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Multimodal Art Projection 273

https://www.vergiliusguide.com/villadeste/en/

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Villa d'Este Audioguide "Villa d’Este Audioguide" app lets you easily experience Tivoli Villa D’Este, one of the nicest archeological sites in the Rome area and surroundings, driving you through its main cultural and historical features. The guide provides themed audio tours, offering information on several topics, ranging from history, art and architecture. Audio contents are enrichened by music and sound effects and they are also paired with planned routs, maps and pictures. The guide is also available in French, German, Italian and Spanish.

artistic

http://www.outnbout.com/-/collections/stock/abstract/-/medias/first

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Mosaic Painting of Orange Spring Mound Creative Camera Technique creates a mosaic painting of Orange Spring Mound, Yellowstone National Park..Bacteria and algae create the streaks of color on Orange Spring Mound. It is noticeably different from many of the other terrace formations nearby. Its large mounded shape is the result of very slow water flow and mineral deposition. Photo ID: 2456755-10743 Author: Roderick Bley © outNbout - Roderick Bley File state: Final Photo size: 8.0 Mpixels (22.9 MB uncompressed) - 2448x3264 pixels (8.1x10.8 in / 20.7x27.6 cm at 300 ppi) Photo keywords: abstract, Americas, concept, concepts, conceptual, design, geyser, golden color, national park, North America, Orange Spring Mound, painting, park, provincial park, state park, summer, United States, United States of America, USA, Wyoming, yellow, Yellowstone, Yellowstone National Park

artistic

https://www.is-imkanlari.com/marquee-sign/

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Catch a bit of the Hollywood glamour by making your very own Marquee Sign. These signs are super popular, but buying one can get pretty pricey. The great thing about making your own is that you are not limited to what is sold in stores. Just take a few cardboard letters, some paint, and add a string of round lights for the ultimate room decoration. If you want to get fancy, grab a cardboard star, paint it gold, and add the lights to create an awesome twist on this favorite. Be creative! - Hollow cardboard letters - Utility knife (such as an X-Acto) - Acrylic paint - 1 (1″) sponge brush - 1 strand round-bulbed string lights (this is enough to create a three-letter word, with about 10 lights per letter) - 2 thumbtacks per letter (optional) - Start by using your utility knife to cut the front of the cardboard letter off. Insert the knife tip into the side of the letter, as close to the front edge as you can without going over the edge to the front itself, and cut. Once the entire front of the letter is open, remove the inner lining from the cardboard letter. - Next, apply a coat of paint to the inside of each letter. You may need to use two coats of paint to make sure your cardboard is all one color. Set aside to dry for about 1 hour. (See following photo.) - Once the paint is dry, sketch out where you want your lights to go by using your pencil to make a circle on the back of the letter where each light will be placed. The circles should be about the size of the bulbs on your string of lights, and equally spaced apart. You will use about 10 lights per letter, so you should have 10 circles. Use your ruler to make sure the circles are evenly spaced. A good rule of thumb is to place them 4″ apart, though this may vary with the size of your letters and the number of lights you have. These circles will give you a rough idea of where each light will go. - Repeat the previous steps for each additional letter you’ll use in your sign. - Next, lay out your word painted side down with the letters in reverse order, so that it reads from right to left. Use your utility knife to create X-shaped cuts in the center of each circle you sketched on the cardboard. These holes should be big enough to fit the socket of the light through, but not so large that the bulb will fit through. (See following photo.) - Remove the bulb from the first light and push the socket through the hole you made. Once the socket is through the hole, lift up the letter and screw the bulb back on from the front side to secure it. Unless the letter you are making is straight up and down, like an “L”, while looking at the backside of the letter, you want to start adding your lights at the bottom right of the first letter in the word, go up and around the letter, and end at the bottom left of each letter. This will make it easier when switching to the next letter, since you’re using the same strand of lights. - Once the lights are fastened on each letter, your Marquee Sign is complete. If desired, use thumbtacks to hang it up on your wall near an electric outlet so you can plug it in. MAKE IT PERSONAL! To make this project a little easier, just use the Ping-Pong Ball Lights from Chapter 6. Simply wait until you poke the lights through the cardboard letters to attach the Ping-Pong balls to the bulbs.

artistic

https://konecto.io/pdm/final-chapter-the-farewell-symphony/

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The factory had never been quieter. It was the close of the day, and the machines had wound down to a gentle hum, as though they too sensed the poignant shift in the air. Santiago stood before the heart of the factory, his hand lightly resting on its metallic surface, the vibrations whispering the tales of a partnership that had transformed their world. David was leaving. An overseas opportunity had come his way, a chance to shape the future of engineering on a global scale. It was an offer he couldn’t refuse. But it also meant bidding farewell to Santiago and the factory that had been his first home in the world of maintenance engineering. Santiago knew this day would come. He had seen David’s eyes light up when he spoke of the advances in technology, the new horizons that awaited in far-off places. But knowing did not ease the ache. David was not just his protégé, but his friend, a guiding light that had illuminated the path to embracing the future. As David approached, Santiago turned to him, his weathered face softened by affection and respect. “You’re destined for great things, David,” he said, his voice heavy with emotion. “You have a knack for understanding the heart of machines and people alike.” David smiled, a hint of sadness in his eyes. “I learned from the best, Santiago. You taught me to listen, to understand the pulse of the machines, to respect the old ways while embracing the new. I’ll carry that with me wherever I go.” They spent the remainder of the day reminiscing, revisiting the countless triumphs they’d shared, the trials they’d overcome, the symphony they’d conducted together in this mechanical wonderland. As the sun set, painting the factory in hues of gold and crimson, they stood in silence, each man lost in his own thoughts. Finally, it was time to say goodbye. Santiago extended a hand to David, his grip strong and reassuring. “Promise me you’ll continue to bridge the gap between the old and the new,” Santiago said, his eyes meeting David’s. “Promise me you won’t forget the lessons of the past as you forge ahead into the future.” David nodded, his throat tight. “I promise, Santiago. And I hope…I hope you’ll continue to embrace the new ways, too. There’s so much more out there, so many more melodies to add to our symphony.” Their farewell was bittersweet, a melange of pride, sorrow, and gratitude. As David walked away, Santiago looked on, a sense of fulfillment washing over him. The factory, his lifelong companion, hummed softly, a comforting echo in the vast, empty space. Santiago was alone again, but he was not the same man. He had changed, had learned to dance to a new rhythm. David had opened his eyes to the boundless potential of embracing change, and for that, he would always be grateful. The final chapter in the story of the Old Maintenance Engineer was not an ending, but a new beginning. A reminder that no matter how set we are in our ways, there’s always room for growth, for learning, for new melodies. Santiago, the man who once resisted change, now stood as a testament to the power of adaptation, of friendship, and the beautiful harmony that could arise when the old and the new came together. It was the perfect ode to the symphony of change, a tune that would continue to resonate through the halls of the factory, echoing the legacy of an unlikely partnership that had redefined the essence of maintenance.

artistic

https://www.borderedcarpet.co.uk/products/bordered-rugs/

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We know how important a quality bordered rug is to the finish of a room. Our bordered rugs needs to complement the décor that you, as a home owner or interior designer, have perfected. We are delighted to work with professional interior designers and home owners. To ensure that the colour, design and fitting is faultless. As all our bordered rugs and carpets are custom-made to your requirements. You can be rest assured that we are firmly in control of your order. We work to your instructions and are happy to meet with you to measure your requirements on site. As well as providing a detailed no obligation quote for the work required. On acceptance of an order, we then put your bordered rugs into production to meet the delivery and fitting schedule agreed. What’s more, with a choice of 2,500 rug colours to choose from. As well as the option to dye a carpet. It can be tailored to your exact specifications. Of course, we also have our wide selection of bordered rugs to choose from, which bring that all important wow factor to a room. You can trust Colourmatched carpets to work with you on your designs to time, budget, quality and specifications. If you are an interior designer and would like to find out more about how our exceptional carpets can work for you or to request a sample, please email email@example.com Alternatively, you can call us directly on 01282 844433 or 07833 114 229.

artistic

https://davidlindstrommusic.wordpress.com/2020/10/06/another-year/

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There is an irony to creation. I have found that the harder I work on something, the less ownership I have over it. The more I put into it, the less it is mine. So it is only with great humility that I can present you with our latest album, Another Year. This music is lush, organic, optimistic, and unlike anything we’ve done before. It was made collaboratively, built around each individual’s unique sensibilities and bound together by our mutual respect. I love this album and the people who made it. This year has certainly taught me that the best thing about making art is that it’s a good excuse for friends to get together. We had planned for a Fall release, and are sticking to that in the sense that physical copies are now available, but we are saving the digital/streaming release for when we can safely put on a live release show. You can sample the first third of the album below: CD’s are pay what you want (+ $3 s/h) from now through the end of October. They include a CD, digipak, mp3s, and 9 individual lyric postcards. We accept Paypal or Venmo. Order by emailing us at firstname.lastname@example.org Created by David Lindstrom: Josh Pfohl: Bass // Nina Nelson: Mallet Percussion, Vocals // Matt Nelson: Guitars, Oud, Vocals, Sand, Orchestrations, Visuals // Devin Tomczik: Drums, Percussion Additional performances: Matt Dehnbostel: Violin, Viola // Sean Jacobson: Trumpet, Trombone Recorded and Mixed by Matt Nelson at Greenspeak Studio. Additional Field Recordings captured onsite across Minnesota and Iceland. Mastered by Greg Reierson at Rareform Mastering Dedicated to our parents and grandparents, children and grandchildren. Thank you for listening and have a great Fall!

artistic

https://www.cococonran.com/about

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I believe in simple things, beautifully made. Having studied fashion in a more traditional and technical way with a degree in pattern cutting, my focus is on the form, fit and functionality of each garment. I use complex pattern techniques to tailor well cut, stylish clothes that are immaculately detailed, unapologetically simple and comfortable to wear. My clothes are made to order and made to last. I am passionate about sustainable fashion, using natural fabrics to create uniquely elegant, timeless pieces that will last you a lifetime.

artistic

https://kindofblue.com/2016/12/sketching-more/

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For the last few years, I have been doing what I can to get into habit of sketching more often. And if you look at the photo above, you’ll see how many sketchbooks I’ve been able to fill up over this time. Before I really began sketching in earnest, I had a few sketchbooks (you can see the ones that were much further into the past), but they would only get opened every six months or so, and then only for a sketch or two. I’m still not sketching on a daily basis, but I’ve been able to pull out a sketchbook for some doodling almost at least once a week. For the last two years, I have participated in the “Every Day in May” and Inktober challenges. They have been a great way to force myself to stick to some regular sketching. You can see the results from Every Day in May 2015 & 2016, and my Inktober sketches from 2016 up on Flickr. When there aren’t any ongoing challenges, it is a bit harder to keep up with sketching, but it’s something that’s almost always on my mind. And even if it isn’t an every day habit, I do enjoy the practice very much - which I’ll probably get into more over the next few months. If you’d like to follow along, I’ve been using both my Flickr and Instagram accounts to upload my sketches and paintings.

artistic

http://www.danceallegroacademy.com/

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Welcome to Dance Allegro Academy of Meridian, Idaho! We were founded in 2010 by R. Jessica Seymour and have been providing art and beauty to the treasure valley since 2010. Our mission is to provide dance classes to students with informative, fun and physically stimulating instruction while boosting self-confidence. To that end, Dance Allegro Academy is committed to providing a safe atmosphere where students can learn, broaden and expand their understanding and skills within dance. Feel free to explore our website or contact us for more information. Click Here for the Current Class Schedule!

artistic

http://weddings.khristian.com/frequently-asked-questions/

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What is required to book my date? A non-refundable retainer fee and signed contract are required to book your event date. The remaining balance is by the date of your wedding. My calendar is always changing as I typically book up 9-12 months in advance of each wedding or event, so please contact me to check my current availability for your event date as soon as possible. How many pictures are usually provided? When I photograph an event, I never limit myself to the amount of images taken. I will take as many images necessary to capture the story of your wedding or event. For most weddings, I usually provide around 600-800 finished images. The total amount of images vary depending on the length of coverage and locations traveled. Are your photos retouched? All hi-res files (for both weddings and engagements) are finished and fully color-corrected and developed to my personal style and taste. What is your turnaround time after the wedding? 1 week: A blog post highlighting my favorite images 3 weeks: Online gallery with fully edited photographs to share with family and friends 4 weeks: Custom DVD delivered to you If I am creating a short film, that will be finished by the 4 week mark and delivered online and on DVD with your photographs Do you have second photographers available? Yes, my prices always include a second photographer. I realize the importance of having two photographers to cover multiple perspectives of the wedding day (e.g. bride getting ready and groom getting ready) in order to tell the most comprehensive story of each unique event. Do you travel for weddings? Absolutely! I love traveling and shooting weddings in different locations. I’ve shot weddings from the glacier carved valley of Yosemite to a small village deep in Mexico. What kind of equipment do you use? I shoot exclusively with professional Canon cameras and lenses and always carry backup equipment to prepare for any situation.

artistic

http://www.lazyliterature.de/interview-with-will-hubbell-morgan-howell-2012-english/

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Morgan Howell is the pen name of Will Hubbell, sci-fi-writer and author of children’s books. He has been writing novels for years and one of them is the fantastic trilogy about Dar in „Queen of the Orcs“. (Photo: Copyright William H. Hubbell, next to him a picture of his new heroine Nartha-hak) Thank you for taking the time for this interview. I’ve just finished your great trilogy about Dar in „Queen of the Orcs“. In some ways it reminded me of Jean M. Auels saga about the Stone Age. The conflict between different cultures is very distinct in both novels. How did you come up with the series or what was first: characters or story? The story began with a question: what if orcs were actually a noble race? If that was true, then I had to explain why humans regarded them as demons. My answer was inspired by American history. In the nineteenth century, Indians were commonly viewed as evil incarnate. That attitude helped eased the white man’s conscience as he stole Indian lands. The conflict between whites and Indians guided my writing when I wrote about the urkzimmuthi and the washavokis. I created Dar to transform the reader’s vision of orcs as her attitudes evolve. She’s the heart of the story. As a woman living in a traditional society, she’s helpless in a man’s world. At first, orcs terrify her. But after she understands their culture, she’s empowered by her knowledge. I thoroughly enjoyed writing Dar’s complex interactions with Kovok-mah. The Orcs in your story have their own culture and language. How much time did you spend with the development of all the details? I immersed myself in orc culture. I tried to imagine every aspect of their lives, so I could understand how they would act in any given situation. Believing that people learn about others through observation, I avoided describing orc culture in favor of showing it in action. One of the first things I did upon conceiving the story was to devise the grammar of the orcish language and begin a dictionary. Language reflects culture, so I put much thought into creating Pahmuthi. The word, which translates as „speech of mothers,“ demonstrates the language’s matriarchal roots. The abundant personal pronouns show gender’s importance. I had fun combining words to create new ones. For example, the alcoholic drink, falfhissi, combines „water“ and „laugh.“ I also paid much attention to how the language sounds when spoken. How did you keep track of all the characters and rituals and words? I kept a detailed notes on characters and cultural practices. As for the words, I own a copy of Professor Hubbell’s Traveler’s Guide to Orcish: A Grammar and Dictionary for Everyday Usage. What and who was your inspiration to start writing? I was an artist who wanted to create picture books, and to have complete control, I had to write them. Thus Maurice Sendak, Chris Van Allsburg, and Holling Clancy Holling—all writer/illustrators— first inspired me. When I started writing novels, J. R. R.Tolkein, Ursula K. LeGuin, John Cavell, and Elizabeth Marshall Thomas became inspirations. How much of your experiences in the military go into your writing? Being in the military convinced me that warfare is a chaotic and gruesome enterprise that rarely achieves its intended ends. I try to make my battles ugly. My characters are often sickened by what they do in combat. On the a other hand, a good grasp of tactics is extremely useful for a fantasy writer. In my second trilogy, The Shadowed Path, I have a long passage where my hero conducts a successful one-man guerrilla campaign against thirty-nine armed and armored men. How did you come up with your pen name? Since my main character was a woman, I decided to use an androgynous name. In America, both men and woman are named Morgan. My favorite art teacher, a male, was Morgan. So was my favorite cat, a female. „Howells“ was my Grandmother’s maiden name. I dropped the „s,“ so it didn’t sound like „howls.“ You first wrote children’s stories. How and why did you switch to writing novels? Actually, I continue to write both, although the novels have taken up most of my time recently. It can take years to break into the children’s market, so as my children aged, I wrote older books for them. My oldest son was a teenager and I was still unpublished when I wrote my first novel. It was about a centuries-long space voyage that was undertaken as an act of faith. That book was never published, but it led to the publication of my first science fiction novel, Cretaceous Sea. Writing my first novel was a revelation. I fell in love with the power of words to evoke character and emotion. I found I enjoyed creating new worlds and devising tales that drew readers into them. When I’m writing a novel, it’s the place I live. It’s characters and settings become real to me. Writing is the ultimate getaway. What is the difference for you between writing fantasy/Sci-Fi and children’s books? The artwork in my children’s books is a major element. The richly detailed drawings are a means for a child to explore the natural world. I would characterize my children’s books as lyrical. I aim for emotional intensity in my novels, which tends to make them dark in tone. Character is paramount, and my characters often to suffer. I strive to create a fast pace, twists in my plots, and realistic but exotic settings. Are you currently working on new novels? Can you tell us a little bit about them? My next novel will revisit the orcs. It’s currently undergoing final editing, and I hope to have it out by early fall. It’s titled A Single Deed, and tells the story of Nartha-hak in her own words. Nartha considers herself an orc, but at eleven she learns that her father was human. The circumstances that lead to that revelation throw her life into a downward spiral. By the time she’s sixteen, Nartha feels she can find solace only by tracking down her father and killing him. She doesn’t understand the human tongue, she knows nothing about human ways, but she believes her goal will be easy to achieve because her father has yellow hair. Nartha thinks such a „freakish trait“ will cause him to stand out like a white stag. By the time she learns otherwise, she can’t return home. Worse, she’s provoked a band of deadly enemies. The story, which is complete in a single volume, offers an insider’s view of the orc’s culture and an outsider’s perspective of the human’s one. It’s a tale of a life dedicated to revenge that becomes a journey to self-discovery. Which novels would you recommend and which are currently lying on your nightstand? I get much of my inspiration from reading nonfiction, but my favorite novels include Reindeer Moon by Elizabeth Marshall Thomas, The EarthSea Trilogy by Ursula K. LeGuin, The Martian Chronicles by Ray Bradbury, The Time Machine by H. G. Wells, The End of Eternity by Isaac Asimov, Shogun by James Cavell, and—of course, The Lord of the Rings by J.R.R. Tolkien. I’m currently reading The Last Witchfinder by James Morrow. It’s a richly imagined historical novel that’s darkly ironic and often hilarious. Thank you so much.

artistic

https://www.plantiste.com/

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top of page For so long plant decor has been limited to a pot. We're going to change that. HELLO, WE'RE PLANTISTE. Yes, we've binge watched home improvement shows. Yes, we like to pass the time by visiting home decor stores and plant nurseries. Like you, we're plant people with an appreciation for unique style. But in the plant world, styling has been limited to a plant's pot. We’re going to change that. We’re reimagining all indoor plant accessories with a focus on home decor. So we invite you to join a group of artists, decorators and plant lovers as we explore our creativity with new colors and styles for your plants and home. bottom of page

artistic

https://billabbottmagic.com/blogs/bill-abbott-magic-pro-tips/the-jay-sankey-interview

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"We sat down in Jay's Toronto home to talk performing and his approach to stand-up and magic. We chatted about the power of making people feel invisible, the theory of not getting caught starting, the close-up to stand-up changes we should make, the innate need to perform, and how to develop courage and confidence as performers. Jay Sankey is a friend and someone I consider a national Canadian treasure. If you're a performer, the things he says here will enrich you." -Bill Abbott Jay Sankey is a true magician’s magician and is widely considered to be one of the most original thinkers and finest magic teachers alive today. He is also one of the most prolific magic creators on the planet. While many of his creative contemporaries have a few dozen original routines to their credit, at last count Jay has created well over 1500 original magic effects. Jay’s uncanny gift as magic inventor was evident from an early age. For his 11th birthday he was given a toy magic set, and by the age of 18 he was traveling the world lecturing on the subject of sleight-of-hand magic to both professional and amateur magicians. Somehow, Jay still made the time to graduate from the University of Toronto where he studied psychology, philosophy and film. As a performer, Jay has mystified audiences at private parties, trade shows, banquets and corporate functions including work for Coca Cola, Honda, Chrysler, Panasonic, McDonald’s and Club Med. Jay has also worked as a consultant for many of the world’s most famous magicians including David Blaine, Criss Angel, Keith Barry and David Copperfield. In conjunction with the Ottawa-based production company GAPC, Jay and his company Sankey Magic created the magic-based children’s television series SPELLZ. Jay also hosted the show for two seasons, and starred in all 26 half-hour episodes. As a stand-up comic, Jay headlined comedy clubs for years and performed at the numerous festivals including two appearances at the prestigious JUST FOR LAUGHS comedy festival in Montreal. And as a monologist Jay has mounted several live one-man shows including CONTENTS UNDER PRESSURE and BORROWED BREATH. CONTENTS UNDER PRESSURE was later produced for television by Sleeping Giant Productions and starring Jay it aired on BRAVO! Jay’s experiences as both a professional comic and a monologist inspired him to write ZEN AND THE ART OF THE MONOLOGUE as well as a book that is considered to be one of the modern bibles of stand-up comedy ZEN AND THE ART OF STAND-UP COMEDY. Both books are published by Routledge in New York. See more about Jay Sankey here:

artistic

https://www.connorgriffinmusic.com/about

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Connor first became interested in film music through John Williams’ incredible scores for the Star Wars series. As a young boy, he could listen to a passage and vividly see the film accompanying it in his head. As he grew older, Connor started to focus on filmmaking as a career. In 2012, Connor enrolled at Temple University in Philadelphia, obtaining a degree in Film & Media Arts and a minor in General Business Studies. Throughout Connor’s early filmmaking career, the music for his films was always of great importance to him. As his skills as a musician developed, he began writing his own original music. Eventually, Connor came to the realization that of all the aspects of filmmaking, what truly interested him the most was creating the musical score. He subsequently shifted his focus towards film composing, and has been pursuing it ever since. Since 2009, Connor has scored over 50 short films, two award winning web series, and two feature length documentaries. He recently composed additional music for the first season of YouTube Premium series “Sherwood”. In the summer of 2015, a fanfare of Connor's was licensed as the opening music to the Boston Pops Fireworks Spectacular, a massively popular televised live event broadcast across the country. Connor currently lives in Los Angeles.

artistic

http://www.lindawhiteflute.com/

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Linda White - flutist A dynamic performer and versatile musician, flutist Linda White excels in an array of musical styles and plays the entire spectrum of flutes from the piccolo to the contrabass flute. Linda is an avid chamber musician and champion of contemporary music. She regularly collaborates with the composers of The Cleveland Composers Guild and performs on the annual Local 4 Musician’s Union She Scores series. Linda regularly performs with classical guitarist Robert Gruca as part of the Gruca White Ensemble. The duo stretches the boundaries of the standard classical concert with their improvisations and unique musical arrangements. In 2020, the Gruca White Ensemble released their debut recording A Different Take through PARMA Recordings Big Round label. Linda also enjoys performing with the flute quartet Idle Twittering along with fellow flutists Jane Berkner, Kyra Kester and George Pope. Linda is a founding member of the Blue Water Chamber Orchestra, and has also performed with the Cleveland Pops, Cleveland Ballet, Cleveland Opera Orchestra, Erie Philharmonic, Akron Symphony and Canton Symphony. Linda teaches at The Music Settlement where she teaches individual lessons, co-directs three flute ensembles and coordinates a program for adult amateurs to gather and play chamber music. She has been a guest clinician for the Interlochen Adult Flute Ensemble since 2020. Linda received her Bachelor of Arts degree from the University of Wyoming and a Master of Music degree from The Cleveland Institute of Music.

artistic

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As the owners of a boutique gift store, we try to sell as many items handcrafted by independent crafters and small businesses as we can find. We love establishing relationships with the people who design and/or make the items you love discovering in our little shop. But we also carry many internationally known brands as well. If there is something that we don’t have in stock, ask us… Chances are we can get it for you or point you in the right direction. If you like buying only “Made in America” we’ll show you the many beautiful things you can bring home.

artistic

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The Buddha replied to Ananda, "The Bodhisattva Dharmakara has already attained Buddhahood and is now dwelling in a western Buddha-land, called 'Peace and Bliss,' a hundred thousand kotis of lands away from here." "Again, Shariputra, in that land there are always many kinds of rare and beautiful birds of various colors, such as swans, peacocks, parrots, sharis, kalavinkas and jivamjivakas. Six times during the day and night birds sing with melodious and delicate sounds, which proclaim such teachings as the five roots of goodness, the five powers, the seven practices leading to Enlightenment, and the Eightfold Noble Path. On hearing them, the people of that land become mindful of the Buddha, the Dharma and the Sangha. But, Shariputra, you should not assume that these birds are born as retribution of their evil karma. The reason is that none of the three evil realms exists in that Buddha-land. Shariputra, even the names of the three evil realms do not exist there; how much less the realms themselves? These birds are manifested by Amida Buddha so that their singing can proclaim and spread the Dharma. "In that Buddha-land, Shariputra, when soft breezes waft through the rows of jewelled trees and jewelled nets, they produce subtle, wonderful sounds. It is as if a hundred thousand musical instruments were playing together. Everyone who hears the sounds spontaneously becomes mindful of the Buddha, the Dharma and Sangha. Shariputra, that Buddha-land is filled with such splendid adornments.” "There are gold trees with leaves, flowers and fruits of silver; silver trees with leaves, flowers and fruits of gold; beryl trees with leaves, flowers and fruits of crystal; crystal trees with leaves, flowers and fruits of beryl; coral trees with leaves, flowers and fruits of ruby; ruby trees with leaves, flowers and fruits of beryl; agate trees with leaves, flowers and fruits made of various jewels. "Again, there are jewelled trees with purple-gold roots, white-silver trunks, beryl branches, crystal twigs, coral leaves, ruby flowers and agate fruits. There are jewelled trees with white-silver roots, beryl trunks, crystal branches, coral twigs, ruby leaves, agate flowers and purple-gold fruits. There are jewelled trees with beryl roots, crystal trunks, coral branches, ruby twigs, agate leaves, purple-gold flowers and white-silver fruits. There are jewelled trees with crystal roots, coral trunks, ruby branches, agate twigs, purple-gold leaves, white-silver flowers and beryl fruits. There are jewelled trees with coral roots, ruby trunks, agate branches, purple-gold twigs, white-silver leaves, beryl flowers and crystal fruits. There are jewelled trees with ruby roots, agate trunks, purple-gold branches, white-silver twigs, beryl leaves, crystal flowers and coral fruits. There are jewelled trees with agate roots, purple-gold trunks, white-silver branches, beryl twigs, crystal leaves, coral flowers and ruby fruits. "These jewelled trees are in parallel rows, their trunks are evenly spaced, their branches are in level layers, their leaves are symmetrical, their flowers harmonize, and their fruits are well arranged. The brilliant colors of these trees are so luxuriant that it is impossible to see them all. When a pure breeze wafts through them, exquisite sounds of the pentatonic scales, such as kung and shang, spontaneously arise and make symphonic music. "Inside and out, to right and left, are bathing pools. Some of them are ten yojanas in length, breadth and depth; some are twenty yojanas, others, thirty, and so on, until we come to those measuring a hundred thousand yojanas in length, breadth and depth. They are brimful of the water of eight excellent qualities, clear, fragrant and tasting like nectar. "There are golden pools with beds of silver sand; silver pools with beds of golden sand; crystal pools with beds of beryl sand; beryl pools with beds of crystal sand; coral pools with beds of amber sand; amber pools with beds of coral sand; agate pools with beds of ruby sand; ruby pools with beds of agate sand; white-jade pools with beds of purple-gold sand; purple-gold pools with beds of white-jade sand. Others are composed of two to seven jewels. "On the banks of these pools are sandalwood trees, whose flowers and leaves hang down and diffuse perfumes everywhere. Heavenly lotuses of blue, pink, yellow and white bloom profusely in various tints and tones, completely covering the surface of the water.”

artistic

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Reshaping the world of dance, one dancer at a time At Metamorphosis Dance, our profound belief in the transformative influence of dance drives us forward. We see this art form as possessing an extraordinary power to inspire, foster connections, and shatter barriers. Our company is dedicated to breaking away from traditional ballet norms, embracing dancers of all gender identities, races, shapes, heights and weights. We believe that the art of ballet should be inclusive and reflective of the diversity that exists in the world. Our commitment to this mission is evident in our rigorous training programs, tailored to support the unique attributes of each dancer, ensuring they have the opportunity to flourish and shine, regardless of conventional expectations. By celebrating diversity in our performances and encouraging dancers of all backgrounds to join us, we are not only pushing the boundaries of ballet but also fostering a more inclusive and accepting community within the dance world. Our vision is simple yet profound: to honor every dancer’s unique artistic expression and unwavering dedication. We aim to cultivate a warm and welcoming artistic community where everyone feels valued and included. Together, we are reshaping the world of dance, one dancer at a time. - Elevating Dancers: We are dedicated to putting dancers at the forefront of the artistic world, ensuring that their talent and hard work are recognized and celebrated. - Fostering a Thriving and Inclusive Artistic Community: We believe in the power of diversity and inclusion in the arts. We work tirelessly to create an environment where dancers and audience members from all backgrounds feel welcome and valued. Our goal is to craft productions with universal relevance and significance. Dance, as an art form, possesses a unique ability to connect and convey profound stories. Our strength lies in creating productions that resonate with individuals, irrespective of their background—whether it’s related to race, gender, body type, age, sexual orientation, socio-economic status, or prior dance experience. We are committed to sharing the beauty of dance with everyone, ensuring it is a medium that speaks to the heart of each and every person. - Upholding the Highest Standards of Artistic Excellence: At the core of our mission is an unwavering commitment to excellence. We dedicate ourselves to showcasing our artists in their finest form and continually setting the highest standards for each and every performance. Metamorphosis Dance aims to nurture a vibrant and caring community of artists who are deeply dedicated to achieving the pinnacle of artistic excellence. As an organization founded by dancers, we place our dancers’ well-being and growth at the forefront. We do this by offering expert guidance, presenting captivating and challenging choreography, and creating top-tier performance opportunities for both emerging talents and seasoned professionals. - Expert Guidance: Our dancers receive world-class training and mentorship from industry experts. - Compelling Choreography: Our productions are celebrated for their mixed-genre choreography, spanning a rich tapestry of dance styles such as ballet, modern, contemporary, jazz, and tap. - Top-Tier Performance Opportunities: We are committed to offering our dancers high-caliber performance opportunities meticulously tailored to showcase their unique talents and abilities. Board of Directors Eli Alborn – President Carly Criscoe – Treasurer Jennifer DeHaven – Secretary Orlando Julius Canova – Member Sonya Alborn – Member

artistic

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Unleash the vibrant spirit of a Lagos fiesta with our captivating eyeshadow palette, offering a spectrum of 15 richly pigmented shades. From the sultry sunset oranges to the spirited festival greens, each hue in the Lagos Fiesta Eyeshadow Palette invites you to explore a world of bold, energetic colors. With a mix of matte, shimmer, and glitter finishes, this palette is your ticket to creating endless mesmerizing eye looks. The velvety smooth formula glides effortlessly across the lids, providing a blendable and buildable canvas to express every facet of your creativity. Whether you’re channeling the laid-back allure of a beach party or the high-energy vibe of a city fest, this palette is your passport to capturing the essence of Lagos’ celebratory culture. Infused with long-lasting formula, these shadows stay vibrant from the early evening revelries until the break of dawn. The Lagos Fiesta Eyeshadow Palette is encased in a chic, travel-friendly compact, making it a perfect companion for those who are always ready to embrace the party wherever it finds them.

artistic

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Small Saraswati terracotta is a handmade decorative item that depicts the Hindu goddess Saraswati, the deity of knowledge, music, and art. It is made of terracotta clay, which gives it a natural and earthy feel. The figurine is small in size and is intricately crafted by skilled artisans with traditional techniques. The statue depicts Saraswati seated on a lotus flower, holding a veena, and a book. The Small Saraswati terracotta is a popular item used in Hindu homes, temples, and educational institutions to invoke the blessings of the goddess and to inspire creativity, learning, and artistic expression. It is a symbol of traditional craftsmanship and cultural heritage, and its use is believed to bring good fortune and positive energy. 100% Hand Made. |Country of Origin

artistic

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Are you a die-hard film enthusiast always on the hunt for hidden gems and insightful analysis? Look no further! Welcome to the captivating world of SFlix Movies & Advice series – a treasure trove of cinematic masterpieces, accompanied by expert advice that will leave you inspired and craving for more. Join us as we embark on an exciting journey into this must-watch series, where every episode is bound to ignite your love for movies like never before. Get ready to dive into a realm where entertainment meets enlightenment – it’s time to explore the enchanting universe of SFlix Movies & Advice. Introduction to the SFlix Movies & Advice Series If you’re a film enthusiast, the SFlix Movies & Advice series is a must-watch. This series consists of short films that offer advice on everything from filmmaking tips to acting techniques. The series is produced by Sean Flynn, who is also the creator of the popular web series The films in the series are all shot in a documentary style, which gives them an intimate and personal feel. Each film features interviews with experts in the field, as well as footage of Flynn himself putting the advice into practice. Whether you’re looking for inspiration or practical advice, the SFlix Movies & Advice series is sure to have something for you. So check it out today and start your journey toward becoming a better filmmaker! Overview of Each Film in the Series There are a total of six films in the SFlix movies & advice series. They are as follows: The first film is “The Shawshank Redemption”. It is a story about hope, friendship, and redemption set in a maximum-security prison. The second film is ” Forrest Gump “. It is a story about a simple man who has an extraordinary life. The third film is ” The Dark Knight “. It is a story about Batman’s battle against the Joker. The fourth film is ” The Godfather “. It is a story about the Corleone family and their rise to power in the Mafia. The fifth film is ” The Silence of the Lambs “. It is a story about an FBI agent who must track down a serial killer. The sixth and final film in the series is “Schindler’s List”. It is a story about Oskar Schindler, a man who saved the lives of over 1,000 Jews during the Holocaust. Overview of Themes and Storylines The SFlix Movies & Advice series is a must-watch for film enthusiasts. In each episode, experts discuss a different theme or topic related to movies and offer advice on how to improve your film-watching experience. Whether you’re looking to learn more about the art of filmmaking or simply want to find out which movies are worth your time, this series has something for everyone. Here’s an overview of the themes and storylines covered in the first season: Episode 1: Introduction to the Series In the first episode, hosts Andrew and Darryl introduce the series and give an overview of what viewers can expect in future episodes. They also share their own personal love for movies and explain why they decided to start a series about films. Episode 2: How to Watch a Movie In the second episode, hosts Andrew and Darryl discuss how to get the most out of your film-watching experience. They offer tips on everything from choosing the right movie to watching it with friends or family. By the end of this episode, you’ll be ready to tackle any movie with confidence! Episode 3: What Makes a Great Movie? In episode three, hosts Andrew and Darryl explore what makes a great movie. They discuss various elements that go into making a successful film, from the script to the acting to the direction. This episode is packed with helpful information for anyone who wants to make better choices when selecting a movie to watch. Benefits of Watching the Series The SFlix movies & advice series is a must-watch for film enthusiasts for several reasons. First, the series explores a variety of films and genres, providing viewers with an opportunity to learn about new titles and directors. Secondly, the hosts offer insightful commentary and analysis, giving viewers a deeper understanding of the films they watch. The series is highly entertaining and engaging, making it a perfect way to unwind after a long day. Behind the Scenes Look at Crew and Cast SFlix is a new streaming service that is quickly becoming a favorite among film enthusiasts. The Movies & Advice series is one of the most popular features on the site, and it gives viewers a behind-the-scenes look at the crew and cast of some of their favorite films. In each episode, the host interviews a different member of the cast or crew, and they discuss everything from their favorite scenes to what it was like working on the film. The series has featured some of Hollywood’s biggest names, and it’s a must-watch for any film fan. Behind the Scenes Look at Crew and Cast will air its final episode on SFlix this Saturday, and we sat down with the host, Mark Wahlberg, to talk about the series. Mark: This has been a fantastic experience. I’ve loved getting to sit down with all of these talented people and hear their stories. SFlix: What has been your favorite episode? Mark: It’s hard to choose just one, but I really enjoyed my conversation with Leonardo DiCaprio. We talked about his work on Titanic and how he prepares for his roles. It was fascinating to hear his process. SFlix: What can fans expect from the final episode? Mark: We’re going out with a bang! We have an incredible lineup of guests, and we’re going to be talking about some of the biggest movies of all time. I Online Reviews and Ratings In the world of online movies and streaming content, it’s important to be able to discern between what’s worth watching and what’s not. This is where online reviews and ratings come in handy. By taking the time to read through reviews and ratings for a given movie or series, you can get a better sense of whether or not it’s something that you’ll enjoy. The SFlix Movies & Advice series is a great resource for film enthusiasts who want to make sure they’re watching the best of the best. The series takes a look at some of the most popular movies and TV shows available on streaming platforms and provides an in-depth analysis of each one. Whether you’re looking for something new to watch, or just want to get someone else’s opinion on a film or show you’ve already seen, the SFlix Movies & Advice series is definitely worth checking out. Tips for Getting the Most Out of the Series If you’re looking to get the most out of the SFlix Movies & Advice Series, there are a few things you can do to make sure you don’t miss a beat. First, be sure to subscribe to the series so you never miss an episode. Additionally, follow on social media for updates on new episodes and exclusive behind-the-scenes content. Take some time to explore the series website, which includes episode guides, cast information, and more. By following these tips, you’ll be able to make the most out of the Movies & Advice Series and get the most out of your viewing experience. The SFlix Movies & Advice series is one of the best films and advice shows on the web. It covers a wide range of topics, from film production to film history, and gives viewers an in-depth look into the world of filmmaking. Whether you’re a diehard movie fan or just looking for something interesting to watch, this show should be at the top of your list. Watching it will not only help you understand more about movies but also inspire you to make better films yourself!

artistic

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March is such a wonderful Month with Spring in the air. I have thrown open the shutters , windows, spring cleaned and put my decorations out. How lovely. I hope you all are enjoying the beautiful weather now that the snow is gone. At least for most of us.... "For as the earth bringeth forth her bud, and as the garden causeth the things that are sown in it to spring forth; so the Lord GOD will cause righteousness and praise to spring forth before all the nations." I have realized that March has so many things to celebrate. Here is a partial list that we are celebrating in our home: For National Craft Month I am making a antique lace looking rose pillow, silk dyed material and some new graphics note cards. National Nutrition Month I am trying some new recipes and adding more to my book. Bulk buying has really helped our budget and our health . I try to cook everything from scratch with no preseravatives, and healthy options. I have had some requests for my recipes and will post those this week. For youth art month the kids and I are making homemade papers, silk dyeing and creating. We use to go to an art park every summer near our old home and will be trying to do those crafts here. For Woman's History month I have read some great biographies. Celebrate my friends. Enjoy the day, Spring and Life. Angel Mama ():) Thursday, March 22, 2007

artistic

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Couples who are looking for something different from their current surroundings are nowadays considering the option of a popular destination wedding package. Part of this wedding package includes the hired services of a professional photographer. In the west, for example, these wedding photographs are usually taken on the day of the wedding ceremony. Sometimes the photographs are taken in the 13th-century Gothic church or other cases in a shimmering white sandy beach in Australia. In Asia, the destination wedding photography is known to have a slight twist. Instead of the photographs being taken on the eve of the wedding day, they are usually taken some weeks or months in advance of the wedding day. This fashion of shooting the pre-wedding photographs in the exotic areas is more popular in the Asian countries like Taiwan, Japan, Singapore, Hong Kong, China, and Malaysia than in any other place in the world. Many Asian couples are often looking for exciting and romantic fairytale European towns and the cities to have their pre-wedding destination photos taken. Central and Eastern of Europe offer a good choice of romantic and exciting fairytale settings. View the best wedding here! With centuries of history about the continent behind them, cities like the Budapest in Hungary, Vienna in Austria, Prague in the Czech Republic and Krakow in Poland provide magnificent castles and also cathedrals which give the perfect backdrop for pre-wedding photos. Budapest is particularly a fantastic city which is at the heart of Eastern Europe. Budapest city is also known as the Paris of the east. It has an amazing series of architectural styles including the Gothic, art nouveau and baroque. To get some facts about weddings at http://www.huffingtonpost.com/2012/07/24/vegas-wedding_n_1699335.html. Apart from famous photographer and assistant, the most overseas pre-wedding photography packages are also the services of a professional makeup artist. The makeup artist will play an essential role in making sure that the couples have their very best look at their pre-wedding photos. In most cases, the bride and the groom bring with them their wedding clothes that they choose for the shoot. However, some photography packages include the option of the hiring of wedding dresses and also suits from a local wedding specialist at budapestwedding.com. It is, however, the professional photographer who is the dream maker in creating memories that the couple will look back on and live to remember. Budapest in particular often offers couples many opportunities to shoot their dream-like photographs in numerous fairytale settings around the city. These settings in Budapest include the Buda Castle, the Parliament, the Fishermen's Bastion, the Chain Bridge and the Freedom Monument.

artistic

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I began creature sculptures in 2008. I have sold most of my personal sculptures over the years, and have taken others to shows. The sculptures in this gallery came from my own inspiration at the time, so they hold a close place in my heart. Please enjoy this gallery, and be sure to scroll down for the commissions gallery! I have created sculptures for clients across the globe. I am a very flexible person and enjoy creating sculptures for others. I take critique well, and have worked for several clients who wanted some very specific, and who required several rounds of editing on their piece. I always keep in contact with clients while I am working, and send "in progress" photos along the way. I know that some artists like to take a vague idea, and proceed right to sending photos of the completed piece, but personally I like to involve the client in the process and make sure everything is perfect. I have, however, done commissions for clients who were very flexible and wanted me to design their idea, and that is fine too! I have worked with many different people to bring different ideas to life, and I find it to be a fascinating process. I enjoy commission work because the ideas customers come up with are often things I would never create on my own. Not to mention, all of the great people I end up becoming friends with along the way. I hope you enjoy this gallery!

artistic

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We Like It Like That - Official Trailer AVAILABLE NOW on iTunes, Amazon Video, Vudu and Reelhouse at http://latinboogaloo.com/ We Like It Like That is a feature-length documentary film about Latin boogaloo, a colorful expression of 1960s Latino soul, straight from the streets of New York City. Starring Latin boogaloo legends like Joe Bataan, Johnny Colon and Pete Rodriguez, We Like It Like That explores this lesser-known, but pivotal moment in Latin music history through original interviews, music recordings, live performances, dancing and rare archival footage and images From its origins to its recent resurgence, it is the story of a sound that redefined a generation and was too funky to keep down. The film had its world premiere at SXSW 2015, was the best documentary winner at UrbanWorld 2015, was nominated for a 2016 Cinema Tropical Award for Best U.S. Latino Film, and broadcast on the PBS program America ReFramed in Fall, 2016. Developed and produced by Muddy Science Productions and released in association with Codigo Films and Saboteur Media. Available on iTunes, Amazon, Vudu and Reel House. For more information go to latinboogaloo.com. The Note Episode 2 | Eddie Palmieri: A Revolution On Harlem River Drive The Note is a new documentary series from Red Bull Music Academy. Watch all episodes here: http://www.redbull.tv/thenote Inspired by the early ’70s activism of the Black Panthers and the Young Lords, Latin music pioneer Eddie Palmieri produced one of the most daring albums of his already storied career: Harlem River Drive, a politically charged Latin-funk masterpiece so ahead of its time that its influence continues to resonate decades later. The Red Bull Music Academy is a global music institution committed to fostering creativity in music. We celebrate music, its culture, and the transformative minds behind it. Begun in 1998, the Academy has taken the core principles that underlie its annual workshop for selected participants and applied this curatorial approach to events, lectures, and city-wide festivals throughout the year. ► Subscribe to our YouTube Channel: http://bit.ly/10OyDHc ► Visit Red Bull TV: http://win.gs/1uy4YFF ► Visit our official website: http://win.gs/avjLrK ► Our latest videos on YouTube: http://bit.ly/12nkX7h ► Follow us on Twitter: http://bit.ly/Lx4wQy ► Like us on Facebook: http://on.fb.me/12N5Ch0 Armada Fania (November 2016) Recap On Thursday, Nov 10th, we were truly honored to have over 600 fans join us for the Armada FANIA Club & Pop-Store. All night Kenny Dope, Uproot Andy, Nina Sky and Jose Marquez gave us unforgettable performances, while fans had exclusive access and actively engaged our classic FANIA vinyl and merchandise in the Pop-Up Store. Fans were also treated to innovative Puerto Rican cuisine from leading edge pop-up restaurant, MofonGO. In addition, fans were also able to see the public premiere of FANIA's MANANA Cuba documentary - a one of a kind film detailing the journey of FANIA DJs traveling to Cuba's first ever Electronic music festival. For those of you who were not able to join us, this video is a taste of what went down! Fania Presents: Armada Fania DJ Profiles - Kenny Dope On Thursday, Nov 10th 2016, we were truly honored to have over 700 fans join us for the Armada FANIA Club & Pop-Store. All night Kenny Dope, Uproot Andy, Nina Sky and Jose Marquez gave us unforgettable performances, while fans had exclusive access and actively engaged our classic FANIA vinyl and merchandise in the Pop-Up Store. Fans were also treated to innovative Puerto Rican cuisine from leading edge pop-up restaurant, MofonGO. For Uproot Nina Sky's full DJ set visit https://youtu.be/PpmB60xWLnM About Kenny Dope In an age of quick gratification and the instant attention switch, Kenny “Dope” Gonzalez is a name respected for both quality and consistency. Over the last 25 years, the four time Grammy-nominated DJ and producer has been astounding audiences across the world with his fusions of house, hip-hop, Latin, jazz, funk & soul, reggae, alternative pop and broken beats. By releasing literally thousands of original tracks and hundreds of remixes, Kenny has earned a reputation as a living encyclopedia of beats as both a solo artist, and as one-half of the legendary house duo, Masters At Work. For more on Kenny dope visit https://www.facebook.com/Kennydopemusic/ Siguenos/Follow us: Facebook: https://www.facebook.com/FaniaRecords Twitter: https://twitter.com/Faniamusic Instagram: http://instagram.com/faniarecords No te olvides de suscribirte/Don’t forget to subscribe at https://www.youtube.com/faniarecords

artistic

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Wu Assassins is an American supernatural action streaming television series, created by John Wirth and Tony Krantz that premiered on Netflix on August 8, 2019. The series stars Iko Uwais, Byron Mann, Lewis Tan, Lawrence Kao, Celia Au, Li Jun Li, Tommy Flanagan, and Katheryn Winnick. The first season received positive reviews, with critics praising the fight choreography, although there was criticism of the plot. In February 2021, a standalone film titled Fistful of Vengeance was announced. The film continues the story from the ending of the first season. It was released on February 17, 2022.

artistic

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Wilfrid Sheed’s second novel follows the career of Bert Flax, a self-described “spiritual hack” who supports a fruitful and multiplying family (wife, five kids) on inspirational stories and uplifting poems for the Tiny Messenger and Catholic Women, from the first stirrings of religious doubt to either a spiritual breakthrough or a nervous breakdown. Better known as a leading book critic of his day—he published collections of his reviews in 1971 and 1978—Sheed wrote better novels, including perhaps the best novel ever written about a critic. Max Jamison (1970) is about a Broadway theater critic who no longer believes in what he does for a living. But The Hack (1963) introduces the theme of doubt, leading to despair and exhaustion, to which Sheed would return again and again in his own literary career. It was, perhaps, the story of his life; and not only his. Son of the independent Catholic publishers Frank Sheed and Maisie Ward—Sheed & Ward was founded in 1926 and acquired by Rowman & Littlefield seven years ago—Wilfrid Sheed was born in London in 1930 and came to America upon the outbreak of the Second World War, when his parents emigrated from England. “The sheer differentness of America imbued everything,” he wrote in a 1985 memoir of his parents: “the swollen frames and tires of the bicycles, the station wagons with kids hanging from the sides, the kids themselves gangly or strangely fat, slopping around in striped T-shirts and knickers, alien from head to toe. . . .” Sheed carefully cultivated his sense of differentness. Although he never repatriated himself to England, becoming a huge baseball fan as an expression of his deepest feeling for America, he consistently adopted the attitude of an Englishman, an outsider, alien from head to toe. The attitude perfectly reflected his own incapacity for believing wholeheartedly in anything except baseball and books. The crisis of belief in The Hack commences when Bert finds himself despairing at the thought of composing his annual Christmas poem. Being asked about it “was like having a tray of ice emptied into your socks. The coldness came up from there, then the desolation and finally the slow melting squish.” Modeled upon Sheed’s father, whose main source of income was the lecture platform (“Americans might not like to read but they certainly liked to listen,” Sheed comments drolly), Bert roves from parish to parish in suburban New Jersey, delivering lectures on “the Catholic literary revival, the Catholic intellectual revival, Catholics and TV, Catholics and decent literature, Catholics and better communications,” even the Communist-dominated media and its hostility to good Catholics. Feeling like a “complete fraud,” Bert “can’t seem to get the Christmas spirit.” His wife sympathizes: “Even inspiration becomes a grind,” she says. Looking for something to shake him out of his increasing squishiness, Bert tries to sleep late one Sunday and skip mass. He can’t bring himself to, but afterwards he hops a bus to Manhattan to look up old friends from Bishop Mahoney High School. He tries to provoke a fight, taunting one friend who no longer attends mass regularly for his cowardly refusal to become “an honest-to-God atheist.” He taunts a mass-attending friend with criticisms of the Church: “It’s a cruel joke,” he complains, “they keep you a child until it’s too late.” What Bert keeps being told instead is that he has been working too hard and does not look very well. Behind his back they whisper, “Have you read his things? They’re lovely, aren’t they?” Even his Playboy-reading friend, too sophisticated a Manhattanite to be a practicing Catholic but too lukewarm to become an atheist, agrees that he is “a very fine writer.” The compliments send him over the edge. He denies that he is the writer of the “religious stuff” they are praising. “I am not Bert Flax, I am not Bert Flax, I am not Bert Flax, I am not Bert Flax,” he repeats until he passes out and wakes in a hospital. The attention shifts to his non-Catholic wife Betty, who keeps the household running while Bert recovers. The Hack then becomes an exception to the rule that English-language writing is largely a literature without children. Sheed’s portrait of a suburban wife and mother, with life moiling and churning at knee level (in his phrase), is precise and loving, despite the satirical edge. Betty is keenly aware of the minginess of her lower middle-class surroundings. Like Bert, she has her doubts: “There were no big scenes, no climaxes, only people being patient with each other and practical with each other—so bored they didn’t know they were bored anymore.” But unlike him she takes solace and delight in ordinary successes like a dinner well-prepared, Christmas drawing near, a black mood rolling away, and a husband getting back to work. Except that Bert’s return to work is not a return “to Bert’s high standards”—or so says the Catholic Passenger, rejecting his Christmas poem. Bert announces to Betty that he has just about had it. He blames the Church for his years of “peddling crap” and becoming a “dedicated hack.” He collapses in tears. And so a relapse. Betty blames the Catholic magazines, which depend upon “false sentiment” and pursue the goal of “keeping the uneducated uneducated.” Father Chubb, editor of the Catholic Passenger, tries to explain: “The Church in America is changing . . . er . . . on the campuses and so forth. All this gush he writes is out of place in the 1960’s.” The Catholic journals are changing. And then, Bert never “had the faintest idea what the Church was really about.” The subjects that got him worked up, Father Chubb says, The Church arrested his spiritual and literary development by employing him in the pseudo-religious office of inspirational writing. As Betty explains, Bert “wanted to reexamine the whole thing”—the truth about a life of faith—“but he couldn’t afford to because his livelihood depended on his maintaining a certain point of view.” To acquire a sense of the sacramental or to be initiated into mystery, you cannot be a hack, who is dedicated to the concerns of mere functionaries:

artistic

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White CYC Studio Rental Los Angeles When deciding on a white cyc rental Los Angeles, there are several factors to take into consideration. You’ll need a space that’s the right size and price for your project, whether you’re a professional photographer, the director of a music video, a producer from a major studio, or the production manager of a commercial shoot. BLT Studios and Soundstages is proud to have white cyclorama studio space available for rent at affordable prices to help make your creative vision a reality! What is a white CYC studio? The most popular ads to use a white cyc studio are for Apple. The iconic photos of Apple products alone in front of a white cyc managed to achieve a sharp, modern look that quickly became the go-to for advertisers and brand managers! Why choose a white CYC? White cycs are perfect for experimenting with lighting. The right studio rental will offer a professional package to let you create to your heart’s content, making your lighting options limitless. Whether you’re eliminating shadows or exaggerating them, adding a colorful filter or going for a more natural look, using a white cyc will give you your desired finished product. Many white cyc studios will have a lighting grid pre-set to best capture the light bounce on the infinity wall. If you’re not interested in playing with lighting ideas, you can simply set up and shoot right away! Crisp Audio Recording The best white cyc studios are also soundproof, so you won’t need to worry about noise pollution if you’re filming with sound! This will also reduce any post-production audio recording headaches. Shooting in a studio rather than on-location can save you money that can instead be put towards your passion project. Additionally, your finished products will need far less editing in post. The white cyclorama offers a polished, modern background for your project. There’s a reason why shooting advertisements, commercials, and professional portraits in front of a cyc has become so popular. Stay ahead of the curve! Comfort and Accessibility Shooting in a studio with a white cyc rather than on location gives you the advantage of controlling the temperature and shooting day or night. Costume changes will also be much easier as models and actors will have easy access to a green room, dressing room, and makeup room. Why Choose BLT Studios and Soundstages? BLT Studios and Soundstages has established itself as one of the best studios in Los Angeles. Our white cyc walls are maintained by our professional crew with regular painting using a high-quality matte white finish to ensure that there is no damage, scratches, or smudging when you arrive for your shoot. Our professional lighting has been tried and tested to best capture what you’ve envisioned. Don’t worry if you need more than a white cyc for your shoot. Our stages can be painted any color you may need or you can simply jump over to one of our green screen sound stages, or one of our photo studios. Our spacious campus is designed to accommodate everything from large crews, to short films, YouTube and influencer productions, commercials, independent producers, and brand photography. Renting studio space at BLT Studios and Soundstages will allow you to achieve whatever shot you need, all at an affordable price. BLT Studios and Soundstages White Cyc Studio Rentals 5,500 sq. ft. Cyclorama: 3 Wall 50’x50’x50 Power: 1800 amps, 3 phase

artistic

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Within the medieval walls of a town, near by the church of St. Andrija, at the biggest square in an old part of the town, “Plačici” is situated, one of the most known and for the visitors by all means the most attractive houses in Bakar-the Turkish house. It is unknown who made it and when it was made, but it is assumed that it was built within the 14th and 15th century. What is certain is that such a peculiar and exotic structure cannot be found anywhere near, so it seizes attention of many photographers and painters who often include it in their work, so that’s why it is often called “the house of painters.” The uniqueness of the Turkish house comes from its oriental structure and its stylish features which are rare to find in this part of the world. Nevertheless, the Turkish house has gracefully fit into the town’s coastal atmosphere. Its shape reminds us of an old wooden house that has already grown as a part of the town’s surrounding, as well as two legends, the most beautiful national and literate treasure, about the beginnings of this unusual house without a “corner.” According to one legend, the Turkish house was built by a coastal sailor who when arrived to Istanbul fell in love with a beautiful Turkish woman. He brought her home to Bakar, and each time he would go on his trip, she felt lonely. Thinking of how to lessen her homesickness, he built a house similar to the houses from her homeland, so that is how the Turkish house originated. Another legend tells the story about a sailor from Bakar who had a spiteful, vicious wife who used to tell him that three out of four corners in the house belonged to her and only one to him. With that, she wanted to show that she was in charged, a captain on land, actually at home. After numerous years, the sailor from Bakar got fed up with her talking, so he invited some friends, and they levelled the house down. In that same place they built a new house without any corners.

artistic

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When I was growing up in Houston, my mother owned a showroom at the Decorative Center. I would spend hours after school and long summer days there poring over art, accessories, and picture frames, interacting with the designers and the architects who would visit, and taking breaks to pop into other showrooms and soak up their beauty. Two cities, three children, four houses (and multiple remodels) later, I found myself returning to the very thing I was passionate about at an early age. Call it it extreme, but when I help someone pull together a look, a feel, a style for a room that truly reflects them, creating a place they can lovingly and confidently call home, it makes me feel alive. A masters in counseling and time spent working with families, together with raising three children of my own, has taught me a sense of patience, collaboration, and listening. This is invaluable when helping someone create a space they love and of which they feel proud. My desire is not for someone to say, “decorate my whole house for me.” It is for us to sit down and go deep into discussing what a house means to them. I look at design as a very collaborative process. In my eyes, this is a crucial component, as ultimately this will be the place in which you live and love for years.

artistic

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RememBar was created by Jennifer Graziano, a 4th generation funeral director from the NY area. Jennifer has had a lifelong passion to help, guide and support those who grieve. She implemented aftercare bereavement support programs within communities as well as created a publication, “Coming of Age”, that helps families have important and sensitive discussions. She has overseen operations of her family’s funeral homes in both NY & CT for over 25 years. In addition, she is an admitted attorney and has also completed courses of study at the Fashion Institute of Technology. Having recognized a void for timeless, elegantly crafted memorial jewelry items, Jennifer sought the expertise of Ward Kelvin, a renowned designer in the field. RememBar is not simply a collection of fine jewelry, but rather wearable memories that provide comfort as we move forward. Love lives on as life goes on. Why we created Remembar Our Founder's Inspiration "I drew my inspiration for RememBar from many sources, most especially my faith. I believe that life does not end here, and we will be reunited with those we have lost in Heaven. My inspiration also derives from the families I have worked with at our funeral homes. I know the pain of loss is real and people who grieve are in search of comfort. I wanted to create something that is meaningful, beautiful and helpful on the journey of healing. Above all, my inspiration derives from my daughter. Youth reminds us that anything is possible, as a child’s imagination knows no limits. My daughter is confident in her belief that those we love never leave us and bonds of love can never die. Though we can’t see them, hold them, hear them or touch them…the ones we’ve lost are always with us. I designed RememBar as an elegant and finely crafted piece of jewelry that provides a sense of comfort. The birthstone on the bar commemorates your loved one and the word “remember” is delicately engraved on the side. The pieces remind us that those we love remain with us and we are able to carry them wherever we go. Love lives on as life goes on. I hope the piece you select will provide a sense of warmth and comfort as well as the inspiration to keep moving forward.—Jennifer Graziano Why we are unique Unlike other memorial items you will find on internet sites, RememBar, is a well-engineered, beautifully crafted piece of jewelry designed to ensure the utmost security of your loved one’s remains. The hollowed-out bar with a screw backing will give you peace of mind and ensure permanent enclosure. Each piece has a genuine birthstone to commemorate your loved one as well as the sentiment “remember” delicately inscribed. The jewelry is designed to hold cremated remains, a favorite perfume scent and for some pieces, locks of hair. Only a small portion can be placed inside. Questions for Jennifer? Please email her at Jennifer@RememBarcollection.com

artistic

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WHO WE ARE Reign Films is a Canadian production company that was founded in 2013 by Producer Magali Gillon-Krizaj. Based in Vancouver, B.C., the ‘Hollywood North’ of Canada, the company focuses on innovative concepts with a fresh approach; creating engaging and entertaining projects that tell unique stories and captivate audiences locally and internationally in both, French and English. Reign Films aspires to shift Vancouver’s disposition from servicing out of town projects to producing high quality creative content from Canadian filmmakers. The company wishes to engage with local and international communities to create content and develop mutually beneficial, social relationships. DEDICATED TEAM MEMBERS Magali Gillon-Krizaj, is an up and coming producer in Vancouver. Since 2011, she’s produced short films, a web series called The Drive which won “Best web series” at the Leo Awards in 2016, a French mini-series of 1h-documentaries called Terres d’Exploration, which was nominated in the category: “Best documentary series in Nature, Science and Environment” at Les Prix Gémeaux 2017 and at the Leo Awards 2018. This year as well, she produced her first feature film, The Cannon with the support of Telefilm Canada (Micro-budget production program.) The film had it’s International Premiere at the Whistler Film Festival in 2017 and a Toronto Premiere at the Canadian Film Festival in 2018. Sara is an emerging Vancouver based producer with a passion for films that tell peculiar stories bolstered by unique visuals. With a background in domestic and international distribution, Sara plans to foster relationships with innovative filmmakers wishing to share their stories worldwide. Sara’s production background developed during her time as business affairs coordinator at production and distribution company IndustryWorks Studios, where she managed all development, production and worldwide distribution aspects of the company. In the next 5 years, Reign Films wants to lead Canada in producing high quality content in Fr and Eng for local and International broadcasters, distributors and markets. The company is looking to develop Co-Production projects that will reach audiences around the world. Reign Films will continue developing Virtual Reality as it’s an upcoming technology that we believe will change story-telling. OUR CORE VALUES Reflective of our community but also of our society to build and maintain strong working relationships for years to come We share our passion for film-making and support emerging creative talents as well as established ones. We thrive to always deliver the best experiences. We keep track of trends and always push for new ideas and ways of doing things better or more interestingly We are open to new challenges and opportunities, taking a chance when believing in something.

artistic

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You are the source of my joy, the center of my world and the whole of my heart. When I tell you I love you, I am not saying it out of habit, I am reminding you that you are my life. I don’t need paradise because I found you. I don’t need dreams because I already have you. You are the last thought in my mind before I drift off to sleep and the first thought when I wake up each morning. Everywhere I look I am reminded of your love. You are my world. Love is not about how many days, weeks or months you’ve been together, it’s all about how much you love each other every day. If I know what love is, it is because of you. -Hermann Hesse You are my paradise and I would happily get stranded on you for a lifetime. (A very cute love quote for him.) I can’t stop thinking about you, today… tomorrow… always. When I look into your eyes I see the mirror of my soul. (Now, that’s a love quote for him from the heart!) This is all I want to do with you forever. Thank you for always being my rainbow after the storm. God is keeping me alive but you are keeping me in love. My angel, my life, my entire world, you’re the one that I want, the one that I need, let me be with you always, my love, my everything. This morning I awoke and was reminded of the preciousness of life. I realized I should express my gratitude to those who are so very important to me. Thank you for all you have done and have a great day! I love you every step of the way. Walk with me through life…and I’ll have everything I’ll need for the journey. I may not be your first date, kiss or love…but I want to be your last everything. The best feeling is when you look at him…and he is already staring. And then my soul saw you and it kind of went, “Oh, there you are. I’ve been looking all over for you.” (One of the most romantic love quotes for him) Together with you is my favorite place to be. Good morning my love, our two souls aflame, with my man I feel two hearts beat the same. I am very indecisive and always have trouble picking my favorite anything. But, without a doubt, you are my favorite everything. I still fall in love with you every day! (One of the best short love quotes for him)

artistic

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thank you for your empathetic accompaniment and the amazing images of our wedding day! You have a special eye for big and small moments of happiness and capture them unbelievably beautiful and appreciating with your breathtaking style. No we can forever delight in the most amazing images of our wedding we could have wished for, starting at the Getting Ready and going into the evening. And since photography also plays a role in our life we were a little bit more fastidious… 😉 Even though we have already looked at the images multiple times we still get goosebumps. With your love for details you captured so many moments, emotions and accessoires which gives us the opportunity to relive our special day over and over. Also we felt very well cared for before and after the wedding and knew that we could count on you 100%. Dear Chrissy, we will absolutely recommend you! With love from the North, Christina & Thomas

artistic

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The Bismarck Sapphire Necklace is Just about the most famous gemstone jewellery parts of our time. Countess Mona von Bismarck (1897-1983) was its former operator before she generously donated the priceless necklace to your Smithsonian Institution's Nationwide Museum of Pure History in 1967. In honor of her priceless donation, the Smithsonian Institute named the stunning sapphire and platinum necklace right after her, Consequently it is known as "the Bismarck Sapphire Necklace". Mona von Bismarck was a wealthy American vogue icon; a real socialite internationally famed for her attractiveness, Mona was featured dozens of moments in both of those Vanity Reasonable and Vogue journal. She was the star of quite a few hit films as well as inspiration for numerous paintings by a number of the most celebrated artists of her time. Mona was married to various exemplary men during her amazing life, which includes Henry J. Schlesinger; James Irving Bush (voted the handsomest male in the usa); Harrison Williams (supposedly the wealthiest man in America); Rely Eddy von Bismarck (grandson of German Chancellor Otto von Bismarck); and nobleman, Umberto de Martini. Mona von Bismarck Mona that has a portrait of herself by Sorin - From Vogue Journal The Bismarck Sapphire Necklace encompasses a spectacular ninety eight.six carat cornflower-blue Sri Lankan (Ceylon) sapphire. The magnificent cushion-Slash sapphire is set within a platinum pendant surrounded by white baguette diamonds and more compact sq.-Slice blue sapphires. The necklace was built in 1935 by environment-renowned jewelry and view-producing agency, Cartier Inc. The sapphire and diamond pendant hangs from one chain made up of platinum inbound links divided by a number of spherical, brilliant and baguette-cut diamonds. In total, the necklace options a formidable 312 natural white diamonds and nine blue sapphires of exceptional cut, clarity and color. The famed centerpiece sapphire is called the 'Bismarck Sapphire' and was believed to happen to be acquired in Sri Lanka by American millionaire, Harrison Williams, a utilities tycoon. In 1926, Harrison Williams presented the sapphire to Countess Mona von Bismarck throughout their honeymoon cruise (in addition to a number of other lavish presents). Sri Lanka at time was beneath British rule and had been actively mining fantastic top quality gems from your Ratnapura district. The Ratnapura district of Sri Lanka has an historical historical past; it has been a source for wonderful ruby and sapphire since the reign of King Solomon, relationship again to your tenth century BC. To at the present time, this river basin and region of Sri Lanka is still producing a lot of the great sapphires we see that you can buy now. Making an allowance for the indigenous slicing form of Sri ανδρικα δαχτυλιδια χρυσα Lankan gem cutters in 1926, it really is believed that the first stone was much bigger than 98.6 carats, and was recut by Cartier after its original acquisition. This is due to Sri Lankan cutters constantly Minimize stones to maximize the preservation of carat bodyweight. The κοσμήματα για τον άντρα recut Bismarck Sapphire is described as remaining beautifully proportioned and exhibiting Extraordinary colour and craftsmanship. The Bismarck Sapphire Necklace is credited as becoming one δώρο για άντρα of the most influential samples of Art Deco jewelry. It certainly aided outline the sleeker and much more streamlined style of Artwork Deco, which peaked from 1920 to 1935. Ahead of this time, jewelry was extra flowery and outdated-fashioned as noticed in the variety of Art Nouveau. Because 2010, the Bismarck Sapphire Necklace has long been on δώρο για άντρα Exhibit inside the Janet Annenberg Hooker Hall of Geology, Gems ανδρικα δαχτυλιδια χρυσα and Minerals between the famed "Hall Sapphire and Diamond Necklace" and the "Logan Sapphire". The Bismarck Sapphire Necklace is in fact The most notable gemstone jewellery pieces exhibited inside the magnificent gems gallery of the Smithsonian.

artistic

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The cultural show in Kandy gives you the opportunity to witness a spectacular display of Kandyan dancing, Sri Lanka’s iconic art form, which includes elaborate costumes, boisterous mass drumming, and flamboyant dancing. It gives you an introduction to the various dance forms of the Kandyan hill country as well as the low country and ends with the most impressive and exciting fire walking. The performance normally lasts for an hour until 6pm, just in time to get to the evening puja ceremony, which takes place within The Temple of The Tooth at around 6.30pm. The Temple of the Tooth, known locally as Dalada Malingawa, sits on the lakeshore in Kandy and houses the legendary Buddha’s tooth. During the puja (offering of prayers) the normally heavily guarded room, housing the tooth, is open to visitors. You don’t actually get to see the tooth, only the gold casket in which it is kept, but the experience is enthralling.

artistic

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Copyright 2020 © The Bartlett School of Architecture, UCL 'The Imitation Custom House' proposes a building in the River Thames adjacent to the existing 19th-century Custom House and speculates on an architectural methodology in which the Thames is the medium of construction. The project proposes an architecture whose construction is rooted in the ‘poetic’, whereby histories of the site are reinterpreted in the construction process. In the distant past, the Pool of London was animated by the tides which brought ships bearing exotic commodities; for the Imitation Custom House, the tides facilitate its production. Concrete is employed as a material for its dependence upon water. The project asks how concrete might be used to deal with time in three ways: casting with and against an existing building, using temporary formwork as permanent architecture, and casting with concrete using the tides of the River Thames. The notion of the ‘copy’ is challenged, and it is argued that more value might be afforded to a ‘copy’ that to its ‘original’ due to the process of its own production. The Imitation Custom House proposes that architecture might be concerned with the process of construction rather than with the resultant building. The architecture employs the rise and fall of the tides as an agent for casting concrete. As the water drops, the concrete cures, and permanently casts the water's surface. In the gallery, the space is rich with both architecture and art. Carpets of old timber formwork are trimmed with brass, affording them the same value as the paintings in their frames. The construction of the Imitation Custom House leaves stains on its Neoclassical older sister, just as historic commodities once stained the water of the Thames. “Time past and time present Are both perhaps present in time future, And time future contained in time past” Extract from T.S. Eliot's Four Quartets (1941)

artistic

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George Daniels (1926-2011) stands as an iconic figure in the realm of horology, leaving an indelible mark on the world of watchmaking. Born in London, Daniels embarked on his journey into the world of timekeeping at the age of 15, commencing an apprenticeship that would shape the course of his illustrious career. Despite lacking formal education in watchmaking, Daniels exhibited an innate talent and an insatiable curiosity for mechanical devices. His early twenties saw him gain recognition as a skilled and inventive craftsman. One of his most groundbreaking contributions was the invention of the Co-Axial escapement, a transformative breakthrough that significantly enhanced the accuracy and efficiency of mechanical watches. Initially met with scepticism, Daniels’ invention ultimately revolutionized modern watchmaking, showcasing his prowess in pushing the boundaries of what was achievable in timekeeping mechanisms. Daniels was not merely a technical innovator but also a passionate advocate for preserving traditional craftsmanship in an era dominated by mass production. Faced with the encroachment of quartz watches, he staunchly defended the art of handmade watchmaking. As documented in the excellent film “The Watchmaker’s Apprentice”, Daniels’ acted as a mentor to Roger Smith who has continued with George Daniels’ work on the Isle of Man. Roger Smith has further developed and refining the co-axial escapement in his own fantastic range of handmade watches. One of the masterpieces that exemplified Daniels’ technical and artistic brilliance was the Space Traveller watch. This double-dial timepiece featured both mean solar time and sidereal time, along with various astronomical indications, showcasing Daniels’ ability to blend functionality with intricate design. Daniels’ commitment to craftsmanship extended beyond his own creations; he penned the authoritative book “Watchmaking,” a seminal guide in the field that shared his knowledge and insights with aspiring watchmakers. His teachings became essential resources, ensuring that his legacy would continue to shape the next generation of horologists. Unsurprisingly George Daniels has received numerous accolades throughout the years. These include the prestigious Gold Medal from the British Horological Institute, Gold Medal from the Worshipful Company of Clockmakers, Gold Medal from the City and Guilds of London Institute, a CBE in 1981 and even a Gold Blue Peter Badge. In essence, George Daniels’ story is one of innovation, craftsmanship, and an unwavering dedication to the art of watchmaking. His technical brilliance and commitment to preserving tradition have left an enduring legacy that continues to inspire and guide watchmakers worldwide. Daniels’ contributions have ensured that the timeless beauty and appreciation of mechanical timepieces will persist for generations to come. David Clark FGA DGA MJVA PJDip. PJGemDip. Managing Director, JVA Registered Valuer® W.E. Clark & Son Limited

artistic

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His belief in Hinduism allowed him to recognise the color orange as the Hindu color of survival, on things such as the life jackets and lifeboat. It also makes him remember the Hindu story about a sage named Markandeya and Vishnu, stating that “I felt like the sage Markandeya, who fell out of Vishnu’s mouth while Vishnu was sleeping and so beheld the entire universe, everything that there is”. This brought him perspective and he realized how meaningless his suffering was. So we see through the use of religious symbolism and allusion how Pi’s faith helps him maintain hope and his will to live, connects him and allows him to relate to various religious figures and brings him perspective to see the bigger picture. However, the most important and notable use of symbolism is the raft, which represents his faith. It is something that he has to construct by himself, in order to be effective. We see how this relates to the differences of Whites and Blacks and their actions in “To Kill a Mockingbird”, how religion which was drummed into Whites since birth resulted in hypocrisy as opposed to the strong moral values of the Black community who truly understood their faith. Throughout the tale, his raft never forsakes him, it is the invisible force that finally brings him to safety and the force that transforms him into the individual he finally becomes. the author sends a message that it is our faith that helps us across the unforgiving ad endless sea, to never give up your faith– in yourself, in a better world.

artistic

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Scott Carson x BeatBox Studios - Launch Night Congratulations to client Scott Carson on the launch of BeatBox Studios. Scott and the BeatBox team will be celebrating with VIP’s, guests, family and friends tonight at the Exclusive Launch party in Lichfield. BeatBox is a truly unique setting where people can enjoy their passions for music, boxing and fitness whilst socialising with their friends and those with common interests. Scott and friends are behind this exciting new concept, that aims to change the perception of boxing gyms and encourage new participation into the discipline. Initially based in Lichfield, Staffordshire with more venues to follow, BeatBox is a space where you can get lost in your music and fitness, a place with no mirrors, nightclub lighting and a bouncing vibe. Find out more here – https://www.beatboxstudios.co.uk And don’t forget to follow BeatBox on social…

artistic

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A revival of traditional Irish harp music in the early 19th century led instrument makers to design new harps suitable for amateur players. John Egan, a harp maker active in Dublin, invented his “royal portable Irish harp” circa 1819. Though resembling a traditional Irish harp in size, this instrument incorporated “ivory stops,” used to raise and lower pitches, allowing changes of key. The illustration above appears in Charles Egan’s A New Series of Instructions Arranged Expressly for the Royal Portable Irish Harp (Dublin: for the author by John Egan), prefaced by a dedication to Princess Augusta dated 1822. Both John and Charles Egan were associated with the royal family: John was “harp maker by authority of the royal warrant” to George IV, and Charles served as “professor of harp” to Princess Augusta. Also present in the Archive are a manuscript “Selection of Preludes & Airs for the Royal Portable Irish Harp” by Charles Egan, accompanied by a letter of dedication to Princess Augusta and an essay on Irish music, all presumably in Egan’s autograph. The “Preludes & Airs” incorporate Irish tunes, as well as a version of “God Save the King”: Princess Augusta’s interest in the harp extended beyond the revival of Irish traditions. A volume of harp music with Augusta’s personalized binding includes popular opera excerpts arranged for pedal harp by Charles Egan and other composers. Many song collections in the Archive employ the harp as an accompanying instrument. One example is this collection of English ballads dedicated to Princess Augusta’s younger sister Mary by Sir William Parsons (1746-1817), “master of His Majesty’s band of musicians”: The Archive also contains works of two French harp virtuosos. Nicholas Charles Bochsa (1789-1856), served as harpist to Napoleon and Louis XVIII, 1813-1816. Fleeing charges of forgery, he arrived in London in 1817, was appointed professor of harp at the Royal Academy of Music and served as music director of the King’s Theatre, 1826-1830. Bochsa composed opera, orchestra, and chamber music, as well as music for solo harp. His pedagogical works included A New and Improved Method of Instruction for the Harp: Jean-Baptiste Cardon (1760-1803), a harp virtuoso and teacher in Paris, visited London in 1785 and dedicated his harp sonatas, op. 22, to George IV, then Prince of Wales. After the French Revolution, Cardon settled in Russia and was appointed harpist to the Russian royal family. The Archive’s copy of Cardon’s variations on the French folksong “Ah, vous dirai-je, maman” is annotated with manuscript fingerings, probably by Princess Augusta: The presence of several works by Joseph Tudor Hughes indicate the royal family’s interest in this child prodigy harpist. Joseph Tudor Hughes (born circa 1827) was one of several siblings, all musical prodigies who sang and played the harp, violin, and concertina. Originally from Wales, the children performed in England during the 1830s and emigrated with their parents to the United States in 1838. The collection of compositions by Joseph Tudor Hughes shown above includes “Llewellyn’s Lament,” based on a legend of Prince Llewellyn the Great of Wales: One manuscript by Hughes is present in the Archive. Titled “The Infant’s Farewell,” the manuscript is annotated “this melody was composed by Master Hughes on the occation of leaveing his mother to come to Brighton as farewell”: Sadly, Joseph Tudor Hughes’s life was cut short by a drowning accident in 1841. His brother David Edward Hughes (1831-1900) became a professor of music and natural philosophy at St. Joseph’s College in Bardstown, Kentucky. He returned to London in the 1870s, where he had a distinguished career as a scientist and inventor of telegraph and telephone technology.

artistic

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“The collaboration between a director and his scriptwriter can take a wide variety of forms. One might almost say that there are as many different methods of work as there are films. Yet the one that seems most frequent in the traditional commercial cinema involves a more or less radical separation of scenario and image, story and style, in short, “content” and “form”. “For instance: the author describes a conversation between two characters, providing the words they speak and a few details about the setting; if he is more precise, he specifies their gestures or facial expressions; but it is always the director who subsequently decides how the episode will be photographed, if the characters will be seen from a distance or if their faces will fill the whole screen, what movements the camera will make, how the scene will be cut, etc. Yet the scene as the audience sees it will acquire quite different, sometimes even contradictory meanings, depending on whether the characters are looking towards the camera or away from it, or whether the shots cut back and forth between their faces in rapid succession. The camera may also concentrate on something entirely different during their conversation, perhaps merely the setting around them: the walls of the room they are in, the streets where they are walking, the waves that break in front of them. At is extreme this method produced a scene whose words and gestures were quite ordinary and unmemorable, compared to the forms and movement of the image, which alone has any importance, which alone appears to have a meaning. “This is just what makes the cinema an art: it creates a reality with forms. It is in its form that we must look for its true content. The same is true of any work of art, of a novel, for instance: the choice of a narrative style, of a grammatical tense, of a rhythm of phrasing, of a vocabulary, carries more weight than the actual story. What novelist worthy of the name would be satisfied to hand his story over to a metteur-en-phrases who would write out the final version of the text for the reader. The intention governing the conception of a novel involves both the story and its style; often, it is actually the latter which comes first in the author's mind, as a painter may conceive of a canvas entirely in terms of a vertical lines before deciding to represent a skyscraper group. “And no doubt the same is true for a film: conceiving of a screen story, it seems to me, would mean already conceiving of it in images, with all the detail this involves, not only with regard to gestures and settings, but to the camera's position and movement, as well as to the sequence of shots in editing. Alain Resnais and I were able to collaborate only because we had seen the film in the same way from the start; and not ust in the same general outlines, but exactly, in the construction of the least detail as in its total architecture. What I wrote might have been what was already in my mind; what he added during the shooting was what I might have written.” Alain Robbe-Grillet, introduction to Last Year at Marienbad: a cine novel (1961) p5-6.

artistic

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JONATHAN DAVIS: Vocals JAMES “MUNKY” SHAFFER: Guitars In the song ‘"Evolution,” Jonathan Davis lyrically speaks to mankind’s distinct lack of evolution--while the entity known as Korn has made amazing progress since their self-titled 1994 debut. That growth is evident on the 13 tracks populating Korn’s untitled, eighth studio album. The follow-up to 2005’s multi-platinum See You On The Other Side, Korn’s latest, Davis says, is “about us growing up and our minds opening up more. We weren’t necessarily worried about ‘oh, is this too poppy? Or too this or that? We started thinking that way when ‘Got The Life’ came out and we thought, ‘oh, we can’t put this out, it’s got a disco beat and it’s too dancey.’ It made us scared. But that’s something we like doing,” he emphasizes. “If we do a song and put it out and we’re not scared about it, I guess we’re not doing it right, because we always want to evolve, experiment and change.” Further proof of that credo? The lack of an album title. “This album felt like it didn’t need to have a title or boundaries,” Davis says. “We thought it would be cooler for fans. Metallica had a Black album, the Beatles had a White album, and Peter Gabriel put out a bunch of albums he didn’t title. We’re throwing it out there and letting people use their minds and imaginations.” The experimentation, change and growth doesn’t stop there. Guitarist Brian “Head” Welch left the band in 2005, and drummer David Silveria has been on a hiatus from Korn since 2006. Davis notes: “The dynamics and chemistry have of course changed, and it’s reflected musically and creatively on this album. Munky has done an amazing job taking on all the guitar duties; he’s really grown as a player. We’ve all had to step it up, and the core of us--me, Fieldy and Munk--we share a passion. I don’t think we’d be alive if we didn’t have our music and weren’t able to do this.” In 2007, that passion is channeled into the making and release of the band’s triumphant untitled album and the 2007 FAMILY VALUES TOUR which last year sold close to 500,000 tickets. The groundbreaking festival was founded in 1998 by Korn and management company the Firm. Korn, who have sold more than 25 million records worldwide and earned six Grammy nods and two wins to date, have upped the ante with each successive record and project, always innovators in the use of media, fan interaction, collaborations, business models, and most importantly, music. On the untitled album, produced by innovative British programmer/remixer Atticus Ross with The Matrix also taking production credit on 4 of the album’s key tracks, band favorites include “Starting Over,” “Hold On,” and “Innocent Bystander.” Shaffer notes, “Musically, I feel our last record was songs we wrote and put on an album, whereas this time it’s much more cohesive; you have to listen to the whole thing for it to tell the story.” From the record’s “Intro,” the tone is set—the creepy demented circus-influenced ditty portends what’s to come, which includes the primal industrial power of “Starting Over,” which is balanced with the song’s haunting bridge section and beefy bottom end. With ambient touches, cool melodies and the return of Davis’ bagpipes, Korn’s newest may be its most dynamic and experimental effort. Of course, that’s not unexpected, coming off the heels of the MTV Unplugged: Korn release, which debuted Top 10 in the Billboard 200 in March, 2007. Since the band’s inception Davis has been venerated for his visceral personal tales, and on the new untitled album, he does not disappoint. “Innocent Bystander” is self-referential, as he sings, “I’m a spectator/the motivator.” Davis explains: On the road, he is (and has been for several years) completely sober, but that said, he laughs, “I love to pour drinks, roll joints, do whatever to get the party started. But I am now the ‘innocent bystander.’” “Innocent Bystander,” with its raw, taut musicality and insinuating riffs, even contains a Korn first—a guitar solo. Then there’s a song that’s in the signature Korn style, “Hold On,” which takes its cue from death metal, a genre that Davis loves. That commanding, aggro vibe of the dramatic and epic “Hold On” was achieved with the help of one of the three drummers on Korn’s latest album: Terry Bozzio (Frank Zappa, Missing Persons), Brooks Wackerman (Bad Religion, Suicidal Tendencies) and even one Mr. Jonathan Davis, in his first recorded drumming since Issues. Bozzio is on “Hold On,” and Davis raves, “Terry has gotta be the best drummer in the world; he brought a more progressive feel to the band. His drum kit was huge, and all the colors and sounds he made pushed our music in different directions we might not ever have thought about going.” Adds Fieldy, “The drums are amazing on this new album; you get a big variety instead of just one drummer doing the same style throughout.” Playing live drums for Korn on tour is another stellar player—Slipknot’s Joey Jordison, who jumped at the chance to tour with a band he cites as one of his main musical influences Rounding out Korn’s touring line up is Clint Lowery of Sevendust on guitar and keyboardist Zac Baird. In addition to Zac being on the road with the band since 2005, he played keyboards and took on writing chores for the new album. With all the successful and liberating change evident on the untitled record, one thing remains constant: Davis does not shy away from exploring his anger, inner life and the painful closeness between love/hate, which made the singer both famous and infamous thanks to songs like “Daddy,” “Shoots and Ladders” and “Hollow Life.” On the untitled CD, the songs “‘Ever Be’ and ‘Love and Luxury’ “are me, venting about our ex guitar player. I didn’t get it all out on the last record!” Davis laughs. “This is the last time I’ll write about it, and I love the guy; I’m glad he’s happy and doing his thing.” “Evolution,” a grooving, heavy and strong representative kick-off for the album, is the first single. Musically, Davis says, “I wanted to stay away as much as possible from just beating on cymbals, which just make this crazy white noise over the music, and you can’t really hear what's going on. Lyrically, ‘Evolution’ is about us as a human race, who has basically not evolved since monkeys. If you look back and compare us, animals and humans are pretty much the same.” An apt analogy is also drawn in “Killing.” “A bird on a wire, you have a gun pointed at it, but it sits there and stares at you. The same goes for people--we like to take abuse, that’s our human nature, our trained response. Anything horrible happens to us, we’re preset to reset to dumb.” Another intensely personal track is “Starting Over,” which was inspired by Davis’ near-death experience with ITP, a blood disease that struck the frontman while on tour in Europe. In their 14 years of togetherness, the L.A.-based lineup has both survived and thrived, and the songs on the untitled record are rife with detritus of decadence and lessons learned. That fervor and authenticity is felt and appreciated by both fans and peers, Korn’s groundbreaking sound spawned a plethora of imitators. But the fans know where it began, and show their loyalty. “Now we have a new generation of young kids at our shows,” observes Davis. “When we started, most of our fans were 14, 15, and now they’re lawyers and doctors who are bringing their kids. We’re transcending generations. It’s cool.” And Korn will not disappoint. On the 2007 FAMILY VALUES TOUR, the band serves up its biggest stage show ever, and in the set list are songs they haven’t performed in 10 years. “It’s definitely different for us. Fans are going to be very happy,” believes Davis. “The statement Korn wanted to make with this record and tour was, ‘yes we're down three members, but we're still very creative and still love making music.’ We're so happy to be doing this 14 years later. This is our eighth studio album, but eleventh release overall. [And eight of those releases sold platinum or platinum-plus]. What a career, and we don't see any end coming soon! I measure my success by challenging myself and seeing if I can help take Korn to new levels,” Davis concludes. “If we wrote the same records over and over but were still commercially successful, I would consider that a personal failure.”

artistic

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21-year-old Young Steinway Artist Constance Kaita is a recent graduate of the Peabody Conservatory where she studied under Yong Hi Moon. Constance made her orchestral solo piano debut with the Westfield Symphony in New Jersey when she was nine years old. She has also performed as a soloist with the Bravura Philharmonic Orchestra, the Baroque Orchestra of New Jersey, the Shanghai Chamber Musicians Orchestra, the Ambler Symphony, the Olney Symphony, and the Cairn (formerly Philadelphia Biblical) University Orchestra. Constance has performed in prestigious venues including Alice Tully Hall in Lincoln Center and Weill Recital Hall of Carnegie Hall numerous times as a result of winning competitions such as the Cecilian Music Club and National League of Performing Arts competitions. Constance has won numerous music awards, including first prize four times for her age group in the New Jersey Music Teachers Association Young Musicians Competition and first prize three times in the Steinway Scholarship Competition. Constance was a semifinalist in the 2012 Thomas and Evon Cooper International Piano Competition and a finalist in the 2014 New York International Piano Competition. She also won first place in the open division and received the Richard Tang Yuk award for best overall performance at the 2015 Princeton Festival Piano Competition. Constance was a featured Rising Star in the 2004 Beijing Music Festival, the first international exchange of its kind sponsored by the Chinese Ministry of Culture. She performed in the Forbidden City Concert Hall and the People’s Congress Hall in Beijing. These performances were broadcast on national television across China and around the world. She has also appeared as a soloist in the Shanghai Grand Theatre and the Shanghai Oriental Art Center during the Sino-American Cultural Exchange gala concerts in 2007 and 2009. In 2012, she performed in the Taipei City Hall Family Theater as a member of IMPACT (International Musicians’ Performing Arts Cultural Troupe). In 2009, Constance was invited to perform at the United Nations headquarters in New York City in a performing arts gala celebrating the 30th anniversary of U.S. – China diplomatic relations. In addition to her musical accomplishments, Constance received a dual degree from the Johns Hopkins University where she majored in English and creative writing. She is also an avid runner, finishing the 2015 NYC Marathon, and has published poems in several literary magazines including The Legendary and J. Mag.

artistic

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Trixie and Twinkle are bound to get you in the holiday spirit! Choose your elf (or two!) and join in on this fun and festive crochet along! Read on for all of the details. Each elf measures 12 inches tall when legs are extended, including the hat. The legs are sewn on separately so they can sit independently, but they can also stand if leaned against something. Whether you choose to make one, or the pair, these elves are perfect for cuddling, decorating, or gift-giving this holiday season! Crochet Along Details This pattern will be split into 3 parts. Each part will be released on my blog (links below) a few days apart, starting Monday, December 10. A lot of the fun of a crochet along is working on a pattern together with fellow crocheters. Join the Loops & Love Crochet Group on Facebook to share progress, questions, questions, photos, etc. Each part of this pattern will be released here free on my blog. If you prefer to work from an ad-free, printable PDF version, or maybe you don’t want to wait for each part to be released, you may purchase the complete pattern from my Etsy or Ravelry shop starting Monday! Thank you so much for supporting Loops & Love Crochet! Disclosure: This post may contain affiliate links, which means I may receive a small commission if you click a link and purchase something that I have recommended. This is done at no extra cost to you. Thank you for supporting Loops & Love Crochet! - Worsted-weight yarn – You can use any worsted-weight yarn for this project. You will need red, green, and white yarn plus a skin color and a hair color. Specifically, I used Bernat Satin in Crimson, Caron Simply Soft in Bone, and Red Heart Soft in Guacamole, White, and Toast. - 4 mm crochet hook - Safety eyes – 8mm size - Black embroidery thread for the eyelashes. - Yarn needle for sewing pieces together and weaving in ends. Bent needles are my favorite for amigurumi! Each part of the pattern will be linked below on the release date. Make sure you don’t miss pattern announcements by liking Loops and Love Crochet on Facebook or following @loopsandlovecrochet on Instagram! I hope you join in on this CAL and have as much fun making these elves as I did! **You may make and sell any items made from my patterns, but please link back to my blog or Loops & Love Crochet as the designer. Please do not copy and post claiming it as your own. Please do not re-publish my photos as your own. Thank you!**

artistic

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Need legal advice for your next film, tv or theatre production? The ever-evolving TV, film and theatre industries bring their own unique complexities. Our clients include TV hosts, actors, media personalities, talent management entities, production companies, directors, writers, animators, composers, and distributors. We’re also legal counsel for and proud sponsors of the Melbourne International Film Festival. Our expertise includes: - Talent, performers and key-creatives’ rights, agreements and releases; - Music clearances and composer agreements; - Television Format rights; - Chain of title; - Script options and purchases; - Distribution, broadcast, syndication rights and deals; - Production and co-production; - Merchandising and sponsorship; - Rights acquisition and management; - Venue hire, stage shows and touring. To find out how we can help you with your legal requirements, please submit the following form and we’ll contact you shortly. Otherwise, you can learn about our other areas of expertise here: www.mediaartslawyers.com

artistic

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"We communicated frequently and there were so many photos that I never felt left out of the process" Tonya, USA Having worked with customers both locally and around the globe, the custom process has been perfected. The customer has as little or as much involvement as they wish from stone selection and design drawings all the way to the final polish. The end result - a one-of-a-kind piece with a unique story behind it! gemstones and materials: Whether you're wanting to create a piece from new, or something from sentimental jewellery, I will work closely with you to produce something truly special, within your budget. With the choice of gold (yellow, white or rose) or sterling silver and a vast array of fine quality stones, the finished piece really is personal to you. Choice of gemstones can be the most important part of the process and this part can be the most detailed in terms of communication. I have built up a large selection of quality gem suppliers, globally, and will hunt down the perfect stones to your spec. Videos, photos and measurements can be sent including scenarios for stone arrangements positioned on existing rings to help visualise the end results. Each piece has a different time scale for completion, which will be discussed at this stage but if you have a date in mind, I will try and work to this where possible. Once the initial consultation has taken place, where stones, materials, budget and ideas have been discussed, I will draw various designs to talk through with you. This is where your ideas are brought to life into a visual representation and any final, personal touches can be added. THE HANDCRAFTING BEGINS: Once a design is agreed, a 50% deposit is required to start the making. This is done through secure PayPal invoicing (which you do not need a PayPal account for). The remaining balance is due prior to shipping and payment plans can be discussed if required. If you wish, I will keep you updated with the entire process including putting the gold through the rolling mill, making the stone settings and the final polish. Once all is complete, you will then receive a tracking number with which you can track your parcel in detailed steps from collection to customs, through to delivery no matter where you are in the world! "With Fran I have definitely experienced the most professional and friendly service I have ever come across and I would completely recommend her to anyone who is looking for a unique and special ring for any occasion" Rob, UK

artistic

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Paulette Verlée, the alter ego of Veerle Pollet, learned to play the piano at a very young age with the works of Bach and Schumann. For her first album, released last year, it was Erik Satie who formed the starting point. For her new album 'Les Barricades Mystérieuses' the inspiration came from François Couperin. Under the spell of his “leçons de ténèbres”, she first made her idiosyncratic piano version of “MEM”. Then created new, own work based on his somewhat funny and mysterious titles of his “pièces de clavecin”. The new album has become a refined collection of neoclassical music, with the recognizable touch of Paulette and this time with a musical wink to baroque music. Not only Paulette was inspired by Couperin's wonderful titles. Painter René Magritte made no less than 2 works bearing the same title, 'Les Barricades Mystérieuses'. As a resident of Jette and great admirer of Magritte, she could not help but refer to him with the artwork of the album. On stage, the piano is accompanied by well thought-out cello parts performed by Maaike Organe. This time the video footage projected behind them, comes largely from the Berlin film pioneer Walter Ruttmann. His abstract animation films from the 1920s fit in perfectly with Magritte's surrealistic image. With this record, Paulette Verlée delivers a worthy successor to “choses vues à droite et à gauche (sans lunettes)” that received airplay on Radio 1 and Klara. Nils Frahm also showed his enthusiasm and included the single 'Reprieve for Piano Solo' in his personal Spotify playlist. Recently, Paulette was in the spotlight with her personal rework of the song “11.10” by Sohnarr (the band around Patricia Vanneste, ex-violinist with Balthazar), alongside artists such as Chantal Acda, Brueder Selke, Justin Lockey and Ansatz Der Maschine. 07/05/23 – Try out privé-concert, Mechelen 12/05/23 – GC de Kroon, Sint-Agatha-Berchem 04/06/23 – Trekstaal Diest (12u30) 10/06/23 – 't Smiske, Asse 20/10/23 – GC De Zeyp, Ganshoren 25/10/23 – CCHA, Hasselt 12/01/24 – GC Spikkerelle, Avelgem 10/02/24 – Cultuurcentrum, Poperinge 17/02/24 – Cinema Walburg, Hamont-Achel 03/03/24 – Kasteel Coloma, St Pieters Leeuw (15u00) 28/03/24 – CC Het Bolwerk, Vilvoorde MEM is the fourth part of the “Troisième leçon de ténèbres pour le mercredi saint”. The title immediately appealed to me. At first I didn't know what this strange word meant. It’s the Hebrew letter of the first word of the original text (the first lamentation of the Old Testament by prophet Jeremiah about the destruction of Babylon) used in the song. MEM is also the only work of Couperin where I consciously borrowed thematic material from the original composition. The beginning and end are based on Couperin's first 8 bars; the middle part is newly composed. Mem stands for the letter 'm'. To me ‘m’ is one of the softest and most meaningful letters of the alphabet. This letter alone can say many things. 'Mmm' can be used to approve or question something; it can sound wailing, comforting or very happy. I think that versatility is reflected in my version MEM. pauletteverlee @ gmail.com Manu @ maandacht.be Teddy.Hillaert @ livenation.be An.lesneuck @ v2benelux.com

artistic

https://www.sonderarchitects.com.au/future-housing-in-vanuatu/

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The overlaps between practice and design research Sonder’s Co-Principal Wendy Christie is a PhD Candidate within the Department of Art, Design and Architecture at Monash University. Her practice-based research compliments the studio design work produced at Sonder Architects. We provide in-kind support to this research via sharing resources, time, creative inspiration, and challenging ideas through rigorous debate. In 2015, Cyclone Pam tore through Vanuatu, leaving about 75 thousand people homeless. While most people rebuilt from salvaged materials, they were left with the same problem: Unsafe housing. A typical response to disaster housing in developing countries is prefabricated housing; however, these usually well-meaning ‘solutions’ inevitably lack cultural and environmental context and arrive when people are at their most vulnerable. During my time living in Vanuatu, I observed unique dwelling patterns that do not suit a ‘one size fits all’ approach. Now, imagine you are an architect in Vanuatu, as I was, working on a community housing project. Where would you start? There’s no housing policy. No department of housing. Few suitable precedents. You know the links between poor housing, health, and social outcomes. You also know the importance of culturally specific design. If only there were some kind of guidebook… The Universal Declaration of Human rights states that everyone has the right to an adequate standard of living…. So how can a country like Vanuatu work towards achieving this basic human right? And this is where my research begins, asking, “How can design research contribute to appropriate, long-term housing in Vanuatu?” Using creative design as the primary research tool, I seek to produce new knowledge to inform future housing in Vanuatu. This process has identified culturally distinct housing arrangements that include wood-fire cooking houses and outside living rooms. A collaborative design process will include a series of interviews and design exhibitions in Vanuatu. The participants will be primarily ni-Vanuatu professionals who will ultimately shape the design research conclusions. Design case studies will also be developed in collaboration with local homeowners in urban, peri-urban, and rural locations. This case-study design process is comparable to the approach that we offer through our practice: The place is appreciated; the site’s physical features considered; the family consulted; and future needs assessed. From here an iterative design process, allowing for feedback and amendments, will culminate in a final masterplan for each household. Using a hybrid drawing mode that mixes architectural drawing and graphic ethnography (aka comic books) the drawings will impart technical, narrative, and emotional detail. The outcome will be a design anthology or “guidebook” that can be used by future architects and policy makers to inform future housing in Vanuatu, for both disaster and long-term applications. It will also create a precedent of place specific design research for other Pacific Island countries.

artistic

http://www.africancreations.co.uk/epages/es135046.sf/en_GB/?ObjectPath=/Shops/es135046/Categories/%22Recycled%20Metal%20Sculptures%22/Animals&ViewAction=ViewPaged

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Made from recycled oil drums. The artist makes a frame with galvanised wire and then welds each piece onto this frame. These sculptures are all unique and vary in size depending on the shape of neck and position of head. The small giraffe's stands between 7 and 8 ft tall. Each piece is coated with yacht varnish before it leaves our warehouse and will not need re-treating for at least 2 years. A beautiful feature piece for home or garden. Please contact us if you would like details of the giraffes we have in stock or would like to make an appointment to visit us.

artistic

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Dayton Metro Library will display submissions from their Teen Art Contest in the Main Library’s Patterson Opportunity Space from Tuesday, March 1 – Tuesday, March 22, for artists and patrons to enjoy. “The Dayton Metro Library is so rich in artist talent and opportunity,” said Laura Chamberlain, Dayton Metro Library Teen Services Coordinator. “We encourage our youth to pursue their passions and are happy to have the opportunity to showcase their talents.” Teens in grades 7-12 who live in or attend school in Montgomery County submitted work in two grade divisions: 7-9 and 10-12. Winners in each age division and category will be notified no later than Monday, March 7, with gift card prizes being awarded soon after. One winner per age division in each of the following art categories will be awarded: photography, watercolor, selfie, oil and acrylic, 3D (sculpture, etc.), and mixed or other medium. The exhibit will be available for viewing during Library operating hours.

artistic

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Hi! We are Mitch & Melissa, and we are SO glad you are here. We are dedicated to capturing candid, real, and raw emotions, so that your special moments can live on through the test of time. Coming from technical backgrounds, we often found ourselves looking for a creative outlet that we could share as a couple. You will find Melissa behind the camera, while Mitch works behind the scenes to keep our business going. Mitch was born in Berwick, Nova Scotia, Canada, and obtained his civil engineering degree at Dalhousie University. Moving to the west was an easy decision, as his interests are all found in the mountains. He currently works full time as a structural engineer. Melissa was born in Bogota, D.C., Colombia, and grew up in Calgary, Alberta, Canada. Melissa obtained her mechanical engineering degree at The University of British Columbia, and currently works as a project manager. And yes, if you are wondering, we did meet through work. Melissa has been pursuing photography as a hobby for over a decade. It started as a way to capture her own joyful memories, and she slowly branched off into photographing other's special moments. Mitch's biggest passion includes bow hunting, and it was while exploring the outdoors to pursue this that he began photographing landscapes and wildlife. Whether it's a special event, business branding, your love story, new Instagram photos, or just a casual Sunday with family, let's chat about how we can help capture your vision! Photo by Kadie Hummel Photography mwoodworth & co.

artistic

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Elevating Brands Through Professional Graphic Design Services In today’s visually-driven world, captivating and impactful design is essential for businesses to make a lasting impression. At Extension Marketing, we specialize in providing exceptional graphic design services that bring brands to life, engage target audiences, and elevate businesses to new heights. With our team of expert designers and a commitment to excellence, we offer a comprehensive range of graphic design solutions tailored to meet the unique needs of our clients. From logos and branding to print materials and digital assets, we have the expertise to transform your vision into visually stunning designs. Building a strong and cohesive brand identity is crucial for business success. Our graphic design services encompass comprehensive branding solutions that align with your business goals and values. We dive deep into understanding your target market, competition, and brand essence to create a visual identity that is consistent and impactful. From carefully chosen color schemes and typography to detailed brand guidelines and visual elements, we ensure that every aspect of your brand’s visual representation is thoughtfully crafted to effectively communicate your unique story. A well-designed logo serves as the cornerstone of your brand’s visual identity. Our talented graphic designers understand the importance of creating captivating and memorable logos that accurately reflect your brand’s personality, values, and positioning. Through a collaborative process, we work closely with you to understand your brand identity and develop a logo that resonates with your target audience. From initial conceptualization to final execution, we ensure that your logo stands out and leaves a lasting impression in the minds of your customers. User Interface (UI) and User Experience (UX) Design User-centric design is crucial for websites, applications, and software interfaces. Our UI/UX designers are skilled in creating intuitive and visually appealing designs that enhance user engagement and satisfaction. We conduct extensive research to understand your target audience’s needs and behaviors, translating those insights into seamless and aesthetically pleasing user interfaces. By optimizing the user experience, we help you create digital experiences that leave a positive and lasting impression. Despite the digital age, print materials still hold significant value in marketing and communication strategies. Our graphic design expertise extends to creating compelling print materials that leave a lasting impression. Whether it’s brochures, flyers, business cards, or promotional materials, we combine creativity with strategic thinking to design print collateral that captures attention and effectively communicates your brand’s message. With meticulous attention to detail and a deep understanding of print production processes, we ensure that your print materials are of the highest quality, making a strong impact on your target audience. In today’s digital world, having visually engaging digital assets is crucial for capturing and retaining the attention of your online audience. Our graphic design services include creating impactful digital designs that resonate with your target audience across various digital platforms. From social media graphics and website banners to email templates and online advertisements, we design visually stunning digital assets that enhance your brand’s online presence and drive engagement. Our designs are optimized for different devices and platforms, ensuring a seamless user experience and maximum impact. Infographics and Data Visualization Transforming complex information into visually appealing and easy-to-understand visuals is our specialty. Our graphic designers excel in creating infographics and data visualizations that simplify complex data, statistics, and concepts. Whether you need to present annual reports, industry insights, or educational content, we will design visually compelling infographics that engage your audience and effectively communicate your message. With our expertise in visual storytelling and data visualization techniques, we ensure that your information is conveyed in a clear and visually engaging manner. Packaging design plays a pivotal role in attracting customers and communicating your brand’s value. Our graphic designers specialize in creating packaging designs that not only stand out on the shelf but also effectively communicate your product’s key features and benefits. We understand the importance of packaging in making a memorable first impression, and we guide you through the entire design process, from concept development to print production. Our goal is to create packaging designs that captivate your target audience and elevate your product’s appeal. At Extension Marketing, our graphic design services are driven by creativity, strategy, and a commitment to excellence. We believe in the power of compelling visuals to elevate your brand’s presence and leave a lasting impression on your audience. Whether you need a stunning logo, cohesive branding, captivating print materials, engaging digital designs, intuitive user interfaces, eye-catching packaging, or informative infographics, our team of expert graphic designers are here to bring your vision to life. Contact us today to unlock the full potential of captivating and impactful designs for your business.

artistic

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What they say is true: every labyrinth walk is different. If my first two experiences felt playful and rejuvenating and deeply spiritual, my next walk was … decidedly not. I had been eagerly anticipating the opportunity to walk this path, the beautiful and historic Chartres pattern with its complexity and symbolism. Perhaps I had inflated my expectations so greatly that no reality could possibly compare. But I don’t think that was it. Not entirely anyway. The Chartres pattern is geometric, not organic like the classical path. It is precise in its layout, with each curve formed in uniform channels and widths—unlike the uneven lines of the hand-drawn or stone-carved Cretan path. And it is designed in four interconnected quadrants, in contrast with the fetal curl of its womb-shaped cousin. I have become quite familiar with the meandering journey under the tip of my stylus when the entire labyrinth sits in the palm of my hand. I feel intimately connected to its circuits when the ceramic glaze grows warmer under my fingertip and on my lap. But to stand at the entrance of the “life-sized” canvas labyrinth and to begin the long walk with slow and careful steps—well, I had not walked more than a single quadrant before my spirit began to whine like an irritable child. Are we there yet? This felt more like work than it seemed like worship. It demanded focus and balance to stay on the correct path. I felt my muscles growing increasingly stiff—until my neck, shoulders, and back ached from the tension. And I was so tired I could weep. I was irritated by the woman sitting on the perimeter, not bothering to whisper as she heaped unsolicited advice on her hapless neighbor. I grew impatient with the need to step aside and allow others to pass on the path. (And why was I the only one giving right of way?) Even the quiet comings and goings of others in the room grated on my nerves. Shut up and get out! Can’t you see I’m trying to have a deeply meaningful spiritual experience here? So much for my theological commitment to community. Even as I found that shred of self-deprecating humor, I began to notice other marks of community … of those who had gone before me. The coffee stains on the white canvas. The names signed along the scalloped edges of the circle. The unevenness of the painted lines that testified to human hands, not assembly-line creation. And it occurred to me, slowly, as I continued to walk, as I had to steady myself on the sometimes dizzying circuits, as I yielded yet again to a fellow pilgrim, as I acknowledged the tedium I found in the time-consuming journey… This is life. Labyrinths, it seems, are sometimes deeply spiritual and powerfully insightful and divinely exhilarating, like life. But other times, they are pedantic, protracted slogs with intersections that create collisions more often than connections, where companions are sources of irritation more than inspiration, where expectations far exceed reality. And yet, even in the disillusionment of that discovery, I realized something more: Emmanuel was in this labyrinth experience too. Teaching me to read traces of those who preceded me on the path—those who left their mark intentionally, with purple marker, and accidentally, in spilled coffee. Tutoring me in the contrasting gifts of attending to the path under my feet—and of casting my vision ahead to anticipate the needs of others. Alternately soothing my spirit and steadying my steps as I walked, one foot in front of the other, the apparently interminable way which was both work and worship. If that isn’t a microcosm of life, I don’t know what is. And while I wouldn’t trade my first joyous and playful experiences in the labyrinths that went before, I find I am grateful for this more challenging experience too. It is one I will choose to repeat when given the opportunity—to build stamina, to cultivate the physical and spiritual discipline of persevering on the path. Because in this year’s first week of Advent, that life-sized and life-like labyrinth reminded me that my favorite liturgical season is essentially one of waiting—and not necessarily waiting with sanctified patience. Advent is also (and even primarily) an interval of impatience, of clamoring, of whining with that inner child, How long, O Lord? Aren’t we there yet? Come, O come, Emmanuel. Come to us in our work and in our worship, in our pacing and in our play. And in your coming, let us become more like you.

artistic

https://glassartkalamazoo.org/event/make-it-votive-candle-holder-january-11/

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© 2021 All Rights Reserved. Kiln Fusing Studio. Thursday, January 11 Create a beautiful and colorful fused glass votive holder in this fused glass class at Glass Art Kalamazoo! You will learn how to safely cut and assemble flat glass using multiple styles and colors of glass for your project. Your candle holder will be finished using a draping method in our kiln. Open to all skill levels, no previous glass art experience necessary. Students must be 12 years or older. Students under 14 years old must be accompanied by an adult. All tools, materials, and finished project included with ticket price. Projects created in our studios will be ready for pickup 5-7 days after completion. Classes may be cancelled due to low enrollment. See our full Cancellation Policy HERE. If you require special accommodations to take this class, please contact us prior to booking the class. While we do everything possible to make our classes accessible, extra preparations or restrictions may be necessary for your safety. (If using the “Add To Calendar” button below, make sure the class time for your calendar event matches the time on your ticket!)

artistic

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13 May – 25 June 2023 - Press Release Les Yeux du Monde is pleased to present Axis Mundi, an exhibition of new work by New York-based artists Dorothy Robinson, Kurt Steger, and Meg Hitchcock. The exhibition will run from Saturday, May 13th to Sunday, June 25th, with an opening reception taking place on Saturday, May 13th from 4-6pm. Axis Mundi, a Latin term referring to the cosmological axis of the Earth between the celestial poles, is a recurring and important trope in the history of art representing the conceptual connection between the higher and lower realms. As a symbolic link between Heaven and Earth, it is often understood as a reference to the sacred. This notion finds relevance in each of the exhibiting artists’ work: Robinson’s paintings, Steger’s sculpture, and Hitchcock’s text-based mixed-media pieces. Dorothy Robinson’s imaginative oil landscape paintings invite viewers to see and appreciate the natural world in new ways. Her mesmerizing compositions suggest a world coming into being. Characterized by swirling brushwork, rich texture, and vibrant colors, some of them made from powdered pigments of earth and rocks themselves, Robinson’s works invoke the organizing role of the Axis Mundi, the means by which cosmic order is imposed upon primordial chaos. Her approach to painting is intuitive and open-ended, resulting in fantastical imagery that echoes, in her words, the “larger, invisible forces constantly at work in the world.” Dorothy Robinson holds an M.F.A. from UC Berkeley, has exhibited at museums and galleries throughout the US, and has won many awards for her art, including one from the Pollock Krasner Foundation. Kurt Steger’s striking sculpture represents a fusion of his interests in shamanism, Western psychology, and environmental issues. In his Environmental Structures, Steger juxtaposes organic materials like found rock with geometric man-made forms, inviting viewers to reflect on humanity’s relationship with the natural world. If these pieces lead viewers to consider the ground below, his Outdoor Sculptures encourage us to consider what’s above. In the latter, compositions of angular forms reach heavenward, connecting earth with sky. As part of this exploration of the link between the above and the below, Steger has hosted noteworthy interactive sculpture and healing ceremonies, including one at the Smithsonian Institute in Washington D.C. honoring the ten-year anniversary of 9/11. Steger has had work commissioned for public spaces in California and New York, has been the recipient of awards including a grant from the NYFA Foundation, and has work in significant museum and private collections nationally and internationally. Meg Hitchcock is known for text-based work that explores spirituality, language, and faith systems, and invites us to consider how these structures shape our experience of the world. Methodically cutting letters from one sacred text to create intricate compositions that form the writings of another, Hitchcock creates space for the consideration of multiple religious traditions at once, and asks whether their essential meanings might be the same. In her latest work, Hitchcock combines sacred texts with painting, sewing, and burning, incorporating visual elements and shadows that represent a diversity of perspectives and light sources in dialogue with the text in her pieces. Per Hitchcock, “In the process of deconstructing and reconstructing sacred texts, I found a way to express my deep reverence for the word of God.” Hitchcock received her B.F.A. from the San Francisco Art Institute and studied classical painting in Florence, Italy. She has been awarded prestigious residencies throughout the US, most recently at the Foundation for Spirituality and the Arts in Charleston, South Carolina, where she was the artist-in-residence in fall of 2022. Her work can be found in important public and private collections in the US and abroad. Join us for an opening reception with Dorothy Robinson, Kurt Steger, and Meg Hitchcock at LYDM on Saturday, May 13th from 4-6pm. A luncheon and conversation with the artists will take place on Sunday, June 25th from 12:30-1:30pm and requires RSVP. The gallery is located at 841 Wolf Trap Road, Charlottesville VA 22911 and is open Thursday through Sunday 1-5pm or by appointment. For more information, visit LYDM.co, write firstname.lastname@example.org, or call 434-882-2622. - Exhibition Works - Installation Shots

artistic

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The music program at First Presbyterian Church of Murray has a long tradition of excellence in bringing quality music to each worship service. The music at FPC is always performed live by our Chancel Choir or music staff and often features guest musicians from the Department of Music at Murray State University. Music is a large part of every service, from the choral introit to hymns robustly sung by the congregation to an instrumental postlude. Church attendees can expect to be treated to music that offers them moments of reflection as well as soul-stirring, toe-tapping inspiration. The Chancel Choir is at the heart of the music ministry at FPC. The choir is made up of 20-25 church members and friends who dedicate themselves to attending weekly Wednesday evening rehearsals and Sunday services. The choir’s repertoire ranges from traditional hymn-tune arrangements to spirituals and gospel-style anthems. Members of the choir enjoy singing together and rehearsals are not only filled with music making but often laughter and fellowship. In addition to weekly choral anthems, the choir traditionally presents a larger-scale cantata with guest musicians for Advent/Christmas or Lenten/Easter seasons. The Chancel Choir is led by mezzo-soprano Kate Tombaugh, who is originally from Streator, Illinois. She holds dual undergraduate degrees in English Literature and Vocal Performance from Illinois Wesleyan University, and a masters degree in Voice, Opera Performance from CCM, the College-Conservatory of Music at the University of Cincinnati. Kate has a rich background in choral singing. She grew up singing in her home church’s junior and senior choirs at Park Presbyterian Church under the direction of her mother; in later years, she served as their Cherub Choir Director. She was the Youth Choir Director at Second Presbyterian Church in Bloomington, IL for one year where she also served as a three-year choral intern while studying at IWU. During all four years of college, Kate sang and toured with the Collegiate Choir, including an overseas trip to Russia and the three Baltic States. While studying in Cincinnati, Kate was a three-year choral intern at St. Thomas Episcopal Church. Kate runs a private voice studio in Murray and is the Executive Director of a new arts organization, Poco a Poco, which hosts a week-long Summer Music Festival and training program in Illinois every June. An avid performer, Kate has sung as a young artist with the Santa Fe Opera, Utah Opera, and Opera Theatre of St. Louis, in addition to portraying leading roles with Indianapolis Opera, Winter Opera St. Louis, and the Cincinnati Chamber Opera. She has also soloed with the Paducah Symphony, Utah Symphony, Jackson Symphony, and the Lexington Philharmonic, among others. Christina D’Ambrosio, our pianist/organist, holds degrees in piano performance from Miami University (Ohio) and Cincinnati College Conservatory of Music. She is an adjunct professor at Murray State University where she teaches keyboarding and frequently performs with other music faculty members. She is also a certified Suzuki piano teacher and has a private studio of young musicians in Murray.

artistic

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I have a lot of exciting exhibitions and submissions keeping me busy this month. The RUA Annual in Belfast opened last week. It was great to get to the participating artists preview and see my two pieces (Tree Cathedral 1) hanging in this lovely space. Really enjoyed meeting up with everybody and getting a good look at this very dynamic show. It stays open to the public until the end of January in the Ulster Museum and is well worth a visit. I was delighted to be included in The Royal Society of Physicians of Irelands first ‘Climate & Change’ Exhibition, and completely taken by surprise to be awarded a prize on the opening night for my piece ‘Presence’, which was selected by a panel of three judges. Lots of great work included in this exhibition. ‘Samhain’, an exhibition of giclee prints opens in The Copper House Gallery from 2nd November. My print ‘Tree Treasure’ is included in a group of forty artists selected from an Open Call and is a great way to purchase contemporary artists prints at a very reasonable price, open to the public through November and December. I’m also looking forward to taking part in various Curated Winter Group Shows including SO Fine Art (Tree Cathedral 2), The Doorway Gallery (Cypress 2&3), Art @The House, Howth (Tree Treasure 2) and ArtNetdlr at Walters Dun Laoghaire. It’s been a busy time for submissions and applications, and one of the most important fixtures in the artists calendar year is the RHA Annual Exhibition. I finished my piece ’Lengthening the Bright’ just before the deadline for entering, and was relieved to hear it had made it through the first round of the open submission system. Last week I was thrilled to hear it has made it through the final round and will be included in this years’ exhibition. The competition to get into this show gets more difficult every year, so many artists from all over Ireland and abroad submit work, with only a fraction making the final cut. It’s always well worth a visit, a gorgeous spacious gallery and lots of interesting work of the highest quality. Opens May 22nd until mid-July. In other news I have been invited to give a two-day drawing workshop in Schoolhouse for Art in lovely Enniskerry, June 10th & 11th, details on their website, really looking forward to this! Artnet dlr are busy with their ongoing group shows in Walters Dun Laoghaire. I’m always delighted to be included in this artists-driven collective, and have just heard the good news that my ‘Only Connect’ has been selected through open submission by Charlie Tyrell RHA, opens at the end of April. Last month I went to Cork city to visit The Lavit Gallery Members’ Exhibition. Really bright atmospheric gallery space in a converted industrial building at Wandesford Quay. Honoured that my piece ‘Fullness of Time ’was bought by the Chairman of The Board of Directors on the opening night. Meanwhile I’m busy in the studio getting some larger scale new work finished off and photographed. Great to be included in various group shows this month alongside many interesting artists. I have a large charcoal drawing - the biggest I have made to date - titled ‘At Times Like These’ in Art @ The House Group Show, which opens this week. ‘Winter Exhibition 2022’ opens on Saturday 3rd at SO Fine Art Gallery, where my ‘Treasure of Memory’ will be in good company in this gorgeous space. Always worth a visit. I also have work in The Hamilton Gallery Invited Artists Group Show in Sligo, and some smaller pieces in The Doorway Gallery Christmas Show (‘Deerpark Group’). I’m looking forward to visiting the RUA Annual Exhibition this month - delighted to have a piece included in this prestigious show. ‘Here & Now’ has been selected by Dorothy Smith for the next ArtNetdlr Open Submission Exhibition opening in Walters on the 12th. And, meanwhile, I’m kept busy with some local commissions... deadlines looming! Plenty of new work going on here in the studio, some almost finished, and a few taking their time to resolve. One well-behaved piece (although it took four months, and a lot of tweaking, before it finally got some manners) called ‘destination’ has been accepted into this years RUA Exhibition in Belfast. I’m delighted - it’s great to be selected. This show is always well worth a visit, and it opens to the public on 14th of October. Meanwhile, and closer to home, I will have two pieces included in this years’ Dublin Painting & Sketching Exhibition, which takes place in Windmill Lane, Dublin 2, at the end of September, and Art Netdlr will have a new show ‘Pause’ opening in Walters, Dun Laoghaire in October. My piece ‘The air is still’ has been selected by Rachel Joynt. I’ll be busy in the studio for the next two months getting new work finished off and framed in time for various Winter shows... where did the summer go?! Very busy here getting work finished off , tidied up, and into to the framers. I’m delighted to be an Invited Artist in various Winter Group Shows in Dublin, Sligo and Waterford. I will be bringing ‘ remains of the day’ into Catherine at SO Fine Art Gallery, Dublin 2 this week. Cathy Boyle will be hanging the Winter Show at The House, Howth, this week, I will have four pieces in this, including ’Winter Duo’. Later in the month I’ll be travelling to Sligo to leave five pieces into Martina at The Hamilton Gallery, including ‘Tree Island 1’ and ‘Tree Island 2’, then on to The Quay gallery in Waterford with ‘Distant Copse’. It was great to see such interest and footfall at this years RHA Annual, with plenty of red dots including one for my piece ’this day,this promise’ which I was delighted to see sold on the Opening Night. Looking forward to visiting these,and other interesting exhibitions, over the next few months, great to see such a lively interest in the visual arts at the moment ! 137th Royal Ulster Academy Exhibition I'm delighted that two of my drawings have been selected to be exhibited at the 137th Royal Ulster Academy of Arts exhibition 2018/19 I’m delighted to have ‘Field of Dreams’ included in the 192nd Royal Hibernian Academy Annual Exhibition, open free of charge to the public May 23rd - July 24th 2022, Ely Place Dublin 2. Always a great exhibition, well worth a visit, loads to see in this beautiful gallery space. Also delighted and very grateful to hear that I’ve been awarded a Bursary from Fingal Arts Office, who are consistently supportive to artists, musicians and writers in the Fingal area. In early June a small group of invited artists, including myself, will take part in an exhibition titled ‘Lapis Lazuli’ at The Hamilton Gallery, Sligo . My ’Old Civilisations I & II’ will be included .This exhibition will then travel to China to be shown at the Irish Embassy, Beijing. Very exciting! Meanwhile, I’ve been busy getting work ready for Art @The House Spring Exhibition, and I am really enjoying working with talented Irish poet Sonya Gildea on illustrations for her chapbook ‘The Nine Beats of Owenrea’. Sorca O'Farrell - award winning landscape artist Sorca O’ Farrell is a landscape artist from Howth, Co. Dublin. She attended D.L.A.D.T. and N.C.A.D., receiving an honours degree in Fine Art, and continuing to complete a H .Dip, with distinction. Recent awards include the Drawing Prize at the Royal Ulster Academy exhibition 2017, and the Hamilton Gallery award at Cairde Visual 2016. Her work has been included in the exhibition ‘A Celebration of Drawing’ at the National Gallery of Ireland. She has also exhibited in the Royal Hibernian Academy s Annual exhibition (2018, 2017, 2016, 2015) , the Royal Ulster Academy 2018, 2017, 2016), and many other group shows. ‘Re-Visits’ was the title of her most recent solo show at The Hamilton Gallery Sligo in 2017. In 2018 she was short-listed for the Royal Academy Annual Exhibition in London. Her current work is a direct and emotional response to the landscape close to where she lives, a place with many memories. Her work is represented in the public art collections of ; The National Gallery of Ireland, Allied Irish Bank Collection, The Office of Public Works, Dunlaoghaire/Rathdown County Council , The Department of Transport Northern Ireland, along with many private collections both in Ireland and abroad.

artistic

https://www.kersa.de/english

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KERSA welcomes you to the world of European hand puppets. You remember Kasper, Punch, or Guignol from your childhood. Puppet play is an unforgettable and valuable childhood experience. KERSA artisans understand this better than any other puppet crafters. - The Classic series is KERSA's most popular line of figures. Every cloth head is stuffed by hand, shaped, embroidered and painted with loving care. These puppets are very light and well suited for the hands of children and of adults. - The Lina series with cloth head is stuffed by hand, shaped and handpainted. These puppets are very light and well suited for the hands of children. - KERSA's charming Beni series features heads of lathed natural wood. The light grain gives the figures a natural and life-like appearance. Especially endearing is the funny nose on their hand-painted faces. A world of adventure awaits you with these charming hand-made puppets. - The hand-carved Micha puppets are created by our wood sculptor - a true master in his field. Carving and painting every head by hand is part of the elaborate process of creating these unique figures. - KERSA’s cute wooden finger puppets have a total height of 10 cm. Each of them is hand-painted. All KERSA products are developed in close cooperation with child experts and pre-school professionals. Pre-schools recommend KERSA products to foster creativity and expression. Whether you are looking for a toy that stimulate child's imagination or are an avid toy collector, we're sure you will be pleased with our world-class products. About us - KERSAFamily KERSA is Europe's leading handpuppet maker. Puppet crafting has been a family tradition for four generations. Each puppet is hand-made in Mindelheim, Germany. By continuing to use traditional techniques, each puppet retains its unique character and charm and brings joy for a lifetime. Our products don´t need a "power button" or batterie - they are powered solely by the child´s imagination. Come and play with Kasper and his friends. Kasper theater is fun for the whole family. Kasper and his friends come alive for children as soon as the plays start. In this world of make-believe, children are free to express their thoughts and creativity. At the same time, the children also develop their motor and verbal skills. KERSA GmbH & Co. KG • Ifenstrasse 7 • D-87719 Mindelheim Phone: 0049 (8261) 76 57- 0 • Fax: 0049 (8261) 76 57- 50 • e-mail: firstname.lastname@example.org

artistic

https://www.avvocatocamillafasciolo.com/forum/general-discussions/discovering-the-magic-of-radiointernetowe-online

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I just had to share my recent experience with radiointernetowe.online! 🎶 This platform has completely transformed my music journey, and I couldn't be more thrilled. From the moment I landed on the website, I was blown away by the diverse range of radio stations they offer. Whether I'm in the mood for chart-topping hits, indie gems, or soothing jazz melodies, they've got it all covered. What sets radiointernetowe.online apart is the exceptional audio quality. I'm no audiophile, but I can definitely tell the difference - it's like the artists are performing live in my room! And the user-friendly interface makes navigation a breeze. But wait, there's more! The personalized playlists and recommendations have introduced me to tracks I'd never have discovered otherwise. It's like having a music-savvy friend who always knows what I'll enjoy. The best part? It's free! Yep, you read that right. High-quality music without any subscription fees. I've already bookmarked the site on my browser and it's now my go-to for all things music. So, if you're tired of the same old playlists and want to explore a world of musical possibilities, do yourself a favor and check out radiointernetowe.online. Trust me, your ears will thank you later! 🎵🎧

artistic

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Hugo, the latest film from the legendary Martin Scorsese, is an amazing movie for audiences of all ages. Scoresese’s new family adventure has been eagerly anticipated by many, but the premise also confused some film-buffs. Some felt that the overall story and target audience, a family movie that would appeal to kids and adult film-lovers, wouldn’t catch on. Maybe it would be too “kiddy” for an older audience, or would be enjoyable for adults but too complicated for children to understand. Tonight I brought my entire family out to watch ‘Hugo‘ in theaters, and we all left the theater speechless. Every one of us took something different away from the film, but agreed that it was a fantastic piece of cinema that will be cherished for years to come. As Isabelle says in the movie, it’s truly a magical adventure. My brother Jeremy is ten years old, and a huge fan of the novel the film is based on. He’s read The Invention of Hugo Cabret twice and went into the film with a reader’s critical eye. “I think it was really close to the book, almost exactly the same,” he says. “The book is really good, so you can imagine how the movie would be. The book had a lot of pictures…so you can see how the characters would look. The actors were all almost identical [to the illustrations].” Next, my sister Amy is 17, and studies film at an art high school. She is very interested in all aspects of movie-making, but unlike Jeremy went into the film not knowing anything about the story. “I didn’t know anything about Hugo when I walked into the theater other than it was a Martin Scorsese movie based off of a children’s book. I left the theater completely blown away.” Amy also enjoyed the themes that were present throughout the movie, that may be a bit over young audience’s heads, but that mature audience-members would appreciate. She says, “It had so many relevant and accessible themes that anyone could relate to and they all came across so subtly in a captivating story. It explored purpose, family, friendship, imagination, loneliness, and I especially loved the focus on the importance of creativity and everyone’s unique experience with creating something of value.” Lastly, my 55 year old father Steve reminds audiences not to be misled by the fact that the movie is a children’s story on the surface. “Scorsese has crafted every frame with the love and commitment of a precision clock maker,” he says. “Hugo explores dreams, memory, old age, love, friendship, loss, regret, purpose, family, longing, bitterness, and perseverance.” Older audience members can also appreciate the homage to the origins of film-making that are included in ‘Hugo.’ My dad added that he enjoyed the “beautifully layered” aspect of the film that “honored the pioneers of film.” I had the great experience of attending a semester-long film class where I saw classic movies with Charlie Chaplin, and learned about the first films ever made. Children these days will never see movies like ‘Safety First‘ with Harold Lloyd, or the many great films of Méliès, so Scorsese wanted to change that. Did that small history lesson cause children to be confused? According to Jeremy, the answer is no, and I agree. I think that many film pundits underestimate the intelligence of young kids. The ten-year-old says, “I think a lot of other kids my age would like it because of all the suspense, and you don’t want to leave because of all the action. It pulls you in, you don’t want to stop watching! The station inspector guy (Sacha Baren Cohen) was really really good actor, because the whole movie you hate him! He never loses character.” I agree with my family’s perspective, and I’m 19 years old. One of my favorite aspects of the movie was the performance of Chloe Grace Moretz, who truly shined as quirky, book-smart Isabelle. She had that glowing likability that just radiated from her performance, and I see the comparisons that have been drawn with Audrey Hepburn, from whom she drew some of her inspiration. Asa Butterfield was also believable in his demanding role as Hugo, and in a pivotal moment near the end of the movie when he’s clutching the automaton while being grabbed by the station inspector, he completely blew me away. His performance was so raw, emotional and human, I’ll admit, it made me cry. I was a fan of him before, in ‘The Boy With the Striped Pajamas,’ where he gave a heartfelt performance. Butterfield has had an amazing jump-start to his film career and will become better and better with experience. I’m excited to see what’s next for him! Also, like many others, I loved the comedic relief that Sacha Baren Cohen’s station inspector brought to the movie. Ben Kingsley also shone in his role as Papa Georges, with Helen McCrory also giving a great performance as Mama Jeanne. They were both just so breathtakingly real and emotional. It was obvious that apart from the obvious talent of the actors, Scorsese really worked with them to get a great performance. Overall, the whimsical vibe, cinematography, layered story, and fantastic acting in Hugo just draws you in, which was supplemented by the creative use of 3D technology. Overall, the movie is a fantastic escapist experience that truly is Scorsese’s love letter to the pioneers of past film-makers, made using the most modern technologies available today. I believe it will become a classic that is loved for many years to come, and everyone should go out and see it this Thanksgiving holiday with their families. It is my favorite film of the year. “Once upon a time, I met a boy, named Hugo Cabret. He searched to find a secret message. Now that message is his way…all the way home.” – Hugo (2011) Excellent Experience For All Ages

artistic

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LAKE HAVASU CITY BALLOON FESTIVAL Enjoy the spectacular family-centered event for a thrilling weekend of spectacular hot air balloons, and non-stop activities. Dramatic eye candy in the sky will delight all with balloon ascensions, colorful skydivers and magical balloon glows in the evening dusk. Over 50 balloons will drift over The London Bridge and dip into Lake Havasu. Take the chance to stroll among the many Balloons and chat with the pilots as they prepare for flight. Everyone is invited to enjoy a day of "Fun Fair" activities at the balloon field. Our 4 day festival and fair is jam packed with skydivers, an Art Village, face painting, dog shows, paper balloon launching, a carnival, musical and theatrical groups, classic cars, remote control planes, tethered and untethered balloon rides, delicious food in the food court, and much more! For more information: Balloon Festival

artistic

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|The upcoming musical titled Once Upon A One More Time will be using Britney Spears greatest hits. / Photo by: rhysadams via Flickr| The 90s was a very indulging era for music lovers, especially those who loved pop music. This was when popular artists such as Christina Aguilera, Madonna, Fergie, and Britney Spears had the best years of their careers as pop music became even more influential among listeners. Their popularity is still evident even in today’s generation. People can still hear some of their songs on the television, while there are fortunate times that these artists are able to make a comeback to the limelight and have their names appear in the news once again because of their new music. One of these artists is the 90s superstar Britney Spears who became popular for her songs, Toxic, Baby One More Time, and Womanizer. Recently, news about an upcoming musical which will be using the pop superstar’s greatest hits has rattled fans coming from different ages and different parts of the world. Once Upon A One More Time Children of the 90s who used to dance around their rooms to songs by Britney Spears will be delighted to hear that the musical called ‘Once Upon A One More Time’ will be featuring most of the songs from the pop superstar. The Sun reported in their article that the story is about a book club attended by classic princesses such as Cinderella, Snow White, and other popular fairytale princesses, who will be performing the pop princess’ greatest hits that defined a generation. The pop princess herself said that the upcoming musical is a ‘dream come true’ and the news about this already made a lot of fans very excited. “I’m so excited to have a musical with my songs especially one that takes place in such a magical world filled with characters that I grew up on, who I love and adore,” said Britney Spears in an interview. ‘Once Upon A One More Time’ will also feature an original book created by Jon Hartmere (The Upside, Bare), and will be directed by Tony Award nominee Kristin Hanggi. The choreography will be led by MTV Video Music Award nominees Keone & Mari Madrid. Furthermore, the musical will be having its first performance at the James Nederlander Theater on October 29, 2019, and they will be holding an opening night on November 13, 2019. After its planned run in Chicago, the production is planning to bring the Britney Spears musical to Broadway. What is a Jukebox Musical? The ‘Once Upon A One More Time’ is a type of jukebox musical. Theatermania defined it as a catch-all term used for stage shows that are created using the popular music that many people are familiar with. A jukebox musical has three different types of shows including The True Jukebox Musical, The Bio-Musical, and the Devised Plot Jukebox Musical. According to Theatermania, the True Jukebox Musical is a show that comprises songs from different artists in order to relay the story of the musical. Also, these songs can be obtained from different genres or eras and they can also come from different parts of the globe. The Bio-Musical, on the other hand, is a stage show that uses songs from a specific band or musical artists to tell their life stories. It is also reported that most Broadway producers stay away from making bio-musical productions since several flops happened in 2005: the Beach Boys musical called, ‘Good Vibrations’, and the Elvis musical called ‘All Shook Up’. Finally, the Devised Plot jukebox musical uses the songs of one artist to tell a brand new story which has nothing to do with the life of the artist. One famous example of this kind of music is the Mamma Mia! Musical production that ran very successfully on the Broadway stage. Are We Ready For A Britney Spears-inspired Musical? ‘Once Upon a One More Time’ will be a devised plot jukebox musical which will show how the fairy-tale princesses figure out the existing patriarchy of their existence as a rogue fairy godmother drops a copy of a book called ‘The Feminine Mystique’ while they are meeting for their book club. Theatermania shared in their article that the idea of using Britney Spears’ music to tell a story about feminism could give a fun perspective while also planting the potential to spark a subtle rebellion amongst the audience, especially women. Imagine beating toxic masculinity using a dream ballet which is played while the song “Toxic” is playing. Also, using the devised plot model on this musical is being hailed as a smart choice since it will not make the musical too much of a memoir to the artist. Choosing Britney Spears’ music for a musical may also attract the millenials who used to love her music, and who are also now already capable of buying their tickets for the musical. |The ‘Once Upon A One More Time’ is a devised plot jukebox musical which will show how the fairy-tale princesses figure out the existing patriarchy of their existence. / Photo by: Getty Images|

artistic

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Deborah Liv Johnson: Home I'm hoping to be visited by some active songwriting elves this year, so I can back into the recording studio. I do feel inspired by the daily surprises and challenges and gifts of everyday life, and I know the songs have been brewing for quite some time. I can almost feel them rapping on my head to come out. Feel free to visit my Web site now and then to check the calendar. I plan to book more gigs this year and you never know when I might land in your neighborhood. Thank you again for supporting my music and for giving a lift to independent music everywhere. We musicians are eternally grateful. Here's to the New Year and rocking fun 2014!

artistic

https://wetwetwet.co.uk/wet-wet-wet-celebrate-30-years-of-popped-in-souled-out/

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Wet Wet Wet have officially released the 30th Anniversary Edition of their debut album Popped In Souled Out which originally launched in 1987. Fans now have the opportunity to take a trip back in time as this iconic album is now available in the form of a Super Deluxe Edition . Featuring the full original album (remastered) plus favourites from the Memphis Sessions as well as unique B-Sides, Demos and Remixes! Popped In Souled Out 30th Anniversary Super Deluxe Edition: The 5 Disc Super Deluxe Edition contains 4 CD’s and a DVD presented in a 12”x12” 72 page book which features the band telling the stories behind the making of Popped In Souled Out in their own words, along with unseen photographs from the band’s private collection. Full Info & Track Listing | Buy Here

artistic

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Are you looking for a sofa but you don't know which one to choose? This is where Tarmeko can help you. Tarmeko Pehmemööbel's selection is wide and has many different styles. The designers together with the technical engineers create sofas and armchairs that are elegant and classical or on the other hand innovative and modern. The CF Collection has a lot of new models to choose from.SMOOTH Smooth - a product that combines visible quality and design. While creating this sofa the designer Tobias Jacobsen's wish was to make an overall light and simple looking sofa. A crucial element in this idea is the wooden frame, which brings the upholstered part more forward. The contrast between the frame and pillows gives the sofa a lighter look. Hence the name - Smooth. The sofa has also horizontal lines that together with the models' overall softness make Smooth an elegant addition to the living room or lounge environment.CURVE Curve is a sofa that has a long creation story. Everything started with the designer's childhood. Tobias grew up in his grandfather's (Arne Jacobsen - famous Danish architect and designer) "design universe". For him, the most important thing in life is to value your family and the time spent together with them in a time where technology and constant information overflow surround us. Tobias believes that the Curve collection can create, for example during a meeting, a calm and comfortable atmosphere. Why? The sofa has almost like endless curves and is a work of art while contributes to the creation of a beautiful interior. While talking about Smooth and Curve one can't go on without talking about their designer Tobias Jacobsen. Who is Tobias Jacobsen? Tobias has described himself as a nostalgic designer, who creates modern and dynamic products that suit into all kinds of the living environment while remembering craftsmanship and history. More information on the designer can be found here. Raahe is a Spanish designer Carlos Guijarro made sofa. The designer's main goal was to create something unique while using a new approach. This model is suitable for kitchens and waiting rooms. The most ergonomic way to use this sofa is to use it at a dining table because of its comfort and design. Raahe's main strengths are that it can be used for many purposes and has Scandinavian design elements, which consider limited space. All of the previous is important because nowadays homes and offices have smaller spaces and the furniture in them has to be cleverly compact. Kides (also designed by Carlos Guijarro) sofa range was created to bring a fresh and Nordic style into living rooms. Available in two versions, double seater and modular corner, this model presents an elegant and cosy combination of materials by having a solid base with a fluffy seat and backrest. The detailed stitching together with a curated selection of fabrics and colours create an elegant model that will allow users to enjoy and relax in full comfort.FORSSA The Forssa (the latest design from Carlos Guijarro) sofa is characterized by deep ample seats and medium-high backrest. The combination of square and slim outer body with thick and rounded cushions generate an impression of comfort at first sight. The essential idea behind Forssa sofa is to bring an extra pleasant and homey sofa for living experiences. Who is Carlos Guijarro? He is a rational but also emotional designer who has been influenced a lot by the Mediterranean lifestyle. While designing, his inspiration is his life experience, Scandinavian design and southern joy of life. To read more about Carlos, click here The Plenty sofa, designed by Kasper Meldgaard, is both elegant and classic. It works as a modern reinterpretation of the traditional roll arm sofa and offers great comfort with its good back support and soft rearrangeable scatter back cushions. The timeless profile, the Nordic feel of the oiled oak legs and the great comfort goes perfectly hand in hand. The back and the armrests merge seamlessly for an elegant look and furthermore creates comfortable cosy corners. The back pillows are large scatter backs that are comfortable and can be rearranged to add a personal touch to the sofa. The curved armrests and back provide great comfort. The legs are conical oiled solid oak. Cushions are quality foam with fibre wrapping. Who is Kasper Meldgaard? Kasper's furniture design is rooted in the great traditions of Scandinavian design and its love for simplicity, minimalism and functionality. He is part of the New Scandinavian Design movement. If you wish to read more about him, click here If you have any questions/comments about this article, please do not hesitate to write to us at firstname.lastname@example.org

artistic

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As we stated a few weeks ago, we’ll be providing regular updates leading up to the release of the second volume of Coranox. Today, we’re happy to announce Tales of Moriana, a series of short stories in the Coranox universe. This collection will provide an even deeper exploration of our themes and setting by expanding on the characters and lore within the world of Coranox, occasionally tying into the main novels themselves. Three installments are slated for release this year, with the first scheduled to be available digitally in July, and in print shortly afterward. We’ll be back with more details soon!

artistic

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Japanese physicist Dr Ukichiro Nakaya said ‘Snowflakes are letters sent from heaven’. His words inspired me to design this typeface based on the geometry of snowflakes and a typing interaction application named Snow Crystal Type. This project aims to foster an appreciation for snowflakes among viewers and stimulate their interest in the natural sciences. I began by sketching the individual letters, digitalised them, and then cut them out of an acrylic board with a laser cutter. This digital to analogue process gives a more realistic impression of snowflakes within the letters. The idea came from Dr Ukichiro Nakaya’s famous word ‘Snowflakes are letters sent from heaven’. Snowflakes give us some information such as weather conditions or pollution levels. I also found that the geometric shapes of snowflakes could be transformed into alphabets. There are some general patterns in the shapes of snowflakes: hexagon plates, hybrid plates, sectored plates, fenlike stellar dendrites and 12-branched stars. The shapes of snowflakes are combinations of those patterns. I found similarities between those patterns and alphabets, and designed letters using features of snowflakes. After I vectorised the letters and made a font, I realised the font was still far from the beauty of real snowflakes. To give a more realistic impression of snowflakes within the letters, I came up with the idea of using a laser cutter. I cut the letters out of an acrylic board. At the final stage, I took pictures of the acrylic letters against a black background to use them in digital environments. I edited them with digital tools to give a more realistic look and texture of snowflakes within the font. To create an interactive typing application with the font, I used openFrameworks. The typing interaction was exhibited at the degree show and Snow and Ice Museum in Japan. The video was filmed at the degree show. Snow Crystal Type was projected to a w3600mm x h2400mm screen.

artistic

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Hello! I'm so happy you are here! My name is Anna Pauly and I am a photographer in Springfield, Illinois, specializing in senior portraits, families, and children. I have always had a passion for creating: whether it be photographs, paintings, drawings, or with the written word. When I discovered photography, though, it was love at first sight. I first learned the art of photography over 20 years ago in a dark room, rolling my own film, developing, and printing the old-fashioned way. While my process has evolved out of the smelly darkroom, my passion and love for the art has remained the same. I love capturing the beauty of a moment and preserving it forever. It is a great honor to be able to provide this service to others. Photo credit: Crista Hilmes Aside from being a photographer, I am a mother to four crazy (crazy wonderful!) kids, wife to an amazing man, and travel enthusiast. It is my mission to see as much of this world as possible before I leave it, and I'm incredibly lucky to have an awesome bunch of people (my friends and family) to see it with.

artistic

http://brickhousecreative.com/content/abby-mcmillen-%E2%80%A2-lead-designercreative-strategist

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Abby spent her formative years in Jackson Hole, Wyoming, where she developed a true love of high peaks and the solace of open spaces, not to mention all the activities an outdoor lifestyle has to offer. In 2011, she summited the Grand Teton—the impressive mountain in whose shadow she grew up—an accomplishment she’s not sure she’ll ever beat. Abby’s graphic design career spans nearly two decades and includes stints at agencies both large and small. After graduating summa cum laude from Syracuse University, she landed in Kansas City, where she cut her early design teeth working on several big accounts, including Hallmark, Sprint, Bayer, the Kansas City Zoo / IMAX Theater, Farmland National Beef, Missouri Bank, and Blue Cross & Blue Shield. In demanding environments with tight deadlines and high expectations, Abby quickly learned the value of working with a solid team. After several years, she felt pulled west by the mountains and relocated to Denver, where her client list included Volant Skis and Wyoming Travel and Tourism—both of which provided challenging and exciting creative opportunities. Seeking to return to a simpler life in a small, mountain town, Abby escaped to Bozeman to deliver inspired design for the Museum of the Rockies and in 2007, she joined Brickhouse as our Lead Designer and Creative Strategist. A strategy maven who loves to deliver creative work that is both clever and relevant to our clients’ demographics, she acts as co-creative director with David, heads up our design department, writes copy (did we mention her MFA in poetry?), project manages when necessary, and is our HR director as well. Sometimes, we even let her answer the phone. A fitness enthusiast, Abby is a group fitness instructor at the local Ridge Athletic Club (she recruited Jessie to teach as well) and has also created quite a busy niche for herself with disarmingly simple folk dog paintings called Folk Dog Art. In her free time, she’s outside chasing sunshine with her golden retriever pup, George.

artistic

https://www.justonic.com/method.htm

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Back to Justonic Home page The Problem : To play pure harmonic music, every note must be flexible. Since piano strings and guitar frets are fixed, not moveable, these instruments are tempered, always slightly out of tune. Some synthesizers on the market today allow you to create an harmonic scale. For example, you can retune your synth to a C harmonic scale. You can then play a beautiful C chord or C melody. However, when you move to a D, E or other chord, you are hopelessly out of tune. Likewise, you can tune guitar strings to pure harmonics, but when you do this the two E-strings are out of tune, and as you play up the neck, the frets are not in tune with the harmonics. You're stuck. The Solution : Justonic Tuning's revolutionary new software - Justonic Pitch Palette. How does the Pitch Palette software work? To play pure harmony, all notes must be flexible, and they must be precisely retuned, on the fly, in real-time as you play. The Justonic software makes tuning adjustments to the pitch tables of your microtunable synthesizer. It accomplishes the task in under 3 milliseconds. This allows pianos and guitars, with MIDI interface, to play and modulate in just, or any other intonation, in real time. The Pitch Palette uses any 12-tone just, or harmonic scale based on whole-number ratios. A default scale is ready to go, other harmonic scales are provided, and the user can create his or her own scales to use with the system. From this basic scale the system creates a 3-dimensional array of tones based on the parameters of musical key, chord or tonal center, and selected intervals. Rather than twelve tones per octave, the Pitch Palette employs - depending on the scale being used - anywhere from 100 to 150 tones per octave. There are four levels of interfacing with the program : During performance, the scale, key and tuning root may be changed in real time by several means: There are an infinite number of scale choices. In addition to allowing pure harmonic tuning, the Justonic system allows musicians to experiment with international and historic scales, Indian raga scales, Arabic scales with quarter-tone thirds, harmonic blues scales, and other choices. One of the serious aesthetic limitations of tempered music is that we have locked ourselves into one chromatic scale. It's as if painters were forced to throw out all but a few simple colors from their palette, or if dancers hobbled themselves with leg irons. We have virtually ignored the harmonic seventh, the neutral thirds and sevenths of middle eastern music, the alternative minor thirds, and variety of wholetones. For example, the "septimal" blues scale bases the minor-third and minor-seventh on the seventh harmonic. These bluesy notes are much flatter than the tempered versions, they are harmonically pure, and they give the blues scales a rich but haunting sound. All of this we have relinquished for simplicity. Modern technology allows us to reclaim these lost musical scale resources. The Justonic system allows the composer or musician to use any cultural, historical, or newly created just scale. This opens the whole world of tonal possibilities to modern musicians. Blues scales, quartertone scales, Raga scales, and hundreds of other choices are available and simple to use with the Justonic system. One difficulty musicians have had in the past with these just scales is that they require flexibility with each note if one is to play polyphonically. Arabic music, for example, has developed with very little harmonic embellishment because of this problem. Justonic is working with musicians around the world to solve this problem for any harmonic or just scale. The Scale Editor below, makes it easy for Musicians to add, clone and alter scales in Pitch Palette: (for more screen shots press here.) Who is the Pitch Palette for? Each generation, each culture, gives something new to music. Music evolves. It is the goal of Justonic Tuning Inc. to restore the lost harmonic foundations of music that were sacrificed because of the limits of an earlier technology. Music evolves, and returns to where it all started. This is only the beginning. Musicians will soon discover that with the Justonic system the tonal palette has been expanded to allow virtually infinite combination of scale and tonal flexibility. Music has at last been unchained from the mechanical, seventeenth century, equal tempered scale. Back to Justonic Home page

artistic

https://www.tottenhamsingers.com/scholarships/

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The New Tottenham Singers are proud to offer four Jojo Choral Scholarships each year for new choristers, in memory of former chorister John ‘Jojo’ Sagoe (1960-2013), to commemorate his life and pay tribute to his proud contribution towards the choir during his lifetime. The Jojo Choral Scholarships are open to singers of any voice (soprano, alto, tenor or bass) between the ages of 16-30, and from any social or ethnic background. Here’s what Ruth Lynch, a former Jojo Sagoe scholar, has to say: “Since joining the New Tottenham Singers I can only admire how much I’ve grown both in skill and as a person. Before joining the choir, I had a very limited background in singing and music however, have always had the desire to widen my knowledge in the area. When first stepping into the Bernie Grant Arts Centre I was filled with so many nerves, however, the choir were so welcoming and the family like feel put me in an instant state of comfort. From joining the choir I have not only built up my repertoire, but have also learnt how to follow sheet music and identify symbols such as the Crotchet Rest (something I knew nothing of before). This past year of my life in the choir has been amazing, and I feel incredibly privileged to have been taken in, and taken care of with such honesty and kindness from every member that makes up the choir. The Jojo Sagoe Scholarship is a prime example of why it is so important to encourage and involve young people in a professional environment, where they can both learn and progress as an individual. The choir has been an integral part of my musical development, and I feel so heart broken to have to say goodbye to it during my time at drama school. I can only wish that in the future I can make a return, as I have loved every minute of it!” Scholarships are offered for one season, September-July, and the three choir terms per season are roughly in line with local school terms, with breaks for holiday at Easter, Summer and Christmas. Up to four scholarships for new choristers are available per season and existing scholars are welcome to reapply. The scholars themselves should represent Jojo’s commitment to the choir in terms of attendance, and will be expected to reflect his love for the choir in terms of their positive attitude and contribution to the life of the organisation. The qualities sought in prospective Jojo scholars are: - Either an ability to read sheet music through traditional musical tuition, demonstrable ability to learn and retain melodic and harmonic musical lines by ear; - A commitment to attend all weekly term-time Tuesday evening rehearsals, as well as occasional pre-arranged Saturday rehearsals, reasonable absences by arrangement with the Musical Director notwithstanding; - An ability and willingness to support other members of the section during rehearsals and performances in addition to being a positive role model within the choir, both musically and in terms of attitude; - The confidence and ability to hold the correct musical line, thus acting as a musical leader informally within the section where appropriate; - Dedication to high-quality musical performance within a community and amateur context. In return, the choir, its Directors and committee will: - Waive all and any subscription fees for scholars; - Provide all necessary sheet music free of charge; - Cover all reasonable travel expenses for or provide transport to events and concerts on the rare occasions they occur outside of London; - Cover all travel and accommodation costs or provide travel and accommodation for any concert tours or residential events within the UK or abroad; - Provide the scholars with any educational advice or support they may require, and provide positive, supportive references or personal recommendations where appropriate. If you would like further information please get in touch via email at firstname.lastname@example.org. To download a PDF with full details click here.

artistic

http://multipliedartfair.com/

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Multiplied is an annual art fair hosted by Christie’s which showcases the very best contemporary art in editions by leading artists, as well as bright new talent. Featuring exhibitors and institutions from around the world it offers editions in a range of mediums, from prints and artists' books to photography, digital art and 3D multiples. Multiplied is the only art fair of its kind in the UK. With free entry and works of art priced to suit every budget, Multiplied provides a unique opportunity for collectors, curators and enthusiasts to see and buy contemporary art in editions. We would like to thank everyone who visited Multiplied 2013, and look forward to welcoming you to Multiplied 2014 which will run from 17-20 October. View photos from Multiplied 2013 > Congratulations to the Multiplied 2013 raffle winner, Beatrice Masi, the proud new owner of Bob and Roberta Smith's Birdsearch. Thanks to all those who entered and raised essential funds for Vital Arts. For visitor enquiries please contact: +44 (0) 20 7930 6074 CONNECT WITH US If you would like to receive updates regarding Multiplied and join our mailing list, please enter your contact information below:

artistic

https://postingchannel.com/how-graphic-design-templates-inspire-innovation/

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Hey there, fellow creative minds! 🎨 Have you ever found yourself staring at a blank canvas, desperately seeking inspiration? Fret not; you’re not alone! We’ve all been there, scratching our heads, waiting for the elusive spark of creativity to strike. But what if I told you that there’s a secret weapon in the world of design that can kickstart your imagination? Enter graphic design templates, those unsung heroes of innovation. In this informal yet insightful blog post, we’re going to explore how these free graphic design templates can be a catalyst for creativity, helping you push the boundaries of your artistic journey. The Art of Convenience with Graphic Design Templates Life moves fast, and as designers, we often find ourselves juggling multiple projects with tight deadlines. This is where free graphic design templates swoop in to save the day. With a few clicks, you can have a stunning design foundation ready to roll. No more hours spent reinventing the wheel. Templates provide a structured starting point, allowing you to focus on what really matters – the creative process. A Canvas for Inspiration Templates aren’t just about convenience; they’re a canvas for inspiration. Think of them as a springboard, launching your creative ideas to new heights. When you start with a well-structured template, you can focus on customizing and adding your unique touch. This process often sparks unexpected ideas and innovations that you might not have stumbled upon from a blank slate. Effortless Branding Consistency With Graphic Design Templates For businesses and individuals alike, maintaining a consistent brand image is vital. Graphic design templates play a crucial role in achieving this consistency. They often come with predefined color palettes, typography choices, and logo placements, ensuring that every piece of your brand puzzle fits seamlessly together. Rapid Prototyping for Innovation In the fast-paced world of design, innovation often hinges on speed. The quicker you can iterate and experiment, the more likely you are to stumble upon groundbreaking ideas. Graphic design templates facilitate rapid prototyping, allowing you to churn out multiple design concepts in a fraction of the time it would take to create each from scratch. Picture this: you’re part of a team developing a new mobile app. You need to create a series of user interface elements, from buttons to icons. Instead of painstakingly crafting each element individually, you opt for a UI design template. This gives you a head start, enabling you to see how various design elements work together. As you customize and tweak the template, you discover innovative ways to enhance user interaction, all thanks to the time-saving power of templates. Breaking Creative Blocks Ah, the dreaded creative block – the arch-nemesis of every artist and designer. It strikes when you least expect it and can leave you feeling frustrated and uninspired. Free graphic design templates can be your trusty sidekick in defeating this formidable foe. Suppose you’re working on a logo for a client’s startup, and you find yourself stuck in a creative rut. You’ve sketched countless concepts, but nothing feels right. That’s when you decide to take a breather and explore some logo design templates. The variety of styles and approaches within these templates can serve as a jolt to your creativity. Learning by Deconstruction Every designer stands on the shoulders of giants, drawing inspiration from the work of others. Free graphic design templates offer a unique opportunity to learn and grow by deconstructing existing designs. It’s like peeking behind the curtain to understand the wizardry of design principles and techniques. Let’s say you’re passionate about poster design. You’ve always admired the posters for your favorite movies but have never been sure how to achieve that cinematic flair. By studying movie poster templates, you can dissect the layout, typography, and color choices used in these professional designs. This process of deconstruction can be incredibly educational, providing insights into the strategies employed by top-notch designers. Armed with this knowledge, you can infuse your own projects with newfound innovation. A Treasure Trove of Resources The world of design is dynamic, with trends evolving faster than you can say “Pantone.” Staying up-to-date can be a challenge, but free graphic design templates are a treasure trove of current design trends and techniques. They offer a peek into what’s hot in the design world, giving you a chance to incorporate these trends into your work. Consider you’re working on a website redesign project for a trendy fashion brand. You want to ensure the website reflects the latest design trends in the fashion industry. Instead of scouring the internet for hours, you dive into a bundle of free graphic design templates. Here, you discover cutting-edge layouts, font choices, and color palettes that resonate with the brand’s image. By leveraging these resources, you infuse innovation into your project and keep your design game on point. Collaboration Magic in Free Design Templates Design is often a collaborative effort, with multiple minds coming together to create something remarkable. Graphic design templates provide a common starting point for collaboration, ensuring that everyone is on the same page, both figuratively and literally. Cost-Efficiency and Accessibility In the realm of design, innovation doesn’t always require a bottomless budget. Free graphic design templates offer an economical way to access high-quality design resources. They level the playing field, ensuring that even designers with limited resources can experiment and innovate. Think about launching a personal blog where you share your passion for cooking. You want your blog to stand out with eye-catching recipe cards, but you’re not ready to invest in a professional designer. That’s where free recipe card templates come into play. They provide you with visually appealing, customizable designs that make your blog look like a culinary masterpiece. By utilizing these cost-effective resources, you’re free to explore innovative ways to present your recipes without breaking the bank. Fostering Creativity in Education Graphic design templates aren’t just for professionals; they also play a vital role in education. Design students and aspiring artists can benefit immensely from these ready-made resources, using them as learning tools to foster creativity and skill development. Environmental Impact and Sustainability In today’s world, sustainability is at the forefront of our minds. Graphic design templates can contribute to a more sustainable design practice by reducing waste. When designers reuse and repurpose existing templates, they minimize the need for creating new designs from scratch, which can lead to excessive resource consumption. Consider a scenario where you’re designing packaging for an eco-friendly product. You want the packaging to convey sustainability and environmental consciousness. By selecting a template that aligns with these values, you’re not only saving time but also reducing the environmental footprint of your project. This commitment to sustainability is not only innovative but also socially responsible. Evolving with Free Graphic Design Bundles Last but certainly not least, let’s talk about the ever-evolving world of free graphic design bundles. These bundles are like treasure chests filled with a wide range of templates, each offering a unique approach to design. They’re a testament to the versatility and adaptability of graphic design templates.

artistic

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The Universalist Players is the intergenerational theatre company from the Universalist Church in West Hartford, who has staged a family-friendly theatre production for the past 33 years. Based on the beloved 1970s animated film, “Disney’s The Aristocats KIDS” takes place in the heart of Paris. It’s the story of a kind and eccentric millionairess, who wills her entire estate to Duchess, her high-society cat, and her three little kittens. When the greedy, bumbling butler pulls off the ultimate catnap caper, it's up to the rough-and-tumble alley cat, Thomas O'Malley, and his band of swingin' jazz cats to save the day. “Disney’s The Aristocats KIDS” is directed by West Hartford-resident Gretchen Fountain. “’The Aristocats’ is a story about cooperation and cross-cultural understanding. The music is jazzy and catchy, and it’s a wonderful show for children of all ages,” said Fountain. “And, in today’s world of racial tension, it reinforces an important message that animals of all species (including humans) can learn from each other and work together toward a common goal.” Disney's The Aristocats KIDS! Friday, April 1, 2016 at 7:00 p.m. Saturday, April 2, 2016 at 1:30 p.m. Sunday, April 3, 2016 at 1:30 p.m.

artistic

https://madebymolls.wordpress.com/

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My name is Molly and I like to make things, hence the name Made by Molls. Made by Molls began when I decided to use my hobbies as a means of fundraising for a missions trip in 2014. Volunteers go on these trips to Maneadero, Mexico to build houses during winter for families in need. This is organized with Baja Bound and Baja Missions. Proceeds from Made by Molls will continue to go towards this cause. Thanks for your support! I’m a business student at Cal State Fullerton concentrating in marketing and information systems. I love to create, this being in the form of baking, drawing, and photography. My favorite things include dogs, funny TV shows, and quality time with family and friends.

artistic

https://ladyoshoes.blogspot.com/

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Lady O Shoes has been featured in Fashion Times, New York! Check out the exclusive interview with our founder, Lesley Zheng today! The Latest News, Features and Trends from the Fashion World Lady O Shoes Takes Floral Prints To The Next Level [Exclusive Interview] Nov 03, 2014 02:07 PM EST Floral prints for spring are nothing new, but Lesley Zheng, the woman behind Lady O Shoes, has found a way to make the pretty pattern fresh again. Lady O Shoes recently made its debut for the spring 2015 season with a collection of footwear made from real flowers. Using a patent-pending design process, Lady O Shoes products are crafted using pressed flowers that are picked at their peak and infused in vinyl. Ranging in price from $158 to $338, the shoes in this debut collection come in a variety of styles, including platform peep-toe slingbacks, wedges and flat sandals - all of which are available in patent leather and braided raffia. We recently chatted with Zheng about her debut collection for Lady O Shoes, her decision to use real flowers in her designs and much more. Keep reading to learn more about this emerging and innovative footwear brand. 1. What was the inspiration for your debut collection? "The inspiration comes from nature. Growing up, I really loved the vibrant colors of flowers and butterflies. I really wanted to include those vibrant colors into my own designs." 2. Describe Lady O Shoes in a few words. "We like to refer to Lady O Shoes as the four F's: Floral, Fun, Fresh and Fabulous. Other words that describe us include artistic, unique and comfortable." 3. Why use real flowers in your designs? "I have been in the shoe industry for over 16 years, I have seen countless styles try to mimic natural flowers and preserve that spring and summer feeling. However, the results are predictable; designers use flower print or artificial flowers made of fabric or plastic. These are pale imitations of the real thing. I wanted to make something original and authentic that could preserve the beauty of nature. The pressed flowers incorporated into our designs allow people to have a piece of nature in their shoes." 4. Lady O Shoes are made with NASA's Poron® memory foam, which sounds amazing. Can you describe the feel of your shoes and why it was important to make them so comfortable? "You will feel the excellent support from the Poron® memory foam and the arch support design immediately. Even after hours of wearing our high heels, your feet still feel great! The experience of wearing shoes that left my feet blistered was the real catalyst for me to make a comfortable shoe line. I looked at my shoe closet and wondered 'Why can't I have beautifully designed shoes that I can walk in for more than a half hour?' I decided to fuse high-end designer style with comfort. It is important to me to have a pair of shoes that are not only one-of-a-kind but also wearable." 5. Other than the fact that you use real flowers, what makes Lady O Shoes different from other footwear brands? "Lady O Shoes are a combination of unique style and comfort. Lady O Shoes are made in the same factories with some of the same materials as luxury brands like Stuart Weitzman, Sigerson Morrison and Michael Kors." 6. Do you have plans to eventually create shoes without pressed flowers? If so, can you explain the ideas you have or other areas you want to explore? "Yes, the pressed flower shoes are part of our debut collection. We will keep some pressed flower pieces in our upcoming fall collection. However, our next collection will also include some classic and timeless styles without pressed flowers. We are currently researching and creating some vintage-inspired styles as well as wedding-worthy bridal styles." 7. Who would you love to see wear one of your designs? "I would love to see some A-list celebrities wearing our designs. I'm a big fan of Julia Roberts, Reese Witherspoon, Carrie Underwood, Blake Lively and Olivia Palermo and would love to see them in Lady O Shoes." 8. Excluding a pair of Lady O Shoes, what's one type of shoe you think every woman should own? "I think a pair of knee-high leather boots would be an excellent addition to any woman's wardrobe. I think the Stuart Weitzman signature 50/50 boot is great because it can easily be worn day to night. The boots are also comfy, timeless and have style just like Lady O Shoes." 9. What's your favorite fall 2014 footwear trend? "Shoes with sparking elements like jewelry and beads are some of my favorite trends for fall. I love embellishments." 10. What's one fall 2014 footwear trend you can't stand? "Crisscross-strap flats like those from Proenza Schouler. I won't say I can't stand them, but I think they are funny-looking."

artistic

http://www.hummingbirdphotographics.com/spec_fx/index.php

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Welcome to the Hummingbird Photographics Special Effects Collections. Currently there are two galleries. One deals with all monochromatic images. These images are primarily created using various software packages, although some are scans of black & white photographs or negatives. The other gallery uses a variety of computer-generated special or creative effects, from applying artistic treatments to photographic images to using techniques and tools to create entirely new images. Some sample images are displayed to the right. For the full galleries, click on Galleries above.

artistic

https://www.officialmemorabilia.co.nz/winx-kingston-town-dual-signed-silks-455.phtml

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Official Memorabilia NZ, in conjunction with the owners of Winx, are proud to release ‘The King & Queen’, commemorating the wonderful racing achievements of both Winx and Kingston Town, the only race horses in history to win the Cox Plate three times - a feat each of these legends achieved over consecutive years. Personally signed by their respective jockeys Hugh Bowman and Malcolm Johnston, this magnificent piece also features the verified, authentic signatures on photographs of Chris Waller and Tommy Smith, the latter sourced with thanks from private collectors. This spectacular piece is a once-in-a-lifetime opportunity, so don’t delay – history has proven that the legends of the track sell out quickly, so act now to secure your newest piece of Australian racing history! - Pays the ultimate tribute to the only two triple Cox Plate champions in history, Winx and Kingston Town - The Winx replica silk comes personally signed by three-time Cox Plate winning jockey Hugh Bowman and is accompanied by a signed photograph of trainer, Chris Waller - The Kingston Town replica silk comes personally signed by champion jockey ‘Miracle’ Malcolm Johnston, along with a signed photograph of trainer TJ Smith - Strictly limited to just 123 editions globally, with each edition accompanied by an individually numbered Certificate of Authenticity - Approximate framed dimensions of the dual pieces are an impressive 1000 x 1200 mm - Officially licensed and endorsed by Racing Victoria and the owners of Winx - Independently authenticated by a-Tag

artistic

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While I enjoy using DSLR cameras for my personal photography, I've recently come to love using Polaroid cameras a little bit more. I strongly believe that restrictions can help to strengthen an artist. By having a limited amount of film, only a couple of controls and only allowed to take pictures within a square ratio, Polaroids may sound like a nightmare to some. However, I believe that these restrictions can help photographers to take works of art that are both personal and beautiful. There is also a certain vulnerability with Polaroid film. The grain, color tone, chemical marks, light leaks and blur may come off as undesirable to some. You most likely will not get the image that imagined in your mind when shooting with this kind of film. These "mistakes", though, come across as really honest to me. While I love antiques, I continue to use an old Polaroid camera not because it's "vintage" or "retro", but because it produces a look that is very raw, unique and stunning. When it comes to the camera models that I use, I originally used my Onestep SX-70. While I am happy with the colors it produces with Impossible film, I found that the lighten/darken control was a little too finicky. As of now, I mostly use my Autofocus 660 model with Impossible Project film, which gives tends to work better with light.

artistic

https://hexibase.com/music/

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I’ve been working on music for 20+ years; refining my sound, improving my production technique, and exploring the progressive aspects of the electronic genre. My work is characterized by emphasis on intricate sonic detail, complex “glitchy” composition, ambiophonic sound stage, and cinematic sound design. I enjoy using aberrant time signatures and chord progressions that nudge the listener past their comfort zone, and inspire critical listening. My music is available on SoundCloud. For the most productive playback experience, I recommend a set of high quality headphones or a time-coherent set of speakers with a flat response spanning a minimum of 28Hz to 19kHz. These tracks are also available for purchase in high quality lossless format at bandcamp.com For the older stuff, check out The Archive

artistic

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Ian Keable – The Century Of Deception The 1700s was a period when the people of England seemed to be especially gullible. They believed a woman could give birth to rabbits; a man could climb inside a two pint bottle and sing inside it; and where a blond-haired European could write a book claiming that he was born in Taiwan. Based on his recently published book, The Century of Deception: The Birth of the Hoax in Eighteenth-Century England, Ian Keable demonstrates how 18th century hoaxes are memorable not only for their imaginative nature but also because of the differing motives of the tricksters. Ian obtained a first-class degree from the University of Oxford in Philosophy, Politics and Economics, qualified as a chartered accountant and then became a professional magician. A member of The Magic Circle with gold star, he has won several awards for his unique brand of comedy magic. He has also performed on television and has written and presented programmes for BBC Radio. An accredited lecturer for The Arts Society, he gives talks on magic history, cartoons and eighteenth-century hoaxes. Keable’s other publications include Stand-Up: A Professional Guide to Comedy Magic and Charles Dickens Magician: Conjuring in Life, Letters and Literature. He lives in London. When and Where? Livestreaming on twitch.tv/sitp at 7:00 pm UK time on 16th September. A collaborative enterprise as part of Skeptics In The Pub – Online. Skeptics of the Round Table returns to the Pub! Wednesday 8th September is a momentous day. It is on that day that the Skeptics of the Round Table returns to an actual pub. Yes, after 18 months confined to Zoom, the Bishop On The Bridge is once again where we return to. At 7:00 pm BST. We have a table booked. Be there if you can – you will be most welcome!

artistic

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Elevate Your Game with Wooden Handmade Chess Board Table – Where Grandeur and Strategy Converge! • Materials: Crafted from high-quality wood, ensuring durability and a classic aesthetic. • Design: Unique tri-legged design for stability and visual appeal, enhancing the overall chess-playing experience. • Size: Dimensions carefully chosen for comfortable gameplay and easy placement in various settings. • Finish: Smooth and polished surface for seamless piece movement and an elegant look. • Chessboard: Checkered board pattern with clear, contrasting squares for easy distinction between pieces. • Legs: Three sturdy legs designed for balance, featuring intricate details that complement the table’s design. • Assembly: Easy-to-follow assembly instructions included for hassle-free setup. • Usage: Suitable for casual games, as well as decorative purposes, making it a conversation piece in any room.

artistic

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“Depression, You Are The Great Liar” by Julie Farmer in team THRIVE - OUR STORIES by Robin Mohilner September 6, 2011 0 comments Depression, you are the great liar. Backing me into a dark corner where only I can hear you. Your accusatory voice like curling smoke from your vile mouth Away from the safety of the ones who love me. You beat me with a cudgel of intimidation Telling me I am no good; do not belong here. You throw all of my failures into my face like hot searing acid; burning me alive with shame. Cold and alone in a corner, I cower, curled up with my back to dank rough stone. The room is dark. I can’t find my way out. You taunt me I am too weak both physically and mentally. I know you are waiting to take the final prize You want me to give up Who are you to try and take it all away from me? You will not be there to help pick up the pieces for those left behind if I go You will not provide for my children, cheer their triumphs or soothe them in my absence Don’t you reach out your cruel hand for mine I will not meet you in this dark place I’d slaughter you, as you would me. Written By Julie Farmer, member of team THRIVE

artistic

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Username or email address * Hemp & Cotton Handmade Hemp Hat–Off-white Available on back-order A Classic Round Hat handmade from Hemp and cotton threads woven together to create an intricate design. This hat is a perfect accessory for a sunny day out or a shopping trip! There are no reviews yet. Your email address will not be published. Required fields are marked * Your review * Save my name, email, and website in this browser for the next time I comment. You have to be logged in to be able to add photos to your review.

artistic

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Deep in the Heart will be the first blue-chip wildlife documentary ever produced about our beloved Texas. The film will celebrate our many conservation success stories while showcasing some of our most important ecological issues through the eyes of wildlife and wild places. Imagine Planet Earth...but in Texas! Through witty narration, humor, and state-of-the-art cinematography, the film will showcase approximately twenty wildlife species ranging from the iconic bison to the mysterious ocelot. The feature-length film will begin in the high plains and peaks of West Texas, flow through diverse ecoregions along our many river systems, and conclude along the bays, estuaries, and the Gulf of Mexico. Deep in the Heart aims to inspire Texans to conserve our remaining wild places, to show the connectivity of water and wildlife, and to recognize Texas’ conservation importance on a continental scale.

artistic

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April 3, 1986 Thousand Oaks, California, United States Actress, comedian, singer, fashion designer Amanda Laura Bynes Amanda was born and raised in Thousand Oaks, California as the youngest of three children to Lynn and Rick Bynes. Bynes has two older siblings, Tommy and Jillian. Amanda started acting at the age of 7, doing small parts in advertisements. Amanda had a very religious upbringing, with her Jewish mother and Catholic dad. Amanda made her film debut in the 2002 movie, Big Fat Liar. In June 2010, Amanda said that she planned to retire from acting, announcing on her Twitter page, "I don’t love acting anymore, so I’ve stopped doing it." A month later, Amanda had an apparent change of heart and "unretired". At the 2011 MTV Movie Awards, Amanda told People Magazine that she's taking "time off" from acting. |2003||Charlotte's Web 2: Wilbur's Big Adventure||Nellie (voice)| |2003||What a Girl Wants||Daphne Reynolds| |2006||She's the Man||Viola Hastings/Fake Sebastian| |2007||Sydney White||Sydney White| |2010||Easy A||Marianne Bryant| |1997–99||Figure it Out||Panelist| |1999–2002||The Amanda Show||Host/Various characters/Penelope Taynt| |2001||The Drew Carey Show||Sketch player| |2001||The Nightmare Room||Danielle Warner| |2002–06||What I Like About You||Holly Tyler| - 2007: Hairspray: Soundtrack to the Motion Picture - Singles or Songs - 2007: "Without Love" (Hairspray) - 2007: "You Can't Stop the Beat" (Hairspray) In her childhood she performed on stage, Annie, The Secret Garden, The Music Man and The Sound of Music. In 2007, Amada signed a five-year deal with Steve and Barry's create her own fashion line, Dear, consisting of apparel and accessories. The clothing line launched in stores August 16, 2007. - Although the casting crew knew right away that Amanda was perfect for the role of Penny in the film version of Hairspray, there were some initial issues with her singing voice. At first, she seemed to be holding back and lacking the confidence to belt out her musical numbers, and it took a while to help her grow more comfortable with that. Fortunately, over time, Amanda improved, and those involved in the production were pleased with her performance. - The light blue dress that Amanda wore at the end of Hairspray ended up being so small, she essentially had to be sewn into it, according to film director Adam Shankman. Ironically, the exact same thing had to be done with actress Olivia Newton-John's final outfit in fellow film/musical classic Grease. - In 2007, Amanda said that she was known as "Auntie Chickie" to her niece Jay Lynn and nephew Matthew. - In What A Girl Wants, the photo album that Amanda's character gives to her father is filled with real pictures of Amanda as a little girl (although not all the pictures are actually her). - Amanda lives in the same neighborhood as Christy Carlson Romano, Raven, and Ricky Ullman. - Amanda has 6 pets. She has 2 dogs: Tootsie Roll (Golden Lab) and Betty Boop (Australian Shepard), 3 cats: Subbie, D.C, and Tiger, and a fish named Bella.

artistic

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My students never cease to amaze me! On Friday afternoon while we were packing up the classroom, I was chatting with a group of my Year 1/2 students about our day. They were saying things like “We had fun” and “We were busy” but one of my quieter students said “Tina, we need to shine a light”. I stopped for a minute to try and figure out where he was coming from but I guessed that it was related to our morning singing. I asked him what he meant and he explained that one of our class members was having a lot of difficulty with school and that we needed to help her and ‘shine a light’. I asked if this came from our song, ‘Try a little kindness’ and he replied “Yes. It says ‘don’t walk around the down and out’ and to ‘shine a light’. So we need to shine a light and then we will help her be better at school.” I was so touched by his degree of caring and that he really took in the words of the song that we have sung many times this year. It was also affirming that he was able to share his thoughts in such an insightful way – he thought very deeply about the situation and came up with a meaningful solution – all from the words of a song! I have always believed in the power of music and the important role that the Arts have in our curriculum. We are all unique learners and this student showed me that he was thinking outside the box and on a deep level. I acknowledged his positive approach to someone in need and for being such a caring class member. I am now thinking through how to indeed ‘shine a light for everyone to see’. It was one of those moments that makes you stop and think, “Yes, I am making a difference and together, with my students, we can achieve amazing things!” I love my job!

artistic

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Classic Session $250 This session is great for families with small children who may tire quickly. It is also an option for seniors or couples on a budget. This is a 1 hour session. The Classic Session includes 25 edited images and a print release delivered via digital gallery to your email. Lifestyle Session $400 The adventure session is ideal for seniors and couples (also families) who want to capture a wide variety of exceptional images. We will take our time, explore, and maybe have a little adventure. We can hike to a waterfall or stroll around your favorite town. This session is not timed but can be up to 2.5-3 hours long and will include every edited image (50+) with full printing rights.

artistic

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La Maddalena is the largest island of an archipelago of 7 islands (La Maddalena, Caprera, Santo Stefano, Spargi, Budelli, Santa Maria and Razzoli). The town, which dates back to the eighteenth century, is situated south of the main island facing Palau. One of the most renowned beaches of the archipelago includes the famous pink sand beach along the coast of the Bubelli island, also known for being the location of the movie by Michelangelo Antonioni "Red Desert". Connected to La Maddalena by bridge, is the island of Caprera, famous for being the place where Giuseppe Gairbaldi spent the last years of his life. Today, his house is a museum; the original clock and calendars hanging on a wall still show the time and date of his death: June 2, 1882.

artistic

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Welcome to Beltman's collection of meticulously crafted belts, all handmade in the U.S.A. Thanks to our never-ending pursuit of perfection in leathercraft, Beltman has been widely recognized for two decades as the Gold Standard in leather gun belts. Our skilled American artisans understand the needs of both open and concealed carriers, and we pour our expertise and passion into every step of our gun belt creation process. The result is a top-quality leather gun belt that gives your holster unwavering support, never succumbing to the weight of your pistol or revolver. And even if you don’t carry a weapon, you’ll find that a Beltman gun belt makes an exceptionally durable and attractive casual belt or dress belt. Beltman premium leather belts come in three widths – 1.25-inch, 1.5-inch, and 1.75-inch, and are available in a variety of materials, from our most popular Bullhide and Shrunken American Bison, to Elephant, Shark, Horse, and even Alligator. We start with the finest leathers, vegetable-tanned and dyed to the strictest standards, and our craftsmen cut the leather and glue the layers together with the highest quality adhesive. Then we finish the edges using our own in-house developed proprietary processes that yield some of the best edges you’ll ever see on a leather belt. Finally, we carefully stitch the belt for beauty and durability before installing the buckle and Chicago screws, resulting in a finely crafted piece of art that you will be proud to wear around your waist whether you’re on the range, in the office, at church, or at a special event with formalwear. Our customers rave about the quality of Beltman belts as well as our personalized customer service experience. From helping with sizing to offering advice on materials and usage, Beltman's dedication and commitment to ensuring a perfect fit shines through. Give us a chance and you will see why so many loyal customers rely on Beltman for a superior belt that withstands the test of time and delivers exceptional performance.

artistic

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It started with a conversation. It felt good to be in the company of other Asian photographers after two years of interacting with this community through screens. We drifted onto the topic of our names — not only their meanings and origins but also how our identities are often shaped by our cultural and familial traditions. In the journey to feel at home in our Asian American or Pacific Islander identities, we may encounter different versions of ourselves. We asked nine Asian American and Pacific Islander photographers, "What is the story of your name? What does it mean to you?" In considering photographers for this project, we did not factor in who has American citizenship or permanent residency status, but rather who calls the U.S. home at this moment. My name was chosen by my mother in an act of agency in the shadow of my family's disappointment that she had not given birth to a boy during China's one-child policy initiative. Arin Yoon's name was found in a forest in a dream. Ian Morton discovered his Korean name, Lim Hae-dong, on a manila folder that contained his adoption files. To Amir Hamja, "This name bears everything I create and it carries the weight of all my existence." Co-producer: Arin Yoon Photo Editor: Ben De La Cruz Shuran Huang's Story "She is a girl, not a boy," my paternal grandfather said, expressing his disappointment. Like most families in China, he believed that his bloodline passes down through the male side. Because of China's one-child policy, my mother wouldn't have a second chance to have a boy. In keeping with the traditional household hierarchy, my grandfather had the honor of naming me. He chose Xiăoxiá, which means "early morning light" — the time of my birth. "Xiá" also shares the same character as 丹霞山 / Dānxiá Mountain, referring to the place where I was born. But my parents didn't like the name. They thought it sounded dull and it didn't resonate with their expectations for me. As the eldest son, my dad exercised his right to name me next, dubbing me 晨詩 / Chénshī. The two characters together mean "an early morning poem." It reflects a saying in China: 生活不僅眼前的苟且,還有詩和遠方 / There is bread and butter in life, but also poems and dreams. But in the Hakka dialect spoken by my family, the name sounded like the phrase for "a floating dead body." On the third day after my birth, my mom decided on 舒然 / Shūrán. It stuck. My name means nature, comfort, and harmony. It means 'to go with the flow'. She knew that I, as the only child, would carry the expectations of both sides of our families on my tiny shoulders and it would be difficult not to feel crushed by the weight of those expectations. Like my dad, she hoped that I would be able to freely chase my dreams. She wanted me to become an independent and strong woman just like her. A month after I was born, she wrote an acrostic poem about my name and her wishes for me: 黃帝子孫龍之後 舒服自然目神眸 然貌天成如西施 長大載物才德厚 A STORY ABOUT MY DAUGHTER'S NAME As a descendant of the Yellow Emperor (a legendary leader in ancient China) Shuran follows the flow with a clear mind and bright eyes She will be beautiful and look just like 西施 / Xī Shī (one of the Four Renowned Beauties) When she grows up, she will be a great success and do great things

artistic

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Singer-impressionist Danny Gans is being called one of the best in the business and his show is one of the hottest tickets in town. He entertains crowds in the gorgeous 1,260-seat theater that was custom designed, built and named for the headliner at the Mirage. In addition to possessing the ability to delivery accurate impressions, he also has a Broadway-quality singing voice and a remarkable knack for comedy. His show is filled with lyrics that poke good-natured fun at some of teh world's biggest celebrities set to musical arrangements. Gans plays a variety of musical instruments and is quite a dancer, as well. Gans impersonates anywhere from 60 and 100 celebrity personalities in any one performance, allowing the taste of the audience to guide his choice of characters. The cast could include Bruce Springsteen, Jeff Foxworthy, Frank Sinatra, and Bono of U2. It's a non-stop parade of stars, delivered solely by Gans. Gans' show was beyond entertaining. He was a very talented entertainer. Those who were fortunate enough to have seen one of his shows prior to his death on 5/1/2009 should consider themselves lucky to have had the experience. (Contributed by Bryan-CIT198, 3-30-2011)

artistic

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A Whole New Mind by Daniel H. Pink An insightful book that explores the concept of how the world is shifting from the Information Age to the Conceptual Age, where right-brain thinking skills are becoming increasingly vital for success. Pink argues that in this new era, it is no longer enough to rely solely on logical and analytical abilities. Instead, individuals need to develop and embrace their creative, empathetic, and holistic thinking capabilities. Throughout the book, Pink delves into six essential aptitudes that are crucial for thriving in the Conceptual Age: design, story, symphony, empathy, play, and meaning. He provides compelling examples and practical advice on how to cultivate these skills and integrate them into various aspects of life, including education, business, and personal development. By emphasizing the importance of nurturing both the analytical and artistic sides of our brains, “A Whole New Mind” offers a fresh perspective on how to thrive in an ever-changing world. It encourages readers to embrace their creativity, develop their emotional intelligence, and find deeper meaning in their work and lives. Whether you are an artist, entrepreneur, educator, or simply someone seeking personal growth, this thought-provoking book will inspire you to tap into your whole mind and unlock your true potential.

artistic

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Powered by WeatherBug, Weather Doodle is weather as beautiful, animated art. Suns rise. Clouds glide into view. Raindrops, snowflakes and hail fall from the sky. The wind blows. All in a gorgeous, whimsical art style. And when you're ready to see something different? Just download new art from within the app and experience an entirely new look with new animations. It's simple, beautiful, intuitive, and more fun than a weather app has a right to be. Name: Weather Doodle| Download from: App Store | Price: Free [Read the original blog post]

artistic

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On the Saturday morning of the 27th, The Pacifica Resource Center (PRC) revealed a new mural. Nearly fifty community members arrived to see the unveiling of the mural and dedication plaques. The gorgeous mural is a sort of bird’s eye view of the coastal edge of Pacifica spanning from the pier all the way to Pedro Point. This breathtaking landscape is sprinkled with California Poppies, this state’s official flower. “The main goal of this project was to bring a sense of calmness to the space and a sense of transparency to the services that are being provided here.” - Robert Louthan The mural was painted by local artist, Robert Louthan. The artist told us, “I am honored for the opportunity to contribute to our community this way. The main goal of this project was to bring a sense of calmness to the space and a sense of transparency to the services that are being provided here.” Anita Rees, Executive Director at the PRC, said that the mural was painted, “To give a sense of calm and welcomeness.” Ms. Rees told the Tribune that some people have already said that the mural helped them in one way or another. To experience more of Robert Louthan’s amazing artwork, visit www.robertlouthan.com. For those who don’t already know, the PRC does a lot of amazing work for those in need. The mission of the PRC is to, “...support the economic security of Pacifica families and individuals by providing a safety net of food, housing assistance, and other critical services, including coaching, advocacy, information, and referral.” Last year the PRC was able to help 1 in 10 Pacificans. They help to keep food on the table at local homes and they have showers on site for people who otherwise wouldn’t have access to them. The PRC can also dispense diapers, baby formula, toothbrushes, tampons, and just about any other household staple one could need. Free tax appointments are now available for all eligible households. According to their website, last year the PRC was able to generate over $200,000 in tax refunds. If you want to help PRC keep doing their amazing work, there are so many things you can do; you can donate money or non-perishable food and gift cards. If you have the time, the PRC also accepts volunteers. Oceana High School Students are able to complete the volunteer hours necessary to graduate at the resource center. For more information on the Pacifica Resource Center, what they can do for you or you for them, look them up online at www.pacresourcecenter.org. by Dahlia Grabowski (Pacifica Tribune)

artistic

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She is, quite simply, a rising star. 19 year old Singer/Songwriter Naomi (formerly known as 'Caleidra') first appeared on TV after a song she wrote for her GCSE music exam led to her being featured on ITV Daybreak and Granada Reports, and in UK National newspapers who described her as: 'Musically gifted' (The Independent) 'A grade A hit' (The Metro) 'A bright future ahead' (The Times) 'Something special' (The Guardian) 'Gifted Teenager' (Indie Music Mag) 'She looks like a pop star, she sounds like a pop star' (ITV) 'Brilliant! Absolutely Brilliant!' (BBC Radio) 'Teen Star' (Mizz Magazine) 'Talented Songwriter' (Music Week) as well as Huffington Post, Manchester Evening News and Oldham Chronicle. She was spotted on TV by one of the world's most successful producers, John McLaughlin (Busted, 911, Westlife), who together with Dave Thomas and Jud Mahoney (Michael Jackson, Mariah Carey, Chris Brown) went on to produce her first 4 track EP 'Another Day' written by Naomi. In 2014, Naomi signed a publishing deal with A&G Songs and the song 'Start Again' which Naomi wrote and performed was selected by the UK company 'Talk Talk' for their UK Home & Broadband marketing campaign across television, radio and online media. She has performed live on BBC Radio Manchester & BBC Radio Sheffield and played over 52 concerts to over 15,000 youngsters, twice playing The Etihad Stadium in Manchester, to over 7000 people at the Oldham festival and at 'G in the Park' and the West End Festival in Scotland. On top of all that, Naomi currently hosts her own radio show every Saturday on North Manchester 106.6 FM.

artistic

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The Bay Area Composer's Big Band with special guests Elena Pinderhughes adn Zoe Pressley played the Whale and Jazz Festival up in lovely Gualala, CA. There was a great crowd and the show went very well. To hear the concert, visit the Bay Area Composer's Big Band website here: Bay Area Composer's Big Band at Gualala My quartet played at the Red Poppy Art House and Baytaper was on hand to capture the moment. Check out his video of an excerpt of "The Silver Fox" here: I participated in the Switchboard Music Festival last March and they've put a video up on youtube of one of my pieces, for solo trumpet with sampler. To listen to this piece, please visit the link below, and try to check out the upcoming Switchboard Music Festival, held in SF at the end of March, it's a great place to hear new music. I've been fortunate enough to begin teaching at many different schools here in the Bay Area; Berkeley City College, Los Medanos Junior College, Chabot College, Cal State East Bay, Diablo Valley College, The Jazzschool, and the Waldorf School of San Francisco. Perhaps because of all this teaching, I've been inspired to come up with a duet book, featuring 32 jazz duets written for trumpet. This book was conceived of as a teaching tool, to get students of all levels to get a good feeling of jazz and reading jazz rhythms. The duets progress from easy to difficult, and include a CD with both trumpet parts recorded in different channels so that you can study each individual part and play along if you like. I'll be selling the book of off this website, where you can also find examples of the music in audio clips and pdfs on the sounds/projects page. I got the opportunity to perform a concert at the DeYoung Museum with a new group, "Erik Jekabson's West Coast Quartet and Strings" thanks to the DeYoung Museum and the Intersection for the Arts. They put together a jazz series and commissioned new compositions for a number of Bay Area jazz musicians, all based on art in the museum. I composed a piece inspired by Cornelia Parker's installation "Anti-Mass" and wrote a piece for jazz quartet (Dayna Stephens, tenor sax; Michael Zisman, bass; Vince Lateano, drums) augmented by violin and viola (Alisa Rose and Charith Premawardhana) I had the opportunity to travel back to New Orleans for the first time since 2004 (pre-Katrina) and play music with the my old friends Todd Duke, Jason Stewart and Andrew Adair. We played a night at Dos Jefes Cigar Bar, and then along with drummer extraordinaire Troy Davis, we played a night at Snug Harbor, the best jazz club in the city and our old stomping ground. I'll be teaching at Berkeley's Jazzschool this summer, teaching courses in Jazz Theory and coaching three ensembles, as well as coaching a weeklong session of a high school allstar combo. Check the Jazzschool catalogue for details! The Erik Jekabson Quintet performed at Bruno's on Dec. 19th, opening up for the Brass Mafia. Baytaper was there and recorded the entire show, which is available for listening and downloading at this site: Gigs, gigs and more gigs! I've been running around doing all types of gigs around the bay area the last couple of months, from straight ahead jazz to salsa, from classical to country, and have also had the opportunity to do some arranging and orchestrating for people. I've finally gotten my myspace music page hooked up, you can listen to some more of my music here: I'm finishing up graduate school and getting ready to get back into the swing of things on the SF scene. I had my graduate recital on April 16th, featuring the fantastic duo of cellist Hannah Adario-Berry and violinist Elizabeth Choi, who played my piece "Seven Movements for Violin and Cello" (written for them). The recital also featured music for brass quintet, jazz octet, solo trumpet w/delay and loop pedal, and 2 pieces for small chamber orchestra. Anyone who wants a CD, send me an email! (I'm very happy with how it turned out) I've had the good fortune of working with San Francisco's renowned comedy troupe "Killing My Lobster", composing the music and leading the band for their most recent production "Killing My Lobster Takes a Cruise". Working with percussionist Stan Muncy and bassist Ian Dickenson, we donned our Hawaiian shirts four nights a week for a two week run at the Brava theater in the mission district of SF. The cast and crew were fantastic and there were great crowds throughout. I've had the good fortune to have a regular gig at Andrew Jaeger's House of Seafood and Jazz at the Condor Club. Located at the historic Condor Club (sight of the first topless club in the U.S.) in North Beach, the club features New Orleans Jazz, and I've been playing there regularly since September with my own bands. To listen to one of our live shows, check out www.baytaper.com, and hear our version of "Tiger Rag". I'm pleased to announce the formation of a new project: "Johnny Bones' Palace of Jazz featuring Erik Jekabson". My good friend Bones, whom I've know since High School, is a wizard at ticklin' the ivories, and we've started a group that plays "hot" 20's and 30's jazz. We've got a new website up, www.johnnybones1.tripod.com, so keep your eyes peeled for news of our upcoming shows! Well, the school year is over, and I made it though allright. I was able to write a lot of new music, and some of the recordings are now up here on the projects/sounds section, where you can listen to them. Featured right now are "Hotter than What? What? What?" for Woodwind Quintet, "Patience" for the SF Conservatory's New Music Ensemble, and "Reassurance", the setting of and Alice Walker poem, sung marvelously by Elena Krell. I'll be in San Francisco for the summer, and am looking forward to staying busy playing and composing. I'm already working on the music for a documentary by Michael Seely, "Radio Grito", and will be writing a piece for SF's own Realistic Orchestra. Stay tuned! My first full semester at the SF Conservatory of Music is completed, and I had the opportunity to hear a couple of new pieces: "Speedway Meadow" for the SF Conservatory's New Music Ensemble, and "Hotter Than What? What? What?" for Woodwind Quintet. My piece "Games" for String Quartet and Piano won the Kris Getz Competition, which requests a chamber piece to be written for 11-13-year old students. The performance will be on May 21st. I've been fortunate to continue performing with John Mayer, including his "Blues" show in New York City on December 28th, but for right now, school is the focus. Back in school- after a great 2 month summer tour playing with John Mayer, I'm back in school at the SF Conservatory of Music, ready to dive back into studying composition. The John Mayer tour, which hit all the major cities in the US, was a great experience. The band was smokin', the crew was great, and we were touring with Maroon5 and DJ Logic, great musicians and nice guys to hang out with. from left to right- David LaBruyere, bass; DJ Logic, turntables; Erik Jekabson, trumpet; Chris Karlic, soprano sax; Jesse Carmichael, keys and guitar; John Mayer, guitar. Photo by Scotty Crowe. On the Road- I completed a two month U.S. tour with John Mayer at the end of March and after playing on the "Tonight Show" with David Letterman, had a week off. We headed over to New Zealand and Australia with Mr. Mayer and snapped a few photos. The trip has been great- beautiful scenery, good people and great shows. Next up is 6 concerts in Europe opening up for Sting. |At the Black Sand Beach in NZ My CD "Intersection" receives a positive review in Jazztimes, calling me "a cutting edge jazz player and writer" whose compositions keep "the listener guessing until the last note." (See the full review in the press/reviews section.) I also reunited with old musical comrades in January, traveling to New Orleans to play a CD Release party with old friends Todd Duke, Bryce Winston and Scott Bougious. While there, I had the chance to play at the governer's inaugural ball with John Mahoney's Big Band and do some recording at old friend Tim Stambaugh's Word of Mouth Studio with drummer Simon Lott's group. A few days later I got to sit in with the Howard Fishman Quartet in Los Angeles, which (in addition to Howard) included old friends Kevin Louis, Mark McLean and Jim Whitney. I'll host my San Francisco CD release party this month at Bruno's on December 17th. After completing a successful fall tour with John Mayer, I'm headed back out with John and the band for a spring tour in February and March. I also performed with John Mayer on the "Tonight Show" with Jay Leno on December 8th. A couple of months into my studies at the SF Conservatory of Music, I recieved a call to go on a 4 week US tour with singer/songwriter John Mayer. School will have to wait, for an opportunity as good as this! The band will be performing in New York, my old stomping ground, except instead of playing for tips at Detour in the East Village, we'll be playing at Madison Square Garden. My new CD "Intersection", featuring original compositions and a band of some of New York's finest young players, is released on the Fresh Sound/New Talent Label! The album, recorded in December of 2002, features eight of my original compositions and cover art by my brother Mark Jekabson. Check your local record store or order your copy today... After 5 years in New York, I've has decided to move to San Francisco to attend the San Francisco Conservatory of Music, where I'll pursue a master's degree in composition. Leaving New York is a hard thing to do, especially leaving all the great bands and musicians that I've had the chance to play with, but having the opportunity to work on composition full-time is too good of an opportunity to pass up. I'm leaving on July 1st, so if you want to see the Erik Jekabson Quintet perform, you've got two more chances- May 27th at Cornelia St. Cafe and June 17th at Detour. With trumpeter Chuck MacKinnon and a bunch of other NY horn players and percussionists, I participated in a couple of anti-war rallies in New York City this past February and March. The protest on February 15th, in which an estimated 500,000 people participated, was intense for horn players because the temperatures were below freezing and it was extremely windy. Nonetheless, the band played bravely on, feeding off the energy of it's fellow marchers, grooving on funk, traditional jazz numbers, and in one extended jam, "A Love Supreme". Some noteworthy items: it was so cold that Chuck's valves froze at one point, and saliva that trickled out of the bells of the horns froze. The picture above, printed in the April issue of Local 802's Allegro magazine, caught the vibe. The protest on March 15th had a different vibe. The weather was beautiful, it was more like a big block party, but the band was just as rocking. With 4 trumpets, an alto sax, J. Walter Hawkes on trombone, John Ellis playing dixieland clarinet, Roland Shneider playing the snare drum and a myriad of other percussion players, we grooved with other horn players, drum lines, singers, and anybody else who wanted to promote non-violence. It was great walking down the middle of Broadway playing Charlie Parker's "Confirmation" with 4 trumpets! We got some pretty quizzical looks when we played that, but mostly we stuck to old traditional tunes. I think the biggest hit was "Down By The Riverside", which we played right by Washington Square Park. It felt like we were back down in New Orleans, marching with a second line who were dancing their butts off. There was even a Grand Marshall, some random guy in a blue sweatsuit who kept urging us to keep going.

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It may be wintry and grey outside, but the good news is that the planning for next year’s biennial Barnaby Festival is about to begin! Barnaby is all about Macclesfield’s amazing people: your energy, ideas, creativity and generosity of spirit have underpinned successive Festivals since 2010. So once again we’re asking for your help to co-create the events and content responding to our 2020 theme of VISION. 2020 marks ten years since this incarnation of the Festival hit Macclesfield’s streets, so we want to make sure it’s a fantastic celebration of all things creative, artistic, moving, cultural, collaborative, spectacular, fun and memorable. We’re inviting ideas, suggestions, discussion and thoughts on how we can develop a programme that marks this special anniversary in the best way possible. Join us at our first Open Programming Session on Sunday 24th Marchbetween 12.30 – 3.30 at The Old Sunday School. We’re looking forward to a creative and energetic discussion about what the theme might mean for you, for Macclesfield more widely, and for potential exhibitions, performances and events. For full details, and to let us know you’re coming, please register at our Eventbrite page. If you want to be involved but can’t make 24th March, don’t worry – there’ll be plenty more opportunities to contribute. And if there’s someone you think would be interested who doesn’t get these emails, please invite them to sign up for our newsletter here.

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Beat Root Tongue Drum Videos The Beat Root videos are the best way to immerse yourself in the sound world of our tongue drums. Whether you want to learn how to play the Beat Root or discover different music featuring our Beat Root tongue drums, you will easily find a video to your liking. Don't hesitate to send us your videos so that we can put them forward on our youtube channel. And if we have a crush on your musical project, we will be happy to welcome you in the Beat Root Family. We add new videos regularly so don't hesitate to subscribe to our YouTube channel!

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