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/m/02q5g1z | The movie begins at a house party, where Frank Wheeler (Leonardo DiCaprio) eyes April (Kate Winslet) from across the room. They go to the corner, introduce themselves and chat. She says she is learning to be an actress.Next scene we jump immediately to the end of a play, as the curtain is about to come down. We see April on stage upset, and Frank in the audience with a huge frown on his face. Some people clap and cheer and some are really disappointed with the play, walking by Frank as they go on about how terrible it was. Mrs. Helen Givings (Kathy Bates) walks by and compliments Frank that his wife was terrific in the play. Frank smiles and walks away.Frank goes backstage looking for April. On the way he sees Milly Campbell (Kathryn Hahn), who was also in the play. She tells Frank that she and her husband Shep (David Harbour) are ready for a drink. Frank agrees and goes to the private dressing room where he finds a devastated April changing. She asks Frank to tell Milly and Shep they cannot go out for a drink, using their nanny as an excuse. Frank and April argue a bit but Frank obliges. We then see a far shot of Frank and April leaving in the hallway of a high school with obvious distance between the two of them, not saying a word, even when they are in the car.While driving, Frank turns and tells April that it wasn't her fault that the play was bad, it was because it was unprofessional with lousy scripts and amateur actors and actresses around her. Not only does April not appreciate his comments, she asks Frank not to talk about it. They argue some more and Frank pulls the car over. Frank tells April that it's not his fault the play sucked -he is being very supportive and he is not going to put up with anymore of the bullshit she is giving him. April gets out of the car and Frank follows angrily. They scream at each other about how Frank is always trying to talk things out while all she wants to do is have peace and quiet to deal with it herself. The argument gets heated and April insults Frank about trying to be tough and manly. Frank makes a fist and looks like he is about to hit April but he controls his urge to hit her and starts to pound the hood of their car instead, hurting his hand. April asks Frank to take her home. They drive off.Now the title Revolutionary Road comes to screen.We see Frank getting ready to go to work. Dressed in a grey suit and a hat, he drives to the station and takes the train into the city. The setting is suburban Connecticut in the 1950s. We now see April stopping to stare at the neighborhood as she is taking out the trash. She flashes back to sitting in the car with Frank while Mrs. Givings, their realtor, is driving. Throughout the drive Mrs. Givings keeps mentioning how the two of them are so different from anyone else in the neighborhood. This is a recurring reference, people mentioning Frank and April Wheeler as the model couple of the town. They pull up to the house they eventually buy and we see how delighted April is with it. Flash back to present day.Frank is within hundreds of other people heading to work - his face shows just how miserable he is with this everyday routine. While riding the elevator a cute young secretary gives him a glance which puts a smile on Frank's face. On his way to his cubicle Frank trades pleasantries and miseries with his coworkers. He is called into the boss's office for a discussion regarding a bad job he did. (We realize Frank works in Knoxx as a salesperson like his dad did all his life.) He is ticked at being yelled at by his boss so he revises his work with a half-assed, joking attitude that could very well cost him his job. Frank then goes to the cute secretary he saw in the elevator earlier and asks her to type the revised edition for him and asks her out for lunch. During lunch they drink martinis and he calls the office to tell them that he needs the secretary for the day to help him do research. After he hangs up they both laugh. During their conversation, Frank tells the secretary a joke; the joke is that his dad worked all his life at the same company as a salesperson and he thinks that he was the most miserable man he has ever known and swore he would never be like him. Years later he is doing the exact same job his dad did all his life. To top that off, today is his 30th birthday and he is miserable.Frank and the secretary go to her apartment where they have sex. He then leaves in a hurry with a very casual good-bye, leaving the secretary feeling used. Frank gets home and is greeted with a kiss by a dressed up April. He is then surprised with a birthday cake by April, their son Michael (Ty Simpkins) and their daughter Jennifer (Ryan Simpkins) who sing Happy Birthday to him which bring tears of joy to his eyes.Around this time of the movie April is flipping through old pictures and finds a picture of Frank and his buddies standing in front of the Eiffel Tower. April has a flashback of the first night she slept with Frank when he told her if he has a choice he would live in Paris where people actually have lives. April tells him that he is the most interesting person she has ever met.At night after a shower, April asks to talk to Frank. She proposes the idea that between their savings and selling their house they would have enough money to survive without work for six months and wants them to move to Paris. She believes that they pay secretaries so well that Frank can finally have the time to enjoy his life and all and they can get away from this misery they are in right now. At first Frank just laughs off the idea but then begins to buy into it. They agree and hug.They break the news to their friends Shep and Milly Campbell who are shocked but supportive as Frank and April are so serious and so convincing of how their lives in Paris would be. At night, Shep and Milly laugh at this idea but Milly also cries, maybe at the notion of friends leaving or that the friends are on to better lives than theirs.April invites Mr. and Mrs. Givings and their troubled son John (Michael Shannon), who currently resides in a psychiatric ward, to a gathering (actually a favor to Mrs. Givings, who believes meeting the perfect couple will do her son good). John is a very blunt man and has no sense of manners at all. Frank and April are patient and allow John to ridicule everything they have to say. Frank and April mention they are leaving their lives here and starting a new one in Paris. This causes John to laugh at everything his mother believed, that the perfect couple couldn't even stand this place. Frank and April ask John to go for a walk with them afterwards.During the walk, Frank and April learn that John gets electroshock constantly for his mental problems, and in some ways, they bond during the talk. John asks why they are leaving here and Frank's answer is to leave this place of helplessness. John agrees and says it takes a wise man to see it, but a brave man to admit this sense of helplessness.In the next couple of weeks the Wheelers are preparing for their new lives; April gets their visas and all of their traveling documents taken care of and Frank continues going to work but with so much more joy. They seem to be happier now, no more arguments and definitely very loving.Frank is called into the boss's office one morning with the chief executive inside as well. Frank is so sure he is going to get fired (which he doesn't care about) for the half-assed work he did a couple of weeks ago. Turns out his half-assed work hit the jackpot and got great reviews within the company which leads them to offer Frank a promotion working with the chief executive on a new project: computers.Frank doesn't take the job yet, nor does he mention it to April. They are so happy that they are taking this step at a new life that they make love right there in the kitchen.After a while the chief executive calls Frank in for a fancy dinner to talk about the promotion. The chief executive really wants Frank in and he is tempted but not fully willing to take the job. Frank asks if he knows his father, who worked at the company for 30 years, the chief says no. The chief tells him that a man only gets a couple of chances in life so when the opportunity comes, he better grab onto it as tight as possible because there just might not be another one coming. This gets Frank thinking.Later, April tells Frank that she is 10 weeks pregnant and they both are worried. She says there are options as long as it is before the 12th week. They agree that a child would not be an option for them to take to Paris as it changes the whole plan. Frank is not supportive of the idea of abortion.Next we see the Wheelers and the Campbells at the beach enjoying the sunshine and the water. Frank, knowing April can hear the conversation, speaks loudly to Shep about what a great opportunity it is and how much more money he is being offered for the promotion. April notices Frank is starting to lean away from their idea of a new life in Paris and they argue at the beach - Frank jumps into the water to cool off.At night, while they argue some more, Frank goes to the restroom and as he is getting a towel he notices an abortion kit on the shelf. He is furious and starts to scream at April. During the argument she mentions that the reason they moved here was because of an unplanned pregnancy and that she doesn't want to decide another part of their lives for the same reason. She said she has no plans to use the kit for sure but she got it just in case. They argue some more and April understands that Paris is no longer an option.The next day Frank takes the promotion and while staying late, he goes out with the young secretary again.Another night Frank, April, Milly and Shep go out dancing. Milly and Shep are happy that the Paris trip is not going to happen, everyone is happy except for April. Frank asks April to dance but April says no so he dances with Milly instead. At the end of the night when they are leaving their cars are blocked in so since both of their nannies are waiting, April stays with Shep to wait for the car to be moved while Frank takes Milly home to relieve the nannies. April and Shep go back into the bar and start to dance with a lot of flirting and implications which leads to them having sex in his car. Shep tells April that he loves her and April tells him not to talk.The next day Frank sees how unhappy April is and worries that they haven't slept on the same bed ever since the Paris trip got canceled. He decides to tell April how much he loves her and how he wants to make her happy here at home. He goes so far as to tell her that he had an affair but he ended it. April is not even mad hearing it. She says she feels nothing, because she no longer loves him. Just then, Mrs. Givings stops by along with her husband and her son John. As they eat dinner they mention that Paris is no longer an option and that April is going to have a baby. This gets John upset so he starts to insult Frank and April saying that he is not a man anymore because he is eating his own words about the helplessness and all that. Frank starts to get mad and impatient while John goes on to say Frank only feels like a man because he knocked April up. This gets the Givings kicked out of the house, and on the way out, John jokingly apologizes but says he is happy about one thing, that he is not that kid that is going to be born into this miserable family.When the Givings leave, April and Frank get into another heated argument. Frank is so emotional and angry that he slams the door, punches the wall, throws lamps, breaks chairs and is completely out of control. April says that if Frank touches her she will scream, Frank holds her hand and she screams and runs out of the house. Frank chases after her into the woods.April tells Frank to leave her alone, that she doesn't want to talk things out; she just wants to be alone to think it through. Frank complies and leaves her in the woods. While in the house, Frank sits in a chair in the living room, drinking and worrying about April and her safety but when she comes back she does not come into the house, she just keeps smoking right outside the door while Frank stays in the house with the lights off.The next morning Frank is ready to go to work and he sees a beautiful and 'rejuvenated' April preparing breakfast, asking Frank politely how he wants his eggs. Frank is caught off guard but is relieved that the whole drama is done and they go on to have breakfast. During breakfast, he talks about his work and the new computer to April who appears interested in every word he has to say and tells him he should take pleasure in what he does. They have an awkward goodbye at the door with a kiss and wavery smile from April. Frank asks if she still loves him and she replies with a calm yes. Frank leaves in his car.Back in the house, April's fragile demeanor cracks and she cries while doing the dishes. She calls Milly to ask her to tell her children that she loves them very much. She boils a pot of water and lays down some towels on the bathroom floor while she holds the abortion kit in her hand as she closes the door. We then see April gently walk down the stairs to the living room where she looks out the window; she bleeds all over the carpet and her skirt, then calls the ambulance.At the hospital, Frank is worried and crying while Shep comforts him. He talks about broken capillaries and other stuff the doctor told him that he couldn't understand. He finishes with "she did it to her herself." Shep leaves to get Frank some coffee and is seen crying at the vending machine. He returns to see Frank get news that April did not make it because she bled out too much before the ambulance got to her.Frank runs down the street.The next scene we see Milly and Shep with a new couple in their house and they are sharing the tragic story of the Wheelers. Milly mentions that Frank moved back into the city with the kids and he was the most devoted father there is, spending all his time with them. Shep walks out to the backyard and Milly follows suit. Shep tells Milly that he no longer wants to talk about the Wheelers and she says okay, both subdued for a minute with memories. They hug and kiss and walk back inside the house.We see a scene of Frank sitting on a park bench watching his children on the swings, looking sad and thoughtful. When one of his kids calls him, he looks up and smiles softly, looking wistfully a little happier.In the final scene, Mrs. Givings is sitting on the couch talking to her husband Howard (Richard Easton). She talks about the neighborhood and what it has become. When Howard mentions the Wheelers, Mrs. Givings starts to criticize them as being somewhat neurotic and difficult, neglecting the house. As she is going on and on about it, he begins to turn down his hearing aid, and smiles faintly with the new silence. | Revolutionary Road | 76d8c86c-ba38-e39c-f148-4268b04ff066 | Where does Frank move? | [
"Paris",
"to the city",
"To the City."
] | false |
/m/02q5g1z | The movie begins at a house party, where Frank Wheeler (Leonardo DiCaprio) eyes April (Kate Winslet) from across the room. They go to the corner, introduce themselves and chat. She says she is learning to be an actress.Next scene we jump immediately to the end of a play, as the curtain is about to come down. We see April on stage upset, and Frank in the audience with a huge frown on his face. Some people clap and cheer and some are really disappointed with the play, walking by Frank as they go on about how terrible it was. Mrs. Helen Givings (Kathy Bates) walks by and compliments Frank that his wife was terrific in the play. Frank smiles and walks away.Frank goes backstage looking for April. On the way he sees Milly Campbell (Kathryn Hahn), who was also in the play. She tells Frank that she and her husband Shep (David Harbour) are ready for a drink. Frank agrees and goes to the private dressing room where he finds a devastated April changing. She asks Frank to tell Milly and Shep they cannot go out for a drink, using their nanny as an excuse. Frank and April argue a bit but Frank obliges. We then see a far shot of Frank and April leaving in the hallway of a high school with obvious distance between the two of them, not saying a word, even when they are in the car.While driving, Frank turns and tells April that it wasn't her fault that the play was bad, it was because it was unprofessional with lousy scripts and amateur actors and actresses around her. Not only does April not appreciate his comments, she asks Frank not to talk about it. They argue some more and Frank pulls the car over. Frank tells April that it's not his fault the play sucked -he is being very supportive and he is not going to put up with anymore of the bullshit she is giving him. April gets out of the car and Frank follows angrily. They scream at each other about how Frank is always trying to talk things out while all she wants to do is have peace and quiet to deal with it herself. The argument gets heated and April insults Frank about trying to be tough and manly. Frank makes a fist and looks like he is about to hit April but he controls his urge to hit her and starts to pound the hood of their car instead, hurting his hand. April asks Frank to take her home. They drive off.Now the title Revolutionary Road comes to screen.We see Frank getting ready to go to work. Dressed in a grey suit and a hat, he drives to the station and takes the train into the city. The setting is suburban Connecticut in the 1950s. We now see April stopping to stare at the neighborhood as she is taking out the trash. She flashes back to sitting in the car with Frank while Mrs. Givings, their realtor, is driving. Throughout the drive Mrs. Givings keeps mentioning how the two of them are so different from anyone else in the neighborhood. This is a recurring reference, people mentioning Frank and April Wheeler as the model couple of the town. They pull up to the house they eventually buy and we see how delighted April is with it. Flash back to present day.Frank is within hundreds of other people heading to work - his face shows just how miserable he is with this everyday routine. While riding the elevator a cute young secretary gives him a glance which puts a smile on Frank's face. On his way to his cubicle Frank trades pleasantries and miseries with his coworkers. He is called into the boss's office for a discussion regarding a bad job he did. (We realize Frank works in Knoxx as a salesperson like his dad did all his life.) He is ticked at being yelled at by his boss so he revises his work with a half-assed, joking attitude that could very well cost him his job. Frank then goes to the cute secretary he saw in the elevator earlier and asks her to type the revised edition for him and asks her out for lunch. During lunch they drink martinis and he calls the office to tell them that he needs the secretary for the day to help him do research. After he hangs up they both laugh. During their conversation, Frank tells the secretary a joke; the joke is that his dad worked all his life at the same company as a salesperson and he thinks that he was the most miserable man he has ever known and swore he would never be like him. Years later he is doing the exact same job his dad did all his life. To top that off, today is his 30th birthday and he is miserable.Frank and the secretary go to her apartment where they have sex. He then leaves in a hurry with a very casual good-bye, leaving the secretary feeling used. Frank gets home and is greeted with a kiss by a dressed up April. He is then surprised with a birthday cake by April, their son Michael (Ty Simpkins) and their daughter Jennifer (Ryan Simpkins) who sing Happy Birthday to him which bring tears of joy to his eyes.Around this time of the movie April is flipping through old pictures and finds a picture of Frank and his buddies standing in front of the Eiffel Tower. April has a flashback of the first night she slept with Frank when he told her if he has a choice he would live in Paris where people actually have lives. April tells him that he is the most interesting person she has ever met.At night after a shower, April asks to talk to Frank. She proposes the idea that between their savings and selling their house they would have enough money to survive without work for six months and wants them to move to Paris. She believes that they pay secretaries so well that Frank can finally have the time to enjoy his life and all and they can get away from this misery they are in right now. At first Frank just laughs off the idea but then begins to buy into it. They agree and hug.They break the news to their friends Shep and Milly Campbell who are shocked but supportive as Frank and April are so serious and so convincing of how their lives in Paris would be. At night, Shep and Milly laugh at this idea but Milly also cries, maybe at the notion of friends leaving or that the friends are on to better lives than theirs.April invites Mr. and Mrs. Givings and their troubled son John (Michael Shannon), who currently resides in a psychiatric ward, to a gathering (actually a favor to Mrs. Givings, who believes meeting the perfect couple will do her son good). John is a very blunt man and has no sense of manners at all. Frank and April are patient and allow John to ridicule everything they have to say. Frank and April mention they are leaving their lives here and starting a new one in Paris. This causes John to laugh at everything his mother believed, that the perfect couple couldn't even stand this place. Frank and April ask John to go for a walk with them afterwards.During the walk, Frank and April learn that John gets electroshock constantly for his mental problems, and in some ways, they bond during the talk. John asks why they are leaving here and Frank's answer is to leave this place of helplessness. John agrees and says it takes a wise man to see it, but a brave man to admit this sense of helplessness.In the next couple of weeks the Wheelers are preparing for their new lives; April gets their visas and all of their traveling documents taken care of and Frank continues going to work but with so much more joy. They seem to be happier now, no more arguments and definitely very loving.Frank is called into the boss's office one morning with the chief executive inside as well. Frank is so sure he is going to get fired (which he doesn't care about) for the half-assed work he did a couple of weeks ago. Turns out his half-assed work hit the jackpot and got great reviews within the company which leads them to offer Frank a promotion working with the chief executive on a new project: computers.Frank doesn't take the job yet, nor does he mention it to April. They are so happy that they are taking this step at a new life that they make love right there in the kitchen.After a while the chief executive calls Frank in for a fancy dinner to talk about the promotion. The chief executive really wants Frank in and he is tempted but not fully willing to take the job. Frank asks if he knows his father, who worked at the company for 30 years, the chief says no. The chief tells him that a man only gets a couple of chances in life so when the opportunity comes, he better grab onto it as tight as possible because there just might not be another one coming. This gets Frank thinking.Later, April tells Frank that she is 10 weeks pregnant and they both are worried. She says there are options as long as it is before the 12th week. They agree that a child would not be an option for them to take to Paris as it changes the whole plan. Frank is not supportive of the idea of abortion.Next we see the Wheelers and the Campbells at the beach enjoying the sunshine and the water. Frank, knowing April can hear the conversation, speaks loudly to Shep about what a great opportunity it is and how much more money he is being offered for the promotion. April notices Frank is starting to lean away from their idea of a new life in Paris and they argue at the beach - Frank jumps into the water to cool off.At night, while they argue some more, Frank goes to the restroom and as he is getting a towel he notices an abortion kit on the shelf. He is furious and starts to scream at April. During the argument she mentions that the reason they moved here was because of an unplanned pregnancy and that she doesn't want to decide another part of their lives for the same reason. She said she has no plans to use the kit for sure but she got it just in case. They argue some more and April understands that Paris is no longer an option.The next day Frank takes the promotion and while staying late, he goes out with the young secretary again.Another night Frank, April, Milly and Shep go out dancing. Milly and Shep are happy that the Paris trip is not going to happen, everyone is happy except for April. Frank asks April to dance but April says no so he dances with Milly instead. At the end of the night when they are leaving their cars are blocked in so since both of their nannies are waiting, April stays with Shep to wait for the car to be moved while Frank takes Milly home to relieve the nannies. April and Shep go back into the bar and start to dance with a lot of flirting and implications which leads to them having sex in his car. Shep tells April that he loves her and April tells him not to talk.The next day Frank sees how unhappy April is and worries that they haven't slept on the same bed ever since the Paris trip got canceled. He decides to tell April how much he loves her and how he wants to make her happy here at home. He goes so far as to tell her that he had an affair but he ended it. April is not even mad hearing it. She says she feels nothing, because she no longer loves him. Just then, Mrs. Givings stops by along with her husband and her son John. As they eat dinner they mention that Paris is no longer an option and that April is going to have a baby. This gets John upset so he starts to insult Frank and April saying that he is not a man anymore because he is eating his own words about the helplessness and all that. Frank starts to get mad and impatient while John goes on to say Frank only feels like a man because he knocked April up. This gets the Givings kicked out of the house, and on the way out, John jokingly apologizes but says he is happy about one thing, that he is not that kid that is going to be born into this miserable family.When the Givings leave, April and Frank get into another heated argument. Frank is so emotional and angry that he slams the door, punches the wall, throws lamps, breaks chairs and is completely out of control. April says that if Frank touches her she will scream, Frank holds her hand and she screams and runs out of the house. Frank chases after her into the woods.April tells Frank to leave her alone, that she doesn't want to talk things out; she just wants to be alone to think it through. Frank complies and leaves her in the woods. While in the house, Frank sits in a chair in the living room, drinking and worrying about April and her safety but when she comes back she does not come into the house, she just keeps smoking right outside the door while Frank stays in the house with the lights off.The next morning Frank is ready to go to work and he sees a beautiful and 'rejuvenated' April preparing breakfast, asking Frank politely how he wants his eggs. Frank is caught off guard but is relieved that the whole drama is done and they go on to have breakfast. During breakfast, he talks about his work and the new computer to April who appears interested in every word he has to say and tells him he should take pleasure in what he does. They have an awkward goodbye at the door with a kiss and wavery smile from April. Frank asks if she still loves him and she replies with a calm yes. Frank leaves in his car.Back in the house, April's fragile demeanor cracks and she cries while doing the dishes. She calls Milly to ask her to tell her children that she loves them very much. She boils a pot of water and lays down some towels on the bathroom floor while she holds the abortion kit in her hand as she closes the door. We then see April gently walk down the stairs to the living room where she looks out the window; she bleeds all over the carpet and her skirt, then calls the ambulance.At the hospital, Frank is worried and crying while Shep comforts him. He talks about broken capillaries and other stuff the doctor told him that he couldn't understand. He finishes with "she did it to her herself." Shep leaves to get Frank some coffee and is seen crying at the vending machine. He returns to see Frank get news that April did not make it because she bled out too much before the ambulance got to her.Frank runs down the street.The next scene we see Milly and Shep with a new couple in their house and they are sharing the tragic story of the Wheelers. Milly mentions that Frank moved back into the city with the kids and he was the most devoted father there is, spending all his time with them. Shep walks out to the backyard and Milly follows suit. Shep tells Milly that he no longer wants to talk about the Wheelers and she says okay, both subdued for a minute with memories. They hug and kiss and walk back inside the house.We see a scene of Frank sitting on a park bench watching his children on the swings, looking sad and thoughtful. When one of his kids calls him, he looks up and smiles softly, looking wistfully a little happier.In the final scene, Mrs. Givings is sitting on the couch talking to her husband Howard (Richard Easton). She talks about the neighborhood and what it has become. When Howard mentions the Wheelers, Mrs. Givings starts to criticize them as being somewhat neurotic and difficult, neglecting the house. As she is going on and on about it, he begins to turn down his hearing aid, and smiles faintly with the new silence. | Revolutionary Road | 726c8e35-d387-0371-0004-2dcc5dd7de55 | Which compay did Frank secure a sales position in? | [] | true |
/m/02q5g1z | The movie begins at a house party, where Frank Wheeler (Leonardo DiCaprio) eyes April (Kate Winslet) from across the room. They go to the corner, introduce themselves and chat. She says she is learning to be an actress.Next scene we jump immediately to the end of a play, as the curtain is about to come down. We see April on stage upset, and Frank in the audience with a huge frown on his face. Some people clap and cheer and some are really disappointed with the play, walking by Frank as they go on about how terrible it was. Mrs. Helen Givings (Kathy Bates) walks by and compliments Frank that his wife was terrific in the play. Frank smiles and walks away.Frank goes backstage looking for April. On the way he sees Milly Campbell (Kathryn Hahn), who was also in the play. She tells Frank that she and her husband Shep (David Harbour) are ready for a drink. Frank agrees and goes to the private dressing room where he finds a devastated April changing. She asks Frank to tell Milly and Shep they cannot go out for a drink, using their nanny as an excuse. Frank and April argue a bit but Frank obliges. We then see a far shot of Frank and April leaving in the hallway of a high school with obvious distance between the two of them, not saying a word, even when they are in the car.While driving, Frank turns and tells April that it wasn't her fault that the play was bad, it was because it was unprofessional with lousy scripts and amateur actors and actresses around her. Not only does April not appreciate his comments, she asks Frank not to talk about it. They argue some more and Frank pulls the car over. Frank tells April that it's not his fault the play sucked -he is being very supportive and he is not going to put up with anymore of the bullshit she is giving him. April gets out of the car and Frank follows angrily. They scream at each other about how Frank is always trying to talk things out while all she wants to do is have peace and quiet to deal with it herself. The argument gets heated and April insults Frank about trying to be tough and manly. Frank makes a fist and looks like he is about to hit April but he controls his urge to hit her and starts to pound the hood of their car instead, hurting his hand. April asks Frank to take her home. They drive off.Now the title Revolutionary Road comes to screen.We see Frank getting ready to go to work. Dressed in a grey suit and a hat, he drives to the station and takes the train into the city. The setting is suburban Connecticut in the 1950s. We now see April stopping to stare at the neighborhood as she is taking out the trash. She flashes back to sitting in the car with Frank while Mrs. Givings, their realtor, is driving. Throughout the drive Mrs. Givings keeps mentioning how the two of them are so different from anyone else in the neighborhood. This is a recurring reference, people mentioning Frank and April Wheeler as the model couple of the town. They pull up to the house they eventually buy and we see how delighted April is with it. Flash back to present day.Frank is within hundreds of other people heading to work - his face shows just how miserable he is with this everyday routine. While riding the elevator a cute young secretary gives him a glance which puts a smile on Frank's face. On his way to his cubicle Frank trades pleasantries and miseries with his coworkers. He is called into the boss's office for a discussion regarding a bad job he did. (We realize Frank works in Knoxx as a salesperson like his dad did all his life.) He is ticked at being yelled at by his boss so he revises his work with a half-assed, joking attitude that could very well cost him his job. Frank then goes to the cute secretary he saw in the elevator earlier and asks her to type the revised edition for him and asks her out for lunch. During lunch they drink martinis and he calls the office to tell them that he needs the secretary for the day to help him do research. After he hangs up they both laugh. During their conversation, Frank tells the secretary a joke; the joke is that his dad worked all his life at the same company as a salesperson and he thinks that he was the most miserable man he has ever known and swore he would never be like him. Years later he is doing the exact same job his dad did all his life. To top that off, today is his 30th birthday and he is miserable.Frank and the secretary go to her apartment where they have sex. He then leaves in a hurry with a very casual good-bye, leaving the secretary feeling used. Frank gets home and is greeted with a kiss by a dressed up April. He is then surprised with a birthday cake by April, their son Michael (Ty Simpkins) and their daughter Jennifer (Ryan Simpkins) who sing Happy Birthday to him which bring tears of joy to his eyes.Around this time of the movie April is flipping through old pictures and finds a picture of Frank and his buddies standing in front of the Eiffel Tower. April has a flashback of the first night she slept with Frank when he told her if he has a choice he would live in Paris where people actually have lives. April tells him that he is the most interesting person she has ever met.At night after a shower, April asks to talk to Frank. She proposes the idea that between their savings and selling their house they would have enough money to survive without work for six months and wants them to move to Paris. She believes that they pay secretaries so well that Frank can finally have the time to enjoy his life and all and they can get away from this misery they are in right now. At first Frank just laughs off the idea but then begins to buy into it. They agree and hug.They break the news to their friends Shep and Milly Campbell who are shocked but supportive as Frank and April are so serious and so convincing of how their lives in Paris would be. At night, Shep and Milly laugh at this idea but Milly also cries, maybe at the notion of friends leaving or that the friends are on to better lives than theirs.April invites Mr. and Mrs. Givings and their troubled son John (Michael Shannon), who currently resides in a psychiatric ward, to a gathering (actually a favor to Mrs. Givings, who believes meeting the perfect couple will do her son good). John is a very blunt man and has no sense of manners at all. Frank and April are patient and allow John to ridicule everything they have to say. Frank and April mention they are leaving their lives here and starting a new one in Paris. This causes John to laugh at everything his mother believed, that the perfect couple couldn't even stand this place. Frank and April ask John to go for a walk with them afterwards.During the walk, Frank and April learn that John gets electroshock constantly for his mental problems, and in some ways, they bond during the talk. John asks why they are leaving here and Frank's answer is to leave this place of helplessness. John agrees and says it takes a wise man to see it, but a brave man to admit this sense of helplessness.In the next couple of weeks the Wheelers are preparing for their new lives; April gets their visas and all of their traveling documents taken care of and Frank continues going to work but with so much more joy. They seem to be happier now, no more arguments and definitely very loving.Frank is called into the boss's office one morning with the chief executive inside as well. Frank is so sure he is going to get fired (which he doesn't care about) for the half-assed work he did a couple of weeks ago. Turns out his half-assed work hit the jackpot and got great reviews within the company which leads them to offer Frank a promotion working with the chief executive on a new project: computers.Frank doesn't take the job yet, nor does he mention it to April. They are so happy that they are taking this step at a new life that they make love right there in the kitchen.After a while the chief executive calls Frank in for a fancy dinner to talk about the promotion. The chief executive really wants Frank in and he is tempted but not fully willing to take the job. Frank asks if he knows his father, who worked at the company for 30 years, the chief says no. The chief tells him that a man only gets a couple of chances in life so when the opportunity comes, he better grab onto it as tight as possible because there just might not be another one coming. This gets Frank thinking.Later, April tells Frank that she is 10 weeks pregnant and they both are worried. She says there are options as long as it is before the 12th week. They agree that a child would not be an option for them to take to Paris as it changes the whole plan. Frank is not supportive of the idea of abortion.Next we see the Wheelers and the Campbells at the beach enjoying the sunshine and the water. Frank, knowing April can hear the conversation, speaks loudly to Shep about what a great opportunity it is and how much more money he is being offered for the promotion. April notices Frank is starting to lean away from their idea of a new life in Paris and they argue at the beach - Frank jumps into the water to cool off.At night, while they argue some more, Frank goes to the restroom and as he is getting a towel he notices an abortion kit on the shelf. He is furious and starts to scream at April. During the argument she mentions that the reason they moved here was because of an unplanned pregnancy and that she doesn't want to decide another part of their lives for the same reason. She said she has no plans to use the kit for sure but she got it just in case. They argue some more and April understands that Paris is no longer an option.The next day Frank takes the promotion and while staying late, he goes out with the young secretary again.Another night Frank, April, Milly and Shep go out dancing. Milly and Shep are happy that the Paris trip is not going to happen, everyone is happy except for April. Frank asks April to dance but April says no so he dances with Milly instead. At the end of the night when they are leaving their cars are blocked in so since both of their nannies are waiting, April stays with Shep to wait for the car to be moved while Frank takes Milly home to relieve the nannies. April and Shep go back into the bar and start to dance with a lot of flirting and implications which leads to them having sex in his car. Shep tells April that he loves her and April tells him not to talk.The next day Frank sees how unhappy April is and worries that they haven't slept on the same bed ever since the Paris trip got canceled. He decides to tell April how much he loves her and how he wants to make her happy here at home. He goes so far as to tell her that he had an affair but he ended it. April is not even mad hearing it. She says she feels nothing, because she no longer loves him. Just then, Mrs. Givings stops by along with her husband and her son John. As they eat dinner they mention that Paris is no longer an option and that April is going to have a baby. This gets John upset so he starts to insult Frank and April saying that he is not a man anymore because he is eating his own words about the helplessness and all that. Frank starts to get mad and impatient while John goes on to say Frank only feels like a man because he knocked April up. This gets the Givings kicked out of the house, and on the way out, John jokingly apologizes but says he is happy about one thing, that he is not that kid that is going to be born into this miserable family.When the Givings leave, April and Frank get into another heated argument. Frank is so emotional and angry that he slams the door, punches the wall, throws lamps, breaks chairs and is completely out of control. April says that if Frank touches her she will scream, Frank holds her hand and she screams and runs out of the house. Frank chases after her into the woods.April tells Frank to leave her alone, that she doesn't want to talk things out; she just wants to be alone to think it through. Frank complies and leaves her in the woods. While in the house, Frank sits in a chair in the living room, drinking and worrying about April and her safety but when she comes back she does not come into the house, she just keeps smoking right outside the door while Frank stays in the house with the lights off.The next morning Frank is ready to go to work and he sees a beautiful and 'rejuvenated' April preparing breakfast, asking Frank politely how he wants his eggs. Frank is caught off guard but is relieved that the whole drama is done and they go on to have breakfast. During breakfast, he talks about his work and the new computer to April who appears interested in every word he has to say and tells him he should take pleasure in what he does. They have an awkward goodbye at the door with a kiss and wavery smile from April. Frank asks if she still loves him and she replies with a calm yes. Frank leaves in his car.Back in the house, April's fragile demeanor cracks and she cries while doing the dishes. She calls Milly to ask her to tell her children that she loves them very much. She boils a pot of water and lays down some towels on the bathroom floor while she holds the abortion kit in her hand as she closes the door. We then see April gently walk down the stairs to the living room where she looks out the window; she bleeds all over the carpet and her skirt, then calls the ambulance.At the hospital, Frank is worried and crying while Shep comforts him. He talks about broken capillaries and other stuff the doctor told him that he couldn't understand. He finishes with "she did it to her herself." Shep leaves to get Frank some coffee and is seen crying at the vending machine. He returns to see Frank get news that April did not make it because she bled out too much before the ambulance got to her.Frank runs down the street.The next scene we see Milly and Shep with a new couple in their house and they are sharing the tragic story of the Wheelers. Milly mentions that Frank moved back into the city with the kids and he was the most devoted father there is, spending all his time with them. Shep walks out to the backyard and Milly follows suit. Shep tells Milly that he no longer wants to talk about the Wheelers and she says okay, both subdued for a minute with memories. They hug and kiss and walk back inside the house.We see a scene of Frank sitting on a park bench watching his children on the swings, looking sad and thoughtful. When one of his kids calls him, he looks up and smiles softly, looking wistfully a little happier.In the final scene, Mrs. Givings is sitting on the couch talking to her husband Howard (Richard Easton). She talks about the neighborhood and what it has become. When Howard mentions the Wheelers, Mrs. Givings starts to criticize them as being somewhat neurotic and difficult, neglecting the house. As she is going on and on about it, he begins to turn down his hearing aid, and smiles faintly with the new silence. | Revolutionary Road | 9eeae364-ef3f-d941-5caa-59b4fd075792 | Which profession is Frank hoping to take? | [] | true |
/m/02q5g1z | The movie begins at a house party, where Frank Wheeler (Leonardo DiCaprio) eyes April (Kate Winslet) from across the room. They go to the corner, introduce themselves and chat. She says she is learning to be an actress.Next scene we jump immediately to the end of a play, as the curtain is about to come down. We see April on stage upset, and Frank in the audience with a huge frown on his face. Some people clap and cheer and some are really disappointed with the play, walking by Frank as they go on about how terrible it was. Mrs. Helen Givings (Kathy Bates) walks by and compliments Frank that his wife was terrific in the play. Frank smiles and walks away.Frank goes backstage looking for April. On the way he sees Milly Campbell (Kathryn Hahn), who was also in the play. She tells Frank that she and her husband Shep (David Harbour) are ready for a drink. Frank agrees and goes to the private dressing room where he finds a devastated April changing. She asks Frank to tell Milly and Shep they cannot go out for a drink, using their nanny as an excuse. Frank and April argue a bit but Frank obliges. We then see a far shot of Frank and April leaving in the hallway of a high school with obvious distance between the two of them, not saying a word, even when they are in the car.While driving, Frank turns and tells April that it wasn't her fault that the play was bad, it was because it was unprofessional with lousy scripts and amateur actors and actresses around her. Not only does April not appreciate his comments, she asks Frank not to talk about it. They argue some more and Frank pulls the car over. Frank tells April that it's not his fault the play sucked -he is being very supportive and he is not going to put up with anymore of the bullshit she is giving him. April gets out of the car and Frank follows angrily. They scream at each other about how Frank is always trying to talk things out while all she wants to do is have peace and quiet to deal with it herself. The argument gets heated and April insults Frank about trying to be tough and manly. Frank makes a fist and looks like he is about to hit April but he controls his urge to hit her and starts to pound the hood of their car instead, hurting his hand. April asks Frank to take her home. They drive off.Now the title Revolutionary Road comes to screen.We see Frank getting ready to go to work. Dressed in a grey suit and a hat, he drives to the station and takes the train into the city. The setting is suburban Connecticut in the 1950s. We now see April stopping to stare at the neighborhood as she is taking out the trash. She flashes back to sitting in the car with Frank while Mrs. Givings, their realtor, is driving. Throughout the drive Mrs. Givings keeps mentioning how the two of them are so different from anyone else in the neighborhood. This is a recurring reference, people mentioning Frank and April Wheeler as the model couple of the town. They pull up to the house they eventually buy and we see how delighted April is with it. Flash back to present day.Frank is within hundreds of other people heading to work - his face shows just how miserable he is with this everyday routine. While riding the elevator a cute young secretary gives him a glance which puts a smile on Frank's face. On his way to his cubicle Frank trades pleasantries and miseries with his coworkers. He is called into the boss's office for a discussion regarding a bad job he did. (We realize Frank works in Knoxx as a salesperson like his dad did all his life.) He is ticked at being yelled at by his boss so he revises his work with a half-assed, joking attitude that could very well cost him his job. Frank then goes to the cute secretary he saw in the elevator earlier and asks her to type the revised edition for him and asks her out for lunch. During lunch they drink martinis and he calls the office to tell them that he needs the secretary for the day to help him do research. After he hangs up they both laugh. During their conversation, Frank tells the secretary a joke; the joke is that his dad worked all his life at the same company as a salesperson and he thinks that he was the most miserable man he has ever known and swore he would never be like him. Years later he is doing the exact same job his dad did all his life. To top that off, today is his 30th birthday and he is miserable.Frank and the secretary go to her apartment where they have sex. He then leaves in a hurry with a very casual good-bye, leaving the secretary feeling used. Frank gets home and is greeted with a kiss by a dressed up April. He is then surprised with a birthday cake by April, their son Michael (Ty Simpkins) and their daughter Jennifer (Ryan Simpkins) who sing Happy Birthday to him which bring tears of joy to his eyes.Around this time of the movie April is flipping through old pictures and finds a picture of Frank and his buddies standing in front of the Eiffel Tower. April has a flashback of the first night she slept with Frank when he told her if he has a choice he would live in Paris where people actually have lives. April tells him that he is the most interesting person she has ever met.At night after a shower, April asks to talk to Frank. She proposes the idea that between their savings and selling their house they would have enough money to survive without work for six months and wants them to move to Paris. She believes that they pay secretaries so well that Frank can finally have the time to enjoy his life and all and they can get away from this misery they are in right now. At first Frank just laughs off the idea but then begins to buy into it. They agree and hug.They break the news to their friends Shep and Milly Campbell who are shocked but supportive as Frank and April are so serious and so convincing of how their lives in Paris would be. At night, Shep and Milly laugh at this idea but Milly also cries, maybe at the notion of friends leaving or that the friends are on to better lives than theirs.April invites Mr. and Mrs. Givings and their troubled son John (Michael Shannon), who currently resides in a psychiatric ward, to a gathering (actually a favor to Mrs. Givings, who believes meeting the perfect couple will do her son good). John is a very blunt man and has no sense of manners at all. Frank and April are patient and allow John to ridicule everything they have to say. Frank and April mention they are leaving their lives here and starting a new one in Paris. This causes John to laugh at everything his mother believed, that the perfect couple couldn't even stand this place. Frank and April ask John to go for a walk with them afterwards.During the walk, Frank and April learn that John gets electroshock constantly for his mental problems, and in some ways, they bond during the talk. John asks why they are leaving here and Frank's answer is to leave this place of helplessness. John agrees and says it takes a wise man to see it, but a brave man to admit this sense of helplessness.In the next couple of weeks the Wheelers are preparing for their new lives; April gets their visas and all of their traveling documents taken care of and Frank continues going to work but with so much more joy. They seem to be happier now, no more arguments and definitely very loving.Frank is called into the boss's office one morning with the chief executive inside as well. Frank is so sure he is going to get fired (which he doesn't care about) for the half-assed work he did a couple of weeks ago. Turns out his half-assed work hit the jackpot and got great reviews within the company which leads them to offer Frank a promotion working with the chief executive on a new project: computers.Frank doesn't take the job yet, nor does he mention it to April. They are so happy that they are taking this step at a new life that they make love right there in the kitchen.After a while the chief executive calls Frank in for a fancy dinner to talk about the promotion. The chief executive really wants Frank in and he is tempted but not fully willing to take the job. Frank asks if he knows his father, who worked at the company for 30 years, the chief says no. The chief tells him that a man only gets a couple of chances in life so when the opportunity comes, he better grab onto it as tight as possible because there just might not be another one coming. This gets Frank thinking.Later, April tells Frank that she is 10 weeks pregnant and they both are worried. She says there are options as long as it is before the 12th week. They agree that a child would not be an option for them to take to Paris as it changes the whole plan. Frank is not supportive of the idea of abortion.Next we see the Wheelers and the Campbells at the beach enjoying the sunshine and the water. Frank, knowing April can hear the conversation, speaks loudly to Shep about what a great opportunity it is and how much more money he is being offered for the promotion. April notices Frank is starting to lean away from their idea of a new life in Paris and they argue at the beach - Frank jumps into the water to cool off.At night, while they argue some more, Frank goes to the restroom and as he is getting a towel he notices an abortion kit on the shelf. He is furious and starts to scream at April. During the argument she mentions that the reason they moved here was because of an unplanned pregnancy and that she doesn't want to decide another part of their lives for the same reason. She said she has no plans to use the kit for sure but she got it just in case. They argue some more and April understands that Paris is no longer an option.The next day Frank takes the promotion and while staying late, he goes out with the young secretary again.Another night Frank, April, Milly and Shep go out dancing. Milly and Shep are happy that the Paris trip is not going to happen, everyone is happy except for April. Frank asks April to dance but April says no so he dances with Milly instead. At the end of the night when they are leaving their cars are blocked in so since both of their nannies are waiting, April stays with Shep to wait for the car to be moved while Frank takes Milly home to relieve the nannies. April and Shep go back into the bar and start to dance with a lot of flirting and implications which leads to them having sex in his car. Shep tells April that he loves her and April tells him not to talk.The next day Frank sees how unhappy April is and worries that they haven't slept on the same bed ever since the Paris trip got canceled. He decides to tell April how much he loves her and how he wants to make her happy here at home. He goes so far as to tell her that he had an affair but he ended it. April is not even mad hearing it. She says she feels nothing, because she no longer loves him. Just then, Mrs. Givings stops by along with her husband and her son John. As they eat dinner they mention that Paris is no longer an option and that April is going to have a baby. This gets John upset so he starts to insult Frank and April saying that he is not a man anymore because he is eating his own words about the helplessness and all that. Frank starts to get mad and impatient while John goes on to say Frank only feels like a man because he knocked April up. This gets the Givings kicked out of the house, and on the way out, John jokingly apologizes but says he is happy about one thing, that he is not that kid that is going to be born into this miserable family.When the Givings leave, April and Frank get into another heated argument. Frank is so emotional and angry that he slams the door, punches the wall, throws lamps, breaks chairs and is completely out of control. April says that if Frank touches her she will scream, Frank holds her hand and she screams and runs out of the house. Frank chases after her into the woods.April tells Frank to leave her alone, that she doesn't want to talk things out; she just wants to be alone to think it through. Frank complies and leaves her in the woods. While in the house, Frank sits in a chair in the living room, drinking and worrying about April and her safety but when she comes back she does not come into the house, she just keeps smoking right outside the door while Frank stays in the house with the lights off.The next morning Frank is ready to go to work and he sees a beautiful and 'rejuvenated' April preparing breakfast, asking Frank politely how he wants his eggs. Frank is caught off guard but is relieved that the whole drama is done and they go on to have breakfast. During breakfast, he talks about his work and the new computer to April who appears interested in every word he has to say and tells him he should take pleasure in what he does. They have an awkward goodbye at the door with a kiss and wavery smile from April. Frank asks if she still loves him and she replies with a calm yes. Frank leaves in his car.Back in the house, April's fragile demeanor cracks and she cries while doing the dishes. She calls Milly to ask her to tell her children that she loves them very much. She boils a pot of water and lays down some towels on the bathroom floor while she holds the abortion kit in her hand as she closes the door. We then see April gently walk down the stairs to the living room where she looks out the window; she bleeds all over the carpet and her skirt, then calls the ambulance.At the hospital, Frank is worried and crying while Shep comforts him. He talks about broken capillaries and other stuff the doctor told him that he couldn't understand. He finishes with "she did it to her herself." Shep leaves to get Frank some coffee and is seen crying at the vending machine. He returns to see Frank get news that April did not make it because she bled out too much before the ambulance got to her.Frank runs down the street.The next scene we see Milly and Shep with a new couple in their house and they are sharing the tragic story of the Wheelers. Milly mentions that Frank moved back into the city with the kids and he was the most devoted father there is, spending all his time with them. Shep walks out to the backyard and Milly follows suit. Shep tells Milly that he no longer wants to talk about the Wheelers and she says okay, both subdued for a minute with memories. They hug and kiss and walk back inside the house.We see a scene of Frank sitting on a park bench watching his children on the swings, looking sad and thoughtful. When one of his kids calls him, he looks up and smiles softly, looking wistfully a little happier.In the final scene, Mrs. Givings is sitting on the couch talking to her husband Howard (Richard Easton). She talks about the neighborhood and what it has become. When Howard mentions the Wheelers, Mrs. Givings starts to criticize them as being somewhat neurotic and difficult, neglecting the house. As she is going on and on about it, he begins to turn down his hearing aid, and smiles faintly with the new silence. | Revolutionary Road | b071b89a-93c9-4d0b-1fae-02556ac912ea | What is Helen's occupation? | [] | true |
/m/02q5g1z | The movie begins at a house party, where Frank Wheeler (Leonardo DiCaprio) eyes April (Kate Winslet) from across the room. They go to the corner, introduce themselves and chat. She says she is learning to be an actress.Next scene we jump immediately to the end of a play, as the curtain is about to come down. We see April on stage upset, and Frank in the audience with a huge frown on his face. Some people clap and cheer and some are really disappointed with the play, walking by Frank as they go on about how terrible it was. Mrs. Helen Givings (Kathy Bates) walks by and compliments Frank that his wife was terrific in the play. Frank smiles and walks away.Frank goes backstage looking for April. On the way he sees Milly Campbell (Kathryn Hahn), who was also in the play. She tells Frank that she and her husband Shep (David Harbour) are ready for a drink. Frank agrees and goes to the private dressing room where he finds a devastated April changing. She asks Frank to tell Milly and Shep they cannot go out for a drink, using their nanny as an excuse. Frank and April argue a bit but Frank obliges. We then see a far shot of Frank and April leaving in the hallway of a high school with obvious distance between the two of them, not saying a word, even when they are in the car.While driving, Frank turns and tells April that it wasn't her fault that the play was bad, it was because it was unprofessional with lousy scripts and amateur actors and actresses around her. Not only does April not appreciate his comments, she asks Frank not to talk about it. They argue some more and Frank pulls the car over. Frank tells April that it's not his fault the play sucked -he is being very supportive and he is not going to put up with anymore of the bullshit she is giving him. April gets out of the car and Frank follows angrily. They scream at each other about how Frank is always trying to talk things out while all she wants to do is have peace and quiet to deal with it herself. The argument gets heated and April insults Frank about trying to be tough and manly. Frank makes a fist and looks like he is about to hit April but he controls his urge to hit her and starts to pound the hood of their car instead, hurting his hand. April asks Frank to take her home. They drive off.Now the title Revolutionary Road comes to screen.We see Frank getting ready to go to work. Dressed in a grey suit and a hat, he drives to the station and takes the train into the city. The setting is suburban Connecticut in the 1950s. We now see April stopping to stare at the neighborhood as she is taking out the trash. She flashes back to sitting in the car with Frank while Mrs. Givings, their realtor, is driving. Throughout the drive Mrs. Givings keeps mentioning how the two of them are so different from anyone else in the neighborhood. This is a recurring reference, people mentioning Frank and April Wheeler as the model couple of the town. They pull up to the house they eventually buy and we see how delighted April is with it. Flash back to present day.Frank is within hundreds of other people heading to work - his face shows just how miserable he is with this everyday routine. While riding the elevator a cute young secretary gives him a glance which puts a smile on Frank's face. On his way to his cubicle Frank trades pleasantries and miseries with his coworkers. He is called into the boss's office for a discussion regarding a bad job he did. (We realize Frank works in Knoxx as a salesperson like his dad did all his life.) He is ticked at being yelled at by his boss so he revises his work with a half-assed, joking attitude that could very well cost him his job. Frank then goes to the cute secretary he saw in the elevator earlier and asks her to type the revised edition for him and asks her out for lunch. During lunch they drink martinis and he calls the office to tell them that he needs the secretary for the day to help him do research. After he hangs up they both laugh. During their conversation, Frank tells the secretary a joke; the joke is that his dad worked all his life at the same company as a salesperson and he thinks that he was the most miserable man he has ever known and swore he would never be like him. Years later he is doing the exact same job his dad did all his life. To top that off, today is his 30th birthday and he is miserable.Frank and the secretary go to her apartment where they have sex. He then leaves in a hurry with a very casual good-bye, leaving the secretary feeling used. Frank gets home and is greeted with a kiss by a dressed up April. He is then surprised with a birthday cake by April, their son Michael (Ty Simpkins) and their daughter Jennifer (Ryan Simpkins) who sing Happy Birthday to him which bring tears of joy to his eyes.Around this time of the movie April is flipping through old pictures and finds a picture of Frank and his buddies standing in front of the Eiffel Tower. April has a flashback of the first night she slept with Frank when he told her if he has a choice he would live in Paris where people actually have lives. April tells him that he is the most interesting person she has ever met.At night after a shower, April asks to talk to Frank. She proposes the idea that between their savings and selling their house they would have enough money to survive without work for six months and wants them to move to Paris. She believes that they pay secretaries so well that Frank can finally have the time to enjoy his life and all and they can get away from this misery they are in right now. At first Frank just laughs off the idea but then begins to buy into it. They agree and hug.They break the news to their friends Shep and Milly Campbell who are shocked but supportive as Frank and April are so serious and so convincing of how their lives in Paris would be. At night, Shep and Milly laugh at this idea but Milly also cries, maybe at the notion of friends leaving or that the friends are on to better lives than theirs.April invites Mr. and Mrs. Givings and their troubled son John (Michael Shannon), who currently resides in a psychiatric ward, to a gathering (actually a favor to Mrs. Givings, who believes meeting the perfect couple will do her son good). John is a very blunt man and has no sense of manners at all. Frank and April are patient and allow John to ridicule everything they have to say. Frank and April mention they are leaving their lives here and starting a new one in Paris. This causes John to laugh at everything his mother believed, that the perfect couple couldn't even stand this place. Frank and April ask John to go for a walk with them afterwards.During the walk, Frank and April learn that John gets electroshock constantly for his mental problems, and in some ways, they bond during the talk. John asks why they are leaving here and Frank's answer is to leave this place of helplessness. John agrees and says it takes a wise man to see it, but a brave man to admit this sense of helplessness.In the next couple of weeks the Wheelers are preparing for their new lives; April gets their visas and all of their traveling documents taken care of and Frank continues going to work but with so much more joy. They seem to be happier now, no more arguments and definitely very loving.Frank is called into the boss's office one morning with the chief executive inside as well. Frank is so sure he is going to get fired (which he doesn't care about) for the half-assed work he did a couple of weeks ago. Turns out his half-assed work hit the jackpot and got great reviews within the company which leads them to offer Frank a promotion working with the chief executive on a new project: computers.Frank doesn't take the job yet, nor does he mention it to April. They are so happy that they are taking this step at a new life that they make love right there in the kitchen.After a while the chief executive calls Frank in for a fancy dinner to talk about the promotion. The chief executive really wants Frank in and he is tempted but not fully willing to take the job. Frank asks if he knows his father, who worked at the company for 30 years, the chief says no. The chief tells him that a man only gets a couple of chances in life so when the opportunity comes, he better grab onto it as tight as possible because there just might not be another one coming. This gets Frank thinking.Later, April tells Frank that she is 10 weeks pregnant and they both are worried. She says there are options as long as it is before the 12th week. They agree that a child would not be an option for them to take to Paris as it changes the whole plan. Frank is not supportive of the idea of abortion.Next we see the Wheelers and the Campbells at the beach enjoying the sunshine and the water. Frank, knowing April can hear the conversation, speaks loudly to Shep about what a great opportunity it is and how much more money he is being offered for the promotion. April notices Frank is starting to lean away from their idea of a new life in Paris and they argue at the beach - Frank jumps into the water to cool off.At night, while they argue some more, Frank goes to the restroom and as he is getting a towel he notices an abortion kit on the shelf. He is furious and starts to scream at April. During the argument she mentions that the reason they moved here was because of an unplanned pregnancy and that she doesn't want to decide another part of their lives for the same reason. She said she has no plans to use the kit for sure but she got it just in case. They argue some more and April understands that Paris is no longer an option.The next day Frank takes the promotion and while staying late, he goes out with the young secretary again.Another night Frank, April, Milly and Shep go out dancing. Milly and Shep are happy that the Paris trip is not going to happen, everyone is happy except for April. Frank asks April to dance but April says no so he dances with Milly instead. At the end of the night when they are leaving their cars are blocked in so since both of their nannies are waiting, April stays with Shep to wait for the car to be moved while Frank takes Milly home to relieve the nannies. April and Shep go back into the bar and start to dance with a lot of flirting and implications which leads to them having sex in his car. Shep tells April that he loves her and April tells him not to talk.The next day Frank sees how unhappy April is and worries that they haven't slept on the same bed ever since the Paris trip got canceled. He decides to tell April how much he loves her and how he wants to make her happy here at home. He goes so far as to tell her that he had an affair but he ended it. April is not even mad hearing it. She says she feels nothing, because she no longer loves him. Just then, Mrs. Givings stops by along with her husband and her son John. As they eat dinner they mention that Paris is no longer an option and that April is going to have a baby. This gets John upset so he starts to insult Frank and April saying that he is not a man anymore because he is eating his own words about the helplessness and all that. Frank starts to get mad and impatient while John goes on to say Frank only feels like a man because he knocked April up. This gets the Givings kicked out of the house, and on the way out, John jokingly apologizes but says he is happy about one thing, that he is not that kid that is going to be born into this miserable family.When the Givings leave, April and Frank get into another heated argument. Frank is so emotional and angry that he slams the door, punches the wall, throws lamps, breaks chairs and is completely out of control. April says that if Frank touches her she will scream, Frank holds her hand and she screams and runs out of the house. Frank chases after her into the woods.April tells Frank to leave her alone, that she doesn't want to talk things out; she just wants to be alone to think it through. Frank complies and leaves her in the woods. While in the house, Frank sits in a chair in the living room, drinking and worrying about April and her safety but when she comes back she does not come into the house, she just keeps smoking right outside the door while Frank stays in the house with the lights off.The next morning Frank is ready to go to work and he sees a beautiful and 'rejuvenated' April preparing breakfast, asking Frank politely how he wants his eggs. Frank is caught off guard but is relieved that the whole drama is done and they go on to have breakfast. During breakfast, he talks about his work and the new computer to April who appears interested in every word he has to say and tells him he should take pleasure in what he does. They have an awkward goodbye at the door with a kiss and wavery smile from April. Frank asks if she still loves him and she replies with a calm yes. Frank leaves in his car.Back in the house, April's fragile demeanor cracks and she cries while doing the dishes. She calls Milly to ask her to tell her children that she loves them very much. She boils a pot of water and lays down some towels on the bathroom floor while she holds the abortion kit in her hand as she closes the door. We then see April gently walk down the stairs to the living room where she looks out the window; she bleeds all over the carpet and her skirt, then calls the ambulance.At the hospital, Frank is worried and crying while Shep comforts him. He talks about broken capillaries and other stuff the doctor told him that he couldn't understand. He finishes with "she did it to her herself." Shep leaves to get Frank some coffee and is seen crying at the vending machine. He returns to see Frank get news that April did not make it because she bled out too much before the ambulance got to her.Frank runs down the street.The next scene we see Milly and Shep with a new couple in their house and they are sharing the tragic story of the Wheelers. Milly mentions that Frank moved back into the city with the kids and he was the most devoted father there is, spending all his time with them. Shep walks out to the backyard and Milly follows suit. Shep tells Milly that he no longer wants to talk about the Wheelers and she says okay, both subdued for a minute with memories. They hug and kiss and walk back inside the house.We see a scene of Frank sitting on a park bench watching his children on the swings, looking sad and thoughtful. When one of his kids calls him, he looks up and smiles softly, looking wistfully a little happier.In the final scene, Mrs. Givings is sitting on the couch talking to her husband Howard (Richard Easton). She talks about the neighborhood and what it has become. When Howard mentions the Wheelers, Mrs. Givings starts to criticize them as being somewhat neurotic and difficult, neglecting the house. As she is going on and on about it, he begins to turn down his hearing aid, and smiles faintly with the new silence. | Revolutionary Road | 18ebbf42-e758-90f1-414e-9f604e740dca | Why does Frank start screaming at April? | [
"When Frank discovers she is contemplating having an abortion",
"he finds an abortion kit in the bathroom"
] | false |
/m/02q5g1z | The movie begins at a house party, where Frank Wheeler (Leonardo DiCaprio) eyes April (Kate Winslet) from across the room. They go to the corner, introduce themselves and chat. She says she is learning to be an actress.Next scene we jump immediately to the end of a play, as the curtain is about to come down. We see April on stage upset, and Frank in the audience with a huge frown on his face. Some people clap and cheer and some are really disappointed with the play, walking by Frank as they go on about how terrible it was. Mrs. Helen Givings (Kathy Bates) walks by and compliments Frank that his wife was terrific in the play. Frank smiles and walks away.Frank goes backstage looking for April. On the way he sees Milly Campbell (Kathryn Hahn), who was also in the play. She tells Frank that she and her husband Shep (David Harbour) are ready for a drink. Frank agrees and goes to the private dressing room where he finds a devastated April changing. She asks Frank to tell Milly and Shep they cannot go out for a drink, using their nanny as an excuse. Frank and April argue a bit but Frank obliges. We then see a far shot of Frank and April leaving in the hallway of a high school with obvious distance between the two of them, not saying a word, even when they are in the car.While driving, Frank turns and tells April that it wasn't her fault that the play was bad, it was because it was unprofessional with lousy scripts and amateur actors and actresses around her. Not only does April not appreciate his comments, she asks Frank not to talk about it. They argue some more and Frank pulls the car over. Frank tells April that it's not his fault the play sucked -he is being very supportive and he is not going to put up with anymore of the bullshit she is giving him. April gets out of the car and Frank follows angrily. They scream at each other about how Frank is always trying to talk things out while all she wants to do is have peace and quiet to deal with it herself. The argument gets heated and April insults Frank about trying to be tough and manly. Frank makes a fist and looks like he is about to hit April but he controls his urge to hit her and starts to pound the hood of their car instead, hurting his hand. April asks Frank to take her home. They drive off.Now the title Revolutionary Road comes to screen.We see Frank getting ready to go to work. Dressed in a grey suit and a hat, he drives to the station and takes the train into the city. The setting is suburban Connecticut in the 1950s. We now see April stopping to stare at the neighborhood as she is taking out the trash. She flashes back to sitting in the car with Frank while Mrs. Givings, their realtor, is driving. Throughout the drive Mrs. Givings keeps mentioning how the two of them are so different from anyone else in the neighborhood. This is a recurring reference, people mentioning Frank and April Wheeler as the model couple of the town. They pull up to the house they eventually buy and we see how delighted April is with it. Flash back to present day.Frank is within hundreds of other people heading to work - his face shows just how miserable he is with this everyday routine. While riding the elevator a cute young secretary gives him a glance which puts a smile on Frank's face. On his way to his cubicle Frank trades pleasantries and miseries with his coworkers. He is called into the boss's office for a discussion regarding a bad job he did. (We realize Frank works in Knoxx as a salesperson like his dad did all his life.) He is ticked at being yelled at by his boss so he revises his work with a half-assed, joking attitude that could very well cost him his job. Frank then goes to the cute secretary he saw in the elevator earlier and asks her to type the revised edition for him and asks her out for lunch. During lunch they drink martinis and he calls the office to tell them that he needs the secretary for the day to help him do research. After he hangs up they both laugh. During their conversation, Frank tells the secretary a joke; the joke is that his dad worked all his life at the same company as a salesperson and he thinks that he was the most miserable man he has ever known and swore he would never be like him. Years later he is doing the exact same job his dad did all his life. To top that off, today is his 30th birthday and he is miserable.Frank and the secretary go to her apartment where they have sex. He then leaves in a hurry with a very casual good-bye, leaving the secretary feeling used. Frank gets home and is greeted with a kiss by a dressed up April. He is then surprised with a birthday cake by April, their son Michael (Ty Simpkins) and their daughter Jennifer (Ryan Simpkins) who sing Happy Birthday to him which bring tears of joy to his eyes.Around this time of the movie April is flipping through old pictures and finds a picture of Frank and his buddies standing in front of the Eiffel Tower. April has a flashback of the first night she slept with Frank when he told her if he has a choice he would live in Paris where people actually have lives. April tells him that he is the most interesting person she has ever met.At night after a shower, April asks to talk to Frank. She proposes the idea that between their savings and selling their house they would have enough money to survive without work for six months and wants them to move to Paris. She believes that they pay secretaries so well that Frank can finally have the time to enjoy his life and all and they can get away from this misery they are in right now. At first Frank just laughs off the idea but then begins to buy into it. They agree and hug.They break the news to their friends Shep and Milly Campbell who are shocked but supportive as Frank and April are so serious and so convincing of how their lives in Paris would be. At night, Shep and Milly laugh at this idea but Milly also cries, maybe at the notion of friends leaving or that the friends are on to better lives than theirs.April invites Mr. and Mrs. Givings and their troubled son John (Michael Shannon), who currently resides in a psychiatric ward, to a gathering (actually a favor to Mrs. Givings, who believes meeting the perfect couple will do her son good). John is a very blunt man and has no sense of manners at all. Frank and April are patient and allow John to ridicule everything they have to say. Frank and April mention they are leaving their lives here and starting a new one in Paris. This causes John to laugh at everything his mother believed, that the perfect couple couldn't even stand this place. Frank and April ask John to go for a walk with them afterwards.During the walk, Frank and April learn that John gets electroshock constantly for his mental problems, and in some ways, they bond during the talk. John asks why they are leaving here and Frank's answer is to leave this place of helplessness. John agrees and says it takes a wise man to see it, but a brave man to admit this sense of helplessness.In the next couple of weeks the Wheelers are preparing for their new lives; April gets their visas and all of their traveling documents taken care of and Frank continues going to work but with so much more joy. They seem to be happier now, no more arguments and definitely very loving.Frank is called into the boss's office one morning with the chief executive inside as well. Frank is so sure he is going to get fired (which he doesn't care about) for the half-assed work he did a couple of weeks ago. Turns out his half-assed work hit the jackpot and got great reviews within the company which leads them to offer Frank a promotion working with the chief executive on a new project: computers.Frank doesn't take the job yet, nor does he mention it to April. They are so happy that they are taking this step at a new life that they make love right there in the kitchen.After a while the chief executive calls Frank in for a fancy dinner to talk about the promotion. The chief executive really wants Frank in and he is tempted but not fully willing to take the job. Frank asks if he knows his father, who worked at the company for 30 years, the chief says no. The chief tells him that a man only gets a couple of chances in life so when the opportunity comes, he better grab onto it as tight as possible because there just might not be another one coming. This gets Frank thinking.Later, April tells Frank that she is 10 weeks pregnant and they both are worried. She says there are options as long as it is before the 12th week. They agree that a child would not be an option for them to take to Paris as it changes the whole plan. Frank is not supportive of the idea of abortion.Next we see the Wheelers and the Campbells at the beach enjoying the sunshine and the water. Frank, knowing April can hear the conversation, speaks loudly to Shep about what a great opportunity it is and how much more money he is being offered for the promotion. April notices Frank is starting to lean away from their idea of a new life in Paris and they argue at the beach - Frank jumps into the water to cool off.At night, while they argue some more, Frank goes to the restroom and as he is getting a towel he notices an abortion kit on the shelf. He is furious and starts to scream at April. During the argument she mentions that the reason they moved here was because of an unplanned pregnancy and that she doesn't want to decide another part of their lives for the same reason. She said she has no plans to use the kit for sure but she got it just in case. They argue some more and April understands that Paris is no longer an option.The next day Frank takes the promotion and while staying late, he goes out with the young secretary again.Another night Frank, April, Milly and Shep go out dancing. Milly and Shep are happy that the Paris trip is not going to happen, everyone is happy except for April. Frank asks April to dance but April says no so he dances with Milly instead. At the end of the night when they are leaving their cars are blocked in so since both of their nannies are waiting, April stays with Shep to wait for the car to be moved while Frank takes Milly home to relieve the nannies. April and Shep go back into the bar and start to dance with a lot of flirting and implications which leads to them having sex in his car. Shep tells April that he loves her and April tells him not to talk.The next day Frank sees how unhappy April is and worries that they haven't slept on the same bed ever since the Paris trip got canceled. He decides to tell April how much he loves her and how he wants to make her happy here at home. He goes so far as to tell her that he had an affair but he ended it. April is not even mad hearing it. She says she feels nothing, because she no longer loves him. Just then, Mrs. Givings stops by along with her husband and her son John. As they eat dinner they mention that Paris is no longer an option and that April is going to have a baby. This gets John upset so he starts to insult Frank and April saying that he is not a man anymore because he is eating his own words about the helplessness and all that. Frank starts to get mad and impatient while John goes on to say Frank only feels like a man because he knocked April up. This gets the Givings kicked out of the house, and on the way out, John jokingly apologizes but says he is happy about one thing, that he is not that kid that is going to be born into this miserable family.When the Givings leave, April and Frank get into another heated argument. Frank is so emotional and angry that he slams the door, punches the wall, throws lamps, breaks chairs and is completely out of control. April says that if Frank touches her she will scream, Frank holds her hand and she screams and runs out of the house. Frank chases after her into the woods.April tells Frank to leave her alone, that she doesn't want to talk things out; she just wants to be alone to think it through. Frank complies and leaves her in the woods. While in the house, Frank sits in a chair in the living room, drinking and worrying about April and her safety but when she comes back she does not come into the house, she just keeps smoking right outside the door while Frank stays in the house with the lights off.The next morning Frank is ready to go to work and he sees a beautiful and 'rejuvenated' April preparing breakfast, asking Frank politely how he wants his eggs. Frank is caught off guard but is relieved that the whole drama is done and they go on to have breakfast. During breakfast, he talks about his work and the new computer to April who appears interested in every word he has to say and tells him he should take pleasure in what he does. They have an awkward goodbye at the door with a kiss and wavery smile from April. Frank asks if she still loves him and she replies with a calm yes. Frank leaves in his car.Back in the house, April's fragile demeanor cracks and she cries while doing the dishes. She calls Milly to ask her to tell her children that she loves them very much. She boils a pot of water and lays down some towels on the bathroom floor while she holds the abortion kit in her hand as she closes the door. We then see April gently walk down the stairs to the living room where she looks out the window; she bleeds all over the carpet and her skirt, then calls the ambulance.At the hospital, Frank is worried and crying while Shep comforts him. He talks about broken capillaries and other stuff the doctor told him that he couldn't understand. He finishes with "she did it to her herself." Shep leaves to get Frank some coffee and is seen crying at the vending machine. He returns to see Frank get news that April did not make it because she bled out too much before the ambulance got to her.Frank runs down the street.The next scene we see Milly and Shep with a new couple in their house and they are sharing the tragic story of the Wheelers. Milly mentions that Frank moved back into the city with the kids and he was the most devoted father there is, spending all his time with them. Shep walks out to the backyard and Milly follows suit. Shep tells Milly that he no longer wants to talk about the Wheelers and she says okay, both subdued for a minute with memories. They hug and kiss and walk back inside the house.We see a scene of Frank sitting on a park bench watching his children on the swings, looking sad and thoughtful. When one of his kids calls him, he looks up and smiles softly, looking wistfully a little happier.In the final scene, Mrs. Givings is sitting on the couch talking to her husband Howard (Richard Easton). She talks about the neighborhood and what it has become. When Howard mentions the Wheelers, Mrs. Givings starts to criticize them as being somewhat neurotic and difficult, neglecting the house. As she is going on and on about it, he begins to turn down his hearing aid, and smiles faintly with the new silence. | Revolutionary Road | c50cca11-7966-c20e-4079-c1d06bad549c | What is April doing in the kitchen the morning after Frank's drunken stupor? | [
"making breakfas"
] | false |
/m/02q5g1z | The movie begins at a house party, where Frank Wheeler (Leonardo DiCaprio) eyes April (Kate Winslet) from across the room. They go to the corner, introduce themselves and chat. She says she is learning to be an actress.Next scene we jump immediately to the end of a play, as the curtain is about to come down. We see April on stage upset, and Frank in the audience with a huge frown on his face. Some people clap and cheer and some are really disappointed with the play, walking by Frank as they go on about how terrible it was. Mrs. Helen Givings (Kathy Bates) walks by and compliments Frank that his wife was terrific in the play. Frank smiles and walks away.Frank goes backstage looking for April. On the way he sees Milly Campbell (Kathryn Hahn), who was also in the play. She tells Frank that she and her husband Shep (David Harbour) are ready for a drink. Frank agrees and goes to the private dressing room where he finds a devastated April changing. She asks Frank to tell Milly and Shep they cannot go out for a drink, using their nanny as an excuse. Frank and April argue a bit but Frank obliges. We then see a far shot of Frank and April leaving in the hallway of a high school with obvious distance between the two of them, not saying a word, even when they are in the car.While driving, Frank turns and tells April that it wasn't her fault that the play was bad, it was because it was unprofessional with lousy scripts and amateur actors and actresses around her. Not only does April not appreciate his comments, she asks Frank not to talk about it. They argue some more and Frank pulls the car over. Frank tells April that it's not his fault the play sucked -he is being very supportive and he is not going to put up with anymore of the bullshit she is giving him. April gets out of the car and Frank follows angrily. They scream at each other about how Frank is always trying to talk things out while all she wants to do is have peace and quiet to deal with it herself. The argument gets heated and April insults Frank about trying to be tough and manly. Frank makes a fist and looks like he is about to hit April but he controls his urge to hit her and starts to pound the hood of their car instead, hurting his hand. April asks Frank to take her home. They drive off.Now the title Revolutionary Road comes to screen.We see Frank getting ready to go to work. Dressed in a grey suit and a hat, he drives to the station and takes the train into the city. The setting is suburban Connecticut in the 1950s. We now see April stopping to stare at the neighborhood as she is taking out the trash. She flashes back to sitting in the car with Frank while Mrs. Givings, their realtor, is driving. Throughout the drive Mrs. Givings keeps mentioning how the two of them are so different from anyone else in the neighborhood. This is a recurring reference, people mentioning Frank and April Wheeler as the model couple of the town. They pull up to the house they eventually buy and we see how delighted April is with it. Flash back to present day.Frank is within hundreds of other people heading to work - his face shows just how miserable he is with this everyday routine. While riding the elevator a cute young secretary gives him a glance which puts a smile on Frank's face. On his way to his cubicle Frank trades pleasantries and miseries with his coworkers. He is called into the boss's office for a discussion regarding a bad job he did. (We realize Frank works in Knoxx as a salesperson like his dad did all his life.) He is ticked at being yelled at by his boss so he revises his work with a half-assed, joking attitude that could very well cost him his job. Frank then goes to the cute secretary he saw in the elevator earlier and asks her to type the revised edition for him and asks her out for lunch. During lunch they drink martinis and he calls the office to tell them that he needs the secretary for the day to help him do research. After he hangs up they both laugh. During their conversation, Frank tells the secretary a joke; the joke is that his dad worked all his life at the same company as a salesperson and he thinks that he was the most miserable man he has ever known and swore he would never be like him. Years later he is doing the exact same job his dad did all his life. To top that off, today is his 30th birthday and he is miserable.Frank and the secretary go to her apartment where they have sex. He then leaves in a hurry with a very casual good-bye, leaving the secretary feeling used. Frank gets home and is greeted with a kiss by a dressed up April. He is then surprised with a birthday cake by April, their son Michael (Ty Simpkins) and their daughter Jennifer (Ryan Simpkins) who sing Happy Birthday to him which bring tears of joy to his eyes.Around this time of the movie April is flipping through old pictures and finds a picture of Frank and his buddies standing in front of the Eiffel Tower. April has a flashback of the first night she slept with Frank when he told her if he has a choice he would live in Paris where people actually have lives. April tells him that he is the most interesting person she has ever met.At night after a shower, April asks to talk to Frank. She proposes the idea that between their savings and selling their house they would have enough money to survive without work for six months and wants them to move to Paris. She believes that they pay secretaries so well that Frank can finally have the time to enjoy his life and all and they can get away from this misery they are in right now. At first Frank just laughs off the idea but then begins to buy into it. They agree and hug.They break the news to their friends Shep and Milly Campbell who are shocked but supportive as Frank and April are so serious and so convincing of how their lives in Paris would be. At night, Shep and Milly laugh at this idea but Milly also cries, maybe at the notion of friends leaving or that the friends are on to better lives than theirs.April invites Mr. and Mrs. Givings and their troubled son John (Michael Shannon), who currently resides in a psychiatric ward, to a gathering (actually a favor to Mrs. Givings, who believes meeting the perfect couple will do her son good). John is a very blunt man and has no sense of manners at all. Frank and April are patient and allow John to ridicule everything they have to say. Frank and April mention they are leaving their lives here and starting a new one in Paris. This causes John to laugh at everything his mother believed, that the perfect couple couldn't even stand this place. Frank and April ask John to go for a walk with them afterwards.During the walk, Frank and April learn that John gets electroshock constantly for his mental problems, and in some ways, they bond during the talk. John asks why they are leaving here and Frank's answer is to leave this place of helplessness. John agrees and says it takes a wise man to see it, but a brave man to admit this sense of helplessness.In the next couple of weeks the Wheelers are preparing for their new lives; April gets their visas and all of their traveling documents taken care of and Frank continues going to work but with so much more joy. They seem to be happier now, no more arguments and definitely very loving.Frank is called into the boss's office one morning with the chief executive inside as well. Frank is so sure he is going to get fired (which he doesn't care about) for the half-assed work he did a couple of weeks ago. Turns out his half-assed work hit the jackpot and got great reviews within the company which leads them to offer Frank a promotion working with the chief executive on a new project: computers.Frank doesn't take the job yet, nor does he mention it to April. They are so happy that they are taking this step at a new life that they make love right there in the kitchen.After a while the chief executive calls Frank in for a fancy dinner to talk about the promotion. The chief executive really wants Frank in and he is tempted but not fully willing to take the job. Frank asks if he knows his father, who worked at the company for 30 years, the chief says no. The chief tells him that a man only gets a couple of chances in life so when the opportunity comes, he better grab onto it as tight as possible because there just might not be another one coming. This gets Frank thinking.Later, April tells Frank that she is 10 weeks pregnant and they both are worried. She says there are options as long as it is before the 12th week. They agree that a child would not be an option for them to take to Paris as it changes the whole plan. Frank is not supportive of the idea of abortion.Next we see the Wheelers and the Campbells at the beach enjoying the sunshine and the water. Frank, knowing April can hear the conversation, speaks loudly to Shep about what a great opportunity it is and how much more money he is being offered for the promotion. April notices Frank is starting to lean away from their idea of a new life in Paris and they argue at the beach - Frank jumps into the water to cool off.At night, while they argue some more, Frank goes to the restroom and as he is getting a towel he notices an abortion kit on the shelf. He is furious and starts to scream at April. During the argument she mentions that the reason they moved here was because of an unplanned pregnancy and that she doesn't want to decide another part of their lives for the same reason. She said she has no plans to use the kit for sure but she got it just in case. They argue some more and April understands that Paris is no longer an option.The next day Frank takes the promotion and while staying late, he goes out with the young secretary again.Another night Frank, April, Milly and Shep go out dancing. Milly and Shep are happy that the Paris trip is not going to happen, everyone is happy except for April. Frank asks April to dance but April says no so he dances with Milly instead. At the end of the night when they are leaving their cars are blocked in so since both of their nannies are waiting, April stays with Shep to wait for the car to be moved while Frank takes Milly home to relieve the nannies. April and Shep go back into the bar and start to dance with a lot of flirting and implications which leads to them having sex in his car. Shep tells April that he loves her and April tells him not to talk.The next day Frank sees how unhappy April is and worries that they haven't slept on the same bed ever since the Paris trip got canceled. He decides to tell April how much he loves her and how he wants to make her happy here at home. He goes so far as to tell her that he had an affair but he ended it. April is not even mad hearing it. She says she feels nothing, because she no longer loves him. Just then, Mrs. Givings stops by along with her husband and her son John. As they eat dinner they mention that Paris is no longer an option and that April is going to have a baby. This gets John upset so he starts to insult Frank and April saying that he is not a man anymore because he is eating his own words about the helplessness and all that. Frank starts to get mad and impatient while John goes on to say Frank only feels like a man because he knocked April up. This gets the Givings kicked out of the house, and on the way out, John jokingly apologizes but says he is happy about one thing, that he is not that kid that is going to be born into this miserable family.When the Givings leave, April and Frank get into another heated argument. Frank is so emotional and angry that he slams the door, punches the wall, throws lamps, breaks chairs and is completely out of control. April says that if Frank touches her she will scream, Frank holds her hand and she screams and runs out of the house. Frank chases after her into the woods.April tells Frank to leave her alone, that she doesn't want to talk things out; she just wants to be alone to think it through. Frank complies and leaves her in the woods. While in the house, Frank sits in a chair in the living room, drinking and worrying about April and her safety but when she comes back she does not come into the house, she just keeps smoking right outside the door while Frank stays in the house with the lights off.The next morning Frank is ready to go to work and he sees a beautiful and 'rejuvenated' April preparing breakfast, asking Frank politely how he wants his eggs. Frank is caught off guard but is relieved that the whole drama is done and they go on to have breakfast. During breakfast, he talks about his work and the new computer to April who appears interested in every word he has to say and tells him he should take pleasure in what he does. They have an awkward goodbye at the door with a kiss and wavery smile from April. Frank asks if she still loves him and she replies with a calm yes. Frank leaves in his car.Back in the house, April's fragile demeanor cracks and she cries while doing the dishes. She calls Milly to ask her to tell her children that she loves them very much. She boils a pot of water and lays down some towels on the bathroom floor while she holds the abortion kit in her hand as she closes the door. We then see April gently walk down the stairs to the living room where she looks out the window; she bleeds all over the carpet and her skirt, then calls the ambulance.At the hospital, Frank is worried and crying while Shep comforts him. He talks about broken capillaries and other stuff the doctor told him that he couldn't understand. He finishes with "she did it to her herself." Shep leaves to get Frank some coffee and is seen crying at the vending machine. He returns to see Frank get news that April did not make it because she bled out too much before the ambulance got to her.Frank runs down the street.The next scene we see Milly and Shep with a new couple in their house and they are sharing the tragic story of the Wheelers. Milly mentions that Frank moved back into the city with the kids and he was the most devoted father there is, spending all his time with them. Shep walks out to the backyard and Milly follows suit. Shep tells Milly that he no longer wants to talk about the Wheelers and she says okay, both subdued for a minute with memories. They hug and kiss and walk back inside the house.We see a scene of Frank sitting on a park bench watching his children on the swings, looking sad and thoughtful. When one of his kids calls him, he looks up and smiles softly, looking wistfully a little happier.In the final scene, Mrs. Givings is sitting on the couch talking to her husband Howard (Richard Easton). She talks about the neighborhood and what it has become. When Howard mentions the Wheelers, Mrs. Givings starts to criticize them as being somewhat neurotic and difficult, neglecting the house. As she is going on and on about it, he begins to turn down his hearing aid, and smiles faintly with the new silence. | Revolutionary Road | 5a051c18-9671-74b9-05ef-d2d826f91032 | What does April die from complications of? | [
"following the abortion"
] | false |
/m/02q5g1z | The movie begins at a house party, where Frank Wheeler (Leonardo DiCaprio) eyes April (Kate Winslet) from across the room. They go to the corner, introduce themselves and chat. She says she is learning to be an actress.Next scene we jump immediately to the end of a play, as the curtain is about to come down. We see April on stage upset, and Frank in the audience with a huge frown on his face. Some people clap and cheer and some are really disappointed with the play, walking by Frank as they go on about how terrible it was. Mrs. Helen Givings (Kathy Bates) walks by and compliments Frank that his wife was terrific in the play. Frank smiles and walks away.Frank goes backstage looking for April. On the way he sees Milly Campbell (Kathryn Hahn), who was also in the play. She tells Frank that she and her husband Shep (David Harbour) are ready for a drink. Frank agrees and goes to the private dressing room where he finds a devastated April changing. She asks Frank to tell Milly and Shep they cannot go out for a drink, using their nanny as an excuse. Frank and April argue a bit but Frank obliges. We then see a far shot of Frank and April leaving in the hallway of a high school with obvious distance between the two of them, not saying a word, even when they are in the car.While driving, Frank turns and tells April that it wasn't her fault that the play was bad, it was because it was unprofessional with lousy scripts and amateur actors and actresses around her. Not only does April not appreciate his comments, she asks Frank not to talk about it. They argue some more and Frank pulls the car over. Frank tells April that it's not his fault the play sucked -he is being very supportive and he is not going to put up with anymore of the bullshit she is giving him. April gets out of the car and Frank follows angrily. They scream at each other about how Frank is always trying to talk things out while all she wants to do is have peace and quiet to deal with it herself. The argument gets heated and April insults Frank about trying to be tough and manly. Frank makes a fist and looks like he is about to hit April but he controls his urge to hit her and starts to pound the hood of their car instead, hurting his hand. April asks Frank to take her home. They drive off.Now the title Revolutionary Road comes to screen.We see Frank getting ready to go to work. Dressed in a grey suit and a hat, he drives to the station and takes the train into the city. The setting is suburban Connecticut in the 1950s. We now see April stopping to stare at the neighborhood as she is taking out the trash. She flashes back to sitting in the car with Frank while Mrs. Givings, their realtor, is driving. Throughout the drive Mrs. Givings keeps mentioning how the two of them are so different from anyone else in the neighborhood. This is a recurring reference, people mentioning Frank and April Wheeler as the model couple of the town. They pull up to the house they eventually buy and we see how delighted April is with it. Flash back to present day.Frank is within hundreds of other people heading to work - his face shows just how miserable he is with this everyday routine. While riding the elevator a cute young secretary gives him a glance which puts a smile on Frank's face. On his way to his cubicle Frank trades pleasantries and miseries with his coworkers. He is called into the boss's office for a discussion regarding a bad job he did. (We realize Frank works in Knoxx as a salesperson like his dad did all his life.) He is ticked at being yelled at by his boss so he revises his work with a half-assed, joking attitude that could very well cost him his job. Frank then goes to the cute secretary he saw in the elevator earlier and asks her to type the revised edition for him and asks her out for lunch. During lunch they drink martinis and he calls the office to tell them that he needs the secretary for the day to help him do research. After he hangs up they both laugh. During their conversation, Frank tells the secretary a joke; the joke is that his dad worked all his life at the same company as a salesperson and he thinks that he was the most miserable man he has ever known and swore he would never be like him. Years later he is doing the exact same job his dad did all his life. To top that off, today is his 30th birthday and he is miserable.Frank and the secretary go to her apartment where they have sex. He then leaves in a hurry with a very casual good-bye, leaving the secretary feeling used. Frank gets home and is greeted with a kiss by a dressed up April. He is then surprised with a birthday cake by April, their son Michael (Ty Simpkins) and their daughter Jennifer (Ryan Simpkins) who sing Happy Birthday to him which bring tears of joy to his eyes.Around this time of the movie April is flipping through old pictures and finds a picture of Frank and his buddies standing in front of the Eiffel Tower. April has a flashback of the first night she slept with Frank when he told her if he has a choice he would live in Paris where people actually have lives. April tells him that he is the most interesting person she has ever met.At night after a shower, April asks to talk to Frank. She proposes the idea that between their savings and selling their house they would have enough money to survive without work for six months and wants them to move to Paris. She believes that they pay secretaries so well that Frank can finally have the time to enjoy his life and all and they can get away from this misery they are in right now. At first Frank just laughs off the idea but then begins to buy into it. They agree and hug.They break the news to their friends Shep and Milly Campbell who are shocked but supportive as Frank and April are so serious and so convincing of how their lives in Paris would be. At night, Shep and Milly laugh at this idea but Milly also cries, maybe at the notion of friends leaving or that the friends are on to better lives than theirs.April invites Mr. and Mrs. Givings and their troubled son John (Michael Shannon), who currently resides in a psychiatric ward, to a gathering (actually a favor to Mrs. Givings, who believes meeting the perfect couple will do her son good). John is a very blunt man and has no sense of manners at all. Frank and April are patient and allow John to ridicule everything they have to say. Frank and April mention they are leaving their lives here and starting a new one in Paris. This causes John to laugh at everything his mother believed, that the perfect couple couldn't even stand this place. Frank and April ask John to go for a walk with them afterwards.During the walk, Frank and April learn that John gets electroshock constantly for his mental problems, and in some ways, they bond during the talk. John asks why they are leaving here and Frank's answer is to leave this place of helplessness. John agrees and says it takes a wise man to see it, but a brave man to admit this sense of helplessness.In the next couple of weeks the Wheelers are preparing for their new lives; April gets their visas and all of their traveling documents taken care of and Frank continues going to work but with so much more joy. They seem to be happier now, no more arguments and definitely very loving.Frank is called into the boss's office one morning with the chief executive inside as well. Frank is so sure he is going to get fired (which he doesn't care about) for the half-assed work he did a couple of weeks ago. Turns out his half-assed work hit the jackpot and got great reviews within the company which leads them to offer Frank a promotion working with the chief executive on a new project: computers.Frank doesn't take the job yet, nor does he mention it to April. They are so happy that they are taking this step at a new life that they make love right there in the kitchen.After a while the chief executive calls Frank in for a fancy dinner to talk about the promotion. The chief executive really wants Frank in and he is tempted but not fully willing to take the job. Frank asks if he knows his father, who worked at the company for 30 years, the chief says no. The chief tells him that a man only gets a couple of chances in life so when the opportunity comes, he better grab onto it as tight as possible because there just might not be another one coming. This gets Frank thinking.Later, April tells Frank that she is 10 weeks pregnant and they both are worried. She says there are options as long as it is before the 12th week. They agree that a child would not be an option for them to take to Paris as it changes the whole plan. Frank is not supportive of the idea of abortion.Next we see the Wheelers and the Campbells at the beach enjoying the sunshine and the water. Frank, knowing April can hear the conversation, speaks loudly to Shep about what a great opportunity it is and how much more money he is being offered for the promotion. April notices Frank is starting to lean away from their idea of a new life in Paris and they argue at the beach - Frank jumps into the water to cool off.At night, while they argue some more, Frank goes to the restroom and as he is getting a towel he notices an abortion kit on the shelf. He is furious and starts to scream at April. During the argument she mentions that the reason they moved here was because of an unplanned pregnancy and that she doesn't want to decide another part of their lives for the same reason. She said she has no plans to use the kit for sure but she got it just in case. They argue some more and April understands that Paris is no longer an option.The next day Frank takes the promotion and while staying late, he goes out with the young secretary again.Another night Frank, April, Milly and Shep go out dancing. Milly and Shep are happy that the Paris trip is not going to happen, everyone is happy except for April. Frank asks April to dance but April says no so he dances with Milly instead. At the end of the night when they are leaving their cars are blocked in so since both of their nannies are waiting, April stays with Shep to wait for the car to be moved while Frank takes Milly home to relieve the nannies. April and Shep go back into the bar and start to dance with a lot of flirting and implications which leads to them having sex in his car. Shep tells April that he loves her and April tells him not to talk.The next day Frank sees how unhappy April is and worries that they haven't slept on the same bed ever since the Paris trip got canceled. He decides to tell April how much he loves her and how he wants to make her happy here at home. He goes so far as to tell her that he had an affair but he ended it. April is not even mad hearing it. She says she feels nothing, because she no longer loves him. Just then, Mrs. Givings stops by along with her husband and her son John. As they eat dinner they mention that Paris is no longer an option and that April is going to have a baby. This gets John upset so he starts to insult Frank and April saying that he is not a man anymore because he is eating his own words about the helplessness and all that. Frank starts to get mad and impatient while John goes on to say Frank only feels like a man because he knocked April up. This gets the Givings kicked out of the house, and on the way out, John jokingly apologizes but says he is happy about one thing, that he is not that kid that is going to be born into this miserable family.When the Givings leave, April and Frank get into another heated argument. Frank is so emotional and angry that he slams the door, punches the wall, throws lamps, breaks chairs and is completely out of control. April says that if Frank touches her she will scream, Frank holds her hand and she screams and runs out of the house. Frank chases after her into the woods.April tells Frank to leave her alone, that she doesn't want to talk things out; she just wants to be alone to think it through. Frank complies and leaves her in the woods. While in the house, Frank sits in a chair in the living room, drinking and worrying about April and her safety but when she comes back she does not come into the house, she just keeps smoking right outside the door while Frank stays in the house with the lights off.The next morning Frank is ready to go to work and he sees a beautiful and 'rejuvenated' April preparing breakfast, asking Frank politely how he wants his eggs. Frank is caught off guard but is relieved that the whole drama is done and they go on to have breakfast. During breakfast, he talks about his work and the new computer to April who appears interested in every word he has to say and tells him he should take pleasure in what he does. They have an awkward goodbye at the door with a kiss and wavery smile from April. Frank asks if she still loves him and she replies with a calm yes. Frank leaves in his car.Back in the house, April's fragile demeanor cracks and she cries while doing the dishes. She calls Milly to ask her to tell her children that she loves them very much. She boils a pot of water and lays down some towels on the bathroom floor while she holds the abortion kit in her hand as she closes the door. We then see April gently walk down the stairs to the living room where she looks out the window; she bleeds all over the carpet and her skirt, then calls the ambulance.At the hospital, Frank is worried and crying while Shep comforts him. He talks about broken capillaries and other stuff the doctor told him that he couldn't understand. He finishes with "she did it to her herself." Shep leaves to get Frank some coffee and is seen crying at the vending machine. He returns to see Frank get news that April did not make it because she bled out too much before the ambulance got to her.Frank runs down the street.The next scene we see Milly and Shep with a new couple in their house and they are sharing the tragic story of the Wheelers. Milly mentions that Frank moved back into the city with the kids and he was the most devoted father there is, spending all his time with them. Shep walks out to the backyard and Milly follows suit. Shep tells Milly that he no longer wants to talk about the Wheelers and she says okay, both subdued for a minute with memories. They hug and kiss and walk back inside the house.We see a scene of Frank sitting on a park bench watching his children on the swings, looking sad and thoughtful. When one of his kids calls him, he looks up and smiles softly, looking wistfully a little happier.In the final scene, Mrs. Givings is sitting on the couch talking to her husband Howard (Richard Easton). She talks about the neighborhood and what it has become. When Howard mentions the Wheelers, Mrs. Givings starts to criticize them as being somewhat neurotic and difficult, neglecting the house. As she is going on and on about it, he begins to turn down his hearing aid, and smiles faintly with the new silence. | Revolutionary Road | 44d4686e-85e1-45f0-bf25-4223d571ea52 | What does Frank want to find? | [
"Freedom",
"His wife April"
] | false |
/m/02q5g1z | The movie begins at a house party, where Frank Wheeler (Leonardo DiCaprio) eyes April (Kate Winslet) from across the room. They go to the corner, introduce themselves and chat. She says she is learning to be an actress.Next scene we jump immediately to the end of a play, as the curtain is about to come down. We see April on stage upset, and Frank in the audience with a huge frown on his face. Some people clap and cheer and some are really disappointed with the play, walking by Frank as they go on about how terrible it was. Mrs. Helen Givings (Kathy Bates) walks by and compliments Frank that his wife was terrific in the play. Frank smiles and walks away.Frank goes backstage looking for April. On the way he sees Milly Campbell (Kathryn Hahn), who was also in the play. She tells Frank that she and her husband Shep (David Harbour) are ready for a drink. Frank agrees and goes to the private dressing room where he finds a devastated April changing. She asks Frank to tell Milly and Shep they cannot go out for a drink, using their nanny as an excuse. Frank and April argue a bit but Frank obliges. We then see a far shot of Frank and April leaving in the hallway of a high school with obvious distance between the two of them, not saying a word, even when they are in the car.While driving, Frank turns and tells April that it wasn't her fault that the play was bad, it was because it was unprofessional with lousy scripts and amateur actors and actresses around her. Not only does April not appreciate his comments, she asks Frank not to talk about it. They argue some more and Frank pulls the car over. Frank tells April that it's not his fault the play sucked -he is being very supportive and he is not going to put up with anymore of the bullshit she is giving him. April gets out of the car and Frank follows angrily. They scream at each other about how Frank is always trying to talk things out while all she wants to do is have peace and quiet to deal with it herself. The argument gets heated and April insults Frank about trying to be tough and manly. Frank makes a fist and looks like he is about to hit April but he controls his urge to hit her and starts to pound the hood of their car instead, hurting his hand. April asks Frank to take her home. They drive off.Now the title Revolutionary Road comes to screen.We see Frank getting ready to go to work. Dressed in a grey suit and a hat, he drives to the station and takes the train into the city. The setting is suburban Connecticut in the 1950s. We now see April stopping to stare at the neighborhood as she is taking out the trash. She flashes back to sitting in the car with Frank while Mrs. Givings, their realtor, is driving. Throughout the drive Mrs. Givings keeps mentioning how the two of them are so different from anyone else in the neighborhood. This is a recurring reference, people mentioning Frank and April Wheeler as the model couple of the town. They pull up to the house they eventually buy and we see how delighted April is with it. Flash back to present day.Frank is within hundreds of other people heading to work - his face shows just how miserable he is with this everyday routine. While riding the elevator a cute young secretary gives him a glance which puts a smile on Frank's face. On his way to his cubicle Frank trades pleasantries and miseries with his coworkers. He is called into the boss's office for a discussion regarding a bad job he did. (We realize Frank works in Knoxx as a salesperson like his dad did all his life.) He is ticked at being yelled at by his boss so he revises his work with a half-assed, joking attitude that could very well cost him his job. Frank then goes to the cute secretary he saw in the elevator earlier and asks her to type the revised edition for him and asks her out for lunch. During lunch they drink martinis and he calls the office to tell them that he needs the secretary for the day to help him do research. After he hangs up they both laugh. During their conversation, Frank tells the secretary a joke; the joke is that his dad worked all his life at the same company as a salesperson and he thinks that he was the most miserable man he has ever known and swore he would never be like him. Years later he is doing the exact same job his dad did all his life. To top that off, today is his 30th birthday and he is miserable.Frank and the secretary go to her apartment where they have sex. He then leaves in a hurry with a very casual good-bye, leaving the secretary feeling used. Frank gets home and is greeted with a kiss by a dressed up April. He is then surprised with a birthday cake by April, their son Michael (Ty Simpkins) and their daughter Jennifer (Ryan Simpkins) who sing Happy Birthday to him which bring tears of joy to his eyes.Around this time of the movie April is flipping through old pictures and finds a picture of Frank and his buddies standing in front of the Eiffel Tower. April has a flashback of the first night she slept with Frank when he told her if he has a choice he would live in Paris where people actually have lives. April tells him that he is the most interesting person she has ever met.At night after a shower, April asks to talk to Frank. She proposes the idea that between their savings and selling their house they would have enough money to survive without work for six months and wants them to move to Paris. She believes that they pay secretaries so well that Frank can finally have the time to enjoy his life and all and they can get away from this misery they are in right now. At first Frank just laughs off the idea but then begins to buy into it. They agree and hug.They break the news to their friends Shep and Milly Campbell who are shocked but supportive as Frank and April are so serious and so convincing of how their lives in Paris would be. At night, Shep and Milly laugh at this idea but Milly also cries, maybe at the notion of friends leaving or that the friends are on to better lives than theirs.April invites Mr. and Mrs. Givings and their troubled son John (Michael Shannon), who currently resides in a psychiatric ward, to a gathering (actually a favor to Mrs. Givings, who believes meeting the perfect couple will do her son good). John is a very blunt man and has no sense of manners at all. Frank and April are patient and allow John to ridicule everything they have to say. Frank and April mention they are leaving their lives here and starting a new one in Paris. This causes John to laugh at everything his mother believed, that the perfect couple couldn't even stand this place. Frank and April ask John to go for a walk with them afterwards.During the walk, Frank and April learn that John gets electroshock constantly for his mental problems, and in some ways, they bond during the talk. John asks why they are leaving here and Frank's answer is to leave this place of helplessness. John agrees and says it takes a wise man to see it, but a brave man to admit this sense of helplessness.In the next couple of weeks the Wheelers are preparing for their new lives; April gets their visas and all of their traveling documents taken care of and Frank continues going to work but with so much more joy. They seem to be happier now, no more arguments and definitely very loving.Frank is called into the boss's office one morning with the chief executive inside as well. Frank is so sure he is going to get fired (which he doesn't care about) for the half-assed work he did a couple of weeks ago. Turns out his half-assed work hit the jackpot and got great reviews within the company which leads them to offer Frank a promotion working with the chief executive on a new project: computers.Frank doesn't take the job yet, nor does he mention it to April. They are so happy that they are taking this step at a new life that they make love right there in the kitchen.After a while the chief executive calls Frank in for a fancy dinner to talk about the promotion. The chief executive really wants Frank in and he is tempted but not fully willing to take the job. Frank asks if he knows his father, who worked at the company for 30 years, the chief says no. The chief tells him that a man only gets a couple of chances in life so when the opportunity comes, he better grab onto it as tight as possible because there just might not be another one coming. This gets Frank thinking.Later, April tells Frank that she is 10 weeks pregnant and they both are worried. She says there are options as long as it is before the 12th week. They agree that a child would not be an option for them to take to Paris as it changes the whole plan. Frank is not supportive of the idea of abortion.Next we see the Wheelers and the Campbells at the beach enjoying the sunshine and the water. Frank, knowing April can hear the conversation, speaks loudly to Shep about what a great opportunity it is and how much more money he is being offered for the promotion. April notices Frank is starting to lean away from their idea of a new life in Paris and they argue at the beach - Frank jumps into the water to cool off.At night, while they argue some more, Frank goes to the restroom and as he is getting a towel he notices an abortion kit on the shelf. He is furious and starts to scream at April. During the argument she mentions that the reason they moved here was because of an unplanned pregnancy and that she doesn't want to decide another part of their lives for the same reason. She said she has no plans to use the kit for sure but she got it just in case. They argue some more and April understands that Paris is no longer an option.The next day Frank takes the promotion and while staying late, he goes out with the young secretary again.Another night Frank, April, Milly and Shep go out dancing. Milly and Shep are happy that the Paris trip is not going to happen, everyone is happy except for April. Frank asks April to dance but April says no so he dances with Milly instead. At the end of the night when they are leaving their cars are blocked in so since both of their nannies are waiting, April stays with Shep to wait for the car to be moved while Frank takes Milly home to relieve the nannies. April and Shep go back into the bar and start to dance with a lot of flirting and implications which leads to them having sex in his car. Shep tells April that he loves her and April tells him not to talk.The next day Frank sees how unhappy April is and worries that they haven't slept on the same bed ever since the Paris trip got canceled. He decides to tell April how much he loves her and how he wants to make her happy here at home. He goes so far as to tell her that he had an affair but he ended it. April is not even mad hearing it. She says she feels nothing, because she no longer loves him. Just then, Mrs. Givings stops by along with her husband and her son John. As they eat dinner they mention that Paris is no longer an option and that April is going to have a baby. This gets John upset so he starts to insult Frank and April saying that he is not a man anymore because he is eating his own words about the helplessness and all that. Frank starts to get mad and impatient while John goes on to say Frank only feels like a man because he knocked April up. This gets the Givings kicked out of the house, and on the way out, John jokingly apologizes but says he is happy about one thing, that he is not that kid that is going to be born into this miserable family.When the Givings leave, April and Frank get into another heated argument. Frank is so emotional and angry that he slams the door, punches the wall, throws lamps, breaks chairs and is completely out of control. April says that if Frank touches her she will scream, Frank holds her hand and she screams and runs out of the house. Frank chases after her into the woods.April tells Frank to leave her alone, that she doesn't want to talk things out; she just wants to be alone to think it through. Frank complies and leaves her in the woods. While in the house, Frank sits in a chair in the living room, drinking and worrying about April and her safety but when she comes back she does not come into the house, she just keeps smoking right outside the door while Frank stays in the house with the lights off.The next morning Frank is ready to go to work and he sees a beautiful and 'rejuvenated' April preparing breakfast, asking Frank politely how he wants his eggs. Frank is caught off guard but is relieved that the whole drama is done and they go on to have breakfast. During breakfast, he talks about his work and the new computer to April who appears interested in every word he has to say and tells him he should take pleasure in what he does. They have an awkward goodbye at the door with a kiss and wavery smile from April. Frank asks if she still loves him and she replies with a calm yes. Frank leaves in his car.Back in the house, April's fragile demeanor cracks and she cries while doing the dishes. She calls Milly to ask her to tell her children that she loves them very much. She boils a pot of water and lays down some towels on the bathroom floor while she holds the abortion kit in her hand as she closes the door. We then see April gently walk down the stairs to the living room where she looks out the window; she bleeds all over the carpet and her skirt, then calls the ambulance.At the hospital, Frank is worried and crying while Shep comforts him. He talks about broken capillaries and other stuff the doctor told him that he couldn't understand. He finishes with "she did it to her herself." Shep leaves to get Frank some coffee and is seen crying at the vending machine. He returns to see Frank get news that April did not make it because she bled out too much before the ambulance got to her.Frank runs down the street.The next scene we see Milly and Shep with a new couple in their house and they are sharing the tragic story of the Wheelers. Milly mentions that Frank moved back into the city with the kids and he was the most devoted father there is, spending all his time with them. Shep walks out to the backyard and Milly follows suit. Shep tells Milly that he no longer wants to talk about the Wheelers and she says okay, both subdued for a minute with memories. They hug and kiss and walk back inside the house.We see a scene of Frank sitting on a park bench watching his children on the swings, looking sad and thoughtful. When one of his kids calls him, he looks up and smiles softly, looking wistfully a little happier.In the final scene, Mrs. Givings is sitting on the couch talking to her husband Howard (Richard Easton). She talks about the neighborhood and what it has become. When Howard mentions the Wheelers, Mrs. Givings starts to criticize them as being somewhat neurotic and difficult, neglecting the house. As she is going on and on about it, he begins to turn down his hearing aid, and smiles faintly with the new silence. | Revolutionary Road | 25f17efb-893f-b368-fce5-4c6bb8b9b08e | Who does Shep have sex with in the car? | [
"April"
] | false |
/m/02q5g1z | The movie begins at a house party, where Frank Wheeler (Leonardo DiCaprio) eyes April (Kate Winslet) from across the room. They go to the corner, introduce themselves and chat. She says she is learning to be an actress.Next scene we jump immediately to the end of a play, as the curtain is about to come down. We see April on stage upset, and Frank in the audience with a huge frown on his face. Some people clap and cheer and some are really disappointed with the play, walking by Frank as they go on about how terrible it was. Mrs. Helen Givings (Kathy Bates) walks by and compliments Frank that his wife was terrific in the play. Frank smiles and walks away.Frank goes backstage looking for April. On the way he sees Milly Campbell (Kathryn Hahn), who was also in the play. She tells Frank that she and her husband Shep (David Harbour) are ready for a drink. Frank agrees and goes to the private dressing room where he finds a devastated April changing. She asks Frank to tell Milly and Shep they cannot go out for a drink, using their nanny as an excuse. Frank and April argue a bit but Frank obliges. We then see a far shot of Frank and April leaving in the hallway of a high school with obvious distance between the two of them, not saying a word, even when they are in the car.While driving, Frank turns and tells April that it wasn't her fault that the play was bad, it was because it was unprofessional with lousy scripts and amateur actors and actresses around her. Not only does April not appreciate his comments, she asks Frank not to talk about it. They argue some more and Frank pulls the car over. Frank tells April that it's not his fault the play sucked -he is being very supportive and he is not going to put up with anymore of the bullshit she is giving him. April gets out of the car and Frank follows angrily. They scream at each other about how Frank is always trying to talk things out while all she wants to do is have peace and quiet to deal with it herself. The argument gets heated and April insults Frank about trying to be tough and manly. Frank makes a fist and looks like he is about to hit April but he controls his urge to hit her and starts to pound the hood of their car instead, hurting his hand. April asks Frank to take her home. They drive off.Now the title Revolutionary Road comes to screen.We see Frank getting ready to go to work. Dressed in a grey suit and a hat, he drives to the station and takes the train into the city. The setting is suburban Connecticut in the 1950s. We now see April stopping to stare at the neighborhood as she is taking out the trash. She flashes back to sitting in the car with Frank while Mrs. Givings, their realtor, is driving. Throughout the drive Mrs. Givings keeps mentioning how the two of them are so different from anyone else in the neighborhood. This is a recurring reference, people mentioning Frank and April Wheeler as the model couple of the town. They pull up to the house they eventually buy and we see how delighted April is with it. Flash back to present day.Frank is within hundreds of other people heading to work - his face shows just how miserable he is with this everyday routine. While riding the elevator a cute young secretary gives him a glance which puts a smile on Frank's face. On his way to his cubicle Frank trades pleasantries and miseries with his coworkers. He is called into the boss's office for a discussion regarding a bad job he did. (We realize Frank works in Knoxx as a salesperson like his dad did all his life.) He is ticked at being yelled at by his boss so he revises his work with a half-assed, joking attitude that could very well cost him his job. Frank then goes to the cute secretary he saw in the elevator earlier and asks her to type the revised edition for him and asks her out for lunch. During lunch they drink martinis and he calls the office to tell them that he needs the secretary for the day to help him do research. After he hangs up they both laugh. During their conversation, Frank tells the secretary a joke; the joke is that his dad worked all his life at the same company as a salesperson and he thinks that he was the most miserable man he has ever known and swore he would never be like him. Years later he is doing the exact same job his dad did all his life. To top that off, today is his 30th birthday and he is miserable.Frank and the secretary go to her apartment where they have sex. He then leaves in a hurry with a very casual good-bye, leaving the secretary feeling used. Frank gets home and is greeted with a kiss by a dressed up April. He is then surprised with a birthday cake by April, their son Michael (Ty Simpkins) and their daughter Jennifer (Ryan Simpkins) who sing Happy Birthday to him which bring tears of joy to his eyes.Around this time of the movie April is flipping through old pictures and finds a picture of Frank and his buddies standing in front of the Eiffel Tower. April has a flashback of the first night she slept with Frank when he told her if he has a choice he would live in Paris where people actually have lives. April tells him that he is the most interesting person she has ever met.At night after a shower, April asks to talk to Frank. She proposes the idea that between their savings and selling their house they would have enough money to survive without work for six months and wants them to move to Paris. She believes that they pay secretaries so well that Frank can finally have the time to enjoy his life and all and they can get away from this misery they are in right now. At first Frank just laughs off the idea but then begins to buy into it. They agree and hug.They break the news to their friends Shep and Milly Campbell who are shocked but supportive as Frank and April are so serious and so convincing of how their lives in Paris would be. At night, Shep and Milly laugh at this idea but Milly also cries, maybe at the notion of friends leaving or that the friends are on to better lives than theirs.April invites Mr. and Mrs. Givings and their troubled son John (Michael Shannon), who currently resides in a psychiatric ward, to a gathering (actually a favor to Mrs. Givings, who believes meeting the perfect couple will do her son good). John is a very blunt man and has no sense of manners at all. Frank and April are patient and allow John to ridicule everything they have to say. Frank and April mention they are leaving their lives here and starting a new one in Paris. This causes John to laugh at everything his mother believed, that the perfect couple couldn't even stand this place. Frank and April ask John to go for a walk with them afterwards.During the walk, Frank and April learn that John gets electroshock constantly for his mental problems, and in some ways, they bond during the talk. John asks why they are leaving here and Frank's answer is to leave this place of helplessness. John agrees and says it takes a wise man to see it, but a brave man to admit this sense of helplessness.In the next couple of weeks the Wheelers are preparing for their new lives; April gets their visas and all of their traveling documents taken care of and Frank continues going to work but with so much more joy. They seem to be happier now, no more arguments and definitely very loving.Frank is called into the boss's office one morning with the chief executive inside as well. Frank is so sure he is going to get fired (which he doesn't care about) for the half-assed work he did a couple of weeks ago. Turns out his half-assed work hit the jackpot and got great reviews within the company which leads them to offer Frank a promotion working with the chief executive on a new project: computers.Frank doesn't take the job yet, nor does he mention it to April. They are so happy that they are taking this step at a new life that they make love right there in the kitchen.After a while the chief executive calls Frank in for a fancy dinner to talk about the promotion. The chief executive really wants Frank in and he is tempted but not fully willing to take the job. Frank asks if he knows his father, who worked at the company for 30 years, the chief says no. The chief tells him that a man only gets a couple of chances in life so when the opportunity comes, he better grab onto it as tight as possible because there just might not be another one coming. This gets Frank thinking.Later, April tells Frank that she is 10 weeks pregnant and they both are worried. She says there are options as long as it is before the 12th week. They agree that a child would not be an option for them to take to Paris as it changes the whole plan. Frank is not supportive of the idea of abortion.Next we see the Wheelers and the Campbells at the beach enjoying the sunshine and the water. Frank, knowing April can hear the conversation, speaks loudly to Shep about what a great opportunity it is and how much more money he is being offered for the promotion. April notices Frank is starting to lean away from their idea of a new life in Paris and they argue at the beach - Frank jumps into the water to cool off.At night, while they argue some more, Frank goes to the restroom and as he is getting a towel he notices an abortion kit on the shelf. He is furious and starts to scream at April. During the argument she mentions that the reason they moved here was because of an unplanned pregnancy and that she doesn't want to decide another part of their lives for the same reason. She said she has no plans to use the kit for sure but she got it just in case. They argue some more and April understands that Paris is no longer an option.The next day Frank takes the promotion and while staying late, he goes out with the young secretary again.Another night Frank, April, Milly and Shep go out dancing. Milly and Shep are happy that the Paris trip is not going to happen, everyone is happy except for April. Frank asks April to dance but April says no so he dances with Milly instead. At the end of the night when they are leaving their cars are blocked in so since both of their nannies are waiting, April stays with Shep to wait for the car to be moved while Frank takes Milly home to relieve the nannies. April and Shep go back into the bar and start to dance with a lot of flirting and implications which leads to them having sex in his car. Shep tells April that he loves her and April tells him not to talk.The next day Frank sees how unhappy April is and worries that they haven't slept on the same bed ever since the Paris trip got canceled. He decides to tell April how much he loves her and how he wants to make her happy here at home. He goes so far as to tell her that he had an affair but he ended it. April is not even mad hearing it. She says she feels nothing, because she no longer loves him. Just then, Mrs. Givings stops by along with her husband and her son John. As they eat dinner they mention that Paris is no longer an option and that April is going to have a baby. This gets John upset so he starts to insult Frank and April saying that he is not a man anymore because he is eating his own words about the helplessness and all that. Frank starts to get mad and impatient while John goes on to say Frank only feels like a man because he knocked April up. This gets the Givings kicked out of the house, and on the way out, John jokingly apologizes but says he is happy about one thing, that he is not that kid that is going to be born into this miserable family.When the Givings leave, April and Frank get into another heated argument. Frank is so emotional and angry that he slams the door, punches the wall, throws lamps, breaks chairs and is completely out of control. April says that if Frank touches her she will scream, Frank holds her hand and she screams and runs out of the house. Frank chases after her into the woods.April tells Frank to leave her alone, that she doesn't want to talk things out; she just wants to be alone to think it through. Frank complies and leaves her in the woods. While in the house, Frank sits in a chair in the living room, drinking and worrying about April and her safety but when she comes back she does not come into the house, she just keeps smoking right outside the door while Frank stays in the house with the lights off.The next morning Frank is ready to go to work and he sees a beautiful and 'rejuvenated' April preparing breakfast, asking Frank politely how he wants his eggs. Frank is caught off guard but is relieved that the whole drama is done and they go on to have breakfast. During breakfast, he talks about his work and the new computer to April who appears interested in every word he has to say and tells him he should take pleasure in what he does. They have an awkward goodbye at the door with a kiss and wavery smile from April. Frank asks if she still loves him and she replies with a calm yes. Frank leaves in his car.Back in the house, April's fragile demeanor cracks and she cries while doing the dishes. She calls Milly to ask her to tell her children that she loves them very much. She boils a pot of water and lays down some towels on the bathroom floor while she holds the abortion kit in her hand as she closes the door. We then see April gently walk down the stairs to the living room where she looks out the window; she bleeds all over the carpet and her skirt, then calls the ambulance.At the hospital, Frank is worried and crying while Shep comforts him. He talks about broken capillaries and other stuff the doctor told him that he couldn't understand. He finishes with "she did it to her herself." Shep leaves to get Frank some coffee and is seen crying at the vending machine. He returns to see Frank get news that April did not make it because she bled out too much before the ambulance got to her.Frank runs down the street.The next scene we see Milly and Shep with a new couple in their house and they are sharing the tragic story of the Wheelers. Milly mentions that Frank moved back into the city with the kids and he was the most devoted father there is, spending all his time with them. Shep walks out to the backyard and Milly follows suit. Shep tells Milly that he no longer wants to talk about the Wheelers and she says okay, both subdued for a minute with memories. They hug and kiss and walk back inside the house.We see a scene of Frank sitting on a park bench watching his children on the swings, looking sad and thoughtful. When one of his kids calls him, he looks up and smiles softly, looking wistfully a little happier.In the final scene, Mrs. Givings is sitting on the couch talking to her husband Howard (Richard Easton). She talks about the neighborhood and what it has become. When Howard mentions the Wheelers, Mrs. Givings starts to criticize them as being somewhat neurotic and difficult, neglecting the house. As she is going on and on about it, he begins to turn down his hearing aid, and smiles faintly with the new silence. | Revolutionary Road | 041e17dd-c30a-c664-ed38-d93c31371b15 | What does Frank sell in the city? | [
"selling computers"
] | false |
/m/02q5g1z | The movie begins at a house party, where Frank Wheeler (Leonardo DiCaprio) eyes April (Kate Winslet) from across the room. They go to the corner, introduce themselves and chat. She says she is learning to be an actress.Next scene we jump immediately to the end of a play, as the curtain is about to come down. We see April on stage upset, and Frank in the audience with a huge frown on his face. Some people clap and cheer and some are really disappointed with the play, walking by Frank as they go on about how terrible it was. Mrs. Helen Givings (Kathy Bates) walks by and compliments Frank that his wife was terrific in the play. Frank smiles and walks away.Frank goes backstage looking for April. On the way he sees Milly Campbell (Kathryn Hahn), who was also in the play. She tells Frank that she and her husband Shep (David Harbour) are ready for a drink. Frank agrees and goes to the private dressing room where he finds a devastated April changing. She asks Frank to tell Milly and Shep they cannot go out for a drink, using their nanny as an excuse. Frank and April argue a bit but Frank obliges. We then see a far shot of Frank and April leaving in the hallway of a high school with obvious distance between the two of them, not saying a word, even when they are in the car.While driving, Frank turns and tells April that it wasn't her fault that the play was bad, it was because it was unprofessional with lousy scripts and amateur actors and actresses around her. Not only does April not appreciate his comments, she asks Frank not to talk about it. They argue some more and Frank pulls the car over. Frank tells April that it's not his fault the play sucked -he is being very supportive and he is not going to put up with anymore of the bullshit she is giving him. April gets out of the car and Frank follows angrily. They scream at each other about how Frank is always trying to talk things out while all she wants to do is have peace and quiet to deal with it herself. The argument gets heated and April insults Frank about trying to be tough and manly. Frank makes a fist and looks like he is about to hit April but he controls his urge to hit her and starts to pound the hood of their car instead, hurting his hand. April asks Frank to take her home. They drive off.Now the title Revolutionary Road comes to screen.We see Frank getting ready to go to work. Dressed in a grey suit and a hat, he drives to the station and takes the train into the city. The setting is suburban Connecticut in the 1950s. We now see April stopping to stare at the neighborhood as she is taking out the trash. She flashes back to sitting in the car with Frank while Mrs. Givings, their realtor, is driving. Throughout the drive Mrs. Givings keeps mentioning how the two of them are so different from anyone else in the neighborhood. This is a recurring reference, people mentioning Frank and April Wheeler as the model couple of the town. They pull up to the house they eventually buy and we see how delighted April is with it. Flash back to present day.Frank is within hundreds of other people heading to work - his face shows just how miserable he is with this everyday routine. While riding the elevator a cute young secretary gives him a glance which puts a smile on Frank's face. On his way to his cubicle Frank trades pleasantries and miseries with his coworkers. He is called into the boss's office for a discussion regarding a bad job he did. (We realize Frank works in Knoxx as a salesperson like his dad did all his life.) He is ticked at being yelled at by his boss so he revises his work with a half-assed, joking attitude that could very well cost him his job. Frank then goes to the cute secretary he saw in the elevator earlier and asks her to type the revised edition for him and asks her out for lunch. During lunch they drink martinis and he calls the office to tell them that he needs the secretary for the day to help him do research. After he hangs up they both laugh. During their conversation, Frank tells the secretary a joke; the joke is that his dad worked all his life at the same company as a salesperson and he thinks that he was the most miserable man he has ever known and swore he would never be like him. Years later he is doing the exact same job his dad did all his life. To top that off, today is his 30th birthday and he is miserable.Frank and the secretary go to her apartment where they have sex. He then leaves in a hurry with a very casual good-bye, leaving the secretary feeling used. Frank gets home and is greeted with a kiss by a dressed up April. He is then surprised with a birthday cake by April, their son Michael (Ty Simpkins) and their daughter Jennifer (Ryan Simpkins) who sing Happy Birthday to him which bring tears of joy to his eyes.Around this time of the movie April is flipping through old pictures and finds a picture of Frank and his buddies standing in front of the Eiffel Tower. April has a flashback of the first night she slept with Frank when he told her if he has a choice he would live in Paris where people actually have lives. April tells him that he is the most interesting person she has ever met.At night after a shower, April asks to talk to Frank. She proposes the idea that between their savings and selling their house they would have enough money to survive without work for six months and wants them to move to Paris. She believes that they pay secretaries so well that Frank can finally have the time to enjoy his life and all and they can get away from this misery they are in right now. At first Frank just laughs off the idea but then begins to buy into it. They agree and hug.They break the news to their friends Shep and Milly Campbell who are shocked but supportive as Frank and April are so serious and so convincing of how their lives in Paris would be. At night, Shep and Milly laugh at this idea but Milly also cries, maybe at the notion of friends leaving or that the friends are on to better lives than theirs.April invites Mr. and Mrs. Givings and their troubled son John (Michael Shannon), who currently resides in a psychiatric ward, to a gathering (actually a favor to Mrs. Givings, who believes meeting the perfect couple will do her son good). John is a very blunt man and has no sense of manners at all. Frank and April are patient and allow John to ridicule everything they have to say. Frank and April mention they are leaving their lives here and starting a new one in Paris. This causes John to laugh at everything his mother believed, that the perfect couple couldn't even stand this place. Frank and April ask John to go for a walk with them afterwards.During the walk, Frank and April learn that John gets electroshock constantly for his mental problems, and in some ways, they bond during the talk. John asks why they are leaving here and Frank's answer is to leave this place of helplessness. John agrees and says it takes a wise man to see it, but a brave man to admit this sense of helplessness.In the next couple of weeks the Wheelers are preparing for their new lives; April gets their visas and all of their traveling documents taken care of and Frank continues going to work but with so much more joy. They seem to be happier now, no more arguments and definitely very loving.Frank is called into the boss's office one morning with the chief executive inside as well. Frank is so sure he is going to get fired (which he doesn't care about) for the half-assed work he did a couple of weeks ago. Turns out his half-assed work hit the jackpot and got great reviews within the company which leads them to offer Frank a promotion working with the chief executive on a new project: computers.Frank doesn't take the job yet, nor does he mention it to April. They are so happy that they are taking this step at a new life that they make love right there in the kitchen.After a while the chief executive calls Frank in for a fancy dinner to talk about the promotion. The chief executive really wants Frank in and he is tempted but not fully willing to take the job. Frank asks if he knows his father, who worked at the company for 30 years, the chief says no. The chief tells him that a man only gets a couple of chances in life so when the opportunity comes, he better grab onto it as tight as possible because there just might not be another one coming. This gets Frank thinking.Later, April tells Frank that she is 10 weeks pregnant and they both are worried. She says there are options as long as it is before the 12th week. They agree that a child would not be an option for them to take to Paris as it changes the whole plan. Frank is not supportive of the idea of abortion.Next we see the Wheelers and the Campbells at the beach enjoying the sunshine and the water. Frank, knowing April can hear the conversation, speaks loudly to Shep about what a great opportunity it is and how much more money he is being offered for the promotion. April notices Frank is starting to lean away from their idea of a new life in Paris and they argue at the beach - Frank jumps into the water to cool off.At night, while they argue some more, Frank goes to the restroom and as he is getting a towel he notices an abortion kit on the shelf. He is furious and starts to scream at April. During the argument she mentions that the reason they moved here was because of an unplanned pregnancy and that she doesn't want to decide another part of their lives for the same reason. She said she has no plans to use the kit for sure but she got it just in case. They argue some more and April understands that Paris is no longer an option.The next day Frank takes the promotion and while staying late, he goes out with the young secretary again.Another night Frank, April, Milly and Shep go out dancing. Milly and Shep are happy that the Paris trip is not going to happen, everyone is happy except for April. Frank asks April to dance but April says no so he dances with Milly instead. At the end of the night when they are leaving their cars are blocked in so since both of their nannies are waiting, April stays with Shep to wait for the car to be moved while Frank takes Milly home to relieve the nannies. April and Shep go back into the bar and start to dance with a lot of flirting and implications which leads to them having sex in his car. Shep tells April that he loves her and April tells him not to talk.The next day Frank sees how unhappy April is and worries that they haven't slept on the same bed ever since the Paris trip got canceled. He decides to tell April how much he loves her and how he wants to make her happy here at home. He goes so far as to tell her that he had an affair but he ended it. April is not even mad hearing it. She says she feels nothing, because she no longer loves him. Just then, Mrs. Givings stops by along with her husband and her son John. As they eat dinner they mention that Paris is no longer an option and that April is going to have a baby. This gets John upset so he starts to insult Frank and April saying that he is not a man anymore because he is eating his own words about the helplessness and all that. Frank starts to get mad and impatient while John goes on to say Frank only feels like a man because he knocked April up. This gets the Givings kicked out of the house, and on the way out, John jokingly apologizes but says he is happy about one thing, that he is not that kid that is going to be born into this miserable family.When the Givings leave, April and Frank get into another heated argument. Frank is so emotional and angry that he slams the door, punches the wall, throws lamps, breaks chairs and is completely out of control. April says that if Frank touches her she will scream, Frank holds her hand and she screams and runs out of the house. Frank chases after her into the woods.April tells Frank to leave her alone, that she doesn't want to talk things out; she just wants to be alone to think it through. Frank complies and leaves her in the woods. While in the house, Frank sits in a chair in the living room, drinking and worrying about April and her safety but when she comes back she does not come into the house, she just keeps smoking right outside the door while Frank stays in the house with the lights off.The next morning Frank is ready to go to work and he sees a beautiful and 'rejuvenated' April preparing breakfast, asking Frank politely how he wants his eggs. Frank is caught off guard but is relieved that the whole drama is done and they go on to have breakfast. During breakfast, he talks about his work and the new computer to April who appears interested in every word he has to say and tells him he should take pleasure in what he does. They have an awkward goodbye at the door with a kiss and wavery smile from April. Frank asks if she still loves him and she replies with a calm yes. Frank leaves in his car.Back in the house, April's fragile demeanor cracks and she cries while doing the dishes. She calls Milly to ask her to tell her children that she loves them very much. She boils a pot of water and lays down some towels on the bathroom floor while she holds the abortion kit in her hand as she closes the door. We then see April gently walk down the stairs to the living room where she looks out the window; she bleeds all over the carpet and her skirt, then calls the ambulance.At the hospital, Frank is worried and crying while Shep comforts him. He talks about broken capillaries and other stuff the doctor told him that he couldn't understand. He finishes with "she did it to her herself." Shep leaves to get Frank some coffee and is seen crying at the vending machine. He returns to see Frank get news that April did not make it because she bled out too much before the ambulance got to her.Frank runs down the street.The next scene we see Milly and Shep with a new couple in their house and they are sharing the tragic story of the Wheelers. Milly mentions that Frank moved back into the city with the kids and he was the most devoted father there is, spending all his time with them. Shep walks out to the backyard and Milly follows suit. Shep tells Milly that he no longer wants to talk about the Wheelers and she says okay, both subdued for a minute with memories. They hug and kiss and walk back inside the house.We see a scene of Frank sitting on a park bench watching his children on the swings, looking sad and thoughtful. When one of his kids calls him, he looks up and smiles softly, looking wistfully a little happier.In the final scene, Mrs. Givings is sitting on the couch talking to her husband Howard (Richard Easton). She talks about the neighborhood and what it has become. When Howard mentions the Wheelers, Mrs. Givings starts to criticize them as being somewhat neurotic and difficult, neglecting the house. As she is going on and on about it, he begins to turn down his hearing aid, and smiles faintly with the new silence. | Revolutionary Road | b0da219c-c326-13f5-0147-eca9dbf73683 | who turns off his hearing aid? | [
"Howard",
"Helen"
] | false |
/m/02q5g1z | The movie begins at a house party, where Frank Wheeler (Leonardo DiCaprio) eyes April (Kate Winslet) from across the room. They go to the corner, introduce themselves and chat. She says she is learning to be an actress.Next scene we jump immediately to the end of a play, as the curtain is about to come down. We see April on stage upset, and Frank in the audience with a huge frown on his face. Some people clap and cheer and some are really disappointed with the play, walking by Frank as they go on about how terrible it was. Mrs. Helen Givings (Kathy Bates) walks by and compliments Frank that his wife was terrific in the play. Frank smiles and walks away.Frank goes backstage looking for April. On the way he sees Milly Campbell (Kathryn Hahn), who was also in the play. She tells Frank that she and her husband Shep (David Harbour) are ready for a drink. Frank agrees and goes to the private dressing room where he finds a devastated April changing. She asks Frank to tell Milly and Shep they cannot go out for a drink, using their nanny as an excuse. Frank and April argue a bit but Frank obliges. We then see a far shot of Frank and April leaving in the hallway of a high school with obvious distance between the two of them, not saying a word, even when they are in the car.While driving, Frank turns and tells April that it wasn't her fault that the play was bad, it was because it was unprofessional with lousy scripts and amateur actors and actresses around her. Not only does April not appreciate his comments, she asks Frank not to talk about it. They argue some more and Frank pulls the car over. Frank tells April that it's not his fault the play sucked -he is being very supportive and he is not going to put up with anymore of the bullshit she is giving him. April gets out of the car and Frank follows angrily. They scream at each other about how Frank is always trying to talk things out while all she wants to do is have peace and quiet to deal with it herself. The argument gets heated and April insults Frank about trying to be tough and manly. Frank makes a fist and looks like he is about to hit April but he controls his urge to hit her and starts to pound the hood of their car instead, hurting his hand. April asks Frank to take her home. They drive off.Now the title Revolutionary Road comes to screen.We see Frank getting ready to go to work. Dressed in a grey suit and a hat, he drives to the station and takes the train into the city. The setting is suburban Connecticut in the 1950s. We now see April stopping to stare at the neighborhood as she is taking out the trash. She flashes back to sitting in the car with Frank while Mrs. Givings, their realtor, is driving. Throughout the drive Mrs. Givings keeps mentioning how the two of them are so different from anyone else in the neighborhood. This is a recurring reference, people mentioning Frank and April Wheeler as the model couple of the town. They pull up to the house they eventually buy and we see how delighted April is with it. Flash back to present day.Frank is within hundreds of other people heading to work - his face shows just how miserable he is with this everyday routine. While riding the elevator a cute young secretary gives him a glance which puts a smile on Frank's face. On his way to his cubicle Frank trades pleasantries and miseries with his coworkers. He is called into the boss's office for a discussion regarding a bad job he did. (We realize Frank works in Knoxx as a salesperson like his dad did all his life.) He is ticked at being yelled at by his boss so he revises his work with a half-assed, joking attitude that could very well cost him his job. Frank then goes to the cute secretary he saw in the elevator earlier and asks her to type the revised edition for him and asks her out for lunch. During lunch they drink martinis and he calls the office to tell them that he needs the secretary for the day to help him do research. After he hangs up they both laugh. During their conversation, Frank tells the secretary a joke; the joke is that his dad worked all his life at the same company as a salesperson and he thinks that he was the most miserable man he has ever known and swore he would never be like him. Years later he is doing the exact same job his dad did all his life. To top that off, today is his 30th birthday and he is miserable.Frank and the secretary go to her apartment where they have sex. He then leaves in a hurry with a very casual good-bye, leaving the secretary feeling used. Frank gets home and is greeted with a kiss by a dressed up April. He is then surprised with a birthday cake by April, their son Michael (Ty Simpkins) and their daughter Jennifer (Ryan Simpkins) who sing Happy Birthday to him which bring tears of joy to his eyes.Around this time of the movie April is flipping through old pictures and finds a picture of Frank and his buddies standing in front of the Eiffel Tower. April has a flashback of the first night she slept with Frank when he told her if he has a choice he would live in Paris where people actually have lives. April tells him that he is the most interesting person she has ever met.At night after a shower, April asks to talk to Frank. She proposes the idea that between their savings and selling their house they would have enough money to survive without work for six months and wants them to move to Paris. She believes that they pay secretaries so well that Frank can finally have the time to enjoy his life and all and they can get away from this misery they are in right now. At first Frank just laughs off the idea but then begins to buy into it. They agree and hug.They break the news to their friends Shep and Milly Campbell who are shocked but supportive as Frank and April are so serious and so convincing of how their lives in Paris would be. At night, Shep and Milly laugh at this idea but Milly also cries, maybe at the notion of friends leaving or that the friends are on to better lives than theirs.April invites Mr. and Mrs. Givings and their troubled son John (Michael Shannon), who currently resides in a psychiatric ward, to a gathering (actually a favor to Mrs. Givings, who believes meeting the perfect couple will do her son good). John is a very blunt man and has no sense of manners at all. Frank and April are patient and allow John to ridicule everything they have to say. Frank and April mention they are leaving their lives here and starting a new one in Paris. This causes John to laugh at everything his mother believed, that the perfect couple couldn't even stand this place. Frank and April ask John to go for a walk with them afterwards.During the walk, Frank and April learn that John gets electroshock constantly for his mental problems, and in some ways, they bond during the talk. John asks why they are leaving here and Frank's answer is to leave this place of helplessness. John agrees and says it takes a wise man to see it, but a brave man to admit this sense of helplessness.In the next couple of weeks the Wheelers are preparing for their new lives; April gets their visas and all of their traveling documents taken care of and Frank continues going to work but with so much more joy. They seem to be happier now, no more arguments and definitely very loving.Frank is called into the boss's office one morning with the chief executive inside as well. Frank is so sure he is going to get fired (which he doesn't care about) for the half-assed work he did a couple of weeks ago. Turns out his half-assed work hit the jackpot and got great reviews within the company which leads them to offer Frank a promotion working with the chief executive on a new project: computers.Frank doesn't take the job yet, nor does he mention it to April. They are so happy that they are taking this step at a new life that they make love right there in the kitchen.After a while the chief executive calls Frank in for a fancy dinner to talk about the promotion. The chief executive really wants Frank in and he is tempted but not fully willing to take the job. Frank asks if he knows his father, who worked at the company for 30 years, the chief says no. The chief tells him that a man only gets a couple of chances in life so when the opportunity comes, he better grab onto it as tight as possible because there just might not be another one coming. This gets Frank thinking.Later, April tells Frank that she is 10 weeks pregnant and they both are worried. She says there are options as long as it is before the 12th week. They agree that a child would not be an option for them to take to Paris as it changes the whole plan. Frank is not supportive of the idea of abortion.Next we see the Wheelers and the Campbells at the beach enjoying the sunshine and the water. Frank, knowing April can hear the conversation, speaks loudly to Shep about what a great opportunity it is and how much more money he is being offered for the promotion. April notices Frank is starting to lean away from their idea of a new life in Paris and they argue at the beach - Frank jumps into the water to cool off.At night, while they argue some more, Frank goes to the restroom and as he is getting a towel he notices an abortion kit on the shelf. He is furious and starts to scream at April. During the argument she mentions that the reason they moved here was because of an unplanned pregnancy and that she doesn't want to decide another part of their lives for the same reason. She said she has no plans to use the kit for sure but she got it just in case. They argue some more and April understands that Paris is no longer an option.The next day Frank takes the promotion and while staying late, he goes out with the young secretary again.Another night Frank, April, Milly and Shep go out dancing. Milly and Shep are happy that the Paris trip is not going to happen, everyone is happy except for April. Frank asks April to dance but April says no so he dances with Milly instead. At the end of the night when they are leaving their cars are blocked in so since both of their nannies are waiting, April stays with Shep to wait for the car to be moved while Frank takes Milly home to relieve the nannies. April and Shep go back into the bar and start to dance with a lot of flirting and implications which leads to them having sex in his car. Shep tells April that he loves her and April tells him not to talk.The next day Frank sees how unhappy April is and worries that they haven't slept on the same bed ever since the Paris trip got canceled. He decides to tell April how much he loves her and how he wants to make her happy here at home. He goes so far as to tell her that he had an affair but he ended it. April is not even mad hearing it. She says she feels nothing, because she no longer loves him. Just then, Mrs. Givings stops by along with her husband and her son John. As they eat dinner they mention that Paris is no longer an option and that April is going to have a baby. This gets John upset so he starts to insult Frank and April saying that he is not a man anymore because he is eating his own words about the helplessness and all that. Frank starts to get mad and impatient while John goes on to say Frank only feels like a man because he knocked April up. This gets the Givings kicked out of the house, and on the way out, John jokingly apologizes but says he is happy about one thing, that he is not that kid that is going to be born into this miserable family.When the Givings leave, April and Frank get into another heated argument. Frank is so emotional and angry that he slams the door, punches the wall, throws lamps, breaks chairs and is completely out of control. April says that if Frank touches her she will scream, Frank holds her hand and she screams and runs out of the house. Frank chases after her into the woods.April tells Frank to leave her alone, that she doesn't want to talk things out; she just wants to be alone to think it through. Frank complies and leaves her in the woods. While in the house, Frank sits in a chair in the living room, drinking and worrying about April and her safety but when she comes back she does not come into the house, she just keeps smoking right outside the door while Frank stays in the house with the lights off.The next morning Frank is ready to go to work and he sees a beautiful and 'rejuvenated' April preparing breakfast, asking Frank politely how he wants his eggs. Frank is caught off guard but is relieved that the whole drama is done and they go on to have breakfast. During breakfast, he talks about his work and the new computer to April who appears interested in every word he has to say and tells him he should take pleasure in what he does. They have an awkward goodbye at the door with a kiss and wavery smile from April. Frank asks if she still loves him and she replies with a calm yes. Frank leaves in his car.Back in the house, April's fragile demeanor cracks and she cries while doing the dishes. She calls Milly to ask her to tell her children that she loves them very much. She boils a pot of water and lays down some towels on the bathroom floor while she holds the abortion kit in her hand as she closes the door. We then see April gently walk down the stairs to the living room where she looks out the window; she bleeds all over the carpet and her skirt, then calls the ambulance.At the hospital, Frank is worried and crying while Shep comforts him. He talks about broken capillaries and other stuff the doctor told him that he couldn't understand. He finishes with "she did it to her herself." Shep leaves to get Frank some coffee and is seen crying at the vending machine. He returns to see Frank get news that April did not make it because she bled out too much before the ambulance got to her.Frank runs down the street.The next scene we see Milly and Shep with a new couple in their house and they are sharing the tragic story of the Wheelers. Milly mentions that Frank moved back into the city with the kids and he was the most devoted father there is, spending all his time with them. Shep walks out to the backyard and Milly follows suit. Shep tells Milly that he no longer wants to talk about the Wheelers and she says okay, both subdued for a minute with memories. They hug and kiss and walk back inside the house.We see a scene of Frank sitting on a park bench watching his children on the swings, looking sad and thoughtful. When one of his kids calls him, he looks up and smiles softly, looking wistfully a little happier.In the final scene, Mrs. Givings is sitting on the couch talking to her husband Howard (Richard Easton). She talks about the neighborhood and what it has become. When Howard mentions the Wheelers, Mrs. Givings starts to criticize them as being somewhat neurotic and difficult, neglecting the house. As she is going on and on about it, he begins to turn down his hearing aid, and smiles faintly with the new silence. | Revolutionary Road | c146e734-acb1-1b48-acee-5f3cda8696b2 | Does Frank believe April oesn't love him anymore? | [
"he does not believe",
"no"
] | false |
/m/02q5g1z | The movie begins at a house party, where Frank Wheeler (Leonardo DiCaprio) eyes April (Kate Winslet) from across the room. They go to the corner, introduce themselves and chat. She says she is learning to be an actress.Next scene we jump immediately to the end of a play, as the curtain is about to come down. We see April on stage upset, and Frank in the audience with a huge frown on his face. Some people clap and cheer and some are really disappointed with the play, walking by Frank as they go on about how terrible it was. Mrs. Helen Givings (Kathy Bates) walks by and compliments Frank that his wife was terrific in the play. Frank smiles and walks away.Frank goes backstage looking for April. On the way he sees Milly Campbell (Kathryn Hahn), who was also in the play. She tells Frank that she and her husband Shep (David Harbour) are ready for a drink. Frank agrees and goes to the private dressing room where he finds a devastated April changing. She asks Frank to tell Milly and Shep they cannot go out for a drink, using their nanny as an excuse. Frank and April argue a bit but Frank obliges. We then see a far shot of Frank and April leaving in the hallway of a high school with obvious distance between the two of them, not saying a word, even when they are in the car.While driving, Frank turns and tells April that it wasn't her fault that the play was bad, it was because it was unprofessional with lousy scripts and amateur actors and actresses around her. Not only does April not appreciate his comments, she asks Frank not to talk about it. They argue some more and Frank pulls the car over. Frank tells April that it's not his fault the play sucked -he is being very supportive and he is not going to put up with anymore of the bullshit she is giving him. April gets out of the car and Frank follows angrily. They scream at each other about how Frank is always trying to talk things out while all she wants to do is have peace and quiet to deal with it herself. The argument gets heated and April insults Frank about trying to be tough and manly. Frank makes a fist and looks like he is about to hit April but he controls his urge to hit her and starts to pound the hood of their car instead, hurting his hand. April asks Frank to take her home. They drive off.Now the title Revolutionary Road comes to screen.We see Frank getting ready to go to work. Dressed in a grey suit and a hat, he drives to the station and takes the train into the city. The setting is suburban Connecticut in the 1950s. We now see April stopping to stare at the neighborhood as she is taking out the trash. She flashes back to sitting in the car with Frank while Mrs. Givings, their realtor, is driving. Throughout the drive Mrs. Givings keeps mentioning how the two of them are so different from anyone else in the neighborhood. This is a recurring reference, people mentioning Frank and April Wheeler as the model couple of the town. They pull up to the house they eventually buy and we see how delighted April is with it. Flash back to present day.Frank is within hundreds of other people heading to work - his face shows just how miserable he is with this everyday routine. While riding the elevator a cute young secretary gives him a glance which puts a smile on Frank's face. On his way to his cubicle Frank trades pleasantries and miseries with his coworkers. He is called into the boss's office for a discussion regarding a bad job he did. (We realize Frank works in Knoxx as a salesperson like his dad did all his life.) He is ticked at being yelled at by his boss so he revises his work with a half-assed, joking attitude that could very well cost him his job. Frank then goes to the cute secretary he saw in the elevator earlier and asks her to type the revised edition for him and asks her out for lunch. During lunch they drink martinis and he calls the office to tell them that he needs the secretary for the day to help him do research. After he hangs up they both laugh. During their conversation, Frank tells the secretary a joke; the joke is that his dad worked all his life at the same company as a salesperson and he thinks that he was the most miserable man he has ever known and swore he would never be like him. Years later he is doing the exact same job his dad did all his life. To top that off, today is his 30th birthday and he is miserable.Frank and the secretary go to her apartment where they have sex. He then leaves in a hurry with a very casual good-bye, leaving the secretary feeling used. Frank gets home and is greeted with a kiss by a dressed up April. He is then surprised with a birthday cake by April, their son Michael (Ty Simpkins) and their daughter Jennifer (Ryan Simpkins) who sing Happy Birthday to him which bring tears of joy to his eyes.Around this time of the movie April is flipping through old pictures and finds a picture of Frank and his buddies standing in front of the Eiffel Tower. April has a flashback of the first night she slept with Frank when he told her if he has a choice he would live in Paris where people actually have lives. April tells him that he is the most interesting person she has ever met.At night after a shower, April asks to talk to Frank. She proposes the idea that between their savings and selling their house they would have enough money to survive without work for six months and wants them to move to Paris. She believes that they pay secretaries so well that Frank can finally have the time to enjoy his life and all and they can get away from this misery they are in right now. At first Frank just laughs off the idea but then begins to buy into it. They agree and hug.They break the news to their friends Shep and Milly Campbell who are shocked but supportive as Frank and April are so serious and so convincing of how their lives in Paris would be. At night, Shep and Milly laugh at this idea but Milly also cries, maybe at the notion of friends leaving or that the friends are on to better lives than theirs.April invites Mr. and Mrs. Givings and their troubled son John (Michael Shannon), who currently resides in a psychiatric ward, to a gathering (actually a favor to Mrs. Givings, who believes meeting the perfect couple will do her son good). John is a very blunt man and has no sense of manners at all. Frank and April are patient and allow John to ridicule everything they have to say. Frank and April mention they are leaving their lives here and starting a new one in Paris. This causes John to laugh at everything his mother believed, that the perfect couple couldn't even stand this place. Frank and April ask John to go for a walk with them afterwards.During the walk, Frank and April learn that John gets electroshock constantly for his mental problems, and in some ways, they bond during the talk. John asks why they are leaving here and Frank's answer is to leave this place of helplessness. John agrees and says it takes a wise man to see it, but a brave man to admit this sense of helplessness.In the next couple of weeks the Wheelers are preparing for their new lives; April gets their visas and all of their traveling documents taken care of and Frank continues going to work but with so much more joy. They seem to be happier now, no more arguments and definitely very loving.Frank is called into the boss's office one morning with the chief executive inside as well. Frank is so sure he is going to get fired (which he doesn't care about) for the half-assed work he did a couple of weeks ago. Turns out his half-assed work hit the jackpot and got great reviews within the company which leads them to offer Frank a promotion working with the chief executive on a new project: computers.Frank doesn't take the job yet, nor does he mention it to April. They are so happy that they are taking this step at a new life that they make love right there in the kitchen.After a while the chief executive calls Frank in for a fancy dinner to talk about the promotion. The chief executive really wants Frank in and he is tempted but not fully willing to take the job. Frank asks if he knows his father, who worked at the company for 30 years, the chief says no. The chief tells him that a man only gets a couple of chances in life so when the opportunity comes, he better grab onto it as tight as possible because there just might not be another one coming. This gets Frank thinking.Later, April tells Frank that she is 10 weeks pregnant and they both are worried. She says there are options as long as it is before the 12th week. They agree that a child would not be an option for them to take to Paris as it changes the whole plan. Frank is not supportive of the idea of abortion.Next we see the Wheelers and the Campbells at the beach enjoying the sunshine and the water. Frank, knowing April can hear the conversation, speaks loudly to Shep about what a great opportunity it is and how much more money he is being offered for the promotion. April notices Frank is starting to lean away from their idea of a new life in Paris and they argue at the beach - Frank jumps into the water to cool off.At night, while they argue some more, Frank goes to the restroom and as he is getting a towel he notices an abortion kit on the shelf. He is furious and starts to scream at April. During the argument she mentions that the reason they moved here was because of an unplanned pregnancy and that she doesn't want to decide another part of their lives for the same reason. She said she has no plans to use the kit for sure but she got it just in case. They argue some more and April understands that Paris is no longer an option.The next day Frank takes the promotion and while staying late, he goes out with the young secretary again.Another night Frank, April, Milly and Shep go out dancing. Milly and Shep are happy that the Paris trip is not going to happen, everyone is happy except for April. Frank asks April to dance but April says no so he dances with Milly instead. At the end of the night when they are leaving their cars are blocked in so since both of their nannies are waiting, April stays with Shep to wait for the car to be moved while Frank takes Milly home to relieve the nannies. April and Shep go back into the bar and start to dance with a lot of flirting and implications which leads to them having sex in his car. Shep tells April that he loves her and April tells him not to talk.The next day Frank sees how unhappy April is and worries that they haven't slept on the same bed ever since the Paris trip got canceled. He decides to tell April how much he loves her and how he wants to make her happy here at home. He goes so far as to tell her that he had an affair but he ended it. April is not even mad hearing it. She says she feels nothing, because she no longer loves him. Just then, Mrs. Givings stops by along with her husband and her son John. As they eat dinner they mention that Paris is no longer an option and that April is going to have a baby. This gets John upset so he starts to insult Frank and April saying that he is not a man anymore because he is eating his own words about the helplessness and all that. Frank starts to get mad and impatient while John goes on to say Frank only feels like a man because he knocked April up. This gets the Givings kicked out of the house, and on the way out, John jokingly apologizes but says he is happy about one thing, that he is not that kid that is going to be born into this miserable family.When the Givings leave, April and Frank get into another heated argument. Frank is so emotional and angry that he slams the door, punches the wall, throws lamps, breaks chairs and is completely out of control. April says that if Frank touches her she will scream, Frank holds her hand and she screams and runs out of the house. Frank chases after her into the woods.April tells Frank to leave her alone, that she doesn't want to talk things out; she just wants to be alone to think it through. Frank complies and leaves her in the woods. While in the house, Frank sits in a chair in the living room, drinking and worrying about April and her safety but when she comes back she does not come into the house, she just keeps smoking right outside the door while Frank stays in the house with the lights off.The next morning Frank is ready to go to work and he sees a beautiful and 'rejuvenated' April preparing breakfast, asking Frank politely how he wants his eggs. Frank is caught off guard but is relieved that the whole drama is done and they go on to have breakfast. During breakfast, he talks about his work and the new computer to April who appears interested in every word he has to say and tells him he should take pleasure in what he does. They have an awkward goodbye at the door with a kiss and wavery smile from April. Frank asks if she still loves him and she replies with a calm yes. Frank leaves in his car.Back in the house, April's fragile demeanor cracks and she cries while doing the dishes. She calls Milly to ask her to tell her children that she loves them very much. She boils a pot of water and lays down some towels on the bathroom floor while she holds the abortion kit in her hand as she closes the door. We then see April gently walk down the stairs to the living room where she looks out the window; she bleeds all over the carpet and her skirt, then calls the ambulance.At the hospital, Frank is worried and crying while Shep comforts him. He talks about broken capillaries and other stuff the doctor told him that he couldn't understand. He finishes with "she did it to her herself." Shep leaves to get Frank some coffee and is seen crying at the vending machine. He returns to see Frank get news that April did not make it because she bled out too much before the ambulance got to her.Frank runs down the street.The next scene we see Milly and Shep with a new couple in their house and they are sharing the tragic story of the Wheelers. Milly mentions that Frank moved back into the city with the kids and he was the most devoted father there is, spending all his time with them. Shep walks out to the backyard and Milly follows suit. Shep tells Milly that he no longer wants to talk about the Wheelers and she says okay, both subdued for a minute with memories. They hug and kiss and walk back inside the house.We see a scene of Frank sitting on a park bench watching his children on the swings, looking sad and thoughtful. When one of his kids calls him, he looks up and smiles softly, looking wistfully a little happier.In the final scene, Mrs. Givings is sitting on the couch talking to her husband Howard (Richard Easton). She talks about the neighborhood and what it has become. When Howard mentions the Wheelers, Mrs. Givings starts to criticize them as being somewhat neurotic and difficult, neglecting the house. As she is going on and on about it, he begins to turn down his hearing aid, and smiles faintly with the new silence. | Revolutionary Road | 002f33ce-7f48-174c-d3df-d573734c441b | Where do the Wheelers have plans to live? | [
"Paris",
"The city",
"In a house"
] | false |
/m/016f62 | Flipper Purify (Wesley Snipes) is a successfully married African American man who works at an architectural firm in New York City. One day, an Italian American woman named Angela "Angie" Tucci (Annabella Sciorra) is hired as a temporary secretary at the place. Flipper complains to his partners Jerry (Tim Robbins) and Leslie (Brad Dourif) about wanting an African American secretary. They tell him that they want "the best human being for the job."When Flipper returns to his Harlem home after visiting his best friend Cyrus (Spike Lee), he tells his wife Drew (Lonette McKee) about his promotion. Drew tells him to be prepared if his promotion is declined, but Flipper tells her not to worry. Meanwhile, Angie returns to her Bensonhurst home, and cooks dinner for her father Mike (Frank Vincent) and her two brothers Charlie (David Dundara) and Jimmy (Michael Imperioli). Her boyfriend Paulie Carbone (John Turturro) arrives and takes her out on a date. Paulie is a regular Italian-American man who co-manages a grocery store in his and Angie's neighborhood.One night, Flipper and Angie are working late at the firm, and they start to have a conversation about cooking. They continue to work late and have dinner in his office and they have sex on a desk. The next day, Flipper doesn't say anything when he's walking his daughter to school. Later, at the office, he tells Jerry and Leslie that he wanted to be partner at the firm. After his offer is declined, he abruptly quits his job. Later that night at the park, Flipper admits his infidelity to Cyrus. Just then, Flipper's older brother Gator (Samuel L. Jackson) shows up with his girlfriend Vivian (Halle Berry). He asks Flipper for some money so he can feed his crack habit. Flipper initially refuses, but gives in eventually.Meanwhile, Angie tells her two girlfriends that she's seeing Flipper, shocking them when she tells them he is African American. She then tells them not to tell anybody. But her friends just cannot keep their gossipy mouths shut and they secretly tell one of Angie's brothers, who likewise, tells their father Mike.The next evening, Flipper and Angela are ignored by the racist staff at a local restaurant. He complains to an African-American waitress (Queen Latifah) about not being served, she in turn berates him for dating a white woman. Later, the rumors about them surface when Flipper comes home and sees a furious Drew throwing his things out of the second floor window, forcing him to move back in with his mother Lucinda (Ruby Dee) and his father the Good Reverend Doctor (Ossie Davis) in nearby Brooklyn. Later that night, he confronts Cyrus for betraying his trust. Cyrus admits that he told his wife Vera (Veronica Webb), but he didn't know that she would tell Drew (plus several other people in the neighborhood). Flipper insults Vera for her big mouth and inability to keep a secret which causes a rift in his friendship with Cyrus, who demands he apologize to Vera, but Flipper refuses. Shortly after, Flipper ends his friendship with Cyrus after seeing that although Cyrus does like and support Flipper, he will always side with his wife regardless of her actions.The next day, Flipper tries to make things up to Drew by bringing her flowers at work, which she proceeds to refuse. Meanwhile, Angie ends her relationship with Paulie. His father Lou (Anthony Quinn) finds Paulie in the bathroom and consoles him. When Angie returns home, a livid and racist Mike violently beats her for dating a black man and throws her out of the house.Flipper and Angie move in to an apartment together, where they subsequently encounter social problems including a failed dinner with Flipper's parents who disaprove of Flipper dating someone outside his race. These and other racial issues eventually strain relations between the couple. One night, things come to a head when the police almost arrest Flipper after receiving a wrongful report from another racist white person that "a white lady was being attacked" (this, due to somebody apparently having watched them in a compromising position over a car hood from a window, since it looked like he was forcing her). Afterwords, Flipper and Angie get into another huge argument when he tells her that he refuses to have half-blood children with her.When Paulie hears the confession from Angie about her affair with a black man, he is heartbroken. This, somehow, gives him the courage to ask a black female regular customer, named Orin Goode (Tyra Ferrell), out on a date. This puts him at odds with his own racist father and his friends, whom he gets into a fight with, although he winds up hurt himself. Orin turns down Paulie's request to go out on a date. When he pesters her, Orin tells him off by saying that her parents have forbidden her from dating a man outside her race and she will not defy her parents out of blind loyalty to them. Paulie finds himself more emotionally hurt and alone then ever.One night, a high-on-dope Gator storms into his parents house one night while the Reverend is away, demanding money from Lucinda while trashing the house. The Reverend arrives and threatens to shoot him if he doesn't leave. Gator turns to leave, but upon hearing the Reverend insult him, he turns around and threatens him. The Reverend tells Gator he is better off dead, and shoots him in the groin. Gator cries in pain as he slowly dies in his mother's arms. However, The Reverend shows a small sign of regret.Eventually, due to the great gap created between them two, Flipper admits that he was only curious about being with a white woman, and he tells Angie that she should accept she was also curious about black men. They break up and he leaves the appartment they were sharing. Angie returns to her father's house where she apologizes for getting into a romance with a man who's color skin is different. Mike welcomes Angie back awkwardly.In the end, Flipper is seen having sex with Drew again, but she is laughing and crying at the same time. When they finish, she sends him off. It is clear that they were obviously not back together and she only called him over for sex, with no seemingly immediate solution in regards to it. He kisses his daughter Ming (Veronica Timbers) goodbye and walks out to go home back to his parents house. Then, at the turn of the corner, a very young black girl asks him to let her do oral sex on him for two dollars. Stunned, Flipper embraces her and screams to the heavens: NOOOOOOO!!!!.(It was not clear whether the plot had leaped forward to some years later and this girl was Ming, or that he was only shocked to see this teenager whoring herself for drug money.) | Jungle Fever | 01e56af5-c271-55dc-c9f6-79d318beef90 | Who beats Angie? | [
"Her father, Mike"
] | false |
/m/016f62 | Flipper Purify (Wesley Snipes) is a successfully married African American man who works at an architectural firm in New York City. One day, an Italian American woman named Angela "Angie" Tucci (Annabella Sciorra) is hired as a temporary secretary at the place. Flipper complains to his partners Jerry (Tim Robbins) and Leslie (Brad Dourif) about wanting an African American secretary. They tell him that they want "the best human being for the job."When Flipper returns to his Harlem home after visiting his best friend Cyrus (Spike Lee), he tells his wife Drew (Lonette McKee) about his promotion. Drew tells him to be prepared if his promotion is declined, but Flipper tells her not to worry. Meanwhile, Angie returns to her Bensonhurst home, and cooks dinner for her father Mike (Frank Vincent) and her two brothers Charlie (David Dundara) and Jimmy (Michael Imperioli). Her boyfriend Paulie Carbone (John Turturro) arrives and takes her out on a date. Paulie is a regular Italian-American man who co-manages a grocery store in his and Angie's neighborhood.One night, Flipper and Angie are working late at the firm, and they start to have a conversation about cooking. They continue to work late and have dinner in his office and they have sex on a desk. The next day, Flipper doesn't say anything when he's walking his daughter to school. Later, at the office, he tells Jerry and Leslie that he wanted to be partner at the firm. After his offer is declined, he abruptly quits his job. Later that night at the park, Flipper admits his infidelity to Cyrus. Just then, Flipper's older brother Gator (Samuel L. Jackson) shows up with his girlfriend Vivian (Halle Berry). He asks Flipper for some money so he can feed his crack habit. Flipper initially refuses, but gives in eventually.Meanwhile, Angie tells her two girlfriends that she's seeing Flipper, shocking them when she tells them he is African American. She then tells them not to tell anybody. But her friends just cannot keep their gossipy mouths shut and they secretly tell one of Angie's brothers, who likewise, tells their father Mike.The next evening, Flipper and Angela are ignored by the racist staff at a local restaurant. He complains to an African-American waitress (Queen Latifah) about not being served, she in turn berates him for dating a white woman. Later, the rumors about them surface when Flipper comes home and sees a furious Drew throwing his things out of the second floor window, forcing him to move back in with his mother Lucinda (Ruby Dee) and his father the Good Reverend Doctor (Ossie Davis) in nearby Brooklyn. Later that night, he confronts Cyrus for betraying his trust. Cyrus admits that he told his wife Vera (Veronica Webb), but he didn't know that she would tell Drew (plus several other people in the neighborhood). Flipper insults Vera for her big mouth and inability to keep a secret which causes a rift in his friendship with Cyrus, who demands he apologize to Vera, but Flipper refuses. Shortly after, Flipper ends his friendship with Cyrus after seeing that although Cyrus does like and support Flipper, he will always side with his wife regardless of her actions.The next day, Flipper tries to make things up to Drew by bringing her flowers at work, which she proceeds to refuse. Meanwhile, Angie ends her relationship with Paulie. His father Lou (Anthony Quinn) finds Paulie in the bathroom and consoles him. When Angie returns home, a livid and racist Mike violently beats her for dating a black man and throws her out of the house.Flipper and Angie move in to an apartment together, where they subsequently encounter social problems including a failed dinner with Flipper's parents who disaprove of Flipper dating someone outside his race. These and other racial issues eventually strain relations between the couple. One night, things come to a head when the police almost arrest Flipper after receiving a wrongful report from another racist white person that "a white lady was being attacked" (this, due to somebody apparently having watched them in a compromising position over a car hood from a window, since it looked like he was forcing her). Afterwords, Flipper and Angie get into another huge argument when he tells her that he refuses to have half-blood children with her.When Paulie hears the confession from Angie about her affair with a black man, he is heartbroken. This, somehow, gives him the courage to ask a black female regular customer, named Orin Goode (Tyra Ferrell), out on a date. This puts him at odds with his own racist father and his friends, whom he gets into a fight with, although he winds up hurt himself. Orin turns down Paulie's request to go out on a date. When he pesters her, Orin tells him off by saying that her parents have forbidden her from dating a man outside her race and she will not defy her parents out of blind loyalty to them. Paulie finds himself more emotionally hurt and alone then ever.One night, a high-on-dope Gator storms into his parents house one night while the Reverend is away, demanding money from Lucinda while trashing the house. The Reverend arrives and threatens to shoot him if he doesn't leave. Gator turns to leave, but upon hearing the Reverend insult him, he turns around and threatens him. The Reverend tells Gator he is better off dead, and shoots him in the groin. Gator cries in pain as he slowly dies in his mother's arms. However, The Reverend shows a small sign of regret.Eventually, due to the great gap created between them two, Flipper admits that he was only curious about being with a white woman, and he tells Angie that she should accept she was also curious about black men. They break up and he leaves the appartment they were sharing. Angie returns to her father's house where she apologizes for getting into a romance with a man who's color skin is different. Mike welcomes Angie back awkwardly.In the end, Flipper is seen having sex with Drew again, but she is laughing and crying at the same time. When they finish, she sends him off. It is clear that they were obviously not back together and she only called him over for sex, with no seemingly immediate solution in regards to it. He kisses his daughter Ming (Veronica Timbers) goodbye and walks out to go home back to his parents house. Then, at the turn of the corner, a very young black girl asks him to let her do oral sex on him for two dollars. Stunned, Flipper embraces her and screams to the heavens: NOOOOOOO!!!!.(It was not clear whether the plot had leaped forward to some years later and this girl was Ming, or that he was only shocked to see this teenager whoring herself for drug money.) | Jungle Fever | 6e9d782a-b514-4839-72f9-1ba7d3b451f4 | Who is Flipper married to? | [
"Drew"
] | false |
/m/016f62 | Flipper Purify (Wesley Snipes) is a successfully married African American man who works at an architectural firm in New York City. One day, an Italian American woman named Angela "Angie" Tucci (Annabella Sciorra) is hired as a temporary secretary at the place. Flipper complains to his partners Jerry (Tim Robbins) and Leslie (Brad Dourif) about wanting an African American secretary. They tell him that they want "the best human being for the job."When Flipper returns to his Harlem home after visiting his best friend Cyrus (Spike Lee), he tells his wife Drew (Lonette McKee) about his promotion. Drew tells him to be prepared if his promotion is declined, but Flipper tells her not to worry. Meanwhile, Angie returns to her Bensonhurst home, and cooks dinner for her father Mike (Frank Vincent) and her two brothers Charlie (David Dundara) and Jimmy (Michael Imperioli). Her boyfriend Paulie Carbone (John Turturro) arrives and takes her out on a date. Paulie is a regular Italian-American man who co-manages a grocery store in his and Angie's neighborhood.One night, Flipper and Angie are working late at the firm, and they start to have a conversation about cooking. They continue to work late and have dinner in his office and they have sex on a desk. The next day, Flipper doesn't say anything when he's walking his daughter to school. Later, at the office, he tells Jerry and Leslie that he wanted to be partner at the firm. After his offer is declined, he abruptly quits his job. Later that night at the park, Flipper admits his infidelity to Cyrus. Just then, Flipper's older brother Gator (Samuel L. Jackson) shows up with his girlfriend Vivian (Halle Berry). He asks Flipper for some money so he can feed his crack habit. Flipper initially refuses, but gives in eventually.Meanwhile, Angie tells her two girlfriends that she's seeing Flipper, shocking them when she tells them he is African American. She then tells them not to tell anybody. But her friends just cannot keep their gossipy mouths shut and they secretly tell one of Angie's brothers, who likewise, tells their father Mike.The next evening, Flipper and Angela are ignored by the racist staff at a local restaurant. He complains to an African-American waitress (Queen Latifah) about not being served, she in turn berates him for dating a white woman. Later, the rumors about them surface when Flipper comes home and sees a furious Drew throwing his things out of the second floor window, forcing him to move back in with his mother Lucinda (Ruby Dee) and his father the Good Reverend Doctor (Ossie Davis) in nearby Brooklyn. Later that night, he confronts Cyrus for betraying his trust. Cyrus admits that he told his wife Vera (Veronica Webb), but he didn't know that she would tell Drew (plus several other people in the neighborhood). Flipper insults Vera for her big mouth and inability to keep a secret which causes a rift in his friendship with Cyrus, who demands he apologize to Vera, but Flipper refuses. Shortly after, Flipper ends his friendship with Cyrus after seeing that although Cyrus does like and support Flipper, he will always side with his wife regardless of her actions.The next day, Flipper tries to make things up to Drew by bringing her flowers at work, which she proceeds to refuse. Meanwhile, Angie ends her relationship with Paulie. His father Lou (Anthony Quinn) finds Paulie in the bathroom and consoles him. When Angie returns home, a livid and racist Mike violently beats her for dating a black man and throws her out of the house.Flipper and Angie move in to an apartment together, where they subsequently encounter social problems including a failed dinner with Flipper's parents who disaprove of Flipper dating someone outside his race. These and other racial issues eventually strain relations between the couple. One night, things come to a head when the police almost arrest Flipper after receiving a wrongful report from another racist white person that "a white lady was being attacked" (this, due to somebody apparently having watched them in a compromising position over a car hood from a window, since it looked like he was forcing her). Afterwords, Flipper and Angie get into another huge argument when he tells her that he refuses to have half-blood children with her.When Paulie hears the confession from Angie about her affair with a black man, he is heartbroken. This, somehow, gives him the courage to ask a black female regular customer, named Orin Goode (Tyra Ferrell), out on a date. This puts him at odds with his own racist father and his friends, whom he gets into a fight with, although he winds up hurt himself. Orin turns down Paulie's request to go out on a date. When he pesters her, Orin tells him off by saying that her parents have forbidden her from dating a man outside her race and she will not defy her parents out of blind loyalty to them. Paulie finds himself more emotionally hurt and alone then ever.One night, a high-on-dope Gator storms into his parents house one night while the Reverend is away, demanding money from Lucinda while trashing the house. The Reverend arrives and threatens to shoot him if he doesn't leave. Gator turns to leave, but upon hearing the Reverend insult him, he turns around and threatens him. The Reverend tells Gator he is better off dead, and shoots him in the groin. Gator cries in pain as he slowly dies in his mother's arms. However, The Reverend shows a small sign of regret.Eventually, due to the great gap created between them two, Flipper admits that he was only curious about being with a white woman, and he tells Angie that she should accept she was also curious about black men. They break up and he leaves the appartment they were sharing. Angie returns to her father's house where she apologizes for getting into a romance with a man who's color skin is different. Mike welcomes Angie back awkwardly.In the end, Flipper is seen having sex with Drew again, but she is laughing and crying at the same time. When they finish, she sends him off. It is clear that they were obviously not back together and she only called him over for sex, with no seemingly immediate solution in regards to it. He kisses his daughter Ming (Veronica Timbers) goodbye and walks out to go home back to his parents house. Then, at the turn of the corner, a very young black girl asks him to let her do oral sex on him for two dollars. Stunned, Flipper embraces her and screams to the heavens: NOOOOOOO!!!!.(It was not clear whether the plot had leaped forward to some years later and this girl was Ming, or that he was only shocked to see this teenager whoring herself for drug money.) | Jungle Fever | 0a711659-9efb-b83e-14ba-59b33aa0c257 | What was the name of the actor who played Gator? | [
"Samuel L. Jackson"
] | false |
/m/016f62 | Flipper Purify (Wesley Snipes) is a successfully married African American man who works at an architectural firm in New York City. One day, an Italian American woman named Angela "Angie" Tucci (Annabella Sciorra) is hired as a temporary secretary at the place. Flipper complains to his partners Jerry (Tim Robbins) and Leslie (Brad Dourif) about wanting an African American secretary. They tell him that they want "the best human being for the job."When Flipper returns to his Harlem home after visiting his best friend Cyrus (Spike Lee), he tells his wife Drew (Lonette McKee) about his promotion. Drew tells him to be prepared if his promotion is declined, but Flipper tells her not to worry. Meanwhile, Angie returns to her Bensonhurst home, and cooks dinner for her father Mike (Frank Vincent) and her two brothers Charlie (David Dundara) and Jimmy (Michael Imperioli). Her boyfriend Paulie Carbone (John Turturro) arrives and takes her out on a date. Paulie is a regular Italian-American man who co-manages a grocery store in his and Angie's neighborhood.One night, Flipper and Angie are working late at the firm, and they start to have a conversation about cooking. They continue to work late and have dinner in his office and they have sex on a desk. The next day, Flipper doesn't say anything when he's walking his daughter to school. Later, at the office, he tells Jerry and Leslie that he wanted to be partner at the firm. After his offer is declined, he abruptly quits his job. Later that night at the park, Flipper admits his infidelity to Cyrus. Just then, Flipper's older brother Gator (Samuel L. Jackson) shows up with his girlfriend Vivian (Halle Berry). He asks Flipper for some money so he can feed his crack habit. Flipper initially refuses, but gives in eventually.Meanwhile, Angie tells her two girlfriends that she's seeing Flipper, shocking them when she tells them he is African American. She then tells them not to tell anybody. But her friends just cannot keep their gossipy mouths shut and they secretly tell one of Angie's brothers, who likewise, tells their father Mike.The next evening, Flipper and Angela are ignored by the racist staff at a local restaurant. He complains to an African-American waitress (Queen Latifah) about not being served, she in turn berates him for dating a white woman. Later, the rumors about them surface when Flipper comes home and sees a furious Drew throwing his things out of the second floor window, forcing him to move back in with his mother Lucinda (Ruby Dee) and his father the Good Reverend Doctor (Ossie Davis) in nearby Brooklyn. Later that night, he confronts Cyrus for betraying his trust. Cyrus admits that he told his wife Vera (Veronica Webb), but he didn't know that she would tell Drew (plus several other people in the neighborhood). Flipper insults Vera for her big mouth and inability to keep a secret which causes a rift in his friendship with Cyrus, who demands he apologize to Vera, but Flipper refuses. Shortly after, Flipper ends his friendship with Cyrus after seeing that although Cyrus does like and support Flipper, he will always side with his wife regardless of her actions.The next day, Flipper tries to make things up to Drew by bringing her flowers at work, which she proceeds to refuse. Meanwhile, Angie ends her relationship with Paulie. His father Lou (Anthony Quinn) finds Paulie in the bathroom and consoles him. When Angie returns home, a livid and racist Mike violently beats her for dating a black man and throws her out of the house.Flipper and Angie move in to an apartment together, where they subsequently encounter social problems including a failed dinner with Flipper's parents who disaprove of Flipper dating someone outside his race. These and other racial issues eventually strain relations between the couple. One night, things come to a head when the police almost arrest Flipper after receiving a wrongful report from another racist white person that "a white lady was being attacked" (this, due to somebody apparently having watched them in a compromising position over a car hood from a window, since it looked like he was forcing her). Afterwords, Flipper and Angie get into another huge argument when he tells her that he refuses to have half-blood children with her.When Paulie hears the confession from Angie about her affair with a black man, he is heartbroken. This, somehow, gives him the courage to ask a black female regular customer, named Orin Goode (Tyra Ferrell), out on a date. This puts him at odds with his own racist father and his friends, whom he gets into a fight with, although he winds up hurt himself. Orin turns down Paulie's request to go out on a date. When he pesters her, Orin tells him off by saying that her parents have forbidden her from dating a man outside her race and she will not defy her parents out of blind loyalty to them. Paulie finds himself more emotionally hurt and alone then ever.One night, a high-on-dope Gator storms into his parents house one night while the Reverend is away, demanding money from Lucinda while trashing the house. The Reverend arrives and threatens to shoot him if he doesn't leave. Gator turns to leave, but upon hearing the Reverend insult him, he turns around and threatens him. The Reverend tells Gator he is better off dead, and shoots him in the groin. Gator cries in pain as he slowly dies in his mother's arms. However, The Reverend shows a small sign of regret.Eventually, due to the great gap created between them two, Flipper admits that he was only curious about being with a white woman, and he tells Angie that she should accept she was also curious about black men. They break up and he leaves the appartment they were sharing. Angie returns to her father's house where she apologizes for getting into a romance with a man who's color skin is different. Mike welcomes Angie back awkwardly.In the end, Flipper is seen having sex with Drew again, but she is laughing and crying at the same time. When they finish, she sends him off. It is clear that they were obviously not back together and she only called him over for sex, with no seemingly immediate solution in regards to it. He kisses his daughter Ming (Veronica Timbers) goodbye and walks out to go home back to his parents house. Then, at the turn of the corner, a very young black girl asks him to let her do oral sex on him for two dollars. Stunned, Flipper embraces her and screams to the heavens: NOOOOOOO!!!!.(It was not clear whether the plot had leaped forward to some years later and this girl was Ming, or that he was only shocked to see this teenager whoring herself for drug money.) | Jungle Fever | 4e7c0c4f-4523-3629-c381-a25447b1a272 | Where did Flipper search for Gator? | [
"Harlem"
] | false |
/m/016f62 | Flipper Purify (Wesley Snipes) is a successfully married African American man who works at an architectural firm in New York City. One day, an Italian American woman named Angela "Angie" Tucci (Annabella Sciorra) is hired as a temporary secretary at the place. Flipper complains to his partners Jerry (Tim Robbins) and Leslie (Brad Dourif) about wanting an African American secretary. They tell him that they want "the best human being for the job."When Flipper returns to his Harlem home after visiting his best friend Cyrus (Spike Lee), he tells his wife Drew (Lonette McKee) about his promotion. Drew tells him to be prepared if his promotion is declined, but Flipper tells her not to worry. Meanwhile, Angie returns to her Bensonhurst home, and cooks dinner for her father Mike (Frank Vincent) and her two brothers Charlie (David Dundara) and Jimmy (Michael Imperioli). Her boyfriend Paulie Carbone (John Turturro) arrives and takes her out on a date. Paulie is a regular Italian-American man who co-manages a grocery store in his and Angie's neighborhood.One night, Flipper and Angie are working late at the firm, and they start to have a conversation about cooking. They continue to work late and have dinner in his office and they have sex on a desk. The next day, Flipper doesn't say anything when he's walking his daughter to school. Later, at the office, he tells Jerry and Leslie that he wanted to be partner at the firm. After his offer is declined, he abruptly quits his job. Later that night at the park, Flipper admits his infidelity to Cyrus. Just then, Flipper's older brother Gator (Samuel L. Jackson) shows up with his girlfriend Vivian (Halle Berry). He asks Flipper for some money so he can feed his crack habit. Flipper initially refuses, but gives in eventually.Meanwhile, Angie tells her two girlfriends that she's seeing Flipper, shocking them when she tells them he is African American. She then tells them not to tell anybody. But her friends just cannot keep their gossipy mouths shut and they secretly tell one of Angie's brothers, who likewise, tells their father Mike.The next evening, Flipper and Angela are ignored by the racist staff at a local restaurant. He complains to an African-American waitress (Queen Latifah) about not being served, she in turn berates him for dating a white woman. Later, the rumors about them surface when Flipper comes home and sees a furious Drew throwing his things out of the second floor window, forcing him to move back in with his mother Lucinda (Ruby Dee) and his father the Good Reverend Doctor (Ossie Davis) in nearby Brooklyn. Later that night, he confronts Cyrus for betraying his trust. Cyrus admits that he told his wife Vera (Veronica Webb), but he didn't know that she would tell Drew (plus several other people in the neighborhood). Flipper insults Vera for her big mouth and inability to keep a secret which causes a rift in his friendship with Cyrus, who demands he apologize to Vera, but Flipper refuses. Shortly after, Flipper ends his friendship with Cyrus after seeing that although Cyrus does like and support Flipper, he will always side with his wife regardless of her actions.The next day, Flipper tries to make things up to Drew by bringing her flowers at work, which she proceeds to refuse. Meanwhile, Angie ends her relationship with Paulie. His father Lou (Anthony Quinn) finds Paulie in the bathroom and consoles him. When Angie returns home, a livid and racist Mike violently beats her for dating a black man and throws her out of the house.Flipper and Angie move in to an apartment together, where they subsequently encounter social problems including a failed dinner with Flipper's parents who disaprove of Flipper dating someone outside his race. These and other racial issues eventually strain relations between the couple. One night, things come to a head when the police almost arrest Flipper after receiving a wrongful report from another racist white person that "a white lady was being attacked" (this, due to somebody apparently having watched them in a compromising position over a car hood from a window, since it looked like he was forcing her). Afterwords, Flipper and Angie get into another huge argument when he tells her that he refuses to have half-blood children with her.When Paulie hears the confession from Angie about her affair with a black man, he is heartbroken. This, somehow, gives him the courage to ask a black female regular customer, named Orin Goode (Tyra Ferrell), out on a date. This puts him at odds with his own racist father and his friends, whom he gets into a fight with, although he winds up hurt himself. Orin turns down Paulie's request to go out on a date. When he pesters her, Orin tells him off by saying that her parents have forbidden her from dating a man outside her race and she will not defy her parents out of blind loyalty to them. Paulie finds himself more emotionally hurt and alone then ever.One night, a high-on-dope Gator storms into his parents house one night while the Reverend is away, demanding money from Lucinda while trashing the house. The Reverend arrives and threatens to shoot him if he doesn't leave. Gator turns to leave, but upon hearing the Reverend insult him, he turns around and threatens him. The Reverend tells Gator he is better off dead, and shoots him in the groin. Gator cries in pain as he slowly dies in his mother's arms. However, The Reverend shows a small sign of regret.Eventually, due to the great gap created between them two, Flipper admits that he was only curious about being with a white woman, and he tells Angie that she should accept she was also curious about black men. They break up and he leaves the appartment they were sharing. Angie returns to her father's house where she apologizes for getting into a romance with a man who's color skin is different. Mike welcomes Angie back awkwardly.In the end, Flipper is seen having sex with Drew again, but she is laughing and crying at the same time. When they finish, she sends him off. It is clear that they were obviously not back together and she only called him over for sex, with no seemingly immediate solution in regards to it. He kisses his daughter Ming (Veronica Timbers) goodbye and walks out to go home back to his parents house. Then, at the turn of the corner, a very young black girl asks him to let her do oral sex on him for two dollars. Stunned, Flipper embraces her and screams to the heavens: NOOOOOOO!!!!.(It was not clear whether the plot had leaped forward to some years later and this girl was Ming, or that he was only shocked to see this teenager whoring herself for drug money.) | Jungle Fever | 2657b2ea-1aa4-bc38-0fe3-55d8bcb24261 | What is Flipper Purify's profession? | [
"architect"
] | false |
/m/016f62 | Flipper Purify (Wesley Snipes) is a successfully married African American man who works at an architectural firm in New York City. One day, an Italian American woman named Angela "Angie" Tucci (Annabella Sciorra) is hired as a temporary secretary at the place. Flipper complains to his partners Jerry (Tim Robbins) and Leslie (Brad Dourif) about wanting an African American secretary. They tell him that they want "the best human being for the job."When Flipper returns to his Harlem home after visiting his best friend Cyrus (Spike Lee), he tells his wife Drew (Lonette McKee) about his promotion. Drew tells him to be prepared if his promotion is declined, but Flipper tells her not to worry. Meanwhile, Angie returns to her Bensonhurst home, and cooks dinner for her father Mike (Frank Vincent) and her two brothers Charlie (David Dundara) and Jimmy (Michael Imperioli). Her boyfriend Paulie Carbone (John Turturro) arrives and takes her out on a date. Paulie is a regular Italian-American man who co-manages a grocery store in his and Angie's neighborhood.One night, Flipper and Angie are working late at the firm, and they start to have a conversation about cooking. They continue to work late and have dinner in his office and they have sex on a desk. The next day, Flipper doesn't say anything when he's walking his daughter to school. Later, at the office, he tells Jerry and Leslie that he wanted to be partner at the firm. After his offer is declined, he abruptly quits his job. Later that night at the park, Flipper admits his infidelity to Cyrus. Just then, Flipper's older brother Gator (Samuel L. Jackson) shows up with his girlfriend Vivian (Halle Berry). He asks Flipper for some money so he can feed his crack habit. Flipper initially refuses, but gives in eventually.Meanwhile, Angie tells her two girlfriends that she's seeing Flipper, shocking them when she tells them he is African American. She then tells them not to tell anybody. But her friends just cannot keep their gossipy mouths shut and they secretly tell one of Angie's brothers, who likewise, tells their father Mike.The next evening, Flipper and Angela are ignored by the racist staff at a local restaurant. He complains to an African-American waitress (Queen Latifah) about not being served, she in turn berates him for dating a white woman. Later, the rumors about them surface when Flipper comes home and sees a furious Drew throwing his things out of the second floor window, forcing him to move back in with his mother Lucinda (Ruby Dee) and his father the Good Reverend Doctor (Ossie Davis) in nearby Brooklyn. Later that night, he confronts Cyrus for betraying his trust. Cyrus admits that he told his wife Vera (Veronica Webb), but he didn't know that she would tell Drew (plus several other people in the neighborhood). Flipper insults Vera for her big mouth and inability to keep a secret which causes a rift in his friendship with Cyrus, who demands he apologize to Vera, but Flipper refuses. Shortly after, Flipper ends his friendship with Cyrus after seeing that although Cyrus does like and support Flipper, he will always side with his wife regardless of her actions.The next day, Flipper tries to make things up to Drew by bringing her flowers at work, which she proceeds to refuse. Meanwhile, Angie ends her relationship with Paulie. His father Lou (Anthony Quinn) finds Paulie in the bathroom and consoles him. When Angie returns home, a livid and racist Mike violently beats her for dating a black man and throws her out of the house.Flipper and Angie move in to an apartment together, where they subsequently encounter social problems including a failed dinner with Flipper's parents who disaprove of Flipper dating someone outside his race. These and other racial issues eventually strain relations between the couple. One night, things come to a head when the police almost arrest Flipper after receiving a wrongful report from another racist white person that "a white lady was being attacked" (this, due to somebody apparently having watched them in a compromising position over a car hood from a window, since it looked like he was forcing her). Afterwords, Flipper and Angie get into another huge argument when he tells her that he refuses to have half-blood children with her.When Paulie hears the confession from Angie about her affair with a black man, he is heartbroken. This, somehow, gives him the courage to ask a black female regular customer, named Orin Goode (Tyra Ferrell), out on a date. This puts him at odds with his own racist father and his friends, whom he gets into a fight with, although he winds up hurt himself. Orin turns down Paulie's request to go out on a date. When he pesters her, Orin tells him off by saying that her parents have forbidden her from dating a man outside her race and she will not defy her parents out of blind loyalty to them. Paulie finds himself more emotionally hurt and alone then ever.One night, a high-on-dope Gator storms into his parents house one night while the Reverend is away, demanding money from Lucinda while trashing the house. The Reverend arrives and threatens to shoot him if he doesn't leave. Gator turns to leave, but upon hearing the Reverend insult him, he turns around and threatens him. The Reverend tells Gator he is better off dead, and shoots him in the groin. Gator cries in pain as he slowly dies in his mother's arms. However, The Reverend shows a small sign of regret.Eventually, due to the great gap created between them two, Flipper admits that he was only curious about being with a white woman, and he tells Angie that she should accept she was also curious about black men. They break up and he leaves the appartment they were sharing. Angie returns to her father's house where she apologizes for getting into a romance with a man who's color skin is different. Mike welcomes Angie back awkwardly.In the end, Flipper is seen having sex with Drew again, but she is laughing and crying at the same time. When they finish, she sends him off. It is clear that they were obviously not back together and she only called him over for sex, with no seemingly immediate solution in regards to it. He kisses his daughter Ming (Veronica Timbers) goodbye and walks out to go home back to his parents house. Then, at the turn of the corner, a very young black girl asks him to let her do oral sex on him for two dollars. Stunned, Flipper embraces her and screams to the heavens: NOOOOOOO!!!!.(It was not clear whether the plot had leaped forward to some years later and this girl was Ming, or that he was only shocked to see this teenager whoring herself for drug money.) | Jungle Fever | 8dfaa597-e7e1-ac1e-747f-93307071b536 | How does Flipper's wife learn about the affair? | [
"Flipper tells her about it"
] | false |
/m/016f62 | Flipper Purify (Wesley Snipes) is a successfully married African American man who works at an architectural firm in New York City. One day, an Italian American woman named Angela "Angie" Tucci (Annabella Sciorra) is hired as a temporary secretary at the place. Flipper complains to his partners Jerry (Tim Robbins) and Leslie (Brad Dourif) about wanting an African American secretary. They tell him that they want "the best human being for the job."When Flipper returns to his Harlem home after visiting his best friend Cyrus (Spike Lee), he tells his wife Drew (Lonette McKee) about his promotion. Drew tells him to be prepared if his promotion is declined, but Flipper tells her not to worry. Meanwhile, Angie returns to her Bensonhurst home, and cooks dinner for her father Mike (Frank Vincent) and her two brothers Charlie (David Dundara) and Jimmy (Michael Imperioli). Her boyfriend Paulie Carbone (John Turturro) arrives and takes her out on a date. Paulie is a regular Italian-American man who co-manages a grocery store in his and Angie's neighborhood.One night, Flipper and Angie are working late at the firm, and they start to have a conversation about cooking. They continue to work late and have dinner in his office and they have sex on a desk. The next day, Flipper doesn't say anything when he's walking his daughter to school. Later, at the office, he tells Jerry and Leslie that he wanted to be partner at the firm. After his offer is declined, he abruptly quits his job. Later that night at the park, Flipper admits his infidelity to Cyrus. Just then, Flipper's older brother Gator (Samuel L. Jackson) shows up with his girlfriend Vivian (Halle Berry). He asks Flipper for some money so he can feed his crack habit. Flipper initially refuses, but gives in eventually.Meanwhile, Angie tells her two girlfriends that she's seeing Flipper, shocking them when she tells them he is African American. She then tells them not to tell anybody. But her friends just cannot keep their gossipy mouths shut and they secretly tell one of Angie's brothers, who likewise, tells their father Mike.The next evening, Flipper and Angela are ignored by the racist staff at a local restaurant. He complains to an African-American waitress (Queen Latifah) about not being served, she in turn berates him for dating a white woman. Later, the rumors about them surface when Flipper comes home and sees a furious Drew throwing his things out of the second floor window, forcing him to move back in with his mother Lucinda (Ruby Dee) and his father the Good Reverend Doctor (Ossie Davis) in nearby Brooklyn. Later that night, he confronts Cyrus for betraying his trust. Cyrus admits that he told his wife Vera (Veronica Webb), but he didn't know that she would tell Drew (plus several other people in the neighborhood). Flipper insults Vera for her big mouth and inability to keep a secret which causes a rift in his friendship with Cyrus, who demands he apologize to Vera, but Flipper refuses. Shortly after, Flipper ends his friendship with Cyrus after seeing that although Cyrus does like and support Flipper, he will always side with his wife regardless of her actions.The next day, Flipper tries to make things up to Drew by bringing her flowers at work, which she proceeds to refuse. Meanwhile, Angie ends her relationship with Paulie. His father Lou (Anthony Quinn) finds Paulie in the bathroom and consoles him. When Angie returns home, a livid and racist Mike violently beats her for dating a black man and throws her out of the house.Flipper and Angie move in to an apartment together, where they subsequently encounter social problems including a failed dinner with Flipper's parents who disaprove of Flipper dating someone outside his race. These and other racial issues eventually strain relations between the couple. One night, things come to a head when the police almost arrest Flipper after receiving a wrongful report from another racist white person that "a white lady was being attacked" (this, due to somebody apparently having watched them in a compromising position over a car hood from a window, since it looked like he was forcing her). Afterwords, Flipper and Angie get into another huge argument when he tells her that he refuses to have half-blood children with her.When Paulie hears the confession from Angie about her affair with a black man, he is heartbroken. This, somehow, gives him the courage to ask a black female regular customer, named Orin Goode (Tyra Ferrell), out on a date. This puts him at odds with his own racist father and his friends, whom he gets into a fight with, although he winds up hurt himself. Orin turns down Paulie's request to go out on a date. When he pesters her, Orin tells him off by saying that her parents have forbidden her from dating a man outside her race and she will not defy her parents out of blind loyalty to them. Paulie finds himself more emotionally hurt and alone then ever.One night, a high-on-dope Gator storms into his parents house one night while the Reverend is away, demanding money from Lucinda while trashing the house. The Reverend arrives and threatens to shoot him if he doesn't leave. Gator turns to leave, but upon hearing the Reverend insult him, he turns around and threatens him. The Reverend tells Gator he is better off dead, and shoots him in the groin. Gator cries in pain as he slowly dies in his mother's arms. However, The Reverend shows a small sign of regret.Eventually, due to the great gap created between them two, Flipper admits that he was only curious about being with a white woman, and he tells Angie that she should accept she was also curious about black men. They break up and he leaves the appartment they were sharing. Angie returns to her father's house where she apologizes for getting into a romance with a man who's color skin is different. Mike welcomes Angie back awkwardly.In the end, Flipper is seen having sex with Drew again, but she is laughing and crying at the same time. When they finish, she sends him off. It is clear that they were obviously not back together and she only called him over for sex, with no seemingly immediate solution in regards to it. He kisses his daughter Ming (Veronica Timbers) goodbye and walks out to go home back to his parents house. Then, at the turn of the corner, a very young black girl asks him to let her do oral sex on him for two dollars. Stunned, Flipper embraces her and screams to the heavens: NOOOOOOO!!!!.(It was not clear whether the plot had leaped forward to some years later and this girl was Ming, or that he was only shocked to see this teenager whoring herself for drug money.) | Jungle Fever | a101d7a2-e395-9142-e2d4-87557a06f128 | who was the former fianc of Angie? | [
"Paulie"
] | false |
/m/016f62 | Flipper Purify (Wesley Snipes) is a successfully married African American man who works at an architectural firm in New York City. One day, an Italian American woman named Angela "Angie" Tucci (Annabella Sciorra) is hired as a temporary secretary at the place. Flipper complains to his partners Jerry (Tim Robbins) and Leslie (Brad Dourif) about wanting an African American secretary. They tell him that they want "the best human being for the job."When Flipper returns to his Harlem home after visiting his best friend Cyrus (Spike Lee), he tells his wife Drew (Lonette McKee) about his promotion. Drew tells him to be prepared if his promotion is declined, but Flipper tells her not to worry. Meanwhile, Angie returns to her Bensonhurst home, and cooks dinner for her father Mike (Frank Vincent) and her two brothers Charlie (David Dundara) and Jimmy (Michael Imperioli). Her boyfriend Paulie Carbone (John Turturro) arrives and takes her out on a date. Paulie is a regular Italian-American man who co-manages a grocery store in his and Angie's neighborhood.One night, Flipper and Angie are working late at the firm, and they start to have a conversation about cooking. They continue to work late and have dinner in his office and they have sex on a desk. The next day, Flipper doesn't say anything when he's walking his daughter to school. Later, at the office, he tells Jerry and Leslie that he wanted to be partner at the firm. After his offer is declined, he abruptly quits his job. Later that night at the park, Flipper admits his infidelity to Cyrus. Just then, Flipper's older brother Gator (Samuel L. Jackson) shows up with his girlfriend Vivian (Halle Berry). He asks Flipper for some money so he can feed his crack habit. Flipper initially refuses, but gives in eventually.Meanwhile, Angie tells her two girlfriends that she's seeing Flipper, shocking them when she tells them he is African American. She then tells them not to tell anybody. But her friends just cannot keep their gossipy mouths shut and they secretly tell one of Angie's brothers, who likewise, tells their father Mike.The next evening, Flipper and Angela are ignored by the racist staff at a local restaurant. He complains to an African-American waitress (Queen Latifah) about not being served, she in turn berates him for dating a white woman. Later, the rumors about them surface when Flipper comes home and sees a furious Drew throwing his things out of the second floor window, forcing him to move back in with his mother Lucinda (Ruby Dee) and his father the Good Reverend Doctor (Ossie Davis) in nearby Brooklyn. Later that night, he confronts Cyrus for betraying his trust. Cyrus admits that he told his wife Vera (Veronica Webb), but he didn't know that she would tell Drew (plus several other people in the neighborhood). Flipper insults Vera for her big mouth and inability to keep a secret which causes a rift in his friendship with Cyrus, who demands he apologize to Vera, but Flipper refuses. Shortly after, Flipper ends his friendship with Cyrus after seeing that although Cyrus does like and support Flipper, he will always side with his wife regardless of her actions.The next day, Flipper tries to make things up to Drew by bringing her flowers at work, which she proceeds to refuse. Meanwhile, Angie ends her relationship with Paulie. His father Lou (Anthony Quinn) finds Paulie in the bathroom and consoles him. When Angie returns home, a livid and racist Mike violently beats her for dating a black man and throws her out of the house.Flipper and Angie move in to an apartment together, where they subsequently encounter social problems including a failed dinner with Flipper's parents who disaprove of Flipper dating someone outside his race. These and other racial issues eventually strain relations between the couple. One night, things come to a head when the police almost arrest Flipper after receiving a wrongful report from another racist white person that "a white lady was being attacked" (this, due to somebody apparently having watched them in a compromising position over a car hood from a window, since it looked like he was forcing her). Afterwords, Flipper and Angie get into another huge argument when he tells her that he refuses to have half-blood children with her.When Paulie hears the confession from Angie about her affair with a black man, he is heartbroken. This, somehow, gives him the courage to ask a black female regular customer, named Orin Goode (Tyra Ferrell), out on a date. This puts him at odds with his own racist father and his friends, whom he gets into a fight with, although he winds up hurt himself. Orin turns down Paulie's request to go out on a date. When he pesters her, Orin tells him off by saying that her parents have forbidden her from dating a man outside her race and she will not defy her parents out of blind loyalty to them. Paulie finds himself more emotionally hurt and alone then ever.One night, a high-on-dope Gator storms into his parents house one night while the Reverend is away, demanding money from Lucinda while trashing the house. The Reverend arrives and threatens to shoot him if he doesn't leave. Gator turns to leave, but upon hearing the Reverend insult him, he turns around and threatens him. The Reverend tells Gator he is better off dead, and shoots him in the groin. Gator cries in pain as he slowly dies in his mother's arms. However, The Reverend shows a small sign of regret.Eventually, due to the great gap created between them two, Flipper admits that he was only curious about being with a white woman, and he tells Angie that she should accept she was also curious about black men. They break up and he leaves the appartment they were sharing. Angie returns to her father's house where she apologizes for getting into a romance with a man who's color skin is different. Mike welcomes Angie back awkwardly.In the end, Flipper is seen having sex with Drew again, but she is laughing and crying at the same time. When they finish, she sends him off. It is clear that they were obviously not back together and she only called him over for sex, with no seemingly immediate solution in regards to it. He kisses his daughter Ming (Veronica Timbers) goodbye and walks out to go home back to his parents house. Then, at the turn of the corner, a very young black girl asks him to let her do oral sex on him for two dollars. Stunned, Flipper embraces her and screams to the heavens: NOOOOOOO!!!!.(It was not clear whether the plot had leaped forward to some years later and this girl was Ming, or that he was only shocked to see this teenager whoring herself for drug money.) | Jungle Fever | ac83b385-7893-e080-6232-b98d6293ea6d | When does Flipper's and Angie's relationship begin? | [
"after they are working late at the firm and end up having sex"
] | false |
/m/016f62 | Flipper Purify (Wesley Snipes) is a successfully married African American man who works at an architectural firm in New York City. One day, an Italian American woman named Angela "Angie" Tucci (Annabella Sciorra) is hired as a temporary secretary at the place. Flipper complains to his partners Jerry (Tim Robbins) and Leslie (Brad Dourif) about wanting an African American secretary. They tell him that they want "the best human being for the job."When Flipper returns to his Harlem home after visiting his best friend Cyrus (Spike Lee), he tells his wife Drew (Lonette McKee) about his promotion. Drew tells him to be prepared if his promotion is declined, but Flipper tells her not to worry. Meanwhile, Angie returns to her Bensonhurst home, and cooks dinner for her father Mike (Frank Vincent) and her two brothers Charlie (David Dundara) and Jimmy (Michael Imperioli). Her boyfriend Paulie Carbone (John Turturro) arrives and takes her out on a date. Paulie is a regular Italian-American man who co-manages a grocery store in his and Angie's neighborhood.One night, Flipper and Angie are working late at the firm, and they start to have a conversation about cooking. They continue to work late and have dinner in his office and they have sex on a desk. The next day, Flipper doesn't say anything when he's walking his daughter to school. Later, at the office, he tells Jerry and Leslie that he wanted to be partner at the firm. After his offer is declined, he abruptly quits his job. Later that night at the park, Flipper admits his infidelity to Cyrus. Just then, Flipper's older brother Gator (Samuel L. Jackson) shows up with his girlfriend Vivian (Halle Berry). He asks Flipper for some money so he can feed his crack habit. Flipper initially refuses, but gives in eventually.Meanwhile, Angie tells her two girlfriends that she's seeing Flipper, shocking them when she tells them he is African American. She then tells them not to tell anybody. But her friends just cannot keep their gossipy mouths shut and they secretly tell one of Angie's brothers, who likewise, tells their father Mike.The next evening, Flipper and Angela are ignored by the racist staff at a local restaurant. He complains to an African-American waitress (Queen Latifah) about not being served, she in turn berates him for dating a white woman. Later, the rumors about them surface when Flipper comes home and sees a furious Drew throwing his things out of the second floor window, forcing him to move back in with his mother Lucinda (Ruby Dee) and his father the Good Reverend Doctor (Ossie Davis) in nearby Brooklyn. Later that night, he confronts Cyrus for betraying his trust. Cyrus admits that he told his wife Vera (Veronica Webb), but he didn't know that she would tell Drew (plus several other people in the neighborhood). Flipper insults Vera for her big mouth and inability to keep a secret which causes a rift in his friendship with Cyrus, who demands he apologize to Vera, but Flipper refuses. Shortly after, Flipper ends his friendship with Cyrus after seeing that although Cyrus does like and support Flipper, he will always side with his wife regardless of her actions.The next day, Flipper tries to make things up to Drew by bringing her flowers at work, which she proceeds to refuse. Meanwhile, Angie ends her relationship with Paulie. His father Lou (Anthony Quinn) finds Paulie in the bathroom and consoles him. When Angie returns home, a livid and racist Mike violently beats her for dating a black man and throws her out of the house.Flipper and Angie move in to an apartment together, where they subsequently encounter social problems including a failed dinner with Flipper's parents who disaprove of Flipper dating someone outside his race. These and other racial issues eventually strain relations between the couple. One night, things come to a head when the police almost arrest Flipper after receiving a wrongful report from another racist white person that "a white lady was being attacked" (this, due to somebody apparently having watched them in a compromising position over a car hood from a window, since it looked like he was forcing her). Afterwords, Flipper and Angie get into another huge argument when he tells her that he refuses to have half-blood children with her.When Paulie hears the confession from Angie about her affair with a black man, he is heartbroken. This, somehow, gives him the courage to ask a black female regular customer, named Orin Goode (Tyra Ferrell), out on a date. This puts him at odds with his own racist father and his friends, whom he gets into a fight with, although he winds up hurt himself. Orin turns down Paulie's request to go out on a date. When he pesters her, Orin tells him off by saying that her parents have forbidden her from dating a man outside her race and she will not defy her parents out of blind loyalty to them. Paulie finds himself more emotionally hurt and alone then ever.One night, a high-on-dope Gator storms into his parents house one night while the Reverend is away, demanding money from Lucinda while trashing the house. The Reverend arrives and threatens to shoot him if he doesn't leave. Gator turns to leave, but upon hearing the Reverend insult him, he turns around and threatens him. The Reverend tells Gator he is better off dead, and shoots him in the groin. Gator cries in pain as he slowly dies in his mother's arms. However, The Reverend shows a small sign of regret.Eventually, due to the great gap created between them two, Flipper admits that he was only curious about being with a white woman, and he tells Angie that she should accept she was also curious about black men. They break up and he leaves the appartment they were sharing. Angie returns to her father's house where she apologizes for getting into a romance with a man who's color skin is different. Mike welcomes Angie back awkwardly.In the end, Flipper is seen having sex with Drew again, but she is laughing and crying at the same time. When they finish, she sends him off. It is clear that they were obviously not back together and she only called him over for sex, with no seemingly immediate solution in regards to it. He kisses his daughter Ming (Veronica Timbers) goodbye and walks out to go home back to his parents house. Then, at the turn of the corner, a very young black girl asks him to let her do oral sex on him for two dollars. Stunned, Flipper embraces her and screams to the heavens: NOOOOOOO!!!!.(It was not clear whether the plot had leaped forward to some years later and this girl was Ming, or that he was only shocked to see this teenager whoring herself for drug money.) | Jungle Fever | 30d12d43-3e1d-a555-ed27-b321721ddcbc | Who shot and killed Gator? | [
"The Reverend"
] | false |
/m/016f62 | Flipper Purify (Wesley Snipes) is a successfully married African American man who works at an architectural firm in New York City. One day, an Italian American woman named Angela "Angie" Tucci (Annabella Sciorra) is hired as a temporary secretary at the place. Flipper complains to his partners Jerry (Tim Robbins) and Leslie (Brad Dourif) about wanting an African American secretary. They tell him that they want "the best human being for the job."When Flipper returns to his Harlem home after visiting his best friend Cyrus (Spike Lee), he tells his wife Drew (Lonette McKee) about his promotion. Drew tells him to be prepared if his promotion is declined, but Flipper tells her not to worry. Meanwhile, Angie returns to her Bensonhurst home, and cooks dinner for her father Mike (Frank Vincent) and her two brothers Charlie (David Dundara) and Jimmy (Michael Imperioli). Her boyfriend Paulie Carbone (John Turturro) arrives and takes her out on a date. Paulie is a regular Italian-American man who co-manages a grocery store in his and Angie's neighborhood.One night, Flipper and Angie are working late at the firm, and they start to have a conversation about cooking. They continue to work late and have dinner in his office and they have sex on a desk. The next day, Flipper doesn't say anything when he's walking his daughter to school. Later, at the office, he tells Jerry and Leslie that he wanted to be partner at the firm. After his offer is declined, he abruptly quits his job. Later that night at the park, Flipper admits his infidelity to Cyrus. Just then, Flipper's older brother Gator (Samuel L. Jackson) shows up with his girlfriend Vivian (Halle Berry). He asks Flipper for some money so he can feed his crack habit. Flipper initially refuses, but gives in eventually.Meanwhile, Angie tells her two girlfriends that she's seeing Flipper, shocking them when she tells them he is African American. She then tells them not to tell anybody. But her friends just cannot keep their gossipy mouths shut and they secretly tell one of Angie's brothers, who likewise, tells their father Mike.The next evening, Flipper and Angela are ignored by the racist staff at a local restaurant. He complains to an African-American waitress (Queen Latifah) about not being served, she in turn berates him for dating a white woman. Later, the rumors about them surface when Flipper comes home and sees a furious Drew throwing his things out of the second floor window, forcing him to move back in with his mother Lucinda (Ruby Dee) and his father the Good Reverend Doctor (Ossie Davis) in nearby Brooklyn. Later that night, he confronts Cyrus for betraying his trust. Cyrus admits that he told his wife Vera (Veronica Webb), but he didn't know that she would tell Drew (plus several other people in the neighborhood). Flipper insults Vera for her big mouth and inability to keep a secret which causes a rift in his friendship with Cyrus, who demands he apologize to Vera, but Flipper refuses. Shortly after, Flipper ends his friendship with Cyrus after seeing that although Cyrus does like and support Flipper, he will always side with his wife regardless of her actions.The next day, Flipper tries to make things up to Drew by bringing her flowers at work, which she proceeds to refuse. Meanwhile, Angie ends her relationship with Paulie. His father Lou (Anthony Quinn) finds Paulie in the bathroom and consoles him. When Angie returns home, a livid and racist Mike violently beats her for dating a black man and throws her out of the house.Flipper and Angie move in to an apartment together, where they subsequently encounter social problems including a failed dinner with Flipper's parents who disaprove of Flipper dating someone outside his race. These and other racial issues eventually strain relations between the couple. One night, things come to a head when the police almost arrest Flipper after receiving a wrongful report from another racist white person that "a white lady was being attacked" (this, due to somebody apparently having watched them in a compromising position over a car hood from a window, since it looked like he was forcing her). Afterwords, Flipper and Angie get into another huge argument when he tells her that he refuses to have half-blood children with her.When Paulie hears the confession from Angie about her affair with a black man, he is heartbroken. This, somehow, gives him the courage to ask a black female regular customer, named Orin Goode (Tyra Ferrell), out on a date. This puts him at odds with his own racist father and his friends, whom he gets into a fight with, although he winds up hurt himself. Orin turns down Paulie's request to go out on a date. When he pesters her, Orin tells him off by saying that her parents have forbidden her from dating a man outside her race and she will not defy her parents out of blind loyalty to them. Paulie finds himself more emotionally hurt and alone then ever.One night, a high-on-dope Gator storms into his parents house one night while the Reverend is away, demanding money from Lucinda while trashing the house. The Reverend arrives and threatens to shoot him if he doesn't leave. Gator turns to leave, but upon hearing the Reverend insult him, he turns around and threatens him. The Reverend tells Gator he is better off dead, and shoots him in the groin. Gator cries in pain as he slowly dies in his mother's arms. However, The Reverend shows a small sign of regret.Eventually, due to the great gap created between them two, Flipper admits that he was only curious about being with a white woman, and he tells Angie that she should accept she was also curious about black men. They break up and he leaves the appartment they were sharing. Angie returns to her father's house where she apologizes for getting into a romance with a man who's color skin is different. Mike welcomes Angie back awkwardly.In the end, Flipper is seen having sex with Drew again, but she is laughing and crying at the same time. When they finish, she sends him off. It is clear that they were obviously not back together and she only called him over for sex, with no seemingly immediate solution in regards to it. He kisses his daughter Ming (Veronica Timbers) goodbye and walks out to go home back to his parents house. Then, at the turn of the corner, a very young black girl asks him to let her do oral sex on him for two dollars. Stunned, Flipper embraces her and screams to the heavens: NOOOOOOO!!!!.(It was not clear whether the plot had leaped forward to some years later and this girl was Ming, or that he was only shocked to see this teenager whoring herself for drug money.) | Jungle Fever | 24759c08-543c-e6d9-200a-4ca4915e8010 | What do his friends taunt him? | [
"about wanting an African American secretary"
] | false |
/m/0g57b4q | The Mogamma on Tahrir Square, Cairo
The action primarily takes place in The Mogamma in Cairo, a well-known mammoth-sized government building that is a center of bureaucratic work.[2][3][4] Adel Imam's character, Ahmed, queues up at the Mogamma one day to try to get a school transfer for his children, but gets bogged down. Endless lines of citizens march through the building and up and down its iconic spiral staircases seeking help. One government worker frustrates Ahmed particularly, because he is constantly praying in a show of alleged piousness to avoid getting any work done. This leads to a scuffle between the two, and eventually Ahmed ends up with a rifle from a guard and shots are fired in the resulting confusion. A mass spontaneous evacuation of the building ensues, Ahmed inadvertently takes the building hostage, and subsequently is assumed to be a terrorist. He is joined in his "takeover" by a few other "misfits," including Hind, a prostitute played by Yousra.
Ahmed and his new compatriots negotiate with the Minister of Interior, who fears the building will be blown up, and he demands kebab for all the hostages, as meat is too expensive for most Egyptians. Writer Wahid Hamed has described the symbolic meaning of the demand: "People don't know what they want ... They are crushed, their dreams are impossible, they can't believe their demands can be fulfilled, so they ask for kebab."[5]
As the film draws to a close, Ahmed orders the "hostages" to leave the building, and he will wait behind to meet up with the military police now ready to swarm the building, assuming he will be killed. The crowd, however, insists that he leave with them. Ahmed walks out unnoticed among his former "hostages", and the commandos find the building empty.[2][6][7][8] | Terrorism and Kebab | af141e84-3807-7826-279f-50d35cd58eb5 | What do Ahmed and the hostiages demand for lunch? | [
"Kebab."
] | false |
/m/0g57b4q | The Mogamma on Tahrir Square, Cairo
The action primarily takes place in The Mogamma in Cairo, a well-known mammoth-sized government building that is a center of bureaucratic work.[2][3][4] Adel Imam's character, Ahmed, queues up at the Mogamma one day to try to get a school transfer for his children, but gets bogged down. Endless lines of citizens march through the building and up and down its iconic spiral staircases seeking help. One government worker frustrates Ahmed particularly, because he is constantly praying in a show of alleged piousness to avoid getting any work done. This leads to a scuffle between the two, and eventually Ahmed ends up with a rifle from a guard and shots are fired in the resulting confusion. A mass spontaneous evacuation of the building ensues, Ahmed inadvertently takes the building hostage, and subsequently is assumed to be a terrorist. He is joined in his "takeover" by a few other "misfits," including Hind, a prostitute played by Yousra.
Ahmed and his new compatriots negotiate with the Minister of Interior, who fears the building will be blown up, and he demands kebab for all the hostages, as meat is too expensive for most Egyptians. Writer Wahid Hamed has described the symbolic meaning of the demand: "People don't know what they want ... They are crushed, their dreams are impossible, they can't believe their demands can be fulfilled, so they ask for kebab."[5]
As the film draws to a close, Ahmed orders the "hostages" to leave the building, and he will wait behind to meet up with the military police now ready to swarm the building, assuming he will be killed. The crowd, however, insists that he leave with them. Ahmed walks out unnoticed among his former "hostages", and the commandos find the building empty.[2][6][7][8] | Terrorism and Kebab | a59e6072-5ddf-74ae-56c6-98a491116f84 | How does Ahmed what to be treated? | [
"He wants to be treated fairly."
] | false |
/m/0g57b4q | The Mogamma on Tahrir Square, Cairo
The action primarily takes place in The Mogamma in Cairo, a well-known mammoth-sized government building that is a center of bureaucratic work.[2][3][4] Adel Imam's character, Ahmed, queues up at the Mogamma one day to try to get a school transfer for his children, but gets bogged down. Endless lines of citizens march through the building and up and down its iconic spiral staircases seeking help. One government worker frustrates Ahmed particularly, because he is constantly praying in a show of alleged piousness to avoid getting any work done. This leads to a scuffle between the two, and eventually Ahmed ends up with a rifle from a guard and shots are fired in the resulting confusion. A mass spontaneous evacuation of the building ensues, Ahmed inadvertently takes the building hostage, and subsequently is assumed to be a terrorist. He is joined in his "takeover" by a few other "misfits," including Hind, a prostitute played by Yousra.
Ahmed and his new compatriots negotiate with the Minister of Interior, who fears the building will be blown up, and he demands kebab for all the hostages, as meat is too expensive for most Egyptians. Writer Wahid Hamed has described the symbolic meaning of the demand: "People don't know what they want ... They are crushed, their dreams are impossible, they can't believe their demands can be fulfilled, so they ask for kebab."[5]
As the film draws to a close, Ahmed orders the "hostages" to leave the building, and he will wait behind to meet up with the military police now ready to swarm the building, assuming he will be killed. The crowd, however, insists that he leave with them. Ahmed walks out unnoticed among his former "hostages", and the commandos find the building empty.[2][6][7][8] | Terrorism and Kebab | 98b0306c-fecd-2993-3da2-37e61b727daa | How many people die in this film? | [
"None."
] | false |
/m/0g57b4q | The Mogamma on Tahrir Square, Cairo
The action primarily takes place in The Mogamma in Cairo, a well-known mammoth-sized government building that is a center of bureaucratic work.[2][3][4] Adel Imam's character, Ahmed, queues up at the Mogamma one day to try to get a school transfer for his children, but gets bogged down. Endless lines of citizens march through the building and up and down its iconic spiral staircases seeking help. One government worker frustrates Ahmed particularly, because he is constantly praying in a show of alleged piousness to avoid getting any work done. This leads to a scuffle between the two, and eventually Ahmed ends up with a rifle from a guard and shots are fired in the resulting confusion. A mass spontaneous evacuation of the building ensues, Ahmed inadvertently takes the building hostage, and subsequently is assumed to be a terrorist. He is joined in his "takeover" by a few other "misfits," including Hind, a prostitute played by Yousra.
Ahmed and his new compatriots negotiate with the Minister of Interior, who fears the building will be blown up, and he demands kebab for all the hostages, as meat is too expensive for most Egyptians. Writer Wahid Hamed has described the symbolic meaning of the demand: "People don't know what they want ... They are crushed, their dreams are impossible, they can't believe their demands can be fulfilled, so they ask for kebab."[5]
As the film draws to a close, Ahmed orders the "hostages" to leave the building, and he will wait behind to meet up with the military police now ready to swarm the building, assuming he will be killed. The crowd, however, insists that he leave with them. Ahmed walks out unnoticed among his former "hostages", and the commandos find the building empty.[2][6][7][8] | Terrorism and Kebab | 9979c5b9-dd65-3e9d-f542-891e030074d2 | Who meets Ahmed in the hall to tell Ahmed that the employee likes to go to the toilet in fancier places? | [
"It is unknown from this passage."
] | false |
/m/0g57b4q | The Mogamma on Tahrir Square, Cairo
The action primarily takes place in The Mogamma in Cairo, a well-known mammoth-sized government building that is a center of bureaucratic work.[2][3][4] Adel Imam's character, Ahmed, queues up at the Mogamma one day to try to get a school transfer for his children, but gets bogged down. Endless lines of citizens march through the building and up and down its iconic spiral staircases seeking help. One government worker frustrates Ahmed particularly, because he is constantly praying in a show of alleged piousness to avoid getting any work done. This leads to a scuffle between the two, and eventually Ahmed ends up with a rifle from a guard and shots are fired in the resulting confusion. A mass spontaneous evacuation of the building ensues, Ahmed inadvertently takes the building hostage, and subsequently is assumed to be a terrorist. He is joined in his "takeover" by a few other "misfits," including Hind, a prostitute played by Yousra.
Ahmed and his new compatriots negotiate with the Minister of Interior, who fears the building will be blown up, and he demands kebab for all the hostages, as meat is too expensive for most Egyptians. Writer Wahid Hamed has described the symbolic meaning of the demand: "People don't know what they want ... They are crushed, their dreams are impossible, they can't believe their demands can be fulfilled, so they ask for kebab."[5]
As the film draws to a close, Ahmed orders the "hostages" to leave the building, and he will wait behind to meet up with the military police now ready to swarm the building, assuming he will be killed. The crowd, however, insists that he leave with them. Ahmed walks out unnoticed among his former "hostages", and the commandos find the building empty.[2][6][7][8] | Terrorism and Kebab | cd082de8-d5c8-a2ef-fb15-b6d3c27070bb | What is the name of the man who wants to transfer his children to another school? | [
"Ahmed"
] | false |
/m/0g57b4q | The Mogamma on Tahrir Square, Cairo
The action primarily takes place in The Mogamma in Cairo, a well-known mammoth-sized government building that is a center of bureaucratic work.[2][3][4] Adel Imam's character, Ahmed, queues up at the Mogamma one day to try to get a school transfer for his children, but gets bogged down. Endless lines of citizens march through the building and up and down its iconic spiral staircases seeking help. One government worker frustrates Ahmed particularly, because he is constantly praying in a show of alleged piousness to avoid getting any work done. This leads to a scuffle between the two, and eventually Ahmed ends up with a rifle from a guard and shots are fired in the resulting confusion. A mass spontaneous evacuation of the building ensues, Ahmed inadvertently takes the building hostage, and subsequently is assumed to be a terrorist. He is joined in his "takeover" by a few other "misfits," including Hind, a prostitute played by Yousra.
Ahmed and his new compatriots negotiate with the Minister of Interior, who fears the building will be blown up, and he demands kebab for all the hostages, as meat is too expensive for most Egyptians. Writer Wahid Hamed has described the symbolic meaning of the demand: "People don't know what they want ... They are crushed, their dreams are impossible, they can't believe their demands can be fulfilled, so they ask for kebab."[5]
As the film draws to a close, Ahmed orders the "hostages" to leave the building, and he will wait behind to meet up with the military police now ready to swarm the building, assuming he will be killed. The crowd, however, insists that he leave with them. Ahmed walks out unnoticed among his former "hostages", and the commandos find the building empty.[2][6][7][8] | Terrorism and Kebab | b1529594-c286-6b38-5f84-eea9baf29bb9 | what do ahmed and the hostages demand from the government for lunch? | [
"hey ask for kebab"
] | false |
/m/0g57b4q | The Mogamma on Tahrir Square, Cairo
The action primarily takes place in The Mogamma in Cairo, a well-known mammoth-sized government building that is a center of bureaucratic work.[2][3][4] Adel Imam's character, Ahmed, queues up at the Mogamma one day to try to get a school transfer for his children, but gets bogged down. Endless lines of citizens march through the building and up and down its iconic spiral staircases seeking help. One government worker frustrates Ahmed particularly, because he is constantly praying in a show of alleged piousness to avoid getting any work done. This leads to a scuffle between the two, and eventually Ahmed ends up with a rifle from a guard and shots are fired in the resulting confusion. A mass spontaneous evacuation of the building ensues, Ahmed inadvertently takes the building hostage, and subsequently is assumed to be a terrorist. He is joined in his "takeover" by a few other "misfits," including Hind, a prostitute played by Yousra.
Ahmed and his new compatriots negotiate with the Minister of Interior, who fears the building will be blown up, and he demands kebab for all the hostages, as meat is too expensive for most Egyptians. Writer Wahid Hamed has described the symbolic meaning of the demand: "People don't know what they want ... They are crushed, their dreams are impossible, they can't believe their demands can be fulfilled, so they ask for kebab."[5]
As the film draws to a close, Ahmed orders the "hostages" to leave the building, and he will wait behind to meet up with the military police now ready to swarm the building, assuming he will be killed. The crowd, however, insists that he leave with them. Ahmed walks out unnoticed among his former "hostages", and the commandos find the building empty.[2][6][7][8] | Terrorism and Kebab | f61f564b-a930-96a5-6ec9-ccf0174a27de | who dies in this film? | [
"No one"
] | false |
/m/0g57b4q | The Mogamma on Tahrir Square, Cairo
The action primarily takes place in The Mogamma in Cairo, a well-known mammoth-sized government building that is a center of bureaucratic work.[2][3][4] Adel Imam's character, Ahmed, queues up at the Mogamma one day to try to get a school transfer for his children, but gets bogged down. Endless lines of citizens march through the building and up and down its iconic spiral staircases seeking help. One government worker frustrates Ahmed particularly, because he is constantly praying in a show of alleged piousness to avoid getting any work done. This leads to a scuffle between the two, and eventually Ahmed ends up with a rifle from a guard and shots are fired in the resulting confusion. A mass spontaneous evacuation of the building ensues, Ahmed inadvertently takes the building hostage, and subsequently is assumed to be a terrorist. He is joined in his "takeover" by a few other "misfits," including Hind, a prostitute played by Yousra.
Ahmed and his new compatriots negotiate with the Minister of Interior, who fears the building will be blown up, and he demands kebab for all the hostages, as meat is too expensive for most Egyptians. Writer Wahid Hamed has described the symbolic meaning of the demand: "People don't know what they want ... They are crushed, their dreams are impossible, they can't believe their demands can be fulfilled, so they ask for kebab."[5]
As the film draws to a close, Ahmed orders the "hostages" to leave the building, and he will wait behind to meet up with the military police now ready to swarm the building, assuming he will be killed. The crowd, however, insists that he leave with them. Ahmed walks out unnoticed among his former "hostages", and the commandos find the building empty.[2][6][7][8] | Terrorism and Kebab | 3bc88d5e-dc9b-f736-d373-a32dd1102e1a | ahmed does not have official demands but instead he wants what from the government? | [
"kebab"
] | false |
/m/0g57b4q | The Mogamma on Tahrir Square, Cairo
The action primarily takes place in The Mogamma in Cairo, a well-known mammoth-sized government building that is a center of bureaucratic work.[2][3][4] Adel Imam's character, Ahmed, queues up at the Mogamma one day to try to get a school transfer for his children, but gets bogged down. Endless lines of citizens march through the building and up and down its iconic spiral staircases seeking help. One government worker frustrates Ahmed particularly, because he is constantly praying in a show of alleged piousness to avoid getting any work done. This leads to a scuffle between the two, and eventually Ahmed ends up with a rifle from a guard and shots are fired in the resulting confusion. A mass spontaneous evacuation of the building ensues, Ahmed inadvertently takes the building hostage, and subsequently is assumed to be a terrorist. He is joined in his "takeover" by a few other "misfits," including Hind, a prostitute played by Yousra.
Ahmed and his new compatriots negotiate with the Minister of Interior, who fears the building will be blown up, and he demands kebab for all the hostages, as meat is too expensive for most Egyptians. Writer Wahid Hamed has described the symbolic meaning of the demand: "People don't know what they want ... They are crushed, their dreams are impossible, they can't believe their demands can be fulfilled, so they ask for kebab."[5]
As the film draws to a close, Ahmed orders the "hostages" to leave the building, and he will wait behind to meet up with the military police now ready to swarm the building, assuming he will be killed. The crowd, however, insists that he leave with them. Ahmed walks out unnoticed among his former "hostages", and the commandos find the building empty.[2][6][7][8] | Terrorism and Kebab | 8bd6a266-fd05-9bcb-819e-a89cb716688c | who is trying to complete paperwork to transfer his children to another school? | [
"Ahmed"
] | false |
/m/0g57b4q | The Mogamma on Tahrir Square, Cairo
The action primarily takes place in The Mogamma in Cairo, a well-known mammoth-sized government building that is a center of bureaucratic work.[2][3][4] Adel Imam's character, Ahmed, queues up at the Mogamma one day to try to get a school transfer for his children, but gets bogged down. Endless lines of citizens march through the building and up and down its iconic spiral staircases seeking help. One government worker frustrates Ahmed particularly, because he is constantly praying in a show of alleged piousness to avoid getting any work done. This leads to a scuffle between the two, and eventually Ahmed ends up with a rifle from a guard and shots are fired in the resulting confusion. A mass spontaneous evacuation of the building ensues, Ahmed inadvertently takes the building hostage, and subsequently is assumed to be a terrorist. He is joined in his "takeover" by a few other "misfits," including Hind, a prostitute played by Yousra.
Ahmed and his new compatriots negotiate with the Minister of Interior, who fears the building will be blown up, and he demands kebab for all the hostages, as meat is too expensive for most Egyptians. Writer Wahid Hamed has described the symbolic meaning of the demand: "People don't know what they want ... They are crushed, their dreams are impossible, they can't believe their demands can be fulfilled, so they ask for kebab."[5]
As the film draws to a close, Ahmed orders the "hostages" to leave the building, and he will wait behind to meet up with the military police now ready to swarm the building, assuming he will be killed. The crowd, however, insists that he leave with them. Ahmed walks out unnoticed among his former "hostages", and the commandos find the building empty.[2][6][7][8] | Terrorism and Kebab | a43ecacd-2310-12c4-cc5e-fa6d8569ca4d | Why does Ahmed go to the government building? | [
"To get a school transfer for his children."
] | false |
/m/05c5z8j | Both the UK and the US are hinting at a military intervention in the Middle East. During a radio interview on BBC Radio 4's PM programme, Minister for International Development Simon Foster (Tom Hollander) unintentionally states that a war in the Middle East is "unforeseeable". The Prime Minister's Director of Communications, Malcolm Tucker (Peter Capaldi) scolds Simon and tells him to toe the line of intervention.
Joining the department on his first day, Simon's new aide Toby Wright (Chris Addison) manages to get him into the Foreign Office meeting that day with the help of his girlfriend Suzy (Olivia Poulet), who works there. Leading the meeting is the US Assistant Secretary of State for Diplomacy Karen Clarke (Mimi Kennedy), who is against military intervention and flags a report by her assistant Liza Weld (Anna Chlumsky) titled "Post-War Planning, Parameters, Implications and Possibilities" (PWPPIP). The report heavily opposes intervention, noting the lack of intelligence except that which is coming from an unsubstantiated source known as "Iceman". Also during the committee it is hinted at that the US Assistant Secretary of State for Policy, Linton Barwick (David Rasche), may have set up a secret war committee. After the meeting, Simon is ambushed by reporters and contradicts his previous statements by saying the government has to be prepared to "climb the mountain of conflict." Malcolm again scolds him for making too many waves.
Returning to the US, Karen and Liza figure out that Linton has created a war committee under the guise of Future Planning. At a party Karen teams up with General George Miller (James Gandolfini), who opposes the war as the US hasn't enough troops to succeed. She tells him that they could use Simon on the committee as he would "internationalise the dissent". While on a fact-finding mission in Washington, Simon and Toby are invited by Karen to the Future Planning committee. Toby accidentally leaks the details of the meeting to a friend at CNN before meeting up with Liza at a bar; they end up sleeping together. Due to Toby's leak the Future Planning committee is swamped, but Karen and George fail to find out anything about the war. Both Karen and Linton turn to Simon to back their respective causes, but he struggles to say anything meaningful and ultimately does not take a side. In the meantime, Malcolm, also in the US, is diverted by Linton to the White House for a fake briefing. He confronts Linton, who tells him that he has to supply the US with the British intelligence on the situation in the Middle East, with which Linton will influence the vote on intervention.
Back in the UK, Simon attends a surgery in his constituency of Northampton, where he is harassed by one constituent, Paul Michaelson (Steve Coogan), about a wall of Simon's constituency office, which is on the verge of collapsing into his mother's garden. News of this reaches the papers, who criticise Simon for not acting on the issue. Suzy finds out about Toby's one-night-stand with Liza and they break up. When leaving their apartment he gives her a copy of PWPPIP to leak if she chooses, but she calls him a coward for not doing it himself.
The President rushes forward the security council vote on military intervention by vetoing tariffs on Chinese imports. Despite being invited along by the Prime Minister, Simon tells his Director of Communications Judy Molloy (Gina McKee) to send out hints that he'll resign if the committee votes in favour. The press runs with the story, and Simon quickly begins to resent it. Once at the UN Headquarters Malcolm gets word that PWPPIP has been leaked, making a yes vote unlikely. It is later revealed that Michael Rodgers (James Smith) of the Foreign Office accidentally leaked it, not realising its importance. George and Karen praise Simon for his resignation, which they plan to do themselves in protest; Simon unsuccessfully attempts to suggest he is only pretending to resign. Malcolm convinces the UK Ambassador Jonathan Tutt (Alex MacQueen) to push the meeting forward so the leak won't have time to spread in the US. However, Linton asserts his dominance over Malcolm by telling him that the British intelligence has to be handed over before a vote can be taken. Unable to make Jonathan reverse his changes and delay the meeting, Malcolm, with the help of Senior Press Officer Jamie McDonald (Paul Higgins), fabricates the details of PWPPIP by forcing Michael to remove all the arguments against intervention and presenting it as the intelligence. Subsequently the committee votes in favour of intervention.
After the vote, George informs Karen that he isn't going to resign now that the war is happening, infuriating her. Simon realises his resignation from the Cabinet is inevitable, but before he gets the chance to do so Malcolmâapparently on the behalf of the Prime Ministerâfires him over his failure to prevent the collapse of Paul's wall, which he managed to make a headline on BBC News. He also tells Simon that he cannot take any sort of stand on the war anymore, as he has contradicted himself too many times. Simon is reduced to mundane constituency business. A new Minister for International Development arrives at the office. | In the Loop | d9abf7bb-8da2-4589-4418-62171989ef7e | Who plays Simon foster? | [
"Tom Hollander"
] | false |
/m/05c5z8j | Both the UK and the US are hinting at a military intervention in the Middle East. During a radio interview on BBC Radio 4's PM programme, Minister for International Development Simon Foster (Tom Hollander) unintentionally states that a war in the Middle East is "unforeseeable". The Prime Minister's Director of Communications, Malcolm Tucker (Peter Capaldi) scolds Simon and tells him to toe the line of intervention.
Joining the department on his first day, Simon's new aide Toby Wright (Chris Addison) manages to get him into the Foreign Office meeting that day with the help of his girlfriend Suzy (Olivia Poulet), who works there. Leading the meeting is the US Assistant Secretary of State for Diplomacy Karen Clarke (Mimi Kennedy), who is against military intervention and flags a report by her assistant Liza Weld (Anna Chlumsky) titled "Post-War Planning, Parameters, Implications and Possibilities" (PWPPIP). The report heavily opposes intervention, noting the lack of intelligence except that which is coming from an unsubstantiated source known as "Iceman". Also during the committee it is hinted at that the US Assistant Secretary of State for Policy, Linton Barwick (David Rasche), may have set up a secret war committee. After the meeting, Simon is ambushed by reporters and contradicts his previous statements by saying the government has to be prepared to "climb the mountain of conflict." Malcolm again scolds him for making too many waves.
Returning to the US, Karen and Liza figure out that Linton has created a war committee under the guise of Future Planning. At a party Karen teams up with General George Miller (James Gandolfini), who opposes the war as the US hasn't enough troops to succeed. She tells him that they could use Simon on the committee as he would "internationalise the dissent". While on a fact-finding mission in Washington, Simon and Toby are invited by Karen to the Future Planning committee. Toby accidentally leaks the details of the meeting to a friend at CNN before meeting up with Liza at a bar; they end up sleeping together. Due to Toby's leak the Future Planning committee is swamped, but Karen and George fail to find out anything about the war. Both Karen and Linton turn to Simon to back their respective causes, but he struggles to say anything meaningful and ultimately does not take a side. In the meantime, Malcolm, also in the US, is diverted by Linton to the White House for a fake briefing. He confronts Linton, who tells him that he has to supply the US with the British intelligence on the situation in the Middle East, with which Linton will influence the vote on intervention.
Back in the UK, Simon attends a surgery in his constituency of Northampton, where he is harassed by one constituent, Paul Michaelson (Steve Coogan), about a wall of Simon's constituency office, which is on the verge of collapsing into his mother's garden. News of this reaches the papers, who criticise Simon for not acting on the issue. Suzy finds out about Toby's one-night-stand with Liza and they break up. When leaving their apartment he gives her a copy of PWPPIP to leak if she chooses, but she calls him a coward for not doing it himself.
The President rushes forward the security council vote on military intervention by vetoing tariffs on Chinese imports. Despite being invited along by the Prime Minister, Simon tells his Director of Communications Judy Molloy (Gina McKee) to send out hints that he'll resign if the committee votes in favour. The press runs with the story, and Simon quickly begins to resent it. Once at the UN Headquarters Malcolm gets word that PWPPIP has been leaked, making a yes vote unlikely. It is later revealed that Michael Rodgers (James Smith) of the Foreign Office accidentally leaked it, not realising its importance. George and Karen praise Simon for his resignation, which they plan to do themselves in protest; Simon unsuccessfully attempts to suggest he is only pretending to resign. Malcolm convinces the UK Ambassador Jonathan Tutt (Alex MacQueen) to push the meeting forward so the leak won't have time to spread in the US. However, Linton asserts his dominance over Malcolm by telling him that the British intelligence has to be handed over before a vote can be taken. Unable to make Jonathan reverse his changes and delay the meeting, Malcolm, with the help of Senior Press Officer Jamie McDonald (Paul Higgins), fabricates the details of PWPPIP by forcing Michael to remove all the arguments against intervention and presenting it as the intelligence. Subsequently the committee votes in favour of intervention.
After the vote, George informs Karen that he isn't going to resign now that the war is happening, infuriating her. Simon realises his resignation from the Cabinet is inevitable, but before he gets the chance to do so Malcolmâapparently on the behalf of the Prime Ministerâfires him over his failure to prevent the collapse of Paul's wall, which he managed to make a headline on BBC News. He also tells Simon that he cannot take any sort of stand on the war anymore, as he has contradicted himself too many times. Simon is reduced to mundane constituency business. A new Minister for International Development arrives at the office. | In the Loop | b3280ced-2c18-fccb-c325-1baa8d3bcb7c | Who plays us general Miller? | [
"James Gandolfini"
] | false |
/m/05c5z8j | Both the UK and the US are hinting at a military intervention in the Middle East. During a radio interview on BBC Radio 4's PM programme, Minister for International Development Simon Foster (Tom Hollander) unintentionally states that a war in the Middle East is "unforeseeable". The Prime Minister's Director of Communications, Malcolm Tucker (Peter Capaldi) scolds Simon and tells him to toe the line of intervention.
Joining the department on his first day, Simon's new aide Toby Wright (Chris Addison) manages to get him into the Foreign Office meeting that day with the help of his girlfriend Suzy (Olivia Poulet), who works there. Leading the meeting is the US Assistant Secretary of State for Diplomacy Karen Clarke (Mimi Kennedy), who is against military intervention and flags a report by her assistant Liza Weld (Anna Chlumsky) titled "Post-War Planning, Parameters, Implications and Possibilities" (PWPPIP). The report heavily opposes intervention, noting the lack of intelligence except that which is coming from an unsubstantiated source known as "Iceman". Also during the committee it is hinted at that the US Assistant Secretary of State for Policy, Linton Barwick (David Rasche), may have set up a secret war committee. After the meeting, Simon is ambushed by reporters and contradicts his previous statements by saying the government has to be prepared to "climb the mountain of conflict." Malcolm again scolds him for making too many waves.
Returning to the US, Karen and Liza figure out that Linton has created a war committee under the guise of Future Planning. At a party Karen teams up with General George Miller (James Gandolfini), who opposes the war as the US hasn't enough troops to succeed. She tells him that they could use Simon on the committee as he would "internationalise the dissent". While on a fact-finding mission in Washington, Simon and Toby are invited by Karen to the Future Planning committee. Toby accidentally leaks the details of the meeting to a friend at CNN before meeting up with Liza at a bar; they end up sleeping together. Due to Toby's leak the Future Planning committee is swamped, but Karen and George fail to find out anything about the war. Both Karen and Linton turn to Simon to back their respective causes, but he struggles to say anything meaningful and ultimately does not take a side. In the meantime, Malcolm, also in the US, is diverted by Linton to the White House for a fake briefing. He confronts Linton, who tells him that he has to supply the US with the British intelligence on the situation in the Middle East, with which Linton will influence the vote on intervention.
Back in the UK, Simon attends a surgery in his constituency of Northampton, where he is harassed by one constituent, Paul Michaelson (Steve Coogan), about a wall of Simon's constituency office, which is on the verge of collapsing into his mother's garden. News of this reaches the papers, who criticise Simon for not acting on the issue. Suzy finds out about Toby's one-night-stand with Liza and they break up. When leaving their apartment he gives her a copy of PWPPIP to leak if she chooses, but she calls him a coward for not doing it himself.
The President rushes forward the security council vote on military intervention by vetoing tariffs on Chinese imports. Despite being invited along by the Prime Minister, Simon tells his Director of Communications Judy Molloy (Gina McKee) to send out hints that he'll resign if the committee votes in favour. The press runs with the story, and Simon quickly begins to resent it. Once at the UN Headquarters Malcolm gets word that PWPPIP has been leaked, making a yes vote unlikely. It is later revealed that Michael Rodgers (James Smith) of the Foreign Office accidentally leaked it, not realising its importance. George and Karen praise Simon for his resignation, which they plan to do themselves in protest; Simon unsuccessfully attempts to suggest he is only pretending to resign. Malcolm convinces the UK Ambassador Jonathan Tutt (Alex MacQueen) to push the meeting forward so the leak won't have time to spread in the US. However, Linton asserts his dominance over Malcolm by telling him that the British intelligence has to be handed over before a vote can be taken. Unable to make Jonathan reverse his changes and delay the meeting, Malcolm, with the help of Senior Press Officer Jamie McDonald (Paul Higgins), fabricates the details of PWPPIP by forcing Michael to remove all the arguments against intervention and presenting it as the intelligence. Subsequently the committee votes in favour of intervention.
After the vote, George informs Karen that he isn't going to resign now that the war is happening, infuriating her. Simon realises his resignation from the Cabinet is inevitable, but before he gets the chance to do so Malcolmâapparently on the behalf of the Prime Ministerâfires him over his failure to prevent the collapse of Paul's wall, which he managed to make a headline on BBC News. He also tells Simon that he cannot take any sort of stand on the war anymore, as he has contradicted himself too many times. Simon is reduced to mundane constituency business. A new Minister for International Development arrives at the office. | In the Loop | 4ccfde19-9b4e-26e3-67ef-d49f6b347599 | Who fancy a war? | [
"The US and UK"
] | false |
/m/041t2d | The movie opens up with credits while we hear Trevor Reznik (Christian Bale) grappling with something large and heavy. He drives his truck near a dam and would appear to have a body wrapped in a carpet to dispose of. He panics when someone starts to come closer, holding a flashlight. He pushes the carpet down and it starts to unroll. Just then, the man with the flashlight catches up to him and says, "Who are you?"Trevor washes his hands with bleach in his bathroom sink. He looks up at his own gaunt face in the mirror-- stuck to the mirror he sees a post-it note that says "Who Are You?"Trevor is with Stevie (Jennifer Jason Leigh), a call-girl. They've finished making love at her place, and Trevor washes up. She pokes fun at his extremely low weight. He creeps her (and the rest of the audience) out by sucking in his stomach and arching his back to show his bones sticking out. He walks out the door, leaving a tip in her jar.Trevor goes to work at an unspecified industrial job where he is a. . . machinist. Trevor has a contentious relationship with the foreman, Tucker, because he likes to quote and apprise his co-workers of OSHA laws that Tucker would prefer to disregard. After work Trevor and his co-workers talk trash in the locker room while changing out of their coveralls. Jones (Reg E. Cathey) invites Trevor to play cards with the boys but Trevor declines, and Jones remarks that Trevor doesn't socialize the way he used to, another clue that all is not right in Trevor's world.Trevor is now at an airport diner, chatting and flirting with a divorced waitress named Marie (Aitana Sánchez Gijón). He takes a look at the clock, which reads 1:30 am. She wants to know why Trevor shows up at the airport so late at night and teasingly asks if he's running away from something. Marie echoes Stevie's concerns about Trevor's skeletal physique: "if you were any thinner, you wouldn't exist." He eventually finds his way back to Stevie. During their pillow talk, he reveals to her that he hasn't slept in one year.One afternoon after work, Trevor goes out for a smoke. While in his truck, he hears someone say that a storm is coming. He looks over and sees a stocky bald man leaning into his window. He introduces himself as Ivan (John Sharian). He says he is a new worker, covering for Trevor's friend, Reynolds.Back on shift, Trevor and his co-worker Miller (Michael Ironside) are fixing a machine. Trevor looks over at Ivan, who makes a throat-slashing gesture. Trevor takes a step back and his shoulder hits a button that turns on the machine. Miller's arm is caught and slowly entering it. They try to turn off the machine and free him, but can't do it in time. Miller's arm is torn from his body, and seen still spinning around in the machine minus Miller. They call for an ambulance and Trevor goes into his boss's office. They ask him what happened. He says Ivan must have distracted him. His boss seems puzzled. They have no employees named Ivan.Trevor sees Ivan leaving in his red sports-car and follows him. He pulls up next to him in traffic and says they need to talk. They go into a bar, where Trevor confronts Ivan with the fact that no one at the factory has ever heard of him. Ivan insists that he does indeed work there and that maybe Trevor's boss and co-workers are playing a joke on him. Ivan also shows Trevor that his own hand was maimed on a machine. After losing his fingers, doctors replaced his thumb with a big toe and his pinky finger with his baby toe, resulting in a grotesque deformity. Ivan excuses himself to go to the restroom, leaving his wallet behind, which Trevor opens. He sees a picture of Ivan and Reynolds fishing. He keeps it as proof that Reynolds knows Ivan.Back at work his co-workers are angry with him, seeing him as a jinx. They say they do not trust him anymore.During the next couple of days Trevor is perplexed when post-its start to appear on his fridge. They resemble a game of 'hangman.' The first has six blanks to fill with letters. Trevor has no idea what is going on. Later on the next day, the blanks read _ _ _ _ E-R.On Mother's Day, Trevor accompanies Marie and her son Nicholas (Mathew Romero Moore) to an amusement park. Marie's cel rings and she excuses herself to talk to the caller, "Probably my ex." Nicholas convinces Trevor to take him on a scary ride called Route 66. The scares become increasingly bizarre and graphic, and at the end of the ride, rapidly flashing lights cause Nicholas to suffer a seizure. Trevor feels terrible about taking Nicholas on the adult ride, but Marie seems quite forgiving about the whole thing and assures Trevor that when Nicholas wakes up, "it will be as if nothing ever happened." They go back to her place and have some wine. He goes to the kitchen and sees that the clock reads 1:30 and there's a Mother's Day card magnetized to the refrigerator that Nicholas gave to Marie. He notices that his handwriting matches the "ER" in his last hangman post-it. When he goes back home, he makes a guess and fills in MOTHER. He looks at an old photo album of his own mother and sees a picture that eerily resembles the one he took of Nicholas and Marie earlier.Back at work, Miller comes by to get his settlement check and seems good-natured about the accident. He tells Trevor that he's very happy with the financial compensation the company has awarded him. However, Trevor almost gets into an accident himself, which nearly costs his arm. He starts to become paranoid, wondering if his co-workers have it out for him. Staring at the hangman's game at his apartment, he makes another guess: MILLER.He visits Miller's home to demand answers. Trevor accuses Miller of trying to get revenge. Miller doesn't understand why Trevor's so upset but eventually he gets tired of Trevor screaming at him, punches Trevor in the gut and tells him to leave. Afterwards Trevor sees Ivan leaving the scene and he pursues him by car, but Ivan escapes. Trevor is starting to believe there is a conspiracy against him.Trevor goes back to Stevie's for sex. Afterwards we can see that they have feelings for each other. After some talking, she tells him she wants to quit hooking and start a relationship with him, which is what Trevor wants as well.He goes back to the airport diner to see Marie. The scene looks much different-- it's now crowded, noisy and dimly lit. The frumpy waitress behind the counter tells Trevor that nobody named Marie works there. Trevor starts to freak out and yells at the waitress and the customers. He accuses them all of playing along in the conspiracy. In the airport parking garage, he spots Ivan driving off again. He slowly tails him.He memorizes Ivan's plate numbers but loses sight of the car in a near accident. He then goes to the Department of Motor Vehicles to see if he can get Ivan's contact information. The DMV won't help him unless he has a criminal complaint to file. Trevor jumps in front of an oncoming car so he can go to the police and pretend to be the victim of a hit and run, giving Ivan's license plate. A detective informs Trevor that the plates belong to a car that was owned by Trevor and reported completely destroyed by him one year before. The cops accuse him of pranking them. Trevor is confused and runs off. The cops give chase through some subway tunnels, but he escapes.Trevor stumbles back to Stevie's. She is dismayed by the extent of his injuries and urges him to see a doctor, which he refuses to do. Stevie is ready to let Trevor move in with her and find a regular job, until Trevor spots the picture of Ivan with Reynolds, and accuses Stevie of plotting against him with Ivan. Stevie tells him the photo is of Reynolds and none other than Trevor himself. She also has no idea who Ivan is. She says that Trevor left the picture after his last visit. Trevor becomes enraged and calls Stevie a whore, to which she replies that Trevor is a psycho and that must be why he avoids doctors. She slaps him and throws him out. He drives back to his apartment building, only to find Ivan and Nicholas already going inside. He follows and has a fight with Ivan. He manages to cut his throat but can't find Nicholas.This puts Trevor back where he was at the beginning of the film. Trevor rolls Ivan's body up in a carpet and tries to dump it, but discovers that when the carpet unravels, it is empty. The man approaching with the flashlight is Ivan. He asks "Who are you?"Back at Trevor's place, he washes his hands with bleach. He sees the post-it that asks "Who are you?" Reflected in the mirror, he can see Ivan standing behind him. Trevor starts to cry.He repeatedly says "I know who you are."In a flashback from more than a year ago, we see a healthy Trevor driving the same red sports car he saw Ivan driving. The time is 1:30 pm. As he approaches an intersection, he tries to light his cigarette and is distracted when he drops the lighter on the floor. He ends up hitting and killing Nicholas as the boy crosses the street. Marie runs to her child. Trevor flees the scene.Back in the present, Trevor completes the hangman game and figures out who he is. It says KILLER. His guilt has caused his insomnia and trip into madness, which created Ivan. He never knew Marie and Nicholas (if those are their real names). He takes a trip downtown to a police station, where he says "I'd like to report a hit and run," and turns himself in.The cops want to know if he wants to make a statement or phone call. He says "Later. I just want to get some sleep right now."As he sits in his cell, he finally starts to doze off. The last image we see is a flashback of a distraught Trevor, driving down a road after the hit and run. Fade to white. | The Machinist | 255b13df-5cba-dc4e-1eaf-4fce7a79c447 | A mysterious series of post-it notes depicting what game appear on the refrigerator? | [
"Hangman",
"hangman"
] | false |
/m/041t2d | The movie opens up with credits while we hear Trevor Reznik (Christian Bale) grappling with something large and heavy. He drives his truck near a dam and would appear to have a body wrapped in a carpet to dispose of. He panics when someone starts to come closer, holding a flashlight. He pushes the carpet down and it starts to unroll. Just then, the man with the flashlight catches up to him and says, "Who are you?"Trevor washes his hands with bleach in his bathroom sink. He looks up at his own gaunt face in the mirror-- stuck to the mirror he sees a post-it note that says "Who Are You?"Trevor is with Stevie (Jennifer Jason Leigh), a call-girl. They've finished making love at her place, and Trevor washes up. She pokes fun at his extremely low weight. He creeps her (and the rest of the audience) out by sucking in his stomach and arching his back to show his bones sticking out. He walks out the door, leaving a tip in her jar.Trevor goes to work at an unspecified industrial job where he is a. . . machinist. Trevor has a contentious relationship with the foreman, Tucker, because he likes to quote and apprise his co-workers of OSHA laws that Tucker would prefer to disregard. After work Trevor and his co-workers talk trash in the locker room while changing out of their coveralls. Jones (Reg E. Cathey) invites Trevor to play cards with the boys but Trevor declines, and Jones remarks that Trevor doesn't socialize the way he used to, another clue that all is not right in Trevor's world.Trevor is now at an airport diner, chatting and flirting with a divorced waitress named Marie (Aitana Sánchez Gijón). He takes a look at the clock, which reads 1:30 am. She wants to know why Trevor shows up at the airport so late at night and teasingly asks if he's running away from something. Marie echoes Stevie's concerns about Trevor's skeletal physique: "if you were any thinner, you wouldn't exist." He eventually finds his way back to Stevie. During their pillow talk, he reveals to her that he hasn't slept in one year.One afternoon after work, Trevor goes out for a smoke. While in his truck, he hears someone say that a storm is coming. He looks over and sees a stocky bald man leaning into his window. He introduces himself as Ivan (John Sharian). He says he is a new worker, covering for Trevor's friend, Reynolds.Back on shift, Trevor and his co-worker Miller (Michael Ironside) are fixing a machine. Trevor looks over at Ivan, who makes a throat-slashing gesture. Trevor takes a step back and his shoulder hits a button that turns on the machine. Miller's arm is caught and slowly entering it. They try to turn off the machine and free him, but can't do it in time. Miller's arm is torn from his body, and seen still spinning around in the machine minus Miller. They call for an ambulance and Trevor goes into his boss's office. They ask him what happened. He says Ivan must have distracted him. His boss seems puzzled. They have no employees named Ivan.Trevor sees Ivan leaving in his red sports-car and follows him. He pulls up next to him in traffic and says they need to talk. They go into a bar, where Trevor confronts Ivan with the fact that no one at the factory has ever heard of him. Ivan insists that he does indeed work there and that maybe Trevor's boss and co-workers are playing a joke on him. Ivan also shows Trevor that his own hand was maimed on a machine. After losing his fingers, doctors replaced his thumb with a big toe and his pinky finger with his baby toe, resulting in a grotesque deformity. Ivan excuses himself to go to the restroom, leaving his wallet behind, which Trevor opens. He sees a picture of Ivan and Reynolds fishing. He keeps it as proof that Reynolds knows Ivan.Back at work his co-workers are angry with him, seeing him as a jinx. They say they do not trust him anymore.During the next couple of days Trevor is perplexed when post-its start to appear on his fridge. They resemble a game of 'hangman.' The first has six blanks to fill with letters. Trevor has no idea what is going on. Later on the next day, the blanks read _ _ _ _ E-R.On Mother's Day, Trevor accompanies Marie and her son Nicholas (Mathew Romero Moore) to an amusement park. Marie's cel rings and she excuses herself to talk to the caller, "Probably my ex." Nicholas convinces Trevor to take him on a scary ride called Route 66. The scares become increasingly bizarre and graphic, and at the end of the ride, rapidly flashing lights cause Nicholas to suffer a seizure. Trevor feels terrible about taking Nicholas on the adult ride, but Marie seems quite forgiving about the whole thing and assures Trevor that when Nicholas wakes up, "it will be as if nothing ever happened." They go back to her place and have some wine. He goes to the kitchen and sees that the clock reads 1:30 and there's a Mother's Day card magnetized to the refrigerator that Nicholas gave to Marie. He notices that his handwriting matches the "ER" in his last hangman post-it. When he goes back home, he makes a guess and fills in MOTHER. He looks at an old photo album of his own mother and sees a picture that eerily resembles the one he took of Nicholas and Marie earlier.Back at work, Miller comes by to get his settlement check and seems good-natured about the accident. He tells Trevor that he's very happy with the financial compensation the company has awarded him. However, Trevor almost gets into an accident himself, which nearly costs his arm. He starts to become paranoid, wondering if his co-workers have it out for him. Staring at the hangman's game at his apartment, he makes another guess: MILLER.He visits Miller's home to demand answers. Trevor accuses Miller of trying to get revenge. Miller doesn't understand why Trevor's so upset but eventually he gets tired of Trevor screaming at him, punches Trevor in the gut and tells him to leave. Afterwards Trevor sees Ivan leaving the scene and he pursues him by car, but Ivan escapes. Trevor is starting to believe there is a conspiracy against him.Trevor goes back to Stevie's for sex. Afterwards we can see that they have feelings for each other. After some talking, she tells him she wants to quit hooking and start a relationship with him, which is what Trevor wants as well.He goes back to the airport diner to see Marie. The scene looks much different-- it's now crowded, noisy and dimly lit. The frumpy waitress behind the counter tells Trevor that nobody named Marie works there. Trevor starts to freak out and yells at the waitress and the customers. He accuses them all of playing along in the conspiracy. In the airport parking garage, he spots Ivan driving off again. He slowly tails him.He memorizes Ivan's plate numbers but loses sight of the car in a near accident. He then goes to the Department of Motor Vehicles to see if he can get Ivan's contact information. The DMV won't help him unless he has a criminal complaint to file. Trevor jumps in front of an oncoming car so he can go to the police and pretend to be the victim of a hit and run, giving Ivan's license plate. A detective informs Trevor that the plates belong to a car that was owned by Trevor and reported completely destroyed by him one year before. The cops accuse him of pranking them. Trevor is confused and runs off. The cops give chase through some subway tunnels, but he escapes.Trevor stumbles back to Stevie's. She is dismayed by the extent of his injuries and urges him to see a doctor, which he refuses to do. Stevie is ready to let Trevor move in with her and find a regular job, until Trevor spots the picture of Ivan with Reynolds, and accuses Stevie of plotting against him with Ivan. Stevie tells him the photo is of Reynolds and none other than Trevor himself. She also has no idea who Ivan is. She says that Trevor left the picture after his last visit. Trevor becomes enraged and calls Stevie a whore, to which she replies that Trevor is a psycho and that must be why he avoids doctors. She slaps him and throws him out. He drives back to his apartment building, only to find Ivan and Nicholas already going inside. He follows and has a fight with Ivan. He manages to cut his throat but can't find Nicholas.This puts Trevor back where he was at the beginning of the film. Trevor rolls Ivan's body up in a carpet and tries to dump it, but discovers that when the carpet unravels, it is empty. The man approaching with the flashlight is Ivan. He asks "Who are you?"Back at Trevor's place, he washes his hands with bleach. He sees the post-it that asks "Who are you?" Reflected in the mirror, he can see Ivan standing behind him. Trevor starts to cry.He repeatedly says "I know who you are."In a flashback from more than a year ago, we see a healthy Trevor driving the same red sports car he saw Ivan driving. The time is 1:30 pm. As he approaches an intersection, he tries to light his cigarette and is distracted when he drops the lighter on the floor. He ends up hitting and killing Nicholas as the boy crosses the street. Marie runs to her child. Trevor flees the scene.Back in the present, Trevor completes the hangman game and figures out who he is. It says KILLER. His guilt has caused his insomnia and trip into madness, which created Ivan. He never knew Marie and Nicholas (if those are their real names). He takes a trip downtown to a police station, where he says "I'd like to report a hit and run," and turns himself in.The cops want to know if he wants to make a statement or phone call. He says "Later. I just want to get some sleep right now."As he sits in his cell, he finally starts to doze off. The last image we see is a flashback of a distraught Trevor, driving down a road after the hit and run. Fade to white. | The Machinist | e4207571-f10b-1fd9-dc4b-2b2721b25305 | What is the main character's name? | [
"Trevor Reznik",
"Trevor"
] | false |
/m/041t2d | The movie opens up with credits while we hear Trevor Reznik (Christian Bale) grappling with something large and heavy. He drives his truck near a dam and would appear to have a body wrapped in a carpet to dispose of. He panics when someone starts to come closer, holding a flashlight. He pushes the carpet down and it starts to unroll. Just then, the man with the flashlight catches up to him and says, "Who are you?"Trevor washes his hands with bleach in his bathroom sink. He looks up at his own gaunt face in the mirror-- stuck to the mirror he sees a post-it note that says "Who Are You?"Trevor is with Stevie (Jennifer Jason Leigh), a call-girl. They've finished making love at her place, and Trevor washes up. She pokes fun at his extremely low weight. He creeps her (and the rest of the audience) out by sucking in his stomach and arching his back to show his bones sticking out. He walks out the door, leaving a tip in her jar.Trevor goes to work at an unspecified industrial job where he is a. . . machinist. Trevor has a contentious relationship with the foreman, Tucker, because he likes to quote and apprise his co-workers of OSHA laws that Tucker would prefer to disregard. After work Trevor and his co-workers talk trash in the locker room while changing out of their coveralls. Jones (Reg E. Cathey) invites Trevor to play cards with the boys but Trevor declines, and Jones remarks that Trevor doesn't socialize the way he used to, another clue that all is not right in Trevor's world.Trevor is now at an airport diner, chatting and flirting with a divorced waitress named Marie (Aitana Sánchez Gijón). He takes a look at the clock, which reads 1:30 am. She wants to know why Trevor shows up at the airport so late at night and teasingly asks if he's running away from something. Marie echoes Stevie's concerns about Trevor's skeletal physique: "if you were any thinner, you wouldn't exist." He eventually finds his way back to Stevie. During their pillow talk, he reveals to her that he hasn't slept in one year.One afternoon after work, Trevor goes out for a smoke. While in his truck, he hears someone say that a storm is coming. He looks over and sees a stocky bald man leaning into his window. He introduces himself as Ivan (John Sharian). He says he is a new worker, covering for Trevor's friend, Reynolds.Back on shift, Trevor and his co-worker Miller (Michael Ironside) are fixing a machine. Trevor looks over at Ivan, who makes a throat-slashing gesture. Trevor takes a step back and his shoulder hits a button that turns on the machine. Miller's arm is caught and slowly entering it. They try to turn off the machine and free him, but can't do it in time. Miller's arm is torn from his body, and seen still spinning around in the machine minus Miller. They call for an ambulance and Trevor goes into his boss's office. They ask him what happened. He says Ivan must have distracted him. His boss seems puzzled. They have no employees named Ivan.Trevor sees Ivan leaving in his red sports-car and follows him. He pulls up next to him in traffic and says they need to talk. They go into a bar, where Trevor confronts Ivan with the fact that no one at the factory has ever heard of him. Ivan insists that he does indeed work there and that maybe Trevor's boss and co-workers are playing a joke on him. Ivan also shows Trevor that his own hand was maimed on a machine. After losing his fingers, doctors replaced his thumb with a big toe and his pinky finger with his baby toe, resulting in a grotesque deformity. Ivan excuses himself to go to the restroom, leaving his wallet behind, which Trevor opens. He sees a picture of Ivan and Reynolds fishing. He keeps it as proof that Reynolds knows Ivan.Back at work his co-workers are angry with him, seeing him as a jinx. They say they do not trust him anymore.During the next couple of days Trevor is perplexed when post-its start to appear on his fridge. They resemble a game of 'hangman.' The first has six blanks to fill with letters. Trevor has no idea what is going on. Later on the next day, the blanks read _ _ _ _ E-R.On Mother's Day, Trevor accompanies Marie and her son Nicholas (Mathew Romero Moore) to an amusement park. Marie's cel rings and she excuses herself to talk to the caller, "Probably my ex." Nicholas convinces Trevor to take him on a scary ride called Route 66. The scares become increasingly bizarre and graphic, and at the end of the ride, rapidly flashing lights cause Nicholas to suffer a seizure. Trevor feels terrible about taking Nicholas on the adult ride, but Marie seems quite forgiving about the whole thing and assures Trevor that when Nicholas wakes up, "it will be as if nothing ever happened." They go back to her place and have some wine. He goes to the kitchen and sees that the clock reads 1:30 and there's a Mother's Day card magnetized to the refrigerator that Nicholas gave to Marie. He notices that his handwriting matches the "ER" in his last hangman post-it. When he goes back home, he makes a guess and fills in MOTHER. He looks at an old photo album of his own mother and sees a picture that eerily resembles the one he took of Nicholas and Marie earlier.Back at work, Miller comes by to get his settlement check and seems good-natured about the accident. He tells Trevor that he's very happy with the financial compensation the company has awarded him. However, Trevor almost gets into an accident himself, which nearly costs his arm. He starts to become paranoid, wondering if his co-workers have it out for him. Staring at the hangman's game at his apartment, he makes another guess: MILLER.He visits Miller's home to demand answers. Trevor accuses Miller of trying to get revenge. Miller doesn't understand why Trevor's so upset but eventually he gets tired of Trevor screaming at him, punches Trevor in the gut and tells him to leave. Afterwards Trevor sees Ivan leaving the scene and he pursues him by car, but Ivan escapes. Trevor is starting to believe there is a conspiracy against him.Trevor goes back to Stevie's for sex. Afterwards we can see that they have feelings for each other. After some talking, she tells him she wants to quit hooking and start a relationship with him, which is what Trevor wants as well.He goes back to the airport diner to see Marie. The scene looks much different-- it's now crowded, noisy and dimly lit. The frumpy waitress behind the counter tells Trevor that nobody named Marie works there. Trevor starts to freak out and yells at the waitress and the customers. He accuses them all of playing along in the conspiracy. In the airport parking garage, he spots Ivan driving off again. He slowly tails him.He memorizes Ivan's plate numbers but loses sight of the car in a near accident. He then goes to the Department of Motor Vehicles to see if he can get Ivan's contact information. The DMV won't help him unless he has a criminal complaint to file. Trevor jumps in front of an oncoming car so he can go to the police and pretend to be the victim of a hit and run, giving Ivan's license plate. A detective informs Trevor that the plates belong to a car that was owned by Trevor and reported completely destroyed by him one year before. The cops accuse him of pranking them. Trevor is confused and runs off. The cops give chase through some subway tunnels, but he escapes.Trevor stumbles back to Stevie's. She is dismayed by the extent of his injuries and urges him to see a doctor, which he refuses to do. Stevie is ready to let Trevor move in with her and find a regular job, until Trevor spots the picture of Ivan with Reynolds, and accuses Stevie of plotting against him with Ivan. Stevie tells him the photo is of Reynolds and none other than Trevor himself. She also has no idea who Ivan is. She says that Trevor left the picture after his last visit. Trevor becomes enraged and calls Stevie a whore, to which she replies that Trevor is a psycho and that must be why he avoids doctors. She slaps him and throws him out. He drives back to his apartment building, only to find Ivan and Nicholas already going inside. He follows and has a fight with Ivan. He manages to cut his throat but can't find Nicholas.This puts Trevor back where he was at the beginning of the film. Trevor rolls Ivan's body up in a carpet and tries to dump it, but discovers that when the carpet unravels, it is empty. The man approaching with the flashlight is Ivan. He asks "Who are you?"Back at Trevor's place, he washes his hands with bleach. He sees the post-it that asks "Who are you?" Reflected in the mirror, he can see Ivan standing behind him. Trevor starts to cry.He repeatedly says "I know who you are."In a flashback from more than a year ago, we see a healthy Trevor driving the same red sports car he saw Ivan driving. The time is 1:30 pm. As he approaches an intersection, he tries to light his cigarette and is distracted when he drops the lighter on the floor. He ends up hitting and killing Nicholas as the boy crosses the street. Marie runs to her child. Trevor flees the scene.Back in the present, Trevor completes the hangman game and figures out who he is. It says KILLER. His guilt has caused his insomnia and trip into madness, which created Ivan. He never knew Marie and Nicholas (if those are their real names). He takes a trip downtown to a police station, where he says "I'd like to report a hit and run," and turns himself in.The cops want to know if he wants to make a statement or phone call. He says "Later. I just want to get some sleep right now."As he sits in his cell, he finally starts to doze off. The last image we see is a flashback of a distraught Trevor, driving down a road after the hit and run. Fade to white. | The Machinist | 50760a0b-5add-c9d4-77bf-abfdd5b8b896 | Who is blamed for the accident? | [
"Ivan",
"Miller"
] | false |
/m/03cnfqk | The Beat Generationâs Gregory Corso became one of four in the inner circle of the Beats, along with Jack Kerouac, Allen Ginsberg, William S. Burroughs. Corso grew up in foster homes, on the streets of Little Italy and Greenwich Village. Corso was sentenced to Clinton State Prison for stealing a $50 suit to go on a date; there, protected by Mafia inmates, Corso read his way through a three-year sentence and ended up at Harvard. He eventually met Allen Ginsberg at a dyke bar in the West Village. After Allen Ginsbergâs death, Corso goes "On the Road" to rediscover his creative Muse. From Paris to Venice, Rome to Athens, Mount Parnassus to Jim Morrisonâs grave, Corso reflects on the early days of "Beats." In high humor he reveals how "The Beats" emerged in Europe, and paved the way for youth culture, the sexual revolution and even hip-hop. Corso interrupts his tour to revisit Clinton State Prison and inspire young inmates. Returning to Italy, Corso muses on his lost mother, who he believes is dead and buried in Italy. In a stunning discovery, filmmaker Gustave Reininger finds Corso's mother not dead in Italy, but alive in Trenton, N.J. Corso meets his mother on film and discovers she is the Muse he has been seeking. He also discovers that his mother left him to escape the violence and sexual abuse of his father, who lied saying she had returned to Italy. Healing from a life of abandonment, emotional deprivation and abuse, Corso finishes his road trip on the Acropolis in Greece.A revitalized Corso returns to Greenwich Village, only to discover he is dying. He faces his own death with pluck and humor, comforted by Ethan Hawke, Patti Smith and his newfound mother, Michelina. | Corso: The Last Beat | d25bfb9f-bedc-b596-b75f-f0591209c7a3 | WHAT IS CORSO SEARCHING FOR IN EUROPE ? | [
"His creative Muse."
] | false |
/m/03cnfqk | The Beat Generationâs Gregory Corso became one of four in the inner circle of the Beats, along with Jack Kerouac, Allen Ginsberg, William S. Burroughs. Corso grew up in foster homes, on the streets of Little Italy and Greenwich Village. Corso was sentenced to Clinton State Prison for stealing a $50 suit to go on a date; there, protected by Mafia inmates, Corso read his way through a three-year sentence and ended up at Harvard. He eventually met Allen Ginsberg at a dyke bar in the West Village. After Allen Ginsbergâs death, Corso goes "On the Road" to rediscover his creative Muse. From Paris to Venice, Rome to Athens, Mount Parnassus to Jim Morrisonâs grave, Corso reflects on the early days of "Beats." In high humor he reveals how "The Beats" emerged in Europe, and paved the way for youth culture, the sexual revolution and even hip-hop. Corso interrupts his tour to revisit Clinton State Prison and inspire young inmates. Returning to Italy, Corso muses on his lost mother, who he believes is dead and buried in Italy. In a stunning discovery, filmmaker Gustave Reininger finds Corso's mother not dead in Italy, but alive in Trenton, N.J. Corso meets his mother on film and discovers she is the Muse he has been seeking. He also discovers that his mother left him to escape the violence and sexual abuse of his father, who lied saying she had returned to Italy. Healing from a life of abandonment, emotional deprivation and abuse, Corso finishes his road trip on the Acropolis in Greece.A revitalized Corso returns to Greenwich Village, only to discover he is dying. He faces his own death with pluck and humor, comforted by Ethan Hawke, Patti Smith and his newfound mother, Michelina. | Corso: The Last Beat | 64e838e8-e8f0-a43c-27b4-a062951cb71b | WHERE DID HIS MOTHER RETURN AFTER ABANDONING CORSO ? | [
"Trenton NJ"
] | false |
/m/03cnfqk | The Beat Generationâs Gregory Corso became one of four in the inner circle of the Beats, along with Jack Kerouac, Allen Ginsberg, William S. Burroughs. Corso grew up in foster homes, on the streets of Little Italy and Greenwich Village. Corso was sentenced to Clinton State Prison for stealing a $50 suit to go on a date; there, protected by Mafia inmates, Corso read his way through a three-year sentence and ended up at Harvard. He eventually met Allen Ginsberg at a dyke bar in the West Village. After Allen Ginsbergâs death, Corso goes "On the Road" to rediscover his creative Muse. From Paris to Venice, Rome to Athens, Mount Parnassus to Jim Morrisonâs grave, Corso reflects on the early days of "Beats." In high humor he reveals how "The Beats" emerged in Europe, and paved the way for youth culture, the sexual revolution and even hip-hop. Corso interrupts his tour to revisit Clinton State Prison and inspire young inmates. Returning to Italy, Corso muses on his lost mother, who he believes is dead and buried in Italy. In a stunning discovery, filmmaker Gustave Reininger finds Corso's mother not dead in Italy, but alive in Trenton, N.J. Corso meets his mother on film and discovers she is the Muse he has been seeking. He also discovers that his mother left him to escape the violence and sexual abuse of his father, who lied saying she had returned to Italy. Healing from a life of abandonment, emotional deprivation and abuse, Corso finishes his road trip on the Acropolis in Greece.A revitalized Corso returns to Greenwich Village, only to discover he is dying. He faces his own death with pluck and humor, comforted by Ethan Hawke, Patti Smith and his newfound mother, Michelina. | Corso: The Last Beat | 72305931-b2ac-e045-307e-48e8756d1318 | WHO IS THE MOST COMIC AND ENTERTAINING MEMBER? | [] | true |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | b33479d5-b5c4-305c-1d00-2ecb73ee0d83 | what was the profession of cato in the movie? | [
"Clouseau's servant"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | 341c0aad-dde3-1812-fdd6-59e854339d23 | who is attempting to assassin clouseau? | [
"Dreyfus"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | 7000aada-3483-2b14-6b26-189ef8bb0f72 | how does clouseau disguise himself? | [
"A cleaner"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | ea6f3d82-c75a-86e6-7820-67fd61430479 | What is the name of Inspector Clouseau's boss? | [
"Chief Inspector Charles Dreyfus"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | 29e7c526-7688-744f-4e48-e48df9cdf6da | what was stolen in the theft? | [
"the Pink Panther diamond"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | 3e56ff3d-85a3-7b47-d76a-d3a7fcb3be87 | Who plays Inspector Clouseau? | [
"Peter Sellers"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | 8c49790a-2900-a35a-9107-56a3bf6b7973 | where did sir charles go to clear his name of theft? | [
"Lugash"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | 3f7f0485-52e3-d1ab-c469-c248bc9524ff | who helped charles from being murdered? | [
"Fat Man"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | 09053b29-78d6-889c-5ce6-a7788c9ada53 | who is on vacation? | [
"Lady Claudine"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | 92552161-c56e-9371-3448-5140f9eeb388 | When Lytton escapes to his suite who does he find waiting for him? | [
"Colonel Sharki",
"Secret Police Colonel Sharki."
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | 7d4e4f80-4578-513e-9ac7-b9a84797c74b | Who does Sir Charles recognize on the museum's security footage? | [
"His wife in disguise.",
"Inspector Clouseau"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | 221f4aff-6097-1232-af7f-6ea03857cb81 | what is the national treasure of lugash in the movie? | [
"the Pink Panther diamond"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | ff29d000-ac6d-89af-fde4-7c5a33e4a9f4 | Who helped Charles from being murdered? | [
"\"Fat Man\""
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | b152c83d-7873-6a7f-99f3-e665ffeab476 | who confronts lady claudine? | [
"Sir Charles Lytton"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | cfc257d9-b9fa-a5bf-231b-55a67fbf6218 | A glove implicate who? | [
"Sir Charles Lytton"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | c8d6a812-5d8d-16f2-6324-15b9a1c759ce | where did the crime take place? | [
"national museum"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | e0adf21e-4c75-0051-a843-b65f6003b4e3 | What is the ''Fat Man's'' real name? | [
"Eric Pohlmann",
"Lady Lytton."
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | de3d4043-228d-60ca-eee8-439a7e8dcceb | What is the name of the Fat Man's underling? | [
"Pepi",
"Pepi"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | d4ca8568-a26c-5a03-028c-f6032643c5be | Who was Sir Charles'wife? | [
"Lady Claudine"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | 33c9a555-9bb8-e5db-bb6d-8854bd73095b | what was the colour of the glove left by a mysterious thief? | [
"white"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | 929d31b2-872f-c38a-b688-5400bd492af5 | who resumes their career as a jewel thief? | [
"Sir Charles"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | 34273ab3-8bae-40ce-57da-f5a4addba106 | What is stolen by the thief? | [
"the diamond"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | ef943970-87ff-fe11-2b5a-6edb82145826 | who is ordered by dreyfus to arrest lady lytton? | [
"Clouseau"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | a740ff10-7414-c2f3-3632-d531e1e7b99b | Where was the crime scene? | [
"national museum"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | 02910995-c752-7071-5242-afeab9c32c18 | Which was the thief's alias? | [
"The notorious Phantom"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | 97d1a9ca-1f35-8cd3-b3d8-891db89bda7d | Which disguised the detective used to investigated Lady Claudine? | [
"Cleaner"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | 9a79b8c7-bc14-e410-e651-0ff251a06666 | In what fictional country does the movie take place? | [
"Lugash"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | 63efe5a9-e0f0-0e33-9254-476c068aade5 | Who forces the reinstatement of Inspector Clouseau? | [
"The French government."
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | a193a0c1-0c99-0f49-7c96-766cc0637ebe | What does Sharki believe Sir Charles will lead him to? | [
"The diamond",
"to the diamond"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | 596a68b3-7d37-f2ca-7305-375b0ae772b1 | What does the thief leave behind? | [
"A white glove marked with gold trim."
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | 30790518-81eb-e86d-7ab6-b4db9668b2fc | who is promoted to chief inspector? | [
"Inspector Clouseau"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | dbdad4d9-7522-a188-ce26-3045a2425dc5 | Who resumes their career as a jewel thief? | [
"Sir Charles"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | 0c66aa57-9790-e613-2a71-7ba43a1e964e | Who is promoted to Chief Inspector? | [
"Clouseau"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | a5b986cc-5ff5-e6ac-757b-76dd7707b2d2 | What was stolen in the theft? | [
"diamond"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | e8958749-cd2c-98aa-85bb-77b4156b9b06 | Who believes a mysterious assasin ws attempting to kill him? | [
"Clouseau"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | f28b8faa-0a46-94da-0019-d9729f9b3869 | Where did Sir Charles go to clear his name? | [
"Sir Charles went to Lugash to clear his name.",
"Lugash"
] | false |
/m/05r1bb | In the fictional country of Lugash, a mysterious thief seizes the Pink Panther diamond and leaves a white glove marked with a gold-tinted "P". With its national treasure once again missing, the Shah of Lugash requests the assistance of Inspector Clouseau (Peter Sellers) of the Sûreté, as Clouseau had recovered the diamond the last time it was stolen. Clouseau has been temporarily demoted to beat cop by his boss, Chief Inspector Charles Dreyfus (Herbert Lom), who despises him to the point of obsession, but the French government forces Dreyfus to reinstate him. Clouseau joyously receives the news after fending off a surprise attack from his servant Cato (Burt Kwouk), who had been ordered to keep the Inspector on his toes, and duly goes to Lugash.
Upon examining the crime scene in the national museumâin which he wrecks several priceless antiquitiesâClouseau concludes that the glove implicates Sir Charles Lytton (Christopher Plummer), alias "the notorious Phantom," as the thief. After several catastrophic failures to stake out Lytton Manor in Nice (which he nearly demolishes), Clouseau believes a mysterious assassin is attempting to kill him. He follows Sir Charles' wife, Lady Claudine (Catherine Schell), to a resort hotel in Gstaad in search of clues to her husband, where he repeatedly bungles the investigation - disguised as a cleaner, he wrecks Lady Claudine's hotel room using an overly powerful vacuum cleaner.
Meanwhile, Sir Charles, reading about the theft, realizes he has been framed. Arriving in Lugash to clear his name, Sir Charles barely avoids being murdered and sent to the Lugash secret police by his associate known as the "Fat Man" (Eric Pohlmann), who explains that with the leading suspect dead, the secret police will no longer have an excuse to continue purging their political enemies. Escaping to his suite, Lytton finds secret police Colonel Sharki (Peter Arne) waiting for him, who implies the Fat Man's understanding is correct, but reminds him the diamond must be recovered eventually. Pretending to cooperate, Sir Charles is unable to hide his reaction when he recognizes his own wife in disguise on the museum's security footage. He avoids another plot by the Fat Man and his duplicitous underling Pepi (Graham Stark) and escapes from Lugash, secretly pursued by Sharki, who believes Sir Charles will lead him to the diamond.
Still in Gstaad, Clouseau, who unwittingly has been on the trail of the real thief all along, is suddenly ordered by Dreyfus over the telephone to arrest Lady Lytton. When Clouseau calls back to clarify the order, however, he is told that Dreyfus has been on vacation. Sir Charles confronts Lady Claudine, who admits she did it to spark excitement in their sedate existences, but not before the Colonel gets there first. However, just as Colonel Sharki prepares to kill them both, the Inspector barges inâand in the process, Dreyfus, the "mysterious assassin" trying to kill Clouseau from the beginning, accidentally kills the Colonel instead.
For once again recovering the Pink Panther, Clouseau is promoted to Chief Inspector, while Sir Charles resumes his career as a jewel thief (Lady Claudine's fate is not mentioned). At a Japanese restaurant in the epilogue, Cato unexpectedly attacks Clouseau again and triggers a massive brawl, naturally destroying the premises. In a post credits scene, Dreyfus is committed to a lunatic asylum for his actions, where he is straitjacketed inside a padded cell and vows revenge on Clouseau. The animated Pink Panther appears and films his antics, and concludes the credits with a smoke ring. | The Return of the Pink Panther | 3dcf89a5-a7f7-0444-0f02-67282e474fd1 | Where did Sir Charles go to clear his name of theft? | [
"Lugash"
] | false |
/m/04f_3ym | This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (October 2015) (Learn how and when to remove this template message)
Bartholomew "Barley" Scott-Blair (Sean Connery), the head of a British publishing firm, is on a business trip to Moscow. He attends a writers' retreat near Peredelkino where he speaks of an end to tensions with the West. Attentively listening is a mysterious man called 'Dante' (Klaus Maria Brandauer). Dante later demands from Barley a promise to do the right thing if the opportunity arises.
A few months later, unable to locate Barley at a trade show, a beautiful young Soviet woman named Katya Orlova (Michelle Pfeiffer) asks publisher Nicky Landau (Nicholas Woodeson) to give Barley an important manuscript in her possession. Landau sneaks a look at the manuscript and delivers it to British government authorities. The manuscript is a document detailing the Soviet Union's capability for waging nuclear war. An investigation reveals 'Dante' is in fact renowned Soviet physicist Yakov Saveleyev and the author of the manuscript.
British intelligence officers track Barley to his holiday flat in Lisbon, Portugal and interrogate him as to how he knows Katya. They realize he is as much in the dark as they are. MI6 realizes that the manuscript is also of vital importance to the American CIA, with both agencies wanting Barley to work on their behalf. British agent Ned (James Fox) then gives Barley some fundamental training as a spy.
Barley returns to the Soviet Union to seek out Dante/Yakov and confirm he is a genuine informant. He meets with Katya, with whom he is instantly smitten. Through her, he confirms that Dante is indeed the brilliant scientist Saveleyev. Barley also denies to Katya that he is a spy.
The British run the operation through its first phase while apprising the CIA of its results. The CIA team, headed by Russell (Roy Scheider), is worried because the manuscript states that the Soviet nuclear missile programme is in complete disarray, which suggests the USA has engaged in a useless arms race.
Katya sets up a meeting with Dante, going to great lengths to avoid being followed. Barley explains that the manuscript is now in the hands of British and American authorities. Yakov feels betrayed, but Barley convinces him that the manuscript can still be published. Dante gives Barley another volume of the manuscript after Barley assures him that he's sympathetic to the scientist's cause.
Impressed by the additional volume, Russell's boss Brady (John Mahoney) and U.S. military officer Quinn (J. T. Walsh) interrogate Barley to be certain where his loyalties lie. Russell states he would help the British operation out of a true ideological belief in Glasnost, although this would not be good news to his 'customers' of the weapons industry, who need an arms race for continued prosperity.
Convinced that Dante's manuscripts are truthful, the CIA and MI6 come up with a "shopping list" list of questions which is meant to extract as much strategic warfare information as Dante can provide. "Russia House" handler Ned senses something is amiss with Barley but the British-American team continues with its plans.
Barley returns to Russia and declares his love to Katya and admits he is an operative. Katya confesses that Yakov is not acting like himself and fears he may be under KGB observation or control. She gives Barley the address where Yakov will be staying when he is in Moscow.
Barley is under full British-American surveillance as he takes the shopping list to Yakov's apartment. Ned suddenly concludes that the Soviets know all about the operation and that they only let it run because they want to steal the 'shopping list' to learn exactly what the British and Americans know.
Ned is now convinced that Barley has made a deal to turn over the questions to the USSR. Russell disagrees and instructs the assignment to proceed as planned. The British-American team expects the meeting with Yakov to last a short time, but when Barley doesn't return after seven hours, Russell admits he was wrong. The team must now pretend the questions were deliberately false.
Barley, meanwhile, sends a note to Ned explaining that during a pre-arranged phone call to Katya, Dante used a code word to let her know that he had been compromised by the KGB and that her life is in danger. Barley admits he traded the shopping list to the Russians in exchange for the safety and freedom of Katya and her family. He admits that his actions might be unfair, but tells Ned, "you shouldn't open other people's letters."
Barley returns to his flat in Lisbon, where he waits for Katya and her family to begin a new life with him. | The Russia House | 8ec8549c-59b1-fa3d-c6b6-6c9927f4595f | What group of people tortured the physicist to death? | [] | true |
/m/04f_3ym | This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (October 2015) (Learn how and when to remove this template message)
Bartholomew "Barley" Scott-Blair (Sean Connery), the head of a British publishing firm, is on a business trip to Moscow. He attends a writers' retreat near Peredelkino where he speaks of an end to tensions with the West. Attentively listening is a mysterious man called 'Dante' (Klaus Maria Brandauer). Dante later demands from Barley a promise to do the right thing if the opportunity arises.
A few months later, unable to locate Barley at a trade show, a beautiful young Soviet woman named Katya Orlova (Michelle Pfeiffer) asks publisher Nicky Landau (Nicholas Woodeson) to give Barley an important manuscript in her possession. Landau sneaks a look at the manuscript and delivers it to British government authorities. The manuscript is a document detailing the Soviet Union's capability for waging nuclear war. An investigation reveals 'Dante' is in fact renowned Soviet physicist Yakov Saveleyev and the author of the manuscript.
British intelligence officers track Barley to his holiday flat in Lisbon, Portugal and interrogate him as to how he knows Katya. They realize he is as much in the dark as they are. MI6 realizes that the manuscript is also of vital importance to the American CIA, with both agencies wanting Barley to work on their behalf. British agent Ned (James Fox) then gives Barley some fundamental training as a spy.
Barley returns to the Soviet Union to seek out Dante/Yakov and confirm he is a genuine informant. He meets with Katya, with whom he is instantly smitten. Through her, he confirms that Dante is indeed the brilliant scientist Saveleyev. Barley also denies to Katya that he is a spy.
The British run the operation through its first phase while apprising the CIA of its results. The CIA team, headed by Russell (Roy Scheider), is worried because the manuscript states that the Soviet nuclear missile programme is in complete disarray, which suggests the USA has engaged in a useless arms race.
Katya sets up a meeting with Dante, going to great lengths to avoid being followed. Barley explains that the manuscript is now in the hands of British and American authorities. Yakov feels betrayed, but Barley convinces him that the manuscript can still be published. Dante gives Barley another volume of the manuscript after Barley assures him that he's sympathetic to the scientist's cause.
Impressed by the additional volume, Russell's boss Brady (John Mahoney) and U.S. military officer Quinn (J. T. Walsh) interrogate Barley to be certain where his loyalties lie. Russell states he would help the British operation out of a true ideological belief in Glasnost, although this would not be good news to his 'customers' of the weapons industry, who need an arms race for continued prosperity.
Convinced that Dante's manuscripts are truthful, the CIA and MI6 come up with a "shopping list" list of questions which is meant to extract as much strategic warfare information as Dante can provide. "Russia House" handler Ned senses something is amiss with Barley but the British-American team continues with its plans.
Barley returns to Russia and declares his love to Katya and admits he is an operative. Katya confesses that Yakov is not acting like himself and fears he may be under KGB observation or control. She gives Barley the address where Yakov will be staying when he is in Moscow.
Barley is under full British-American surveillance as he takes the shopping list to Yakov's apartment. Ned suddenly concludes that the Soviets know all about the operation and that they only let it run because they want to steal the 'shopping list' to learn exactly what the British and Americans know.
Ned is now convinced that Barley has made a deal to turn over the questions to the USSR. Russell disagrees and instructs the assignment to proceed as planned. The British-American team expects the meeting with Yakov to last a short time, but when Barley doesn't return after seven hours, Russell admits he was wrong. The team must now pretend the questions were deliberately false.
Barley, meanwhile, sends a note to Ned explaining that during a pre-arranged phone call to Katya, Dante used a code word to let her know that he had been compromised by the KGB and that her life is in danger. Barley admits he traded the shopping list to the Russians in exchange for the safety and freedom of Katya and her family. He admits that his actions might be unfair, but tells Ned, "you shouldn't open other people's letters."
Barley returns to his flat in Lisbon, where he waits for Katya and her family to begin a new life with him. | The Russia House | 0fadae38-897e-146f-7d52-d5e41739c4b5 | British Intelligence and what US intelligence agency worked together to find the physicist? | [
"US CIA and British MI6"
] | false |
/m/04f_3ym | This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (October 2015) (Learn how and when to remove this template message)
Bartholomew "Barley" Scott-Blair (Sean Connery), the head of a British publishing firm, is on a business trip to Moscow. He attends a writers' retreat near Peredelkino where he speaks of an end to tensions with the West. Attentively listening is a mysterious man called 'Dante' (Klaus Maria Brandauer). Dante later demands from Barley a promise to do the right thing if the opportunity arises.
A few months later, unable to locate Barley at a trade show, a beautiful young Soviet woman named Katya Orlova (Michelle Pfeiffer) asks publisher Nicky Landau (Nicholas Woodeson) to give Barley an important manuscript in her possession. Landau sneaks a look at the manuscript and delivers it to British government authorities. The manuscript is a document detailing the Soviet Union's capability for waging nuclear war. An investigation reveals 'Dante' is in fact renowned Soviet physicist Yakov Saveleyev and the author of the manuscript.
British intelligence officers track Barley to his holiday flat in Lisbon, Portugal and interrogate him as to how he knows Katya. They realize he is as much in the dark as they are. MI6 realizes that the manuscript is also of vital importance to the American CIA, with both agencies wanting Barley to work on their behalf. British agent Ned (James Fox) then gives Barley some fundamental training as a spy.
Barley returns to the Soviet Union to seek out Dante/Yakov and confirm he is a genuine informant. He meets with Katya, with whom he is instantly smitten. Through her, he confirms that Dante is indeed the brilliant scientist Saveleyev. Barley also denies to Katya that he is a spy.
The British run the operation through its first phase while apprising the CIA of its results. The CIA team, headed by Russell (Roy Scheider), is worried because the manuscript states that the Soviet nuclear missile programme is in complete disarray, which suggests the USA has engaged in a useless arms race.
Katya sets up a meeting with Dante, going to great lengths to avoid being followed. Barley explains that the manuscript is now in the hands of British and American authorities. Yakov feels betrayed, but Barley convinces him that the manuscript can still be published. Dante gives Barley another volume of the manuscript after Barley assures him that he's sympathetic to the scientist's cause.
Impressed by the additional volume, Russell's boss Brady (John Mahoney) and U.S. military officer Quinn (J. T. Walsh) interrogate Barley to be certain where his loyalties lie. Russell states he would help the British operation out of a true ideological belief in Glasnost, although this would not be good news to his 'customers' of the weapons industry, who need an arms race for continued prosperity.
Convinced that Dante's manuscripts are truthful, the CIA and MI6 come up with a "shopping list" list of questions which is meant to extract as much strategic warfare information as Dante can provide. "Russia House" handler Ned senses something is amiss with Barley but the British-American team continues with its plans.
Barley returns to Russia and declares his love to Katya and admits he is an operative. Katya confesses that Yakov is not acting like himself and fears he may be under KGB observation or control. She gives Barley the address where Yakov will be staying when he is in Moscow.
Barley is under full British-American surveillance as he takes the shopping list to Yakov's apartment. Ned suddenly concludes that the Soviets know all about the operation and that they only let it run because they want to steal the 'shopping list' to learn exactly what the British and Americans know.
Ned is now convinced that Barley has made a deal to turn over the questions to the USSR. Russell disagrees and instructs the assignment to proceed as planned. The British-American team expects the meeting with Yakov to last a short time, but when Barley doesn't return after seven hours, Russell admits he was wrong. The team must now pretend the questions were deliberately false.
Barley, meanwhile, sends a note to Ned explaining that during a pre-arranged phone call to Katya, Dante used a code word to let her know that he had been compromised by the KGB and that her life is in danger. Barley admits he traded the shopping list to the Russians in exchange for the safety and freedom of Katya and her family. He admits that his actions might be unfair, but tells Ned, "you shouldn't open other people's letters."
Barley returns to his flat in Lisbon, where he waits for Katya and her family to begin a new life with him. | The Russia House | d91f751d-fb52-fd6c-439b-9605c0cf7c05 | In what decade does the movie take place? | [
"During the Cold War"
] | false |
/m/0g1llb | This section's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (October 2015) (Learn how and when to remove this template message)
Jim Davis (Christian Bale) is a former U.S. Army Ranger who suffers from Post Traumatic Stress Disorder (PTSD). Jim has a Mexican girlfriend, Marta (Tammy Trull), whom he is determined to marry, and bring into the United States to start a life together. With this in mind, Jim returns to Los Angeles, California.
In Los Angeles, Jim meets up with his best friend Mike Alonzo (Freddy Rodriguez). Mike's longtime girlfriend, Sylvia (Eva Longoria), a young attorney, is "on the warpath" over his failure to get a job (his previous job was outsourced) and she encourages Jim to help Mike hand out resumes. After being denied a position in the Los Angeles Police Department for failing the psychological profile, Jim gets drunk with Mike, forgetting all about the resumes.
The two go to visit Jim's ex-girlfriend, but when her current boyfriend shows up, a fight ensues in which the boyfriend is backed up by a group of friends. Jim is able to get the upper hand and when Mike produces a gun, they subdue the men and rob them of their possessions, including marijuana and a handgun which they later decide to sell. Jim later leaves messages on Mike's answering machine with several different voices, pretending to be companies responding to his resume.
The next day, when Jim goes to visit Mike, he finds Sylvia in a surprisingly good mood due to the callbacks. Jim and Mike end up wasting the day again, getting a friend of theirs to leave another message on Mike's answering machine. They then go to a "paisa" bar to try to sell the gun, but leave after their potential buyer is stabbed in the neck and killed. Mike is horrified, but Jim is strangely excited by witnessing death again.
When Mike arrives back home drunk, Sylvia is upset, so Mike plays back the answering machine, unaware that his friend didn't hang up early enough and his voice is heard on the tape. Sylvia is enraged and throws Mike out of the house. He goes and stays at Jim's place. Jim gets shortlisted for a position with the Department of Homeland Security (DHS), and after cheating on a urine test, it appears that he is going to be given a position.
Jim manages to pass the urinalysis test, but subsequently fails a polygraph test due to a question about his drug use. The only hope left for him is a government agent working out of Colombia, who appreciates Jim's ability to "get things done"; Jim eventually accepts the position but is warned that he must not get married to a foreigner; his security clearance might be revoked. Jim is told to report to FLETC in a few days. Meanwhile, Mike gets a job when a company he applies at is now managed by an old friend.
Jim goes to visit Marta along with Mike and another one of their friends, but before they leave, Mike goes to visit Sylvia and tells her that he has a job for real. She calms down and the two make love. Impatient, Jim goes inside and tells Sylvia that Mike is coming to Mexico with him for the weekend, as it is their last chance to hang out. Sylvia is angry and very much against the idea, and so Jim yells at both her and Mike. Mike decides to go with Jim to Mexico.
The trio arrive in Mexico, where they spend a relaxing night and morning the next day, preparing for a big party that night. At the party, Marta reveals that she is pregnant, and Jim responds violently, threatening to punch her in the stomach and shoot her in the head; in the end, this is a result of Jim's severe PTSD.
On the way back, Jim reveals that he is transporting 20 kilos of marijuana, much to Mike's dismay. When Mike protests, Jim pulls a gun on him, flashing back, before breaking down in tears, horrified at what he is becoming. Mike, filled with pity for his friend, agrees to accompany Jim to the deal after all. When they arrive to sell the drugs, they realize one of the buyers was the same man they had earlier robbed and beaten, the boyfriend of Jim's old flame.
Hostility ensues with both Jim and the other gang members pulling out guns, resulting in the other man's death. The other members of the buying party present plead for their lives, but Jim kills them while suffering flashbacks due to Post Traumatic Stress Disorder. While Jim and Mike are escaping in the car, a man from inside the house steps out and shoots at the car with an Armsel Striker; Jim is hit in the back and the side of his face, and subsequently paralyzed.
He urges Mike to "step up" and shoot him, thus ending his suffering. After some hesitation, Mike and Jim say their goodbyes and Mike ends up killing Jim. The film ends with Mike returning to Sylvia, who was in the process of packing her belongings to leave for good. They embrace together as Mike breaks down crying. | Harsh Times | cd150db5-883a-893e-ff6a-31f5984b889d | What kind of job does Jim want to do in the movie? | [
"Work for the LAPD."
] | false |
/m/0g1llb | This section's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (October 2015) (Learn how and when to remove this template message)
Jim Davis (Christian Bale) is a former U.S. Army Ranger who suffers from Post Traumatic Stress Disorder (PTSD). Jim has a Mexican girlfriend, Marta (Tammy Trull), whom he is determined to marry, and bring into the United States to start a life together. With this in mind, Jim returns to Los Angeles, California.
In Los Angeles, Jim meets up with his best friend Mike Alonzo (Freddy Rodriguez). Mike's longtime girlfriend, Sylvia (Eva Longoria), a young attorney, is "on the warpath" over his failure to get a job (his previous job was outsourced) and she encourages Jim to help Mike hand out resumes. After being denied a position in the Los Angeles Police Department for failing the psychological profile, Jim gets drunk with Mike, forgetting all about the resumes.
The two go to visit Jim's ex-girlfriend, but when her current boyfriend shows up, a fight ensues in which the boyfriend is backed up by a group of friends. Jim is able to get the upper hand and when Mike produces a gun, they subdue the men and rob them of their possessions, including marijuana and a handgun which they later decide to sell. Jim later leaves messages on Mike's answering machine with several different voices, pretending to be companies responding to his resume.
The next day, when Jim goes to visit Mike, he finds Sylvia in a surprisingly good mood due to the callbacks. Jim and Mike end up wasting the day again, getting a friend of theirs to leave another message on Mike's answering machine. They then go to a "paisa" bar to try to sell the gun, but leave after their potential buyer is stabbed in the neck and killed. Mike is horrified, but Jim is strangely excited by witnessing death again.
When Mike arrives back home drunk, Sylvia is upset, so Mike plays back the answering machine, unaware that his friend didn't hang up early enough and his voice is heard on the tape. Sylvia is enraged and throws Mike out of the house. He goes and stays at Jim's place. Jim gets shortlisted for a position with the Department of Homeland Security (DHS), and after cheating on a urine test, it appears that he is going to be given a position.
Jim manages to pass the urinalysis test, but subsequently fails a polygraph test due to a question about his drug use. The only hope left for him is a government agent working out of Colombia, who appreciates Jim's ability to "get things done"; Jim eventually accepts the position but is warned that he must not get married to a foreigner; his security clearance might be revoked. Jim is told to report to FLETC in a few days. Meanwhile, Mike gets a job when a company he applies at is now managed by an old friend.
Jim goes to visit Marta along with Mike and another one of their friends, but before they leave, Mike goes to visit Sylvia and tells her that he has a job for real. She calms down and the two make love. Impatient, Jim goes inside and tells Sylvia that Mike is coming to Mexico with him for the weekend, as it is their last chance to hang out. Sylvia is angry and very much against the idea, and so Jim yells at both her and Mike. Mike decides to go with Jim to Mexico.
The trio arrive in Mexico, where they spend a relaxing night and morning the next day, preparing for a big party that night. At the party, Marta reveals that she is pregnant, and Jim responds violently, threatening to punch her in the stomach and shoot her in the head; in the end, this is a result of Jim's severe PTSD.
On the way back, Jim reveals that he is transporting 20 kilos of marijuana, much to Mike's dismay. When Mike protests, Jim pulls a gun on him, flashing back, before breaking down in tears, horrified at what he is becoming. Mike, filled with pity for his friend, agrees to accompany Jim to the deal after all. When they arrive to sell the drugs, they realize one of the buyers was the same man they had earlier robbed and beaten, the boyfriend of Jim's old flame.
Hostility ensues with both Jim and the other gang members pulling out guns, resulting in the other man's death. The other members of the buying party present plead for their lives, but Jim kills them while suffering flashbacks due to Post Traumatic Stress Disorder. While Jim and Mike are escaping in the car, a man from inside the house steps out and shoots at the car with an Armsel Striker; Jim is hit in the back and the side of his face, and subsequently paralyzed.
He urges Mike to "step up" and shoot him, thus ending his suffering. After some hesitation, Mike and Jim say their goodbyes and Mike ends up killing Jim. The film ends with Mike returning to Sylvia, who was in the process of packing her belongings to leave for good. They embrace together as Mike breaks down crying. | Harsh Times | 1000a43b-e585-cd46-48e9-82c7b3979ab6 | Who suffers from suffering from post-traumatic stress disorder in the movie? | [
"Jim",
"Joe m Davis"
] | false |
/m/0g1llb | This section's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (October 2015) (Learn how and when to remove this template message)
Jim Davis (Christian Bale) is a former U.S. Army Ranger who suffers from Post Traumatic Stress Disorder (PTSD). Jim has a Mexican girlfriend, Marta (Tammy Trull), whom he is determined to marry, and bring into the United States to start a life together. With this in mind, Jim returns to Los Angeles, California.
In Los Angeles, Jim meets up with his best friend Mike Alonzo (Freddy Rodriguez). Mike's longtime girlfriend, Sylvia (Eva Longoria), a young attorney, is "on the warpath" over his failure to get a job (his previous job was outsourced) and she encourages Jim to help Mike hand out resumes. After being denied a position in the Los Angeles Police Department for failing the psychological profile, Jim gets drunk with Mike, forgetting all about the resumes.
The two go to visit Jim's ex-girlfriend, but when her current boyfriend shows up, a fight ensues in which the boyfriend is backed up by a group of friends. Jim is able to get the upper hand and when Mike produces a gun, they subdue the men and rob them of their possessions, including marijuana and a handgun which they later decide to sell. Jim later leaves messages on Mike's answering machine with several different voices, pretending to be companies responding to his resume.
The next day, when Jim goes to visit Mike, he finds Sylvia in a surprisingly good mood due to the callbacks. Jim and Mike end up wasting the day again, getting a friend of theirs to leave another message on Mike's answering machine. They then go to a "paisa" bar to try to sell the gun, but leave after their potential buyer is stabbed in the neck and killed. Mike is horrified, but Jim is strangely excited by witnessing death again.
When Mike arrives back home drunk, Sylvia is upset, so Mike plays back the answering machine, unaware that his friend didn't hang up early enough and his voice is heard on the tape. Sylvia is enraged and throws Mike out of the house. He goes and stays at Jim's place. Jim gets shortlisted for a position with the Department of Homeland Security (DHS), and after cheating on a urine test, it appears that he is going to be given a position.
Jim manages to pass the urinalysis test, but subsequently fails a polygraph test due to a question about his drug use. The only hope left for him is a government agent working out of Colombia, who appreciates Jim's ability to "get things done"; Jim eventually accepts the position but is warned that he must not get married to a foreigner; his security clearance might be revoked. Jim is told to report to FLETC in a few days. Meanwhile, Mike gets a job when a company he applies at is now managed by an old friend.
Jim goes to visit Marta along with Mike and another one of their friends, but before they leave, Mike goes to visit Sylvia and tells her that he has a job for real. She calms down and the two make love. Impatient, Jim goes inside and tells Sylvia that Mike is coming to Mexico with him for the weekend, as it is their last chance to hang out. Sylvia is angry and very much against the idea, and so Jim yells at both her and Mike. Mike decides to go with Jim to Mexico.
The trio arrive in Mexico, where they spend a relaxing night and morning the next day, preparing for a big party that night. At the party, Marta reveals that she is pregnant, and Jim responds violently, threatening to punch her in the stomach and shoot her in the head; in the end, this is a result of Jim's severe PTSD.
On the way back, Jim reveals that he is transporting 20 kilos of marijuana, much to Mike's dismay. When Mike protests, Jim pulls a gun on him, flashing back, before breaking down in tears, horrified at what he is becoming. Mike, filled with pity for his friend, agrees to accompany Jim to the deal after all. When they arrive to sell the drugs, they realize one of the buyers was the same man they had earlier robbed and beaten, the boyfriend of Jim's old flame.
Hostility ensues with both Jim and the other gang members pulling out guns, resulting in the other man's death. The other members of the buying party present plead for their lives, but Jim kills them while suffering flashbacks due to Post Traumatic Stress Disorder. While Jim and Mike are escaping in the car, a man from inside the house steps out and shoots at the car with an Armsel Striker; Jim is hit in the back and the side of his face, and subsequently paralyzed.
He urges Mike to "step up" and shoot him, thus ending his suffering. After some hesitation, Mike and Jim say their goodbyes and Mike ends up killing Jim. The film ends with Mike returning to Sylvia, who was in the process of packing her belongings to leave for good. They embrace together as Mike breaks down crying. | Harsh Times | b67c0bce-4283-fbf7-41ec-fa60ff0b59c0 | Who is Jim's best friend in the movie? | [
"Mike Alonzo",
"Mike"
] | false |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | 0c3a1899-ea8b-db65-df6d-ff58efdec20e | Who is the owner of the funeral home? | [
"Eliot Deacon"
] | false |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | 2f69338b-9da9-52b6-81f4-dcf2177eac2a | Who holds up the mirror for Anna? | [
"Eliot Deacon"
] | false |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | 891cfc1c-9d39-c4c8-0f17-a6a22bc1731c | Who is Anna's boyfriend? | [
"Paul Coleman"
] | false |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | 93005c42-5749-8aad-dee6-791800bc932b | what is anna taylor's profession? | [
"funeral director"
] | false |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | 716e1aca-06cf-1b79-b901-e6c577097f6e | who did anna call when she escaped? | [
"Paul"
] | false |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | 099065c7-a65e-efbe-2342-d81cbd49fb56 | What does Anna believe? | [
"That she isn't dead"
] | false |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | e2cf8bd1-eb5b-0d63-c9a6-223416fbdfb7 | How does Anna try to get Paul's attention? | [
"She moves a little"
] | false |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | bb7f23b3-8350-ebfc-82a4-97f75b30f4e5 | who holds up the mirror for anna? | [] | true |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | 03b2c575-f119-9d22-2ae7-67b7c0a83d6e | Does Anna ever argue with her boyfriend? | [] | true |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | 1dffc649-165f-72c5-87b5-3b15a23bad16 | Whose funeral does Anna Taylor attend? | [
"Her own"
] | false |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | 4b133fac-f205-310a-7379-21bafaaef037 | What did Park tell Eliot while drinking? | [
"That he thinks Anna is alive"
] | false |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | 2a648dfe-a440-fa31-669b-f36a33800333 | How does Elliot make Anna numb? | [
"He injects something in her neck"
] | false |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | 859b61b3-fbdb-b8ea-36b0-3922a68af13d | Who rushes to the cemetery? | [
"Paul"
] | false |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | e6346a9a-d04a-6964-ef76-51ec1162c32f | when did anna know she'd been buried alive? | [
"After she saw steam in a hand mirror she blew on"
] | false |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | 56d0b985-d247-02a5-3a7c-64b32ac33c29 | What is Anna Taylor's occupation? | [] | true |
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