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Tangled Hierarchy like those of Escher and Godel, an intellectual construction which |
reminds me, in ways I cannot express, of the beautiful many-voiced fugue of the human |
mind. And that is why in my book the three strands of Godel, Escher, and Bach are |
woven into an Eternal Golden Braid. |
DIALOGUE XXI: Six-Part Ricercar |
Achilles has brought his cello to the Crab's residence, to engage in an evening of |
chamber music with the Crab and Tortoise. He has been shown into the music |
room by his host the Crab, who is momentarily absent, having gone to meet their |
mutual friend the Tortoise at the door. The room is filled with all sorts of electronic |
equipment-phonographs in various states of array and disarray, television screens |
attached to typewriters, and other quite improbable-looking pieces of apparatus. |
Nestled amongst all this high-powered gadgetry sits a humble radio. Since the |
radio is the only thing in the room which Achilles knows how to use, he walks over |
to it, and, a little furtively, flicks the dial and f nds he has tuned into a panel |
discussion by six learned scholars on free will and determinism. He listens briefly |
and then, a little scornfully, flicks it off. |
Achilles: I can get along very well without such a program. After all, it's clear to anyone |
who's ever thought about it that-I mean, it's not a very difficult matter to resolve, once |
you understand how-or rather, conceptually, one can clear up the whole thing by |
thinking of, or at least imagining a situation where ... Hmmm ... I thought it was quite |
clear in my mind. Maybe I could benefit from listening to that show, after all... |
(Enter the Tortoise, carrying his violin.) |
Well, well, if it isn't our fiddler. Have you been practicing faithfully this week, Mr. T? |
I myself have been playing the cello part in the Trio Sonata from the Musical Offering |
for at least two hours a day. It's a strict regimen, but it pays off. |
Tortoise: I can get along very well without such a program. I find that a moment here, a |
moment there keeps me fit for fiddling. |
Achilles: Oh, lucky you. I wish it came so easily to me. Well, where is our host? |
Tortoise: I think he's just gone to fetch his flute. Here he comes. |
(Enter the Crab, carrying his flute.) |
Achilles: Oh, Mr. Crab, in my ardent practicing of the Trio Sonata this past week, all |
sorts of images bubbled into my mind: jolly gobbling bumblebees, melancholy |
buzzing turkeys, and a raft of others. Isn't it wonderful, what power music has? |
Crab: I can get along very well without such a program. To my mind. |
Achilles, there is no music purer than the Musical Offering. |
Tortoise: You can't be serious, Achilles. The Musical Offering isn't programmatic music! |
Achilles: Well, I like animals, even if you two stuffy ones disapprove. |
Crab: I don't think we are so stuffy, Achilles. Let's just say that you hear music in 'your |
own special way. |
Tortoise: Shall we sit down and play? |
Crab: I was hoping that a pianist friend of mine would turn up and play continuo. I've |
been wanting you to meet him, Achilles, for a long time. Unfortunately, it appears |
that he may not make it. So let's just go ahead with the three of us. That's plenty for a |
trio sonata. |
Achilles: Before we start, I just was wondering, Mr. Crab-what are all these pieces of |
equipment, which you have in here? |
Crab: Well, mostly they are just odds and ends-bits and pieces of old broken |
phonographs. Only a few souvenirs (nervously tapping the buttons), a few souvenirs |
of-of the TC-battles in which I have distinguished myself. Those keyboards attached |
to television screens, however, are my new toys. I have fifteen of them around here. |
They are a new kind of computer, a very small, very flexible type of computer quite |
an advance over the previous types available. Few others seem to be quite as |
enthusiastic about them as I am, but I have faith that they will catch on in time. |
Achilles: Do they have a special name? |
Crab: Yes; they are called "smart-stupids", since they are so flexible, and have the |
potential to be either smart or stupid, depending on how skillfully they are instructed. |
Achilles: Do you mean you think they could actually become smart like, say, a human |
being? |
Crab: I would not balk at saying so-provided, of course, that someone sufficiently versed |
in the art of instructing smart-stupids would make the effort. Sadly, I am not |
personally acquainted with anyone who is a true virtuoso. To be sure, there is one |
expert abroad in the land, an individual of great renown-and nothing would please me |
more than a visit by him, so that I could appreciate what true skill on the smart-stupid |
is; but he has never come, and I wonder if I shall ever have that pleasure. |
Tortoise: It would be very interesting to play chess against a well-instructed smart-stupid. |
Crab: An extremely intriguing idea. That would be a wonderful mark of skill, to program |
a smart-stupid to play a good game of chess. Even more interesting-but incredibly |
complicated-would be to instruct a smart-stupid sufficiently that it could hold its own |
in a conversation. It might give the impression that it was just another person! |
Achilles: Curious that this should come up, for I just heard a snatch of a discussion on |
free will and determinism, and it set me to thinking about such questions once more. I |
don't mind admitting that, as I pondered the idea, my thoughts got more and more |
tangled, and in the end I really didn't know what I thought. But this idea of a smart- |
stupid that could converse with you ... it boggles the mind. I mean, |