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The world premiere was held in London, the first American sound production to do so.

ittuga usfsr amaḍlan amzwaru g lundun, iga tayafut tagṛḍant tamirikaniyt tamzwarut isskrn aynnaɣ.

Perfect Understanding, a 1933 sound production comedy, was the only film produced by this company.

armas s tfilawt, tamsḍṣit d tayafut tagṛḍant asggwas n 1933, iga afilm amyiwn nna tsyafu tmssurt ad.

She began appearing in stage productions and starred in The Gloria Swanson Hour on WPIX-TV in 1948.

tssnti ufuɣ g ufars n umzgun turar tanaḍt tasragt n glurya wansun g WPIX-TV asggwas n 1948.

The storyline of the film follows a faded silent movie actress Norma Desmond (Swanson), in love with a failed screenwriter Joe Gillis (William Holden).

da tsawal tullist n ufilm ad xf yat tsmdayt n ssinima ifstan tamskkft nuṛma dismund (swansun), imyaran d umiray n usinaryu anaguf ju gilis (wilyam huldn).

"Norma plays a card game of bridge with a group of actors also known as ""the Waxworks""."

nuṛma ar ttirir yat tirart n tkaṛḍa n tlggwit nttat d trabbut n ismdayn itwassn s yism n ""tiwuriwin n udqqis""."

Norma dreams of a comeback are subverted, and when Gillis tries to break up with her, she threatens to kill herself, but instead kills him.

uckant twirga n udwal n nuṛma, d ig tra gilis ad ids tbḍu, da tt tsdiddiy ad tnɣ iɣf nns, maca ntta ayd tnqqa.

Although Swanson had objected to enduring a screen test for the film, she had been glad to be making much more money than she had been in television and on stage.

mqqar yugi swansun ad iẓẓiḍṛ i uzzray n umiẓaṛ i ufilm, maca tmdz kigan acku tuwi idrimn uggar n uynna tkka tga g tilifizyun d umzgun.

Swanson later hosted Crown Theatre with Gloria Swanson, a television anthology series in which she occasionally acted.

tsmrs swansun g yat tizi yaḍn amzgun n kruwn nttat d glurya swansun, asddi n tmstayin n tilifizyun nna g tswuri kra n tikkal.

"She was the ""mystery guest"" on What's My Line."

"nttat d "" tanbgiwt taxndallast"" watz may layn."

She made a notable appearance in a 1966 episode of The Beverly Hillbillies, in which she plays herself.

tga yan wufuɣ anmɣur g yat tndrt g bufrly hilbili asggwas n 1966, g turar tilalt n iɣf nns.

"Actor and playwright Harold J. Kennedy, who had learned the ropes at Yale and with Orson Wells' Mercury Theatre, suggested Swanson do a road tour of ""Reflected Glory"", a comedy that had run on the Broadway stage with Tallulah Bankhead as its star."

"asmday d umiray n umzgun haṛuld j. kinidi, nna ilmdn isdditn n tnzulin g yal d umzgun n uṛsun wil mirkuri, ittr sg swansun ad isskr yan ussutl g ""riflikt gluṛi"", yat tkumidiyt nna ittusmrsn g tmuɣlit n bṛudway d titrit nns talula bankhid. "

After her success with Sunset Boulevard, she starred on Broadway in a revival of Twentieth Century with José Ferrer, and in Nina with David Niven.

ḍaṛt umurs nns d sunsit bulifar, tga tanaḍt g bruwdway g ussidr n tasut tiss simraw d juzi firrir, awd g nina nttat d daɣid nifn.

As a Republican she supported the 1940 and 1944 campaigns for president of Wendell Willkie and the 1964 presidential campaign of Barry Goldwater.

d tagdudant, tuws imzizziln n 1940 d 1944 n uslway n winḍl winki d umzizzl n uslway barri guldwatr asggwas n 1964.

Taking medication given to her by Beery, purported to be for morning sickness, she aborted the fetus and was taken unconscious to the hospital.

isy n usafar nna as tfka biri, nna s ttinin iga win trarit n tifawt, iɣri as urba tsxf ttyasi ɣr usgnaf.

In 1923, she adopted 1-year-old Sonny Smith, whom she renamed Joseph Patrick Swanson after her father.

asggwas n 1923, tusi ṣuni smit ɣr illa 1 usggwas, tsnfl as ism s juzif batrik swansun xf ism n babas.

She had conceived a child with him before her divorce from Somborn was final, a situation that would have led to a public scandal and possible end of her film career.

tusi sg digs yan urba urta ismid uṛẓẓum nns d sumburn, asurs ad ikka ira ad yawi s yan uzwar amatay nɣd akkw tigira n tɣarast nns g ssinima.

Following a four-month recuperation from her abortion, they returned to the United States as European nobility.

ḍaṛt kkuẓ n wayyurn n tujit nns sg uɣri nns, aɣuln s iwunak imunn d imṭṛṛḥn n uṛubba.

He became a film executive representing Pathé (USA) in France.

yaɣul iga anmhal amzzgar n ufilm n bati (USA) g franṣa.

"Swanson described herself as a ""mental vampire"", someone with a searching curiosity about how things worked, and who pursued the possibilities of turning those ideas into reality."

"tglm swansun iɣf nns is tga ""tamssummt n idammn tungimt"", afgan ɣr tlla tdwwayt g urzzu xf tmamkt s swurin iskkinn, ar irzzu is iẓḍaṛa n ad irar tanayin dɣ ad gnt tidtt.

They met by chance in Paris when Swanson was being fitted by Coco Chanel for her 1931 film Tonight or Never.

mlalan s usama g bariz g tlsa swansun kuku canil g usujd n ufilm nns iḍ a nɣ djun asggwas n 1931.

Her friends, some of whom openly disliked him, thought she was making a mistake.

ɣaln imddukkal nns, nna d iffɣn is t ur ḥmiln, is tga azggal.

Swanson had initially thought she was going to be able to retire from acting, but the marriage was troubled by Davey's alcoholism from the start.

tɣal swansun tizwuri is qad tiɣiy i tanaft sg usmdi, maca iwl irwi s tissi n dafi sg tizwuri.

He was the co-author (ghostwriter) of Billie Holiday's autobiography Lady Sings the Blues, the author of Sugar Blues, a 1975 best-selling health book still in print, and the author of the English version of Georges Ohsawa's You Are All Sanpaku.

iga yan umssufɣ amssur (amssufɣmarur) n tridrt n bili hulidays laydi singz du bluz, amssufɣ n udlis cugar bluz, adlis n udwas inzan kigan g 1975 isul ar itffɣ, d umssufɣ n tunɣilt tangliziyt sg udlis yu ar al sanbaku n juṛj usawa.

Swanson and her husband first got to know John Lennon and Yoko Ono because they were fans of Dufty's work.

tmyassan swansun d urgaz nns tikklt izwarn xf jun linun d yuku unu acku gan sg imarayn n twuri n dufti.

She was cremated and her ashes interred at the Episcopal Church of the Heavenly Rest on Fifth Avenue in New York City, attended by only a small circle of family.

sɣusn amttin nns adrn as i yiɣd nns g lkanisa takhhant i usgunfu n ignna g usuk wis smmus g nyuyuṛk siti, s yili n yat tmtettayt tamẓẓyant g tawja nns.

In 1974, Swanson was one of the honorees of the first Telluride Film Festival.

g usggwas n 1974, iga swansun yan sg winna ittusmɣrn g unmuggar amzwaru tiluṛayd n ssinima.

Due to the erotic nature of her performances, Nielsen's films were censored in the United States, and her work remained relatively obscure to American audiences.

s tmntilt n ugama issrɛabn g taggayt nns, ttusbddan ifilmn n nislnn g iwankn imunn, tqqim twuri nns tg tuffirt n ugdud amirikaniy.

Nielsen's family moved several times during her childhood while her father sought employment.

tmmutti tawja n nilsnn kigan n tikkal g tmẓi nns g tizi nna g irzzu babas tawuri.

Nielsen's father died when she was fourteen years old.

immut babas n nilsnn ddag ɣurs kkuẓ d mraw n usggwas.

In 1901, 21-year-old Nielsen became pregnant and gave birth to a daughter, Jesta.

g usggwas n 1901, tusi nilsnn ɣr tlla 21 n usggwas adis taru tarbat, jista.

Nielsen graduated from the Theater school in 1902.

tumẓ nilsnn aslkin g tinml n umzgun asggwas n 1902.

Nielsen's minimalist acting style was evidenced in her successful portrayal of a naive young woman lured into a tragic life.

tbayn tmamkt tafrart n usmdi n nilsnn g uswlf nns imursn i yat tmṭṭuḍt taɛrrimt tabujadiyt ittusḍmɛn g yat tudrt n uxub.

Nielsen and Gad married, then made four more films together.

tmyawal nilsnn d gad, ssufɣn d akkw kkuẓ n ifilmn yaḍn.

I realised that the age of short film was past.

ssnɣ mas d izri uzmz n ufilm agzzal.

It was international film sales that provided Union with eight Nielsen films per year.

mnziwt n ufilm agraɣlan ayd ismrsn tarabbut n tam n ufilm n nilsnn i usggwas.

"I used every available means – and devised many new ones – in order to bring the Asta Nielsen films to the world."""

"ssmrsɣ isggurn nna illan – d snflɣ kigan n isggurn imaynutn – afad ad awiɣ ifilmn n nilsnn i umaḍal."""

In a Russian popularity poll of 1911, Nielsen was voted the world's top female movie star, behind Linder and ahead of her Danish compatriot Valdemar Psilander.

g yan usɣl n tannayt tamatayt g rusya asggwas n 1911, ttustay nilsnn d titrit n ssinima tamufayt g umaḍal, ḍaṛt lindr d dat n tnamurt nns tadanimarkiyt faldimar bsilandr.

In 1921, Nielsen, through her own film distribution company of Asta Films, appeared in the Svend Gade and Heinz Schall directed Hamlet.

g usggwas n 1921, nilsnn, s tngrant n tmssurt nns n ubṭṭu n ifilmn asṭa filmz, tffɣd g sifn grad d haynz cal tssdru hamlt.

However, scholarly works such as the authoritative filmography published by Filmarchiv Austria in 2010 make no mention of such a film.

imil, tiwuriwin timassanin zund afilm n ssinima nna tfsr tmssurt filmarcif ustriya g 2010 ur da tbddr zund afilm ad.

She worked in German films until the start of sound movies.

tswura g ifilmn ilmaniyn ar tizwuri n ifilmn igṛḍann.

Thereafter, Nielsen acted only on stage.

ḍaṛt uynnaɣ, nilsnn tsmdi ɣas g umzgun.

Understanding the implications, Nielsen declined and left Germany in 1936.

g trms tusurt n ḍaṛt uynnaɣ, tugi nilsnn yffɣ almanya asggwas n 1936.

They were divorced by 1919 when Nielsen married the Swedish shipbuilder Freddy Windgårdh.

myaṛẓamn asggwas n 1919 lli g ttahl nilsnn aswidiy ittṣkun iɣṛṛabutn fridi windgaṛd.

They began a long-term common-law marriage that lasted from 1923 until the late 1930s.

ssntan iwl iɣzzifn sg 1923 ar tigira n isggwasn 1930.

Fred Astaire (born Frederick Austerlitz; May 10, 1899 – June 22, 1987) was an American dancer, actor, singer, choreographer, and television presenter.

frid astir (ilul fridirik ustirlitz; 10 mayyu 1899 – 22 yunyu 1987) iga amṛkaḍ amirikaniy, askbaṛ, amɣnaj, akuṛigraf, d amsmnid n tilifizyun.

He starred in more than 10 Broadway and West End musicals, made 31 musical films, four television specials, and numerous recordings.

yurar g wuggar n 10 n tmzgunin n uẓawan g bṛudway d wist ind, isskr 31 n ufilm n uẓawan, kkuẓ n isaysn imẓlay n tilifizyun, d kigan n izmmimn.

Astaire's mother was born in the US to Lutheran German immigrants from East Prussia and Alsace.

tlula immas n astir g US sg lutran jirman imzza sg unqar n brusya d alzaṣ.

Fritz was seeking work in the brewing trade and moved to Omaha, Nebraska, where he was employed by the Storz Brewing Company.

irza fritz tawuri g tsbbabt n usmtn d immatti s umaha, nibraska, g iswuri d tmssurt n stuṛz briwin.

"Johanna planned a ""brother and sister act"", common in vaudeville at the time, for her two children."

"tsɣiws jwana i ""ugma d ultma"", ittwassn g fudfil g uzmz nnaɣ, xf sin warraw nns.

They began training at the Alviene Master School of the Theatre and Academy of Cultural Arts.

ssntin asmuttg g tinml alfin mastṛ n umzgun d tkadimiyt n tẓuriwin tidlsanin.

They were taught dance, speaking, and singing in preparation for developing an act.

sslmdn asn arkks d wawal d uɣnnj afad sbuɣlun askbṛ.

In an interview, Astaire's daughter, Ava Astaire McKenzie, observed that they often put Fred in a top hat to make him look taller.

g yan usqsay, tarbat n astirz, afa astir mkinzi, tɣḍf is da tggan i frid yat tcact afad iɣzif.

As a result of their father's salesmanship, Fred and Adele landed a major contract and played the Orpheum Circuit in the Midwest, Western and some Southern cities in the US.

acku issn babasn ad izznz, yumẓ frid d adil yat tmɣunt tamqqrant ukan urarn g usara n uṛfum g midwist, wistirn d kra n tmdinin g US.

In 1912, Fred became an Episcopalian.

g usggwas n 1912, iga frid abiskubalan.

From vaudeville dancer Aurelio Coccia, they learned the tango, waltz, and other ballroom dances popularized by Vernon and Irene Castle.

sg uṛkkaḍ n fudfil uṛilyu kukiya, lmdn iṛkaḍn n ttangu, d iṛkaḍn yaḍn nna s ttwassn firnun d irin kastl.

He first met George Gershwin, who was working as a song plugger for Jerome H. Remick's music publishing company, in 1916.

imlala tikklt izwarn d juṛj gircwin, nna ittawsn g uɣnnj g tmssurt n ufsar n uẓawan igan tin jiṛum H. rimiks, asggwas n 1916.

"Of their work in The Passing Show of 1918, Heywood Broun wrote: ""In an evening in which there was an abundance of good dancing, Fred Astaire stood out ... He and his partner, Adele Astaire, made the show pause early in the evening with a beautiful loose-limbed dance."""

sg twuri nnsn g du bassin cuw asggwas n 1918, yura hiywud bṛun: ""yan yiḍ g iggut uṛkkḍ iɣudan, ibaynd frid astir ... ntta d tmssurt nns, adil astir, sbddan afsar zikk talggwat s yan uṛkkḍ ilelli iɣudan.

But by this time, Astaire's dancing skill was beginning to outshine his sister's.

maca g tizi ad, astirs yaɣul ar ittaf ultmas g uṛkkḍ.

Astaire's tap dancing was recognized by then as among the best.

qrran is iga uṛkkḍ n astirs g uzmz nnaɣ yan sg imafayn.

After the close of Funny Face, the Astaires went to Hollywood for a screen test (now lost) at Paramount Pictures, but Paramount deemed them unsuitable for films.

lli g iqqn fani fays, ayt astir ddan s huliwud ad sskrn irim amiẓaṛ (ijla dɣi) g baramunt biktcur, maca igatn baramunt is ur d usin i ifilmn.

The end of the partnership was traumatic for Astaire but stimulated him to expand his range.

ur tḥli tgira n tussurt i astir maca tssikmt ad ittwassn kigan.

They lent him for a few days to MGM in 1933 for his significant Hollywood debut in the successful musical film Dancing Lady.

kran t idsn wussan i MGM g usggwas n 1933 xf wufuɣ nns g huliwud g ufilm n uẓawan imursn dansin laydi.

"He wrote his agent, ""I don't mind making another picture with her, but as for this 'team' idea, it's 'out!'"

yura umskar ntwuriwin nns, ""ur igiyɣ ad asiɣ tawlaft yaḍn dids, imma g twngimt n 'tarabbut', tga 'ufuɣ!'"

The partnership, and the choreography of Astaire and Hermes Pan, helped make dancing an important element of the Hollywood film musical.

tuws tmssurt d usɣiws n iṛkaḍn astir d hirms ban, g uswrri n uṛkaḍ d afrdis istawhmman g ufilm n huliwud n uẓawan.

Six out of the nine Astaire–Rogers musicals became the biggest moneymakers for RKO; all of the films brought a certain prestige and artistry that all studios coveted at the time.

gant ṣḍiṣ sg tẓa n tmzgunin n uẓawan n astir–ṛujir asagm amqqran n idrimn i RKO; uwind ifilmn kullutn yan wuddur g tẓuṛi nna ɣmsn istudyunt kullu g uzmz nnaɣ.

This gave the illusion of an almost stationary camera filming an entire dance in a single shot.

ifka mayad yan udmu is tlla lkamiṛa timntit ar tswlaf aṛkaḍ ismdn g yan umiẓaṛ.

Astaire's style of dance sequences allowed the viewer to follow the dancers and choreography in their entirety.

tamamkt n usnsl n uṛkaḍ n astil yudja imẓri ad iḍfuṛ imṛkaḍn d usɣiws n tmṛkaḍin kullu.

Astaire's second innovation involved the context of the dance; he was adamant that all song and dance routines be integral to the plotlines of the film.

isllwu wis sin n astir digs amnaḍ n urkaḍ; isddid ad gn iɣnnijn iṛutiniyn d win uṛkaḍ tuṭṭut yamun g ifilan n ufilm.

"One would be a solo performance by Astaire, which he termed his ""sock solo."""

"yan digsn qad ig askar amẓlay n astir, mi iga s wassaɣ ""suk sulu."""

I think Ginger Rogers was.

ɛniɣ jinjr ṛujir iga ɣikann.

She faked it an awful lot.

trwi tt thyya aṛkaḍ.

In 1976, British talk-show host Sir Michael Parkinson asked Astaire who his favorite dancing partner was on Parkinson.

g usggwas n 1976, amsmnid n iɣawasn imsawaln ibṛitaniyn mass maykl baṛknsun isqqsa astir xf umssur ɣurs yufn g uṛkkḍ g baṛknsun.

Despite their success, Astaire was unwilling to have his career tied exclusively to any partnership.

mqqar mursn, ur iri astir ad izdi tudrt nns tazzulant s uẓlay d awt yat tassurt.

Throughout this period, Astaire continued to value the input of choreographic collaborators.

g tizi ad, issuda astil g usutg n iḍiṣ n imyawasn ikurigrafiyn.

"They starred in Broadway Melody of 1940, in which they performed a celebrated extended dance routine to Cole Porter's ""Begin the Beguine."""

"urarn g bṛudway miludi g usggwas n 1940, g smdyan aṛutin n uṛkaḍ ittwassnn n kul burtrz g ""bigan du bigin."""

He played alongside Bing Crosby in Holiday Inn (1942) and later Blue Skies (1946).

yurar tasga n bing krusbi g huliday g (1942) d ḍaṛ as blu skis (1946).

"The latter film featured ""Puttin' On the Ritz"", an innovative song-and-dance routine indelibly associated with him."

afsar n ufilm amggaru ""butin un du raytz"", iga aṛutin ittusllwan i iɣnnijn d uṛkaḍ nna digs islɣn abda.

The first film, You'll Never Get Rich (1941), catapulted Hayworth to stardom.

afilm amzwaru, ur sar tgid amglu abda (1941), yuɣul hayurt d itri.

"It featured a duet to Kern's ""I'm Old Fashioned,"" which became the centerpiece of Jerome Robbins's 1983 New York City Ballet tribute to Astaire."

yuls i tzlit n kirn ""am uldfacyunid,"" nna igan asgum n usmɣr n jiṛum ṛubinz g nyu yuṛk sity bali i astir asggwas n 1983.

Astaire choreographed this film alone and achieved modest box office success.

isɣiws astir ɣas ntta afilm ad nna imursn kigan g usira n tnfulin.

The fantasy Yolanda and the Thief (1945) featured an avant-garde surrealistic ballet.

ittwassn ufilm amarur yulanda d umxxar (1945) ismnadn yan ubali asuryaliy n tzzugra.

Always insecure and believing his career was beginning to falter, Astaire surprised his audiences by announcing his retirement during the production of his next film Blue Skies (1946).

abda ur yumin g iɣf nns yiɣil is da ttmdu tazzult nns, astir issrɛb aydud nns g ibrrḥ s tanaft nns g ufars n ufilm nns blu skis (1946).

Both of these films revived Astaire's popularity and in 1950 he starred in two musicals.

ruran d ifilmn s sin tamdnant n astir d usggwas n 1950 yarir g snat tmzgunin tiẓawanin.

While Three Little Words did quite well at the box office, Let's Dance was a financial disappointment.

zziɣ g d trura kṛaḍt tguriwin igzzuln kigan g usira n tnfulin, maca lits dans tga tagawit taẓṛfant.

But because of its high cost, it failed to make a profit on its first release.

s tmntilt n tɣli nns, ur tẓḍaṛ ad d trar walu g wufuɣ nns amzwaru.

Then, his wife Phyllis became ill and suddenly died of lung cancer.

imikk taḍn tmṭṭuḍt nns filis s nit tmmut s lkunsir n turin.

Daddy Long Legs only did moderately well at the box office.

tɣuda cwiy tfri n iḍaṛn n baba iɣzzafn g usira n tnfulin.

Similarly, Astaire's next project – his final musical at MGM, Silk Stockings (1957), in which he co-starred with Cyd Charisse, also lost money at the box office.

ula, asnti yaḍn n astir – igan afilm n uẓawan nns amggarug MGM, silk stuking (1957), nna g yamu ntta d kyd caris, iṛẓa awd g kigan n idrimn g usira n tnfulin.

"The first of these programs, 1958's An Evening with Fred Astaire, won nine Emmy Awards, including ""Best Single Performance by an Actor"" and ""Most Outstanding Single Program of the Year."""

amzwaru g iɣawasn ad, yan yiḍ d frid astir g 1958, yuwi tẓa n tsmɣurin n immi, g illa ""uswuri amufay n usmday amẓlay"" d ""uɣawas amufay amẓlay n usggwas ad.""

"The choice had a controversial backlash because many believed his dancing in the special was not the type of ""acting"" for which the award was designed."

"astay ad ɣurs tmrarut tukṛiḍt issrɛabn acku kigan iɣal mas d aṛkkḍ nns g umiẓaṛ amẓlay ur igi sg wanaw n usmdya nna xf ttusɣaws tsmɣurt."

They restored the original videotape, transferring its contents to a modern format and filling in gaps where the tape had deteriorated with kinescope footage.

rurand aɣraw n ufidyu aẓɣuran, ismutti tumayin nns s yat talɣa tatrart iqqn as tiṛẓiwin nna g ur iḥli uɣraw s twlafin g uɣraw n ssinima.

Astaire appeared in non-dancing roles in three other films and several television series from 1957 to 1969.

iffɣd astir g tmlalin ur igin tiṛkkaḍin g kṛaḍ ifilmn yaḍn d kigan n imsdditn n tilifizyun sg usggwas n 1957 ar asggwas n 1969.

Astaire's dance partner was Petula Clark, who played his character's skeptical daughter.

amssur n astir g uṛkaḍ tga tt bitula klark, nna yurarn awrik nns tarbat tamckakt.

Astaire continued to act in the 1970s.

issuda astir g twuri g 1970s.

In the second compilation, aged seventy-six, he performed brief dance linking sequences with Kelly, his last dance performances in a musical film.

g trabbut tis snat, ɣurs samraw d ṣḍiṣ n usggwas, ismrs aṛkaḍ igzzuln ntta d kili, afsar nns n uṛkaḍ amggaru g yan ufilm n uẓawan.

In 1978, he co-starred with Helen Hayes in a well received television film A Family Upside Down in which they played an elderly couple coping with failing health.

g usggwas n 1978, idra tilalt tamqqrant d hilin hays g yan ufilm atilifizyuniy nna issusmn kigan a famili ubsayd dawn nna g aurarn sin iwssarn yuwln ar ttnaɣn d yan waddad adusan ur iḥlin.

Astaire asked his agent to obtain a role for him on Galactica because of his grandchildren's interest in the series and the producers were delighted at the opportunity to create an entire episode to feature him.

ittr astir sg umskar nns ad yamẓ yat tilalt g galaktika acku ran wayyawn nns asddi d imsyafutn mdzn s uzmz n usnulfu n yat tndrt ismdn ad t syussnn.

"Long after the photography for the solo dance number ""I Want to Be a Dancin' Man"" was completed for the 1952 feature The Belle of New York, it was decided that Astaire's humble costume and the threadbare stage set were inadequate and the entire sequence was reshot."

"ḍaṛt yan uzmz iɣzzifn n usmad n uswlf n umḍan n uṛkkḍ amyiwn ""riɣ ad gɣ argaz amṛkaḍ"" ittusmadn i ufilm aɣzzaf g 1952 timḥlit n nyuyuṛk, ittuɣts mas d timlsa n astir timanuzin d trabbut n umzgun tamuḥult d ad alsn i uswlf n usnsl kullu."

Frame for frame, the two performances are identical, down to the subtlest gesture.

asati i usati, ifsarn s sin aksuln, ar tifras timẓẓyanin.

His was a uniquely recognizable dance style that greatly influenced the American Smooth style of ballroom dance and set standards against which subsequent film dance musicals would be judged.

tamamkt nns g uṛkaḍ ttxzsszn s uẓlay d tṭṭaṣ tamamkt tamirikaniyt smut i uṛkaḍ n tdala isrs isbdadn nna xf rad ttunbaḍnt tmzgunin tiẓawanin n uṛkaḍ n ifilmn d iddan.