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20231101.en_13195822_5 | https://en.wikipedia.org/wiki/Ahmed%20Alaidy | Ahmed Alaidy | Script doctoring the Blockbuster Movie Keda Reda with his other five co-writers in Script (Movie workshop), Keda Reda directed by : Ahmed Nader Galal Starring: Ahmed Helmy 2007. |
20231101.en_13195822_6 | https://en.wikipedia.org/wiki/Ahmed%20Alaidy | Ahmed Alaidy | Al eshq al sadi;(The Sadistic Love) (collection of poems) Merit Publishing house | 2009, Al-Karma Publishers | 2014. |
20231101.en_13195834_0 | https://en.wikipedia.org/wiki/Jimmy%20%22Bo%22%20Horne | Jimmy "Bo" Horne | Jimmie Horace Horne Jr. (born September 28, 1949), known as Jimmy "Bo" Horne, is an American singer and musician, whose most successful singles include "Gimme Some" (1975) and "Dance Across the Floor" (1978). Many of Horne's songs have been used on film and video game soundtracks or used as samples by other artists. |
20231101.en_13195834_1 | https://en.wikipedia.org/wiki/Jimmy%20%22Bo%22%20Horne | Jimmy "Bo" Horne | Horne was born on September 28, 1949, in West Palm Beach, Florida. He was an only child and both his parents were school teachers. In 1971, he completed a sociology degree at Bethune-Cookman University in Daytona Beach. He later relocated to Miami to begin his career as a recording artist. |
20231101.en_13195834_2 | https://en.wikipedia.org/wiki/Jimmy%20%22Bo%22%20Horne | Jimmy "Bo" Horne | The peak of Horne's career came in the 1970s, recording disco and pop tracks for labels including Alston and Sunshine Sound Records, a subsidiary of TK Records. Horne's biggest hit was "Dance Across the Floor", released in 1978, which was his sole R&B top 10 hit single, written and produced by Harry Wayne Casey of KC and the Sunshine Band. "Dance Across the Floor" was certified double gold. |
20231101.en_13195834_3 | https://en.wikipedia.org/wiki/Jimmy%20%22Bo%22%20Horne | Jimmy "Bo" Horne | Horne's other top 20 R&B single was "You Get Me Hot", released in 1979 on Sunshine Sound Records. Several other of Horne's releases during this period were popular club hits, including "Spank", "Gimme Some", "Get Happy", and "Let Me (Let Me Be Your Lover)". His tracks also featured on Soul Train, American Bandstand, and some television sitcoms. Horne's last single to enter the R&B charts was "Is It In" in 1980. |
20231101.en_13195834_4 | https://en.wikipedia.org/wiki/Jimmy%20%22Bo%22%20Horne | Jimmy "Bo" Horne | Since the end of his music career, Horne has worked in event management as the president of Joy Productions, a company he founded in 1976. |
20231101.en_13195834_5 | https://en.wikipedia.org/wiki/Jimmy%20%22Bo%22%20Horne | Jimmy "Bo" Horne | Horne's 1975 song "Gimme Some" was a UK top 20 hit for Brendon in 1977. Horne's 1978 song "Let Me (Let Me Be Your Lover)", was sampled by the Stereo MCs in their 1992 song, "Connected". Horne's song "Spank" was heavily sampled by DJ Falcon in Falcon's song "First." For a year between 1997 and 1998, Horne's 1977 song "Get Happy" was played in the background of The Chris Rock Show on HBO. It is also sampled in The Council's "Prepare for the Shining". His 1978 song "Dance Across the Floor" was sampled by Cee Lo Green and Christina Aguilera in their "Nasty" duet, which was released in May 2011. |
20231101.en_13195834_6 | https://en.wikipedia.org/wiki/Jimmy%20%22Bo%22%20Horne | Jimmy "Bo" Horne | "Dance Across the Floor" appeared in the hit Brazilian gangster movie City of God. It was sampled by Da Lench Mob for their 1993 song "Freedom Got an AK", as well as by DJ Cash Money & Marvelous in their 1988 song "The Mighty Hard Rocker". "Spank" was sampled in 1998 for D'Menace's "Deep Menace", as well as Ultra Naté's "Release The Pressure", and also featured in the 1998 film 54. "Is It In" was later featured on the fictional radio station, Paradise FM, on Rockstar Games' Grand Theft Auto: Vice City Stories. It was also sampled by Jungle Brothers for the 1989 song "Beyond this World" as well as Kasino for their 1998 song "Nasty Girl". |
20231101.en_13195840_0 | https://en.wikipedia.org/wiki/Tour%20du%20Limousin | Tour du Limousin | Tour du Limousin is a 4-day road bicycle race held annually in Limousin, France. It was first held in 1968 and since 2005 it has been organised as a 2.1 event on the UCI Europe Tour. In 2011 it was upgraded to an 2.HC event, and downgraded to 2.1 since 2013. Between 1968 and 1974 it was an amateur race. |
20231101.en_13195848_0 | https://en.wikipedia.org/wiki/Kazimierz%20Zakrzewski | Kazimierz Zakrzewski | Kazimierz Zakrzewski (November 4, 1900 in Kraków – March 11, 1941 in Palmiry) was a Polish historian and publicist, a professor of the University of Warsaw. Zakrzewski was a co-originator of the Polish syndicalist movement, activist of the trade union Związek Związków Zawodowych, and researcher of ancient history (mainly late-ancient) and the Byzantine culture. He wrote Historia Bizancjum ("History of the Byzantine Empire") and co-authored the Polish popular history encyclopedia Wielka historia powszechna. During World War II, Zakrzewski was murdered by the Germans in a mass execution at Palmiry. |
20231101.en_13195856_0 | https://en.wikipedia.org/wiki/2007%20Bombardier%20Dash%208%20landing%20gear%20incidents | 2007 Bombardier Dash 8 landing gear incidents | In September 2007, two separate accidents due to similar landing gear failures occurred within four days of each other on Bombardier Dash 8 Q400 aircraft operated by Scandinavian Airlines System (SAS). A third incident, again with a SAS aircraft, occurred in October 2007, leading to the withdrawal of the type from the airline's fleet. |
20231101.en_13195856_1 | https://en.wikipedia.org/wiki/2007%20Bombardier%20Dash%208%20landing%20gear%20incidents | 2007 Bombardier Dash 8 landing gear incidents | Scandinavian Airlines System Flight 1209, a Bombardier Dash 8 Q400 with the registration LN-RDK, took off from Copenhagen Airport, Denmark, on September 9, 2007. It was on a domestic flight to Aalborg Airport. |
20231101.en_13195856_2 | https://en.wikipedia.org/wiki/2007%20Bombardier%20Dash%208%20landing%20gear%20incidents | 2007 Bombardier Dash 8 landing gear incidents | Prior to landing, the right main landing gear failed to lock and the crew circled for an hour while trying to fix the problem then preparing for an emergency landing. After the aircraft touched down, the right landing gear collapsed, the right wing hit the ground, and a fire broke out. The fire went out before the aircraft came to rest and all passengers and crew were evacuated. Five people had minor injuries, some from parts of the propeller entering the cabin and others from the evacuation. |
20231101.en_13195856_3 | https://en.wikipedia.org/wiki/2007%20Bombardier%20Dash%208%20landing%20gear%20incidents | 2007 Bombardier Dash 8 landing gear incidents | When the handle for lowering the landing gear was activated, the indicator showed two green and one red light. The red light indicated that the right main gear was not locked in position. The landing was aborted. Attempts at lowering the gear manually were also unsuccessful. An investigation into the cause of the failure to deploy revealed that the right main gear hydraulic actuator eyebolt had broken away from the actuator. A further analysis of the actuator showed corrosion of the threads on both the inside threads of the piston rod and the outside threads of the rod end, leading to reduced mechanical strength of the actuator and eventual failure. |
20231101.en_13195856_4 | https://en.wikipedia.org/wiki/2007%20Bombardier%20Dash%208%20landing%20gear%20incidents | 2007 Bombardier Dash 8 landing gear incidents | On September 19, 2007, the prosecutor of Stockholm commenced a preliminary investigation regarding suspicion of creating danger to another person. |
20231101.en_13195856_5 | https://en.wikipedia.org/wiki/2007%20Bombardier%20Dash%208%20landing%20gear%20incidents | 2007 Bombardier Dash 8 landing gear incidents | Scandinavian Airlines System (SAS) was accused of cutting corners in the maintenance of its Q400 aircraft. As the Swedish Civil Aviation Administration began an investigation of the accident, it brought renewed focus on SAS maintenance procedures. (Only two weeks previously, Swedish authorities had levelled a scathing critique at the airline after an aircraft of the same model nearly crashed because its engine accelerated unexpectedly during landing.) The outcome of the investigation was that the cause was not a lack of maintenance but over-cleaning of the landing gear, with pressure washers being used that washed out the corrosion preventative coatings between the eyebolt and the actuator rod end. The airline reportedly made 2,300 flights in which safety equipment was not up to standard, although the airline denied this. |
20231101.en_13195856_6 | https://en.wikipedia.org/wiki/2007%20Bombardier%20Dash%208%20landing%20gear%20incidents | 2007 Bombardier Dash 8 landing gear incidents | AIB Denmark (Havarikommissionen) noted that the use of different alloys in the bolt and surrounding construction was most probably a contributing factor: |
20231101.en_13195856_7 | https://en.wikipedia.org/wiki/2007%20Bombardier%20Dash%208%20landing%20gear%20incidents | 2007 Bombardier Dash 8 landing gear incidents | A second Bombardier Q400, operating as Scandinavian Airlines System Flight 2748, took off from Copenhagen Airport, Denmark, on September 12, 2007. It was headed to Palanga, Lithuania, but was diverted to Vilnius International Airport when landing gear problems were discovered before landing. Again, the right landing gear collapsed immediately after the aircraft touched down. All passengers and crew were evacuated safely. The local officials at Vilnius International Airport noted that this was the most serious incident in recent years. This accident was also caused by corroded threads in the piston rod and rod end. |
20231101.en_13195856_8 | https://en.wikipedia.org/wiki/2007%20Bombardier%20Dash%208%20landing%20gear%20incidents | 2007 Bombardier Dash 8 landing gear incidents | On October 27, 2007, a Q400 registered LN-RDI was operating SAS Flight 2867 from Bergen, Norway to Copenhagen, Denmark with 40 passengers and 4 crew members when problems with the main landing gear were discovered. After waiting about two hours in the air to burn fuel and troubleshoot, the pilots attempted a prepared emergency landing. The pilots were forced to land the aircraft with the right main landing gear up. The right engine was shut down prior to the landing, because in the previous landings the propeller had hit the ground and shards of it ripped into the fuselage. This was not on the emergency checklist, rather it was the pilots making a safety-based decision. The aircraft stopped on the runway at 16:53 local time with the right wing touching the surface. It did not catch fire and the passengers and the crew were evacuated quickly. There were no serious injuries. The aircraft in question was one of six that had been cleared to fly just a month before, following the grounding of the entire Scandinavian Airlines Q400 fleet due to similar landing gear issues. The entire fleet was grounded again following the accident. |
20231101.en_13195856_9 | https://en.wikipedia.org/wiki/2007%20Bombardier%20Dash%208%20landing%20gear%20incidents | 2007 Bombardier Dash 8 landing gear incidents | The preliminary Danish investigation determined this latest Q400 incident was unrelated to the airline's earlier corrosion problems; in this particular case being caused by a misplaced o-ring found blocking the orifice in a hydraulic restrictor valve. Accordingly, the European Aviation Safety Agency announced that "...the Scandinavian airworthiness authorities will reissue the Certificates of Airworthiness relevant to this aircraft type in the coming days". |
20231101.en_13195856_10 | https://en.wikipedia.org/wiki/2007%20Bombardier%20Dash%208%20landing%20gear%20incidents | 2007 Bombardier Dash 8 landing gear incidents | After the second incident in Vilnius, SAS grounded its entire Q400 fleet consisting of 27 aircraft, and a few hours later the manufacturer Bombardier Aerospace recommended that all Q400 aircraft with more than 10,000 flights stay grounded until further notice, affecting about 60 of the 160 Q400 aircraft then in service worldwide. As a result, several hundred flights were cancelled around the world. Horizon Air grounded nineteen of its aircraft and Austrian Airlines grounded eight. |
20231101.en_13195856_11 | https://en.wikipedia.org/wiki/2007%20Bombardier%20Dash%208%20landing%20gear%20incidents | 2007 Bombardier Dash 8 landing gear incidents | On September 13, 2007, Transport Canada issued an Airworthiness Directive applicable to Bombardier Q400 turboprop aircraft instructing all Q400 aircraft operators to conduct a general visual inspection of the left and right main landing gear systems and main landing gear retract actuator jam nuts. This effectively grounded all Q400 aircraft until the inspection had been carried out. |
20231101.en_13195856_12 | https://en.wikipedia.org/wiki/2007%20Bombardier%20Dash%208%20landing%20gear%20incidents | 2007 Bombardier Dash 8 landing gear incidents | On September 14, 2007, Bombardier issued an All-Operators Message (AOM) recommending new procedures concerning the landing gear inspection for all aircraft with more than 8,000 flights. Bombardier acknowledged the likelihood of corrosion developing inside the retract actuator. |
20231101.en_13195856_13 | https://en.wikipedia.org/wiki/2007%20Bombardier%20Dash%208%20landing%20gear%20incidents | 2007 Bombardier Dash 8 landing gear incidents | Previous maintenance procedures mandated checking this component after 15,000 landings. The new maintenance schedule affected about 85 of the 165 Q400 aircraft worldwide. Some operators found that spare parts for this unexpected actuator replacement program were not available, grounding their aircraft indefinitely. |
20231101.en_13195856_14 | https://en.wikipedia.org/wiki/2007%20Bombardier%20Dash%208%20landing%20gear%20incidents | 2007 Bombardier Dash 8 landing gear incidents | Investigators detected corrosion inside actuators on 25 of 27 aircraft they checked. Accordingly, SAS decided to continue the grounding of its Q400 fleet until all the affected parts were replaced. |
20231101.en_13195856_15 | https://en.wikipedia.org/wiki/2007%20Bombardier%20Dash%208%20landing%20gear%20incidents | 2007 Bombardier Dash 8 landing gear incidents | On October 28, 2007, SAS announced that it would retire its entire fleet of Q400 aircraft after a third accident involving the landing gear occurred the day prior. |
20231101.en_13195856_16 | https://en.wikipedia.org/wiki/2007%20Bombardier%20Dash%208%20landing%20gear%20incidents | 2007 Bombardier Dash 8 landing gear incidents | On March 10, 2008, a multi-party agreement was announced, attempting to finalize the roles of maintenance and manufacture in causing the SAS accidents; as settlement the airline and its partners ordered a replacement set of short-haul aircraft from Bombardier, and in turn received a US$164 million discount. |
20231101.en_13195856_17 | https://en.wikipedia.org/wiki/2007%20Bombardier%20Dash%208%20landing%20gear%20incidents | 2007 Bombardier Dash 8 landing gear incidents | It has been speculated that a November 2007 shakeup of Bombardier management was spurred by the Q400 landing gear issues. |
20231101.en_13195856_18 | https://en.wikipedia.org/wiki/2007%20Bombardier%20Dash%208%20landing%20gear%20incidents | 2007 Bombardier Dash 8 landing gear incidents | Havarikommissionen (Danish Accident Investigation Board) report on the accident of the aircraft LN-RDK |
20231101.en_13195856_19 | https://en.wikipedia.org/wiki/2007%20Bombardier%20Dash%208%20landing%20gear%20incidents | 2007 Bombardier Dash 8 landing gear incidents | Havarikommissionen (Danish Accident Investigation Board) report on the accident of the aircraft LN-RDI even though it says Danish |
20231101.en_13195860_0 | https://en.wikipedia.org/wiki/Characteristics%20of%20Harold%20Pinter%27s%20work | Characteristics of Harold Pinter's work | Characteristics of Harold Pinter's work identifies distinctive aspects of the works of the British playwright Harold Pinter (1930–2008) and gives an indication of their influence on Anglo-American culture. |
20231101.en_13195860_1 | https://en.wikipedia.org/wiki/Characteristics%20of%20Harold%20Pinter%27s%20work | Characteristics of Harold Pinter's work | "That Harold Pinter occupies a position as a modern classic is illustrated by his name entering the language as an adjective used to describe a particular atmosphere and environment in drama: 'Pinteresque' "–placing him in the company of authors considered unique or influential enough to elicit eponymous adjectives. Susan Harris Smith observes: The Online OED (2006) defines Pinteresque more explicitly: "Resembling or characteristic of his plays. … Pinter's plays are typically characterized by implications of threat and strong feeling produced through colloquial language, apparent triviality, and long pauses." The Swedish Academy defines characteristics of the Pinteresque in greater detail: Over the years Pinter himself has "always been very dismissive when people have talked about languages and silences and situations as being 'Pinteresque'," observes Kirsty Wark in their interview on Newsnight Review broadcast on 23 June 2006; she wonders, "Will you finally acknowledge there is such a thing as a 'Pinteresque' moment?" "No," Pinter replies, "I've no idea what it means. Never have. I really don't.… I can detect where a thing is 'Kafkaesque' or 'Chekhovian' [Wark's examples]," but with respect to the "Pinteresque", he says, "I can't define what it is myself. You use the term 'menace' and so on. I have no explanation of any of that really. What I write is what I write." |
20231101.en_13195860_2 | https://en.wikipedia.org/wiki/Characteristics%20of%20Harold%20Pinter%27s%20work | Characteristics of Harold Pinter's work | Once asked what his plays are about, Pinter lobbed back a phrase "the weasel under the cocktail cabinet", which he regrets has been taken seriously and applied in popular criticism: Despite Pinter's protestations to the contrary, many reviewers and other critics consider the remark, though facetious, an apt description of his plays. For although Pinter repudiated it, it does contain an important clue about his relationship to English dramatic tradition (Sofer 29); "Mr. Pinter … is celebrated for what the critic Irving Wardle has called 'the comedy of menace' " (Brantley, "Harold Pinter"; cf. "A Master of Menace" [multimedia presentation]). |
20231101.en_13195860_3 | https://en.wikipedia.org/wiki/Characteristics%20of%20Harold%20Pinter%27s%20work | Characteristics of Harold Pinter's work | In December 1971, in his interview with Pinter about Old Times, Mel Gussow recalled that "After The Homecoming [Pinter] said that [he] 'couldn't any longer stay in the room with this bunch of people who opened doors and came in and went out. Landscape and Silence [the two short poetic memory plays that were written between The Homecoming and Old Times] are in a very different form. There isn't any menace at all.' " Later, when he asked Pinter to expand on his view that he had "tired" of "menace", Pinter added: "when I said that I was tired of menace, I was using a word that I didn't coin. I never thought of menace myself. It was called 'comedy of menace' quite a long time ago. I never stuck categories on myself, or on any of us [playwrights]. But if what I understand the word menace to mean is certain elements that I have employed in the past in the shape of a particular play, then I don't think it's worthy of much more exploration." |
20231101.en_13195860_4 | https://en.wikipedia.org/wiki/Characteristics%20of%20Harold%20Pinter%27s%20work | Characteristics of Harold Pinter's work | Among the most-commonly cited of Pinter's comments on his own work are his remarks about two kinds of silence ("two silences"), including his objections to "that tired, grimy phrase 'failure of communication'," as defined in his speech to the National Student Drama Festival in Bristol in 1962, incorporated in his published version of the speech entitled "Writing for the Theatre": |
20231101.en_13195860_5 | https://en.wikipedia.org/wiki/Characteristics%20of%20Harold%20Pinter%27s%20work | Characteristics of Harold Pinter's work | In his "Presentation Speech" of the 2005 Nobel Prize in Literature to Harold Pinter, in absentia, Swedish writer Per Wästberg, Member of the Swedish Academy and Chairman of its Nobel Committee, observes: "The abyss under chat, the unwillingness to communicate other than superficially, the need to rule and mislead, the suffocating sensation of accidents bubbling under the quotidian, the nervous perception that a dangerous story has been censored – all this vibrates through Pinter's drama." |
20231101.en_13195860_6 | https://en.wikipedia.org/wiki/Characteristics%20of%20Harold%20Pinter%27s%20work | Characteristics of Harold Pinter's work | One of the "two silences"–when Pinter's stage directions indicate pause and silence when his characters are not speaking at all–has become a "trademark" of Pinter's dialogue called the "Pinter pause": "During the 1960s, Pinter became famous–nay, notorious–for his trademark: 'The Pinter pause' " (Filichia). Actors and directors often find Pinter's "pauses and silences" to be daunting elements of performing his plays, leading to much discussion of them in theatrical and dramatic criticism, and actors who have worked with Pinter in rehearsals have "reported that he regretted ever starting to write 'Pause' as a stage direction, because it often leads to portentous overacting" (Jacobson). Speaking about their experiences of working with Pinter in rehearsing director Carey Perloff's 1989 double bill of The Birthday Party and Mountain Language (for Classic Stage Company), American actors David Strathairn and Peter Riegert agreed with Jean Stapleton that "Pinter's comments … 'freed' the cast from feeling reverential about his pauses," and, while Strathairn "believes pauses can be overdone," he also "thinks Pinter's are distinctive: 'The natural ones always seem to be right where he wrote them. His pause or beat comes naturally in the rhythm of the conversation. [As an actor, you] find yourself pausing in mid-sentence, thinking about what you just said or are going to say.…' " Perloff said: "He didn't want them weighted that much. … He kept laughing that everybody made such a big deal about it.' He wanted them honored, she said, but not as 'these long, heavy, psychological pauses, where people look at each other filled with pregnant meaning' " (Jacobson). |
20231101.en_13195860_7 | https://en.wikipedia.org/wiki/Characteristics%20of%20Harold%20Pinter%27s%20work | Characteristics of Harold Pinter's work | More recently, in an article elliptically headlined "Cut the Pauses … Says Pinter", a London Sunday Times television program announcement for Harry Burton's documentary film Working With Pinter, Olivia Cole observes that he "made brooding silence into an art form, but after 50 years Harold Pinter has said directors should be free to cut his trademark pauses if they want.…" In Working With Pinter (shown on British television's More 4 in February 2007), Cole writes, Pinter "says he has been misunderstood. He maintains that while others detected disturbing undertones, he merely intended basic stage directions" in writing "pause" and "silence". She quotes Pinter's remarks from Working With Pinter: |
20231101.en_13195860_8 | https://en.wikipedia.org/wiki/Characteristics%20of%20Harold%20Pinter%27s%20work | Characteristics of Harold Pinter's work | Exemplifying the frequency and relative duration of pauses in Pinter's plays, Cole observes that "Pinter wrote 140 pauses into his work Betrayal, 149 into The Caretaker and 224 into The Homecoming. The longest are typically 10 seconds." |
20231101.en_13195860_9 | https://en.wikipedia.org/wiki/Characteristics%20of%20Harold%20Pinter%27s%20work | Characteristics of Harold Pinter's work | Pinter's having encouraged actors to "cut" his pauses and silences–with the important qualification "if they don't make any sense" (elided in Cole's headline)–has "bemused directors", according to Cole, who quotes Pinter's longtime friend and director Sir Peter Hall as saying "that it would be a 'failure' for a director or actor to ignore the pauses": |
20231101.en_13195860_10 | https://en.wikipedia.org/wiki/Characteristics%20of%20Harold%20Pinter%27s%20work | Characteristics of Harold Pinter's work | Cole concludes that Hall added, however, that, in Working With Pinter, Pinter "was right to criticise productions in which actors were fetishising their pauses". |
20231101.en_13195860_11 | https://en.wikipedia.org/wiki/Characteristics%20of%20Harold%20Pinter%27s%20work | Characteristics of Harold Pinter's work | Quoting J. Barry Lewis, the director of a recent production of Betrayal, by Palm Beach Dramaworks, Lisa Cohen observes that Pinter has "even entered popular culture with what is called 'the Pinter pause,' a term that describes … those silent moments 'filled with unspoken dialogue' that occur throughout his plays." |
20231101.en_13195860_12 | https://en.wikipedia.org/wiki/Characteristics%20of%20Harold%20Pinter%27s%20work | Characteristics of Harold Pinter's work | Allusions to "the Pinteresque" and to specific characteristics of Pinter's works and, more recently, to his politics pervade Anglo-American popular culture (OED; Susan Harris Smith; mass media accounts, as cited above). The Modern Language Association annual convention has already hosted two linked programs on "Pinter's Influence and Influences" and hosted another one relating to this subject in 2007 (Merritt, "Harold Pinter Bibliography: 2000–2002"; "Pinter Society Events", Harold Pinter Society website). |
20231101.en_13195860_13 | https://en.wikipedia.org/wiki/Characteristics%20of%20Harold%20Pinter%27s%20work | Characteristics of Harold Pinter's work | Exemplifying Pinter's cultural influence for several decades, a line in "The Ladies Who Lunch", a song in Company, the 1970 Broadway musical by George Furth and Stephen Sondheim, alludes to Manhattanite "ladies who lunch" taking in "a Pinter play", "fashionable" at that time (Merritt, Pinter in Play 217). Yet Pinter told John Barber ten years later, in 1980: "'This really is an awful business, this fashion. I must tell you I feel I've been unfashionable all my life. I was oldfashioned from the very beginning, and I'm unfashionable now, really.' " |
20231101.en_13195860_14 | https://en.wikipedia.org/wiki/Characteristics%20of%20Harold%20Pinter%27s%20work | Characteristics of Harold Pinter's work | Episode 164 of the very popular American television series Seinfeld, entitled "The Betrayal" (originally broadcast 27 November 1997), is structured in reverse somewhat like Pinter's play and film Betrayal. Jerry Seinfeld's comic parodic homage to Harold Pinter, the episode features a character named "Pinter". Since the first airing of that Seinfeld episode and since the subsequent release of films like Memento and other popular works with reversed chronological structures, some media accounts (such as that in the IMDb) refer to Pinter's plot device in his play and film as a mere "gimmick". But scholars and other critical reviewers consider the reversed structure a fully integrated ingenious stylistic means of heightening multiple kinds of ironies energising Betrayal'''s comedic wit, its cumulative poignancy, and its ultimate emotional impact on audiences, and the play has been produced throughout the United States, Britain, and parts of the rest of the world with increasing frequency. |
20231101.en_13195860_15 | https://en.wikipedia.org/wiki/Characteristics%20of%20Harold%20Pinter%27s%20work | Characteristics of Harold Pinter's work | A character in the fourth episode of the second season of Dawson's Creek, "Tamara's Return" (28 Oct 1998), alludes to Pinter's so-called "sub-textual" use of silence as "a classic 'Pinter' moment". In dialogue between lead character Pacey Witter (played by Joshua Jackson) and Tamara Jacobs (Leann Hunley), his former English teacher with whom Pacey has had an affair, Tamara tells Pacey that an awkward moment of silence between them is "what we ex-English teachers call a classic 'Pinter' moment, where everything is said in silence because the emotion behind what we really want to say is just too overwhelming. … silence is an acquired taste. The more complicated life becomes the better it is to learn to say nothing." When Pacey inquires "Who is this Pinter guy?" Tamara urges him, "Stay in school." Later Pacey tells Tamara that he has "looked up this Pinter guy. Harold, playwright, the king of subtext. You say one thing, but you mean another," wondering further: "Do you think it's possible for us to have a moment without all the subtext?" "Uh, I don't know, Pacey," Tamara replies. "Words have always gotten us into so much trouble." Pacey and Tamara finally agree that "This Pinter guy was really onto something."A discussion of critical controversies about Pinter's presumed use of "subtext" appears in "Some Other Language Games", chap. 7 in Merritt, Pinter in Play 137–70. |
20231101.en_13195860_16 | https://en.wikipedia.org/wiki/Characteristics%20of%20Harold%20Pinter%27s%20work | Characteristics of Harold Pinter's work | Further alluding to Pinter's renowned "pauses and silences", the song "Up Against It", from the album Bilingual, by the English electronic music/pop music duo Pet Shop Boys, includes the lines: "Such a cold winter/With scenes as slow as Pinter" (Tennant and Lowe). |
20231101.en_13195860_17 | https://en.wikipedia.org/wiki/Characteristics%20of%20Harold%20Pinter%27s%20work | Characteristics of Harold Pinter's work | Also illustrating the frequent allusions to Pinter's "silences" in commentaries about others' work, in a book review of Nick Hornby's "debut teenage novel" Slam (Penguin Books), Janet Christie observes hyperbolically that Hornby is "spot-on with the way a conversation with a teenage boy contains more meaningful silences than Harold Pinter's entire oeuvre …." |
20231101.en_13195860_18 | https://en.wikipedia.org/wiki/Characteristics%20of%20Harold%20Pinter%27s%20work | Characteristics of Harold Pinter's work | Christie, Janet. "Cautionary Tale about a Boy and Girl". Scotland on Sunday, Books. Scotsman Publications, 7 October 2007. Web. 9 October 2007. [Outdated link.] (archived version). Internet Archive, 13 October 2007. Web. 2 June 2009. |
20231101.en_13195860_19 | https://en.wikipedia.org/wiki/Characteristics%20of%20Harold%20Pinter%27s%20work | Characteristics of Harold Pinter's work | Dorfman, Ariel. "The World That Harold Pinter Unlocked". Washington Post. Washington Post, 27 December 2008, A15. Print. The Washington Post Company, 27 December 2008. Web. 9 January 2009. |
20231101.en_13195860_20 | https://en.wikipedia.org/wiki/Characteristics%20of%20Harold%20Pinter%27s%20work | Characteristics of Harold Pinter's work | Dorfman, Ariel. " 'You want to free the world from oppression?' ". New Statesman, Jan. 2009. New Statesman, 8 January 2009. World Wide Web. 9 January 2009. ("Ariel Dorfman on the life and work of Harold Pinter [1930–2008].") |
20231101.en_13195860_21 | https://en.wikipedia.org/wiki/Characteristics%20of%20Harold%20Pinter%27s%20work | Characteristics of Harold Pinter's work | Edgar, David. "Pinter's Weasels". Guardian, "Comment is Free". Guardian Media Group, 29 December 2008. Web. 23 March 2009. ("The idea that he was a dissenting figure only in later life ignores the politics of his early work.") |
20231101.en_13195860_22 | https://en.wikipedia.org/wiki/Characteristics%20of%20Harold%20Pinter%27s%20work | Characteristics of Harold Pinter's work | "Editorial: Harold Pinter: Breaking the Rules". Guardian.co.uk. Guardian Media Group, 27 December 2008. Web. 7 March 2009. ("Pinter broke the rules in art and in life.") |
20231101.en_13195860_23 | https://en.wikipedia.org/wiki/Characteristics%20of%20Harold%20Pinter%27s%20work | Characteristics of Harold Pinter's work | . Episode 4 of Season 2 (204). Dawson's Creek: The Complete Second Season. DVD. Sony Pictures, (released) 16 December 2003. Web. 2 October 2007. |
20231101.en_13195860_24 | https://en.wikipedia.org/wiki/Characteristics%20of%20Harold%20Pinter%27s%20work | Characteristics of Harold Pinter's work | Tennant, Neil, and Chris Lowe (The Pet Shop Boys). "Up Against It". Song lyrics. petshopboys.co.uk: The Official Site. 2 October 2007. ["Browse all lyrics alphabetically" accessible via "Lyric of the day: Read more". Requires Adobe Flash Player 8 or above.] |
20231101.en_13195860_25 | https://en.wikipedia.org/wiki/Characteristics%20of%20Harold%20Pinter%27s%20work | Characteristics of Harold Pinter's work | External links HaroldPinter.org – The Official Website of the International Playwright Harold Pinter'' (Home and index page) |
20231101.en_13195877_0 | https://en.wikipedia.org/wiki/Jean-Baptiste%20Pitois | Jean-Baptiste Pitois | Jean-Baptiste Pitois, also known as Jean-Baptiste or Paul Christian (1811–1877), was a French author, known for The History and Practice of Magic, first published in France in 1870. |
20231101.en_13195877_1 | https://en.wikipedia.org/wiki/Jean-Baptiste%20Pitois | Jean-Baptiste Pitois | Jean-Baptiste Pitois was born May 15, 1811, in Remiremont, France. His family wanted him to become a priest and allowed him to be raised in a monastic community. However, he eventually decided against the priesthood. As a young man, he moved to Paris, where he became the associate of Charles Nodier, one of the leading literary lights of the Romantic movement, which was then emerging on the continent. Nodier's interest in the occult transferred to Pitois. |
20231101.en_13195877_2 | https://en.wikipedia.org/wiki/Jean-Baptiste%20Pitois | Jean-Baptiste Pitois | Pitois became a journalist and wrote largely under the pen name Paul Christian. He co-wrote Historic Paris: Walks in the Streets of Paris (1837-1840), which was his first book, with Nodier. It was followed by his Studies of the Paris Revolution (1839). That same year he was appointed librarian of the Ministry of Public Education. |
20231101.en_13195877_3 | https://en.wikipedia.org/wiki/Jean-Baptiste%20Pitois | Jean-Baptiste Pitois | Working with Nodier through the mass of uncatalogued material opened up a new level of interest in the occult, although it did not manifest for years. Meanwhile, he took his turn in the French army in Algiers from 1843–44 and wrote several historical texts. His most important were the History of the Terrors (1853) and the multi-volume Heroes of Christianity (1853–1857). A hint of what was to come appeared in 1844 with his Stories of the Marvelous from All Times and Lands. |
20231101.en_13195877_4 | https://en.wikipedia.org/wiki/Jean-Baptiste%20Pitois | Jean-Baptiste Pitois | Pitois had read about occultism and developed a strong anticlerical stance. During his life, many Eastern texts had been translated into French, as had the works of Emanuel Swedenborg. In 1859 Pitois turned his attention to writing Historie de la Magie, du monde Surnaturel et de la fatalité à travers les Temps et les Peuples (1870) (trs: History of Magic, the Supernatural World and Fate, through Times and Peoples). Carefully written so as not to offend his largely Catholic audience, it immediately became popular public reading. It surveyed the whole of the occult, explaining each element, and provided a history of occult practice in the West from ancient times. |
20231101.en_13195877_5 | https://en.wikipedia.org/wiki/Jean-Baptiste%20Pitois | Jean-Baptiste Pitois | Pitois wrote one additional book, The History of the War with Prussia and of the Two Sieges of Paris, 1870–71 (1872–73). His health declined through the 1870s, and he died at Lyon on July 12, 1877. He left behind a still-unpublished work on astrology that reportedly contains numerous allusions to contemporary events as proof of the value of the horoscope. |
20231101.en_13195877_6 | https://en.wikipedia.org/wiki/Jean-Baptiste%20Pitois | Jean-Baptiste Pitois | Christian, Paul [Jean-Baptiste Pitois]. Historie de la Magie, du monde Surnaturel et de la fatalité a travers les Temps et les Peuples. 1870. Translated by James Kirkup and Julian Shaw Edited and Revised by Ross Nichols as The History and Practice of Magic. New York: Citadel Press, 1969 |
20231101.en_13195883_0 | https://en.wikipedia.org/wiki/Eforie%20Sud%2C%20Constan%C8%9Ba | Eforie Sud, Constanța | Eforie Sud is part of Eforie city, Constanța County, Romania. It is geographically located on the west coast of Black Sea. It is a holiday resort known for its therapeutic treatments. It was called "Carmen Sylva", after the literary pseudonym of Queen Elisabeth of Romania between the two World Wars and ”Vasile Roaită” name of a communist activist from 1950 to 1962. |
20231101.en_13195907_0 | https://en.wikipedia.org/wiki/Narrow%20Neck%2C%20Queensland | Narrow Neck, Queensland | Narrow Neck is the name of an isthmus that separates the anabranch of the Nerang River from the Coral Sea in the City of Gold Coast, Queensland, Australia. It is also the boundary between the southern end of the suburb of Main Beach and the northern end of the suburb of Surfers Paradise. |
20231101.en_13195907_1 | https://en.wikipedia.org/wiki/Narrow%20Neck%2C%20Queensland | Narrow Neck, Queensland | The highway connecting Sydney to Brisbane was constructed at Narrow Neck in 1920 and by 1921 it became necessary to build the Gold Coast's first seawall out of timber. A series of seawalls were constructed at Narrow Neck over the years including materials like car bodies, old trucks and buses filled with concrete, dumped concrete from old buildings, rocks and boulders. |
20231101.en_13195907_2 | https://en.wikipedia.org/wiki/Narrow%20Neck%2C%20Queensland | Narrow Neck, Queensland | After an evaluation of seawalls along the Gold Coast by Griffith Centre for Coastal Management based at Griffith University on the Gold Coast, the timber wall was upgraded in 2016 by City of Gold Coast using the standard rock seawall design for the Gold Coast. Much of the timber removed was still in good condition. |
20231101.en_13195907_3 | https://en.wikipedia.org/wiki/Narrow%20Neck%2C%20Queensland | Narrow Neck, Queensland | In 1971 the Dutch University Delft completed a report for the Queensland Government recommending the construction of a groyne at Narrow Neck. The Gold Coast City Council examined the idea of a groyne and instead constructed an artificial reef to stabilise the foreshore at Narrow Neck. So far the reef has worked well as a coastal control point, but has been disappointing in its secondary objective to improve surfing. A surprising benefit of the Narrow Neck Reef has been its ability to attract marine growth and reef fish and is now a popular diving and fishing location. Narrow Neck is particularly popular for kite surfing and longboarding. |
20231101.en_13195907_4 | https://en.wikipedia.org/wiki/Narrow%20Neck%2C%20Queensland | Narrow Neck, Queensland | The 350 × 600 m V-shaped artificial reef is located 200 m offshore and deflects the waves to the left and to the right of its tip. It was built from more than 400 "mega sand containers" placed between 1 and 10 m below the mean sea level. Each container was about 20 m long and 3.0–4.8 m in diameter; it was filled with up to 250 m3 of sand and weighed up to 500 tonnes. Its walls were made of needle-punched nonwoven geotextile, which offered much higher damage resistance compared to conventional materials. The containers were filled on the shore and installed at a rate of up to 10 per day with a GPS-positioned ship. |
20231101.en_13195907_5 | https://en.wikipedia.org/wiki/Narrow%20Neck%2C%20Queensland | Narrow Neck, Queensland | In June 2018, renewal works were completed in which 84 additional mega sand containers were place on top of the reef from a split hull barge. |
20231101.en_13195940_0 | https://en.wikipedia.org/wiki/Ghada%20al-Samman | Ghada al-Samman | Ghadah Al-Samman (; born 1942) is a Syrian writer, journalist and novelist born in Damascus in 1942 to a prominent and conservative Damascene family. Her father was Ahmed Al-Samman, a president of the University of Damascus. She is distantly related to poet Nizar Qabbani, and was deeply influenced by him after her mother died at a very young age. |
20231101.en_13195940_1 | https://en.wikipedia.org/wiki/Ghada%20al-Samman | Ghada al-Samman | Her father was fond of both Western literature and Arabic literature; this influenced her deeply and gave her a unique style that combines attributes of both. Nevertheless, she soon was confronted with the conservative Damascene society in which she was raised. She published her first book of short stories Your Eyes Are My Destiny () in 1962, which was received reasonably well. However, at the time she was lumped in with other traditional feminine writers. Her later publications took her out of this milieu of feminine and love novels, and into wider social, feminist and philosophical spheres. |
20231101.en_13195940_2 | https://en.wikipedia.org/wiki/Ghada%20al-Samman | Ghada al-Samman | She graduated from the Syrian University in 1963 with a BA in English literature, and left to Beirut to earn her master's degree in theatre from the American University of Beirut, after which she did not return to Damascus. In Beirut she worked as a journalist, and in 1965 she published her second collection of stories, No Sea in Beirut (), which show the effects of her new, wider experiences. She then traveled around Europe working as a correspondent and in 1966 published her third collection Foreigners’ Nights (). |
20231101.en_13195940_3 | https://en.wikipedia.org/wiki/Ghada%20al-Samman | Ghada al-Samman | The Six-Day War had a shock effect on her, as it did on many of her generation. This was evident in her famous article "I Carry My Shame to London" (). After that she did not publish any books for six years. Instead, her journalistic articles became closer to the social reality and made her popular. The articles she wrote during that period became the source of some of her later publications. In 1969 she joined the weekly news magazine of Salim Lawzi, Al Hawadeth, as a correspondent. |
20231101.en_13195940_4 | https://en.wikipedia.org/wiki/Ghada%20al-Samman | Ghada al-Samman | In 1973 she published her fourth collection, The Departure of Old Ports (), considered by some critics to be one of her most important works. In this collection of short stories, she described the dilemma of the Arab intellectual and the conflict between his/her thought and actions. She published her first novel, Beirut 75 (), at the end of 1974. The novel describes the complex social problems in Beirut and prophesied the upcoming turmoil a few months before the civil war broke out in Lebanon. |
20231101.en_13195940_5 | https://en.wikipedia.org/wiki/Ghada%20al-Samman | Ghada al-Samman | After the publication of two more novels, Beirut Nightmares () in 1977, which describes life in civil-war-torn Beirut in the mid-Seventies, and The Eve of Billion () in 1986, some critics began referring to her as the most prominent modern Arab writer. |
20231101.en_13195940_6 | https://en.wikipedia.org/wiki/Ghada%20al-Samman | Ghada al-Samman | In the late 1960s al-Samman married Bashir Al Daouq, the owner of Dar Al Tali’a publishing house and had her only son, Hazim, which she named after one of her heroes in Foreigners' Nights. She later started her own publishing house and re-published most of her books. Further, she edited all her articles in a series she called “The Unfinished Works” (). She has published fifteen books, nine of them are poetry collections. She has stored her unpublished works including many letters in a Swiss bank, which she promises to publish “when the time is right”. |
20231101.en_13195940_7 | https://en.wikipedia.org/wiki/Ghada%20al-Samman | Ghada al-Samman | In 1993 she caused a scene in the literary and political arenas when she published a collection of love letters written to her by Ghassan Kanafani in the sixties when she had a love affair with him, which was no secret at the time. She was condemned for publishing them by some claiming that her intention was to smear the late writer's reputation and/or to negatively affect the Palestinian Cause. Al-Samman has also written a few books of literary criticism, and translated some of her works to other languages. She has lived in Paris since the mid-1980s and regularly writes in an Arabic magazine published in London. |
20231101.en_13195940_8 | https://en.wikipedia.org/wiki/Ghada%20al-Samman | Ghada al-Samman | Al-Samman's mother died when she was young, so she was raised by her father for most of her life. When she was an adult, Samman's father died and she lost her job in a short period of time. People in her society had a traditional frame of mind and saw her as a “fallen woman”. |
20231101.en_13195940_9 | https://en.wikipedia.org/wiki/Ghada%20al-Samman | Ghada al-Samman | اعتقال لحظة هاربة~I'tikal Lahzah Haribah (Capturing Freedom's Cry), 1979. Translated into English by Rim Zahra, ph.D. & Razzan Zahra, Ph.D. as Capturing Freedom's Cry: Arab Women Unveil Their Heart, 2019. |
20231101.en_13195940_10 | https://en.wikipedia.org/wiki/Ghada%20al-Samman | Ghada al-Samman | الأبديه لحظة حب~ Al-Abadiyya Lahzet Hubb(Eternity is a Moment of Love), 1999. Translated into English by Rim Zahra, Ph.D. as Arab Women in Love and War: Fleeting Eternities, 2009. |
20231101.en_13195940_11 | https://en.wikipedia.org/wiki/Ghada%20al-Samman | Ghada al-Samman | الرواية المستحيلة: فسيفسا ءدمشقية (Al Ruayah Al Mustahilah: Fasifasa' Dimashqiya), ”The Impossible Novel: Damascene Mosaic”, autobiography, 1997. |
20231101.en_13195952_0 | https://en.wikipedia.org/wiki/Cristache%20Gheorghiu | Cristache Gheorghiu | Cristache Gheorghiu (; born May 2, 1937) is a Romanian writer, painter, mechanical engineer and computer scientist. |
20231101.en_13195952_1 | https://en.wikipedia.org/wiki/Cristache%20Gheorghiu | Cristache Gheorghiu | In literature, Gheorghiu is best known as an essayist. An engineer by profession, he is known for his research on cybernetics. In the latter part of his life Gheorghiu has devoted himself to literature and art. |
20231101.en_13195952_2 | https://en.wikipedia.org/wiki/Cristache%20Gheorghiu | Cristache Gheorghiu | Gheorghiu was born in Roman, Romania, the son of Victor and Aurora Gheorghiu (born Vintilă). Victor Gheorghiu was an officer in the Romanian army who died in 1941 during the invasion of the Soviet Union in Odessa. |
20231101.en_13195952_3 | https://en.wikipedia.org/wiki/Cristache%20Gheorghiu | Cristache Gheorghiu | Cristache Gheorghiu attended the Lyceum Roman Voda, in Roman. He graduated from Gheorghe Asachi Technical University in 1959, with a master's degree in engineering. Gheorghiu worked as a mechanical engineer in Romanian enterprises and as a master designer in the County Institute of Design “Prahova”.In 1970, Gheorghiu switched his profession to computer science, as a result of attending the courses organised by C.I.I. France, from which Romania has bought the license for producing electronic computers. |
20231101.en_13195952_4 | https://en.wikipedia.org/wiki/Cristache%20Gheorghiu | Cristache Gheorghiu | Gheorghiu has published numerous scientific research articles. The main theme of his researches was "Territorial Information System". As recognition of his contribution, his name is mentioned in "The history of Science in Romania", the chapter "Cybernetics", and two of his scientific works has been selected in "Study of the Romanian Contribution in the Development of Cybernetics", (Publishing House of the Romanian Academy, 1981). |
20231101.en_13195952_5 | https://en.wikipedia.org/wiki/Cristache%20Gheorghiu | Cristache Gheorghiu | Gheorghiu has had numerous personal exhibitions and there are his paintings in many private collections or decorating public spaces. In literature he is known particularly as an essayist, his books – novels, travel notes or essays as it – always having deeper connotations than the apparent form the wording. He created and maintained the electronic publication "ADVERSA RES – a magazine of cultural confluences", where he used to comment the main cultural events from Brasov, where he moved in 1972. After retirement, he settled in Athens, Greece. |
20231101.en_13195952_6 | https://en.wikipedia.org/wiki/Cristache%20Gheorghiu | Cristache Gheorghiu | Sistem expert în cobalto-terapia tumorilor maligne - Academia RSR, al IV-lea „Colocviu de Sisteme şi Cibernetică”,București 19–20 octombrie 1987 |
20231101.en_13195952_7 | https://en.wikipedia.org/wiki/Cristache%20Gheorghiu | Cristache Gheorghiu | Cibernetica evoluţiei sistemelor socio-teritoriale – Academia R.S.R., al 3-lea Congres Naţional de Cibernetică,București 1985, |
20231101.en_13195952_8 | https://en.wikipedia.org/wiki/Cristache%20Gheorghiu | Cristache Gheorghiu | Modelarea asistată de calculator a evoluţiei sistemelor socio-teritoriale – Academia R.S.R., Academia de StudiiEconomice, a III-a Conferinţă Naţională de Cibernetică, 3-4 octombrie 1985 |
20231101.en_13195952_9 | https://en.wikipedia.org/wiki/Cristache%20Gheorghiu | Cristache Gheorghiu | Modelarea unor probleme ale conducerii teritoriale - Institutul Central de Informatică, Sesiunea de comunicăriŞtiinţifice 29-31 octombrie 1984 |
20231101.en_13195952_10 | https://en.wikipedia.org/wiki/Cristache%20Gheorghiu | Cristache Gheorghiu | Principiul remanenţei informaţionale aplicat la conducerea sistemelor economice mari - Institutul Central de Informatică, Sesiunea de comunicări ştiinţifice I.C.I. 1981 |
20231101.en_13195952_11 | https://en.wikipedia.org/wiki/Cristache%20Gheorghiu | Cristache Gheorghiu | Modelarea şi simularea numerică a evoluţiei sistemelor economico-sociale - Institutul Central de Informatică, Raportde cercetare, 1980 |
20231101.en_13195952_12 | https://en.wikipedia.org/wiki/Cristache%20Gheorghiu | Cristache Gheorghiu | Încercări de simulare numerică a sistemelor economico-sociale – Institutul Central de Informatică, Sesiune jubiliară de comunicări ştiinţifice, 22-24 septembrie 1980 |
20231101.en_13195952_13 | https://en.wikipedia.org/wiki/Cristache%20Gheorghiu | Cristache Gheorghiu | Simularea evoluţiei indicatorilor economico-sociali ai localităţilor dintr-un judeţ - Institutul Central de Informatică, Raport de cercetare, noiembrie 1982, în cadrul temei de cercetare: „Sistem Informatic Teritorial”. |
20231101.en_13195952_14 | https://en.wikipedia.org/wiki/Cristache%20Gheorghiu | Cristache Gheorghiu | Asupra problemei de clasificare automată – Institutul Central de Informatică, Sesiunea de Comunicări Ştiinţifice, 24-26 mai 1982 |
20231101.en_13195952_15 | https://en.wikipedia.org/wiki/Cristache%20Gheorghiu | Cristache Gheorghiu | Dinamica indicatorilor - Institutul Central de Informatică, consfătuire de lucru, Craiova 26-27 noiembrie 1981 |
20231101.en_13195952_16 | https://en.wikipedia.org/wiki/Cristache%20Gheorghiu | Cristache Gheorghiu | Metode statistico-matematice folosite în analiza stării de sănătate a copiilor - În colaborare cu dr. Vasile Moldovan, a VIII-a Sesiune de Creaţie Ştiinţifică şi Tehnică, Braşov 1979 |