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/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | 5b6dc2f3-713e-f406-e06a-f2ac94034b6e | What does Anna do during the final preparation for the funeral? | [
"Asks to look at herself one last time."
] | false |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | 35515497-4c8a-2292-0382-fd867dd98ab9 | Did Paul ever make to the cemetery? | [
"Yes."
] | false |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | 5dbb152e-8a81-ee33-9dec-247077d0b460 | when did paul know he was dead? | [
"preparing him for the funeral"
] | false |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | a9532fff-afa7-2f39-1add-dfd585a09f66 | Who prepares Paul's body? | [
"Eliot and Jack."
] | false |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | 538f75dd-1a2c-8593-d77c-17e427d3d1be | who told paul they had seen anna? | [
"two boys"
] | false |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | 75694d4d-138e-976a-1ba0-20ab08c60874 | Who do Eliot say he knew was not dead? | [] | true |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | dd30e494-0858-6c33-51e1-43746371e2d4 | What does Anna see on the mirror? | [
"Steam."
] | false |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | e75f2bd6-7527-0c43-d258-0d13e684dd9c | Where does Anna awaken? | [
"The funeral home."
] | false |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | 987520d7-7eb8-604b-82d2-7ec81d49f94a | what did park tell eliot while drinking? | [] | true |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | c8f16f21-f817-cb5d-1d05-fea958b1311b | whose funeral is being held | [
"anna"
] | false |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | b183e0b3-008f-1040-11c2-0153eecc30cf | how does anna die? | [
"In a car wreck"
] | false |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | 3e1ae8aa-0091-9e4b-202c-e84ce5d31bb2 | What killed Paul? | [
"Car accident."
] | false |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | 9aa09ca3-d37b-ce87-b6fb-cec142872559 | what does eliot own? | [
"A funeral Home"
] | false |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | bbd851be-11c8-4b7e-8648-920381cd0d46 | what does anna do at the funeral preparation? | [
"Anna escapes"
] | false |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | 51240cf4-1614-367f-3ddd-190daa8e3dbf | What does Paul place on Anna's finger? | [] | true |
/m/02pxhgv | After a horrific car accident, Anna Taylor (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified, and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul Coleman (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over to the other side.However, her boyfriend Paul, who was about to propose to her in a restaurant date which went terribly wrong, as she thought he was leaving her for a promotion in Chicago, starts to have strange feelings that she is trying to communicate with him. He sits and the car wreck which now sits at the police impound. His friend who works at the police station. Anna's mother, Beatrice Taylor (Celia Weston), is a wheelchair-bound lady who, instead of feeling sorry for her daughter, just moans to her dead body about who is going to take care of her (the mother) now.Paul looks out of control. He tries to see Anna's corpse twice, and it's him who goes to pick up Anna's stuff from the school. There, Jack (Chandler Canterbury), a little boy who was bullied at school but was defended by Anna once against two boys (Jack Rovello & Sam Kressner) older than him, says that he saw Anna standing up wearing a red outfit. At the beginning, Paul punches him and is restrained by school staff, like a security guard and a teacher (Doan Ly). Jack arrives home and the only adult is an old lady (Rosemary Murphy) with white hair always in front of TV who may be also a dead person who Jack can see before having transitioned.Finally, two days pass by and Anna is prepared to be buried. She has been convinced by Eliot that she is dead and transitioning into the other world. She asks to look at herself for one last time, and he fetches a hand mirror. She breathes, and there is steam. That makes her realise that she is probably alive and is going to be buried alive. She tries to fight him off, but he injects onto her neck something which paralizes her. At the funeral, Paul and Jack feel that Anna has moved a little bit. Paul can't be sure until Eliot tells him that she is probably not alive anymore.Jack becomes Eliot's apprentice. Paul drives like crazy to save Anna. It's night, and he is driving on the other line at full speed. He has an accident but he is able to unbury Anna and save her. However, there is a blackout and he wakes up naked at the body, and Eliot and Jack are working in his body, preparing him for the funeral, all pretension of him being dead put aside. | After.Life | be0eb34f-e5e3-efd2-b57f-aa41728ec6d3 | What does Anna tell Paul after they embrace? | [] | true |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | 20779807-4ad3-31a9-ba3c-dd6de8bbd6b3 | name two family members. | [
"Mr. Winslow and Catherine"
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | 8ef71dd1-bb6f-f56a-9ac1-9248d9c27af4 | Who reveals to the family what happened in court? | [
"Violet",
"Violet"
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | 5c3401a5-253a-e33b-f1bb-6ef4d834f1f8 | who is requested to remove winslow from the college? | [] | true |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | 40631f17-2f35-5ca5-d7b1-9049735da0a6 | Who is requested to remove Winslow from the college? | [
"Mr. Winslow"
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | ad84541f-0017-2c07-1a6b-2c9864dc0cdb | What does Catherine lose? | [
"the case"
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | 221c82d3-61be-70f6-60c9-1893da8f379c | why did the case come to court? | [
"Father tried to clear his son's name."
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | 029f7adb-9132-4312-b93c-f2f1a86b591f | why is arthur planning a dinner party? | [] | true |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | 38ee0938-114d-ef42-c014-be7c97050a8e | Who is unwilling to allow the case to proceed? | [
"18-K cross-examination"
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | 8fd3331e-1ee7-7183-8dd1-2c21b3812e28 | What has Ronnie been accused of stealing? | [
"Postal order",
"a postal order"
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | ee6eef79-7e8b-6f58-63af-c5d4825db4e3 | Why did Dickie leave Oxford? | [
"due to the lack of money"
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | 3553f3ed-cd4b-3ee6-388a-1d1ca718113e | did they win the case? | [
"Winslow"
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | d1470a88-8484-a9cd-d96e-9fe2ec52c80f | what was ronnie accused of? | [
"of the theft of a postal order"
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | 60222b25-fc5a-dfc4-1748-8ba1c8a5105c | Who do they engage to assist them ? | [
"England"
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | 4ec5e80c-5f9a-b4df-5e91-f6436e90ee70 | What did Arthur lost? | [
"Robert Donat"
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | 5bfe7858-574a-f5c5-4c00-39c1c10a8e61 | Why does the government withdraw charges? | [
"House of Commons"
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | 14dcf926-60bd-727c-86dd-59f14094a3b1 | What is the name of Arthur's wife? | [
"Grace",
"Robert Morton"
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | 9b043dbd-d7fa-4b61-2902-3a88da7218b7 | How long has Violet been a maid for the family? | [
"Twenty years",
"Edwardian England family"
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | 99e64991-695b-76f4-d2c1-09de943aeee9 | What was Ronnie accused of? | [
"Theft of a postal order."
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | bb5ec8c1-e834-a64a-72b1-99d466b9cea5 | Where is the heated debate? | [
"in the House of Commons"
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | 7213d220-87e1-1c57-c3cd-96442567a339 | What does Arthur lose? | [
"When the college refuses to reinstate Ronnie"
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | 4d031e1b-52ca-6070-273c-8f7e6e0c6570 | What finds him guilty ? | [
"An internal enquiry"
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | beb0848d-5374-4145-6c25-91f8181395c5 | What school does Dickie have to leave due to lack of funds? | [
"Oxford",
"Oxford"
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | 678941cb-87c1-313e-0f3b-78fa41e9b4a4 | What is Ronnie Winslow accused of stealing? | [
"of stealing a postal order"
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | 6a4c34aa-4da4-627c-f273-e9243e20b01f | what did arthur lost? | [] | true |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | d0eccf37-e503-aac0-d2cc-dfacbc72a1e3 | What cause is Catherine an outspoken supporter of? | [
"Women's sufferage",
"No Answer"
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | c8579289-e21b-e905-c3ba-ec77d70cd49c | why did arthur sue ronnies college? | [
"the boy is expelled"
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | 4361f39d-06a3-5ea0-f323-8c0afd58090b | what is the name of ronnie's daughter? | [
"Catherine"
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | 09ea25fd-2397-b3f3-34d0-dd339c9aecda | Why is Arthur planning a dinner party? | [
"Engagement party for his daughter.",
"No Answer"
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | 5866fdcb-1518-808b-e0f5-664e55c2984b | What is requested of his father Arthur Winslow ? | [] | true |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | 0d6b61c9-ad5b-f6aa-db50-50a74d467797 | Who was the best barrister in England at the time ? | [
"Sir Robert Morton"
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | cb1f0883-3a54-a2ed-2570-6e4a483337d6 | what is ronnie winslow accused of stealing? | [] | true |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | a4a04693-10ca-16b9-1c4d-1242e5fb29ca | What is Ronnie Winslow accused of ? | [
"Pop"
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | c2273f9f-75c2-650b-44ee-2a68b755a077 | who brought the good news to the winslowss home? | [
"Sir Robert"
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | 7b959cfe-d148-3fe4-3784-b928e7e434cf | What do Arthur Winslow and his daughter do ? | [] | true |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | 66e7cda0-9d3d-3351-33c7-2ff9adb777a0 | Who brought the good news to the Winslowss home? | [
"Sir Robert."
] | false |
/m/0fwhym | Until I saw this recently on TCM, I'd never heard of it: the youngest of a staid Edwardian England family is expelled from a Royal Navy prep school for stealing; father goes thru extraordinary lengths to clear his son's name. English actor Robert Donat was a heartthrob of the period: he portrays barrister (English version of our litigator or trial lawyer) Sir Robert Morton, an expensive, what-we'd-call corporate attorney; after several false starts, including a debate in the House of Commons (over what in English law was basically a lawsuit against the Crown), Sir Robert accepts the case.The centerpiece here is Sir Robert's interrogation of young Ronnie, the defendant, in the boy's home, in front of his rapidly deteriorating father & antagonistic, suffragette sister. Sir Robert's battery of questions quickly turns into an 18-K cross-examination, the kind he knows the boy can expect in court, over vehement objections from his family. Meanwhile, the case & the Winslow family become objects of public ridicule & derision.Also interesting are the ways family members change: in the beginning, Pop Winslow (played with Cedric Hardwicke's usual aplomb) seems the most value-rigid & proper fish in a sea of rebels (Lindy Hops, cigarets); gradually, it's pop that must convince even feminist daugher Katy to stay the course. | The Winslow Boy | 02dd425f-69d7-e839-38b8-a9db51943a86 | Why did Arthur sue Ronnies college? | [
"Because they would not reinstate Ronnie."
] | false |
/m/0818d7 | The film involves a series of interconnected events that converge around two car-related accidents at 11:14 p.m. The connections between the events are not apparent at first, but are gradually revealed by a series of progressively receding flashbacks:
Part 1[edit]
11:13 - 11:33
Jack (Henry Thomas), who has been drinking, is seen driving along a road at night talking on his cell phone. The clock on the dashboard reads 11:14 p.m. Suddenly, as he drives under an overpass, something smashes across the windshield, causing him to skid off the road. He stops by a deer crossing sign and gets out to inspect the damage, and finds a human body with a badly mutilated face lying close to his car. When he sees another car approaching, he panics and drags the body out of sight. The car pulls up next to him, and the driver, Norma (Barbara Hershey), assumes that he hit a deer. She offers to call the police over Jack's protests, insisting that it is no trouble because she has a new cell phone that she "never uses" and because she is friends with the Chief of Police. Norma offers Jack a ride to her house to wait for the police, but he declines. When she drives off, Jack decides to hide the body in the trunk of his car. He gets back into the car to pull away, but a police officer pulls up behind him. Officer Hannagan (Clark Gregg) speaks with Jack and, noting his odd behavior, asks him if he would submit to a breathalyzer test. Jack requests a sobriety test instead, which Hannagan administers, getting him to recite the alphabet in reverse from Z to A. When the officer checks with dispatch, he finds that Jack's license has been revoked for driving under the influence. Hannagan tells Jack that he is under arrest and that his car will be impounded. When he finds the body in the trunk, Hannagan handcuffs Jack with a cable tie and tells the two people already in the back of the cruiser, Duffy (Shawn Hatosy) and Buzzy (Hilary Swank), to move over so that Jack will fit. While Hannagan argues with Buzzy, who refuses to move over, Jack is able to pull clippers out of his pocket, cut the cable tie, and escape. Hannagan pursues, leaving the cruiser door open, and Duffy and Buzzy also escape. Jack runs across a property with security lights and a dog, causing the owner, Norma, to come out. She is obviously upset and is looking for her husband Frank (Patrick Swayze) because she just received a phone call that their daughter, Cheri (Rachael Leigh Cook), was killed in a hit-and-run accident. Hannagan catches up to Jack at this point, and Norma angrily strikes Jack with a flashlight, assuming that he is responsible for her daughter's death. He flees again, into the cemetery where he trips over a bowling ball and is again taken into custody.
Part 2[edit]
11:09 - 11:29
Teenagers Tim (Stark Sands), Mark (Colin Hanks) and Eddie (Ben Foster) are driving around causing trouble by throwing things out of the windows of Mark's van (which actually belongs to Mark's mother), including a book they have set on fire. Mark, distracted by Eddie urinating out the van's window, runs into and kills Cheri, who was crossing the road while on her cell phone. They stop, but flee the scene when Duffy comes toward the van with a gun. As Duffy fires on the retreating van, Tim realizes that the accident also caused the van's window to snap shut, cutting off Eddie's penis. Eddie insists that they all go back to the site of the crash because he doesn't want to live without his penis; feeling sorry for Eddie, Tim volunteers to go back in an effort to find the penis. Tim is accosted by the paramedics, Leon (Jason Segel) and Kevin (Rick Gomez) at the scene, but manages to escape and get the severed penis back to Eddie.
Part 3[edit]
11:04 - 11:24
Frank is walking his dog late at night and discovers his daughter's (Cheri's) car keys next to the dead body of Aaron (Blake Heron) in the cemetery. Thinking his daughter is responsible for the death, Frank packs the body in the trunk of Aaron's car, accidentally locking the keys in with the body. He uses a rock to break a window and get into the car, then drives to a bridge. He has to hide from a car driven by Duffy that passes by, but then disposes of the body by dropping it over the side of the bridge, where it lands on Jack's car (as seen at the start of the film). His dog runs off with the blood-soaked jacket. He chases the dog, eventually catching it. He sees the burning book that the teenagers threw on the sidewalk, and uses it to set his jacket on fire. His wife, Norma, sees him and gives him a ride home, where she sends him out to look for the deer that Jack supposedly hit.
Part 4[edit]
10:59 - 11:19
Buzzy is working at a convenience store late at night. Her friend and co-worker Duffy arrives and they begin discussing Cheri's pregnancy and money needed for an abortion. Mark and Eddie arrive after the store is closed but Duffy lets them come in. They are there to buy items to throw out the van windows. After they leave, Duffy tells Buzzy his plan to steal from the store the $500 required to pay for the abortion. Cheri arrives and she and Duffy go into the cooler. Meanwhile Buzzy is playing around with Duffy's revolver (the one he plans to use to rob the store) and she accidentally shoots a bullet through a glass door of a refrigerator, barely missing Duffy and Cheri. Cheri leaves and Duffy asks Buzzy to allow him to steal the money from the convenience store's cash register. Buzzy objects, fearful of losing her job, but relents, while insisting that Duffy shoot her in the arm to make it look like an authentic robbery. He shoots her in the arm and then dials 9-1-1 for her, leaving while she is on the phone. Duffy looks for his keys, barely escaping the police who are arriving more quickly than he thought they would. While driving away, he passes by Aaron's car, where Frank has parked it preparing to dispose of Aaron's body. Duffy then sees Cheri parked and tells her he got the money for her abortion. When she gets out of her car, he witnesses the teenagers' van knocking down and killing Cheri, and he shoots at the teenagers. He is then arrested by Officer Hannagan for shooting at the van and for the store robbery, based on the description someone phoned in (later revealed to be Cheri). Buzzy is arrested as an accomplice when she refuses to identify Duffy and admits to conspiring with him.
Part 5[edit]
10:54 - 11:14
Cheri leaves her house to have sex with Aaron at the cemetery. Aaron is reclining against a tombstone that has a stone angel on top. The angel's neck is damaged and the heavy stone head falls onto Aaron's face, killing him instantly and mutilating his face. Cheri runs away from the scene, not realizing that she has dropped the set of keys that Frank found in the earlier scene. Cheri borrows her father's car and goes to the convenience store to get Duffy's bowling ball, intending to replace the angel head with the bowling ball and implicate Duffy as killing Aaron. As she drives away from the store, she sees the shooting and reports a description of Duffy to the police. When Cheri arrives back at the cemetery, she drops the bowling ball when she sees that Aaron's body is gone. She tries to leave, but her car is again having trouble starting. Her cell phone rings, and she begins talking to Jack. This is the phone conversation the movie begins with, continued to inform the viewer that Cheri's "pregnancy" is actually a scam to get money from both Duffy and Aaron, so that Cheri and Jack can leave town together with the money. In the midst of the call, Duffy calls out Cheri's name from across the street to tell her that he got the $500 she wanted him to get. Cheri hangs up quickly, and while she is crossing the street, the cell phone rings again, and, distracted, she stops in the middle of the road, where she is hit by the van containing Mark, Tim, and Eddie. The camera pans to Cheri's cell phone, which reads 11:14 p.m. | 11:14 | a24cc81f-bf32-2d0d-d375-d22a7cf07f55 | What does Jack find after he comes to a stop by a deer crossing sign? | [
"A dead human body with a mutilated face."
] | false |
/m/0818d7 | The film involves a series of interconnected events that converge around two car-related accidents at 11:14 p.m. The connections between the events are not apparent at first, but are gradually revealed by a series of progressively receding flashbacks:
Part 1[edit]
11:13 - 11:33
Jack (Henry Thomas), who has been drinking, is seen driving along a road at night talking on his cell phone. The clock on the dashboard reads 11:14 p.m. Suddenly, as he drives under an overpass, something smashes across the windshield, causing him to skid off the road. He stops by a deer crossing sign and gets out to inspect the damage, and finds a human body with a badly mutilated face lying close to his car. When he sees another car approaching, he panics and drags the body out of sight. The car pulls up next to him, and the driver, Norma (Barbara Hershey), assumes that he hit a deer. She offers to call the police over Jack's protests, insisting that it is no trouble because she has a new cell phone that she "never uses" and because she is friends with the Chief of Police. Norma offers Jack a ride to her house to wait for the police, but he declines. When she drives off, Jack decides to hide the body in the trunk of his car. He gets back into the car to pull away, but a police officer pulls up behind him. Officer Hannagan (Clark Gregg) speaks with Jack and, noting his odd behavior, asks him if he would submit to a breathalyzer test. Jack requests a sobriety test instead, which Hannagan administers, getting him to recite the alphabet in reverse from Z to A. When the officer checks with dispatch, he finds that Jack's license has been revoked for driving under the influence. Hannagan tells Jack that he is under arrest and that his car will be impounded. When he finds the body in the trunk, Hannagan handcuffs Jack with a cable tie and tells the two people already in the back of the cruiser, Duffy (Shawn Hatosy) and Buzzy (Hilary Swank), to move over so that Jack will fit. While Hannagan argues with Buzzy, who refuses to move over, Jack is able to pull clippers out of his pocket, cut the cable tie, and escape. Hannagan pursues, leaving the cruiser door open, and Duffy and Buzzy also escape. Jack runs across a property with security lights and a dog, causing the owner, Norma, to come out. She is obviously upset and is looking for her husband Frank (Patrick Swayze) because she just received a phone call that their daughter, Cheri (Rachael Leigh Cook), was killed in a hit-and-run accident. Hannagan catches up to Jack at this point, and Norma angrily strikes Jack with a flashlight, assuming that he is responsible for her daughter's death. He flees again, into the cemetery where he trips over a bowling ball and is again taken into custody.
Part 2[edit]
11:09 - 11:29
Teenagers Tim (Stark Sands), Mark (Colin Hanks) and Eddie (Ben Foster) are driving around causing trouble by throwing things out of the windows of Mark's van (which actually belongs to Mark's mother), including a book they have set on fire. Mark, distracted by Eddie urinating out the van's window, runs into and kills Cheri, who was crossing the road while on her cell phone. They stop, but flee the scene when Duffy comes toward the van with a gun. As Duffy fires on the retreating van, Tim realizes that the accident also caused the van's window to snap shut, cutting off Eddie's penis. Eddie insists that they all go back to the site of the crash because he doesn't want to live without his penis; feeling sorry for Eddie, Tim volunteers to go back in an effort to find the penis. Tim is accosted by the paramedics, Leon (Jason Segel) and Kevin (Rick Gomez) at the scene, but manages to escape and get the severed penis back to Eddie.
Part 3[edit]
11:04 - 11:24
Frank is walking his dog late at night and discovers his daughter's (Cheri's) car keys next to the dead body of Aaron (Blake Heron) in the cemetery. Thinking his daughter is responsible for the death, Frank packs the body in the trunk of Aaron's car, accidentally locking the keys in with the body. He uses a rock to break a window and get into the car, then drives to a bridge. He has to hide from a car driven by Duffy that passes by, but then disposes of the body by dropping it over the side of the bridge, where it lands on Jack's car (as seen at the start of the film). His dog runs off with the blood-soaked jacket. He chases the dog, eventually catching it. He sees the burning book that the teenagers threw on the sidewalk, and uses it to set his jacket on fire. His wife, Norma, sees him and gives him a ride home, where she sends him out to look for the deer that Jack supposedly hit.
Part 4[edit]
10:59 - 11:19
Buzzy is working at a convenience store late at night. Her friend and co-worker Duffy arrives and they begin discussing Cheri's pregnancy and money needed for an abortion. Mark and Eddie arrive after the store is closed but Duffy lets them come in. They are there to buy items to throw out the van windows. After they leave, Duffy tells Buzzy his plan to steal from the store the $500 required to pay for the abortion. Cheri arrives and she and Duffy go into the cooler. Meanwhile Buzzy is playing around with Duffy's revolver (the one he plans to use to rob the store) and she accidentally shoots a bullet through a glass door of a refrigerator, barely missing Duffy and Cheri. Cheri leaves and Duffy asks Buzzy to allow him to steal the money from the convenience store's cash register. Buzzy objects, fearful of losing her job, but relents, while insisting that Duffy shoot her in the arm to make it look like an authentic robbery. He shoots her in the arm and then dials 9-1-1 for her, leaving while she is on the phone. Duffy looks for his keys, barely escaping the police who are arriving more quickly than he thought they would. While driving away, he passes by Aaron's car, where Frank has parked it preparing to dispose of Aaron's body. Duffy then sees Cheri parked and tells her he got the money for her abortion. When she gets out of her car, he witnesses the teenagers' van knocking down and killing Cheri, and he shoots at the teenagers. He is then arrested by Officer Hannagan for shooting at the van and for the store robbery, based on the description someone phoned in (later revealed to be Cheri). Buzzy is arrested as an accomplice when she refuses to identify Duffy and admits to conspiring with him.
Part 5[edit]
10:54 - 11:14
Cheri leaves her house to have sex with Aaron at the cemetery. Aaron is reclining against a tombstone that has a stone angel on top. The angel's neck is damaged and the heavy stone head falls onto Aaron's face, killing him instantly and mutilating his face. Cheri runs away from the scene, not realizing that she has dropped the set of keys that Frank found in the earlier scene. Cheri borrows her father's car and goes to the convenience store to get Duffy's bowling ball, intending to replace the angel head with the bowling ball and implicate Duffy as killing Aaron. As she drives away from the store, she sees the shooting and reports a description of Duffy to the police. When Cheri arrives back at the cemetery, she drops the bowling ball when she sees that Aaron's body is gone. She tries to leave, but her car is again having trouble starting. Her cell phone rings, and she begins talking to Jack. This is the phone conversation the movie begins with, continued to inform the viewer that Cheri's "pregnancy" is actually a scam to get money from both Duffy and Aaron, so that Cheri and Jack can leave town together with the money. In the midst of the call, Duffy calls out Cheri's name from across the street to tell her that he got the $500 she wanted him to get. Cheri hangs up quickly, and while she is crossing the street, the cell phone rings again, and, distracted, she stops in the middle of the road, where she is hit by the van containing Mark, Tim, and Eddie. The camera pans to Cheri's cell phone, which reads 11:14 p.m. | 11:14 | c1f2b221-02fa-96f9-5878-828c454c49c4 | What wrecks Jack's car at the beginning? | [
"A Body",
"Aaron's dead body"
] | false |
/m/0818d7 | The film involves a series of interconnected events that converge around two car-related accidents at 11:14 p.m. The connections between the events are not apparent at first, but are gradually revealed by a series of progressively receding flashbacks:
Part 1[edit]
11:13 - 11:33
Jack (Henry Thomas), who has been drinking, is seen driving along a road at night talking on his cell phone. The clock on the dashboard reads 11:14 p.m. Suddenly, as he drives under an overpass, something smashes across the windshield, causing him to skid off the road. He stops by a deer crossing sign and gets out to inspect the damage, and finds a human body with a badly mutilated face lying close to his car. When he sees another car approaching, he panics and drags the body out of sight. The car pulls up next to him, and the driver, Norma (Barbara Hershey), assumes that he hit a deer. She offers to call the police over Jack's protests, insisting that it is no trouble because she has a new cell phone that she "never uses" and because she is friends with the Chief of Police. Norma offers Jack a ride to her house to wait for the police, but he declines. When she drives off, Jack decides to hide the body in the trunk of his car. He gets back into the car to pull away, but a police officer pulls up behind him. Officer Hannagan (Clark Gregg) speaks with Jack and, noting his odd behavior, asks him if he would submit to a breathalyzer test. Jack requests a sobriety test instead, which Hannagan administers, getting him to recite the alphabet in reverse from Z to A. When the officer checks with dispatch, he finds that Jack's license has been revoked for driving under the influence. Hannagan tells Jack that he is under arrest and that his car will be impounded. When he finds the body in the trunk, Hannagan handcuffs Jack with a cable tie and tells the two people already in the back of the cruiser, Duffy (Shawn Hatosy) and Buzzy (Hilary Swank), to move over so that Jack will fit. While Hannagan argues with Buzzy, who refuses to move over, Jack is able to pull clippers out of his pocket, cut the cable tie, and escape. Hannagan pursues, leaving the cruiser door open, and Duffy and Buzzy also escape. Jack runs across a property with security lights and a dog, causing the owner, Norma, to come out. She is obviously upset and is looking for her husband Frank (Patrick Swayze) because she just received a phone call that their daughter, Cheri (Rachael Leigh Cook), was killed in a hit-and-run accident. Hannagan catches up to Jack at this point, and Norma angrily strikes Jack with a flashlight, assuming that he is responsible for her daughter's death. He flees again, into the cemetery where he trips over a bowling ball and is again taken into custody.
Part 2[edit]
11:09 - 11:29
Teenagers Tim (Stark Sands), Mark (Colin Hanks) and Eddie (Ben Foster) are driving around causing trouble by throwing things out of the windows of Mark's van (which actually belongs to Mark's mother), including a book they have set on fire. Mark, distracted by Eddie urinating out the van's window, runs into and kills Cheri, who was crossing the road while on her cell phone. They stop, but flee the scene when Duffy comes toward the van with a gun. As Duffy fires on the retreating van, Tim realizes that the accident also caused the van's window to snap shut, cutting off Eddie's penis. Eddie insists that they all go back to the site of the crash because he doesn't want to live without his penis; feeling sorry for Eddie, Tim volunteers to go back in an effort to find the penis. Tim is accosted by the paramedics, Leon (Jason Segel) and Kevin (Rick Gomez) at the scene, but manages to escape and get the severed penis back to Eddie.
Part 3[edit]
11:04 - 11:24
Frank is walking his dog late at night and discovers his daughter's (Cheri's) car keys next to the dead body of Aaron (Blake Heron) in the cemetery. Thinking his daughter is responsible for the death, Frank packs the body in the trunk of Aaron's car, accidentally locking the keys in with the body. He uses a rock to break a window and get into the car, then drives to a bridge. He has to hide from a car driven by Duffy that passes by, but then disposes of the body by dropping it over the side of the bridge, where it lands on Jack's car (as seen at the start of the film). His dog runs off with the blood-soaked jacket. He chases the dog, eventually catching it. He sees the burning book that the teenagers threw on the sidewalk, and uses it to set his jacket on fire. His wife, Norma, sees him and gives him a ride home, where she sends him out to look for the deer that Jack supposedly hit.
Part 4[edit]
10:59 - 11:19
Buzzy is working at a convenience store late at night. Her friend and co-worker Duffy arrives and they begin discussing Cheri's pregnancy and money needed for an abortion. Mark and Eddie arrive after the store is closed but Duffy lets them come in. They are there to buy items to throw out the van windows. After they leave, Duffy tells Buzzy his plan to steal from the store the $500 required to pay for the abortion. Cheri arrives and she and Duffy go into the cooler. Meanwhile Buzzy is playing around with Duffy's revolver (the one he plans to use to rob the store) and she accidentally shoots a bullet through a glass door of a refrigerator, barely missing Duffy and Cheri. Cheri leaves and Duffy asks Buzzy to allow him to steal the money from the convenience store's cash register. Buzzy objects, fearful of losing her job, but relents, while insisting that Duffy shoot her in the arm to make it look like an authentic robbery. He shoots her in the arm and then dials 9-1-1 for her, leaving while she is on the phone. Duffy looks for his keys, barely escaping the police who are arriving more quickly than he thought they would. While driving away, he passes by Aaron's car, where Frank has parked it preparing to dispose of Aaron's body. Duffy then sees Cheri parked and tells her he got the money for her abortion. When she gets out of her car, he witnesses the teenagers' van knocking down and killing Cheri, and he shoots at the teenagers. He is then arrested by Officer Hannagan for shooting at the van and for the store robbery, based on the description someone phoned in (later revealed to be Cheri). Buzzy is arrested as an accomplice when she refuses to identify Duffy and admits to conspiring with him.
Part 5[edit]
10:54 - 11:14
Cheri leaves her house to have sex with Aaron at the cemetery. Aaron is reclining against a tombstone that has a stone angel on top. The angel's neck is damaged and the heavy stone head falls onto Aaron's face, killing him instantly and mutilating his face. Cheri runs away from the scene, not realizing that she has dropped the set of keys that Frank found in the earlier scene. Cheri borrows her father's car and goes to the convenience store to get Duffy's bowling ball, intending to replace the angel head with the bowling ball and implicate Duffy as killing Aaron. As she drives away from the store, she sees the shooting and reports a description of Duffy to the police. When Cheri arrives back at the cemetery, she drops the bowling ball when she sees that Aaron's body is gone. She tries to leave, but her car is again having trouble starting. Her cell phone rings, and she begins talking to Jack. This is the phone conversation the movie begins with, continued to inform the viewer that Cheri's "pregnancy" is actually a scam to get money from both Duffy and Aaron, so that Cheri and Jack can leave town together with the money. In the midst of the call, Duffy calls out Cheri's name from across the street to tell her that he got the $500 she wanted him to get. Cheri hangs up quickly, and while she is crossing the street, the cell phone rings again, and, distracted, she stops in the middle of the road, where she is hit by the van containing Mark, Tim, and Eddie. The camera pans to Cheri's cell phone, which reads 11:14 p.m. | 11:14 | 2427706a-130a-6728-7def-89de7e809286 | The statue that kills Aaron is of what? | [
"a stone angle",
"An angel",
"An angel."
] | false |
/m/0818d7 | The film involves a series of interconnected events that converge around two car-related accidents at 11:14 p.m. The connections between the events are not apparent at first, but are gradually revealed by a series of progressively receding flashbacks:
Part 1[edit]
11:13 - 11:33
Jack (Henry Thomas), who has been drinking, is seen driving along a road at night talking on his cell phone. The clock on the dashboard reads 11:14 p.m. Suddenly, as he drives under an overpass, something smashes across the windshield, causing him to skid off the road. He stops by a deer crossing sign and gets out to inspect the damage, and finds a human body with a badly mutilated face lying close to his car. When he sees another car approaching, he panics and drags the body out of sight. The car pulls up next to him, and the driver, Norma (Barbara Hershey), assumes that he hit a deer. She offers to call the police over Jack's protests, insisting that it is no trouble because she has a new cell phone that she "never uses" and because she is friends with the Chief of Police. Norma offers Jack a ride to her house to wait for the police, but he declines. When she drives off, Jack decides to hide the body in the trunk of his car. He gets back into the car to pull away, but a police officer pulls up behind him. Officer Hannagan (Clark Gregg) speaks with Jack and, noting his odd behavior, asks him if he would submit to a breathalyzer test. Jack requests a sobriety test instead, which Hannagan administers, getting him to recite the alphabet in reverse from Z to A. When the officer checks with dispatch, he finds that Jack's license has been revoked for driving under the influence. Hannagan tells Jack that he is under arrest and that his car will be impounded. When he finds the body in the trunk, Hannagan handcuffs Jack with a cable tie and tells the two people already in the back of the cruiser, Duffy (Shawn Hatosy) and Buzzy (Hilary Swank), to move over so that Jack will fit. While Hannagan argues with Buzzy, who refuses to move over, Jack is able to pull clippers out of his pocket, cut the cable tie, and escape. Hannagan pursues, leaving the cruiser door open, and Duffy and Buzzy also escape. Jack runs across a property with security lights and a dog, causing the owner, Norma, to come out. She is obviously upset and is looking for her husband Frank (Patrick Swayze) because she just received a phone call that their daughter, Cheri (Rachael Leigh Cook), was killed in a hit-and-run accident. Hannagan catches up to Jack at this point, and Norma angrily strikes Jack with a flashlight, assuming that he is responsible for her daughter's death. He flees again, into the cemetery where he trips over a bowling ball and is again taken into custody.
Part 2[edit]
11:09 - 11:29
Teenagers Tim (Stark Sands), Mark (Colin Hanks) and Eddie (Ben Foster) are driving around causing trouble by throwing things out of the windows of Mark's van (which actually belongs to Mark's mother), including a book they have set on fire. Mark, distracted by Eddie urinating out the van's window, runs into and kills Cheri, who was crossing the road while on her cell phone. They stop, but flee the scene when Duffy comes toward the van with a gun. As Duffy fires on the retreating van, Tim realizes that the accident also caused the van's window to snap shut, cutting off Eddie's penis. Eddie insists that they all go back to the site of the crash because he doesn't want to live without his penis; feeling sorry for Eddie, Tim volunteers to go back in an effort to find the penis. Tim is accosted by the paramedics, Leon (Jason Segel) and Kevin (Rick Gomez) at the scene, but manages to escape and get the severed penis back to Eddie.
Part 3[edit]
11:04 - 11:24
Frank is walking his dog late at night and discovers his daughter's (Cheri's) car keys next to the dead body of Aaron (Blake Heron) in the cemetery. Thinking his daughter is responsible for the death, Frank packs the body in the trunk of Aaron's car, accidentally locking the keys in with the body. He uses a rock to break a window and get into the car, then drives to a bridge. He has to hide from a car driven by Duffy that passes by, but then disposes of the body by dropping it over the side of the bridge, where it lands on Jack's car (as seen at the start of the film). His dog runs off with the blood-soaked jacket. He chases the dog, eventually catching it. He sees the burning book that the teenagers threw on the sidewalk, and uses it to set his jacket on fire. His wife, Norma, sees him and gives him a ride home, where she sends him out to look for the deer that Jack supposedly hit.
Part 4[edit]
10:59 - 11:19
Buzzy is working at a convenience store late at night. Her friend and co-worker Duffy arrives and they begin discussing Cheri's pregnancy and money needed for an abortion. Mark and Eddie arrive after the store is closed but Duffy lets them come in. They are there to buy items to throw out the van windows. After they leave, Duffy tells Buzzy his plan to steal from the store the $500 required to pay for the abortion. Cheri arrives and she and Duffy go into the cooler. Meanwhile Buzzy is playing around with Duffy's revolver (the one he plans to use to rob the store) and she accidentally shoots a bullet through a glass door of a refrigerator, barely missing Duffy and Cheri. Cheri leaves and Duffy asks Buzzy to allow him to steal the money from the convenience store's cash register. Buzzy objects, fearful of losing her job, but relents, while insisting that Duffy shoot her in the arm to make it look like an authentic robbery. He shoots her in the arm and then dials 9-1-1 for her, leaving while she is on the phone. Duffy looks for his keys, barely escaping the police who are arriving more quickly than he thought they would. While driving away, he passes by Aaron's car, where Frank has parked it preparing to dispose of Aaron's body. Duffy then sees Cheri parked and tells her he got the money for her abortion. When she gets out of her car, he witnesses the teenagers' van knocking down and killing Cheri, and he shoots at the teenagers. He is then arrested by Officer Hannagan for shooting at the van and for the store robbery, based on the description someone phoned in (later revealed to be Cheri). Buzzy is arrested as an accomplice when she refuses to identify Duffy and admits to conspiring with him.
Part 5[edit]
10:54 - 11:14
Cheri leaves her house to have sex with Aaron at the cemetery. Aaron is reclining against a tombstone that has a stone angel on top. The angel's neck is damaged and the heavy stone head falls onto Aaron's face, killing him instantly and mutilating his face. Cheri runs away from the scene, not realizing that she has dropped the set of keys that Frank found in the earlier scene. Cheri borrows her father's car and goes to the convenience store to get Duffy's bowling ball, intending to replace the angel head with the bowling ball and implicate Duffy as killing Aaron. As she drives away from the store, she sees the shooting and reports a description of Duffy to the police. When Cheri arrives back at the cemetery, she drops the bowling ball when she sees that Aaron's body is gone. She tries to leave, but her car is again having trouble starting. Her cell phone rings, and she begins talking to Jack. This is the phone conversation the movie begins with, continued to inform the viewer that Cheri's "pregnancy" is actually a scam to get money from both Duffy and Aaron, so that Cheri and Jack can leave town together with the money. In the midst of the call, Duffy calls out Cheri's name from across the street to tell her that he got the $500 she wanted him to get. Cheri hangs up quickly, and while she is crossing the street, the cell phone rings again, and, distracted, she stops in the middle of the road, where she is hit by the van containing Mark, Tim, and Eddie. The camera pans to Cheri's cell phone, which reads 11:14 p.m. | 11:14 | 17eeec37-f93c-dcf7-1ae8-22ed4866dd87 | How does Jack escape after being cuffed? | [
"By using nail clippers from his pocket to cut the cable tie."
] | false |
/m/0818d7 | The film involves a series of interconnected events that converge around two car-related accidents at 11:14 p.m. The connections between the events are not apparent at first, but are gradually revealed by a series of progressively receding flashbacks:
Part 1[edit]
11:13 - 11:33
Jack (Henry Thomas), who has been drinking, is seen driving along a road at night talking on his cell phone. The clock on the dashboard reads 11:14 p.m. Suddenly, as he drives under an overpass, something smashes across the windshield, causing him to skid off the road. He stops by a deer crossing sign and gets out to inspect the damage, and finds a human body with a badly mutilated face lying close to his car. When he sees another car approaching, he panics and drags the body out of sight. The car pulls up next to him, and the driver, Norma (Barbara Hershey), assumes that he hit a deer. She offers to call the police over Jack's protests, insisting that it is no trouble because she has a new cell phone that she "never uses" and because she is friends with the Chief of Police. Norma offers Jack a ride to her house to wait for the police, but he declines. When she drives off, Jack decides to hide the body in the trunk of his car. He gets back into the car to pull away, but a police officer pulls up behind him. Officer Hannagan (Clark Gregg) speaks with Jack and, noting his odd behavior, asks him if he would submit to a breathalyzer test. Jack requests a sobriety test instead, which Hannagan administers, getting him to recite the alphabet in reverse from Z to A. When the officer checks with dispatch, he finds that Jack's license has been revoked for driving under the influence. Hannagan tells Jack that he is under arrest and that his car will be impounded. When he finds the body in the trunk, Hannagan handcuffs Jack with a cable tie and tells the two people already in the back of the cruiser, Duffy (Shawn Hatosy) and Buzzy (Hilary Swank), to move over so that Jack will fit. While Hannagan argues with Buzzy, who refuses to move over, Jack is able to pull clippers out of his pocket, cut the cable tie, and escape. Hannagan pursues, leaving the cruiser door open, and Duffy and Buzzy also escape. Jack runs across a property with security lights and a dog, causing the owner, Norma, to come out. She is obviously upset and is looking for her husband Frank (Patrick Swayze) because she just received a phone call that their daughter, Cheri (Rachael Leigh Cook), was killed in a hit-and-run accident. Hannagan catches up to Jack at this point, and Norma angrily strikes Jack with a flashlight, assuming that he is responsible for her daughter's death. He flees again, into the cemetery where he trips over a bowling ball and is again taken into custody.
Part 2[edit]
11:09 - 11:29
Teenagers Tim (Stark Sands), Mark (Colin Hanks) and Eddie (Ben Foster) are driving around causing trouble by throwing things out of the windows of Mark's van (which actually belongs to Mark's mother), including a book they have set on fire. Mark, distracted by Eddie urinating out the van's window, runs into and kills Cheri, who was crossing the road while on her cell phone. They stop, but flee the scene when Duffy comes toward the van with a gun. As Duffy fires on the retreating van, Tim realizes that the accident also caused the van's window to snap shut, cutting off Eddie's penis. Eddie insists that they all go back to the site of the crash because he doesn't want to live without his penis; feeling sorry for Eddie, Tim volunteers to go back in an effort to find the penis. Tim is accosted by the paramedics, Leon (Jason Segel) and Kevin (Rick Gomez) at the scene, but manages to escape and get the severed penis back to Eddie.
Part 3[edit]
11:04 - 11:24
Frank is walking his dog late at night and discovers his daughter's (Cheri's) car keys next to the dead body of Aaron (Blake Heron) in the cemetery. Thinking his daughter is responsible for the death, Frank packs the body in the trunk of Aaron's car, accidentally locking the keys in with the body. He uses a rock to break a window and get into the car, then drives to a bridge. He has to hide from a car driven by Duffy that passes by, but then disposes of the body by dropping it over the side of the bridge, where it lands on Jack's car (as seen at the start of the film). His dog runs off with the blood-soaked jacket. He chases the dog, eventually catching it. He sees the burning book that the teenagers threw on the sidewalk, and uses it to set his jacket on fire. His wife, Norma, sees him and gives him a ride home, where she sends him out to look for the deer that Jack supposedly hit.
Part 4[edit]
10:59 - 11:19
Buzzy is working at a convenience store late at night. Her friend and co-worker Duffy arrives and they begin discussing Cheri's pregnancy and money needed for an abortion. Mark and Eddie arrive after the store is closed but Duffy lets them come in. They are there to buy items to throw out the van windows. After they leave, Duffy tells Buzzy his plan to steal from the store the $500 required to pay for the abortion. Cheri arrives and she and Duffy go into the cooler. Meanwhile Buzzy is playing around with Duffy's revolver (the one he plans to use to rob the store) and she accidentally shoots a bullet through a glass door of a refrigerator, barely missing Duffy and Cheri. Cheri leaves and Duffy asks Buzzy to allow him to steal the money from the convenience store's cash register. Buzzy objects, fearful of losing her job, but relents, while insisting that Duffy shoot her in the arm to make it look like an authentic robbery. He shoots her in the arm and then dials 9-1-1 for her, leaving while she is on the phone. Duffy looks for his keys, barely escaping the police who are arriving more quickly than he thought they would. While driving away, he passes by Aaron's car, where Frank has parked it preparing to dispose of Aaron's body. Duffy then sees Cheri parked and tells her he got the money for her abortion. When she gets out of her car, he witnesses the teenagers' van knocking down and killing Cheri, and he shoots at the teenagers. He is then arrested by Officer Hannagan for shooting at the van and for the store robbery, based on the description someone phoned in (later revealed to be Cheri). Buzzy is arrested as an accomplice when she refuses to identify Duffy and admits to conspiring with him.
Part 5[edit]
10:54 - 11:14
Cheri leaves her house to have sex with Aaron at the cemetery. Aaron is reclining against a tombstone that has a stone angel on top. The angel's neck is damaged and the heavy stone head falls onto Aaron's face, killing him instantly and mutilating his face. Cheri runs away from the scene, not realizing that she has dropped the set of keys that Frank found in the earlier scene. Cheri borrows her father's car and goes to the convenience store to get Duffy's bowling ball, intending to replace the angel head with the bowling ball and implicate Duffy as killing Aaron. As she drives away from the store, she sees the shooting and reports a description of Duffy to the police. When Cheri arrives back at the cemetery, she drops the bowling ball when she sees that Aaron's body is gone. She tries to leave, but her car is again having trouble starting. Her cell phone rings, and she begins talking to Jack. This is the phone conversation the movie begins with, continued to inform the viewer that Cheri's "pregnancy" is actually a scam to get money from both Duffy and Aaron, so that Cheri and Jack can leave town together with the money. In the midst of the call, Duffy calls out Cheri's name from across the street to tell her that he got the $500 she wanted him to get. Cheri hangs up quickly, and while she is crossing the street, the cell phone rings again, and, distracted, she stops in the middle of the road, where she is hit by the van containing Mark, Tim, and Eddie. The camera pans to Cheri's cell phone, which reads 11:14 p.m. | 11:14 | 736358fd-d656-9e2e-cfd0-3860ad6f6c15 | What part of Eddie's body gets cut off? | [
"His penis",
"His Penis"
] | false |
/m/0818d7 | The film involves a series of interconnected events that converge around two car-related accidents at 11:14 p.m. The connections between the events are not apparent at first, but are gradually revealed by a series of progressively receding flashbacks:
Part 1[edit]
11:13 - 11:33
Jack (Henry Thomas), who has been drinking, is seen driving along a road at night talking on his cell phone. The clock on the dashboard reads 11:14 p.m. Suddenly, as he drives under an overpass, something smashes across the windshield, causing him to skid off the road. He stops by a deer crossing sign and gets out to inspect the damage, and finds a human body with a badly mutilated face lying close to his car. When he sees another car approaching, he panics and drags the body out of sight. The car pulls up next to him, and the driver, Norma (Barbara Hershey), assumes that he hit a deer. She offers to call the police over Jack's protests, insisting that it is no trouble because she has a new cell phone that she "never uses" and because she is friends with the Chief of Police. Norma offers Jack a ride to her house to wait for the police, but he declines. When she drives off, Jack decides to hide the body in the trunk of his car. He gets back into the car to pull away, but a police officer pulls up behind him. Officer Hannagan (Clark Gregg) speaks with Jack and, noting his odd behavior, asks him if he would submit to a breathalyzer test. Jack requests a sobriety test instead, which Hannagan administers, getting him to recite the alphabet in reverse from Z to A. When the officer checks with dispatch, he finds that Jack's license has been revoked for driving under the influence. Hannagan tells Jack that he is under arrest and that his car will be impounded. When he finds the body in the trunk, Hannagan handcuffs Jack with a cable tie and tells the two people already in the back of the cruiser, Duffy (Shawn Hatosy) and Buzzy (Hilary Swank), to move over so that Jack will fit. While Hannagan argues with Buzzy, who refuses to move over, Jack is able to pull clippers out of his pocket, cut the cable tie, and escape. Hannagan pursues, leaving the cruiser door open, and Duffy and Buzzy also escape. Jack runs across a property with security lights and a dog, causing the owner, Norma, to come out. She is obviously upset and is looking for her husband Frank (Patrick Swayze) because she just received a phone call that their daughter, Cheri (Rachael Leigh Cook), was killed in a hit-and-run accident. Hannagan catches up to Jack at this point, and Norma angrily strikes Jack with a flashlight, assuming that he is responsible for her daughter's death. He flees again, into the cemetery where he trips over a bowling ball and is again taken into custody.
Part 2[edit]
11:09 - 11:29
Teenagers Tim (Stark Sands), Mark (Colin Hanks) and Eddie (Ben Foster) are driving around causing trouble by throwing things out of the windows of Mark's van (which actually belongs to Mark's mother), including a book they have set on fire. Mark, distracted by Eddie urinating out the van's window, runs into and kills Cheri, who was crossing the road while on her cell phone. They stop, but flee the scene when Duffy comes toward the van with a gun. As Duffy fires on the retreating van, Tim realizes that the accident also caused the van's window to snap shut, cutting off Eddie's penis. Eddie insists that they all go back to the site of the crash because he doesn't want to live without his penis; feeling sorry for Eddie, Tim volunteers to go back in an effort to find the penis. Tim is accosted by the paramedics, Leon (Jason Segel) and Kevin (Rick Gomez) at the scene, but manages to escape and get the severed penis back to Eddie.
Part 3[edit]
11:04 - 11:24
Frank is walking his dog late at night and discovers his daughter's (Cheri's) car keys next to the dead body of Aaron (Blake Heron) in the cemetery. Thinking his daughter is responsible for the death, Frank packs the body in the trunk of Aaron's car, accidentally locking the keys in with the body. He uses a rock to break a window and get into the car, then drives to a bridge. He has to hide from a car driven by Duffy that passes by, but then disposes of the body by dropping it over the side of the bridge, where it lands on Jack's car (as seen at the start of the film). His dog runs off with the blood-soaked jacket. He chases the dog, eventually catching it. He sees the burning book that the teenagers threw on the sidewalk, and uses it to set his jacket on fire. His wife, Norma, sees him and gives him a ride home, where she sends him out to look for the deer that Jack supposedly hit.
Part 4[edit]
10:59 - 11:19
Buzzy is working at a convenience store late at night. Her friend and co-worker Duffy arrives and they begin discussing Cheri's pregnancy and money needed for an abortion. Mark and Eddie arrive after the store is closed but Duffy lets them come in. They are there to buy items to throw out the van windows. After they leave, Duffy tells Buzzy his plan to steal from the store the $500 required to pay for the abortion. Cheri arrives and she and Duffy go into the cooler. Meanwhile Buzzy is playing around with Duffy's revolver (the one he plans to use to rob the store) and she accidentally shoots a bullet through a glass door of a refrigerator, barely missing Duffy and Cheri. Cheri leaves and Duffy asks Buzzy to allow him to steal the money from the convenience store's cash register. Buzzy objects, fearful of losing her job, but relents, while insisting that Duffy shoot her in the arm to make it look like an authentic robbery. He shoots her in the arm and then dials 9-1-1 for her, leaving while she is on the phone. Duffy looks for his keys, barely escaping the police who are arriving more quickly than he thought they would. While driving away, he passes by Aaron's car, where Frank has parked it preparing to dispose of Aaron's body. Duffy then sees Cheri parked and tells her he got the money for her abortion. When she gets out of her car, he witnesses the teenagers' van knocking down and killing Cheri, and he shoots at the teenagers. He is then arrested by Officer Hannagan for shooting at the van and for the store robbery, based on the description someone phoned in (later revealed to be Cheri). Buzzy is arrested as an accomplice when she refuses to identify Duffy and admits to conspiring with him.
Part 5[edit]
10:54 - 11:14
Cheri leaves her house to have sex with Aaron at the cemetery. Aaron is reclining against a tombstone that has a stone angel on top. The angel's neck is damaged and the heavy stone head falls onto Aaron's face, killing him instantly and mutilating his face. Cheri runs away from the scene, not realizing that she has dropped the set of keys that Frank found in the earlier scene. Cheri borrows her father's car and goes to the convenience store to get Duffy's bowling ball, intending to replace the angel head with the bowling ball and implicate Duffy as killing Aaron. As she drives away from the store, she sees the shooting and reports a description of Duffy to the police. When Cheri arrives back at the cemetery, she drops the bowling ball when she sees that Aaron's body is gone. She tries to leave, but her car is again having trouble starting. Her cell phone rings, and she begins talking to Jack. This is the phone conversation the movie begins with, continued to inform the viewer that Cheri's "pregnancy" is actually a scam to get money from both Duffy and Aaron, so that Cheri and Jack can leave town together with the money. In the midst of the call, Duffy calls out Cheri's name from across the street to tell her that he got the $500 she wanted him to get. Cheri hangs up quickly, and while she is crossing the street, the cell phone rings again, and, distracted, she stops in the middle of the road, where she is hit by the van containing Mark, Tim, and Eddie. The camera pans to Cheri's cell phone, which reads 11:14 p.m. | 11:14 | 252424e4-82d2-6a6c-4509-4fe88a73d40f | Why does Jack panic? | [] | true |
/m/0818d7 | The film involves a series of interconnected events that converge around two car-related accidents at 11:14 p.m. The connections between the events are not apparent at first, but are gradually revealed by a series of progressively receding flashbacks:
Part 1[edit]
11:13 - 11:33
Jack (Henry Thomas), who has been drinking, is seen driving along a road at night talking on his cell phone. The clock on the dashboard reads 11:14 p.m. Suddenly, as he drives under an overpass, something smashes across the windshield, causing him to skid off the road. He stops by a deer crossing sign and gets out to inspect the damage, and finds a human body with a badly mutilated face lying close to his car. When he sees another car approaching, he panics and drags the body out of sight. The car pulls up next to him, and the driver, Norma (Barbara Hershey), assumes that he hit a deer. She offers to call the police over Jack's protests, insisting that it is no trouble because she has a new cell phone that she "never uses" and because she is friends with the Chief of Police. Norma offers Jack a ride to her house to wait for the police, but he declines. When she drives off, Jack decides to hide the body in the trunk of his car. He gets back into the car to pull away, but a police officer pulls up behind him. Officer Hannagan (Clark Gregg) speaks with Jack and, noting his odd behavior, asks him if he would submit to a breathalyzer test. Jack requests a sobriety test instead, which Hannagan administers, getting him to recite the alphabet in reverse from Z to A. When the officer checks with dispatch, he finds that Jack's license has been revoked for driving under the influence. Hannagan tells Jack that he is under arrest and that his car will be impounded. When he finds the body in the trunk, Hannagan handcuffs Jack with a cable tie and tells the two people already in the back of the cruiser, Duffy (Shawn Hatosy) and Buzzy (Hilary Swank), to move over so that Jack will fit. While Hannagan argues with Buzzy, who refuses to move over, Jack is able to pull clippers out of his pocket, cut the cable tie, and escape. Hannagan pursues, leaving the cruiser door open, and Duffy and Buzzy also escape. Jack runs across a property with security lights and a dog, causing the owner, Norma, to come out. She is obviously upset and is looking for her husband Frank (Patrick Swayze) because she just received a phone call that their daughter, Cheri (Rachael Leigh Cook), was killed in a hit-and-run accident. Hannagan catches up to Jack at this point, and Norma angrily strikes Jack with a flashlight, assuming that he is responsible for her daughter's death. He flees again, into the cemetery where he trips over a bowling ball and is again taken into custody.
Part 2[edit]
11:09 - 11:29
Teenagers Tim (Stark Sands), Mark (Colin Hanks) and Eddie (Ben Foster) are driving around causing trouble by throwing things out of the windows of Mark's van (which actually belongs to Mark's mother), including a book they have set on fire. Mark, distracted by Eddie urinating out the van's window, runs into and kills Cheri, who was crossing the road while on her cell phone. They stop, but flee the scene when Duffy comes toward the van with a gun. As Duffy fires on the retreating van, Tim realizes that the accident also caused the van's window to snap shut, cutting off Eddie's penis. Eddie insists that they all go back to the site of the crash because he doesn't want to live without his penis; feeling sorry for Eddie, Tim volunteers to go back in an effort to find the penis. Tim is accosted by the paramedics, Leon (Jason Segel) and Kevin (Rick Gomez) at the scene, but manages to escape and get the severed penis back to Eddie.
Part 3[edit]
11:04 - 11:24
Frank is walking his dog late at night and discovers his daughter's (Cheri's) car keys next to the dead body of Aaron (Blake Heron) in the cemetery. Thinking his daughter is responsible for the death, Frank packs the body in the trunk of Aaron's car, accidentally locking the keys in with the body. He uses a rock to break a window and get into the car, then drives to a bridge. He has to hide from a car driven by Duffy that passes by, but then disposes of the body by dropping it over the side of the bridge, where it lands on Jack's car (as seen at the start of the film). His dog runs off with the blood-soaked jacket. He chases the dog, eventually catching it. He sees the burning book that the teenagers threw on the sidewalk, and uses it to set his jacket on fire. His wife, Norma, sees him and gives him a ride home, where she sends him out to look for the deer that Jack supposedly hit.
Part 4[edit]
10:59 - 11:19
Buzzy is working at a convenience store late at night. Her friend and co-worker Duffy arrives and they begin discussing Cheri's pregnancy and money needed for an abortion. Mark and Eddie arrive after the store is closed but Duffy lets them come in. They are there to buy items to throw out the van windows. After they leave, Duffy tells Buzzy his plan to steal from the store the $500 required to pay for the abortion. Cheri arrives and she and Duffy go into the cooler. Meanwhile Buzzy is playing around with Duffy's revolver (the one he plans to use to rob the store) and she accidentally shoots a bullet through a glass door of a refrigerator, barely missing Duffy and Cheri. Cheri leaves and Duffy asks Buzzy to allow him to steal the money from the convenience store's cash register. Buzzy objects, fearful of losing her job, but relents, while insisting that Duffy shoot her in the arm to make it look like an authentic robbery. He shoots her in the arm and then dials 9-1-1 for her, leaving while she is on the phone. Duffy looks for his keys, barely escaping the police who are arriving more quickly than he thought they would. While driving away, he passes by Aaron's car, where Frank has parked it preparing to dispose of Aaron's body. Duffy then sees Cheri parked and tells her he got the money for her abortion. When she gets out of her car, he witnesses the teenagers' van knocking down and killing Cheri, and he shoots at the teenagers. He is then arrested by Officer Hannagan for shooting at the van and for the store robbery, based on the description someone phoned in (later revealed to be Cheri). Buzzy is arrested as an accomplice when she refuses to identify Duffy and admits to conspiring with him.
Part 5[edit]
10:54 - 11:14
Cheri leaves her house to have sex with Aaron at the cemetery. Aaron is reclining against a tombstone that has a stone angel on top. The angel's neck is damaged and the heavy stone head falls onto Aaron's face, killing him instantly and mutilating his face. Cheri runs away from the scene, not realizing that she has dropped the set of keys that Frank found in the earlier scene. Cheri borrows her father's car and goes to the convenience store to get Duffy's bowling ball, intending to replace the angel head with the bowling ball and implicate Duffy as killing Aaron. As she drives away from the store, she sees the shooting and reports a description of Duffy to the police. When Cheri arrives back at the cemetery, she drops the bowling ball when she sees that Aaron's body is gone. She tries to leave, but her car is again having trouble starting. Her cell phone rings, and she begins talking to Jack. This is the phone conversation the movie begins with, continued to inform the viewer that Cheri's "pregnancy" is actually a scam to get money from both Duffy and Aaron, so that Cheri and Jack can leave town together with the money. In the midst of the call, Duffy calls out Cheri's name from across the street to tell her that he got the $500 she wanted him to get. Cheri hangs up quickly, and while she is crossing the street, the cell phone rings again, and, distracted, she stops in the middle of the road, where she is hit by the van containing Mark, Tim, and Eddie. The camera pans to Cheri's cell phone, which reads 11:14 p.m. | 11:14 | e69de784-7df4-8855-aba6-81b74ab58079 | Where does Jack hide the body? | [
"In the trunk of his car."
] | false |
/m/0818d7 | The film involves a series of interconnected events that converge around two car-related accidents at 11:14 p.m. The connections between the events are not apparent at first, but are gradually revealed by a series of progressively receding flashbacks:
Part 1[edit]
11:13 - 11:33
Jack (Henry Thomas), who has been drinking, is seen driving along a road at night talking on his cell phone. The clock on the dashboard reads 11:14 p.m. Suddenly, as he drives under an overpass, something smashes across the windshield, causing him to skid off the road. He stops by a deer crossing sign and gets out to inspect the damage, and finds a human body with a badly mutilated face lying close to his car. When he sees another car approaching, he panics and drags the body out of sight. The car pulls up next to him, and the driver, Norma (Barbara Hershey), assumes that he hit a deer. She offers to call the police over Jack's protests, insisting that it is no trouble because she has a new cell phone that she "never uses" and because she is friends with the Chief of Police. Norma offers Jack a ride to her house to wait for the police, but he declines. When she drives off, Jack decides to hide the body in the trunk of his car. He gets back into the car to pull away, but a police officer pulls up behind him. Officer Hannagan (Clark Gregg) speaks with Jack and, noting his odd behavior, asks him if he would submit to a breathalyzer test. Jack requests a sobriety test instead, which Hannagan administers, getting him to recite the alphabet in reverse from Z to A. When the officer checks with dispatch, he finds that Jack's license has been revoked for driving under the influence. Hannagan tells Jack that he is under arrest and that his car will be impounded. When he finds the body in the trunk, Hannagan handcuffs Jack with a cable tie and tells the two people already in the back of the cruiser, Duffy (Shawn Hatosy) and Buzzy (Hilary Swank), to move over so that Jack will fit. While Hannagan argues with Buzzy, who refuses to move over, Jack is able to pull clippers out of his pocket, cut the cable tie, and escape. Hannagan pursues, leaving the cruiser door open, and Duffy and Buzzy also escape. Jack runs across a property with security lights and a dog, causing the owner, Norma, to come out. She is obviously upset and is looking for her husband Frank (Patrick Swayze) because she just received a phone call that their daughter, Cheri (Rachael Leigh Cook), was killed in a hit-and-run accident. Hannagan catches up to Jack at this point, and Norma angrily strikes Jack with a flashlight, assuming that he is responsible for her daughter's death. He flees again, into the cemetery where he trips over a bowling ball and is again taken into custody.
Part 2[edit]
11:09 - 11:29
Teenagers Tim (Stark Sands), Mark (Colin Hanks) and Eddie (Ben Foster) are driving around causing trouble by throwing things out of the windows of Mark's van (which actually belongs to Mark's mother), including a book they have set on fire. Mark, distracted by Eddie urinating out the van's window, runs into and kills Cheri, who was crossing the road while on her cell phone. They stop, but flee the scene when Duffy comes toward the van with a gun. As Duffy fires on the retreating van, Tim realizes that the accident also caused the van's window to snap shut, cutting off Eddie's penis. Eddie insists that they all go back to the site of the crash because he doesn't want to live without his penis; feeling sorry for Eddie, Tim volunteers to go back in an effort to find the penis. Tim is accosted by the paramedics, Leon (Jason Segel) and Kevin (Rick Gomez) at the scene, but manages to escape and get the severed penis back to Eddie.
Part 3[edit]
11:04 - 11:24
Frank is walking his dog late at night and discovers his daughter's (Cheri's) car keys next to the dead body of Aaron (Blake Heron) in the cemetery. Thinking his daughter is responsible for the death, Frank packs the body in the trunk of Aaron's car, accidentally locking the keys in with the body. He uses a rock to break a window and get into the car, then drives to a bridge. He has to hide from a car driven by Duffy that passes by, but then disposes of the body by dropping it over the side of the bridge, where it lands on Jack's car (as seen at the start of the film). His dog runs off with the blood-soaked jacket. He chases the dog, eventually catching it. He sees the burning book that the teenagers threw on the sidewalk, and uses it to set his jacket on fire. His wife, Norma, sees him and gives him a ride home, where she sends him out to look for the deer that Jack supposedly hit.
Part 4[edit]
10:59 - 11:19
Buzzy is working at a convenience store late at night. Her friend and co-worker Duffy arrives and they begin discussing Cheri's pregnancy and money needed for an abortion. Mark and Eddie arrive after the store is closed but Duffy lets them come in. They are there to buy items to throw out the van windows. After they leave, Duffy tells Buzzy his plan to steal from the store the $500 required to pay for the abortion. Cheri arrives and she and Duffy go into the cooler. Meanwhile Buzzy is playing around with Duffy's revolver (the one he plans to use to rob the store) and she accidentally shoots a bullet through a glass door of a refrigerator, barely missing Duffy and Cheri. Cheri leaves and Duffy asks Buzzy to allow him to steal the money from the convenience store's cash register. Buzzy objects, fearful of losing her job, but relents, while insisting that Duffy shoot her in the arm to make it look like an authentic robbery. He shoots her in the arm and then dials 9-1-1 for her, leaving while she is on the phone. Duffy looks for his keys, barely escaping the police who are arriving more quickly than he thought they would. While driving away, he passes by Aaron's car, where Frank has parked it preparing to dispose of Aaron's body. Duffy then sees Cheri parked and tells her he got the money for her abortion. When she gets out of her car, he witnesses the teenagers' van knocking down and killing Cheri, and he shoots at the teenagers. He is then arrested by Officer Hannagan for shooting at the van and for the store robbery, based on the description someone phoned in (later revealed to be Cheri). Buzzy is arrested as an accomplice when she refuses to identify Duffy and admits to conspiring with him.
Part 5[edit]
10:54 - 11:14
Cheri leaves her house to have sex with Aaron at the cemetery. Aaron is reclining against a tombstone that has a stone angel on top. The angel's neck is damaged and the heavy stone head falls onto Aaron's face, killing him instantly and mutilating his face. Cheri runs away from the scene, not realizing that she has dropped the set of keys that Frank found in the earlier scene. Cheri borrows her father's car and goes to the convenience store to get Duffy's bowling ball, intending to replace the angel head with the bowling ball and implicate Duffy as killing Aaron. As she drives away from the store, she sees the shooting and reports a description of Duffy to the police. When Cheri arrives back at the cemetery, she drops the bowling ball when she sees that Aaron's body is gone. She tries to leave, but her car is again having trouble starting. Her cell phone rings, and she begins talking to Jack. This is the phone conversation the movie begins with, continued to inform the viewer that Cheri's "pregnancy" is actually a scam to get money from both Duffy and Aaron, so that Cheri and Jack can leave town together with the money. In the midst of the call, Duffy calls out Cheri's name from across the street to tell her that he got the $500 she wanted him to get. Cheri hangs up quickly, and while she is crossing the street, the cell phone rings again, and, distracted, she stops in the middle of the road, where she is hit by the van containing Mark, Tim, and Eddie. The camera pans to Cheri's cell phone, which reads 11:14 p.m. | 11:14 | a8cf7e2c-36a7-55e8-9f48-4403befed5f7 | What does Norma assume Jack hit? | [
"Deer"
] | false |
/m/0818d7 | The film involves a series of interconnected events that converge around two car-related accidents at 11:14 p.m. The connections between the events are not apparent at first, but are gradually revealed by a series of progressively receding flashbacks:
Part 1[edit]
11:13 - 11:33
Jack (Henry Thomas), who has been drinking, is seen driving along a road at night talking on his cell phone. The clock on the dashboard reads 11:14 p.m. Suddenly, as he drives under an overpass, something smashes across the windshield, causing him to skid off the road. He stops by a deer crossing sign and gets out to inspect the damage, and finds a human body with a badly mutilated face lying close to his car. When he sees another car approaching, he panics and drags the body out of sight. The car pulls up next to him, and the driver, Norma (Barbara Hershey), assumes that he hit a deer. She offers to call the police over Jack's protests, insisting that it is no trouble because she has a new cell phone that she "never uses" and because she is friends with the Chief of Police. Norma offers Jack a ride to her house to wait for the police, but he declines. When she drives off, Jack decides to hide the body in the trunk of his car. He gets back into the car to pull away, but a police officer pulls up behind him. Officer Hannagan (Clark Gregg) speaks with Jack and, noting his odd behavior, asks him if he would submit to a breathalyzer test. Jack requests a sobriety test instead, which Hannagan administers, getting him to recite the alphabet in reverse from Z to A. When the officer checks with dispatch, he finds that Jack's license has been revoked for driving under the influence. Hannagan tells Jack that he is under arrest and that his car will be impounded. When he finds the body in the trunk, Hannagan handcuffs Jack with a cable tie and tells the two people already in the back of the cruiser, Duffy (Shawn Hatosy) and Buzzy (Hilary Swank), to move over so that Jack will fit. While Hannagan argues with Buzzy, who refuses to move over, Jack is able to pull clippers out of his pocket, cut the cable tie, and escape. Hannagan pursues, leaving the cruiser door open, and Duffy and Buzzy also escape. Jack runs across a property with security lights and a dog, causing the owner, Norma, to come out. She is obviously upset and is looking for her husband Frank (Patrick Swayze) because she just received a phone call that their daughter, Cheri (Rachael Leigh Cook), was killed in a hit-and-run accident. Hannagan catches up to Jack at this point, and Norma angrily strikes Jack with a flashlight, assuming that he is responsible for her daughter's death. He flees again, into the cemetery where he trips over a bowling ball and is again taken into custody.
Part 2[edit]
11:09 - 11:29
Teenagers Tim (Stark Sands), Mark (Colin Hanks) and Eddie (Ben Foster) are driving around causing trouble by throwing things out of the windows of Mark's van (which actually belongs to Mark's mother), including a book they have set on fire. Mark, distracted by Eddie urinating out the van's window, runs into and kills Cheri, who was crossing the road while on her cell phone. They stop, but flee the scene when Duffy comes toward the van with a gun. As Duffy fires on the retreating van, Tim realizes that the accident also caused the van's window to snap shut, cutting off Eddie's penis. Eddie insists that they all go back to the site of the crash because he doesn't want to live without his penis; feeling sorry for Eddie, Tim volunteers to go back in an effort to find the penis. Tim is accosted by the paramedics, Leon (Jason Segel) and Kevin (Rick Gomez) at the scene, but manages to escape and get the severed penis back to Eddie.
Part 3[edit]
11:04 - 11:24
Frank is walking his dog late at night and discovers his daughter's (Cheri's) car keys next to the dead body of Aaron (Blake Heron) in the cemetery. Thinking his daughter is responsible for the death, Frank packs the body in the trunk of Aaron's car, accidentally locking the keys in with the body. He uses a rock to break a window and get into the car, then drives to a bridge. He has to hide from a car driven by Duffy that passes by, but then disposes of the body by dropping it over the side of the bridge, where it lands on Jack's car (as seen at the start of the film). His dog runs off with the blood-soaked jacket. He chases the dog, eventually catching it. He sees the burning book that the teenagers threw on the sidewalk, and uses it to set his jacket on fire. His wife, Norma, sees him and gives him a ride home, where she sends him out to look for the deer that Jack supposedly hit.
Part 4[edit]
10:59 - 11:19
Buzzy is working at a convenience store late at night. Her friend and co-worker Duffy arrives and they begin discussing Cheri's pregnancy and money needed for an abortion. Mark and Eddie arrive after the store is closed but Duffy lets them come in. They are there to buy items to throw out the van windows. After they leave, Duffy tells Buzzy his plan to steal from the store the $500 required to pay for the abortion. Cheri arrives and she and Duffy go into the cooler. Meanwhile Buzzy is playing around with Duffy's revolver (the one he plans to use to rob the store) and she accidentally shoots a bullet through a glass door of a refrigerator, barely missing Duffy and Cheri. Cheri leaves and Duffy asks Buzzy to allow him to steal the money from the convenience store's cash register. Buzzy objects, fearful of losing her job, but relents, while insisting that Duffy shoot her in the arm to make it look like an authentic robbery. He shoots her in the arm and then dials 9-1-1 for her, leaving while she is on the phone. Duffy looks for his keys, barely escaping the police who are arriving more quickly than he thought they would. While driving away, he passes by Aaron's car, where Frank has parked it preparing to dispose of Aaron's body. Duffy then sees Cheri parked and tells her he got the money for her abortion. When she gets out of her car, he witnesses the teenagers' van knocking down and killing Cheri, and he shoots at the teenagers. He is then arrested by Officer Hannagan for shooting at the van and for the store robbery, based on the description someone phoned in (later revealed to be Cheri). Buzzy is arrested as an accomplice when she refuses to identify Duffy and admits to conspiring with him.
Part 5[edit]
10:54 - 11:14
Cheri leaves her house to have sex with Aaron at the cemetery. Aaron is reclining against a tombstone that has a stone angel on top. The angel's neck is damaged and the heavy stone head falls onto Aaron's face, killing him instantly and mutilating his face. Cheri runs away from the scene, not realizing that she has dropped the set of keys that Frank found in the earlier scene. Cheri borrows her father's car and goes to the convenience store to get Duffy's bowling ball, intending to replace the angel head with the bowling ball and implicate Duffy as killing Aaron. As she drives away from the store, she sees the shooting and reports a description of Duffy to the police. When Cheri arrives back at the cemetery, she drops the bowling ball when she sees that Aaron's body is gone. She tries to leave, but her car is again having trouble starting. Her cell phone rings, and she begins talking to Jack. This is the phone conversation the movie begins with, continued to inform the viewer that Cheri's "pregnancy" is actually a scam to get money from both Duffy and Aaron, so that Cheri and Jack can leave town together with the money. In the midst of the call, Duffy calls out Cheri's name from across the street to tell her that he got the $500 she wanted him to get. Cheri hangs up quickly, and while she is crossing the street, the cell phone rings again, and, distracted, she stops in the middle of the road, where she is hit by the van containing Mark, Tim, and Eddie. The camera pans to Cheri's cell phone, which reads 11:14 p.m. | 11:14 | e55f0ea6-ca78-4cc9-bdf1-4c8e062d87a9 | Who is the driver of the car that approached him? | [
"Norma."
] | false |
/m/0818d7 | The film involves a series of interconnected events that converge around two car-related accidents at 11:14 p.m. The connections between the events are not apparent at first, but are gradually revealed by a series of progressively receding flashbacks:
Part 1[edit]
11:13 - 11:33
Jack (Henry Thomas), who has been drinking, is seen driving along a road at night talking on his cell phone. The clock on the dashboard reads 11:14 p.m. Suddenly, as he drives under an overpass, something smashes across the windshield, causing him to skid off the road. He stops by a deer crossing sign and gets out to inspect the damage, and finds a human body with a badly mutilated face lying close to his car. When he sees another car approaching, he panics and drags the body out of sight. The car pulls up next to him, and the driver, Norma (Barbara Hershey), assumes that he hit a deer. She offers to call the police over Jack's protests, insisting that it is no trouble because she has a new cell phone that she "never uses" and because she is friends with the Chief of Police. Norma offers Jack a ride to her house to wait for the police, but he declines. When she drives off, Jack decides to hide the body in the trunk of his car. He gets back into the car to pull away, but a police officer pulls up behind him. Officer Hannagan (Clark Gregg) speaks with Jack and, noting his odd behavior, asks him if he would submit to a breathalyzer test. Jack requests a sobriety test instead, which Hannagan administers, getting him to recite the alphabet in reverse from Z to A. When the officer checks with dispatch, he finds that Jack's license has been revoked for driving under the influence. Hannagan tells Jack that he is under arrest and that his car will be impounded. When he finds the body in the trunk, Hannagan handcuffs Jack with a cable tie and tells the two people already in the back of the cruiser, Duffy (Shawn Hatosy) and Buzzy (Hilary Swank), to move over so that Jack will fit. While Hannagan argues with Buzzy, who refuses to move over, Jack is able to pull clippers out of his pocket, cut the cable tie, and escape. Hannagan pursues, leaving the cruiser door open, and Duffy and Buzzy also escape. Jack runs across a property with security lights and a dog, causing the owner, Norma, to come out. She is obviously upset and is looking for her husband Frank (Patrick Swayze) because she just received a phone call that their daughter, Cheri (Rachael Leigh Cook), was killed in a hit-and-run accident. Hannagan catches up to Jack at this point, and Norma angrily strikes Jack with a flashlight, assuming that he is responsible for her daughter's death. He flees again, into the cemetery where he trips over a bowling ball and is again taken into custody.
Part 2[edit]
11:09 - 11:29
Teenagers Tim (Stark Sands), Mark (Colin Hanks) and Eddie (Ben Foster) are driving around causing trouble by throwing things out of the windows of Mark's van (which actually belongs to Mark's mother), including a book they have set on fire. Mark, distracted by Eddie urinating out the van's window, runs into and kills Cheri, who was crossing the road while on her cell phone. They stop, but flee the scene when Duffy comes toward the van with a gun. As Duffy fires on the retreating van, Tim realizes that the accident also caused the van's window to snap shut, cutting off Eddie's penis. Eddie insists that they all go back to the site of the crash because he doesn't want to live without his penis; feeling sorry for Eddie, Tim volunteers to go back in an effort to find the penis. Tim is accosted by the paramedics, Leon (Jason Segel) and Kevin (Rick Gomez) at the scene, but manages to escape and get the severed penis back to Eddie.
Part 3[edit]
11:04 - 11:24
Frank is walking his dog late at night and discovers his daughter's (Cheri's) car keys next to the dead body of Aaron (Blake Heron) in the cemetery. Thinking his daughter is responsible for the death, Frank packs the body in the trunk of Aaron's car, accidentally locking the keys in with the body. He uses a rock to break a window and get into the car, then drives to a bridge. He has to hide from a car driven by Duffy that passes by, but then disposes of the body by dropping it over the side of the bridge, where it lands on Jack's car (as seen at the start of the film). His dog runs off with the blood-soaked jacket. He chases the dog, eventually catching it. He sees the burning book that the teenagers threw on the sidewalk, and uses it to set his jacket on fire. His wife, Norma, sees him and gives him a ride home, where she sends him out to look for the deer that Jack supposedly hit.
Part 4[edit]
10:59 - 11:19
Buzzy is working at a convenience store late at night. Her friend and co-worker Duffy arrives and they begin discussing Cheri's pregnancy and money needed for an abortion. Mark and Eddie arrive after the store is closed but Duffy lets them come in. They are there to buy items to throw out the van windows. After they leave, Duffy tells Buzzy his plan to steal from the store the $500 required to pay for the abortion. Cheri arrives and she and Duffy go into the cooler. Meanwhile Buzzy is playing around with Duffy's revolver (the one he plans to use to rob the store) and she accidentally shoots a bullet through a glass door of a refrigerator, barely missing Duffy and Cheri. Cheri leaves and Duffy asks Buzzy to allow him to steal the money from the convenience store's cash register. Buzzy objects, fearful of losing her job, but relents, while insisting that Duffy shoot her in the arm to make it look like an authentic robbery. He shoots her in the arm and then dials 9-1-1 for her, leaving while she is on the phone. Duffy looks for his keys, barely escaping the police who are arriving more quickly than he thought they would. While driving away, he passes by Aaron's car, where Frank has parked it preparing to dispose of Aaron's body. Duffy then sees Cheri parked and tells her he got the money for her abortion. When she gets out of her car, he witnesses the teenagers' van knocking down and killing Cheri, and he shoots at the teenagers. He is then arrested by Officer Hannagan for shooting at the van and for the store robbery, based on the description someone phoned in (later revealed to be Cheri). Buzzy is arrested as an accomplice when she refuses to identify Duffy and admits to conspiring with him.
Part 5[edit]
10:54 - 11:14
Cheri leaves her house to have sex with Aaron at the cemetery. Aaron is reclining against a tombstone that has a stone angel on top. The angel's neck is damaged and the heavy stone head falls onto Aaron's face, killing him instantly and mutilating his face. Cheri runs away from the scene, not realizing that she has dropped the set of keys that Frank found in the earlier scene. Cheri borrows her father's car and goes to the convenience store to get Duffy's bowling ball, intending to replace the angel head with the bowling ball and implicate Duffy as killing Aaron. As she drives away from the store, she sees the shooting and reports a description of Duffy to the police. When Cheri arrives back at the cemetery, she drops the bowling ball when she sees that Aaron's body is gone. She tries to leave, but her car is again having trouble starting. Her cell phone rings, and she begins talking to Jack. This is the phone conversation the movie begins with, continued to inform the viewer that Cheri's "pregnancy" is actually a scam to get money from both Duffy and Aaron, so that Cheri and Jack can leave town together with the money. In the midst of the call, Duffy calls out Cheri's name from across the street to tell her that he got the $500 she wanted him to get. Cheri hangs up quickly, and while she is crossing the street, the cell phone rings again, and, distracted, she stops in the middle of the road, where she is hit by the van containing Mark, Tim, and Eddie. The camera pans to Cheri's cell phone, which reads 11:14 p.m. | 11:14 | 4579b7f2-3493-5462-ecad-fcd4a0508157 | Why was Jack's license revoked? | [
"Driving Under the Influence"
] | false |
/m/0bvln7 | This section is too long. Consider splitting it into new pages, adding subheadings, or condensing it. (June 2016)
This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2016) (Learn how and when to remove this template message)
Bobby and his best friend, Jack, sabotage their high-school graduation ceremony by rigging the stage to collapse. After leaving the graduation ceremony, Bobby and Jack (Harry Moses) drive up to another van and notice Sally (Connie Lisa Marie), his secret high-school crush, sitting alone inside, eating ice cream. Bobby cannot look away from her and expresses his fantasy to "be with" her just once. Dugan returns to the van and disapproves of Bobby's attention. Bobby and Jack run across Sue (Marcie Barkin) and Tina (Deborah White), and they attempt to arrange dates with them that evening. Sue is interested in Jack, but Tina states she is neither interested in Bobby nor other boys because they only care about sex.
Bobby works in a car wash. Bobby's boss Andy (Danny DeVito) is also a bookmaker, who refuses taking a high-risk bet from an old lady called Bertha. Bobby's co-workers send his convertible into the car wash with the roof down, but Bobby plans buying a van anyway - not just any van, but a custom van with items like a waterbed, a ceiling mirror, a refrigerator, a toaster, an 8 track and multiple television sets. Bobby then gets revenge on his co-workers while showing off his new van by giving them beers spiked with laxatives.
In a bar, Bobby unsuccessfully approaches women, including Sally. Finally, a pinball playing girl agrees sharing a joint in his van. Though going hand-in-hand, she objects his moves. Laughing it off, he tries raping her, but Bobby discovers she has stuffed her over-sized bra with wads of toilet paper, and she runs off. Up next is a Mexican girl, who removes her top but demands payment. Another woman is also a prostitute, and her pimp barges in for payment.
Afterwards, Bobby and Jack force Sue and Tina to stop their car. Sue drives off with Jack, and Tina joins Bobby in the van. They plan to meet up again later at the beach, but Jack and Sue don't arrive until the next morning. Bobby and Tina form an uneasy truce and sleep in the van without fooling around. Eventually, they share a joint. When Jack and Sue return in the morning, Bobby makes them think that he is in the van having sex with Tina, who is actually out on the beach.
After dropping Tina home, Bobby spots Sally with a see-through wetlook in the car wash. After seeing her making out with Dugan, Bobby stops by a quiet take-out place. The take-out waitress praises his van, so he offers sharing a joint on the waterbed. Noting she likes waterbeds, she says she doesn't have time for a joint, but does have some time for a quickie. She steps out from behind the counter and Bobby gasps at her very large buttocks. Once she is nude in the van, Bobby tries a pickup line, but barely finishes it, when she throws and mounts him on the waterbed. He protests, but she obviously rapes him, breaking the waterbed in the process. Bobby mentions her buttocks' size to Jack, and notes he never knew sex could be so physical.
After tricking Bobby and Tina to join them to a van spot, at a local beach, Jack and Sue have sex in the back with occasional voyeurs in their window. Bobby and Tina see other vans, before Tina is nearly run over during the van drag races. Bobby and Tina get close, until Bobby again tries getting physical. Tina drives off in the van with Jack and Sue in the back, leaving Bobby to walk home.
When Andy reveals he got beat up for not paying for a winning high-risk bet, Bobby volunteers his van's down payment. After getting rejected when approaching Tina's window, Bobby visits Sally's house. Sally says she feels abandoned by Dugan, and Bobby finds himself with her in his van. Unzipping him, she notes he is bigger than Dugan. Taking off her top, they proceed to have sex.
The following morning, Tina runs across Bobby in a diner and agrees going together inside, where they meet Jack and Sue. Dugan then enters, lifts Bobby up and says he saw Bobby's van last night around Sally's place. Jack stalls Dugan, but Tina doesn't want to see Bobby again. Refusing to give up again, Bobby kidnaps her. Dugan drive chases Bobby, and the police join in. Bobby escapes, but Tina pleads to get freed. Bobby finally stops when she agrees hearing his side. He says he got the van to succeed with girls, but it changed upon meeting Tina. Tina says she too could never play "the game", and they have sex.
Bobby drag-races Dugan to regain his money, but not before mentioning he really was at Sally's place. Dugan tries crashing Bobby, but eventually crashes himself into a police car. In result, Bobby's van turns over. Tina, Sue, Jack and Andy are relieved when Bobby is neither dead nor injured. Jack notes Bobby even won the race.
Bobby leaves in Tina's convertible. Tina asks if he really was with Sally, and Bobby replies that Sally said he is "bigger than Dugan," but Tina just laughs.
The overriding message of The Van seems to be: âYes, vans are awesome, but eventually you have to get over that and grow the hell up.â
ââJason Coffman, article about the Vansploitation genre.[5] | The Van | 63f1cd17-a0ca-4694-3399-19c7cdf28291 | who is bobby's best friend? | [
"Jack"
] | false |
/m/0bvln7 | This section is too long. Consider splitting it into new pages, adding subheadings, or condensing it. (June 2016)
This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2016) (Learn how and when to remove this template message)
Bobby and his best friend, Jack, sabotage their high-school graduation ceremony by rigging the stage to collapse. After leaving the graduation ceremony, Bobby and Jack (Harry Moses) drive up to another van and notice Sally (Connie Lisa Marie), his secret high-school crush, sitting alone inside, eating ice cream. Bobby cannot look away from her and expresses his fantasy to "be with" her just once. Dugan returns to the van and disapproves of Bobby's attention. Bobby and Jack run across Sue (Marcie Barkin) and Tina (Deborah White), and they attempt to arrange dates with them that evening. Sue is interested in Jack, but Tina states she is neither interested in Bobby nor other boys because they only care about sex.
Bobby works in a car wash. Bobby's boss Andy (Danny DeVito) is also a bookmaker, who refuses taking a high-risk bet from an old lady called Bertha. Bobby's co-workers send his convertible into the car wash with the roof down, but Bobby plans buying a van anyway - not just any van, but a custom van with items like a waterbed, a ceiling mirror, a refrigerator, a toaster, an 8 track and multiple television sets. Bobby then gets revenge on his co-workers while showing off his new van by giving them beers spiked with laxatives.
In a bar, Bobby unsuccessfully approaches women, including Sally. Finally, a pinball playing girl agrees sharing a joint in his van. Though going hand-in-hand, she objects his moves. Laughing it off, he tries raping her, but Bobby discovers she has stuffed her over-sized bra with wads of toilet paper, and she runs off. Up next is a Mexican girl, who removes her top but demands payment. Another woman is also a prostitute, and her pimp barges in for payment.
Afterwards, Bobby and Jack force Sue and Tina to stop their car. Sue drives off with Jack, and Tina joins Bobby in the van. They plan to meet up again later at the beach, but Jack and Sue don't arrive until the next morning. Bobby and Tina form an uneasy truce and sleep in the van without fooling around. Eventually, they share a joint. When Jack and Sue return in the morning, Bobby makes them think that he is in the van having sex with Tina, who is actually out on the beach.
After dropping Tina home, Bobby spots Sally with a see-through wetlook in the car wash. After seeing her making out with Dugan, Bobby stops by a quiet take-out place. The take-out waitress praises his van, so he offers sharing a joint on the waterbed. Noting she likes waterbeds, she says she doesn't have time for a joint, but does have some time for a quickie. She steps out from behind the counter and Bobby gasps at her very large buttocks. Once she is nude in the van, Bobby tries a pickup line, but barely finishes it, when she throws and mounts him on the waterbed. He protests, but she obviously rapes him, breaking the waterbed in the process. Bobby mentions her buttocks' size to Jack, and notes he never knew sex could be so physical.
After tricking Bobby and Tina to join them to a van spot, at a local beach, Jack and Sue have sex in the back with occasional voyeurs in their window. Bobby and Tina see other vans, before Tina is nearly run over during the van drag races. Bobby and Tina get close, until Bobby again tries getting physical. Tina drives off in the van with Jack and Sue in the back, leaving Bobby to walk home.
When Andy reveals he got beat up for not paying for a winning high-risk bet, Bobby volunteers his van's down payment. After getting rejected when approaching Tina's window, Bobby visits Sally's house. Sally says she feels abandoned by Dugan, and Bobby finds himself with her in his van. Unzipping him, she notes he is bigger than Dugan. Taking off her top, they proceed to have sex.
The following morning, Tina runs across Bobby in a diner and agrees going together inside, where they meet Jack and Sue. Dugan then enters, lifts Bobby up and says he saw Bobby's van last night around Sally's place. Jack stalls Dugan, but Tina doesn't want to see Bobby again. Refusing to give up again, Bobby kidnaps her. Dugan drive chases Bobby, and the police join in. Bobby escapes, but Tina pleads to get freed. Bobby finally stops when she agrees hearing his side. He says he got the van to succeed with girls, but it changed upon meeting Tina. Tina says she too could never play "the game", and they have sex.
Bobby drag-races Dugan to regain his money, but not before mentioning he really was at Sally's place. Dugan tries crashing Bobby, but eventually crashes himself into a police car. In result, Bobby's van turns over. Tina, Sue, Jack and Andy are relieved when Bobby is neither dead nor injured. Jack notes Bobby even won the race.
Bobby leaves in Tina's convertible. Tina asks if he really was with Sally, and Bobby replies that Sally said he is "bigger than Dugan," but Tina just laughs.
The overriding message of The Van seems to be: âYes, vans are awesome, but eventually you have to get over that and grow the hell up.â
ââJason Coffman, article about the Vansploitation genre.[5] | The Van | 6da32fab-5407-8187-45e1-7343da130a9c | What does Tina state ? | [
"she is neither interested in Bobby nor other boys because they only care about sex."
] | false |
/m/0bvln7 | This section is too long. Consider splitting it into new pages, adding subheadings, or condensing it. (June 2016)
This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2016) (Learn how and when to remove this template message)
Bobby and his best friend, Jack, sabotage their high-school graduation ceremony by rigging the stage to collapse. After leaving the graduation ceremony, Bobby and Jack (Harry Moses) drive up to another van and notice Sally (Connie Lisa Marie), his secret high-school crush, sitting alone inside, eating ice cream. Bobby cannot look away from her and expresses his fantasy to "be with" her just once. Dugan returns to the van and disapproves of Bobby's attention. Bobby and Jack run across Sue (Marcie Barkin) and Tina (Deborah White), and they attempt to arrange dates with them that evening. Sue is interested in Jack, but Tina states she is neither interested in Bobby nor other boys because they only care about sex.
Bobby works in a car wash. Bobby's boss Andy (Danny DeVito) is also a bookmaker, who refuses taking a high-risk bet from an old lady called Bertha. Bobby's co-workers send his convertible into the car wash with the roof down, but Bobby plans buying a van anyway - not just any van, but a custom van with items like a waterbed, a ceiling mirror, a refrigerator, a toaster, an 8 track and multiple television sets. Bobby then gets revenge on his co-workers while showing off his new van by giving them beers spiked with laxatives.
In a bar, Bobby unsuccessfully approaches women, including Sally. Finally, a pinball playing girl agrees sharing a joint in his van. Though going hand-in-hand, she objects his moves. Laughing it off, he tries raping her, but Bobby discovers she has stuffed her over-sized bra with wads of toilet paper, and she runs off. Up next is a Mexican girl, who removes her top but demands payment. Another woman is also a prostitute, and her pimp barges in for payment.
Afterwards, Bobby and Jack force Sue and Tina to stop their car. Sue drives off with Jack, and Tina joins Bobby in the van. They plan to meet up again later at the beach, but Jack and Sue don't arrive until the next morning. Bobby and Tina form an uneasy truce and sleep in the van without fooling around. Eventually, they share a joint. When Jack and Sue return in the morning, Bobby makes them think that he is in the van having sex with Tina, who is actually out on the beach.
After dropping Tina home, Bobby spots Sally with a see-through wetlook in the car wash. After seeing her making out with Dugan, Bobby stops by a quiet take-out place. The take-out waitress praises his van, so he offers sharing a joint on the waterbed. Noting she likes waterbeds, she says she doesn't have time for a joint, but does have some time for a quickie. She steps out from behind the counter and Bobby gasps at her very large buttocks. Once she is nude in the van, Bobby tries a pickup line, but barely finishes it, when she throws and mounts him on the waterbed. He protests, but she obviously rapes him, breaking the waterbed in the process. Bobby mentions her buttocks' size to Jack, and notes he never knew sex could be so physical.
After tricking Bobby and Tina to join them to a van spot, at a local beach, Jack and Sue have sex in the back with occasional voyeurs in their window. Bobby and Tina see other vans, before Tina is nearly run over during the van drag races. Bobby and Tina get close, until Bobby again tries getting physical. Tina drives off in the van with Jack and Sue in the back, leaving Bobby to walk home.
When Andy reveals he got beat up for not paying for a winning high-risk bet, Bobby volunteers his van's down payment. After getting rejected when approaching Tina's window, Bobby visits Sally's house. Sally says she feels abandoned by Dugan, and Bobby finds himself with her in his van. Unzipping him, she notes he is bigger than Dugan. Taking off her top, they proceed to have sex.
The following morning, Tina runs across Bobby in a diner and agrees going together inside, where they meet Jack and Sue. Dugan then enters, lifts Bobby up and says he saw Bobby's van last night around Sally's place. Jack stalls Dugan, but Tina doesn't want to see Bobby again. Refusing to give up again, Bobby kidnaps her. Dugan drive chases Bobby, and the police join in. Bobby escapes, but Tina pleads to get freed. Bobby finally stops when she agrees hearing his side. He says he got the van to succeed with girls, but it changed upon meeting Tina. Tina says she too could never play "the game", and they have sex.
Bobby drag-races Dugan to regain his money, but not before mentioning he really was at Sally's place. Dugan tries crashing Bobby, but eventually crashes himself into a police car. In result, Bobby's van turns over. Tina, Sue, Jack and Andy are relieved when Bobby is neither dead nor injured. Jack notes Bobby even won the race.
Bobby leaves in Tina's convertible. Tina asks if he really was with Sally, and Bobby replies that Sally said he is "bigger than Dugan," but Tina just laughs.
The overriding message of The Van seems to be: âYes, vans are awesome, but eventually you have to get over that and grow the hell up.â
ââJason Coffman, article about the Vansploitation genre.[5] | The Van | cee7542f-9fa4-444c-2233-145fbc7eb955 | Who kidnaps Tina ? | [
"Bobby"
] | false |
/m/0bvln7 | This section is too long. Consider splitting it into new pages, adding subheadings, or condensing it. (June 2016)
This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2016) (Learn how and when to remove this template message)
Bobby and his best friend, Jack, sabotage their high-school graduation ceremony by rigging the stage to collapse. After leaving the graduation ceremony, Bobby and Jack (Harry Moses) drive up to another van and notice Sally (Connie Lisa Marie), his secret high-school crush, sitting alone inside, eating ice cream. Bobby cannot look away from her and expresses his fantasy to "be with" her just once. Dugan returns to the van and disapproves of Bobby's attention. Bobby and Jack run across Sue (Marcie Barkin) and Tina (Deborah White), and they attempt to arrange dates with them that evening. Sue is interested in Jack, but Tina states she is neither interested in Bobby nor other boys because they only care about sex.
Bobby works in a car wash. Bobby's boss Andy (Danny DeVito) is also a bookmaker, who refuses taking a high-risk bet from an old lady called Bertha. Bobby's co-workers send his convertible into the car wash with the roof down, but Bobby plans buying a van anyway - not just any van, but a custom van with items like a waterbed, a ceiling mirror, a refrigerator, a toaster, an 8 track and multiple television sets. Bobby then gets revenge on his co-workers while showing off his new van by giving them beers spiked with laxatives.
In a bar, Bobby unsuccessfully approaches women, including Sally. Finally, a pinball playing girl agrees sharing a joint in his van. Though going hand-in-hand, she objects his moves. Laughing it off, he tries raping her, but Bobby discovers she has stuffed her over-sized bra with wads of toilet paper, and she runs off. Up next is a Mexican girl, who removes her top but demands payment. Another woman is also a prostitute, and her pimp barges in for payment.
Afterwards, Bobby and Jack force Sue and Tina to stop their car. Sue drives off with Jack, and Tina joins Bobby in the van. They plan to meet up again later at the beach, but Jack and Sue don't arrive until the next morning. Bobby and Tina form an uneasy truce and sleep in the van without fooling around. Eventually, they share a joint. When Jack and Sue return in the morning, Bobby makes them think that he is in the van having sex with Tina, who is actually out on the beach.
After dropping Tina home, Bobby spots Sally with a see-through wetlook in the car wash. After seeing her making out with Dugan, Bobby stops by a quiet take-out place. The take-out waitress praises his van, so he offers sharing a joint on the waterbed. Noting she likes waterbeds, she says she doesn't have time for a joint, but does have some time for a quickie. She steps out from behind the counter and Bobby gasps at her very large buttocks. Once she is nude in the van, Bobby tries a pickup line, but barely finishes it, when she throws and mounts him on the waterbed. He protests, but she obviously rapes him, breaking the waterbed in the process. Bobby mentions her buttocks' size to Jack, and notes he never knew sex could be so physical.
After tricking Bobby and Tina to join them to a van spot, at a local beach, Jack and Sue have sex in the back with occasional voyeurs in their window. Bobby and Tina see other vans, before Tina is nearly run over during the van drag races. Bobby and Tina get close, until Bobby again tries getting physical. Tina drives off in the van with Jack and Sue in the back, leaving Bobby to walk home.
When Andy reveals he got beat up for not paying for a winning high-risk bet, Bobby volunteers his van's down payment. After getting rejected when approaching Tina's window, Bobby visits Sally's house. Sally says she feels abandoned by Dugan, and Bobby finds himself with her in his van. Unzipping him, she notes he is bigger than Dugan. Taking off her top, they proceed to have sex.
The following morning, Tina runs across Bobby in a diner and agrees going together inside, where they meet Jack and Sue. Dugan then enters, lifts Bobby up and says he saw Bobby's van last night around Sally's place. Jack stalls Dugan, but Tina doesn't want to see Bobby again. Refusing to give up again, Bobby kidnaps her. Dugan drive chases Bobby, and the police join in. Bobby escapes, but Tina pleads to get freed. Bobby finally stops when she agrees hearing his side. He says he got the van to succeed with girls, but it changed upon meeting Tina. Tina says she too could never play "the game", and they have sex.
Bobby drag-races Dugan to regain his money, but not before mentioning he really was at Sally's place. Dugan tries crashing Bobby, but eventually crashes himself into a police car. In result, Bobby's van turns over. Tina, Sue, Jack and Andy are relieved when Bobby is neither dead nor injured. Jack notes Bobby even won the race.
Bobby leaves in Tina's convertible. Tina asks if he really was with Sally, and Bobby replies that Sally said he is "bigger than Dugan," but Tina just laughs.
The overriding message of The Van seems to be: âYes, vans are awesome, but eventually you have to get over that and grow the hell up.â
ââJason Coffman, article about the Vansploitation genre.[5] | The Van | c8ee9825-8ed4-34b0-53ff-2a0221762ce2 | What do Jack and Bobby rig to collapse? | [] | true |
/m/0bvln7 | This section is too long. Consider splitting it into new pages, adding subheadings, or condensing it. (June 2016)
This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2016) (Learn how and when to remove this template message)
Bobby and his best friend, Jack, sabotage their high-school graduation ceremony by rigging the stage to collapse. After leaving the graduation ceremony, Bobby and Jack (Harry Moses) drive up to another van and notice Sally (Connie Lisa Marie), his secret high-school crush, sitting alone inside, eating ice cream. Bobby cannot look away from her and expresses his fantasy to "be with" her just once. Dugan returns to the van and disapproves of Bobby's attention. Bobby and Jack run across Sue (Marcie Barkin) and Tina (Deborah White), and they attempt to arrange dates with them that evening. Sue is interested in Jack, but Tina states she is neither interested in Bobby nor other boys because they only care about sex.
Bobby works in a car wash. Bobby's boss Andy (Danny DeVito) is also a bookmaker, who refuses taking a high-risk bet from an old lady called Bertha. Bobby's co-workers send his convertible into the car wash with the roof down, but Bobby plans buying a van anyway - not just any van, but a custom van with items like a waterbed, a ceiling mirror, a refrigerator, a toaster, an 8 track and multiple television sets. Bobby then gets revenge on his co-workers while showing off his new van by giving them beers spiked with laxatives.
In a bar, Bobby unsuccessfully approaches women, including Sally. Finally, a pinball playing girl agrees sharing a joint in his van. Though going hand-in-hand, she objects his moves. Laughing it off, he tries raping her, but Bobby discovers she has stuffed her over-sized bra with wads of toilet paper, and she runs off. Up next is a Mexican girl, who removes her top but demands payment. Another woman is also a prostitute, and her pimp barges in for payment.
Afterwards, Bobby and Jack force Sue and Tina to stop their car. Sue drives off with Jack, and Tina joins Bobby in the van. They plan to meet up again later at the beach, but Jack and Sue don't arrive until the next morning. Bobby and Tina form an uneasy truce and sleep in the van without fooling around. Eventually, they share a joint. When Jack and Sue return in the morning, Bobby makes them think that he is in the van having sex with Tina, who is actually out on the beach.
After dropping Tina home, Bobby spots Sally with a see-through wetlook in the car wash. After seeing her making out with Dugan, Bobby stops by a quiet take-out place. The take-out waitress praises his van, so he offers sharing a joint on the waterbed. Noting she likes waterbeds, she says she doesn't have time for a joint, but does have some time for a quickie. She steps out from behind the counter and Bobby gasps at her very large buttocks. Once she is nude in the van, Bobby tries a pickup line, but barely finishes it, when she throws and mounts him on the waterbed. He protests, but she obviously rapes him, breaking the waterbed in the process. Bobby mentions her buttocks' size to Jack, and notes he never knew sex could be so physical.
After tricking Bobby and Tina to join them to a van spot, at a local beach, Jack and Sue have sex in the back with occasional voyeurs in their window. Bobby and Tina see other vans, before Tina is nearly run over during the van drag races. Bobby and Tina get close, until Bobby again tries getting physical. Tina drives off in the van with Jack and Sue in the back, leaving Bobby to walk home.
When Andy reveals he got beat up for not paying for a winning high-risk bet, Bobby volunteers his van's down payment. After getting rejected when approaching Tina's window, Bobby visits Sally's house. Sally says she feels abandoned by Dugan, and Bobby finds himself with her in his van. Unzipping him, she notes he is bigger than Dugan. Taking off her top, they proceed to have sex.
The following morning, Tina runs across Bobby in a diner and agrees going together inside, where they meet Jack and Sue. Dugan then enters, lifts Bobby up and says he saw Bobby's van last night around Sally's place. Jack stalls Dugan, but Tina doesn't want to see Bobby again. Refusing to give up again, Bobby kidnaps her. Dugan drive chases Bobby, and the police join in. Bobby escapes, but Tina pleads to get freed. Bobby finally stops when she agrees hearing his side. He says he got the van to succeed with girls, but it changed upon meeting Tina. Tina says she too could never play "the game", and they have sex.
Bobby drag-races Dugan to regain his money, but not before mentioning he really was at Sally's place. Dugan tries crashing Bobby, but eventually crashes himself into a police car. In result, Bobby's van turns over. Tina, Sue, Jack and Andy are relieved when Bobby is neither dead nor injured. Jack notes Bobby even won the race.
Bobby leaves in Tina's convertible. Tina asks if he really was with Sally, and Bobby replies that Sally said he is "bigger than Dugan," but Tina just laughs.
The overriding message of The Van seems to be: âYes, vans are awesome, but eventually you have to get over that and grow the hell up.â
ââJason Coffman, article about the Vansploitation genre.[5] | The Van | 2c4bd657-a7dd-4e9a-4df7-c9cc66de42fe | who was sitting alone and eating ice cream? | [
"Sally"
] | false |
/m/0bvln7 | This section is too long. Consider splitting it into new pages, adding subheadings, or condensing it. (June 2016)
This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2016) (Learn how and when to remove this template message)
Bobby and his best friend, Jack, sabotage their high-school graduation ceremony by rigging the stage to collapse. After leaving the graduation ceremony, Bobby and Jack (Harry Moses) drive up to another van and notice Sally (Connie Lisa Marie), his secret high-school crush, sitting alone inside, eating ice cream. Bobby cannot look away from her and expresses his fantasy to "be with" her just once. Dugan returns to the van and disapproves of Bobby's attention. Bobby and Jack run across Sue (Marcie Barkin) and Tina (Deborah White), and they attempt to arrange dates with them that evening. Sue is interested in Jack, but Tina states she is neither interested in Bobby nor other boys because they only care about sex.
Bobby works in a car wash. Bobby's boss Andy (Danny DeVito) is also a bookmaker, who refuses taking a high-risk bet from an old lady called Bertha. Bobby's co-workers send his convertible into the car wash with the roof down, but Bobby plans buying a van anyway - not just any van, but a custom van with items like a waterbed, a ceiling mirror, a refrigerator, a toaster, an 8 track and multiple television sets. Bobby then gets revenge on his co-workers while showing off his new van by giving them beers spiked with laxatives.
In a bar, Bobby unsuccessfully approaches women, including Sally. Finally, a pinball playing girl agrees sharing a joint in his van. Though going hand-in-hand, she objects his moves. Laughing it off, he tries raping her, but Bobby discovers she has stuffed her over-sized bra with wads of toilet paper, and she runs off. Up next is a Mexican girl, who removes her top but demands payment. Another woman is also a prostitute, and her pimp barges in for payment.
Afterwards, Bobby and Jack force Sue and Tina to stop their car. Sue drives off with Jack, and Tina joins Bobby in the van. They plan to meet up again later at the beach, but Jack and Sue don't arrive until the next morning. Bobby and Tina form an uneasy truce and sleep in the van without fooling around. Eventually, they share a joint. When Jack and Sue return in the morning, Bobby makes them think that he is in the van having sex with Tina, who is actually out on the beach.
After dropping Tina home, Bobby spots Sally with a see-through wetlook in the car wash. After seeing her making out with Dugan, Bobby stops by a quiet take-out place. The take-out waitress praises his van, so he offers sharing a joint on the waterbed. Noting she likes waterbeds, she says she doesn't have time for a joint, but does have some time for a quickie. She steps out from behind the counter and Bobby gasps at her very large buttocks. Once she is nude in the van, Bobby tries a pickup line, but barely finishes it, when she throws and mounts him on the waterbed. He protests, but she obviously rapes him, breaking the waterbed in the process. Bobby mentions her buttocks' size to Jack, and notes he never knew sex could be so physical.
After tricking Bobby and Tina to join them to a van spot, at a local beach, Jack and Sue have sex in the back with occasional voyeurs in their window. Bobby and Tina see other vans, before Tina is nearly run over during the van drag races. Bobby and Tina get close, until Bobby again tries getting physical. Tina drives off in the van with Jack and Sue in the back, leaving Bobby to walk home.
When Andy reveals he got beat up for not paying for a winning high-risk bet, Bobby volunteers his van's down payment. After getting rejected when approaching Tina's window, Bobby visits Sally's house. Sally says she feels abandoned by Dugan, and Bobby finds himself with her in his van. Unzipping him, she notes he is bigger than Dugan. Taking off her top, they proceed to have sex.
The following morning, Tina runs across Bobby in a diner and agrees going together inside, where they meet Jack and Sue. Dugan then enters, lifts Bobby up and says he saw Bobby's van last night around Sally's place. Jack stalls Dugan, but Tina doesn't want to see Bobby again. Refusing to give up again, Bobby kidnaps her. Dugan drive chases Bobby, and the police join in. Bobby escapes, but Tina pleads to get freed. Bobby finally stops when she agrees hearing his side. He says he got the van to succeed with girls, but it changed upon meeting Tina. Tina says she too could never play "the game", and they have sex.
Bobby drag-races Dugan to regain his money, but not before mentioning he really was at Sally's place. Dugan tries crashing Bobby, but eventually crashes himself into a police car. In result, Bobby's van turns over. Tina, Sue, Jack and Andy are relieved when Bobby is neither dead nor injured. Jack notes Bobby even won the race.
Bobby leaves in Tina's convertible. Tina asks if he really was with Sally, and Bobby replies that Sally said he is "bigger than Dugan," but Tina just laughs.
The overriding message of The Van seems to be: âYes, vans are awesome, but eventually you have to get over that and grow the hell up.â
ââJason Coffman, article about the Vansploitation genre.[5] | The Van | 386c8582-f284-adb3-bef3-865373216a74 | How do Bobby and his best friend Jack sabotage the graduation ceremony ? | [] | true |
/m/0bvln7 | This section is too long. Consider splitting it into new pages, adding subheadings, or condensing it. (June 2016)
This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2016) (Learn how and when to remove this template message)
Bobby and his best friend, Jack, sabotage their high-school graduation ceremony by rigging the stage to collapse. After leaving the graduation ceremony, Bobby and Jack (Harry Moses) drive up to another van and notice Sally (Connie Lisa Marie), his secret high-school crush, sitting alone inside, eating ice cream. Bobby cannot look away from her and expresses his fantasy to "be with" her just once. Dugan returns to the van and disapproves of Bobby's attention. Bobby and Jack run across Sue (Marcie Barkin) and Tina (Deborah White), and they attempt to arrange dates with them that evening. Sue is interested in Jack, but Tina states she is neither interested in Bobby nor other boys because they only care about sex.
Bobby works in a car wash. Bobby's boss Andy (Danny DeVito) is also a bookmaker, who refuses taking a high-risk bet from an old lady called Bertha. Bobby's co-workers send his convertible into the car wash with the roof down, but Bobby plans buying a van anyway - not just any van, but a custom van with items like a waterbed, a ceiling mirror, a refrigerator, a toaster, an 8 track and multiple television sets. Bobby then gets revenge on his co-workers while showing off his new van by giving them beers spiked with laxatives.
In a bar, Bobby unsuccessfully approaches women, including Sally. Finally, a pinball playing girl agrees sharing a joint in his van. Though going hand-in-hand, she objects his moves. Laughing it off, he tries raping her, but Bobby discovers she has stuffed her over-sized bra with wads of toilet paper, and she runs off. Up next is a Mexican girl, who removes her top but demands payment. Another woman is also a prostitute, and her pimp barges in for payment.
Afterwards, Bobby and Jack force Sue and Tina to stop their car. Sue drives off with Jack, and Tina joins Bobby in the van. They plan to meet up again later at the beach, but Jack and Sue don't arrive until the next morning. Bobby and Tina form an uneasy truce and sleep in the van without fooling around. Eventually, they share a joint. When Jack and Sue return in the morning, Bobby makes them think that he is in the van having sex with Tina, who is actually out on the beach.
After dropping Tina home, Bobby spots Sally with a see-through wetlook in the car wash. After seeing her making out with Dugan, Bobby stops by a quiet take-out place. The take-out waitress praises his van, so he offers sharing a joint on the waterbed. Noting she likes waterbeds, she says she doesn't have time for a joint, but does have some time for a quickie. She steps out from behind the counter and Bobby gasps at her very large buttocks. Once she is nude in the van, Bobby tries a pickup line, but barely finishes it, when she throws and mounts him on the waterbed. He protests, but she obviously rapes him, breaking the waterbed in the process. Bobby mentions her buttocks' size to Jack, and notes he never knew sex could be so physical.
After tricking Bobby and Tina to join them to a van spot, at a local beach, Jack and Sue have sex in the back with occasional voyeurs in their window. Bobby and Tina see other vans, before Tina is nearly run over during the van drag races. Bobby and Tina get close, until Bobby again tries getting physical. Tina drives off in the van with Jack and Sue in the back, leaving Bobby to walk home.
When Andy reveals he got beat up for not paying for a winning high-risk bet, Bobby volunteers his van's down payment. After getting rejected when approaching Tina's window, Bobby visits Sally's house. Sally says she feels abandoned by Dugan, and Bobby finds himself with her in his van. Unzipping him, she notes he is bigger than Dugan. Taking off her top, they proceed to have sex.
The following morning, Tina runs across Bobby in a diner and agrees going together inside, where they meet Jack and Sue. Dugan then enters, lifts Bobby up and says he saw Bobby's van last night around Sally's place. Jack stalls Dugan, but Tina doesn't want to see Bobby again. Refusing to give up again, Bobby kidnaps her. Dugan drive chases Bobby, and the police join in. Bobby escapes, but Tina pleads to get freed. Bobby finally stops when she agrees hearing his side. He says he got the van to succeed with girls, but it changed upon meeting Tina. Tina says she too could never play "the game", and they have sex.
Bobby drag-races Dugan to regain his money, but not before mentioning he really was at Sally's place. Dugan tries crashing Bobby, but eventually crashes himself into a police car. In result, Bobby's van turns over. Tina, Sue, Jack and Andy are relieved when Bobby is neither dead nor injured. Jack notes Bobby even won the race.
Bobby leaves in Tina's convertible. Tina asks if he really was with Sally, and Bobby replies that Sally said he is "bigger than Dugan," but Tina just laughs.
The overriding message of The Van seems to be: âYes, vans are awesome, but eventually you have to get over that and grow the hell up.â
ââJason Coffman, article about the Vansploitation genre.[5] | The Van | c599e86a-8893-3016-c330-024ab38a1af2 | What does Tina say to Bobby ? | [
"she is neither interested in Bobby nor other boys because they only care about sex."
] | false |
/m/0bvln7 | This section is too long. Consider splitting it into new pages, adding subheadings, or condensing it. (June 2016)
This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2016) (Learn how and when to remove this template message)
Bobby and his best friend, Jack, sabotage their high-school graduation ceremony by rigging the stage to collapse. After leaving the graduation ceremony, Bobby and Jack (Harry Moses) drive up to another van and notice Sally (Connie Lisa Marie), his secret high-school crush, sitting alone inside, eating ice cream. Bobby cannot look away from her and expresses his fantasy to "be with" her just once. Dugan returns to the van and disapproves of Bobby's attention. Bobby and Jack run across Sue (Marcie Barkin) and Tina (Deborah White), and they attempt to arrange dates with them that evening. Sue is interested in Jack, but Tina states she is neither interested in Bobby nor other boys because they only care about sex.
Bobby works in a car wash. Bobby's boss Andy (Danny DeVito) is also a bookmaker, who refuses taking a high-risk bet from an old lady called Bertha. Bobby's co-workers send his convertible into the car wash with the roof down, but Bobby plans buying a van anyway - not just any van, but a custom van with items like a waterbed, a ceiling mirror, a refrigerator, a toaster, an 8 track and multiple television sets. Bobby then gets revenge on his co-workers while showing off his new van by giving them beers spiked with laxatives.
In a bar, Bobby unsuccessfully approaches women, including Sally. Finally, a pinball playing girl agrees sharing a joint in his van. Though going hand-in-hand, she objects his moves. Laughing it off, he tries raping her, but Bobby discovers she has stuffed her over-sized bra with wads of toilet paper, and she runs off. Up next is a Mexican girl, who removes her top but demands payment. Another woman is also a prostitute, and her pimp barges in for payment.
Afterwards, Bobby and Jack force Sue and Tina to stop their car. Sue drives off with Jack, and Tina joins Bobby in the van. They plan to meet up again later at the beach, but Jack and Sue don't arrive until the next morning. Bobby and Tina form an uneasy truce and sleep in the van without fooling around. Eventually, they share a joint. When Jack and Sue return in the morning, Bobby makes them think that he is in the van having sex with Tina, who is actually out on the beach.
After dropping Tina home, Bobby spots Sally with a see-through wetlook in the car wash. After seeing her making out with Dugan, Bobby stops by a quiet take-out place. The take-out waitress praises his van, so he offers sharing a joint on the waterbed. Noting she likes waterbeds, she says she doesn't have time for a joint, but does have some time for a quickie. She steps out from behind the counter and Bobby gasps at her very large buttocks. Once she is nude in the van, Bobby tries a pickup line, but barely finishes it, when she throws and mounts him on the waterbed. He protests, but she obviously rapes him, breaking the waterbed in the process. Bobby mentions her buttocks' size to Jack, and notes he never knew sex could be so physical.
After tricking Bobby and Tina to join them to a van spot, at a local beach, Jack and Sue have sex in the back with occasional voyeurs in their window. Bobby and Tina see other vans, before Tina is nearly run over during the van drag races. Bobby and Tina get close, until Bobby again tries getting physical. Tina drives off in the van with Jack and Sue in the back, leaving Bobby to walk home.
When Andy reveals he got beat up for not paying for a winning high-risk bet, Bobby volunteers his van's down payment. After getting rejected when approaching Tina's window, Bobby visits Sally's house. Sally says she feels abandoned by Dugan, and Bobby finds himself with her in his van. Unzipping him, she notes he is bigger than Dugan. Taking off her top, they proceed to have sex.
The following morning, Tina runs across Bobby in a diner and agrees going together inside, where they meet Jack and Sue. Dugan then enters, lifts Bobby up and says he saw Bobby's van last night around Sally's place. Jack stalls Dugan, but Tina doesn't want to see Bobby again. Refusing to give up again, Bobby kidnaps her. Dugan drive chases Bobby, and the police join in. Bobby escapes, but Tina pleads to get freed. Bobby finally stops when she agrees hearing his side. He says he got the van to succeed with girls, but it changed upon meeting Tina. Tina says she too could never play "the game", and they have sex.
Bobby drag-races Dugan to regain his money, but not before mentioning he really was at Sally's place. Dugan tries crashing Bobby, but eventually crashes himself into a police car. In result, Bobby's van turns over. Tina, Sue, Jack and Andy are relieved when Bobby is neither dead nor injured. Jack notes Bobby even won the race.
Bobby leaves in Tina's convertible. Tina asks if he really was with Sally, and Bobby replies that Sally said he is "bigger than Dugan," but Tina just laughs.
The overriding message of The Van seems to be: âYes, vans are awesome, but eventually you have to get over that and grow the hell up.â
ââJason Coffman, article about the Vansploitation genre.[5] | The Van | f30aea76-4736-d1f1-6d77-db537beb1b59 | who is sue interested in? | [
"Jack"
] | false |
/m/0bvln7 | This section is too long. Consider splitting it into new pages, adding subheadings, or condensing it. (June 2016)
This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2016) (Learn how and when to remove this template message)
Bobby and his best friend, Jack, sabotage their high-school graduation ceremony by rigging the stage to collapse. After leaving the graduation ceremony, Bobby and Jack (Harry Moses) drive up to another van and notice Sally (Connie Lisa Marie), his secret high-school crush, sitting alone inside, eating ice cream. Bobby cannot look away from her and expresses his fantasy to "be with" her just once. Dugan returns to the van and disapproves of Bobby's attention. Bobby and Jack run across Sue (Marcie Barkin) and Tina (Deborah White), and they attempt to arrange dates with them that evening. Sue is interested in Jack, but Tina states she is neither interested in Bobby nor other boys because they only care about sex.
Bobby works in a car wash. Bobby's boss Andy (Danny DeVito) is also a bookmaker, who refuses taking a high-risk bet from an old lady called Bertha. Bobby's co-workers send his convertible into the car wash with the roof down, but Bobby plans buying a van anyway - not just any van, but a custom van with items like a waterbed, a ceiling mirror, a refrigerator, a toaster, an 8 track and multiple television sets. Bobby then gets revenge on his co-workers while showing off his new van by giving them beers spiked with laxatives.
In a bar, Bobby unsuccessfully approaches women, including Sally. Finally, a pinball playing girl agrees sharing a joint in his van. Though going hand-in-hand, she objects his moves. Laughing it off, he tries raping her, but Bobby discovers she has stuffed her over-sized bra with wads of toilet paper, and she runs off. Up next is a Mexican girl, who removes her top but demands payment. Another woman is also a prostitute, and her pimp barges in for payment.
Afterwards, Bobby and Jack force Sue and Tina to stop their car. Sue drives off with Jack, and Tina joins Bobby in the van. They plan to meet up again later at the beach, but Jack and Sue don't arrive until the next morning. Bobby and Tina form an uneasy truce and sleep in the van without fooling around. Eventually, they share a joint. When Jack and Sue return in the morning, Bobby makes them think that he is in the van having sex with Tina, who is actually out on the beach.
After dropping Tina home, Bobby spots Sally with a see-through wetlook in the car wash. After seeing her making out with Dugan, Bobby stops by a quiet take-out place. The take-out waitress praises his van, so he offers sharing a joint on the waterbed. Noting she likes waterbeds, she says she doesn't have time for a joint, but does have some time for a quickie. She steps out from behind the counter and Bobby gasps at her very large buttocks. Once she is nude in the van, Bobby tries a pickup line, but barely finishes it, when she throws and mounts him on the waterbed. He protests, but she obviously rapes him, breaking the waterbed in the process. Bobby mentions her buttocks' size to Jack, and notes he never knew sex could be so physical.
After tricking Bobby and Tina to join them to a van spot, at a local beach, Jack and Sue have sex in the back with occasional voyeurs in their window. Bobby and Tina see other vans, before Tina is nearly run over during the van drag races. Bobby and Tina get close, until Bobby again tries getting physical. Tina drives off in the van with Jack and Sue in the back, leaving Bobby to walk home.
When Andy reveals he got beat up for not paying for a winning high-risk bet, Bobby volunteers his van's down payment. After getting rejected when approaching Tina's window, Bobby visits Sally's house. Sally says she feels abandoned by Dugan, and Bobby finds himself with her in his van. Unzipping him, she notes he is bigger than Dugan. Taking off her top, they proceed to have sex.
The following morning, Tina runs across Bobby in a diner and agrees going together inside, where they meet Jack and Sue. Dugan then enters, lifts Bobby up and says he saw Bobby's van last night around Sally's place. Jack stalls Dugan, but Tina doesn't want to see Bobby again. Refusing to give up again, Bobby kidnaps her. Dugan drive chases Bobby, and the police join in. Bobby escapes, but Tina pleads to get freed. Bobby finally stops when she agrees hearing his side. He says he got the van to succeed with girls, but it changed upon meeting Tina. Tina says she too could never play "the game", and they have sex.
Bobby drag-races Dugan to regain his money, but not before mentioning he really was at Sally's place. Dugan tries crashing Bobby, but eventually crashes himself into a police car. In result, Bobby's van turns over. Tina, Sue, Jack and Andy are relieved when Bobby is neither dead nor injured. Jack notes Bobby even won the race.
Bobby leaves in Tina's convertible. Tina asks if he really was with Sally, and Bobby replies that Sally said he is "bigger than Dugan," but Tina just laughs.
The overriding message of The Van seems to be: âYes, vans are awesome, but eventually you have to get over that and grow the hell up.â
ââJason Coffman, article about the Vansploitation genre.[5] | The Van | 0ee303fb-8ebf-41ad-f85b-616025453419 | What does Bobby express to Sally | [
"his fantasy to \"be with\" her just once"
] | false |
/m/0bvln7 | This section is too long. Consider splitting it into new pages, adding subheadings, or condensing it. (June 2016)
This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2016) (Learn how and when to remove this template message)
Bobby and his best friend, Jack, sabotage their high-school graduation ceremony by rigging the stage to collapse. After leaving the graduation ceremony, Bobby and Jack (Harry Moses) drive up to another van and notice Sally (Connie Lisa Marie), his secret high-school crush, sitting alone inside, eating ice cream. Bobby cannot look away from her and expresses his fantasy to "be with" her just once. Dugan returns to the van and disapproves of Bobby's attention. Bobby and Jack run across Sue (Marcie Barkin) and Tina (Deborah White), and they attempt to arrange dates with them that evening. Sue is interested in Jack, but Tina states she is neither interested in Bobby nor other boys because they only care about sex.
Bobby works in a car wash. Bobby's boss Andy (Danny DeVito) is also a bookmaker, who refuses taking a high-risk bet from an old lady called Bertha. Bobby's co-workers send his convertible into the car wash with the roof down, but Bobby plans buying a van anyway - not just any van, but a custom van with items like a waterbed, a ceiling mirror, a refrigerator, a toaster, an 8 track and multiple television sets. Bobby then gets revenge on his co-workers while showing off his new van by giving them beers spiked with laxatives.
In a bar, Bobby unsuccessfully approaches women, including Sally. Finally, a pinball playing girl agrees sharing a joint in his van. Though going hand-in-hand, she objects his moves. Laughing it off, he tries raping her, but Bobby discovers she has stuffed her over-sized bra with wads of toilet paper, and she runs off. Up next is a Mexican girl, who removes her top but demands payment. Another woman is also a prostitute, and her pimp barges in for payment.
Afterwards, Bobby and Jack force Sue and Tina to stop their car. Sue drives off with Jack, and Tina joins Bobby in the van. They plan to meet up again later at the beach, but Jack and Sue don't arrive until the next morning. Bobby and Tina form an uneasy truce and sleep in the van without fooling around. Eventually, they share a joint. When Jack and Sue return in the morning, Bobby makes them think that he is in the van having sex with Tina, who is actually out on the beach.
After dropping Tina home, Bobby spots Sally with a see-through wetlook in the car wash. After seeing her making out with Dugan, Bobby stops by a quiet take-out place. The take-out waitress praises his van, so he offers sharing a joint on the waterbed. Noting she likes waterbeds, she says she doesn't have time for a joint, but does have some time for a quickie. She steps out from behind the counter and Bobby gasps at her very large buttocks. Once she is nude in the van, Bobby tries a pickup line, but barely finishes it, when she throws and mounts him on the waterbed. He protests, but she obviously rapes him, breaking the waterbed in the process. Bobby mentions her buttocks' size to Jack, and notes he never knew sex could be so physical.
After tricking Bobby and Tina to join them to a van spot, at a local beach, Jack and Sue have sex in the back with occasional voyeurs in their window. Bobby and Tina see other vans, before Tina is nearly run over during the van drag races. Bobby and Tina get close, until Bobby again tries getting physical. Tina drives off in the van with Jack and Sue in the back, leaving Bobby to walk home.
When Andy reveals he got beat up for not paying for a winning high-risk bet, Bobby volunteers his van's down payment. After getting rejected when approaching Tina's window, Bobby visits Sally's house. Sally says she feels abandoned by Dugan, and Bobby finds himself with her in his van. Unzipping him, she notes he is bigger than Dugan. Taking off her top, they proceed to have sex.
The following morning, Tina runs across Bobby in a diner and agrees going together inside, where they meet Jack and Sue. Dugan then enters, lifts Bobby up and says he saw Bobby's van last night around Sally's place. Jack stalls Dugan, but Tina doesn't want to see Bobby again. Refusing to give up again, Bobby kidnaps her. Dugan drive chases Bobby, and the police join in. Bobby escapes, but Tina pleads to get freed. Bobby finally stops when she agrees hearing his side. He says he got the van to succeed with girls, but it changed upon meeting Tina. Tina says she too could never play "the game", and they have sex.
Bobby drag-races Dugan to regain his money, but not before mentioning he really was at Sally's place. Dugan tries crashing Bobby, but eventually crashes himself into a police car. In result, Bobby's van turns over. Tina, Sue, Jack and Andy are relieved when Bobby is neither dead nor injured. Jack notes Bobby even won the race.
Bobby leaves in Tina's convertible. Tina asks if he really was with Sally, and Bobby replies that Sally said he is "bigger than Dugan," but Tina just laughs.
The overriding message of The Van seems to be: âYes, vans are awesome, but eventually you have to get over that and grow the hell up.â
ââJason Coffman, article about the Vansploitation genre.[5] | The Van | dc6bc56a-4906-7904-658a-7ca67d7daa2c | what do jack and bobby rig to collapse? | [] | true |
/m/0bvln7 | This section is too long. Consider splitting it into new pages, adding subheadings, or condensing it. (June 2016)
This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2016) (Learn how and when to remove this template message)
Bobby and his best friend, Jack, sabotage their high-school graduation ceremony by rigging the stage to collapse. After leaving the graduation ceremony, Bobby and Jack (Harry Moses) drive up to another van and notice Sally (Connie Lisa Marie), his secret high-school crush, sitting alone inside, eating ice cream. Bobby cannot look away from her and expresses his fantasy to "be with" her just once. Dugan returns to the van and disapproves of Bobby's attention. Bobby and Jack run across Sue (Marcie Barkin) and Tina (Deborah White), and they attempt to arrange dates with them that evening. Sue is interested in Jack, but Tina states she is neither interested in Bobby nor other boys because they only care about sex.
Bobby works in a car wash. Bobby's boss Andy (Danny DeVito) is also a bookmaker, who refuses taking a high-risk bet from an old lady called Bertha. Bobby's co-workers send his convertible into the car wash with the roof down, but Bobby plans buying a van anyway - not just any van, but a custom van with items like a waterbed, a ceiling mirror, a refrigerator, a toaster, an 8 track and multiple television sets. Bobby then gets revenge on his co-workers while showing off his new van by giving them beers spiked with laxatives.
In a bar, Bobby unsuccessfully approaches women, including Sally. Finally, a pinball playing girl agrees sharing a joint in his van. Though going hand-in-hand, she objects his moves. Laughing it off, he tries raping her, but Bobby discovers she has stuffed her over-sized bra with wads of toilet paper, and she runs off. Up next is a Mexican girl, who removes her top but demands payment. Another woman is also a prostitute, and her pimp barges in for payment.
Afterwards, Bobby and Jack force Sue and Tina to stop their car. Sue drives off with Jack, and Tina joins Bobby in the van. They plan to meet up again later at the beach, but Jack and Sue don't arrive until the next morning. Bobby and Tina form an uneasy truce and sleep in the van without fooling around. Eventually, they share a joint. When Jack and Sue return in the morning, Bobby makes them think that he is in the van having sex with Tina, who is actually out on the beach.
After dropping Tina home, Bobby spots Sally with a see-through wetlook in the car wash. After seeing her making out with Dugan, Bobby stops by a quiet take-out place. The take-out waitress praises his van, so he offers sharing a joint on the waterbed. Noting she likes waterbeds, she says she doesn't have time for a joint, but does have some time for a quickie. She steps out from behind the counter and Bobby gasps at her very large buttocks. Once she is nude in the van, Bobby tries a pickup line, but barely finishes it, when she throws and mounts him on the waterbed. He protests, but she obviously rapes him, breaking the waterbed in the process. Bobby mentions her buttocks' size to Jack, and notes he never knew sex could be so physical.
After tricking Bobby and Tina to join them to a van spot, at a local beach, Jack and Sue have sex in the back with occasional voyeurs in their window. Bobby and Tina see other vans, before Tina is nearly run over during the van drag races. Bobby and Tina get close, until Bobby again tries getting physical. Tina drives off in the van with Jack and Sue in the back, leaving Bobby to walk home.
When Andy reveals he got beat up for not paying for a winning high-risk bet, Bobby volunteers his van's down payment. After getting rejected when approaching Tina's window, Bobby visits Sally's house. Sally says she feels abandoned by Dugan, and Bobby finds himself with her in his van. Unzipping him, she notes he is bigger than Dugan. Taking off her top, they proceed to have sex.
The following morning, Tina runs across Bobby in a diner and agrees going together inside, where they meet Jack and Sue. Dugan then enters, lifts Bobby up and says he saw Bobby's van last night around Sally's place. Jack stalls Dugan, but Tina doesn't want to see Bobby again. Refusing to give up again, Bobby kidnaps her. Dugan drive chases Bobby, and the police join in. Bobby escapes, but Tina pleads to get freed. Bobby finally stops when she agrees hearing his side. He says he got the van to succeed with girls, but it changed upon meeting Tina. Tina says she too could never play "the game", and they have sex.
Bobby drag-races Dugan to regain his money, but not before mentioning he really was at Sally's place. Dugan tries crashing Bobby, but eventually crashes himself into a police car. In result, Bobby's van turns over. Tina, Sue, Jack and Andy are relieved when Bobby is neither dead nor injured. Jack notes Bobby even won the race.
Bobby leaves in Tina's convertible. Tina asks if he really was with Sally, and Bobby replies that Sally said he is "bigger than Dugan," but Tina just laughs.
The overriding message of The Van seems to be: âYes, vans are awesome, but eventually you have to get over that and grow the hell up.â
ââJason Coffman, article about the Vansploitation genre.[5] | The Van | 9e29bd4a-1a16-890a-d772-02c013f90427 | What does Bobby tell Tina about what Sally told him ? | [
"he is \"bigger than Dugan,\""
] | false |
/m/01ss20 | After an opening black-and-white segment of a TV horror host named Dr. Wolfenstein introducing a Halloween movie marathon, there is a TV commercial advertisement where a old redneck clown named Captain Spaulding (Sid Haig) introducing his tourist attraction, titled 'Captain Spaulding's Museum of Monsters and Madmen' which is a place featuring serial killer attractions and fried chicken, as well as decorated with oddities and collectables.At Captain Spaulding's Museum of Monsters and Madmen, it is a run-down gas station out in the middle of nowhere, near the small Texas town of Ruggsville. The date is October 30, 1977. The local sheriff is filling up his car while feeding his pet dog some fried chicken wings. Inside, Captain Spaulding is having a conversation with an old decrepit local man named Stucky (Michael J. Pollard) over a topless autographed photo of June Wilkinson and about the local simpleton who works down the road. When Stucky goes to the nearby restroom, two masked thugs break into the gas station/museum, who for some reason thought it was a good idea to rob a store obviously run by psychopaths. As the two men hold Stucky and Spaulding at gunpoint, the tough-talking lead thug, named Killer Karl, demands that Spaulding hand over the cash register, while the other thug, whom is clearly mentally retarded, holds Stucky back. Spaulding refuses to open the cash register, and with a gun pointed at his face, defiantly says things like "fuck yo Mama!" "fuck you sister!" to Killer Karl. Stucky seems to recognize the second robber as Richard Wick, the local simpleton who works down at the local hardware store. Suddenly, a third man comes crashing through the front door, dressed in overalls and wearing a gigantic clown helmet. He is clutching a mallet which he puts to good use by literally beating Killer Karl down, while Richard Wick panics and shoots off his gun, hitting Stucky, but missing Captain Spaulding who pulls out a gun of his own and shoots Richard in the head, killing him. Seeing that Killer Karl is still alive sprawled out on the floor, Spaulding walks up to him, points his gun at his face and says, "but most of all, fuck YOU!", and then fires, killing Karl.After the opening credits, we then see a group of four kids, Denise (Erin Daniels), Mary (Jennifer Jostyn), Bill (Rainn Wilson), and Jerry (Chris Hardwick), whom are driving down backwoods Texas roads while the radio reports that a group of cheerleaders have gone missing in the area. They go to the gas and fried chicken shop where Spaulding still resides, they arrive just as Spaulding is moping up a huge bloodstain on the floor. Despite being a twisted murderer, he happily takes the four on a tour through a serial killer themed ride in his museum (featuring Ed Gein and the like). The man with the mallet from the opening massacre is operating the cart on the ride. He is Spaulding's assistant Ravelini (Irwin Keyes), he's deformed and very freaky.After the ride, Jerry inquires about a local serial killer named Dr. Satan who was hanged and vanished, never to be seen again. Spaulding clearly becomes uncomfortable talking about Dr. Satan, but after being pestered, decides to give them the address of the tree where Satan was hung.As the four teens continue their journey, it begins to rain. Soon, the four of them pick up a female hitchhiker. The hitchhiker is a beautiful young woman who introduces herself as Baby (Sherri Moon). Despite her beauty, Baby is acts strangely and things get stranger when the car suddenly gets a flat tire (the tire was pierced by a shotgun blast by a mysterious man crouched by the side of the road). Eventually a tow truck arrives, driven by the shooter Rufus, whom is Baby's older brother. He tows their truck to his house, a large creepy home with scarecrows and mangled baby dolls. While Rufus works on the car, the four teens are introduced to another member of the clan, Mother Firefly (Karen Black), an ugly woman with rotten teeth who is the mother of the household.The four are coerced into having dinner with the bunch and are introduced to the hideously deformed seven-foot tall Tiny (Matthew McGrory) (who wears a mask because Mother Firefly claims that he was burned in a terrible fire started by her former husband Earl). Also introducing himself is the surly, foul-mouthed Grandpa Hugo (Dennis Fimple).While the uncomfortable dinner takes place, in an upstairs bedroom, a family member named Otis (Bill Moseley) is ranting at and torturing the five missing cheerleaders from the radio transmission. He then goes downstairs and joins the family dinner where he talks with the four creeped-out teens about the legend of Dr. Satan, and of their curiosity about the case.The family puts on a painfully strange Halloween show for the group, starting with Grandpa Hugo giving a foul-mouthed comedy routine, which only Jerry finds funny. Baby comes out on the stage lip-synching to a 1940s pop song. The show ends badly when Mary starts a fight with Baby when she starts flirting with Bill. Baby then comes after Mary with a pocket knife while Mother Firefly is barely able to hold her back.Fortunately, Rufus arrives and announces that he has fixed their car and the four teenagers immediately drive out of harm's way. While Bill drives the car away, two of the scarecrows surrounding the driveway come alive (it's actually Otis and Tiny) and they begin beating Bill and Jerry and smashing up the car. All four are taken hostage again.The four teens are held captive in various rooms in the house and the family subjects them to unspeakable acts of mental and physical torture. Bill is the first to die when he is completely mutilated beyond recognition by Otis, who refers to his corpse as "Fishboy". Jerry has the skin on his head peeled open by Baby who taunts the stoned-out guy over her interests in music. In the basement of the house, the captive Denise coerces Tiny into setting her free, but she is recaptured by Otis and thrown into a cage with other captives who attack her.Meanwhile, Denise's father, Don (Harrison Young), becomes worried about his daughter when she doesn't phone the next morning. He drives out to the small town where Denise phoned from the previous night and enlists the help of two local state troopers, Wydell (Tom Towles) and Naish (Walton Goggins), and the three of them head to where the kids were last seen. The trio arrive at Spaulding's museum to question him about Denise and her friends. After putting up with Spaulding's antics and one-liners for a few moments, he tells the two policemen where he sent the kids.On their way the three of them find Denise's car, with the dead body of one of the murdered cheerleaders in the trunk. After having the local sheriff tow away the car to the crime lab, Wydell, Naish, and Don arrive at the Firefly house to question the owners to the whereabouts of the missing kids. While Wydell goes inside the front door and talks to Mother Firefly about his search for Denise and her three friends, Naish and Don sneak around out back to look for any foul play. They come upon a locked tool shed. Naish breaks down the door, and finds a horrific sight: the tortured, but still living Mary, is tied to the ceiling and she writhes around in terror. Surrounding her are all the dead and mangled bodies of the missing cheerleaders. Over the song "I Remember You" by Slim Whitman, both Naish and Don flip out and go into shock, generally losing their sanity from this horrible sight. Inside the house, Wydell hears the screams from his men and rises out of his chair, but Mother Firefly suddenly pulls out a gun and shoots Wydell through the neck, killing him. Then Otis walks into the backyard with a gun blazing away, hitting Don in the back as he attempts to run, who then falls dead into a muddy pool of water. The terrified Naish drops his gun and holds his hands up high, while Otis walks up to him and points his .45 caliber gun to his forehead. Suddenly, the movie goes silent and holds on the two men for for a long moment until Otis finally fires, killing Naish instantly.The Firefly family decides to hold a massive ritual. Otis skins Don and wears his flesh like a full body cast. Rufus drives around wildly in Wydell's police car after getting drunk. Baby goes out and buys liquor from a man named G. Oober who runs the local liquor store. Otis dresses up in full satanic clothing, as do the rest, and they dress up Jerry, Mary, and Denise in bunny costumes.After arriving at a remote clearing Mary escapes and runs, but Baby chases her down and brutally stabs her to death in a graveyard where the family has buried hundreds of victims over their years of killing. Denise and Jerry are put in a coffin, alive, and lowered into an underground well-like cavern. Suddenly the coffin is opened and demonic like figures leap out of the water, grabbing Jerry and pulling him away. More underground freaks come out and rip Denise's bunny suit off. Denise wanders around underground until she comes upon a room. Inside is a bunch of surgery patients, and Dr. Satan is finally revealed as a pus-vomiting demon cyborg. Dr. Satan is currently operating on Jerry's exposed brain which seems to finally kill him.Just then, Dr. Satan's assistant, the Professor, whom is Mother Firefly's ex-husband, appears as a towering demonic cyborg, and attacks Denise with a huge axe. The Professor chases Denise down the underground passageways, until he swings his axe, and accidentally hits a cave support and part of the tunnel caves in, crushing the Professor.At dawn, Denise manages to dig to the surface and wanders to a road, where Captain Spaulding is driving by in his red coverall. He picks her up and as the two drive away, Otis suddenly sits up in the backseat with a knife.The final scene shows Denise back in Dr. Satan's underground laboratory, being tortured by the demon. Denise screams, but there is no escape.THE END....? | House of 1000 Corpses | 1b27c68b-fef7-c202-13f7-e6e70d6566db | Who is Mother Firefly's ex-husband? | [
"Earl"
] | false |
/m/01ss20 | After an opening black-and-white segment of a TV horror host named Dr. Wolfenstein introducing a Halloween movie marathon, there is a TV commercial advertisement where a old redneck clown named Captain Spaulding (Sid Haig) introducing his tourist attraction, titled 'Captain Spaulding's Museum of Monsters and Madmen' which is a place featuring serial killer attractions and fried chicken, as well as decorated with oddities and collectables.At Captain Spaulding's Museum of Monsters and Madmen, it is a run-down gas station out in the middle of nowhere, near the small Texas town of Ruggsville. The date is October 30, 1977. The local sheriff is filling up his car while feeding his pet dog some fried chicken wings. Inside, Captain Spaulding is having a conversation with an old decrepit local man named Stucky (Michael J. Pollard) over a topless autographed photo of June Wilkinson and about the local simpleton who works down the road. When Stucky goes to the nearby restroom, two masked thugs break into the gas station/museum, who for some reason thought it was a good idea to rob a store obviously run by psychopaths. As the two men hold Stucky and Spaulding at gunpoint, the tough-talking lead thug, named Killer Karl, demands that Spaulding hand over the cash register, while the other thug, whom is clearly mentally retarded, holds Stucky back. Spaulding refuses to open the cash register, and with a gun pointed at his face, defiantly says things like "fuck yo Mama!" "fuck you sister!" to Killer Karl. Stucky seems to recognize the second robber as Richard Wick, the local simpleton who works down at the local hardware store. Suddenly, a third man comes crashing through the front door, dressed in overalls and wearing a gigantic clown helmet. He is clutching a mallet which he puts to good use by literally beating Killer Karl down, while Richard Wick panics and shoots off his gun, hitting Stucky, but missing Captain Spaulding who pulls out a gun of his own and shoots Richard in the head, killing him. Seeing that Killer Karl is still alive sprawled out on the floor, Spaulding walks up to him, points his gun at his face and says, "but most of all, fuck YOU!", and then fires, killing Karl.After the opening credits, we then see a group of four kids, Denise (Erin Daniels), Mary (Jennifer Jostyn), Bill (Rainn Wilson), and Jerry (Chris Hardwick), whom are driving down backwoods Texas roads while the radio reports that a group of cheerleaders have gone missing in the area. They go to the gas and fried chicken shop where Spaulding still resides, they arrive just as Spaulding is moping up a huge bloodstain on the floor. Despite being a twisted murderer, he happily takes the four on a tour through a serial killer themed ride in his museum (featuring Ed Gein and the like). The man with the mallet from the opening massacre is operating the cart on the ride. He is Spaulding's assistant Ravelini (Irwin Keyes), he's deformed and very freaky.After the ride, Jerry inquires about a local serial killer named Dr. Satan who was hanged and vanished, never to be seen again. Spaulding clearly becomes uncomfortable talking about Dr. Satan, but after being pestered, decides to give them the address of the tree where Satan was hung.As the four teens continue their journey, it begins to rain. Soon, the four of them pick up a female hitchhiker. The hitchhiker is a beautiful young woman who introduces herself as Baby (Sherri Moon). Despite her beauty, Baby is acts strangely and things get stranger when the car suddenly gets a flat tire (the tire was pierced by a shotgun blast by a mysterious man crouched by the side of the road). Eventually a tow truck arrives, driven by the shooter Rufus, whom is Baby's older brother. He tows their truck to his house, a large creepy home with scarecrows and mangled baby dolls. While Rufus works on the car, the four teens are introduced to another member of the clan, Mother Firefly (Karen Black), an ugly woman with rotten teeth who is the mother of the household.The four are coerced into having dinner with the bunch and are introduced to the hideously deformed seven-foot tall Tiny (Matthew McGrory) (who wears a mask because Mother Firefly claims that he was burned in a terrible fire started by her former husband Earl). Also introducing himself is the surly, foul-mouthed Grandpa Hugo (Dennis Fimple).While the uncomfortable dinner takes place, in an upstairs bedroom, a family member named Otis (Bill Moseley) is ranting at and torturing the five missing cheerleaders from the radio transmission. He then goes downstairs and joins the family dinner where he talks with the four creeped-out teens about the legend of Dr. Satan, and of their curiosity about the case.The family puts on a painfully strange Halloween show for the group, starting with Grandpa Hugo giving a foul-mouthed comedy routine, which only Jerry finds funny. Baby comes out on the stage lip-synching to a 1940s pop song. The show ends badly when Mary starts a fight with Baby when she starts flirting with Bill. Baby then comes after Mary with a pocket knife while Mother Firefly is barely able to hold her back.Fortunately, Rufus arrives and announces that he has fixed their car and the four teenagers immediately drive out of harm's way. While Bill drives the car away, two of the scarecrows surrounding the driveway come alive (it's actually Otis and Tiny) and they begin beating Bill and Jerry and smashing up the car. All four are taken hostage again.The four teens are held captive in various rooms in the house and the family subjects them to unspeakable acts of mental and physical torture. Bill is the first to die when he is completely mutilated beyond recognition by Otis, who refers to his corpse as "Fishboy". Jerry has the skin on his head peeled open by Baby who taunts the stoned-out guy over her interests in music. In the basement of the house, the captive Denise coerces Tiny into setting her free, but she is recaptured by Otis and thrown into a cage with other captives who attack her.Meanwhile, Denise's father, Don (Harrison Young), becomes worried about his daughter when she doesn't phone the next morning. He drives out to the small town where Denise phoned from the previous night and enlists the help of two local state troopers, Wydell (Tom Towles) and Naish (Walton Goggins), and the three of them head to where the kids were last seen. The trio arrive at Spaulding's museum to question him about Denise and her friends. After putting up with Spaulding's antics and one-liners for a few moments, he tells the two policemen where he sent the kids.On their way the three of them find Denise's car, with the dead body of one of the murdered cheerleaders in the trunk. After having the local sheriff tow away the car to the crime lab, Wydell, Naish, and Don arrive at the Firefly house to question the owners to the whereabouts of the missing kids. While Wydell goes inside the front door and talks to Mother Firefly about his search for Denise and her three friends, Naish and Don sneak around out back to look for any foul play. They come upon a locked tool shed. Naish breaks down the door, and finds a horrific sight: the tortured, but still living Mary, is tied to the ceiling and she writhes around in terror. Surrounding her are all the dead and mangled bodies of the missing cheerleaders. Over the song "I Remember You" by Slim Whitman, both Naish and Don flip out and go into shock, generally losing their sanity from this horrible sight. Inside the house, Wydell hears the screams from his men and rises out of his chair, but Mother Firefly suddenly pulls out a gun and shoots Wydell through the neck, killing him. Then Otis walks into the backyard with a gun blazing away, hitting Don in the back as he attempts to run, who then falls dead into a muddy pool of water. The terrified Naish drops his gun and holds his hands up high, while Otis walks up to him and points his .45 caliber gun to his forehead. Suddenly, the movie goes silent and holds on the two men for for a long moment until Otis finally fires, killing Naish instantly.The Firefly family decides to hold a massive ritual. Otis skins Don and wears his flesh like a full body cast. Rufus drives around wildly in Wydell's police car after getting drunk. Baby goes out and buys liquor from a man named G. Oober who runs the local liquor store. Otis dresses up in full satanic clothing, as do the rest, and they dress up Jerry, Mary, and Denise in bunny costumes.After arriving at a remote clearing Mary escapes and runs, but Baby chases her down and brutally stabs her to death in a graveyard where the family has buried hundreds of victims over their years of killing. Denise and Jerry are put in a coffin, alive, and lowered into an underground well-like cavern. Suddenly the coffin is opened and demonic like figures leap out of the water, grabbing Jerry and pulling him away. More underground freaks come out and rip Denise's bunny suit off. Denise wanders around underground until she comes upon a room. Inside is a bunch of surgery patients, and Dr. Satan is finally revealed as a pus-vomiting demon cyborg. Dr. Satan is currently operating on Jerry's exposed brain which seems to finally kill him.Just then, Dr. Satan's assistant, the Professor, whom is Mother Firefly's ex-husband, appears as a towering demonic cyborg, and attacks Denise with a huge axe. The Professor chases Denise down the underground passageways, until he swings his axe, and accidentally hits a cave support and part of the tunnel caves in, crushing the Professor.At dawn, Denise manages to dig to the surface and wanders to a road, where Captain Spaulding is driving by in his red coverall. He picks her up and as the two drive away, Otis suddenly sits up in the backseat with a knife.The final scene shows Denise back in Dr. Satan's underground laboratory, being tortured by the demon. Denise screams, but there is no escape.THE END....? | House of 1000 Corpses | b4f11df1-8c36-da90-5685-6bc5411731e6 | What is the name of the local legend? | [
"Dr. Satan"
] | false |
/m/01ss20 | After an opening black-and-white segment of a TV horror host named Dr. Wolfenstein introducing a Halloween movie marathon, there is a TV commercial advertisement where a old redneck clown named Captain Spaulding (Sid Haig) introducing his tourist attraction, titled 'Captain Spaulding's Museum of Monsters and Madmen' which is a place featuring serial killer attractions and fried chicken, as well as decorated with oddities and collectables.At Captain Spaulding's Museum of Monsters and Madmen, it is a run-down gas station out in the middle of nowhere, near the small Texas town of Ruggsville. The date is October 30, 1977. The local sheriff is filling up his car while feeding his pet dog some fried chicken wings. Inside, Captain Spaulding is having a conversation with an old decrepit local man named Stucky (Michael J. Pollard) over a topless autographed photo of June Wilkinson and about the local simpleton who works down the road. When Stucky goes to the nearby restroom, two masked thugs break into the gas station/museum, who for some reason thought it was a good idea to rob a store obviously run by psychopaths. As the two men hold Stucky and Spaulding at gunpoint, the tough-talking lead thug, named Killer Karl, demands that Spaulding hand over the cash register, while the other thug, whom is clearly mentally retarded, holds Stucky back. Spaulding refuses to open the cash register, and with a gun pointed at his face, defiantly says things like "fuck yo Mama!" "fuck you sister!" to Killer Karl. Stucky seems to recognize the second robber as Richard Wick, the local simpleton who works down at the local hardware store. Suddenly, a third man comes crashing through the front door, dressed in overalls and wearing a gigantic clown helmet. He is clutching a mallet which he puts to good use by literally beating Killer Karl down, while Richard Wick panics and shoots off his gun, hitting Stucky, but missing Captain Spaulding who pulls out a gun of his own and shoots Richard in the head, killing him. Seeing that Killer Karl is still alive sprawled out on the floor, Spaulding walks up to him, points his gun at his face and says, "but most of all, fuck YOU!", and then fires, killing Karl.After the opening credits, we then see a group of four kids, Denise (Erin Daniels), Mary (Jennifer Jostyn), Bill (Rainn Wilson), and Jerry (Chris Hardwick), whom are driving down backwoods Texas roads while the radio reports that a group of cheerleaders have gone missing in the area. They go to the gas and fried chicken shop where Spaulding still resides, they arrive just as Spaulding is moping up a huge bloodstain on the floor. Despite being a twisted murderer, he happily takes the four on a tour through a serial killer themed ride in his museum (featuring Ed Gein and the like). The man with the mallet from the opening massacre is operating the cart on the ride. He is Spaulding's assistant Ravelini (Irwin Keyes), he's deformed and very freaky.After the ride, Jerry inquires about a local serial killer named Dr. Satan who was hanged and vanished, never to be seen again. Spaulding clearly becomes uncomfortable talking about Dr. Satan, but after being pestered, decides to give them the address of the tree where Satan was hung.As the four teens continue their journey, it begins to rain. Soon, the four of them pick up a female hitchhiker. The hitchhiker is a beautiful young woman who introduces herself as Baby (Sherri Moon). Despite her beauty, Baby is acts strangely and things get stranger when the car suddenly gets a flat tire (the tire was pierced by a shotgun blast by a mysterious man crouched by the side of the road). Eventually a tow truck arrives, driven by the shooter Rufus, whom is Baby's older brother. He tows their truck to his house, a large creepy home with scarecrows and mangled baby dolls. While Rufus works on the car, the four teens are introduced to another member of the clan, Mother Firefly (Karen Black), an ugly woman with rotten teeth who is the mother of the household.The four are coerced into having dinner with the bunch and are introduced to the hideously deformed seven-foot tall Tiny (Matthew McGrory) (who wears a mask because Mother Firefly claims that he was burned in a terrible fire started by her former husband Earl). Also introducing himself is the surly, foul-mouthed Grandpa Hugo (Dennis Fimple).While the uncomfortable dinner takes place, in an upstairs bedroom, a family member named Otis (Bill Moseley) is ranting at and torturing the five missing cheerleaders from the radio transmission. He then goes downstairs and joins the family dinner where he talks with the four creeped-out teens about the legend of Dr. Satan, and of their curiosity about the case.The family puts on a painfully strange Halloween show for the group, starting with Grandpa Hugo giving a foul-mouthed comedy routine, which only Jerry finds funny. Baby comes out on the stage lip-synching to a 1940s pop song. The show ends badly when Mary starts a fight with Baby when she starts flirting with Bill. Baby then comes after Mary with a pocket knife while Mother Firefly is barely able to hold her back.Fortunately, Rufus arrives and announces that he has fixed their car and the four teenagers immediately drive out of harm's way. While Bill drives the car away, two of the scarecrows surrounding the driveway come alive (it's actually Otis and Tiny) and they begin beating Bill and Jerry and smashing up the car. All four are taken hostage again.The four teens are held captive in various rooms in the house and the family subjects them to unspeakable acts of mental and physical torture. Bill is the first to die when he is completely mutilated beyond recognition by Otis, who refers to his corpse as "Fishboy". Jerry has the skin on his head peeled open by Baby who taunts the stoned-out guy over her interests in music. In the basement of the house, the captive Denise coerces Tiny into setting her free, but she is recaptured by Otis and thrown into a cage with other captives who attack her.Meanwhile, Denise's father, Don (Harrison Young), becomes worried about his daughter when she doesn't phone the next morning. He drives out to the small town where Denise phoned from the previous night and enlists the help of two local state troopers, Wydell (Tom Towles) and Naish (Walton Goggins), and the three of them head to where the kids were last seen. The trio arrive at Spaulding's museum to question him about Denise and her friends. After putting up with Spaulding's antics and one-liners for a few moments, he tells the two policemen where he sent the kids.On their way the three of them find Denise's car, with the dead body of one of the murdered cheerleaders in the trunk. After having the local sheriff tow away the car to the crime lab, Wydell, Naish, and Don arrive at the Firefly house to question the owners to the whereabouts of the missing kids. While Wydell goes inside the front door and talks to Mother Firefly about his search for Denise and her three friends, Naish and Don sneak around out back to look for any foul play. They come upon a locked tool shed. Naish breaks down the door, and finds a horrific sight: the tortured, but still living Mary, is tied to the ceiling and she writhes around in terror. Surrounding her are all the dead and mangled bodies of the missing cheerleaders. Over the song "I Remember You" by Slim Whitman, both Naish and Don flip out and go into shock, generally losing their sanity from this horrible sight. Inside the house, Wydell hears the screams from his men and rises out of his chair, but Mother Firefly suddenly pulls out a gun and shoots Wydell through the neck, killing him. Then Otis walks into the backyard with a gun blazing away, hitting Don in the back as he attempts to run, who then falls dead into a muddy pool of water. The terrified Naish drops his gun and holds his hands up high, while Otis walks up to him and points his .45 caliber gun to his forehead. Suddenly, the movie goes silent and holds on the two men for for a long moment until Otis finally fires, killing Naish instantly.The Firefly family decides to hold a massive ritual. Otis skins Don and wears his flesh like a full body cast. Rufus drives around wildly in Wydell's police car after getting drunk. Baby goes out and buys liquor from a man named G. Oober who runs the local liquor store. Otis dresses up in full satanic clothing, as do the rest, and they dress up Jerry, Mary, and Denise in bunny costumes.After arriving at a remote clearing Mary escapes and runs, but Baby chases her down and brutally stabs her to death in a graveyard where the family has buried hundreds of victims over their years of killing. Denise and Jerry are put in a coffin, alive, and lowered into an underground well-like cavern. Suddenly the coffin is opened and demonic like figures leap out of the water, grabbing Jerry and pulling him away. More underground freaks come out and rip Denise's bunny suit off. Denise wanders around underground until she comes upon a room. Inside is a bunch of surgery patients, and Dr. Satan is finally revealed as a pus-vomiting demon cyborg. Dr. Satan is currently operating on Jerry's exposed brain which seems to finally kill him.Just then, Dr. Satan's assistant, the Professor, whom is Mother Firefly's ex-husband, appears as a towering demonic cyborg, and attacks Denise with a huge axe. The Professor chases Denise down the underground passageways, until he swings his axe, and accidentally hits a cave support and part of the tunnel caves in, crushing the Professor.At dawn, Denise manages to dig to the surface and wanders to a road, where Captain Spaulding is driving by in his red coverall. He picks her up and as the two drive away, Otis suddenly sits up in the backseat with a knife.The final scene shows Denise back in Dr. Satan's underground laboratory, being tortured by the demon. Denise screams, but there is no escape.THE END....? | House of 1000 Corpses | ccfed0fc-22d2-7cd6-48f1-7886799a9a5b | What did Jerry, Bill, Mary, and Denise want to write their book about? | [
"On offbeat roadside attractions",
"Offbeat roadside attractions."
] | false |
/m/01ss20 | After an opening black-and-white segment of a TV horror host named Dr. Wolfenstein introducing a Halloween movie marathon, there is a TV commercial advertisement where a old redneck clown named Captain Spaulding (Sid Haig) introducing his tourist attraction, titled 'Captain Spaulding's Museum of Monsters and Madmen' which is a place featuring serial killer attractions and fried chicken, as well as decorated with oddities and collectables.At Captain Spaulding's Museum of Monsters and Madmen, it is a run-down gas station out in the middle of nowhere, near the small Texas town of Ruggsville. The date is October 30, 1977. The local sheriff is filling up his car while feeding his pet dog some fried chicken wings. Inside, Captain Spaulding is having a conversation with an old decrepit local man named Stucky (Michael J. Pollard) over a topless autographed photo of June Wilkinson and about the local simpleton who works down the road. When Stucky goes to the nearby restroom, two masked thugs break into the gas station/museum, who for some reason thought it was a good idea to rob a store obviously run by psychopaths. As the two men hold Stucky and Spaulding at gunpoint, the tough-talking lead thug, named Killer Karl, demands that Spaulding hand over the cash register, while the other thug, whom is clearly mentally retarded, holds Stucky back. Spaulding refuses to open the cash register, and with a gun pointed at his face, defiantly says things like "fuck yo Mama!" "fuck you sister!" to Killer Karl. Stucky seems to recognize the second robber as Richard Wick, the local simpleton who works down at the local hardware store. Suddenly, a third man comes crashing through the front door, dressed in overalls and wearing a gigantic clown helmet. He is clutching a mallet which he puts to good use by literally beating Killer Karl down, while Richard Wick panics and shoots off his gun, hitting Stucky, but missing Captain Spaulding who pulls out a gun of his own and shoots Richard in the head, killing him. Seeing that Killer Karl is still alive sprawled out on the floor, Spaulding walks up to him, points his gun at his face and says, "but most of all, fuck YOU!", and then fires, killing Karl.After the opening credits, we then see a group of four kids, Denise (Erin Daniels), Mary (Jennifer Jostyn), Bill (Rainn Wilson), and Jerry (Chris Hardwick), whom are driving down backwoods Texas roads while the radio reports that a group of cheerleaders have gone missing in the area. They go to the gas and fried chicken shop where Spaulding still resides, they arrive just as Spaulding is moping up a huge bloodstain on the floor. Despite being a twisted murderer, he happily takes the four on a tour through a serial killer themed ride in his museum (featuring Ed Gein and the like). The man with the mallet from the opening massacre is operating the cart on the ride. He is Spaulding's assistant Ravelini (Irwin Keyes), he's deformed and very freaky.After the ride, Jerry inquires about a local serial killer named Dr. Satan who was hanged and vanished, never to be seen again. Spaulding clearly becomes uncomfortable talking about Dr. Satan, but after being pestered, decides to give them the address of the tree where Satan was hung.As the four teens continue their journey, it begins to rain. Soon, the four of them pick up a female hitchhiker. The hitchhiker is a beautiful young woman who introduces herself as Baby (Sherri Moon). Despite her beauty, Baby is acts strangely and things get stranger when the car suddenly gets a flat tire (the tire was pierced by a shotgun blast by a mysterious man crouched by the side of the road). Eventually a tow truck arrives, driven by the shooter Rufus, whom is Baby's older brother. He tows their truck to his house, a large creepy home with scarecrows and mangled baby dolls. While Rufus works on the car, the four teens are introduced to another member of the clan, Mother Firefly (Karen Black), an ugly woman with rotten teeth who is the mother of the household.The four are coerced into having dinner with the bunch and are introduced to the hideously deformed seven-foot tall Tiny (Matthew McGrory) (who wears a mask because Mother Firefly claims that he was burned in a terrible fire started by her former husband Earl). Also introducing himself is the surly, foul-mouthed Grandpa Hugo (Dennis Fimple).While the uncomfortable dinner takes place, in an upstairs bedroom, a family member named Otis (Bill Moseley) is ranting at and torturing the five missing cheerleaders from the radio transmission. He then goes downstairs and joins the family dinner where he talks with the four creeped-out teens about the legend of Dr. Satan, and of their curiosity about the case.The family puts on a painfully strange Halloween show for the group, starting with Grandpa Hugo giving a foul-mouthed comedy routine, which only Jerry finds funny. Baby comes out on the stage lip-synching to a 1940s pop song. The show ends badly when Mary starts a fight with Baby when she starts flirting with Bill. Baby then comes after Mary with a pocket knife while Mother Firefly is barely able to hold her back.Fortunately, Rufus arrives and announces that he has fixed their car and the four teenagers immediately drive out of harm's way. While Bill drives the car away, two of the scarecrows surrounding the driveway come alive (it's actually Otis and Tiny) and they begin beating Bill and Jerry and smashing up the car. All four are taken hostage again.The four teens are held captive in various rooms in the house and the family subjects them to unspeakable acts of mental and physical torture. Bill is the first to die when he is completely mutilated beyond recognition by Otis, who refers to his corpse as "Fishboy". Jerry has the skin on his head peeled open by Baby who taunts the stoned-out guy over her interests in music. In the basement of the house, the captive Denise coerces Tiny into setting her free, but she is recaptured by Otis and thrown into a cage with other captives who attack her.Meanwhile, Denise's father, Don (Harrison Young), becomes worried about his daughter when she doesn't phone the next morning. He drives out to the small town where Denise phoned from the previous night and enlists the help of two local state troopers, Wydell (Tom Towles) and Naish (Walton Goggins), and the three of them head to where the kids were last seen. The trio arrive at Spaulding's museum to question him about Denise and her friends. After putting up with Spaulding's antics and one-liners for a few moments, he tells the two policemen where he sent the kids.On their way the three of them find Denise's car, with the dead body of one of the murdered cheerleaders in the trunk. After having the local sheriff tow away the car to the crime lab, Wydell, Naish, and Don arrive at the Firefly house to question the owners to the whereabouts of the missing kids. While Wydell goes inside the front door and talks to Mother Firefly about his search for Denise and her three friends, Naish and Don sneak around out back to look for any foul play. They come upon a locked tool shed. Naish breaks down the door, and finds a horrific sight: the tortured, but still living Mary, is tied to the ceiling and she writhes around in terror. Surrounding her are all the dead and mangled bodies of the missing cheerleaders. Over the song "I Remember You" by Slim Whitman, both Naish and Don flip out and go into shock, generally losing their sanity from this horrible sight. Inside the house, Wydell hears the screams from his men and rises out of his chair, but Mother Firefly suddenly pulls out a gun and shoots Wydell through the neck, killing him. Then Otis walks into the backyard with a gun blazing away, hitting Don in the back as he attempts to run, who then falls dead into a muddy pool of water. The terrified Naish drops his gun and holds his hands up high, while Otis walks up to him and points his .45 caliber gun to his forehead. Suddenly, the movie goes silent and holds on the two men for for a long moment until Otis finally fires, killing Naish instantly.The Firefly family decides to hold a massive ritual. Otis skins Don and wears his flesh like a full body cast. Rufus drives around wildly in Wydell's police car after getting drunk. Baby goes out and buys liquor from a man named G. Oober who runs the local liquor store. Otis dresses up in full satanic clothing, as do the rest, and they dress up Jerry, Mary, and Denise in bunny costumes.After arriving at a remote clearing Mary escapes and runs, but Baby chases her down and brutally stabs her to death in a graveyard where the family has buried hundreds of victims over their years of killing. Denise and Jerry are put in a coffin, alive, and lowered into an underground well-like cavern. Suddenly the coffin is opened and demonic like figures leap out of the water, grabbing Jerry and pulling him away. More underground freaks come out and rip Denise's bunny suit off. Denise wanders around underground until she comes upon a room. Inside is a bunch of surgery patients, and Dr. Satan is finally revealed as a pus-vomiting demon cyborg. Dr. Satan is currently operating on Jerry's exposed brain which seems to finally kill him.Just then, Dr. Satan's assistant, the Professor, whom is Mother Firefly's ex-husband, appears as a towering demonic cyborg, and attacks Denise with a huge axe. The Professor chases Denise down the underground passageways, until he swings his axe, and accidentally hits a cave support and part of the tunnel caves in, crushing the Professor.At dawn, Denise manages to dig to the surface and wanders to a road, where Captain Spaulding is driving by in his red coverall. He picks her up and as the two drive away, Otis suddenly sits up in the backseat with a knife.The final scene shows Denise back in Dr. Satan's underground laboratory, being tortured by the demon. Denise screams, but there is no escape.THE END....? | House of 1000 Corpses | 182a9037-d4c1-4bc3-e10c-1f9aff96060b | What do the three remaining teenagers dress up as? | [
"as rabbits",
"Bunny costumes"
] | false |
/m/01ss20 | After an opening black-and-white segment of a TV horror host named Dr. Wolfenstein introducing a Halloween movie marathon, there is a TV commercial advertisement where a old redneck clown named Captain Spaulding (Sid Haig) introducing his tourist attraction, titled 'Captain Spaulding's Museum of Monsters and Madmen' which is a place featuring serial killer attractions and fried chicken, as well as decorated with oddities and collectables.At Captain Spaulding's Museum of Monsters and Madmen, it is a run-down gas station out in the middle of nowhere, near the small Texas town of Ruggsville. The date is October 30, 1977. The local sheriff is filling up his car while feeding his pet dog some fried chicken wings. Inside, Captain Spaulding is having a conversation with an old decrepit local man named Stucky (Michael J. Pollard) over a topless autographed photo of June Wilkinson and about the local simpleton who works down the road. When Stucky goes to the nearby restroom, two masked thugs break into the gas station/museum, who for some reason thought it was a good idea to rob a store obviously run by psychopaths. As the two men hold Stucky and Spaulding at gunpoint, the tough-talking lead thug, named Killer Karl, demands that Spaulding hand over the cash register, while the other thug, whom is clearly mentally retarded, holds Stucky back. Spaulding refuses to open the cash register, and with a gun pointed at his face, defiantly says things like "fuck yo Mama!" "fuck you sister!" to Killer Karl. Stucky seems to recognize the second robber as Richard Wick, the local simpleton who works down at the local hardware store. Suddenly, a third man comes crashing through the front door, dressed in overalls and wearing a gigantic clown helmet. He is clutching a mallet which he puts to good use by literally beating Killer Karl down, while Richard Wick panics and shoots off his gun, hitting Stucky, but missing Captain Spaulding who pulls out a gun of his own and shoots Richard in the head, killing him. Seeing that Killer Karl is still alive sprawled out on the floor, Spaulding walks up to him, points his gun at his face and says, "but most of all, fuck YOU!", and then fires, killing Karl.After the opening credits, we then see a group of four kids, Denise (Erin Daniels), Mary (Jennifer Jostyn), Bill (Rainn Wilson), and Jerry (Chris Hardwick), whom are driving down backwoods Texas roads while the radio reports that a group of cheerleaders have gone missing in the area. They go to the gas and fried chicken shop where Spaulding still resides, they arrive just as Spaulding is moping up a huge bloodstain on the floor. Despite being a twisted murderer, he happily takes the four on a tour through a serial killer themed ride in his museum (featuring Ed Gein and the like). The man with the mallet from the opening massacre is operating the cart on the ride. He is Spaulding's assistant Ravelini (Irwin Keyes), he's deformed and very freaky.After the ride, Jerry inquires about a local serial killer named Dr. Satan who was hanged and vanished, never to be seen again. Spaulding clearly becomes uncomfortable talking about Dr. Satan, but after being pestered, decides to give them the address of the tree where Satan was hung.As the four teens continue their journey, it begins to rain. Soon, the four of them pick up a female hitchhiker. The hitchhiker is a beautiful young woman who introduces herself as Baby (Sherri Moon). Despite her beauty, Baby is acts strangely and things get stranger when the car suddenly gets a flat tire (the tire was pierced by a shotgun blast by a mysterious man crouched by the side of the road). Eventually a tow truck arrives, driven by the shooter Rufus, whom is Baby's older brother. He tows their truck to his house, a large creepy home with scarecrows and mangled baby dolls. While Rufus works on the car, the four teens are introduced to another member of the clan, Mother Firefly (Karen Black), an ugly woman with rotten teeth who is the mother of the household.The four are coerced into having dinner with the bunch and are introduced to the hideously deformed seven-foot tall Tiny (Matthew McGrory) (who wears a mask because Mother Firefly claims that he was burned in a terrible fire started by her former husband Earl). Also introducing himself is the surly, foul-mouthed Grandpa Hugo (Dennis Fimple).While the uncomfortable dinner takes place, in an upstairs bedroom, a family member named Otis (Bill Moseley) is ranting at and torturing the five missing cheerleaders from the radio transmission. He then goes downstairs and joins the family dinner where he talks with the four creeped-out teens about the legend of Dr. Satan, and of their curiosity about the case.The family puts on a painfully strange Halloween show for the group, starting with Grandpa Hugo giving a foul-mouthed comedy routine, which only Jerry finds funny. Baby comes out on the stage lip-synching to a 1940s pop song. The show ends badly when Mary starts a fight with Baby when she starts flirting with Bill. Baby then comes after Mary with a pocket knife while Mother Firefly is barely able to hold her back.Fortunately, Rufus arrives and announces that he has fixed their car and the four teenagers immediately drive out of harm's way. While Bill drives the car away, two of the scarecrows surrounding the driveway come alive (it's actually Otis and Tiny) and they begin beating Bill and Jerry and smashing up the car. All four are taken hostage again.The four teens are held captive in various rooms in the house and the family subjects them to unspeakable acts of mental and physical torture. Bill is the first to die when he is completely mutilated beyond recognition by Otis, who refers to his corpse as "Fishboy". Jerry has the skin on his head peeled open by Baby who taunts the stoned-out guy over her interests in music. In the basement of the house, the captive Denise coerces Tiny into setting her free, but she is recaptured by Otis and thrown into a cage with other captives who attack her.Meanwhile, Denise's father, Don (Harrison Young), becomes worried about his daughter when she doesn't phone the next morning. He drives out to the small town where Denise phoned from the previous night and enlists the help of two local state troopers, Wydell (Tom Towles) and Naish (Walton Goggins), and the three of them head to where the kids were last seen. The trio arrive at Spaulding's museum to question him about Denise and her friends. After putting up with Spaulding's antics and one-liners for a few moments, he tells the two policemen where he sent the kids.On their way the three of them find Denise's car, with the dead body of one of the murdered cheerleaders in the trunk. After having the local sheriff tow away the car to the crime lab, Wydell, Naish, and Don arrive at the Firefly house to question the owners to the whereabouts of the missing kids. While Wydell goes inside the front door and talks to Mother Firefly about his search for Denise and her three friends, Naish and Don sneak around out back to look for any foul play. They come upon a locked tool shed. Naish breaks down the door, and finds a horrific sight: the tortured, but still living Mary, is tied to the ceiling and she writhes around in terror. Surrounding her are all the dead and mangled bodies of the missing cheerleaders. Over the song "I Remember You" by Slim Whitman, both Naish and Don flip out and go into shock, generally losing their sanity from this horrible sight. Inside the house, Wydell hears the screams from his men and rises out of his chair, but Mother Firefly suddenly pulls out a gun and shoots Wydell through the neck, killing him. Then Otis walks into the backyard with a gun blazing away, hitting Don in the back as he attempts to run, who then falls dead into a muddy pool of water. The terrified Naish drops his gun and holds his hands up high, while Otis walks up to him and points his .45 caliber gun to his forehead. Suddenly, the movie goes silent and holds on the two men for for a long moment until Otis finally fires, killing Naish instantly.The Firefly family decides to hold a massive ritual. Otis skins Don and wears his flesh like a full body cast. Rufus drives around wildly in Wydell's police car after getting drunk. Baby goes out and buys liquor from a man named G. Oober who runs the local liquor store. Otis dresses up in full satanic clothing, as do the rest, and they dress up Jerry, Mary, and Denise in bunny costumes.After arriving at a remote clearing Mary escapes and runs, but Baby chases her down and brutally stabs her to death in a graveyard where the family has buried hundreds of victims over their years of killing. Denise and Jerry are put in a coffin, alive, and lowered into an underground well-like cavern. Suddenly the coffin is opened and demonic like figures leap out of the water, grabbing Jerry and pulling him away. More underground freaks come out and rip Denise's bunny suit off. Denise wanders around underground until she comes upon a room. Inside is a bunch of surgery patients, and Dr. Satan is finally revealed as a pus-vomiting demon cyborg. Dr. Satan is currently operating on Jerry's exposed brain which seems to finally kill him.Just then, Dr. Satan's assistant, the Professor, whom is Mother Firefly's ex-husband, appears as a towering demonic cyborg, and attacks Denise with a huge axe. The Professor chases Denise down the underground passageways, until he swings his axe, and accidentally hits a cave support and part of the tunnel caves in, crushing the Professor.At dawn, Denise manages to dig to the surface and wanders to a road, where Captain Spaulding is driving by in his red coverall. He picks her up and as the two drive away, Otis suddenly sits up in the backseat with a knife.The final scene shows Denise back in Dr. Satan's underground laboratory, being tortured by the demon. Denise screams, but there is no escape.THE END....? | House of 1000 Corpses | 01a1f894-ca23-701d-cef7-2696e7c9abbf | What were Otis and Tiny disguised as? | [
"as scarecrows",
"Scarecrows"
] | false |
/m/01ss20 | After an opening black-and-white segment of a TV horror host named Dr. Wolfenstein introducing a Halloween movie marathon, there is a TV commercial advertisement where a old redneck clown named Captain Spaulding (Sid Haig) introducing his tourist attraction, titled 'Captain Spaulding's Museum of Monsters and Madmen' which is a place featuring serial killer attractions and fried chicken, as well as decorated with oddities and collectables.At Captain Spaulding's Museum of Monsters and Madmen, it is a run-down gas station out in the middle of nowhere, near the small Texas town of Ruggsville. The date is October 30, 1977. The local sheriff is filling up his car while feeding his pet dog some fried chicken wings. Inside, Captain Spaulding is having a conversation with an old decrepit local man named Stucky (Michael J. Pollard) over a topless autographed photo of June Wilkinson and about the local simpleton who works down the road. When Stucky goes to the nearby restroom, two masked thugs break into the gas station/museum, who for some reason thought it was a good idea to rob a store obviously run by psychopaths. As the two men hold Stucky and Spaulding at gunpoint, the tough-talking lead thug, named Killer Karl, demands that Spaulding hand over the cash register, while the other thug, whom is clearly mentally retarded, holds Stucky back. Spaulding refuses to open the cash register, and with a gun pointed at his face, defiantly says things like "fuck yo Mama!" "fuck you sister!" to Killer Karl. Stucky seems to recognize the second robber as Richard Wick, the local simpleton who works down at the local hardware store. Suddenly, a third man comes crashing through the front door, dressed in overalls and wearing a gigantic clown helmet. He is clutching a mallet which he puts to good use by literally beating Killer Karl down, while Richard Wick panics and shoots off his gun, hitting Stucky, but missing Captain Spaulding who pulls out a gun of his own and shoots Richard in the head, killing him. Seeing that Killer Karl is still alive sprawled out on the floor, Spaulding walks up to him, points his gun at his face and says, "but most of all, fuck YOU!", and then fires, killing Karl.After the opening credits, we then see a group of four kids, Denise (Erin Daniels), Mary (Jennifer Jostyn), Bill (Rainn Wilson), and Jerry (Chris Hardwick), whom are driving down backwoods Texas roads while the radio reports that a group of cheerleaders have gone missing in the area. They go to the gas and fried chicken shop where Spaulding still resides, they arrive just as Spaulding is moping up a huge bloodstain on the floor. Despite being a twisted murderer, he happily takes the four on a tour through a serial killer themed ride in his museum (featuring Ed Gein and the like). The man with the mallet from the opening massacre is operating the cart on the ride. He is Spaulding's assistant Ravelini (Irwin Keyes), he's deformed and very freaky.After the ride, Jerry inquires about a local serial killer named Dr. Satan who was hanged and vanished, never to be seen again. Spaulding clearly becomes uncomfortable talking about Dr. Satan, but after being pestered, decides to give them the address of the tree where Satan was hung.As the four teens continue their journey, it begins to rain. Soon, the four of them pick up a female hitchhiker. The hitchhiker is a beautiful young woman who introduces herself as Baby (Sherri Moon). Despite her beauty, Baby is acts strangely and things get stranger when the car suddenly gets a flat tire (the tire was pierced by a shotgun blast by a mysterious man crouched by the side of the road). Eventually a tow truck arrives, driven by the shooter Rufus, whom is Baby's older brother. He tows their truck to his house, a large creepy home with scarecrows and mangled baby dolls. While Rufus works on the car, the four teens are introduced to another member of the clan, Mother Firefly (Karen Black), an ugly woman with rotten teeth who is the mother of the household.The four are coerced into having dinner with the bunch and are introduced to the hideously deformed seven-foot tall Tiny (Matthew McGrory) (who wears a mask because Mother Firefly claims that he was burned in a terrible fire started by her former husband Earl). Also introducing himself is the surly, foul-mouthed Grandpa Hugo (Dennis Fimple).While the uncomfortable dinner takes place, in an upstairs bedroom, a family member named Otis (Bill Moseley) is ranting at and torturing the five missing cheerleaders from the radio transmission. He then goes downstairs and joins the family dinner where he talks with the four creeped-out teens about the legend of Dr. Satan, and of their curiosity about the case.The family puts on a painfully strange Halloween show for the group, starting with Grandpa Hugo giving a foul-mouthed comedy routine, which only Jerry finds funny. Baby comes out on the stage lip-synching to a 1940s pop song. The show ends badly when Mary starts a fight with Baby when she starts flirting with Bill. Baby then comes after Mary with a pocket knife while Mother Firefly is barely able to hold her back.Fortunately, Rufus arrives and announces that he has fixed their car and the four teenagers immediately drive out of harm's way. While Bill drives the car away, two of the scarecrows surrounding the driveway come alive (it's actually Otis and Tiny) and they begin beating Bill and Jerry and smashing up the car. All four are taken hostage again.The four teens are held captive in various rooms in the house and the family subjects them to unspeakable acts of mental and physical torture. Bill is the first to die when he is completely mutilated beyond recognition by Otis, who refers to his corpse as "Fishboy". Jerry has the skin on his head peeled open by Baby who taunts the stoned-out guy over her interests in music. In the basement of the house, the captive Denise coerces Tiny into setting her free, but she is recaptured by Otis and thrown into a cage with other captives who attack her.Meanwhile, Denise's father, Don (Harrison Young), becomes worried about his daughter when she doesn't phone the next morning. He drives out to the small town where Denise phoned from the previous night and enlists the help of two local state troopers, Wydell (Tom Towles) and Naish (Walton Goggins), and the three of them head to where the kids were last seen. The trio arrive at Spaulding's museum to question him about Denise and her friends. After putting up with Spaulding's antics and one-liners for a few moments, he tells the two policemen where he sent the kids.On their way the three of them find Denise's car, with the dead body of one of the murdered cheerleaders in the trunk. After having the local sheriff tow away the car to the crime lab, Wydell, Naish, and Don arrive at the Firefly house to question the owners to the whereabouts of the missing kids. While Wydell goes inside the front door and talks to Mother Firefly about his search for Denise and her three friends, Naish and Don sneak around out back to look for any foul play. They come upon a locked tool shed. Naish breaks down the door, and finds a horrific sight: the tortured, but still living Mary, is tied to the ceiling and she writhes around in terror. Surrounding her are all the dead and mangled bodies of the missing cheerleaders. Over the song "I Remember You" by Slim Whitman, both Naish and Don flip out and go into shock, generally losing their sanity from this horrible sight. Inside the house, Wydell hears the screams from his men and rises out of his chair, but Mother Firefly suddenly pulls out a gun and shoots Wydell through the neck, killing him. Then Otis walks into the backyard with a gun blazing away, hitting Don in the back as he attempts to run, who then falls dead into a muddy pool of water. The terrified Naish drops his gun and holds his hands up high, while Otis walks up to him and points his .45 caliber gun to his forehead. Suddenly, the movie goes silent and holds on the two men for for a long moment until Otis finally fires, killing Naish instantly.The Firefly family decides to hold a massive ritual. Otis skins Don and wears his flesh like a full body cast. Rufus drives around wildly in Wydell's police car after getting drunk. Baby goes out and buys liquor from a man named G. Oober who runs the local liquor store. Otis dresses up in full satanic clothing, as do the rest, and they dress up Jerry, Mary, and Denise in bunny costumes.After arriving at a remote clearing Mary escapes and runs, but Baby chases her down and brutally stabs her to death in a graveyard where the family has buried hundreds of victims over their years of killing. Denise and Jerry are put in a coffin, alive, and lowered into an underground well-like cavern. Suddenly the coffin is opened and demonic like figures leap out of the water, grabbing Jerry and pulling him away. More underground freaks come out and rip Denise's bunny suit off. Denise wanders around underground until she comes upon a room. Inside is a bunch of surgery patients, and Dr. Satan is finally revealed as a pus-vomiting demon cyborg. Dr. Satan is currently operating on Jerry's exposed brain which seems to finally kill him.Just then, Dr. Satan's assistant, the Professor, whom is Mother Firefly's ex-husband, appears as a towering demonic cyborg, and attacks Denise with a huge axe. The Professor chases Denise down the underground passageways, until he swings his axe, and accidentally hits a cave support and part of the tunnel caves in, crushing the Professor.At dawn, Denise manages to dig to the surface and wanders to a road, where Captain Spaulding is driving by in his red coverall. He picks her up and as the two drive away, Otis suddenly sits up in the backseat with a knife.The final scene shows Denise back in Dr. Satan's underground laboratory, being tortured by the demon. Denise screams, but there is no escape.THE END....? | House of 1000 Corpses | b2fdd0a7-9711-0d59-7db5-0119f6bd8467 | What House do they go to and question Mother Firefly? | [
"Firefly house"
] | false |
/m/01ss20 | After an opening black-and-white segment of a TV horror host named Dr. Wolfenstein introducing a Halloween movie marathon, there is a TV commercial advertisement where a old redneck clown named Captain Spaulding (Sid Haig) introducing his tourist attraction, titled 'Captain Spaulding's Museum of Monsters and Madmen' which is a place featuring serial killer attractions and fried chicken, as well as decorated with oddities and collectables.At Captain Spaulding's Museum of Monsters and Madmen, it is a run-down gas station out in the middle of nowhere, near the small Texas town of Ruggsville. The date is October 30, 1977. The local sheriff is filling up his car while feeding his pet dog some fried chicken wings. Inside, Captain Spaulding is having a conversation with an old decrepit local man named Stucky (Michael J. Pollard) over a topless autographed photo of June Wilkinson and about the local simpleton who works down the road. When Stucky goes to the nearby restroom, two masked thugs break into the gas station/museum, who for some reason thought it was a good idea to rob a store obviously run by psychopaths. As the two men hold Stucky and Spaulding at gunpoint, the tough-talking lead thug, named Killer Karl, demands that Spaulding hand over the cash register, while the other thug, whom is clearly mentally retarded, holds Stucky back. Spaulding refuses to open the cash register, and with a gun pointed at his face, defiantly says things like "fuck yo Mama!" "fuck you sister!" to Killer Karl. Stucky seems to recognize the second robber as Richard Wick, the local simpleton who works down at the local hardware store. Suddenly, a third man comes crashing through the front door, dressed in overalls and wearing a gigantic clown helmet. He is clutching a mallet which he puts to good use by literally beating Killer Karl down, while Richard Wick panics and shoots off his gun, hitting Stucky, but missing Captain Spaulding who pulls out a gun of his own and shoots Richard in the head, killing him. Seeing that Killer Karl is still alive sprawled out on the floor, Spaulding walks up to him, points his gun at his face and says, "but most of all, fuck YOU!", and then fires, killing Karl.After the opening credits, we then see a group of four kids, Denise (Erin Daniels), Mary (Jennifer Jostyn), Bill (Rainn Wilson), and Jerry (Chris Hardwick), whom are driving down backwoods Texas roads while the radio reports that a group of cheerleaders have gone missing in the area. They go to the gas and fried chicken shop where Spaulding still resides, they arrive just as Spaulding is moping up a huge bloodstain on the floor. Despite being a twisted murderer, he happily takes the four on a tour through a serial killer themed ride in his museum (featuring Ed Gein and the like). The man with the mallet from the opening massacre is operating the cart on the ride. He is Spaulding's assistant Ravelini (Irwin Keyes), he's deformed and very freaky.After the ride, Jerry inquires about a local serial killer named Dr. Satan who was hanged and vanished, never to be seen again. Spaulding clearly becomes uncomfortable talking about Dr. Satan, but after being pestered, decides to give them the address of the tree where Satan was hung.As the four teens continue their journey, it begins to rain. Soon, the four of them pick up a female hitchhiker. The hitchhiker is a beautiful young woman who introduces herself as Baby (Sherri Moon). Despite her beauty, Baby is acts strangely and things get stranger when the car suddenly gets a flat tire (the tire was pierced by a shotgun blast by a mysterious man crouched by the side of the road). Eventually a tow truck arrives, driven by the shooter Rufus, whom is Baby's older brother. He tows their truck to his house, a large creepy home with scarecrows and mangled baby dolls. While Rufus works on the car, the four teens are introduced to another member of the clan, Mother Firefly (Karen Black), an ugly woman with rotten teeth who is the mother of the household.The four are coerced into having dinner with the bunch and are introduced to the hideously deformed seven-foot tall Tiny (Matthew McGrory) (who wears a mask because Mother Firefly claims that he was burned in a terrible fire started by her former husband Earl). Also introducing himself is the surly, foul-mouthed Grandpa Hugo (Dennis Fimple).While the uncomfortable dinner takes place, in an upstairs bedroom, a family member named Otis (Bill Moseley) is ranting at and torturing the five missing cheerleaders from the radio transmission. He then goes downstairs and joins the family dinner where he talks with the four creeped-out teens about the legend of Dr. Satan, and of their curiosity about the case.The family puts on a painfully strange Halloween show for the group, starting with Grandpa Hugo giving a foul-mouthed comedy routine, which only Jerry finds funny. Baby comes out on the stage lip-synching to a 1940s pop song. The show ends badly when Mary starts a fight with Baby when she starts flirting with Bill. Baby then comes after Mary with a pocket knife while Mother Firefly is barely able to hold her back.Fortunately, Rufus arrives and announces that he has fixed their car and the four teenagers immediately drive out of harm's way. While Bill drives the car away, two of the scarecrows surrounding the driveway come alive (it's actually Otis and Tiny) and they begin beating Bill and Jerry and smashing up the car. All four are taken hostage again.The four teens are held captive in various rooms in the house and the family subjects them to unspeakable acts of mental and physical torture. Bill is the first to die when he is completely mutilated beyond recognition by Otis, who refers to his corpse as "Fishboy". Jerry has the skin on his head peeled open by Baby who taunts the stoned-out guy over her interests in music. In the basement of the house, the captive Denise coerces Tiny into setting her free, but she is recaptured by Otis and thrown into a cage with other captives who attack her.Meanwhile, Denise's father, Don (Harrison Young), becomes worried about his daughter when she doesn't phone the next morning. He drives out to the small town where Denise phoned from the previous night and enlists the help of two local state troopers, Wydell (Tom Towles) and Naish (Walton Goggins), and the three of them head to where the kids were last seen. The trio arrive at Spaulding's museum to question him about Denise and her friends. After putting up with Spaulding's antics and one-liners for a few moments, he tells the two policemen where he sent the kids.On their way the three of them find Denise's car, with the dead body of one of the murdered cheerleaders in the trunk. After having the local sheriff tow away the car to the crime lab, Wydell, Naish, and Don arrive at the Firefly house to question the owners to the whereabouts of the missing kids. While Wydell goes inside the front door and talks to Mother Firefly about his search for Denise and her three friends, Naish and Don sneak around out back to look for any foul play. They come upon a locked tool shed. Naish breaks down the door, and finds a horrific sight: the tortured, but still living Mary, is tied to the ceiling and she writhes around in terror. Surrounding her are all the dead and mangled bodies of the missing cheerleaders. Over the song "I Remember You" by Slim Whitman, both Naish and Don flip out and go into shock, generally losing their sanity from this horrible sight. Inside the house, Wydell hears the screams from his men and rises out of his chair, but Mother Firefly suddenly pulls out a gun and shoots Wydell through the neck, killing him. Then Otis walks into the backyard with a gun blazing away, hitting Don in the back as he attempts to run, who then falls dead into a muddy pool of water. The terrified Naish drops his gun and holds his hands up high, while Otis walks up to him and points his .45 caliber gun to his forehead. Suddenly, the movie goes silent and holds on the two men for for a long moment until Otis finally fires, killing Naish instantly.The Firefly family decides to hold a massive ritual. Otis skins Don and wears his flesh like a full body cast. Rufus drives around wildly in Wydell's police car after getting drunk. Baby goes out and buys liquor from a man named G. Oober who runs the local liquor store. Otis dresses up in full satanic clothing, as do the rest, and they dress up Jerry, Mary, and Denise in bunny costumes.After arriving at a remote clearing Mary escapes and runs, but Baby chases her down and brutally stabs her to death in a graveyard where the family has buried hundreds of victims over their years of killing. Denise and Jerry are put in a coffin, alive, and lowered into an underground well-like cavern. Suddenly the coffin is opened and demonic like figures leap out of the water, grabbing Jerry and pulling him away. More underground freaks come out and rip Denise's bunny suit off. Denise wanders around underground until she comes upon a room. Inside is a bunch of surgery patients, and Dr. Satan is finally revealed as a pus-vomiting demon cyborg. Dr. Satan is currently operating on Jerry's exposed brain which seems to finally kill him.Just then, Dr. Satan's assistant, the Professor, whom is Mother Firefly's ex-husband, appears as a towering demonic cyborg, and attacks Denise with a huge axe. The Professor chases Denise down the underground passageways, until he swings his axe, and accidentally hits a cave support and part of the tunnel caves in, crushing the Professor.At dawn, Denise manages to dig to the surface and wanders to a road, where Captain Spaulding is driving by in his red coverall. He picks her up and as the two drive away, Otis suddenly sits up in the backseat with a knife.The final scene shows Denise back in Dr. Satan's underground laboratory, being tortured by the demon. Denise screams, but there is no escape.THE END....? | House of 1000 Corpses | 60a0efab-4276-e5a9-88a5-76c678d27d4d | Who pulls Jerry away from Denise? | [
"a group of undead men"
] | false |
/m/01ss20 | After an opening black-and-white segment of a TV horror host named Dr. Wolfenstein introducing a Halloween movie marathon, there is a TV commercial advertisement where a old redneck clown named Captain Spaulding (Sid Haig) introducing his tourist attraction, titled 'Captain Spaulding's Museum of Monsters and Madmen' which is a place featuring serial killer attractions and fried chicken, as well as decorated with oddities and collectables.At Captain Spaulding's Museum of Monsters and Madmen, it is a run-down gas station out in the middle of nowhere, near the small Texas town of Ruggsville. The date is October 30, 1977. The local sheriff is filling up his car while feeding his pet dog some fried chicken wings. Inside, Captain Spaulding is having a conversation with an old decrepit local man named Stucky (Michael J. Pollard) over a topless autographed photo of June Wilkinson and about the local simpleton who works down the road. When Stucky goes to the nearby restroom, two masked thugs break into the gas station/museum, who for some reason thought it was a good idea to rob a store obviously run by psychopaths. As the two men hold Stucky and Spaulding at gunpoint, the tough-talking lead thug, named Killer Karl, demands that Spaulding hand over the cash register, while the other thug, whom is clearly mentally retarded, holds Stucky back. Spaulding refuses to open the cash register, and with a gun pointed at his face, defiantly says things like "fuck yo Mama!" "fuck you sister!" to Killer Karl. Stucky seems to recognize the second robber as Richard Wick, the local simpleton who works down at the local hardware store. Suddenly, a third man comes crashing through the front door, dressed in overalls and wearing a gigantic clown helmet. He is clutching a mallet which he puts to good use by literally beating Killer Karl down, while Richard Wick panics and shoots off his gun, hitting Stucky, but missing Captain Spaulding who pulls out a gun of his own and shoots Richard in the head, killing him. Seeing that Killer Karl is still alive sprawled out on the floor, Spaulding walks up to him, points his gun at his face and says, "but most of all, fuck YOU!", and then fires, killing Karl.After the opening credits, we then see a group of four kids, Denise (Erin Daniels), Mary (Jennifer Jostyn), Bill (Rainn Wilson), and Jerry (Chris Hardwick), whom are driving down backwoods Texas roads while the radio reports that a group of cheerleaders have gone missing in the area. They go to the gas and fried chicken shop where Spaulding still resides, they arrive just as Spaulding is moping up a huge bloodstain on the floor. Despite being a twisted murderer, he happily takes the four on a tour through a serial killer themed ride in his museum (featuring Ed Gein and the like). The man with the mallet from the opening massacre is operating the cart on the ride. He is Spaulding's assistant Ravelini (Irwin Keyes), he's deformed and very freaky.After the ride, Jerry inquires about a local serial killer named Dr. Satan who was hanged and vanished, never to be seen again. Spaulding clearly becomes uncomfortable talking about Dr. Satan, but after being pestered, decides to give them the address of the tree where Satan was hung.As the four teens continue their journey, it begins to rain. Soon, the four of them pick up a female hitchhiker. The hitchhiker is a beautiful young woman who introduces herself as Baby (Sherri Moon). Despite her beauty, Baby is acts strangely and things get stranger when the car suddenly gets a flat tire (the tire was pierced by a shotgun blast by a mysterious man crouched by the side of the road). Eventually a tow truck arrives, driven by the shooter Rufus, whom is Baby's older brother. He tows their truck to his house, a large creepy home with scarecrows and mangled baby dolls. While Rufus works on the car, the four teens are introduced to another member of the clan, Mother Firefly (Karen Black), an ugly woman with rotten teeth who is the mother of the household.The four are coerced into having dinner with the bunch and are introduced to the hideously deformed seven-foot tall Tiny (Matthew McGrory) (who wears a mask because Mother Firefly claims that he was burned in a terrible fire started by her former husband Earl). Also introducing himself is the surly, foul-mouthed Grandpa Hugo (Dennis Fimple).While the uncomfortable dinner takes place, in an upstairs bedroom, a family member named Otis (Bill Moseley) is ranting at and torturing the five missing cheerleaders from the radio transmission. He then goes downstairs and joins the family dinner where he talks with the four creeped-out teens about the legend of Dr. Satan, and of their curiosity about the case.The family puts on a painfully strange Halloween show for the group, starting with Grandpa Hugo giving a foul-mouthed comedy routine, which only Jerry finds funny. Baby comes out on the stage lip-synching to a 1940s pop song. The show ends badly when Mary starts a fight with Baby when she starts flirting with Bill. Baby then comes after Mary with a pocket knife while Mother Firefly is barely able to hold her back.Fortunately, Rufus arrives and announces that he has fixed their car and the four teenagers immediately drive out of harm's way. While Bill drives the car away, two of the scarecrows surrounding the driveway come alive (it's actually Otis and Tiny) and they begin beating Bill and Jerry and smashing up the car. All four are taken hostage again.The four teens are held captive in various rooms in the house and the family subjects them to unspeakable acts of mental and physical torture. Bill is the first to die when he is completely mutilated beyond recognition by Otis, who refers to his corpse as "Fishboy". Jerry has the skin on his head peeled open by Baby who taunts the stoned-out guy over her interests in music. In the basement of the house, the captive Denise coerces Tiny into setting her free, but she is recaptured by Otis and thrown into a cage with other captives who attack her.Meanwhile, Denise's father, Don (Harrison Young), becomes worried about his daughter when she doesn't phone the next morning. He drives out to the small town where Denise phoned from the previous night and enlists the help of two local state troopers, Wydell (Tom Towles) and Naish (Walton Goggins), and the three of them head to where the kids were last seen. The trio arrive at Spaulding's museum to question him about Denise and her friends. After putting up with Spaulding's antics and one-liners for a few moments, he tells the two policemen where he sent the kids.On their way the three of them find Denise's car, with the dead body of one of the murdered cheerleaders in the trunk. After having the local sheriff tow away the car to the crime lab, Wydell, Naish, and Don arrive at the Firefly house to question the owners to the whereabouts of the missing kids. While Wydell goes inside the front door and talks to Mother Firefly about his search for Denise and her three friends, Naish and Don sneak around out back to look for any foul play. They come upon a locked tool shed. Naish breaks down the door, and finds a horrific sight: the tortured, but still living Mary, is tied to the ceiling and she writhes around in terror. Surrounding her are all the dead and mangled bodies of the missing cheerleaders. Over the song "I Remember You" by Slim Whitman, both Naish and Don flip out and go into shock, generally losing their sanity from this horrible sight. Inside the house, Wydell hears the screams from his men and rises out of his chair, but Mother Firefly suddenly pulls out a gun and shoots Wydell through the neck, killing him. Then Otis walks into the backyard with a gun blazing away, hitting Don in the back as he attempts to run, who then falls dead into a muddy pool of water. The terrified Naish drops his gun and holds his hands up high, while Otis walks up to him and points his .45 caliber gun to his forehead. Suddenly, the movie goes silent and holds on the two men for for a long moment until Otis finally fires, killing Naish instantly.The Firefly family decides to hold a massive ritual. Otis skins Don and wears his flesh like a full body cast. Rufus drives around wildly in Wydell's police car after getting drunk. Baby goes out and buys liquor from a man named G. Oober who runs the local liquor store. Otis dresses up in full satanic clothing, as do the rest, and they dress up Jerry, Mary, and Denise in bunny costumes.After arriving at a remote clearing Mary escapes and runs, but Baby chases her down and brutally stabs her to death in a graveyard where the family has buried hundreds of victims over their years of killing. Denise and Jerry are put in a coffin, alive, and lowered into an underground well-like cavern. Suddenly the coffin is opened and demonic like figures leap out of the water, grabbing Jerry and pulling him away. More underground freaks come out and rip Denise's bunny suit off. Denise wanders around underground until she comes upon a room. Inside is a bunch of surgery patients, and Dr. Satan is finally revealed as a pus-vomiting demon cyborg. Dr. Satan is currently operating on Jerry's exposed brain which seems to finally kill him.Just then, Dr. Satan's assistant, the Professor, whom is Mother Firefly's ex-husband, appears as a towering demonic cyborg, and attacks Denise with a huge axe. The Professor chases Denise down the underground passageways, until he swings his axe, and accidentally hits a cave support and part of the tunnel caves in, crushing the Professor.At dawn, Denise manages to dig to the surface and wanders to a road, where Captain Spaulding is driving by in his red coverall. He picks her up and as the two drive away, Otis suddenly sits up in the backseat with a knife.The final scene shows Denise back in Dr. Satan's underground laboratory, being tortured by the demon. Denise screams, but there is no escape.THE END....? | House of 1000 Corpses | 85cf938c-39b4-8aa9-d33c-d81a4a7f1946 | What is the name of the young hitchhiker? | [
"Baby"
] | false |
/m/01ss20 | After an opening black-and-white segment of a TV horror host named Dr. Wolfenstein introducing a Halloween movie marathon, there is a TV commercial advertisement where a old redneck clown named Captain Spaulding (Sid Haig) introducing his tourist attraction, titled 'Captain Spaulding's Museum of Monsters and Madmen' which is a place featuring serial killer attractions and fried chicken, as well as decorated with oddities and collectables.At Captain Spaulding's Museum of Monsters and Madmen, it is a run-down gas station out in the middle of nowhere, near the small Texas town of Ruggsville. The date is October 30, 1977. The local sheriff is filling up his car while feeding his pet dog some fried chicken wings. Inside, Captain Spaulding is having a conversation with an old decrepit local man named Stucky (Michael J. Pollard) over a topless autographed photo of June Wilkinson and about the local simpleton who works down the road. When Stucky goes to the nearby restroom, two masked thugs break into the gas station/museum, who for some reason thought it was a good idea to rob a store obviously run by psychopaths. As the two men hold Stucky and Spaulding at gunpoint, the tough-talking lead thug, named Killer Karl, demands that Spaulding hand over the cash register, while the other thug, whom is clearly mentally retarded, holds Stucky back. Spaulding refuses to open the cash register, and with a gun pointed at his face, defiantly says things like "fuck yo Mama!" "fuck you sister!" to Killer Karl. Stucky seems to recognize the second robber as Richard Wick, the local simpleton who works down at the local hardware store. Suddenly, a third man comes crashing through the front door, dressed in overalls and wearing a gigantic clown helmet. He is clutching a mallet which he puts to good use by literally beating Killer Karl down, while Richard Wick panics and shoots off his gun, hitting Stucky, but missing Captain Spaulding who pulls out a gun of his own and shoots Richard in the head, killing him. Seeing that Killer Karl is still alive sprawled out on the floor, Spaulding walks up to him, points his gun at his face and says, "but most of all, fuck YOU!", and then fires, killing Karl.After the opening credits, we then see a group of four kids, Denise (Erin Daniels), Mary (Jennifer Jostyn), Bill (Rainn Wilson), and Jerry (Chris Hardwick), whom are driving down backwoods Texas roads while the radio reports that a group of cheerleaders have gone missing in the area. They go to the gas and fried chicken shop where Spaulding still resides, they arrive just as Spaulding is moping up a huge bloodstain on the floor. Despite being a twisted murderer, he happily takes the four on a tour through a serial killer themed ride in his museum (featuring Ed Gein and the like). The man with the mallet from the opening massacre is operating the cart on the ride. He is Spaulding's assistant Ravelini (Irwin Keyes), he's deformed and very freaky.After the ride, Jerry inquires about a local serial killer named Dr. Satan who was hanged and vanished, never to be seen again. Spaulding clearly becomes uncomfortable talking about Dr. Satan, but after being pestered, decides to give them the address of the tree where Satan was hung.As the four teens continue their journey, it begins to rain. Soon, the four of them pick up a female hitchhiker. The hitchhiker is a beautiful young woman who introduces herself as Baby (Sherri Moon). Despite her beauty, Baby is acts strangely and things get stranger when the car suddenly gets a flat tire (the tire was pierced by a shotgun blast by a mysterious man crouched by the side of the road). Eventually a tow truck arrives, driven by the shooter Rufus, whom is Baby's older brother. He tows their truck to his house, a large creepy home with scarecrows and mangled baby dolls. While Rufus works on the car, the four teens are introduced to another member of the clan, Mother Firefly (Karen Black), an ugly woman with rotten teeth who is the mother of the household.The four are coerced into having dinner with the bunch and are introduced to the hideously deformed seven-foot tall Tiny (Matthew McGrory) (who wears a mask because Mother Firefly claims that he was burned in a terrible fire started by her former husband Earl). Also introducing himself is the surly, foul-mouthed Grandpa Hugo (Dennis Fimple).While the uncomfortable dinner takes place, in an upstairs bedroom, a family member named Otis (Bill Moseley) is ranting at and torturing the five missing cheerleaders from the radio transmission. He then goes downstairs and joins the family dinner where he talks with the four creeped-out teens about the legend of Dr. Satan, and of their curiosity about the case.The family puts on a painfully strange Halloween show for the group, starting with Grandpa Hugo giving a foul-mouthed comedy routine, which only Jerry finds funny. Baby comes out on the stage lip-synching to a 1940s pop song. The show ends badly when Mary starts a fight with Baby when she starts flirting with Bill. Baby then comes after Mary with a pocket knife while Mother Firefly is barely able to hold her back.Fortunately, Rufus arrives and announces that he has fixed their car and the four teenagers immediately drive out of harm's way. While Bill drives the car away, two of the scarecrows surrounding the driveway come alive (it's actually Otis and Tiny) and they begin beating Bill and Jerry and smashing up the car. All four are taken hostage again.The four teens are held captive in various rooms in the house and the family subjects them to unspeakable acts of mental and physical torture. Bill is the first to die when he is completely mutilated beyond recognition by Otis, who refers to his corpse as "Fishboy". Jerry has the skin on his head peeled open by Baby who taunts the stoned-out guy over her interests in music. In the basement of the house, the captive Denise coerces Tiny into setting her free, but she is recaptured by Otis and thrown into a cage with other captives who attack her.Meanwhile, Denise's father, Don (Harrison Young), becomes worried about his daughter when she doesn't phone the next morning. He drives out to the small town where Denise phoned from the previous night and enlists the help of two local state troopers, Wydell (Tom Towles) and Naish (Walton Goggins), and the three of them head to where the kids were last seen. The trio arrive at Spaulding's museum to question him about Denise and her friends. After putting up with Spaulding's antics and one-liners for a few moments, he tells the two policemen where he sent the kids.On their way the three of them find Denise's car, with the dead body of one of the murdered cheerleaders in the trunk. After having the local sheriff tow away the car to the crime lab, Wydell, Naish, and Don arrive at the Firefly house to question the owners to the whereabouts of the missing kids. While Wydell goes inside the front door and talks to Mother Firefly about his search for Denise and her three friends, Naish and Don sneak around out back to look for any foul play. They come upon a locked tool shed. Naish breaks down the door, and finds a horrific sight: the tortured, but still living Mary, is tied to the ceiling and she writhes around in terror. Surrounding her are all the dead and mangled bodies of the missing cheerleaders. Over the song "I Remember You" by Slim Whitman, both Naish and Don flip out and go into shock, generally losing their sanity from this horrible sight. Inside the house, Wydell hears the screams from his men and rises out of his chair, but Mother Firefly suddenly pulls out a gun and shoots Wydell through the neck, killing him. Then Otis walks into the backyard with a gun blazing away, hitting Don in the back as he attempts to run, who then falls dead into a muddy pool of water. The terrified Naish drops his gun and holds his hands up high, while Otis walks up to him and points his .45 caliber gun to his forehead. Suddenly, the movie goes silent and holds on the two men for for a long moment until Otis finally fires, killing Naish instantly.The Firefly family decides to hold a massive ritual. Otis skins Don and wears his flesh like a full body cast. Rufus drives around wildly in Wydell's police car after getting drunk. Baby goes out and buys liquor from a man named G. Oober who runs the local liquor store. Otis dresses up in full satanic clothing, as do the rest, and they dress up Jerry, Mary, and Denise in bunny costumes.After arriving at a remote clearing Mary escapes and runs, but Baby chases her down and brutally stabs her to death in a graveyard where the family has buried hundreds of victims over their years of killing. Denise and Jerry are put in a coffin, alive, and lowered into an underground well-like cavern. Suddenly the coffin is opened and demonic like figures leap out of the water, grabbing Jerry and pulling him away. More underground freaks come out and rip Denise's bunny suit off. Denise wanders around underground until she comes upon a room. Inside is a bunch of surgery patients, and Dr. Satan is finally revealed as a pus-vomiting demon cyborg. Dr. Satan is currently operating on Jerry's exposed brain which seems to finally kill him.Just then, Dr. Satan's assistant, the Professor, whom is Mother Firefly's ex-husband, appears as a towering demonic cyborg, and attacks Denise with a huge axe. The Professor chases Denise down the underground passageways, until he swings his axe, and accidentally hits a cave support and part of the tunnel caves in, crushing the Professor.At dawn, Denise manages to dig to the surface and wanders to a road, where Captain Spaulding is driving by in his red coverall. He picks her up and as the two drive away, Otis suddenly sits up in the backseat with a knife.The final scene shows Denise back in Dr. Satan's underground laboratory, being tortured by the demon. Denise screams, but there is no escape.THE END....? | House of 1000 Corpses | 19a04a86-1f9f-e265-d578-260f331b2441 | What are the names of the two deputies who find the abandoned car? | [
"George Wydell and Steve Naish"
] | false |
/m/01ss20 | After an opening black-and-white segment of a TV horror host named Dr. Wolfenstein introducing a Halloween movie marathon, there is a TV commercial advertisement where a old redneck clown named Captain Spaulding (Sid Haig) introducing his tourist attraction, titled 'Captain Spaulding's Museum of Monsters and Madmen' which is a place featuring serial killer attractions and fried chicken, as well as decorated with oddities and collectables.At Captain Spaulding's Museum of Monsters and Madmen, it is a run-down gas station out in the middle of nowhere, near the small Texas town of Ruggsville. The date is October 30, 1977. The local sheriff is filling up his car while feeding his pet dog some fried chicken wings. Inside, Captain Spaulding is having a conversation with an old decrepit local man named Stucky (Michael J. Pollard) over a topless autographed photo of June Wilkinson and about the local simpleton who works down the road. When Stucky goes to the nearby restroom, two masked thugs break into the gas station/museum, who for some reason thought it was a good idea to rob a store obviously run by psychopaths. As the two men hold Stucky and Spaulding at gunpoint, the tough-talking lead thug, named Killer Karl, demands that Spaulding hand over the cash register, while the other thug, whom is clearly mentally retarded, holds Stucky back. Spaulding refuses to open the cash register, and with a gun pointed at his face, defiantly says things like "fuck yo Mama!" "fuck you sister!" to Killer Karl. Stucky seems to recognize the second robber as Richard Wick, the local simpleton who works down at the local hardware store. Suddenly, a third man comes crashing through the front door, dressed in overalls and wearing a gigantic clown helmet. He is clutching a mallet which he puts to good use by literally beating Killer Karl down, while Richard Wick panics and shoots off his gun, hitting Stucky, but missing Captain Spaulding who pulls out a gun of his own and shoots Richard in the head, killing him. Seeing that Killer Karl is still alive sprawled out on the floor, Spaulding walks up to him, points his gun at his face and says, "but most of all, fuck YOU!", and then fires, killing Karl.After the opening credits, we then see a group of four kids, Denise (Erin Daniels), Mary (Jennifer Jostyn), Bill (Rainn Wilson), and Jerry (Chris Hardwick), whom are driving down backwoods Texas roads while the radio reports that a group of cheerleaders have gone missing in the area. They go to the gas and fried chicken shop where Spaulding still resides, they arrive just as Spaulding is moping up a huge bloodstain on the floor. Despite being a twisted murderer, he happily takes the four on a tour through a serial killer themed ride in his museum (featuring Ed Gein and the like). The man with the mallet from the opening massacre is operating the cart on the ride. He is Spaulding's assistant Ravelini (Irwin Keyes), he's deformed and very freaky.After the ride, Jerry inquires about a local serial killer named Dr. Satan who was hanged and vanished, never to be seen again. Spaulding clearly becomes uncomfortable talking about Dr. Satan, but after being pestered, decides to give them the address of the tree where Satan was hung.As the four teens continue their journey, it begins to rain. Soon, the four of them pick up a female hitchhiker. The hitchhiker is a beautiful young woman who introduces herself as Baby (Sherri Moon). Despite her beauty, Baby is acts strangely and things get stranger when the car suddenly gets a flat tire (the tire was pierced by a shotgun blast by a mysterious man crouched by the side of the road). Eventually a tow truck arrives, driven by the shooter Rufus, whom is Baby's older brother. He tows their truck to his house, a large creepy home with scarecrows and mangled baby dolls. While Rufus works on the car, the four teens are introduced to another member of the clan, Mother Firefly (Karen Black), an ugly woman with rotten teeth who is the mother of the household.The four are coerced into having dinner with the bunch and are introduced to the hideously deformed seven-foot tall Tiny (Matthew McGrory) (who wears a mask because Mother Firefly claims that he was burned in a terrible fire started by her former husband Earl). Also introducing himself is the surly, foul-mouthed Grandpa Hugo (Dennis Fimple).While the uncomfortable dinner takes place, in an upstairs bedroom, a family member named Otis (Bill Moseley) is ranting at and torturing the five missing cheerleaders from the radio transmission. He then goes downstairs and joins the family dinner where he talks with the four creeped-out teens about the legend of Dr. Satan, and of their curiosity about the case.The family puts on a painfully strange Halloween show for the group, starting with Grandpa Hugo giving a foul-mouthed comedy routine, which only Jerry finds funny. Baby comes out on the stage lip-synching to a 1940s pop song. The show ends badly when Mary starts a fight with Baby when she starts flirting with Bill. Baby then comes after Mary with a pocket knife while Mother Firefly is barely able to hold her back.Fortunately, Rufus arrives and announces that he has fixed their car and the four teenagers immediately drive out of harm's way. While Bill drives the car away, two of the scarecrows surrounding the driveway come alive (it's actually Otis and Tiny) and they begin beating Bill and Jerry and smashing up the car. All four are taken hostage again.The four teens are held captive in various rooms in the house and the family subjects them to unspeakable acts of mental and physical torture. Bill is the first to die when he is completely mutilated beyond recognition by Otis, who refers to his corpse as "Fishboy". Jerry has the skin on his head peeled open by Baby who taunts the stoned-out guy over her interests in music. In the basement of the house, the captive Denise coerces Tiny into setting her free, but she is recaptured by Otis and thrown into a cage with other captives who attack her.Meanwhile, Denise's father, Don (Harrison Young), becomes worried about his daughter when she doesn't phone the next morning. He drives out to the small town where Denise phoned from the previous night and enlists the help of two local state troopers, Wydell (Tom Towles) and Naish (Walton Goggins), and the three of them head to where the kids were last seen. The trio arrive at Spaulding's museum to question him about Denise and her friends. After putting up with Spaulding's antics and one-liners for a few moments, he tells the two policemen where he sent the kids.On their way the three of them find Denise's car, with the dead body of one of the murdered cheerleaders in the trunk. After having the local sheriff tow away the car to the crime lab, Wydell, Naish, and Don arrive at the Firefly house to question the owners to the whereabouts of the missing kids. While Wydell goes inside the front door and talks to Mother Firefly about his search for Denise and her three friends, Naish and Don sneak around out back to look for any foul play. They come upon a locked tool shed. Naish breaks down the door, and finds a horrific sight: the tortured, but still living Mary, is tied to the ceiling and she writhes around in terror. Surrounding her are all the dead and mangled bodies of the missing cheerleaders. Over the song "I Remember You" by Slim Whitman, both Naish and Don flip out and go into shock, generally losing their sanity from this horrible sight. Inside the house, Wydell hears the screams from his men and rises out of his chair, but Mother Firefly suddenly pulls out a gun and shoots Wydell through the neck, killing him. Then Otis walks into the backyard with a gun blazing away, hitting Don in the back as he attempts to run, who then falls dead into a muddy pool of water. The terrified Naish drops his gun and holds his hands up high, while Otis walks up to him and points his .45 caliber gun to his forehead. Suddenly, the movie goes silent and holds on the two men for for a long moment until Otis finally fires, killing Naish instantly.The Firefly family decides to hold a massive ritual. Otis skins Don and wears his flesh like a full body cast. Rufus drives around wildly in Wydell's police car after getting drunk. Baby goes out and buys liquor from a man named G. Oober who runs the local liquor store. Otis dresses up in full satanic clothing, as do the rest, and they dress up Jerry, Mary, and Denise in bunny costumes.After arriving at a remote clearing Mary escapes and runs, but Baby chases her down and brutally stabs her to death in a graveyard where the family has buried hundreds of victims over their years of killing. Denise and Jerry are put in a coffin, alive, and lowered into an underground well-like cavern. Suddenly the coffin is opened and demonic like figures leap out of the water, grabbing Jerry and pulling him away. More underground freaks come out and rip Denise's bunny suit off. Denise wanders around underground until she comes upon a room. Inside is a bunch of surgery patients, and Dr. Satan is finally revealed as a pus-vomiting demon cyborg. Dr. Satan is currently operating on Jerry's exposed brain which seems to finally kill him.Just then, Dr. Satan's assistant, the Professor, whom is Mother Firefly's ex-husband, appears as a towering demonic cyborg, and attacks Denise with a huge axe. The Professor chases Denise down the underground passageways, until he swings his axe, and accidentally hits a cave support and part of the tunnel caves in, crushing the Professor.At dawn, Denise manages to dig to the surface and wanders to a road, where Captain Spaulding is driving by in his red coverall. He picks her up and as the two drive away, Otis suddenly sits up in the backseat with a knife.The final scene shows Denise back in Dr. Satan's underground laboratory, being tortured by the demon. Denise screams, but there is no escape.THE END....? | House of 1000 Corpses | 399a0a9a-0838-5657-fd7a-dfaa6827901e | Who gives Denise a ride in his car? | [
"Captain Spaulding"
] | false |
/m/01ss20 | After an opening black-and-white segment of a TV horror host named Dr. Wolfenstein introducing a Halloween movie marathon, there is a TV commercial advertisement where a old redneck clown named Captain Spaulding (Sid Haig) introducing his tourist attraction, titled 'Captain Spaulding's Museum of Monsters and Madmen' which is a place featuring serial killer attractions and fried chicken, as well as decorated with oddities and collectables.At Captain Spaulding's Museum of Monsters and Madmen, it is a run-down gas station out in the middle of nowhere, near the small Texas town of Ruggsville. The date is October 30, 1977. The local sheriff is filling up his car while feeding his pet dog some fried chicken wings. Inside, Captain Spaulding is having a conversation with an old decrepit local man named Stucky (Michael J. Pollard) over a topless autographed photo of June Wilkinson and about the local simpleton who works down the road. When Stucky goes to the nearby restroom, two masked thugs break into the gas station/museum, who for some reason thought it was a good idea to rob a store obviously run by psychopaths. As the two men hold Stucky and Spaulding at gunpoint, the tough-talking lead thug, named Killer Karl, demands that Spaulding hand over the cash register, while the other thug, whom is clearly mentally retarded, holds Stucky back. Spaulding refuses to open the cash register, and with a gun pointed at his face, defiantly says things like "fuck yo Mama!" "fuck you sister!" to Killer Karl. Stucky seems to recognize the second robber as Richard Wick, the local simpleton who works down at the local hardware store. Suddenly, a third man comes crashing through the front door, dressed in overalls and wearing a gigantic clown helmet. He is clutching a mallet which he puts to good use by literally beating Killer Karl down, while Richard Wick panics and shoots off his gun, hitting Stucky, but missing Captain Spaulding who pulls out a gun of his own and shoots Richard in the head, killing him. Seeing that Killer Karl is still alive sprawled out on the floor, Spaulding walks up to him, points his gun at his face and says, "but most of all, fuck YOU!", and then fires, killing Karl.After the opening credits, we then see a group of four kids, Denise (Erin Daniels), Mary (Jennifer Jostyn), Bill (Rainn Wilson), and Jerry (Chris Hardwick), whom are driving down backwoods Texas roads while the radio reports that a group of cheerleaders have gone missing in the area. They go to the gas and fried chicken shop where Spaulding still resides, they arrive just as Spaulding is moping up a huge bloodstain on the floor. Despite being a twisted murderer, he happily takes the four on a tour through a serial killer themed ride in his museum (featuring Ed Gein and the like). The man with the mallet from the opening massacre is operating the cart on the ride. He is Spaulding's assistant Ravelini (Irwin Keyes), he's deformed and very freaky.After the ride, Jerry inquires about a local serial killer named Dr. Satan who was hanged and vanished, never to be seen again. Spaulding clearly becomes uncomfortable talking about Dr. Satan, but after being pestered, decides to give them the address of the tree where Satan was hung.As the four teens continue their journey, it begins to rain. Soon, the four of them pick up a female hitchhiker. The hitchhiker is a beautiful young woman who introduces herself as Baby (Sherri Moon). Despite her beauty, Baby is acts strangely and things get stranger when the car suddenly gets a flat tire (the tire was pierced by a shotgun blast by a mysterious man crouched by the side of the road). Eventually a tow truck arrives, driven by the shooter Rufus, whom is Baby's older brother. He tows their truck to his house, a large creepy home with scarecrows and mangled baby dolls. While Rufus works on the car, the four teens are introduced to another member of the clan, Mother Firefly (Karen Black), an ugly woman with rotten teeth who is the mother of the household.The four are coerced into having dinner with the bunch and are introduced to the hideously deformed seven-foot tall Tiny (Matthew McGrory) (who wears a mask because Mother Firefly claims that he was burned in a terrible fire started by her former husband Earl). Also introducing himself is the surly, foul-mouthed Grandpa Hugo (Dennis Fimple).While the uncomfortable dinner takes place, in an upstairs bedroom, a family member named Otis (Bill Moseley) is ranting at and torturing the five missing cheerleaders from the radio transmission. He then goes downstairs and joins the family dinner where he talks with the four creeped-out teens about the legend of Dr. Satan, and of their curiosity about the case.The family puts on a painfully strange Halloween show for the group, starting with Grandpa Hugo giving a foul-mouthed comedy routine, which only Jerry finds funny. Baby comes out on the stage lip-synching to a 1940s pop song. The show ends badly when Mary starts a fight with Baby when she starts flirting with Bill. Baby then comes after Mary with a pocket knife while Mother Firefly is barely able to hold her back.Fortunately, Rufus arrives and announces that he has fixed their car and the four teenagers immediately drive out of harm's way. While Bill drives the car away, two of the scarecrows surrounding the driveway come alive (it's actually Otis and Tiny) and they begin beating Bill and Jerry and smashing up the car. All four are taken hostage again.The four teens are held captive in various rooms in the house and the family subjects them to unspeakable acts of mental and physical torture. Bill is the first to die when he is completely mutilated beyond recognition by Otis, who refers to his corpse as "Fishboy". Jerry has the skin on his head peeled open by Baby who taunts the stoned-out guy over her interests in music. In the basement of the house, the captive Denise coerces Tiny into setting her free, but she is recaptured by Otis and thrown into a cage with other captives who attack her.Meanwhile, Denise's father, Don (Harrison Young), becomes worried about his daughter when she doesn't phone the next morning. He drives out to the small town where Denise phoned from the previous night and enlists the help of two local state troopers, Wydell (Tom Towles) and Naish (Walton Goggins), and the three of them head to where the kids were last seen. The trio arrive at Spaulding's museum to question him about Denise and her friends. After putting up with Spaulding's antics and one-liners for a few moments, he tells the two policemen where he sent the kids.On their way the three of them find Denise's car, with the dead body of one of the murdered cheerleaders in the trunk. After having the local sheriff tow away the car to the crime lab, Wydell, Naish, and Don arrive at the Firefly house to question the owners to the whereabouts of the missing kids. While Wydell goes inside the front door and talks to Mother Firefly about his search for Denise and her three friends, Naish and Don sneak around out back to look for any foul play. They come upon a locked tool shed. Naish breaks down the door, and finds a horrific sight: the tortured, but still living Mary, is tied to the ceiling and she writhes around in terror. Surrounding her are all the dead and mangled bodies of the missing cheerleaders. Over the song "I Remember You" by Slim Whitman, both Naish and Don flip out and go into shock, generally losing their sanity from this horrible sight. Inside the house, Wydell hears the screams from his men and rises out of his chair, but Mother Firefly suddenly pulls out a gun and shoots Wydell through the neck, killing him. Then Otis walks into the backyard with a gun blazing away, hitting Don in the back as he attempts to run, who then falls dead into a muddy pool of water. The terrified Naish drops his gun and holds his hands up high, while Otis walks up to him and points his .45 caliber gun to his forehead. Suddenly, the movie goes silent and holds on the two men for for a long moment until Otis finally fires, killing Naish instantly.The Firefly family decides to hold a massive ritual. Otis skins Don and wears his flesh like a full body cast. Rufus drives around wildly in Wydell's police car after getting drunk. Baby goes out and buys liquor from a man named G. Oober who runs the local liquor store. Otis dresses up in full satanic clothing, as do the rest, and they dress up Jerry, Mary, and Denise in bunny costumes.After arriving at a remote clearing Mary escapes and runs, but Baby chases her down and brutally stabs her to death in a graveyard where the family has buried hundreds of victims over their years of killing. Denise and Jerry are put in a coffin, alive, and lowered into an underground well-like cavern. Suddenly the coffin is opened and demonic like figures leap out of the water, grabbing Jerry and pulling him away. More underground freaks come out and rip Denise's bunny suit off. Denise wanders around underground until she comes upon a room. Inside is a bunch of surgery patients, and Dr. Satan is finally revealed as a pus-vomiting demon cyborg. Dr. Satan is currently operating on Jerry's exposed brain which seems to finally kill him.Just then, Dr. Satan's assistant, the Professor, whom is Mother Firefly's ex-husband, appears as a towering demonic cyborg, and attacks Denise with a huge axe. The Professor chases Denise down the underground passageways, until he swings his axe, and accidentally hits a cave support and part of the tunnel caves in, crushing the Professor.At dawn, Denise manages to dig to the surface and wanders to a road, where Captain Spaulding is driving by in his red coverall. He picks her up and as the two drive away, Otis suddenly sits up in the backseat with a knife.The final scene shows Denise back in Dr. Satan's underground laboratory, being tortured by the demon. Denise screams, but there is no escape.THE END....? | House of 1000 Corpses | 27ef5e08-4408-52ba-c41c-29904672f9ab | Where is Mary tied up? | [
"in a barn",
"The ceiling"
] | false |
/m/01ss20 | After an opening black-and-white segment of a TV horror host named Dr. Wolfenstein introducing a Halloween movie marathon, there is a TV commercial advertisement where a old redneck clown named Captain Spaulding (Sid Haig) introducing his tourist attraction, titled 'Captain Spaulding's Museum of Monsters and Madmen' which is a place featuring serial killer attractions and fried chicken, as well as decorated with oddities and collectables.At Captain Spaulding's Museum of Monsters and Madmen, it is a run-down gas station out in the middle of nowhere, near the small Texas town of Ruggsville. The date is October 30, 1977. The local sheriff is filling up his car while feeding his pet dog some fried chicken wings. Inside, Captain Spaulding is having a conversation with an old decrepit local man named Stucky (Michael J. Pollard) over a topless autographed photo of June Wilkinson and about the local simpleton who works down the road. When Stucky goes to the nearby restroom, two masked thugs break into the gas station/museum, who for some reason thought it was a good idea to rob a store obviously run by psychopaths. As the two men hold Stucky and Spaulding at gunpoint, the tough-talking lead thug, named Killer Karl, demands that Spaulding hand over the cash register, while the other thug, whom is clearly mentally retarded, holds Stucky back. Spaulding refuses to open the cash register, and with a gun pointed at his face, defiantly says things like "fuck yo Mama!" "fuck you sister!" to Killer Karl. Stucky seems to recognize the second robber as Richard Wick, the local simpleton who works down at the local hardware store. Suddenly, a third man comes crashing through the front door, dressed in overalls and wearing a gigantic clown helmet. He is clutching a mallet which he puts to good use by literally beating Killer Karl down, while Richard Wick panics and shoots off his gun, hitting Stucky, but missing Captain Spaulding who pulls out a gun of his own and shoots Richard in the head, killing him. Seeing that Killer Karl is still alive sprawled out on the floor, Spaulding walks up to him, points his gun at his face and says, "but most of all, fuck YOU!", and then fires, killing Karl.After the opening credits, we then see a group of four kids, Denise (Erin Daniels), Mary (Jennifer Jostyn), Bill (Rainn Wilson), and Jerry (Chris Hardwick), whom are driving down backwoods Texas roads while the radio reports that a group of cheerleaders have gone missing in the area. They go to the gas and fried chicken shop where Spaulding still resides, they arrive just as Spaulding is moping up a huge bloodstain on the floor. Despite being a twisted murderer, he happily takes the four on a tour through a serial killer themed ride in his museum (featuring Ed Gein and the like). The man with the mallet from the opening massacre is operating the cart on the ride. He is Spaulding's assistant Ravelini (Irwin Keyes), he's deformed and very freaky.After the ride, Jerry inquires about a local serial killer named Dr. Satan who was hanged and vanished, never to be seen again. Spaulding clearly becomes uncomfortable talking about Dr. Satan, but after being pestered, decides to give them the address of the tree where Satan was hung.As the four teens continue their journey, it begins to rain. Soon, the four of them pick up a female hitchhiker. The hitchhiker is a beautiful young woman who introduces herself as Baby (Sherri Moon). Despite her beauty, Baby is acts strangely and things get stranger when the car suddenly gets a flat tire (the tire was pierced by a shotgun blast by a mysterious man crouched by the side of the road). Eventually a tow truck arrives, driven by the shooter Rufus, whom is Baby's older brother. He tows their truck to his house, a large creepy home with scarecrows and mangled baby dolls. While Rufus works on the car, the four teens are introduced to another member of the clan, Mother Firefly (Karen Black), an ugly woman with rotten teeth who is the mother of the household.The four are coerced into having dinner with the bunch and are introduced to the hideously deformed seven-foot tall Tiny (Matthew McGrory) (who wears a mask because Mother Firefly claims that he was burned in a terrible fire started by her former husband Earl). Also introducing himself is the surly, foul-mouthed Grandpa Hugo (Dennis Fimple).While the uncomfortable dinner takes place, in an upstairs bedroom, a family member named Otis (Bill Moseley) is ranting at and torturing the five missing cheerleaders from the radio transmission. He then goes downstairs and joins the family dinner where he talks with the four creeped-out teens about the legend of Dr. Satan, and of their curiosity about the case.The family puts on a painfully strange Halloween show for the group, starting with Grandpa Hugo giving a foul-mouthed comedy routine, which only Jerry finds funny. Baby comes out on the stage lip-synching to a 1940s pop song. The show ends badly when Mary starts a fight with Baby when she starts flirting with Bill. Baby then comes after Mary with a pocket knife while Mother Firefly is barely able to hold her back.Fortunately, Rufus arrives and announces that he has fixed their car and the four teenagers immediately drive out of harm's way. While Bill drives the car away, two of the scarecrows surrounding the driveway come alive (it's actually Otis and Tiny) and they begin beating Bill and Jerry and smashing up the car. All four are taken hostage again.The four teens are held captive in various rooms in the house and the family subjects them to unspeakable acts of mental and physical torture. Bill is the first to die when he is completely mutilated beyond recognition by Otis, who refers to his corpse as "Fishboy". Jerry has the skin on his head peeled open by Baby who taunts the stoned-out guy over her interests in music. In the basement of the house, the captive Denise coerces Tiny into setting her free, but she is recaptured by Otis and thrown into a cage with other captives who attack her.Meanwhile, Denise's father, Don (Harrison Young), becomes worried about his daughter when she doesn't phone the next morning. He drives out to the small town where Denise phoned from the previous night and enlists the help of two local state troopers, Wydell (Tom Towles) and Naish (Walton Goggins), and the three of them head to where the kids were last seen. The trio arrive at Spaulding's museum to question him about Denise and her friends. After putting up with Spaulding's antics and one-liners for a few moments, he tells the two policemen where he sent the kids.On their way the three of them find Denise's car, with the dead body of one of the murdered cheerleaders in the trunk. After having the local sheriff tow away the car to the crime lab, Wydell, Naish, and Don arrive at the Firefly house to question the owners to the whereabouts of the missing kids. While Wydell goes inside the front door and talks to Mother Firefly about his search for Denise and her three friends, Naish and Don sneak around out back to look for any foul play. They come upon a locked tool shed. Naish breaks down the door, and finds a horrific sight: the tortured, but still living Mary, is tied to the ceiling and she writhes around in terror. Surrounding her are all the dead and mangled bodies of the missing cheerleaders. Over the song "I Remember You" by Slim Whitman, both Naish and Don flip out and go into shock, generally losing their sanity from this horrible sight. Inside the house, Wydell hears the screams from his men and rises out of his chair, but Mother Firefly suddenly pulls out a gun and shoots Wydell through the neck, killing him. Then Otis walks into the backyard with a gun blazing away, hitting Don in the back as he attempts to run, who then falls dead into a muddy pool of water. The terrified Naish drops his gun and holds his hands up high, while Otis walks up to him and points his .45 caliber gun to his forehead. Suddenly, the movie goes silent and holds on the two men for for a long moment until Otis finally fires, killing Naish instantly.The Firefly family decides to hold a massive ritual. Otis skins Don and wears his flesh like a full body cast. Rufus drives around wildly in Wydell's police car after getting drunk. Baby goes out and buys liquor from a man named G. Oober who runs the local liquor store. Otis dresses up in full satanic clothing, as do the rest, and they dress up Jerry, Mary, and Denise in bunny costumes.After arriving at a remote clearing Mary escapes and runs, but Baby chases her down and brutally stabs her to death in a graveyard where the family has buried hundreds of victims over their years of killing. Denise and Jerry are put in a coffin, alive, and lowered into an underground well-like cavern. Suddenly the coffin is opened and demonic like figures leap out of the water, grabbing Jerry and pulling him away. More underground freaks come out and rip Denise's bunny suit off. Denise wanders around underground until she comes upon a room. Inside is a bunch of surgery patients, and Dr. Satan is finally revealed as a pus-vomiting demon cyborg. Dr. Satan is currently operating on Jerry's exposed brain which seems to finally kill him.Just then, Dr. Satan's assistant, the Professor, whom is Mother Firefly's ex-husband, appears as a towering demonic cyborg, and attacks Denise with a huge axe. The Professor chases Denise down the underground passageways, until he swings his axe, and accidentally hits a cave support and part of the tunnel caves in, crushing the Professor.At dawn, Denise manages to dig to the surface and wanders to a road, where Captain Spaulding is driving by in his red coverall. He picks her up and as the two drive away, Otis suddenly sits up in the backseat with a knife.The final scene shows Denise back in Dr. Satan's underground laboratory, being tortured by the demon. Denise screams, but there is no escape.THE END....? | House of 1000 Corpses | b3f302ce-3fdc-5b84-bf15-2d0b496b0d51 | What is Denise tied to? | [
"to a bed"
] | false |
/m/05znxp6 | In a small Southern town, a school teacher, Bertram Cates, is about to stand trial. His offense: violating a state law by introducing to his students the concept that man descended from the apes, a theory of the naturalist Charles Darwin. Cates is vigorously denounced by town leaders such as the Rev. Jeremiah Brown.
The town is excited because appearing on behalf of the prosecution will be the famous Matthew Harrison Brady, a noted statesman and 3-time presidential candidate. A staunch foe of Darwinism and a Biblical scholar, Brady will sit beside the prosecuting attorney, Tom Davenport, in the courtroom of Judge Coffey to teach the naive teacher Cates the error of his ways.
A surprise is in store for Brady, however. The teacher's defense is to be handled by the equally well-known Henry Drummond, one of America's most controversial legal minds and a long-standing acquaintance and adversary of Brady. An influential newspaperman, E.K. Hornbeck of the Baltimore Herald, has personally seen to it that Drummond will come to town to represent the teacher in this case, and that his newspaper and a radio network will provide nationwide coverage of what began as a minor legal matter.
Rev. Brown rails against the defendant publicly, rallying the townspeople against Cates and his godless attorney. The preacher's daughter Rachel is conflicted because Cates is the love of her life and they are engaged to be married.
The judge clearly admires Brady, even addressing him as "Colonel" in court. Drummond objects to this, so, as a compromise, the mayor reluctantly makes him a "temporary" colonel just for these proceedings. But each time Drummond attempts to call a scientist or authority figure to discuss Darwin's theories, the judge sustains the prosecution's objections and forbids such opinions to be heard. Drummond becomes frustrated and feels the case has already been decided. When he states his mind to the court and asked to withdraw from the case, the judge (played by Harry Morgan) tells Drummond to show cause the next morning why he should not be held in contempt of the court. The judge sets bail at $2000, to which Drummond remarks, "Why not make it $4000?", to which the judge agrees. At the end of the scene, one person in the courtroom offers his farm as collateral toward the bail. The person is John Stebbins, whose young son was a friend and protege of teacher Cates and ended up drowning after developing a cramp while swimming. Rachel's father, the Reverend Brown, had said the child was damned to hell because he had not been baptized. This, in turn, caused Cates' abandonment of the church as he felt it was not fair that a child could not enter Heaven due to an action that was beyond his control and that was not his own.
Later that night near the hotel, the mocking crowds, singing "We'll hang Bert Cates/We'll hang Henry Drummond" (to the tune of "The Battle Hymn of the Republic"), go by the jailroom and then to the hotel where Drummond is staying. Drummond is still trying to decide how to accomplish his defense with all his witnesses denied by the court and states what he needs is a miracle. Hornbeck throws him a Bible from Brady stating there are plenty in that. As Hornbeck pours some drinks and turns to Drummond lying on the bed, he stops and is surprised by Drummond holding the Bible on his chest and smiling.
Spencer Tracy, Harry Morgan, and Fredric March during the questioning of Brady by Drummond
His hands tied in every other way, Drummond calls Brady himself to the witness stand. Brady's confidence in his Biblical knowledge is so great that he welcomes this challenge, but he becomes flustered under Drummond's cross-examination, unable to explain certain apparent contradictions, until he is forced to confess that at least some Biblical passages cannot be interpreted literally, such as the length of days in Genesis with the sun created on the 4th day or the origin of Cain's wife met east of Eden. With that, Drummond hammers home his point â that Cates, like any other man, demands the right to think for himself and those citing divine support as a rationale to silence him are wrong.
Cates is ultimately found guilty, but because Drummond has made his case so convincingly with the trial becoming a political embarrassment, the judge sees fit to do no more than make him pay a small fine of $100. Brady is furious at this small amount and tries to enter a lengthy speech into the record, but Drummond persuades the judge to disallow it since the trial has concluded. As court is adjourned, Brady tries to give his speech but most ignore him outside of his wife and his opponents who are concerned seeing him become hysterical. During this, he suffers from a "busted belly", collapses and dies in the courtroom.
Later, after the crowd has cleared out, Hornbeck is talking with Drummond and wants to use the Bible quotation from a religious rally held by Reverend Brown and in which Brady had quoted the "inherit the wind" verse because Brown was about to damn his own daughter, but cannot remember it. Drummond, without looking up, quotes the full verse verbatim, which shocks Hornbeck, who states, "Well, we're growing an odd crop of agnostics this year!". He and Drummond argue over Brady's legacy, Drummond accuses Hornbeck of being a heartless cynic, and Hornbeck walks out, leaving Drummond alone in the courtroom to pack. Drummond picks up the Bible and Darwin's book (On the Origin of Species), balancing them in his hands as if he were a scale. Then he puts the two together with a hard thud and walks out with them side by side in his right hand.
The final scene shows Drummond walking out of the court room alone, holding a Bible and Charles Darwin's A Theory of Evolution, with the song "Battle Hymn of the Republic" being sung in the background. | Inherit the Wind | 4e63a5d8-6f51-5cbc-68d6-6eabfb0eb266 | Which trial is the movie based on? | [
"The Monkey trial",
"Scopes \"Monkey\" trial"
] | false |
/m/05znxp6 | In a small Southern town, a school teacher, Bertram Cates, is about to stand trial. His offense: violating a state law by introducing to his students the concept that man descended from the apes, a theory of the naturalist Charles Darwin. Cates is vigorously denounced by town leaders such as the Rev. Jeremiah Brown.
The town is excited because appearing on behalf of the prosecution will be the famous Matthew Harrison Brady, a noted statesman and 3-time presidential candidate. A staunch foe of Darwinism and a Biblical scholar, Brady will sit beside the prosecuting attorney, Tom Davenport, in the courtroom of Judge Coffey to teach the naive teacher Cates the error of his ways.
A surprise is in store for Brady, however. The teacher's defense is to be handled by the equally well-known Henry Drummond, one of America's most controversial legal minds and a long-standing acquaintance and adversary of Brady. An influential newspaperman, E.K. Hornbeck of the Baltimore Herald, has personally seen to it that Drummond will come to town to represent the teacher in this case, and that his newspaper and a radio network will provide nationwide coverage of what began as a minor legal matter.
Rev. Brown rails against the defendant publicly, rallying the townspeople against Cates and his godless attorney. The preacher's daughter Rachel is conflicted because Cates is the love of her life and they are engaged to be married.
The judge clearly admires Brady, even addressing him as "Colonel" in court. Drummond objects to this, so, as a compromise, the mayor reluctantly makes him a "temporary" colonel just for these proceedings. But each time Drummond attempts to call a scientist or authority figure to discuss Darwin's theories, the judge sustains the prosecution's objections and forbids such opinions to be heard. Drummond becomes frustrated and feels the case has already been decided. When he states his mind to the court and asked to withdraw from the case, the judge (played by Harry Morgan) tells Drummond to show cause the next morning why he should not be held in contempt of the court. The judge sets bail at $2000, to which Drummond remarks, "Why not make it $4000?", to which the judge agrees. At the end of the scene, one person in the courtroom offers his farm as collateral toward the bail. The person is John Stebbins, whose young son was a friend and protege of teacher Cates and ended up drowning after developing a cramp while swimming. Rachel's father, the Reverend Brown, had said the child was damned to hell because he had not been baptized. This, in turn, caused Cates' abandonment of the church as he felt it was not fair that a child could not enter Heaven due to an action that was beyond his control and that was not his own.
Later that night near the hotel, the mocking crowds, singing "We'll hang Bert Cates/We'll hang Henry Drummond" (to the tune of "The Battle Hymn of the Republic"), go by the jailroom and then to the hotel where Drummond is staying. Drummond is still trying to decide how to accomplish his defense with all his witnesses denied by the court and states what he needs is a miracle. Hornbeck throws him a Bible from Brady stating there are plenty in that. As Hornbeck pours some drinks and turns to Drummond lying on the bed, he stops and is surprised by Drummond holding the Bible on his chest and smiling.
Spencer Tracy, Harry Morgan, and Fredric March during the questioning of Brady by Drummond
His hands tied in every other way, Drummond calls Brady himself to the witness stand. Brady's confidence in his Biblical knowledge is so great that he welcomes this challenge, but he becomes flustered under Drummond's cross-examination, unable to explain certain apparent contradictions, until he is forced to confess that at least some Biblical passages cannot be interpreted literally, such as the length of days in Genesis with the sun created on the 4th day or the origin of Cain's wife met east of Eden. With that, Drummond hammers home his point â that Cates, like any other man, demands the right to think for himself and those citing divine support as a rationale to silence him are wrong.
Cates is ultimately found guilty, but because Drummond has made his case so convincingly with the trial becoming a political embarrassment, the judge sees fit to do no more than make him pay a small fine of $100. Brady is furious at this small amount and tries to enter a lengthy speech into the record, but Drummond persuades the judge to disallow it since the trial has concluded. As court is adjourned, Brady tries to give his speech but most ignore him outside of his wife and his opponents who are concerned seeing him become hysterical. During this, he suffers from a "busted belly", collapses and dies in the courtroom.
Later, after the crowd has cleared out, Hornbeck is talking with Drummond and wants to use the Bible quotation from a religious rally held by Reverend Brown and in which Brady had quoted the "inherit the wind" verse because Brown was about to damn his own daughter, but cannot remember it. Drummond, without looking up, quotes the full verse verbatim, which shocks Hornbeck, who states, "Well, we're growing an odd crop of agnostics this year!". He and Drummond argue over Brady's legacy, Drummond accuses Hornbeck of being a heartless cynic, and Hornbeck walks out, leaving Drummond alone in the courtroom to pack. Drummond picks up the Bible and Darwin's book (On the Origin of Species), balancing them in his hands as if he were a scale. Then he puts the two together with a hard thud and walks out with them side by side in his right hand.
The final scene shows Drummond walking out of the court room alone, holding a Bible and Charles Darwin's A Theory of Evolution, with the song "Battle Hymn of the Republic" being sung in the background. | Inherit the Wind | 92cca086-f699-27c1-f499-ad48436c071a | How much was the fine that the judge issued? | [
"$100"
] | false |
/m/05znxp6 | In a small Southern town, a school teacher, Bertram Cates, is about to stand trial. His offense: violating a state law by introducing to his students the concept that man descended from the apes, a theory of the naturalist Charles Darwin. Cates is vigorously denounced by town leaders such as the Rev. Jeremiah Brown.
The town is excited because appearing on behalf of the prosecution will be the famous Matthew Harrison Brady, a noted statesman and 3-time presidential candidate. A staunch foe of Darwinism and a Biblical scholar, Brady will sit beside the prosecuting attorney, Tom Davenport, in the courtroom of Judge Coffey to teach the naive teacher Cates the error of his ways.
A surprise is in store for Brady, however. The teacher's defense is to be handled by the equally well-known Henry Drummond, one of America's most controversial legal minds and a long-standing acquaintance and adversary of Brady. An influential newspaperman, E.K. Hornbeck of the Baltimore Herald, has personally seen to it that Drummond will come to town to represent the teacher in this case, and that his newspaper and a radio network will provide nationwide coverage of what began as a minor legal matter.
Rev. Brown rails against the defendant publicly, rallying the townspeople against Cates and his godless attorney. The preacher's daughter Rachel is conflicted because Cates is the love of her life and they are engaged to be married.
The judge clearly admires Brady, even addressing him as "Colonel" in court. Drummond objects to this, so, as a compromise, the mayor reluctantly makes him a "temporary" colonel just for these proceedings. But each time Drummond attempts to call a scientist or authority figure to discuss Darwin's theories, the judge sustains the prosecution's objections and forbids such opinions to be heard. Drummond becomes frustrated and feels the case has already been decided. When he states his mind to the court and asked to withdraw from the case, the judge (played by Harry Morgan) tells Drummond to show cause the next morning why he should not be held in contempt of the court. The judge sets bail at $2000, to which Drummond remarks, "Why not make it $4000?", to which the judge agrees. At the end of the scene, one person in the courtroom offers his farm as collateral toward the bail. The person is John Stebbins, whose young son was a friend and protege of teacher Cates and ended up drowning after developing a cramp while swimming. Rachel's father, the Reverend Brown, had said the child was damned to hell because he had not been baptized. This, in turn, caused Cates' abandonment of the church as he felt it was not fair that a child could not enter Heaven due to an action that was beyond his control and that was not his own.
Later that night near the hotel, the mocking crowds, singing "We'll hang Bert Cates/We'll hang Henry Drummond" (to the tune of "The Battle Hymn of the Republic"), go by the jailroom and then to the hotel where Drummond is staying. Drummond is still trying to decide how to accomplish his defense with all his witnesses denied by the court and states what he needs is a miracle. Hornbeck throws him a Bible from Brady stating there are plenty in that. As Hornbeck pours some drinks and turns to Drummond lying on the bed, he stops and is surprised by Drummond holding the Bible on his chest and smiling.
Spencer Tracy, Harry Morgan, and Fredric March during the questioning of Brady by Drummond
His hands tied in every other way, Drummond calls Brady himself to the witness stand. Brady's confidence in his Biblical knowledge is so great that he welcomes this challenge, but he becomes flustered under Drummond's cross-examination, unable to explain certain apparent contradictions, until he is forced to confess that at least some Biblical passages cannot be interpreted literally, such as the length of days in Genesis with the sun created on the 4th day or the origin of Cain's wife met east of Eden. With that, Drummond hammers home his point â that Cates, like any other man, demands the right to think for himself and those citing divine support as a rationale to silence him are wrong.
Cates is ultimately found guilty, but because Drummond has made his case so convincingly with the trial becoming a political embarrassment, the judge sees fit to do no more than make him pay a small fine of $100. Brady is furious at this small amount and tries to enter a lengthy speech into the record, but Drummond persuades the judge to disallow it since the trial has concluded. As court is adjourned, Brady tries to give his speech but most ignore him outside of his wife and his opponents who are concerned seeing him become hysterical. During this, he suffers from a "busted belly", collapses and dies in the courtroom.
Later, after the crowd has cleared out, Hornbeck is talking with Drummond and wants to use the Bible quotation from a religious rally held by Reverend Brown and in which Brady had quoted the "inherit the wind" verse because Brown was about to damn his own daughter, but cannot remember it. Drummond, without looking up, quotes the full verse verbatim, which shocks Hornbeck, who states, "Well, we're growing an odd crop of agnostics this year!". He and Drummond argue over Brady's legacy, Drummond accuses Hornbeck of being a heartless cynic, and Hornbeck walks out, leaving Drummond alone in the courtroom to pack. Drummond picks up the Bible and Darwin's book (On the Origin of Species), balancing them in his hands as if he were a scale. Then he puts the two together with a hard thud and walks out with them side by side in his right hand.
The final scene shows Drummond walking out of the court room alone, holding a Bible and Charles Darwin's A Theory of Evolution, with the song "Battle Hymn of the Republic" being sung in the background. | Inherit the Wind | ccc5a856-8307-39b8-23d7-f89fc6674499 | In what state does the movie take place? | [] | true |
/m/03whd4p | Zach Conroy and Celeste Mercier are the hottest couple on and off the ice until a nasty spill knocks Celeste out of competition. With their dreams of gold medals put in ice and their romance chilling as a result, Zach has to find another partner for the championship in Paris. And fast.
In glides Alejandra Alex Delgado, a beautiful, tough talking hockey player with fierce moves and a fearless skating style. Zachs willing to give her a chance, but his coach, Bryan quits in a huff to train Zachs biggest rivals, Cindy Halgyord and Jason Bright. That leaves Zach with a newbie partner and no coach until he convinces former figure skating champ Jackie Dorsey to step in. She puts Zach and Alex through their paces, but the hardest trick of all is keeping them focused on practice and not each other as they bicker and struggle with a growing attraction both on and off the ice. Jackie knows these kids are fire and ice, and sees the chemistry between them. She also knows that if they cant get it together, theyll set the skating world on fire. That is, if the heat between them doesnt cause a total meltdown. With the competition fierce and the stakes higher than ever, the only way Zach and Alex can win is by putting aside their feelings and pulling out a secret weapon: the deadly Pamchecko jump. But is it worth the risk? Can Zach rise above the past and his history of injuring partners? And can Alex prove that shes got the moves to match her passion? It all comes down to the biggest moment of their lives when they learn that sometimes on the ice and in life youve got to risk it all. | The Cutting Edge 3: Chasing the Dream | 663146d3-8fca-2674-da49-ead028f7e5c0 | Where is International Skating Conference held? | [
"Paris"
] | false |
/m/03whd4p | Zach Conroy and Celeste Mercier are the hottest couple on and off the ice until a nasty spill knocks Celeste out of competition. With their dreams of gold medals put in ice and their romance chilling as a result, Zach has to find another partner for the championship in Paris. And fast.
In glides Alejandra Alex Delgado, a beautiful, tough talking hockey player with fierce moves and a fearless skating style. Zachs willing to give her a chance, but his coach, Bryan quits in a huff to train Zachs biggest rivals, Cindy Halgyord and Jason Bright. That leaves Zach with a newbie partner and no coach until he convinces former figure skating champ Jackie Dorsey to step in. She puts Zach and Alex through their paces, but the hardest trick of all is keeping them focused on practice and not each other as they bicker and struggle with a growing attraction both on and off the ice. Jackie knows these kids are fire and ice, and sees the chemistry between them. She also knows that if they cant get it together, theyll set the skating world on fire. That is, if the heat between them doesnt cause a total meltdown. With the competition fierce and the stakes higher than ever, the only way Zach and Alex can win is by putting aside their feelings and pulling out a secret weapon: the deadly Pamchecko jump. But is it worth the risk? Can Zach rise above the past and his history of injuring partners? And can Alex prove that shes got the moves to match her passion? It all comes down to the biggest moment of their lives when they learn that sometimes on the ice and in life youve got to risk it all. | The Cutting Edge 3: Chasing the Dream | e38a534c-b876-6da7-081a-0694ab62b8ed | Who refuses to coach the pair? | [
"Bryan"
] | false |
/m/03whd4p | Zach Conroy and Celeste Mercier are the hottest couple on and off the ice until a nasty spill knocks Celeste out of competition. With their dreams of gold medals put in ice and their romance chilling as a result, Zach has to find another partner for the championship in Paris. And fast.
In glides Alejandra Alex Delgado, a beautiful, tough talking hockey player with fierce moves and a fearless skating style. Zachs willing to give her a chance, but his coach, Bryan quits in a huff to train Zachs biggest rivals, Cindy Halgyord and Jason Bright. That leaves Zach with a newbie partner and no coach until he convinces former figure skating champ Jackie Dorsey to step in. She puts Zach and Alex through their paces, but the hardest trick of all is keeping them focused on practice and not each other as they bicker and struggle with a growing attraction both on and off the ice. Jackie knows these kids are fire and ice, and sees the chemistry between them. She also knows that if they cant get it together, theyll set the skating world on fire. That is, if the heat between them doesnt cause a total meltdown. With the competition fierce and the stakes higher than ever, the only way Zach and Alex can win is by putting aside their feelings and pulling out a secret weapon: the deadly Pamchecko jump. But is it worth the risk? Can Zach rise above the past and his history of injuring partners? And can Alex prove that shes got the moves to match her passion? It all comes down to the biggest moment of their lives when they learn that sometimes on the ice and in life youve got to risk it all. | The Cutting Edge 3: Chasing the Dream | 11cd74f5-64f0-f228-e2ee-9aaece7ea2bc | Who was Zach Conroy's former lover? | [
"Celeste Mercier"
] | false |
/m/03whd4p | Zach Conroy and Celeste Mercier are the hottest couple on and off the ice until a nasty spill knocks Celeste out of competition. With their dreams of gold medals put in ice and their romance chilling as a result, Zach has to find another partner for the championship in Paris. And fast.
In glides Alejandra Alex Delgado, a beautiful, tough talking hockey player with fierce moves and a fearless skating style. Zachs willing to give her a chance, but his coach, Bryan quits in a huff to train Zachs biggest rivals, Cindy Halgyord and Jason Bright. That leaves Zach with a newbie partner and no coach until he convinces former figure skating champ Jackie Dorsey to step in. She puts Zach and Alex through their paces, but the hardest trick of all is keeping them focused on practice and not each other as they bicker and struggle with a growing attraction both on and off the ice. Jackie knows these kids are fire and ice, and sees the chemistry between them. She also knows that if they cant get it together, theyll set the skating world on fire. That is, if the heat between them doesnt cause a total meltdown. With the competition fierce and the stakes higher than ever, the only way Zach and Alex can win is by putting aside their feelings and pulling out a secret weapon: the deadly Pamchecko jump. But is it worth the risk? Can Zach rise above the past and his history of injuring partners? And can Alex prove that shes got the moves to match her passion? It all comes down to the biggest moment of their lives when they learn that sometimes on the ice and in life youve got to risk it all. | The Cutting Edge 3: Chasing the Dream | 466a35f7-0fb0-b2b2-2567-6adfe791321c | Who professes their love for Alex? | [
"No one does. That isn't in the plot summary."
] | false |
/m/03whd4p | Zach Conroy and Celeste Mercier are the hottest couple on and off the ice until a nasty spill knocks Celeste out of competition. With their dreams of gold medals put in ice and their romance chilling as a result, Zach has to find another partner for the championship in Paris. And fast.
In glides Alejandra Alex Delgado, a beautiful, tough talking hockey player with fierce moves and a fearless skating style. Zachs willing to give her a chance, but his coach, Bryan quits in a huff to train Zachs biggest rivals, Cindy Halgyord and Jason Bright. That leaves Zach with a newbie partner and no coach until he convinces former figure skating champ Jackie Dorsey to step in. She puts Zach and Alex through their paces, but the hardest trick of all is keeping them focused on practice and not each other as they bicker and struggle with a growing attraction both on and off the ice. Jackie knows these kids are fire and ice, and sees the chemistry between them. She also knows that if they cant get it together, theyll set the skating world on fire. That is, if the heat between them doesnt cause a total meltdown. With the competition fierce and the stakes higher than ever, the only way Zach and Alex can win is by putting aside their feelings and pulling out a secret weapon: the deadly Pamchecko jump. But is it worth the risk? Can Zach rise above the past and his history of injuring partners? And can Alex prove that shes got the moves to match her passion? It all comes down to the biggest moment of their lives when they learn that sometimes on the ice and in life youve got to risk it all. | The Cutting Edge 3: Chasing the Dream | 12013628-807e-28b6-e77c-b52796ae3fe8 | Who displays a photo of Zack and Celeste? | [
"That isn't in the plot summary."
] | false |
/m/03whd4p | Zach Conroy and Celeste Mercier are the hottest couple on and off the ice until a nasty spill knocks Celeste out of competition. With their dreams of gold medals put in ice and their romance chilling as a result, Zach has to find another partner for the championship in Paris. And fast.
In glides Alejandra Alex Delgado, a beautiful, tough talking hockey player with fierce moves and a fearless skating style. Zachs willing to give her a chance, but his coach, Bryan quits in a huff to train Zachs biggest rivals, Cindy Halgyord and Jason Bright. That leaves Zach with a newbie partner and no coach until he convinces former figure skating champ Jackie Dorsey to step in. She puts Zach and Alex through their paces, but the hardest trick of all is keeping them focused on practice and not each other as they bicker and struggle with a growing attraction both on and off the ice. Jackie knows these kids are fire and ice, and sees the chemistry between them. She also knows that if they cant get it together, theyll set the skating world on fire. That is, if the heat between them doesnt cause a total meltdown. With the competition fierce and the stakes higher than ever, the only way Zach and Alex can win is by putting aside their feelings and pulling out a secret weapon: the deadly Pamchecko jump. But is it worth the risk? Can Zach rise above the past and his history of injuring partners? And can Alex prove that shes got the moves to match her passion? It all comes down to the biggest moment of their lives when they learn that sometimes on the ice and in life youve got to risk it all. | The Cutting Edge 3: Chasing the Dream | 11bb1d00-9da9-279e-9c9d-e1546d9028e1 | What does the Pamchenko move win them? | [
"That isn't in the plot summary."
] | false |
/m/03whd4p | Zach Conroy and Celeste Mercier are the hottest couple on and off the ice until a nasty spill knocks Celeste out of competition. With their dreams of gold medals put in ice and their romance chilling as a result, Zach has to find another partner for the championship in Paris. And fast.
In glides Alejandra Alex Delgado, a beautiful, tough talking hockey player with fierce moves and a fearless skating style. Zachs willing to give her a chance, but his coach, Bryan quits in a huff to train Zachs biggest rivals, Cindy Halgyord and Jason Bright. That leaves Zach with a newbie partner and no coach until he convinces former figure skating champ Jackie Dorsey to step in. She puts Zach and Alex through their paces, but the hardest trick of all is keeping them focused on practice and not each other as they bicker and struggle with a growing attraction both on and off the ice. Jackie knows these kids are fire and ice, and sees the chemistry between them. She also knows that if they cant get it together, theyll set the skating world on fire. That is, if the heat between them doesnt cause a total meltdown. With the competition fierce and the stakes higher than ever, the only way Zach and Alex can win is by putting aside their feelings and pulling out a secret weapon: the deadly Pamchecko jump. But is it worth the risk? Can Zach rise above the past and his history of injuring partners? And can Alex prove that shes got the moves to match her passion? It all comes down to the biggest moment of their lives when they learn that sometimes on the ice and in life youve got to risk it all. | The Cutting Edge 3: Chasing the Dream | bce78a1c-a8e7-1a81-54f1-abd6a749f0c8 | Who pleads with Alex to stay after she attempts to leave? | [] | true |
/m/03whd4p | Zach Conroy and Celeste Mercier are the hottest couple on and off the ice until a nasty spill knocks Celeste out of competition. With their dreams of gold medals put in ice and their romance chilling as a result, Zach has to find another partner for the championship in Paris. And fast.
In glides Alejandra Alex Delgado, a beautiful, tough talking hockey player with fierce moves and a fearless skating style. Zachs willing to give her a chance, but his coach, Bryan quits in a huff to train Zachs biggest rivals, Cindy Halgyord and Jason Bright. That leaves Zach with a newbie partner and no coach until he convinces former figure skating champ Jackie Dorsey to step in. She puts Zach and Alex through their paces, but the hardest trick of all is keeping them focused on practice and not each other as they bicker and struggle with a growing attraction both on and off the ice. Jackie knows these kids are fire and ice, and sees the chemistry between them. She also knows that if they cant get it together, theyll set the skating world on fire. That is, if the heat between them doesnt cause a total meltdown. With the competition fierce and the stakes higher than ever, the only way Zach and Alex can win is by putting aside their feelings and pulling out a secret weapon: the deadly Pamchecko jump. But is it worth the risk? Can Zach rise above the past and his history of injuring partners? And can Alex prove that shes got the moves to match her passion? It all comes down to the biggest moment of their lives when they learn that sometimes on the ice and in life youve got to risk it all. | The Cutting Edge 3: Chasing the Dream | be3fb2c6-6569-4d3e-94c9-4e59d5f367f5 | Who alongwith Cindy is engaged in subterfuge? | [
"Jason",
"Jason Bright"
] | false |
/m/03whd4p | Zach Conroy and Celeste Mercier are the hottest couple on and off the ice until a nasty spill knocks Celeste out of competition. With their dreams of gold medals put in ice and their romance chilling as a result, Zach has to find another partner for the championship in Paris. And fast.
In glides Alejandra Alex Delgado, a beautiful, tough talking hockey player with fierce moves and a fearless skating style. Zachs willing to give her a chance, but his coach, Bryan quits in a huff to train Zachs biggest rivals, Cindy Halgyord and Jason Bright. That leaves Zach with a newbie partner and no coach until he convinces former figure skating champ Jackie Dorsey to step in. She puts Zach and Alex through their paces, but the hardest trick of all is keeping them focused on practice and not each other as they bicker and struggle with a growing attraction both on and off the ice. Jackie knows these kids are fire and ice, and sees the chemistry between them. She also knows that if they cant get it together, theyll set the skating world on fire. That is, if the heat between them doesnt cause a total meltdown. With the competition fierce and the stakes higher than ever, the only way Zach and Alex can win is by putting aside their feelings and pulling out a secret weapon: the deadly Pamchecko jump. But is it worth the risk? Can Zach rise above the past and his history of injuring partners? And can Alex prove that shes got the moves to match her passion? It all comes down to the biggest moment of their lives when they learn that sometimes on the ice and in life youve got to risk it all. | The Cutting Edge 3: Chasing the Dream | 230a5298-27b1-b822-2513-3c1fa3111f32 | Where is the International Skating Conference? | [] | true |
/m/03whd4p | Zach Conroy and Celeste Mercier are the hottest couple on and off the ice until a nasty spill knocks Celeste out of competition. With their dreams of gold medals put in ice and their romance chilling as a result, Zach has to find another partner for the championship in Paris. And fast.
In glides Alejandra Alex Delgado, a beautiful, tough talking hockey player with fierce moves and a fearless skating style. Zachs willing to give her a chance, but his coach, Bryan quits in a huff to train Zachs biggest rivals, Cindy Halgyord and Jason Bright. That leaves Zach with a newbie partner and no coach until he convinces former figure skating champ Jackie Dorsey to step in. She puts Zach and Alex through their paces, but the hardest trick of all is keeping them focused on practice and not each other as they bicker and struggle with a growing attraction both on and off the ice. Jackie knows these kids are fire and ice, and sees the chemistry between them. She also knows that if they cant get it together, theyll set the skating world on fire. That is, if the heat between them doesnt cause a total meltdown. With the competition fierce and the stakes higher than ever, the only way Zach and Alex can win is by putting aside their feelings and pulling out a secret weapon: the deadly Pamchecko jump. But is it worth the risk? Can Zach rise above the past and his history of injuring partners? And can Alex prove that shes got the moves to match her passion? It all comes down to the biggest moment of their lives when they learn that sometimes on the ice and in life youve got to risk it all. | The Cutting Edge 3: Chasing the Dream | c98072f5-ba95-8e0d-95b6-5d7f4be0ddbd | Where did the two ablemake it to? | [
"championship in Paris"
] | false |
/m/03whd4p | Zach Conroy and Celeste Mercier are the hottest couple on and off the ice until a nasty spill knocks Celeste out of competition. With their dreams of gold medals put in ice and their romance chilling as a result, Zach has to find another partner for the championship in Paris. And fast.
In glides Alejandra Alex Delgado, a beautiful, tough talking hockey player with fierce moves and a fearless skating style. Zachs willing to give her a chance, but his coach, Bryan quits in a huff to train Zachs biggest rivals, Cindy Halgyord and Jason Bright. That leaves Zach with a newbie partner and no coach until he convinces former figure skating champ Jackie Dorsey to step in. She puts Zach and Alex through their paces, but the hardest trick of all is keeping them focused on practice and not each other as they bicker and struggle with a growing attraction both on and off the ice. Jackie knows these kids are fire and ice, and sees the chemistry between them. She also knows that if they cant get it together, theyll set the skating world on fire. That is, if the heat between them doesnt cause a total meltdown. With the competition fierce and the stakes higher than ever, the only way Zach and Alex can win is by putting aside their feelings and pulling out a secret weapon: the deadly Pamchecko jump. But is it worth the risk? Can Zach rise above the past and his history of injuring partners? And can Alex prove that shes got the moves to match her passion? It all comes down to the biggest moment of their lives when they learn that sometimes on the ice and in life youve got to risk it all. | The Cutting Edge 3: Chasing the Dream | 00ca3c29-4940-6324-3f81-293114d3a525 | Who is hurt and betrayed? | [
"Celeste",
"Zach Conroy"
] | false |
/m/03whd4p | Zach Conroy and Celeste Mercier are the hottest couple on and off the ice until a nasty spill knocks Celeste out of competition. With their dreams of gold medals put in ice and their romance chilling as a result, Zach has to find another partner for the championship in Paris. And fast.
In glides Alejandra Alex Delgado, a beautiful, tough talking hockey player with fierce moves and a fearless skating style. Zachs willing to give her a chance, but his coach, Bryan quits in a huff to train Zachs biggest rivals, Cindy Halgyord and Jason Bright. That leaves Zach with a newbie partner and no coach until he convinces former figure skating champ Jackie Dorsey to step in. She puts Zach and Alex through their paces, but the hardest trick of all is keeping them focused on practice and not each other as they bicker and struggle with a growing attraction both on and off the ice. Jackie knows these kids are fire and ice, and sees the chemistry between them. She also knows that if they cant get it together, theyll set the skating world on fire. That is, if the heat between them doesnt cause a total meltdown. With the competition fierce and the stakes higher than ever, the only way Zach and Alex can win is by putting aside their feelings and pulling out a secret weapon: the deadly Pamchecko jump. But is it worth the risk? Can Zach rise above the past and his history of injuring partners? And can Alex prove that shes got the moves to match her passion? It all comes down to the biggest moment of their lives when they learn that sometimes on the ice and in life youve got to risk it all. | The Cutting Edge 3: Chasing the Dream | 2831cb17-e041-09a2-9d9c-54baf474f047 | What is the alias of Alexandra Delgado? | [] | true |
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