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He notes Astaire's dance style was consistent in subsequent films made with or without the assistance of Pan. | ənta iktab as tamusne tan Astaire taqima as ənta tanihaga tax timuzax ti əganen kul,hargudi ənta warhas alil aytedem waladǎɣ îyen. |
"However, this was almost always confined to the area of extended fantasy sequences, or ""dream ballets""." | "Assaxa wendǎɣ,ənta titaf dǎɣ imanes asaxa nul,daha ən"ballets de rêve." |
"Later in life, he admitted, ""I had to do most of it myself.""" | "Tahoga dǎɣ tamudrenes,ənta tigash:"nak imanin ədtigen." |
"Many dance routines were built around a ""gimmick,"" like dancing on the walls in Royal Wedding or dancing with his shadows in Swing Time." | "Agen dǎɣ awa atiwagen dǎɣ adalan əntaned əkresnen fal iyan""gimmick""sund adalal fal edag wan Royal Wedding me adalal ad taliwen dǎɣ Swing Time." |
They would work with a rehearsal pianist (often the composer Hal Borne) who in turn would communicate modifications to the musical orchestrators. | Ašixal dəd itadawdaw wan asiburik ( agudiyan emag Hal Borne) was, dax tamasawal ənes, itamagradan tumutayen kal masartayan ən tiswal nanazar. |
With all the preparation completed, the actual shooting would go quickly, conserving costs. | Timassudawen kul əmdanatid,assimaduxal ənta aytagan amaradǎɣ shikanen,awendǎɣ aykanen ûduf ən timzal. |
"He will not even go to see his rushes... He always thinks he is no good.""" | "Ənta ûdigla had ənhi imanokalan...ənta agel awen ward ahûskat." |
Michael Kidd, Astaire's co-choreographer on the 1953 film The Band Wagon, found that his own concern about the emotional motivation behind the dance was not shared by Astaire. | Michael kidd,ənta cohegraphe ən Astaire dǎɣ idalalan win the Band Wagon dǎɣ awatay wan 1953, ənta tanhay as awa tarha dǎɣ idalalan widǎɣ wartitarha As taire. |
"Let's add the looks later.' """ | "Siwidat îssigrihan win assaxatan wi akayen""" |
"Irving Berlin considered Astaire the equal of any male interpreter of his songs—""as good as Jolson, Crosby or Sinatra, not necessarily because of his voice, but for his conception of projecting a song." | "Irving Berlin tiga as Astaire tanihaga ad issamaduxulan win ənazaran win medîn""harkudi askat yę Jolson, Crosby mex Sinatra,ward înfa tasiba an îlis ənes mashan tassuba ən tarhan ənes ya ad tagu assahax." |
In his heyday, Astaire was referenced in lyrics of songwriters Cole Porter, Lorenz Hart and Eric Maschwitz and continues to inspire modern songwriters. | Samandœ nes,Astaire tawaxra dǎɣ îmagriden ən îmakiven win îssuhax Cole Porter,Lorenz Hart ad Eric Maschwitz hargüdi əntaned tagan yę compositeurs win aynaynen awa əhsanigrazan |
During 1952, Astaire recorded The Astaire Story, a four-volume album with a quintet led by Oscar Peterson. | Awatay was 1952, Astaire tigran the Astraire Short,îyan ən album ilan əqoz volumeten ad iyan quintet sa nihad Oscar Peterson. |
Bogart began acting in Broadway shows, beginning his career in motion pictures with Up the River (1930) for Fox and appeared in supporting roles for the next decade, sometimes portraying gangsters. | Bogart tasanta adalan dǎɣ idagan win isuhax dǎɣ Broadway.dǎɣ cinema ad assanta tamusne tanes ənta ad Up The River(1930)yę Fox ad iganshid timusnawen ti aynaynen alwax wan assaxa wa ilkaman,ənta irgaw medîn. |
Bogart's private detectives, Sam Spade (in The Maltese Falcon) and Phillip Marlowe (in 1946's The Big Sleep), became the models for detectives in other noir films. | Əmanhayan iyad ən Bogart, Sam Spade ( dax Faucon maltais) əd Phillip Marlow (dax Grand Sommeil, wan 1946), eqalan timotayen tən manhayan dax silmatan kawalnen. |
Soon after the principal photography for The Big Sleep (1946, their second film together), he filed for divorce from his third wife and married Bacall. | Darat nîgi ən film the Big Sleep (1946,film ənasan tas sanatat dǎɣ tartit nasan)ənta asistan aməsiy ad hanis tas karadat,azar adoban Bacall. |
He reprised those unsettled, unstable characters as a World War II naval-vessel commander in The Caine Mutiny (1954), which was a critical and commercial hit and earned him another Best Actor nomination. | Ənta assîgrah ashaxal nasan ikna əzar îxshad sund amizar ən aytedîman agœtnen dǎɣ akinas was assin ən guerre mondiale dǎɣ mutinerie was Caine (1954), was igrawan dǎɣ timadashen ad commercial hargudi awen îkfey tassiwat tahusken dǎɣ ashaxal ənes. |
"The name ""Bogart"" derives from the Dutch surname, ""Bogaert""." | "Issam wan"Bogart"Ad dizgar issam ən tawsset əs ganan néerlandais, , "" Bogaert"" |
Maud was an Episcopalian of English heritage, and a descendant of Mayflower passenger John Howland. | Maud ataqal épiscopalienne ən origine anglaise,darat ən awen adid tizgar Mayflower, John Howland. |
"Clifford McCarty wrote that Warner Bros. publicity department had altered it to January 23, 1900 ""to foster the view that a man born on Christmas Day couldn't really be as villainous as he appeared to be on screen""." | Clifford Mccarty tîktab as aytedimen wi taganen issalan win Warner Bros əmiskalan ashal was 23 ən talil tan janvier ən awatay was 1900""fal adîgîn tihussay as aytedîm wa iwan ashal Nôel ward adubat ad aqǎl awadul îbraran. |
Lauren Bacall wrote in her autobiography that Bogart's birthday was always celebrated on Christmas Day, saying that he joked about being cheated out of a present every year. | Lauren Bacall tîktab dǎɣ autobiographie ənes as ashal wad tuwa Bogart aqal aytagen adalan Nes ashal ən tilil tan ganen nôel,ənta tînna ward tithaken cadeaux ən anniversaire ənes. |
Maud was a commercial illustrator who received her art training in New York and France, including study with James Abbott McNeill Whistler. | Maud ənta ayteden ən îssanan commère,tamusnen ənes tan artistique adǎɣ ta tîrgaw New York ad France,fal James Abbott McNeill Whistler. |
She earned over $50,000 a year at the peak of her career – a very large sum of money at the time, and considerably more than her husband's $20,000. | Garaw agaran 50 000 dollars dax awatay yur samando nəšixil ənes – madin iknan hulen dax ehanin, əd ahuskat hulen fal 20 000 dollars tən ahalis ənes. |
"He had two younger sisters: Frances (""Pat"") and Catherine Elizabeth (""Kay"")." | "Ənta tila shǎtmas sanatat:Frances("Par") ad Catherine Élizabeth("Kay")." |
A kiss, in our family, was an event. | Iyan ən tamulet dǎɣ tawset ta nanax taghal tidaw magharat. |
He inherited a tendency to needle, a fondness for fishing, a lifelong love of boating, and an attraction to strong-willed women from his father. | Ənta irgaw fal ǎba ənes harat wa îtakassan imanan dǎɣ aman,awen tarha ən hakūk Yę tawdes tan amǎn ad tidędęn ti sənen harat yę îman nǎsnat. |
Bogart later attended Phillips Academy, a boarding school to which he was admitted based on family connections. | Darǎt ən awen Bogart tinhǎy Academy wan Philipps,tarha ta tigraw tǎssūba ən tarha yę tiwssaten ənes. |
Several reasons have been given; according to one, he was expelled for throwing the headmaster (or a groundskeeper) into Rabbit Pond on campus. | Agen atwǎnah îga as amizar ən etang Rabbit Pond fal Campus. |
He then volunteered for the Coast Guard Temporary Reserve in 1944, patrolling the California coastline in his yacht, the Santana. | Ənta îga îmanes wan gardes-cotes dǎɣ awatay was 1944,ənta iswad littoral wan californien As îhǎ amas ən yacht ənes, Santana. |
In one, his lip was cut by shrapnel when his ship (the ) was shelled. | Tǎlîk ən îyat dǎɣen tǎt wankad fal tǎkat ǎlwaq wǎn tǎsnit tǎtwǎgar əs ęfew. |
While changing trains in Boston, the handcuffed prisoner reportedly asked Bogart for a cigarette. | As tøgǎz ǎlwaq węndǎɣ înzar dǎɣ train ən Boston,ǎytedem ęqfǎlan əs tîssîqfal assîstǎn Bogart îyat ən tezet ən sigarette. |
By the time Bogart was treated by a doctor, a scar had formed. | Ǎlwaq wa ikal assîssafar wan Bogart xør ęnassǎfar,ahayog îyan amera hid. |
"Instead of stitching it up, he screwed it up.""" | "Ənta war has îssafar,îknęt assînantîf..""" |
His character and values developed separately from his family during his navy days, and he began to rebel. | Talqa ənes ǎd sôrho ənes assiskanan ti tawset ənes îhadǎn wîn îga fǎl amǎn,awęn ęqalas ad tǎssiskanən tamîten ənes. |
Bogart resumed his friendship with Bill Brady Jr. (whose father had show-business connections), and obtained an office job with William A. Brady's new World Films company. | Bogart îga tamidwa taynayat ǎd Bill Brady Jr.(âbǎ ənes îla îmūzayan ûlan dǎɣ show-business)darǎt ən awęn əenta igrǎw ǎshaxal dǎɣ ədag ən timashaxalen dǎɣ World Films de William A.Brady. |
He made his stage debut a few months later as a Japanese butler in Alice's 1921 play Drifting (nervously delivering one line of dialogue), and appeared in several of her subsequent plays. | "Dǎrǎt ən |
A barroom brawl at this time was also a purported cause of Bogart's lip damage, dovetailing with Louise Brooks' account. | Iyan ən akînas igân dǎɣ bar dǎɣ awatay wen dǎɣ îwǎyid Bogart dǎɣ lesions labiales,awęndǎɣ ǎ tiwǎyanid dǎɣ récit wǎn Louise Brooks. |
"Bogart disliked his trivial, effeminate early-career parts, calling them ""White Pants Willie"" roles." | "Bogart wər ęrha ad aqęl awǎdəm wa ûnissen harət ad ashaxal wan tûdedęn itagû dǎɣ azamǎn wahîn ôkęyęn,ənta ǎ îrha ad tîkfîn"White Pants Willie". |
Menken said in her divorce filing that Bogart valued his career more than marriage, citing neglect and abuse. | Menken ti sisstǎnt dǎɣ magręd ənes wǎn âmîzîy Bogart ǎ tassøfa ashəxal ənes fǎl adûbîn Îna ənta wər tiga adûbîn wǎla. |
There he met Spencer Tracy, a Broadway actor whom Bogart liked and admired, and they became close friends and drinking companions. | Edeg węn dǎɣ ad îmanhaÿ ad Spencer Tracy,acteur ən Broadway wa tarha Bogart as tihûssay,darat ən awęn aqalan imidiwęn fal haratęn agətnęn. |
Tracy received top billing, but Bogart appeared on the film's posters. | "Issam wan Tracy ayhən ęqaf,mashǎn |
A quarter of a century later, the two men planned to make The Desperate Hours together. | Əkozat təzunawan dax temede nawatay nagudiyan, medin ganan adiqilan sartayan Alwaq waniba ən morda. |
Bogart shuttled back and forth between Hollywood and the New York stage from 1930 to 1935, out of work for long periods. | Awatay wǎn 1930 ad 1935,Bogart îla gar Hollywood ad scène new-yorkaise,ənta îga ęlan ǎgotnen ward îla ashaxal. |
"Although Leslie Howard was the star, The New York Times critic Brooks Atkinson said that the play was ""a peach ... a roaring Western melodrama ... Humphrey Bogart does the best work of his career as an actor.""" | Leslie Howard ənder ənta as vedette ,îmâgridǎn fǎl Brooks Atkinson wǎn New-York rimes ənta təna pièce ta atǎqal"une pêche...un mélodrame western rugissant...Humphrey Bogart îga ashǎxal ahukssęn dǎɣ tamudręnes. |
Warner Bros. bought the screen rights to The Petrified Forest in 1935. | Warner Bros ta shînshâhid droits The Petrified Forest ən awǎy wǎs 1935. |
Howard, who held the production rights, made it clear that he wanted Bogart to star with him. | Howard, ənta ǎtitafǎt assahat wǎn production,ina a ęrha as Bogart dēdes ənes. |
When Warner Bros. saw that Howard would not budge, they gave in and cast Bogart. | Ugud wa Warner Bros, izax Howard waritiyu, itimal əd ikas Bogart. |
"According to Variety, ""Bogart's menace leaves nothing wanting""." | Variety tina,""tassînę tân Bogart war tõya tarha wala dǎɣ iyet"". |
There must be something in my tone of voice, or this arrogant face—something that antagonizes everybody. | Ilay harat dǎɣ magrad wa nîn,mex idâm wa îbraran...haręt îyęn idgazan ǎytedeman kul. |
In spite of his success, Warner Bros. had no interest in raising Bogart's profile. | Hakid dǎɣ awa tigręw, Warner Bros. Wǎr tilə taboxort ən atifnaz tamusnę tan Bogart. |
Bogart used these years to begin developing his film persona: a wounded, stoical, cynical, charming, vulnerable, self-mocking loner with a code of honor. | Bogart ikna dax wityan fal arisantu asiwid nədinat ənes wi silma : ədmanes ihyag, ətahanint, cynique, ahusken, taliqe əd ajotnen ən tarhanasan dər tiridawt ən tarha. |
His disputes with Warner Bros. over roles and money were similar to those waged by the studio with more established and less malleable stars such as Bette Davis and James Cagney. | Tamadash ənes ad Warner Bros.fal îssalan awa ənbad tagî ad azruf œlah ad wa îwayid studio ad îmanzaran wi ôlahnen ad Bette Davis ad James Cagney. |
His only leading role during this period was in Dead End (1937, on loan to Samuel Goldwyn), as a gangster modeled after Baby Face Nelson. | Ashaɣal ənes wa ǎzaran dǎɣ awǎtəy wa îga dǎɣ Dead End (1937,atwahaka yę Samuel Golwyn) Diha ad îgraw gangster əyen safǎla ən Baby Face Nelson. |
"In Black Legion (1937), a movie Graham Greene described as ""intelligent and exciting, if rather earnest"", he played a good man who was caught up with (and destroyed by) a racist organization." | "Dax Black Legion (1937), iyat silma is Graham Greene iktab sund ""aniyat əd azikaran, ahuskat as itbat"", itagu ahalis ahusken eqalan atiwatafan (əd exšad) is tidawen abdanen tiwsaten." |
"The trouble was they were drinking mine and I was making this stinking movie.""" | Almasibat as ənta îssas ędagar wanin hakudi tagax wadǎɣ film."" |
On August 21, 1938, Bogart entered a turbulent third marriage to actress Mayo Methot, a lively, friendly woman when sober but paranoid and aggressive when drunk. | 21 ən talil tas 1938,Bogart assinta aduǎn ənes was assîn ad Mayo Met hot,tamat dar amędaw hûlęn mashan tamat ten war lamid azar takfar hulęn îhet akinas hulęn agud kul wa ad tiswa asmid. |
She set their house afire, stabbed him with a knife, and slashed her wrists several times. | ənta tiga efęw dǎɣ ehan nassęn, tidakęt sabsir. |
"According to their friend, Julius Epstein, ""The Bogart-Methot marriage was the sequel to the Civil War""." | “Awa ina amidi nassen, Julius Epstein,""azli wǎn Bogart ad Methot ęqəl as ilkam akinas gar tiwssatęn."" |
Methot's influence was increasingly destructive, however, and Bogart also continued to drink. | Tamusne tan Methot taqal almassibat ən tifawt kul, mashan, Bogart dǎɣ îssas hagudî. |
When he thought an actor, director or studio had done something shoddy, he spoke up publicly about it. | alwax wa ad iktahid as îyęn ən acteur, réalisateur mex stidio îga harat îbraran, anihaga ǎd ənen dat aduyət kul. |
Paul Muni, George Raft, Cagney and Robinson turned down the lead role, giving Bogart the opportunity to play a character with some depth. | Paul Muni, George Raft, Cagney əd Robinson ugayan ye əšəxil wan santo, tən ifa Bogart dax tabaxor nuxil nawadim dər andiran dax ider. |
He worked well with Ida Lupino, sparking jealousy from Mayo Methot. | Ǎshiɣal as tihussay ad Ida Lupino, Dǎɣ ahanat tismiten ən Mayo Methot. |
He could quote Plato, Pope, Ralph Waldo Emerson and over a thousand lines of Shakespeare, and subscribed to the Harvard Law Review. | Ənta iqra Platon,Pope, Ralph Waldo Emerson ad awa ôgaran efad gûr Shakespeare,mashan əntaned igan issmawan nassen dag Harvard Law Review. |
Based on the Dashiell Hammett novel, it was first serialized in the pulp magazine Black Mask in 1929 and was the basis of two earlier film versions; the second was Satan Met a Lady (1936), starring Bette Davis. | Ilay fal roman wǎn Dashiell Hamlet,film tatwasagrah as série Dǎɣ magazine wǎn Pulp Black awatay was 1929 azar iga ikfa tabarat yę assin versiontan ən cinématographique ta sanatat as Satan Met a Lady(1936), ad Bette Davis. |
Huston then eagerly accepted Bogart as his Sam Spade. | Huston erdah astihussay as Bogart itag Sam Spade ənes. |
The film, directed by Michael Curtiz and produced by Hal Wallis, featured Ingrid Bergman, Claude Rains, Sydney Greenstreet, Paul Henreid, Conrad Veidt, Peter Lorre and Dooley Wilson. | Film ta iga Micael Curtiz, ikna Hal Wallis,tikfa ahukssen yé Ingrid Bergman,Claude Crains, Sydney Greenstreet, Paul Henreid,Conrad Veidt,Peter Lorre ad Dooley Wilson. |
Bogart is reported to have been responsible for the notion that Rick Blaine should be portrayed as a chess player, a metaphor for the relationships he maintained with friends, enemies, and allies. | Bogart ǎ igrawen tamkire as Rick Blaine anihaga ǎd atwigû amadlal wa ixashadan,timkarawen ahanen garessan ənta ad midawan ənes hakid Dǎɣ imikssanan ənes. |
Bogart was nominated for Best Actor in a Leading Role, but lost to Paul Lukas for his performance in Watch on the Rhine. | Dǎɣ ashaxal wa ən tidat,Bogart atwaga acteur wa azaran kul,mashan azaras Paul Lukas As tihussan Dǎɣ Watch on the Rhine. |
Bogart went on United Service Organizations and War Bond tours with Methot in 1943 and 1944, making arduous trips to Italy and North Africa (including Casablanca). | Bogart d Methot osan United Organizations d War Bond Tours dagh awatay wan 1943 d wan 1944, ijjan isikilan assohat nen s Italia d Afrikiya tan Tamasna (taha Casablanca). |
"When they met, Bacall was 19 and Bogart 44; he nicknamed her ""Baby.""" | Alwaq wad amanhayen, Bacall ila elan 19, Bogart 44 ən awatay; ad has iganû " Baby". " |
"We'll have a lot of fun together""." | Nakaned naga nidal hûlen garen nax. |
By Myself and Then Some, HarperCollins, New York, 2005. | By Myself ən Then Some, HarperCollins, New York, 2005. |
He considered himself Bacall's protector and mentor, and Bogart was usurping that role. | Əntaned aganas istôssah ôgaz amidi ənes, mentor wǎn Bacall ad Bogart itikar ashaxal wen. |
"Also, he has a sense of humor that contains that grating undertone of contempt.""" | "Darat ən awen, ənta itag issasta wi taha yassine. "" |
The dialogue, especially in the added scenes supplied by Hawks, was full of sexual innuendo, and Bogart is convincing as private detective Philip Marlowe. | Edawani,hulen wa iga Hawks fal scène, ahanti imigriden aɣfalnes hulen fal aduban, Bogart igan haratan wi arnaen Dǎɣ temashaxal tan détective privée tan Philip Marlowe. |
The marriage was a happy one, with tensions due to their differences. | Azli ahukssat hulen, fal timusnawen ti abdanen garessan. |
"According to Bogart's biographer, Stefan Kanfer, it was ""a production line film noir with no particular distinction""." | Ina biographe wǎn Bogart, Stefan Kanfer, ənta""iyen ən film ən amikwal, wardila ibadhi. |
Lacking a love interest or a happy ending, it was considered a risky project. | Warila anafa warila azigraz ən man, awen ôlahd ad projet ibraraen. |
"James Agee wrote, ""Bogart does a wonderful job with this character ... miles ahead of the very good work he has done before.""" | James Agree iktab""Bogart itag ashaqal ahuksen ...ashaqal ilan kilomètres ten. |
Bogart appeared in his final films for Warners, Chain Lightning (1950) and The Enforcer (1951). | Bogart izgarid Dǎɣ filimten ti dalkamnen kul yę Warner, Chain Lighting(1950) ad The Enforcer (1951). |
Santana also made two films without him: And Baby Makes Three (1949) and The Family Secret (1951). | Santana tiga ənta Dǎɣ films ten sanatet war iha ənta :And Baby Makes Thee(1949)ad the Family Secret (1951). |
Several Bogart biographers, and actress-writer Louise Brooks, have felt that this role is closest to the real Bogart. | Biographes ten agetnen ən Bogart, ad tanaktibt Louise Blooks,əntaned axelan as tamashaxal ta tôhaz hulen temashaxal tan Bogart. |
A parody of sorts of The Maltese Falcon, Beat the Devil was the final film for Bogart and John Huston. | Parodie Dǎɣ The Maltese Falcon,Beat the Devil as film wa ilkaman ə Bogart ad John Hulson. |
Huston's love of adventure, his deep, longstanding friendship (and success) with Bogart, and the chance to work with Hepburn convinced the actor to leave Hollywood for a difficult shoot on location in the Belgian Congo. | Tarha ən assikal yę Hulson, tamxre tamiduwa ənes ad Bogart, ad tadabit ənes yę ashaxal ad Hepburn agrawen tarna fal acteur nassen wǎn Hollywood ad afal ashaxal wa fal argawan ad agan taɣalay ɣalayen agotnen dǎɣ amas ən Congo Belge. |
Bacall came for the over-four-month duration, leaving their young son in Los Angeles. | Bacall ôssad yę adagû karad uran ən tahagit,Dǎɣ œyahin elessan dǎɣ Los Angeles. |
"She Luxed my undies in darkest Africa.""" | "Ənta ta tubat ikarshayen ənaw Dǎɣ tihay."" |
Hepburn (a teetotaler) fared worse in the difficult conditions, losing weight and at one point becoming very ill. | Hepbum ( wənan isisu asmid) igraw imanes dax alwaqan asohatnen, ugud ən tazayt əd uda sufruy hulen. |
Despite the discomfort of jumping from the boat into swamps, rivers and marshes, The African Queen apparently rekindled Bogart's early love of boats; when he returned to California, he bought a classic mahogany Hacker-Craft runabout which he kept until his death. | Dǎɣ iba nasahat wa tiwgat ən nakarambaw dǎɣ tədmar naman, ijereran əd dual, The African Queen intadǎɣ əsənkar tarhanes tasohet ən Bogart ye karabawan ; ugud wa eaqal Californie, əšəša tasnit tolaɣat Hacker-Craft ən hišk itwar hawendǎɣ hartaba. |
"When Bogart won, however, he said: ""It's a long way from the Belgian Congo to the stage of this theatre." | Mugudu Bogart igraw, agudendǎɣ , adina : ‘’ ‘’ Tabarat tan Congo belge zəgrit ye tidawt in təfusen'' ‘’ |
As in tennis, you need a good opponent or partner to bring out the best in you. | Sund tennis, anihaga agaraw namakenis iwar sarho mex ami fal azzizgrar in tadabite in manes. |
Though he retained some of his old bitterness about having to do so, he delivered a strong performance in the lead; he received his final Oscar nomination and was the subject of a June 7, 1954 Time magazine cover story. | Inka adetaf andəran dǎɣ təssənawen ye tabarat ten, iga ašəɣil iwar sarho dǎɣ zabo ta-təšamat ; igraw tinimuklaness ta-samando in Oscars əzar igay temalsət in magazine time le 7 Juin 1954. |
He is the type of director I don't like to work with ... the picture is a crock of crap. | Sund enamahat wa dǎɣ dar wəderhax ad-nəmšəxil…silma taqal aysartayan ən talafen. |
"Despite the acrimony, the film was successful; according to a review in The New York Times, Bogart was ""incredibly adroit ... the skill with which this old rock-ribbed actor blends the gags and such duplicities with a manly manner of melting is one of the incalculable joys of the show""." | ‘’ Yur santo war əkna, silma taqal ahusken ; dǎɣ təzmit tan New York Times, Bogart eqal dǎɣ iba morda ere əwənanoxed…tamxar naxmar wa itagan silmatan ən talasse tan rock mêle ye imidiwan ən ənmitif ən nalmaxna ən tiwšre ye atiba egal agarazat magaran ye ere wa igihan ". |
He was uneasy with Ava Gardner in the female lead; she had just broken up with his Rat Pack buddy Frank Sinatra, and Bogart was annoyed by her inexperienced performance. | Wa əsgrez maness dǎɣ Ava Gardner wa əšɣal dǎɣ əmək wa deden; Iket ətamšašat dəmidines wan Rat Pack, Frank Sinatra, əd Bogart səgrazan ən salan wirsen hulen. |
When Bacall found them together, she extracted an expensive shopping spree from her husband; the three traveled together after the shooting. | Agud wa ətənhya Bacall artayan, təsistan ahalis əness ya rag asuk assohen ; win carad asekalan darat asəsətkil. |
He also appeared on The Jack Benny Show, where a surviving kinescope of the live telecast captures him in his only TV sketch-comedy performance (October 25, 1953). | Izgarid dǎɣ salan wi The Jack Benny Šow, dǎɣ adakal ən salan agudendǎɣ ən təmudre ən tənmətaft dǎɣ šastotan yur sketšes dǎɣ silma ( 25 octobre 1953). |
Stephen became an author and biographer and hosted a television special about his father on Turner Classic Movies. | Stephen egal animxar ən təməsnawen nawa išəxəlan izar isimsiduw isalan əbdanew fal tis fal Tuner classic Movie. |
In the wake of Santana, Bogart had formed a new company and had plans for a film (Melville Goodwin, U.S.A.) in which he would play a general and Bacall a press magnate. | Dǎɣ adriš wa Santana, Bogart ila tasirtayt taynayat izar ila isalan nəgi ən silma (Melville Goodwin, U.S.A) wa dǎɣ ima diqil animxar əd Bacall anamokal ən sidawat. |
He did not talk about his health and visited a doctor in January 1956 after considerable persuasion from Bacall. | Wad itimgrid fal ašexat ines əd isəstan lactor dǎɣ janvier 1956, darat uxul nimasdimal ina Bacall. |
He had additional surgery in November 1956, when the cancer had metastasized. | Iga opere maqaran dǎɣ novembre 1956, mašan cancer təwəd. |
"On it was inscribed, ""If you want anything, just whistle.""" | " Əktab fallas :`` `` afal tarhed harat, sukusut.`` `` |