't make me a witch
21
00:01:41,380 --> 00:01:47,740
Just to be on the safe side, let's keep it a secret promise I promise
|
https://youtube.com/watch?v=wK2aafgGOZk | 1
00:00:00,000 --> 00:00:05,000
I didn't think it was wrong to say that all the people in Nagarikul were dead.
2
00:00:05,000 --> 00:00:07,000
It was my mistake.
3
00:00:07,000 --> 00:00:10,000
If I have to make a mistake, I have to do something.
4
00:00:13,000 --> 00:00:15,000
I have to get you both married.
5
00:00:18,000 --> 00:00:23,000
Sivangi, if you don't turn into a snake, I don't want you to die.
6
00:00:23,000 --> 00:00:27,000
If that Nagadev doesn't kill us, we'll live like a lion.
7
00:00:27,000 --> 00:00:29,000
Let's do it.
8
00:00:48,000 --> 00:00:49,000
Salli.
9
00:00:50,000 --> 00:00:54,000
Shingad and my son grew up without a mother and father.
10
00:00:54,000 --> 00:00:57,000
They both came here to play with each other.
11
00:00:57,000 --> 00:00:59,000
They came here to play with each other.
12
00:00:59,000 --> 00:01:01,000
They came here to play with each other.
13
00:01:01,000 --> 00:01:03,000
Come, mother. Come, mother.
14
00:01:03,000 --> 00:01:05,000
Come, mother.
15
00:01:19,000 --> 00:01:22,000
They both came here to play with each other.
16
00:01:22,000 --> 00:01:25,000
They both came here to play with each other.
17
00:01:25,000 --> 00:01:27,000
They both came here to play with each other.
18
00:01:32,000 --> 00:01:35,000
We'll give you all of this, mother.
19
00:01:35,000 --> 00:01:37,000
Salli.
20
00:01:49,000 --> 00:01:51,000
Salli.
21
00:02:02,000 --> 00:02:05,000
You are our lucky master to come to our temple.
22
00:02:05,000 --> 00:02:07,000
Kona.
23
00:02:07,000 --> 00:02:08,000
Come.
24
00:02:08,000 --> 00:02:09,000
Salli.
25
00:02:09,000 --> 00:02:12,000
Kona's name is Madhumathi. She came from Patna.
26
00:02:12,000 --> 00:02:13,000
Kona.
27
00:02:13,000 --> 00:02:14,000
Salli.
28
00:02:14,000 --> 00:02:15,000
Keep the money.
29
00:02:16,000 --> 00:02:20,000
Mother, why did you come here?
30
00:02:20,000 --> 00:02:24,000
She came to know about us and our temple.
31
00:02:24,000 --> 00:02:25,000
That's not all.
32
00:02:25,000 --> 00:02:29,000
Salli, we were lucky to get this Kona.
33
00:02:29,000 --> 00:02:30,000
What do you mean by lucky?
34
00:02:30,000 --> 00:02:31,000
Our Kuladevata.
35
00:02:31,000 --> 00:02:34,000
Mother, we got a gift from Vasu.
36
00:02:34,000 --> 00:02:35,000
That's not all.
37
00:02:35,000 --> 00:02:38,000
Mother, this Kona was given to us.
38
00:02:38,000 --> 00:02:41,000
You are right.
39
00:02:42,000 --> 00:02:45,000
But I don't believe that a poor girl came here.
40
00:02:45,000 --> 00:02:46,000
Are you an orphan?
41
00:02:46,000 --> 00:02:47,000
No.
42
00:02:47,000 --> 00:02:49,000
I am a real orphan.
43
00:02:49,000 --> 00:02:50,000
Real orphan?
44
00:02:50,000 --> 00:02:51,000
What do you mean?
45
00:02:51,000 --> 00:02:53,000
You said that you are an orphan.
46
00:02:53,000 --> 00:02:55,000
It's okay to think that I am an orphan.
47
00:02:55,000 --> 00:02:58,000
But I don't believe anything I see with my eyes.
48
00:02:58,000 --> 00:03:01,000
I don't believe anything I see with my eyes.
49
00:03:01,000 --> 00:03:03,000
There are many things in this world.
50
00:03:03,000 --> 00:03:06,000
I don't believe anything I see with my eyes.
51
00:03:06,000 --> 00:03:07,000
Maybe.
52
00:03:07,000 --> 00:03:08,000
But this is something.
53
00:03:08,000 --> 00:03:12,000
Mother, have you seen the Krishnasarpa in this temple?
54
00:03:12,000 --> 00:03:13,000
Yes.
55
00:03:13,000 --> 00:03:16,000
It's a bit difficult to preserve the sacred relics.
56
00:03:16,000 --> 00:03:18,000
I don't believe that.
57
00:03:18,000 --> 00:03:20,000
It's a life-threatening thing.
58
00:03:20,000 --> 00:03:22,000
It's a bit difficult to preserve the sacred relics.
59
00:03:22,000 --> 00:03:25,000
That's the magic.
60
00:03:25,000 --> 00:03:29,000
The Nagasastra in the sacred relics should be in the hands of the Durmars.
61
00:03:29,000 --> 00:03:32,000
The Sarpa Jatya should be in the hands of the Durmars.
62
00:03:32,000 --> 00:03:36,000
The Krishnasarpa in the sacred relics should be preserved.
63
00:03:36,000 --> 00:03:39,000
The Krishnasarpa in the sacred relics should be preserved.
64
00:03:39,000 --> 00:03:42,000
I don't believe anything I see with my eyes.
65
00:03:42,000 --> 00:03:45,000
I don't believe anything I see with my eyes.
66
00:03:45,000 --> 00:03:46,000
Okay.
67
00:03:47,000 --> 00:03:48,000
Come with me.
68
00:03:48,000 --> 00:03:49,000
Sami.
69
00:03:49,000 --> 00:03:50,000
Come.
70
00:04:00,000 --> 00:04:03,000
You should not enter this sacred relics.
71
00:04:07,000 --> 00:04:08,000
Look, Mother.
72
00:04:08,000 --> 00:04:12,000
In the Nagasastra, the sacred relics should be in the hands of the Durmars.
73
00:04:12,000 --> 00:04:14,000
That sacred relics should be in the hands of the Durmars.
74
00:04:14,000 --> 00:04:19,000
I will take that sacred relics from here.
75
00:04:36,000 --> 00:04:41,000
I will take that sacred relics from here.
76
00:05:06,000 --> 00:05:08,000
Come with me.
77
00:05:36,000 --> 00:05:38,000
Come with me.
78
00:06:06,000 --> 00:06:08,000
Come with me.
79
00:06:36,000 --> 00:06:38,000
Did you see, Mother?
80
00:06:38,000 --> 00:06:41,000
I closed this sacred relics through the sacred relics.
81
00:06:41,000 --> 00:06:44,000
It lost all its magical powers.
82
00:06:44,000 --> 00:06:46,000
Now it is empty.
83
00:06:46,000 --> 00:06:48,000
If I close the sacred relics again,
84
00:06:48,000 --> 00:06:51,000
it will not be empty in this sacred relics.
85
00:06:51,000 --> 00:06:53,000
Try it if you want.
86
00:06:53,000 --> 00:06:58,000
If I close the sacred relics again,
87
00:06:58,000 --> 00:07:01,000
it will not be empty in this sacred relics.
88
00:07:01,000 --> 00:07:03,000
Try it if you want.
89
00:07:23,000 --> 00:07:26,000
Don't you have any more respect for my son?
90
00:07:28,000 --> 00:07:31,000
Until he is in that sacred relics,
91
00:07:31,000 --> 00:07:33,000
no matter how long it takes,
92
00:07:33,000 --> 00:07:35,000
it should be in that sacred relics.
93
00:07:36,000 --> 00:07:38,000
If you tell me the truth,
94
00:07:38,000 --> 00:07:40,000
I will not be in that sacred relics.
95
00:07:40,000 --> 00:07:41,000
Leave it.
96
00:07:42,000 --> 00:07:43,000
Okay.
97
00:08:23,000 --> 00:08:25,000
Come with me.
98
00:08:53,000 --> 00:08:55,000
Come with me.
99
00:09:06,000 --> 00:09:08,000
Hey, Gopi has come.
100
00:09:10,000 --> 00:09:12,000
Hey Gopi, don't cry as a child.
101
00:09:12,000 --> 00:09:13,000
We will listen to you.
102
00:09:13,000 --> 00:09:14,000
Okay, let's go.
103
00:09:23,000 --> 00:09:25,000
Thank you for watching.
|
https://youtube.com/watch?v=nz2Hf0oDjLk | 1
00:00:00,000 --> 00:00:02,300
She was in the car accident when she was two.
2
00:00:02,300 --> 00:00:04,500
She went again behind her injuries, but her father died.
3
00:00:04,500 --> 00:00:05,500
That was 12 years ago.
4
00:00:05,500 --> 00:00:06,500
You think that's pertinent?
5
00:00:06,500 --> 00:00:08,500
No, I think it's sad.
6
00:00:08,500 --> 00:00:12,500
She got sick in the middle of her 14th birthday party.
7
00:00:12,500 --> 00:00:14,500
Which is sad and pertinent.
8
00:00:14,500 --> 00:00:17,000
Maybe she was opening a present that triggered the reaction.
9
00:00:17,000 --> 00:00:18,000
Who's house?
10
00:00:18,000 --> 00:00:19,500
Pissing contest with four minutes.
11
00:00:19,500 --> 00:00:21,000
Last thing she ate was strawberry cake,
12
00:00:21,000 --> 00:00:22,500
but allergy tests for everything were negative.
13
00:00:22,500 --> 00:00:24,000
You like your dentist?
14
00:00:24,000 --> 00:00:25,500
I'm still going to my pediatric one.
15
00:00:25,500 --> 00:00:27,000
What's your dentist name?
16
00:00:28,500 --> 00:00:29,500
Williams.
17
00:00:29,500 --> 00:00:31,000
It's not an allergic reaction.
18
00:00:31,000 --> 00:00:35,000
Hereditary angioedema or systemic mastocytosis could mimic anaphylaxis.
19
00:00:35,000 --> 00:00:36,000
You're not sure of his name?
20
00:00:36,000 --> 00:00:38,000
You just saw him this morning.
21
00:00:38,000 --> 00:00:40,000
The assistant's name is Angie.
22
00:00:40,000 --> 00:00:41,000
Her home number is...
23
00:00:41,000 --> 00:00:43,000
Normal complement studies, no skin lesions.
24
00:00:43,000 --> 00:00:45,000
You had a manicure.
25
00:00:45,000 --> 00:00:46,000
This is fresh.
26
00:00:46,000 --> 00:00:47,000
You weren't the dentist.
27
00:00:47,000 --> 00:00:48,000
Why would you lie about that?
28
00:00:48,000 --> 00:00:49,000
To avoid having this conversation.
29
00:00:49,000 --> 00:00:50,000
I'm a bit of BP.
30
00:00:50,000 --> 00:00:51,000
What about phylocomocytosis?
31
00:00:51,000 --> 00:00:54,000
Or an anaphylactoid reaction which could be triggered by certain opioids.
32
00:00:54,000 --> 00:00:56,000
You've had your hair cut three times since I've met you.
33
00:00:56,000 --> 00:00:58,000
You can't be embarrassed about a manicure.
34
00:00:58,000 --> 00:00:59,500
There's got to be a deeper reason.
35
00:00:59,500 --> 00:01:00,500
Did the house give you homework?
36
00:01:00,500 --> 00:01:01,500
She's not on any meds.
37
00:01:01,500 --> 00:01:02,500
Haven't you heard?
38
00:01:02,500 --> 00:01:03,500
Everybody lies.
39
00:01:03,500 --> 00:01:04,500
And the talk screen was clean.
40
00:01:04,500 --> 00:01:06,500
Feel free to jump in at any time.
41
00:01:08,500 --> 00:01:12,500
We'll check how to call a means for pheo among an expanded opioid panel.
42
00:01:12,500 --> 00:01:15,500
You see what the patient says about drug use when her mother's out of the room.
43
00:01:19,500 --> 00:01:20,500
No, never.
44
00:01:20,500 --> 00:01:21,500
Nobody's here to bust your iris.
45
00:01:21,500 --> 00:01:22,500
We just need to know if...
46
00:01:22,500 --> 00:01:23,500
No, I already told you.
47
00:01:23,500 --> 00:01:25,500
I just take vitamin C sometimes.
48
00:01:26,000 --> 00:01:29,000
What exactly were you doing when you had your reaction?
49
00:01:29,000 --> 00:01:31,000
Opening a birthday present.
50
00:01:31,000 --> 00:01:33,000
The magic eight ball.
51
00:01:33,000 --> 00:01:35,000
The joke gift, not the cocaine.
52
00:01:35,000 --> 00:01:37,000
Is that it?
53
00:01:38,000 --> 00:01:41,000
Certain drugs could explain her reaction.
54
00:01:44,000 --> 00:01:46,000
What kind of drugs?
55
00:01:46,000 --> 00:01:48,000
What kind did you have in mind?
56
00:01:50,000 --> 00:01:52,000
Iris has always been a moody girl.
57
00:01:52,000 --> 00:01:55,000
And now that she's a teenager, it's gotten worse.
58
00:01:55,000 --> 00:01:59,000
So for the past few months, I've been giving something to relax her.
59
00:01:59,000 --> 00:02:00,000
Die as a pam.
60
00:02:00,000 --> 00:02:02,000
I tell her it's vitamin C.
61
00:02:02,000 --> 00:02:05,000
Being normal is very important to Iris.
62
00:02:05,000 --> 00:02:08,000
She couldn't handle the thought of being on meds.
63
00:02:08,000 --> 00:02:11,000
Anti-anxiety medications would explain it.
64
00:02:11,000 --> 00:02:15,000
If we keep her off, she'll be moody, but healthy.
65
00:02:18,000 --> 00:02:20,000
Or it's something else.
66
00:02:20,000 --> 00:02:22,000
Feeling any pain or cramp in here?
67
00:02:22,000 --> 00:02:24,000
A bit.
68
00:02:24,000 --> 00:02:26,000
But not just there.
69
00:02:26,000 --> 00:02:28,000
Here.
70
00:02:28,000 --> 00:02:30,000
Breast tenderness.
71
00:02:30,000 --> 00:02:32,000
Have you been having regular periods, Iris?
72
00:02:32,000 --> 00:02:34,000
Not really.
73
00:02:34,000 --> 00:02:36,000
What is it?
74
00:02:36,000 --> 00:02:38,000
I think we should run a pregnancy test.
75
00:02:38,000 --> 00:02:40,000
Iris isn't sexually active.
76
00:02:40,000 --> 00:02:42,000
She doesn't even have a boyfriend.
77
00:02:42,000 --> 00:02:44,000
Pregnancy would explain all of her symptoms,
78
00:02:44,000 --> 00:02:46,000
can even cause some unpredictable allergic reactions.
79
00:02:46,000 --> 00:02:49,000
How can I be pregnant if I've never even had sex?
80
00:02:49,000 --> 00:02:51,000
We just need to drop the blood.
81
00:02:54,000 --> 00:02:56,000
What's the matter?
82
00:02:56,000 --> 00:02:58,000
My...my lungs.
83
00:02:58,000 --> 00:03:00,000
I can't be in my lungs.
84
00:03:03,000 --> 00:03:05,000
Blood work was negative for HIV.
85
00:03:05,000 --> 00:03:07,000
All the money's on tumor.
86
00:03:08,000 --> 00:03:10,000
How was the Brazilian?
87
00:03:10,000 --> 00:03:12,000
It was fine.
88
00:03:12,000 --> 00:03:13,000
Heard a bit.
89
00:03:13,000 --> 00:03:14,000
What about house's theory?
90
00:03:14,000 --> 00:03:15,000
Why'd you really do it?
91
00:03:15,000 --> 00:03:16,000
Because I'm vain and shallow.
92
00:03:16,000 --> 00:03:17,000
And you weren't before?
93
00:03:17,000 --> 00:03:18,000
Girl I was seeing wasn't.
94
00:03:18,000 --> 00:03:20,000
There's nothing profound here.
95
00:03:20,000 --> 00:03:22,000
No tumor either.
96
00:03:22,000 --> 00:03:24,000
It's not her brain.
97
00:03:26,000 --> 00:03:28,000
Everything looks good.
98
00:03:31,000 --> 00:03:32,000
What's the matter?
99
00:03:32,000 --> 00:03:33,000
My arms.
100
00:03:33,000 --> 00:03:34,000
Still nothing?
101
00:03:34,000 --> 00:03:35,000
No, now they're sore.
102
00:03:35,000 --> 00:03:37,000
Peristitia's gone.
103
00:03:47,000 --> 00:03:49,000
Are you bruising me caused by physical trauma?
104
00:03:49,000 --> 00:03:51,000
You think she fell out of bed repeatedly?
105
00:03:51,000 --> 00:03:53,000
A blood disorder, maybe thrombocytopenia.
106
00:03:53,000 --> 00:03:56,000
A vitamin K deficiency or scurvy could explain bleeding problems
107
00:03:56,000 --> 00:03:58,000
and pregnancy could exacerbate it.
108
00:03:58,000 --> 00:04:00,000
Boys do a home search.
109
00:04:00,000 --> 00:04:02,000
Girls do lab tests.
110
00:04:02,000 --> 00:04:04,000
Pretty sure that's not sexist.
111
00:04:08,000 --> 00:04:10,000
I met him at school.
112
00:04:10,000 --> 00:04:13,000
He was the only boy that liked me.
113
00:04:13,000 --> 00:04:15,000
It's a little more than like.
114
00:04:15,000 --> 00:04:17,000
We haven't had sex.
115
00:04:17,000 --> 00:04:19,000
Oh, come on, Iris.
116
00:04:19,000 --> 00:04:20,000
You're pregnant.
117
00:04:20,000 --> 00:04:22,000
So I'm just lying about everything?
118
00:04:22,000 --> 00:04:24,000
Well, you lied about the boyfriend.
119
00:04:24,000 --> 00:04:27,000
You obviously lied about sex and this...
120
00:04:27,000 --> 00:04:28,000
Garbage.
121
00:04:28,000 --> 00:04:29,000
There is.
122
00:04:29,000 --> 00:04:31,000
He can't keep them at his place.
123
00:04:31,000 --> 00:04:34,000
Well, I'm glad we could be so accommodating.
124
00:04:34,000 --> 00:04:36,000
What else don't I know?
125
00:04:44,000 --> 00:04:45,000
Honey?
126
00:04:46,000 --> 00:04:48,000
What is it?
127
00:04:51,000 --> 00:04:53,000
He came here last night.
128
00:04:53,000 --> 00:04:56,000
And he told me I should leave.
129
00:04:56,000 --> 00:04:59,000
But I didn't want to and he got mad at me.
130
00:05:02,000 --> 00:05:03,000
He hit you?
131
00:05:03,000 --> 00:05:04,000
Physical trauma.
132
00:05:04,000 --> 00:05:05,000
Explained the negatives of the blood disorder.
133
00:05:05,000 --> 00:05:07,000
I should call the police.
134
00:05:07,000 --> 00:05:09,000
I won't tell them anything.
135
00:05:09,000 --> 00:05:12,000
That's ridiculous. He beat you.
136
00:05:17,000 --> 00:05:18,000
What is it?
137
00:05:18,000 --> 00:05:20,000
It's getting hard to see.
138
00:05:20,000 --> 00:05:22,000
What the hell is happening to me?
139
00:05:22,000 --> 00:05:23,000
MRA was normal.
140
00:05:23,000 --> 00:05:24,000
Yeah.
141
00:05:24,000 --> 00:05:26,000
How did you find out where your boyfriend lives?
142
00:05:26,000 --> 00:05:28,000
When I paid him a visit, he took off,
143
00:05:28,000 --> 00:05:30,000
ran in front of a car.
144
00:05:30,000 --> 00:05:31,000
You're lying.
145
00:05:31,000 --> 00:05:33,000
He's down in the yard right now.
146
00:05:33,000 --> 00:05:35,000
Shut up, you lying sack of crap.
147
00:05:35,000 --> 00:05:36,000
Iris.
148
00:05:36,000 --> 00:05:38,000
How do you know I'm lying?
149
00:05:38,000 --> 00:05:40,000
How do you know your boyfriend's okay?
150
00:05:40,000 --> 00:05:42,000
Because I'm right here, you dick.
151
00:05:43,000 --> 00:05:46,000
Iris has dissociative identity disorder,
152
00:05:46,000 --> 00:05:49,000
also known as multiple personality disorder.
153
00:05:49,000 --> 00:05:51,000
Are you saying I'm crazy?
154
00:05:51,000 --> 00:05:53,000
It's the mind's response to a severe trauma.
155
00:05:53,000 --> 00:05:56,000
A person experiences something that's too difficult to accept,
156
00:05:56,000 --> 00:05:59,000
so they create ultimate personalities that don't have to accept it.
157
00:05:59,000 --> 00:06:01,000
Some think it's quite a natural reaction.
158
00:06:01,000 --> 00:06:03,000
Iris hasn't had any severe traumas.
159
00:06:03,000 --> 00:06:05,000
The car accident?
160
00:06:05,000 --> 00:06:06,000
I was too.
161
00:06:06,000 --> 00:06:08,000
I don't remember anything.
162
00:06:08,000 --> 00:06:10,000
I don't remember anything.
163
00:06:10,000 --> 00:06:13,000
These personalities that I'm supposed to have,
164
00:06:13,000 --> 00:06:14,000
where are they?
165
00:06:14,000 --> 00:06:16,000
They only come out when you're afraid or anxious.
166
00:06:16,000 --> 00:06:18,000
That's why House used the heard boyfriend story.
167
00:06:18,000 --> 00:06:20,000
But if there's no boyfriend,
168
00:06:20,000 --> 00:06:22,000
where did the bruises come from?
169
00:06:22,000 --> 00:06:24,000
The pregnancy.
170
00:06:24,000 --> 00:06:26,000
When you say your boyfriend hit you,
171
00:06:26,000 --> 00:06:29,000
it means you actually hit yourself.
172
00:06:29,000 --> 00:06:33,000
And the pregnancy doesn't take a boyfriend,
173
00:06:33,000 --> 00:06:35,000
just a boy.
174
00:06:35,000 --> 00:06:39,000
You may not be aware of half the things you've done.
175
00:06:43,000 --> 00:06:45,000
How could this be happening
176
00:06:45,000 --> 00:06:47,000
to my own daughter without me knowing it?
177
00:06:47,000 --> 00:06:49,000
Diazepine was masking it.
178
00:06:49,000 --> 00:06:51,000
Taking her off made her more apparent.
179
00:06:51,000 --> 00:06:54,000
But I wasn't on Diazepine.
180
00:06:54,000 --> 00:06:56,000
What is that?
181
00:06:56,000 --> 00:06:58,000
Yeah.
182
00:06:58,000 --> 00:07:01,000
That's what those vitamin pills were.
183
00:07:01,000 --> 00:07:04,000
Iris, I am so sorry.
184
00:07:04,000 --> 00:07:06,000
I just, I thought you were moody.
185
00:07:06,000 --> 00:07:09,000
I didn't want you to think you needed medication.
186
00:07:09,000 --> 00:07:11,000
Oh, my God.
187
00:07:11,000 --> 00:07:14,000
I can't believe how stupid I've been.
188
00:07:14,000 --> 00:07:16,000
We need you to have some rest.
189
00:07:16,000 --> 00:07:18,000
We need you to have some rest.
190
00:07:18,000 --> 00:07:20,000
We need you to have some rest.
191
00:07:20,000 --> 00:07:22,000
We need you to have some rest.
192
00:07:22,000 --> 00:07:24,000
We need you to have some rest.
193
00:07:24,000 --> 00:07:26,000
I like that.
194
00:07:27,000 --> 00:07:30,000
We need you to help us with something.
195
00:07:30,000 --> 00:07:33,000
Different altars can have different apparent symptoms.
196
00:07:33,000 --> 00:07:36,000
Allergies, paracetia, vision loss, changes in blood pressure.
197
00:07:36,000 --> 00:07:38,000
Do you think I'm making this up?
198
00:07:38,000 --> 00:07:40,000
Your symptoms are real.
199
00:07:40,000 --> 00:07:42,000
But some are physiological and others are psychological.
200
00:07:42,000 --> 00:07:44,000
So there's something wrong with her?
201
00:07:44,000 --> 00:07:46,000
In addition to the multiple personalities?
202
00:07:46,000 --> 00:07:49,000
Yes, but we won't know what until we access her altars
203
00:07:49,000 --> 00:07:51,000
and compare their symptoms.
204
00:07:51,000 --> 00:07:53,000
Well, how do you do that?
205
00:07:53,000 --> 00:07:55,000
Hypnosis.
206
00:07:57,000 --> 00:07:59,000
Who am I talking to now?
207
00:08:00,000 --> 00:08:02,000
Nobody.
208
00:08:03,000 --> 00:08:05,000
You must be somebody.
209
00:08:05,000 --> 00:08:07,000
I'm too little.
210
00:08:08,000 --> 00:08:10,000
Nobody sees me.
211
00:08:10,000 --> 00:08:12,000
Nobody knows I'm here.
212
00:08:12,000 --> 00:08:15,000
Your beat just went to 140 over 90.
213
00:08:17,000 --> 00:08:19,000
What is it?
214
00:08:19,000 --> 00:08:21,000
My arms.
215
00:08:21,000 --> 00:08:23,000
Do you feel them?
216
00:08:24,000 --> 00:08:26,000
It's okay, we can fix that.
217
00:08:27,000 --> 00:08:29,000
Do you hurt anywhere else?
218
00:08:29,000 --> 00:08:31,000
Not right now.
219
00:08:31,000 --> 00:08:33,000
But you used to hurt?
220
00:08:33,000 --> 00:08:36,000
When I eat strawberries.
221
00:08:39,000 --> 00:08:41,000
And when I remember.
222
00:08:42,000 --> 00:08:44,000
Do you remember being hurt?
223
00:08:45,000 --> 00:08:47,000
I remember everything.
224
00:08:51,000 --> 00:08:53,000
No.
225
00:09:03,000 --> 00:09:05,000
Baby.
226
00:09:07,000 --> 00:09:09,000
It's going to be okay.
227
00:09:21,000 --> 00:09:23,000
Baby.
228
00:09:33,000 --> 00:09:35,000
I was...
229
00:09:35,000 --> 00:09:37,000
Why didn't you ever tell me?
230
00:09:39,000 --> 00:09:41,000
It was my fault that he died.
231
00:09:41,000 --> 00:09:43,000
Oh, no.
232
00:09:43,000 --> 00:09:45,000
It was what?
233
00:09:45,000 --> 00:09:47,000
I was crying and he couldn't dry.
234
00:09:47,000 --> 00:09:49,000
It was my fault that he died.
235
00:09:49,000 --> 00:09:51,000
And he was just a baby.
236
00:09:51,000 --> 00:09:53,000
It was my fault.
237
00:09:53,000 --> 00:09:55,000
It was my fault.
238
00:09:55,000 --> 00:09:57,000
I'm sorry, baby.
239
00:09:59,000 --> 00:10:01,000
I'm so sorry.
240
00:10:19,000 --> 00:10:21,000
You
|
https://youtube.com/watch?v=UX8OOcTNNq8 | 1
00:00:00,000 --> 00:00:14,880
feel free to take one or two easier steps or recipe or do as much of your time!
2
00:00:15,120 --> 00:00:23,520
According to a straight line, enjoy at the high end of the round,
3
00:00:23,520 --> 00:00:33,520
enjoy at the high end of the round and enjoy at the high end of the round!
|
https://youtube.com/watch?v=Gqcg-7LWCdg | 1
00:00:00,000 --> 00:00:03,000
Hey, Dave, cut it!
2
00:00:03,000 --> 00:00:06,000
Hold on a second. I can do this.
3
00:00:06,000 --> 00:00:08,000
And I think that it's sweet that you think you can.
4
00:00:08,000 --> 00:00:10,000
Just tell me what you're looking for.
5
00:00:10,000 --> 00:00:12,000
I'm looking for someone who can do the routine.
6
00:00:12,000 --> 00:00:15,000
You're going to make me believe that you belong up there.
7
00:00:15,000 --> 00:00:18,000
You want to show me something? Show me that.
8
00:00:18,000 --> 00:00:21,000
All right. Which number do you want to see?
9
00:00:21,000 --> 00:00:23,000
I know every single one.
10
00:00:23,000 --> 00:00:26,000
I know every single one.
11
00:00:26,000 --> 00:00:29,000
All right. Which number do you want to see?
12
00:00:29,000 --> 00:00:31,000
I know every single one of them.
13
00:00:31,000 --> 00:00:33,000
You know every single number.
14
00:00:33,000 --> 00:00:36,000
Which one do you want to see?
15
00:00:36,000 --> 00:00:38,000
What's going on?
16
00:00:56,000 --> 00:01:09,000
You know, you were off the whole last half.
17
00:01:09,000 --> 00:01:12,000
Oh, come on, Tess. Come on. I'll practice till I bleed.
18
00:01:12,000 --> 00:01:14,000
I know I can do this.
19
00:01:14,000 --> 00:01:16,000
You know, we have better dancers.
20
00:01:16,000 --> 00:01:18,000
Well, you say thank you very much and goodbye.
21
00:01:18,000 --> 00:01:20,000
Didn't anybody ever give you a shot in life? Please.
22
00:01:20,000 --> 00:01:21,000
I want this so bad.
23
00:01:21,000 --> 00:01:23,000
If you just give me a chance, I...
24
00:01:23,000 --> 00:01:25,000
All right! God!
25
00:01:25,000 --> 00:01:27,000
You got the job!
26
00:01:29,000 --> 00:01:32,000
What are you so excited about? She's your replacement.
|
https://youtube.com/watch?v=QGqIkW6mKFc | 1
00:00:00,000 --> 00:00:04,200
My god, I haven't been fucked like that since grade school.
2
00:00:05,200 --> 00:00:07,200
I loved writing that line in Fight Club.
3
00:00:07,200 --> 00:00:10,000
The most romantic thing that Marla can say is,
4
00:00:10,000 --> 00:00:11,200
I want to have your baby.
5
00:00:11,200 --> 00:00:14,600
She says, I hope I got pregnant because I really want to have your abortion.
6
00:00:15,800 --> 00:00:20,600
And that's the line that the movie studio went around and around.
7
00:00:20,600 --> 00:00:23,800
And even Brad Pitt said, you know, my mom's going to see this movie.
8
00:00:24,400 --> 00:00:26,900
I don't want her to see this line.
9
00:00:27,900 --> 00:00:31,700
And they shot that scene with so many different substitute lines.
10
00:00:32,100 --> 00:00:33,900
And then finally Fincher wrote the line.
11
00:00:33,900 --> 00:00:36,700
It says, I haven't been fucked like that since grade school.
12
00:00:37,900 --> 00:00:41,900
And at that point, 20th Century Fox said, can we switch it back to the abortion line?
|
https://youtube.com/watch?v=PH5J38KAkNc | 1
00:00:00,000 --> 00:00:04,520
But you're going to play come on your teammates are counting on you
2
00:00:05,040 --> 00:00:06,800
Yeah, right
3
00:00:06,800 --> 00:00:08,800
I'm no way to let's get on the team
4
00:00:09,400 --> 00:00:13,120
No one even knows from there and besides all I do is ball
5
00:00:20,800 --> 00:00:22,800
Are you nuts he can't play
6
00:00:26,880 --> 00:00:28,880
What I don't know how to
7
00:00:30,000 --> 00:00:32,000
The
8
00:01:00,000 --> 00:01:02,160
You know
|
https://youtube.com/watch?v=73TgW_8EGEA | 1
00:00:00,000 --> 00:00:04,000
I love that!
2
00:00:08,000 --> 00:00:11,000
Hey Chhattah! Chhattah!
3
00:00:11,000 --> 00:00:12,000
Where did you go?
4
00:00:12,000 --> 00:00:13,000
Open the door!
5
00:00:15,000 --> 00:00:17,000
Who are you? What are you doing?
6
00:00:18,000 --> 00:00:19,000
Where is that rat?
7
00:00:19,000 --> 00:00:21,000
Who is that rat? Who are you talking about?
8
00:00:21,000 --> 00:00:25,000
Your husband has been cheating the police for so many months.
9
00:00:26,000 --> 00:00:28,000
I'm going to perium today.
10
00:00:28,000 --> 00:00:29,000
Hey, hey, hey!
11
00:00:29,000 --> 00:00:30,000
I'll kill you!
12
00:00:30,000 --> 00:00:32,000
He's not here. You get out of here.
13
00:00:32,000 --> 00:00:34,000
He's here and you've hidden him.
14
00:00:34,000 --> 00:00:35,000
Who are you to ask me?
15
00:00:35,000 --> 00:00:37,000
Police! And he can't escape from me today.
16
00:00:47,000 --> 00:00:48,000
Get out of here!
17
00:00:48,000 --> 00:00:49,000
Who are you?
18
00:00:49,000 --> 00:00:50,000
He's not my husband.
19
00:00:50,000 --> 00:00:51,000
Suwar!
20
00:00:51,000 --> 00:00:52,000
Suwar!
21
00:00:53,000 --> 00:00:54,000
What are you doing?
22
00:00:54,000 --> 00:00:55,000
What are you doing?
23
00:00:55,000 --> 00:00:56,000
What are you doing?
24
00:00:59,000 --> 00:01:00,000
Hey, Chhattah!
25
00:01:01,000 --> 00:01:02,000
Hey, Chhattah!
26
00:01:06,000 --> 00:01:07,000
Hey, Chhattah!
27
00:01:08,000 --> 00:01:09,000
Hey, Chhattah!
28
00:01:11,000 --> 00:01:12,000
Come on!
29
00:01:21,000 --> 00:01:22,000
Hey, Chhattah!
30
00:01:31,000 --> 00:01:32,000
Boss!
31
00:01:34,000 --> 00:01:35,000
Police!
32
00:01:52,000 --> 00:01:53,000
Shhh!
33
00:01:56,000 --> 00:01:57,000
Boss!
34
00:01:57,000 --> 00:01:58,000
What is it?
35
00:01:58,000 --> 00:01:59,000
Room number 8013.
36
00:01:59,000 --> 00:02:01,000
Hey, open the door. Go and catch him.
37
00:02:01,000 --> 00:02:03,000
Boss, you said you don't have to spend money in the hotel.
38
00:02:03,000 --> 00:02:05,000
That's why I sent him out.
39
00:02:07,000 --> 00:02:09,000
Open the door, you rascal!
40
00:02:10,000 --> 00:02:12,000
You've been running away from the police for so many months.
41
00:02:13,000 --> 00:02:15,000
Today is the last day of your life.
42
00:02:15,000 --> 00:02:17,000
I won't spare you today.
43
00:02:18,000 --> 00:02:20,000
You can't escape from me today.
44
00:02:21,000 --> 00:02:23,000
Open the door, you rascal!
45
00:02:24,000 --> 00:02:26,000
Open the door!
46
00:02:46,000 --> 00:02:47,000
I know you're inside.
47
00:02:48,000 --> 00:02:50,000
Open the door or else I'll break it.
48
00:02:52,000 --> 00:02:54,000
Why is this happening?
49
00:02:54,000 --> 00:02:56,000
Open the door!
50
00:02:56,000 --> 00:02:57,000
Open the door!
51
00:03:00,000 --> 00:03:01,000
Where's my daughter?
52
00:03:02,000 --> 00:03:03,000
Where's your daughter?
53
00:03:03,000 --> 00:03:05,000
Your mother is having her food.
54
00:03:21,000 --> 00:03:24,000
Open the door!
|
https://youtube.com/watch?v=bRl6D4_VkWo | 1
00:00:00,000 --> 00:00:01,600
Do you want to play a game?
2
00:00:04,600 --> 00:00:05,600
Catch!
3
00:00:22,200 --> 00:00:24,400
It's okay. You guys are good. You safe. Get out of here.
4
00:00:25,000 --> 00:00:27,800
You think your fancy new suit's gonna save you?
5
00:00:30,600 --> 00:00:35,000
You should have killed your little girlfriend when I had the chance.
6
00:00:39,000 --> 00:00:40,000
What did you just say?
7
00:00:41,000 --> 00:00:42,000
Looks like we got competition.
8
00:01:00,000 --> 00:01:01,000
Get out of here!
9
00:01:13,000 --> 00:01:15,000
Peter! Help!
10
00:01:30,000 --> 00:01:32,000
Don't worry, ma'am! I'm coming!
11
00:01:41,000 --> 00:01:42,000
Peter!
12
00:02:00,000 --> 00:02:13,000
Ma'am, just stay calm. Just take a deep breath. Are you okay?
13
00:02:16,000 --> 00:02:18,000
I promise I've got this all under control.
14
00:02:26,000 --> 00:02:27,000
Suit compromised.
15
00:02:28,000 --> 00:02:32,000
Nanosecnology? Are you about done yourself, Peter?
16
00:02:39,000 --> 00:02:43,000
I underestimated you. But now you die.
17
00:02:58,000 --> 00:03:00,000
You're not Peter Parker.
18
00:03:01,000 --> 00:03:03,000
I am so confused right now.
19
00:03:05,000 --> 00:03:06,000
What's happening?
20
00:03:07,000 --> 00:03:08,000
New device detected.
21
00:03:10,000 --> 00:03:11,000
Pairing new device.
22
00:03:15,000 --> 00:03:18,000
You don't listen to him. You listen to me.
23
00:03:24,000 --> 00:03:25,000
Hey!
24
00:03:27,000 --> 00:03:33,000
Hey! Hey! Listen to me! No, not him! Me!
25
00:03:40,000 --> 00:03:43,000
Man, you okay? Come on, you can still make your flight.
26
00:03:58,000 --> 00:03:59,000
Get down there!
27
00:04:12,000 --> 00:04:14,000
Strong enough to have it all?
28
00:04:18,000 --> 00:04:19,000
Two weeks to take it!
29
00:04:28,000 --> 00:04:30,000
You got this!
30
00:04:30,000 --> 00:04:31,000
Yes!
31
00:04:55,000 --> 00:04:56,000
Now I got you.
32
00:04:57,000 --> 00:05:00,000
I told you there'd be consequences!
33
00:05:18,000 --> 00:05:24,000
Your weakness, Peter, is morality. It's choking you.
34
00:05:26,000 --> 00:05:27,000
Can't you feel it?
35
00:05:35,000 --> 00:05:36,000
It didn't work.
36
00:05:38,000 --> 00:05:42,000
Harman was right. He got it from you. That pathetic...
37
00:05:43,000 --> 00:05:44,000
Sickness!
38
00:05:48,000 --> 00:05:50,000
You tried to fix me.
39
00:05:51,000 --> 00:05:52,000
Me go.
40
00:05:53,000 --> 00:05:54,000
Now I'm gonna fix you.
41
00:05:57,000 --> 00:05:59,000
May I run, please?
42
00:06:10,000 --> 00:06:15,000
Peter, Peter, Peter. No good deed goes unpunished.
43
00:06:16,000 --> 00:06:18,000
You can thank me later.
44
00:06:27,000 --> 00:06:28,000
No!
45
00:06:40,000 --> 00:06:41,000
I missed you, man!
46
00:06:44,000 --> 00:06:46,000
All right, MJ, heads up!
47
00:06:47,000 --> 00:06:48,000
Got it, close it.
48
00:06:52,000 --> 00:06:53,000
Now it's our closing.
49
00:06:53,000 --> 00:06:54,000
Yeah, I know.
50
00:06:54,000 --> 00:06:55,000
Why isn't it closing?
51
00:06:55,000 --> 00:06:56,000
I don't know.
52
00:06:56,000 --> 00:06:57,000
Did you close it before? No?
53
00:06:57,000 --> 00:06:59,000
No, I mean, I've opened some...
54
00:07:08,000 --> 00:07:09,000
Max, Max, Max!
55
00:07:09,000 --> 00:07:10,000
Will you just talk?
56
00:07:10,000 --> 00:07:11,000
For a second, just you and me, just talk!
57
00:07:11,000 --> 00:07:12,000
Look who showed up!
58
00:07:13,000 --> 00:07:14,000
My old friend, Spider-Man.
59
00:07:14,000 --> 00:07:16,000
Trying to save you, Max. That's all I've ever wanted.
60
00:07:16,000 --> 00:07:17,000
Is she not trying to save me?
61
00:07:17,000 --> 00:07:18,000
I am.
62
00:07:18,000 --> 00:07:20,000
You ain't even the shit no more.
63
00:07:21,000 --> 00:07:22,000
Don't worry about me.
64
00:07:22,000 --> 00:07:23,000
Save myself.
65
00:07:24,000 --> 00:07:25,000
Burn up!
66
00:07:27,000 --> 00:07:29,000
I got his attention, now what?
67
00:07:29,000 --> 00:07:30,000
Okay, great!
68
00:07:31,000 --> 00:07:34,000
Just FYI, lizard guy's here, too!
69
00:07:36,000 --> 00:07:37,000
Guys, cop check! Hello!
70
00:07:38,000 --> 00:07:39,000
I need Max's cure!
71
00:07:39,000 --> 00:07:41,000
Yeah, come on in!
72
00:07:42,000 --> 00:07:43,000
Peter, I need the lizard cure!
73
00:07:44,000 --> 00:07:45,000
Okay, okay!
74
00:07:50,000 --> 00:07:52,000
Where's the box, Peter?
75
00:07:52,000 --> 00:07:54,000
Flynn, we can help everyone!
76
00:07:54,000 --> 00:07:55,000
I don't care!
77
00:08:07,000 --> 00:08:08,000
It's all right!
78
00:08:10,000 --> 00:08:11,000
Sad to tell you, Sam-Man.
79
00:08:12,000 --> 00:08:13,000
Nobody's going home!
80
00:08:22,000 --> 00:08:23,000
No!
81
00:08:29,000 --> 00:08:30,000
No!
82
00:08:30,000 --> 00:08:53,000
What the hell is going on out there?
83
00:08:53,000 --> 00:08:54,000
I can be yelling at you, Peter!
84
00:08:55,000 --> 00:08:57,000
I thought you were Peter, too?!
85
00:08:57,000 --> 00:08:58,000
What?! I'm not Peter, too!
86
00:08:58,000 --> 00:08:59,000
Stop arguing, both of you!
87
00:08:59,000 --> 00:09:00,000
Listen to Peter 1.
88
00:09:00,000 --> 00:09:02,000
Look, we're clearly not very good at this.
89
00:09:02,000 --> 00:09:03,000
I know, I know, we suck.
90
00:09:03,000 --> 00:09:05,000
I don't know how to work as a team.
91
00:09:05,000 --> 00:09:06,000
Me neither.
92
00:09:06,000 --> 00:09:07,000
Well, I do.
93
00:09:07,000 --> 00:09:08,000
I have been in a team, okay?
94
00:09:08,000 --> 00:09:10,000
I don't want to brag, but I will.
95
00:09:10,000 --> 00:09:11,000
I was in The Avengers.
96
00:09:11,000 --> 00:09:12,000
The Avengers?
97
00:09:12,000 --> 00:09:13,000
Yeah.
98
00:09:13,000 --> 00:09:14,000
That's great.
99
00:09:14,000 --> 00:09:15,000
Thank you.
100
00:09:15,000 --> 00:09:16,000
What is that?
101
00:09:16,000 --> 00:09:17,000
Wait, you don't have The Avengers?
102
00:09:17,000 --> 00:09:18,000
Is that a band?
103
00:09:18,000 --> 00:09:19,000
Are you in a band?
104
00:09:19,000 --> 00:09:20,000
No, I'm not in a band.
105
00:09:20,000 --> 00:09:21,000
No, The Avengers is the Earth...
106
00:09:21,000 --> 00:09:23,000
I mean, I was just helping!
107
00:09:23,000 --> 00:09:24,000
Look, it's not important.
108
00:09:24,000 --> 00:09:26,000
All we gotta do is focus, trust your tingle,
109
00:09:26,000 --> 00:09:28,000
and coordinate our attacks, okay?
110
00:09:28,000 --> 00:09:29,000
Yes.
111
00:09:29,000 --> 00:09:30,000
Okay.
112
00:09:30,000 --> 00:09:31,000
Let's pick one target.
113
00:09:31,000 --> 00:09:32,000
Right.
114
00:09:32,000 --> 00:09:33,000
And we take them off the board one at a time.
115
00:09:33,000 --> 00:09:34,000
Now you got it.
116
00:09:34,000 --> 00:09:35,000
Okay.
117
00:09:35,000 --> 00:09:36,000
Peter 1, Peter 2.
118
00:09:36,000 --> 00:09:37,000
Peter 2.
119
00:09:37,000 --> 00:09:38,000
Peter 3.
120
00:09:38,000 --> 00:09:39,000
Peter 3.
121
00:09:39,000 --> 00:09:40,000
Alright, let's do this.
122
00:09:40,000 --> 00:09:41,000
Ready?
123
00:09:41,000 --> 00:09:42,000
Wait, wait, wait, wait!
124
00:09:42,000 --> 00:09:43,000
I love you guys.
125
00:09:43,000 --> 00:09:44,000
Thank you.
126
00:09:44,000 --> 00:09:45,000
Alright, let's do this.
127
00:09:45,000 --> 00:09:46,000
Let's go.
128
00:09:46,000 --> 00:09:47,000
Yes!
129
00:09:47,000 --> 00:09:48,000
Yes!
130
00:09:48,000 --> 00:09:49,000
Yes!
131
00:09:49,000 --> 00:09:50,000
Yes!
132
00:09:50,000 --> 00:09:51,000
Yes!
133
00:09:51,000 --> 00:09:52,000
Yes!
134
00:09:52,000 --> 00:09:53,000
Yes!
135
00:09:53,000 --> 00:09:54,000
Yes!
136
00:09:54,000 --> 00:09:55,000
Yes!
137
00:09:55,000 --> 00:09:56,000
Yes!
|
https://youtube.com/watch?v=47fHh-9JFe0 | 1
00:00:00,000 --> 00:00:06,080
Ame has been getting lost in stations a lot, not forever, you know, she always finds her way back
2
00:00:06,080 --> 00:00:12,080
She's a bit fascinating to me though because the other day when I said goodbye to her after that yakiniku
3
00:00:12,640 --> 00:00:16,360
Bails and some of the remaining Japanese members they went
4
00:00:17,080 --> 00:00:19,720
partying I was first gonna like join them
5
00:00:20,400 --> 00:00:22,160
but
6
00:00:22,160 --> 00:00:24,280
No, I ended up not feeling like it
7
00:00:24,280 --> 00:00:28,760
So I said bye-bye and then Ame also said bye-bye like we left together
8
00:00:29,640 --> 00:00:34,840
You know, I'm gonna say she'll follow me until like I go into my taxi
9
00:00:34,840 --> 00:00:40,080
I jumped into the taxi and I'm it was supposed to find her way to the train and then
10
00:00:40,480 --> 00:00:46,400
Go home, but she told me later on the next day or so when we went to Enoshima
11
00:00:46,600 --> 00:00:51,280
She told me she she ended up going to like every single
12
00:00:51,840 --> 00:00:53,840
arcade in the area
13
00:00:54,040 --> 00:00:58,640
Every single one and then eventually ended up bumping into the girls again
14
00:00:58,640 --> 00:01:05,200
I'm a really is fascinating to me like oh man. I I applaud her for her courage like you know
15
00:01:07,840 --> 00:01:09,840
Fucking go into it
16
00:01:10,040 --> 00:01:12,040
She's not scared. She's not
|
https://youtube.com/watch?v=7-W7YUsCirY | 1
00:00:00,000 --> 00:00:16,080
We have a lot to talk about.
2
00:00:16,080 --> 00:00:21,440
Actor, Christian, husband, father, abolitionist, acting for 30-plus years, you're a devout
3
00:00:21,440 --> 00:00:22,440
Catholic.
4
00:00:22,440 --> 00:00:25,440
You allow your faith to guide you on the projects that you choose.
5
00:00:25,440 --> 00:00:28,960
You've been married since 1996, which is incredible.
6
00:00:28,960 --> 00:00:34,640
You are a father to three adopted children from China, two with brain tumors and one
7
00:00:34,640 --> 00:00:35,640
that had cancer.
8
00:00:35,640 --> 00:00:42,640
I grew up a Catholic and when I joined the SEAL teams and some of the things that I saw
9
00:00:42,640 --> 00:00:48,960
just destroyed my faith for the better part of 20 years.
10
00:00:48,960 --> 00:00:55,000
That you saw in the SEAL teams or that you saw in your faith?
11
00:00:55,000 --> 00:01:00,400
We spursed into a hotel room where they find the suspect accused of kidnapping an eight-year-old
12
00:01:00,400 --> 00:01:05,840
girl who was caught on a doorbell camera being snatched from her mother's arms.
13
00:01:05,840 --> 00:01:13,440
Help me, help me please.
14
00:01:13,440 --> 00:01:17,960
Tempted kidnapping of a 10-year-old girl caught on camera in Murrietta and tonight we're
15
00:01:17,960 --> 00:01:22,640
hearing from the girl's dad an attempted kidnapping caught on camera.
16
00:01:22,760 --> 00:01:25,640
Investigators are searching for the suspect.
17
00:01:25,640 --> 00:01:31,760
With the piercing scream, doing what she was taught to do, six-year-old Kennedy Nash just
18
00:01:31,760 --> 00:01:34,400
narrowly escaping an alleged abductor.
19
00:01:34,400 --> 00:01:40,400
When you think of principalities of good versus evil, every time you pray for them, you're
20
00:01:40,400 --> 00:01:44,960
moving angels in over them, so you're really affecting them.
21
00:01:44,960 --> 00:01:47,040
They don't like the light on them.
22
00:01:47,040 --> 00:01:48,920
They want the demons around them.
23
00:01:48,920 --> 00:01:55,920
But there are sins that are unforgivable and Jesus talks about those too.
24
00:01:55,920 --> 00:02:03,200
That's the rejection of the Holy Spirit and that is a lot with this whole thing, with
25
00:02:03,200 --> 00:02:11,240
the children that many of them will never, ever get a chance because when a lot of these
26
00:02:11,240 --> 00:02:18,440
pedophiles and when they do these sins, God is telling them, do you understand?
27
00:02:18,440 --> 00:02:20,320
This is it.
28
00:02:20,320 --> 00:02:22,600
And they do it anyway.
29
00:02:22,600 --> 00:02:30,640
And so let the dead bury their dead at that point.
30
00:02:30,640 --> 00:02:31,800
Why would they shun you?
31
00:02:31,800 --> 00:02:35,600
Well, they did it immediately when I took the film.
32
00:02:35,600 --> 00:02:37,640
I was on all the studio lists.
33
00:02:37,640 --> 00:02:42,440
The Christian bigotry is the most accepted form of bigotry there is.
34
00:02:42,440 --> 00:02:53,960
Eli Crane told me there are no free shots on target when you're talking about spiritual
35
00:02:53,960 --> 00:02:55,120
warfare.
36
00:02:55,120 --> 00:03:00,000
Michael the Archangel is a patron saint to the Navy Seals.
37
00:03:00,000 --> 00:03:04,200
Do you know this prayer?
38
00:03:04,200 --> 00:03:10,160
From my understanding, it's about the life of Tim Ballard, what he's doing and what he's
39
00:03:10,160 --> 00:03:14,360
doing is saving children all across the world from being sex trafficked.
40
00:03:14,360 --> 00:03:19,200
It's the guy that I come in one of the worst trafficker pedophiles I've ever seen.
41
00:03:19,200 --> 00:03:25,720
And they picked this guy up and this little boy, five years old, he says, will you save
42
00:03:25,720 --> 00:03:29,920
my sister?
43
00:03:29,920 --> 00:03:32,920
It's considered a modern form of slavery.
44
00:03:32,920 --> 00:03:39,040
The United States is the number one consumer and producer of child abuse content.
45
00:03:39,040 --> 00:03:42,920
When you walk out of this film, your heart's on fire.
46
00:03:42,920 --> 00:03:44,400
This thing is unbelievable.
47
00:03:44,400 --> 00:03:46,480
It's an incredible movie.
48
00:03:46,480 --> 00:03:53,400
So we can't show you all that stuff that I've seen, but I can take you right to the edge.
49
00:03:53,400 --> 00:04:00,120
The Department of Homeland Security estimates that child trafficking has an annual global
50
00:04:00,120 --> 00:04:05,320
profit of $150 billion.
51
00:04:05,320 --> 00:04:07,760
Interrogations that I got to see.
52
00:04:07,760 --> 00:04:13,160
You'll always hear another voice coming out of these guys, like the devil speaking right
53
00:04:13,160 --> 00:04:14,320
through them.
54
00:04:14,320 --> 00:04:20,320
My body had to process this out in my dreams and a lot of them I don't remember.
55
00:04:20,320 --> 00:04:22,600
I had to pray deeply.
56
00:04:22,600 --> 00:04:26,360
It motivated me to want to get these sons of bitches.
57
00:04:26,360 --> 00:04:34,320
If you weren't around, Tim Ballard, none of these children are going to live.
58
00:04:34,320 --> 00:04:50,240
And as hard as it has been for him, he was willing to take it in the heart for Jesus.
59
00:04:50,240 --> 00:04:57,160
This is to all of the agents that are out there that are very well aware of what's going
60
00:04:57,160 --> 00:05:05,600
on with the children that know a lot and that are scared from coming forward.
61
00:05:05,600 --> 00:05:16,480
You know, I saw, I actually did the Passion of the Christ when the movie was over.
62
00:05:16,480 --> 00:05:24,880
Two people that had committed murder came forward and turned themselves in.
63
00:05:24,880 --> 00:05:27,640
That was how powerful that film is.
64
00:05:27,640 --> 00:05:29,440
This one has the reverse.
65
00:05:29,440 --> 00:05:30,680
You watch it.
66
00:05:30,680 --> 00:05:36,040
You feel God's love and the power in this movie's sound of freedom.
67
00:05:36,040 --> 00:05:39,800
And it makes you unafraid.
68
00:05:39,800 --> 00:05:48,120
I was willing to come forward and speak truthfully on things like adrenochrome, organ harvesting,
69
00:05:48,120 --> 00:05:54,200
and was severely reprimanded by much of the media.
70
00:05:54,200 --> 00:06:01,720
They claimed their fact checkers knew more, but they don't know like you guys know.
71
00:06:01,720 --> 00:06:06,440
I put you up against them anytime.
72
00:06:06,440 --> 00:06:14,400
And so, but I was a burden that I was no longer burdened with anymore.
73
00:06:14,400 --> 00:06:20,960
My career, I would never put in front of the children and I just ask you to look in your
74
00:06:20,960 --> 00:06:26,000
heart to go to the film Sound of Freedom, which is a phenomenal movie which represents
75
00:06:26,000 --> 00:06:34,880
you and let that be your word against what these liars have done for a long, long time.
76
00:06:34,880 --> 00:06:41,120
Your word, which is from God and to speak the truth to the American people.
77
00:06:41,120 --> 00:06:42,640
My prayers are with you.
78
00:06:42,640 --> 00:06:45,480
I love you guys.
79
00:06:45,480 --> 00:06:47,240
Thank you for all the help that you gave me.
|
https://youtube.com/watch?v=uD4VJIgc0Rw | 1
00:00:00,000 --> 00:00:03,000
I just want you to come to California with me.
2
00:00:04,000 --> 00:00:07,000
I can't go to California with you.
3
00:00:09,000 --> 00:00:11,000
Why not?
4
00:00:11,000 --> 00:00:15,000
One, because I've got a job here.
5
00:00:15,000 --> 00:00:17,000
And two, because I live here.
6
00:00:18,000 --> 00:00:20,000
Look, um...
7
00:00:20,000 --> 00:00:22,000
If you don't love me, you should just tell me because it's so...
8
00:00:22,000 --> 00:00:24,000
I'm saying that you love me.
9
00:00:25,000 --> 00:00:26,000
Then why?
10
00:00:26,000 --> 00:00:28,000
Why won't you come?
11
00:00:28,000 --> 00:00:30,000
What are you so scared of?
12
00:00:30,000 --> 00:00:32,000
What am I so scared of?
13
00:00:32,000 --> 00:00:33,000
Well...
14
00:00:33,000 --> 00:00:35,000
What aren't you scared of?
15
00:00:36,000 --> 00:00:38,000
You live in the safe little world where no one challenges you
16
00:00:38,000 --> 00:00:40,000
and you're scared of us to do anything else
17
00:00:40,000 --> 00:00:41,000
because that doesn't mean you have to change.
18
00:00:41,000 --> 00:00:42,000
Don't tell me about my world.
19
00:00:42,000 --> 00:00:43,000
Don't tell me about my world.
20
00:00:43,000 --> 00:00:44,000
I mean, you just want to have your little fling
21
00:00:44,000 --> 00:00:46,000
with, like, the guy from the other side of town.
22
00:00:46,000 --> 00:00:47,000
Then you're going to go off to Stanford.
23
00:00:47,000 --> 00:00:49,000
You're going to marry some rich prick
24
00:00:49,000 --> 00:00:50,000
who your parents will approve of
25
00:00:50,000 --> 00:00:52,000
and just sit around with the other trust fund babies
26
00:00:52,000 --> 00:00:54,000
and talk about how you went slummin' too once.
27
00:00:54,000 --> 00:00:57,000
Why are you saying this?
28
00:00:57,000 --> 00:01:00,000
What is your obsession with this money?
29
00:01:00,000 --> 00:01:02,000
My father died when I was 13
30
00:01:02,000 --> 00:01:04,000
and I inherited this money.
31
00:01:05,000 --> 00:01:07,000
You don't think every day I wake up
32
00:01:07,000 --> 00:01:09,000
and I wish that I could give it back?
33
00:01:10,000 --> 00:01:12,000
That I would give it back in a second
34
00:01:12,000 --> 00:01:14,000
if it meant I could have one more day with him?
35
00:01:14,000 --> 00:01:15,000
But I can't.
36
00:01:15,000 --> 00:01:17,000
Then that's my life and I deal with it.
37
00:01:17,000 --> 00:01:19,000
So don't put your s*** on me
38
00:01:19,000 --> 00:01:20,000
when you're the one that's afraid.
39
00:01:20,000 --> 00:01:21,000
I'm afraid.
40
00:01:21,000 --> 00:01:22,000
What am I afraid of?
41
00:01:22,000 --> 00:01:23,000
What the f*** am I afraid of?
42
00:01:23,000 --> 00:01:24,000
You're afraid of me.
43
00:01:24,000 --> 00:01:26,000
You're afraid that I won't love you back.
44
00:01:26,000 --> 00:01:28,000
You know what? I'm afraid too.
45
00:01:28,000 --> 00:01:30,000
F*** it, I want to give it a shot
46
00:01:30,000 --> 00:01:32,000
and at least I'm honest with you.
47
00:01:32,000 --> 00:01:33,000
I'm not honest with you?
48
00:01:33,000 --> 00:01:35,000
No, what about your 12 brothers?
49
00:01:37,000 --> 00:01:39,000
No, you're not going.
50
00:01:39,000 --> 00:01:40,000
You're not leaving.
51
00:01:40,000 --> 00:01:41,000
What do you want to know?
52
00:01:41,000 --> 00:01:43,000
What? That I don't have 12 brothers?
53
00:01:43,000 --> 00:01:44,000
That I'm a f***ing orphan?
54
00:01:44,000 --> 00:01:45,000
No, you don't want to hear that.
55
00:01:45,000 --> 00:01:46,000
I didn't know that.
56
00:01:46,000 --> 00:01:47,000
No, you don't want to hear that.
57
00:01:47,000 --> 00:01:48,000
You don't want to hear that I got f***ing cigarettes
58
00:01:48,000 --> 00:01:50,000
put out on me when I was a little kid.
59
00:01:50,000 --> 00:01:51,000
That this isn't f***ing surgery.
60
00:01:51,000 --> 00:01:53,000
That the mother f***ing stabbed me.
61
00:01:53,000 --> 00:01:55,000
You don't want to hear that s***, Skyla.
62
00:01:55,000 --> 00:01:56,000
I do want to hear that.
63
00:01:56,000 --> 00:01:57,000
Don't tell me you want to hear that s***.
64
00:01:57,000 --> 00:01:58,000
I hear it because I want to help you
65
00:01:58,000 --> 00:01:59,000
because I want to be with you.
66
00:01:59,000 --> 00:02:00,000
Help me!
67
00:02:00,000 --> 00:02:01,000
What do I got?
68
00:02:01,000 --> 00:02:02,000
A f***ing sign on my back?
69
00:02:02,000 --> 00:02:03,000
It says save me.
70
00:02:03,000 --> 00:02:04,000
No.
71
00:02:04,000 --> 00:02:05,000
Do I look like I need that?
72
00:02:05,000 --> 00:02:07,000
No, God, I just want to be with you.
73
00:02:07,000 --> 00:02:08,000
Don't f***ing love you.
74
00:02:08,000 --> 00:02:09,000
Don't f***ing love you.
75
00:02:09,000 --> 00:02:10,000
Don't f***ing love you.
76
00:02:10,000 --> 00:02:11,000
Don't f***ing love you.
77
00:02:11,000 --> 00:02:12,000
Don't f***ing love me.
78
00:02:12,000 --> 00:02:13,000
I love you.
79
00:02:16,000 --> 00:02:19,000
I want to hear you say that you don't love me.
80
00:02:20,000 --> 00:02:21,000
Because if you say that,
81
00:02:22,000 --> 00:02:23,000
then I won't call you.
82
00:02:25,000 --> 00:02:27,000
And I won't be in your life.
83
00:02:34,000 --> 00:02:35,000
I don't love you.
84
00:02:51,000 --> 00:02:53,000
I don't love you.
|
https://youtube.com/watch?v=Id4itIPywpc | 1
00:00:00,000 --> 00:00:04,320
And this is why you should never try the Grimace Shake at McDonald's.
2
00:00:04,320 --> 00:00:09,080
If you don't already know, this berry flavored shake was introduced earlier this month to
3
00:00:09,080 --> 00:00:15,000
commemorate the 52nd birthday of Grimace, the once popular mascot who hasn't been seen
4
00:00:15,000 --> 00:00:18,780
in the chain restaurants marketing in more than a decade.
5
00:00:18,780 --> 00:00:22,200
And now people that are trying the milkshake are going missing.
6
00:00:22,200 --> 00:00:26,960
Apparently the milk that comes in the Grimace Shake is produced by Grimace himself and he
7
00:00:26,960 --> 00:00:28,480
is pissed about it.
8
00:00:28,480 --> 00:00:33,040
So Grimace has decided to enact his revenge on anyone that tries to drink it.
9
00:00:33,040 --> 00:00:37,440
You see, since the shake is part of Grimace, he knows if you've consumed it.
10
00:00:37,440 --> 00:00:42,800
And anyone that drinks this shake for the first time will be targeted by Grimace himself.
11
00:00:42,800 --> 00:00:47,120
And what I'm about to show you is the most gruesome Grimace attack that has happened
12
00:00:47,120 --> 00:00:48,120
yet.
13
00:00:48,120 --> 00:00:49,120
What's up guys?
14
00:00:49,120 --> 00:00:50,120
We're here to celebrate Grimace's birthday.
15
00:00:50,120 --> 00:00:51,120
We got some shakes.
16
00:00:51,120 --> 00:00:52,120
This one's for you Grimace.
17
00:00:52,120 --> 00:00:55,120
Happy birthday Grimace!
18
00:00:55,120 --> 00:00:59,720
Many of young guys thought that they would celebrate Grimace's birthday when they're
19
00:00:59,720 --> 00:00:59,880
in
|
https://youtube.com/watch?v=slaCgp8vf6M | 1
00:00:00,000 --> 00:00:04,320
Well, you will remember this scene of the end game movie where Hulk is about to snap.
2
00:00:04,320 --> 00:00:08,600
At that time Tony was very scared and he was closing all the doors of that room.
3
00:00:08,600 --> 00:00:13,200
But do you know why Tony was scared at that time and why he had all the doors of that room closed?
4
00:00:13,200 --> 00:00:15,800
Well, that's why it was related to a lot of theories.
5
00:00:15,800 --> 00:00:20,560
When Hulk was about to snap, half of the world could have been destroyed by the power of that snap.
6
00:00:20,560 --> 00:00:23,560
But it's nothing like that because this theory is completely wrong.
7
00:00:23,560 --> 00:00:27,360
And actually, Tony was scared at that time because he was afraid that he would come back.
8
00:00:27,360 --> 00:00:31,880
Because of that snap, Hulk will not be able to convert back to Kidwell Hulk.
9
00:00:31,880 --> 00:00:35,040
Or there will be no Avenger there to stop him.
10
00:00:35,040 --> 00:00:37,840
And because of his anger, Hulk will not let anyone harm him.
11
00:00:37,840 --> 00:00:41,240
But now what do you think about this? Tell me in the comment section below.
|
https://youtube.com/watch?v=eR-djO_IjQw | 1
00:00:00,000 --> 00:00:05,080
We're gonna turn that argument cover story the very public split between Shakira and ex soccer stars your RPK
2
00:00:05,400 --> 00:00:10,660
Layers here with that. I do have the story a three-time Grammy winner Shakira and former Barcelona defender pk
3
00:00:10,680 --> 00:00:13,320
Announced the end of their 11-year relationship in June
4
00:00:13,320 --> 00:00:20,460
But now over six months later. It's getting ugly with a revenge song from her and now a very public debut of a new love from him
5
00:00:20,860 --> 00:00:22,860
There's no
6
00:00:27,060 --> 00:00:30,800
Disguising it the breakup between pop star Shakira and former pro soccer player
7
00:00:31,180 --> 00:00:37,400
Gerard pk has peaked global fascination on Wednesday 35 year old pk appearing to go
8
00:00:37,860 --> 00:00:44,020
Instagram official posting this selfie with apparent new love interest 23-year-old Clara Chia Marti
9
00:00:44,460 --> 00:00:48,720
Seven months after he and the Super Bowl halftime performer broke up
10
00:00:51,460 --> 00:00:57,040
Hours later though Shakira clapping back with this Instagram post
11
00:00:57,460 --> 00:01:04,580
Singing dancing and writing the caption women don't cry anymore women dance meringue gay this time for Africa
12
00:01:05,340 --> 00:01:13,060
The former footballer and global singing sensation have been the objects of intense scrutiny since reportedly meeting on the set of the music video for
13
00:01:13,060 --> 00:01:19,860
Waka Waka the official song of the 2010 FIFA World Cup the duo later going on to welcome two sons
14
00:01:20,220 --> 00:01:27,920
But last year the couple of more than 11 years announcing. They were ending their union then months later Shakira telling L magazine
15
00:01:28,020 --> 00:01:35,100
We all go through stuff in life, but in my case. I think that writing music is like going to the shrink only cheaper
16
00:01:38,900 --> 00:01:43,860
And write music she does her current single biz rap music session 53
17
00:01:44,100 --> 00:01:48,860
Racing up the charts with lyrics that sure sound like they're based on her split from pk
18
00:01:49,060 --> 00:01:54,820
Which never names him but alludes to tumultuous times with lines like I won't get back with you
19
00:01:54,820 --> 00:01:57,340
Not if you cry not even if you beg me
20
00:02:01,540 --> 00:02:03,700
And a nod to the tax troubles
21
00:02:03,700 --> 00:02:09,260
She's facing along with the headline that she left this Halloween statue of a witch on the balcony of her home
22
00:02:09,380 --> 00:02:12,900
Facing the home of her former flames mother Shakira singing
23
00:02:12,940 --> 00:02:17,880
You left me with your mom as a neighbor the press at my door and a debt with the Treasury
24
00:02:17,900 --> 00:02:21,780
It's a very angry song, but in a fun way which are
25
00:02:22,380 --> 00:02:29,260
Usually not things you hear together and it's just one of those things that everyone can relate to whether it is a breakup
26
00:02:29,260 --> 00:02:32,140
Whether it is a fight you're having with someone else
27
00:02:32,740 --> 00:02:38,460
It is a fun song in a New Year's Day post on Instagram Shakira wrote even if someone's betrayed us
28
00:02:38,460 --> 00:02:43,580
We must continue to trust others and that she believes her pain will help her grow as a person
29
00:02:43,700 --> 00:02:49,500
Well, that was 11 days before she released her very aggressive revenge song and then put that life-size
30
00:02:49,500 --> 00:02:56,380
Witch on her balcony facing the apartment of pk's mother who does live right there, so it's a lot
31
00:02:59,380 --> 00:03:01,380
All right, thank you
32
00:03:01,620 --> 00:03:08,380
Well, hey there GMA fans Robin Roberts here. Thanks for checking out our YouTube channel lots of great stuff here
33
00:03:08,380 --> 00:03:15,680
So go on click the subscribe button right over right over here to get more of awesome videos and content from GMA
34
00:03:15,780 --> 00:03:20,940
Every day anytime we thank you for watching and we'll see you in the morning on GMA
|
https://youtube.com/watch?v=0WfkEPCodBs | 1
00:00:00,000 --> 00:00:04,320
Sonal was a legendary singer, Mr. KK, and you also sang a song with him.
2
00:00:04,320 --> 00:00:06,760
I have been fond of singing since my childhood.
3
00:00:06,760 --> 00:00:08,400
I am obsessed with music.
4
00:00:08,400 --> 00:00:12,000
When we were shooting for 3G, I used to sing on set.
5
00:00:12,000 --> 00:00:16,440
My directors were Shantanu and Shisha, they listened to me singing.
6
00:00:16,440 --> 00:00:20,000
So they were trying to get a singer to match my voice.
7
00:00:20,000 --> 00:00:21,400
So why don't you come and try?
8
00:00:21,400 --> 00:00:28,320
So I went and met the legendary music composer who was there and we recorded.
9
00:00:28,400 --> 00:00:29,320
But what was the song?
10
00:00:29,320 --> 00:00:30,440
Can you sing a little bit?
11
00:00:42,440 --> 00:00:43,040
What's the matter?
12
00:00:58,320 --> 00:01:00,040
Oh, oh, oh, oh.
|
https://youtube.com/watch?v=LJq1auJq_gc | 1
00:00:00,000 --> 00:00:01,360
See what I mean, Walter?
2
00:00:01,360 --> 00:00:03,440
Sure, I got good eyesight.
3
00:00:03,440 --> 00:00:06,240
You mean you want him to have the policy without him knowing it.
4
00:00:06,240 --> 00:00:09,200
And that means without the insurance company knowing that he doesn't know it.
5
00:00:09,200 --> 00:00:10,800
That's a setup, isn't it?
6
00:00:10,800 --> 00:00:12,160
Is there anything wrong with it?
7
00:00:12,160 --> 00:00:13,680
No, I think it's lovely.
8
00:00:13,680 --> 00:00:16,000
Then if some dark, wet night, that crown block did fall on him.
9
00:00:16,000 --> 00:00:16,880
What crown block?
10
00:00:16,880 --> 00:00:18,480
Only sometimes it can't quite make it on its own.
11
00:00:18,480 --> 00:00:19,360
It has to have a little help.
12
00:00:20,320 --> 00:00:21,600
I don't know what you're talking about.
13
00:00:21,600 --> 00:00:23,040
Of course it doesn't have to be a crown block.
14
00:00:23,040 --> 00:00:25,520
It can be a car backing over and we could fall out of the upstairs window.
15
00:00:26,240 --> 00:00:28,560
Any little thing like that just so it's a morgue job.
16
00:00:28,560 --> 00:00:29,520
Are you crazy?
17
00:00:30,080 --> 00:00:30,960
I'm not that crazy.
18
00:00:32,800 --> 00:00:33,760
Goodbye, Mr. Dietrichson.
19
00:00:33,760 --> 00:00:34,480
What's the matter?
20
00:00:37,120 --> 00:00:38,400
Look, baby, you can't get away with it.
21
00:00:41,440 --> 00:00:42,960
You want to knock him off, don't you?
22
00:00:42,960 --> 00:00:44,720
That's a horrible thing to say.
23
00:00:44,720 --> 00:00:46,160
What do you think I was, anyway?
24
00:00:46,160 --> 00:00:48,000
A guy that walks into a good-looking dame's front parlor
25
00:00:48,000 --> 00:00:50,480
and says, good afternoon, I sell accidents and insurance on husbands.
26
00:00:50,480 --> 00:00:51,600
You got one that's been around too long,
27
00:00:51,600 --> 00:00:53,520
one you'd like to turn into with a little hard cash?
28
00:00:53,520 --> 00:00:54,960
Just give me a smile and I'll help you collect.
29
00:00:55,600 --> 00:00:57,440
Why would a dope you must think I am?
30
00:00:57,440 --> 00:00:58,400
I think you're rotten.
31
00:00:59,040 --> 00:01:01,520
I think you're swell, as long as I'm not your husband.
32
00:01:01,520 --> 00:01:02,560
Get out of here.
33
00:01:02,560 --> 00:01:03,760
You bet I'll get out of here, baby.
34
00:01:04,480 --> 00:01:05,600
I'll get out of here but quick.
35
00:01:16,720 --> 00:01:18,640
So I let her have it straight between the eyes.
36
00:01:19,200 --> 00:01:20,880
She didn't fool me for a minute, not this time.
37
00:01:22,000 --> 00:01:23,600
I knew I had hold of a red hot poker
38
00:01:23,600 --> 00:01:25,760
and the time to drop it was before it burned my hand off.
39
00:01:26,720 --> 00:01:28,880
I stopped at a drive-in for a bottle of beer
40
00:01:28,880 --> 00:01:30,080
and what I had wanted all along.
41
00:01:30,880 --> 00:01:34,800
And I wanted it worse not to get rid of the sour taste of her iced tea
42
00:01:34,800 --> 00:01:35,840
and everything that went with it.
43
00:01:37,280 --> 00:01:38,560
I didn't want to go back to the office
44
00:01:38,560 --> 00:01:40,880
so I dropped by a bowling alley at 3rd and Western
45
00:01:40,880 --> 00:01:43,680
and rolled a few lines to get my mind thinking
46
00:01:43,680 --> 00:01:44,960
about something else for a while.
47
00:01:46,560 --> 00:01:48,160
I didn't feel like eating dinner when I left
48
00:01:48,160 --> 00:01:49,600
and I didn't feel like a show.
49
00:01:50,880 --> 00:01:54,080
So I drove home, put the car away and went up to my apartment.
50
00:01:56,320 --> 00:01:57,600
It had begun to rain outside
51
00:01:57,600 --> 00:02:00,080
and I watched it get dark and didn't even turn on the light.
52
00:02:01,280 --> 00:02:02,240
That didn't help me either.
53
00:02:03,280 --> 00:02:04,560
I was all twisted up inside
54
00:02:04,560 --> 00:02:06,560
and I was still holding onto that red hot poker.
55
00:02:07,840 --> 00:02:09,120
And right then it came over me
56
00:02:09,120 --> 00:02:10,960
that I hadn't walked out on anything at all.
57
00:02:11,920 --> 00:02:13,040
That the hook was too strong.
58
00:02:14,240 --> 00:02:15,920
That this wasn't the end between her and me.
59
00:02:16,960 --> 00:02:18,000
It was only the beginning.
60
00:02:19,600 --> 00:02:21,120
So at 8 o'clock the bell would ring
61
00:02:21,120 --> 00:02:23,120
and I'd know who it was without even having to think.
62
00:02:23,360 --> 00:02:25,360
As if it was the most natural thing in the world.
63
00:02:29,360 --> 00:02:30,480
Hello.
|
https://youtube.com/watch?v=zBe5T01yBUI | 1
00:00:00,000 --> 00:00:10,000
It's a good looking gun you were about to use back there. Can I see it?
2
00:00:10,000 --> 00:00:18,000
Maybe you'd like to see mine.
3
00:00:18,000 --> 00:00:22,000
Nice, awful nice.
4
00:00:22,000 --> 00:00:28,000
You know, there are only two things more beautiful than a good gun.
5
00:00:28,000 --> 00:00:32,000
Swiss watch or a woman from anywhere.
6
00:00:32,000 --> 00:00:37,000
You ever had a good Swiss watch?
7
00:00:37,000 --> 00:00:41,000
Go ahead, try it.
8
00:00:41,000 --> 00:00:47,000
Hey, that's very good.
9
00:00:47,000 --> 00:00:50,000
Hey, that's good too.
10
00:00:50,000 --> 00:01:00,000
Come on, keep it going.
11
00:01:00,000 --> 00:01:05,000
Now I know who you'd be. You'd be Matthew Garth, wouldn't you?
12
00:01:05,000 --> 00:01:06,000
That's right.
13
00:01:06,000 --> 00:01:11,000
You're as good as they say you are. Maybe as good as me.
14
00:01:11,000 --> 00:01:13,000
That puts two of us at the head of the list.
15
00:01:13,000 --> 00:01:15,000
I'd leave room for a third.
16
00:01:15,000 --> 00:01:17,000
Yeah, who?
17
00:01:17,000 --> 00:01:20,000
Dunson, you see that good?
18
00:01:20,000 --> 00:01:22,000
You taught me.
19
00:01:29,000 --> 00:01:31,000
How are you doing?
20
00:01:31,000 --> 00:01:33,000
What was all that shooting a while back?
21
00:01:33,000 --> 00:01:36,000
That shooting was two of the best men with a gun anybody had ever seen together.
22
00:01:36,000 --> 00:01:37,000
Who?
23
00:01:37,000 --> 00:01:38,000
Matt and Sherry Belance.
24
00:01:38,000 --> 00:01:39,000
From Alberta?
25
00:01:39,000 --> 00:01:40,000
Yeah.
26
00:01:40,000 --> 00:01:41,000
What happened?
27
00:01:41,000 --> 00:01:43,000
They were having some fun.
28
00:01:43,000 --> 00:01:45,000
A cutey kind of fun.
29
00:01:45,000 --> 00:01:47,000
Sizing each other up for the future.
30
00:01:47,000 --> 00:01:51,000
Them two is going to tangle for certain when they do it ain't going to be pretty.
31
00:01:51,000 --> 00:01:53,000
Because they got a thousand miles to do it in.
32
00:02:13,000 --> 00:02:15,000
You
|
https://youtube.com/watch?v=6Wmzed6d0Jo | 1
00:00:30,000 --> 00:00:31,000
Oh, my God.
2
00:01:00,000 --> 00:01:16,000
Oh, my God.
|
https://youtube.com/watch?v=CVfprf0n-as | 1
00:00:00,000 --> 00:00:03,000
All right, come out of here.
2
00:00:03,000 --> 00:00:06,000
Look, Captain, you have a good flight back, all right?
3
00:00:06,000 --> 00:00:10,000
Maybe you get a chance to flush this giant turd down the toilet.
4
00:00:10,000 --> 00:00:12,000
Do it over the pole.
5
00:00:12,000 --> 00:00:16,000
Oh, by the way, you were right about that chest move. I was dead in two.
6
00:00:16,000 --> 00:00:18,000
It was obvious.
7
00:00:18,000 --> 00:00:23,000
Forget Ritzig, Captain. He's been having a hard time lately. Put himself in that jam.
8
00:00:23,000 --> 00:00:25,000
I'd rather forget Ritzig.
9
00:00:49,000 --> 00:00:51,000
Hey, Bernie.
10
00:00:51,000 --> 00:00:53,000
Yes, sir.
11
00:00:53,000 --> 00:00:56,000
Give me a suntimes and racing action tips, please.
12
00:00:56,000 --> 00:00:58,000
Yes, sir.
13
00:00:58,000 --> 00:01:00,000
You got a winner?
14
00:01:00,000 --> 00:01:25,000
Come on, man. Let's go.
15
00:01:25,000 --> 00:01:27,000
Oh, that's smoking, dammit!
16
00:01:48,000 --> 00:01:50,000
Start the clock! Quickly, quickly, quickly!
17
00:01:50,000 --> 00:01:52,000
No, no, no!
|
https://youtube.com/watch?v=kHaxb8ZouZc | 1
00:00:01,000 --> 00:00:02,000
Can we live alone?
2
00:00:16,000 --> 00:00:17,000
Take off your clothes.
3
00:00:18,000 --> 00:00:19,000
Take off your clothes.
4
00:00:29,000 --> 00:00:30,000
Take off your clothes.
5
00:00:48,000 --> 00:00:49,000
Come closer.
6
00:00:55,000 --> 00:00:56,000
Come closer.
7
00:01:03,000 --> 00:01:04,000
There is a permission.
8
00:01:04,000 --> 00:01:05,000
There is a permission.
9
00:01:15,000 --> 00:01:16,000
There is a permission.
10
00:01:17,000 --> 00:01:20,000
The real body is found in small dreams.
11
00:01:23,000 --> 00:01:25,000
The first sight is here.
12
00:01:27,000 --> 00:01:30,000
That is why the desire to get it increases.
13
00:01:35,000 --> 00:01:36,000
Take it easy.
14
00:01:43,000 --> 00:01:44,000
Take it easy.
15
00:01:51,000 --> 00:01:52,000
Take it easy.
16
00:01:53,000 --> 00:01:54,000
No, no.
17
00:01:55,000 --> 00:01:56,000
Take it.
18
00:02:05,000 --> 00:02:06,000
No.
19
00:02:19,000 --> 00:02:20,000
Take it.
20
00:02:34,000 --> 00:02:36,000
Take it easy.
|
https://youtube.com/watch?v=RVtjZi6OC18 | 1
00:00:30,000 --> 00:00:32,000
You
2
00:01:00,000 --> 00:01:02,000
You
3
00:01:30,000 --> 00:01:32,000
You
4
00:02:00,000 --> 00:02:02,000
You
5
00:02:30,000 --> 00:02:32,000
You
6
00:03:00,000 --> 00:03:02,000
You
7
00:03:30,000 --> 00:03:32,000
You
8
00:04:00,000 --> 00:04:02,000
You
9
00:04:30,000 --> 00:04:32,000
You
10
00:05:00,000 --> 00:05:02,000
You
11
00:05:30,000 --> 00:05:32,000
You
12
00:06:00,000 --> 00:06:02,000
You
13
00:06:30,000 --> 00:06:32,000
You
14
00:07:00,000 --> 00:07:02,000
You
15
00:07:30,000 --> 00:07:32,000
You
16
00:08:00,000 --> 00:08:02,000
You
17
00:08:30,000 --> 00:08:32,000
You
18
00:09:00,000 --> 00:09:02,000
You
19
00:09:30,000 --> 00:09:32,000
You
20
00:10:00,000 --> 00:10:02,000
You
21
00:10:30,000 --> 00:10:32,000
You
|
https://youtube.com/watch?v=edAjY73zXbg | 1
00:00:00,000 --> 00:00:11,160
Look, I've never done this before, and I just want you to know I'm not into searching
2
00:00:11,160 --> 00:00:15,320
for my underchild or finding out about my disappointment in my mother.
3
00:00:15,320 --> 00:00:16,320
Mom, me?
4
00:00:16,320 --> 00:00:17,320
Mom, me?
5
00:00:17,320 --> 00:00:18,320
No.
6
00:00:18,320 --> 00:00:20,920
Go ahead and wipe your eyes.
7
00:00:20,920 --> 00:00:26,160
Undercover police officer Charlie Mayo is about to take on the last assignment of his
8
00:00:26,160 --> 00:00:27,160
career.
9
00:00:27,160 --> 00:00:29,160
Tonight, you're busting a mafia assassin.
10
00:00:29,360 --> 00:00:31,040
The guy's the Jeffrey Thommar of Hitman.
11
00:00:31,040 --> 00:00:35,000
I'm sick of being a cliche, I need some cash, so I can get out of this skinny, get some
12
00:00:35,000 --> 00:00:36,000
movie lifestyle.
13
00:00:36,000 --> 00:00:38,520
And he's looking to relieve a little stress.
14
00:00:38,520 --> 00:00:43,320
I'm going to give you a stronger prescription, only take one of these an hour before the
15
00:00:43,320 --> 00:00:44,320
meeting.
16
00:00:44,320 --> 00:00:45,960
You don't want to pass out.
17
00:00:45,960 --> 00:00:46,960
Let's get this party rolling.
18
00:00:46,960 --> 00:00:48,440
Uh, bring some Kristoff.
19
00:00:48,440 --> 00:00:50,720
I'm very good at reading what's in a person's eyes.
20
00:00:50,720 --> 00:00:51,960
What did they say?
21
00:00:51,960 --> 00:00:54,160
They say you're sleepy.
22
00:00:54,160 --> 00:00:58,400
Maybe you've got that weird sleeping disease.
23
00:00:58,640 --> 00:01:00,640
You're not going to go sleepy.
24
00:01:00,640 --> 00:01:04,840
But all he really needs is a little human contact.
25
00:01:04,840 --> 00:01:05,840
Take it easy.
26
00:01:05,840 --> 00:01:06,840
That's where you're from.
27
00:01:06,840 --> 00:01:07,840
Ireland.
28
00:01:07,840 --> 00:01:08,840
Ireland.
29
00:01:08,840 --> 00:01:12,320
Top of the morning to you.
30
00:01:12,320 --> 00:01:14,320
Touchstone Pictures presents...
31
00:01:14,320 --> 00:01:17,680
Put your hand on the table, I won't say it again.
32
00:01:17,680 --> 00:01:18,680
Put your paper.
33
00:01:18,680 --> 00:01:20,080
Let the neighbor go.
34
00:01:20,080 --> 00:01:21,080
Sports page, eh?
35
00:01:21,080 --> 00:01:24,640
All I really want to talk about is this amazing woman I met.
36
00:01:24,640 --> 00:01:26,040
What did he say, handsome?
37
00:01:26,040 --> 00:01:28,760
I think somebody up there likes me.
38
00:01:28,760 --> 00:01:29,760
She's great.
39
00:01:29,760 --> 00:01:31,040
She took me out on a date last night.
40
00:01:31,040 --> 00:01:34,040
I don't know, for the first time in months.
41
00:01:34,040 --> 00:01:35,040
I had fun.
42
00:01:35,040 --> 00:01:36,040
Liam Neeson.
43
00:01:36,040 --> 00:01:37,040
Hello.
44
00:01:37,040 --> 00:01:38,040
Hello.
45
00:01:38,040 --> 00:01:39,040
Hello.
46
00:01:39,040 --> 00:01:40,040
This one.
47
00:01:40,040 --> 00:01:41,040
Hello.
48
00:01:41,040 --> 00:01:42,040
Oliver Applatt.
49
00:01:42,040 --> 00:01:43,040
I don't want you to get control of that anger.
50
00:01:43,040 --> 00:01:44,040
Let it go!
51
00:01:44,040 --> 00:01:45,040
Ah!
52
00:01:45,040 --> 00:01:46,040
And Sandra Bullock.
53
00:01:46,040 --> 00:01:47,040
You think I'm just a nut?
54
00:01:47,040 --> 00:01:48,040
Yep.
55
00:01:48,040 --> 00:01:49,040
Ah!
56
00:01:49,040 --> 00:01:50,040
But am I an attractive nut?
57
00:01:50,040 --> 00:01:51,040
No.
58
00:01:51,040 --> 00:01:52,040
No.
59
00:01:52,040 --> 00:01:53,040
No.
60
00:01:53,040 --> 00:01:54,040
No.
61
00:01:54,040 --> 00:01:55,040
No.
62
00:01:55,040 --> 00:01:56,040
I'm an attractive nut.
63
00:01:56,040 --> 00:01:57,040
Extremely.
64
00:01:57,040 --> 00:01:58,040
Who is she?
65
00:01:58,040 --> 00:01:59,040
Where's your meter?
66
00:01:59,040 --> 00:02:00,040
Does she know what you do?
67
00:02:00,040 --> 00:02:01,040
Ah!
68
00:02:01,040 --> 00:02:02,040
Ah!
69
00:02:02,040 --> 00:02:03,040
No.
70
00:02:03,040 --> 00:02:04,040
No.
71
00:02:04,040 --> 00:02:05,040
But I'm thinking of telling her.
72
00:02:05,040 --> 00:02:06,040
Gun shy.
73
00:02:06,040 --> 00:02:07,040
What are you doing?
74
00:02:07,040 --> 00:02:08,040
No!
75
00:02:08,040 --> 00:02:09,040
No!
76
00:02:09,040 --> 00:02:10,040
Oh yeah.
77
00:02:10,040 --> 00:02:11,040
No!
78
00:02:11,040 --> 00:02:12,040
No!
79
00:02:12,040 --> 00:02:13,040
No!
80
00:02:13,040 --> 00:02:14,040
No!
81
00:02:14,040 --> 00:02:15,040
No!
82
00:02:15,040 --> 00:02:16,040
No!
83
00:02:16,040 --> 00:02:17,040
No!
84
00:02:17,040 --> 00:02:18,040
No!
85
00:02:18,040 --> 00:02:19,040
No!
86
00:02:19,040 --> 00:02:20,040
No!
87
00:02:20,040 --> 00:02:21,040
No!
88
00:02:21,040 --> 00:02:22,040
No!
89
00:02:22,040 --> 00:02:23,040
No!
90
00:02:23,040 --> 00:02:24,040
No!
|
https://youtube.com/watch?v=auSUOeMIN0k | 1
00:00:00,000 --> 00:00:08,820
this is audible orgasmic erotica for women written by various authors edited
2
00:00:08,820 --> 00:00:18,120
by Rachel Kramer bustle narrated by Lucy Malone introduction let me count the
3
00:00:18,120 --> 00:00:25,060
ways orgasm like sex it's one word that means many
4
00:00:25,060 --> 00:00:29,620
different things to many different people for many women it's the center of
5
00:00:29,620 --> 00:00:34,820
their sexual life a daily occurrence something to look forward to experiment
6
00:00:34,820 --> 00:00:40,660
with for some it means a gushing rush of pleasure for others it's a little wave
7
00:00:40,660 --> 00:00:46,260
they delight in cresting every woman who orgasms may describe it differently
8
00:00:46,260 --> 00:00:52,260
yet there are many women myself included who find orgasm not so easy to
9
00:00:52,260 --> 00:00:58,300
achieve much at the time yes it's true I love sex and get turned on but coming
10
00:00:58,300 --> 00:01:03,940
is a bit more complex for me in hurdles Rowan Elizabeth writes of such a character
11
00:01:03,940 --> 00:01:09,340
I can't win this and it's my hang-up too I feel like there's something I'm just
12
00:01:09,340 --> 00:01:13,700
not doing right maybe if I tighten my legs a little more or squeeze my eyes
13
00:01:13,700 --> 00:01:19,340
shut harder then we'd get there together Miriam Webster's dictionary defines
14
00:01:19,340 --> 00:01:24,700
orgasm as intense or paroxysmal excitement especially an explosive
15
00:01:24,700 --> 00:01:29,020
discharge of neuromuscular tensions at the height of sexual arousal that is
16
00:01:29,020 --> 00:01:33,420
usually accompanied by the ejaculation of semen in the male and by vaginal
17
00:01:33,420 --> 00:01:39,140
contractions in the female it comes from the Latin in Greek orgasmos orgasmos
18
00:01:39,140 --> 00:01:45,540
from organ to grow ripe be lustful I like that description though what it
19
00:01:45,540 --> 00:01:49,580
leaves out is that for women orgasm can stretch beyond the boundaries of
20
00:01:49,580 --> 00:01:54,660
ejaculation can continue on and on can be drawn out for as long as
21
00:01:54,660 --> 00:02:00,980
the woman or her partner wants to indulge in the experience in Lolita Lopez's
22
00:02:00,980 --> 00:02:06,460
perfectly kinky story the chair sex toys and submission go hand-in-hand with
23
00:02:06,460 --> 00:02:11,940
orgasm for the protagonist Lily's orgasms changed from separate events to
24
00:02:11,940 --> 00:02:17,620
one long and unending oscillation of bliss her punishment at the hands of
25
00:02:17,620 --> 00:02:23,180
Cal is one she's very very happy to absorb there are countless articles and
26
00:02:23,180 --> 00:02:27,780
books telling you how to have a bigger better orgasm I don't want to add to
27
00:02:27,780 --> 00:02:34,140
the clamor of the voices saying you must orgasm now instead I want orgasmic to
28
00:02:34,140 --> 00:02:39,020
be a fictional showcase of some of the reasons methods and delights women bring
29
00:02:39,020 --> 00:02:43,460
to their orgasms I want these red hot stories to help get you warmed up
30
00:02:43,460 --> 00:02:49,660
primed aroused I want them to make you squirm with desire identification
31
00:02:49,660 --> 00:02:54,700
curiosity I want you to read these stories allowed to a lover or someone
32
00:02:54,700 --> 00:03:00,140
you wish were your lover I did my best to capture an array of big and little
33
00:03:00,140 --> 00:03:05,860
O's moments where the world feels like it's exploding in your body orgasms that
34
00:03:05,860 --> 00:03:11,180
rock more than just your world these stories capture the ferocity intensity
35
00:03:11,180 --> 00:03:16,060
and power of women's orgasms however they're achieved I couldn't include
36
00:03:16,060 --> 00:03:19,940
every way women come in this book or it would have been much longer than it is
37
00:03:19,940 --> 00:03:24,620
now but I wanted to include a varied look at what gets women off which means
38
00:03:24,620 --> 00:03:29,100
it's not always a man or another woman or even a machine that does the trick
39
00:03:29,100 --> 00:03:35,460
Vanessa Vaughn taps into a classic route with taking the reins as I straddle the
40
00:03:35,460 --> 00:03:40,460
seat and slowly lower myself down I feel a familiar tingle of excitement deep
41
00:03:40,460 --> 00:03:45,860
inside I can sense the monstrous size of the body between my thighs the large
42
00:03:45,860 --> 00:03:50,820
chest expanding and contracting broadly with each breath the smell of fresh
43
00:03:50,820 --> 00:03:56,420
conditioned leather smothers my senses well that and also the slight musky
44
00:03:56,420 --> 00:04:02,620
tinge of sweat it is a raw smell mixed with rich dark dirt
45
00:04:02,620 --> 00:04:09,300
speaking of orgasm how-tos in The Big O by Donna George story she both skewers
46
00:04:09,300 --> 00:04:14,540
the omnipresent women's magazine sex advice and adds a saucy twist as her
47
00:04:14,540 --> 00:04:20,220
protagonist puts into practice the sexer size prescription a stronger secret you
48
00:04:20,220 --> 00:04:25,780
in six weeks the women in orgasmic climax from tantric sex role-playing
49
00:04:25,780 --> 00:04:32,980
piercing g-spot play sex toys and even chemistry the scientific kind they
50
00:04:32,980 --> 00:04:38,300
delight in food God and handymen they create their own objects of pleasure
51
00:04:38,300 --> 00:04:46,620
they spy tease obey command argue submit some are shy about their orgasms and
52
00:04:46,620 --> 00:04:53,100
some are as bold as can be they come and come and come again and they do it in
53
00:04:53,100 --> 00:04:58,180
some of the hottest most creative ways you can think of visit me at orgasmic
54
00:04:58,180 --> 00:05:05,460
book wordpress.com if you just can't get enough orgasms that is Rachel Kramer
55
00:05:05,460 --> 00:05:17,940
bustle New York City the waiting game by Elizabeth coldwell it starts with a
56
00:05:17,940 --> 00:05:22,500
simple game of cards just another way of passing the time on this washout of a
57
00:05:22,500 --> 00:05:27,020
holiday when Danny and I booked the cottage intending to get away from the
58
00:05:27,020 --> 00:05:31,180
pressures of work for a week we had visions of long walks along the beach
59
00:05:31,180 --> 00:05:36,380
and dinner and cozy country pubs instead we've had three days of the worst
60
00:05:36,380 --> 00:05:41,260
weather and living memory it's too wet to go anywhere or see anything all we've
61
00:05:41,260 --> 00:05:44,940
done is lounge in front of the fire working our way through the shelf of
62
00:05:44,940 --> 00:05:48,700
battered old paperbacks the owners have thoughtfully left in the living room and
63
00:05:48,700 --> 00:05:53,460
then Danny searching a drawer in the hope of finding a box of matches and
64
00:05:53,460 --> 00:05:59,620
sparing himself at dash out in the rain to the local shop finds the carts I have
65
00:05:59,620 --> 00:06:04,260
expect him to suggest we play strip poker but he's never been that predictable
66
00:06:04,260 --> 00:06:09,780
and besides neither of us really knows the rules looking for a game that is
67
00:06:09,780 --> 00:06:15,380
slightly more intellectually stimulating than snap we settle on cheat as we work
68
00:06:15,380 --> 00:06:18,940
our way steadily through a bottle of Chardonnay and a big bag of tortilla
69
00:06:18,940 --> 00:06:23,100
chips we're soon howling with laughter and calling each other a cheat at every
70
00:06:23,100 --> 00:06:28,500
opportunity Danny suggests that to make things more interesting if either of us
71
00:06:28,500 --> 00:06:32,340
is caught declaring a card he or she hasn't got or makes an incorrect
72
00:06:32,340 --> 00:06:37,340
challenge then that player should pay a forfeit I ask him what he has in mind
73
00:06:37,340 --> 00:06:42,260
and he just smiles I don't worry about it too much I can usually tell when
74
00:06:42,260 --> 00:06:46,420
he's bluffing because he's no good at keeping his expression neutral if we
75
00:06:46,420 --> 00:06:51,580
were playing strip poker I'd have him down to his boxers by now so when Danny
76
00:06:51,580 --> 00:06:55,900
announces that he's got an ace I simply have to challenge him three have
77
00:06:55,900 --> 00:07:00,340
already come out and the remaining one is in my hand ready to be played
78
00:07:00,340 --> 00:07:07,300
cheat I yell and he turns the card over to my incredulity I'm looking at the
79
00:07:07,300 --> 00:07:13,740
ace of spades that can be possible I say there have to be five aces in the
80
00:07:13,740 --> 00:07:20,460
pack Danny snorts derisively you're just a bad loser Jade looks like you're
81
00:07:20,460 --> 00:07:25,820
going to have to pay that forfeit I could argue but I'm already beginning to
82
00:07:25,820 --> 00:07:31,460
wonder whether I actually imagined the ace I thought I was holding okay what
83
00:07:31,460 --> 00:07:36,660
do you want me to do even before he tells me I'm fairly sure it's going to be
84
00:07:36,660 --> 00:07:42,060
something sexual and more than likely something humiliating Danny isn't cruel
85
00:07:42,060 --> 00:07:46,700
but he does like to try to convince me he's the boss in our relationship and
86
00:07:46,700 --> 00:07:51,940
I'll admit that sometimes I would like him to take control if only he knew it
87
00:07:51,940 --> 00:07:55,660
there's a dirty little part of me that gets unaccountably excited at the
88
00:07:55,660 --> 00:08:00,380
thought of my laid-back husband suddenly asserting his dominance over me
89
00:08:00,380 --> 00:08:05,300
maybe he'll order me to strip off and run around outside naked in the cold
90
00:08:05,300 --> 00:08:11,420
October rain or maybe he'll whip out his cock and demand a blowjob yes it'll be
91
00:08:11,420 --> 00:08:16,340
the blowjob I'm already preparing to get down on my knees in front of him when
92
00:08:16,340 --> 00:08:23,620
his reply stops me in my tracks it's more what I don't want you to do he says
93
00:08:23,820 --> 00:08:28,540
your forfeit is that you aren't going to be allowed to come until I give you
94
00:08:28,540 --> 00:08:35,860
permission so it is a control game and I think I know why he's chosen this
95
00:08:35,860 --> 00:08:41,580
particular one I've never been one of these women who want or need orgasm
96
00:08:41,580 --> 00:08:47,300
after orgasm indeed I found the more frequently I come the weaker less
97
00:08:47,300 --> 00:08:52,700
enjoyable and harder to achieve those climaxes become whereas if I haven't
98
00:08:52,700 --> 00:08:57,460
come for a few days the release is so strong so all consuming that it leaves
99
00:08:57,460 --> 00:09:03,220
me spent and thoroughly satisfied I once mentioned this to Danny early on in our
100
00:09:03,220 --> 00:09:07,140
relationship and while it's usually meant that he's never tried to bring me to
101
00:09:07,140 --> 00:09:12,300
a second orgasm in a night knowing I'm completely happy with the first now he's
102
00:09:12,300 --> 00:09:17,060
using that information to take our sex play to an entirely different level and
103
00:09:17,620 --> 00:09:23,780
are you going to give me any idea how long I might have to wait I ask he
104
00:09:23,780 --> 00:09:29,660
shakes his head an evil smile crossing his handsome features it might be before
105
00:09:29,660 --> 00:09:35,380
the end of the holiday then again it might not all I will say is that by the
106
00:09:35,380 --> 00:09:41,540
time I do let you come you'll be wanting it more than you ever have I think
107
00:09:41,540 --> 00:09:46,420
that's the end of it for the time being but then he adds now I want you to go
108
00:09:46,420 --> 00:09:49,900
into the bedroom and get that little vibrator of yours I know you've brought
109
00:09:49,900 --> 00:09:53,620
it with you so don't pretend you don't know what I'm talking about bring it
110
00:09:53,620 --> 00:09:59,940
back here there's a good girl the emphasis he places on the words good
111
00:09:59,940 --> 00:10:04,780
girl makes me shiver and I wonder how long Danny has actually been thinking
112
00:10:04,780 --> 00:10:09,700
about making something like this happen my vibrator is tucked in the side pocket
113
00:10:09,700 --> 00:10:15,020
of my suitcase wrapped in an innocent looking pink silk scarf it's small but
114
00:10:15,020 --> 00:10:19,580
powerful and has never let me down which might not be a good thing given the
115
00:10:19,580 --> 00:10:24,180
rule Danny has just outlined I drop a couple of batteries into the chamber
116
00:10:24,180 --> 00:10:28,020
and return to the living room where Danny has spread a towel on the sofa
117
00:10:28,020 --> 00:10:33,740
cushions he's also brought a bottle of olive oil from the kitchen extra virgin
118
00:10:33,740 --> 00:10:39,340
I notice looking at the viscous greenish liquid and I realize my mind is
119
00:10:39,340 --> 00:10:44,380
trying to seek any diversion from what might be about to happen I'm sure you've
120
00:10:44,380 --> 00:10:49,940
already guessed what I want you to do he says slip your knickers off make
121
00:10:49,940 --> 00:10:55,140
yourself comfortable and use the vibrator on yourself I brought you a
122
00:10:55,140 --> 00:11:00,980
little something for lubrication just in case you need it he hands me the bottle
123
00:11:00,980 --> 00:11:05,980
with a little smirk I'm squirming inside but the way he's treating me with a
124
00:11:05,980 --> 00:11:10,500
hint of arrogance and condescension so lacking in his usual personality is
125
00:11:10,620 --> 00:11:16,260
turning beyond like nobody's business Danny sits in the rocking chair by the
126
00:11:16,260 --> 00:11:20,580
fireplace to watch he's refilled his wine glass and looks as though he's
127
00:11:20,580 --> 00:11:24,900
settling in to enjoy the show I'm wearing my favorite pair of pajama
128
00:11:24,900 --> 00:11:29,700
bottoms navy blue with pink and white polka dots they might be ideal for
129
00:11:29,700 --> 00:11:33,740
lounging around the house but I know I'm going to have to take them off as well
130
00:11:33,740 --> 00:11:38,900
as my knickers my husband's eyes never leave me as I shimmy out of my clothing
131
00:11:39,100 --> 00:11:43,820
it's warm in the cottage but my skin is suddenly bristling with goosebumps as I
132
00:11:43,820 --> 00:11:50,180
stand before him naked from the waist down he doesn't say a word but I know
133
00:11:50,180 --> 00:11:53,740
his gaze is fixed squarely on the triangle of hair between my legs
134
00:11:53,740 --> 00:11:59,300
freshly waxed for our holiday though he's trying his best to remain impassive
135
00:11:59,300 --> 00:12:03,620
the distinct bulge forming at the front of his jogging bottoms can't help but
136
00:12:03,620 --> 00:12:08,340
give his real feelings away the bottle of oil is heavy in my hand as I
137
00:12:08,340 --> 00:12:13,380
unscrew the top I feel strangely self-conscious as I lie back on the
138
00:12:13,380 --> 00:12:18,140
towel and spread my legs even though Danny has seen me half undressed so many
139
00:12:18,140 --> 00:12:23,420
times before the difference is I'm not usually being required to exhibit myself
140
00:12:23,420 --> 00:12:28,580
for him nor to drizzle oil along my hairless pussy lips till I can feel it
141
00:12:28,580 --> 00:12:33,660
trickling down over my tight little rosebud this extra lubrication won't
142
00:12:33,700 --> 00:12:37,620
really be necessary but it makes what I'm being asked to do all the
143
00:12:37,620 --> 00:12:42,900
router Danny shifts in his seat as I switch on the vibrator it's buzzing
144
00:12:42,900 --> 00:12:47,740
surprisingly loud he's no longer able to resist the temptation to cup and
145
00:12:47,740 --> 00:12:53,060
stroke as cock as he watches knowing he's getting off on this almost as much
146
00:12:53,060 --> 00:12:58,420
as I am I begin to tease myself with the toy I think Danny is going to give me
147
00:12:58,420 --> 00:13:02,860
instructions telling me where to press and how much pressure to apply but
148
00:13:02,860 --> 00:13:06,300
apart from the slapping of his palm against his cock and the occasional
149
00:13:06,300 --> 00:13:11,260
grunt it's almost possible to forget he's actually there I start to lose
150
00:13:11,260 --> 00:13:15,820
myself in the moment pushing the vibrator up inside me just a little way
151
00:13:15,820 --> 00:13:20,460
before pulling back out to focus on the area just around my clit in the way
152
00:13:20,460 --> 00:13:25,860
that's always guaranteed to make me come I'm bucking my hips feeling those
153
00:13:25,860 --> 00:13:30,820
little tickly sensations that mean my orgasm can't be too far away which is
154
00:13:30,860 --> 00:13:34,900
precisely when Danny orders me to stop what I'm doing and play the vibrator
155
00:13:34,900 --> 00:13:40,300
over my nipples instead lifting my t-shirt I do as he asks a little
156
00:13:40,300 --> 00:13:45,740
reluctantly but a forfeit's a forfeit after all I think as I feel those
157
00:13:45,740 --> 00:13:51,420
delicious spasms die away keeping that thought in mind doesn't make things
158
00:13:51,420 --> 00:13:55,300
any easier to bear when Danny tells me I can turn my attention back to my
159
00:13:55,300 --> 00:14:01,660
pussy again he watches me take myself right to the brink and again he makes
160
00:14:01,660 --> 00:14:06,940
me stop before I get there I'm sure as we go into this routine for a third time
161
00:14:06,940 --> 00:14:13,100
that this is when he'll finally allow me to come I'm wrong still unsatisfied my
162
00:14:13,100 --> 00:14:17,700
thighs sticky with a mixture of my own juices in the olive oil I'm made to put
163
00:14:17,700 --> 00:14:22,460
the vibrator away in my bedside drawer the expression on Danny's face as I do
164
00:14:22,460 --> 00:14:28,580
so tells me he is loving being in charge far too much to end the game now I
165
00:14:28,580 --> 00:14:34,340
spend the next couple of days in the same state of sweet torment at Danny's
166
00:14:34,340 --> 00:14:38,940
request I dress in a skirt with no knickers beneath it it gives him the
167
00:14:38,940 --> 00:14:42,940
access he needs to slip a finger up under the hem whenever he feels like it
168
00:14:42,940 --> 00:14:46,820
driving me half crazy by playing with my clit until I'm on the verge of
169
00:14:46,820 --> 00:14:51,860
climaxing and then pulling away I'm washing the dishes after dinner one
170
00:14:51,860 --> 00:14:56,100
evening when he comes up behind me pressing his hard cock into the cleft
171
00:14:56,100 --> 00:15:01,060
of my buttocks and clenching my breast through my top he wraps himself against
172
00:15:01,060 --> 00:15:06,140
me letting me know how excited he is and I reckon he's going to fuck me where I
173
00:15:06,140 --> 00:15:11,740
stand but his self-control is stronger than I might have expected he's doing
174
00:15:11,740 --> 00:15:15,220
just enough to keep me in a state where all I can think about is when he's
175
00:15:15,220 --> 00:15:20,420
going to let me come and what it will feel like when I do I almost wish he'd
176
00:15:20,420 --> 00:15:24,700
put me into some sort of chastity belt at least that way I would be completely
177
00:15:24,700 --> 00:15:29,740
off limits waiting patiently till he chooses to release me what he's done
178
00:15:29,740 --> 00:15:35,100
instead is more subtle more frustrating my whole being seems concentrated into
179
00:15:35,100 --> 00:15:39,460
the area between my legs and I'm constantly aware of the maddening ache
180
00:15:39,460 --> 00:15:45,180
there an ache that won't be eased until Danny decides the time is right he
181
00:15:45,180 --> 00:15:49,220
could ask me to do anything and I would agree if only to be allowed to
182
00:15:49,220 --> 00:15:55,300
experience that marvelous moment when my orgasm burst through me on the final
183
00:15:55,300 --> 00:16:00,260
morning of our holiday the weather breaks at last we wake to the sun shining
184
00:16:00,260 --> 00:16:05,060
through the thin curtains and the promise of a beautiful day to come Danny
185
00:16:05,060 --> 00:16:09,340
suggests we go out for breakfast and then take that much delayed walk along
186
00:16:09,340 --> 00:16:13,660
the beach I'm about to roll out of bed so I can shower when he grabs hold of
187
00:16:13,660 --> 00:16:20,460
me not so fast I want you to take care of this first he gestures to his
188
00:16:20,460 --> 00:16:26,540
erection standing swollen and proud he lies back hands clasped behind his
189
00:16:26,540 --> 00:16:32,380
head and a big smile on his face as I go to work I gaze at him submissively as I
190
00:16:32,380 --> 00:16:37,980
suck mouth full of his hot salty flesh wondering whether this will be the last
191
00:16:37,980 --> 00:16:42,140
day he chooses to play the role of master and whether our sex life will go
192
00:16:42,140 --> 00:16:46,860
back to its usual vanilla pattern once we return to the old routine we
193
00:16:46,860 --> 00:16:50,860
certainly won't be having sex on a weekday morning not with Danny's early
194
00:16:50,860 --> 00:16:56,180
start in my long commute so I give in to the novelty of it taking even more of
195
00:16:56,180 --> 00:17:01,180
my husband's length into my clutching throat when he decides I've pleasureed
196
00:17:01,180 --> 00:17:06,500
him enough he urges me up onto all fours I feel his face pushing between my
197
00:17:06,500 --> 00:17:11,260
buttocks and his tongue warming into my cunt licking wetly and opening me up
198
00:17:11,260 --> 00:17:16,260
for him I'm twitchy with anticipation by the time I feel him sliding into me
199
00:17:16,260 --> 00:17:21,540
for the past few days he's kept me on edge and even now I don't know whether
200
00:17:21,540 --> 00:17:27,380
this will end with both of us coming or just Danny tense and impatient I push
201
00:17:27,380 --> 00:17:32,300
back hard on his cock as it noses its way into me it's been a long time since
202
00:17:32,300 --> 00:17:36,860
I put so much into a fuck my breasts are bouncing and the bedsprings are
203
00:17:36,860 --> 00:17:42,100
creaking as Danny and I moved in a swift animal rhythm I can feel the sweat
204
00:17:42,100 --> 00:17:46,780
breaking out and little beads in the hollow of my back Danny's finger finds
205
00:17:46,780 --> 00:17:52,220
my clit rubbing firmly and yet again I find myself beginning the swift ride to
206
00:17:52,220 --> 00:17:57,980
ecstasy my husband is now as attuned to the pattern of my orgasm as I am and as
207
00:17:57,980 --> 00:18:02,700
he's done so many times over the course of this holiday he pulls back letting
208
00:18:02,700 --> 00:18:10,940
the intensity fade don't forget shade he murmurs not till I say so he thrusts
209
00:18:10,940 --> 00:18:15,500
into me harder than ever his breathing is harsh in my ear and his fingers are
210
00:18:15,500 --> 00:18:20,100
practically crushing my nipples as he toys with them I'd almost forgotten sex
211
00:18:20,100 --> 00:18:25,700
could be so rough so frantic and I'm loving every moment of it again he
212
00:18:25,700 --> 00:18:30,300
turns his attention to my clit but this time when he starts stroking it he
213
00:18:30,300 --> 00:18:35,260
doesn't stop I'm expecting him to back off and that's why I'm so startled when
214
00:18:35,260 --> 00:18:40,340
instead he says come for me the pleasure that has been building and
215
00:18:40,340 --> 00:18:45,740
building with no outlet for so many days now comes gushing forth the tingling
216
00:18:45,740 --> 00:18:50,580
throbbing pounding feeling that radiates out from my sex to flood the whole of my
217
00:18:50,580 --> 00:18:55,900
lower half is so intense that I actually scream I'm calling out Danny's name
218
00:18:55,900 --> 00:19:01,540
begging him not to stop and using all the foul filthy words that never past my
219
00:19:01,540 --> 00:19:06,740
lips at any other time I have truly never had an orgasm like it and by the
220
00:19:06,740 --> 00:19:13,180
time the sensation has passed I am weak and shaking Danny pulls out of me and
221
00:19:13,180 --> 00:19:18,660
as I lie on my back he kneels over me wanking his cock till the cumsperts out
222
00:19:18,660 --> 00:19:25,500
of it and big pearly gobs that decorate my belly marking me as his so was it
223
00:19:25,500 --> 00:19:32,420
worth the wait he asks as I smile up at him all I can do is nod my head even if
224
00:19:32,420 --> 00:19:38,820
I could find the words I don't think I have the energy to speak them that
225
00:19:38,820 --> 00:19:42,900
evening as we're making a final tour of the cottage before we set off for home
226
00:19:42,900 --> 00:19:47,340
making sure we're in no danger of leaving anything behind I find the
227
00:19:47,340 --> 00:19:52,020
playing cards lying half hidden under the living room sofa remembering the game
228
00:19:52,020 --> 00:19:56,900
of cheat I pick them up and flick through them to my utter disbelief I
229
00:19:56,900 --> 00:20:01,860
realized there really are five aces in the pack along with a couple of extra
230
00:20:01,860 --> 00:20:06,620
sevens and two Queen of Hearts on impulse I slipped the cards in my bag
231
00:20:06,620 --> 00:20:12,660
after all who would have any use for such a rogue deck apart from someone who
232
00:20:12,660 --> 00:20:17,260
has suddenly realized the whole world of possibilities that might spring from
233
00:20:17,260 --> 00:20:20,860
another game of forfeits
234
00:20:22,740 --> 00:20:27,980
what's in a name by Jacqueline Appleby
235
00:20:27,980 --> 00:20:34,780
my lover Eric pounded into me the veins on his pale neck stood out as he grunted
236
00:20:34,780 --> 00:20:41,820
moving faster within I opened my legs wider arched up to meet his thrusts my
237
00:20:41,820 --> 00:20:49,020
orgasm struck rocking me hard my lips swollen and wet parted I cried out as
238
00:20:49,020 --> 00:20:58,660
I came Hassan a word of bliss escaped me Hassan I sighed my hips bucked on the
239
00:20:58,660 --> 00:21:04,860
mattress and then I collapsed spent and happy Eric looked at me with eyes wide
240
00:21:04,860 --> 00:21:14,460
his mouth hung open Hassan what panic made me freeze you called out someone
241
00:21:14,460 --> 00:21:19,300
else's name Eric peered at me as if he could read the answer on my sweat
242
00:21:19,300 --> 00:21:27,900
covered body who's Hassan shit I'm so sorry I bit my lip embarrassed by my
243
00:21:27,900 --> 00:21:34,540
mistake this was an unwritten rule of sex never mix up names of lovers Eric and
244
00:21:34,540 --> 00:21:40,220
I had been together exclusively for six months so I had no excuse really just
245
00:21:40,300 --> 00:21:46,900
forget it I said rather pathetically Eric looked down at his cock he grimaced
246
00:21:46,900 --> 00:21:52,580
at his wilting member I don't think I can do that he flopped down on the bed
247
00:21:52,580 --> 00:21:57,380
beside me my afterglow dwindled and then vanished as my lover sighed loudly
248
00:21:57,380 --> 00:22:01,820
next to me I stared up at the ceiling and then I look down at the pattern on
249
00:22:01,820 --> 00:22:06,060
the sheets as they lay in a heap on the floor but the paisley swirls could not
250
00:22:06,060 --> 00:22:11,220
distract me I didn't know what to say it was one of those moments when I wish
251
00:22:11,220 --> 00:22:17,220
the ground would just open up and swallow me whole so this Hassan character
252
00:22:17,220 --> 00:22:25,300
Eric began I said forget it he must have been something pretty special Eric
253
00:22:25,300 --> 00:22:29,760
swept a strand of his dark hair from his blue eyes I thought you weren't the
254
00:22:29,760 --> 00:22:36,680
jealous type Eric reached over pinched my nose playfully sweetheart I know you
255
00:22:36,680 --> 00:22:43,080
had plenty of men before we met are you saying I'm easy I snapped Eric was
256
00:22:43,080 --> 00:22:49,160
silent for a moment I'd call you experienced that's all he kissed me I
257
00:22:49,160 --> 00:22:54,960
looked over his teeth traced his lips with mine I felt desire stir in my
258
00:22:54,960 --> 00:23:02,120
belly replacing the shame I'd felt tell me about this mystery man Eric ran his
259
00:23:02,120 --> 00:23:07,480
tongue over my throat dotted kisses in the hollow of my collarbone I smiled
260
00:23:07,480 --> 00:23:12,880
maybe something positive could come out of my slip up after all I closed my
261
00:23:12,880 --> 00:23:17,600
eyes pictured Hassan the way I'd known him as a young man I thought of the
262
00:23:17,600 --> 00:23:21,720
swaggering dude who made all the girls and most of the boys swoon whenever he
263
00:23:21,720 --> 00:23:27,040
walked past Hassan had stood out in the village where I'd grown up he'd been an
264
00:23:27,040 --> 00:23:31,020
exotically handsome addition to my little corner of rural England where
265
00:23:31,020 --> 00:23:35,920
nothing much ever changed until he came I never found out why his family had
266
00:23:35,920 --> 00:23:41,640
ended up there but I was grateful that they had Hassan was a bit of a legend
267
00:23:41,640 --> 00:23:49,040
at school I started school you fooled about with this guy at school no but I
268
00:23:49,040 --> 00:23:53,600
first met Hassan in my final year everyone said he was an amazing kisser
269
00:23:53,600 --> 00:23:58,640
but it wasn't until we were older that anything happened between us Eric sighed
270
00:23:58,640 --> 00:24:05,040
with relief he resumed kissing along my shoulders making murmuring sounds I felt
271
00:24:05,040 --> 00:24:11,080
his cock twitch against my thigh growing in size with every passing moment I was
272
00:24:11,080 --> 00:24:16,280
glad he was enjoying the trip down memory lane as much as I was so when you
273
00:24:16,280 --> 00:24:23,520
finally got together with this Casanova what did you do oh nothing much I gave
274
00:24:23,520 --> 00:24:29,320
Eric my best innocent look which wouldn't fool anyone are you lying to me
275
00:24:29,320 --> 00:24:35,200
Eric's voice had suddenly changed it held a note of menace he swept his hands
276
00:24:35,200 --> 00:24:39,800
over my wrists which are an unusual erogenous zone of mine but before I
277
00:24:39,800 --> 00:24:45,160
could enjoy the sensation he gripped them tight pinning me to the bed a jolt
278
00:24:45,160 --> 00:24:50,000
of fear mixed with lust shot through me I couldn't be sure if he was really
279
00:24:50,000 --> 00:24:56,480
angry or just playing tell me what Hassan did Eric stared at me my breath
280
00:24:56,480 --> 00:25:00,960
came in short bursts I struggled but I could not escape from my position
281
00:25:00,960 --> 00:25:07,520
beneath him we just kissed at first when we were at a party I gulped he had this
282
00:25:07,520 --> 00:25:12,720
way of devouring me with his kisses I always felt trapped by his lips and his
283
00:25:12,720 --> 00:25:18,640
delicious mouth whenever we smooched like now Eric tugged my hands over my
284
00:25:18,640 --> 00:25:24,680
head I nodded aware of how my nipples had become hard and aching with need what
285
00:25:24,680 --> 00:25:30,200
else did you do he talked dirty he was the first man who ever spoke to me that
286
00:25:30,200 --> 00:25:36,680
way what did he say Eric shoved my knees apart with his he gazed down at my
287
00:25:36,720 --> 00:25:42,520
pussy I knew I was wet glistening and hungry for his cock he called me a
288
00:25:42,520 --> 00:25:48,680
slut even saying that word now made a wonderful trimmer pass through me he
289
00:25:48,680 --> 00:25:53,200
said he could smell my cunt and that it was the best perfume in the world I
290
00:25:53,200 --> 00:26:00,040
agree Eric said with a smile I arched up wanting him inside me but Eric
291
00:26:00,040 --> 00:26:05,200
increased his grip on my hands the delicious pressure made me wanting my
292
00:26:05,240 --> 00:26:11,920
sensitive wrists felt heavenly I was desperate for this man please I whispered
293
00:26:11,920 --> 00:26:19,480
did Hassan screw you Eric ignored my request because I can imagine him
294
00:26:19,480 --> 00:26:25,280
slamming into you until you came so hard you screamed his name Hassan didn't have
295
00:26:25,280 --> 00:26:31,400
to screw me to give me orgasms that were amazing liar Eric moved so he held
296
00:26:31,400 --> 00:26:35,840
both my wrists and just one of his large hands with his freehand he grabbed
297
00:26:35,840 --> 00:26:41,000
one of my legs and then he lifted it over his shoulder so I was spread wide he
298
00:26:41,000 --> 00:26:46,880
barely gave me a second before he thrust inside tell me what you did Eric's
299
00:26:46,880 --> 00:26:51,520
voice was tight and hard I wanted to answer him but my breath was knocked
300
00:26:51,520 --> 00:26:55,920
right out of my throat with the force of his thrusts my cunt gripped Eric's
301
00:26:56,040 --> 00:27:02,440
cock intensifying everything he gave me my lover squeezed his eyes shut but as
302
00:27:02,440 --> 00:27:07,680
he came I could have sworn I heard him say something it sounded for all the
303
00:27:07,680 --> 00:27:14,000
world like he had said Hassan's name Eric stilt and then he slumped on top of
304
00:27:14,000 --> 00:27:19,640
me after a moment I felt him reach around blindly searching for my vibrator
305
00:27:19,640 --> 00:27:23,720
that I kept by the side of the bed I waved him off once I heard the word
306
00:27:23,760 --> 00:27:32,120
again don't you want to come again he asked waving the vibrator at me sure my
307
00:27:32,120 --> 00:27:38,400
voice trailed off as I looked shyly at my man of course Eric looked at me
308
00:27:38,400 --> 00:27:44,440
quizzically until realization dawned on his face but you want to come the way
309
00:27:44,440 --> 00:27:49,440
you did when you were with Hassan the calmness in my lover's voice was more
310
00:27:49,600 --> 00:27:57,280
than I deserved you need to tell me what he did I held up my hands Hassan would
311
00:27:57,280 --> 00:28:04,680
suck on my fingers my voice was a tiny whisper Eric's eyes widened you're
312
00:28:04,680 --> 00:28:11,320
kidding me it's the truth I've always had sensitive hands I looked away
313
00:28:11,320 --> 00:28:18,040
suddenly ashamed for being such a freak let me get this straight Eric said
314
00:28:18,040 --> 00:28:25,680
slowly you can come from having your hands stimulated yes Eric raised an
315
00:28:25,680 --> 00:28:30,160
eyebrow but he didn't say anything further he pulled me to sit astride his
316
00:28:30,160 --> 00:28:35,320
lap and then he placed my thumb into his hot wet mouth he swirled his tongue
317
00:28:35,320 --> 00:28:39,680
over my nail and then lowered to the web of flesh where my thumb at my forefinger
318
00:28:39,680 --> 00:28:44,760
my breath stuttered my clit pulsed and my eyes rolled to the back of my head
319
00:28:44,960 --> 00:28:50,040
Eric flicked on the vibrator and then he sucked two more fingers into his mouth
320
00:28:50,040 --> 00:28:55,200
he slurped and pulled on them rhythmically I watched with delight as my
321
00:28:55,200 --> 00:29:00,400
fingers disappeared between his lips to be caressed by his talented tongue I'd
322
00:29:00,400 --> 00:29:04,600
never thought of Eric getting together with a man before but I was certain he'd
323
00:29:04,600 --> 00:29:09,440
be a talented cocksucker if he ever did I increased the speed of my thrusts
324
00:29:09,440 --> 00:29:18,080
inside his mouth Hassan I breathed this is Hassan you're sucking on I hoped I
325
00:29:18,080 --> 00:29:22,080
was right about what I'd heard before I hoped Eric wouldn't hate me for
326
00:29:22,080 --> 00:29:26,120
pushing things but he was just so good at this I couldn't ignore the
327
00:29:26,120 --> 00:29:33,000
opportunity I was rewarded when Eric groaned around my fingers Hassan he
328
00:29:33,000 --> 00:29:38,600
whispered his eyes were shut tight I imagined the men entwined together two
329
00:29:38,600 --> 00:29:43,320
lovers sucking teasing and pleasuring each other until they both came I
330
00:29:43,320 --> 00:29:47,480
circled my hips against his and then bucked against the vibrator as I
331
00:29:47,480 --> 00:29:52,560
continued to finger Eric's mouth every press of his lips made desire dance
332
00:29:52,560 --> 00:29:57,400
from my hands down to my ass it was like nothing I'd ever experienced I
333
00:29:57,400 --> 00:30:02,720
shuddered as my orgasm shot through me making me quake with the intensity I
334
00:30:02,880 --> 00:30:10,440
toppled down beside my lover breathlessly happy so Eric began quietly
335
00:30:10,440 --> 00:30:17,840
after a moment passed what we just did he paused and looked at me hesitantly
336
00:30:17,840 --> 00:30:23,440
does this mean I'm going gay I hit him weekly although I barely had enough
337
00:30:23,440 --> 00:30:29,760
strength to move I'd say you are bi-curious that's all how about
338
00:30:29,760 --> 00:30:36,740
try curious he asked with the chuckle you want to try that again I managed to
339
00:30:36,740 --> 00:30:41,680
sit up in bed I stroked a finger over Eric's face running it over his lips
340
00:30:41,680 --> 00:30:48,520
he nipped at it gently biting the tip maybe another time he drew my finger
341
00:30:48,520 --> 00:30:52,840
into his mouth once more a flutter of aftershock made my clit ache
342
00:30:52,840 --> 00:30:59,800
deliciously did you keep in contact with Hassan he asked we lost touch when I
343
00:30:59,800 --> 00:31:06,640
started University that's a shame Eric sighed he sounds like an interesting guy
344
00:31:06,640 --> 00:31:14,440
he was but then I met someone truly special after him who Eric sounded
345
00:31:14,440 --> 00:31:21,520
surprised I'm talking about you silly of course Eric pulled me into a sleepy
346
00:31:21,520 --> 00:31:27,120
embrace my finger popped out of his mouth as I snuggled in close of course
347
00:31:27,120 --> 00:31:39,280
you were chemistry by velvet more the smell of science makes me horny I
348
00:31:39,280 --> 00:31:44,760
narrowly resisted shoving my hands down my pants and rubbing myself to oblivion
349
00:31:44,760 --> 00:31:49,440
during my niece's science fair my stomach dips with pleasure every time
350
00:31:49,440 --> 00:31:53,960
someone lights a match each July I'm aroused by the vapors of the
351
00:31:53,960 --> 00:31:58,840
noise making novelty fireworks called snappers little dude tricksters know
352
00:31:58,840 --> 00:32:02,360
that when they crack one on the pavement at my feet I shiver out of
353
00:32:02,360 --> 00:32:09,200
excitement not fear smell is the sense tied most closely to human memory so
354
00:32:09,200 --> 00:32:13,920
when I sense any use of potassium chlorate a white crystalline compound
355
00:32:13,920 --> 00:32:19,840
well-stocked in science laboratories and often used for combustion I remember
356
00:32:19,840 --> 00:32:24,040
how it feels to have the fire of orgasm sizzle its way through my body and
357
00:32:24,040 --> 00:32:29,520
melt a liquid path down my legs the chemicals odor singes my nostrils and
358
00:32:29,520 --> 00:32:34,440
flashes me back to the sensation of a chilly marble countertop pressed against
359
00:32:34,440 --> 00:32:39,560
my back to the press of fingers digging into my supple thighs to the slick
360
00:32:39,560 --> 00:32:44,560
pressure of rounded glass slipping in and out and it's what I remember most
361
00:32:44,560 --> 00:32:50,880
about him most scientists that I've met fit the typical stereotypes most would
362
00:32:50,880 --> 00:32:56,040
rather analyze your genes than pry off your genes yet I suspected that Michael
363
00:32:56,040 --> 00:33:01,040
Harrison was capable of much more than stripping me of my pants with his wavy
364
00:33:01,040 --> 00:33:06,280
black hair broad shoulders and Clark Kent glasses I believed that stripped of
365
00:33:06,280 --> 00:33:10,720
his unassuming attire he would have something surprising and heroically
366
00:33:10,720 --> 00:33:15,880
powerful bulging underneath I understood this the first time I shook his hand
367
00:33:15,880 --> 00:33:20,240
and cut the scent of chemicals trapped in his clothes and seared into his skin
368
00:33:20,240 --> 00:33:26,080
a smell faint and tangy and far too interesting to be cologne like the smell
369
00:33:26,080 --> 00:33:31,240
of your body after a lengthy swim in a freshly chlorinated pool I imagined
370
00:33:31,240 --> 00:33:35,560
that if I should run my tongue along his perky nipples my tongue would sizzle as
371
00:33:35,560 --> 00:33:40,560
though touched to the tip of a battery we needed a scientist to impress the
372
00:33:40,560 --> 00:33:45,480
hospital donors with a tour of the lab I plan to find an excuse to use him I
373
00:33:45,480 --> 00:33:50,960
spent the following week visiting the lab to get a sense of his work his area
374
00:33:50,960 --> 00:33:56,040
of interest was biochemistry and I was certainly interested in his chemistry I
375
00:33:56,040 --> 00:34:01,400
came to notice how his hands flex tightly fighting against the latex gloves
376
00:34:01,400 --> 00:34:06,280
each time he cupped a beaker full of liquid I watched as he gradually pushed
377
00:34:06,280 --> 00:34:10,400
the tip of the lengthy pipette into the stickiness of the gel and ejected its
378
00:34:10,400 --> 00:34:15,920
contents I'd secretly graze my hand across my chest as he pinched and lifted
379
00:34:15,920 --> 00:34:20,560
the bell jar by its perky nipple like top and use the glassware to create a
380
00:34:20,560 --> 00:34:25,520
vacuum he stood beside me as an orator while his lab staff performed an
381
00:34:25,520 --> 00:34:30,800
experiment in front of eager donors molten potassium chloride is a strong
382
00:34:30,840 --> 00:34:37,080
oxidizing agent that reacts violently with sugar he explained a lab student
383
00:34:37,080 --> 00:34:41,240
added a plump red gummy bear to the white liquid bubbling in a test tube over
384
00:34:41,240 --> 00:34:46,960
an open flame in an instant the candy ignited sparking and steaming with the
385
00:34:46,960 --> 00:34:52,080
power of an electrical fire and screaming like a train whistle the sudden pop of
386
00:34:52,080 --> 00:34:56,040
energy startled me and I jumped in reaction as though I had been smacked
387
00:34:56,120 --> 00:35:01,440
sharply across the ass with a ruler instantly his hands played across my
388
00:35:01,440 --> 00:35:06,080
lower back to calm me a touch that managed to still my nerves and wet my
389
00:35:06,080 --> 00:35:11,080
panties quicker than the smoke from the candied combustion he cleared himself
390
00:35:11,080 --> 00:35:15,560
for me and attended diligently to the prospective donors he had to have looked
391
00:35:15,560 --> 00:35:20,360
like a popper among princes he and a rumpel specked white lab coat and
392
00:35:20,360 --> 00:35:25,440
tattered tennis shoes among designer suits and patent leather pumps yet they
393
00:35:25,480 --> 00:35:31,080
clung to his every word enraptured by the mystifying language of science as he
394
00:35:31,080 --> 00:35:34,720
let the group farther into the lab I heard him begin to boast about the
395
00:35:34,720 --> 00:35:41,080
facility's latest microarray technology good boy I thought he had obeyed my
396
00:35:41,080 --> 00:35:45,920
coaching and was hitting all the major speaking points after the event I
397
00:35:45,920 --> 00:35:50,480
congratulated him and mentioned that if he felt the need we could debrief he
398
00:35:50,480 --> 00:35:54,360
told me that he would be working late and that if I stopped by we would review
399
00:35:54,360 --> 00:36:00,360
things I agreed that evening I found him bowed over a polarizing light
400
00:36:00,360 --> 00:36:05,920
microscope his part little ass hidden by the draping of his white lab coat he
401
00:36:05,920 --> 00:36:11,800
stopped upon noticing my arrival I'm just examining some potassium chloride he
402
00:36:11,800 --> 00:36:17,320
said want to take a look I shifted toward the microscope resting on the
403
00:36:17,320 --> 00:36:22,800
waist high table and bent to peer in the lens magnetized the crystalline powder
404
00:36:22,800 --> 00:36:27,640
was transformed into jagged cubes of translucent hues like miniature ice
405
00:36:27,640 --> 00:36:32,880
caps and Technicolor although lacking scientific training I could appreciate
406
00:36:32,880 --> 00:36:36,680
beauty enough to admire the hidden complexity of a seemingly simple form
407
00:36:36,680 --> 00:36:44,840
it's beautiful I said yes it is he said then smooth the fingers of one hand
408
00:36:44,840 --> 00:36:50,680
down my lower back and around the curve of my rear I didn't move and he
409
00:36:50,680 --> 00:36:55,840
continued I've been meaning to tell you how much I appreciate the short skirts
410
00:36:55,840 --> 00:37:01,000
his fingers continued their downward path and crept between the slit of my
411
00:37:01,000 --> 00:37:06,360
skirt two fingertips moved forward to slowly stroke the crease of my panties
412
00:37:06,360 --> 00:37:11,920
which rested against my inner thigh I felt the materials soak with sudden
413
00:37:11,920 --> 00:37:17,320
urgency unnerved by the speed of the situation I stood straight and stepped
414
00:37:17,320 --> 00:37:22,680
aside his hands trailed out of reach you think I didn't notice that you've
415
00:37:22,680 --> 00:37:28,200
been dressing for me he asked as he moved closer trapping me between his body
416
00:37:28,200 --> 00:37:33,320
and the chest high countertop of the lab bench now pressed against my spine
417
00:37:33,320 --> 00:37:38,520
safety is important in a lab that's why it's necessary to wear long pants and
418
00:37:38,520 --> 00:37:44,280
flat shoes I'm glad you choose to live a little dangerously I blushed and
419
00:37:44,280 --> 00:37:49,240
averted my gaze downward as he called me out do you know much about potassium
420
00:37:49,240 --> 00:37:54,680
chlorate he asked I squinted as I retook his gaze and shook my head no
421
00:37:54,680 --> 00:38:00,000
undoubtedly revealing my confusion if not disappointment by the sudden topic
422
00:38:00,000 --> 00:38:06,440
shift it's a fairly common compound yet incredibly powerful what's so amazing
423
00:38:06,440 --> 00:38:11,520
about it is that it looks unassuming but when combined with something sweet it
424
00:38:11,520 --> 00:38:16,800
releases a surprising amount of energy with that he closed the remaining
425
00:38:16,800 --> 00:38:21,880
distance between our bodies and reaching with one hand slowly graze the pat of
426
00:38:21,880 --> 00:38:27,720
his thumb across my smooth lower lip the touch tingled lips above and below my
427
00:38:27,720 --> 00:38:33,080
waist I watched as he lifted his hand to his mouth and tasted his thumb where my
428
00:38:33,080 --> 00:38:40,120
mouth had just been I found something sweet I think we should experiment his
429
00:38:40,120 --> 00:38:44,600
hot mouth crushed against mine and I swiftly slit my tongue between his
430
00:38:44,600 --> 00:38:49,200
slick lips to pry them open when his tongue pressed back with equal force
431
00:38:49,200 --> 00:38:55,040
my breath caught and my fold swelled eager for pressure I shoved my hips
432
00:38:55,040 --> 00:38:59,960
forward and ground my pelvis against the strong plane of his body he grabbed my
433
00:38:59,960 --> 00:39:05,120
hands now tingled in his hair loosened my grip and lowered them to rest against
434
00:39:05,120 --> 00:39:11,480
the lab bench ledge like a fallen angel I stood with arms spread wide awaiting
435
00:39:11,480 --> 00:39:17,040
his command his nimble fingers made quick work of my shirts button and my bra
436
00:39:17,040 --> 00:39:22,760
and he encircled my right breast with his slick mouth as he feasted to the
437
00:39:22,760 --> 00:39:28,000
right he pinched my left nipple pausing only to roll it between his fingers like
438
00:39:28,000 --> 00:39:34,760
a fine cigar the groans that escaped his muffled mouth made me raw with want then
439
00:39:34,760 --> 00:39:40,080
he suddenly pulled back I reached out to draw him back in but he again pressed
440
00:39:40,080 --> 00:39:44,960
my hands down I was eager to see the lengthy muscle that had so eagerly been
441
00:39:44,960 --> 00:39:49,520
pushed against my aching middle but he lowered to his knees without disrobing
442
00:39:49,520 --> 00:39:54,480
he gripped the fronts of my thighs beneath my skirt and spread my legs
443
00:39:54,480 --> 00:39:59,480
farther he pushed the skirt up around my waist tucking the bottom into the
444
00:39:59,480 --> 00:40:05,120
waistband to keep it put down slipped my soaked panties as he pried them along
445
00:40:05,120 --> 00:40:11,720
my legs and tossed them aside a hand cup possessively at my swollen sex his
446
00:40:11,720 --> 00:40:17,360
palms spreading my lips pressing against my throbbing clit fingers toying along
447
00:40:17,360 --> 00:40:23,320
the crease of my rear he met my eyes and showed a sly smile removing his hand
448
00:40:23,320 --> 00:40:28,000
from my body he reached into the deep pocket of his white lab coat and then
449
00:40:28,000 --> 00:40:33,600
pulled out a glass test tube I gripped the lab bench a little tighter the
450
00:40:33,600 --> 00:40:38,480
slender cylinder slipped easily onto his middle finger his sly expression
451
00:40:38,480 --> 00:40:42,840
disappeared and a look of intense concentration took its place as he
452
00:40:42,840 --> 00:40:46,240
leaned forward and leisurely ran the weighty tip of his tongue from the
453
00:40:46,240 --> 00:40:51,280
bottom of my soaked sex to the tip of my throbbing clit making sure to increase
454
00:40:51,280 --> 00:40:56,080
pressure during his ascent I felt his tongue flick vigorously over my clit
455
00:40:56,080 --> 00:41:00,680
while he slipped into me with his glass- shrouded finger the tube glided
456
00:41:00,680 --> 00:41:05,120
easily along my slick folds and its rounded tip bumped against all the
457
00:41:05,120 --> 00:41:10,560
right places the combination of his tongue and the tool shot jagged electric
458
00:41:10,560 --> 00:41:15,880
currents between my legs causing me to twitch my legs to wobble my heart to
459
00:41:15,880 --> 00:41:22,000
race my breath to become shallow moans to escape my head to roll back my hands
460
00:41:22,000 --> 00:41:26,440
to tighten their grip and my mind cloud with the sharp thrill of sexual
461
00:41:26,440 --> 00:41:31,480
release fingers of his freehand gripped my ass when the height of my orgasm
462
00:41:31,480 --> 00:41:37,680
hit causing me to groan out and oh god that echoed throughout the lab and I
463
00:41:37,680 --> 00:41:42,440
pushed his mouth away to obey the overwhelming intensity he slipped out
464
00:41:42,440 --> 00:41:47,560
of me rose from his knees and stood silently watching as my body calmed
465
00:41:48,000 --> 00:41:53,160
once my breath had slowed I raised my head attempting to fight the post peak
466
00:41:53,160 --> 00:41:58,280
weariness wanting to please him and willing for more I grabbed the waist
467
00:41:58,280 --> 00:42:02,480
band of his pants unbuttoned and unzipped them and pushed them down and off his
468
00:42:02,480 --> 00:42:06,920
sturdy legs next I headed for the buttons of his collared shirt and
469
00:42:06,920 --> 00:42:12,120
painstakingly attempted to undo them all sensing my lingering fatigue he
470
00:42:12,120 --> 00:42:16,880
assisted and then finally removed his boxers letting his solid shaft stand
471
00:42:16,880 --> 00:42:22,720
free he stood there mostly naked draped in his lab coat like a central park
472
00:42:22,720 --> 00:42:28,560
flasher with a PhD reaching out I coiled his cock in my hand and he groaned
473
00:42:28,560 --> 00:42:33,140
when I began tugging with my tightened grip with equal force he clenched the
474
00:42:33,140 --> 00:42:38,040
wrist of my offending hand and pulled me off taking advantage of my surprise and
475
00:42:38,040 --> 00:42:41,960
of his hold he spun me around and pressed me forward against the lab bench
476
00:42:41,960 --> 00:42:46,440
so that its edge that once pushed along my spine now settled against my abs
477
00:42:46,800 --> 00:42:51,960
like a yogi in a bow of submission I stretched my arms forward to steady
478
00:42:51,960 --> 00:42:56,800
myself carelessly pushing aside bottles scales and other miscellaneous
479
00:42:56,800 --> 00:43:02,680
laboratory equipment I was poised for sexual satisfaction not for scientific
480
00:43:02,680 --> 00:43:07,480
measurement he yanked at my hips and I shuffled to a wider stance his
481
00:43:07,480 --> 00:43:11,760
knuckles bumped along my crease as his hand guided his powerful cock inside
482
00:43:11,760 --> 00:43:17,040
me slipping in deeply and filling me like a man should and in a way that
483
00:43:17,040 --> 00:43:24,760
glass could never match oh shit you're tight he said with a groan I clenched
484
00:43:24,760 --> 00:43:30,480
around him for added effect the pumping started easily at first long and steady
485
00:43:30,480 --> 00:43:35,080
allowing my faded excitement to bubble back to the surface like liquid in a
486
00:43:35,080 --> 00:43:40,680
beaker over low heat in this eased pace I was able to press my pelvis forward
487
00:43:40,680 --> 00:43:44,200
enough to knock my clit against the brass handle of the drawer beneath me
488
00:43:44,200 --> 00:43:48,960
the pressing of his hips repeatedly shoved his cock in and out of me and
489
00:43:48,960 --> 00:43:54,400
the handle against my center bringing it to a sensitive plump peak with my
490
00:43:54,400 --> 00:43:59,400
female firearm triggered I felt myself grow wetter with every intrusion his
491
00:43:59,400 --> 00:44:04,600
pleasured moan serving as a catalyst to my excitement now edgy with pleasure and
492
00:44:04,600 --> 00:44:09,400
eager for speed I shoved my ass toward him drawing him in deeper and
493
00:44:09,400 --> 00:44:14,880
signaling my desire his pace quickened and he pummeled my soaking pussy with
494
00:44:14,880 --> 00:44:19,760
plunged force the sound of my ass smacking against his skin and the flaps
495
00:44:19,760 --> 00:44:23,760
of his coat ticking against the bench added to the rising symphony of our
496
00:44:23,760 --> 00:44:29,320
sex my shallow breathing accelerated and the electricity that resonated between
497
00:44:29,320 --> 00:44:35,520
my thighs prickled swiftly to my limbs signaling my oncoming climax I pulled
498
00:44:35,560 --> 00:44:40,040
his hand from my hip and used his fist to bite back the intensity but the
499
00:44:40,040 --> 00:44:45,600
taste of his coppery skin coupled with his pumping overwhelmed me my body
500
00:44:45,600 --> 00:44:50,800
shuttered as I came with electric force he pulled his hand from my mouth
501
00:44:50,800 --> 00:44:56,120
yanked my body up from my sprawled pose and with rapid fire released his hot
502
00:44:56,120 --> 00:45:01,120
come into me we lean together as our breathing calmed and the heat of our
503
00:45:01,120 --> 00:45:05,800
bodies cooled I turned and switched my resting place from his chest to the
504
00:45:05,800 --> 00:45:11,400
countertop and looked upon him with a glazed gaze he gradually buttoned his
505
00:45:11,400 --> 00:45:17,800
lab coat and once completely cloaked he advanced with equal lethargy what did
506
00:45:17,800 --> 00:45:23,640
you learn from our little experiment he asked using a finger to draw lazy yet
507
00:45:23,640 --> 00:45:28,360
tantalizing figure eights around my belly button I grabbed the wrist of the
508
00:45:28,360 --> 00:45:34,800
wandering hand cupped his palm against my breast and responded it's all about
509
00:45:34,800 --> 00:45:47,840
chemistry the chair by Lolita Lopez the chair was a thing of sumptuous
510
00:45:47,840 --> 00:45:54,760
decadence sleek lines gleaming onyx wood that ever so plush leather from the
511
00:45:54,760 --> 00:45:59,160
first moment she'd spied the chair Lily had desperately wanted to sink down
512
00:45:59,160 --> 00:46:04,360
into its sensual embrace it had called to her whispering not only in her ear
513
00:46:04,360 --> 00:46:10,200
and promising a sexual experience to top all others even now all these weeks
514
00:46:10,200 --> 00:46:15,120
later just staring at the chair sent jittery waves through her belly her
515
00:46:15,120 --> 00:46:20,200
vivid imagination shot into overdrive she could almost feel the cool kiss of
516
00:46:20,200 --> 00:46:24,440
leather against her naked skin and the tight clench of the padded cuffs around
517
00:46:24,440 --> 00:46:30,160
her ankles and wrists the thought of being bound to the chair helpless and
518
00:46:30,160 --> 00:46:36,200
completely at Cal's mercy made her pussy pulse with need sticky wetness seeped
519
00:46:36,200 --> 00:46:43,160
between her bare thighs from sheer anticipation sit Cal's instruction sent
520
00:46:43,160 --> 00:46:48,840
white hot shock waves through her core Lily's nipples stood at attention she
521
00:46:48,840 --> 00:46:53,600
inhaled a shuddery breath and took a tentative step forward skimming her
522
00:46:53,600 --> 00:46:58,120
fingertips over the smooth wooden arm Lily appreciated the beauty and
523
00:46:58,120 --> 00:47:02,320
craftsmanship of the chair only a hedonist like Cal would think to
524
00:47:02,320 --> 00:47:07,160
commission such a hybrid piece of furniture part bondage device and part
525
00:47:07,160 --> 00:47:13,320
sex toy it was legendary among his rather kinky circle of friends before Cal
526
00:47:13,320 --> 00:47:18,640
Lily had only doubled in the lightest of kink a silk scarf binding her wrist to
527
00:47:18,640 --> 00:47:22,920
the headboard an ice cube between her lover's lips gliding over the swell of
528
00:47:22,920 --> 00:47:28,560
her breast a few stinging smacks on her bottom in the heat of passion but then
529
00:47:28,560 --> 00:47:32,400
Cal had appeared in her life and introduced her to the sometimes painful
530
00:47:32,400 --> 00:47:37,960
but always exhilarating world of BDSM that first night he'd broach the
531
00:47:37,960 --> 00:47:41,760
subject Cal had taken her to his playroom and talked her through the
532
00:47:41,760 --> 00:47:45,840
various toys and implements when he'd shown her that chair sitting in the
533
00:47:45,840 --> 00:47:50,760
corner on a raised platform Lily's curiosity had been peaked what was
534
00:47:50,760 --> 00:47:54,560
hidden beneath the panels spanning the distance between the chairs legs and
535
00:47:54,560 --> 00:48:00,000
why did the platform require a power source in that instant she decided to
536
00:48:00,000 --> 00:48:03,720
accept the experience Cal offered and earn the privilege to sit on his
537
00:48:03,720 --> 00:48:10,380
prized piece Lily Cal's prompt brought her back to the present fingers
538
00:48:10,380 --> 00:48:15,920
trembling with trepidation she stepped on to the dais Lily turned to face her
539
00:48:15,920 --> 00:48:21,000
lover and slowly sank down onto the wide seat her bare feet dangled above the
540
00:48:21,000 --> 00:48:26,120
platform her belly quivered with apprehension she suddenly felt so young
541
00:48:26,120 --> 00:48:31,880
and inexperienced perhaps that was part of the design Cal seemed to enjoy
542
00:48:31,880 --> 00:48:36,320
throwing her composure off kilter before every scene there was something about
543
00:48:36,320 --> 00:48:40,160
embracing the unknown and giving her complete trust to him that amplified
544
00:48:40,160 --> 00:48:45,880
the experience and eventual release perched on the chair Lily I'd Cal as
545
00:48:45,880 --> 00:48:51,440
he moved out of the shadows tonight he remained fully dressed a stark contrast
546
00:48:51,440 --> 00:48:55,920
to her vulnerable state and a clear reminder of his absolute control of
547
00:48:55,920 --> 00:49:01,200
the situation he pocketed his platinum cufflinks and slowly rolled up the
548
00:49:01,200 --> 00:49:06,160
sleeves of his crisp shirt Lily licked her lips and pressed her knees tightly
549
00:49:06,160 --> 00:49:12,080
together she gripped the arms of the chair as Cal moved closer their gazes
550
00:49:12,080 --> 00:49:16,240
clashed as he wrapped the leather cuffs over her wrists he didn't break their
551
00:49:16,240 --> 00:49:20,320
mutual stares he picked up the remote control and adjusted the tilt of the
552
00:49:20,320 --> 00:49:26,040
chairs were climbing back pushing her hips up slightly he set aside the
553
00:49:26,040 --> 00:49:30,960
remote and knelt in front of the chair Cal's warm breath tickled her
554
00:49:30,960 --> 00:49:36,160
shins as he grazed his lips over her skin and placed kisses along the curves
555
00:49:36,160 --> 00:49:41,160
of her knees he buckled her ankles to the legs of the chair forcing her
556
00:49:41,160 --> 00:49:45,640
thighs wide open and bearing the smoothly waxed lips of her cunt to his
557
00:49:45,640 --> 00:49:51,280
appreciative gaze she recognized the fiery gleam in his eyes he'd seen the
558
00:49:51,280 --> 00:49:55,360
evidence of her arousal the shiny juices seeping from her and coating her
559
00:49:55,360 --> 00:50:03,440
skin Cal brushed his knuckles over her sex you always get so wet only for you
560
00:50:03,440 --> 00:50:09,160
her breathless words brought a smile to his face Cal leaned forward and
561
00:50:09,160 --> 00:50:14,000
nuzzled his nose and her dripping pussy his pointed tongue swiped her slit
562
00:50:14,000 --> 00:50:19,440
flicking the stiff nub aching so desperately for his touch Lily tried
563
00:50:19,440 --> 00:50:23,880
to arch her hips to meet his protruding tongue but the bonds held her in place
564
00:50:23,880 --> 00:50:28,720
she whimpered in protest but Cal simply wiped his mouth with the back of his
565
00:50:28,720 --> 00:50:34,080
hand and backed away from her Lily's eyes widened as Cal removed the clock
566
00:50:34,080 --> 00:50:38,880
covering the small table standing just to his left and revealed a variety of
567
00:50:38,880 --> 00:50:46,320
floggers clamps and straps she swallowed hard he was going to drag this out and
568
00:50:46,320 --> 00:50:52,240
make her earn every mind-blowing orgasm air hissed through her teeth at the
569
00:50:52,240 --> 00:50:56,560
first heavy thud of suede ribbons against her breasts Cal wielded the
570
00:50:56,560 --> 00:51:01,200
flogger with the efficiency of a true master his strikes caressing her naked
571
00:51:01,200 --> 00:51:06,520
skin she arched into the flicks loving the sensations the gentle warm-up
572
00:51:06,520 --> 00:51:12,040
swats evoked tendrils of arousal blossomed in the pit of her belly heat
573
00:51:12,040 --> 00:51:17,680
spread across her chest and down her softly sloped stomach soon Cal switched
574
00:51:17,680 --> 00:51:22,240
to the stiffer flogger Lily cried out at the first stinging swat of the
575
00:51:22,240 --> 00:51:26,960
rigid leather tongues against her sensitized skin the leather grazed her
576
00:51:26,960 --> 00:51:31,480
pebbled nipples and looked down the curved plane of her tummy she sucked in
577
00:51:31,480 --> 00:51:35,480
her breath and tried to pull back to avoid the incessant flicks but it was
578
00:51:35,480 --> 00:51:40,480
no use the chairs tilted back made it impossible for her to escape Cal's
579
00:51:40,480 --> 00:51:46,160
flogging prickly heat erupted wherever the leather ribbons touched Cal
580
00:51:46,160 --> 00:51:50,240
increased the tempo of his swats and allowed the stinging fingers to fall
581
00:51:50,240 --> 00:51:55,760
a little harder each time when she felt the floggers kiss moving lower Lily
582
00:51:55,760 --> 00:52:01,080
shivered she yelped at the first slap of leather against her bare pussy with
583
00:52:01,080 --> 00:52:05,720
her ankles pinned and thighs spread wide Cal had total access to the dewy
584
00:52:05,720 --> 00:52:10,520
center of her sex and apparently had no intention to spare her most tender
585
00:52:10,520 --> 00:52:16,520
place her first instinct was to shout out their safe word but she shoved away
586
00:52:16,520 --> 00:52:22,200
the urge determined to conquer this new and frightening sensation she panted
587
00:52:22,200 --> 00:52:27,240
and tensed before every smack of the flogger her hips shifted from side to
588
00:52:27,240 --> 00:52:33,480
side in a desperate attempt to escape Cal's next swat and then she felt it
589
00:52:33,480 --> 00:52:38,120
behind every stinging kiss there was the most delicious ripple vibrating her
590
00:52:38,120 --> 00:52:44,000
clit Lily concentrated on that wonderfully electrifying sensation in no
591
00:52:44,000 --> 00:52:48,040
time at all she'd lifted her hips to meet every downward fall of the
592
00:52:48,040 --> 00:52:52,080
floggers leather tongues this was the place she'd learned to accept as a
593
00:52:52,080 --> 00:52:56,400
submissive the sweet acony of pleasure and pain through her senses into
594
00:52:56,400 --> 00:53:01,080
overdrive every nerve in her body flared as she hovered on the brink of
595
00:53:01,080 --> 00:53:06,680
explosion when Cal stopped unexpectedly Lily groaned with this
596
00:53:06,680 --> 00:53:10,400
pleasure and immediately knew she'd broken one of their established rules
597
00:53:10,400 --> 00:53:15,480
during these games they played her position was simply to accept and
598
00:53:15,480 --> 00:53:21,800
never to dictate Cal clicked his teeth and shook his head breathing hard and
599
00:53:21,800 --> 00:53:26,040
trying desperately to ignore the uncomfortable pulse of her pussy Lily
600
00:53:26,040 --> 00:53:31,040
warily watched her lover to see what punishment he would choose as if
601
00:53:31,040 --> 00:53:35,680
sensing her stare Cal selected a length of black silk and applied a
602
00:53:35,680 --> 00:53:41,840
blindfold her eyesight lost Lily waited with bated breath her body humming
603
00:53:41,840 --> 00:53:47,920
nervously Cal's fingers drifted over her breasts in the next second she
604
00:53:47,920 --> 00:53:53,120
experienced that all too familiar bite of a clothespin a series of the
605
00:53:53,120 --> 00:53:58,320
wooden torture devices followed along the plump swell of her breasts as she
606
00:53:58,320 --> 00:54:03,440
acclimated to the pinching sensation Lily felt her bottom drop a bit with a
607
00:54:03,480 --> 00:54:08,200
push of a button Cal had removed a center strip of the seat it
608
00:54:08,200 --> 00:54:12,640
noiselessly slid down into the base and presented Cal with complete access to
609
00:54:12,640 --> 00:54:18,160
her naughty bits exposed to his mercy Lily could only wonder what might come
610
00:54:18,160 --> 00:54:23,520
next her clit was still swollen and just a few flicks away from sending her
611
00:54:23,520 --> 00:54:29,400
into a screaming orgasm she still does Cal drew closer his body heat
612
00:54:29,400 --> 00:54:35,400
penetrating her skin his warm breath buffeted her neck his sandalwood scent
613
00:54:35,400 --> 00:54:40,760
filled her nose she moaned hungrily as his slippery fingers glided between the
614
00:54:40,760 --> 00:54:46,000
lips of her cunt and slid even lower to the pucker hidden there she
615
00:54:46,000 --> 00:54:50,680
surrendered to his probing allowing his fingers to relax her ass for his
616
00:54:50,680 --> 00:54:56,160
inevitable intrusion before Cal Lily had refused to even consider that
617
00:54:56,160 --> 00:55:01,440
particular sex act it was wrong and dirty Cal had shown her she'd been
618
00:55:01,440 --> 00:55:08,400
absolutely right anal sex was dirty deliciously and not only so and now
619
00:55:08,400 --> 00:55:14,360
she couldn't get enough his fingers disappeared a moment later the blunt
620
00:55:14,360 --> 00:55:19,520
tip of a dildo prodded her ass so that's what was hidden beneath the seat of the
621
00:55:19,520 --> 00:55:24,360
chair Cal had mounted sex toys in the compartment there she could hear the war
622
00:55:24,360 --> 00:55:29,200
of a motor as the dildo rose and fell Lily yielded to the pressure of the
623
00:55:29,200 --> 00:55:34,080
nudging dildo it slipped inside and stretched her ring with each shallow
624
00:55:34,080 --> 00:55:39,640
thrust Cal's lips were on her neck setting her skin a light with goosebumps as
625
00:55:39,640 --> 00:55:45,560
the motorized dildo fucked her ass his mouth drifted lower skimming between her
626
00:55:45,560 --> 00:55:50,800
breasts and peppering a line of kisses down to her navel his tongue circled her
627
00:55:50,800 --> 00:55:55,680
belly button before zigzagging right down to her dripping cunt hands on her
628
00:55:55,680 --> 00:56:01,800
inner thighs he traced her folds with his tongue she was on fire the dueling
629
00:56:01,800 --> 00:56:06,600
sensations of being taken by the dildo and looked by Cal threatened to send her
630
00:56:06,600 --> 00:56:11,720
over the edge she tugged on her wrist cuffs fingers itching to rake through
631
00:56:11,720 --> 00:56:17,520
Cal's hair to hold his head there just there as she came against his mouth she
632
00:56:17,520 --> 00:56:25,520
was close so very very close Cal's tongue disappeared abruptly Lily cried out
633
00:56:25,520 --> 00:56:29,760
and pumped her hips as the dildo penetrated her bottom again and again
634
00:56:29,760 --> 00:56:35,760
he'd stolen her orgasm and she hated him for it at the same time she wanted to
635
00:56:35,760 --> 00:56:39,880
beg him to return to flick his tongue against her clit just one more time
636
00:56:39,880 --> 00:56:45,160
but he'd only laugh at her and find a new way to tease her predicament was
637
00:56:45,160 --> 00:56:51,580
simultaneously infuriating and thrilling shaking with need Lily blinked wildly
638
00:56:51,580 --> 00:56:56,800
as the blindfold was whipped free she focused on Cal's face his stony
639
00:56:56,800 --> 00:57:00,240
expression betraying none of the amusement and pleasure she knew he
640
00:57:00,240 --> 00:57:05,160
must have been experiencing at her expense his touch was surprisingly gentle
641
00:57:05,160 --> 00:57:10,200
as he caressed her cheek and pressed a kiss to her mouth he nipped at her lower
642
00:57:10,200 --> 00:57:20,000
lip do you want to come yes her strangled reply filled the room please the corner
643
00:57:20,000 --> 00:57:25,960
of his mouth lifted soon and then he was backing away from her and picking up
644
00:57:25,960 --> 00:57:32,080
his remote control again the dildo buried deep inside her ass paused and a new
645
00:57:32,080 --> 00:57:37,880
silicon phallus prodded her pussy she wiggled until it slid into place
646
00:57:37,880 --> 00:57:43,320
double penetration was fairly new to Lily Cal had been training her over the
647
00:57:43,320 --> 00:57:49,880
last few weeks to accept both his cock and dildo now she understood why with
648
00:57:49,880 --> 00:57:55,040
alternating thrusts the dildos drove into her repeatedly when Cal added another
649
00:57:55,040 --> 00:58:00,160
toy to the mix an intimidating black wand with a tennis ball-sized vibrator
650
00:58:00,160 --> 00:58:06,280
mounted on top Lily went wild there was no controlling her reaction the buzzing
651
00:58:06,280 --> 00:58:09,960
ball pressed against her clit sent vibrating waves through her belly and
652
00:58:09,960 --> 00:58:15,640
down into her thighs her body tensed toes curling fingers clenching as she
653
00:58:15,640 --> 00:58:22,840
climaxed so hard she feared lacking out that's it love come for me she couldn't
654
00:58:22,840 --> 00:58:29,320
deny him not now not ever undulating against her bonds Lily rode out the
655
00:58:29,320 --> 00:58:34,080
shocking waves of her orgasm every thrust of the cocks amplified the
656
00:58:34,080 --> 00:58:39,320
experience until it was too much she begged Cal to stop to take away the
657
00:58:39,320 --> 00:58:43,840
vibrator but even as she pleaded for mercy she couldn't bring herself to
658
00:58:43,840 --> 00:58:48,800
utter their safe word the primitive sex crazed horror lurking deep inside her
659
00:58:48,800 --> 00:58:54,520
the very essence of her id had been set free Lily was helpless to stop it now
660
00:58:54,520 --> 00:59:01,360
this was going just as far as Cal cared to take it just as Lily surged into
661
00:59:01,360 --> 00:59:06,320
another orgasm Cal picked up a flogger and expertly flicked the leather ribbons
662
00:59:06,320 --> 00:59:10,800
against the clothes pins clinging to her breasts they snapped free and clattered
663
00:59:10,800 --> 00:59:15,040
to the ground Lily shrieked as intensely sharp pain mixed with the
664
00:59:15,040 --> 00:59:20,800
unbelievable ecstasy of her forced climax exploded in her core the flogger
665
00:59:20,800 --> 00:59:25,760
slapped against her flushed skin again and again her mind reeled as she swung
666
00:59:25,760 --> 00:59:32,320
from one extreme to the other pain pleasure Lily's orgasms changed from
667
00:59:32,320 --> 00:59:37,600
separate events to one long unending oscillation of bliss she barely
668
00:59:37,600 --> 00:59:40,800
registered the disappearance of the vibrator and dildo that had been
669
00:59:40,800 --> 00:59:46,120
stimulating her pussy the rubber cock remained in her ass its speed kicked up
670
00:59:46,120 --> 00:59:52,080
a few notches Cal's fingers replaced the other dildo he hovered over her his
671
00:59:52,160 --> 00:59:56,400
knee wedged against hers on the lip of the chair and finger fucked her cunt
672
00:59:56,400 --> 01:00:02,640
until she thought she just might die you know what I want his fingers bumped
673
01:00:02,640 --> 01:00:07,640
her g-spot relentlessly his thumb massage tight circles around her inflamed
674
01:00:07,640 --> 01:00:12,880
clit she shook her head embarrassment stained her cheeks even as she hovered
675
01:00:12,880 --> 01:00:19,880
on the brink of coming again I can't you can his calm tone pierced the
676
01:00:19,880 --> 01:00:27,520
fever pitch and you will and she did like before she founded impossible to
677
01:00:27,520 --> 01:00:32,160
deny Cal she surrendered completely to the almost irritating urge his
678
01:00:32,160 --> 01:00:38,120
thrusting fingers evoked screaming like a banshee Lily squirted all over his
679
01:00:38,120 --> 01:00:43,520
hand her juices running along his wrist and forearm Cal growled with
680
01:00:43,520 --> 01:00:48,560
appreciation as she skyrocketed to a new place a place of such intense
681
01:00:48,640 --> 01:00:53,840
ecstasy she couldn't think could hardly breathe she was simply a vessel for
682
01:00:53,840 --> 01:01:00,240
the most rapturous sensations imaginable at some point Lily blacked out her
683
01:01:00,240 --> 01:01:04,520
mind simply unable to process the overwhelming explosion of orgasmic
684
01:01:04,520 --> 01:01:09,360
wonder when she came to her wrists and ankles had been freed from their
685
01:01:09,360 --> 01:01:14,720
bonds Cal knelt between her thighs and lapped languidly at her his talented
686
01:01:14,720 --> 01:01:19,840
tongue gathering her slick cream and teasing her into awareness with a
687
01:01:19,840 --> 01:01:25,160
heavy sigh Lily reached down and ran her fingers through his fine hair in the
688
01:01:25,160 --> 01:01:30,680
gentle moments like this Cal showed her just how much he truly loved her the
689
01:01:30,680 --> 01:01:35,040
contrast between this Cal and the man who sometimes subjected her to painful
690
01:01:35,040 --> 01:01:39,560
sensual tortures was as different as night and day just as the girl who
691
01:01:39,560 --> 01:01:44,160
allowed Cal to dominate her was nothing like the no-nonsense ball breaking
692
01:01:44,160 --> 01:01:48,560
Lily who lectured on feminism to a hall of half asleep undergrads three days a
693
01:01:48,560 --> 01:01:53,720
week theirs was a complex relationship and one she wouldn't have traded for
694
01:01:53,720 --> 01:02:01,200
anything in the world so Cal said his lips brushing her inner thigh what do
695
01:02:01,200 --> 01:02:07,640
we think of my little contraption Lily gave a pur of satisfaction with an
696
01:02:07,640 --> 01:02:13,840
impish smile curving her mouth she bent down and captured his lips I think we
697
01:02:13,840 --> 01:02:19,520
should have one built for you Cal's eyes lit up at her suggestion he grinned
698
01:02:19,520 --> 01:02:24,160
and nipped at her belly you'd have to shine a hell of a lot of boots before
699
01:02:24,160 --> 01:02:29,840
you'd earn enough points to take the reins over me what can I say she shrugged
700
01:02:29,840 --> 01:02:34,200
and gave him a saucy wink I'm turning out to be quite the glutton for
701
01:02:34,960 --> 01:02:44,000
fixing the pipes by Susie Harrah
702
01:02:44,000 --> 01:02:49,680
Bobby savored those few minutes before bed when she could read uninterrupted in
703
01:02:49,680 --> 01:02:54,320
the peacefulness of the quiet house the children asleep Scott working on the
704
01:02:54,320 --> 01:03:01,920
computer it was Friday night just her and her book she turned the page if only
705
01:03:01,920 --> 01:03:07,320
she could stay awake long enough to read she felt her eyelids droop Scott
706
01:03:07,320 --> 01:03:12,440
appeared in the doorway it was early for him to be coming to bed he closed the
707
01:03:12,440 --> 01:03:20,920
door behind him oh he had the look hmm but she wanted to read her book she'd
708
01:03:20,920 --> 01:03:28,000
been waiting all day I'm reading this really great book Scottie oh yeah he
709
01:03:28,000 --> 01:03:31,080
came over and stroked between her fingers where she was holding the book
710
01:03:31,240 --> 01:03:39,200
and then he stroked the book hmm he said and started looking her hand could you
711
01:03:39,200 --> 01:03:44,120
go away and come back in a few minutes she said wanting him but wanting her
712
01:03:44,120 --> 01:03:51,960
long-awaited reading time more oh go away come back I see I will indeed madam I
713
01:03:51,960 --> 01:03:59,200
will go hence now I will henceforth go forth and return he said with a flourish
714
01:03:59,360 --> 01:04:06,880
and a bow and then was gone geez Bobby thought that wasn't what I meant she
715
01:04:06,880 --> 01:04:10,960
kept reading as quickly as she could knowing that whatever he was up to it
716
01:04:10,960 --> 01:04:15,960
was going to be eminently distracting she got in several more pages before the
717
01:04:15,960 --> 01:04:22,400
door opened God where did he get that outfit he was dressed in a dark blue
718
01:04:22,400 --> 01:04:27,560
workman's jumpsuit with Rick sewn on its orange thread he was carrying his
719
01:04:27,560 --> 01:04:36,520
toolbox ma'am I'm here to fix the pipes Scott whispered oh okay Bobby said the
720
01:04:36,520 --> 01:04:42,560
bathrooms down the hall I'm not here to fix the bathroom he said I'm her
721
01:04:42,560 --> 01:04:48,240
nipples through her nightgown should I show you where the kitchen is then ma'am
722
01:04:48,240 --> 01:04:54,800
the plumbing I need to fix is in here yes he whispered as he closed the bedroom
723
01:04:54,800 --> 01:05:01,080
door behind him softly the pipes are in that wall over near the bed I'm afraid
724
01:05:01,080 --> 01:05:07,600
I need to open up the wall and work on those pipes oh I don't know that sounds
725
01:05:07,600 --> 01:05:15,120
pretty messy my husband's coming home soon and he he here she passed he won't
726
01:05:15,120 --> 01:05:22,280
want the wall all torn apart I assure you this won't take long Scott came around
727
01:05:22,320 --> 01:05:27,240
the wall next to her and got his tools out I hope you don't mind my asking but
728
01:05:27,240 --> 01:05:36,440
what's your name um Gloria my name is Gloria and your name is Rick right well
729
01:05:36,440 --> 01:05:42,080
I know it says Rick on my overalls but actually I got these from the guy who had
730
01:05:42,080 --> 01:05:51,840
the job before me see so my name is um honk honk your name is honk yes that's
731
01:05:51,840 --> 01:05:56,880
right he swung his hammer and knocked a hole through the sheet rock what the
732
01:05:56,880 --> 01:06:03,800
fuck are you doing she hissed you wake the children Gloria I'm awfully sorry but
733
01:06:03,800 --> 01:06:10,240
it's the only way to get the pipes he grinned he leaned over and softly placed
734
01:06:10,240 --> 01:06:14,000
the head of the hammer on the skin just below her collarbone where her
735
01:06:14,000 --> 01:06:19,400
nightgown fell open he caressed her with the cool metal head drawing patterns
736
01:06:19,520 --> 01:06:24,920
that sloped gradually down toward her breasts she was breathing hard she looked
737
01:06:24,920 --> 01:06:29,000
him in the eye as he continued his circling until the hammer rested in the
738
01:06:29,000 --> 01:06:35,520
valley between her breasts it has been so long since I felt a hammer between my
739
01:06:35,520 --> 01:06:41,560
breasts she said she watched the corners of Scott's mouth twitch as he stifled
740
01:06:41,560 --> 01:06:47,160
a laugh he methodically moved a hammer to her left nipple moving it around and
741
01:06:47,320 --> 01:06:52,040
around which caused her to shiver and close her eyes her book dropped the
742
01:06:52,040 --> 01:06:57,560
floor it was quiet for a time while he traced the cool metal around each of
743
01:06:57,560 --> 01:07:02,640
her nipples which were now puckered and pointing straight up she grabbed him and
744
01:07:02,640 --> 01:07:10,400
pulled him on top of her in one motion oh honk fix me fix my pipes in my she
745
01:07:10,400 --> 01:07:16,280
stopped cold the door to the room was open and two small figures stood in the
746
01:07:16,280 --> 01:07:22,040
doorway one toddler and one six year old both in long nightgowns with big
747
01:07:22,040 --> 01:07:29,960
eyes clutching their teddy bears are you playing that game Rowena said both
748
01:07:29,960 --> 01:07:36,400
girls came slowly into the room smiling as they quietly advanced daddy are you
749
01:07:36,400 --> 01:07:43,520
fixing something is that why you have that hammer she added yes daddy's fixing
750
01:07:43,520 --> 01:07:47,720
something but you have to go back to bed remember how we talked about this
751
01:07:47,720 --> 01:07:54,840
before come on back to bed for both of you Scott said can't we play too I know
752
01:07:54,840 --> 01:08:03,760
how to use a hammer Rowena said Hannah said Scott took each child by the hand
753
01:08:03,760 --> 01:08:09,480
and let them back to their room Bobby ground probably scarring them for life
754
01:08:09,520 --> 01:08:14,560
she thought oh well I guess they'll have to work it out in therapy when they're
755
01:08:14,560 --> 01:08:21,400
older just like the rest of us did she smiled to herself Scott came back lock
756
01:08:21,400 --> 01:08:26,720
it she whispered urgently he locked the door behind him and jumped back on top
757
01:08:26,720 --> 01:08:31,800
of her resuming his hammer tracing but now he was beginning to move the hammer
758
01:08:31,800 --> 01:08:39,440
lower Gloria darling if I am to fix you I must remove the covering to your your
759
01:08:39,440 --> 01:08:47,080
pipes he said oh honk I mustn't I really mustn't my husband will be home soon
760
01:08:47,080 --> 01:08:53,160
there's plenty of time I know when he comes home don't worry Scott got some
761
01:08:53,160 --> 01:08:58,640
scissors out of his toolbox and slowly cut her nightgown off her she rolled her
762
01:08:58,640 --> 01:09:06,720
eyes at him she knew he had never liked this nightgown oh oh she sighed he moved
763
01:09:06,720 --> 01:09:11,480
the hammerhead down the length of her body arriving at her mound making figure
764
01:09:11,480 --> 01:09:16,320
eights with the cool steel as the figure eights descended he began to
765
01:09:16,320 --> 01:09:21,720
delicately open her labia with a hammerhead honk she grabbed his cock
766
01:09:21,720 --> 01:09:27,520
underneath the fabric of the jumpsuit hammer me with your rod of love at this
767
01:09:27,520 --> 01:09:32,480
Scott could not restrain a gaffa but he quickly regained his composure and ripped
768
01:09:32,480 --> 01:09:37,080
off his jumpsuit under which he was naked and his rod of love was at
769
01:09:37,080 --> 01:09:45,040
attention he rubbed it against her vulva oh Gloria ma'am he said moving down and
770
01:09:45,040 --> 01:09:50,720
settling his face between her legs as much as I want to slide my hot rod of
771
01:09:50,720 --> 01:09:55,880
love inside you I always lubricate the area before going in and making repairs
772
01:09:55,880 --> 01:10:00,880
it's a sign of good workmanship he lifted his head and looked at her
773
01:10:00,880 --> 01:10:06,320
solemnly I would be ashamed if I did not practice my trade with the utmost skill
774
01:10:06,320 --> 01:10:13,760
and he paused here for effect respect respect for the sacred tunnel of love
775
01:10:13,760 --> 01:10:19,560
the entrance to the inner workings of your temple he put his tongue inside her
776
01:10:19,560 --> 01:10:25,880
labia and slid it up and down and around below the base of her clit it was
777
01:10:25,880 --> 01:10:31,000
quiet his hands slid up to her breasts and flicked her nipples she was
778
01:10:31,000 --> 01:10:36,000
breathing hard would probably be moaning if it weren't for the children she
779
01:10:36,000 --> 01:10:40,840
heard the hammer clatter on the floor he put his fingers inside her cunt as he
780
01:10:40,840 --> 01:10:45,920
continued tonguing her in the way that only he knew so well she felt a wave
781
01:10:45,920 --> 01:10:51,360
coming on rolling over her and she heard herself whisper a moan and then the
782
01:10:51,360 --> 01:10:55,640
wave spread all through her as she bucked on his fingers and the sensations
783
01:10:55,640 --> 01:11:04,440
broke over the crest he kept going don't move she whispered he stopped she lay
784
01:11:04,440 --> 01:11:10,240
there panting hard Scott moved up and kissed her with his wet lips smiled and
785
01:11:10,240 --> 01:11:15,280
whispered now I can go in and do my job with the knowledge that I have practiced
786
01:11:15,280 --> 01:11:21,400
good workmanship he plunged his cock into her welcoming cunt she met him with
787
01:11:21,400 --> 01:11:25,520
a powerful thrust back and then rolled him over so they were both on their side
788
01:11:25,520 --> 01:11:31,720
each thrusting and meeting the other in the middle honk you really know how to
789
01:11:31,720 --> 01:11:37,000
grease those pipes then she felt another wave roll over her and she let out a
790
01:11:37,000 --> 01:11:43,920
whispered ah a long silent moan and Scott was looking at her with that half
791
01:11:43,920 --> 01:11:49,920
littered look pressing and pushing into her again and again she closed her eyes
792
01:11:49,920 --> 01:11:56,120
in a kind of trance we could do this forever she thought she opened her eyes
793
01:11:56,120 --> 01:12:01,600
and kissed him a major tongue down your throat kind of kiss and then he had this
794
01:12:01,600 --> 01:12:05,680
look of surprise on his face like he was being taken over by something and he
795
01:12:05,680 --> 01:12:10,320
wasn't quite ready like he wanted to prolong it but she knew he was holding
796
01:12:10,320 --> 01:12:14,640
back more for her pleasure than for his so she grabbed his butt and pressed him
797
01:12:14,640 --> 01:12:23,640
into her Scott you feel so good inside me so right and he came they lay there
798
01:12:23,640 --> 01:12:29,760
side-by-side breathing hard into the quiet of the house she pulled away and
799
01:12:29,760 --> 01:12:36,080
looked him in the eye honk you better leave before my husband gets home she
800
01:12:36,080 --> 01:12:42,200
giggled you know what he whispered into her ear don't worry about your husband
801
01:12:42,200 --> 01:12:49,240
I fixed him good he won't be back until Monday if ever
802
01:12:50,840 --> 01:12:55,640
share by Dusty Horn
803
01:12:55,640 --> 01:13:00,840
at the risk of sounding like a sex toy reviewer I must confess that the very
804
01:13:00,840 --> 01:13:07,400
first time I saw this toy my G-spot started to drool slack-jawed mesmerized
805
01:13:07,400 --> 01:13:11,960
like a pre-adolescent boy wired with that visual predilection we hear so much
806
01:13:11,960 --> 01:13:17,640
about seeing pink in a magazine for the very first time suddenly confused with
807
01:13:17,640 --> 01:13:22,640
a sickening indescribable longing to have that uncanny flesh wrapped around his
808
01:13:22,640 --> 01:13:27,240
dick my roommate works at the farmers market and our home is filled with
809
01:13:27,240 --> 01:13:32,360
stacks and stacks of long flat cardboard boxes packed with whatever is in season
810
01:13:32,360 --> 01:13:37,840
we live in produce abundance at stone fruit time I walk the earth with
811
01:13:37,840 --> 01:13:43,080
sticky syrup crystallizing on my chin I can't help but dream of pussy every time
812
01:13:43,080 --> 01:13:48,280
I bury my face in vibrant peach juice but I may just be thinking of that LL
813
01:13:48,280 --> 01:13:54,880
cool J video day in day out we slip down so much pink and white and orange flesh
814
01:13:54,880 --> 01:14:00,240
bursting from taut furry skin that in search for oral texture variety my
815
01:14:00,240 --> 01:14:05,400
other roommate discovers and recommends pit-sucking even I am amazed by what a
816
01:14:05,400 --> 01:14:09,960
hippie pervert I can be when the hard porous ridges of the peach pit against
817
01:14:09,960 --> 01:14:17,280
my tongue remind me of my own G-spot what an unsexy term G-spot it's bad enough
818
01:14:17,280 --> 01:14:21,440
that the anatomy in question is cursed to hide in the cave of my pussy like a
819
01:14:21,440 --> 01:14:26,720
bat hanging upside down it's not even clinical or conservative because as we
820
01:14:26,720 --> 01:14:31,440
all know sometimes official words are hotter than slaying G-spot sounds like
821
01:14:31,440 --> 01:14:36,600
a Cosmo bullshit rumour like pop psychology can we get some dirty
822
01:14:36,600 --> 01:14:42,760
colloquialism in here stat rub my clit suck my dick tongue my asshole press my
823
01:14:42,760 --> 01:14:50,760
G-spot oh no no no urethral sponge forget about it now some G-spot toys are
824
01:14:50,760 --> 01:14:55,480
vibrators with a slight curve thanks for the thought guys but someone like me
825
01:14:55,480 --> 01:15:00,840
thinks yeah a toy designed for G-spots and then she sticks it in and even
826
01:15:00,840 --> 01:15:06,440
wiggles it around some and then she sighs and says well maybe somebody's but not
827
01:15:06,440 --> 01:15:12,440
mine I've seen double donks before novel and awkward but I can tell just by
828
01:15:12,440 --> 01:15:16,560
looking at the contours of this toy that it wants to fill the negative form my
829
01:15:16,560 --> 01:15:22,080
G-spot makes and bridge the schism between my peach pit and your cervix my
830
01:15:22,080 --> 01:15:27,280
pussy wants to undulate on this toy my pussy wants to grab and yank it my
831
01:15:27,280 --> 01:15:32,680
pussy wants to drag itself across this bulb the first time I put the bulbous
832
01:15:32,680 --> 01:15:37,800
lima bean shaped base inside me my pussy swallowed it up like a meal it had
833
01:15:37,800 --> 01:15:42,720
been waiting its entire penetrative existence to chop from the base wedged
834
01:15:42,720 --> 01:15:49,160
in my cunt emerged a long thin elegant black cock lunging out from my crotch
835
01:15:49,160 --> 01:15:54,760
very much like it owned the place I lay on my back on my bed and stroked my new
836
01:15:54,760 --> 01:16:00,240
cock with your spit watching you watching me your androgyny flickered
837
01:16:00,240 --> 01:16:06,240
across your naked shape strong shoulders gumdrop nibbles and then you fell on me
838
01:16:06,240 --> 01:16:12,280
throat first wrapping your lips around my fresh new extension I was a cocksucker
839
01:16:12,280 --> 01:16:17,240
getting my cock sucked your eyes rolled back in your head as you put on a show
840
01:16:17,240 --> 01:16:23,200
for me pushing pulling sucking drooling the nerves of your tongue your lips
841
01:16:23,200 --> 01:16:28,400
your gums did not connect with my nerves but I felt the ballistic force of your
842
01:16:28,400 --> 01:16:33,840
lost inhibitions each yank of your head smashed deliciously against my g-spot I
843
01:16:33,840 --> 01:16:39,120
spasmed and contracted and come welled up around the base of my cock instead of
844
01:16:39,120 --> 01:16:45,840
through it and out like a loose garden hose faucet in my mind's eye my g-spot
845
01:16:45,840 --> 01:16:50,320
resembles a walnut shell embedded in the upper wall the ceiling of my pussy
846
01:16:50,600 --> 01:16:56,000
after 15 odd years of beating my clit like it owes me money I have redirected
847
01:16:56,000 --> 01:17:01,040
my orgasmic attentions to that chandelier if I could I would tongue it
848
01:17:01,040 --> 01:17:05,920
like you tongue peanut butter stuck to the roof of your mouth man it's true I
849
01:17:05,920 --> 01:17:11,320
got dick envy it's almost too predictable for a 21st century queer alpha
850
01:17:11,320 --> 01:17:16,480
female to admit problem is transitioning genders wouldn't satisfy my urge
851
01:17:16,640 --> 01:17:21,000
because what I want is less to present and be perceived as a man than to have
852
01:17:21,000 --> 01:17:26,560
experienced coming up as one I want to be the man child with the uncontrollable
853
01:17:26,560 --> 01:17:31,520
urge I want to feel my dick mutate like the incredible Hulk bursting out of his
854
01:17:31,520 --> 01:17:37,000
clothes the way my nipples go from puffy to diamond cutting I want to write my
855
01:17:37,000 --> 01:17:40,960
name in the snow in yellow and on your fucking face and translucent white
856
01:17:40,960 --> 01:17:47,000
goo this will never be my lot I had given up on having a dick but with the
857
01:17:47,000 --> 01:17:52,920
right tool and a little imagination it's almost too good to be true this dick
858
01:17:52,920 --> 01:17:57,640
that emerges from my cunt this delightful bulb with which I'm having a love
859
01:17:57,640 --> 01:18:02,640
affair feels like a real attachment an almost disgustingly cyberpunk
860
01:18:02,640 --> 01:18:07,160
possibility something that is going to clone cells and attach to my g-spot
861
01:18:07,160 --> 01:18:13,400
people speak so fondly of their clits as dicks but this is my monstrous g-spot
862
01:18:13,400 --> 01:18:19,160
extension this is the broadsword of my real power when I hump and grind on you
863
01:18:19,160 --> 01:18:23,760
this is the prop I wish was there it's more than a little bit grotesque
864
01:18:23,760 --> 01:18:30,000
Cronenberg-esque a monolith emerging from a gaping gash you never know how much
865
01:18:30,000 --> 01:18:34,800
arousal has to do with power and gender and control and basement as much as it
866
01:18:34,800 --> 01:18:39,440
does with connecting nerve endings until a silicon phallus jetting
867
01:18:39,440 --> 01:18:45,320
statuously from your crotch disappears into a pretty face you feel a surge of
868
01:18:45,320 --> 01:18:49,880
what can only be testosterone because I swear to God it makes you feel like
869
01:18:49,880 --> 01:18:54,720
solving problems with violence and being incredibly insensitive how else can I
870
01:18:54,720 --> 01:18:59,160
explain the need to fuck the face of someone I love to behave in the most
871
01:18:59,160 --> 01:19:04,080
despicable porn fashion grunting and grabbing and jackhammering like a goddamn
872
01:19:04,080 --> 01:19:10,320
animal so getting my dick sucked inspires testosterone yes but also an
873
01:19:10,320 --> 01:19:17,480
exultant eureka sensation this is the real gender I am exercising the demon
874
01:19:17,480 --> 01:19:22,360
gender by exercising its physical body I am putting on the gender act and it's
875
01:19:22,360 --> 01:19:27,880
hot it's hot to paint masculinity and broad strokes you recognize my behavior
876
01:19:27,880 --> 01:19:34,000
as male and you recognize me as not male a simple yet effective formula gender is
877
01:19:34,000 --> 01:19:39,680
phony gender is every bit this double-sized dildo gender is much less a
878
01:19:39,680 --> 01:19:44,240
functional anatomical reality attached to our bodies and brains than just another
879
01:19:44,240 --> 01:19:51,360
useful tool to get off now alone on my back on the bed I visualize you my
880
01:19:51,360 --> 01:19:56,800
lady love I am putting on a show for myself the jerk-off show my favorite
881
01:19:56,800 --> 01:20:02,480
program and behind the scenes my little bulb is working away a tug-of-war I
882
01:20:02,600 --> 01:20:06,360
pull on the dick with my hand and counter-clench around the bulb with my
883
01:20:06,360 --> 01:20:12,600
pussy wall where do you think you're going yeah this is the perfect dick for
884
01:20:12,600 --> 01:20:16,880
you isn't it you little faggot you can tell when it pounds into you it's the
885
01:20:16,880 --> 01:20:22,400
physical manifestation of my lust my pussy turned inside out my pussy is the
886
01:20:22,400 --> 01:20:27,480
foundation of this tower the conduit between your insights and mine this is
887
01:20:27,480 --> 01:20:31,600
the right dick for the kind of faggot you are sure as shit is the right kind
888
01:20:31,720 --> 01:20:36,400
dick for the kind of faggot I am I do everything I always dreamed of doing
889
01:20:36,400 --> 01:20:41,120
with the dick I pistol whip your cheek I straddle your chest and pull up the
890
01:20:41,120 --> 01:20:45,560
head of my cock my hips pulse down so gravity combines with the whipping
891
01:20:45,560 --> 01:20:51,000
effect to slam your tits and sternum hard and inside it springs up onto me
892
01:20:51,000 --> 01:20:55,560
and I damn near convulse I flip you over and do the same smacking to your
893
01:20:55,560 --> 01:21:01,800
creamy ass thwack thwack tap tap tap tap thwack I rub my cock less
894
01:21:01,800 --> 01:21:07,720
civviously over your body all your erogenous zones I get a good long look
895
01:21:07,720 --> 01:21:13,360
at that pussy I could stare at pussy all day your pussy helps me to understand
896
01:21:13,360 --> 01:21:17,320
why men shell out all their money just so a girl will turn around and touch your
897
01:21:17,320 --> 01:21:22,960
toes I eye the vase-like cemetery of your inner thighs fat folds tucked and
898
01:21:22,960 --> 01:21:28,600
huddled I spread my fingers wide place my hand on your ass and lift the
899
01:21:28,600 --> 01:21:32,760
skin tightening across your muscles and the flap of your labia pulls
900
01:21:32,760 --> 01:21:37,960
reluctantly away it's an anomaly a novelty in a body and personality that
901
01:21:37,960 --> 01:21:43,560
is so uncommonly masculine my love for you was located in your pussy as you
902
01:21:43,560 --> 01:21:49,600
swallow your pride arch your back and offer yourself to me the contrast
903
01:21:49,600 --> 01:21:53,920
between your boyish charms and this intoxicating sticky elegant peach is
904
01:21:53,920 --> 01:21:58,680
more beautiful than anything that has ever corresponded fuck correspondence
905
01:21:58,680 --> 01:22:02,280
the only things that should be corresponding are my dick and your
906
01:22:02,280 --> 01:22:07,600
cervix in my fantasy I slam you harder than you would allow me and that is
907
01:22:07,600 --> 01:22:13,120
what fantasy is for after all I get the most wonderful show now the show of you
908
01:22:13,120 --> 01:22:18,560
enjoying yourself getting off getting fucked whatever it is that fills us with
909
01:22:18,560 --> 01:22:23,280
the love of being penetrated you are feeling it now and whatever inspires
910
01:22:23,280 --> 01:22:27,520
our fascination with watching others love to love the love that loves is
911
01:22:27,520 --> 01:22:33,080
washing over me now the side of your face is smushed against the sheet and your
912
01:22:33,080 --> 01:22:37,840
arms are flopped to the sides you are wailing a single note and too bad I
913
01:22:37,840 --> 01:22:42,680
don't have perfect pitch or I would write you a song in that key our
914
01:22:42,680 --> 01:22:47,880
pussies have a tin can telephone now your finger starts to stir your clit and
915
01:22:47,880 --> 01:22:53,880
counter motion to my grind there is no biological imperative to your come I am
916
01:22:53,880 --> 01:23:00,720
every man I ever imagined fucking me fucking you and now I am coming so hard
917
01:23:00,720 --> 01:23:05,480
and I don't hear you complaining about the lack of jizz inside you if I pulled
918
01:23:05,480 --> 01:23:09,240
out and jerked onto your face I don't think you'd pout as you looked around
919
01:23:09,240 --> 01:23:15,800
trying to find something salty inside my body I am coming and this tool behaves
920
01:23:15,800 --> 01:23:22,560
like a conduit sending my come to your insights my g-spot shutters every thrust
921
01:23:22,560 --> 01:23:28,760
presses and rubs against it making it pulsate making it quake the chandelier
922
01:23:28,760 --> 01:23:34,320
is shaking in the earthquake my pussy sorely surrenders the bulb of my toy I
923
01:23:34,320 --> 01:23:41,160
toss it over the edge of the bed roll over and fall asleep
924
01:23:42,160 --> 01:23:52,080
hurdles by Rowan Elizabeth did you come Alan looks up from between my legs
925
01:23:52,080 --> 01:23:59,400
hopeful God baby that felt really good I run my hand through his curly hair as I
926
01:23:59,400 --> 01:24:07,160
lift my head up from the pillow I smile really good but did you come I hate this
927
01:24:07,160 --> 01:24:12,080
part Alan and I have only been sleeping together for a month but he has a monkey
928
01:24:12,080 --> 01:24:17,480
on his back he just can't get me off orally and it's not for lack of trying
929
01:24:17,480 --> 01:24:24,720
no sweetie I didn't he looks dejected but it was so exciting your mouth felt so
930
01:24:24,720 --> 01:24:33,120
good on me good just good I can't win this and it's my hang up too I feel like
931
01:24:33,120 --> 01:24:37,280
there's something I'm just not doing right maybe if I tighten my legs a little
932
01:24:37,280 --> 01:24:44,160
more or squeeze my eyes shut harder then we'd get there together I sigh baby I was
933
01:24:44,160 --> 01:24:50,160
so close that time really there's just something that's not clicking I smile at
934
01:24:50,160 --> 01:24:55,920
my lover come up here and make love to me Alan smiles back but I know he's
935
01:24:55,920 --> 01:25:00,600
going to obsess on it I'll have to distract him I grab him by the shoulders
936
01:25:00,680 --> 01:25:05,400
and guide him up to kiss me I wiggle my hips against his cock and reach down to
937
01:25:05,400 --> 01:25:11,000
stroke him I love the feel of Alan's cock in my hand he has the most perfect
938
01:25:11,000 --> 01:25:15,760
penis I've ever seen his length is exactly right to hit my G spot when he
939
01:25:15,760 --> 01:25:21,480
rams it into me and his girth fills me completely plus he feels delightful in
940
01:25:21,480 --> 01:25:28,480
my mouth as I stroke Alan with my hand he moans a deep low sound and starts
941
01:25:28,480 --> 01:25:33,440
moving his hips to my rhythm I press his cock head against my wet pussy and
942
01:25:33,440 --> 01:25:39,680
he pushes in my eyes roll back I love this part the first moment he enters
943
01:25:39,680 --> 01:25:46,680
me he moves into me slowly pulls back and then goes just a bit farther it's
944
01:25:46,680 --> 01:25:51,800
delicious when he's fully in me and our bodies come together Alan's cock
945
01:25:51,800 --> 01:25:56,880
glides in and out of me so smoothly I'm so very wet from his mouth and
946
01:25:56,880 --> 01:26:04,560
fingers how can I be so wet and so far along and not come as we finish I can't
947
01:26:04,560 --> 01:26:10,480
help but wonder what I need to do differently next time Maggie he's the
948
01:26:10,480 --> 01:26:16,400
most tremendous lover I tell my best friend but we have this hurdle and even
949
01:26:16,400 --> 01:26:21,720
when we're not trying to jump it it's still there staring us in the face what
950
01:26:21,720 --> 01:26:26,200
in the hell are you talking about even if we don't try for the big O we're
951
01:26:26,200 --> 01:26:32,640
thinking about it it's becoming weird have you gotten frigid on me Dana Maggie
952
01:26:32,640 --> 01:26:38,560
laughs it's not funny you bitch I really want to come well you know you can
953
01:26:38,560 --> 01:26:44,560
right I always have before I think back to the first lover who could drive me
954
01:26:44,560 --> 01:26:48,920
off the edge of the bed chasing my orgasms he's the one who taught me how
955
01:26:48,920 --> 01:26:55,040
to come I feel like I need to be taught again maybe you're not the one who needs
956
01:26:55,040 --> 01:27:01,200
to be taught Maggie suggests Max I know he knows what he's doing it's just
957
01:27:01,200 --> 01:27:07,080
getting his talents to work for my needs then tell him what's not working she
958
01:27:07,080 --> 01:27:13,400
says how do I do that without stomping all over his ego Alan is a good man and
959
01:27:13,400 --> 01:27:20,240
he's crazy about you just tell him what you need he'll listen I get back to my
960
01:27:20,240 --> 01:27:25,240
apartment late feed the cats and take a shower I catch myself staring as I
961
01:27:25,240 --> 01:27:30,600
think about coming and how to make it happen and happen a lot frankly I need
962
01:27:30,600 --> 01:27:36,960
it it keeps me sane drying off I check myself out in the mirror 30 never looked
963
01:27:36,960 --> 01:27:42,520
so good I laughed to myself my dark hair hangs wet against my face and I trail
964
01:27:42,520 --> 01:27:48,320
my hands over my body what do I need I run my palm over my right breast and
965
01:27:48,320 --> 01:27:54,760
nipple it feels nice but just nice so I give my nipple a good squeeze that
966
01:27:54,760 --> 01:28:00,080
could work though I know my nipples are not the path to orgasm for me I pad
967
01:28:00,080 --> 01:28:04,480
through my apartment to my bedroom and dig around in my bottom dresser drawer I
968
01:28:04,480 --> 01:28:10,200
find my favorite vibrating dildo and a tattered copy of a Porsche to Costa book
969
01:28:10,200 --> 01:28:14,720
and make my way to my bed it's a little section of the book where the heroin
970
01:28:14,720 --> 01:28:20,000
gets buggered for the first time that always gets to me I began gently rubbing
971
01:28:20,000 --> 01:28:24,600
my pussy as I read dipping my fingers into the folds and bringing out the
972
01:28:24,600 --> 01:28:30,640
wetness I rub my finger over my clit barely making contact and it makes me
973
01:28:30,640 --> 01:28:37,640
shiver it's so easy to do for myself then it hits me I just need to remember
974
01:28:37,640 --> 01:28:43,560
what gets me going in detail and then guide Alan through it show him I decide
975
01:28:43,560 --> 01:28:50,280
I just need to show him I slide my curved dildo inside of me and begin rubbing
976
01:28:50,280 --> 01:28:55,880
in earnest I come with a burst of color behind my eyes and a plan hatching in my
977
01:28:55,880 --> 01:29:05,080
head I open my front door to Alan his smile melts me hello handsome the moment
978
01:29:05,080 --> 01:29:11,520
he's inside he holds and kisses me deep wet kisses he kisses like no one else
979
01:29:11,680 --> 01:29:17,480
as he runs his hands over my face and into my hair I love this I tell him so
980
01:29:17,480 --> 01:29:22,240
with my tongue I could start dinner and we could obsess over what would come
981
01:29:22,240 --> 01:29:28,120
after but instead I lead Alan to the sofa and push him down take off your
982
01:29:28,120 --> 01:29:34,120
clothes Alan loves my blowjobs and I love doing it for him he laughs at me
983
01:29:34,120 --> 01:29:38,320
when I tell him that I've never been a blowjob girl after an old lover told
984
01:29:38,320 --> 01:29:43,600
me that he didn't care for them I quit I was sure it was my technique or a black
985
01:29:43,600 --> 01:29:50,200
thereof Alan however damn baby he murmurs as I take the head of his cock
986
01:29:50,200 --> 01:29:56,120
in my mouth I lick the ridge and dip my head down to take him in I stroke his
987
01:29:56,120 --> 01:30:03,480
cock with the wet heat of my mouth I go down as deep as I can in here God Alan
988
01:30:03,480 --> 01:30:07,920
digs his hands into my hair and tilts my head up to look at him I open my
989
01:30:07,920 --> 01:30:13,320
mouth and look up the shaft as I look into his eyes my hand wraps around his
990
01:30:13,320 --> 01:30:18,520
base and I take him from my mouth I rub his cock against my wet lips and
991
01:30:18,520 --> 01:30:23,640
across my face and I'm rewarded with a deep sigh and Alan dropping his head
992
01:30:23,640 --> 01:30:29,720
back on the sofa I pull him back into my mouth I can suck on Alan for a long
993
01:30:29,720 --> 01:30:34,920
time but I have my plan and I intend to get him just hot enough where he has to
994
01:30:34,920 --> 01:30:41,200
have me I take him out of my mouth his cock covered in my saliva and say baby
995
01:30:41,200 --> 01:30:50,240
he doesn't look down yes I want to feel your hands on me anything you want I
996
01:30:50,240 --> 01:30:54,920
stretch out on the sofa and he makes room for me as he comes up to kiss me I
997
01:30:55,080 --> 01:30:59,720
love how he'll kiss me after I've sucked him he's not shy or hung up about
998
01:30:59,720 --> 01:31:05,080
anything he just wants me I wiggle out of my pants as Alan struggles with my
999
01:31:05,080 --> 01:31:11,440
blouse buttons soon I'm naked and exposed to his strong hands kissing me he
1000
01:31:11,440 --> 01:31:16,480
runs his hands over my breasts and belly I grab a hand with my own and force it
1001
01:31:16,480 --> 01:31:22,360
between my legs impatient are we I hum and groan and arch my hips into his
1002
01:31:22,360 --> 01:31:29,440
hand go easy gentle I say he runs the backs of his fingers up the length of
1003
01:31:29,440 --> 01:31:36,800
my pussy yes like that baby as he kisses my mouth his finger slowly open my
1004
01:31:36,800 --> 01:31:41,960
lower lips and run across the tip of my clit my moan makes him speed up the
1005
01:31:41,960 --> 01:31:48,800
assault on my clit I break our kiss to whisper easy he slows but keeps his
1006
01:31:48,800 --> 01:31:55,000
focus on my firming nub circle it with your fingers Alan gets a rhythm going
1007
01:31:55,000 --> 01:31:59,280
that includes dipping his fingers into my building wetness and bringing it up to
1008
01:31:59,280 --> 01:32:04,560
make me wet from tip to tail the wetter I get the harder he works my clit and
1009
01:32:04,560 --> 01:32:11,640
it's perfect God put your fingers in me he wraps his arm around my shoulders to
1010
01:32:11,640 --> 01:32:17,040
hold me tightly and forces two fingers into me I arch and groan as he looks me
1011
01:32:17,040 --> 01:32:23,560
in the eyes he curves his fingers up to massage my g-spot and pumps harder what
1012
01:32:23,560 --> 01:32:31,480
do you want baby Alan asks what can I do take me to the bedroom Alan helps me up
1013
01:32:31,480 --> 01:32:35,760
and leads the way to the bedroom he flicks off the light but I switch it
1014
01:32:35,760 --> 01:32:42,320
back on I want you to see I stretch out in the middle of the bed and pull Alan
1015
01:32:42,320 --> 01:32:48,000
down on top of me his delicious cock presses against my hip and I'm tempted
1016
01:32:48,000 --> 01:32:53,480
to just fuck him but there is something that has to be gotten past I stop his
1017
01:32:53,480 --> 01:33:00,200
fervent kisses long enough to say lick me lick my pussy I'm so heated from his
1018
01:33:00,200 --> 01:33:04,600
fingers I put my hand on the top of his head and press him downward between my
1019
01:33:04,600 --> 01:33:12,160
spread legs Alan puts my legs over his shoulders no baby I purr they've got to
1020
01:33:12,160 --> 01:33:17,920
be flat on the bed I tighten them up and the straighter the better I widen my
1021
01:33:17,920 --> 01:33:23,200
legs even farther to accommodate his wide shoulders his fingers make contact with
1022
01:33:23,200 --> 01:33:29,160
my pussy and begin exploring in and out of folds around my clit and down he's
1023
01:33:29,160 --> 01:33:34,960
taking it slowly like we started on the sofa I shut my eyes and take it in he
1024
01:33:34,960 --> 01:33:40,960
spits my lips and brings his mouth down to my clit warm and wet massage it with
1025
01:33:40,960 --> 01:33:47,440
your tongue not flicking so much he does and I'm thrilled now put your fingers
1026
01:33:47,440 --> 01:33:54,400
in me and fuck me with them and he does I ride under his mouth it all feels so
1027
01:33:54,400 --> 01:33:59,640
good but good isn't going to be enough this time this time I'm going to see
1028
01:33:59,640 --> 01:34:06,040
colors harder baby I spread my fingers out on his head and press him into me I
1029
01:34:06,320 --> 01:34:12,440
feel my orgasm growing in my muscles my legs twitch and tighten I want to
1030
01:34:12,440 --> 01:34:17,080
bury my hands in his hair and push him into me but I've done that before and
1031
01:34:17,080 --> 01:34:22,400
all it does is make him not able to breathe that's no good instead I grip
1032
01:34:22,400 --> 01:34:28,040
his arm draped over my thigh and the bedsheets a big handful of bedsheets he
1033
01:34:28,040 --> 01:34:33,520
slows his finger fucking to concentrate on my clit but I'm greedy put three
1034
01:34:33,520 --> 01:34:40,840
fingers in and fuck me oh god that's it now suck a little on my clit the
1035
01:34:40,840 --> 01:34:46,120
pressure in my muscles in my pussy grows to a monumental level I tighten and
1036
01:34:46,120 --> 01:34:51,800
flex my legs I lift my hips I see the hurdle in front of us and I'm ready to
1037
01:34:51,800 --> 01:34:57,880
jump I'm moaning and growling I'm uttering obscenities God baby that's
1038
01:34:58,040 --> 01:35:04,520
it there yes with that Alan pumps his hand harder and sticks with that sucking
1039
01:35:04,520 --> 01:35:16,840
massage of my clit I squeeze my eyes shut bear down and jump seeing stars by
1040
01:35:16,840 --> 01:35:19,560
Louisa Hart
1041
01:35:19,840 --> 01:35:25,480
tramping in New Zealand sounded great in the guidebook follow well-worn trails
1042
01:35:25,640 --> 01:35:32,040
through untouched wilderness it had said it got the wilderness right two days
1043
01:35:32,040 --> 01:35:36,280
into our five-day hike and already my legs are aching I'm covered in bites
1044
01:35:36,280 --> 01:35:42,760
and this damp tent is claustrophobic of course it had all been your idea come on
1045
01:35:42,760 --> 01:35:48,960
Zoe it'll be fun you'd coaxed lulled by a false sense of security at our luxury
1046
01:35:48,960 --> 01:35:54,720
motel I'd given into your plea now here I am one o'clock in the morning wide
1047
01:35:54,720 --> 01:36:00,440
awake unable to sleep and I'm seriously debating that decision there's no
1048
01:36:00,440 --> 01:36:05,560
sympathy from you I gaze over at you cocooned in your sleeping bag beside me
1049
01:36:05,560 --> 01:36:11,960
you're fast asleep like nothing can disturb you yet despite myself I smile
1050
01:36:11,960 --> 01:36:17,440
this trip has shown me a new side of you not only does your brawny body look
1051
01:36:17,440 --> 01:36:22,280
hot in tight shorts and boots you look kind of sexy with a hint of stubble and
1052
01:36:22,280 --> 01:36:27,440
must-up hair and you're in your element with this self-sufficient lifestyle on
1053
01:36:27,440 --> 01:36:31,600
our daily hikes you've been giving it your all a goofy smile on your face as
1054
01:36:31,600 --> 01:36:36,320
you lug that huge rucksack on your back taking my hand and guiding me through
1055
01:36:36,320 --> 01:36:41,520
long sodden grass and up steep hilly tracks acting like a real macho man
1056
01:36:41,520 --> 01:36:47,560
you've been all energy fire and excitement until you hit the sack then
1057
01:36:47,560 --> 01:36:52,920
you're out like a light typical wrestling with the zip on my sleeping bag I
1058
01:36:52,920 --> 01:36:58,280
decide I need some fresh air I open the tent flap and peer outside the day's
1059
01:36:58,280 --> 01:37:04,520
drizzle has cleared stars blink in the sky the moon casts a pale glow over the
1060
01:37:04,520 --> 01:37:09,840
campsite making it look strangely enticing I tuck on my boots and pull on a
1061
01:37:09,840 --> 01:37:16,200
light jacket over my pajamas I'm going out to explore flicking on my flashlight
1062
01:37:16,200 --> 01:37:21,280
I step outside I stand still for a moment letting my eyes adjust to the
1063
01:37:21,280 --> 01:37:26,400
darkness we've pitched our tent at a remote spot by a lake there are a few
1064
01:37:26,400 --> 01:37:32,160
other tents dotted about but apart from that we're alone I wander over the grass
1065
01:37:32,160 --> 01:37:37,800
my boots squelching on the slippery ground a breeze ruffles my hair blowing
1066
01:37:37,800 --> 01:37:42,680
straight through the flimsy material of my pajamas to prick at my skin I shiver
1067
01:37:42,680 --> 01:37:49,280
it's cool but not unpleasant more like exhilarating I find the track and head
1068
01:37:49,280 --> 01:37:54,080
down to the lake something brushes against my cheek my mind fills with
1069
01:37:54,080 --> 01:37:59,000
images of possums and rats scampering toward me and I swipe at the imaginary
1070
01:37:59,000 --> 01:38:04,520
critters then I shine my flashlight to examine my assailant it's just a branch
1071
01:38:04,520 --> 01:38:10,400
I shake my head realizing I'm being ridiculous thank God you can't see me I
1072
01:38:10,400 --> 01:38:16,360
need to get a grip this camping lark sure takes some getting used to stumbling
1073
01:38:16,360 --> 01:38:20,760
on over the track I hear an owl screech in the trees I stop and listen
1074
01:38:20,760 --> 01:38:26,080
becoming alert to the sounds around me keeping still I hear the hum of crickets
1075
01:38:26,080 --> 01:38:31,160
and the gentle splash of waves against the lakeshore then I hear something else
1076
01:38:31,160 --> 01:38:39,160
something more guttural a moan I stop and gaze around to my left there's a
1077
01:38:39,160 --> 01:38:43,520
faint flicker of light coming from within one of the tents instinctively I
1078
01:38:43,520 --> 01:38:48,960
move closer I switch off my light and strain for a closer look in the
1079
01:38:48,960 --> 01:38:53,680
dimness I can faintly make out two figures writhing and moaning within
1080
01:38:53,680 --> 01:38:59,200
their canvas enclosure it's obvious they're fucking suddenly the night takes
1081
01:38:59,200 --> 01:39:05,120
on a new air there's something raw and primal about it something wanton in the
1082
01:39:05,120 --> 01:39:12,080
darkness my senses are heightened I shiver it's thrilling driven on by some
1083
01:39:12,080 --> 01:39:17,280
inner urge I move away from their tent and wander deeper into the bush I seek
1084
01:39:17,280 --> 01:39:22,240
out a quiet spot away from the path and sit down I shrug off my jacket and lie
1085
01:39:22,240 --> 01:39:27,680
back on the wet grass no longer squeamish I kick off my boots and dig my feet
1086
01:39:27,680 --> 01:39:33,400
into the ground enjoying the feeling of the damp earth between my toes I close
1087
01:39:33,440 --> 01:39:37,320
my eyes and breathe in the seductive scent of blossom as it carries on the
1088
01:39:37,320 --> 01:39:42,640
breeze I kickle a kind of nervous excited laugh that feels refreshing and
1089
01:39:42,640 --> 01:39:49,520
unfamiliar I feel different out here alive as I lie on the grass savoring the
1090
01:39:49,520 --> 01:39:54,040
scent of the woods in the sounds of the night a strange unbidden thought goes
1091
01:39:54,040 --> 01:39:59,600
through my head why not indulge in a little pleasure of my own my eyes flick
1092
01:39:59,600 --> 01:40:05,840
open my mind battling with conflicting thoughts I can't not hear surely a
1093
01:40:05,840 --> 01:40:12,800
prim voice in my head scolds why not another voice challenges my heart
1094
01:40:12,800 --> 01:40:17,520
starts to thud against my chest my body flushes and my mouth becomes dry at the
1095
01:40:17,520 --> 01:40:22,960
thought it's too delicious to resist and hey at least it will give me something
1096
01:40:22,960 --> 01:40:27,640
to smile about as we scrambled through more endless bush tomorrow spurred on
1097
01:40:27,680 --> 01:40:32,440
by this burst of kinky logic I stretch out on the wet grass preparing for
1098
01:40:32,440 --> 01:40:38,120
ecstasy as if playing along the breeze picks up tugging hard at my flimsy
1099
01:40:38,120 --> 01:40:44,920
pajamas encouraged I peel open my pajama top button by button letting the
1100
01:40:44,920 --> 01:40:51,000
fabric fall open the cool air brushes over my tits making my nipples hard and
1101
01:40:51,000 --> 01:40:56,440
tight my skin tingles with anticipation as this invisible force plays with my
1102
01:40:56,440 --> 01:41:02,280
body I squirm against the grass feeling heat and excitement begin to burn in my
1103
01:41:02,280 --> 01:41:08,160
pussy closing my eyes I search my mind for a raunchy fantasy to get myself
1104
01:41:08,160 --> 01:41:15,280
started but I don't want one not tonight tonight I want something different I want
1105
01:41:15,280 --> 01:41:20,360
to be alive in the moment I flick open my eyes and tune into the energy of the
1106
01:41:20,360 --> 01:41:26,600
environment feeding off its earthy vibes a smile on my lips I hunker down in the
1107
01:41:26,600 --> 01:41:31,520
grass and slide my hand into my pajama pants to play with my pussy I gasp
1108
01:41:31,520 --> 01:41:37,280
surprised at my wetness swirling my fingers in my juice I coat each one
1109
01:41:37,280 --> 01:41:44,080
before stroking my slit my clit strains hard and eager for attention I graze it
1110
01:41:44,080 --> 01:41:50,280
with my thumb stroke it tease it a little I love playing with myself building
1111
01:41:50,280 --> 01:41:54,240
that familiar ache until it becomes an overwhelming desire that takes over my
1112
01:41:54,240 --> 01:41:59,720
body I've always loved wanking being the one in control timing my pleasure to
1113
01:41:59,720 --> 01:42:06,640
perfection only tonight I have a surprise participant nature goosebumps
1114
01:42:06,640 --> 01:42:11,840
prickle my skin as the wind gusts over my bare tits it lifts my hair and throws
1115
01:42:11,840 --> 01:42:17,400
it across my face like a kinky blindfold I moan with pleasure and wiggle my hips
1116
01:42:17,440 --> 01:42:23,440
shoving my ass deeper into the sodden grass in response moving my hand lower
1117
01:42:23,440 --> 01:42:30,240
I dip a finger into my cunt my cunt grasps at it eager and hungry I can't
1118
01:42:30,240 --> 01:42:36,600
believe how horny I feel how thrilling and lewd this is playing outdoors moving
1119
01:42:36,600 --> 01:42:43,800
my thumb back to my clit I stroke it circle it rub it gently then harder my
1120
01:42:43,840 --> 01:42:49,000
arousal builds pleasure flutters low in my belly tightening muscles and taking
1121
01:42:49,000 --> 01:42:54,000
my breath the wind rattles the tree above me sending leaves scattering over
1122
01:42:54,000 --> 01:43:00,480
my naked body I sigh I arch my back and offer myself up to the elements I'm
1123
01:43:00,480 --> 01:43:05,280
blending into the outdoors becoming part of it relishing its pure and
1124
01:43:05,280 --> 01:43:11,760
adulterated eroticism the wind picks up clouds gather above and raindrops begin
1125
01:43:11,760 --> 01:43:17,360
to fall I hear them patter in the leaves above a drop splashes my face and
1126
01:43:17,360 --> 01:43:23,240
slides down my cheek I smile and open my mouth letting the fresh cool liquid
1127
01:43:23,240 --> 01:43:30,360
coat my tongue it's delicious the experience feels organic primal I can't
1128
01:43:30,360 --> 01:43:35,280
get enough of it I shiver as rain splashes my tits and soaks my pajamas
1129
01:43:35,280 --> 01:43:41,720
yet the wetter I get the more turned on I become I tune into my body trying to
1130
01:43:41,720 --> 01:43:46,280
note every moment in shutter I want to savor it all so that I can reflect on it
1131
01:43:46,280 --> 01:43:50,560
later add this experience to my ever-growing collection of fantasies
1132
01:43:50,560 --> 01:43:57,280
then my thoughts drift to you asleep in the tent while I'm out here fucking
1133
01:43:57,280 --> 01:44:03,440
myself on the damp grass I'm so near and yet so far away it's like I'm in
1134
01:44:03,440 --> 01:44:08,720
another place another world and I love it I whimper and writhe shamelessly
1135
01:44:08,720 --> 01:44:14,480
against my hand free in the darkness to become someone else someone reckless
1136
01:44:14,480 --> 01:44:21,600
and abandoned I feel the first tremors of orgasm flicker inside me my heart
1137
01:44:21,600 --> 01:44:27,120
beats faster it pulses in my chest and throbs in my crotch urging me to finish
1138
01:44:27,120 --> 01:44:34,920
the deed I rub my finger over my clit faster harder my cheeks flush my eyelashes
1139
01:44:34,920 --> 01:44:41,080
flutter I'm close so close my legs tense and I grit my teeth preparing for
1140
01:44:41,080 --> 01:44:48,040
the explosion I know is coming oh and it comes all right I hold my hands still
1141
01:44:48,040 --> 01:44:52,760
as delicious spasms pulse through my pussy spilling pleasure through my body
1142
01:44:52,760 --> 01:44:59,760
I moan and fuck my hips tossing my head from side to side letting the full raw
1143
01:44:59,760 --> 01:45:06,120
power of my orgasm rock my body and blister my mind it takes a few moments
1144
01:45:06,120 --> 01:45:11,560
to come down from my climax slowly my muscles relax and my breathing settles
1145
01:45:11,560 --> 01:45:17,280
I smile and spread myself out over the wet grass like it's a luxurious bed and
1146
01:45:17,280 --> 01:45:24,840
then I hear something a rustle in the trees someone is out here I lift my
1147
01:45:24,840 --> 01:45:31,120
head a flashlight beam sweeps the path beside me I freeze hold my breath and
1148
01:45:31,120 --> 01:45:36,520
shrink down trying to disappear the beam gets closer it's like something out of
1149
01:45:36,520 --> 01:45:41,240
a film and just like a character in a film I'm too shocked and scared to move
1150
01:45:41,240 --> 01:45:46,160
a muscle the beam of light moves away from the path and starts to scan over the
1151
01:45:46,160 --> 01:45:51,880
grass toward me I swallow as it settles on my discarded boots watch wide-eyed as
1152
01:45:51,880 --> 01:45:58,720
it gets closer and closer I gasp as the beam pans over my semi-naked body then I
1153
01:45:58,720 --> 01:46:04,480
squint against the bright light as the beam hits my face the light wavers then
1154
01:46:04,480 --> 01:46:11,920
I hear a voice breathless Zoe scrabble in the grass beside me I make a grab for
1155
01:46:11,920 --> 01:46:16,480
my flashlight and shine it up at my accuser my heart leaps into my throat
1156
01:46:16,480 --> 01:46:23,440
it's you we train our lights on each other like a duel in the dark I wonder
1157
01:46:23,440 --> 01:46:29,160
who will make the first move you do you gaze down at me taking in my flushed
1158
01:46:29,160 --> 01:46:34,360
cheeks and my bared breasts I watch as your expression changes from concern to
1159
01:46:34,360 --> 01:46:41,920
interest then lust I wondered where you'd got to your voice is strained husky I
1160
01:46:41,920 --> 01:46:48,560
was just I search for an excuse but there are none the truth's written all
1161
01:46:48,560 --> 01:46:55,000
over my face even thinking about it gets me all hot and wet again exploring I
1162
01:46:55,000 --> 01:47:01,600
add feebly your brows lift your gaze lowers to my hand still tuck down my
1163
01:47:01,600 --> 01:47:08,680
pants I can see that you murmur I wonder if you're joking if you're angry or
1164
01:47:08,680 --> 01:47:13,120
upset but then I notice your cock pitching its own tint in your boxers
1165
01:47:13,120 --> 01:47:20,120
and I smirk well you did say we should be self-sufficient your lips twitch a
1166
01:47:20,120 --> 01:47:26,080
smile you meet my gaze and see the gleam in my eyes reflecting a new different
1167
01:47:26,080 --> 01:47:32,460
side of me wild and abandoned self-sufficiency is overrated you whisper
1168
01:47:32,460 --> 01:47:37,520
you flick off your flashlight and drop to your knees in front of me stroking
1169
01:47:37,520 --> 01:47:42,320
your hand over my breasts you pry the flashlight from my hand and switch it
1170
01:47:42,320 --> 01:47:48,880
off plunged back into darkness I feel my pajama pants slide down over my hips to
1171
01:47:48,880 --> 01:47:56,400
my ankles I swallow now I have another participant you tugging off my pajamas
1172
01:47:56,400 --> 01:48:01,400
you toss them aside and push open my legs I feel your warm breath on my
1173
01:48:01,400 --> 01:48:06,960
thighs as you inch your way slowly up toward my crotch the first orgasm was
1174
01:48:06,960 --> 01:48:12,360
great but the prospect of another almost has me begging and I thrust my hips up
1175
01:48:12,360 --> 01:48:18,200
to meet you you chuckle and grab my ass in your big rough hands there's a
1176
01:48:18,200 --> 01:48:25,000
delicious pause then you plunge your face into my pussy I grown I clutch your
1177
01:48:25,000 --> 01:48:29,960
shoulders and ride against you as your tongue spears my cunt the wind lifts
1178
01:48:29,960 --> 01:48:35,080
your thick hair spreading it over my pussy like a blanket I squeal and
1179
01:48:35,080 --> 01:48:40,120
delight as it tickles my skin at the mercy of the winds teasing caress and
1180
01:48:40,120 --> 01:48:45,480
your tongues expert probing I squirm shamelessly enjoying this delightful
1181
01:48:45,480 --> 01:48:52,800
threesome between me you and nature rain continues to fall the cold splash of
1182
01:48:52,800 --> 01:48:58,360
raindrops over my tits contrasts with the heat of your lips on my slit I rock
1183
01:48:58,360 --> 01:49:04,160
my hips in your face as you flick your tongue at my clit encouraging you you
1184
01:49:04,200 --> 01:49:08,680
swirl your tongue over my butt before covering it with your mouth spreading
1185
01:49:08,680 --> 01:49:15,200
my legs wider I moan in approval you nibble and suck like a pro going bush
1186
01:49:15,200 --> 01:49:20,920
in the raw sense of the term pleasure built inside me and I take a deep breath
1187
01:49:20,920 --> 01:49:27,800
feeling the orgasm grow in my belly obligingly you leave me harder I curl
1188
01:49:27,800 --> 01:49:32,960
my fingers in your hair and tense my legs as the climax takes hold I cry out
1189
01:49:32,960 --> 01:49:39,280
my legs shake my hips buck and suddenly I'm flooded with sensations the wind the
1190
01:49:39,280 --> 01:49:45,240
rain you and these delicious contractions all converging in one huge great
1191
01:49:45,240 --> 01:49:51,160
orgasm grasping my thighs you hold me tight writing out the convulsions with
1192
01:49:51,160 --> 01:49:58,080
me gradually the tremors subside in the darkness I can sense you smiling
1193
01:49:58,080 --> 01:50:03,920
enjoying my pleasure as if it's your own you always were a thoughtful lover a
1194
01:50:03,920 --> 01:50:09,600
shaft of moonlight shines through a break in the clouds illuminating us you
1195
01:50:09,600 --> 01:50:15,840
lift your head from between my thighs a mischievous look on your face so are you
1196
01:50:15,840 --> 01:50:22,280
enjoying this trip now you murmur I prop myself up on my elbows to look at you a
1197
01:50:22,320 --> 01:50:28,240
cheeky smile crosses my lips and I nod I guess being intimate with nature does
1198
01:50:28,240 --> 01:50:40,360
have its perks old faithful by Sylvia Lowry I received the postcard from
1199
01:50:40,360 --> 01:50:45,240
Clive and Margaret and hid it scornfully in the bookcase between the 1958 and
1200
01:50:45,240 --> 01:50:50,720
1959 world Almanacs there was some poetic truth in leaving the previous
1201
01:50:50,720 --> 01:50:55,880
year's edition coupled on the shelf with the new I imagined myself mired in
1202
01:50:55,880 --> 01:51:00,880
time hopelessly static and imprisoned in the previous year and the contents of
1203
01:51:00,880 --> 01:51:06,120
the postcard had only darkened my mood Clive's clawing tone and cheerful double
1204
01:51:06,120 --> 01:51:10,240
entendre had opened latent wounds and his words were expressed with the
1205
01:51:10,240 --> 01:51:14,520
inane self-seeking chatter of the honeymooner we have seen little of
1206
01:51:14,520 --> 01:51:18,720
Yellowstone of course and are relishing our view of the naughty pine walls of
1207
01:51:18,720 --> 01:51:23,520
our hotel room the opposite side displayed a photo of old faithful I
1208
01:51:23,520 --> 01:51:29,800
imagined Clive Siemens spurting gracelessly all over Margaret's backside my
1209
01:51:29,800 --> 01:51:34,240
own morning was far from orgasmic and the same could be said for my married
1210
01:51:34,240 --> 01:51:39,280
life a veritable carnal dust bowl my solitude heightened by the Blair of
1211
01:51:39,280 --> 01:51:45,200
kooky kooky lend me your comb on the radio and the inane insistent chirp of
1212
01:51:45,200 --> 01:51:50,720
birds in the vacant Avenue outside the tailfin of every passing Cadillac or
1213
01:51:50,720 --> 01:51:55,600
de Soto reminded me of an erect cock poised to deliver the gratification
1214
01:51:55,600 --> 01:52:01,240
that I was terminally denied my husband was in Manhattan expending his
1215
01:52:01,240 --> 01:52:06,600
sexual reserves on empty careerism and perhaps another woman I knew that the
1216
01:52:06,600 --> 01:52:10,480
cliche was utterly wrote and the reflection inspired me to laugh as I
1217
01:52:10,480 --> 01:52:15,160
smoked a second cigarette watching Ernie Kovacs on furl and dismal gray
1218
01:52:15,160 --> 01:52:20,680
lines on the television and caressing the folds of my housecoat I savored the
1219
01:52:20,680 --> 01:52:24,960
irony of the garments design it had all the trappings of the apparel of
1220
01:52:24,960 --> 01:52:29,960
seduction elegant and teasingly transparent remaining destined for an
1221
01:52:29,960 --> 01:52:36,040
empty audience of pants dish rags and a borax bleach mine was lacy black
1222
01:52:36,040 --> 01:52:40,760
perfect attire for bluebeard's prisoner or a ward of the Sororaleo I
1223
01:52:40,760 --> 01:52:46,720
reclined on the couch and felt a hard object beneath me it was a toy robot
1224
01:52:46,720 --> 01:52:52,160
abandoned by my nephew John the previous week and I idly turned its key and
1225
01:52:52,160 --> 01:52:56,800
watched it sputter across the floor roaring and shaking wildly eyes
1226
01:52:56,800 --> 01:53:01,840
sparkling capriciously there is something about contemplating the objects of
1227
01:53:01,840 --> 01:53:06,480
childhood when you're in a less than innocent mood there is first a mothlin
1228
01:53:06,480 --> 01:53:11,600
craving for the ease and purity of early days a cheerful simplicity that leads to
1229
01:53:11,600 --> 01:53:16,320
more wicked adult impulses with distressing ease I picked up the toy
1230
01:53:16,320 --> 01:53:21,840
which continued to vibrate in my hand stroking its round metal head as the
1231
01:53:21,840 --> 01:53:27,520
happy organ shuttered through the radio in an anxious discharge of sound I laid
1232
01:53:27,520 --> 01:53:33,360
back on the couch turning the key as I thrust my panties downward first leaving
1233
01:53:33,360 --> 01:53:38,280
them stranded at my thighs then casting them toward the hi-fi nearly striking
1234
01:53:38,280 --> 01:53:43,640
the jacket of a Chet Baker album the jazz man stared back at me fragile and
1235
01:53:43,640 --> 01:53:50,280
melancholic the sole witness to my upcoming act of subversion I innocently
1236
01:53:50,280 --> 01:53:54,320
kissed the robot's head in a brief tribute before I applied the quivering
1237
01:53:54,320 --> 01:53:58,800
headpiece to my clit first recoiling from the violence of the metallic
1238
01:53:58,800 --> 01:54:03,960
surface before pressing more emphatically then leaning backward feeling a
1239
01:54:03,960 --> 01:54:08,880
delicious sensation emerge pinching my swelling nipples as I found myself
1240
01:54:08,880 --> 01:54:15,160
blowing a dirty kiss to the observing face of Chet muttering fuck fuck fuck as
1241
01:54:15,160 --> 01:54:20,520
if my desperate mantra could conjure a lover from the empty sweltering air I
1242
01:54:20,520 --> 01:54:25,280
briefly envisioned Robbie the robot as a cock of flesh I pushed the head
1243
01:54:25,280 --> 01:54:29,920
inside as my pussy grew wetter feeling the slick rounded surface caress my
1244
01:54:29,920 --> 01:54:34,760
labia as it continued its quivering journey inward finally wanting to
1245
01:54:34,760 --> 01:54:38,920
weep at the tragic incompleteness of my orgasm as the toy reached an
1246
01:54:38,920 --> 01:54:44,440
inevitable impasse too broad to allow deeper entry the shuttering steel
1247
01:54:44,440 --> 01:54:49,120
floundered at the heavenly gates arms and legs writhing as its delicious
1248
01:54:49,120 --> 01:54:54,840
head plumbed my anointed cunt I exhale dramatically surrendering to the
1249
01:54:54,840 --> 01:54:59,920
compromised metallic half fuck caressing my clit in a circular motion
1250
01:54:59,920 --> 01:55:04,880
before slapping it feverishly sensing a partial sensation of release rising
1251
01:55:04,880 --> 01:55:08,400
from my vulva and via a mischievous conduit through my nipples and
1252
01:55:08,400 --> 01:55:14,920
throat I gaze towards Chet silently imploring his aid as I abandoned my
1253
01:55:14,920 --> 01:55:19,560
experiment dropping the robot to the floor where its febrile motion
1254
01:55:19,560 --> 01:55:25,360
slowed and at lay prone and object discarded like an incompetent lover my
1255
01:55:25,360 --> 01:55:32,360
climax remained incomplete perspiring I wiped my face opening my housecoat as I
1256
01:55:32,360 --> 01:55:37,440
wandered into the basement still filled with my morning laundry the ringer
1257
01:55:37,440 --> 01:55:43,080
washer vibrated in darkness green against black water cascading violently
1258
01:55:43,080 --> 01:55:47,640
against its interior a pure carnal force shuttering viscerally in the
1259
01:55:47,640 --> 01:55:53,320
blackness I embraced it imagining myself joining a mechanical lover of
1260
01:55:53,320 --> 01:55:58,760
sublime magnitude grinding my naked pussy into the pulsating steel curvature
1261
01:55:58,760 --> 01:56:04,680
of the tank a giant tremulous cock fucking me into oblivion its
1262
01:56:04,680 --> 01:56:09,120
attentions triggered an immediate response and I sensed the reemergence of
1263
01:56:09,120 --> 01:56:14,520
my thwarted orgasm as I propelled my cunt inward the trembling steel caressed
1264
01:56:14,520 --> 01:56:20,320
my clit an entire pussy in a single awe-inspiring motion I eased my tits
1265
01:56:20,320 --> 01:56:24,440
into the embrace allowing my nipples to achieve intimate contact with the
1266
01:56:24,440 --> 01:56:29,640
rigid steel feeling an initial shock of cold quickly transfigured into an
1267
01:56:29,640 --> 01:56:34,600
inverse sensation of scorching heat a miasma of conflicting impressions that
1268
01:56:34,600 --> 01:56:40,360
impelled me to gaze skyward muttering fuck me fuck me fuck me in an attempt
1269
01:56:40,360 --> 01:56:45,400
to animate the iron beast and a client flesh but as the climactic moment
1270
01:56:45,400 --> 01:56:49,840
approached I heard the doorbell ring and recoiled backward from the washer
1271
01:56:49,840 --> 01:56:56,080
cursing my impulsive reaction it reminded me of my ingrained servitude a force
1272
01:56:56,080 --> 01:57:00,400
of habit more powerful than my fading animal urges had impelled me to button
1273
01:57:00,400 --> 01:57:06,600
up my housecoat and revert to my role as acquiescent neutered domestic angel I
1274
01:57:06,600 --> 01:57:11,240
swore as I climbed the stairs bliss fading as I ascended into the heat of
1275
01:57:11,240 --> 01:57:16,920
the upper floors opening the door I saw a young man standing on the threshold
1276
01:57:16,920 --> 01:57:22,320
holding a single vacuum cleaner his jacket suspended across his arm wiping
1277
01:57:22,320 --> 01:57:27,200
perspiration from his forehead in a studied dramatic gesture in the glare
1278
01:57:27,200 --> 01:57:32,920
of the sun now intense and prismatic he almost looked like Chet Baker hairs
1279
01:57:32,920 --> 01:57:38,080
looked backward mildly dispassionate and introverted somehow mired in an
1280
01:57:38,080 --> 01:57:44,000
impossible task or so I imagined my fading arousal the overwhelming heat
1281
01:57:44,000 --> 01:57:47,920
and the forces of isolation had conspired against my rational thoughts
1282
01:57:47,920 --> 01:57:55,360
which I imagined melting into oblivion dispersed onto the pavement ma'am can I
1283
01:57:55,360 --> 01:58:00,240
impose on you for a glass of water he looked downward which seemed to
1284
01:58:00,240 --> 01:58:06,640
confirm the modest candor of the request of course I opened the door smiling
1285
01:58:06,640 --> 01:58:11,280
ritually as I gestured for him to enter but you won't escape the heat inside
1286
01:58:11,280 --> 01:58:16,400
I'll reward you by letting you make your sales pitch in reasonable comfort he
1287
01:58:16,400 --> 01:58:21,320
raised his eyebrows you sound so cynical are you certain there is a sales
1288
01:58:21,320 --> 01:58:27,280
pitch I laughed I hoped benevolently gently seeking forgiveness for my
1289
01:58:27,280 --> 01:58:32,960
sarcasm honey I'm here all day I get caught up in the rhythms of commerce
1290
01:58:32,960 --> 01:58:38,120
all the time I retreated to the kitchen and poured a glass of water which he
1291
01:58:38,120 --> 01:58:42,920
drank within delicate speed as I watched from a distance he set the glass down
1292
01:58:42,920 --> 01:58:49,040
and straightened his tie I unbuttoned my housecoat in counterpoint I've been to
1293
01:58:49,040 --> 01:58:56,060
four houses on the block no one wants to buy I frowned playfully maybe no one
1294
01:58:56,060 --> 01:59:00,680
appreciates technology I know Ms. Adams next door still loves her broom
1295
01:59:00,680 --> 01:59:07,760
personally I like machines they break the solitude somehow I don't understand I
1296
01:59:07,760 --> 01:59:13,280
wandered the room feeling a lyrical melancholy counterpoised against a new
1297
01:59:13,280 --> 01:59:19,560
arousal I'm all alone in time and space young man my husband could just as well
1298
01:59:19,560 --> 01:59:23,920
beyond Mars my so-called friends are fucking their brains out in Yellowstone
1299
01:59:23,920 --> 01:59:29,760
lucky motherfuckers I laughed as he started eyes twitching in incredulity at
1300
01:59:29,760 --> 01:59:36,760
my indecency I apologize for my indelicate speech a little he paused
1301
01:59:36,760 --> 01:59:43,960
regaining his composure ma'am maybe you'd like me to demonstrate he reached
1302
01:59:43,960 --> 01:59:50,160
toward the vacuum it languished in the sun long metallic another ominous
1303
01:59:50,160 --> 01:59:55,960
implement of pleasure wait I lit a cigarette and blew a cloud into the
1304
01:59:55,960 --> 02:00:00,720
air imagining the force of my thoughts crossing the room as diffused smoke
1305
02:00:00,720 --> 02:00:09,560
asserting their impious influence let me make you a pitch instead what he paused
1306
02:00:09,560 --> 02:00:14,040
browbeaten he trembled as if his practice speech and routine had been
1307
02:00:14,040 --> 02:00:20,400
utterly disrupted first loosen your tie I crossed my legs and took another drag
1308
02:00:20,400 --> 02:00:24,440
on the cigarette smiling through one corner of my mouth as he released his
1309
02:00:24,440 --> 02:00:29,360
top button and relax the grip of the tie on his neck in the corner of my vision
1310
02:00:29,360 --> 02:00:34,280
I could see the Chet Baker LP and could envision the jasmine nodding in unity
1311
02:00:34,280 --> 02:00:39,880
whispering every cloud has a silver lining as the tie dropped to the floor
1312
02:00:39,880 --> 02:00:46,920
it lay sad and desultory on the carpet a symbol of discarded propriety and your
1313
02:00:46,920 --> 02:00:53,400
pitch he looked toward me awaiting further instruction take off your pants
1314
02:00:53,400 --> 02:00:58,760
he fumbled in the act but obeyed readily charmingly folding the apparel as if
1315
02:00:58,760 --> 02:01:04,280
his sales pretensions remained intact I unbuttoned my housecoat farther revealing
1316
02:01:04,280 --> 02:01:07,880
my tits as I walked forward and caress the outline of his cock through his
1317
02:01:07,880 --> 02:01:13,200
briefs sensing a rising startled to messence I capriciously played with
1318
02:01:13,200 --> 02:01:19,120
the head now swelling in response to my touch now I looked him in the eyes
1319
02:01:19,120 --> 02:01:25,960
summoning my reserves of command I want you to stick this I squeezed his cock
1320
02:01:25,960 --> 02:01:33,560
affectionately into your lovely machine and I want to watch he swallowed
1321
02:01:33,560 --> 02:01:41,840
visibly but how the desperate thought trailed into oblivion how is it gonna
1322
02:01:41,840 --> 02:01:47,440
get hard enough here honey I seized his waistband and pulled his briefs down in
1323
02:01:47,440 --> 02:01:52,040
a single rapid gesture licking his shaft as I murmured an inarticulate
1324
02:01:52,040 --> 02:01:56,840
encouragement caressing each ardent pulsing vein with my tongue as if I
1325
02:01:56,840 --> 02:02:01,480
were savoring a fine wine wondering how long it had been since I had tasted a
1326
02:02:01,480 --> 02:02:06,640
cock finally sensing the shaft achieving full rigidity I salivated
1327
02:02:06,640 --> 02:02:11,320
charitably as I sucked the head kissing it in gentle homage as I grasped the
1328
02:02:11,320 --> 02:02:16,280
base and jacked him off with one hand I fully discarded my housecoat the
1329
02:02:16,280 --> 02:02:20,600
crumpled garment lingered on the carpet like a black hole on a pristine field
1330
02:02:20,640 --> 02:02:27,000
negating time and space I imagined myself spitting on it a final gesture of
1331
02:02:27,000 --> 02:02:32,080
liberation as I drooled on his cock placing the shaft between my breasts as
1332
02:02:32,080 --> 02:02:36,520
I caressed his erection with the pure enveloping friction of my declotage
1333
02:02:36,520 --> 02:02:42,560
sensing a rising ardor as I prepared my next command turn on the vacuum and
1334
02:02:42,560 --> 02:02:49,360
stick your fucking cock in but I laughed with a note of impatience just
1335
02:02:49,520 --> 02:02:55,600
fucking do it I sat back on the couch appetizingly naked and exposed
1336
02:02:55,600 --> 02:03:01,360
reigniting my cigarette as the machine roared to life I imagined a rocket
1337
02:03:01,360 --> 02:03:06,160
jettisoning off to Pluto or perhaps some reptilian carnal quadrant of my
1338
02:03:06,160 --> 02:03:11,520
brain he placed his erect cock in the open aperture of the vacuum which
1339
02:03:11,520 --> 02:03:16,560
received it graciously and fervently lost to its infernal suction he began to
1340
02:03:16,560 --> 02:03:24,080
chant oh fuck oh fuck oh fuck as the force drew him inward as I watched him
1341
02:03:24,080 --> 02:03:28,520
ride the relation I began to play with my pussy and clit it sought an
1342
02:03:28,520 --> 02:03:33,600
arousal returning enamored by the spectacle before me banishing solitude
1343
02:03:33,600 --> 02:03:38,960
and anguish surrendering to a rising crescendo placing first one and then a
1344
02:03:38,960 --> 02:03:43,880
second finger inside myself imagining the pliant salesman as my absent
1345
02:03:43,880 --> 02:03:49,440
husband damned to be my docile plaything ensnared by my filthy commands
1346
02:03:49,440 --> 02:03:54,960
wordlessly the vacuum roared its carnal music of the spheres as I stood and
1347
02:03:54,960 --> 02:03:59,680
grabbed the salesman's head and seized his oily locks of hair compelling his
1348
02:03:59,680 --> 02:04:05,000
face into my pussy he began to lick first tentatively and with slobbering
1349
02:04:05,000 --> 02:04:10,320
indirection then with greater vigor as his tongue plumbed my cunt progressing
1350
02:04:10,320 --> 02:04:14,760
with subservient logic to my clit where it remained lapping with anxious
1351
02:04:14,760 --> 02:04:20,880
fervor as my latent orgasm began to rise inspiring a potent prison across my
1352
02:04:20,880 --> 02:04:26,000
vulva I released his head casting him backward as I turned off the vacuum
1353
02:04:26,000 --> 02:04:31,360
leaning back onto the couch and spreading my pussy and invitation twisting
1354
02:04:31,360 --> 02:04:36,640
my nipples with my other hand I blew a naughty kiss in his direction but he
1355
02:04:36,640 --> 02:04:41,160
was anxiously surveying his cock still erect and liberated from the declining
1356
02:04:41,160 --> 02:04:46,880
force of the machine I drew idly on my cigarette and whispered come here and
1357
02:04:46,880 --> 02:04:52,720
let me wrap my pussy around that fucking cock he looked upward as if the
1358
02:04:52,720 --> 02:04:57,120
thought were entangled in his battered consciousness compelling me to grab the
1359
02:04:57,120 --> 02:05:01,320
base of the flagging member jacking it off as I pulled it toward me a
1360
02:05:01,320 --> 02:05:06,520
student Baker tails been resplendent sword past the window a rocket
1361
02:05:06,520 --> 02:05:11,560
caressing the ether he plunged into me at the same moment the force of his
1362
02:05:11,560 --> 02:05:15,840
entry knocking me farther into the couch as if the nose cone of a missile
1363
02:05:15,840 --> 02:05:20,640
propelled with the force of a moonshot had thrust its breath inside me I
1364
02:05:20,640 --> 02:05:25,160
clutched the pillows as he began a fuse a lot of strokes while I lurched
1365
02:05:25,160 --> 02:05:30,240
forward grunting like a beast biting his neck impulsively as the strokes
1366
02:05:30,320 --> 02:05:35,400
continued with a fatalistic intensity as if he would sacrifice his life for
1367
02:05:35,400 --> 02:05:41,160
the fleeting joys of an animated fuck and perhaps I would have to knowing
1368
02:05:41,160 --> 02:05:45,000
that bliss can only be fleeting and is doomed to perish at its height
1369
02:05:45,920 --> 02:05:50,080
Chet smiled from a distance and the ineffable sound of a symbol shuttered
1370
02:05:50,080 --> 02:05:54,920
across my brain as he continued to fuck me slapping my clit to hasten the
1371
02:05:54,920 --> 02:06:00,080
arrival of the deferred climax he briefly paused the shaft shuttering
1372
02:06:00,080 --> 02:06:04,560
before he resumed his efforts while I caressed his balls imagining a
1373
02:06:04,560 --> 02:06:09,240
torrent of cum percolating poised to erupt from his tightening scrotum
1374
02:06:09,640 --> 02:06:16,320
safely cradled in my calculating grasp he slowed perspiring pushing his
1375
02:06:16,320 --> 02:06:21,040
cock into my cunt more deeply as if to compensate for his reduced pace
1376
02:06:21,560 --> 02:06:25,480
triggering a concentrated sensation that detonated through my pussy and
1377
02:06:25,480 --> 02:06:30,320
toward my tonsils I could feel my crotch dripping dousing his cock
1378
02:06:30,320 --> 02:06:33,720
with amplified moisture as a new impression rose from the depths of
1379
02:06:33,720 --> 02:06:39,000
my pussy shuttering like frenzied clockwork expanding as an ineffable
1380
02:06:39,000 --> 02:06:44,320
undercurrent the sensation rose through my nipples and tendons as if my
1381
02:06:44,320 --> 02:06:48,880
senses were united by a single conduit and then I sensed a seismic
1382
02:06:48,880 --> 02:06:54,200
convulsion my abdomen and ass shook as if I had incarnated an earthquake
1383
02:06:54,520 --> 02:06:59,120
the upheaval continuing as I announced keep fucking me half animal
1384
02:06:59,120 --> 02:07:05,080
utterance and half command the vacuum remained within my grasp and I
1385
02:07:05,080 --> 02:07:08,840
reached down to seize the nozzle and flip the switch applying its
1386
02:07:08,840 --> 02:07:13,240
infernal suction to my clit as he fucked harder lurching into me like
1387
02:07:13,240 --> 02:07:18,760
a brute I could feel my pussy rise standing at attention caressed by
1388
02:07:18,760 --> 02:07:24,080
steel drenched and exhilarated and as if my tremors had released it
1389
02:07:24,080 --> 02:07:27,520
from the shelf I could see that Clive's postcard had fallen to the
1390
02:07:27,520 --> 02:07:32,880
floor his inane handwriting mercifully facing the carpet the froth of
1391
02:07:32,880 --> 02:07:36,880
old faithful lurched upward and I concentrated on the ascending
1392
02:07:36,880 --> 02:07:40,960
spray as I plumbed my tongue into the salesman's ear relishing the
1393
02:07:40,960 --> 02:07:45,680
propulsive motion of his cock each stroke adding incremental friction
1394
02:07:46,080 --> 02:07:50,120
tickling my clit with the margins of the steel tube inspiring my
1395
02:07:50,120 --> 02:07:54,400
tremor to rise I clenched my teeth and suppressed the impulse to
1396
02:07:54,400 --> 02:07:59,120
devour the poor bastard's ear lobe I imagined myself lurching into a
1397
02:07:59,120 --> 02:08:02,760
cannibal frenzy as I propelled my hips forward to compliment his
1398
02:08:02,760 --> 02:08:07,680
thrusts my consciousness retreating into prehistoric longing away
1399
02:08:07,680 --> 02:08:12,120
from rockets and tail fins and high-fives and into a primordial
1400
02:08:12,160 --> 02:08:17,200
miasma of pure fucking and ecstatic sensation screaming like a
1401
02:08:17,200 --> 02:08:22,200
crow Magnus he withdrew coming in a round of rapid explosions the
1402
02:08:22,200 --> 02:08:26,000
bursts of semen striking my pussy as I unleashed a fountain of my
1403
02:08:26,000 --> 02:08:30,960
own as if a floodgate had opened a cataract of fluid erupted from
1404
02:08:30,960 --> 02:08:36,160
my pussy as I ejaculated onto his cock the twin streams of my juice
1405
02:08:36,160 --> 02:08:41,640
and his cum merged an elemental fusion of two essences twin forces
1406
02:08:41,640 --> 02:08:46,600
of nature and synergy or perhaps something more cosmic I imagined
1407
02:08:46,600 --> 02:08:51,040
a missile traveling a graceful arc of emancipation the vacuum
1408
02:08:51,040 --> 02:08:57,320
groaned half purring vibrating like a skyrocket I ran my hand
1409
02:08:57,320 --> 02:09:00,760
through the sticky mixture murmuring and lapping greedily as I
1410
02:09:00,760 --> 02:09:05,880
kissed my palm tasting something ineffable the taste of a euphoric
1411
02:09:05,880 --> 02:09:11,160
fuck distilled into a single transitory flavor I collapsed
1412
02:09:11,160 --> 02:09:15,560
backward and I could see the postcard again the spume of old
1413
02:09:15,560 --> 02:09:20,160
faithful bearing witness to my pleasure the robot came back to
1414
02:09:20,160 --> 02:09:25,760
life and writhed on the floor as if a spasm of pleasure had seized
1415
02:09:25,760 --> 02:09:27,000
its iron frame
1416
02:09:31,160 --> 02:09:33,640
paying it forward by Kendra Wayne
1417
02:09:36,040 --> 02:09:42,200
Dear Pamela thank you thank you a thousand times thank you Jane and
1418
02:09:42,200 --> 02:09:42,720
Simon
1419
02:09:44,040 --> 02:09:48,080
the card was cream colored heavy stock the front bearing a swirl
1420
02:09:48,080 --> 02:09:51,960
of doves with ribbons in their beaks a photo had slipped out when
1421
02:09:51,960 --> 02:09:56,880
she'd opened the envelope the happy couple toasting Pamela hadn't
1422
02:09:56,880 --> 02:10:00,080
been invited to the wedding that would have been awkward and
1423
02:10:00,080 --> 02:10:04,760
inappropriate she hadn't technically sent a gift at least
1424
02:10:04,760 --> 02:10:09,200
not to celebrate the nuptials but she was truly touched that the
1425
02:10:09,200 --> 02:10:12,960
bride whom she'd never met had taken the time to express her
1426
02:10:12,960 --> 02:10:16,920
gratitude she tapped the card thoughtfully against her lower
1427
02:10:16,920 --> 02:10:22,760
lip which one had Simon been she pondered the picture again he
1428
02:10:22,760 --> 02:10:27,120
definitely looked familiar she judged him to be about 30 which
1429
02:10:27,120 --> 02:10:30,800
meant she'd known him less than 10 years ago she never chose
1430
02:10:30,800 --> 02:10:35,400
someone younger than 23 that was her rule she poured herself a
1431
02:10:35,400 --> 02:10:39,760
glass of tawny port pulled out a flowered hat box unusually
1432
02:10:39,760 --> 02:10:43,200
romantic storage that would surprise anyone who knew her and
1433
02:10:43,200 --> 02:10:47,920
settled on the sofa she kept no photos of those she tutored only
1434
02:10:47,920 --> 02:10:52,240
a single souvenir from each to jog her memory now she sifted
1435
02:10:52,240 --> 02:10:56,800
through them a playing card the queen of spades a plastic purple
1436
02:10:56,800 --> 02:11:01,840
dinosaur the serial prize kind an unsigned book plate a leopard
1437
02:11:01,840 --> 02:11:07,120
print satin mask a half melted green candle a postcard of a winter
1438
02:11:07,120 --> 02:11:10,880
landscape the guitar pick had slipped toward the bottom of
1439
02:11:10,880 --> 02:11:17,080
the box she turned it over in her fingers ah Simon now she
1440
02:11:17,080 --> 02:11:21,720
remembered him he'd been shyer than most emboldened more by her
1441
02:11:21,720 --> 02:11:26,760
friendliness than alcohol he'd also been her last that year she
1442
02:11:26,760 --> 02:11:32,280
could only do so much teach so many in a season Simon with his
1443
02:11:32,280 --> 02:11:36,360
black hair a little too long and falling into his eyes he was in
1444
02:11:36,360 --> 02:11:40,920
a band not her usual type her standard operating procedure was
1445
02:11:40,920 --> 02:11:45,480
to pick out a grad student law maybe or an MBA candidate
1446
02:11:45,480 --> 02:11:48,520
occasionally she chose a medical intern but they were hard to
1447
02:11:48,520 --> 02:11:53,960
find generally too busy and too tired and too distracted Simon
1448
02:11:53,960 --> 02:11:57,560
played bass and he played it with a concentrated ferocity that
1449
02:11:57,560 --> 02:12:01,800
hinted at his offstage self he focused on the instrument not on
1450
02:12:01,800 --> 02:12:06,200
the crowd he didn't have that indefinable stage presence and
1451
02:12:06,200 --> 02:12:10,360
some women found that fascinating but Pamela also noticed he was a
1452
02:12:10,360 --> 02:12:14,600
little shy that he often missed their overtures not rude not
1453
02:12:14,600 --> 02:12:20,600
snubbing just oblivious she'd talked to him drawn him out
1454
02:12:20,600 --> 02:12:23,720
waiting until the bar was nearly empty each night and pouring
1455
02:12:23,720 --> 02:12:27,800
herself a drink to mirror his people tended to open up more when
1456
02:12:27,800 --> 02:12:31,880
you did that she discovered she always paid for her own drinks
1457
02:12:31,880 --> 02:12:35,560
adding the money to the till the bartending jobs didn't pay her
1458
02:12:35,560 --> 02:12:40,360
bills they were a side venture a way to meet young men like Simon
1459
02:12:40,360 --> 02:12:43,640
the first time they'd fucked she'd found he fucked like he played
1460
02:12:44,360 --> 02:12:48,440
intense focused but not entirely aware of the reaction he was
1461
02:12:48,440 --> 02:12:53,000
receiving he touched her in all the right places sucked and licked
1462
02:12:53,000 --> 02:12:56,840
and fondled her and yes she'd come more than once before he
1463
02:12:56,840 --> 02:13:00,920
entered her but he'd paid attention from a distant place
1464
02:13:00,920 --> 02:13:03,880
as if pleasuring her was a test he had to pass
1465
02:13:03,880 --> 02:13:08,040
he'd enjoyed it but not fed off it not gained pleasure from her
1466
02:13:08,040 --> 02:13:10,760
pleasure that was why he was a competent
1467
02:13:10,760 --> 02:13:15,160
musician not a brilliant one she'd realized right then she might
1468
02:13:15,160 --> 02:13:19,160
just kill two birds with one stone with him so she'd started
1469
02:13:19,160 --> 02:13:22,840
teaching him she slowed him down showed him how her body
1470
02:13:22,840 --> 02:13:26,840
reacted to what he did eventually she tied him up
1471
02:13:26,840 --> 02:13:30,600
light fun bondage only no need to scare the poor boy
1472
02:13:30,600 --> 02:13:34,440
and made him more aware of his own body and how it reacted
1473
02:13:34,440 --> 02:13:39,080
to her delight finally one night he came just from making her come
1474
02:13:39,080 --> 02:13:43,000
he'd been eating her out his fingers as talented inside her as
1475
02:13:43,000 --> 02:13:46,440
they were on his instrument and the rough calluses didn't hurt
1476
02:13:47,240 --> 02:13:52,120
she'd stiffened and cried out her pleasure shuddering and clamping down on him
1477
02:13:52,120 --> 02:13:56,360
and dimly she'd heard him groan the vibration of the sound on his
1478
02:13:56,360 --> 02:14:00,760
lips had extended her orgasm when she came back to earth
1479
02:14:00,760 --> 02:14:04,360
she found he'd spurred it on the bedspread his expression was a
1480
02:14:04,360 --> 02:14:08,200
mixture of stunned lust and embarrassment and she'd assured him
1481
02:14:08,200 --> 02:14:12,360
it wasn't a problem quite the opposite you've learned well
1482
02:14:12,360 --> 02:14:17,800
grasshopper time for your next lesson not just the next lesson
1483
02:14:17,800 --> 02:14:21,640
but the whole point of her tutelage the reason she took him under her
1484
02:14:21,640 --> 02:14:26,280
wing year after year all the women's magazines
1485
02:14:26,280 --> 02:14:30,040
purported to be open and free when it came to sexual advice
1486
02:14:30,040 --> 02:14:33,880
their covers promising that inside was the secret to ultimate pleasure
1487
02:14:34,440 --> 02:14:38,280
often his rather than hers but that was a rant for another day
1488
02:14:39,080 --> 02:14:42,520
they purported to have a positive open attitude towards sex
1489
02:14:43,400 --> 02:14:46,840
then one day a reader had written in to ask about anal sex
1490
02:14:47,400 --> 02:14:51,400
and the magazine had lambasted the idea disgusting
1491
02:14:51,400 --> 02:14:56,040
filthy perverted it announced all of which seemed positive to Pamela
1492
02:14:56,600 --> 02:15:01,240
besides it was painful and dangerous and no self-respecting woman would
1493
02:15:01,240 --> 02:15:05,720
actually want to do it well yes it could be painful when done
1494
02:15:05,720 --> 02:15:09,960
wrong but Pamela as self-respecting as any woman
1495
02:15:09,960 --> 02:15:14,920
did enjoy it a whole hell of a lot she did what she could to promote it as a
1496
02:15:14,920 --> 02:15:18,360
normal healthy and even fun although the magazine
1497
02:15:18,360 --> 02:15:21,720
pointedly chose not to publish the letters she'd written as a rebuttal to the
1498
02:15:21,720 --> 02:15:24,440
columnist but that's when the second part of the
1499
02:15:24,440 --> 02:15:28,600
problem cropped up women might want it but men didn't know
1500
02:15:28,600 --> 02:15:32,680
how to do it to them which started Pamela's crusade to teach them
1501
02:15:33,800 --> 02:15:38,680
i want to do something different tonight she told Simon they were showering
1502
02:15:38,680 --> 02:15:44,440
together after one of his gigs a perfect lead-in something a little naughty
1503
02:15:45,640 --> 02:15:51,240
his grin was a mixture of excited and shy his cock was just excited twitching
1504
02:15:51,240 --> 02:15:55,400
against her hip sure you haven't steered me wrong yet
1505
02:15:56,360 --> 02:15:59,640
she put her lips to his ear the water pounding around them
1506
02:16:00,600 --> 02:16:04,120
anal sex she said and ran her fingernails
1507
02:16:04,120 --> 02:16:07,320
lightly down his ass his cock throbbed again
1508
02:16:08,040 --> 02:16:13,080
but we've already yes she'd slipped a finger or two inside him
1509
02:16:13,080 --> 02:16:17,320
shown him how a massage against his prostate could make him come like a geyser
1510
02:16:18,200 --> 02:16:23,320
no she said me i want your cock stuffed in my ass
1511
02:16:24,280 --> 02:16:29,480
he had the perfect cock for it too not too thick but with a nice crowned head
1512
02:16:30,120 --> 02:16:33,880
her ass had clenched in anticipation the first time she'd seen him naked
1513
02:16:34,760 --> 02:16:40,040
her words had the desired effect now he was rock hard beneath her soapy hand
1514
02:16:40,040 --> 02:16:44,760
and she used that to further advantage inviting him to rub himself against her ass
1515
02:16:44,760 --> 02:16:50,520
to get everything squeaky clean in the bedroom she'd already laid out lube
1516
02:16:50,520 --> 02:16:52,280
pillows a string of beads
1517
02:16:53,240 --> 02:16:59,320
tell doth she draped herself over the pillows ass in the air at her suggestion he licked
1518
02:16:59,880 --> 02:17:04,520
he was tentative at first but her moans of approval spurred him to greater boldness
1519
02:17:05,400 --> 02:17:13,320
so good god yes he pressed against her the tip of his tongue pointed and just barely entering her
1520
02:17:13,400 --> 02:17:19,400
a tease a promise of things to come feel how wet i am she hissed
1521
02:17:20,360 --> 02:17:27,160
damn you are he said sounding surprised and pleased he slipped his fingers between her
1522
02:17:27,160 --> 02:17:31,960
lips and coated them with her juices then he painted her anus and looked her clean
1523
02:17:32,840 --> 02:17:37,800
she hadn't even had to ask he was a quick learner this callus fingered basest
1524
02:17:38,600 --> 02:17:45,160
she smiled told him to get the lube he was appropriately gentle sliding one finger into her
1525
02:17:45,160 --> 02:17:52,520
then two stretching her out a little now the beads she said did she sound like she was begging
1526
02:17:53,080 --> 02:18:00,040
maybe she was just a little he greased them up carefully slipped them in she shivered
1527
02:18:00,040 --> 02:18:04,920
savoring the sensations each little pop of pleasure ratcheting her arousal higher
1528
02:18:05,800 --> 02:18:08,600
she rolled off the pillows under her back and spread her legs
1529
02:18:09,160 --> 02:18:15,720
simon knew what to do lips and tongue and fingers tasting and teasing flicking and sucking
1530
02:18:15,720 --> 02:18:20,760
he even tugged on the string smart boy and she clenched and released around the beads
1531
02:18:21,480 --> 02:18:26,600
thighs tensing belly quivering teetering on the edge she moaned pull them out
1532
02:18:27,640 --> 02:18:34,840
as they eased out of her one by excruciating one she came simon crawled up to kiss her
1533
02:18:35,320 --> 02:18:43,400
barely letting her catch her breath that was amazing he said darling she said when she was able
1534
02:18:44,280 --> 02:18:50,600
that was just the appetizer she sat up leaned over to swipe her tongue across the pre-come that
1535
02:18:50,600 --> 02:18:57,480
glistened on his cock head you didn't think i'd forget you did you she pressed him back on the
1536
02:18:57,480 --> 02:19:02,600
bed and coated her hands with lube rubbing her palms together to warm up the slick gel before
1537
02:19:02,600 --> 02:19:09,080
wrapping her fingers around his hard length she oiled him up and straddled him he was so slippery
1538
02:19:09,080 --> 02:19:14,280
it was a challenge to keep him poised at the entrance of her ass the anal beads were no match
1539
02:19:14,280 --> 02:19:20,360
for his girth slender and perfect as he was but she finally got him trapped the head of his cock
1540
02:19:20,360 --> 02:19:28,440
partway in the trick is to go slow it was hard to talk through the near spasms of pleasure
1541
02:19:29,320 --> 02:19:34,360
she rocked up and down letting just a little more of him in each time as she loosened up
1542
02:19:35,400 --> 02:19:40,840
the first time or two it's best to let the lady call the shots once you're familiar with each
1543
02:19:40,840 --> 02:19:49,160
other you can switch places put her on her knees on her back oh fuck yes the head of his cock had
1544
02:19:49,160 --> 02:19:55,960
popped in all that was left was that first delicious slow sinking down on him feeling him
1545
02:19:55,960 --> 02:20:04,280
fill her most intimate spot holy shit he gasped and then barked a laugh realizing what he'd said
1546
02:20:05,000 --> 02:20:13,560
she breathed out a chuckle nice and tight she managed you like his answer was a groan of pure
1547
02:20:13,560 --> 02:20:20,680
pleasure anal sex was the one act that made her hair stand up strange way of putting it but there
1548
02:20:20,760 --> 02:20:28,520
you had it it was as if her entire body was electrified every cell on alert tingling and an
1549
02:20:28,520 --> 02:20:35,480
anal orgasm was like no other right now simon was too far gone to help his arm spread as if he were
1550
02:20:35,480 --> 02:20:42,280
the one impaled in some unholy exquisite right so she took matters into her own hands stroking her
1551
02:20:42,280 --> 02:20:48,120
fat clit feeling it quiver beneath her fingers as she increased the pace of fucking him the
1552
02:20:48,120 --> 02:20:53,720
masturbation would help tip her over the edge but the true pleasure was having his cock stuffed in
1553
02:20:53,720 --> 02:21:00,680
her ass stretching her stroking her from the inside next time she'd let him take the lead while she
1554
02:21:00,680 --> 02:21:07,480
bent over the bed fisting the sheets in her hands and begging incoherently the shuttering started
1555
02:21:07,480 --> 02:21:14,360
deep in her spine she felt his cock swell stretching her further and his orgasm was the final trigger
1556
02:21:14,360 --> 02:21:22,280
she needed his hips rose off the bed as she convulsed and came around him ah simon
1557
02:21:23,160 --> 02:21:29,640
pamela sighed dropping the pick back into the box he was one of her best and she was pleased
1558
02:21:29,640 --> 02:21:34,920
jane appreciated what she taught him she poured herself another glass of port and headed to the
1559
02:21:34,920 --> 02:21:41,480
bedroom she didn't normally indulge in reminiscence but tonight she'd pull out her anal vibrator and
1560
02:21:41,480 --> 02:21:49,000
some lube and toast the happy couple in the best way she knew how then tomorrow it was time to go
1561
02:21:49,000 --> 02:21:58,440
out and find her next student the big oh by donna george story
1562
02:22:01,080 --> 02:22:05,240
who would have guessed that the circle would begin the ladies lounge at the claremont spa
1563
02:22:05,960 --> 02:22:11,880
yet there i was sipping cucumber infused water and leafing through women's magazines
1564
02:22:11,880 --> 02:22:15,720
when i happened upon a peppy two-page article that would change my life
1565
02:22:16,760 --> 02:22:24,120
the sex or size prescription a stronger secret you in six weeks at first the headline made me
1566
02:22:24,120 --> 02:22:31,240
snicker but then a deeper stirring call it a pre sentiment of destiny made me fold back the page
1567
02:22:31,240 --> 02:22:37,480
and begin to read of course i'd heard of keegle exercises before i'd even tried them once or
1568
02:22:37,480 --> 02:22:43,160
twice i never kept it up though because it always struck me as somehow perverted to exercise my
1569
02:22:43,160 --> 02:22:49,160
muscles down there that was for strippers chicks that had to pick up twenty dollar bills with their
1570
02:22:49,160 --> 02:22:56,440
pussies not ordinary market research analysts like me of course my life had been anything but
1571
02:22:56,440 --> 02:23:02,200
ordinary since i met adam last january at a co-worker's wedding i'd never known a man who
1572
02:23:02,200 --> 02:23:09,720
was as unfailingly kind funny and considerate of all my needs the sex alone was so shatteringly
1573
02:23:09,720 --> 02:23:15,880
transcendental i felt like i had to glue my body parts back together afterward over the months
1574
02:23:15,880 --> 02:23:21,080
i'd come to appreciate the serenity of a boyfriend who slipped out of bed at dawn to meditate for an
1575
02:23:21,080 --> 02:23:26,520
hour every morning and relaxed after a hard day teaching high school history by drawing
1576
02:23:26,520 --> 02:23:34,280
o shapes with a japanese brush and glossy black ink there was just one drawback adam's idea of the
1577
02:23:34,280 --> 02:23:41,320
perfect summer vacation was to fly to Kyoto to sit zazen for a month as you might guess we didn't
1578
02:23:41,320 --> 02:23:46,600
exactly find common ground there i was still pretty mad about it the night before he left
1579
02:23:47,160 --> 02:23:53,240
even when adam tried to make love to me i just lay there sullen and passive he was depriving
1580
02:23:53,240 --> 02:23:58,840
me of pleasure for so long why shouldn't he get a taste of his own medicine i should have known
1581
02:23:58,840 --> 02:24:05,080
i'd lose my resolve to adam's soft tongue circling my nipples his fingers patiently coaxing my clit
1582
02:24:05,080 --> 02:24:11,160
to full attention it felt so good when he was eating my pussy i decided to come on his face
1583
02:24:11,160 --> 02:24:16,520
despite him but he pulled away at the very last minute leaving me begging him for more
1584
02:24:17,560 --> 02:24:22,680
he took me close to the summit then backed away twice more before he finally let me come around
1585
02:24:22,680 --> 02:24:30,360
his cock the orgasm practically blew my head off after that i wasn't mad anymore but i did
1586
02:24:30,360 --> 02:24:36,200
wonder how i was going to survive without that transcendent pleasure there was one reason why
1587
02:24:36,200 --> 02:24:43,080
the headline drew my attention it just so happened adam would be in japan for six weeks travel included
1588
02:24:43,800 --> 02:24:50,120
for most of that time he'd be completely out of touch no phone no internet that left a lot of
1589
02:24:50,120 --> 02:24:56,360
time to fill with spa facials outings with my friends and now perhaps a naughty new strengthening
1590
02:24:56,360 --> 02:25:02,520
routine the article promised if i did three simple exercises a day i'd notice a definite
1591
02:25:02,520 --> 02:25:09,960
improvement in my pc muscle tone and the intensity of my orgasms in 42 days my fortunate lover the
1592
02:25:09,960 --> 02:25:16,600
author added coily would be delighted with my new skills too i bit my lip and pondered the path
1593
02:25:16,600 --> 02:25:23,080
before me finding this article the day after adam left seemed like karma although adam would argue
1594
02:25:23,080 --> 02:25:29,240
that word merely meant cause and effect and not a sign from the universe at that very moment the
1595
02:25:29,240 --> 02:25:34,200
other spa guest reading glamour on the chair across from me was called away for her massage
1596
02:25:34,200 --> 02:25:40,760
leaving me alone in the room i decided the universe was definitely speaking i quickly tore the
1597
02:25:40,760 --> 02:25:46,760
article from the magazine and slipped it in the pocket of my robe if everything went as advertised
1598
02:25:46,760 --> 02:25:54,280
adam might well find the path to nirvana after he got home i was anxious to get started with the
1599
02:25:54,280 --> 02:25:59,400
program but the article suggested i choose a private comfortable place and take my time for
1600
02:25:59,400 --> 02:26:05,720
the first sessions once i got the basics down i could supposedly do my kegels while driving or
1601
02:26:05,720 --> 02:26:11,320
sitting in boring meetings at work that night after dinner out with a friend i got ready for
1602
02:26:11,320 --> 02:26:17,480
bed early and let the candle on the nightstand for extra atmosphere adam and i liked making love
1603
02:26:17,480 --> 02:26:23,800
by candlelight and as i stretched out on my side of the futon i felt a sudden pang of longing for
1604
02:26:23,800 --> 02:26:30,680
his warmth his knowing fingers stroking me in my tender places i closed my eyes and took a deep
1605
02:26:30,680 --> 02:26:37,240
breath to my surprise the loneliness immediately dissolved into a reassuring glow in my belly
1606
02:26:38,520 --> 02:26:45,480
still breathing mindfully i made a mental rundown of the sexer sizes first i was supposed to tighten
1607
02:26:45,480 --> 02:26:53,560
my pc muscle hold for a count of 10 then exhale slowly on my next breath i dutifully squeezed
1608
02:26:53,560 --> 02:27:00,120
my secret muscles trying my best not to tense other parts of my body the tightness in my groin
1609
02:27:00,120 --> 02:27:06,920
felt odd as if i had a full bladder but when i relaxed the urgent feeling faded back into a
1610
02:27:06,920 --> 02:27:13,400
soothing glow i was still a little worried what if i was so out of shape down there six weeks
1611
02:27:13,400 --> 02:27:19,720
wouldn't be enough for adam to notice a change this was no place for perfectionism i reminded
1612
02:27:19,720 --> 02:27:27,160
myself as adam always said a journey of a thousand miles begins with one step or maybe one squeeze
1613
02:27:28,280 --> 02:27:34,200
the next exercise was a series of 20 quick contractions like a butterfly fluttering its wings
1614
02:27:34,840 --> 02:27:40,200
again i felt clumsy there was no teacher to turn to for help like i had in my yoga class
1615
02:27:40,920 --> 02:27:45,880
by the end though the tingling between my legs told me my muscles had gotten a good workout
1616
02:27:45,880 --> 02:27:51,640
but i still had the biggest turtle ahead the elevator the article said i was supposed to
1617
02:27:51,640 --> 02:27:58,200
contract my vagina in three stages the outer lips first then the middle section and finally
1618
02:27:58,200 --> 02:28:04,840
the deepest muscles near my cervix after holding for a count of five the elevator returned to home
1619
02:28:04,840 --> 02:28:11,080
base with the release of each floor as i reread the instructions i realized i was blushing
1620
02:28:11,720 --> 02:28:17,480
lying here in bed in my night shirt my pelvis tilted up and my legs parted it struck me how
1621
02:28:17,480 --> 02:28:24,200
shamelessly sensual this inner strength routine was after all i was in fact training my pussy for
1622
02:28:24,200 --> 02:28:30,920
sex but i was a nice girl and nice girls weren't supposed to devote themselves to the study of
1623
02:28:30,920 --> 02:28:35,960
amara's techniques so they could milk their boyfriend's dicks like vacuum cleaners as a welcome
1624
02:28:35,960 --> 02:28:42,840
home present of course nice girls weren't known for having much fun either percing my
1625
02:28:42,840 --> 02:28:49,480
lips in concentration i tentatively tightened my opening so far so good the elevator door was
1626
02:28:49,480 --> 02:28:56,520
closed and ready to climb to the first floor i squeezed higher to my surprise i actually did
1627
02:28:56,520 --> 02:29:03,560
feel a band of muscle contract a few inches deeper in my pelvis the last stop was more elusive just
1628
02:29:03,640 --> 02:29:09,080
a faint twinge up near my belly button but i was so relieved i'd managed to feel something
1629
02:29:09,080 --> 02:29:16,120
my elevator plummeted to the ground floor in one quick exhalation still i gamely pulled my elevator
1630
02:29:16,120 --> 02:29:22,920
up and down 10 times in all when i was done i was not only feeling a real buzz between my legs my
1631
02:29:22,920 --> 02:29:29,960
panties were noticeably damp even my breasts felt swollen and aching to be touched now i understood
1632
02:29:29,960 --> 02:29:36,440
why the author suggested practicing in a private place the exercises definitely got you in the mood
1633
02:29:36,440 --> 02:29:42,120
and it would be a lot harder to finish things right in the car more conference room here in
1634
02:29:42,120 --> 02:29:47,880
bed though i was free to shimmy out of my underwear and burrow my middle finger between my pussy lips
1635
02:29:47,880 --> 02:29:54,920
without so much as a mind if i masturbate while you give your presentation boss my clit felt especially
1636
02:29:54,920 --> 02:30:02,600
hard tonight a rigid pearl slipping around under the slick satiny skin of my vulva to my surprise
1637
02:30:02,600 --> 02:30:09,080
my pussy muscles contracted again involuntarily sending a wave of pleasure crashing at my spine
1638
02:30:09,960 --> 02:30:15,960
what would happen if i did the exercises while i played with myself i strummed faster and squeezed
1639
02:30:16,520 --> 02:30:23,480
the sensation was definitely more intense i pumped my muscle again thinking of adam and his yummy
1640
02:30:23,480 --> 02:30:30,520
dick in fact my pussy did feel like a hungry mouth famished for a hard cock but grasping
1641
02:30:30,520 --> 02:30:39,160
only air form is emptiness emptiness is form adam's deep voice filled my head as if he were
1642
02:30:39,160 --> 02:30:45,560
right beside me on the futon suddenly in my mind's eye i did see him sitting with his knees
1643
02:30:45,560 --> 02:30:51,160
tucked beneath him holding the brush he used to draw the end so the circle that is both nothing
1644
02:30:51,160 --> 02:30:59,720
and everything open your legs maddie his voice was kind but commanding i dropped my thighs open for
1645
02:30:59,720 --> 02:31:08,840
him press your lips open so i can see your whole with the sigh i pushed out for him without another
1646
02:31:08,840 --> 02:31:15,880
word he slipped the tip of the brush inside me i gasped did he mean to push it in all the way
1647
02:31:15,880 --> 02:31:22,760
and fuck me with it i was horny enough to like the idea but instead he made a few quick back
1648
02:31:22,760 --> 02:31:29,160
and forth motions as he did when he inked his brush then withdrew i groaned in disappointment
1649
02:31:30,360 --> 02:31:38,360
open as wide as you can now maddie his tone was so reassuring i obediently pushed my elevator
1650
02:31:38,360 --> 02:31:44,920
door open murmuring approval adam rested the brush just to the side of my clit and began
1651
02:31:44,920 --> 02:31:51,560
to trace my inner lips in one smooth practiced motion the way he did when he drew the circle
1652
02:31:51,560 --> 02:32:00,200
of emptiness emptiness in fact i had always thought of my vagina as an empty hole a negative
1653
02:32:00,200 --> 02:32:06,200
space to be filled but the sensation of his slippery brush seemed to awaken a presence
1654
02:32:06,200 --> 02:32:13,240
the dormant power in the flesh itself i could feel the tender skin growing fat and full and strong
1655
02:32:13,240 --> 02:32:21,720
beneath his touch but then adam paused maddeningly right before he reached my throbbing clit i cried
1656
02:32:21,720 --> 02:32:28,120
out in frustration but in the next instant i was coming anyway my orgasm jerking my body on the bed
1657
02:32:28,120 --> 02:32:34,280
like an earthquake with all the howling and thumping i'm surprised the neighbors didn't call the police
1658
02:32:35,320 --> 02:32:41,160
afterward i smoothed the crumpled pages of the magazine and laid them carefully on my nightstand
1659
02:32:41,160 --> 02:32:46,680
for future reference these next six weeks on my own might not be so bad after all
1660
02:32:48,840 --> 02:32:55,000
i wouldn't exactly call it an addiction let's just say the sexer size prescription was one
1661
02:32:55,000 --> 02:33:01,720
workout routine i had no trouble fitting into my busy schedule in fact as suggested i did the
1662
02:33:01,720 --> 02:33:07,400
official three-part series on my way to work and even squeezed in a few during boring meetings
1663
02:33:08,120 --> 02:33:11,640
but i always waited until i got home to do the fourth part of the series
1664
02:33:12,280 --> 02:33:18,760
after a few weeks i'd settled into a very pleasurable routine first i stripped naked and
1665
02:33:18,760 --> 02:33:24,680
knelt in the middle of the futon after i warmed myself up with a set of exercises i'd close my
1666
02:33:24,680 --> 02:33:32,040
eyes and take a deep breath suddenly i'm no longer alone in my bedroom instead i'm in a
1667
02:33:32,040 --> 02:33:38,280
mirrored dance studio with a dozen students kneeling in a circle around me all eager to become
1668
02:33:38,280 --> 02:33:44,440
strong inside just like me they're all nude too and i take a moment to admire their beauty
1669
02:33:45,160 --> 02:33:51,080
some have inviably curvy figures lush hips and full bosoms that beg to be weighed in my hands
1670
02:33:51,880 --> 02:33:57,480
others are boyish with high tight buttocks and perky breasts the diversity of grooming
1671
02:33:57,480 --> 02:34:03,400
habits catches my attention too a few wax themselves bare while others trim their pubic
1672
02:34:03,400 --> 02:34:09,480
hair and fanciful heart shapes one earth mother sports a luxuriant bush of curls i long to comb
1673
02:34:09,480 --> 02:34:15,800
with my fingers i know it's unprofessional to stare but their nipples are my weakness lined up
1674
02:34:15,800 --> 02:34:22,520
before me like a buffet i imagine sucking the dainty raspberry bonbons of one student then
1675
02:34:22,520 --> 02:34:28,520
tonguing the generous mocha colored dimmy toss saucers of her neighbor discreetly swallowing
1676
02:34:28,520 --> 02:34:35,640
down the drool i lead the class efficiently through the warm-up exercises slow squeezes butterfly
1677
02:34:35,640 --> 02:34:44,280
wings and the elevator squeeze and hold ladies squeeze and hold by the end our bodies are glistening
1678
02:34:44,280 --> 02:34:50,920
with sweat our eyes glowing with delicious exertion smiling i announce a special reward for their
1679
02:34:50,920 --> 02:34:56,440
hard work a guest instructor who will help them get in touch with a new level of inner strength
1680
02:34:57,400 --> 02:35:03,640
adam steps from behind the folding screen in the corner flourishing his magic brush he takes
1681
02:35:03,640 --> 02:35:10,360
his place before the first student a small woman whose pale skin flushes when she's aroused now
1682
02:35:10,360 --> 02:35:17,240
her chest is covered in telltale splotches of pink gently i instruct her to lie back and spread her
1683
02:35:17,240 --> 02:35:23,640
legs for the new teacher brow furrowed in concentration adam leans forward and inserts his
1684
02:35:23,640 --> 02:35:31,160
brush delicately into her vagina when he touches the tip to her inner labia she moans let's breathe
1685
02:35:31,160 --> 02:35:37,480
with her and be one with the sensation i urge my other students who stare with gaping mouths
1686
02:35:37,480 --> 02:35:43,800
transfixed by the intimate performance before them and so we all breathe together our own
1687
02:35:43,800 --> 02:35:50,920
pussies clenching in sympathy as adam traces the timeless circle of her flesh yet again right
1688
02:35:50,920 --> 02:35:58,200
before he reaches her clitoris he stops her eyes shoot open in dismay but before she can protest
1689
02:35:58,200 --> 02:36:06,040
she climaxes with the dainty oh oh oh the next student in line immediately lies back without
1690
02:36:06,040 --> 02:36:11,880
prompting this lusty woman bellows when she comes some of the students are now rubbing
1691
02:36:11,880 --> 02:36:17,720
themselves as they watch in this manner adam works his way around the circle stroking each
1692
02:36:17,720 --> 02:36:25,160
woman to ecstasy with his artist touch of course he saves me for last all eyes are upon me as i
1693
02:36:25,160 --> 02:36:30,840
lie back and assume the position only when he kneels between my legs do i realize he is using
1694
02:36:30,840 --> 02:36:39,320
a very special brush this time a hot thick tube of living flesh even wielding this heavier instrument
1695
02:36:39,320 --> 02:36:45,640
adam paints my circle with a knowing and sensitive touch the room fills with soft moans
1696
02:36:45,640 --> 02:36:51,000
some my own and i can hear the wet clicking sounds of the women masturbating around me
1697
02:36:51,960 --> 02:36:55,960
will adam complete the circle at last with his final touch of perfection
1698
02:36:57,000 --> 02:37:03,720
he draws achingly close to my clit but again pulls away at the last moment plunging deep into my
1699
02:37:04,280 --> 02:37:11,880
instead this time i'm not passive i clutch him with all of my power he makes a strange growl
1700
02:37:11,880 --> 02:37:19,800
in his throat part pleasure and part surrender a woman to my left makes a sound too one i recognize
1701
02:37:19,800 --> 02:37:26,760
well the sobbing cry of a female climax as soon as her pleasure fades the next student takes up
1702
02:37:26,760 --> 02:37:35,000
the song i'm coming oh god her neighbor joins in grunting like an animal i know then we are all
1703
02:37:35,000 --> 02:37:41,000
connected the spasms of one woman's climax gliding smoothly into the pulsations of the next
1704
02:37:41,800 --> 02:37:48,040
when the orgasm finally reaches me at the center of it all the deep contractions resound inside
1705
02:37:48,040 --> 02:37:55,800
me like a rich chord on a cathedral organ after my sessions i'm so spent and deliciously sore
1706
02:37:55,800 --> 02:38:02,040
it's hard to believe it was all a fantasy smiling i reach over to my journal and draw another small
1707
02:38:02,040 --> 02:38:10,200
circle marking off another day until my lover and i really will be together when adam finally called
1708
02:38:10,200 --> 02:38:16,120
from the hotel in Kyoto i nearly came from the sound of his voice alone but i managed to play
1709
02:38:16,120 --> 02:38:22,680
it cool through the inevitable i missed you so much and i can't wait to see you i missed you
1710
02:38:22,680 --> 02:38:32,680
too but i kept myself surprisingly busy especially in the evening i said oh how he asked with just a
1711
02:38:32,680 --> 02:38:40,840
hint of jealousy i've been exploring the concept of inso really you've been practicing calligraphy
1712
02:38:41,640 --> 02:38:47,880
he sounded pleased i'd love to see your work when i get home it was all i could do not to giggle
1713
02:38:48,680 --> 02:38:54,040
only when we hung up did it occur to me he might be offended by my sensual interpretation of his
1714
02:38:54,040 --> 02:39:00,840
spiritual practice but adam did have a sense of humor and he definitely appreciated sex so i made
1715
02:39:00,840 --> 02:39:06,200
sure to do extra practice sessions just to make sure i was in tip-top shape for our reunion
1716
02:39:08,440 --> 02:39:15,240
43 hours later a thinner sexier glowingly enlightened adam walked through security
1717
02:39:15,240 --> 02:39:21,320
and grabbed me in a great big circle of a bear hug fortunately our apartment was only 20 minutes
1718
02:39:21,320 --> 02:39:27,240
from the airport or we might have had to stop at a motel on the way when we got home adam
1719
02:39:27,240 --> 02:39:32,440
grabbed my hand and immediately headed for the bedroom i shook free and strolled into the living
1720
02:39:32,440 --> 02:39:39,400
room instead i want to show you my calligraphy first i said giving him a mischievous sight long
1721
02:39:39,400 --> 02:39:48,600
glance i gestured for him to take a seat on the sofa oh sure great idea he said not quite hiding
1722
02:39:48,600 --> 02:39:55,000
his disappointment but as he started to sit down i grabbed him by the belt buckle take down your
1723
02:39:55,000 --> 02:40:02,760
pants and underwear first i said firmly he raised his eyebrows but obeyed he was already heart of
1724
02:40:02,760 --> 02:40:09,000
course and at the side of his real calligraphy pen my pussy contracted so sharply i flinched
1725
02:40:09,000 --> 02:40:15,000
in surprise keeping my breath steady i knelt between his legs and took his cock in my mouth
1726
02:40:15,880 --> 02:40:23,960
oh god he groaned arching up if he was that easy to impress with a simple kiss my next
1727
02:40:23,960 --> 02:40:29,560
trip was going to blow his mind i decided it would be fitting to start the art show with a preview
1728
02:40:29,560 --> 02:40:36,120
of coming attractions accordingly i puckered my lips and began to squeeze his shaft with the same
1729
02:40:36,120 --> 02:40:42,920
rhythmic gripping motions i used for my internal exercises indeed i was mirroring the same movements
1730
02:40:42,920 --> 02:40:51,720
down below clench release clench release i'd never heard adam make such noises surprise pleasure
1731
02:40:51,720 --> 02:40:58,920
and distress all mixed together please maddie stop he begged you're going to make me come
1732
02:40:58,920 --> 02:41:05,960
i don't want to come yet like it yeah i don't get the calligraphy connection but that's okay
1733
02:41:06,680 --> 02:41:14,360
he breathed perhaps it lies beyond conscious awareness i said rising and leisurely unbuttoning
1734
02:41:14,360 --> 02:41:20,840
my shirt i stripped for him slowly bearing my breasts first and fingering my own nipples as
1735
02:41:20,840 --> 02:41:28,120
i did each night when i masturbated his gaze on my nude body was so smolderingly hot i was afraid
1736
02:41:28,120 --> 02:41:35,080
he'd raise blisters on my skin after a few teasing swivels of my hips i straddled him on the sofa
1737
02:41:35,080 --> 02:41:42,120
and immediately took him inside purposely keeping my muscles loose and relaxed this was a challenge
1738
02:41:42,120 --> 02:41:47,720
because his real cock was so hard and long and thick i'd swear i could feel the length of him
1739
02:41:47,720 --> 02:41:56,840
tickling my throat want to see my inso now adam let out a horse little laugh uh no offense but
1740
02:41:56,840 --> 02:42:03,160
can it wait till later it doesn't have to wait you see i learned a lot about the magic circle
1741
02:42:03,160 --> 02:42:09,880
while you were gone how it represents so many things at once not just the void but strength
1742
02:42:09,880 --> 02:42:21,080
elegance the universe enlightenment i gave him my best elevator squeeze one two three hold his
1743
02:42:21,080 --> 02:42:28,280
eyes almost popped out of his head i squeezed again his head arched back and he let out a low
1744
02:42:28,280 --> 02:42:36,920
helpless fuck i began to move grinding my clit against his coarse hair on the downstroke
1745
02:42:36,920 --> 02:42:44,040
massaging his swollen shaft with my muscles as i rose adam was beyond words now his whimpers of
1746
02:42:44,040 --> 02:42:51,080
protest let me know he was close to shooting his load but i was close too the resistance of a thick
1747
02:42:51,080 --> 02:42:57,720
hard rod inside me definitely increased the effort and the pleasure i started in on the butterfly
1748
02:42:57,720 --> 02:43:04,680
squeezes a preview of climax in itself adam grunted as if someone had punched the air out of him
1749
02:43:04,680 --> 02:43:10,840
and his hips bucked up into me before the vacation it would have been way too soon for me
1750
02:43:10,840 --> 02:43:17,240
but now i closed my eyes and gave one last squeeze of his brush the final stroke at last
1751
02:43:17,880 --> 02:43:24,600
my orgasm exploded deep in my belly the spasms unbearably sweet and sharp as adam and i rode
1752
02:43:24,600 --> 02:43:32,040
together to the finish like it i asked again as we rested afterward our foreheads pressed together
1753
02:43:33,160 --> 02:43:39,640
a lot i'd ask for details but somehow i think another demonstration of your art might be more
1754
02:43:39,640 --> 02:43:46,360
enlightening as he pulled me close for a kiss i flashed on that moment at the claremont spa
1755
02:43:46,360 --> 02:43:53,400
when i started this journey not quite sure where it would end but now i knew when the circle is
1756
02:43:53,400 --> 02:44:03,400
complete you start again moon Tantra by Teresa Noelle Roberts
1757
02:44:06,200 --> 02:44:13,000
the full moon glints off the water and silvers the wet sand normally the night beach would be quiet
1758
02:44:13,800 --> 02:44:18,040
but tonight it's crowded with people waiting to watch a total lunar eclipse
1759
02:44:18,040 --> 02:44:24,360
it seems like a time for hushed expectancy not a sound except the gentle surf
1760
02:44:25,160 --> 02:44:29,800
instead it's a party children shriek and dart at the water's edge
1761
02:44:30,760 --> 02:44:35,800
people are setting up late night picnics one group has laid out a deluxe bread
1762
02:44:35,800 --> 02:44:42,920
brie sushi champagne fresh raspberries some folks really know how to live i whisper
1763
02:44:43,640 --> 02:44:49,720
you squeeze my hand so do we we have our own picnic in the small cooler you carry
1764
02:44:50,280 --> 02:44:56,200
lobster rolls and a bottle of sauvignon blanc but i suspect you mean the wild time we had this
1765
02:44:56,200 --> 02:45:02,120
afternoon in the whirlpool tub in our hotel room you set the cooler down pull me close
1766
02:45:03,000 --> 02:45:09,800
after the hot tub adventure i thought i was sated but i was wrong a diffused lust spreads through me
1767
02:45:10,360 --> 02:45:16,120
suited to surreptitious caresses and the moonlight we shut out the night's human sounds
1768
02:45:16,760 --> 02:45:22,840
focusing on each other and on the music of the waves then a child darts too close brushing me
1769
02:45:22,840 --> 02:45:29,480
as he passes and that moment is lost we walk perhaps a mile before we reach an area not yet
1770
02:45:29,480 --> 02:45:35,720
colonized by families we've been stopping frequently to kiss and touch your hands taking advantage
1771
02:45:35,720 --> 02:45:40,760
of the shimmering light to brush my nipples mind using the shadows to stray to your crotch
1772
02:45:41,480 --> 02:45:45,320
i have a good idea why you want a spot that isn't in the center of the action
1773
02:45:46,040 --> 02:45:50,920
when you urge me to take off my panties i bite my lip and clench in anticipation
1774
02:45:51,720 --> 02:45:59,000
still as i wriggle them out from under my long skirt i make a token protest hey i want to see
1775
02:45:59,000 --> 02:46:06,840
the eclipse don't worry you will in style i know i'm not going to protest further
1776
02:46:06,840 --> 02:46:13,880
my panties when i get them off are damp we sit down on our blanket leaning back against the cooler
1777
02:46:14,440 --> 02:46:19,800
you wriggle me into your lap facing forward and under the cover of my skirt you pull down your
1778
02:46:19,800 --> 02:46:26,360
shorts a quick twist of my hips a hand motion concealed by folds of gauze and i sink onto
1779
02:46:26,360 --> 02:46:32,840
your cock reveling in the sudden stretched fullness even when we're riding each other hard
1780
02:46:32,840 --> 02:46:38,360
this position draws things out trying to keep everything discreet we'll make it a protracted
1781
02:46:38,360 --> 02:46:44,920
tease the earth shadow was starting its slow dance with the moon tonight we're taking it as slowly
1782
02:46:44,920 --> 02:46:52,680
as they are i rock my pelvis slightly making small circles around you you sigh in my ear and grip me
1783
02:46:52,680 --> 02:46:58,200
harder at first i want to move up and down on you until we both collapse in boneless pleasure
1784
02:46:58,920 --> 02:47:02,680
but then the slow rhythm of the rocking takes me to its own place
1785
02:47:03,800 --> 02:47:10,360
pleasure without peaking it's oceanic not like crashing waves but like the swells we can see
1786
02:47:10,360 --> 02:47:14,840
in the distance when we take our eyes off the moon i could go into a trance like this
1787
02:47:15,480 --> 02:47:20,520
work the magic that enables us to walk the moon's path across the water and reach another realm
1788
02:47:20,520 --> 02:47:27,960
the water begins to darken from silver to pewter as the shadow advances now about a quarter of the
1789
02:47:27,960 --> 02:47:35,000
moon's bright face is obscured i turn to kiss you despite the awkward twisted position we fall
1790
02:47:35,000 --> 02:47:41,080
into the kiss how long do you think we can keep this up i say when we pause for breath
1791
02:47:42,360 --> 02:47:48,920
let's find out you're speaking through clenched teeth i want to hold out until the moon's gone red
1792
02:47:49,880 --> 02:47:55,080
i vaguely remember the moon doesn't redden until about an hour after the first shadows are visible
1793
02:47:55,080 --> 02:48:00,840
across its face i've lost track of how long we've been joined but we've cut a while to go
1794
02:48:01,640 --> 02:48:07,640
the beach isn't as bright as it was under that cover your hands slip under my shirt to cut my
1795
02:48:07,640 --> 02:48:14,360
breasts you don't touch my nipples just stroke the warm valley beneath my breasts enough to tantalize
1796
02:48:14,360 --> 02:48:22,760
me without pushing me too far once you run your fingers between them fire flares in my pussy i tighten
1797
02:48:22,760 --> 02:48:28,280
flutter my pelvis up and down you're thinking of my cock moving between your breasts aren't you
1798
02:48:28,920 --> 02:48:38,440
you whisper lifting your hips to push into me well don't not yet you punctuate each of the last
1799
02:48:38,440 --> 02:48:45,960
four words with thrusts that leave me throbbing close to orgasm but not there a smoky veil advances
1800
02:48:45,960 --> 02:48:53,080
across the moon beneath that veil she is starting to blush on the verge of frenzy i gesture toward
1801
02:48:53,080 --> 02:49:01,880
that mere hint of rosy glow please i beg please not yet i don't know how you're staying so calm
1802
02:49:02,520 --> 02:49:09,880
i managed to say i'm not sure myself we fall silent again and almost still watching the
1803
02:49:09,880 --> 02:49:16,520
changing face of the moon the shadows move faster now soon all but one sliver in the
1804
02:49:16,520 --> 02:49:22,600
upper quadrant is obscured i mean to say something poetic but you move inside me at the same time
1805
02:49:23,160 --> 02:49:29,560
the thought flees as i start to shudder it's not exactly an orgasm but it's ecstasy in its own
1806
02:49:29,560 --> 02:49:36,040
right first my belly muscles quiver tiny rapid contractions that spread throughout my torso
1807
02:49:36,600 --> 02:49:42,200
i feel my breasts shake against your hands then my legs begin to tremble in the same way
1808
02:49:43,000 --> 02:49:49,400
the quivering in my belly moves deeper from the muscles of my abdomen to my cut release and yet
1809
02:49:49,400 --> 02:49:55,160
not the pleasure takes me to a higher plane of want even as it gives some relief to the building
1810
02:49:55,160 --> 02:50:05,320
pressure wow you breathe what was that i'm not sure i say when i can talk again but i liked it
1811
02:50:06,200 --> 02:50:12,360
i relax against you looking at the disappearing moon it felt like you turned into a vibrator
1812
02:50:13,160 --> 02:50:20,520
it felt like that to me too look the moon's gone she'll be back and sure enough
1813
02:50:20,520 --> 02:50:26,280
from beneath the cover of shadow the moon slowly begins to reemerge it is not so much
1814
02:50:26,280 --> 02:50:33,960
that she is pushing the shadows away as she is glowing through them soon you say 15 20 minutes
1815
02:50:35,080 --> 02:50:41,560
can we stand it that long i swivel around again kiss you deeply as we drink each other
1816
02:50:41,560 --> 02:50:46,600
your nails drive into my skin as if that little bit of force helps you to keep control
1817
02:50:47,400 --> 02:50:52,520
when we break apart gasping the moon is a quarter exposed and red as sin
1818
02:50:53,640 --> 02:50:59,160
move you say the edge of tension in your voice a reminder to me that this must have been even
1819
02:50:59,160 --> 02:51:05,400
more of an exercise in control for you than it was for me i begin to rise and fall on your cock
1820
02:51:06,200 --> 02:51:11,080
i'm taken with an urge to lean forward so that i'm on my hands and knees to drive back into you
1821
02:51:11,800 --> 02:51:14,520
i'm about to do it when i remembered that we're still in public
1822
02:51:15,080 --> 02:51:19,240
granted the people around us are more interested in the moon than in their neighbors
1823
02:51:19,240 --> 02:51:24,920
but i have to maintain some level of decorum thank goodness for full skirts and strong thighs
1824
02:51:25,480 --> 02:51:31,640
i squeeze and release as i move bigger circles now that let me push my clit against your balls
1825
02:51:31,640 --> 02:51:37,240
you grip my hips and guide me underneath the cover of my skirt you are thrusting up into me
1826
02:51:37,960 --> 02:51:44,120
i want to make crazy animal noises claw at you pound the sand i want to change our position
1827
02:51:44,120 --> 02:51:50,120
so you're over me driving into my cunt with all your force or i'm facing you writing you to glory
1828
02:51:50,760 --> 02:51:57,640
but that's too obvious all i can do is grind against you it feels as if i've lived forever
1829
02:51:57,640 --> 02:52:04,200
riding your cock as if my whole life has passed just on the verge of orgasm in some place where
1830
02:52:04,200 --> 02:52:10,360
everything is molten red and there's nothing but your body and mine the moon and a soft shushing
1831
02:52:10,360 --> 02:52:16,760
sound that may be the waves or my own blood in my ears and i think i wouldn't mind spending the rest
1832
02:52:16,760 --> 02:52:23,800
of my life this way the blood red moon shrugs off most of her veil of shadows as everyone's
1833
02:52:23,800 --> 02:52:29,720
attention turns to the heavens you drop your hand between my legs caressing my clit through my skirt
1834
02:52:31,080 --> 02:52:38,040
now never mind what i was just thinking i need to come the direct contact sears straight through
1835
02:52:38,040 --> 02:52:44,680
me and i begin to convulse if i could i'd howl instead all the energy i'd normally put into
1836
02:52:44,680 --> 02:52:49,800
screaming goes into milking your cock with my contractions until you bite down on my shoulder
1837
02:52:49,800 --> 02:52:56,920
to stifle your own cry as i return to myself i feel my face is damp i don't remember weeping
1838
02:52:57,960 --> 02:53:01,240
we shift positions so i am seated innocently between your legs
1839
02:53:01,960 --> 02:53:07,480
wrapping your arms and legs around me you hold me even closer than you did while you were inside me
1840
02:53:08,200 --> 02:53:14,040
we watch the sky for another hour as the blushing moon and her dark lover finish their long dance
1841
02:53:14,920 --> 02:53:20,440
the beach is almost clear by the time the moon is back to normal the sky to the east is already
1842
02:53:20,440 --> 02:53:28,520
starting to bleach toward summer's early dawn time to go back to the hotel ayaan snuggle against you
1843
02:53:29,880 --> 02:53:33,720
let's wait for sunrise i've never seen sunrise over the ocean
1844
02:53:34,680 --> 02:53:40,200
your smile is tired but still etcherous i think by that time we can think of an
1845
02:53:40,200 --> 02:53:47,320
appropriate way to greet it we curl up in each other's arms to nap until it's time for nature's
1846
02:53:47,320 --> 02:53:55,640
next light show feet on the dashboard by rachel green
1847
02:53:57,960 --> 02:54:00,920
jane checked the map again while she waited at the light
1848
02:54:01,000 --> 02:54:04,840
glancing down at the instruction she'd printed out in an enlarged font
1849
02:54:04,840 --> 02:54:08,440
the better to read while driving it was a risk she was taking
1850
02:54:09,000 --> 02:54:13,960
meeting in person someone that she'd only met in a chat room but not one that she hadn't taken
1851
02:54:13,960 --> 02:54:20,360
a dozen times before the light changed to green and she pulled away again looking on either side
1852
02:54:20,360 --> 02:54:26,200
of the road for landmarks that were mentioned in the directions ah there was one a school
1853
02:54:27,000 --> 02:54:30,600
she knotted in satisfaction and looked to her left for a construction site
1854
02:54:31,160 --> 02:54:36,840
there she pulled in below the sign advertising office space for rent and turned off the engine
1855
02:54:37,400 --> 02:54:42,520
letting out a deep sigh as she did so stretching muscles that ached from a two hour drive in the
1856
02:54:42,520 --> 02:54:48,040
middle of the night with the radio playing softly in the background she looked about her
1857
02:54:48,760 --> 02:54:54,280
the road beside her was silent on one side the wall of the private school she just passed
1858
02:54:54,280 --> 02:55:00,760
the building site on her left there were a few houses up ahead mostly dark but one or two windows
1859
02:55:00,760 --> 02:55:07,880
still showed a light behind the drapes elizabeth must be behind one of those she thought the witch
1860
02:55:07,880 --> 02:55:14,920
she had no idea it was not a bright move traveling to meet someone she'd only ever typed messages to
1861
02:55:14,920 --> 02:55:20,680
online without having any clue about the true identity of the woman behind the words if it
1862
02:55:20,680 --> 02:55:25,080
had been anyone else doing the same thing she'd probably have given her a lecture about getting
1863
02:55:25,080 --> 02:55:30,520
details and arranging safe calls but she was terrible at taking her own advice and had done
1864
02:55:30,520 --> 02:55:35,960
neither the only verifiable information she possessed was the number of her assignations
1865
02:55:35,960 --> 02:55:42,360
mobile phone and such numbers were as transient as the wind she was startled from her thoughts
1866
02:55:42,360 --> 02:55:47,240
by a knock at the passenger window and reached across to open the door her heart suddenly
1867
02:55:47,240 --> 02:55:53,320
beating twice as fast the woman who climbed inside matched the photograph jane had received
1868
02:55:53,320 --> 02:56:00,840
and she relaxed and smiled her self assurance returning swiftly elizabeth i presume the woman
1869
02:56:00,840 --> 02:56:07,560
nodded that is my real name though not the one i'm normally known by you i'm rather hoping are
1870
02:56:07,560 --> 02:56:14,280
jane she smiled as she spoke and jane was captivated by the deep magenta of her lips as she did so
1871
02:56:15,080 --> 02:56:20,280
if the eyes are the windows of the soul and the lips the windows of the body then this
1872
02:56:20,280 --> 02:56:27,160
woman most certainly has a body worth exploring in detail she thought she nodded and smiled
1873
02:56:28,040 --> 02:56:32,680
also my real name though admittedly not the one currently showing on my driver's license
1874
02:56:33,320 --> 02:56:38,120
she said starting the engine do you have any suggestions for our destination
1875
02:56:39,000 --> 02:56:44,520
elizabeth nodded ahead go along here for about a mile and then turn right when you see a hotel
1876
02:56:44,520 --> 02:56:50,840
with a turn lane they drove in an awkward silence for a few minutes then began with a little small
1877
02:56:50,840 --> 02:56:57,080
talk their joint nervousness showing through their outwardly calm exteriors elizabeth directed them
1878
02:56:57,080 --> 02:57:02,360
along a small road through the grounds of a manor house now publicly owned and they pulled up in a
1879
02:57:02,360 --> 02:57:07,960
gravel parking lot there were several other cars there each containing a couple behind
1880
02:57:07,960 --> 02:57:16,040
steamed up windows jane turned off the engine and grand elizabeth lunged her mouth hungry for kisses
1881
02:57:16,040 --> 02:57:21,080
and jane tasted the sweet aroma of whiskey on her breath as she twisted awkwardly in the seat to
1882
02:57:21,080 --> 02:57:26,680
return the passion there was fire in those kisses and jane could feel her knickers getting wet as
1883
02:57:26,680 --> 02:57:33,320
her desire increased the flood of lubrication sudden and unexpected she cupped her hand behind
1884
02:57:33,320 --> 02:57:38,440
elizabeth's neck and pulled her closer their lips pressed tightly together and their tongues
1885
02:57:38,440 --> 02:57:44,200
exploring each other's mouth jane senses were swimming in hot desire as elizabeth's perfume
1886
02:57:44,200 --> 02:57:50,520
became heady in her nostrils lips became bruised his teeth scraped across them and they paused for
1887
02:57:50,520 --> 02:57:56,040
a moment to pull away and look at each other then dove back as if one were a drug the other had become
1888
02:57:56,040 --> 02:58:02,520
instantly addicted to elizabeth's hand fumbled in the waistband of jane's jeans then shot upward
1889
02:58:02,520 --> 02:58:08,360
to cup her breast jane gasped and flooded again dipping her head to plant kisses on the bared
1890
02:58:08,360 --> 02:58:13,640
flesh of elizabeth's neck and shoulder then pulling her dress down over one shoulder to expose her
1891
02:58:13,640 --> 02:58:20,520
breast completely taking it into her mouth to suckle and tease to erection she held it gently
1892
02:58:20,520 --> 02:58:25,560
between her teeth as she flicked her tongue over the tip causing elizabeth to shut her with the
1893
02:58:25,560 --> 02:58:32,200
light the car began to steam up and they were enclosed within a womb of warmth two women
1894
02:58:32,200 --> 02:58:37,960
exploring each other for the first time jane's hand dropped elizabeth's legs and burrowed under
1895
02:58:37,960 --> 02:58:43,720
the short black skirt finding with the light that her new lover wore no knickers and feeling the
1896
02:58:43,720 --> 02:58:50,280
heat and dampness of a cunt desperate to be fucked she slit a finger inside and elizabeth moaned
1897
02:58:51,000 --> 02:58:58,280
fuck me she breathed fuck me now jane needed no further prompting and used her left hand
1898
02:58:58,280 --> 02:59:03,480
to pull back the skirt dipping her head farther to taste all the delights that elizabeth had to
1899
02:59:03,480 --> 02:59:10,120
offer she ran her tongue over elizabeth's labia warm and full and tasting sweeter than honey on
1900
02:59:10,120 --> 02:59:16,520
her tongue she sucked greedily and explored farther hooking her tongue underneath elizabeth's hood
1901
02:59:16,520 --> 02:59:22,200
and licking her engorged clitoris rolling her tongue into a tube and taking hold of the clit as if
1902
02:59:22,200 --> 02:59:28,840
it were a tiny penis and jane's tongue a cunt elizabeth groaned and spasmed flooding jane's
1903
02:59:28,840 --> 02:59:34,840
fingers in hand with her juices encouraged jane inserted a second finger and then a third
1904
02:59:35,400 --> 02:59:40,440
massaging elizabeth's g-spot from the inside whilst her tongue deftly fucked her clitoris
1905
02:59:41,400 --> 02:59:47,720
elizabeth orgasmed again her hand snaking down to unclasp jane's jeans and pull them partly down
1906
02:59:47,720 --> 02:59:53,800
to find jane just as wet and ready as she was her long manicured nails digging into the soft flesh
1907
02:59:54,440 --> 03:00:00,920
just enough to make jane grunt in a combination of pain and excitement elizabeth's fingers stroked
1908
03:00:00,920 --> 03:00:07,880
jane's cunt eliciting groans and jane contracted muscles that were aching to be used she slipped
1909
03:00:07,960 --> 03:00:14,680
a finger inside and jane gasped unused to being on the receiving end of sexual activity and forced
1910
03:00:14,680 --> 03:00:20,280
herself down onto elizabeth's strong fingers moaning as she was massaged from the inside
1911
03:00:21,000 --> 03:00:25,960
she used her free hand to yank down her jeans farther to allow elizabeth easier access
1912
03:00:26,920 --> 03:00:35,320
gods she said that feels good jane reciprocated by curling her right hand into a diamond shape
1913
03:00:35,320 --> 03:00:40,680
with her thumb tucked tightly underneath her fingers and slowly pushed her whole hand inside
1914
03:00:40,680 --> 03:00:48,200
elizabeth who clamped her jaws together in pain but managed to gasp out don't stop as she did so
1915
03:00:48,200 --> 03:00:52,680
raising one leg in the tight confines of the seat and pressing it against the windshield
1916
03:00:53,480 --> 03:00:58,680
jane pushed farther and was rewarded by the feel of her whole hand being sucked into the wrist
1917
03:00:59,560 --> 03:01:05,560
once inside jane's hand curled naturally into the shape of a fist pressed in on all sides by
1918
03:01:05,560 --> 03:01:11,640
elizabeth's cunt and she pushed the other woman's cervix aside as she filled her more completely than
1919
03:01:11,640 --> 03:01:18,600
a cock or strap-on could ever do she twisted her hand slightly and elizabeth almost screamed
1920
03:01:18,600 --> 03:01:24,600
then came again the juices squeezing out past jane's wrist and since they were under pressure
1921
03:01:24,600 --> 03:01:30,600
they sprayed the windshield and roof of the small car jane wasn't bothered and pushed elizabeth into
1922
03:01:30,600 --> 03:01:36,520
orgasm after mind-blowing orgasm until the muscles in her arm were screaming with exhaustion and she
1923
03:01:36,520 --> 03:01:42,440
had to smile and ease her hand out again not an easy task when elizabeth's cunt had contracted
1924
03:01:42,440 --> 03:01:49,480
sharply with each of nearly a dozen orgasms jane sat back and stretched her arms out grinning at
1925
03:01:49,480 --> 03:01:56,520
the look of exhaustion on elizabeth's face i'm impressed she said there's not many women who
1926
03:01:56,520 --> 03:02:03,720
can both spray like that and have multiples without being an agony elizabeth laughed who said i wasn't
1927
03:02:03,720 --> 03:02:10,200
an agony she said and leaned over for another kiss i'm so glad that you made the trip up here
1928
03:02:11,080 --> 03:02:15,720
she pulled her dress back down and over her shoulder again and lay back in the seat the
1929
03:02:15,720 --> 03:02:22,200
flush of passion in her cheeks slowly fading jane laughed before tidying herself up and cracking
1930
03:02:22,200 --> 03:02:27,960
open the window slightly in an effort to dissipate some of the condensation on the windows out on
1931
03:02:27,960 --> 03:02:33,160
the road they could see the flashing lights of a police car as it turned into the parking lot
1932
03:02:33,160 --> 03:02:37,480
and she hurriedly fastened her seatbelt and started the engine before they could be approached
1933
03:02:37,480 --> 03:02:43,240
and questioned they drove back in companionable silence constantly glancing at each other and
1934
03:02:43,240 --> 03:02:48,360
grinning all too soon jane pulled into the spot from which she'd collected elizabeth
1935
03:02:49,480 --> 03:02:56,200
so said jane as elizabeth unbuckled her seatbelt and reached across for a parting kiss shall we
1936
03:02:56,200 --> 03:03:03,400
meet again fuck yes elizabeth replied and then opened the door climbing out and waiting until
1937
03:03:03,400 --> 03:03:08,040
jane drove off before she returned to her darkened house and sleeping family
1938
03:03:08,040 --> 03:03:15,880
frosting first by lana fox
1939
03:03:18,600 --> 03:03:25,640
well put it this way what's sexier than dinner with guests discussing wine books or the state of
1940
03:03:25,640 --> 03:03:31,240
the nation while the hottest man you've ever met kneels beneath the table biting the straps of your
1941
03:03:31,240 --> 03:03:38,680
garter belt or take it one step further his tongues right inside you dipping in and out
1942
03:03:38,680 --> 03:03:44,680
circling sublimely and there you are gripping the arms of your chair pursing your lips to stop
1943
03:03:44,680 --> 03:03:49,560
yourself from moaning you begin to shudder his hands are on your thighs as your head
1944
03:03:49,560 --> 03:03:55,240
falls back and your eyelids flutter you can't keep from gasping as he finds the perfect rhythm
1945
03:03:55,240 --> 03:04:03,080
and you're close so close to losing it completely are you all right asks your neighbor fondling her
1946
03:04:03,080 --> 03:04:10,920
pearls you're rather flushed i'll get you some water please you say she rides us from her seat
1947
03:04:11,960 --> 03:04:18,120
you've turned quite a color says her husband from the other end of the long oak table i'm sure
1948
03:04:18,280 --> 03:04:26,760
her you part your knees farther arching as you come sweet jesus you moan your hands beneath
1949
03:04:26,760 --> 03:04:34,200
the table grabbing handfuls of your lover's hair truth is this all started with frosting a birthday
1950
03:04:34,200 --> 03:04:39,400
cake for your flatmate rose she was in the living room chatting with her sister as you mixed the
1951
03:04:39,400 --> 03:04:45,880
topping for a naked lemon bunt your man was with you a new lover then and he kept dunking his
1952
03:04:45,880 --> 03:04:51,720
fingers in the bowl then looking at the frosting you slapped his wrist when you dipped your own
1953
03:04:51,720 --> 03:04:57,800
index finger in and then ran it down his chin and sucked like a porn star at the sugary trail
1954
03:04:57,800 --> 03:05:04,760
he pressed a whole hand in the bowl of glaze and with the other raised your shirt see you'd been
1955
03:05:04,760 --> 03:05:09,960
taunting him all morning about your brawless breasts nipples hard beneath your clingy shirt
1956
03:05:09,960 --> 03:05:14,360
and as he pushed you back and peeled the whole thing off you glanced toward the living room
1957
03:05:15,080 --> 03:05:19,080
the sound of rose's voice through the open door snippy as usual
1958
03:05:19,800 --> 03:05:25,960
slightly turned you on what if they come in you asked he raised an eyebrow
1959
03:05:26,840 --> 03:05:34,200
well rose is kind of uptight maybe we'll loosen her up you told him you were wet
1960
03:05:35,000 --> 03:05:42,360
he flashed a sexy grin i'll make you wetter you glanced back at your nipple erect in the sunlight
1961
03:05:42,360 --> 03:05:47,000
and when he raised his hand from the bowl palm and fingers gleaming and plastered the glaze
1962
03:05:47,000 --> 03:05:52,840
against your breast you couldn't look away your breath ran quick at the cold white layer
1963
03:05:52,840 --> 03:05:59,960
and the way your nipple glossy now was slick with sticky sugar lick it off you whispered
1964
03:05:59,960 --> 03:06:05,640
as you arched against the worktop offering your breast to his parted lips but though he glanced
1965
03:06:05,640 --> 03:06:13,240
hunkerly he wouldn't give in not until the whole of you was frosted you can picture it now you see
1966
03:06:13,240 --> 03:06:18,760
yourself undressing then climbing on the table waiting on all fours with the sunlight on your
1967
03:06:18,760 --> 03:06:26,440
back the bowls at your side and the scent rises up in a sweet powdered cloud he walks around you
1968
03:06:26,440 --> 03:06:34,120
staring at your flesh his cock growing hard a mound in his jeans i'll smother you he says
1969
03:06:34,120 --> 03:06:42,600
gaze burning like a like a meringue you don't frost meringues he crosses the room and returns
1970
03:06:42,600 --> 03:06:46,600
with a knife that's rounded at the tip and a wooden spatula he places in the bowl
1971
03:06:47,400 --> 03:06:54,760
i'll frost what i like he says the knife sparkles in the sunlight he leans on the table raising
1972
03:06:54,760 --> 03:07:02,440
your chin with the blade you're gonna be my project your mouth waters i'll fill you with cream
1973
03:07:02,440 --> 03:07:09,880
yes chef he scoops up some of the glaze on his knife then holds it up so you can lick along the
1974
03:07:09,880 --> 03:07:16,840
blade you do so knowing how he loves it when you use your mouth as the lemon icing tingles
1975
03:07:16,840 --> 03:07:23,240
tart on your tongue he gives a jerky sigh raises his jaw and you let the frosting dribble from your
1976
03:07:23,240 --> 03:07:29,560
lips so it slowly trails your throat from there it runs across your breast and he watches its path
1977
03:07:29,640 --> 03:07:35,400
with a breathy moan the way his lip seems to snarl at the corner says this won't be tame
1978
03:07:36,360 --> 03:07:43,400
i'll make a cupcake of your pussy he tells you in the next room you can hear rose disapproving
1979
03:07:43,400 --> 03:07:48,760
of her sister's mini skirt so you wink at your man and ask him how much cupcake he can handle
1980
03:07:49,480 --> 03:07:53,320
but his fingers in the bowl the next thing you know he's holding it towards you
1981
03:07:54,280 --> 03:08:01,560
swallow he tells you you suckle his fingertip lips rubbing around the joint as your tongue
1982
03:08:01,560 --> 03:08:07,720
flicks the sweet sharp sugar from his nail then with your free hand you reach between his thighs
1983
03:08:08,280 --> 03:08:17,160
pressing his heart on he drops his head back half shuts his eyes so dirty he groans pushing
1984
03:08:17,160 --> 03:08:23,160
against you as you massage his perfect length you long to unzip him take him in your mouth
1985
03:08:23,800 --> 03:08:30,760
then again you also want him in control you let him go moving back to position doggie style on
1986
03:08:30,760 --> 03:08:36,440
all fours on the table and though he lurches after you still wanting your touch his eyes
1987
03:08:36,440 --> 03:08:43,320
soon return to your naked flesh he begins to ice you knife dipping in the mix and dragging oh so
1988
03:08:43,320 --> 03:08:50,200
slowly down your spine the wet steel makes you shudder he pauses at your tailbone and dips the
1989
03:08:50,200 --> 03:08:57,000
blade again as he works your flesh frosting you completely he lingers at each sensitive spot
1990
03:08:57,960 --> 03:09:04,600
where your sex meets your inner thigh he pauses like an expert with just another inch he'd be
1991
03:09:04,600 --> 03:09:11,000
frosting your pussy and you are desperate for a touch of that dripping steel so horny in fact
1992
03:09:11,000 --> 03:09:17,080
that your mouth drops open and you swallow your forearm shaking the table when he slides the
1993
03:09:17,080 --> 03:09:23,720
blade down the edge of your sex you shift your clit toward it just another inch you think before
1994
03:09:23,720 --> 03:09:29,960
the blunt steel is sliding wet exactly where you need it and the burn in you that's building so
1995
03:09:29,960 --> 03:09:39,880
hard can be rubbed to a frenzy and yet he pulls away be a good puppy he whispers he strips off
1996
03:09:39,880 --> 03:09:47,960
his t-shirt flip over now yet again you find your drooling it isn't long before he's with you on the
1997
03:09:47,960 --> 03:09:54,920
table both hands covered in a fresh load of glaze as you lie in your back waiting you can smell the
1998
03:09:54,920 --> 03:10:01,800
lemony frosting running down his wrists he licks his thumb eyes set on yours then kneels up above
1999
03:10:01,800 --> 03:10:07,960
you cupping your jaw with the dripping hand he touches your breast with the other and with an
2000
03:10:07,960 --> 03:10:17,240
index finger circles your nipple christ he whispers look how hard they are you tell him touch them
2001
03:10:18,040 --> 03:10:26,200
but he idly circles i love it when they're wet he says in a whisper and suddenly you're so desperate
2002
03:10:26,200 --> 03:10:31,400
to have him touch you there that you grab his hand and splay it on your chest arching and rubbing
2003
03:10:31,400 --> 03:10:38,440
your breast against his palm for a moment it's exquisite he gives a little snarl and you notice
2004
03:10:38,440 --> 03:10:43,480
him staring at his hand while you can feel the wetness filling your sex and the tingles of
2005
03:10:43,480 --> 03:10:49,720
pleasure where you rub your breast against him then suddenly he's ducking down using his tongue
2006
03:10:49,720 --> 03:10:55,560
licking the frosting from your aching nipple and with the mess on his mouth and you slick with saliva
2007
03:10:55,560 --> 03:11:02,200
you reach toward your clit oh you ache to stroke it if only for a second your moisture's dripping
2008
03:11:02,200 --> 03:11:11,640
down your thigh but no he grabs your arm aren't we being dirty of course we are you say and that's
2009
03:11:11,640 --> 03:11:18,120
when you know you'll be spanked when you were just a girl as your father grew fiercer he argued
2010
03:11:18,120 --> 03:11:25,000
not stop with your mom about your diet she'll get fat val he'd say you give her too much sugar
2011
03:11:25,960 --> 03:11:33,800
she doesn't eat badly mom would snap besides she's skinny look you'd sit on the couch between them as
2012
03:11:33,800 --> 03:11:39,080
they bickered ramming chocolate brownies into your mouth or licking the buttercream from freshly
2013
03:11:39,080 --> 03:11:45,320
frosted muffins enjoying the feeling of it smearing down your chin sometimes your father would notice
2014
03:11:45,320 --> 03:11:52,360
you there this he'd say is exactly what i'm saying you should see yourself jesse it's disgusting
2015
03:11:53,560 --> 03:11:58,840
rather than spanking you he'd send you to your room and in spite of the disappointment you'd
2016
03:11:58,840 --> 03:12:06,840
feel a strange heat a sweet slow creeping thing you'd get to understand it isn't surprising that this
2017
03:12:06,840 --> 03:12:11,720
flashes through your head while you lie on your back on the table as your man rubs your sex with
2018
03:12:11,720 --> 03:12:18,520
the slippery glaze and you hear someone moaning and realize that it's you he parts your thighs
2019
03:12:18,520 --> 03:12:25,640
tells you you're gorgeous the glaze slithers into you and then his tongue dipping right in he finds
2020
03:12:25,640 --> 03:12:32,440
the spot easily flicking against you and spreading that glaze which trickles cool mingling with your
2021
03:12:32,440 --> 03:12:40,040
wetness so you arch right back slam your fists cry his name you're in such heaven that you roll your
2022
03:12:40,040 --> 03:12:47,080
head and in a flash you see your flatmate sister she's leaning against the door frame pick tails
2023
03:12:47,080 --> 03:12:56,280
a flouncy skirt only 21 her fingers hover at her lip a new darkness fills her gaze that mouth you
2024
03:12:56,280 --> 03:13:04,440
note is deliciously wide eyes glossing your body she reaches under her skirt and as you roll inside
2025
03:13:04,440 --> 03:13:11,400
begins to touch herself your man's fingers creep up your freshly creamed body your skin
2026
03:13:11,400 --> 03:13:17,720
tingling as his fingertips rub your slicked breasts suddenly you know how you must look to your voyeur
2027
03:13:17,720 --> 03:13:24,200
as she rides against the door frame head slamming back pleated skirt lifted around her thighs fingers
2028
03:13:24,200 --> 03:13:32,760
working quickly underneath this is why you tell your man come on me now he glances up his expression
2029
03:13:32,760 --> 03:13:42,520
says you're filthy i'm bad you whisper nearby the girl groans soon you're bent right over feet on
2030
03:13:42,520 --> 03:13:49,080
the floor hands on the table your wetness in the frosting sliding down your flesh and behind you
2031
03:13:49,080 --> 03:13:56,200
your man with the icing covered spatula waits erect and ready to teach you to be good the scent
2032
03:13:56,200 --> 03:14:03,320
is all animal edged with sugar at the doorway the girl gives little gasps you keep still awaiting
2033
03:14:03,320 --> 03:14:11,800
your man's swift punishment the girl's eyelids flutter she arches hand busy now then says your
2034
03:14:11,800 --> 03:14:19,000
man we have an audience then he pulls back the spatula gleaming with glaze and thwacks it hard
2035
03:14:19,000 --> 03:14:26,520
against your cheeks the smacking sound is perfect you give a little cry he thwacks the tool again
2036
03:14:26,520 --> 03:14:32,840
over and over so your body jolts hard and the table shunts across the linoleum floor your
2037
03:14:32,840 --> 03:14:39,640
torso's pulled with it you're stretched from feet to ribs yet he keeps on smacking you and oh the
2038
03:14:39,640 --> 03:14:46,280
pleasure the drying glaze which clasps against your skin when slapped with that wet spatula makes
2039
03:14:46,360 --> 03:14:53,560
your flesh burn come into me you beg him you're aching for his cock but he keeps on spanking
2040
03:14:53,560 --> 03:14:59,800
the tool held tight when at last he drops the spatula it skids across the floor toward the
2041
03:14:59,800 --> 03:15:07,000
girl's feet she watches you with your hips thrown out chin streaked with drool your man throws you
2042
03:15:07,000 --> 03:15:13,240
across the sticky table and enters you quite suddenly filling you entirely your jaw goes slack
2043
03:15:13,240 --> 03:15:19,080
and you cry and laugh with his hands splayed in the small of your back and the drying frosting
2044
03:15:19,080 --> 03:15:25,400
pinching your nipples he thrusts hips jolting against your ass his cock ramming into you
2045
03:15:25,400 --> 03:15:31,480
is slippery with frosting and you still can't believe how perfectly you fit he groans and grabs
2046
03:15:31,480 --> 03:15:37,880
your thighs fucking with such force that the table starts to shift across the room you shift with it
2047
03:15:37,880 --> 03:15:43,880
and he lunges after thrusting harder grabbing your hair he makes a rope of it twisting your
2048
03:15:43,880 --> 03:15:51,000
head back and you see him there beautiful teeth biting at his lip his glare ferocious as he slams
2049
03:15:51,000 --> 03:15:58,920
again and again building all that burn in you that sweet hot clench as the girl's gasps rise higher
2050
03:15:58,920 --> 03:16:05,320
she parts her knees rising up on the tips of her toes a look of almost pain in her flickering eyes
2051
03:16:05,880 --> 03:16:11,720
and then you feel it rising like flame so you spread yourself wide for him crying for him to
2052
03:16:11,720 --> 03:16:18,520
do this and it comes in a thunder rips through your body and the world blurs around you and you're
2053
03:16:18,520 --> 03:16:25,640
high he's thrusting so hard moaning so loud moving with such brilliance that he simply keeps you there
2054
03:16:26,280 --> 03:16:31,320
clinging to that feeling as the cries sound around you and the whole damn room is gone
2055
03:16:31,560 --> 03:16:40,520
you collapse he starts laughing falls against your back he whispers at your ear i think we're
2056
03:16:40,520 --> 03:16:48,920
in trouble for there behind the blushing girl is rose your flatmate her hands on her hips a sneer
2057
03:16:48,920 --> 03:16:54,920
on her mouth she glares from her sister who snorts and giggles to your man and then to you
2058
03:16:55,480 --> 03:17:04,120
sucking at her teeth i i don't know what to say she blurs really it's revolting
2059
03:17:05,400 --> 03:17:11,960
you give an empty shrug your man follows with a wave and says hey happy birthday rose
2060
03:17:12,680 --> 03:17:18,760
and you slap his wrist you'll recall it took you months to win roseback to persuade her you hadn't
2061
03:17:18,760 --> 03:17:24,440
meant to invade but you never did get her to join in what a shame she might have liked it
2062
03:17:25,080 --> 03:17:30,440
so anyway back to when he's underneath that long oak table while your guests flap about
2063
03:17:30,440 --> 03:17:36,840
offering you water and christ good christ you let those other waters flow and in that instant you
2064
03:17:36,840 --> 03:17:44,200
cry his name it's a shock he bumps his head the wife crouches down raises the tablecloth
2065
03:17:45,080 --> 03:17:53,560
why hello there neighbor you hear him say you laugh out loud at his timing his wit later in bed
2066
03:17:53,560 --> 03:17:58,600
you'll ask your man if these activities are wrong you know what they say about delayed
2067
03:17:58,600 --> 03:18:06,280
gratification maybe we should wait for sex allow it to build to this your man will push back your
2068
03:18:06,280 --> 03:18:14,440
hair a saucy look of pleasure on his face we're bad he says accept it we like our frosting first
2069
03:18:18,760 --> 03:18:21,160
all she wanted by andrea dale
2070
03:18:23,800 --> 03:18:29,800
when you're pregnant you worry about all sorts of things will the baby be born with extra toes
2071
03:18:29,800 --> 03:18:35,480
will i crave pickles and chocolate ice cream at the same time what if we give it the wrong name
2072
03:18:35,480 --> 03:18:42,280
and it hates us forever where the hell did those breasts come from the answers to those types of
2073
03:18:42,280 --> 03:18:47,480
questions can be found in your average book for expectant parents books that speak in soothing
2074
03:18:47,560 --> 03:18:54,680
language to assuage your fears such books don't address certain other crucial questions such as
2075
03:18:55,240 --> 03:19:01,000
by what month should one avoid rope bondage denipple clamps adversely affect milk production
2076
03:19:01,800 --> 03:19:09,000
how will my raging hormones affect my ability to enter subspace i joke about it make light of it
2077
03:19:09,000 --> 03:19:15,160
as i do with anything that scares me avoidance my husband dan says when he catches me doing it
2078
03:19:15,640 --> 03:19:22,600
i should face my fears according to him then he devises some sort of devious torture sometimes
2079
03:19:22,600 --> 03:19:30,440
just a spanking sometimes much much more to teach me not to do it of course that never works for
2080
03:19:30,440 --> 03:19:36,840
one thing everybody has his own way of dealing with fear for another i like being tied up and whipped
2081
03:19:36,840 --> 03:19:42,920
and teased and tortured if i didn't we wouldn't be in this relationship we're in the bedroom he calls
2082
03:19:42,920 --> 03:19:50,760
all the shots when we found out i was pregnant however everything changed don't get me wrong
2083
03:19:50,760 --> 03:19:56,680
my first priority is the baby i'm not going to do anything stupid but sex doesn't stop when you're
2084
03:19:56,680 --> 03:20:03,400
pregnant and kinky sex doesn't have to stop either there's no telling dan that though i appreciate
2085
03:20:03,400 --> 03:20:09,080
the depth of his caring but i'm going a little crazy here the hormones rage through me like a
2086
03:20:09,080 --> 03:20:15,240
tropical storm and dan understands that so even when i make the jokes in the hopes of bating him
2087
03:20:15,240 --> 03:20:21,800
he doesn't follow through not the way we're used to i want to be caned until i'm dizzy with pain
2088
03:20:21,800 --> 03:20:28,440
and desire not gently spanked after i've been carefully arranged on special pillows i want to
2089
03:20:28,440 --> 03:20:34,360
be forced to wear that awful ball gag that makes me drool that tastes faintly like rubber no matter
2090
03:20:34,360 --> 03:20:40,600
how many times we wash it i want some serious bondage and teasing and to be made to come over
2091
03:20:40,600 --> 03:20:46,120
and over until i'm limp and sore and barely breathing and while we're at it i want an oompa
2092
03:20:46,120 --> 03:20:53,400
loompa and i want it now see there i go if dan hears me and tells me to watch it and i mouth off
2093
03:20:53,400 --> 03:21:02,280
with what you're gonna do spank me then what is he going to do not very much i suppose i shouldn't
2094
03:21:02,280 --> 03:21:08,120
complain even without the hardcore bondage and exquisite pain play we haven't gone completely
2095
03:21:08,120 --> 03:21:14,840
vanilla dan's a master at the head fuck too and sometimes threats and suggestions and tales spun
2096
03:21:14,840 --> 03:21:21,160
about impossibly filthy scenes can be amazingly effective especially when combined with blindfolds
2097
03:21:21,160 --> 03:21:27,480
and delayed orgasms not too delayed though just in case it causes my blood pressure to spike 0.2
2098
03:21:27,800 --> 03:21:33,640
degrees it was during one of those sessions that dan ordered me to bring home a play partner for us
2099
03:21:34,520 --> 03:21:39,880
multiple partners weren't new to us we had a small but fun network of friends who on random
2100
03:21:39,880 --> 03:21:46,280
occasions overlapped we'd done your usual share of romping in public dungeons i enjoy the taste
2101
03:21:46,280 --> 03:21:52,680
of a woman the feel of her mouth on me the sounds she makes when she comes and the sounds i make
2102
03:21:52,680 --> 03:22:01,000
when she makes me come in my haze of arousal i agreed of course i agreed i never argued with dan
2103
03:22:01,000 --> 03:22:07,480
unless i was serious enough to haul out my safe word fact is most of us will agree to things in
2104
03:22:07,480 --> 03:22:14,120
the haze of arousal more so if you're a sub and you're flying it was only after the fact when
2105
03:22:14,120 --> 03:22:21,480
i'd come back to earth and had a warm shower and a nap that reality hit at four months it wasn't like
2106
03:22:21,480 --> 03:22:29,880
i was waddling yet but i felt fat bloated missing a defined waistline pale blue spider veins crept
2107
03:22:29,880 --> 03:22:36,280
and twined at my legs and my complexion was a teenager's nightmare oh sure the nausea had
2108
03:22:36,280 --> 03:22:42,520
finally passed hallelujah but it had been replaced with the twin gastrointestinal joys of heartburn
2109
03:22:42,520 --> 03:22:48,840
and gas and my nipples my wonderful sensitive nipples that loved being twisted and tweaked
2110
03:22:48,840 --> 03:22:54,440
and clamped within an inch of their lives at first they're being constantly tender was a turn on
2111
03:22:55,160 --> 03:23:02,920
now well i hadn't known there was a point beyond pleasurable nipple pain not all pain is arousing
2112
03:23:02,920 --> 03:23:09,720
slamming my fingers in the car does not make me come damn it add the hormones into all that and
2113
03:23:09,720 --> 03:23:17,080
self-conscious didn't even begin to describe it hello quivering mass of insecurities i didn't
2114
03:23:17,160 --> 03:23:23,720
want anybody else to see me like this not naked in a scene anyway seeing me dressed at the grocery
2115
03:23:23,720 --> 03:23:30,920
store was okay on good days maybe but i'd agreed to do it and besides it was just about the stupid
2116
03:23:30,920 --> 03:23:37,800
hormones right i ended up taking lauren out for coffee and broaching the offer to her she'd recently
2117
03:23:37,800 --> 03:23:43,880
split up with her husband and i thought she could use some cheering up yes i really thought that
2118
03:23:43,880 --> 03:23:50,200
that mothering instinct must have already been kicking in lauren cute and curvaceous with perfect
2119
03:23:50,200 --> 03:23:57,320
skin and flowing black hair was delighted and enthusiastic i felt both relieved i'd accomplished
2120
03:23:57,320 --> 03:24:04,120
what dan asked me to do and nervous in a way i hadn't felt since well as long as i could remember
2121
03:24:05,000 --> 03:24:10,200
we played with lauren and her husband years ago but never just with her that shouldn't have
2122
03:24:10,200 --> 03:24:17,240
made a difference the hormones suggested otherwise it was stupid i knew to feel jealous that i was
2123
03:24:17,240 --> 03:24:23,480
drinking sparkling cider while dan and lauren sipped wine one glass only alcohol and kink
2124
03:24:23,480 --> 03:24:29,800
do not mix well as we discussed the things we needed to negotiate like boundaries and safe words
2125
03:24:30,440 --> 03:24:37,000
i felt like a kid at the adults table just to illustrate how conflicted i was i also felt
2126
03:24:37,000 --> 03:24:43,240
incredibly horny i wanted to play and i harbored the hope that somehow this would make dan loosen
2127
03:24:43,240 --> 03:24:48,360
up a little and give me what i really wanted plus it had been a while since i'd been with another
2128
03:24:48,360 --> 03:24:54,600
woman and there was all that excitement building we haven't yet turned the playroom into the baby's
2129
03:24:54,600 --> 03:25:00,120
room because the crib will be in our room for the first few months at least there was something
2130
03:25:00,200 --> 03:25:07,000
oddly calming almost soothing about walking in there i had the sense that for the next few hours
2131
03:25:07,000 --> 03:25:13,160
i didn't have to worry about a damn thing dan would be in charge call the shots make the decisions
2132
03:25:13,880 --> 03:25:20,040
i trusted him completely in that regard it was why our relationship worked dan settled
2133
03:25:20,040 --> 03:25:25,640
himself into a chair and ordered us to strip each other slowly i fought back feelings of
2134
03:25:25,640 --> 03:25:32,120
self-consciousness and lauren's murmured approval of my newfound impressive cleavage helped dan
2135
03:25:32,120 --> 03:25:37,320
warned her about how overly sensitive my breasts were even as he encouraged us to play with each
2136
03:25:37,320 --> 03:25:43,560
other we both understood that it was a show for his benefit coming without permission was not an
2137
03:25:43,560 --> 03:25:50,600
option with hands and mouth she whispered and tickled across my nipples a flick of tongue here
2138
03:25:50,600 --> 03:25:56,920
a brush of a thumb there a butterfly kiss my belly contracted as i tangled my hands in her
2139
03:25:56,920 --> 03:26:04,600
silky hair and watched fighting the need to let my eyes flood a shut my pussy lips looking already
2140
03:26:04,600 --> 03:26:11,400
i could smell our joint arousal the sweet spicy scent of mingle desire i wanted to taste her
2141
03:26:11,400 --> 03:26:17,320
but only if dan okayed it just hands for now though i dipped my fingers into her and brought
2142
03:26:17,320 --> 03:26:22,840
them to my lips lauren leaned toward me and together we kissed and licked her juices away
2143
03:26:23,720 --> 03:26:30,680
teasing caressing and then grinding our crotches together mine neatly trimmed hers waxed smooth
2144
03:26:31,880 --> 03:26:37,720
now dan wanted attention and at his command we gave it to him undressing him and kissing and
2145
03:26:37,720 --> 03:26:43,000
licking him he particularly liked it when we kissed each other around his burgeoning cock
2146
03:26:43,560 --> 03:26:48,360
and i particularly liked it when he threaded his fingers through my hair and tugged the strands to
2147
03:26:48,360 --> 03:26:55,640
guide me when dan ordered us to stop he picked up my favorite flogger the expensive kangaroo
2148
03:26:55,640 --> 03:27:01,480
leather one with knots in the tails my pussy clenched in my heart's sword or maybe it was the
2149
03:27:01,480 --> 03:27:08,920
other way around finally but he didn't tell me to bend over instead he commanded lauren to present
2150
03:27:08,920 --> 03:27:16,680
her pretty little ass okay fair enough guests first he'd be a bad host otherwise when he handed
2151
03:27:16,680 --> 03:27:22,200
me the flogger i stared at it like i'd never seen it before like it was an alien object
2152
03:27:22,760 --> 03:27:29,720
i almost giggled part of my mind imagining the stupid blank look on my face what exactly was
2153
03:27:29,720 --> 03:27:38,440
i supposed to do with this dan broke through my confusion go on honey he said have fun warm her
2154
03:27:38,440 --> 03:27:46,200
up for me we'd tried switching before so i suppose it wasn't an entirely foreign concept but quite
2155
03:27:46,200 --> 03:27:53,800
frankly it wasn't my thing because dan was ordering me to do it though i did i kept it pretty light
2156
03:27:53,800 --> 03:27:58,360
not familiar enough with this side of things to know how to gauge the intensity of my strokes
2157
03:27:59,000 --> 03:28:04,360
lauren still enjoyed it though she mulled with pleasure wiggling her ass as it blushed beneath
2158
03:28:04,360 --> 03:28:10,200
the strands her legs were parted dan had nudged them apart with the whip handle before giving it
2159
03:28:10,200 --> 03:28:16,680
to me and her cunt shone i knew she wanted to bring her thighs together squeeze out some pleasure
2160
03:28:17,240 --> 03:28:23,880
i didn't blame her i wanted that too i wanted to be flogged and to be naughty and grind against
2161
03:28:23,880 --> 03:28:30,120
something and have dan stop and make me beg for my punishment i was jealous in a way i'd never
2162
03:28:30,120 --> 03:28:36,600
been jealous in a scene before oh i've been envious in a i want what she's having kind of way
2163
03:28:37,160 --> 03:28:42,280
but then there was always the possibility that i was going to get what she was having or even better
2164
03:28:43,320 --> 03:28:49,000
even as dan took the whip from me i knew he wasn't going to use it on me as he struck lauren and
2165
03:28:49,000 --> 03:28:54,440
she howled with the lighted pain i just felt sad that dan needed another woman to top because he
2166
03:28:54,440 --> 03:29:01,000
didn't want to top me i couldn't give him what he needed so when he paused to stroke between lauren's
2167
03:29:01,000 --> 03:29:09,160
legs and said oh good girl in that tone that he's always used with me the twisting pain in my stomach
2168
03:29:09,160 --> 03:29:16,280
wasn't just from the churning acidic bath in there i broke down and cried and in between my sobs i
2169
03:29:16,360 --> 03:29:23,720
blurted out my safe word once we were out of the playroom away from the scene i calmed down
2170
03:29:24,440 --> 03:29:31,400
stupid hormones that's the excuse i used anyway lauren was sweet in understanding and as much as
2171
03:29:31,400 --> 03:29:37,960
i wanted to hate her for it i couldn't she kissed me before she left told me i was gorgeous and
2172
03:29:37,960 --> 03:29:43,400
sexy and that she wanted to play again sometime i wasn't so far gone that i couldn't feel an
2173
03:29:43,400 --> 03:29:49,720
appreciative tingle of desire for that dan too was understanding not that i'd expect him to be
2174
03:29:49,720 --> 03:29:54,920
anything different i thought if you couldn't bottom is heavily you'd enjoy a little topping
2175
03:29:55,640 --> 03:30:02,600
he said yeah he'd set this whole thing up for me take that miss bundle of insecurities
2176
03:30:03,400 --> 03:30:08,760
we talked it out and he admitted maybe he'd been too gentle with me although he also admitted he
2177
03:30:08,840 --> 03:30:14,280
really was concerned about overdoing it he drew me a bath with lavender and eucalyptus
2178
03:30:14,280 --> 03:30:19,960
bubbles and told me to relax while he came up with a new plan something i'd definitely enjoy
2179
03:30:19,960 --> 03:30:26,280
he said in that deliciously threatening dom voice he also told me i could fantasize and masturbate
2180
03:30:26,280 --> 03:30:33,720
if i wanted to but not to let myself come oh he knows me too well i couldn't imagine the depths
2181
03:30:33,720 --> 03:30:39,800
of his deviousness and that always aroused me even more then i was out of the tub and into the
2182
03:30:39,800 --> 03:30:46,840
bedroom where he buckled my wrist to the poles at the foot of the bed he flogged me oh hallelujah yes
2183
03:30:47,560 --> 03:30:53,880
not as hard as i wanted maybe but combined with his words my master of the headfuck indeed
2184
03:30:53,880 --> 03:31:00,840
he had my juices flowing you did a good job on lauren but you were too gentle with her someday
2185
03:31:00,840 --> 03:31:05,560
i'm going to ask her to use the flogger on you and you'd better believe she's going to pay you
2186
03:31:05,560 --> 03:31:11,240
back for being too nice he went on to tell me how he'd show her how to whip me first
2187
03:31:11,240 --> 03:31:17,160
so i'd get a double helping and probably a paddle afterward on my extra source striped and dotted
2188
03:31:17,160 --> 03:31:24,680
flesh it let me imagine how that would feel and heightened the sensations now then the pièce de
2189
03:31:24,680 --> 03:31:32,600
résistance when he brought it out i recoiled damn him anal play was the only thing that he'd
2190
03:31:32,600 --> 03:31:38,520
ever had to talk me into i don't know why but i hated it with a passion that made it all the more
2191
03:31:38,520 --> 03:31:44,120
exquisitely exciting when we did it an anal orgasm sent me through the roof like no other
2192
03:31:44,680 --> 03:31:49,480
because i was helpless to stop him from fucking my ass with that bright blue devil of a plug
2193
03:31:50,440 --> 03:31:56,120
thank god the hemorrhoids haven't started yet oops that popped out of my mouth before i could
2194
03:31:56,120 --> 03:32:03,000
catch it he brought out the ball gag i'd missed so much and i melted a little inside then his
2195
03:32:03,000 --> 03:32:08,520
breath was hot on my neck while he told me not only what a good girl i was but a naughty girl
2196
03:32:08,520 --> 03:32:15,160
a filthy girl and he was sliding the lubed plug in and i forgot about being bloated and tired and
2197
03:32:15,160 --> 03:32:21,720
insecure if i'd been able to speak i probably would have said something like mama's coming home
2198
03:32:22,600 --> 03:32:24,600
instead i just flew
2199
03:32:29,000 --> 03:32:31,560
making shapes by lily harlem
2200
03:32:34,280 --> 03:32:39,720
i'm coming no hold off i can't just a few more seconds
2201
03:32:40,440 --> 03:32:47,160
shit it's too much try otherwise we'll have to start over i looked up at theo driver's face
2202
03:32:47,160 --> 03:32:52,920
hanging over the side of my custom-made bench his thick black brows had knotted over scrunched
2203
03:32:52,920 --> 03:33:00,280
eyes and his teeth tugged at his bottom lip it's nearly done i encouraged it's quick setting this
2204
03:33:00,280 --> 03:33:05,960
stuff just think about your grand knitting or something a muscle flexed in his cheek and his
2205
03:33:05,960 --> 03:33:12,040
fingers pale as he gripped the white padding just inches from my upturned face i braced under the
2206
03:33:12,040 --> 03:33:17,400
weight of the seaweed-based molding paste i'd positioned against his erect cock which was poking
2207
03:33:17,400 --> 03:33:23,000
through a hole in the bench the bucket had to be kept dead still to get a perfect cast of his penis
2208
03:33:23,640 --> 03:33:29,160
and much as it would be a perk of my unusual job to witness his pleasure i knew from experience
2209
03:33:29,160 --> 03:33:34,920
a shot of cum in the mold would distort the end result and we'd be back at square one redoing
2210
03:33:34,920 --> 03:33:43,080
his cast i studied the clock above the closed door to the shopfront time i said 15 seconds later
2211
03:33:43,960 --> 03:33:51,480
pull slowly up from the bench in a straight line thank fuck for that he lifted his hips upward
2212
03:33:51,480 --> 03:33:59,080
opened his eyes and fixed his brooding somewhat glazed focus on mine oh shit he suddenly winced
2213
03:33:59,080 --> 03:34:04,200
and scrambled to face shelves containing body molds in various stages of completion
2214
03:34:04,200 --> 03:34:09,640
his broad shoulders hunched and he grabbed his dick as a violent shutter snaked up his spine
2215
03:34:10,440 --> 03:34:14,840
i clutched the bucket to my chest and straightened from my squatting position under the bench
2216
03:34:15,560 --> 03:34:22,040
my ears pricked with the light as his deep grunt filled the studio he tried to internalize a moan
2217
03:34:22,040 --> 03:34:27,560
but he was a big testosterone fueled man and there was nothing he could do to stop even
2218
03:34:27,560 --> 03:34:33,720
harnessed pleasure from rattling like an echo in a cave why did you look at me like that
2219
03:34:34,440 --> 03:34:41,480
he muttered grabbing a wad of tissues i kept next to the bench like what my own heart rate was
2220
03:34:41,480 --> 03:34:48,920
racing so loud i was sure he'd be able to hear it all pretty and girly he didn't look at me as he
2221
03:34:48,920 --> 03:34:56,360
wiped himself shit that never happens he stood and tucked his still impressively big penis into
2222
03:34:56,360 --> 03:35:05,320
his boxers and pulled up his jeans i'm usually in perfect control of course i said struggling to
2223
03:35:05,320 --> 03:35:11,160
maintain professionalism as he stepped around the bench and towered over me but it's good you were
2224
03:35:11,160 --> 03:35:16,840
so near the edge of orgasm when we took the casting i nodded down at the white chalky substance
2225
03:35:16,840 --> 03:35:23,880
revealing the perfect indent of his erect cock it means we've immortalized you at your most spectacular
2226
03:35:24,840 --> 03:35:32,520
his irritated expression cracked into an amused grin yeah emma will like it she's a lucky girl
2227
03:35:33,640 --> 03:35:37,960
as soon as the words fell from my mouth i realized it had been the wrong thing to say
2228
03:35:38,760 --> 03:35:45,000
i i mean what i wanted to say is you're a very thoughtful man to think of her needs at a time
2229
03:35:45,000 --> 03:35:51,320
like this i tried to shift my gaze from his intense scrutiny but his cold black eyes had
2230
03:35:51,560 --> 03:35:58,280
captured mine and refused to let go yeah well i need her to have something to play with while
2231
03:35:58,280 --> 03:36:05,160
she's backpacking he stepped closer and his musky male scent encircled me a hot cloud of
2232
03:36:05,160 --> 03:36:11,560
recently released desire lying in the air like salt blowing on an ocean breeze i don't want
2233
03:36:11,560 --> 03:36:18,760
her running off with a surfer dude do i i'm sure she wouldn't he reached out and caught a wild red
2234
03:36:18,840 --> 03:36:24,440
ringlet that had escaped my ponytail i'm just wondering what i'm going to play with whilst
2235
03:36:24,440 --> 03:36:31,880
she's gone he tucked the wayward curl behind my ear i've never cheated but i swallowed my
2236
03:36:31,880 --> 03:36:39,320
mouth suddenly dry but you're a man i said stating the fact my hormones were screaming about
2237
03:36:39,960 --> 03:36:46,200
with needs perhaps emma could come to making shapes and get a body mold done for you i do a great
2238
03:36:46,200 --> 03:36:52,280
range of very intimate very user-friendly products he stepped away with a derisive snort
2239
03:36:52,840 --> 03:37:00,120
not my thing i prefer a hot flush riding under me he reached for his wallet his expression all
2240
03:37:00,120 --> 03:37:07,640
business how much do i owe you nothing for now i walked over to a long steel counter and put
2241
03:37:07,640 --> 03:37:12,600
down the bucket with its precious contents you can settle up when you collect the finished product
2242
03:37:13,400 --> 03:37:20,440
when will that be in about a week is that all right yep she goes in 10 days so a week should
2243
03:37:20,440 --> 03:37:26,920
be fine he pulled open the door and strode from the studio my eyes were irresistibly drawn to
2244
03:37:26,920 --> 03:37:34,040
his perfect denim encased rear i smoothed my dusty hands together imagining what his skin
2245
03:37:34,040 --> 03:37:40,520
would be like to touch warm and soft but at the same time bubbling with powerful muscles lurking
2246
03:37:40,520 --> 03:37:47,560
just below the surface i'd meant what i said about emma being a lucky girl the o-driver was one hell
2247
03:37:47,560 --> 03:37:53,960
of a man and if he were mine there was no way i'd be hopping off to australia for six months no way on
2248
03:37:53,960 --> 03:38:01,800
earth two weeks later i held the o-drivers cock in my hand as november rain whipped the skylights
2249
03:38:01,800 --> 03:38:07,960
above my studio the o hadn't been back to collect his body molding so i guessed emma had come to
2250
03:38:07,960 --> 03:38:14,280
her senses about leaving such a prime specimen all alone i thought unenthusiastically about the
2251
03:38:14,280 --> 03:38:20,680
lonely evening ahead in my small king road's flat i really should start charging customers when they
2252
03:38:20,680 --> 03:38:26,520
came for their sittings that way i might make enough money to buy somewhere bigger or even take a
2253
03:38:26,520 --> 03:38:33,240
holiday and get some sun i sighed and passed the cock from one hand to the other i was pleased with
2254
03:38:33,240 --> 03:38:38,840
the finished product i'd spent a considerable amount of time perfecting the deep rose petal
2255
03:38:38,840 --> 03:38:45,240
shade shadowing the bulging twisting veins along the shaft and adding his two small freckles into
2256
03:38:45,240 --> 03:38:52,600
the wide smooth head just to the right of his slit he was circumcised and i liked that the cock
2257
03:38:52,600 --> 03:38:58,520
looked neat and clean and with the new glaze it felt smooth as glass when i ran my fingers up and
2258
03:38:58,520 --> 03:39:05,160
down the length of it i curled my thumb and index finger around the base just above where the first
2259
03:39:05,160 --> 03:39:11,480
inch of his ballsack was molded my fingers wouldn't meet his trunk was so wide so thick
2260
03:39:12,360 --> 03:39:18,760
my breath quickened as i imagined him penetrating me how would he fit i was little five foot two
2261
03:39:19,320 --> 03:39:25,160
and he must be well over six feet and with all that raw power surging behind a hungry penis
2262
03:39:25,160 --> 03:39:32,840
he'd surely split me in half a buzz sparked in my clit like a tuning fork tapping against me
2263
03:39:32,840 --> 03:39:38,760
its resonance hummed through my neglected but sensitive flesh theo was on a whole different
2264
03:39:38,760 --> 03:39:45,960
size scale to me it was a wonder we were the same species living on the same planet a sharp gust of
2265
03:39:45,960 --> 03:39:51,720
wind rattled the skylight i looked up into the london sky and saw the moon peek through a racing
2266
03:39:51,720 --> 03:39:58,600
cloud before being engulfed in blackness once more maybe i should take theo's dick home tonight
2267
03:39:59,160 --> 03:40:05,400
give it a trial run test its dildo qualities and test my abilities to take it into my body
2268
03:40:06,120 --> 03:40:12,360
emma would never know theo would never know even if he collected it tomorrow it would wipe clean
2269
03:40:12,360 --> 03:40:19,320
good as new a quick rinse into polish and no one would be any wiser i bounced its substantial weight
2270
03:40:19,320 --> 03:40:26,120
in my palms and a new thought popped into my head would it fit in my mouth i didn't know if my jaw
2271
03:40:26,120 --> 03:40:32,120
could stretch that wide if my teeth would part sufficiently to house such a beast i glanced
2272
03:40:32,120 --> 03:40:37,720
at the door leading to the shopfront it was a little ajar but anyone shouldering the weather
2273
03:40:37,720 --> 03:40:42,920
and passing my display windows wouldn't see into the studio and i'd locked the front door earlier
2274
03:40:42,920 --> 03:40:49,480
when i'd shut the shop i swept my tongue over my lips curiosity eating me up the way i wanted to
2275
03:40:49,480 --> 03:40:57,880
eat him up i would give it a quick try here just to see i lifted the dick to my face slit upward
2276
03:40:58,600 --> 03:41:04,040
it shone like marble in the stark overhead lights and reflected the steel shelves to my left
2277
03:41:04,760 --> 03:41:10,520
i closed my eyes and let the cool head press against my top lip poked out my tongue and
2278
03:41:10,520 --> 03:41:16,120
rimmed the groove of skin onto the base of his glands i tried to remember theo's heady mix
2279
03:41:16,120 --> 03:41:24,120
of pheromones swirling around me to imagine his flavor musky and manly erotic and hot i couldn't
2280
03:41:24,120 --> 03:41:31,320
wait any longer i stretched my jaw wide and slid the head into my tongue my jaw gave a soft click
2281
03:41:31,320 --> 03:41:37,240
as he smoothed in my knees turned weak and i pictured his face contorted with the effort of
2282
03:41:37,320 --> 03:41:43,560
not coming i squeezed shut teeth dragging at his lip and his breath's sharp and shallow
2283
03:41:44,600 --> 03:41:49,640
i sent a hand to my breast as i slit him to the back of my throat and tweaked my nipple to a
2284
03:41:49,640 --> 03:41:56,520
painful point through my sweater he hit delicate flesh and as i struggled with my gag response
2285
03:41:56,520 --> 03:42:03,480
i imagined his hands on me fondling my breasts cupping the nape of my neck stroking the corners
2286
03:42:03,480 --> 03:42:11,240
of my poor stretched lips i moaned slid him out and then back in again the dildo warming and
2287
03:42:11,240 --> 03:42:18,520
becoming coated in my saliva its eternal hardness a celebration of my craft i sent a hand to the
2288
03:42:18,520 --> 03:42:24,920
waistband of my jeans popped the metal button and shoved my fingers down my knickers i kept my eyes
2289
03:42:24,920 --> 03:42:31,000
shut tight only the sound of the wind and the rain intruding upon my fantasy of having theo
2290
03:42:31,000 --> 03:42:37,320
thrusting into my mouth my clit was on fire swollen and demanding attention as my fingertips
2291
03:42:37,320 --> 03:42:43,560
begin deep urgent rotations i didn't know if i could stay standing even though i was leaning
2292
03:42:43,560 --> 03:42:49,480
against the counter my legs were like jelly my spine desperate to curl forward for the pressure
2293
03:42:49,480 --> 03:42:55,240
and rhythm of my own administrations i opened my eyes to the harsh light of the room and spotted
2294
03:42:55,240 --> 03:43:01,800
the molding bench i needed to lie down but that would put me in view of the shopfront i should
2295
03:43:01,800 --> 03:43:07,880
just shove the cock in my bag and head home or i could play to my heart's content but the cock
2296
03:43:07,880 --> 03:43:13,960
had come to life slipping in and out of my mouth teasing me with how delicious it would feel shunting
2297
03:43:13,960 --> 03:43:22,520
in and out of my pussy fantasy was what i needed now i took a few wobbly steps to the door banged
2298
03:43:22,600 --> 03:43:28,520
a flat palm against it to shut it nearly flush then staggered to the bench pulling at my jean
2299
03:43:28,520 --> 03:43:35,240
zipper as i went i needed them off or at least round my ankles to have any chance of accommodating
2300
03:43:35,240 --> 03:43:41,160
this monster my pussy pumped with blood and my head felt dizzy with the thought of what i was
2301
03:43:41,160 --> 03:43:48,120
about to do i gave the cock one last slide down my throat really deep this time so i could hardly
2302
03:43:48,120 --> 03:43:54,840
drag air in my fingers found the entrance of my pussy and i shoved up surprised by how wet and
2303
03:43:54,840 --> 03:44:03,400
swollen i was i surged in over and over stretching in preparation the o's cock was all i could think
2304
03:44:03,400 --> 03:44:12,280
of bang bang the glass front door of the shop rattled under the force of a fist bang bang
2305
03:44:12,440 --> 03:44:18,600
bang my eyes flew open and i stared at the not quite shut wooden door between me and the shop
2306
03:44:18,600 --> 03:44:25,720
front oh my god a mental picture of what i must look like invaded my brain trousers round by
2307
03:44:25,720 --> 03:44:32,280
ankles one hand shoved up my pussy and a dildo pounding the back of my throat i pulled the
2308
03:44:32,280 --> 03:44:38,120
o's dick from my mouth and dropped it on the bench with wet fingers i yanked up my jeans
2309
03:44:38,200 --> 03:44:45,480
struggled with the zipper and wiped my lips on my sleeve i took a shaky step forward open up
2310
03:44:45,480 --> 03:44:53,560
i know you're in there a deep voice penetrated the shop i stopped in my tracks the studio lights
2311
03:44:53,560 --> 03:45:01,400
are on open up bang bang a wave of nausea swept through my stomach as a wash of anticipation
2312
03:45:01,400 --> 03:45:08,280
flooded my pelvis i smoothed back my hair set my face to business mode and pushed into the
2313
03:45:08,280 --> 03:45:15,720
darkened shop front the o driver was standing at the door broad palms pressed against the wet glass
2314
03:45:15,720 --> 03:45:20,760
and his shadowed figure backlit by an amber street lamp as wind lifted leaves and litter
2315
03:45:20,760 --> 03:45:27,400
around his feet he wore a long trench coat and rain dripped from his hair hung in his brows
2316
03:45:27,400 --> 03:45:36,680
and ran from his chin making shapes as closed i said walking toward the door open up he glared
2317
03:45:36,680 --> 03:45:45,160
at me through twinkling drips his jaw set obstinately now why i put my hands on my hips
2318
03:45:45,160 --> 03:45:50,680
determined to project an equal degree of stubbornness for all he knew i could have been in the middle of a
2319
03:45:50,680 --> 03:45:58,040
very intimate molding or a very intricate piece of artwork emma has gone but you didn't collect
2320
03:45:58,040 --> 03:46:05,560
your cock i mean your your body sculpture there was no point we finished or rather i finished it with
2321
03:46:05,560 --> 03:46:15,160
her you did why can we have this conversation inside his scowl deepened and his eyes bored into
2322
03:46:15,160 --> 03:46:22,600
mine in case you hadn't noticed the weather's not so good out here as he spoke he was lit with a
2323
03:46:22,600 --> 03:46:27,880
brilliant flash of lightning followed by a violent clap of thunder that shook my display sculptures
2324
03:46:27,880 --> 03:46:34,840
on their stands startled i jumped forward my hands scrambled with the lock and i took the door open
2325
03:46:35,880 --> 03:46:41,080
theo stepped in along with several tumbling leaves that settled around his feet thanks
2326
03:46:41,720 --> 03:46:47,720
he said as i relocked the door i shrugged what can i help you with mr driver
2327
03:46:49,080 --> 03:46:55,080
a cocky smile tickled one side of his mouth and with a rush of panic i wondered if he'd seen me
2328
03:46:55,080 --> 03:47:01,080
with his glazed cock in my mouth and my fingers jamming into myself preparing for a trial entry
2329
03:47:01,080 --> 03:47:07,880
of his body art but now how could he have seen there were only skylights in the studio and the
2330
03:47:07,880 --> 03:47:13,640
door had been more or less shut i beat down a blush he couldn't possibly know what i'd been
2331
03:47:13,640 --> 03:47:19,960
doing when he arrived well to start with i'd like my body molding if it's ready
2332
03:47:21,080 --> 03:47:27,400
yes of course i indicated for him to go into the studio he turned and walked ahead of me
2333
03:47:27,400 --> 03:47:33,240
the eye magnetism to his butt returned and even though he was wearing a long coat i couldn't
2334
03:47:33,240 --> 03:47:39,320
help feasting on the thought of those hidden orbs of delectable flesh as we stepped into the brightly
2335
03:47:39,320 --> 03:47:45,640
lit room my lust frazzled brain suddenly remembered where i'd left the molding abandoned on the central
2336
03:47:45,640 --> 03:47:53,240
bench flattening a thick crease my shuffling naked buttocks had created is that it his eyes
2337
03:47:53,240 --> 03:48:02,200
widened is that mine uh yes its deep pink color looked startling against the crisp white sheets
2338
03:48:02,200 --> 03:48:07,320
and it shone brightly sparkling as if dripping with moisture my moisture
2339
03:48:08,600 --> 03:48:15,720
why is it there he turned to me i uh just finished it it's drying under the lights
2340
03:48:16,680 --> 03:48:21,320
improvising i pointed to the fluorescent strip light dangling directly above the bench
2341
03:48:22,280 --> 03:48:26,680
it's a good job you're late picking it up i've been so busy it wouldn't have been ready for Emma
2342
03:48:27,640 --> 03:48:32,200
Theo snorted the mention of her name so what happened between you guys
2343
03:48:33,160 --> 03:48:39,080
i was keen to change the subject he dragged his arms from his wet coat and draped it over a stool
2344
03:48:39,960 --> 03:48:46,280
i offered to go with her to australia he reached for a towel lying by the sink and gave his short
2345
03:48:46,280 --> 03:48:52,920
turf of jet black hair a vigorous rub i've got my own web design business it would have only taken
2346
03:48:52,920 --> 03:48:58,840
a couple of hours a day online to keep clients happy and sights ticking over i tipped my head
2347
03:48:58,840 --> 03:49:07,960
for him to continue she said no he tossed the towel aside she wanted to travel alone he shrugged
2348
03:49:07,960 --> 03:49:14,280
his wide shoulders which were encased in a thick gray jumper the roundness of his deltoids bulged
2349
03:49:14,280 --> 03:49:20,360
at his shoulders and several dark hairs peeked from the neck i realized Emma always wanted to
2350
03:49:20,440 --> 03:49:26,360
do things alone i rarely slotted into her daily routines or plans so what was the point
2351
03:49:27,000 --> 03:49:31,800
our relationship was going nowhere so there seemed nothing to gain from waiting six months
2352
03:49:32,920 --> 03:49:37,720
he stepped closer especially when someone else had caught my attention
2353
03:49:39,080 --> 03:49:43,480
a shiver ran up my spine as i recalled his earlier comments about wanting something to
2354
03:49:43,480 --> 03:49:49,160
play with did he want more than that now he was single was he really interested in me
2355
03:49:49,880 --> 03:49:55,720
we'd only met twice before once to organize the appointment and then for me to cast his dick
2356
03:49:55,720 --> 03:50:01,880
in a mold and watch him come it was a fairly unusual couple of meetings but just the same
2357
03:50:01,880 --> 03:50:08,760
i'd been unable to stop thinking about him did he feel the same way about me i felt myself sway
2358
03:50:08,760 --> 03:50:15,000
toward him heat radiated from his damp body onto mine he was practically steaming in the
2359
03:50:15,000 --> 03:50:21,000
heat of the studio he licked his lips and bent his head looked at my mouth like a starving man
2360
03:50:21,800 --> 03:50:29,640
was he going to kiss me he stepped away to the bench i dragged in much needed oxygen
2361
03:50:29,640 --> 03:50:35,240
i'd been holding my breath he picked up his cock and passed it between his hands
2362
03:50:36,040 --> 03:50:39,080
his eyes narrowed and his mouth set in a straight line
2363
03:50:39,240 --> 03:50:44,600
do you like it i asked hoping the squeak in my voice wouldn't
2364
03:50:44,600 --> 03:50:50,280
betray just how much i liked it or just what i'd intended doing with it only minutes before
2365
03:50:51,480 --> 03:50:57,960
his brows lifted but he offered no comment it's top quality glaze should last for years
2366
03:50:57,960 --> 03:51:03,320
it's practically shatterproof unless you run a car over it or maybe a tractor or a motorbike or
2367
03:51:04,280 --> 03:51:14,920
it's wet his gaze snagged mine it's wet and warm too i told you it's drying it's not quite ready
2368
03:51:16,040 --> 03:51:21,240
i thrust my hands on my hips and projected my aloof misunderstood artist persona
2369
03:51:22,040 --> 03:51:27,160
his dark eyes roamed my body and my aloofness disintegrated like a summer pedal
2370
03:51:28,120 --> 03:51:31,080
he drank me up as though he could see right through my clothes
2371
03:51:31,720 --> 03:51:37,800
and suddenly i was aching with longing he chewed on his cheek as i settled on my chest
2372
03:51:37,800 --> 03:51:43,160
and i knew without looking my nipples were standing to attention plainly visible through my sweater
2373
03:51:44,360 --> 03:51:51,880
it's fit for purpose then pardon the molding my cock it's tough it can take a bit of rough
2374
03:51:51,880 --> 03:51:59,160
treatment yes money back guarantee if it breaks i'll redo you i smiled he nodded
2375
03:51:59,160 --> 03:52:05,880
sagely and lifted the penis to his face much the same way i had but theo didn't put it in his mouth
2376
03:52:06,600 --> 03:52:11,400
instead he held the shaft under his nose and sniffed it like an expensive cigar
2377
03:52:12,440 --> 03:52:21,560
still smells new he said in the low voice it is new brand new is it his sudden
2378
03:52:21,560 --> 03:52:26,680
sharp gaze dared me to lie are you sure it hasn't been used for anything
2379
03:52:27,640 --> 03:52:32,840
of course it hasn't i frowned what doesn't it look like yours or something
2380
03:52:33,880 --> 03:52:40,600
that's not what i meant he pointed the cock at me i know it's mine it's even got my freckles
2381
03:52:40,600 --> 03:52:47,880
on the head you've got a very fine eye for detail thank you i folded my arms over my breasts
2382
03:52:48,600 --> 03:52:52,200
now mr. driver i'll box it and you can settle your account at the till
2383
03:52:53,240 --> 03:52:59,720
i moved the shelving unit where i kept packaging suddenly he was behind me his chest pressing
2384
03:52:59,720 --> 03:53:06,120
into my back and his hot breath seeping down my neck i want to know where it's been what you've
2385
03:53:06,120 --> 03:53:13,000
done with it his deep voice whispered into my hair i feel violated knowing you've had a part
2386
03:53:13,000 --> 03:53:19,720
of me to play with treat is your own and i don't know what went on i tried to twist and face him
2387
03:53:19,720 --> 03:53:25,480
but he captured me in thick arms and held me facing my store of boxes where has it been
2388
03:53:26,200 --> 03:53:32,840
he murmured pulling me tight against the length of his body i dragged in a shocked breath he was
2389
03:53:32,840 --> 03:53:40,040
fully erect hard as steel and prodding my lower back you smell of sex and you're here alone
2390
03:53:40,840 --> 03:53:49,160
no i don't you can't deny it hey murmured it's pouring off you like perfume woman and spice
2391
03:53:49,160 --> 03:53:55,480
lust and need it's around you like an aura and since my cock was on the bench i'm guessing you
2392
03:53:55,480 --> 03:54:02,600
two were entertaining one another my stomach flipped i've been rumbled he was right there
2393
03:54:02,600 --> 03:54:11,080
was no denying it my cock doesn't smell of pussy so i'm guessing it wasn't here he pressed the tip
2394
03:54:11,080 --> 03:54:16,680
of the fake dick against my mound sending just the right amount of pressure through my jeans to my
2395
03:54:16,680 --> 03:54:22,200
already excited clit i let out a whimper and rested my head into the creek of his shoulder
2396
03:54:23,320 --> 03:54:28,840
perhaps it was here he ran it up over my sweater and nestled it between my tits
2397
03:54:29,800 --> 03:54:38,360
no i said watching the freckles wink at me maybe here he spun me round captured my face in his
2398
03:54:38,360 --> 03:54:45,160
hand and with a squeeze on either side of my mouth forced my jaw open i went to mutter a protest but
2399
03:54:45,160 --> 03:54:51,160
as soon as the sound emerged he poked the head of his dick into my mouth my eyelids fluttered shut
2400
03:54:51,160 --> 03:54:57,080
as i remembered the shape and size of it and the yearning it had generated in my pussy perfect fit
2401
03:54:58,040 --> 03:55:05,160
he said pulling out i opened my eyes held his unwavering eye contact and poked out the tip of
2402
03:55:05,160 --> 03:55:13,320
my tongue very slowly i licked his slit as though savoring ice cream his eyes clouded and like a
2403
03:55:13,320 --> 03:55:21,800
tornado blasting my body his dark heady and downright predatory lust hit me full on in that moment
2404
03:55:21,800 --> 03:55:29,240
i knew we were going to fuck i tipped forward and swallowed the cock again even deeper this time
2405
03:55:29,240 --> 03:55:33,880
and watched with satisfaction as his mouth slackened and he let out a moan of approval
2406
03:55:34,760 --> 03:55:41,800
bloody hell you're good he said grinding his real cock against me and hitting my stomach because
2407
03:55:41,800 --> 03:55:47,640
of his height i knew the moment i came so hard just by looking into your eyes you were special
2408
03:55:47,960 --> 03:55:55,320
he pulled the fake cock out and his lips hit down on mine hard and insistent his tongue
2409
03:55:55,320 --> 03:56:00,840
forced past my teeth but i fought him at his own game plunged my tongue into his hot black
2410
03:56:00,840 --> 03:56:08,280
coffee wetness and wrapped my arms around his neck big solid bicep squeezed my torso and my
2411
03:56:08,280 --> 03:56:17,480
feet lifted from the floor you want the real thing he said between kisses yes i managed but
2412
03:56:17,480 --> 03:56:25,560
not in my mouth where you know where he sat my behind at the feet end of the high bench
2413
03:56:25,560 --> 03:56:33,320
and cupped my face i want to hear you say it my hands drifted down his rock solid pecs to his
2414
03:56:33,320 --> 03:56:40,920
belt with filthy intentions oozing from my fingertips no he grabbed my wrists not until
2415
03:56:40,920 --> 03:56:48,680
you tell me where you want me i want you i licked my lips and narrowed my eyes in my pussy
2416
03:56:49,880 --> 03:57:01,000
cunt he said in a voice so deep it was a growl i want you to say cunt okay cunt i want your cock
2417
03:57:01,000 --> 03:57:09,400
in my cunt my heart surged with the dirtiness of the words saying them in front of theo about theo
2418
03:57:09,400 --> 03:57:15,560
was like having a shot of adrenaline injected into my clit in a sudden frenzy he dragged my
2419
03:57:15,560 --> 03:57:20,680
jeans and knickers from my hips and whisked them so hard from my ankles he yanked me to the tip of
2420
03:57:20,680 --> 03:57:28,440
the bench he kissed me again hard and appreciatively sucking and licking my neck nipping my nipples
2421
03:57:28,440 --> 03:57:35,320
through my sweater i ran my hands over his shoulders and lay back his bite stung but i knew what was
2422
03:57:35,320 --> 03:57:41,160
coming would hurt a whole lot more his hands were fiddling under the bench i heard the clunk
2423
03:57:41,160 --> 03:57:46,920
of unfolding metal and the next thing i knew my feet were simultaneously lifted into the stirrups
2424
03:57:46,920 --> 03:57:52,680
i kept for making vulva moldings perfectly positioned to keep ladies legs high and dry
2425
03:57:52,680 --> 03:57:58,920
with their butts perched over the edge theo stepped between my spread legs and stared down at my
2426
03:57:58,920 --> 03:58:05,000
intimate folds if i hadn't been so insanely turned on i would have squirmed with self-consciousness
2427
03:58:05,000 --> 03:58:12,680
at being so exposed i've been vulnerable in front of you he said quietly and at your mercy
2428
03:58:13,240 --> 03:58:18,920
it was the hottest thing i've experienced in a long time and i want you to experience that too
2429
03:58:20,120 --> 03:58:24,440
he reached out a finger and brushed it through my tight curls of scarlet pubic hair
2430
03:58:25,560 --> 03:58:29,400
glad it's your natural color he said with an approving nod
2431
03:58:29,720 --> 03:58:35,160
my hips twitched as he sank to his knees and flicked his tongue over my desperate
2432
03:58:35,160 --> 03:58:40,920
clit i groaned and stretched my arms above my head as a roll of thunder rattled the studio
2433
03:58:42,040 --> 03:58:47,800
his rain cool fingers rimmed my entrance exploring and spreading my juices into every
2434
03:58:47,800 --> 03:58:54,440
secret place he began to suck greedily on my nub and i whimpered and shoved my hips onto his face
2435
03:58:54,440 --> 03:59:02,120
as far as constraints would allow don't come not yet he ordered licking his way down my inner thigh
2436
03:59:03,080 --> 03:59:10,200
not until i say just like you controlled me but his tongue tangled with my clit
2437
03:59:10,200 --> 03:59:15,560
and he began stretching my vagina pumping in two thick fingers and scissoring them to release
2438
03:59:15,560 --> 03:59:22,920
tight tissue my flesh quivered the sensations were overwhelming an orgasm was beginning to build
2439
03:59:23,000 --> 03:59:29,400
preparing to erupt his hot body loomed over mine again and i groaned at the loss of his
2440
03:59:29,400 --> 03:59:35,160
expert attentions between my legs he kissed my mouth and i tasted myself on his lips
2441
03:59:35,800 --> 03:59:39,640
i felt the cool head of the dildo at my entrance before it drove in an inch
2442
03:59:40,760 --> 03:59:47,720
no i want the real thing i said squirming the dildo slipped down and exerted a firm pressure
2443
03:59:47,720 --> 03:59:54,760
on my anus in reflex i bucked at the shocking sensation but was unable to move away what about
2444
03:59:54,760 --> 04:00:03,160
here he rumbled no i whimpered my mind spinning at the dirty forbidden yet disturbingly exciting
2445
04:00:03,160 --> 04:00:11,640
suggestion next time he said his voice low and decidedly dangerous you'll take us both
2446
04:00:12,600 --> 04:00:17,480
my sphincter fizzed at the impossible thought of being fucked and buggered at the same time
2447
04:00:18,520 --> 04:00:25,720
hail pounded the skylights please i begged my voice needy and desperate even to my own ears
2448
04:00:26,440 --> 04:00:33,720
the real thing in my cunt the dildo clattered the floor with an unintelligible grunt
2449
04:00:33,720 --> 04:00:39,240
he unzipped his trousers and shoved the hot hard head of his glorious prick against my pussy
2450
04:00:40,200 --> 04:00:46,840
i groaned utterly at his mercy no longer caring if he took his time or slammed into my fraught body
2451
04:00:47,880 --> 04:00:54,200
it seemed slamming was on the agenda in one hard pumping thrust he buried it to the hilt
2452
04:00:54,920 --> 04:01:01,400
shoving it in until his balls rammed against my spread ass i cried out as my vaginal muscles
2453
04:01:01,400 --> 04:01:08,040
spasmed in protest pain and pleasure mixing in a confusing cocktail of bliss sweet flames
2454
04:01:08,120 --> 04:01:16,040
licking me from the inside out fuck you're so tight he hissed bending forward shoving up
2455
04:01:16,040 --> 04:01:22,120
my sweater and sucking my nipples through my thin bra i arched my back and flexed my neck
2456
04:01:22,840 --> 04:01:30,120
hand still above my head i gripped the sides of the bench i was being impaled it was agonizingly
2457
04:01:30,120 --> 04:01:36,920
magnificent where his tongue had left off his pubic bone took over grinding and slamming onto
2458
04:01:36,920 --> 04:01:44,200
my delicate needy bud as he withdrew and then thrust back in an orgasm was rushing to meet me
2459
04:01:44,200 --> 04:01:51,240
with all the grace of a steam train gripping my chest and somersalting my stomach he shifted upright
2460
04:01:51,240 --> 04:01:56,760
between my raised legs the high bench in ideal height for him to stand tall whilst he fucked me
2461
04:01:57,480 --> 04:02:03,480
i watched his head tip back his neck tendons thick like cords as a flash of lightning streaked
2462
04:02:03,480 --> 04:02:09,560
overhead he looked down at where we joined wrapped his fingers around my bare hips and
2463
04:02:09,560 --> 04:02:16,760
rammed me harder onto his concrete cock watching the erotic action with blazing eyes i curled
2464
04:02:16,760 --> 04:02:22,920
forward and gripped his wrists he was filling me entirely he was so deep i could feel him nudging
2465
04:02:22,920 --> 04:02:29,480
my diaphragm and my breaths had to hitch in time with his frantic thrusts i tried to speak but couldn't
2466
04:02:29,560 --> 04:02:36,760
form coherent words and the sound emerged as a wail of pleasure he bent over me again pressing me
2467
04:02:36,760 --> 04:02:45,240
backward i'm gonna come for christ's sake join me this time i didn't need to be asked the orgasm
2468
04:02:45,240 --> 04:02:51,560
was there for the taking by bending forward he'd shifted the folds of my sex and my clit was in
2469
04:02:51,560 --> 04:02:58,680
maximum connection with his surging body this combined with the colossal dick stabbing my pussy
2470
04:02:58,680 --> 04:03:07,000
had me on my way to heaven i stopped kissing him lost to everything but ecstasy it hovered
2471
04:03:07,000 --> 04:03:14,520
it flew and then crashed through me i clenched his dick relentlessly over and over pulling him
2472
04:03:14,520 --> 04:03:21,400
higher squeezing him tighter he froze at the highest point and then pulsated wildly within me
2473
04:03:22,120 --> 04:03:28,760
fuck yes he groaned scooping his arms under my shoulders and pinning me to his chest in a
2474
04:03:28,760 --> 04:03:36,360
vice-like grip i opened my eyes body trembling insides convulsing and legs shaking in their
2475
04:03:36,360 --> 04:03:42,840
suspended position he lifted his head and looked into my day's eyes a sheen of sweat
2476
04:03:42,840 --> 04:03:51,960
sparkled on his brow that he said breathlessly a ghost of a smile dancing on his lips is my idea
2477
04:03:51,960 --> 04:03:59,640
of body molding rapture by angela caperton
2478
04:04:02,360 --> 04:04:08,520
there's nothing to do but wait robert said as they watched the full moon rise you think he's
2479
04:04:08,600 --> 04:04:14,360
coming robert margaret asked her voice softer than the october breeze that blew from the river
2480
04:04:14,360 --> 04:04:21,320
and tugged her long brown hair course he is you remember what brother william said today's the
2481
04:04:21,320 --> 04:04:27,800
day of our deliverance margaret shifted her weight carefully as she braced the low heel of her shoe
2482
04:04:27,800 --> 04:04:33,960
against a shingles edge her flowing white woolen robe which had clung so pleasantly in the afternoon
2483
04:04:34,520 --> 04:04:39,880
now seemed insufficient against the chill of night i figured he'd come in the daytime
2484
04:04:40,840 --> 04:04:47,720
no man can name the hour robert replied his voice starting out strong but ending soft
2485
04:04:48,760 --> 04:04:53,880
in the heat of day he had gathered his robe around his waist but now he unrolled it over
2486
04:04:53,880 --> 04:05:01,720
his cotton trousers but brother william named the day she said carefully tucking her legs under her
2487
04:05:02,440 --> 04:05:10,120
the day's over robert and here we are robert turned toward her the last purple of twilight
2488
04:05:10,120 --> 04:05:16,520
shining in the black thatch of his rough cut hair in the deepening shadows she could not see his eyes
2489
04:05:17,080 --> 04:05:22,200
but she knew the look that would be in them an expression of earnest innocence that melted her
2490
04:05:22,200 --> 04:05:28,360
heart she had studied his eyes all day since their early morning ascent to the high roof
2491
04:05:29,160 --> 04:05:33,400
now in the shadows she thought again of when she first saw the light in them
2492
04:05:33,400 --> 04:05:39,160
at the meeting in late summer in dutch cooper's field the withering heat of that august night
2493
04:05:39,160 --> 04:05:46,440
nearly melted bodies together but by lantern light in the 1844th year of the millennium
2494
04:05:46,440 --> 04:05:52,280
brother william brought the word of god to samuels fairy and everyone witnessed that rapture was at
2495
04:05:52,280 --> 04:05:59,880
hand and the chosen will be taken up the gray giant preached his voice like thin thunder
2496
04:05:59,880 --> 04:06:06,920
reedy with age but strong as his faith the day has been given to me and those who will be saved
2497
04:06:06,920 --> 04:06:12,360
shall know the truth when they shall hear it and he who does not hear shall be destroyed
2498
04:06:13,480 --> 04:06:19,960
margaret's heart raced when his voice rose as the congregation cried their joy and in a proclamation
2499
04:06:19,960 --> 04:06:25,320
margaret knew to be god's own brother william shared with them with the residents of samuels
2500
04:06:25,320 --> 04:06:33,080
fairy the time of god's coming margaret barely drew breath she'd live to see him she'd be one of
2501
04:06:33,080 --> 04:06:39,400
the chosen for she had heard brother william's words she had been chosen and nothing nothing
2502
04:06:39,400 --> 04:06:46,200
could make her feel more worthy more blessed robert had been on the bench beside her his hand
2503
04:06:46,200 --> 04:06:53,080
had slipped into hers warm and alive the pads a little rough but not unpleasant his thumb
2504
04:06:53,080 --> 04:06:58,440
stroked the back of her hand and little ripples of pleasure stitched their way across her arms and
2505
04:06:58,440 --> 04:07:04,520
into her breasts she had looked at their joint hands and then into his face the deep water blue
2506
04:07:04,520 --> 04:07:10,520
of his eyes his dark hair raggedly shorn but intriguingly complementary to the strong angles
2507
04:07:10,520 --> 04:07:16,520
of his smiling face he wore brown trousers and his thin shirt was clean except for the wet stains
2508
04:07:16,520 --> 04:07:21,960
at his armpits but margaret couldn't hold that against him every man and woman in the field
2509
04:07:21,960 --> 04:07:29,160
had those stains she smiled at him grinning foolishly her breasts ached and her cheeks burned for a
2510
04:07:29,160 --> 04:07:35,560
moment then she looked away from the stranger beside her and back at brother william his every word
2511
04:07:35,560 --> 04:07:44,200
a ringing revelation she had been chosen and she'd never felt more alive that had been eight weeks
2512
04:07:44,200 --> 04:07:48,760
ago and since then most of the brothers and sisters who had been at the meeting in dutch
2513
04:07:48,760 --> 04:07:54,600
cooper's field fell back into their sinful ways only a few remaining faithful to mark the passage
2514
04:07:54,600 --> 04:08:00,840
of days through summer fire and into the misty days of autumn the dozen remaining faithful had
2515
04:08:00,840 --> 04:08:05,800
gathered one october morning on the edge of town and walked in robe procession to the old
2516
04:08:05,800 --> 04:08:12,120
hawthorne house on a hill overlooking the ferry three stories high and sturdily decrepit the
2517
04:08:12,120 --> 04:08:17,400
house had been untenanted for a generation and no one stopped the congregation's resolute march
2518
04:08:17,960 --> 04:08:24,120
though several townsfolk gathered to mock solemnly the faithful had climbed a rickety ladder to the
2519
04:08:24,120 --> 04:08:29,240
first floor balcony and then made their way with the rope and pulley set by robert and mr right to
2520
04:08:29,240 --> 04:08:34,840
the very highest peak of the roof which they had quickly discovered was too precarious a perch
2521
04:08:35,800 --> 04:08:40,360
over the course of the morning they had settled in couples and trios on the gable roofs of the
2522
04:08:40,360 --> 04:08:47,160
second floor perching like enormous white doves on the splintering shingles by noon the mockers
2523
04:08:47,160 --> 04:08:52,840
had grown tired and gone back to town and by the middle of the afternoon the faithful had begun to
2524
04:08:52,840 --> 04:08:59,720
grumble by ones and twos that had made their way down the rope until only robert margaret and the
2525
04:08:59,720 --> 04:09:05,720
rights remained then mrs right had grown worried about the children and in the first moments of
2526
04:09:05,720 --> 04:09:11,720
red sunset robert had helped the family down the rope and they had departed with a promise to return
2527
04:09:11,720 --> 04:09:17,720
at the first sound of thunder or trumpets you reckon there will be fire robert asked her
2528
04:09:18,600 --> 04:09:25,880
we'll be taken up before the fire comes she said he smiled at her fired almost feel good
2529
04:09:26,920 --> 04:09:34,520
robert she gasped but in spite of her shock at his blasphemy she giggled the tickle of laughter
2530
04:09:34,520 --> 04:09:40,360
overwhelmed her and she saw robert stiffen he looked down at himself at the white rope he wore
2531
04:09:40,920 --> 04:09:46,840
and his chest began to rise and fall his eyes grew wide and then he too burst out in a deep
2532
04:09:46,840 --> 04:09:51,960
chuckle that merged with her laughter and it echoed along the riverbanks the only possible
2533
04:09:51,960 --> 04:09:59,320
response to the madness of the day we are a pair aren't we margaret robert slowly regained his
2534
04:09:59,320 --> 04:10:05,160
breath and she heard concern in his voice we should have climbed down with the others now
2535
04:10:05,160 --> 04:10:11,880
we'll break our necks if we try or we'll freeze if we stay she moved closer to him put her hand
2536
04:10:11,880 --> 04:10:20,680
on his arm we'll stay she said but we won't freeze she held his arm close against her wedging it
2537
04:10:20,680 --> 04:10:25,640
between her smocked breasts thrilling at the beat of her heart against his strength and warmth
2538
04:10:26,440 --> 04:10:32,520
his breath steamed her forehead and made her smile it would grow colder soon if the eternal
2539
04:10:32,520 --> 04:10:37,800
flames of damnation didn't descend upon the earth and burn the unbelievers to ashes the rights
2540
04:10:37,800 --> 04:10:44,680
included still she could think of no place on earth she would rather be than here with robert
2541
04:10:44,680 --> 04:10:51,080
even if the fires burned her too the comfortable silence that fell between them dragged on until
2542
04:10:51,080 --> 04:10:57,320
the last glimmer of dusk was swallowed by the night the moon watched unashamed and margaret
2543
04:10:57,320 --> 04:11:02,760
wondered what would happen to it when he came would it still be there or would its wicked pull and
2544
04:11:02,760 --> 04:11:09,960
maddening shine be cast out of the sky she hoped not she'd always liked the moon liked how its
2545
04:11:09,960 --> 04:11:17,160
light felt on her skin how it seemed to turn her to warm mist and sometimes when she'd stared at it
2546
04:11:17,160 --> 04:11:23,800
on long summer nights she felt its touch in her most private parts she'd never told anyone about
2547
04:11:23,800 --> 04:11:30,680
the odd tightness in her center or the warm wetness between her legs but she wanted to tell robert now
2548
04:11:30,680 --> 04:11:39,080
should should we pray robert he shifted some wrapping his arms around her and pulling her
2549
04:11:39,080 --> 04:11:44,040
closer to him as he braced his feet to hold them in the narrow valley where the gable and the roof
2550
04:11:44,040 --> 04:11:52,200
met quietly I guess wouldn't want to wake the neighbors the laughter came again not so deep
2551
04:11:52,200 --> 04:11:59,160
nor so long and they grew quiet lying face to face close enough now for her to see his eyes
2552
04:11:59,160 --> 04:12:05,080
like lakes with the rising moon reflected he leaned close and whispered against her ear
2553
04:12:05,080 --> 04:12:12,600
his lips warm our father who art margaret closed her eyes and echoed his words and
2554
04:12:12,600 --> 04:12:18,520
hushed whispers she felt the feather of his breath on her cheek and then their noses bumped
2555
04:12:18,520 --> 04:12:23,400
and she felt the breath on her lips the prayers almost silent because her breath was gone
2556
04:12:23,640 --> 04:12:31,320
her heart pounded as robert's mouth closed over hers firm moist he pressed against her
2557
04:12:31,880 --> 04:12:39,000
not the chased pack of brother and sister but a kiss her lips parted welcoming him
2558
04:12:39,560 --> 04:12:44,280
her arms circling him as she felt the first delicious stroke of his tongue along hers
2559
04:12:45,160 --> 04:12:50,680
a giddy feeling bolted through her and for a moment she knew the sense of certain damnation
2560
04:12:50,840 --> 04:12:58,520
then her arms wrapped around his chest her fingers grew lost in his hair and a groan of desire
2561
04:12:58,520 --> 04:13:05,400
the most joyous amen margaret had ever heard filled her ears his hands found her breast
2562
04:13:05,400 --> 04:13:11,880
under the thin ascension robe and the shift she wore beneath it wetness returned between her legs
2563
04:13:11,880 --> 04:13:17,560
along with surging heat and as the moon glittered in the sky margaret felt herself under its spell
2564
04:13:18,360 --> 04:13:24,280
she pressed hard against him their robes tangling his hands caressed her back
2565
04:13:24,280 --> 04:13:30,200
one slipping down over her bottom impatient with the pale wool the heat of his palm burned
2566
04:13:30,200 --> 04:13:36,680
through her linen shift as he worked the dress of her calf then her thigh the kiss never relaxed
2567
04:13:36,680 --> 04:13:44,760
never ceased to demand and give his hellfire hand ran up the bare skin of her leg lingering at the knee
2568
04:13:44,840 --> 04:13:50,520
then climbing fast and certain up her thigh to the place no man had ever touched before
2569
04:13:51,080 --> 04:13:57,160
but where she had stroked sometimes on the most lunatic of nights her breath disappeared
2570
04:13:58,040 --> 04:14:03,000
when his fingers found the wetness between her legs she gasped and bit him in her shock
2571
04:14:03,640 --> 04:14:09,880
tasting the blood on his lips he did not seem to feel it the eternal kiss breaking only for a
2572
04:14:09,880 --> 04:14:15,080
moment then continuing slippery and salty and even more fevered than before
2573
04:14:16,440 --> 04:14:24,200
his finger entered her parting the folds easily and he pushed sliding in and out slowly spreading
2574
04:14:24,200 --> 04:14:33,000
the wetness smearing it damnation she thought but she bent her leg opening wider to let him in
2575
04:14:33,000 --> 04:14:39,880
he broke the kiss and she lunged at him caught his jaw between her teeth clenched a moment and
2576
04:14:39,880 --> 04:14:46,360
then kissed upward nestling his ear while his hand continued its low assault parting the folds
2577
04:14:46,920 --> 04:14:52,280
playing at the secret center of her pleasure until a tide washed over her she shivered and
2578
04:14:52,280 --> 04:14:58,040
bucked slowly against him astonished that any touch should feel so good and that a man might
2579
04:14:58,040 --> 04:15:04,280
know the manner to bring about such ecstasy Margaret cried out and the moon spun in heaven
2580
04:15:05,560 --> 04:15:13,080
she saw it then his gift the perfect beauty of the sky the silver circle the shattered
2581
04:15:13,080 --> 04:15:19,480
crystalline splendor of the stars the whispering wind its breath cool on her bare wet thigh
2582
04:15:20,360 --> 04:15:29,160
this pleasure this love trembling she turned moving against him her robe and impediment now
2583
04:15:29,880 --> 04:15:36,200
she cast it away only the shift between her and the sacred night and she reached under his robe
2584
04:15:37,320 --> 04:15:43,240
his hands played on her arms and shoulders and she felt the heat of his gaze though his face lay in
2585
04:15:43,240 --> 04:15:50,200
shadows she heard the whisper of his hastened breath like a new hymn the buttons of his trousers
2586
04:15:50,200 --> 04:15:56,760
were big and easily undone the pants joining their robes his fingers worked the buttons of his shirt
2587
04:15:56,760 --> 04:16:03,720
quickly opening the front exposing his chest Margaret had never seen a man unclothed before
2588
04:16:03,720 --> 04:16:08,440
but mrs. Wright had told her men's members were much the same as a horse preparing to mount a mare
2589
04:16:09,400 --> 04:16:13,160
she wondered for a moment if the miracle at her fingertips was the right thing
2590
04:16:13,800 --> 04:16:19,640
for it was nothing like a horse's member roberts was pale as parchment in the moonlight
2591
04:16:20,280 --> 04:16:27,240
softer than a velvet hat and warm as an ember hardening even as she freed it though it was very
2592
04:16:27,240 --> 04:16:35,320
hard already she felt no shame no sin only a feeling of her heart that blossomed through every cell
2593
04:16:35,320 --> 04:16:42,440
of her body and a pool of heavy liquid heat between her legs her fingers traced the soft ridge of a
2594
04:16:42,440 --> 04:16:49,640
vein following it from the stiff curly hair up the shaft to a line of wrinkled skin and the satin
2595
04:16:49,640 --> 04:16:58,040
soft edge of the emergent bulbous tip margaret robert groaned his head thumping back against the
2596
04:16:58,040 --> 04:17:04,840
shingles she sat up and peered down at the hard flesh in her hand in a shining ray of moonlight
2597
04:17:04,840 --> 04:17:11,880
glistening on top a shimmering drop crowned its glory margaret reached out rubbed the moist
2598
04:17:11,880 --> 04:17:18,680
gem between thumb and forefinger and then brought it to her lips she touched her fingers to her tongue
2599
04:17:18,680 --> 04:17:25,480
as she might taste a mysterious kitchen spill to determine salt or sugar the tang of it shocked her
2600
04:17:25,480 --> 04:17:30,760
and following a whim she lowered her head and reached out to the slick moonlit plum with her
2601
04:17:30,760 --> 04:17:37,240
lips and the tip of her tongue robert's head fell against the roof again and the loud rap
2602
04:17:37,240 --> 04:17:43,880
brought margaret's attention back from her exploration robert are you all right he sat up
2603
04:17:43,880 --> 04:17:49,800
beside her and stared for only a moment with smooth grace he caught the edge of her shift in his
2604
04:17:49,800 --> 04:17:56,760
hands pulled it over her head and exposed her to the night the air's chill evaporated as robert
2605
04:17:56,760 --> 04:18:03,800
pulled her heart against him he rolled carefully his bare legs and chest blanketing her his kiss
2606
04:18:03,800 --> 04:18:12,360
long and deep his tongue delving as if he sought her soul stroking coaxing beseeching her arms
2607
04:18:12,360 --> 04:18:18,280
encircled him under his shirt fingers thrilling at his skin and the hard muscles beneath she
2608
04:18:18,280 --> 04:18:24,200
returned his kiss with equal fire knowing their path had but one destination heaven
2609
04:18:25,160 --> 04:18:31,080
he lowered his head and took the tip of her breast between his lips a sigh rose in her throat
2610
04:18:31,080 --> 04:18:37,400
but she clamped her lips against its release she gripped his head gently holding while his tongue
2611
04:18:37,400 --> 04:18:43,640
tortured her with small whipping circles around the taut flesh the hard length of his cock pressed
2612
04:18:43,640 --> 04:18:50,440
against her thigh the dewy head making a sticky ring to bind them together his hands roamed over her
2613
04:18:51,160 --> 04:18:57,560
stroking exploring testing and tempting her skin became less than missed between them
2614
04:18:58,120 --> 04:19:05,640
she felt every stroke every nip every kiss in her blood when his fingers returned to the wet folds
2615
04:19:05,640 --> 04:19:11,560
she arched her hips against them in treating praying for their judgment with every squirm every
2616
04:19:11,560 --> 04:19:19,560
writhe two fingers slipped easily into the chalice wet with her wine such miraculous fingers such
2617
04:19:19,640 --> 04:19:26,680
knowing he found the button tested the hardness of it the sensitized flesh a gate to paradise
2618
04:19:27,320 --> 04:19:33,400
he stroked teased coaxed until margaret saw again the promised land of blinding light
2619
04:19:34,360 --> 04:19:41,160
but then robert stopped she whimpered a starving soul denied bread and clutched at him as if he
2620
04:19:41,160 --> 04:19:48,200
were all that buoyed her from drowning his warm breath looked her ear margaret i love you
2621
04:19:48,200 --> 04:19:55,160
he moved fully over her his legs and hips between hers the hard length of his cock
2622
04:19:55,160 --> 04:20:01,720
pulled sticky from her thigh breaking the slick suction it had formed there for a moment panic
2623
04:20:01,720 --> 04:20:08,200
filled her was he leaving her then the cushioned rock of his prick pushed along the line of her
2624
04:20:08,200 --> 04:20:16,440
sex worshiping the gate before pressing sure and steady beyond the threshold brilliant ripples
2625
04:20:16,440 --> 04:20:23,560
of pleasure shot through her as he pushed the bulbed head into her into her her legs wrapped
2626
04:20:23,560 --> 04:20:30,360
around him unfolding his body and welcome as he paused just within margaret knew there was more
2627
04:20:30,360 --> 04:20:37,480
room she remembered his fingers and her own and she wanted him all the way in robert's breath
2628
04:20:37,480 --> 04:20:44,200
hissed and harsh rasps she cupped his face in her hands and drew him to her her lips met his
2629
04:20:44,200 --> 04:20:50,360
and melted them together a bridge between their souls her tongue tangled joyfully with his and
2630
04:20:50,360 --> 04:20:56,680
the ethereal place that was neither him nor her and with a commanding pin of her tongue beneath his
2631
04:20:57,240 --> 04:21:04,760
robert's weight settled upon her and his long hard cock slid like silk deep within her deeper
2632
04:21:04,760 --> 04:21:11,720
than fingers had ever been a sharp rending pain shot through her but the pain dulled in the fullness
2633
04:21:11,720 --> 04:21:19,560
of robert's motion slow at first careful not to hurt her then quickening slippery and ever deeper
2634
04:21:20,360 --> 04:21:27,480
she thought of hymns of the pulse of the piano she'd heard in church steady true the bass chords
2635
04:21:27,480 --> 04:21:34,040
that kept the time of the song robert's hips moved against her sliding his cock into her
2636
04:21:34,040 --> 04:21:40,920
pulling it back until it almost left her completely she felt every stroke the steady fullness inside
2637
04:21:41,720 --> 04:21:47,480
then the nearly heartbreaking removal of his flesh she kissed him landing her praise and
2638
04:21:47,480 --> 04:21:54,760
her thanks upon whatever skin met her mouth shoulders neck lips cheek his breath puffed
2639
04:21:54,760 --> 04:22:01,000
like a running stallions as he thrust into her long and vital his desire for her manifest in
2640
04:22:01,000 --> 04:22:07,480
each tensing of his buttocks each grind of his hips at each stroke each inner caress
2641
04:22:08,040 --> 04:22:15,560
margaret's flesh expanded flourished a sensation grew within her a sister to her earlier bliss
2642
04:22:15,560 --> 04:22:22,360
but more intense more divine he pulled away from her but stayed fused to her hips
2643
04:22:22,360 --> 04:22:28,120
his cock a stake within the ground of her body he carefully settled upon his knees
2644
04:22:28,120 --> 04:22:33,640
his toes against the edge of the roof he gripped her hips and pulled her even more tightly against
2645
04:22:33,640 --> 04:22:39,560
his own then drove into her again finding her center with the precision of a smith striking
2646
04:22:39,560 --> 04:22:45,560
an edge she arched against the shock and gasped his fingers found the button and manipulated it
2647
04:22:45,560 --> 04:22:52,440
as he slid in and out of her her eyes closed as her spirit and mind sang with the sensations of
2648
04:22:52,440 --> 04:22:59,320
her body each satin hard invasion pushed her closer to transcendence her muscles tightened
2649
04:22:59,320 --> 04:23:05,800
around his cock and robert's breath expelled in a cracked growl he thrust hard a trimmer of
2650
04:23:05,800 --> 04:23:12,840
enchanting pain pushing a cry from her lips he stayed there completely buried flushed and heavy
2651
04:23:12,840 --> 04:23:22,440
inside her sweet jesus margaret robert whispered before he withdrew slow almost fully then slid
2652
04:23:22,440 --> 04:23:28,760
into her again harder the rhythm urgent flashing as if he might die before reaching the finish
2653
04:23:29,560 --> 04:23:34,760
and all the while his thumb plated the swollen button and drowned margaret with sensation
2654
04:23:35,320 --> 04:23:42,520
jarring frenzied wild until the slick pumping turned her visions to gold and the moon above
2655
04:23:42,520 --> 04:23:48,840
became nothing but a pale cousin to the ecstasy that exploded through her body she cried out
2656
04:23:48,840 --> 04:23:55,880
singing her joy to robert to the stars overwhelming pleasure engulfed her brazed her burned her to
2657
04:23:55,880 --> 04:24:03,400
centers and rippling waves of blissful heat he thrust twice more his breath so ragged margaret
2658
04:24:03,400 --> 04:24:09,000
worried after his health as his weight pushed her against the roof and she overflowed a warm
2659
04:24:09,000 --> 04:24:15,160
thick trickle of his spend leaked out and quickly cooled against her buttocks she opened her eyes
2660
04:24:15,160 --> 04:24:23,640
and looked up at the moon smiling awestruck at how beautiful she felt how divine they did not sleep
2661
04:24:24,120 --> 04:24:29,240
but made love twice more before the dawn when the morning's red light cast the shadow of the
2662
04:24:29,240 --> 04:24:34,920
hawthorn house and long black ripples on the rolling edge of the river they sat up and watched the
2663
04:24:34,920 --> 04:24:42,920
world turn golden naked they were like adam and eve awake in the new day and a weary reluctance
2664
04:24:42,920 --> 04:24:48,520
touched her heart as she slipped on her shift and folded the ascension robe she would not wear it again
2665
04:24:48,520 --> 04:24:55,800
Robert eased on his trousers and she sighed as she watched his miraculous cock the rod of
2666
04:24:55,800 --> 04:25:03,080
his dominion vanish beneath the coarse cotton her eyes met his and she saw there all the
2667
04:25:03,080 --> 04:25:09,880
things she felt in her own heart no disappointment doll no regret only rapture
2668
04:25:10,520 --> 04:25:16,840
Belted by Rachel Kramer bustle
2669
04:25:19,320 --> 04:25:25,560
you'd never know the belt is there by looking at him it's lost between his shirt and his pants
2670
04:25:25,560 --> 04:25:33,080
tucked away hidden pulled close serving a dual purpose you'd never know it's there unless he
2671
04:25:33,080 --> 04:25:39,560
made a point of showing you and he does often a hand resting there as a reminder in public
2672
04:25:40,120 --> 04:25:45,480
an intimation of what will happen in private you have no idea how many other girls he makes
2673
04:25:45,480 --> 04:25:50,760
a point of showing it to but the reason you keep returning is that when you're with him
2674
04:25:50,760 --> 04:25:57,240
you don't care about the other girls there could be hundreds thousands even as long as he looks at
2675
04:25:57,240 --> 04:26:04,120
you the way he does when he unbuckles and unfurls the soft worn brown leather then coils the belt
2676
04:26:04,520 --> 04:26:09,160
purposely around his hand you can let yourself believe he wears it just for you
2677
04:26:10,600 --> 04:26:15,560
this isn't the first belt that's been used to strike you there was the boyfriend in college
2678
04:26:15,560 --> 04:26:21,880
who had you bend over skirt against your ankles camera flashing and belt lashing against your
2679
04:26:21,880 --> 04:26:28,920
skin before plunging his oversized cock into your unprepared ass he was all flash and no finesse
2680
04:26:29,640 --> 04:26:35,880
your lover is the opposite or rather flash and finesse mixed together in a dizzying way
2681
04:26:35,880 --> 04:26:41,800
with plenty of substance to back them up he holds the belt like it belongs in his hand
2682
04:26:41,800 --> 04:26:47,000
like it's an extension of him he tells you that he thinks about you every day when he loops it
2683
04:26:47,000 --> 04:26:53,080
through his pants when he touches the cool metal buckle alone in some room or another
2684
04:26:53,880 --> 04:26:59,160
never either of your bedrooms your body reacts before you have time to consider its wisdom
2685
04:26:59,160 --> 04:27:05,640
when you see him reaching for the buckle after all you know from experience that could mean anything
2686
04:27:05,640 --> 04:27:11,240
he's giving you his cock to suck he's going to shackle your arms behind your back he's going to
2687
04:27:11,240 --> 04:27:17,080
pull your hair hard and slap your face until you cry he's going to beat you until your skin is
2688
04:27:17,080 --> 04:27:23,560
heated from the outside in all of these are possibilities and all of these bring you pleasure
2689
04:27:24,200 --> 04:27:30,200
but you hope it's the latter the belt is able to speak in ways that even the both of you
2690
04:27:30,200 --> 04:27:37,480
wordsmiths by trade cannot always do the belt is not a toy for foreplay but a separate part
2691
04:27:37,480 --> 04:27:43,800
of your sex life one that may appear at any moment its presence lurks while you casually sip your
2692
04:27:43,800 --> 04:27:50,280
drinks at the bar hidden but powerful your fingers are itching to stroke it if only so they can be
2693
04:27:50,280 --> 04:27:57,160
slapped away you never know if he will bring it out how he will use it how much of the belt and
2694
04:27:57,160 --> 04:28:04,360
himself he will give you you try not to be greedy but you hope it'll be a moment like this your
2695
04:28:04,360 --> 04:28:09,880
sore from having his cock inside you from him holding you down from his hand crushing your neck
2696
04:28:10,680 --> 04:28:18,280
sore in a good way so you almost don't even miss the belt almost you never have much time
2697
04:28:18,280 --> 04:28:23,480
can never stay overnight have to steal hours out of other people's schedules to accommodate this
2698
04:28:23,480 --> 04:28:29,000
affair so you learn to take what you can get you're wondering when he will have to leave
2699
04:28:29,640 --> 04:28:35,160
when this spell of lust will fade back into real life when he reaches for the belt from the floor
2700
04:28:36,120 --> 04:28:42,280
turn over he tells you and you roll onto your stomach your pale backside before him
2701
04:28:43,240 --> 04:28:49,000
your face is turned away from him sunken into the softness of the pillow freshly washed hair
2702
04:28:49,000 --> 04:28:55,160
now tousled and messy the tip of the belt rests against your newly shaped lips as you hear the
2703
04:28:55,160 --> 04:29:02,200
words spread your legs you do because you always do because this is what your relationship is about
2704
04:29:02,840 --> 04:29:10,680
he orders you obey and you both like it like that your hands instinctively curl around the pillow
2705
04:29:11,240 --> 04:29:17,640
long nails digging into the cotton and feathers as you wait the belt strikes the air and you shiver
2706
04:29:18,200 --> 04:29:25,160
feeling a breeze that may be a phantom one or may be very very real the next sound you hear
2707
04:29:25,160 --> 04:29:31,240
coincides with the strike of the belt on your cheeks both of them a slice that takes a moment
2708
04:29:31,240 --> 04:29:38,440
to process before you say the words almost automatically thank you there's never a your
2709
04:29:38,440 --> 04:29:45,480
welcome or rather not a verbal one it's implied by the next stinging strike by the fact that
2710
04:29:45,480 --> 04:29:52,040
you're deemed worthy at all he doesn't talk then is almost solemn as you wait for it to be over
2711
04:29:52,040 --> 04:29:57,560
with equal parts dread and glee but those kinds of smacks aren't what make you come
2712
04:29:58,520 --> 04:30:04,120
no that's saved for when he makes you cry you turn over and open your eyes for a moment to
2713
04:30:04,120 --> 04:30:10,040
look at him hovering over you you marvel that you can feel so close when he's not touching you with
2714
04:30:10,040 --> 04:30:17,080
his body at all the belt is capable of magic you start to shiver once you realize what's going to
2715
04:30:17,080 --> 04:30:23,160
happen that the belt is not just teasing your lips with a kiss though you pucker up when it approaches
2716
04:30:23,160 --> 04:30:30,280
then the belt moves on to its real work kissing your other set of lips harder the equivalent
2717
04:30:30,280 --> 04:30:36,520
of a shove you against the wall bruising kiss this kiss is merely an introduction a warm up
2718
04:30:37,160 --> 04:30:42,440
you know what's coming and even though you want it you press your legs together involuntarily
2719
04:30:42,440 --> 04:30:47,800
until he barks at you to put them back you shut your eyes because you know you can't watch this
2720
04:30:48,360 --> 04:30:53,720
your hands are twisted above your head clinging to each other for some kinky version of safety
2721
04:30:54,280 --> 04:31:01,800
you focus on keeping your legs open all of you exposed when the belt strikes there right there
2722
04:31:02,440 --> 04:31:08,920
you don't quite scream it's more of a strangled garbled cry your hand automatically goes to
2723
04:31:08,920 --> 04:31:17,240
cover the sting to cradle yourself you finally get a good girl you try to turn over to curl into a
2724
04:31:17,240 --> 04:31:23,560
ball but you're not allowed or rather your desire to prove yourself wins out over your desire to
2725
04:31:23,560 --> 04:31:30,600
stop what's coming you didn't travel for hours just to shy away from the pain but you almost forget
2726
04:31:30,600 --> 04:31:36,520
that when the next blow strikes you wonder how the tender skin between your legs can stand that force
2727
04:31:37,080 --> 04:31:42,600
and then you stop wondering when the belt moves upward to your breasts your pebbled nipples no
2728
04:31:42,600 --> 04:31:49,080
match for the blows you arch your back and thrust upward even though inside you want to cower
2729
04:31:49,960 --> 04:31:55,240
you reluctantly remember telling him you wanted bruises there marks you could proudly reveal with
2730
04:31:55,240 --> 04:32:01,880
a hint of cleavage a well-timed reveal as you lean over on the train you still want the marks but
2731
04:32:01,880 --> 04:32:07,240
breathe deep through your nose twist your fingers more tightly around each other to get through them
2732
04:32:07,880 --> 04:32:12,520
you bite your lip as the sweet pain of the belt heats your chest and wanders downward
2733
04:32:13,240 --> 04:32:18,440
you almost get used to the rhythm your nipples stubbornly rising after each blow
2734
04:32:19,640 --> 04:32:25,320
then it's back down back to the place that no longer feels like you're cunt not the way it's
2735
04:32:25,320 --> 04:32:31,480
being set afire again and again these lashes aren't as swift as the ones against your breasts
2736
04:32:31,480 --> 04:32:39,320
but they are sure steady he's not twice your size for no reason and each slap strikes precisely
2737
04:32:39,320 --> 04:32:46,360
where he wants it to the tears finally appear in the form of sobs traveling fast through your body
2738
04:32:46,360 --> 04:32:52,520
a current of energy you use to sustain yourself through the last few lashes you'd think that pain
2739
04:32:52,520 --> 04:32:59,240
would be a little more subdued the pussy's diminishing law of returns but no you feel every
2740
04:32:59,240 --> 04:33:04,760
ounce of force he uses for each stroke every bite of the leather into your inner thighs
2741
04:33:04,760 --> 04:33:10,440
against your wetness you have a vision of the belt wrapped around your throat the buckle cold
2742
04:33:10,440 --> 04:33:16,200
against your skin as you stare deep into his eyes but that was another time another place
2743
04:33:17,000 --> 04:33:23,160
the next blow has you thrashing so much he has to hold you down is it the belt that makes you come
2744
04:33:23,800 --> 04:33:31,960
the leather the thrash the pain the jolt is it the force behind it is it the noises he makes as
2745
04:33:31,960 --> 04:33:36,920
he does it the hitches of breath that are nothing like your shuttering sobs but our music to your
2746
04:33:36,920 --> 04:33:43,480
ears nonetheless is that what makes you finally go over the edge is it him holding you down
2747
04:33:43,480 --> 04:33:50,600
him promising you pain that may or may not come maybe it's all of it all the forces combining
2748
04:33:50,680 --> 04:33:55,400
to make the orgasm nothing like what you were expecting the kind where your body bonds with
2749
04:33:55,400 --> 04:34:01,960
the belt giving back some of its life force only to have it beaten back into you though you know
2750
04:34:01,960 --> 04:34:08,280
that logically rationally it's impossible you hope the belt has absorbed some of your tears
2751
04:34:08,280 --> 04:34:13,640
has taken them and held on to them for next time has put the pain that you mostly wanted
2752
04:34:13,640 --> 04:34:20,120
but kind of didn't somewhere for safekeeping somewhere he can hold next to his skin anytime
2753
04:34:20,120 --> 04:34:26,920
he desires oh it's not like you really have time to think all that or think anything not then
2754
04:34:27,560 --> 04:34:34,760
the belt is reminding you lash by lash that you must stay open stay ready stay through the
2755
04:34:34,760 --> 04:34:38,840
moments when you don't know how you will get through it stay through the times you don't
2756
04:34:38,840 --> 04:34:44,520
have a chance to take a bracing breath or perform any other magic tricks to turn the pain into something
2757
04:34:44,520 --> 04:34:51,240
else by now even the light touches the strokes of the belt's rough edge against your fleshy inner
2758
04:34:51,240 --> 04:34:57,880
thigh the dance of the musky leather against your cheek are enough to make you shudder like when he
2759
04:34:57,880 --> 04:35:04,280
raises his hand to smack you but stops right before his fingers reach the finish line the effect is
2760
04:35:04,280 --> 04:35:11,320
the same you breathe through your nose a more refined type of breath one granted you by the
2761
04:35:11,320 --> 04:35:17,000
momentary lapse before the belt is between your legs again crashing hard calling forth
2762
04:35:17,000 --> 04:35:25,320
wetness you didn't know you still had pain pleasure obedience pride love hate fear ride
2763
04:35:25,320 --> 04:35:31,080
each other along the waves of your body until you hardly know who you are anymore you've moved
2764
04:35:31,080 --> 04:35:37,080
beyond some simple goal of taking it into somewhere else somewhere you're afraid to look at too closely
2765
04:35:37,160 --> 04:35:43,720
lest it proved to be just a mirage and then almost too fast it's over
2766
04:35:45,000 --> 04:35:49,720
the belt lies limp on the bed and you're allowed to press your legs together again
2767
04:35:49,720 --> 04:35:54,200
to admire the bruises on your chest that you will wind up keeping close like a secret
2768
04:35:55,400 --> 04:36:01,800
you wipe the tears from your cheeks embarrassed but secretly pleased what happens after that
2769
04:36:01,800 --> 04:36:08,520
hardly even matters because that is what will remain not the belt or the pain or the marks
2770
04:36:08,520 --> 04:36:14,440
but the beauty of being transformed by each of them into something new blossoming like the bruises
2771
04:36:14,440 --> 04:36:20,600
on and under your skin traveling with him somewhere far away somewhere magical no one
2772
04:36:20,600 --> 04:36:26,440
else will ever visit where each strike of the belt serves to bind you together in this sensual
2773
04:36:26,520 --> 04:36:31,800
cocoon sealing you in with its heat long after the physical marks drift away
2774
04:36:33,160 --> 04:36:38,680
you hope it'll be something like that but with him you never know what you're going to get
2775
04:36:39,400 --> 04:36:41,880
and you wouldn't have it any other way
2776
04:36:46,200 --> 04:36:49,080
rise and shine by Heidi Champa
2777
04:36:49,480 --> 04:36:59,720
my dress was fierce and so were my shoes the red carpet passed by in a breeze with cameras flashing
2778
04:36:59,720 --> 04:37:05,160
all around me everyone asked who i was wearing and if i thought i had a chance of winning
2779
04:37:05,960 --> 04:37:11,880
i tried to savor the moments but they all seemed to go by in a blur before i knew it
2780
04:37:11,880 --> 04:37:17,000
i was sitting in the velvet seat waiting to hear my name being called by last year's winner
2781
04:37:17,960 --> 04:37:24,120
suddenly everything seemed to slow down the room and all its movement seemed to come to a stop
2782
04:37:25,000 --> 04:37:30,600
the only thing i could hear was the hiss of the microphone before i heard my name echoing off the
2783
04:37:30,600 --> 04:37:39,240
walls i won i actually won i barely felt my feet as i moved to the front walking on a cloud up the
2784
04:37:39,240 --> 04:37:46,360
stairs to the wide golden stage with the trophy pressed into my hands i turned to face my adoring
2785
04:37:46,360 --> 04:37:52,680
public the haze of spotlights made it hard to see the crowd but across the buzzing room
2786
04:37:52,680 --> 04:37:59,000
i could just make out the faces of all my fellow actors honoring me the award felt heavy and warm
2787
04:37:59,000 --> 04:38:05,000
in my hands the tears that pricked the corners of my eyes started to fall gently at first then
2788
04:38:05,000 --> 04:38:12,920
steadier the moment was just sinking in when i felt a finger skim over my pussy lips i looked over
2789
04:38:12,920 --> 04:38:19,080
my shoulder at russell crow and the trophy lady they were too far away to be touching me a shame
2790
04:38:19,080 --> 04:38:25,160
too as the three of us could have had a good time together no this hand seemed to be coming from
2791
04:38:25,160 --> 04:38:33,000
nowhere but it felt so real in an instant i realized it was real my award was the fake
2792
04:38:33,800 --> 04:38:39,720
the dream that had carried me away was fading and weakening at the edges my head was cloudy
2793
04:38:39,720 --> 04:38:46,040
sleepy the hand between my legs was getting through the dreamscape a mouth on my neck was the neck
2794
04:38:46,040 --> 04:38:52,440
sensation to push through the barrier blurring the lines of fantasy and reality the soft lips
2795
04:38:52,440 --> 04:38:58,360
sweeping from my ear to my collarbone were making it hard to finish my acceptance speech the room
2796
04:38:58,360 --> 04:39:05,000
seemed to be getting smaller the lights a lot less bright a pinch of teeth on my soft flesh made me
2797
04:39:05,000 --> 04:39:12,200
wince but i kept on going a light fingertip brush against my clit aroused a gasp from the crowd
2798
04:39:12,200 --> 04:39:17,640
as i tried to continue with my thank you list soon the crowd had disappeared all together
2799
04:39:18,440 --> 04:39:25,560
i tried to open my eyes but they wouldn't budge fingers spread my cunt lips apart but my mind
2800
04:39:25,560 --> 04:39:31,320
still groped for some sense of what was really going on was it coming from my head or next to me
2801
04:39:31,320 --> 04:39:38,600
in the bed when a finger entered my moistening slit i told my body to move nothing happened
2802
04:39:39,560 --> 04:39:46,600
i felt heavy as if trapped underwater thoughts came from my brain moving at slow motion pace
2803
04:39:47,320 --> 04:39:52,920
my body was ignoring my orders the only thing that was getting through was the steady plunge of the
2804
04:39:52,920 --> 04:40:00,680
finger entering my pussy another finger moved inside filling me slowly my head began to grasp
2805
04:40:00,680 --> 04:40:07,720
what was occurring my body was still uncooperative leaving me defenseless against the invading slippery
2806
04:40:07,720 --> 04:40:15,960
digits the sensations of heat and pleasure rolled through me washing over me like a warm bath again
2807
04:40:15,960 --> 04:40:22,680
i tried to move tried to engage with the real world i was trapped between waking and sleep
2808
04:40:22,680 --> 04:40:29,320
unable to get any closer to either one my pussy was filled and aching drowning out all the other
2809
04:40:29,320 --> 04:40:36,440
efforts i was making fighting a losing battle i let go of everything my nipple started to ache
2810
04:40:36,440 --> 04:40:42,760
and tighten a burst of pain followed the gentle tease of pleasure another hand was groping me
2811
04:40:42,760 --> 04:40:50,840
through my tank top then the sensation became hot wet but my eyes refused my repeated request to open
2812
04:40:50,840 --> 04:40:57,160
and reveal my torturer the heat moved away finding my other nipple alone and unattended
2813
04:40:57,960 --> 04:41:04,120
it was then i smelled the sweet tones of his shampoo the sound of his mouth sucking my nipple
2814
04:41:04,120 --> 04:41:11,320
was seeping into my hazy subconscious i could feel reality coming in my body slowly rousing awake
2815
04:41:12,120 --> 04:41:18,200
i wanted to stay in the ether where i could just feel and not think the wetness seeping
2816
04:41:18,200 --> 04:41:25,000
between my thighs and his persistent mouth were making that difficult my body was waking up first
2817
04:41:25,000 --> 04:41:32,440
my mind was slowly following behind his thumb strummed at my clit his tongue moved off my nipples
2818
04:41:33,080 --> 04:41:40,200
they sat hard aching for a squeeze i felt my mouth open but my eyes were still being stubborn
2819
04:41:41,000 --> 04:41:47,480
my body lay limp the safe cover of the blanket gone for a moment or two the sensations were
2820
04:41:47,480 --> 04:41:54,200
all over my body a blurred warm feeling my mind having no idea where it was coming from or where
2821
04:41:54,200 --> 04:42:01,000
it was going until i felt a hot rush sweeping over my pussy it was just like the feeling my
2822
04:42:01,000 --> 04:42:07,560
nipples had been having a few minutes before i knew it must be his tongue on my cunt he kicked up
2823
04:42:07,560 --> 04:42:13,320
the same relentless rhythm on my clit his fingers back inside me with their gentle twist and pull
2824
04:42:14,440 --> 04:42:19,880
i left my eyes closed trying in vain to hold on to the last moments of oblivion
2825
04:42:20,520 --> 04:42:26,840
my body was starting to respond without me rolling my hips into his mouth urging his tongue along
2826
04:42:27,560 --> 04:42:34,120
my thighs spread wider opening me up to his demanding mouth three fingers were thrusting
2827
04:42:34,120 --> 04:42:41,240
inside me bringing me little by little into the waking world for the first time i allowed a moan
2828
04:42:41,240 --> 04:42:48,280
to escape my mouth i could hear him groaning as he stroked me it sounded far away but i could feel
2829
04:42:48,440 --> 04:42:56,280
vibrating against my skin i still didn't open my eyes to see him he left my clit and i moaned
2830
04:42:56,280 --> 04:43:03,080
my disappointment until i felt the wet trail of his tongue tease down to my puckered ass i felt
2831
04:43:03,080 --> 04:43:09,240
the pointed tip slip gently around my asshole rimming me until i was sorely tempted to open
2832
04:43:09,240 --> 04:43:17,000
my eyes i didn't i knew he was trying to wake me up but i was trying to stay in that beautiful fog
2833
04:43:17,000 --> 04:43:24,040
a little bit longer undeterred he went back to licking my hard clit leaving a wet finger
2834
04:43:24,040 --> 04:43:31,240
teasing my ass i felt the concentrated pressure of him pushing my ass open i was so relaxed
2835
04:43:31,240 --> 04:43:37,320
he was inside me with so little effort his fingers filled me up leaving my pussy and
2836
04:43:37,320 --> 04:43:44,120
ass open and stretched i kept my eyes closed still trying to revel in the thickest honey
2837
04:43:44,120 --> 04:43:51,240
feeling of sleep mixed with ecstasy while his finger wiggled inside my ass he sucked my clit
2838
04:43:51,240 --> 04:43:59,240
hard another moan broke from my lips my hips again moving under his tongue faster then slower
2839
04:43:59,240 --> 04:44:06,600
his pace was erratic making me buck off the warm flannel sheets my eyes stayed locked tight i knew
2840
04:44:06,600 --> 04:44:13,160
i wasn't fooling him or myself but i wanted to hang on to those last gauzy soft moments before i
2841
04:44:13,160 --> 04:44:21,080
gave in to the sharp edge of orgasm that was heading toward me then suddenly everything stopped
2842
04:44:21,720 --> 04:44:28,840
his mouth was gone his fingers leaving me empty and wanting desperate as i was to open my eyes
2843
04:44:28,840 --> 04:44:35,000
to see what he was doing i didn't i squeezed them shut waiting and panting on the bed
2844
04:44:35,720 --> 04:44:42,120
he covered me his whole body pressing into me my legs went instinctively around his back
2845
04:44:42,760 --> 04:44:49,320
i felt his mouth on mine his tongue salty with my taste his cock was nudging at my wet
2846
04:44:49,320 --> 04:44:55,880
cunt sliding and slipping over my clit as he adjusted his position over me i pushed my hips
2847
04:44:55,880 --> 04:45:04,360
up into him but he wouldn't fit inside come on open your eyes it's time to wake up his breath
2848
04:45:04,360 --> 04:45:10,840
was hot on my ear but not as hot as the tongue sliding over my earlobe with it caught between
2849
04:45:10,840 --> 04:45:17,720
his teeth he pulled up my skin urging me to finally look at him i moaned but kept my eyes shut
2850
04:45:18,280 --> 04:45:25,560
i wanted just a few more moments i wasn't ready to wake up yet his teeth sank into my neck a
2851
04:45:25,560 --> 04:45:32,840
sucking bite a bit lower a bit harder my hands dug into the hard muscle of his shoulders my nipples
2852
04:45:32,840 --> 04:45:40,040
tightening against his chest i won't fuck you until you open your eyes he moaned the ultimatum
2853
04:45:40,040 --> 04:45:46,840
into my mouth before plunging his tongue back inside i made one last effort to ease his cock
2854
04:45:46,840 --> 04:45:54,440
inside me but he remained elusive he had left me no choice but to abandon my misty miasma
2855
04:45:54,440 --> 04:46:01,720
and join the real world i let my eyelids flutter open seeing his straining blue eyes above me for
2856
04:46:01,720 --> 04:46:10,680
the first time good morning the words left his throat in a gasp as he slid inside me i clutched
2857
04:46:10,680 --> 04:46:17,400
around his cock my pussy desperate to be filled after his fingers had left me i was finally awake
2858
04:46:18,040 --> 04:46:24,280
finally able to see him his mouth closed around my nipple the feeling so much more intense than
2859
04:46:24,280 --> 04:46:30,840
it had been a few moments ago his cock moved inside me at the same slow pace as his mouth
2860
04:46:30,840 --> 04:46:38,600
pulling on my rigid flesh he interrupted a really good dream he looked up at me and i could see the
2861
04:46:38,600 --> 04:46:45,400
laughter behind his eyes pinning my arms above my head he thrust harder grinding against my clit
2862
04:46:45,400 --> 04:46:52,200
before pulling almost all the way out of me settling himself back inside me to the hilt his eyes
2863
04:46:52,200 --> 04:47:01,160
never left mine i'm so sorry how thoughtless of me his hands clasped mine pressing me harder into
2864
04:47:01,160 --> 04:47:08,440
the bed i could barely move beneath him he was controlling everything i needed to come it felt
2865
04:47:08,440 --> 04:47:14,680
like i'd been on the verge forever but he kept me there not letting me get any closer to what i wanted
2866
04:47:14,760 --> 04:47:22,920
what i needed what was your dream about me he thrust his cock deeper inside me releasing
2867
04:47:22,920 --> 04:47:28,920
my hands to push my legs higher and wider i clung to his arms trying to hold on as he
2868
04:47:28,920 --> 04:47:36,360
fucked me harder not at first but you kind of took over he couldn't help but laugh as he
2869
04:47:36,360 --> 04:47:42,120
rubbed his hand down my trembling leg i didn't know how much more i could take of his slow deep
2870
04:47:42,120 --> 04:47:49,960
fucking i really needed to come that sounds like me his mouth crushed mine with another
2871
04:47:49,960 --> 04:47:57,160
destroying kiss rolling onto his back he stayed inside me until i was straddling him his hand
2872
04:47:57,160 --> 04:48:04,360
steadying my hips i walked back feeling every inch of him inside me filling me completely
2873
04:48:05,320 --> 04:48:12,360
i wrote him my legs still heavy and tired from sleep he lazily traced the skin of my stomach
2874
04:48:12,360 --> 04:48:18,120
avoiding the places i really wanted him to touch me i could feel my nipples hardened painfully as
2875
04:48:18,120 --> 04:48:25,800
my orgasm remained too far away the ache behind my clit was becoming a huge fire of need i was
2876
04:48:25,800 --> 04:48:32,840
desperate for him to touch me to touch the swollen nub of my clit as if reading my mind
2877
04:48:32,840 --> 04:48:38,520
he dragged his thumb over my clit the slow circle broke through the last wall keeping
2878
04:48:38,520 --> 04:48:45,880
back my impending orgasm he had to hold me up as i came shuddering and writhing on top of him
2879
04:48:45,880 --> 04:48:52,360
my strength was sapped by every ripple coursing through my body everything started to break apart
2880
04:48:52,360 --> 04:48:59,080
my mind smashed to bits as my body tightened repeatedly my pussy started to quake pleasure
2881
04:48:59,080 --> 04:49:05,080
bordering on pain shooting all through my body i felt like i was being pulled apart by the joy of
2882
04:49:05,080 --> 04:49:12,520
it all his cock drawing every last ounce of feeling out of my body i couldn't think or breathe all i
2883
04:49:12,520 --> 04:49:18,920
could do was come i could hardly believe it was real it was better than any dream i'd ever had
2884
04:49:19,960 --> 04:49:25,960
collapsing on his chest i felt him thrust up harder into my pussy as his own orgasm hit
2885
04:49:26,520 --> 04:49:32,280
i lay there helpless and spent as he came inside me too tired to do anything but take him
2886
04:49:33,240 --> 04:49:41,080
soon he too was exhausted limp and satisfied beneath me he moved first rolling me off his
2887
04:49:41,080 --> 04:49:46,840
sweaty body he pushed my crazy morning hair aside and kissed my sleepy mouth
2888
04:49:48,120 --> 04:49:54,040
sorry i woke you his boyish grin gave me the strength to wrap myself around him
2889
04:49:54,040 --> 04:49:58,200
and cover us with the mess of blankets we'd created not a chance
2890
04:50:02,520 --> 04:50:05,400
Taking the Rains by Vanessa Vaughn
2891
04:50:08,200 --> 04:50:14,760
the boys don't understand not really i know for a fact that john doesn't love it the way i do
2892
04:50:15,400 --> 04:50:21,480
as i straddle the seat and slowly lower myself down i feel a familiar tingle of excitement deep
2893
04:50:21,480 --> 04:50:28,520
inside i can sense the monstrous size of the body between my thighs the large chest expanding and
2894
04:50:28,520 --> 04:50:35,320
contracting broadly with each breath the smell of fresh conditioned leather smothers my senses
2895
04:50:35,320 --> 04:50:42,760
well that and also the slight musky tinge of sweat it is a raw smell mixed with rich dark dirt
2896
04:50:43,640 --> 04:50:48,120
it has become impossible for me to separate the sense of this place from the anticipation
2897
04:50:48,200 --> 04:50:54,840
twisting inside me they are connected now the sights and sounds of one inevitably trigger
2898
04:50:54,840 --> 04:51:00,520
the other just a glimpse of a dusty black velvet helmet or of fingers clenched between
2899
04:51:00,520 --> 04:51:06,600
thin leather gloves makes my breath quicken then again just the smallest peak at a man's
2900
04:51:06,600 --> 04:51:12,760
muscled shoulder or of his rippled abs makes my thoughts turn to this to the curve of a thorough
2901
04:51:12,760 --> 04:51:20,600
bread slender neck or the solid bulge of a horse's muscular chest a slight hint of alcohol hangs in
2902
04:51:20,600 --> 04:51:26,600
the air today high above the other smells no doubt from the metal cleaner i used on some of the tack
2903
04:51:27,240 --> 04:51:33,240
my spurs jingle a little as i slide my toes up against the stirrups i picture for a moment
2904
04:51:33,240 --> 04:51:39,320
these metal rings hanging loose at john's thighs banging lightly against his own thinner skin as
2905
04:51:39,320 --> 04:51:45,320
i push the balls of my feet through and test them with my weight but of course that is not what is
2906
04:51:45,320 --> 04:51:52,040
happening he would never allow a thing like that my legs are wrapped tightly around a real stallion
2907
04:51:52,040 --> 04:51:58,360
now my shins are encased in a sheet of black leather supple custom riding boots that stretch
2908
04:51:58,360 --> 04:52:04,600
all the way up to my knees shining with a high gloss i slide them into the bell shaped stirrups
2909
04:52:04,600 --> 04:52:11,480
and push my heels down pressing lightly i feel my body align my rump tightening and tilting my
2910
04:52:11,480 --> 04:52:18,120
pelvis forward i am in position perfectly at attention with my lower back arched just enough
2911
04:52:18,920 --> 04:52:24,920
i can feel my clit pushing perfectly against the smooth rise of my saddle the power of the huge
2912
04:52:24,920 --> 04:52:32,520
animal beneath me as it shifts its weight tensing between my legs just the act of straddling something
2913
04:52:32,520 --> 04:52:39,880
anything in public like this lends me a private thrill and i feel a pleasure almost like exhibitionism
2914
04:52:39,880 --> 04:52:47,400
in being able to parade such fetishistic gear harnesses whips ropes leather boots openly in
2915
04:52:47,400 --> 04:52:53,160
public without question i sometimes wonder if anyone else can sense what i feel when i am in
2916
04:52:53,160 --> 04:52:59,880
the ring did they detect an unusual eagerness in me as i lead my animal out of the barn as i slow
2917
04:52:59,880 --> 04:53:06,440
him to a halt and mount him quickly can they see my cheeks just a little more flushed than the other
2918
04:53:06,440 --> 04:53:14,040
girls as i ride on any given day i can usually see one or two men here they enjoy the surroundings
2919
04:53:14,040 --> 04:53:20,920
i'm sure after all there is certainly no shortage of beautiful women in this place but i wonder
2920
04:53:20,920 --> 04:53:26,920
do any of them closely watch my horse straining under me as i ride to any of them secretly wish
2921
04:53:26,920 --> 04:53:33,080
they could take its place a mare nearby stomps her forefoot in the dirt of the covered arena
2922
04:53:33,080 --> 04:53:39,160
and swishes her tail at that i tap my heels against my horse and click my tongue against
2923
04:53:39,160 --> 04:53:47,080
my teeth i feel the giant beneath me sway to life i readjust my grip my forearms precisely
2924
04:53:47,080 --> 04:53:53,480
in line with the straps and settle into the comforting motion of his slow walk john never
2925
04:53:53,480 --> 04:53:58,680
starts slow like this for me never eases me into things the way i would if i had the reins
2926
04:53:59,400 --> 04:54:06,040
but here in the ring i get to be on top for once i feel the slow gait of the animal beneath me
2927
04:54:06,040 --> 04:54:12,920
warming his limbs up gently and i enjoy it i enjoy knowing that my mount feels the anticipation
2928
04:54:12,920 --> 04:54:19,880
just as i do my horse knows there is a hard ride ahead but he also knows that in the end
2929
04:54:19,880 --> 04:54:27,320
he will be put away by his mistress exhausted but satisfied why can john not see how wonderful
2930
04:54:27,320 --> 04:54:34,600
that could feel feeling frustrated i kick my heels into the beast's side again i feel his
2931
04:54:34,600 --> 04:54:41,800
muscles tense suddenly alert as he quickens his pace into a trot for a moment i bounce in the
2932
04:54:41,800 --> 04:54:48,600
saddle i feel the most sensitive of areas between my legs being pounded against roughly as i am pulled
2933
04:54:48,680 --> 04:54:55,000
slightly away from the saddle and then driven home again several times i feel my body warming
2934
04:54:55,000 --> 04:55:02,760
the blood pulsing there and making my thoughts turn to one thing and one thing only sex this
2935
04:55:02,760 --> 04:55:11,320
makes me ache but at the same time i love it right now i want to be fucked i want to fuck i feel
2936
04:55:11,320 --> 04:55:17,160
like a schoolgirl who has just had her skirt lifted up and her bottom spanked savagely i feel my
2937
04:55:17,160 --> 04:55:22,600
face flush from the intimate strikes i am enduring but really this is not just something
2938
04:55:22,600 --> 04:55:28,920
i am tolerating this is something i am demanding for myself i am in full control of the horse's
2939
04:55:28,920 --> 04:55:36,360
speed of my contact with the saddle at any time i can stop the intensity of this perhaps that is
2940
04:55:36,360 --> 04:55:42,680
why i feel so comfortable letting it happen i don't want what i'm feeling to be too obvious though
2941
04:55:42,680 --> 04:55:49,000
and so i start to post i rise up into a half standing position with every step the horse takes
2942
04:55:49,000 --> 04:55:55,560
and then lower myself back down sadly the feeling is much less intense i feel naked
2943
04:55:55,560 --> 04:56:01,720
suddenly without the constant violent sensation but what i feel now is different it is not as
2944
04:56:01,720 --> 04:56:08,840
overwhelming but is much more precise each time i lower myself i touch the saddle lightly
2945
04:56:08,920 --> 04:56:15,240
softly squeezing my clit against the soft leather ridge in front of me i feel less of that primal
2946
04:56:15,240 --> 04:56:22,600
pull i felt before but i also feel more in control posting i pull my mounts head up and my body erect
2947
04:56:23,160 --> 04:56:29,000
i can feel the bit locking between his teeth and can see his ears turned slightly poised and waiting
2948
04:56:29,000 --> 04:56:36,520
for my next command each soft stroke against the saddle turns me on incredibly feeling gentle and
2949
04:56:36,520 --> 04:56:43,080
rhythmic almost like a leather paddle or a wide fleshy dildo being rubbed against my pinkest most
2950
04:56:43,080 --> 04:56:51,160
tender folds my mount is impatient i can sense that he is eager to break into a run to test his
2951
04:56:51,160 --> 04:56:58,200
limits to push himself but i am able to hold him back it seems incredible to me that i can stop him
2952
04:56:58,200 --> 04:57:06,040
at all that i can keep this beast from doing any of the things at once yet i do here i am the master
2953
04:57:06,040 --> 04:57:13,800
and he is just a tool a means to an end and i am the one that matters for once it is time though
2954
04:57:13,800 --> 04:57:20,760
and we both know it as i squeeze my calves against his warm sides clenching i think of john again
2955
04:57:21,320 --> 04:57:26,920
of how good he would feel in place of this stallion would john listen to me though would he
2956
04:57:26,920 --> 04:57:33,160
respond to my soft kicks to the bridal encouraging him to lock his eyes straight ahead and not glance
2957
04:57:33,160 --> 04:57:40,840
back and challenge me no i don't think he would but then again i never would have believed a large
2958
04:57:40,840 --> 04:57:47,400
animal like this one could ever be made to follow my subtle suggestions either if a high spirited
2959
04:57:47,400 --> 04:57:54,600
one thousand pound horse could be trained why not a willful man like john we break into a fast
2960
04:57:54,600 --> 04:58:00,360
canter then an all out gallop being impossible in an enclosure even in a ring as large as this
2961
04:58:01,160 --> 04:58:07,640
there can be no posting now not at this pace i feel his every tense muscle every strike of
2962
04:58:07,640 --> 04:58:12,760
his hoofs in the dirt as he propels me forward with those powerful haunches and rippling shoulders
2963
04:58:13,640 --> 04:58:21,000
instead of rising up now i use my entire body to press down down against the saddle down against
2964
04:58:21,000 --> 04:58:28,600
the horse's back down into the animal itself i feel my pulse pounding in my ears faster and
2965
04:58:28,600 --> 04:58:36,120
more deafening all the time i feel this same throb at other times too nights when john is behind me
2966
04:58:36,120 --> 04:58:42,920
and i am on my knees nights when i feel his huge hands at my waist his thick cock pushing its way
2967
04:58:42,920 --> 04:58:52,520
inside and now i ride my mount with that same zeal i love being ridden used taken when i want sex
2968
04:58:52,520 --> 04:58:59,320
i always want it rough but at times i also want to take the reins i want to be in charge of exactly
2969
04:58:59,320 --> 04:59:06,360
what i feel and when i want to make demands of my own i picture john wearing this saddle now
2970
04:59:06,360 --> 04:59:12,680
and not the horse my crop landing across his backside with a sharp crack as he flinches and
2971
04:59:12,680 --> 04:59:19,080
sucks in in a shocked breath i picture the bit stretching the corners of his mouth the girth
2972
04:59:19,160 --> 04:59:26,680
secured by my expert hands gripping his waist tightly and even uncomfortably the scene shifts
2973
04:59:26,680 --> 04:59:34,760
in my mind suddenly unbidden the way that fantasies do i am still the rider but now john is lying on
2974
04:59:34,760 --> 04:59:42,520
his back i can feel that massive cock of his poised under me like a thick coil of rope he
2975
04:59:42,520 --> 04:59:49,560
trembles as i slap him again with my palm this time not the whip he closes his eyes and i start
2976
04:59:49,560 --> 04:59:57,720
to lower myself on to him i breathe slowly and feel myself stretched wide my pussy is throbbing now
2977
04:59:57,720 --> 05:00:04,360
as i grind it into the saddle i exaggerate the horse's canter urging him forward aggressively
2978
05:00:04,360 --> 05:00:11,400
with my hips i feel the sheen of sweat on my brow the velvety helmet tight against my forehead
2979
05:00:12,520 --> 05:00:17,960
the longing between my legs has quickened into a pulse and now i can feel i am on the verge of
2980
05:00:17,960 --> 05:00:24,600
something i squeeze my thighs against the struggling horse and push my breeches hard into the leather
2981
05:00:24,600 --> 05:00:31,400
and finally feel it finally feel that primal sensation i have been struggling for it does
2982
05:00:31,400 --> 05:00:38,440
not wash over me though this escapes like an animal released from a cage my body had been tense
2983
05:00:38,440 --> 05:00:44,280
expectant like a racehorse shifting behind a starting block this feeling is the opening of
2984
05:00:44,280 --> 05:00:50,600
those racing gates adrenaline pumping through my body and spurring it on the rumbling between my
2985
05:00:50,600 --> 05:00:58,040
legs is like the thunder of hooves i shake with it i'm deafened by it and then i think of john
2986
05:00:58,040 --> 05:01:03,400
and clench my fingers tightly reflexively so that i don't drop the reins
2987
05:01:04,200 --> 05:01:10,920
first date with the dom by noelle kealy
2988
05:01:13,480 --> 05:01:19,000
a hot summer day in boston had morphed into a sultry night by the time serena and jack dragged
2989
05:01:19,000 --> 05:01:25,000
themselves out of the barking crab still talking they made their way across fort point channel
2990
05:01:25,000 --> 05:01:30,280
to south station where serena would need to catch the tea if she was heading home to doorchester
2991
05:01:31,240 --> 05:01:35,960
then came the inevitable moment where they stood on the street and stared at each other
2992
05:01:35,960 --> 05:01:42,920
trying to figure out what to do next what they both wanted was obvious serena could smell it over
2993
05:01:42,920 --> 05:01:48,360
the combination of salt and exhaust fumes that scented the air this close to the harbor she
2994
05:01:48,360 --> 05:01:54,520
could taste it as she could still taste jack's fingers she could feel it in her blood and bones
2995
05:01:54,520 --> 05:02:04,600
as much as in her tight sensitive nipples and wet pulsing pussy desire need want hunger all the
2996
05:02:04,600 --> 05:02:10,280
dark creatures that lived inside her brain clamored for their chance to come out to play the broken
2997
05:02:10,280 --> 05:02:17,400
virgin the whore the temple dancer the pirates captive the french maid the prisoner of the
2998
05:02:17,400 --> 05:02:23,720
inquisition and the slave always the slave but she didn't dare to speak
2999
05:02:24,440 --> 05:02:30,520
ah that in the past when she'd wanted a man anywhere as badly as she wanted jack she hadn't
3000
05:02:30,520 --> 05:02:36,200
waited around for him to make a move oh no she'd made her dishonorable intentions clear
3001
05:02:37,160 --> 05:02:44,280
but jack froze that bold part of her even while he melted the rest jack's pale steady gaze and
3002
05:02:44,360 --> 05:02:49,720
cool voice and the knowledge of what he was and the feeling that he wouldn't react well to being
3003
05:02:49,720 --> 05:02:56,920
pushed held her back so serena bit her lip and waited for what must have only been about 30
3004
05:02:56,920 --> 05:03:04,520
seconds but felt more like 30 minutes the hell with being decorous she decided if she was stepping
3005
05:03:04,520 --> 05:03:11,320
out of line he'd let her know and with any luck the way he'd let her know might be fun she stretched
3006
05:03:11,320 --> 05:03:17,480
up put her arms around jack's neck and kissed him he didn't seem to mind judging from the
3007
05:03:17,480 --> 05:03:22,280
way he pulled her closer the way he met her tongue with his and orchestrated their dance
3008
05:03:23,000 --> 05:03:28,280
but he pulled away after a distressingly short time and looked down at her rather sternly
3009
05:03:29,240 --> 05:03:37,960
patience pretty lady he said shaking his head i prefer to set the pace for a second
3010
05:03:37,960 --> 05:03:44,040
she thought she might have actually angered him he seemed remote and somehow bigger taller
3011
05:03:44,040 --> 05:03:50,680
broader more menacing almost frightening it was a type of frightening though that went straight to
3012
05:03:50,680 --> 05:03:56,920
her groin stabbing at her clit then one of his hands buried itself in the thick curls at the
3013
05:03:56,920 --> 05:04:03,240
back of her neck and pulled her head back fortunately he whispered you were only about
3014
05:04:03,240 --> 05:04:11,000
two seconds ahead of me he kissed her such simple words she could tell her mother the next time they
3015
05:04:11,000 --> 05:04:17,400
talked and then jack kissed me and her mother would say something along the lines of how sweet
3016
05:04:18,280 --> 05:04:25,400
sweet though had nothing to do with this devouring possessive mouth this fierce grip on her hair
3017
05:04:25,400 --> 05:04:30,040
this other hand firmly cupping her ass and pressing her pelvis against his body
3018
05:04:30,760 --> 05:04:35,880
sweet had nothing to do with the conflagration roaring through her body burning up her will
3019
05:04:35,880 --> 05:04:43,240
to do anything for the moment but touch jack please jack be pleased by jack and sweet certainly
3020
05:04:43,240 --> 05:04:48,040
had nothing to do with the hard cock pushing against her as if it could penetrate her through
3021
05:04:48,040 --> 05:04:55,240
their clothes there on the corner of atlantic avenue by south station if it could she'd let him
3022
05:04:56,200 --> 05:05:02,840
as it was she was going to take what she could get here on the street as long as he didn't mind
3023
05:05:02,840 --> 05:05:09,240
that is she moved experimentally against him shifting so her clit through the thin fabric
3024
05:05:09,240 --> 05:05:16,520
of her dress and panties was in contact with him then thinking fast she broke from the kiss just
3025
05:05:16,520 --> 05:05:24,360
long enough to ask is this all right oh yes he whispered his breath hot against her ear
3026
05:05:25,160 --> 05:05:30,200
that's a good girl see if you can make yourself come by rubbing yourself against me
3027
05:05:30,840 --> 05:05:38,600
i'll reward you if you can oh my god if she'd been turned on before she was about a hundred
3028
05:05:38,600 --> 05:05:44,600
times more so now just by hearing him say these words it was early enough that the streets were
3029
05:05:44,600 --> 05:05:49,240
still full pedestrians stepping around the island they made in the sea of foot traffic
3030
05:05:49,880 --> 05:05:56,360
sometimes with an indulgent laugh sometimes not some little piece of brain still grounded in the
3031
05:05:56,360 --> 05:06:01,960
everyday world said she should be self-conscious ashamed of such slutty behavior in public
3032
05:06:02,840 --> 05:06:09,160
serena told that little piece of brain to shut the hell up serena ground against jack
3033
05:06:09,160 --> 05:06:15,320
thrusting her pelvis wantonly against the bulge in his pants as they kissed each movement sent
3034
05:06:15,320 --> 05:06:20,200
little fingers of pleasure through her reaching up to meet the pleasure flowing down from the
3035
05:06:20,200 --> 05:06:26,920
lips jack was still devouring it was enough to feel amazing but not enough to push her over the edge
3036
05:06:27,640 --> 05:06:34,120
she shifted meaning to straddle his thigh it was subtle as a ton of bricks falling on your head
3037
05:06:34,120 --> 05:06:40,760
but maybe any gawking passerby would be having extra hot evenings themselves but jack put both hands
3038
05:06:40,760 --> 05:06:47,640
on her hips and moved her back where she had been oh no i'm not making it that easy he chuckled
3039
05:06:48,200 --> 05:06:54,920
besides i like you rubbing your pussy against my cock right here on the street he nibbled her neck
3040
05:06:54,920 --> 05:07:01,720
then returned his lips to her ear a bus just went past and everyone on it saw you getting yourself
3041
05:07:01,720 --> 05:07:08,920
off all the pedestrians all the drivers they're all looking at you thinking you're a hot little slut
3042
05:07:08,920 --> 05:07:14,200
and that we're both drunk because adults just don't act like this when they're sober
3043
05:07:15,400 --> 05:07:21,320
his voice was pushing her he still had her hips in his grasp and was moving her getting her to
3044
05:07:21,320 --> 05:07:27,080
push and grind in particular ways that must have been good for him but we're also doing crazy things
3045
05:07:27,080 --> 05:07:35,000
to her they'll never know he said his voice gravelly with desire that you're doing this
3046
05:07:35,000 --> 05:07:42,120
because i told you to but you'll know won't you each word felt like a lick on her clit
3047
05:07:42,920 --> 05:07:49,080
her body began to tremble uncontrollably and she pressed her face against his chest trying not to
3048
05:07:49,080 --> 05:07:57,240
scream you're going to come for me right now it wasn't a question the trembling turned to violent
3049
05:07:57,240 --> 05:08:03,880
shakes her pussy spasmed and she wished jack was inside her the street around her vanished
3050
05:08:03,880 --> 05:08:11,080
lost in a flood of sensation and despite herself serena did scream muffled against jack's broad
3051
05:08:11,080 --> 05:08:17,640
chest he shifted so his arms were around her possessively but far more gently than they
3052
05:08:17,640 --> 05:08:26,600
had been and he cuddled her close nuzzling at her hair good girl he said that's my good girl
3053
05:08:27,720 --> 05:08:33,000
the pride and desire in his voice danced across serena's skin and caused little aftershocks in
3054
05:08:33,000 --> 05:08:39,480
her dripping pussy and he just held her that way until she stopped trembling as seemingly oblivious
3055
05:08:39,480 --> 05:08:45,960
to other people during this tender moment as he had been during the lewd one after that the only
3056
05:08:45,960 --> 05:08:52,360
real question was whose place they would go to and that one was simple serena had a roommate jack
3057
05:08:52,360 --> 05:08:58,920
didn't and so they headed to where jack had left his car on a quiet side street in the financial
3058
05:08:58,920 --> 05:09:07,720
district jack stopped her take off your panties he ordered abruptly what serena hoped she didn't
3059
05:09:07,720 --> 05:09:14,280
look as foolish as she sounded i bet they're soaked through aren't they she nodded mutely
3060
05:09:14,840 --> 05:09:19,880
they had been at least since he'd fed her the squid but articulating that was too much for
3061
05:09:19,880 --> 05:09:26,760
her brain at the moment already sticky enough out tonight without sticky panties too so lose them
3062
05:09:27,720 --> 05:09:32,760
she looked around the street was deserted except for a couple of men having a smoke
3063
05:09:32,760 --> 05:09:37,560
outside the restaurant on the corner they were apparently having a heated conversation
3064
05:09:38,120 --> 05:09:43,640
unlikely to pay attention to something happening up the block still it seemed a little public
3065
05:09:44,360 --> 05:09:50,360
being panty-less wasn't the problem no one would ever know for sure under her full skirted sundress
3066
05:09:50,360 --> 05:09:55,320
unless she tripped or had some other accident so spectacular that lack of underwear would be
3067
05:09:55,320 --> 05:10:02,920
the least of her worries it was getting them off gracefully she hesitated half of her screaming to
3068
05:10:02,920 --> 05:10:08,520
obey jack and see what further adventures it led to the other half too embarrassed to move
3069
05:10:09,880 --> 05:10:15,880
problem he asked in a tone she couldn't read serena nodded then shook her head
3070
05:10:16,600 --> 05:10:22,120
why was this so hard she'd slithered out of wet bikini bottoms under a skirt before
3071
05:10:22,120 --> 05:10:28,200
it was the same principle we haven't talked about limits yet or set any ground rules
3072
05:10:28,760 --> 05:10:34,600
you can say no i'd just want to know why if you do if it's a hard limit or just something
3073
05:10:34,600 --> 05:10:40,920
you're not ready for tonight and knowing that she could say no somehow made it easier to say yes
3074
05:10:41,560 --> 05:10:47,720
and to work the panties down while leaning on him for balance by the time she bent down to retrieve
3075
05:10:47,720 --> 05:10:53,560
them from around her ankle she could feel her juices on the top of her thighs before she could
3076
05:10:53,560 --> 05:11:00,120
shove them into her bag jack embraced her gently enough but effectively pinioning her arms to her
3077
05:11:00,120 --> 05:11:06,520
sides the panties hung limp in her hand the hand that was facing the street for anyone to see
3078
05:11:07,720 --> 05:11:12,840
despite an overwhelming urge to crunch the tiny thong into her fist she didn't move
3079
05:11:13,720 --> 05:11:17,640
part of her brain that she wouldn't have thought could function under these conditions
3080
05:11:17,640 --> 05:11:24,680
recognize the test and saw the right desired desirable answer in the same blinding flash
3081
05:11:25,640 --> 05:11:33,320
jack like teasing jack like testing jack wanted to know what she wanted what she didn't want
3082
05:11:33,320 --> 05:11:39,320
what her limits were but they hadn't had a chance to talk about it yet and by letting her know she
3083
05:11:39,320 --> 05:11:45,560
could say no he'd forced her to think about whether her urge to curl up and die was merely a kneejerk
3084
05:11:45,560 --> 05:11:53,480
reaction it was all this flashed through her brain in a millisecond then he kissed her and all
3085
05:11:53,480 --> 05:12:00,600
efforts at thinking pretty much stopped there was laughter and the sound of footsteps she opened her
3086
05:12:00,600 --> 05:12:07,480
eyes peered around jack as best she could a small group of older women was approaching all wearing
3087
05:12:07,480 --> 05:12:13,000
bogey caps from a popular tourist pub and giggling as if they'd spent the entire evening sampling
3088
05:12:13,000 --> 05:12:18,920
the pub's wares gray-haired and solid-looking dressed in clothes that owed more to comfort than
3089
05:12:18,920 --> 05:12:27,960
fashion they reminded her of her mom panic flared and then faded funny but with jack's arms around her
3090
05:12:27,960 --> 05:12:34,200
she felt safe to do things she'd only fantasized about before not that she'd especially fantasized
3091
05:12:34,200 --> 05:12:40,040
about showing a bunch of motherly strangers what a tarte she was but forced exhibitionism had
3092
05:12:40,040 --> 05:12:47,160
definitely been in her top 10 masturbatory hits you're thinking too much again jack murmured
3093
05:12:47,160 --> 05:12:53,880
and resumed the kiss as the tipsy tourists passed them she overheard a shocked or maybe
3094
05:12:53,880 --> 05:13:02,120
amused exclamation of now that's not something you see every day and a lot more laughter serena
3095
05:13:02,120 --> 05:13:08,760
trembled and clenched so excited by the situation and the fact of being caught that she was almost
3096
05:13:08,760 --> 05:13:15,640
ready to come again without being touched time to get you home my girl jack whispered in her ear
3097
05:13:16,520 --> 05:13:23,240
and those words that possessive tone was all it took to bring her off again coming on the streets
3098
05:13:23,240 --> 05:13:33,640
of the financial district for the second time that night animal inside by nev black
3099
05:13:36,280 --> 05:13:42,040
i felt the waves of excitement washing over me as i stood on my tiptoes and reached for the shoebox
3100
05:13:42,040 --> 05:13:49,880
marked in black felt tipped pen animal inside i carefully lifted the exotic oscillate red
3101
05:13:49,880 --> 05:13:56,840
patent leather open toad four and a half inch spiked heels with red vinyl piping and sexy ankle
3102
05:13:56,840 --> 05:14:03,720
straps from the box i tenderly caressed them petting the fur before slipping them onto my bare feet
3103
05:14:04,440 --> 05:14:11,000
i felt invincible and crazy sexy whenever i wore these shoes i felt the animal inside me stir
3104
05:14:12,440 --> 05:14:18,280
it had to be pushing 100 degrees outside it was windy and the air was oppressively thick with
3105
05:14:18,280 --> 05:14:26,360
humidity standing in the foyer i peeled off my damp red cotton blouse khaki shirt beige cotton
3106
05:14:26,360 --> 05:14:33,080
panties and bra for my sweat soaked body i stood there naked wearing only my shoes and let the
3107
05:14:33,080 --> 05:14:38,760
air conditioner cool me down before walking the few steps into the bathroom i enjoyed feeling
3108
05:14:38,760 --> 05:14:44,760
my nipples hardened as the chilly air greeted them i loved the clicking sound my shoes made as they
3109
05:14:44,760 --> 05:14:50,920
tapped against the creme marble floor underfoot the bathroom countertop and large walk-in shower
3110
05:14:50,920 --> 05:14:58,120
were also opaque creme marble a pristine white clawfoot bathtub with shiny chrome fixtures stood
3111
05:14:58,120 --> 05:15:03,720
next to the shower the toilet was located just past the chocolate stained cabinets that surrounded
3112
05:15:03,720 --> 05:15:10,440
the sink the bathrooms walls were covered with soft lavender and off-white paisley print wallpaper
3113
05:15:10,440 --> 05:15:17,880
it was beautiful as always and i took a deep breath in i slowly moved my neck from side to side
3114
05:15:17,880 --> 05:15:25,240
as i let out a long and luxurious sigh it felt wonderful being there there was a hole in the
3115
05:15:25,240 --> 05:15:31,560
bathroom wall the hole was at eye level located between the shower and the toilet and it was
3116
05:15:31,560 --> 05:15:37,160
the size of a quarter in diameter and about three inches in depth you wouldn't have noticed it unless
3117
05:15:37,160 --> 05:15:42,040
you knew it was there even though the hole went clear through to the other side of the scant wall
3118
05:15:43,160 --> 05:15:49,080
wearing only my shoes i stood in front of the mirror over the bathroom sink i pulled the elastic
3119
05:15:49,080 --> 05:15:56,280
hairband from my wavy golden brown shoulder length hair i gazed at my reflection the crow's feet
3120
05:15:56,280 --> 05:16:02,520
surrounding my round blue eyes seemed less prominent in this light i moved in closer to the mirror to
3121
05:16:02,520 --> 05:16:08,680
further analyze my face the vertical creases around my wide mouth and plump lips weren't as
3122
05:16:08,680 --> 05:16:13,880
noticeable as they had been this morning and what i thought looked a lot like a bing cherry sized
3123
05:16:13,880 --> 05:16:19,560
pimple poking out from the cleft in my chin earlier today had faded into a blushing smudge
3124
05:16:20,440 --> 05:16:28,120
everything seemed to look and feel better in room number 252 i ran my fingers through my sweaty hair
3125
05:16:28,120 --> 05:16:32,760
releasing all the kinks and knots from its being wind whipped outside in the soaring heat
3126
05:16:33,320 --> 05:16:39,560
i ran my hands down the sides of my petite frame touching the outsides of my small alert breasts
3127
05:16:40,120 --> 05:16:46,360
moving down to my flat stomach and gently combing the threads of my soft pubic hair with my short
3128
05:16:46,360 --> 05:16:52,280
unpolished nails i heard the sound of someone's voice coming through the wall from the bathroom
3129
05:16:52,280 --> 05:16:57,720
in the room next door perhaps they were speaking into the telephone or maybe they were having
3130
05:16:57,720 --> 05:17:03,880
a conversation with someone else i couldn't tell eagerly my fingertips reached for the
3131
05:17:03,880 --> 05:17:09,400
eyebrow tweezers i'd left on the bathroom countertop i moved toward the hole in the wall
3132
05:17:09,960 --> 05:17:15,320
the pads of my fingers located the slightly worn edged cutout circle around the wallpaper in the
3133
05:17:15,320 --> 05:17:20,360
wall the cutout was inserted with a long cylindrical shaped piece of hard foam
3134
05:17:21,720 --> 05:17:27,080
like a doctor performing surgery i inserted the tweezers around the foam's outer edges
3135
05:17:27,720 --> 05:17:31,720
the foam was nicked and scraped from where the tweezers had greeted it in the past
3136
05:17:32,280 --> 05:17:37,560
i pulled the foam out about an inch until my thumb and index finger could easily grasp onto
3137
05:17:37,560 --> 05:17:43,560
the tube and pull it all the way out announcing the hole's presence the hole in the wall was
3138
05:17:43,560 --> 05:17:49,240
much more than just a peephole between the two bathrooms it was a portal to the animal inside
3139
05:17:49,240 --> 05:17:54,600
me the world i lived in didn't allow for creatures unless they were on a leash and restrained
3140
05:17:55,320 --> 05:18:03,080
in room 252 animals were given permission to roam freely i stepped in closer closing one
3141
05:18:03,080 --> 05:18:09,080
eye while pressing my other eye to the hole peering into the room next door i was looking
3142
05:18:09,080 --> 05:18:15,800
into the familiar but the unknown at the same time i felt my pussy getting wet i felt my clit
3143
05:18:15,800 --> 05:18:23,800
begin to ping and the animal inside me stretched and yawned waking up from a slumber i gazed into
3144
05:18:23,800 --> 05:18:28,760
the hole and my eye searched the bathroom a mirror image of the one i was standing in
3145
05:18:29,480 --> 05:18:35,160
because of the hole's size and depth i couldn't see the bathroom panoramically i could only see
3146
05:18:35,160 --> 05:18:42,520
one small and specific area at a time at first my eye saw black leather toiletry case sitting on
3147
05:18:42,520 --> 05:18:48,040
the counter my eye changed focus and moved on to a crumpled heap of clothes that lay on the
3148
05:18:48,040 --> 05:18:53,880
floor next to the bathtub and then i saw a shadow being cast toward the bathroom door's
3149
05:18:53,880 --> 05:19:01,560
entrance my eye searched left to right up and then down and i couldn't see anyone at first and then
3150
05:19:02,120 --> 05:19:08,920
standing in the bathroom doorway i saw a man's bare feet plus his ankles and knees his feet
3151
05:19:08,920 --> 05:19:16,120
moved toward me and i had to adjust my eye again to see he stopped and my eye fixated on
3152
05:19:16,120 --> 05:19:24,680
his flaccid cock as it poked out from his thick unruly burnt orange pupa care he stood still facing
3153
05:19:24,680 --> 05:19:31,960
the wall standing just in front of the shower and i could hear his breath deepen he was staring at
3154
05:19:31,960 --> 05:19:39,800
the hole at me but i knew he couldn't see me i was camouflaged i was protected behind the wood
3155
05:19:39,800 --> 05:19:47,160
drywall carpenter's nails and paint that obscured me i knew he knew the animal inside was close by
3156
05:19:47,160 --> 05:19:53,400
though i heard the shower handle being turned as the old pipe squeaked and the water began
3157
05:19:53,400 --> 05:19:59,480
sputtering from the showerhead as it was forced upward from the bowels below i heard the water
3158
05:19:59,480 --> 05:20:05,800
as it was running down the showers walls and i saw his hand slowly moving up and down along the
3159
05:20:05,800 --> 05:20:13,480
shaft of his cock curiously he left the shower door open my eye followed him as he squatted down
3160
05:20:13,480 --> 05:20:21,080
in front of the open shower door he spread his legs and faced me as my one eye watched him the
3161
05:20:21,080 --> 05:20:26,840
water began to fall more steadily its pervasive force spattered and sprayed outside the open
3162
05:20:26,840 --> 05:20:33,000
shower door and puddled onto the floor around him the water splashed onto one side of his wide
3163
05:20:33,000 --> 05:20:41,320
shoulders his expansive hairy chest and protruding belly you like to watch he said while he rubbed
3164
05:20:41,320 --> 05:20:48,840
his cock it wasn't a question it was a statement the water was targeting the back of his right hand
3165
05:20:48,840 --> 05:20:54,680
as he moved it faster up and down along his shaft he'd loosen his kung fu grip and slide
3166
05:20:54,680 --> 05:21:01,240
his fingertips over the head wet from his pre-come and the deluge of water he'd move his hand back
3167
05:21:01,240 --> 05:21:06,600
and forth across his shaft again squeezing and massaging his now semi-hardened cock
3168
05:21:07,400 --> 05:21:14,120
what are you wearing he asked he remained unanswered are you touching yourself while
3169
05:21:14,120 --> 05:21:21,560
you watch me stroke my dick he fired another question at me my clit was beginning to pulsate
3170
05:21:21,560 --> 05:21:28,680
and my pussy lips felt gluttonous fall and juicy i moved my eye upward and away from his cock
3171
05:21:28,680 --> 05:21:35,640
until i saw his small pursed lips large huck like nose and a full head of wavy burnished hair
3172
05:21:36,520 --> 05:21:43,720
his small black eyes were fixed on the hole on me and he moaned and grunted while he masturbated
3173
05:21:43,720 --> 05:21:50,600
waiting for me to respond to his questions the air conditioner was turned way up but my skin felt
3174
05:21:50,600 --> 05:21:56,440
hot and feverish i was lightheaded and i could feel the beads of sweat start to run down the back
3175
05:21:56,440 --> 05:22:03,080
of my neck dripping down my spine and settling between the crack of my ass i stood there watching
3176
05:22:03,080 --> 05:22:09,400
him watching his cock get harder and listening as his breath quickened i slipped my right hand
3177
05:22:09,400 --> 05:22:18,440
between my legs i let my fingers slide back and forth across my engorged clit oh that's the spot
3178
05:22:18,440 --> 05:22:24,840
right there i whispered as i watched him start to jitter and grunt while his hand continued to move
3179
05:22:24,840 --> 05:22:33,880
faster up and down well he started to ask another question yes god yes i'd love watching and watching
3180
05:22:33,880 --> 05:22:41,800
you makes me incredibly wet i have to touch myself i'm touching my slippery wet pussy it's swollen
3181
05:22:41,800 --> 05:22:48,920
and pulsating the animal inside me finally spoke cutting him off and the words penetrated through
3182
05:22:48,920 --> 05:22:59,480
the wall to him oh god he said moaning i pushed my fingers deep inside my pussy then pulled them out
3183
05:22:59,480 --> 05:23:06,120
only to push them frantically inside again applying circular pressure up against my g spot my eye was
3184
05:23:06,120 --> 05:23:11,800
still watching him while my fingers pleasureed myself and i could feel my knees begin to weaken
3185
05:23:12,600 --> 05:23:20,680
what are you wearing he asked for the second time as he stroked his cock faster i'm completely naked
3186
05:23:21,560 --> 05:23:28,600
except for my sexy animal print shoes with four and a half inch red patent leather heels
3187
05:23:29,480 --> 05:23:36,920
i finally answered speaking into the wall slowly my voice was low and guttural induced by the animal
3188
05:23:36,920 --> 05:23:43,640
shoes that evoked the animal inside me he tilted his head back and opened his mouth and asked in a
3189
05:23:43,640 --> 05:23:55,560
baritone raspy growl are they are they closed or open toad open you can see my painted bright
3190
05:23:55,560 --> 05:24:03,960
red toenails peeking through i answered he moaned loudly his cock was very hard now
3191
05:24:03,960 --> 05:24:09,240
and i could tell he was getting close to coming i was so turned on watching and listening as he
3192
05:24:09,240 --> 05:24:15,560
reached the edge of release my pussy was dripping and engorged and i kept pushing my two fingers in
3193
05:24:15,560 --> 05:24:21,640
and out while i made circular movements against my clit with the palm of my hand oh i want to
3194
05:24:21,640 --> 05:24:28,360
fuck you hard i want to hear those open toad shoes scrape across the floor as i spread your legs
3195
05:24:28,440 --> 05:24:35,560
bend you over and fuck you hard with my dick his voice was loud and he was breathing hard
3196
05:24:35,560 --> 05:24:41,960
and panting as he neared orgasm his eyes were closed and the water spattered onto his face
3197
05:24:41,960 --> 05:24:48,440
mixed with the beads of sweat that lined his brow i imagined his hard cock had replaced my fingers
3198
05:24:49,000 --> 05:24:56,600
fucking me in and out and in and out yes god yes i want you to fuck me hard with your cock
3199
05:24:57,560 --> 05:25:03,240
both my voice and the animal's voice roared into the wall speaking over the sledgehammer
3200
05:25:03,240 --> 05:25:10,680
pounding in my chest the shower streaming down and the sound of his hand thwack thwack thwacking away
3201
05:25:10,680 --> 05:25:19,320
on his cock my clit was thrumming against my hand now i was going to come i'm going to come i'm going
3202
05:25:19,320 --> 05:25:25,720
to come all over your cock i said loudly and i threw my head back taking my eye away from the
3203
05:25:25,720 --> 05:25:34,520
hole as my body was wracked by the spasms of orgasm oh i'm coming i'm coming i'm coming all over
3204
05:25:34,520 --> 05:25:41,960
your open toad animal pumps and your red painted toes and he yelled out to me as i heard him grunt
3205
05:25:41,960 --> 05:25:47,800
and moan i stood there for a moment catching my breath before i pushed the foam back into the
3206
05:25:47,800 --> 05:25:53,800
wall and covered up the hole i slipped into the shower and washed the sweat and slick juices that
3207
05:25:53,800 --> 05:25:59,480
had spilled from between my legs as i turned the shower off i could hear my cell phone ringing
3208
05:25:59,480 --> 05:26:05,320
from inside my handbag in the next room i wondered if it was my husband calling to find out what was
3209
05:26:05,320 --> 05:26:11,880
for dinner or maybe it was the babysitter calling about one of the kids my day-to-day world started
3210
05:26:11,880 --> 05:26:18,360
to seep back into my stolen pleasurable moment i toweled off and slipped back into the same clothes
3211
05:26:18,360 --> 05:26:24,520
i'd left in the foyer earlier as i made my way into the lobby to check out i could see a man
3212
05:26:24,520 --> 05:26:30,200
talking on his cell phone as he leaned up against one of the lobby's pillars he was dressed in a
3213
05:26:30,200 --> 05:26:38,040
brown suit and as i rounded the corner i could see his reddish hair it was him my animal's liaison
3214
05:26:38,040 --> 05:26:45,000
from that afternoon i glanced over at him but he wasn't paying any attention he didn't even notice
3215
05:26:45,000 --> 05:26:51,880
my shoes because he too was being pulled back into his daily life i placed the room key on the
3216
05:26:51,880 --> 05:26:59,000
front desk and the clerk smiled and asked me was everything okay mr smith yes it was wonderful thank
3217
05:26:59,000 --> 05:27:06,040
you i said smiling great would you like to go ahead and book room 252 for next month then
3218
05:27:06,760 --> 05:27:14,200
the clerk asked me yes please i said still smiling lifting my handbag over my shoulder and moving
3219
05:27:14,200 --> 05:27:21,160
across the marble hotel floor shoes clicking as i made my way outside and back to my non-animal life
3220
05:27:21,160 --> 05:27:31,400
that awaited me just past the hotel's front door the london oh by justine elliot
3221
05:27:33,960 --> 05:27:40,200
it had swiftly become a matter of pride to loyed that he should provide more bigger better orgasms
3222
05:27:40,280 --> 05:27:46,520
than any of my previous lovers and in the early days of our relationship i confess that i might
3223
05:27:46,520 --> 05:27:54,760
have played on this tiny insecurity orlanda was so well named i teased over mule mariniere in some
3224
05:27:54,760 --> 05:28:02,920
cafe rouge or another and oh at either end i ran the point of my tongue over the tender morsel
3225
05:28:02,920 --> 05:28:12,600
and its creamy broth filled shell he had the gift either end void's light tone did nothing to fool me
3226
05:28:12,600 --> 05:28:17,800
he knew a challenge when he heard one you mean he gave you an orgasm in your toes
3227
05:28:17,800 --> 05:28:24,920
and the top of your head the location isn't important i grand swirling the lascivious mollusk
3228
05:28:24,920 --> 05:28:31,880
around the insides of my mouth before swallowing oh contraire miss martin the location is a critical
3229
05:28:31,880 --> 05:28:39,560
factor don't you agree void zipped sagely at his red wine his eyes narrowed keen to pursue the
3230
05:28:39,560 --> 05:28:47,240
conversational line well without wanting to get too graphic at the dinner table oh no i'm not talking
3231
05:28:47,240 --> 05:28:53,160
body geography i know the map of sophie well enough and i don't care how well thumbed it is
3232
05:28:53,160 --> 05:28:58,360
i know where to plant my flag when i want her earth to move i'm talking about places
3233
05:28:59,240 --> 05:29:09,400
places orgasmic places yeah where's the strangest place you ever climaxed oh well a swimming pool
3234
05:29:09,400 --> 05:29:17,880
an underground parking lot a hotel balcony i frowned in an effort of memory tame stuff
3235
05:29:17,880 --> 05:29:24,280
vanilla in the extreme i'm surprised at you void where am i supposed to do it on stage
3236
05:29:25,240 --> 05:29:31,000
that would add spice his louche grin was as wide as a wolf's and his knee nudged
3237
05:29:31,000 --> 05:29:37,080
mine beneath the checkered cloth i'm sure you'd find an appreciative audience so where's your
3238
05:29:37,080 --> 05:29:42,680
most outrageous spot for hitting the spot then since you see yourself as the voice of experience
3239
05:29:42,680 --> 05:29:50,200
here there was a croquet lawn a rowing boat an aircraft hangar and that was all before i left
3240
05:29:50,200 --> 05:29:56,920
college so what is the point you are making were those orgasms better no they weren't better
3241
05:29:57,480 --> 05:30:02,600
he conceded but they had a quality all of their own didn't you find that with your
3242
05:30:02,600 --> 05:30:10,120
experience outside the bedroom i suppose i did yes but nobody has ever pursued that with you
3243
05:30:10,760 --> 05:30:18,120
no i must admit my past lovers have mainly wanted privacy don't you there's a time and a place
3244
05:30:19,000 --> 05:30:25,240
i snorted that appears to be the opposite of what you're proposing you seem to be saying that any
3245
05:30:25,240 --> 05:30:32,840
time in any place you'll find for sex not sex necessarily just having an orgasm coming oh
3246
05:30:32,840 --> 05:30:39,960
i love that coming such an innocent word such a coy little euphemism okay now i'm struggling
3247
05:30:40,920 --> 05:30:47,560
you will be finish that up i'm getting the bill i need to show you what i mean and in this case i
3248
05:30:47,560 --> 05:30:53,560
think actions will speak louder than words i mopped up the last of the delicious sauce with a
3249
05:30:53,560 --> 05:31:02,040
hunk of baguette and pushed the plate aside just coming i said outside it had begun to rain
3250
05:31:02,040 --> 05:31:07,640
Lloyd grasped my hand and held on to me weaving me through the shining streets between phalanxes
3251
05:31:07,640 --> 05:31:13,160
of umbrellas down to soho where the pavement narrowed and we had to maintain strict single
3252
05:31:13,160 --> 05:31:19,240
file until we reached the forlorn last bastion of that district's seedy past on brewer street
3253
05:31:19,240 --> 05:31:24,920
the red and blue neon flickered from the doorways the rain conferred a strange and poignant glamour
3254
05:31:24,920 --> 05:31:31,160
to the scene Lloyd and i were frequent visitors to this historic flashpot i'm sure some of the
3255
05:31:31,160 --> 05:31:35,880
patrons of the row of sex boutiques must have wondered if we had furnished our entire flat
3256
05:31:35,880 --> 05:31:42,040
from their stock i used to order that kind of thing online but Lloyd converted me to the experience
3257
05:31:42,040 --> 05:31:48,760
and the ambience and most importantly the exquisite needling shame of handing my purchases over the
3258
05:31:48,760 --> 05:31:55,960
counter i both hated and loved it but now i had the taste for it through a rainbow colored door
3259
05:31:55,960 --> 05:32:01,960
curtain we passed its plastic strips sliding coldly across our wet faces into a brightly
3260
05:32:01,960 --> 05:32:09,080
lit outpost of Sodom and Gomorrah evening we were greeted iconically by the vast biker who
3261
05:32:09,080 --> 05:32:15,400
presided over this empire of extravagant sin Lloyd tipped his head and the man returned to his standard
3262
05:32:15,400 --> 05:32:22,360
without further interrogation what are we looking for i asked Lloyd in a whisper as he led me beyond
3263
05:32:22,360 --> 05:32:29,400
the lurid DVD covers and gnarly latex phalases even past the spanking and bondage section where we
3264
05:32:29,400 --> 05:32:36,600
had spent many happy browsing hours knickers he murmured heading through an archway to a small
3265
05:32:36,840 --> 05:32:42,840
square room populated by headless mannequins and PVC basks then he looked at me with a
3266
05:32:42,840 --> 05:32:50,920
salacious smirk whores drawers what's underwear got to do with it i wondered having well and
3267
05:32:50,920 --> 05:32:57,240
truly lost the connection between all fresco climax and these scanty scraps of hideous nylon
3268
05:32:58,200 --> 05:33:04,760
hmm was the only reply i got Lloyd being now completely absorbed in the racks and shelves
3269
05:33:04,840 --> 05:33:14,200
of cheap tart wear crotchless i hazarded fingering a plastic people bra and slit panty set quite the
3270
05:33:14,200 --> 05:33:23,000
opposite no not that where the hell are they i saw them here i'm sure i did uh-huh he wheeled around
3271
05:33:23,000 --> 05:33:28,360
in triumph brandishing a clear plastic bag containing what looked like an ordinary pair of
3272
05:33:28,360 --> 05:33:35,560
black lacy briefs but that was not all it contained a remote control unit sat alongside the garment
3273
05:33:36,360 --> 05:33:43,960
remote controlled knickers oh i think i've heard of these i said guardedly stretching out a hand
3274
05:33:43,960 --> 05:33:50,440
for further inspection he handed over the bag confirming my suspicions attached to the gusset
3275
05:33:50,440 --> 05:33:57,720
at strategic intervals were a clitoral stimulator and a vibrator are you serious are you scared
3276
05:33:58,360 --> 05:34:04,200
he taunted taking the bag back and wrestling it in my face making ghostly woo woo noises
3277
05:34:04,920 --> 05:34:12,760
attack of the knickers they're expensive i noted i think they'd be worth it he said his
3278
05:34:12,760 --> 05:34:19,080
voice a broken crone he had that glazed look in his eyes that he always gets when he's imagining
3279
05:34:19,080 --> 05:34:27,400
devilish and deviant practices oh the fun i could have with you in these so that's what you mean
3280
05:34:27,400 --> 05:34:33,560
when you talk about odd locations for orgasms in theory i could have one anywhere at all
3281
05:34:33,560 --> 05:34:42,760
if i was wearing these yes anywhere at all if i press the button oh the power it could go to
3282
05:34:42,760 --> 05:34:49,480
my head i think it's already gone to somewhere else i remarked glancing down at his bulging
3283
05:34:49,480 --> 05:34:55,880
trouser crotch as ever it was my task to hand the purchase over the counter while loy did the credit
3284
05:34:56,120 --> 05:35:02,200
card bit as ever i crimson prayed that no comment would be passed no eye contact made
3285
05:35:03,000 --> 05:35:08,440
eye contact of a knowing kind was made but the comment was reserved for Lloyd
3286
05:35:09,560 --> 05:35:15,880
no returns i'm afraid he said same as with all the other vibes i'm sure you'll be satisfied
3287
05:35:15,880 --> 05:35:22,040
with it though i was staring stonily at some massage oils refusing to look up at their no
3288
05:35:22,040 --> 05:35:30,360
doubt expansive grins and winks have you road tested one yourself Lloyd asked oh come on let's go
3289
05:35:31,560 --> 05:35:39,880
yeah i'd recommend it very quiet no annoying buzzing so you can wear them anywhere thanks
3290
05:35:39,880 --> 05:35:47,160
i'll bear that in mind the shopkeeper was right the vibrator unit was indeed almost inaudible
3291
05:35:47,160 --> 05:35:51,960
as i discovered on the tube journey home having been persuaded to change my knickers
3292
05:35:51,960 --> 05:35:58,120
in a pavement toilet cubicle before descending the escalator riding smoothly down on the moving
3293
05:35:58,120 --> 05:36:04,120
staircase past drinkers and diners and late working office types i was highly conscious
3294
05:36:04,120 --> 05:36:10,440
of the difference the fabric was snug and tight so that the vibrator attachment was firmly lodged
3295
05:36:10,440 --> 05:36:16,680
inside and the cold rippled latex of the clitoral stimulator nudged and rubbed exactly as advertised
3296
05:36:17,640 --> 05:36:24,520
how does it feel whispered Lloyd standing beside me one hand placed possessively on my bum
3297
05:36:24,520 --> 05:36:32,520
rubbing my skirt as if this would wear through and reveal the answer very very rude i replied
3298
05:36:32,520 --> 05:36:38,520
wicked and indecent i really hope i don't have some kind of accident on the way home i do not
3299
05:36:38,520 --> 05:36:45,400
want to end up in casualty wearing these does it fill you then are you wet does it rub against
3300
05:36:45,400 --> 05:36:53,800
your clit yes to all three shut up for god's sake oh no i want you to know you're wearing it
3301
05:36:53,800 --> 05:36:59,720
i don't want you to be able to forget and i want you to know that i know god this is turning me on
3302
05:37:00,280 --> 05:37:05,880
i hope there aren't any delays on the northern line tonight we stepped off the escalator and
3303
05:37:05,880 --> 05:37:12,040
i made a concerted effort to try and walk normally notwithstanding the exquisite pressure on my clit
3304
05:37:12,040 --> 05:37:18,680
and the large fake cock wedged in my pussy it's giving you a sensational wiggle said Lloyd
3305
05:37:18,680 --> 05:37:25,800
admiringly falling behind me to survey my swaying backside it looks so obvious that your pussy is
3306
05:37:25,800 --> 05:37:31,800
stuffed but i suppose i know it is which makes a difference maybe nobody else would guess
3307
05:37:33,160 --> 05:37:38,680
i was convinced that everybody knew it as we headed on to the platform every passerby
3308
05:37:38,680 --> 05:37:44,360
from the teenage youth's clicking teeth and sucking back high energy sodas to the elderly
3309
05:37:44,360 --> 05:37:50,600
suited man reading his telegraph was perfectly cognizant of the fact that i was wearing vibrating
3310
05:37:50,600 --> 05:37:57,000
knickers the crotch soaked my pussy wrapped around a plastic cock because i was a dirty
3311
05:37:57,000 --> 05:38:03,720
slut who loves to come and can't get enough orgasms Lloyd kept putting his hand into his jacket
3312
05:38:03,720 --> 05:38:09,240
pocket teasing me with the fear that he might be about to activate the vibrator causing me to
3313
05:38:09,240 --> 05:38:15,000
clamp my thighs together and clench my pelvic floor muscles by the time the train came roaring
3314
05:38:15,000 --> 05:38:21,240
through the tunnel though he had still not pressed the magic button the train was about three quarters
3315
05:38:21,240 --> 05:38:26,600
full and we could not find a seat together so i sat in the center of one row while he took
3316
05:38:26,600 --> 05:38:32,360
a place by the door at the end of the opposite bank sitting like that with a highly perfumed
3317
05:38:32,360 --> 05:38:38,360
lady on one side and a gay punk on the other i was suddenly sure that people might be able to see
3318
05:38:38,360 --> 05:38:43,720
up my skirt somehow even though it was knee length and didn't even give away the fact that i was
3319
05:38:43,720 --> 05:38:50,360
wearing stockings ordinarily i decided to cross my legs but this pushed the nubbed rubber even
3320
05:38:50,360 --> 05:38:57,960
farther into my swimming clit and made my pussy feel even fuller an inescapable sensation i squirmed
3321
05:38:57,960 --> 05:39:04,680
against the seat cushion unsure whether to uncross my legs again and Lloyd chose that moment to flip
3322
05:39:04,680 --> 05:39:12,840
my switch i had to swallow a cry as the invasive presence in my pussy began to rev up a slow shutter
3323
05:39:12,840 --> 05:39:20,520
at first speeding to an almost unbearable throb it felt so painfully wanton that i knew my climax
3324
05:39:20,520 --> 05:39:28,280
would not be put off for long i sat back stretching my spine trying my very hardest not to pant or
3325
05:39:28,280 --> 05:39:35,560
moan my pussy lips twitched and my nipples were hard and sore pushing against the lace of my bra
3326
05:39:35,560 --> 05:39:42,680
until some of the pattern must have transferred to them Lloyd sly delighted smile accentuated the hot
3327
05:39:42,680 --> 05:39:48,200
rush of sensation he had to put a copy of the evening standard over his crotch to hide the
3328
05:39:48,200 --> 05:39:54,200
excitement of it all my nether region seemed to be flexing and rippling beyond any vestige
3329
05:39:54,200 --> 05:40:01,720
of muscular control the vibrator whizzed up to maximum speed my clit was swollen and struggling
3330
05:40:01,720 --> 05:40:07,960
to barge past the little rubber stimulators my cheeks were hotter than fire and i was fidgeting
3331
05:40:07,960 --> 05:40:13,720
so much that my neighbors forewent the customary tube etiquette of complete oblivion to all and
3332
05:40:13,720 --> 05:40:21,560
began looking sideways at me and then i came pressing my hands down into my lap trying to breathe
3333
05:40:21,560 --> 05:40:27,160
through the intense flood of liquid sweetness shuffling my bottom against the cushion and biting
3334
05:40:27,160 --> 05:40:33,880
down on my lip and we were still only at gouge street it had taken less than five minutes to
3335
05:40:33,880 --> 05:40:41,240
make me come in public on the dusty upholstery of transport for london the gay punk in the perfumed
3336
05:40:41,240 --> 05:40:47,560
lady moved the left and right respectively making no secret of their desire to distance themselves
3337
05:40:48,120 --> 05:40:53,720
i couldn't blame them i was sure the heavy odor of my arousal and satisfaction must have been
3338
05:40:53,720 --> 05:40:59,240
hanging in the air breaking the barrier of the woman's civet drenched fragrance and the gay punks
3339
05:40:59,240 --> 05:41:05,800
patchouli i spent the rest of the journey looking daggers at Lloyd or as many daggers as i could
3340
05:41:05,800 --> 05:41:11,160
muster in the face of the great on wonder his sheer perversion engendered in my spirit
3341
05:41:12,520 --> 05:41:16,760
by the time we arrived at high gate it was clear that we would never make the journey
3342
05:41:16,760 --> 05:41:22,520
from the station to our flat without Lloyd's cock punching a hole through his trousers we ran with
3343
05:41:22,520 --> 05:41:28,600
our respective hindrances of an erection and a pair of vibrating knickers as quickly as we could
3344
05:41:28,600 --> 05:41:34,120
up the path and into the wooded area that stood so conveniently at the side of the archway road
3345
05:41:34,120 --> 05:41:40,680
where the underground came overground Lloyd shoved me unceremoniously against the bark of a tree
3346
05:41:40,680 --> 05:41:46,120
my breasts pushing against the rough wood and hitched my skirt to the waist pulling down the
3347
05:41:46,120 --> 05:41:53,000
back of the knickers to expose my bottom to the fresh night air yards away from us rail passengers
3348
05:41:53,000 --> 05:41:58,920
mooched up and down the pathways and the late night traffic rumbled and lumbered the nearby
3349
05:41:58,920 --> 05:42:04,520
street provided just enough low yellow light to give us a few visual clues as to how to go about
3350
05:42:04,520 --> 05:42:11,160
our swift and urgent coupling Lloyd did not quite pull the panties down leaving the vibrator where
3351
05:42:11,160 --> 05:42:17,960
it lay i want to see your arse he muttered priming it with the thumb that he had bathed in the juices
3352
05:42:17,960 --> 05:42:25,400
of my overworked clit you can keep that thing on i'm going to switch it on now once more to my
3353
05:42:25,400 --> 05:42:31,080
consternated delight the stiff obstruction in my pussy began to buzz and throb though the
3354
05:42:31,080 --> 05:42:36,680
clit stimulator was only half in place now giving way to the more pressing issue of Lloyd's easy
3355
05:42:36,680 --> 05:42:43,880
access once i was relaxed enough to take two of Lloyd's fingers in my tiny tight hole he decided he
3356
05:42:43,880 --> 05:42:50,040
could hold back no longer unzipping hurriedly and pushing his damp cock head between my spread cheeks
3357
05:42:51,000 --> 05:42:57,160
the vibe swelled and filled me as he eased the bulbous tip through my rear pucker we moaned in
3358
05:42:57,160 --> 05:43:04,920
concert i from delirious fullness he from long anticipated relief the farther in he slid the
3359
05:43:04,920 --> 05:43:11,320
wider and fatter and more apt to split i felt inside until i had no sensation anywhere other
3360
05:43:11,320 --> 05:43:18,680
than the seat of basest needs i was a pussy and arsehole full and well used as i should be
3361
05:43:18,680 --> 05:43:25,880
look at you grunted Lloyd once he was fully sheathed his balls gently dangling against my
3362
05:43:25,880 --> 05:43:32,920
lower cheeks getting your arse fucked against a tree with a full pussy i better lando never did
3363
05:43:32,920 --> 05:43:42,920
that for you no i admitted though my voice came out as a trickle of a quiver oh no so who's the
3364
05:43:42,920 --> 05:43:50,440
orgasm meister now eh he began to pull his shaft back slowly switching every nerve ending to its
3365
05:43:50,440 --> 05:43:58,440
brightest setting on the way who makes you come the hardest you do i assured him pushing my bum
3366
05:43:58,440 --> 05:44:05,240
back inviting him back in with all the urgency i could muster he was halfway along now and i could
3367
05:44:05,240 --> 05:44:11,480
not bear it if he pulled all the way out i tried to clamp my muscles down on him but it was difficult
3368
05:44:11,480 --> 05:44:19,400
and it stung who has the hottest kinkiest plans for you Sophie who knows exactly what kind of a
3369
05:44:19,400 --> 05:44:32,040
dirty nasty girl you are oh you oh you he slammed back in and i hissed blissfully yes me nobody else
3370
05:44:32,040 --> 05:44:40,520
not fucking Orlando me i'm the man for you he began to thrust hard forcing my pelvis into the
3371
05:44:40,520 --> 05:44:46,280
desiccated bark the tip of his cock nudging against the rounded end of the vibrator with each
3372
05:44:46,280 --> 05:44:53,960
uncompromising plunge into my rudest depths i imagined the two cocks real and simulated
3373
05:44:53,960 --> 05:44:59,960
joining together and making one long pitiless invader keeping that back and forth rhythm
3374
05:44:59,960 --> 05:45:07,240
going from pussy to our soul and back forever and without end the tree trunks here were narrow
3375
05:45:07,240 --> 05:45:13,560
enough to wrap my arms around and i clung on for dear life hanging there while Lloyd gripped my hips
3376
05:45:13,560 --> 05:45:19,240
and dug deeper and harder than i had thought possible i knew i would be sore along there for
3377
05:45:19,240 --> 05:45:25,160
a day or so but i knew also that each shift and squirm in my office chair would make me smile
3378
05:45:25,160 --> 05:45:32,280
and glow with the memory the combination of the vibrator and the cock sent me into a roaring chaos
3379
05:45:32,280 --> 05:45:38,600
of orgasm that i nevertheless had to keep quiet about just as on the tube for fear of disturbing
3380
05:45:38,600 --> 05:45:46,040
the public Lloyd froze behind me then sent a long silipant hiss out through the trees before soaking
3381
05:45:46,040 --> 05:45:54,440
my arse with his plentiful seed sending jet after jet up one after the other god you could have been
3382
05:45:54,440 --> 05:46:01,000
made for me he panted his head on my shoulder for an exhausted moment before straightening up and
3383
05:46:01,080 --> 05:46:08,360
making himself decent once again i could not quite make myself decent still in the vibe knickers
3384
05:46:08,360 --> 05:46:13,800
which were becoming itchy and too wet to wear without an obvious slicking sound when i walked
3385
05:46:13,800 --> 05:46:19,240
not to mention a large stain spreading across my backside and sticking the material to my skin
3386
05:46:20,040 --> 05:46:25,960
but i somehow made it back to our flat feeling that every passerby knew my secret and was giving
3387
05:46:25,960 --> 05:46:32,840
Lloyd a knowing wink behind my back still we thought the new addition to our toy box a very
3388
05:46:32,840 --> 05:46:38,440
valuable one and the vibrating panties have had innumerable outings since their memorable debut
3389
05:46:39,240 --> 05:46:45,880
i wore them in the british museum on the london eye at the cinema in lester square and picnicking
3390
05:46:45,880 --> 05:46:51,800
in hide park they were always just the thing to brighten up a dull day and we came very close
3391
05:46:51,880 --> 05:46:58,360
to fulfilling Lloyd's ambition of making me come hard and long in every tourist attraction in the
3392
05:46:58,360 --> 05:47:05,240
city most unforgettably i began to sweat and puff in the middle of buckingham palace and had to
3393
05:47:05,240 --> 05:47:11,080
sit on a velvet chair pulled out for me by one of the security guards she's having one of her turns
3394
05:47:11,800 --> 05:47:17,960
said Lloyd leconically winking at the man before taking me out and having me down on the victoria
3395
05:47:17,960 --> 05:47:25,320
embankment so when it comes down to the question of who provides more vicar better orgasms
3396
05:47:25,320 --> 05:47:32,280
Lloyd is the hands down winner he is also the hands free winner i really don't think orlando
3397
05:47:32,280 --> 05:47:40,680
will ever be able to catch up now fight by charlotte stein
3398
05:47:41,080 --> 05:47:49,080
she knows what he's got her for her birthday he always gets her the best presents but this year
3399
05:47:49,080 --> 05:47:57,720
is extra special this year she knows it's going to be a fight in the morning he acts real casual
3400
05:47:57,720 --> 05:48:02,360
like maybe it's going to be nothing perhaps he's going to give her some flowers or some
3401
05:48:02,360 --> 05:48:08,280
chocolates or some perfume frivolous things that past boyfriends always got her because she's a girl
3402
05:48:08,280 --> 05:48:16,760
and girls like that right but gray knows she doesn't like that he knows she likes spiky and sassy
3403
05:48:16,760 --> 05:48:22,200
and what's about to come to her any minute now she can feel the anticipation prickling over the
3404
05:48:22,200 --> 05:48:28,760
nape of her neck over her belly like a rough hand passing there between her legs where things are
3405
05:48:28,760 --> 05:48:35,800
already getting sticky and heated any minute now she thinks and bites her lip instead of the sandwich
3406
05:48:35,800 --> 05:48:42,600
in front of her gray however continues to eat his bacon on whole meal as though nothing's going to
3407
05:48:42,600 --> 05:48:50,120
happen he chews studiously this bacon sandwich is the most important thing in the entire world
3408
05:48:50,680 --> 05:48:57,640
why they could create university courses on the art of bacon sandwich eating just look at me l
3409
05:48:57,640 --> 05:49:05,400
eating my delicious breakfast the rhythmic motion of my jaw swallowing slow tongue coming out to
3410
05:49:05,400 --> 05:49:11,800
flicker over my sauce streaked lip she stops pretending to be interested in her own sandwich
3411
05:49:12,440 --> 05:49:17,960
his is far more compelling and it gets even more so when he sucks grease from his long
3412
05:49:17,960 --> 05:49:25,160
thick fingers his lips work all the way to the webbing between and then execute a slow easy
3413
05:49:25,160 --> 05:49:32,360
lewd slide back up again and then down again and then it's just his eager pink tongue curling
3414
05:49:32,360 --> 05:49:37,800
around the tip of his finger while his eyes look down on her she thinks of all the porn she's
3415
05:49:37,800 --> 05:49:44,120
ever watched that's what he looks like licking bacon off his fingers like all the porn she's
3416
05:49:44,120 --> 05:49:51,160
ever watched even worse he seems intrigued by his own wet finger and with eyes intent on her
3417
05:49:51,160 --> 05:49:56,120
he leans back in the creaky old kitchen chair and unbuttoned his shirt with his other hand
3418
05:49:56,680 --> 05:50:01,960
slides that wet finger into the unseen space between the material to rub that wetness
3419
05:50:01,960 --> 05:50:09,320
someplace nice her own nipples aching sympathy he arches his back the shape of his hand beneath
3420
05:50:09,320 --> 05:50:17,720
the wing of his shirt circles circles when his lips part she wants to part hers too the fight is on
3421
05:50:17,720 --> 05:50:24,760
it seems and he is already winning he's almost made her come just by touching himself but then
3422
05:50:24,760 --> 05:50:30,360
he knows how much that turns her on it's what's going to tip the scales in his favor through this
3423
05:50:30,360 --> 05:50:37,800
little who can give the other the most and biggest orgasms fight he knows so so much about her and
3424
05:50:37,800 --> 05:50:44,200
sometimes has that knowledge without even asking as though he has a preternatural sex sense always
3425
05:50:44,200 --> 05:50:51,080
sniffing out her kinks and desires whereas she well sometimes it's obvious what he wants or likes
3426
05:50:51,640 --> 05:50:58,280
his nipples are very sensitive he enjoys talking dirty and having someone talk dirty to him he likes
3427
05:50:58,280 --> 05:51:05,720
teasing and being teased but sometimes it's not so obvious sometimes she has to figure him out
3428
05:51:05,720 --> 05:51:12,120
like he's a rubik's cube made out of man flesh just like now when it seems as though he's doing this
3429
05:51:12,120 --> 05:51:17,320
just to push her to the edge but it could also be that he loves disarming her as much as she loves
3430
05:51:17,320 --> 05:51:24,200
being disarmed as she watches he unbuttoned the remainder of his shirt spreads it open so that
3431
05:51:24,280 --> 05:51:31,000
she can see the lean stripe of his torso the coarse mess of his chest hair in many ways his
3432
05:51:31,000 --> 05:51:38,920
features are quite feminine that plump lower lip his big soft eyes but his body isn't it's rough
3433
05:51:38,920 --> 05:51:45,720
and hairy and sinewy with muscle broad-shouldered and big-dicked still he plays with it the way
3434
05:51:45,720 --> 05:51:53,640
she imagines girls do slyly and sensuously putting on a show for some burly boyfriend he teases his
3435
05:51:53,640 --> 05:51:59,720
sharp nipples in his shivering belly always with his eyes on her and then the show progresses to
3436
05:51:59,720 --> 05:52:06,040
him pushing one hand down his pants there's something about that sight of a man with his
3437
05:52:06,040 --> 05:52:11,720
hand inside his jeans as though he has to be furtive and dirty that sinks straight to her
3438
05:52:11,720 --> 05:52:18,120
clit she can feel it swelling and stiffening her entire sex plumping until it's all pressed nice
3439
05:52:18,120 --> 05:52:24,520
and hard against the material of her knickers if she rocks on her chair slippery flesh eases against
3440
05:52:24,520 --> 05:52:31,480
slippery flesh but she doesn't rock beyond that first little tryout if she goes for it again
3441
05:52:31,480 --> 05:52:37,240
she knows she'll come just like that like a kid creaming in his shorts when his hand
3442
05:52:37,240 --> 05:52:43,000
stirs rhythmically beneath the line of his jeans and his eyes flutter briefly shut as he groans
3443
05:52:43,000 --> 05:52:50,360
gutterly she has to squeeze her nails into her thighs am i making you wet he asks but then he
3444
05:52:50,360 --> 05:52:57,320
cocks his head and reconsideres why am i asking of course i am your cheeks are flushed and i can
3445
05:52:57,320 --> 05:53:03,640
see your nipples through that t-shirt does the material feel good rubbing against them she
3446
05:53:03,640 --> 05:53:11,320
forces herself not to reply none of his questions are really questions anyway my hand feels good on
3447
05:53:11,320 --> 05:53:19,480
my cock i'm so hard jesus i bet this would feel good buried in your cunt i think i'll jerk off
3448
05:53:19,480 --> 05:53:26,280
though first take the edge off that'll count she blurts out but those aren't the words she wants
3449
05:53:26,280 --> 05:53:34,680
to say she wants to tell him oh yes please god fuck me fuck me fuck my cunt but instead blusters on
3450
05:53:34,680 --> 05:53:40,680
with this that will count as one for me if you jerk off and come while looking at me like that
3451
05:53:40,680 --> 05:53:49,000
it counts as one goal for me he raises one eyebrow so you're going to play dirty huh those are the
3452
05:53:49,000 --> 05:53:56,440
rules but i really really want to mess up the insides of my jeans he winds though it's not a
3453
05:53:56,440 --> 05:54:03,640
real wine his mouth curls up at the corners just a little then do it go on and do it you dirty
3454
05:54:03,640 --> 05:54:09,960
fucker i bet you've done it loads of times before at university maybe sitting in the lecture hall
3455
05:54:09,960 --> 05:54:17,080
board shitless by professor snooze vests presentation on the life cycle of bees maybe some big titted
3456
05:54:17,080 --> 05:54:23,080
undergrad was sitting below you and you could see right down her top that doesn't sound like me
3457
05:54:23,800 --> 05:54:29,800
so you just press the heel of your palm against your straining against your fly dick and rubbed
3458
05:54:29,800 --> 05:54:35,720
and rubbed until you blew your wad into your jeans i guess it could be me if you like that idea
3459
05:54:36,600 --> 05:54:42,440
his hand has sped up beneath the material she can see it she can see the flush high up on his
3460
05:54:42,440 --> 05:54:49,480
cheeks too the slight rock to his hips i bet you got all sweaty and red faced just like you are now
3461
05:54:50,120 --> 05:54:56,440
i bet when you came you made a noise you had to stifle with your hand he closes his eyes
3462
05:54:56,440 --> 05:55:02,680
leans his head briefly back his hips bump right up at nothing and she's sure she can see his hands
3463
05:55:02,760 --> 05:55:09,080
squeezing hard at the base of his dick like the one i'm going to be making soon he asks
3464
05:55:10,040 --> 05:55:16,120
not if you keep pinching off your orgasm like you're doing now cheater ah it's not cheating
3465
05:55:16,120 --> 05:55:23,480
it's only making me come faster shit do it harder than really squeeze like you sometimes do
3466
05:55:24,520 --> 05:55:32,040
yeah like that get a handful of your balls and tug down hard oh oh man you know doing all of that
3467
05:55:32,040 --> 05:55:38,840
nonsense only gets me off quicker and talking about it and talking about it gets me off quicker
3468
05:55:38,840 --> 05:55:46,840
you're the fucking cheat just stop touching yourself then he moans loud and long gasps
3469
05:55:46,840 --> 05:55:56,120
suddenly breathless i can't fuck i can't ah you bitch his entire body stiffens and twists
3470
05:55:56,120 --> 05:56:01,880
mouth open eyes scrunched shut his hips buck and jerk as though there's something more than
3471
05:56:01,880 --> 05:56:07,960
just his hand above him and then she can hear the extra slickness can hear him stroking through
3472
05:56:07,960 --> 05:56:14,360
his own spunk as he eeks out the remainder of his orgasm she's as surprised as he is to find
3473
05:56:14,360 --> 05:56:20,120
she knows him much better than either of them thought it doesn't take him long to even the score
3474
05:56:20,680 --> 05:56:26,120
he cleans himself up with his tongue long wet swipes over come-slicked fingers
3475
05:56:26,120 --> 05:56:31,560
until she is forced to masturbate at the site it only takes a couple of taps against her
3476
05:56:31,560 --> 05:56:38,040
well-oiled clit to make her call out his name but unfortunately for her that only lays the table
3477
05:56:38,600 --> 05:56:49,000
now she wants the meal apparently so does he was that good he asks soft and drawing his eyes
3478
05:56:49,000 --> 05:56:55,800
are heavy-litted a sensuous look that would usually indicate satisfaction but not now she can
3479
05:56:55,800 --> 05:57:02,760
practically smell his hunger for more and it seems he's able to do the same in kind not quite good
3480
05:57:02,760 --> 05:57:09,800
enough huh well bend over the table and maybe i'll see to that for you she shakes her head
3481
05:57:09,800 --> 05:57:16,600
but her mouth won't make the actual words no come on bend over the table and lift your skirt
3482
05:57:17,240 --> 05:57:22,760
lift it up nice and high so i can see that juicy slit maybe you can even grab hold of
3483
05:57:22,760 --> 05:57:30,440
your ass cheeks and spread them wide for me what do you say she says nothing her closed eyes say it
3484
05:57:30,440 --> 05:57:36,920
all for her as does the way she swallows and shivers you've spread for guys before right
3485
05:57:37,640 --> 05:57:43,160
those two guys you want shared a flat with that you told me about you must have spread for both of
3486
05:57:43,160 --> 05:57:49,880
them at some point they came home drunk caught you watching nasty porn one in your mouth one in
3487
05:57:49,880 --> 05:57:57,320
your pussy or maybe not your mouth one in your ass right she doesn't shake her head for him this time
3488
05:57:57,320 --> 05:58:04,120
though in this instance it's definitely untrue so good but untrue like all the dirty tails they
3489
05:58:04,120 --> 05:58:10,680
tell each other did they fuck you at the same time one in each hole what a nasty whore you are
3490
05:58:11,320 --> 05:58:15,720
i'm going to have to come in your mouth and your pussy and your ass just to make up for
3491
05:58:15,720 --> 05:58:22,600
all that dirty business don't you think an answer she stands on shaky legs and bends over the kitchen
3492
05:58:22,600 --> 05:58:28,600
table but he doesn't laugh or crow and triumph she just tears his chair being knocked over and
3493
05:58:28,600 --> 05:58:35,320
his clothes being sucked in a tearing rush and then he's behind her oh god he's behind her on his
3494
05:58:35,320 --> 05:58:40,600
knees she can't hate him for the point he wins with his tongue swirling and sliding through
3495
05:58:40,600 --> 05:58:47,480
her slit her entire body sops when she comes hard enough to cream all over his face and make
3496
05:58:47,480 --> 05:58:53,400
dents in the edges of the table where she's gripping but she can hate him for winning a third point
3497
05:58:53,400 --> 05:59:00,200
when he stands too suddenly and sinks his thick cock all the way in just a few short well-aimed
3498
05:59:00,200 --> 05:59:07,080
thrusts and she stutters into orgasm again however the haze of pleasure doesn't rob her of reason
3499
05:59:07,080 --> 05:59:12,840
or the aim of the game she waits for him to settle to ease into a false sense of security
3500
05:59:13,400 --> 05:59:19,960
still lodged in her pussy but unaware of the danger and then she forces herself back until
3501
05:59:19,960 --> 05:59:25,160
he's trapped between her body and the kitchen counter of course he tries to squirm away
3502
05:59:25,880 --> 05:59:29,960
but it's difficult when your girlfriend has her legs on either side of yours
3503
05:59:29,960 --> 05:59:35,880
and her pussy squeezing tight around your cock she knows it is because he grunts and groans
3504
05:59:35,880 --> 05:59:44,120
and tells her no fair stay there and take it she says which only makes him worse he doesn't even try
3505
05:59:44,120 --> 05:59:49,320
to push on her hips and get her away from him he just waits and cries out in pleasure when she
3506
05:59:49,320 --> 05:59:55,480
thrusts back onto him over and over she feels some clutch a handful of her skirt together at the
3507
05:59:55,480 --> 06:00:03,880
small of her back after a moment he uses it to yank her onto his cock you like that huh she asks
3508
06:00:03,880 --> 06:00:09,480
but he can't speak any more than she could earlier you like that you dirty little bitch
3509
06:00:10,600 --> 06:00:18,440
she hears him sigh in response sweet and wavering are you going to come i bet you are come on give
3510
06:00:18,440 --> 06:00:26,040
it up it's on those words that he obeys he thinks he's got her beat she knows she's on the ropes
3511
06:00:26,680 --> 06:00:32,280
three to two and although he's very good at getting hard again at going for it more than once
3512
06:00:32,280 --> 06:00:39,400
more than twice sometimes more than five times it's far easier for him to be reluctant she curses
3513
06:00:39,400 --> 06:00:46,120
herself for not figuring on his physical advantage and then redoubles her efforts there's nothing gray
3514
06:00:46,120 --> 06:00:52,840
likes more after all than a sleepy blowjob it's the perfect trap too because as he drifts off in
3515
06:00:52,840 --> 06:00:58,680
the middle of a sea of satiated kisses and limbs wrapped around him she knows he thinks he's one
3516
06:00:59,400 --> 06:01:05,320
and when she stirs him from his dose with sweet licks and sucks all the way around his soft but
3517
06:01:05,320 --> 06:01:12,680
rapidly hardening cock he's too warm and comfortable and sleepy to resist his hands tangle in her hair
3518
06:01:12,680 --> 06:01:18,600
before he's even aware of the time and place it's only when he's fully hard and thrusting that he
3519
06:01:18,600 --> 06:01:25,400
groans and despair and frustration she can hear it clearly in the sound i thought i had it victory
3520
06:01:25,400 --> 06:01:32,120
was mine now he just thrusts up at her teasing mouth hands alternately fisting in the bedsheets
3521
06:01:32,120 --> 06:01:39,080
and in her hair he doesn't force her however no no forcing is for winners people on the verge of
3522
06:01:39,160 --> 06:01:45,800
drawing don't get to call the shots instead she pins his hips and licks with just the tip of her
3523
06:01:45,800 --> 06:01:51,560
tongue until he's writhing and cursing her as hard as she cursed herself not a moment before
3524
06:01:52,280 --> 06:01:58,200
but she waits until he's swollen and straining until his body trembles like a live wire and he
3525
06:01:58,200 --> 06:02:06,360
just has to choke out the words okay you win you win it's a lie but that's not the point
3526
06:02:07,080 --> 06:02:11,960
it's not the point at all when she finally swallows him down and feels him arch up into
3527
06:02:11,960 --> 06:02:19,480
a fierce but near dry orgasm fighting is about concession after all not about keeping score
3528
06:02:23,880 --> 06:02:26,280
switch by jade melisand
3529
06:02:28,920 --> 06:02:34,040
we are standing at the glass display case at details our local piercing studio
3530
06:02:34,600 --> 06:02:37,480
peering inside at the body jewelry encased within
3531
06:02:38,600 --> 06:02:46,520
you sure you want to do this my partner dylan asks again i not absently i know he's just being
3532
06:02:46,520 --> 06:02:53,640
solicitous but i don't want to be talked out of it i've made up my mind i point to a 12 gauge ring
3533
06:02:53,640 --> 06:03:00,840
with a titanium capture bead that one i tell joe the piercer he did the original piercing
3534
06:03:00,840 --> 06:03:07,400
the first time but of course he doesn't remember me that was at least four years ago it was a 14
3535
06:03:07,400 --> 06:03:14,920
gauge the first time i say it shouldn't be a problem to go up a size should it i don't think so
3536
06:03:14,920 --> 06:03:21,560
he says we'll take a look when i am in the room and lying on the bench seat with my leg spread
3537
06:03:21,560 --> 06:03:26,520
joe pokes around a bit lifting and looking at the old piercing site in my clitoral hood
3538
06:03:27,160 --> 06:03:32,600
it is an entirely clinical setting and joe is a consummate professional and yet i find
3539
06:03:32,600 --> 06:03:38,760
myself curiously aroused with him peering so closely at me a strange fantasy floats into my
3540
06:03:38,760 --> 06:03:44,920
mind in which my partner who is sitting across the room suddenly jumps up and grabs my arms
3541
06:03:44,920 --> 06:03:51,320
holding me down so that joe can use those precise professional fingers of his how long has it been
3542
06:03:51,320 --> 06:03:59,960
out joe asks breaking into my fantasy just when it was getting good oh um three years i direct the
3543
06:03:59,960 --> 06:04:05,000
question at dylan as though he would know better than i when it was that i decided to remove my
3544
06:04:05,000 --> 06:04:11,240
first hood ring i'd done it the day my divorce went through as a kind of fuck you to my old life
3545
06:04:11,240 --> 06:04:18,840
and to the man for whom i had originally gotten it pierced joe nods well it's not closed up he says
3546
06:04:19,400 --> 06:04:25,880
i don't have to reappearce just reinstall the new ring at my surprised exclamation he shrugs
3547
06:04:26,520 --> 06:04:32,920
it's unusual certainly but not unheard of and then he tells me to take a deep breath and pushes
3548
06:04:32,920 --> 06:04:39,480
the new ring through the old tight hole i swear it hurts worse than the original piercing i
3549
06:04:39,480 --> 06:04:46,040
consciously relax my breathing and let the pain wash over me after a moment it subsides to a dull
3550
06:04:46,040 --> 06:04:54,920
pinch that's it says joe i nod silenced by a sweet rush of heat that floods me i look up
3551
06:04:54,920 --> 06:05:04,760
and catch joe's eyes on me he grins all pierced and ready to play he says healing time i ask
3552
06:05:04,760 --> 06:05:12,920
unconsciously squirming on the bench his grin broadens it's ready when you are i get up cautiously
3553
06:05:13,000 --> 06:05:18,200
but there is only a small bit of discomfort that and a heightened awareness of that sensitive
3554
06:05:18,200 --> 06:05:24,280
place between my legs walking causes my jeans to rub against it though and pleasure suffuses
3555
06:05:24,280 --> 06:05:31,320
me as i do by the time dylan and i get home my panties are soaked through i have felt every bump
3556
06:05:31,320 --> 06:05:36,920
in the road every slip of the steel against my clitoris every time my jeans have pressed against
3557
06:05:36,920 --> 06:05:43,000
the titanium capture bead as soon as the door is closed behind dylan i spin around and throw
3558
06:05:43,000 --> 06:05:48,680
myself against him grinding my cunt against his thigh the pinch of the ring against my
3559
06:05:48,680 --> 06:05:57,160
clit is painful and exquisite in its precision fuck me i say against his mouth he puts his hands
3560
06:05:57,160 --> 06:06:02,920
on my shoulders and pushes me back a pace should we do that right after you got your ring put back
3561
06:06:02,920 --> 06:06:11,560
in cas i twist out of his hands impatiently press myself against him again yes god damn it i say my
3562
06:06:11,560 --> 06:06:17,800
voice a snarl of frustration i haven't been this aroused and i don't know how long i want to see
3563
06:06:17,800 --> 06:06:25,960
if it still works i need myself against him a guttural moaning escaping me as i do you hot little
3564
06:06:25,960 --> 06:06:32,040
bitch he says grabbing a handful of my hair and pulling my head back so he can look into my eyes
3565
06:06:32,920 --> 06:06:41,880
a wide grin splits my face oh yeah i'm a hot little bitch fuck me i say again he grabs one
3566
06:06:41,880 --> 06:06:46,840
wrist and spins me around so that my arm is pinned behind my back then gives me a shove
3567
06:06:46,840 --> 06:06:51,560
toward the hallway and our bedroom his hand holding my arm pinned tight the whole way
3568
06:06:52,120 --> 06:06:56,920
he pushes me down on the bed as soon as we enter the room pushing me over so that i am
3569
06:06:56,920 --> 06:07:03,560
face up with my arm pinned beneath me he shoves his knee into my cunt and makes me gasp i stare up
3570
06:07:03,560 --> 06:07:11,960
at him breathing heavily i want to taste the ring in you he says yes i breathe thrusting my hips
3571
06:07:11,960 --> 06:07:18,760
upward against his knee this is why i got the ring put back in i had never had an orgasm orally before
3572
06:07:18,760 --> 06:07:24,600
i got my hood pierced the first time i hadn't stopped having them after i'd removed it apparently
3573
06:07:24,600 --> 06:07:30,520
once the body learns the trick it doesn't forget it but my orgasms just weren't as powerful or is
3574
06:07:30,520 --> 06:07:37,160
easy to achieve he unbuttoned my jeans and pulls them down without another word before he removes
3575
06:07:37,160 --> 06:07:44,040
my underwear though he leans down and buries his face between my legs his mouth gentle barely touching
3576
06:07:44,040 --> 06:07:49,960
the whisper of cloth there he covers the hole of my mound and lips with his mouth and just
3577
06:07:49,960 --> 06:07:56,040
breathes on me for a moment his breath is warm and moist against my cunt soothing the ache of the
3578
06:07:56,040 --> 06:08:02,840
piercing which has begun to throb just a bit when i start to scrum he squeezes my thighs where his
3579
06:08:02,840 --> 06:08:10,120
large hands hold them open and says without lifting his head be still cassie i grow still
3580
06:08:10,120 --> 06:08:16,200
obediently closing my eyes and leaning my head back the feel of his mouth sliding over the
3581
06:08:16,200 --> 06:08:23,160
slippery material is so sensuous so achingly delicious i shudder and catch my breath feeling
3582
06:08:23,160 --> 06:08:29,000
the sensation building before he's even really started he pulls down my underwear then and i
3583
06:08:29,000 --> 06:08:37,080
thrust myself up toward his mouth please i say wanting to feel his lips on me his tongue lapping
3584
06:08:37,080 --> 06:08:42,920
against me because this is what i have been thinking of dreaming about since i decided to put the ring
3585
06:08:42,920 --> 06:08:50,760
back in his first touch is tentative careful but my body jerks in shock anyway the pain and pleasure
3586
06:08:50,760 --> 06:09:00,440
is so intense he stops and looks up at me are you sure this is okay yes i pant yes please just
3587
06:09:01,080 --> 06:09:09,800
long flat strokes i say remember like before i do not usually instruct him on what i like
3588
06:09:09,800 --> 06:09:14,920
he's very good at paying attention to my body signals but something has taken me over
3589
06:09:14,920 --> 06:09:20,360
and i need to have him do it and do it now just the way i want him to and he does
3590
06:09:21,000 --> 06:09:27,880
he strokes a flat wet warm tongue from my swollen pussy lips all the way up to my tender throbbing
3591
06:09:27,880 --> 06:09:35,480
clit over and over long slow strokes until i'm panting and wriggling against his mouth
3592
06:09:36,280 --> 06:09:41,960
intermittently he takes my clit hood ring and all into his mouth and sucks at it gently
3593
06:09:43,000 --> 06:09:48,120
i am riding the waves of pleasure giving myself over to them floating and drifting
3594
06:09:48,680 --> 06:09:54,680
feeling the ring slide against my clit and his tongue playing with it building building toward
3595
06:09:54,680 --> 06:10:02,200
an orgasm his fingers tighten on my thighs as he recognizes my excitement building yes i say
3596
06:10:02,840 --> 06:10:09,960
yes yes and then something happens something in my head suddenly he is not
3597
06:10:09,960 --> 06:10:16,280
fucking me with his mouth i am fucking him with my clit i begin to thrust my clit against his
3598
06:10:16,280 --> 06:10:23,240
mouth into his mouth down his throat fucking his mouth with a long extended cock like clit
3599
06:10:23,960 --> 06:10:30,280
i moan and arch against him shoving my cock clit into his mouth growling twisting my arms out
3600
06:10:30,280 --> 06:10:36,520
from under me so that i can grab the back of his head all the better to fuck him is this what he
3601
06:10:36,520 --> 06:10:42,920
feels as he holds the back of my head pushing his cock into my mouth over and over this mindless
3602
06:10:42,920 --> 06:10:49,000
reaching thrusting wanting only to come to fill his mouth with my cum to feel him gag to make
3603
06:10:49,000 --> 06:10:57,400
him swallow every drop it is that image that tips me over i start to orgasm wave after wave crashing
3604
06:10:57,400 --> 06:11:04,200
over me but i'm not coming like a woman i am coming like a man thrusting and squirting girl come
3605
06:11:04,200 --> 06:11:10,440
into his mouth filling it just as he feels mine when he comes in my mouth is this what it is like
3606
06:11:10,440 --> 06:11:17,640
for him this deep ache and pull the shuttering release as he spills himself into me i come
3607
06:11:17,640 --> 06:11:23,800
clutching my thighs around him arching my back holding him pinned to me and i wonder if this
3608
06:11:23,800 --> 06:11:29,640
is what it feels like for him pinning me down with his body impaling me as i am impaling him
3609
06:11:30,440 --> 06:11:35,080
i come so hard i have to stuff my arm in my mouth to keep from screaming out loud and
3610
06:11:35,080 --> 06:11:41,880
waking the upstairs neighbors i come until dylan finally has to pull himself from my grasp laughing
3611
06:11:41,880 --> 06:11:48,200
gasping for air i think about the times i have pulled myself away from him gasping for breath
3612
06:11:48,200 --> 06:11:55,160
that same way licking the last drops of semen from my lips i lean over and pull his face up to mine
3613
06:11:55,800 --> 06:12:01,160
lick the salty sweet taste of me from his mouth i wonder if he felt the force and
3614
06:12:01,160 --> 06:12:07,800
heat of it squirting down his throat as i have felt his he chuckles at the self-satisfied
3615
06:12:07,800 --> 06:12:17,640
grin on my face i guess it still works huh he says oh yeah i think it definitely still works
3616
06:12:23,080 --> 06:12:30,920
this has been orgasmic erotica for women written by various authors edited by rachel kramer bustle
3617
06:12:31,880 --> 06:12:41,160
narrated by lucy malone copyright 2010 by cleis press production copyright 2012 by cleis press
3618
06:12:44,840 --> 06:12:47,000
audible hopes you have enjoyed this program
3619
06:13:00,920 --> 06:13:02,380
you
3620
06:13:30,920 --> 06:13:32,380
you
3621
06:14:00,920 --> 06:14:02,380
you
3622
06:14:30,920 --> 06:14:32,380
you
3623
06:15:00,920 --> 06:15:02,380
you
|
https://youtube.com/watch?v=IgTPNoulU34 | 1
00:00:00,000 --> 00:00:02,000
I
2
00:00:23,160 --> 00:00:25,160
Hello
3
00:00:30,000 --> 00:00:32,000
Oh
4
00:01:00,000 --> 00:01:02,000
Oh
5
00:01:30,000 --> 00:01:32,000
Oh
6
00:02:00,000 --> 00:02:02,000
Oh
7
00:02:15,520 --> 00:02:17,520
We are
8
00:02:17,520 --> 00:02:45,360
Good
9
00:04:17,520 --> 00:04:24,520
Come on.
10
00:04:24,520 --> 00:04:27,520
Come on.
11
00:04:27,520 --> 00:04:28,520
Come on.
12
00:04:28,520 --> 00:04:29,520
Come on.
13
00:04:29,520 --> 00:04:31,520
Who are you?
14
00:04:31,520 --> 00:04:32,520
Come on.
15
00:04:32,520 --> 00:04:33,520
Show me.
16
00:04:33,520 --> 00:04:35,520
Show me.
17
00:04:35,520 --> 00:04:50,520
Manohar, what are you saying?
18
00:04:50,520 --> 00:04:52,520
I don't understand anything.
19
00:04:52,520 --> 00:04:54,520
Because of me, my entire family can be in danger.
20
00:04:54,520 --> 00:04:55,520
What danger?
21
00:04:55,520 --> 00:04:56,520
No, no.
22
00:04:56,520 --> 00:04:57,520
I am telling you.
23
00:04:57,520 --> 00:04:59,520
Because of my brother-in-law, my mental state.
24
00:04:59,520 --> 00:05:02,520
I am going to kill my entire family with my own hands.
25
00:05:02,520 --> 00:05:04,520
Manohar, what are you saying?
26
00:05:04,520 --> 00:05:06,520
Manohar, how can I explain this to you?
27
00:05:06,520 --> 00:05:08,520
I have bad dreams.
28
00:05:08,520 --> 00:05:10,520
Not only at night, but also during the day.
29
00:05:10,520 --> 00:05:12,520
I don't know what's true and what's not.
30
00:05:12,520 --> 00:05:14,520
I don't know who I should trust.
31
00:05:14,520 --> 00:05:16,520
Doctor, there are two ways to save this.
32
00:05:16,520 --> 00:05:20,520
One is that you put me in a place where I can't escape.
33
00:05:20,520 --> 00:05:23,520
The other way is that you kill me.
34
00:05:23,520 --> 00:05:24,520
Manohar, what are you saying?
35
00:05:24,520 --> 00:05:25,520
No, no.
36
00:05:25,520 --> 00:05:26,520
Listen to me practically.
37
00:05:26,520 --> 00:05:27,520
I am not emotional.
38
00:05:27,520 --> 00:05:30,520
If something happens to my family because of me, I will die anyway.
39
00:05:30,520 --> 00:05:33,520
And before I do anything, please doctor, just kill me.
40
00:05:33,520 --> 00:05:35,520
Manohar, what are you saying?
41
00:05:35,520 --> 00:05:36,520
You calm down.
42
00:05:36,520 --> 00:05:38,520
No, you calm down.
43
00:05:38,520 --> 00:05:39,520
Manohar, relax.
44
00:05:39,520 --> 00:05:40,520
Just a second.
45
00:05:40,520 --> 00:05:41,520
Calm down, doctor.
46
00:05:41,520 --> 00:05:42,520
I will talk to him.
47
00:05:42,520 --> 00:05:43,520
Just give me a minute.
48
00:05:43,520 --> 00:05:44,520
Doctor, I have an idea.
49
00:05:44,520 --> 00:05:45,520
What?
50
00:05:45,520 --> 00:05:47,520
We will send his family somewhere away without telling him.
51
00:05:47,520 --> 00:05:49,520
So that if he wants to do something, he can't do it.
52
00:05:49,520 --> 00:05:51,520
Because he just won't know where they are.
53
00:05:55,520 --> 00:05:56,520
Shiva, what are you thinking?
54
00:05:56,520 --> 00:05:57,520
Hold that thought.
55
00:05:57,520 --> 00:05:58,520
Hold that thought Shiva.
56
00:05:58,520 --> 00:05:59,520
It's a really good idea.
57
00:05:59,520 --> 00:06:00,520
No, no, it's a really good idea.
58
00:06:00,520 --> 00:06:01,520
Okay, okay.
59
00:06:01,520 --> 00:06:02,520
Listen to me.
60
00:06:02,520 --> 00:06:04,520
Doctor, please do something.
61
00:06:04,520 --> 00:06:08,520
Send my family somewhere away from here and I don't know where they are.
62
00:06:08,520 --> 00:06:10,520
But right now, there are so many tickets for planes.
63
00:06:10,520 --> 00:06:12,520
Doctor, there is an internet connection in your house.
64
00:06:12,520 --> 00:06:13,520
Yes.
65
00:06:13,520 --> 00:06:14,520
I will do it.
66
00:06:14,520 --> 00:06:15,520
Yes, you are right.
67
00:06:15,520 --> 00:06:17,520
Look, you go to the internet and book a ticket.
68
00:06:17,520 --> 00:06:19,520
And take my family home with you.
69
00:06:19,520 --> 00:06:23,520
And take my family to a place where I won't be able to reach them.
70
00:06:23,520 --> 00:06:26,520
I don't even know where they are and I won't even know where they are.
71
00:06:26,520 --> 00:06:27,520
And do one more thing.
72
00:06:27,520 --> 00:06:30,520
Tell the family that I have told them that Priya and Manohar...
73
00:06:30,520 --> 00:06:31,520
Manohar?
74
00:06:34,520 --> 00:06:35,520
I am really sorry.
75
00:06:35,520 --> 00:06:36,520
Relax, Manohar.
76
00:06:36,520 --> 00:06:37,520
Cool down.
77
00:06:37,520 --> 00:06:38,520
Tell Priya to call me.
78
00:06:38,520 --> 00:06:39,520
I will explain everything to her.
79
00:06:39,520 --> 00:06:41,520
But Doc, we don't have the time.
80
00:06:41,520 --> 00:06:42,520
We have to move.
81
00:06:42,520 --> 00:06:43,520
We have to act right now.
82
00:06:43,520 --> 00:06:44,520
Doc, please, we don't have the time.
83
00:06:44,520 --> 00:06:45,520
Let's go, guys.
84
00:06:45,520 --> 00:06:46,520
Let's go, guys.
85
00:06:46,520 --> 00:06:47,520
Let's go, please.
86
00:06:47,520 --> 00:06:48,520
Let's go, please.
87
00:06:48,520 --> 00:06:49,520
Let's go, please.
88
00:06:49,520 --> 00:06:50,520
Let's go, please.
89
00:06:50,520 --> 00:06:51,520
Look, Shiva, take me to that room.
90
00:06:51,520 --> 00:06:53,520
Close all the windows and doors.
91
00:06:53,520 --> 00:06:55,520
No matter what happens, no matter what I say,
92
00:06:55,520 --> 00:06:57,520
no matter what I die, don't open the door.
93
00:06:57,520 --> 00:06:58,520
Got it?
94
00:06:58,520 --> 00:06:59,520
Relax, Manohar.
95
00:06:59,520 --> 00:07:00,520
Relax, Manohar.
96
00:07:09,520 --> 00:07:10,520
Thank you.
97
00:07:10,520 --> 00:07:11,520
Okay.
98
00:07:11,520 --> 00:07:12,520
Keep this key.
99
00:07:12,520 --> 00:07:13,520
And be careful.
100
00:07:13,520 --> 00:07:14,520
Bye.
101
00:07:14,520 --> 00:07:15,520
Bye.
|
https://youtube.com/watch?v=FE8-5jIAnJo | 1
00:00:00,000 --> 00:00:22,000
It's about forgetting pain, and having peace, and dimitly finding enlightenment in yourself and in your nature.
2
00:00:31,000 --> 00:00:36,000
I love you.
3
00:00:39,000 --> 00:00:41,000
And I you, Michael Walker.
4
00:00:50,000 --> 00:00:54,000
I think that you would really enjoy meeting my Zen master.
5
00:00:55,000 --> 00:00:59,000
What about the other man, Barry? What happened to him?
6
00:01:00,000 --> 00:01:01,000
Smash him.
7
00:01:04,000 --> 00:01:08,000
I found out some awful things about Michael.
8
00:01:14,000 --> 00:01:16,000
Nora, I'm okay.
9
00:01:17,000 --> 00:01:18,000
Michael!
10
00:01:29,000 --> 00:01:31,000
You
|
https://youtube.com/watch?v=dgrhbdeXW_E | 1
00:00:00,000 --> 00:00:09,000
Uh, easy eye. I see something. It's a train, 11 o'clock. Let's go get it.
2
00:00:12,000 --> 00:00:16,000
Wait, easy, easy. We gotta take your head off. Low. That's when the guns can't hit us.
3
00:00:16,000 --> 00:00:20,000
Smart decision, Lightning. Stay in formation.
4
00:00:20,000 --> 00:00:29,000
Get in front of me!
5
00:00:40,000 --> 00:00:41,000
Where's Lightning?
6
00:00:41,000 --> 00:00:42,000
Hello, Lightning.
7
00:00:42,000 --> 00:00:45,000
Taking the train from the front like you should have done.
8
00:00:51,000 --> 00:00:55,000
Got ya!
9
00:01:06,000 --> 00:01:08,000
Whoo!
10
00:01:08,000 --> 00:01:11,000
Not like the good ol' George Haswell.
|
https://youtube.com/watch?v=i5lJNPVWyc0 | 1
00:00:00,000 --> 00:00:02,400
You don't have to worry. You know, Devika,
2
00:00:02,800 --> 00:00:07,240
I had decorated the whole stage with orchids and Swarovski crystals in the Mital wedding.
3
00:00:07,280 --> 00:00:07,640
Wow!
4
00:00:07,680 --> 00:00:08,080
Yeah!
5
00:00:08,480 --> 00:00:09,800
But personally, I believe,
6
00:00:10,200 --> 00:00:13,120
it suits the fuchsia colour only for the Royals.
7
00:00:13,280 --> 00:00:13,800
You know,
8
00:00:14,080 --> 00:00:15,560
parampara and all.
9
00:00:15,600 --> 00:00:16,800
I understand.
10
00:00:17,000 --> 00:00:18,160
You are the wedding planner.
11
00:00:18,280 --> 00:00:19,480
It's better if you go.
12
00:00:19,520 --> 00:00:20,080
Oh, yes!
13
00:00:20,200 --> 00:00:20,720
Gokul!
14
00:00:20,760 --> 00:00:22,280
Come on, you idiot!
15
00:00:22,400 --> 00:00:22,920
Gokul!
16
00:00:22,960 --> 00:00:24,560
You are telling the truth.
17
00:00:24,600 --> 00:00:25,200
Gokul!
18
00:00:25,240 --> 00:00:25,640
Leave me alone!
19
00:00:25,680 --> 00:00:26,200
Gokul!
20
00:00:26,240 --> 00:00:27,720
I will make your family's car.
21
00:00:27,880 --> 00:00:29,000
On the time of the wedding,
22
00:00:29,360 --> 00:00:31,880
Mital's wife and Singanya's husband's baby...
23
00:00:31,920 --> 00:00:32,440
Shut up!
24
00:00:32,480 --> 00:00:33,600
You gossip queen!
25
00:00:33,640 --> 00:00:34,240
Oopsies!
26
00:00:34,280 --> 00:00:35,080
Why's he...
27
00:00:35,120 --> 00:00:36,080
What happened?
28
00:00:36,120 --> 00:00:36,600
You too come with me.
29
00:00:36,640 --> 00:00:37,480
There's a lot of colour.
30
00:00:37,520 --> 00:00:38,200
What's going on?
31
00:00:38,240 --> 00:00:39,240
Don't waste time.
32
00:00:39,400 --> 00:00:40,520
Water is leaking from here.
33
00:00:40,560 --> 00:00:41,240
It's leaking from here.
34
00:00:41,280 --> 00:00:42,080
What's going on?
35
00:00:42,840 --> 00:00:43,560
You scoundrels!
36
00:00:43,600 --> 00:00:44,280
You can't do this.
37
00:00:44,320 --> 00:00:44,880
You ask me.
38
00:00:45,000 --> 00:00:45,440
Come on!
39
00:00:46,760 --> 00:00:47,560
Look at this, Dada!
40
00:00:47,800 --> 00:00:48,200
Look at this!
41
00:00:48,240 --> 00:00:48,600
What's the matter?
42
00:00:48,640 --> 00:00:49,600
Why are you hitting him?
43
00:00:49,640 --> 00:00:50,240
Ask him.
44
00:00:50,280 --> 00:00:51,480
I won't do that.
45
00:00:51,520 --> 00:00:53,040
What did you do wrong?
46
00:00:53,080 --> 00:00:53,600
Look at this.
47
00:00:53,640 --> 00:00:54,080
Look at this.
48
00:00:54,120 --> 00:00:54,920
What's the matter?
49
00:00:54,960 --> 00:00:56,680
Rajkumari Devi's bed.
50
00:00:56,720 --> 00:00:57,280
Bed?
51
00:00:58,840 --> 00:00:59,640
Sorry.
52
00:00:59,880 --> 00:01:00,840
Who did this?
53
00:01:03,280 --> 00:01:04,360
Printing mistake.
54
00:01:04,520 --> 00:01:05,400
Printing mistake?
55
00:01:05,440 --> 00:01:06,720
I will bloody shoot you.
56
00:01:06,760 --> 00:01:07,320
Good do.
57
00:01:07,360 --> 00:01:08,360
Tell me, who did this?
58
00:01:08,400 --> 00:01:09,160
No, sir.
59
00:01:09,280 --> 00:01:10,640
You gave this contract to this printer
60
00:01:10,680 --> 00:01:12,440
before you came here.
61
00:01:12,480 --> 00:01:13,640
This cheap one.
62
00:01:13,800 --> 00:01:14,560
Karyal Singh!
63
00:01:14,600 --> 00:01:15,960
Gokul, it should be at 11 o'clock at 12.
64
00:01:16,000 --> 00:01:18,680
At 11 o'clock, this man should be up and down.
65
00:01:18,800 --> 00:01:19,600
Get out of here!
66
00:01:19,640 --> 00:01:20,400
Gokul!
67
00:01:20,440 --> 00:01:21,400
Get out of here!
68
00:01:28,760 --> 00:01:29,960
Dada, it's my turn.
69
00:01:31,240 --> 00:01:31,920
Gokul!
70
00:01:32,840 --> 00:01:33,800
Gokul!
71
00:01:34,880 --> 00:01:35,440
Gokul!
72
00:01:36,200 --> 00:01:36,760
Gokul!
73
00:01:37,240 --> 00:01:38,000
Hey, wait!
74
00:01:38,040 --> 00:01:39,480
Dada, what are you doing?
75
00:01:39,520 --> 00:01:40,360
Karyal Singh!
76
00:01:40,400 --> 00:01:41,200
Gokul, it's 11 o'clock.
77
00:01:41,240 --> 00:01:43,000
Show me your card.
78
00:01:44,880 --> 00:01:46,400
Divya, bed's you, Raj.
79
00:01:47,400 --> 00:01:48,640
Can I shoot him now?
80
00:01:48,680 --> 00:01:53,640
Gokul, before you kill him, tell me, why are you hitting him?
81
00:01:53,680 --> 00:01:55,920
Go up and make him understand his mistake.
82
00:01:55,960 --> 00:01:56,840
Go!
83
00:01:56,880 --> 00:01:57,720
Go!
84
00:01:59,560 --> 00:02:00,640
Let's take some time.
85
00:02:00,680 --> 00:02:01,440
You have a breather.
86
00:02:01,480 --> 00:02:02,600
Royal breather.
87
00:02:05,640 --> 00:02:06,640
Read it.
88
00:02:07,120 --> 00:02:11,560
Raj, Kumari, Divya, beds, you, Raj, Anant, Vijay Singh.
89
00:02:12,240 --> 00:02:13,040
Now, understand.
90
00:02:13,080 --> 00:02:14,320
What's the mistake?
91
00:02:15,320 --> 00:02:16,520
It's just a bedding.
92
00:02:16,560 --> 00:02:18,360
Gokul, it's just a bedding.
93
00:02:21,200 --> 00:02:24,880
Before I shoot him, tell him his mistake.
94
00:02:24,920 --> 00:02:26,400
Gokul, please.
95
00:02:26,440 --> 00:02:27,280
Gokul, please.
96
00:02:27,320 --> 00:02:30,920
Brother, beds mean a feather.
97
00:02:30,960 --> 00:02:33,360
And words mean marriage.
98
00:02:34,800 --> 00:02:39,920
It means Divya, Kumari, Anant, Vijay Singh's feather.
99
00:02:39,960 --> 00:02:41,240
Oh, God!
100
00:02:41,280 --> 00:02:42,800
Gokul, shoot him.
101
00:02:42,840 --> 00:02:43,960
Shoot him.
102
00:02:44,040 --> 00:02:45,320
Wait a minute.
103
00:02:45,360 --> 00:02:46,920
There must be a solution.
104
00:02:46,960 --> 00:02:47,760
What?
105
00:02:48,400 --> 00:02:50,040
It's a three-day marriage.
106
00:02:50,080 --> 00:02:52,320
I have to get a thousand cards couriered.
107
00:02:52,360 --> 00:02:54,280
I can't wait for the wedding day of the new cards.
108
00:02:54,320 --> 00:02:55,680
Gokul, don't listen to him.
109
00:02:55,720 --> 00:02:56,960
Shoot me.
110
00:02:57,520 --> 00:02:58,560
Shut up.
111
00:02:59,480 --> 00:03:00,280
Wait a minute.
112
00:03:00,320 --> 00:03:01,680
I have an idea.
113
00:03:02,720 --> 00:03:03,680
Come on.
114
00:03:04,120 --> 00:03:06,160
I'll shoot you after two minutes.
115
00:03:10,200 --> 00:03:12,080
Do you have a pen?
116
00:03:12,120 --> 00:03:12,960
Yes.
117
00:03:14,960 --> 00:03:16,120
Thank you.
118
00:03:28,240 --> 00:03:30,440
I am going home now.
119
00:03:44,960 --> 00:03:46,960
Rajkumari Divya Weds.
120
00:03:50,960 --> 00:03:52,960
10 pens, 10 balls.
121
00:03:52,960 --> 00:03:54,960
There are 1000 total cards.
122
00:03:54,960 --> 00:03:56,960
All the corrections will be done in an hour.
123
00:03:56,960 --> 00:03:58,960
What a splendid idea!
124
00:03:58,960 --> 00:04:00,960
What a smile idea!
125
00:04:01,960 --> 00:04:02,960
Thank you.
126
00:04:14,960 --> 00:04:15,960
Yes.
127
00:04:16,960 --> 00:04:18,960
It's a very splendid idea.
128
00:04:18,960 --> 00:04:19,960
A weds to weds.
129
00:04:19,960 --> 00:04:21,960
Jeejo sir, Jeejo sir.
130
00:04:21,960 --> 00:04:23,960
You wrote down Chandni's room.
131
00:04:23,960 --> 00:04:24,960
On Chandni's room.
132
00:04:24,960 --> 00:04:26,960
You bloody royal pervert.
133
00:04:26,960 --> 00:04:28,960
If you see her room again, you'll cut her neck and hit her.
134
00:04:28,960 --> 00:04:29,960
Shut up man.
135
00:04:29,960 --> 00:04:30,960
Shut.
136
00:04:30,960 --> 00:04:31,960
Veer.
137
00:04:31,960 --> 00:04:32,960
Yes, grandpa.
138
00:04:32,960 --> 00:04:33,960
Veer, come on.
139
00:04:33,960 --> 00:04:34,960
It's a lot of work.
140
00:04:34,960 --> 00:04:35,960
Yes, grandpa.
141
00:04:35,960 --> 00:04:36,960
Come on.
142
00:04:37,960 --> 00:04:38,960
Wonderful idea.
143
00:04:38,960 --> 00:04:39,960
That was great.
144
00:04:39,960 --> 00:04:40,960
Chandni.
145
00:04:40,960 --> 00:04:42,960
Darling, that was brilliant.
146
00:04:42,960 --> 00:04:43,960
I am proud of you.
147
00:04:43,960 --> 00:04:44,960
Proud of you.
|
https://youtube.com/watch?v=a-vLI_sXDEo | 1
00:00:00,000 --> 00:00:02,000
Let me be blunt.
2
00:00:02,000 --> 00:00:04,000
Nobody knows you're here.
3
00:00:04,000 --> 00:00:06,000
You don't exist.
4
00:00:06,000 --> 00:00:08,000
Unless you cooperate fully.
5
00:00:08,000 --> 00:00:10,000
There's nothing I can't do to you.
6
00:00:10,000 --> 00:00:12,000
Sir.
7
00:00:12,000 --> 00:00:13,000
No, no.
8
00:00:13,000 --> 00:00:15,000
Moses is on the phone.
9
00:00:17,000 --> 00:00:19,000
Okay, Trace is running.
10
00:00:25,000 --> 00:00:28,000
Moses, here's the thing, Cooper.
11
00:00:29,000 --> 00:00:32,000
With age comes a certain perspective.
12
00:00:32,000 --> 00:00:34,000
I'd be a liar.
13
00:00:34,000 --> 00:00:37,000
If I said there wasn't a time when I was exactly like you.
14
00:00:37,000 --> 00:00:39,000
Blind ambition.
15
00:00:39,000 --> 00:00:41,000
Misplaced trust.
16
00:00:41,000 --> 00:00:43,000
Why are you telling me this?
17
00:00:43,000 --> 00:00:46,000
It might help me to decide what to do next.
18
00:00:46,000 --> 00:00:49,000
Why? What are you thinking about?
19
00:00:49,000 --> 00:00:51,000
Our business is a very hard one.
20
00:00:51,000 --> 00:00:54,000
But it was never the...
21
00:00:54,000 --> 00:00:56,000
the killing or the stress,
22
00:00:56,000 --> 00:00:58,000
the bad pay that bothered me.
23
00:00:58,000 --> 00:01:00,000
What's it, Frank?
24
00:01:00,000 --> 00:01:04,000
It's how anything that you love
25
00:01:04,000 --> 00:01:06,000
can be taken away from you.
26
00:01:06,000 --> 00:01:09,000
It taught me you never to care.
27
00:01:09,000 --> 00:01:11,000
You never to invest.
28
00:01:11,000 --> 00:01:14,000
Then I met this woman.
29
00:01:14,000 --> 00:01:16,000
Sarah.
30
00:01:18,000 --> 00:01:20,000
And now you have her.
31
00:01:20,000 --> 00:01:23,000
Now I can't take up anything more horrible
32
00:01:23,000 --> 00:01:25,000
than to know that your enemies
33
00:01:25,000 --> 00:01:27,000
can hurt someone that you love.
34
00:01:27,000 --> 00:01:30,000
The feeling is almost indescribable.
35
00:01:36,000 --> 00:01:38,000
He's still there, Cooper.
36
00:01:40,000 --> 00:01:42,000
You're in my house.
37
00:01:49,000 --> 00:01:52,000
Almost indescribable, isn't it?
38
00:01:53,000 --> 00:01:55,000
Please.
39
00:01:57,000 --> 00:01:59,000
He's not my family.
40
00:01:59,000 --> 00:02:02,000
If anything happens to Sarah,
41
00:02:02,000 --> 00:02:05,000
I will rip everything you love out of your life.
42
00:02:05,000 --> 00:02:08,000
And then I'll kill you.
43
00:02:10,000 --> 00:02:13,000
I swear to you, I will keep Sarah safe.
44
00:02:13,000 --> 00:02:15,000
We don't have much time.
45
00:02:15,000 --> 00:02:17,000
Do you understand that?
46
00:02:18,000 --> 00:02:20,000
What are you gonna do, Frank?
47
00:02:20,000 --> 00:02:23,000
I'm gonna kill the vice president.
48
00:02:23,000 --> 00:02:25,000
What are you gonna do?
49
00:02:47,000 --> 00:02:49,000
Come on.
50
00:03:17,000 --> 00:03:19,000
Come on.
51
00:03:48,000 --> 00:03:51,000
Frank left this for me.
52
00:03:53,000 --> 00:03:55,000
Where did he get it from?
53
00:03:55,000 --> 00:03:59,000
The Secura Records Depository of the CIA.
54
00:04:09,000 --> 00:04:11,000
Look, Sarah.
55
00:04:13,000 --> 00:04:16,000
I know Frank's been right about a few things.
56
00:04:17,000 --> 00:04:21,000
But he's about to cross the line from which there's no turning back.
57
00:04:21,000 --> 00:04:26,000
Right now, you have an opportunity to help him.
58
00:04:26,000 --> 00:04:29,000
You need to tell me everything you know.
59
00:04:29,000 --> 00:04:32,000
Because if I can't stop him,
60
00:04:32,000 --> 00:04:35,000
I'm gonna have to kill him.
61
00:04:41,000 --> 00:04:44,000
Do you know who Frank Moses is?
62
00:04:44,000 --> 00:04:46,000
I mean, really is?
63
00:04:46,000 --> 00:04:49,000
Do you know what he's done?
64
00:04:50,000 --> 00:04:52,000
Wow.
65
00:04:54,000 --> 00:04:58,000
You're asking me for help? That is so lame.
66
00:04:58,000 --> 00:05:01,000
He's gonna eat you for lunch.
67
00:05:07,000 --> 00:05:09,000
She's never gonna trust us.
68
00:05:09,000 --> 00:05:11,000
I can't blame her.
69
00:05:11,000 --> 00:05:13,000
The tip-off was a trap.
70
00:05:13,000 --> 00:05:16,000
Just like Marionette's.
71
00:05:20,000 --> 00:05:23,000
Just like Moses called it.
72
00:05:23,000 --> 00:05:25,000
Yeah.
73
00:05:26,000 --> 00:05:29,000
He will take a shot at the VP.
74
00:05:29,000 --> 00:05:32,000
That's a problem for the Secret Service.
75
00:05:33,000 --> 00:05:36,000
Moses will take them apart.
76
00:05:37,000 --> 00:05:40,000
Plug me into their detail.
77
00:05:40,000 --> 00:05:42,000
You got it.
78
00:05:42,000 --> 00:05:44,000
What about her?
79
00:05:44,000 --> 00:05:48,000
I'll keep her close. Protect it off the grid.
|
https://youtube.com/watch?v=svA8DZI6pWc | 1
00:00:00,000 --> 00:00:09,200
No no!
2
00:00:09,200 --> 00:00:21,200
Oh my God!
3
00:00:21,200 --> 00:00:29,200
Clifford!
4
00:00:29,200 --> 00:00:31,200
Wait a minute.
5
00:00:31,200 --> 00:00:33,200
I'm going to wake up.
6
00:00:33,200 --> 00:00:34,200
I think I'm dreaming.
7
00:00:34,200 --> 00:00:35,200
Let me kiss you.
8
00:00:35,200 --> 00:00:37,200
And three.
9
00:00:37,200 --> 00:00:39,200
Two.
10
00:00:39,200 --> 00:00:41,200
Oh my God! This is not a dream.
11
00:00:41,200 --> 00:00:42,200
This is the truth.
12
00:00:42,200 --> 00:00:44,200
Clifford, this is really you.
13
00:00:44,200 --> 00:00:46,200
How did this happen?
14
00:00:46,200 --> 00:00:48,200
How did you grow up?
15
00:00:48,200 --> 00:00:49,200
I mean, I can't believe it.
16
00:00:49,200 --> 00:00:50,200
But this is true.
17
00:00:50,200 --> 00:00:52,200
I wanted you to grow up,
18
00:00:52,200 --> 00:00:53,200
but I didn't mean my body.
19
00:00:53,200 --> 00:00:56,200
I mean, my mind grew bigger.
20
00:00:57,200 --> 00:00:59,200
Clifford!
21
00:01:02,200 --> 00:01:04,200
What are you doing?
22
00:01:05,200 --> 00:01:07,200
No! My bed!
23
00:01:08,200 --> 00:01:09,200
Clifford, no!
24
00:01:09,200 --> 00:01:10,200
That's my mom's pillow.
25
00:01:10,200 --> 00:01:12,200
Clifford, leave it.
26
00:01:12,200 --> 00:01:14,200
Come on, be a good boy and leave it.
27
00:01:14,200 --> 00:01:16,200
Promise, no!
28
00:01:27,200 --> 00:01:29,200
I'm done for.
29
00:01:29,200 --> 00:01:31,200
No! My dead body!
30
00:01:31,200 --> 00:01:33,200
Don't shake your head.
31
00:01:33,200 --> 00:01:35,200
This is the truth.
32
00:01:37,200 --> 00:01:39,200
Clifford!
33
00:01:39,200 --> 00:01:41,200
Clifford, just be quiet.
34
00:01:41,200 --> 00:01:42,200
Wait here.
35
00:01:42,200 --> 00:01:43,200
I'll be right back.
36
00:01:43,200 --> 00:01:44,200
Okay?
37
00:01:50,200 --> 00:01:51,200
Uncle!
38
00:01:51,200 --> 00:01:52,200
Uncle!
39
00:01:52,200 --> 00:01:53,200
This is uncle.
40
00:01:53,200 --> 00:01:54,200
The meter is not working.
41
00:01:54,200 --> 00:01:55,200
Get up.
42
00:01:55,200 --> 00:01:57,200
It's 7.30.
43
00:01:57,200 --> 00:01:58,200
We'll be late for school.
44
00:01:58,200 --> 00:01:59,200
Uncle.
45
00:01:59,200 --> 00:02:00,200
I'm up.
46
00:02:00,200 --> 00:02:02,200
What about the dog?
47
00:02:02,200 --> 00:02:04,200
I was thinking about it.
48
00:02:04,200 --> 00:02:06,200
I can't deny anything.
49
00:02:06,200 --> 00:02:07,200
I'm not that kind of person.
50
00:02:07,200 --> 00:02:09,200
If you really want to keep it,
51
00:02:09,200 --> 00:02:10,200
I don't mind.
52
00:02:10,200 --> 00:02:11,200
Can I keep it?
53
00:02:11,200 --> 00:02:12,200
You'll have to tell your mom
54
00:02:12,200 --> 00:02:13,200
that I didn't know about it.
55
00:02:13,200 --> 00:02:14,200
Okay?
56
00:02:14,200 --> 00:02:15,200
You hid it from me.
57
00:02:15,200 --> 00:02:16,200
You hid it from me.
58
00:02:16,200 --> 00:02:17,200
I had no idea.
59
00:02:17,200 --> 00:02:18,200
Mom won't believe this.
60
00:02:18,200 --> 00:02:19,200
Of course she will.
61
00:02:19,200 --> 00:02:20,200
She's a kid.
62
00:02:20,200 --> 00:02:21,200
She's so cute that she'll believe it.
63
00:02:27,200 --> 00:02:28,200
Come on.
64
00:02:28,200 --> 00:02:29,200
We'll have to get out of here.
65
00:02:29,200 --> 00:02:30,200
There's a monster in the house.
66
00:02:30,200 --> 00:02:31,200
Uncle, this is the dog.
67
00:02:31,200 --> 00:02:33,200
Uncle and sister-in-law will get out first.
68
00:02:35,200 --> 00:02:36,200
Stay back.
69
00:02:36,200 --> 00:02:37,200
Stay back.
70
00:02:37,200 --> 00:02:38,200
She's back.
71
00:02:41,200 --> 00:02:42,200
But she's back till last night.
72
00:02:42,200 --> 00:02:43,200
Yes.
73
00:02:43,200 --> 00:02:44,200
I think something has happened to her.
74
00:02:44,200 --> 00:02:45,200
You think?
75
00:02:45,200 --> 00:02:47,200
She's the same dog from last night.
76
00:02:47,200 --> 00:02:48,200
She's a bit older now.
77
00:02:48,200 --> 00:02:49,200
A bit older?
78
00:02:49,200 --> 00:02:51,200
She's even older than a baby.
79
00:02:51,200 --> 00:02:52,200
Don't worry.
80
00:02:52,200 --> 00:02:54,200
She won't do anything.
81
00:02:54,200 --> 00:02:56,200
She's the same dog from last night.
82
00:03:02,200 --> 00:03:03,200
Oh, God!
83
00:03:03,200 --> 00:03:04,200
This is your mother's.
84
00:03:04,200 --> 00:03:05,200
What will I tell her?
85
00:03:05,200 --> 00:03:06,200
I don't know.
86
00:03:06,200 --> 00:03:07,200
Just stay normal.
87
00:03:09,200 --> 00:03:10,200
Uncle, stay normal.
88
00:03:20,200 --> 00:03:22,200
Remember, stay normal.
89
00:03:24,200 --> 00:03:25,200
Hey, sister.
90
00:03:25,200 --> 00:03:26,200
Call me sister.
91
00:03:26,200 --> 00:03:27,200
Do you know?
92
00:03:27,200 --> 00:03:28,200
Sister?
93
00:03:28,200 --> 00:03:29,200
Call me sister.
94
00:03:29,200 --> 00:03:30,200
Why are you saying that?
95
00:03:30,200 --> 00:03:32,200
That's what I'm saying when you're in a good mood.
96
00:03:34,200 --> 00:03:37,200
I called you to see if you're going to go to school or not.
97
00:03:37,200 --> 00:03:38,200
We're on our way.
98
00:03:38,200 --> 00:03:40,200
I won't let her go this time.
99
00:03:40,200 --> 00:03:41,200
It's not a joke.
100
00:03:41,200 --> 00:03:42,200
That's right.
101
00:03:42,200 --> 00:03:44,200
It's better if you don't make a joke about such events.
102
00:03:44,200 --> 00:03:46,200
But we're very busy right now.
103
00:03:47,200 --> 00:03:48,200
What's the sound?
104
00:03:48,200 --> 00:03:49,200
Nothing.
105
00:03:49,200 --> 00:03:50,200
Our stop is here.
106
00:03:50,200 --> 00:03:51,200
Bye, sister.
107
00:03:51,200 --> 00:03:52,200
Okay, bye.
108
00:03:52,200 --> 00:03:53,200
Okay.
109
00:03:53,200 --> 00:03:54,200
Don't.
110
00:03:54,200 --> 00:03:55,200
Sit.
111
00:03:55,200 --> 00:03:56,200
No, don't say that.
112
00:04:00,200 --> 00:04:01,200
I know.
113
00:04:01,200 --> 00:04:02,200
I thought you'd help me.
114
00:04:03,200 --> 00:04:05,200
We'll have to find the old man of that Red Bull.
115
00:04:05,200 --> 00:04:06,200
Why?
116
00:04:06,200 --> 00:04:08,200
So that we can get rid of him.
117
00:04:08,200 --> 00:04:10,200
But you said that I can keep him.
118
00:04:10,200 --> 00:04:12,200
Yes, I said that before he spread it.
119
00:04:13,200 --> 00:04:14,200
Oh, no.
120
00:04:14,200 --> 00:04:15,200
There's nothing about this old man.
121
00:04:15,200 --> 00:04:17,200
I don't even know about him.
122
00:04:17,200 --> 00:04:18,200
Red Bull's annual rescue.
123
00:04:18,200 --> 00:04:19,200
Nothing.
124
00:04:19,200 --> 00:04:21,200
You can't give people nuclear pets.
125
00:04:21,200 --> 00:04:22,200
And then you don't even put anything on Google.
126
00:04:22,200 --> 00:04:24,200
You're so irresponsible.
127
00:04:24,200 --> 00:04:25,200
More than me.
128
00:04:26,200 --> 00:04:27,200
Did you see?
129
00:04:27,200 --> 00:04:28,200
He likes you.
130
00:04:28,200 --> 00:04:29,200
Really?
131
00:04:30,200 --> 00:04:31,200
Who is it?
132
00:04:31,200 --> 00:04:32,200
Packard.
133
00:04:33,200 --> 00:04:35,200
No, he's the same old man.
134
00:04:35,200 --> 00:04:36,200
We can't keep pets here.
135
00:04:36,200 --> 00:04:37,200
We'll get rid of him.
136
00:04:37,200 --> 00:04:38,200
I'm here to fix your dishwasher.
137
00:04:38,200 --> 00:04:39,200
I'm coming in.
138
00:04:39,200 --> 00:04:40,200
Wait a second.
139
00:04:40,200 --> 00:04:41,200
It's not me.
140
00:04:41,200 --> 00:04:42,200
Hide the dog.
141
00:04:47,200 --> 00:04:48,200
I'll take care of him.
142
00:04:49,200 --> 00:04:50,200
I should say Shuddhindi.
143
00:04:50,200 --> 00:04:51,200
No.
144
00:04:52,200 --> 00:04:53,200
Greetings.
145
00:04:53,200 --> 00:04:55,200
You're Hangesh Rimaan Packard.
146
00:04:55,200 --> 00:04:56,200
Who are you?
147
00:04:56,200 --> 00:04:57,200
Casey.
148
00:04:57,200 --> 00:04:58,200
Maggie's sister.
149
00:04:59,200 --> 00:05:00,200
Brother.
150
00:05:00,200 --> 00:05:01,200
I'm a bit confused.
151
00:05:01,200 --> 00:05:02,200
Never.
152
00:05:02,200 --> 00:05:03,200
Never?
153
00:05:06,200 --> 00:05:08,200
Why is this house so spread out?
154
00:05:08,200 --> 00:05:09,200
I was just doing that.
155
00:05:09,200 --> 00:05:10,200
In fact...
156
00:05:11,200 --> 00:05:13,200
things are kept upside down.
157
00:05:14,200 --> 00:05:15,200
The dishwasher is on that side.
158
00:05:15,200 --> 00:05:16,200
Yes.
159
00:05:16,200 --> 00:05:18,200
But we'll close the water supply from the bedroom.
160
00:05:18,200 --> 00:05:19,200
No.
161
00:05:19,200 --> 00:05:20,200
We can't go in.
162
00:05:20,200 --> 00:05:21,200
No.
163
00:05:21,200 --> 00:05:22,200
Why not?
164
00:05:22,200 --> 00:05:23,200
This is private.
165
00:05:24,200 --> 00:05:27,200
There are a lot of things of girls there that you shouldn't see.
166
00:05:27,200 --> 00:05:28,200
Yes.
167
00:05:28,200 --> 00:05:29,200
But I can go.
168
00:05:29,200 --> 00:05:30,200
Yes.
169
00:05:30,200 --> 00:05:31,200
Uncle will go in.
170
00:05:31,200 --> 00:05:32,200
I'm going in.
171
00:05:33,200 --> 00:05:34,200
That's our family, right?
172
00:05:34,200 --> 00:05:35,200
Yes.
173
00:05:38,200 --> 00:05:39,200
So, the dishwasher...
174
00:05:40,200 --> 00:05:44,200
There's a strange noise from it when the water is drained.
175
00:05:50,200 --> 00:05:51,200
No.
176
00:05:51,200 --> 00:05:52,200
No.
177
00:05:52,200 --> 00:05:53,200
No.
178
00:05:59,200 --> 00:06:00,200
Everything is fine.
179
00:06:00,200 --> 00:06:02,200
I'm doing a mistake.
180
00:06:05,200 --> 00:06:07,200
Perhaps the pipes have become old.
181
00:06:07,200 --> 00:06:08,200
What is going on here?
182
00:06:10,200 --> 00:06:12,200
You go to my room now.
183
00:06:13,200 --> 00:06:14,200
Okay.
184
00:06:17,200 --> 00:06:19,200
I'm getting a dog's aunt.
185
00:06:19,200 --> 00:06:20,200
A dog?
186
00:06:20,200 --> 00:06:21,200
No.
187
00:06:21,200 --> 00:06:23,200
That dog is mine.
188
00:06:23,200 --> 00:06:25,200
I don't use T.O.
189
00:06:25,200 --> 00:06:27,200
Why hide the natural objects?
190
00:06:27,200 --> 00:06:28,200
In that case, we should teach each other.
191
00:06:28,200 --> 00:06:29,200
No.
192
00:06:29,200 --> 00:06:30,200
Absolutely not.
193
00:06:30,200 --> 00:06:31,200
Okay.
194
00:06:32,200 --> 00:06:33,200
What are you doing?
195
00:06:51,200 --> 00:06:52,200
Yes.
196
00:06:52,200 --> 00:06:54,200
I think the problem has been solved.
197
00:06:55,200 --> 00:06:57,200
I'll have to order this part.
198
00:06:57,200 --> 00:06:59,200
I'll have to come again.
199
00:06:59,200 --> 00:07:01,200
Thank you for coming to our house.
200
00:07:01,200 --> 00:07:03,200
You're even higher than that.
201
00:07:05,200 --> 00:07:06,200
Oh, my God!
202
00:07:06,200 --> 00:07:07,200
Come with us.
203
00:07:07,200 --> 00:07:09,200
Keep the broom down.
204
00:07:09,200 --> 00:07:10,200
You've gone mad.
205
00:07:10,200 --> 00:07:12,200
Now you're going to run away.
206
00:07:12,200 --> 00:07:13,200
Why are you getting angry?
207
00:07:13,200 --> 00:07:15,200
We're both in the air.
208
00:07:15,200 --> 00:07:17,200
We're both in the air.
209
00:07:17,200 --> 00:07:18,200
We're both in the air.
210
00:07:18,200 --> 00:07:20,200
We're both in the air.
211
00:07:20,200 --> 00:07:21,200
We're both in the air.
212
00:07:21,200 --> 00:07:22,200
We're both in the air.
213
00:07:22,200 --> 00:07:23,200
Where are we?
214
00:07:23,200 --> 00:07:24,200
Is this a museum?
215
00:07:24,200 --> 00:07:26,200
This is just a penthouse.
216
00:07:26,200 --> 00:07:27,200
You live here?
217
00:07:27,200 --> 00:07:28,200
Yes.
218
00:07:30,200 --> 00:07:31,200
Oh, jeez.
219
00:07:33,200 --> 00:07:34,200
You talk.
220
00:07:34,200 --> 00:07:35,200
What? What will I say?
221
00:07:35,200 --> 00:07:37,200
Forget the truth and say anything.
222
00:07:40,200 --> 00:07:41,200
Hey, mom.
223
00:07:41,200 --> 00:07:43,200
I just got a call from school.
224
00:07:43,200 --> 00:07:45,200
They told me that you didn't go to school.
225
00:07:45,200 --> 00:07:46,200
What?
226
00:07:46,200 --> 00:07:47,200
Are you crazy?
227
00:07:47,200 --> 00:07:48,200
Of course.
228
00:07:48,200 --> 00:07:49,200
I was in school.
229
00:07:49,200 --> 00:07:50,200
Okay.
230
00:07:50,200 --> 00:07:51,200
Do you know what?
231
00:07:51,200 --> 00:07:53,200
I want to say something to uncle.
232
00:07:53,200 --> 00:07:55,200
You're better off lying to him.
233
00:07:58,200 --> 00:07:59,200
Hey!
234
00:07:59,200 --> 00:08:01,200
Looks like there's been some confusion in the office.
235
00:08:01,200 --> 00:08:03,200
I heard that today someone has scared him away from the moon.
236
00:08:03,200 --> 00:08:05,200
I'll fix everything after I die.
237
00:08:05,200 --> 00:08:06,200
No problem.
238
00:08:07,200 --> 00:08:08,200
Brutus!
239
00:08:08,200 --> 00:08:09,200
No!
240
00:08:11,200 --> 00:08:12,200
Is that a dog?
241
00:08:12,200 --> 00:08:13,200
No.
242
00:08:13,200 --> 00:08:14,200
No, no.
243
00:08:15,200 --> 00:08:17,200
This is a dishwasher.
244
00:08:17,200 --> 00:08:18,200
Hey, Brutus.
245
00:08:18,200 --> 00:08:20,200
Just look at him.
246
00:08:20,200 --> 00:08:22,200
Maybe he wants to sniff the cappuccino.
247
00:08:24,200 --> 00:08:25,200
Do you get it?
248
00:08:26,200 --> 00:08:27,200
Okay.
249
00:08:27,200 --> 00:08:28,200
Hey, Brutus.
250
00:08:28,200 --> 00:08:29,200
Look.
251
00:08:29,200 --> 00:08:30,200
It's closed.
252
00:08:32,200 --> 00:08:33,200
Do you know?
253
00:08:37,200 --> 00:08:38,200
It's closed.
254
00:08:38,200 --> 00:08:39,200
Good boy.
255
00:08:40,200 --> 00:08:42,200
By the way, have you ever tried to find another house?
256
00:08:42,200 --> 00:08:44,200
Your time has come to change your house.
257
00:08:45,200 --> 00:08:46,200
Sorry.
258
00:08:47,200 --> 00:08:49,200
I just checked the phone's battery.
259
00:08:49,200 --> 00:08:50,200
It's just one person left.
260
00:08:50,200 --> 00:08:51,200
Cut it off.
261
00:08:55,200 --> 00:08:56,200
Brutus!
262
00:08:57,200 --> 00:08:59,200
It's not like that every day.
|
https://youtube.com/watch?v=q97qjTr7Fic | 1
00:00:00,000 --> 00:00:02,000
I'm scared.
2
00:00:02,000 --> 00:00:04,000
Not only I'm here.
3
00:00:12,000 --> 00:00:13,000
Go!
4
00:00:16,000 --> 00:00:17,000
Father.
5
00:00:18,000 --> 00:00:20,000
Give grace, abominable creature.
6
00:00:20,000 --> 00:00:21,000
Give way to Christ.
7
00:00:21,000 --> 00:00:23,000
You are assured about me.
8
00:00:24,000 --> 00:00:25,000
My glory.
9
00:00:25,000 --> 00:00:27,000
The liquor of my head.
10
00:00:27,000 --> 00:00:28,000
Just now.
11
00:00:29,000 --> 00:00:30,000
Just now.
12
00:00:30,000 --> 00:00:31,000
With an hour.
13
00:00:31,000 --> 00:00:33,000
Like I was through fourth in town to die.
14
00:00:33,000 --> 00:00:34,000
With an hour.
15
00:00:34,000 --> 00:00:35,000
With a year.
16
00:00:35,000 --> 00:00:36,000
With a year.
17
00:00:36,000 --> 00:00:37,000
With a year.
18
00:00:37,000 --> 00:00:38,000
With a year.
19
00:00:39,000 --> 00:00:41,000
In the name of an old accuser.
20
00:00:41,000 --> 00:00:42,000
I will not let you catch me.
21
00:00:42,000 --> 00:00:43,000
I will not let you catch me.
|
https://youtube.com/watch?v=F9TKPNfwF-k | 1
00:00:30,000 --> 00:00:32,000
What's going on?
2
00:01:00,000 --> 00:01:26,020
I got no reception try the radio
3
00:01:31,000 --> 00:01:33,000
What is this?
4
00:01:33,000 --> 00:01:35,000
I don't know
5
00:01:36,000 --> 00:01:38,000
Shit!
6
00:01:39,000 --> 00:01:41,000
Hang on!
7
00:01:54,000 --> 00:01:56,000
Stay on my ass!
8
00:02:00,000 --> 00:02:02,000
Stop!
9
00:02:06,000 --> 00:02:08,000
Stop!
10
00:02:16,000 --> 00:02:18,000
Hang on!
11
00:02:21,000 --> 00:02:23,000
Shit!
12
00:02:24,000 --> 00:02:26,000
Shit!
13
00:02:28,000 --> 00:02:29,000
Get to the cabin!
14
00:02:29,000 --> 00:02:30,000
What? No!
15
00:02:31,000 --> 00:02:32,000
The cabin!
16
00:02:32,000 --> 00:02:34,000
Jed, take care of your brother. You hear me?
17
00:02:34,000 --> 00:02:36,000
Get out of here while you still can! Go! Now! Go!
18
00:02:36,000 --> 00:02:37,000
Let's go!
19
00:02:37,000 --> 00:02:38,000
No!
20
00:02:38,000 --> 00:02:39,000
Come on!
21
00:02:45,000 --> 00:02:47,000
Jed, go!
22
00:02:48,000 --> 00:02:53,000
Jed, we've got to get Erica. Where?
23
00:02:53,000 --> 00:02:55,000
Next right!
24
00:02:55,000 --> 00:02:57,000
It's a jeep! It's a jeep!
25
00:02:57,000 --> 00:02:59,000
No!
26
00:02:59,000 --> 00:03:01,000
Hold on!
27
00:03:01,000 --> 00:03:11,000
No! No!
28
00:03:25,000 --> 00:03:27,000
Erica!
29
00:03:27,000 --> 00:03:29,000
Come on!
30
00:03:30,000 --> 00:03:32,000
Erica!
31
00:03:44,000 --> 00:03:46,000
Jed!
32
00:03:46,000 --> 00:03:48,000
Come on! Come on!
33
00:03:48,000 --> 00:03:50,000
Jump in!
34
00:03:51,000 --> 00:03:53,000
Go! Go! Go! Go!
35
00:03:54,000 --> 00:03:56,000
No!
36
00:03:56,000 --> 00:03:58,000
No! No! No!
37
00:03:58,000 --> 00:04:00,000
No! No!
38
00:04:00,000 --> 00:04:01,000
It's my son!
39
00:04:01,000 --> 00:04:03,000
It's my son! It's just a boy! It's just a boy!
40
00:04:03,000 --> 00:04:05,000
It's just a boy!
41
00:04:10,000 --> 00:04:12,000
Wait!
42
00:04:12,000 --> 00:04:14,000
Wait!
43
00:04:21,000 --> 00:04:22,000
What do we do?
44
00:04:22,000 --> 00:04:25,000
Just follow us! Come on!
45
00:04:39,000 --> 00:04:41,000
Oh, shit!
46
00:04:52,000 --> 00:04:53,000
Jed!
47
00:04:53,000 --> 00:04:55,000
I know! I see it!
48
00:05:00,000 --> 00:05:02,000
Jed!
49
00:05:16,000 --> 00:05:18,000
Shit!
50
00:05:19,000 --> 00:05:21,000
Come on!
51
00:05:22,000 --> 00:05:25,000
Go!
|
https://youtube.com/watch?v=JHZNWRjy170 | 1
00:00:00,000 --> 00:00:02,400
You know what, you're right. Don't buy the pig.
2
00:00:02,500 --> 00:00:04,800
In fact, I'm better off leaving it with my niece.
3
00:00:05,700 --> 00:00:07,600
No shooting into house, sweetie.
4
00:00:07,700 --> 00:00:10,300
But perhaps I could interest you in something else.
5
00:00:11,000 --> 00:00:13,800
Like these spooky movies.
6
00:00:14,300 --> 00:00:15,500
Movies are great.
7
00:00:15,600 --> 00:00:17,600
You watch the movie, you scare the girl,
8
00:00:17,700 --> 00:00:19,100
the girl snuggles up next to you.
9
00:00:19,200 --> 00:00:20,700
Next thing you know, you gotta raise a kid.
10
00:00:20,800 --> 00:00:22,100
Your life falls apart.
11
00:00:22,200 --> 00:00:23,400
Forget that last part.
12
00:00:23,500 --> 00:00:26,400
This next tale is called Clay Day.
13
00:00:30,100 --> 00:00:32,600
You did it, shimmery twinkle heart.
14
00:00:32,700 --> 00:00:34,600
No, you did it, settlement.
15
00:00:34,700 --> 00:00:37,400
Because you believed in yourself.
16
00:00:37,500 --> 00:00:39,400
Everything about this is bad.
17
00:00:39,500 --> 00:00:42,100
Well, that just put me 90 minutes closer to death.
18
00:00:42,200 --> 00:00:44,600
It's time you kids learn to watch the classics from my day.
19
00:00:44,700 --> 00:00:46,700
Ooh, old people movies.
20
00:00:46,800 --> 00:00:50,400
Get ready for references we don't understand and words we can't repeat.
21
00:00:54,200 --> 00:00:56,600
You're no match for going clothocles.
22
00:00:56,700 --> 00:00:58,800
I've come for the golden pants.
23
00:01:00,900 --> 00:01:02,900
Ah!
24
00:01:03,000 --> 00:01:04,600
Oh, no, Mabel.
25
00:01:04,700 --> 00:01:06,300
Well, your sister's broken.
26
00:01:06,400 --> 00:01:08,700
Oh, Grunkle Stan, I should have told you before.
27
00:01:08,800 --> 00:01:12,800
But Mabel has a childhood terror of old timey stop-motion animation.
28
00:01:12,900 --> 00:01:15,400
It's like her number one fears since we were kids.
29
00:01:15,500 --> 00:01:18,200
Come on, those hokey old things.
30
00:01:18,300 --> 00:01:19,700
How scared could she be?
31
00:01:20,900 --> 00:01:24,000
The Cyclops. His face is made of nightmares.
32
00:01:24,600 --> 00:01:26,800
Kid, it's just a movie. It can't hurt you.
33
00:01:26,900 --> 00:01:27,800
No talking.
34
00:01:27,900 --> 00:01:30,700
They wait for you to talk and then crawl inside your mouth.
35
00:01:31,300 --> 00:01:33,200
Why did you have to show her that tape?
36
00:01:33,300 --> 00:01:35,200
There's got to be a way to get her over this.
37
00:01:38,700 --> 00:01:39,700
Huh.
|
https://youtube.com/watch?v=5vKDb4dLu0k | 1
00:00:00,000 --> 00:00:07,000
Oh, God, please don't have the flu.
2
00:00:07,000 --> 00:00:16,000
Oh, God, please have the flu.
3
00:00:16,000 --> 00:00:26,000
Why do they call it morning sickness if it hits you at every freaking moment of the day?
4
00:00:26,000 --> 00:00:28,000
Have you told Damon yet?
5
00:00:28,000 --> 00:00:30,000
No, not yet.
6
00:00:30,000 --> 00:00:32,000
Well, what are you going to do?
7
00:00:32,000 --> 00:00:35,000
I don't know, Dad, so I'm really scared.
8
00:00:35,000 --> 00:00:37,000
Oh, honey, don't be scared.
9
00:00:37,000 --> 00:00:40,000
Whatever you decide, we'll take care of you.
10
00:00:40,000 --> 00:00:41,000
Okay?
11
00:00:41,000 --> 00:00:43,000
But you've got to tell Damon.
12
00:00:43,000 --> 00:00:48,000
I guess I figure as long as he doesn't know, I can still pretend he's going to be excited about it.
13
00:00:48,000 --> 00:00:50,000
He's going to be thrilled.
14
00:00:50,000 --> 00:00:51,000
Are you kidding?
15
00:00:51,000 --> 00:00:53,000
He'll be thrilled.
16
00:00:53,000 --> 00:00:54,000
Are you kidding?
17
00:00:54,000 --> 00:00:55,000
He'll be thrilled.
18
00:01:23,000 --> 00:01:26,000
You
|
https://youtube.com/watch?v=JE0ELwDnEwY | 1
00:00:00,000 --> 00:00:08,240
Yeah, I want to get it jacked up, yeah, let's crank it on up, yeah, with a little, little
2
00:00:08,240 --> 00:00:14,560
hook I can find me a girl with a truck, yeah, we got a love that I want to...
3
00:00:14,560 --> 00:00:15,560
Yes?
4
00:00:15,560 --> 00:00:16,560
Hello?
5
00:00:16,560 --> 00:00:17,560
Yes?
6
00:00:17,560 --> 00:00:18,560
Keith?
7
00:00:18,560 --> 00:00:19,560
Who's calling?
8
00:00:19,560 --> 00:00:20,560
This is Jeff, yes sir.
9
00:00:20,560 --> 00:00:21,560
Excuse me?
10
00:00:21,560 --> 00:00:22,560
How you doing?
11
00:00:22,560 --> 00:00:23,560
This is who?
12
00:00:23,560 --> 00:00:24,560
This is Jeff, yes sir.
13
00:00:24,560 --> 00:00:29,560
Jeff, yes sir?
14
00:00:29,560 --> 00:00:30,560
Yes sir.
15
00:00:30,560 --> 00:00:40,400
You left me a message about 45 minutes ago.
16
00:00:40,400 --> 00:00:43,600
I'm not, I'm not understanding you, I don't think I know you.
17
00:00:43,600 --> 00:00:46,120
Can you hear me?
18
00:00:46,120 --> 00:00:49,680
Would you please quit interrupting me and start over again real slow?
19
00:00:49,680 --> 00:01:01,040
I don't even know who I'm talking to, can you slow down and start over?
20
00:01:01,040 --> 00:01:03,760
Okay, can you hear me?
21
00:01:03,760 --> 00:01:05,760
Yeah, who is this?
22
00:01:05,760 --> 00:01:08,200
This is Jeff, yes sir.
23
00:01:08,200 --> 00:01:10,200
Jeff, yes sir.
24
00:01:10,200 --> 00:01:11,200
Yes sir.
25
00:01:11,200 --> 00:01:16,960
You left me a message about looking at the truck and it is here to look at.
26
00:01:16,960 --> 00:01:18,840
Looking at what truck?
27
00:01:18,840 --> 00:01:21,240
My father's truck.
28
00:01:21,240 --> 00:01:23,520
I think you've got the wrong phone number.
29
00:01:23,520 --> 00:01:26,840
You left me a message about 45 minutes ago.
30
00:01:26,840 --> 00:01:31,120
No, I left nobody, any message, any time today at all.
31
00:01:31,120 --> 00:01:35,320
You've got the wrong number, don't call here again.
32
00:01:35,320 --> 00:01:37,320
Lord.
33
00:01:37,320 --> 00:01:38,320
Who's calling?
34
00:01:38,320 --> 00:01:39,320
I...
35
00:01:39,320 --> 00:01:43,320
He must not be hearing everything that's going on here.
36
00:01:43,320 --> 00:01:44,320
Who's calling?
37
00:01:44,320 --> 00:01:48,360
Okay, this is Jeff, yes sir.
38
00:01:48,360 --> 00:01:52,360
Don't call here again or you will be prosecuted for telephone harassment.
39
00:01:52,360 --> 00:01:54,360
Do you understand English?
40
00:01:54,360 --> 00:01:58,840
I said come home and look at it, that's what you need to do.
41
00:01:58,840 --> 00:02:02,920
Do you understand, I don't know who you are, what you're talking about and don't ever
42
00:02:02,920 --> 00:02:05,520
call here again or you will be prosecuted.
43
00:02:05,520 --> 00:02:07,640
Do you understand yes or no?
44
00:02:07,640 --> 00:02:14,600
Yes sir, you had called me about 2013 Chevy to look at.
45
00:02:15,600 --> 00:02:16,600
Yes?
46
00:02:16,600 --> 00:02:19,600
I don't understand, I don't understand.
47
00:02:19,600 --> 00:02:23,760
You are in trouble now buddy, I am persecuting charges against you.
48
00:02:23,760 --> 00:02:28,040
I told you don't ever call here again, I don't know who you are or what you want, you're
49
00:02:28,040 --> 00:02:29,040
in trouble now.
50
00:02:29,040 --> 00:02:30,040
Do you understand?
51
00:02:30,040 --> 00:02:32,560
What do I need to do for you to come look at the damn thing?
52
00:02:32,560 --> 00:02:36,360
I don't even know what the fuck you're talking about, don't ever call here again, do you
53
00:02:36,360 --> 00:02:37,360
comprehend English?
54
00:02:37,360 --> 00:02:38,360
Yes sir.
55
00:02:38,360 --> 00:02:40,360
Do you understand?
56
00:02:40,360 --> 00:02:43,360
Never call here again.
57
00:02:43,360 --> 00:02:44,360
Lord.
58
00:02:46,360 --> 00:02:49,360
Let me ask you this, you want to look at a truck?
59
00:02:49,360 --> 00:02:50,360
SHUT UP!
60
00:02:50,360 --> 00:02:56,360
I have never asked to look at a truck, I don't know who you are but you fucking phone number,
61
00:02:56,360 --> 00:02:58,360
do you understand?
62
00:02:58,360 --> 00:03:00,360
I can't hardly hear you.
63
00:03:00,360 --> 00:03:07,360
I said I never call anybody to look anything about a fucking truck, do you understand?
64
00:03:07,360 --> 00:03:08,360
I understand.
65
00:03:08,360 --> 00:03:11,360
And don't call me anymore!
66
00:03:11,360 --> 00:03:13,360
Come look at the damn thing.
67
00:03:13,360 --> 00:03:15,360
Don't call!
68
00:03:15,360 --> 00:03:17,360
Hello?
69
00:03:17,360 --> 00:03:19,360
Yes?
70
00:03:19,360 --> 00:03:21,360
I apologize.
71
00:03:21,360 --> 00:03:23,360
Who is this?
72
00:03:23,360 --> 00:03:25,360
This is Jeff, yes sir.
73
00:03:25,360 --> 00:03:27,360
And what are you apologizing for?
74
00:03:27,360 --> 00:03:28,360
Is that who you are?
75
00:03:28,360 --> 00:03:32,360
Excuse me, what are you apologizing for?
76
00:03:33,360 --> 00:03:38,360
Okay, yes sir, you left me a message about looking at the truck and it is here.
77
00:03:38,360 --> 00:03:43,360
Wrong, excuse me, I left nobody any message about any fucking truck.
78
00:03:43,360 --> 00:03:49,360
Somebody else maybe with this phone did but it wasn't me, do you comprehend so far?
79
00:03:49,360 --> 00:03:51,360
You left me a message about...
80
00:03:51,360 --> 00:03:53,360
No, do you understand?
81
00:03:53,360 --> 00:03:55,360
I left you no message.
82
00:03:55,360 --> 00:03:59,360
If somebody else used my phone they did but it wasn't me, do you understand that?
83
00:03:59,360 --> 00:04:01,360
I don't understand, how do I understand?
84
00:04:01,360 --> 00:04:07,360
Don't call me anymore, do you understand that?
85
00:04:07,360 --> 00:04:10,360
What do I need to do for you to come look at the damn thing?
86
00:04:10,360 --> 00:04:16,360
Don't call anymore, do you understand?
87
00:04:16,360 --> 00:04:19,360
All I'm doing is trying to return you call here.
88
00:04:19,360 --> 00:04:21,360
I never called you!
89
00:04:21,360 --> 00:04:23,360
Go to hell man.
90
00:04:23,360 --> 00:04:26,360
You go to hell, I'll fucking find you!
91
00:04:26,360 --> 00:04:28,360
I understand that.
92
00:04:28,360 --> 00:04:30,360
I better call him back and apologize.
|
https://youtube.com/watch?v=F7lhFWinBTg | 1
00:00:00,000 --> 00:00:10,660
This is one of only a few physical copies of Sprouting Orchids, my first attempt at a
2
00:00:10,660 --> 00:00:12,160
feature film.
3
00:00:12,160 --> 00:00:13,160
It was a failure.
4
00:00:13,160 --> 00:00:16,840
I've covered the ups and downs of its production on my channel before, if you want a 30 minute
5
00:00:16,840 --> 00:00:19,760
rundown of what happened, then feel free to check that out.
6
00:00:19,760 --> 00:00:24,120
Although I haven't watched this movie fully in almost five years, I keep this copy on
7
00:00:24,120 --> 00:00:29,400
my bookshelf as a cautionary warning for the next time I decide to take such a creative
8
00:00:29,400 --> 00:00:30,400
risk.
9
00:00:30,400 --> 00:00:34,880
So in my late teens and early 20s, I participated every year in a 48 hour film challenge.
10
00:00:34,880 --> 00:00:40,000
It's a contest in which filmmakers make a 5 minute short over the course of a single weekend.
11
00:00:40,000 --> 00:00:43,840
One of the rituals that my friends and I would take part in just before each event was the
12
00:00:43,840 --> 00:00:47,400
annual watching of the previous year's entry.
13
00:00:47,400 --> 00:00:48,400
It's tradition.
14
00:00:48,400 --> 00:00:49,400
The idea was pretty simple.
15
00:00:49,400 --> 00:00:53,880
In order to curb our expectations, we would sit down and we would force ourselves to watch
16
00:00:53,880 --> 00:00:57,040
the short we made during the last challenge.
17
00:00:57,040 --> 00:01:00,400
To completion, just before we headed out to shoot the new one.
18
00:01:00,400 --> 00:01:04,960
As any creator knows, watching old stuff you make can be incredibly uncomfortable, embarrassing,
19
00:01:04,960 --> 00:01:09,320
and a quick way to put your ego in check, because you're watching something that you
20
00:01:09,320 --> 00:01:10,720
have grown beyond.
21
00:01:10,720 --> 00:01:14,960
It's a harsh but powerful reminder of where you've come from, and a testament to not
22
00:01:14,960 --> 00:01:19,840
think too highly of your current self either, because invariably, whatever you are right
23
00:01:19,840 --> 00:01:24,800
now will, by definition, be less of what you eventually become.
24
00:01:24,800 --> 00:01:26,840
That's the idea with this DVD.
25
00:01:26,840 --> 00:01:31,300
Keep it close, so that if the next attempt ever materializes, I'll have something to
26
00:01:31,300 --> 00:01:34,360
buffet me, lest I exalt myself beyond measure.
27
00:01:34,360 --> 00:01:36,200
Oh wait, I still need this.
28
00:01:36,200 --> 00:01:40,600
I made a lot of mistakes when creating this, but I've also had the benefit of time to
29
00:01:40,600 --> 00:01:42,760
hopefully learn from those mistakes.
30
00:01:42,760 --> 00:01:47,600
I know that a lot of you have projects that you're working on, maybe even a movie, like
31
00:01:47,600 --> 00:01:51,960
this, and perhaps you're seeking advice on how to accomplish the task at hand.
32
00:01:51,960 --> 00:01:58,000
So today, I'm going to share with you a handful of the many reasons why mine failed.
33
00:01:58,000 --> 00:01:59,680
Number one, I had a poor story.
34
00:01:59,680 --> 00:02:05,040
The screenplay is the blueprint of your film, and if the core concept itself is flawed, the
35
00:02:05,040 --> 00:02:08,560
film will fall like a house built on a poor foundation.
36
00:02:08,560 --> 00:02:12,600
If I'm honest, I was pretty stupid at 23, while I had a lot of tough life experiences,
37
00:02:12,600 --> 00:02:17,600
I hadn't quite figured out a way to process them and extract out the relevant information
38
00:02:17,600 --> 00:02:20,760
and wisdom needed to craft together a meaningful story.
39
00:02:20,760 --> 00:02:25,640
Instead, I just knew I wanted to make a sci-fi romance that involved a young couple and an
40
00:02:25,640 --> 00:02:27,960
alien trying to take over the world.
41
00:02:27,960 --> 00:02:30,640
That's not a story, that's a list of plot elements.
42
00:02:30,640 --> 00:02:35,080
There was no overarching theme, there was no founding principle, and no moral.
43
00:02:35,080 --> 00:02:39,960
I approached it from a poorly devised and solely technical perspective, concerning myself
44
00:02:39,960 --> 00:02:45,440
way more with the superficial stuff when I should have focused on the point of the narrative.
45
00:02:45,440 --> 00:02:49,280
Looking back, I think I was operating under too low of a resolution.
46
00:02:49,280 --> 00:02:54,080
My head was filled with thoughts like, well, I can afford three actors, so it needs three
47
00:02:54,080 --> 00:02:55,080
main characters.
48
00:02:55,080 --> 00:02:59,760
I've got permission to shoot in a local greenhouse, so I need a pivotal scene to take
49
00:02:59,760 --> 00:03:01,560
place in that location.
50
00:03:01,560 --> 00:03:06,880
I've got some cool 3D animations of weird alien worms, they should be the bad guys.
51
00:03:06,880 --> 00:03:12,600
I was thinking of my movie like a puzzle of various resources that just needed to be assembled
52
00:03:12,600 --> 00:03:17,480
in the right way, which it was to an extent, but I had forgotten to make sure that the
53
00:03:17,480 --> 00:03:21,920
completed puzzle would actually have a sense of thematic coherence to it.
54
00:03:21,920 --> 00:03:26,280
The lesson was this, just having the tools to make a movie isn't enough.
55
00:03:26,280 --> 00:03:31,680
I needed a story to bring it all together, a good story to act as the bedrock of everything.
56
00:03:31,680 --> 00:03:36,200
There were plenty of stories about the human condition, about life, about death that I
57
00:03:36,200 --> 00:03:40,480
could have told, but I got in such a hurry to start shooting that I didn't take the
58
00:03:40,480 --> 00:03:44,640
time necessary to actually write a compelling tale.
59
00:03:44,640 --> 00:03:47,080
This is an indication of impure motives.
60
00:03:47,080 --> 00:03:51,000
I've talked about this before, but the point is I didn't want to make a movie because
61
00:03:51,000 --> 00:03:53,640
I had something I was burning to say.
62
00:03:53,640 --> 00:03:58,400
I wanted to make a movie just to say that I had made a movie.
63
00:03:58,400 --> 00:04:02,880
That's vanity, not art, and it's one of the key shortcomings of what I eventually
64
00:04:02,880 --> 00:04:03,880
produced.
65
00:04:03,880 --> 00:04:08,280
So before you ever for even a second think about putting a production schedule together,
66
00:04:08,280 --> 00:04:13,240
make sure it's in pursuit of telling a story that your spirit is desperate to share with
67
00:04:13,240 --> 00:04:14,240
others.
68
00:04:14,560 --> 00:04:18,120
Number two, my production suffered from a lack of collaboration.
69
00:04:18,120 --> 00:04:22,280
If I had shared that awful script with just one person outside of the production, they
70
00:04:22,280 --> 00:04:25,720
would have been able to read it and easily tell me that it stunk.
71
00:04:25,720 --> 00:04:30,800
While making this film, I utterly failed to understand the importance of getting a different
72
00:04:30,800 --> 00:04:32,760
set of eyes on it.
73
00:04:32,760 --> 00:04:37,160
When you're in the trenches putting your movie together, it's easy to get tunnel vision,
74
00:04:37,160 --> 00:04:41,440
to fall in love with everything you're shooting, with everything you make.
75
00:04:41,440 --> 00:04:45,520
I remember when I completed the film's first cut, I was thinking to myself, this is the
76
00:04:45,520 --> 00:04:47,400
greatest thing ever.
77
00:04:47,400 --> 00:04:51,640
It was only after I had some time away that I realized it was utter trash.
78
00:04:51,640 --> 00:04:57,880
I should have shown every revised cut to a large group of people and gotten feedback,
79
00:04:57,880 --> 00:05:02,160
but I became so enraptured with the idea of doing it all on my own.
80
00:05:02,160 --> 00:05:04,600
This is a huge mistake.
81
00:05:04,600 --> 00:05:09,920
Filmmaking is a collaborative medium, and it is a collaborative medium for a reason.
82
00:05:09,920 --> 00:05:13,920
Making a movie together requires knowledge in all different kinds of areas, and not just
83
00:05:13,920 --> 00:05:17,160
knowledge, but if you want to succeed in expertise.
84
00:05:17,160 --> 00:05:22,280
Despite my stubbornness, I can't be the master of everything, and sprouting orchids might
85
00:05:22,280 --> 00:05:27,640
have been salvaged had I possessed the courage to seek feedback from others and to accept
86
00:05:27,640 --> 00:05:29,480
that feedback once it was given.
87
00:05:29,480 --> 00:05:32,760
The problem that happens sometimes is that you'll share your work with somebody who
88
00:05:32,760 --> 00:05:37,280
loves you and they don't want to hurt your feelings, so they'll overlook all the flaws
89
00:05:37,280 --> 00:05:39,280
and they'll tell you, it's great, it's awesome.
90
00:05:39,280 --> 00:05:43,080
It's the best thing you've ever done, and they are not willing to tell you the blunt
91
00:05:43,080 --> 00:05:44,080
truth.
92
00:05:44,080 --> 00:05:46,440
I think I got a lot of that production side.
93
00:05:46,440 --> 00:05:52,200
My movie failed, partly, because I failed to get that blunt but necessary criticism
94
00:05:52,200 --> 00:05:55,440
by an outside observer as to the whole process.
95
00:05:55,440 --> 00:06:00,080
From pre-production to post, it is essential to not only seek feedback, but to hire people
96
00:06:00,080 --> 00:06:05,600
more talented than you in various areas to take your project to the next level.
97
00:06:05,600 --> 00:06:07,600
Number three, high expectations.
98
00:06:07,600 --> 00:06:13,560
I set my expectations with this thing way, way, way too high.
99
00:06:13,560 --> 00:06:18,520
Very rarely is your first movie going to knock it out of the park, partly because a first
100
00:06:18,520 --> 00:06:23,880
movie usually indicates youth and naivete, the assumption that you're the next big
101
00:06:23,880 --> 00:06:27,720
thing, the belief that you've got a line on the world, the system figured out in a
102
00:06:27,720 --> 00:06:32,800
way to transcend the artistic ancestors that you're really not even familiar with.
103
00:06:32,800 --> 00:06:36,360
Other expectations I may have had during its production, I can promise you that the
104
00:06:36,360 --> 00:06:40,520
way things ended up was nowhere near what I had planned.
105
00:06:40,520 --> 00:06:45,280
Orchids was supposed to be my ticket to break out Hollywood stardom, like clerks, reservoir
106
00:06:45,280 --> 00:06:50,480
dogs and primer before it, sprouting orchids had entered my head as a low-budget picture
107
00:06:50,480 --> 00:06:55,020
by a first-time director that would tear through the film festival circuit and net me both
108
00:06:55,020 --> 00:06:57,240
a modest fortune and career.
109
00:06:57,240 --> 00:07:02,600
I could make it in a year and spend age 24 collecting offers from big-name studios.
110
00:07:02,600 --> 00:07:05,120
By 30, I'd be on top of the world.
111
00:07:05,120 --> 00:07:06,560
All of it went wrong, of course.
112
00:07:06,560 --> 00:07:11,120
By the time the film had its first public screening, I was so disillusioned and utterly
113
00:07:11,120 --> 00:07:15,960
spent that it took three years of aimless wandering and wondering before I'd eventually
114
00:07:15,960 --> 00:07:21,740
reinvented myself as a sort of underground, unclassified, occasionally entertaining YouTuber.
115
00:07:21,740 --> 00:07:26,200
There were no phone calls from studios, Hollywood never came knocking, and when all was said
116
00:07:26,200 --> 00:07:31,080
and done, my modest fortune from box office and home movie revenue amounted to less than
117
00:07:31,080 --> 00:07:34,740
the price of a double-quarter pounder meal at McDonald's.
118
00:07:34,740 --> 00:07:39,280
In other words, I failed to set realistic expectations.
119
00:07:39,280 --> 00:07:44,160
I should have reduced my vision and targeted a less lofty goal.
120
00:07:44,160 --> 00:07:49,920
A better plan would have been to use sprouting orchids as an opportunity to tell a long-form
121
00:07:49,920 --> 00:07:52,360
story meant for a limited market.
122
00:07:52,360 --> 00:07:57,400
Forget Sundance, if I had made a small-town movie meant to be watched by a small-town
123
00:07:57,400 --> 00:08:02,360
audience, I could have capitalized on the numerous small-town festivals desperate for
124
00:08:02,360 --> 00:08:07,800
original programming and toured some modest venues to make connections and improve my
125
00:08:07,800 --> 00:08:08,800
filmmaking.
126
00:08:08,800 --> 00:08:13,120
I didn't do that, so this thing quickly became a failure in my sight.
127
00:08:13,120 --> 00:08:19,120
So for your project, maybe resist the urge to imitate a big-budget or big-profit production
128
00:08:19,120 --> 00:08:25,640
and instead embrace your limitations and let the flawed edges of your film give your
129
00:08:25,640 --> 00:08:27,040
work character.
130
00:08:27,040 --> 00:08:29,160
Number four, I rushed production.
131
00:08:29,160 --> 00:08:34,000
Even looking back through rose-tinted glasses, I remember rushing into things way too quickly
132
00:08:34,000 --> 00:08:38,280
and not giving myself the proper time to be diligent in my work.
133
00:08:38,280 --> 00:08:39,280
The storyline?
134
00:08:39,280 --> 00:08:40,280
Rushed it?
135
00:08:40,280 --> 00:08:41,600
Just get a script together, no time for revisions.
136
00:08:41,600 --> 00:08:42,600
The cast?
137
00:08:42,600 --> 00:08:43,600
Rushed it?
138
00:08:43,600 --> 00:08:44,600
One day of auditions?
139
00:08:44,600 --> 00:08:45,600
Just pick who looks the part.
140
00:08:45,600 --> 00:08:46,600
Shooting?
141
00:08:46,600 --> 00:08:47,600
Rushed it?
142
00:08:47,600 --> 00:08:48,600
Less than a month?
143
00:08:48,600 --> 00:08:52,320
The most moving parts didn't take our time with it because we only had the location for
144
00:08:52,320 --> 00:08:53,520
a single morning.
145
00:08:53,520 --> 00:08:55,800
Just try and cram the whole shoot in.
146
00:08:55,800 --> 00:08:56,800
Editing?
147
00:08:56,800 --> 00:08:57,800
Rushed it?
148
00:08:57,800 --> 00:08:58,800
Gotta meet that festival deadline.
149
00:08:58,800 --> 00:08:59,800
Distribution?
150
00:08:59,800 --> 00:09:00,800
Rushed it?
151
00:09:00,800 --> 00:09:04,880
Told people it would probably be out within a year of casting, so gotta keep that promise.
152
00:09:04,880 --> 00:09:06,040
Oh, what was I doing?
153
00:09:06,040 --> 00:09:09,400
Did I mention I was moving to a new city during production?
154
00:09:09,400 --> 00:09:13,200
Making movies is hard, it's an ardent and tedious process at times.
155
00:09:13,200 --> 00:09:17,200
You're going to need to take your time to do things the right way.
156
00:09:17,200 --> 00:09:21,600
If it's a low budget affair like mine was, then your film's production deserves your
157
00:09:21,600 --> 00:09:26,360
full attention, your full commitment, and often full time to get made.
158
00:09:26,360 --> 00:09:29,960
There are no half measures with these kinds of things, and attempting to rush to the next
159
00:09:29,960 --> 00:09:35,320
phase of production before satisfying the current one will do way more harm than good.
160
00:09:35,320 --> 00:09:39,840
In retrospect, I often scheduled complicated shoots too close together and with very little
161
00:09:39,840 --> 00:09:42,540
time set aside to fix mistakes.
162
00:09:42,540 --> 00:09:46,760
This was my first feature, there were going to be technical issues and days when things
163
00:09:46,800 --> 00:09:50,440
just wouldn't work, both in front of the camera and behind it.
164
00:09:50,440 --> 00:09:55,120
I should have allotted more time to this, I should have been patient and kept my eagerness
165
00:09:55,120 --> 00:09:56,120
in check.
166
00:09:56,120 --> 00:10:00,920
Plenty of times in editing I realized we lacked sufficient coverage for certain scenes simply
167
00:10:00,920 --> 00:10:05,960
because we didn't take the time necessary on set to get as many takes and angles as
168
00:10:05,960 --> 00:10:06,960
possible.
169
00:10:06,960 --> 00:10:11,440
I needed to organize better and I needed to prepare a contingency plan for when certain
170
00:10:11,440 --> 00:10:13,320
things went awry.
171
00:10:13,320 --> 00:10:17,880
Filming production was one of my biggest failures, but all of that pales in comparison
172
00:10:17,880 --> 00:10:21,400
to reason number five, my terrible attitude.
173
00:10:21,400 --> 00:10:24,680
So we've all seen the after school special where a group of friends start shooting a
174
00:10:24,680 --> 00:10:29,080
movie for a class project and before you know it the director turns into a total jerk and
175
00:10:29,080 --> 00:10:33,720
control freak and although I'm ashamed to admit it, the truth is, that was me.
176
00:10:33,720 --> 00:10:38,800
So I have this weird narcissistic belief that if I was paying people I could throw tacked
177
00:10:38,800 --> 00:10:44,000
out the window and demand total submission when it came to creative decisions on set.
178
00:10:44,000 --> 00:10:49,280
So if somebody did a good job, my attitude was, well they should, I'm paying them.
179
00:10:49,280 --> 00:10:53,840
If somebody showed up and performed their scenes to an acceptable level, I simply dismissed
180
00:10:53,840 --> 00:11:00,080
that as them doing their job and I'm almost certain I never said thank you even once to
181
00:11:00,080 --> 00:11:02,700
paid workers until the very end.
182
00:11:02,700 --> 00:11:07,600
In that sense, I let money cloud my judgment and I often let the movie's production that
183
00:11:07,600 --> 00:11:10,960
year get in the way of personal relationships.
184
00:11:10,960 --> 00:11:17,260
My desire to finish the film at all costs led me to neglect others and burn several bridges
185
00:11:17,260 --> 00:11:21,720
with friends and even family and for what?
186
00:11:21,720 --> 00:11:27,020
If I had kept a level head, if I had turned the volume down on my own pretentiousness,
187
00:11:27,020 --> 00:11:31,800
if I had remembered for even a single moment that everyone else on set had their own lives
188
00:11:31,800 --> 00:11:37,040
and personal struggles that year to get through, if I had remembered to be kind, to say please
189
00:11:37,400 --> 00:11:42,720
and thank you, to be a gentleman instead of the volatile pseudo film director that I ended
190
00:11:42,720 --> 00:11:47,640
up becoming, it's quite possible the movie's production would have gone smoother and the
191
00:11:47,640 --> 00:11:50,240
movie itself would have been better.
192
00:11:50,240 --> 00:11:56,200
So for you, dear aspiring filmmaker, don't lose the thread on yourself during the making
193
00:11:56,200 --> 00:11:57,200
of your flick.
194
00:11:57,200 --> 00:12:01,480
Treat people with respect and maybe even be willing to suffer a little harm and poor
195
00:12:01,480 --> 00:12:07,480
treatment yourself if it means maintaining unity on set and the completion of the picture.
196
00:12:07,480 --> 00:12:11,680
There are a lot of ways in which my first movie was a failure, but if memory serves
197
00:12:11,680 --> 00:12:15,160
me these five played perhaps the biggest role.
198
00:12:15,160 --> 00:12:19,480
You're going to run into your own struggles while bringing your vision to life, but I
199
00:12:19,480 --> 00:12:20,480
have faith in you.
200
00:12:20,480 --> 00:12:25,320
I want you to make your movie, I want you to tell your story, and I share these memories
201
00:12:25,320 --> 00:12:31,080
and mistakes of mine with you now only because I am convinced that this knowledge can help
202
00:12:31,080 --> 00:12:33,680
you make a better film than I did.
203
00:12:33,680 --> 00:12:39,200
The test for me is to now practice what I've preached because starting today, I finally
204
00:12:39,200 --> 00:12:43,760
have occasions to watch this movie again.
205
00:12:43,760 --> 00:12:45,960
After all, it's tradition.
|
https://youtube.com/watch?v=SXlOZ1X52SY | 1
00:00:00,000 --> 00:00:09,040
Oh, hi. This video is sponsored by Grammarly. You know, online communication can be tricky,
2
00:00:09,040 --> 00:00:14,600
especially in this new era of remote work. Have you ever overthought a simple email worrying
3
00:00:14,600 --> 00:00:19,920
that people might misconstrue your message? Well, you're not alone. As someone who spends
4
00:00:19,920 --> 00:00:25,160
a lot of time emailing and messaging to watch your team, I know how important it is to communicate
5
00:00:25,160 --> 00:00:31,440
clearly and effectively, and that's why I use Grammarly Premium's tone rewrite suggestions
6
00:00:31,440 --> 00:00:36,560
to ensure my messages hit the right mark. Believe it or not, simply adding or subtracting
7
00:00:36,560 --> 00:00:42,880
a word or moving a comma can completely change how your message comes across to others. But
8
00:00:42,880 --> 00:00:50,880
with Grammarly, my tone is positive, solution-oriented, and conveys self-assurance, even when I'm
9
00:00:50,880 --> 00:00:56,120
not feeling 100% confident, which is never. Now, don't let miscommunication get in the
10
00:00:56,120 --> 00:01:01,920
way of your success. Download Grammarly today and say goodbye to those awkward moments that
11
00:01:01,920 --> 00:01:08,440
works across multiple devices and platforms, such as Google Docs. So come on, sign up at
12
00:01:08,440 --> 00:01:15,520
Grammarly.com slash watcher to take your writing and tone to the next level. And for a limited
13
00:01:15,520 --> 00:01:23,720
time, get 20% off when you upgrade to Grammarly Premium. Guys, why wait? Sign up today and
14
00:01:23,720 --> 00:01:32,240
start communicating with clarity and confidence. And now, back to the show.
15
00:01:32,240 --> 00:01:40,840
This video contains content that some might find disturbing. Viewer discretion is advised.
16
00:01:40,840 --> 00:01:47,040
People love to look into other people's lives. Social media is proof of it. But imagine being
17
00:01:47,040 --> 00:01:53,440
able to look deeper into someone's private life. Not just seeing the edited happy moments,
18
00:01:53,440 --> 00:01:58,880
but also the sad ones, the boring parts, and seeing how they act naturally when they think
19
00:01:58,880 --> 00:02:04,640
no one is watching. Tonight, our inquisitive narrator finds an old camcorder containing
20
00:02:04,640 --> 00:02:11,760
way more than a glimpse into a stranger's life. I'm Ryan Bergara, and this is Are You Scared?
21
00:02:11,760 --> 00:02:19,240
A show where I tell my friend, Sheena Maday, the internet's scariest stories. So lock your doors,
22
00:02:19,240 --> 00:02:24,480
turn off those lights, and let's see if we can make it till the end of the night.
23
00:02:24,480 --> 00:02:41,440
As a lifelong introvert, there are two main hobbies I use to fill my weekends. Long hikes in the
24
00:02:41,440 --> 00:02:47,960
wilderness and scouring garage sales and thrift shops for old home movies. Found footage, basically.
25
00:02:48,320 --> 00:03:06,440
Little glimpses into the lives of people in the past. So when I was out hiking earlier today,
26
00:03:06,440 --> 00:03:13,920
I was elated to stumble upon an old busted camcorder lying in a dried creek bed. It was like my two
27
00:03:13,920 --> 00:03:20,280
pastimes had merged. The thing looked like it had been buried for a year or so at least. The
28
00:03:20,280 --> 00:03:26,280
body of the camcorder was scratched to s***, and the lens had a thin crack. But the memory card
29
00:03:26,280 --> 00:03:32,200
looked intact. I tossed it in my bag and spent the rest of my hike wondering what sorts of
30
00:03:32,200 --> 00:03:38,200
birthday parties in camping trips I'd find when I got the files on my computer. When I got home,
31
00:03:38,480 --> 00:03:44,360
I ordered a pizza as I started the file transfer. I'm excited to watch the files post anything that
32
00:03:44,360 --> 00:03:50,320
seems of wider interest to YouTube and call it an early night. The following will be a record of
33
00:03:50,320 --> 00:03:55,000
the files on the camcorder. Oh, this is fun. It's a good format. What do you think is going to be on
34
00:03:55,000 --> 00:04:01,640
this first file? I think it's going to be d***. You received d***. No, what are you talking about?
35
00:04:01,640 --> 00:04:06,280
It's just a classic thing where people are like, you know, ancient art was on earth,
36
00:04:06,360 --> 00:04:12,360
and then you click on it and it's just d***. That certainly is a d*** with a d***. Yeah, I think
37
00:04:12,360 --> 00:04:18,600
he's got a star on the Hollywood Walk of Fame. File one. The interior of a car appears on the
38
00:04:18,600 --> 00:04:24,760
screen, an older model with trash littered in the cup holders and large camping backpacks filling
39
00:04:24,760 --> 00:04:30,800
the back seat. A messy-haired young man sits in the driver's seat as he drives along a long dirt
40
00:04:30,880 --> 00:04:37,360
expanse. The camera turns around to show the operator, a young girl. Her hair falls along her
41
00:04:37,360 --> 00:04:43,120
shoulders in soft brown waves, framing the most piercing blue eyes I have ever seen,
42
00:04:43,120 --> 00:04:49,840
like shards of the ocean itself, impossible to look away from. While still pointing the camera at
43
00:04:49,840 --> 00:04:57,440
herself, say hi Dylan. The driver, Dylan, smiles, but seems a bit camera shy. Tell everyone where
44
00:04:57,440 --> 00:05:04,800
we're going, Dylan. Dylan replies, camping. With who? With Sydney and her most recent boy toy.
45
00:05:05,440 --> 00:05:12,320
With Sydney and Jordan. Yay. The woman's enthusiasm is contagious and Dylan smiles. Speaking of,
46
00:05:12,960 --> 00:05:18,000
as the car slows, the camera operator rolls down her window and sticks the camera out,
47
00:05:18,000 --> 00:05:24,080
giving me a view of a man and a woman, seemingly in their 20s, presumably Sydney and Jordan.
48
00:05:24,880 --> 00:05:29,200
Hey guys, says the camera woman. Jordan has a nervous smile,
49
00:05:29,200 --> 00:05:36,320
but Sydney is as excited as the camera woman. Heather, Dylan, camping. Woo! Heather says,
50
00:05:36,320 --> 00:05:42,240
just a second, let me make room. End of file one. Sounds like the beginning of a horror movie.
51
00:05:42,240 --> 00:05:47,680
That's right, always. It's just a fun time and how's it gonna go bad? You're already in the woods,
52
00:05:47,680 --> 00:05:52,560
so that's already, you know, one step closer to f***ed land. You know, there's always like the
53
00:05:52,560 --> 00:05:59,920
party couple. We got the party couple. There's always one of them who's like really kind of like
54
00:05:59,920 --> 00:06:05,120
mousy and like, I don't know. This also reminded me when they were talking about like the dirty
55
00:06:05,120 --> 00:06:09,760
couple. There's, I need to clean my car. It's a f***ing disaster. I cannot stand dirty cars,
56
00:06:09,760 --> 00:06:15,840
they make me want to throw up. You should never look in my car then. It's bad, like embarrassing bad.
57
00:06:15,840 --> 00:06:22,080
File two. 15 seconds long, a hike through the woods. Sydney and Heather walk in front,
58
00:06:22,080 --> 00:06:28,960
chatting and catching up. Behind them walks a relatively quiet Jordan, meaning Dylan is filming.
59
00:06:28,960 --> 00:06:35,200
He pauses and does a sweep of the woods with the camera. The sun is starting to set. It's beautiful.
60
00:06:36,080 --> 00:06:42,800
End of file two. File three. My computer screen floods with a green haze. It took me a moment
61
00:06:42,800 --> 00:06:49,040
to realize I was looking at a basic form of night vision. Fancy camcorder. The screen is a woman's
62
00:06:49,120 --> 00:06:53,120
feet as she walks through the woods. When she comes to a big rock, she says,
63
00:06:53,120 --> 00:06:59,200
whoop, not tripping over you. Sydney's voice. She slips past the rock and it dawns on me that
64
00:06:59,200 --> 00:07:04,720
she's using the camcorders night vision to navigate the forest without tripping. Sometimes when I'm
65
00:07:04,720 --> 00:07:09,760
not wearing my glasses, if I'm like, I don't have my glasses around, I'll take my phone out and just
66
00:07:09,760 --> 00:07:15,600
put it in front of my face and it gives me vision. Whoa, that's genius. I know. I've never thought
67
00:07:15,600 --> 00:07:19,920
of that. Yeah, it's f***ing sick, dude. I can't be good for your eyes. Well, I'm not doing it all
68
00:07:19,920 --> 00:07:24,880
the time. But I mean, you're in there. You're like f***ing piping blue light, like just right
69
00:07:24,880 --> 00:07:30,720
in your eyeballs, like at close proximity. Yeah, yeah, yeah. Her pace is quick and nervous. Her
70
00:07:30,720 --> 00:07:36,960
breath hitched. When she spots a downed branch, she sets the camcorder down and starts breaking it
71
00:07:36,960 --> 00:07:42,960
apart. She must have been charged with finding more wood for a fire. At one point, while trying to
72
00:07:42,960 --> 00:07:49,920
snap a thick branch in half, her torso tenses and her head snaps up. She looks around like a rabbit
73
00:07:49,920 --> 00:07:55,760
sensing danger. I look at the audio track on my computer, but there's nothing. Whatever sound
74
00:07:55,760 --> 00:08:01,760
she heard, the microphone didn't pick it up. With sticks in hand, she lets out a huff and
75
00:08:01,760 --> 00:08:07,600
starts to walk back the way she came, humming a gentle melody. It sounds like a lullaby,
76
00:08:07,600 --> 00:08:14,400
something a mother would sing to a scared child. Simple, repetitive, comforting. She's trying to
77
00:08:14,400 --> 00:08:19,840
be brave. She starts to monitor herself. Why can't we ever do a weekend someplace nice? Why can't we
78
00:08:19,840 --> 00:08:25,600
ever camp at a spa? It was almost amusing. Suddenly, the crunching of the leaves stopped.
79
00:08:26,800 --> 00:08:33,600
She pauses and listens. Her breath comes in uneven gasps. When she starts moving again,
80
00:08:33,600 --> 00:08:40,640
her pace is quicker, and she begins to hum again. Apparently, the gentle hum wasn't enough to ease
81
00:08:40,640 --> 00:08:49,040
her anxiety. As after a bit, she begins to whistle. Sydney, there you are. It's Heather calling out
82
00:08:49,040 --> 00:08:56,880
to Sydney. Sydney stops whistling and says, there you guys are, man, these woods. Except she didn't
83
00:08:56,880 --> 00:09:03,520
stop whistling. It was still there under Sydney's words. I ran the clip back to the last few seconds
84
00:09:04,160 --> 00:09:10,000
Sydney does start talking, but the whistling continues. Do they hear the whistle? No, but
85
00:09:10,000 --> 00:09:14,800
I don't want to put my Shaniak hat on because frankly, it's too big for my head. I knew you're
86
00:09:14,800 --> 00:09:21,600
gonna go there. But I will say that wind, you know, in the woods does tend to sound like a whistle.
87
00:09:21,600 --> 00:09:26,880
Yeah, but that's more of a... That's good. And not like a...
88
00:09:26,880 --> 00:09:30,080
What have you heard?
89
00:09:45,920 --> 00:09:51,200
Something about this sourceless whistle feels weird. It feels like a chilled wind against
90
00:09:51,200 --> 00:09:56,560
the tip of my ears, sending shivers looking down the nape of my neck and ice along my spine.
91
00:09:57,200 --> 00:10:00,800
And if it wasn't coming from Sydney, then where was it coming from?
92
00:10:01,680 --> 00:10:08,240
End of file three. I love the file format. It is good. We love files in this office. Oh.
93
00:10:11,200 --> 00:10:16,640
File four, the video flickers and the forest floor appears on my screen for a moment before
94
00:10:16,640 --> 00:10:22,960
turning a dead black. Audio still works, but all I can hear is a distant wrestling and the
95
00:10:22,960 --> 00:10:28,640
occasional giggle from what sounds like Sydney. I turn up the volume and bits and pieces of
96
00:10:28,640 --> 00:10:34,320
conversation come through. I think I heard one of the girls say, that's not funny. Give it back.
97
00:10:35,040 --> 00:10:40,800
Then a seriously, Jordan, after some muffled conversation, Sydney speaks clearly.
98
00:10:41,840 --> 00:10:48,480
Did you hear that? Her voice was barely a whisper, but crystal clear, as if she were standing not
99
00:10:48,480 --> 00:10:54,240
just right behind the camcorder, but right behind me, as I was watching it on my computer.
100
00:10:54,960 --> 00:11:00,800
I start the file again to see if I can hear what Sydney mentions, but the volume all the way up.
101
00:11:00,800 --> 00:11:06,160
I still can't make out the muffled conversation. Now show me the realization you hear something.
102
00:11:07,280 --> 00:11:11,680
Oh, much bigger. Was that too much? I thought it was going to be more like
103
00:11:11,680 --> 00:11:18,400
something. I thought you would get really scared right away, like throw, throw him across the room.
104
00:11:18,400 --> 00:11:23,680
No! You gotta listen to this. Oh, I'd be like, all right, let me check that, bro. Do you have a splitter?
105
00:11:23,680 --> 00:11:27,680
Yeah.
106
00:11:30,560 --> 00:11:36,480
I still can't make out the muffled conversation, but I do make out the whistle, the exact same
107
00:11:36,480 --> 00:11:43,840
whistle from the previous file, same pitch, same rhythmic lilt, same hollow melody. It doesn't
108
00:11:43,840 --> 00:11:51,440
sound like a whistle Sydney is making. It doesn't sound like a whistle any human is making. End of file four.
109
00:11:51,440 --> 00:11:54,800
I'm not gonna lie, I'd be pretty f***ing stoked if I found this camera at this point.
110
00:11:54,800 --> 00:11:58,640
Oh yeah, because you're in the clear. You're just like, whoa, this is pretty f***ed up.
111
00:11:58,640 --> 00:12:03,680
This is some cool cinema. But it's content, baby. Yeah, I love it. I eat it up like crazy.
112
00:12:04,240 --> 00:12:09,760
I mean, I'm not eating popcorn at all. Oh, absolutely. I'd pitch it to Apple. I'd be like,
113
00:12:09,760 --> 00:12:14,560
hey, I got this box of f***ed up footage. Let's make a series out of this. True crime's hot right
114
00:12:14,560 --> 00:12:19,360
now. So dwindling. People are getting a little tired of it, but let's do it, Apple.
115
00:12:19,360 --> 00:12:25,840
File five begins with chaos. Heather yells, piercing through my headphones, still turned all the way up.
116
00:12:26,560 --> 00:12:33,920
Dude, could you shut your girlfriend up? She won't stop screaming like RTU D2.
117
00:12:33,920 --> 00:12:35,360
She's been doing it for f***ing hours.
118
00:12:38,240 --> 00:12:43,520
That explains the whistling too. Oh, are they being trapped by RTU D2?
119
00:12:43,520 --> 00:12:49,920
Is she RTU D2? Her voice is hoarse and rattling, as if she'd been screaming for hours. She keeps
120
00:12:49,920 --> 00:12:57,200
repeating one word, Sydney, times past, and the sun hangs low in the sky, painting the trees with
121
00:12:57,200 --> 00:13:03,760
a fiery hue, sunset, maybe? Or sunrise? It's hard to tell. One of the guys holds the camera,
122
00:13:03,760 --> 00:13:08,960
filming Heather as she bats branches and bushes away, tearing a path through the overgrowth.
123
00:13:08,960 --> 00:13:15,440
He asks her to slow down, but Heather doesn't listen. Sydney? Sydney? Her desperation is
124
00:13:15,440 --> 00:13:22,800
infectious. As I watch, my own heart begins to pound. Suddenly, Heather stops, frozen in place.
125
00:13:23,360 --> 00:13:30,560
The camera operator lets out a holy s*** and pans to the side, revealing a motionless Sydney
126
00:13:30,560 --> 00:13:37,280
lying on the ground. Her hair is a tangled mess of leaves, her face covered in blood.
127
00:13:37,920 --> 00:13:43,920
Thick black mud coats her neck and her clothes, as if she'd been dragged to where they found her.
128
00:13:44,640 --> 00:13:50,320
Her eyes were closed, and from what I can tell from the video, she's barely breathing.
129
00:13:51,120 --> 00:13:56,960
I feel myself start to gag. End of file five. Is she hiding from the predator? I thought the
130
00:13:56,960 --> 00:14:00,080
coat of mud all over, she's hiding from the predator. It's Jason Bourne.
131
00:14:02,800 --> 00:14:09,840
We have Jason Bourne, predator, RTU D2, so those are our three main suspects. Knock, knock, knock.
132
00:14:09,840 --> 00:14:17,200
I spin around in my chair, my veins filled with ice water. Someone was at my door. Knock, knock,
133
00:14:17,200 --> 00:14:24,080
knock. Slowly, I got up and started walking to the peephole. I took a deep breath and looked out
134
00:14:24,080 --> 00:14:32,320
to see the pizza guy. I snapped back to reality and took a break to eat my dinner. At this point,
135
00:14:32,320 --> 00:14:38,080
I seriously considered never returning to these files. When you're into found footage, you quickly
136
00:14:38,080 --> 00:14:43,840
develop a tolerance for stumbling upon disturbing stuff. You won't believe how many people unknowingly
137
00:14:43,840 --> 00:14:50,880
donate a homemade s*** tape in a box of old VHSs. But seeing Sydney like this made me want to stop,
138
00:14:50,880 --> 00:14:57,440
like I'd finally reached my moral line in the sand. After a couple slices, however, I resolved to
139
00:14:57,440 --> 00:15:02,960
continue. What if this was evidence for some horrible mystery? What if I was watching the only
140
00:15:02,960 --> 00:15:09,440
clues in a murder? I decided I was too far in. I had to keep watching. Does this mean that guy
141
00:15:09,440 --> 00:15:14,240
did watch all the s*** tapes then? I mean, it sounds like they're the opposite of what we were
142
00:15:14,240 --> 00:15:20,160
suspecting, which is they're not a perv. They're in it for just, you know, little slices of life.
143
00:15:20,160 --> 00:15:23,520
They're not into the other stuff. That's more comforting to you? Yeah.
144
00:15:24,160 --> 00:15:31,120
File 6. Night vision again. The forest, serene and calm. Gentle snoring can be heard in the
145
00:15:31,120 --> 00:15:36,560
background, as well as the breathing of at least two others. For a few minutes, the camera doesn't
146
00:15:36,560 --> 00:15:41,360
move. It's just of the woods, as if someone had turned the camcorder on to keep watch.
147
00:15:42,400 --> 00:15:48,560
Then, a rustling from behind the camera. Someone picks the camera up and pans over three sleeping
148
00:15:48,560 --> 00:15:57,840
bodies. Jordan, Dylan, then Heather. All in extreme close-ups. All sleeping. The shots feel
149
00:15:58,400 --> 00:16:04,720
perverse. And if those three are sleeping, it means the person filming must be. Relief floods my
150
00:16:04,720 --> 00:16:10,320
body as the camera is set down. And Sydney walks in front of the lens. She looks better than she
151
00:16:10,320 --> 00:16:16,240
did in the last file, but barely. There are no showers out in the woods, but she did her best
152
00:16:16,240 --> 00:16:21,200
to get the blood off her face, and she's wearing new clothes. She stares out into the woods.
153
00:16:21,760 --> 00:16:27,920
After a beat, she slowly raises her hand. From the still trees, suddenly, a flutter of wind
154
00:16:27,920 --> 00:16:34,640
moves the branches as one. As if the forest was waving back. A few seconds later, the clip ends.
155
00:16:35,200 --> 00:16:50,960
End of file 6. File 7. File 7 again has no video. Only
156
00:16:50,960 --> 00:16:58,080
12 seconds long. The rustling of branches and the crunching of leaves. Loud breathing can be heard,
157
00:16:58,080 --> 00:17:04,320
like someone is panting straight into the camcorders microphone. In the distance, a loud hell.
158
00:17:04,880 --> 00:17:13,600
And under it all, barely audible. The familiar whistle. End of file 7. File 8. Clumpy lashes,
159
00:17:13,600 --> 00:17:19,600
sodden with tears, flutter across the screen. This time, it's not Sydney. But Heather.
160
00:17:20,240 --> 00:17:25,840
Ghost white pupils, surrounded by the sickly green of the night vision. The audio is heavy
161
00:17:25,840 --> 00:17:32,960
breathing, filled with anxiety. My lips quiver as I let out my own sharp, shaking breath. Heather's
162
00:17:32,960 --> 00:17:38,800
eyes dart from one side of the screen to the other. In the background, it sounds like a herd
163
00:17:38,880 --> 00:17:45,840
of animals might be running. Stick snap and leaves crackle while a fierce wind blows. Tangling
164
00:17:45,840 --> 00:17:51,680
Heather's hair. She fights through tears as she strains her voice. I think it's just a prank,
165
00:17:51,680 --> 00:17:57,600
she whispers. But I just woke up and they're gone. It's not funny. I don't know why they would think
166
00:17:57,600 --> 00:18:03,280
this is funny. But I swear I keep hearing things and I don't know if it's them or I'm so scared.
167
00:18:03,280 --> 00:18:08,400
And I don't know what to do. Seriously, if anyone finds this, I love my mom. I love my dad.
168
00:18:08,800 --> 00:18:14,480
I love Dylan. Or I did before he pulled this prank. I love suddenly she stops and claps
169
00:18:14,480 --> 00:18:21,040
a hand over her mouth, trying to be quiet. Tears stream down her face as she strains to hear
170
00:18:21,040 --> 00:18:28,160
something. End of file eight. You're candid. You wake up. Yeah. Everybody's gone. What do you do
171
00:18:29,280 --> 00:18:35,200
after you shirk yourself? I think I stay in my tent, honestly. Yeah. Till morning? Wait it out.
172
00:18:35,200 --> 00:18:39,760
Wait it out till daylight. Yeah. What if it's a Blair Witchwoods where even daylight is scary?
173
00:18:39,760 --> 00:18:43,840
Because the more you walk, you just, you're in circles. I like my chances better at daylight.
174
00:18:43,840 --> 00:18:49,040
Yeah. Still, because I can see everything around me at 360. What do you do? Oh, of course I wait
175
00:18:49,040 --> 00:18:53,440
till day. Yeah, I sleep in. Yeah, make a coffee with one of those like sick like portable coffee
176
00:18:53,440 --> 00:18:57,600
makers. Yeah, those are really cool the way they bubble. Yeah, it's f***ing dope.
177
00:18:57,600 --> 00:19:03,040
File nine. Night vision. Heather's voice. Quiet. Whispering to the camcorder.
178
00:19:03,760 --> 00:19:10,240
Okay, I just found this. This. The stillness is shattered as Heather begins to vomit. I feel
179
00:19:10,240 --> 00:19:14,640
the prickling on the back of my tongue as I struggle not to join her. Suddenly,
180
00:19:14,640 --> 00:19:20,320
while the camera is pointed at the expanse of trees, a pair of eyes lights up in the dark,
181
00:19:20,320 --> 00:19:28,240
and we see what made Heather throw up. A deer. Dead. Its slender legs cracked and bent at unnatural
182
00:19:28,240 --> 00:19:35,200
angles. A large gash is torn through its side from sternum to gut. Mangled insides spill out.
183
00:19:35,760 --> 00:19:42,000
In the background, the same whistle can be heard, but louder, more defined. Heather's
184
00:19:42,000 --> 00:19:49,200
retching turns into a sob and she starts to mutter a prayer. Desperate to ease my own waves of nausea,
185
00:19:49,200 --> 00:19:56,160
I fast forward. Trees and dirt all shot in night vision. Then suddenly a clearing.
186
00:19:56,880 --> 00:20:03,600
I stop fast forwarding and watch at normal speed. The clearing itself is a perfect circle.
187
00:20:03,600 --> 00:20:08,800
No branches or tree roots dare to cross the forbidden border. Even the ground within was
188
00:20:08,800 --> 00:20:15,520
bare of any foliage or fallen leaves. The only thing in the clearing is three figures.
189
00:20:16,880 --> 00:20:19,760
I'm going to assume they're all dead as s***, but they might be just napping.
190
00:20:19,760 --> 00:20:23,440
Well, are they standing? Actually, I haven't read the next part, so I don't know, but.
191
00:20:23,440 --> 00:20:27,920
Let's bet on it. I think they're taking a nap. I think they're standing.
192
00:20:27,920 --> 00:20:33,280
The central figure had rich, blonde hair that seemed to glisten under the light of the stars.
193
00:20:33,280 --> 00:20:40,320
The ends were matted, but it undoubtedly belonged to Sidney. For a second, I'd forgotten Heather
194
00:20:40,320 --> 00:20:46,000
was the one filming. The name seemed like it almost pained Heather to say. Each syllable,
195
00:20:46,000 --> 00:20:52,640
like sandpaper on her tongue. Heather forces another Sidney. A little louder this time.
196
00:20:53,520 --> 00:20:58,400
Suddenly, Sidney's head twitches, unlike any human movement I've ever seen,
197
00:20:58,400 --> 00:21:03,200
like a malfunctioning animatronic. Heather drops the camcorder to the ground.
198
00:21:03,200 --> 00:21:07,840
In the fallen frame, I can see Heather's soiled sneakers move towards her friends.
199
00:21:08,480 --> 00:21:11,440
Then she stops and screams.
200
00:21:13,680 --> 00:21:18,480
End of file nine. You start glitching out like a wacky animatronic in Disneyland.
201
00:21:18,480 --> 00:21:21,200
Yeah. I'm going to call the cops and I'll let them handle it.
202
00:21:21,760 --> 00:21:23,760
I'm trying to, like, is it sort of like a...
203
00:21:26,000 --> 00:21:29,280
That's not too scary. What's scary? Dude, give me a scary.
204
00:21:30,800 --> 00:21:35,520
It's going like that? Well, like glitching out, you know. Yeah, like that.
205
00:21:35,520 --> 00:21:39,680
Hey, Shane. And you just went... Yeah, what's up? Exactly.
206
00:21:40,320 --> 00:21:46,880
File 10. The last file on the camcorder. At first, it looks like it's just my reflection on the
207
00:21:46,880 --> 00:21:53,600
computer screen. It takes me a full 30 seconds to realize it's not my reflection, but me,
208
00:21:54,720 --> 00:21:57,280
actually me, from earlier in the day.
209
00:21:57,280 --> 00:21:59,920
Wait, no, no. Oh, come on. Oh, no.
210
00:22:01,040 --> 00:22:05,920
Holy s***. I'll tell you what, it's been a while since one of these stories got me.
211
00:22:05,920 --> 00:22:08,560
Yeah, that's good. I did not predict that.
212
00:22:09,120 --> 00:22:14,000
I stand in the middle of the woods, light flaring in the lens as I inspect the lens
213
00:22:14,080 --> 00:22:19,920
and point it at myself. I had no idea the camcorder was recording. How could it be?
214
00:22:19,920 --> 00:22:25,520
The thing looked broken beyond salvaging. I toss it in my bag and the video is dark.
215
00:22:25,520 --> 00:22:32,560
Except, what's that? I rewind the video. Right before I put the camcorder in my bag,
216
00:22:32,560 --> 00:22:38,640
I pause and notice. I'm not alone. Behind me on screen stands another figure,
217
00:22:39,280 --> 00:22:46,320
watching me, almost close enough to touch me. Heather, her mouth opened unnaturally wide
218
00:22:46,320 --> 00:22:51,760
as if still broken in that heart-shattering scream. Her pupils, if they were even there,
219
00:22:51,760 --> 00:22:58,560
were imperceivable. She was looking at me with unblinking wide eyes, looking at me through the
220
00:22:58,560 --> 00:23:04,320
screen. I tear my headphones out, panting. I look around for my phone to call the police.
221
00:23:04,960 --> 00:23:10,720
Then, from within the room, close enough to feel on the back of my neck, I hear the whistle.
222
00:23:17,120 --> 00:23:19,120
So, are you scared?
223
00:23:22,160 --> 00:23:23,120
Yaza!
224
00:23:23,120 --> 00:23:25,440
Guy's a daughter. He's dead as ***.
225
00:23:25,440 --> 00:23:26,880
I don't know what happened.
226
00:23:26,880 --> 00:23:30,720
I guess there's like some whistling thing out there, R2-D2?
227
00:23:30,800 --> 00:23:34,320
R2-D2 is stacking up bodies out in the wilderness.
228
00:23:34,320 --> 00:23:37,120
Just out there getting that kill count up, getting those numbers up.
229
00:23:37,120 --> 00:23:39,600
Sounds like, so maybe this thing is just possessing people?
230
00:23:39,600 --> 00:23:44,800
I guess so, and then the whistling is the harbinger of doom there, like you know.
231
00:23:44,800 --> 00:23:50,320
I need closure. If any movie is like, what do you think about that? I always just in my mind,
232
00:23:50,320 --> 00:23:51,440
I'm like, they died.
233
00:23:51,440 --> 00:23:53,520
And that helps you go to sleep, you need the closure.
234
00:23:53,520 --> 00:23:54,720
Yeah, please explain.
235
00:23:54,720 --> 00:23:57,200
I'm okay with it, being a mystery.
236
00:23:57,200 --> 00:24:01,120
Well, great story, and that was actually written by a former watcher intern,
237
00:24:01,760 --> 00:24:05,120
Ronnie Tullo. A homegrown watcher product there.
238
00:24:05,120 --> 00:24:07,120
She knows her found footage, I'll tell you that.
|