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https://en.wikipedia.org/w/index.php?title=Political_psychology&diff=10580882&oldid=10580855
The field draws on the diverse disiplines of [[Cultural Psychology|cultural]] [[psychological anthropology|psychological anthropology]] and [[social anthropology]] (including [[political anthropology]], [[cognitive psychology]], [[economics]], [[history]], [[international relations]], [[philosophy]], [[political science]], [[political theory]], [[psychology of personality]], [[social psychology]], and [[sociology]].
2005-02-26T06:34:39Z
The field draws on the diverse disiplines of [[Cultural Psychology|cultural]] [[psychological anthropology|psychological]] and [[social anthropology]] (including [[political anthropology]]), [[cognitive psychology]], [[economics]], [[history]], [[international relations]], [[philosophy]], [[political science]], [[political theory]], [[psychology of personality]], [[social psychology]], and [[sociology]].
2005-02-26T06:38:11Z
https://en.wikipedia.org/w/index.php?title=New_Zealand_Attitudes_and_Values_Study&diff=532892707&oldid=532892603
The NZAVS has a [[multilevel data structure]]. <ref>The New Zealand Attitudes and Values Study webpage for researchers: http://www.psych.auckland.ac.nz/uoa/home/about/our-research/research-groups/new-zealand-attitudes-and-values-study/nzavs-information-for-researchers</ref> Participants are modelled as the Level 1 or lower-level unit. The NZAVS contains geographic [[Meshblock Area Unit (MBU)]] and [[Census Area Unit (CAU)]] information for each participant. This information is modelled as the Level 2, or higher-level unit in many of the NZAVS research papers. Meshblocks are small geographic area units, each containing roughly 100 people, with defined boundaries. Each meshblock is in turn nested within larger census area units (CAU; roughly 1000 people in size). [[Statistics New Zealand]] provide detailed demographic information about the population of each meshblock based on census data, such as median income, ethnic proportions and size, religious affiliation, etc. This information is integrated into the NZAVS datasets. Of particular note are the [[New Zealand Deprivation Index]] (an index of poverty or socio-economic status based on a principal components analysis of indicators of deprivation for each area unit); and a CAU-based [[GINI index]] derived by Chris Sibley for use in the NZAVS, which provides an indicator of the income disparity within each region of New Zealand.
2013-01-13T18:08:05Z
The NZAVS has a [[multilevel data structure]].<ref>The New Zealand Attitudes and Values Study webpage for researchers: http://www.psych.auckland.ac.nz/uoa/home/about/our-research/research-groups/new-zealand-attitudes-and-values-study/nzavs-information-for-researchers</ref> Participants are modelled as the Level 1 or lower-level unit. The NZAVS contains geographic [[Meshblock Area Unit (MBU)]] and [[Census Area Unit (CAU)]] information for each participant. This information is modelled as the Level 2, or higher-level unit in many of the NZAVS research papers. Meshblocks are small geographic area units, each containing roughly 100 people, with defined boundaries. Each meshblock is in turn nested within larger census area units (CAU; roughly 1000 people in size). [[Statistics New Zealand]] provide detailed demographic information about the population of each meshblock based on census data, such as median income, ethnic proportions and size, religious affiliation, etc. This information is integrated into the NZAVS datasets. Of particular note are the [[New Zealand Deprivation Index]] (an index of poverty or socio-economic status based on a principal components analysis of indicators of deprivation for each area unit); and a CAU-based [[GINI index]] derived by Chris Sibley for use in the NZAVS, which provides an indicator of the income disparity within each region of New Zealand.
2013-01-13T18:08:57Z
https://en.wikipedia.org/w/index.php?title=Social_dominance_theory&diff=93501917&oldid=93494886
Social Dominance Theory is a consideration of group conflict which describes human society as The reason that social hierachies exist in human societies is that they were necessary for survival of Social Dominance Theory explains the mechanisms of group hierachy oppression using three basic Aggregated individual discrimination (ordinary discrimination) Aggregated institutional discrimination (discrimination by governmental and business institutions) Systematic Terror (police violence, death squads, etc) Behavioural asymmetry systematic outgroup favouritism or deference (minorities favour hegemony individuals) asymmetric ingroup bias (as status increases, opposition to interracial mixing increases) self-handicapping (low expectations of minorities are self-fulfilling prophecies) ideological asymmetry (as status increases, so do discriminatory political beliefs eg conservatism) These processes are driven by legitimizing myths, which are befliefs justifying social dominance: paternalistic myths (hegemony serves society, looks after incapable minorities) reciprocal myths (suggestions that hegemonic and outgroups are actually equal) sacred myths (Divine right of kings - religion-approved mandate for hegemony to govern) It is suggested that the Western idea of meritocracy (individual achievement) is an example of a legitimizing myth, ie meritocracy is false and produces only an illusion of fairness.
2006-12-11T01:56:45Z
Social Dominance Theory is a consideration of group conflict which describes human society as The reason that social hierachies exist in human societies is that they were necessary for survival of Social Dominance Theory explains the mechanisms of group hierachy oppression using three basic #Aggregated individual discrimination (ordinary discrimination) # Aggregated institutional discrimination (discrimination by governmental and business institutions) ** Systematic Terror (police violence, death squads, etc) #Behavioural asymmetry **systematic outgroup favouritism or deference (minorities favour hegemony individuals) **asymmetric ingroup bias (as status increases, opposition to interracial mixing increases) **self-handicapping (low expectations of minorities are self-fulfilling prophecies) * *ideological asymmetry (as status increases, so do discriminatory political beliefs eg conservatism) These processes are driven by legitimizing myths, which are befliefs justifying social dominance: *paternalistic myths (hegemony serves society, looks after incapable minorities) *reciprocal myths (suggestions that hegemonic and outgroups are actually equal) *sacred myths (Divine right of kings - religion-approved mandate for hegemony to govern) It is suggested that the Western idea of meritocracy (individual achievement) is an example of a legitimizing myth, ie meritocracy is false and produces only an illusion of fairness.
2006-12-11T02:38:23Z
https://en.wikipedia.org/w/index.php?title=Public_sphere&diff=184683156&oldid=184665976
[[Image:Parlement-Paris-Charles7.jpg|thumb|left|Parlementry action under Charles 7]]
2008-01-16T05:17:17Z
[[Image:Parlement-Paris-Charles7.jpg|thumb|left|Parlementry action under Charles 7]]
2008-01-16T07:30:34Z
https://en.wikipedia.org/w/index.php?title=Albanian–Soviet_split&diff=500818804&oldid=500817958
An Albanian account describes the dispute as follows: "By violating the formal Albanian-Soviet agreements signed in September 1957 an May 1959, the Soviet government did everything in its power to put under its control this Albanian base which at the same time served the defence of the socialist countries. . . . On April 5, 1961, in a letter addressed to the governments of the Soviet Union and the East-European states it resolutely reaffirmed that it accepted only one solution of the problem: the base of Vlora belonged to Albania and all the naval means that were its property should be handed over to Albanian crew as soon as possible. Any other solution was an act which would lead to the unilateral violation on the part of the Soviet Union of the existing Albanian-Soviet agreements of the years 1957 and 1959."{{sfn|Omari|Pollo|1988|pp=282-283}} In May 1961 the Soviets began dismantling the base and tried to seize the submarines, seizing some Albanian ships undergoing repairs at [[Sevastopol]] in the process.{{sfnm |1a1=Pano |1y=1968 |1p=148 |2a1=Logoreci |2y=1977 |2p=129}} As the Albanian account describes it, "The Soviet sailors and officers carried out numerous provocations, trying by all manner of means to create a pretext for the Soviet military intervention in Albania. . . On May 26, 1961 it seized in a demonstrative manner 8 submarines, the floating base 'Kotelnikov', as well as the Albanian warships that were laid for repair in the port of Sevastopol. On June 5, 1961 the personnel of Soviet advisers left the base at Vlora, too."{{sfn|Omari|Pollo|1988|pp=285-286}} Hoxha's account is as follows: Admiral [[Vladimir Kasatonov]] of the Black Sea fleet "came to Tirana with the mission of seizing not only the eight submarines. . . but even the submarines which we had taken over earlier. We told him bluntly: Either you hand the submarines over to us according to the agreement, or within a short time (we set the date) you must withdraw immediately from the bay. . . He did not hand over the submarines, but went to Vlora, boarded the command submarine and lined up the others in fighting formation. We gave orders to close the Sazan Narrows and to train the guns on the Soviet ships. Admiral Kasatonov, who had wanted to frighten us, was frightened himself. He was caught like a rat in a trap and if he attempted to implement his plan he might find himself at the bottom of the sea. In these conditions the admiral was obliged to take only the submarines with Soviet crews, and he sailed out of the bay back home with his tail between his legs."{{sfn|Hoxha|1984|pp=467-468}}
2012-07-05T16:35:35Z
An Albanian account describes the dispute as follows: "By violating the formal Albanian-Soviet agreements signed in September 1957 an May 1959, the Soviet government did everything in its power to put under its control this Albanian base which at the same time served the defence of the socialist countries. . . . On April 5, 1961, in a letter addressed to the governments of the Soviet Union and the East-European states it resolutely reaffirmed that it accepted only one solution of the problem: the base of Vlora belonged to Albania and all the naval means that were its property should be handed over to Albanian crew as soon as possible. Any other solution was an act which would lead to the unilateral violation on the part of the Soviet Union of the existing Albanian-Soviet agreements of the years 1957 and 1959."{{sfn|Omari|Pollo|1988|pp=282-283}} In May 1961 the Soviets began dismantling the base and tried to seize the submarines, seizing some Albanian ships undergoing repairs at [[Sevastopol]] in the process.{{sfnm |1a1=Pano |1y=1968 |1p=148 |2a1=Logoreci |2y=1977 |2p=129}} As the Albanian account describes it, "The Soviet sailors and officers carried out numerous provocations, trying by all manner of means to create a pretext for the Soviet military intervention in Albania. . . On May 26, 1961 it seized in a demonstrative manner 8 submarines, the floating base 'Kotelnikov', as well as the Albanian warships that were laid for repair in the port of Sevastopol. On June 5, 1961 the personnel of Soviet advisers left the base at Vlora, too."{{sfn|Omari|Pollo|1988|pp=285-286}} Hoxha's account is as follows: Admiral [[Vladimir Kasatonov]] of the Black Sea fleet "came to Tirana with the mission of seizing not only the eight submarines. . . but even the submarines which we had taken over earlier. We told him bluntly: Either you hand the submarines over to us according to the agreement, or within a short time (we set the date) you must withdraw immediately from the bay. . . He did not hand over the submarines, but went to Vlora, boarded the command submarine and lined up the others in fighting formation. We gave orders to close the Sazan Narrows and to train the guns on the Soviet ships. Admiral Kasatonov, who had wanted to frighten us, was frightened himself. He was caught like a rat in a trap and if he attempted to implement his plan he might find himself at the bottom of the sea. In these conditions the admiral was obliged to take only the submarines with Soviet crews, and he sailed out of the bay back home with his tail between his legs."{{sfn|Hoxha|1984|pp=467-468}}
2012-07-05T16:42:52Z
https://en.wikipedia.org/w/index.php?title=Australian_Labor_Party_split_of_1931&diff=678756289&oldid=678756202
The '''Australian Labor Party split of 1931''' was caused by severe divisions within the [[Australian Labor Party]] over economic responses to the [[Great Depression]]. Amidst intense disagreement between economically conservative and radical elements of the party, two senior ministers in the [[James Scullin|Scullin]] Labor government, [[Joseph Lyons]] and [[James Fenton]], resigned from Cabinet in January 1931. Lyons, Fenton and their supporters would subsequently merge with the conservative opposition [[Nationalist Party of Australia]] to form the new [[United Australia Party]], led by Lyons with the last Nationalist leader, [[John Latham]], as his deputy. In March 1931, the Labor Party split on the left as well, when [[Eddie Ward]], a supporter of radical anti-austerity [[Premier of New South Wales]] [[Jack Lang]], won a by-election, and was refused entry to the Labor caucus, resulting in six Lang supporters forming a [[Lang Labor]] party on the crossbench. In November, the United Australia Party and Lang Labor succeeded in defeating the Scullin government, resulting in the [[Australian federal election, 1931|1931 federal election]] in December. The election resulted in a landslide victory for the United Australia Party and the elections of Lyons as [[Prime Minister of Australia|Prime Minister]]. While Lang Labor would eventually be largely reabsorbed into the Labor Party, the United Australia Party continued to be the main conservative force in Australia until replaced by the [[Liberal Party of Australia]] in 1945.<ref name="scullinpm">{{cite web | url=http://primeministers.naa.gov.au/primeministers/scullin/in-office.aspx | title=James Scullin: In office | publisher=National Archives of Australia | work=Australia's Prime Ministers | accessdate=31 August 2015}}</ref>
2015-08-31T12:44:38Z
The '''Australian Labor Party split of 1931''' was caused by severe divisions within the [[Australian Labor Party]] over economic responses to the [[Great Depression]]. Amidst intense disagreement between economically conservative and radical elements of the party, two senior ministers in the [[James Scullin|Scullin]] Labor government, [[Joseph Lyons]] and [[James Fenton]], resigned from Cabinet in January 1931. Lyons, Fenton and their supporters would subsequently merge with the conservative opposition [[Nationalist Party of Australia]] to form the new [[United Australia Party]], led by Lyons with the last Nationalist leader, [[John Latham]], as his deputy.<ref name="scullinpm">{{cite web | url=http://primeministers.naa.gov.au/primeministers/scullin/in-office.aspx | title=James Scullin: In office | publisher=National Archives of Australia | work=Australia's Prime Ministers | accessdate=31 August 2015}}</ref> In March 1931, the Labor Party split on the left as well, when [[Eddie Ward]], a supporter of radical anti-austerity [[Premier of New South Wales]] [[Jack Lang]], won a by-election, and was refused entry to the Labor caucus, resulting in six Lang supporters forming a [[Lang Labor]] party on the crossbench. In November, the United Australia Party and Lang Labor succeeded in defeating the Scullin government, resulting in the [[Australian federal election, 1931|1931 federal election]] in December. The election resulted in a landslide victory for the United Australia Party and the elections of Lyons as [[Prime Minister of Australia|Prime Minister]].<ref name="scullinpm" /> While Lang Labor would eventually be largely reabsorbed into the Labor Party, the United Australia Party continued to be the main conservative force in Australia until replaced by the [[Liberal Party of Australia]] in 1945.<ref name="scullinpm" />
2015-08-31T12:45:27Z
https://en.wikipedia.org/w/index.php?title=Democratic_Representative_Caucus&diff=1921765&oldid=1915969
The '''Democratic Representative Caucus''' was a group of [[Canada|Canadian]] Members of [[Parliament]] who left the [[Canadian Alliance]] in [[2001]] in protest against the leadership of [[Stockwell Day]]. Day was regarded by many observers as a weak and gaffe-prone leader, whose mistakes and off-the-cuff remarks sometimes undermined even the efforts of his own caucus, and through the spring of 2001, several members of the Alliance resigned their shadow cabinet seats.
2003-12-09T19:07:39Z
The '''Democratic Representative Caucus''' was a group of [[Canada|Canadian]] Members of [[Parliament of Canada|Parliament]] who left the [[Canadian Alliance]] in [[2001]] in protest against the leadership of [[Stockwell Day]]. Day was regarded by many observers as a weak and gaffe-prone leader, whose mistakes and off-the-cuff remarks sometimes undermined even the efforts of his own caucus, and through the spring of 2001, several members of the Alliance resigned their shadow cabinet seats.
2003-12-09T19:11:33Z
https://en.wikipedia.org/w/index.php?title=Finnish_People's_Unity_Party&diff=425665555&oldid=425623164
|party_name = Party of the Unity of the Finnish People</br>[[1972]]-[[1982]]</br>The League of the Citizens' Power]</br> [[1982]]-[[1983]] |native_name = Suomen Kansan Yhtenäisyyden Puolue</br> [[1972]]-[[1982]]</br>Kansalaisvallan Liitto]</br> [[1982]]-[[1983]] '''Party of the Unity of the Finnish People''' ({{lang-fi|Suomen Kansan Yhtenäisyyden Puolue}}) was a unvoluntary spin off the [[Finnish Rural Party|Rural Party of Finland]]. Some of the members of the parliament of Finland as the members of the parliamentary group of the [[|Finnish Rural Party|Rural Party of Finland]] wanted to support the idea of re-electing the president of Finland, [[Urho Kekkonen]] without presidentia elections for the years of [[1974]]-[[1978]], which was impossible for the chairman [[Veikko Vennamo]] mainly due to the disputes of the late 1950's between [[Veikko Vennamo]], [[V. J. Sukselainen|Vieno Johannes Sukselainen]] and also partly [[Urho Kekkonen]], who took part into the matters of [[Agrarian League (Finland)|Agrarian League]] as the [[1956]] elected president of the republic of Finland to guarantee both the integration with the Western trade organisationa and presever the political neutrality as the Soviet Union saw it in order to guarantee economically favourable bilateral trade with the Soviet Union like India and sustaining the position of the second biggest Western trading partner of the Soviet Union just after the Federal Republic of Germany, which traded with hard currencies.
2011-04-24T07:02:18Z
|party_name = Party of the Unity of the Finnish People</br>[[1972]]-[[1982]]</br>The League of the Citizens' Power</br> [[1982]]-[[1983]] |native_name = Suomen Kansan Yhtenäisyyden Puolue</br> [[1972]]-[[1982]]</br>Kansalaisvallan Liitto</br> [[1982]]-[[1983]] '''Party of the Unity of the Finnish People''' ({{lang-fi|Suomen Kansan Yhtenäisyyden Puolue}}) was a unvoluntary spin off the [[Finnish Rural Party|Rural Party of Finland]]. Some of the members of the parliament of Finland as the members of the parliamentary group of the [[Finnish Rural Party|Rural Party of Finland]] wanted to support the idea of re-electing the president of Finland, [[Urho Kekkonen]] without presidentia elections for the years of [[1974]]-[[1978]], which was impossible for the chairman [[Veikko Vennamo]] mainly due to the disputes of the late 1950's between [[Veikko Vennamo]], [[V. J. Sukselainen|Vieno Johannes Sukselainen]] and also partly [[Urho Kekkonen]], who took part into the matters of [[Agrarian League (Finland)|Agrarian League]] as the [[1956]] elected president of the republic of Finland to guarantee both the integration with the Western trade organisationa and presever the political neutrality as the Soviet Union saw it in order to guarantee economically favourable bilateral trade with the Soviet Union like India and sustaining the position of the second biggest Western trading partner of the Soviet Union just after the Federal Republic of Germany, which traded with hard currencies.
2011-04-24T14:20:12Z
https://en.wikipedia.org/w/index.php?title=Kadima&diff=270231536&oldid=270231417
ideology = [[Centre]]-[[Centre-left]], [[Liberalism]], [[Zionism]]|
2009-02-12T15:08:53Z
ideology = [[Centre]]/[[Centre-left]], [[Liberalism]], [[Zionism]]|
2009-02-12T15:09:29Z
https://en.wikipedia.org/w/index.php?title=Social_Democratic_Party_(UK)&diff=531970450&oldid=526864099
|successor = [[Liberal Democrats]],<br />[[Social Democratic Party (UK, 1988)|Social Democratic Party]]
2012-12-07T13:47:57Z
|successor = [[Liberal Democrats]],<br />[[Social Democratic Party (UK, 1988)]]
2013-01-08T16:15:07Z
https://en.wikipedia.org/w/index.php?title=Socialist_Workers_Party_(Finland)&diff=7219349&oldid=7219258
'''Sosialistinen Työväenpuolue''' (Socialist Workers Party), a political party in [[Finland]]. The STP was founded in [[1973]] as split from [[Työväen ja Pienviljelijäin Sosialidemokraattinen Liitto]] (Workers' and Smallholders Social Democratic League). STP emerged out of a group that did not approve of the return of TPSL to the [[Social Democratic Party of Finland|Social Democratic Party]].
2004-11-08T13:57:07Z
'''Sosialistinen Työväenpuolue''' (Socialist Workers Party), a political party in [[Finland]]. The STP was founded in [[1973]] as split from [[Työväen ja Pienviljelijäin Sosialidemokraattinen Liitto]] (Workers' and Smallholders Social Democratic League). STP emerged out of a group that did not approve of the return of TPSL to the [[Social Democratic Party of Finland|Social Democratic Party]].
2004-11-08T13:58:07Z
https://en.wikipedia.org/w/index.php?title=SWAPO_for_Justice&diff=26092668&oldid=18394133
'''SWAPO for Justice''', a splinter group of [[SWAPO]] in [[Namibia]], founded on May 4 [[1995]]. SWAPO-J was led by [[Sakari Njoba Nghewete]]. SWAPO-J's cadre was mainly made up by former combatants of SWAPO, dissatisfied with their condition in independent Namibia.
2005-07-08T12:52:28Z
'''SWAPO for Justice''', a splinter group of [[SWAPO]] in [[Namibia]], founded on [[May 4]] [[1995]]. SWAPO-J was led by [[Sakari Njoba Nghewete]]. SWAPO-J's cadre was mainly made up by former combatants of SWAPO, dissatisfied with their condition in independent Namibia.
2005-10-21T13:21:50Z
https://en.wikipedia.org/w/index.php?title=United_Tribal_Nationalist_Liberation_Front&diff=23924347&oldid=17136256
The UTNLF led a violent campaign during the 1990s against both the [[Assamese]] and the Indian military units in the area.[[Category:Indian political parties-Assam]]
2005-01-23T22:43:29Z
The UTNLF led a violent campaign during the 1990s against both the [[Assamese]] and the Indian military units in the area. [[Category:Indian political parties-Assam]]
2005-09-24T16:44:57Z
https://en.wikipedia.org/w/index.php?title=Peace–industrial_complex&diff=559716142&oldid=559716123
Suter further defended that "each country create a national Ministry for Peace",<ref>[http://www.i4pinternational.org/files/202/7.+national+ministries+for+peace.pdf]</ref> which was contemporary to the creation of the Ministry for Peace Australia (MFPA) initiative and the Global Alliance for Ministries & Infrastructures for Peace (GAMIP). An Education for a Peace Industrial Complex conference (EPIC) is also mentioned in a 1984 issue of the Nuclear Times.<ref>Nuclear Times, Volumes 3 to 4, 1984</ref>
2013-06-13T12:42:30Z
Suter further defended that "each country create a national Ministry for Peace",<ref>http://www.i4pinternational.org/files/202/7.+national+ministries+for+peace.pdf</ref> which was contemporary to the creation of the Ministry for Peace Australia (MFPA) initiative and the Global Alliance for Ministries & Infrastructures for Peace (GAMIP). An Education for a Peace Industrial Complex conference (EPIC) is also mentioned in a 1984 issue of the Nuclear Times.<ref>Nuclear Times, Volumes 3 to 4, 1984</ref>
2013-06-13T12:42:46Z
https://en.wikipedia.org/w/index.php?title=Political_groups_of_the_European_Parliament&diff=145263818&oldid=142422979
Each group appoints a "group co-ordinator", charged with the task of deciding which way the group should vote in Parliament. It is worth noting, however, that no member is bound by this decision, and there is no official punishment incurred for voting against the party group, such as the [[Whip (politics)|"whips"]] often employed in national parliaments.
2007-07-04T08:49:54Z
Each group appoints a "group co-ordinator", charged with the task of deciding which way the group should vote in Parliament. It is worth noting, however, that no member is bound by this decision, and there is no official punishment incurred for voting against the party group, such as often employed by the [[Whip (politics)|"whips"]] in national parliaments.
2007-07-17T17:54:01Z
https://en.wikipedia.org/w/index.php?title=Political_methodology&diff=172156823&oldid=172156756
[http://polmeth.wustl.edu/ The Society for Political Methodology's homepage] [http://garnet.acns.fsu.edu/~phensel/methods.html Paul Hensel's Political Methodology Page]
2007-11-17T21:55:06Z
*[http://polmeth.wustl.edu/ The Society for Political Methodology's homepage] *[http://garnet.acns.fsu.edu/~phensel/methods.html Paul Hensel's Political Methodology Page]
2007-11-17T21:55:28Z
https://en.wikipedia.org/w/index.php?title=Project_Troy&diff=787824173&oldid=787823540
'''Project Troy''' was a research study of psychological warfare undertaken for the [[Department of State]] by a group of scholars including physicists, historians and psychologists from [[Harvard University]], the [[Massachusetts Institute of Technology]] and [[RAND Corporation]] in the fall of 1950.<ref>{{cite book|last=Mitrovich|first=Gregory|title=Undermining the Kremlin: America's Strategy to Subvert the Soviet Bloc, 1947–1956|url={{Google books|w6TVdT-q7vcC|page=206|plainurl=yes}}|page=206}}</ref> The ''Project Troy Report to the Secretary of State'', presented to Secretary of State Archeson on 1 February 1951, made various proposals for political warfare, including possible methods of minimizing the effects of Soviet jamming on the Voice of America broadcasts.<ref>{{cite web|url=https://history.state.gov/historicaldocuments/frus1951v01/d326 |title=Memorandum by the Assistant Secretary of State for Public Affairs (Barrett) to the Director of the Policy Planning Staff (Nitze) |date=1951-05-02}}</ref>
2017-06-27T19:32:09Z
'''Project Troy''' was a research study of psychological warfare undertaken for the [[Department of State]] by a group of scholars including physicists, historians and psychologists from [[Harvard University]], the [[Massachusetts Institute of Technology]] and [[RAND Corporation]] in the fall of 1950.<ref>{{cite book|last=Mitrovich|first=Gregory|title=Undermining the Kremlin: America's Strategy to Subvert the Soviet Bloc, 1947–1956|url={{Google books|w6TVdT-q7vcC|page=206|plainurl=yes}}|page=206}}</ref> The ''Project Troy Report to the Secretary of State'', presented to Secretary of State Archeson on 1 February 1951, made various proposals for political warfare, including possible methods of minimizing the effects of Soviet jamming on the [[Voice of America]] broadcasts.<ref>{{cite web|url=https://history.state.gov/historicaldocuments/frus1951v01/d326 |title=Memorandum by the Assistant Secretary of State for Public Affairs (Barrett) to the Director of the Policy Planning Staff (Nitze) |date=1951-05-02}}</ref>
2017-06-27T19:36:23Z
https://en.wikipedia.org/w/index.php?title=World-systems_theory&diff=467376018&oldid=465240623
The most well-known version of the world-system approach has been developed by [[Immanuel Wallerstein]] in 1970s and 1980s.<ref name=CAMV>Carlos A. Martínez-Vela, [http://web.mit.edu/esd.83/www/notebook/WorldSystem.pdf World Systems Theory], paper prepared for the [http://web.mit.edu/esd.83/www/notebook/NewNotebook.htm Research Seminar in Engineering Systems], November 2003</ref><ref name=PH>Paul Halsall [http://www.fordham.edu/halsall/mod/wallerstein.html Modern History Sourcebook: Summary of Wallerstein on World System Theory], August 1997</ref> Wallerstein traces the rise of the world system from the 15th century, when [[Europe]]an [[feudal]] [[economy]] suffered a crisis and was transformed into a [[capitalist]] one.<ref name=PH/> Europe ([[Western world|the West]]) utilized its advantages and gained control over most of the world economy, presiding over the development and spread of [[industrialization]] and [[capitalism]] economy, indirectly resulting in [[International inequality|unequal development]].<ref name=TB/><ref name=glob/><ref name=PH/>
2011-12-11T05:09:35Z
The most well-known version of the world-system approach has been developed by [[Immanuel Wallerstein]] in 1970s and 1980s.<ref name=CAMV>Carlos A. Martínez-Vela, [http://web.mit.edu/esd.83/www/notebook/WorldSystem.pdf World Systems Theory], paper prepared for the [http://web.mit.edu/esd.83/www/notebook/NewNotebook.htm Research Seminar in Engineering Systems], November 2003</ref><ref name=PH>Paul Halsall [http://www.fordham.edu/halsall/mod/wallerstein.html Modern History Sourcebook: Summary of Wallerstein on World System Theory], August 1997</ref> Wallerstein traces the rise of the world system from the 15th century, when [[Europe]]an [[feudal]] [[economy]] suffered a crisis and was transformed into a [[capitalist]] one.<ref name=PH/> Europe ([[Western world|the West]]) utilized its advantages and gained control over most of the world economy, presiding over the development and spread of [[industrialization]] and [[capitalism|capitalist]] economy, indirectly resulting in [[International inequality|unequal development]].<ref name=TB/><ref name=glob/><ref name=PH/>
2011-12-23T18:41:06Z
https://en.wikipedia.org/w/index.php?title=Cambridge_Documentary_Films&diff=429435272&oldid=429434882
'''Cambridge Documentary Films''' is a non profit organization established in Massachusetts in 1974. The purpose of the organization is to create new perspectives on important social issues and give voice to groups and individuals whose perspectives are ignored by mainstream media<ref>{{cite web|title=A Voice for Social Change|url=http://newenglandfilm.com/news/archives/02september/lazarus.htm|publisher=New England Film|accessdate=16 May 2011}}</ref> . Cambridge Documentary Films produces and distributes award winning documentaries to thousands of universities, community organizations, schools, libraries and public interest organizations throughout the United States and the world. These films have won numerous awards, including an Academy Award<ref>{{cite web|title=Nominees and Winners for the 66th Academy Awards|url=http://www.oscars.org/awards/academyawards/oscarlegacy/1990-1999/66nominees.html|publisher=The Academy of Motion Picture Arts and Sciences|accessdate=16 May 2011}}</ref> and have been screened at the UN General Assembly, The White House, the Office of the Vice President, the US Congress and numerous state houses. The subjects include: advertising's image of women, domestic violence, trauma, rape, eating disorders, self esteem, media literacy, homophobia, the labor movement, gender roles, career counseling, nuclear war, reproductive health hazards, the women's health movement, gay and lesbian parenting and other social issues<ref>{{cite web|title=Films that Challenge|url=http://www.newenglandfilm.com/news/archives/00may/cdf.htm|publisher=New England Film|accessdate=16 May 2011}}</ref><ref>{{cite web|title=Human Rights Film Directory Resources|url=http://db.lib.washington.edu/hrfilms/resources.htm|publisher=University of Washington|accessdate=16 May 2011}}</ref> .
2011-05-16T18:40:39Z
'''Cambridge Documentary Films''' is a non profit organization established in Massachusetts in 1974. The purpose of the organization is to create new perspectives on important social issues and give voice to groups and individuals whose perspectives are ignored by mainstream media<ref>{{cite web|title=A Voice for Social Change|url=http://newenglandfilm.com/news/archives/02september/lazarus.htm|publisher=New England Film|accessdate=16 May 2011}}</ref> . Cambridge Documentary Films produces and distributes award winning documentaries to thousands of universities, community organizations, schools, libraries and public interest organizations throughout the United States and the world. These films have won numerous awards, including an Academy Award<ref>{{cite web|title=Nominees and Winners for the 66th Academy Awards|url=http://www.oscars.org/awards/academyawards/oscarlegacy/1990-1999/66nominees.html|publisher=The Academy of Motion Picture Arts and Sciences|accessdate=16 May 2011}}</ref> and have been screened at the UN General Assembly, The White House, the Office of the Vice President, the US Congress and numerous state houses. The subjects include: advertising's image of women, domestic violence, trauma, rape, eating disorders, self esteem, media literacy, homophobia, the labor movement, gender roles, career counseling, nuclear war, reproductive health hazards, the women's health movement, gay and lesbian parenting and other social issues<ref>{{cite web|title=Films that Challenge|url=http://www.newenglandfilm.com/news/archives/00may/cdf.htm|publisher=New England Film|accessdate=16 May 2011}}</ref><ref>{{cite web|title=Human Rights Film Directory Resources|url=http://db.lib.washington.edu/hrfilms/resources.htm|publisher=University of Washington|accessdate=16 May 2011}}</ref> .
2011-05-16T18:43:26Z
https://en.wikipedia.org/w/index.php?title=Timeline_of_the_Alexander_Mackenzie_premiership&diff=1010868055&oldid=1010850762
* '''[[April 8]]''' - The [[Supreme and Exchequer Courts Act|Supreme and Exchequer Courts Act]] is passed, establishing the [[Supreme Court of Canada]].
2021-03-07T17:56:16Z
* '''[[April 8]]''' - The [[Supreme Court Act|Supreme and Exchequer Courts Act]] is passed, establishing the [[Supreme Court of Canada]].
2021-03-07T19:42:29Z
https://en.wikipedia.org/w/index.php?title=Lists_of_state_leaders_by_century&diff=3312199&oldid=3310136
*1860s: [[Heads of State in 1860|1860]] - [[Heads of State in 1861|1861]] - [[Heads of State in 1862|1862]] - [[Heads of State in 1863|1863]] - [[Heads of State in 1864|1864]] - [[Heads of State in 1865|1865]] - [[Heads of State in 1866|1866]] - [[Heads of State in 1867|1867]] *1860s: [[Heads of State in 1867|1867]] - [[Heads of State in 1868|1868]] - [[Heads of State in 1869|1869]]
2004-04-23T17:49:54Z
*1860s: [[Heads of State in 1860|1860]] - [[Heads of State in 1861|1861]] - [[Heads of State in 1862|1862]] - [[Heads of State in 1863|1863]] - [[Heads of State in 1864|1864]] - [[Heads of State in 1865|1865]] - [[Heads of State in 1866|1866]] - [[Heads of State in 1867|1867]] - [[Heads of State in 1868|1868]] - [[Heads of State in 1869|1869]]
2004-04-23T18:04:29Z
https://en.wikipedia.org/w/index.php?title=Veto&diff=581588656&oldid=581588609
A '''veto''' – Latin for "I forbid" – is the power (used by an officer of the state, for example) to unilaterally stop an official action, especially the enactment of legislation. A veto can be absolute, as for instance in the [[United Nations Security Council veto power|United Nations Security Council]], whose permanent members ([[China]], [[France]], [[Russia]], [[United Kingdom]], [[United States of America]] [[North Korea]]) can block any resolution. Or it can be limited, as in the legislative process of the United States, where a two-thirds vote in both the [[United States House of Representatives|House]] and [[United States Senate|Senate]] may '''override''' a Presidential veto of legislation.<ref>[[Article One of the United States Constitution#Clause 2: From bills to law|Article I, Section 7, Clause 2]] of the [[United States Constitution]]</ref> A veto only gives power to stop changes, not to adopt them (except for the rare "amendatory veto"). Thus a veto allows its holder to protect the status quo.
2013-11-14T05:50:09Z
A '''veto''' – Latin for "I forbid" – is the power (used by an officer of the state, for example) to unilaterally stop an official action, especially the enactment of legislation. A veto can be absolute, as for instance in the [[United Nations Security Council veto power|United Nations Security Council]], whose permanent members ([[China]], [[France]], [[Russia]], [[United Kingdom]], [[United States of America]], [[North Korea]]) can block any resolution. Or it can be limited, as in the legislative process of the United States, where a two-thirds vote in both the [[United States House of Representatives|House]] and [[United States Senate|Senate]] may '''override''' a Presidential veto of legislation.<ref>[[Article One of the United States Constitution#Clause 2: From bills to law|Article I, Section 7, Clause 2]] of the [[United States Constitution]]</ref> A veto only gives power to stop changes, not to adopt them (except for the rare "amendatory veto"). Thus a veto allows its holder to protect the status quo.
2013-11-14T05:50:39Z
https://en.wikipedia.org/w/index.php?title=Frankenstein_veto&diff=315913004&oldid=315912886
A '''Frankenstein veto''' occurs when a [[Governor (United States)|Governor]] selectively deletes words from a bill, stitching the remainer (''à la'' [[Victor Frankenstein]]) to form a new bill different to that passed by the [[state legislature|state legislature]].
2009-09-24T13:49:21Z
A '''Frankenstein veto''' occurs when a [[Governor (United States)|Governor]] selectively deletes words from a bill, stitching the remainer (''à la'' [[Victor Frankenstein]]) to form a new bill different from that passed by the [[state legislature|legislature]].
2009-09-24T13:49:58Z
https://en.wikipedia.org/w/index.php?title=Veto_Players&diff=114182564&oldid=114182420
Written by [[George Tsebelis]] in 2002, Veto Players: How Political Institutions Work [[[1]]] is an game theoretic analysis of political behaviour. In this work Tsebelis uses the concept of the veto player as a tool for analysing the outcomes of political systems. His primary focus is on legislative behaviour and outcomes.
2007-03-11T00:29:32Z
Written by [[George Tsebelis]] in 2002, Veto Players: How Political Institutions Work [1] is an game theoretic analysis of political behaviour. In this work Tsebelis uses the concept of the veto player as a tool for analysing the outcomes of political systems. His primary focus is on legislative behaviour and outcomes.
2007-03-11T00:30:06Z
https://en.wikipedia.org/w/index.php?title=Hyphenated_ethnicity&diff=854087157&oldid=854087012
A '''hyphenated ethnicity''' is a reference to an ethnicity combined with the name of the country of residence. The term is an extension of the term "[[hyphenated American]]". The term refers to the use of a [[hyphen]] between the name of an ethnicity and the and the name of the country in [[compound noun]]s: [[Irish-American]], etc., although modern English language style guides recommend dropping the hyphen: "Irish American".
2018-08-08T21:42:22Z
A '''hyphenated ethnicity''' is a reference to an [[ethnicity]] combined with the name of the country of residence. The term is an extension of the term "[[hyphenated American]]". The term refers to the use of a [[hyphen]] between the name of an ethnicity and the and the name of the country in [[compound noun]]s: [[Irish-American]], etc., although modern English language style guides recommend dropping the hyphen: "Irish American".
2018-08-08T21:43:48Z
https://en.wikipedia.org/w/index.php?title=Managing_the_news&diff=2640131&oldid=2640083
*Trails (prior to a preplanned ''event'') in which information concerning the event is let out gradually in a way designed to create an air of currency, novelty and controversy about a forthcoming announcement (thereby enhancing its [[news values|news value]]). Sometimes false trails may be set to increase the novelty of the event when it occurs, or to manage expectation (see below). *Briefings (after an event, planned or otherwise) in which the event is given the most favourable (from the [[point of view]] of the subject) interpretation and emphasis. *Setting the Agenda *Driving the Agenda *Firebreaking *Stoking the Fire *Burying Bad News *Milking the Story *Laundering *Pre-emption *Building a Personality *Undermining a Personality *Raising Expectations *Lowering Expectations *Controlling Access *Bullying
2004-03-05T17:56:48Z
*Trails (prior to a preplanned ''event'') in which information concerning the event is let out gradually in a way designed to create an air of currency, novelty and controversy about a forthcoming announcement (thereby enhancing its [[news values|news value]]). Sometimes false trails may be set to increase the novelty of the event when it occurs, or to manage expectation (see below). *Briefings (after an event, planned or otherwise) in which the event is given the most favourable (from the [[point of view]] of the subject) interpretation and emphasis. *Setting the Agenda *Driving the Agenda *Firebreaking *Stoking the Fire *Burying Bad News *Milking the Story *Laundering *Pre-emption *Building a Personality *Undermining a Personality *Raising Expectations *Lowering Expectations *Controlling Access *Bullying
2004-03-05T17:57:35Z
https://en.wikipedia.org/w/index.php?title=Praetorianism&diff=553718430&oldid=553718251
Daniel R. Headrick, professor of History and Social Sciences at the [[Roosevelt University]], describes praetorianism as a type of [[militarism]] oriented to the interior life of a nation, often related to minor countries, that does not aspire to fight or win international wars, but instead to mantain its influence in the domestic political system, controlling decisions that could affect the interests of the military as a corporation, or supporting some particular political faction or party.
2013-05-06T02:33:00Z
Daniel R. Headrick, professor of History and Social Sciences at [[Roosevelt University]], describes praetorianism as a type of [[militarism]] oriented to the interior life of a nation, often related to minor countries, that does not aspire to fight or win international wars, but instead to mantain its influence in the domestic political system, controlling decisions that could affect the interests of the military as a corporation, or supporting some particular political faction or party.
2013-05-06T02:34:39Z
https://en.wikipedia.org/w/index.php?title=Split_vote&diff=2857238&oldid=2837467
A '''split vote''', or vote splitting, occurs in an [[election]] when the existence of two or more candidates that represent relatively similar viewpoints among voters reduces the votes received by each of them, reducing the chances of any one of them winning against another candidate, who represents a significantly different viewpoint. These can lead to a candidate that represents the viewpoints of a minority of voters winning.
2004-03-20T00:48:23Z
A '''split vote''', or vote splitting, occurs in an [[election]] when the existence of two or more candidates that represent relatively similar viewpoints among voters reduces the [[vote|votes]] received by each of them, reducing the chances of any one of them winning against another candidate, who represents a significantly different viewpoint. These can lead to a candidate that represents the viewpoints of a minority of voters winning.
2004-03-20T00:52:02Z
https://en.wikipedia.org/w/index.php?title=State_occasion&diff=786495327&oldid=786495270
In Germany only the [[President of Germany]] has the authority to authorise an act of state at the federal level. Acts of State are typically held for former Presidents, Chancellors, Presidents of the Bundestag and sometimes for Presidents of the Federal Constitutional Court and members of the federal cabinet.<ref>[http://www.bmi.bund.de/cae/servlet/contentblob/298638/publicationFile/8984/staatsakte.pdf Anordnung über Staatsbegräbnisse und Staatsakte vom 2. Juni 1966]
2017-06-19T20:46:46Z
In Germany only the [[President of Germany]] has the authority to authorise an act of state at the federal level. Acts of State are typically held for former Presidents, Chancellors, Presidents of the Bundestag and sometimes for Presidents of the Federal Constitutional Court and members of the federal cabinet.<ref>[http://www.bmi.bund.de/cae/servlet/contentblob/298638/publicationFile/8984/staatsakte.pdf Anordnung über Staatsbegräbnisse und Staatsakte vom 2. Juni 1966]</ref>
2017-06-19T20:47:09Z
https://en.wikipedia.org/w/index.php?title=World_Ecological_Parties&diff=26268113&oldid=26268075
Contact: World Ecological Parties, Feldbergstr. 3-7, D-55118 Mainz
2005-10-23T12:50:35Z
Contact: World Ecological Parties, Feldbergstr. 3-7, D-55118 Mainz
2005-10-23T12:51:15Z
https://en.wikipedia.org/w/index.php?title=Corporate_entertainment&diff=113862247&oldid=113861634
These events can be for retreats, christmas parties or even a private concerts. The companies that provides corporate entertainment are called Corporate Event Planners or Corporate Booking Agencies. Here is a list of some companies that dedicate themselves to corporate entertainment:
2007-03-09T16:49:11Z
These events can be for retreats, [[christmas]] parties or even a private concerts. The companies that provides corporate [[entertainment]] are called Corporate Event Planners or Corporate Booking Agencies. Here is a list of some companies that dedicate themselves to [[corporate]] entertainment:
2007-03-09T16:52:05Z
https://en.wikipedia.org/w/index.php?title=Naked_butler&diff=556256521&oldid=556251330
<ref>Hunks in Trunks - The Original Naked Butler and Chef Company[http://www.hunksintrunks.co.uk]]</ref>
2013-05-22T11:39:30Z
<ref>[http://www.hunksintrunks.co.uk Hunks in Trunks - The Original Naked Butler and Chef Company]</ref>
2013-05-22T12:26:33Z
https://en.wikipedia.org/w/index.php?title=Out-of-home_entertainment&diff=821078484&oldid=821078346
In the US alone, there are nearly 30,000 attractions comprising of theme and amusement parks, attractions, water parks, family entertainment centers, zoos, aquariums, science centers, museums, and resorts, producing a total nationwide economic impact of $219 billion in 2011, according to the leading international industry association, [[International Association of Amusement Parks and Attractions]] (IAAPA).<ref>{{Cite web|url=http://www.iaapa.org/resources/by-park-type/amusement-parks-and-attractions/industry-statistics|title=Amusement Park and Attractions Industry Statistics|website=www.iaapa.org|access-date=2018-01-18}}</ref> The industry directly employs more than 1.3 million and indirectly generates 1 million jobs in the US, creating a total job impact of 2.3 million.
2018-01-18T07:25:34Z
In the US alone, there are nearly 30,000 attractions comprising of theme and amusement parks, attractions, water parks, family entertainment centers, zoos, aquariums, science centers, museums, and resorts, producing a total nationwide economic impact of $219 billion in 2011, according to leading international industry association, [[International Association of Amusement Parks and Attractions]] (IAAPA).<ref>{{Cite web|url=http://www.iaapa.org/resources/by-park-type/amusement-parks-and-attractions/industry-statistics|title=Amusement Park and Attractions Industry Statistics|website=www.iaapa.org|access-date=2018-01-18}}</ref> The industry directly employs more than 1.3 million and indirectly generates 1 million jobs in the US, creating a total job impact of 2.3 million.
2018-01-18T07:26:57Z
https://en.wikipedia.org/w/index.php?title=Fake_news&diff=1018014119&oldid=1018013994
The Palestinian Islamist political organization, [[Hamas]] published a political program in 2017 intended to ease its position on Israel. Among other things, this charter accepted the borders of the Palestinian state circa the [[Six-Day War]] of 1967.<ref name="auto7">{{Cite news|url=http://www.cnn.com/2017/05/01/middleeast/hamas-charter-palestinian-israeli/index.html|title=Hamas says it accepts '67 borders, but doesn't recognize Israel|last=Dewan|first=Angela|date=May 5, 2017|work=CNN|access-date=November 10, 2017}}</ref> Although this document is an advancement from their previous 1988 charter, which called for the destruction of the State of Israel, it still does not recognize Israel as legitimate independent nation.<ref name="auto7" /> In a May 2017 video, Prime Minister of Israel, Benjamin Netanyahu responded to the coverage of this event by news outlets such as ''[[Al Jazeera]]'', [[CNN]], ''[[The New York Times]]'' and ''[[The Guardian]]'', labeling their reporting "fake news".<ref>{{cite web |last1=Swanson |first1=Ian |title=Netanyahu attacks US media as 'fake news' |url=https://thehill.com/homenews/media/332340-netanyahu-attacks-us-media-as-fake-news |website=[[The Hill (newspaper)|The Hill]] |access-date=15 April 2021 |language=en |date=8 May 2017}}</ref> He specifically disagreed with the notion that Hamas had accepted the state of Israel within their new charter, and called this "a complete distortion of the truth". Instead he said, "The new Hamas document says Israel has no right to exist." ''[[Haaretz]]'' fact-checked the video, stating, "Netanyahu, following in the footsteps of Trump, is deliberately twisting the definition of 'Fake News' to serve his own needs."<ref>{{cite web |last1=Sommer |first1=Allison Kaplan |title=Netanyahu accused CNN, NYT of being 'fake news.' So we fact-checked his fact-check |url=https://www.haaretz.com/israel-news/.premium-pm-lashed-out-at-the-media-we-fact-checked-his-fact-check-1.5469978 |website=[[Haaretz]] |access-date=15 April 2021 |language=en}}</ref> In a later speech, addressed to his supporters, Netanyahu responded to allegations against him: "The fake news industry is at its peak{{nbsp}}... Look, for example, how they cover with unlimited enthusiasm, every week, the left-wing demonstration. The same demonstrations whose goal is to apply improper pressure on law enforcement authorities so they will file an indictment at any price." ''[[The Washington Post]]'' likened use of the term ''fake news'' for describing left-wing media to Donald Trump's similar statements during the [[2016 United States elections|2016 United States election]] cycle.<ref>{{Cite news|url=https://www.washingtonpost.com/world/echoing-trump-a-defiant-netanyahu-attacks-fake-news-as-investigations-heat-up/2017/08/13/021f712e-7ecd-11e7-b2b1-aeba62854dfa_story.html|title=Echoing Trump, a defiant Netanyahu attacks 'fake news' as investigations heat up|last=Morris|first=Loveday|date=August 13, 2017|work=The Washington Post|access-date=November 10, 2017}}</ref>
2021-04-15T20:46:43Z
The Palestinian Islamist political organization, [[Hamas]] published a political program in 2017 intended to ease its position on Israel. Among other things, this charter accepted the borders of the Palestinian state circa the [[Six-Day War]] of 1967.<ref name="auto7">{{Cite news|url=http://www.cnn.com/2017/05/01/middleeast/hamas-charter-palestinian-israeli/index.html|title=Hamas says it accepts '67 borders, but doesn't recognize Israel|last=Dewan|first=Angela|date=May 5, 2017|work=CNN|access-date=November 10, 2017}}</ref> Although this document is an advancement from their previous 1988 charter, which called for the destruction of the State of Israel, it still does not recognize Israel as legitimate independent nation.<ref name="auto7" /> In a May 2017 video, Prime Minister of Israel, Benjamin Netanyahu responded to the coverage of this event by news outlets such as ''[[Al Jazeera]]'', [[CNN]], ''[[The New York Times]]'' and ''[[The Guardian]]'', labeling their reporting "fake news".<ref>{{cite web |last1=Swanson |first1=Ian |title=Netanyahu attacks US media as 'fake news' |url=https://thehill.com/homenews/media/332340-netanyahu-attacks-us-media-as-fake-news |website=[[The Hill (newspaper)|The Hill]] |access-date=15 April 2021 |language=en |date=8 May 2017}}</ref> He specifically disagreed with the notion that Hamas had accepted the state of Israel within their new charter, and called this "a complete distortion of the truth". Instead he said, "The new Hamas document says Israel has no right to exist." ''[[Haaretz]]'' fact-checked the video, stating, "Netanyahu, following in the footsteps of Trump, is deliberately twisting the definition of 'Fake News' to serve his own needs."<ref>{{cite web |last1=Sommer |first1=Allison Kaplan |title=Netanyahu accused CNN, NYT of being 'fake news.' So we fact-checked his fact-check |url=https://www.haaretz.com/israel-news/.premium-pm-lashed-out-at-the-media-we-fact-checked-his-fact-check-1.5469978 |website=[[Haaretz]] |access-date=15 April 2021 |language=en}}</ref> In a later speech, addressed to his supporters, Netanyahu responded to allegations against him: "The fake news industry is at its peak{{nbsp}}... Look, for example, how they cover with unlimited enthusiasm, every week, the left-wing demonstration. The same demonstrations whose goal is to apply improper pressure on law enforcement authorities so they will file an indictment at any price." ''[[The Washington Post]]'' likened his use of the term ''fake news'' for describing left-wing media to Donald Trump's similar statements during the [[2016 United States elections|2016 United States election]] cycle.<ref>{{Cite news|url=https://www.washingtonpost.com/world/echoing-trump-a-defiant-netanyahu-attacks-fake-news-as-investigations-heat-up/2017/08/13/021f712e-7ecd-11e7-b2b1-aeba62854dfa_story.html|title=Echoing Trump, a defiant Netanyahu attacks 'fake news' as investigations heat up|last=Morris|first=Loveday|date=August 13, 2017|work=The Washington Post|access-date=November 10, 2017}}</ref>
2021-04-15T20:47:51Z
https://en.wikipedia.org/w/index.php?title=Silet_(TV_program)&diff=1145602575&oldid=1145523668
| language = [[Indonesian language|Indonesian]]
2023-03-19T16:00:10Z
| language = Indonesian
2023-03-20T01:01:08Z
https://en.wikipedia.org/w/index.php?title=Amusement_Today&diff=799856130&oldid=799856057
| Best Water Ride (Park) ||Valhalla (Pleasure Beach Blackpool)||[[Blackpool Pleasure Beach]]
2017-09-10T06:53:00Z
| Best Water Ride (Park) ||[[Valhalla (Pleasure Beach Blackpool)|Valhalla]]||[[Blackpool Pleasure Beach]]
2017-09-10T06:53:35Z
https://en.wikipedia.org/w/index.php?title=Cheerleading_in_Australia&diff=748633385&oldid=748548243
** Cheer Unlimited Australia (CUA). Founded in 2011<ref>http://www.cheerunlimitedaustralia.com.au/our-story/</ref> and based in Western Australia, CUA runs events in WA, South Australia, and Queensland.<ref>CUA web site,[http://www.cheerunlimitedaustralia.com.au/ home page] and see also the pages for individual competitions.</ref>
2016-11-08T20:10:58Z
** Cheer Unlimited Australia (CUA). Founded in 2011<ref>http://www.cheerunlimitedaustralia.com.au/our-story/</ref> and based in Western Australia, CUA runs events in WA, South Australia, and Queensland.<ref>CUA web site,[http://www.cheerunlimitedaustralia.com.au/ home page] and see also the pages for individual competitions.</ref>
2016-11-09T09:28:12Z
https://en.wikipedia.org/w/index.php?title=Basket_toss&diff=252836794&oldid=252836701
A stunt performed in [[cheerleading]] using 3 or more [[bases]] to toss a [[flyer]] into the air. Two of the bases interlock their hands. While in the air, the flyer does some type of jump, ranging from [[toe-touches]]to [[herkies]] before returning to the cradle. <ref>Basket-Toss in <http://www.wetv.com/cheerleaders/cheer-dictionary/>, 2008.</ref>
2008-11-19T19:38:32Z
A stunt performed in [[cheerleading]] using 3 or more [[bases]] to toss a [[flyer]] into the air. Two of the bases interlock their hands. While in the air, the flyer does some type of jump, ranging from [[toe-touches]] to [[herkies]] before returning to the cradle. <ref>Basket-Toss in <http://www.wetv.com/cheerleaders/cheer-dictionary/>, 2008.</ref>
2008-11-19T19:39:01Z
https://en.wikipedia.org/w/index.php?title=Midnight_Madness_(basketball)&diff=255002919&oldid=255002873
In recent years most basketball programs from large [[Division I]] schools plan a [[pep rally]] with MC's, music, dancing and other festivities to encourage support of the program. Often celebrity guest and alumni get involved in entertaining the current students. Often there is significant publicity surrounding the event.<ref>{{cite web|url=http://collegebasketball.rivals.com/content.asp?CID=594522|title=Midnight Madness preview|accessdate=2008-11-30|publisher=[[Rivals.com]]|date=Skwara, Andrew}}
2008-11-30T15:17:59Z
In recent years most basketball programs from large [[Division I]] schools plan a [[pep rally]] with MC's, music, dancing and other festivities to encourage support of the program. Often celebrity guest and alumni get involved in entertaining the current students. Often there is significant publicity surrounding the event.<ref>{{cite web|url=http://collegebasketball.rivals.com/content.asp?CID=594522|title=Midnight Madness preview|accessdate=2008-11-30|publisher=[[Rivals.com]]|date=Skwara, Andrew}}</ref>
2008-11-30T15:18:27Z
https://en.wikipedia.org/w/index.php?title=Nfinity_Athletic_Corporation&diff=267220835&oldid=267219296
• 2008 Best New Service – Nfinity Nation <ref>[http://www.spiritindustrytrade.com/pages/?s=4 SITA]
2009-01-29T17:05:58Z
• 2008 Best New Service – Nfinity Nation<ref>[http://www.spiritindustrytrade.com/pages/?s=4 SITA]
2009-01-29T17:13:57Z
https://en.wikipedia.org/w/index.php?title=Ōendan&diff=23860759&oldid=23860712
#REDIRECT [[Osu! Tatakae! Ouendan]]
2005-09-23T20:51:09Z
#REDIRECT[[Osu! Tatakae! Ouendan]]
2005-09-23T20:51:24Z
https://en.wikipedia.org/w/index.php?title=Star_Athletica,_LLC_v._Varsity_Brands,_Inc.&diff=850345003&oldid=850344886
===Case resolution=== The case was passed back to a lower court and, in August 2017, the case was settled out of court in favor of Varsity Brands, over Star Athletica's objection, by Star Athletica's insurance company. Star Athletica wanted to press a counter-claim following the Supreme Court's ruling that designs on the uniforms ''could'' be copyrighted with an argument that the ''particular'' Varsity designs in the case should be invalidated. The settlement precluded that argument and closed the case with prejudice. That meant that the seven years of litigation were firmly concluded.<ref name="AnUnsatisfyingEnd"/>
2018-07-15T08:40:40Z
===Case resolution=== The case was passed back to a lower court and, in August 2017, the case was settled out of court in favor of Varsity Brands, over Star Athletica's objection, by Star Athletica's insurance company. Star Athletica wanted to press a counter-claim following the Supreme Court's ruling that designs on the uniforms ''could'' be copyrighted with an argument that the ''particular'' Varsity designs in the case should be invalidated. The settlement precluded that argument and closed the case with prejudice. That meant that the seven years of litigation were firmly concluded.<ref name="AnUnsatisfyingEnd"/>
2018-07-15T08:42:23Z
https://en.wikipedia.org/w/index.php?title=Christian_comedy&diff=180609655&oldid=180609225
[[Category:Comedy| ]]
2007-12-28T14:10:06Z
[[Category:Comedy]]
2007-12-28T14:13:46Z
https://en.wikipedia.org/w/index.php?title=Light_poetry&diff=668979&oldid=115780
Alas, this is a [[stub page]] except for a reference to [http://funnypoetry.com funnypoetry.com], which now features the writings of [[Elas Giordano]].
2002-07-12T21:17:10Z
Alas, this is a stub page except for a reference to [http://funnypoetry.com funnypoetry.com], which now features the writings of [[Elas Giordano]].
2002-07-12T21:17:38Z
https://en.wikipedia.org/w/index.php?title=Classical_unities&diff=350556128&oldid=288835
The Three Unities were conventions which ancient Greek playwrights were expected to adhere to. Every play was to adhere to these rules, according to their originator, Aristotle. However, many playwrights, beginning with [Aeschylus] (?) began to break these conventions. The unities were:
2001-09-26T02:22:51Z
The Three Unities were conventions which ancient Greek playwrights were expected to adhere to. Every play was to adhere to these rules, according to their originator, Aristotle. However, many playwrights, beginning with [[Aeschylus]] (?) began to break these conventions. The unities were:
2001-09-26T02:29:37Z
https://en.wikipedia.org/w/index.php?title=Domestic_drama&diff=130864951&oldid=130863943
Domestic is derived from the Latin domus, or home. The word domestic is defined as “of or relating to the household.” Drama receives the definition of “A prose or verse composition, especially one telling a serious story, that is intended for representation by actors impersonating the characters and performing the dialogue and action,” and it is derived from the Greek word drao, to act or to take take action. The combination of both domestic and drama provides a literal translation of “a serious story relating to the household,” clearly a synonymous definition to the given definition provided by the English Communications Syllabus.
2007-05-14T20:17:26Z
Domestic is derived from the Latin domus, or home. The word domestic is defined as “of or relating to the household.” Drama receives the definition of “A prose or verse composition, especially one telling a serious story, that is intended for representation by actors impersonating the characters and performing the dialogue and action,” and it is derived from the Greek word drao, to act or to take take action. The combination of both domestic and drama provides a literal translation of “a serious story relating to the household,” clearly a synonymous definition to the given definition provided by the [[English Communications Syllabus.]]
2007-05-14T20:21:29Z
https://en.wikipedia.org/w/index.php?title=Meta-reference&diff=46664566&oldid=46282697
* One of the endings of ''[[Chrono Trigger]]'' allows the player to talk to the the game's staff.
2006-03-31T06:19:02Z
* One of the endings of ''[[Chrono Trigger]]'' allows the player to talk to the game's staff.
2006-04-03T00:00:47Z
https://en.wikipedia.org/w/index.php?title=She-tragedy&diff=6580704&oldid=6318629
When English drama was reborn in [[1660]] with the re-opening of the theatres, the leading tragic style was the male-dominated [[heroic tragedy]], which celebrated powerful, aggressively masculine heroes and their pursuit of glory both as rulers and conquerors, and as lovers. In the [[1670s]] and [[1680s]], a gradual shift occurred from [[heroic]] to [[pathos|pathetic]] tragedy, where the focus was on love and domestic concerns, even though the main characters might often be public figures. After the phenomenal success of [[Elizabeth Barry]] in moving the audience in the role of Monimia in Thomas Otway's ''The Orphan'' ([[1680]]), she-tragedy became the dominant form of pathetic tragedy, and she-tragedies remained highly popular for nearly half a century.
2004-10-03T21:52:00Z
When English drama was reborn in [[1660]] with the re-opening of the theatres, the leading tragic style was the male-dominated [[heroic tragedy]], which celebrated powerful, aggressively masculine heroes and their pursuit of glory both as rulers and conquerors, and as lovers. In the [[1670s]] and [[1680s]], a gradual shift occurred from [[heroic]] to [[pathos|pathetic]] tragedy, where the focus was on love and domestic concerns, even though the main characters might often be public figures. After the phenomenal success of [[Elizabeth Barry]] in moving the audience in the role of Monimia in Thomas Otway's ''The Orphan'' ([[1680]]), she-tragedy became the dominant form of pathetic tragedy, and she-tragedies remained highly popular for nearly half a century.
2004-10-03T22:00:30Z
https://en.wikipedia.org/w/index.php?title=Stichomythia&diff=3095309&oldid=3095306
For further examples from ''Antigone'', consult the text at the Internet Classics Archive [http://classics.mit.edu/Sophocles/antigone.html].
2004-04-07T08:52:43Z
For further examples from ''Antigone'', consult the text at the Internet Classics Archive [http://classics.mit.edu/Sophocles/antigone.html].
2004-04-07T08:54:19Z
https://en.wikipedia.org/w/index.php?title=Media_and_gender&diff=714087807&oldid=711112521
'''Media and gender''' refers to the relationship between media and [[gender]] and how representations of the different genders created for and by [[mass media]], (such as radio, movies, internet, television), give a particular picture or model of someone or something of that gender that become tangible references in society. Those representations can influence the general public's perception of the different genders.
2016-03-20T23:38:40Z
'''Media and gender''' refers to the relationship between media and gender and how representations of the different genders created for and by mass media (such as radio, movies, internet, television), give a particular picture or model of someone or something of that gender that become tangible references in society. Those representations can influence the general public's perception of the different genders.
2016-04-07T15:17:01Z
https://en.wikipedia.org/w/index.php?title=Buttered_cat_paradox&diff=415735658&oldid=415735463
* [http://www.frazeefinearts.com/[http://www.frazeefinearts.com/ Frazee Fine Arts] Website of Teresa and John Frazee.
2011-02-24T19:20:15Z
* [http://www.frazeefinearts.com Frazee Fine Arts] Website of Teresa and John Frazee.
2011-02-24T19:21:29Z
https://en.wikipedia.org/w/index.php?title=Détournement&diff=748258&oldid=545182
(Excerpt from: [[Situationist International]]
2002-12-29T19:53:12Z
(Excerpt from: [[Situationist International]])
2002-12-30T05:15:21Z
https://en.wikipedia.org/w/index.php?title=Evil_laughter&diff=46239332&oldid=46239307
*[[Brian Fury]] from the ''[[Tekken]]'' Series
2006-03-30T23:35:05Z
*Brian Fury from the ''[[Tekken]]'' Series
2006-03-30T23:35:20Z
https://en.wikipedia.org/w/index.php?title=Shaggy_dog_story&diff=140161890&oldid=133442679
==See also== * [[No soap radio]] * [[Feghoot]]
2007-05-25T16:22:01Z
==See also== * [[No soap radio]] * [[Feghoot]]
2007-06-23T19:44:34Z
https://en.wikipedia.org/w/index.php?title=Laura_E._Hall&diff=1110541554&oldid=1110540425
Hall co-created one of the first escape rooms in the United States. In 2022, Hall was the subject of a documentary about solving an [[Alternate reality game|alternate reality game]] puzzle 14 years after it was set, called ''Finding Satoshi'' ("{{lang|ja|"謎の日本人サトシ" }}")<ref name="NHKSatoshi">{{cite AV media|title=Finding Satoshi|people= Barthelemy, Laurent (director), Dafoe, Willem (narrator)|date=28 February 2022 | title=謎の日本人サトシ~世界が熱狂した人探しゲーム~|trans-title=Finding Satoshi|language=Japanese, English|type=documentary|publisher=NHK}}</ref>.
2022-09-16T03:13:32Z
Hall co-created one of the first escape rooms in the United States. In 2022, Hall was the subject of a documentary about solving an [[Alternate reality game|alternate reality game]] puzzle 14 years after it was set, called ''Finding Satoshi'' ("{{lang|ja|"謎の日本人サトシ" }}")<ref name="NHKSatoshi">{{cite AV media|people= Barthelemy, Laurent (director), Dafoe, Willem (narrator)|date=28 February 2022 | title=謎の日本人サトシ~世界が熱狂した人探しゲーム~|trans-title=Finding Satoshi|language=Japanese, English|type=documentary|publisher=NHK}}</ref>.
2022-09-16T03:23:54Z
https://en.wikipedia.org/w/index.php?title=Meow_Wolf&diff=493164432&oldid=493164267
Meow Wolf is an [[art collective]] in [[Santa Fe, New Mexico|Santa Fe]], [[New Mexico]]. They were started in February 2008 by "a group of young residents hoping to supply Santa Fe with an alternative arts and music venue"<ref>http://meowwolf.com/content/about About | Meow Wolf<ref>. {stub}
2012-05-18T09:45:21Z
Meow Wolf is an [[art collective]] in [[Santa Fe, New Mexico|Santa Fe]], [[New Mexico]]. They were started in February 2008 by "a group of young residents hoping to supply Santa Fe with an alternative arts and music venue"<ref>http://meowwolf.com/content/about About | Meow Wolf</ref>. {{stub}}
2012-05-18T09:47:25Z
https://en.wikipedia.org/w/index.php?title=Movie_TV_Tech_Geeks&diff=944507623&oldid=943140015
'''''Movie TV Tech Geeks''''' is an online entertainment news website which was launched in 2010.<ref>{{cite web|url=https://movietvtechgeeks.com/movie-tv-tech-geeks-privacy-policy/us/|title=About Us|website=Movie TV Tech Geeks|accessdate=February 26, 2020}}</ref> The site offers news in the field of [[Television program|television]], [[films]], [[video games]], [[technology]], [[politics]], and film theories. It was founded by Indie Genius Productions and is headquartered in [[New York, NY]] along with an office in St. Paul, MN. It is known for breaking [[Marvel|Marvel Entertainment]] news stories<ref>{{cite news |last1=Lovett |first1=Jamie |title='Agents of SHIELD' Rumored to Be Renewed for Season 6 |url=https://comicbook.com/marvel/2018/04/07/agents-of-shield-season-6-renewal-rumor/ |accessdate=29 February 2020 |work=Comic Book |publisher=Pop Culture Media |date=May 5, 2018}}</ref> along with extensive coverage<ref>{{cite news |last1=Arbues |first1=Jennifer |title=The real reason Supernatural is ending after season 15 |url=https://www.looper.com/160415/the-real-reason-supernatural-is-ending-after-season-15/ |accessdate=29 February 2020 |work=Looper |date=July 31, 2019}}</ref> of the WB show [[Supernatural|Supernatural (American TV series)]].
2020-02-29T02:41:35Z
'''''Movie TV Tech Geeks''''' is an online entertainment news website which was launched in 2010.<ref>{{cite web|url=https://movietvtechgeeks.com/movie-tv-tech-geeks-privacy-policy/us/|title=About Us|website=Movie TV Tech Geeks|accessdate=February 26, 2020}}</ref> The site offers news in the field of [[Television program|television]], [[films]], [[video games]], [[technology]], [[politics]], and film theories. It was founded by Indie Genius Productions and is headquartered in [[New York, NY]] along with an office in St. Paul, MN. It is known for breaking [[Marvel Entertainment]] news stories<ref>{{cite news |last1=Lovett |first1=Jamie |title='Agents of SHIELD' Rumored to Be Renewed for Season 6 |url=https://comicbook.com/marvel/2018/04/07/agents-of-shield-season-6-renewal-rumor/ |accessdate=29 February 2020 |work=Comic Book |publisher=Pop Culture Media |date=May 5, 2018}}</ref> along with extensive coverage<ref>{{cite news |last1=Arbues |first1=Jennifer |title=The real reason Supernatural is ending after season 15 |url=https://www.looper.com/160415/the-real-reason-supernatural-is-ending-after-season-15/ |accessdate=29 February 2020 |work=Looper |date=July 31, 2019}}</ref> of the WB show [[Supernatural|Supernatural (American TV series)]].
2020-03-08T07:49:40Z
https://en.wikipedia.org/w/index.php?title=List_of_busking_locations&diff=63345155&oldid=63344306
* [[Christchurch, New Zealand]]: [[Cathedral Square, Christchurch|Cathedral Square]] and the [[Christchurch Arts Centre|Arts Centre]]
2006-07-12T02:43:37Z
* [[Christchurch, New Zealand]]: [[Cathedral Square, Christchurch|Cathedral Square]] and the [[Christchurch Arts Centre|Arts Centre]]
2006-07-12T02:49:20Z
https://en.wikipedia.org/w/index.php?title=List_of_Stage_Entertainment_productions&diff=997282849&oldid=997282807
A list of all Stage Entertainment <small>''(Joop Van den Ende Theaterproducties / Stage Holding / Dodger Endemol Theatrical)''</small> productions, Stage Entertainment musicals produced by third parties under license are not included.<ref>{{Citeer web|url=https://www.stage-entertainment.com/productions|titel=Productions|bezochtdatum=2020-12-30|werk=Stage Entertainment|taal=en}}</ref><ref>{{Citeer web|url=https://www.ibdb.com/broadway-organization/stage-entertainment-488906|titel=Stage Entertainment – Broadway Organization {{!}} IBDB|bezochtdatum=2020-12-30|werk=www.ibdb.com}}</ref><ref>{{Citeer web|url=https://www.ibdb.com/broadway-organization/dodger-stage-holding-497778|titel=Dodger Stage Holding – Broadway Organization {{!}} IBDB|bezochtdatum=2020-12-30|werk=www.ibdb.com}}</ref><ref>{{Citeer web|url=https://www.ibdb.com/broadway-organization/dodger-endemol-theatricals-20239|titel=Dodger Endemol Theatricals – Broadway Organization {{!}} IBDB|bezochtdatum=2020-12-30|werk=www.ibdb.com}}</ref><ref>{{Citeer web|url=https://www.ibdb.com/broadway-organization/stage-holding-82516|titel=Stage Holding – Broadway Organization {{!}} IBDB|bezochtdatum=2020-12-30|werk=www.ibdb.com}}</ref>
2020-12-30T20:33:24Z
A list of all [[Stage Entertainment]] <small>''(Joop Van den Ende Theaterproducties / Stage Holding / Dodger Endemol Theatrical)''</small> productions, Stage Entertainment musicals produced by third parties under license are not included.<ref>{{Citeer web|url=https://www.stage-entertainment.com/productions|titel=Productions|bezochtdatum=2020-12-30|werk=Stage Entertainment|taal=en}}</ref><ref>{{Citeer web|url=https://www.ibdb.com/broadway-organization/stage-entertainment-488906|titel=Stage Entertainment – Broadway Organization {{!}} IBDB|bezochtdatum=2020-12-30|werk=www.ibdb.com}}</ref><ref>{{Citeer web|url=https://www.ibdb.com/broadway-organization/dodger-stage-holding-497778|titel=Dodger Stage Holding – Broadway Organization {{!}} IBDB|bezochtdatum=2020-12-30|werk=www.ibdb.com}}</ref><ref>{{Citeer web|url=https://www.ibdb.com/broadway-organization/dodger-endemol-theatricals-20239|titel=Dodger Endemol Theatricals – Broadway Organization {{!}} IBDB|bezochtdatum=2020-12-30|werk=www.ibdb.com}}</ref><ref>{{Citeer web|url=https://www.ibdb.com/broadway-organization/stage-holding-82516|titel=Stage Holding – Broadway Organization {{!}} IBDB|bezochtdatum=2020-12-30|werk=www.ibdb.com}}</ref>
2020-12-30T20:33:40Z
https://en.wikipedia.org/w/index.php?title=Hocus-pocus&diff=3264504&oldid=3264483
A novel by Curt-Vonegut.
2004-04-20T09:45:32Z
A novel by Curt Vonegut.
2004-04-20T09:46:45Z
https://en.wikipedia.org/w/index.php?title=Retention_of_vision&diff=30021846&oldid=30021763
"Retention of vision" is just as it states. Where a person looks at an object for a period of time, then, even after the object is removed, they can still see the shape of the object for a short moment. For example, it's like looking at a white paper, then with a black marker, write or draw something. Then, look at the object without moving the paper or your eyes for about 5-10 seconds. Then, either look down onto the paper to a blank spot, or close your eyes and wait and you should see something like a mark or splotch on the paper resembling what you drew/wrote. Most people know what I'm talking about. A more familier example, is just if you look at the sun (don't try it!). I'm sure you've at least done it once. But the same effect can be done with a light-bulb. Briefly glance the bulb or for 1 second and then close your eyes or look onto a blank paper. You should see a spot of some color. That is because the light embedded an image temporarily into your retina. Looking at a paper with black text does the same thing since the black contrasts the white, therefore making the black stand out from the white, and then briefly embedding an image. Sometimes, this may be used in magic, where "the hand is quicker than the eye". The audience may be fooled into conceiving that, for example, and coin is in the right when in truth, it is in the right.
2005-12-03T16:00:57Z
"Retention of vision" is just as it states. Where a person looks at an object for a period of time, then, even after the object is removed, they can still see the shape of the object for a short moment. For example, it's like looking at a white paper, then with a black marker, write or draw something. Then, look at the object without moving the paper or your eyes for about 5-10 seconds. Then, either look down onto the paper to a blank spot, or close your eyes and wait and you should see something like a mark or splotch on the paper resembling what you drew/wrote. Most people know what I'm talking about. A more familier example, is just if you look at the sun (don't try it!). I'm sure you've at least done it once. But the same effect can be done with a light-bulb. Briefly glance the bulb or for 1 second and then close your eyes or look onto a blank paper. You should see a spot of some color. That is because the light embedded an image temporarily into your retina. Looking at a paper with black text does the same thing since the black contrasts the white, therefore making the black stand out from the white, and then briefly embedding an image. Sometimes, this may be used in magic, where "the hand is quicker than the eye". The audience may be fooled into conceiving that, for example, and coin is in the right when in truth, it is in the right.
2005-12-03T16:02:14Z
https://en.wikipedia.org/w/index.php?title=Fishing_expedition&diff=813647834&oldid=813647781
In the UK, [[Abu Hamza]] and [[Yaser al-Sirri]], <ref> [[Richard Norton-taylor]] and [[Ian Black]], 'Police hold Islam cleric in 'fishing expedition'', [[The Guardian]], 16/3/199</ref> Sir [[Cliff Richard]], <ref> [[Geoffrey Levi]] and [[Richard Kay]], 'He hid himself away for two years', [[Daily Mail, 17/6/2016</ref> [[Jim Davidson]],<ref> [[Caroline Jowett]], 'No further action by Jim Davidson Review', [[Daily Express]], 18/7/2014</ref> and the late [[Edward Heath]] <ref> [[Patrick Sawer]], 'Prejudicial Heath Inquiry to be referred to Police Watchdog', [[The Daily Telegraph]], 7/10/2017 <ref> were all subjected to this tactic.
2017-12-04T14:46:47Z
In the UK, [[Abu Hamza]] and [[Yaser al-Sirri]], <ref> [[Richard Norton-taylor]] and [[Ian Black]], 'Police hold Islam cleric in 'fishing expedition'', [[The Guardian]], 16/3/199</ref> Sir [[Cliff Richard]], <ref> [[Geoffrey Levi]] and [[Richard Kay]], 'He hid himself away for two years', [[Daily Mail, 17/6/2016</ref> [[Jim Davidson]],<ref> [[Caroline Jowett]], 'No further action by Jim Davidson Review', [[Daily Express]], 18/7/2014</ref> and the late [[Edward Heath]] <ref> [[Patrick Sawer]], 'Prejudicial Heath Inquiry to be referred to Police Watchdog', [[The Daily Telegraph]], 7/10/2017 </ref> were all subjected to this tactic.
2017-12-04T14:47:11Z
https://en.wikipedia.org/w/index.php?title=Low_culture&diff=21364608&oldid=21364544
[[Kitsch]], [[camp]] and [exploitation film]]s are examples of low culture. It has often been stated that in [[postmodernism|postmodern]] times, the boundary between high culture and low culture has blurred.
2005-08-19T14:11:14Z
[[Kitsch]], [[camp]] and [[exploitation film]]s are examples of low culture. It has often been stated that in [[postmodernism|postmodern]] times, the boundary between high culture and low culture has blurred.
2005-08-19T14:12:21Z
https://en.wikipedia.org/w/index.php?title=Media_blackout&diff=32870692&oldid=32870676
{{substub}}
2005-12-27T12:35:04Z
{substub}
2005-12-27T12:35:26Z
https://en.wikipedia.org/w/index.php?title=Media_Revenue_Generation&diff=751969993&oldid=751963077
Media houses make their money through Direct Payment and Indirect Payment. Direct Payment is the money a consumer pays the media house in exchange for a good or service. This would be the payment from the consumer for a newspaper, paying to call into a radio station or paying to receive cable. Subscriptions are also another form of direct payment. In this instance the customer would pay the company, normally a magazine or a comic book a set fee of money under a contracted time and receive weekly or monthly issues. * * * *
2016-11-28T19:29:58Z
Media houses make their money through Direct Payment and Indirect Payment. Direct Payment is the money a consumer pays the media house in exchange for a good or service. This would be the payment from the consumer for a newspaper, paying to call into a radio station or paying to receive cable. Subscriptions are also another form of direct payment. In this instance the customer would pay the company, normally a magazine or a comic book a set fee of money under a contracted time and receive weekly or monthly issues.
2016-11-28T20:06:08Z
https://en.wikipedia.org/w/index.php?title=Misogyny_and_mass_media&diff=455034311&oldid=455033891
==The Influence of Violent Music on Aggression towards Women== Messages containing misogynous views are found commonly in the media. <ref> Nagayama Hall, Gordon C. "The Influence of Misogynous Rap Music on Sexual Aggression Against Women." Psychology of Women Quarterly. By Christy Barongan. Cambridge UP, 1995. 195-207. Web.</ref> Felson states that a crowd of onlookers enjoys a street fight just as the Romans enjoyed the gladiators. <ref> Felson, Richard B. "Mass Media Effects on Violent Behavior." Annual Review of Sociology 22 (1996): 103-28. Web.</ref> A Cooper (1985) found after analyzing popular music over a time frame of thirty years, that there was a tendency to describe women in terms of physical attributes or as evil, as possessions of men, or as dependent upon men. <ref> Dietz, Tracy L. "An Examination of Violence and Gender Role Portrayals in Video Games: Implications for Gender Socialization and Aggressive Behavior." Sex Roles 38.5/6 (1998): 425-41. Web.</ref> Dietz state that the concept of masculinity has come to be associated with sexual aggression. . <ref> Dietz, Tracy L. "An Examination of Violence and Gender Role Portrayals in Video Games: Implications for Gender Socialization and Aggressive Behavior." Sex Roles 38.5/6 (1998): 425-41. Web.</ref>
2011-10-11T13:17:09Z
==The Influence of Violent Music on Aggression towards Women== Messages containing misogynous views are found commonly in the media. <ref> Nagayama Hall, Gordon C. "The Influence of Misogynous Rap Music on Sexual Aggression Against Women." Psychology of Women Quarterly. By Christy Barongan. Cambridge UP, 1995. 195-207. Web.</ref> Felson states that a crowd of onlookers enjoys a street fight just as the Romans enjoyed the gladiators. <ref> Felson, Richard B. "Mass Media Effects on Violent Behavior." Annual Review of Sociology 22 (1996): 103-28. Web.</ref> A Cooper (1985) found after analyzing popular music over a time frame of thirty years, that there was a tendency to describe women in terms of physical attributes or as evil, as possessions of men, or as dependent upon men. Dietz state that the concept of masculinity has come to be associated with sexual aggression. . <ref> Dietz, Tracy L. "An Examination of Violence and Gender Role Portrayals in Video Games: Implications for Gender Socialization and Aggressive Behavior." Sex Roles 38.5/6 (1998): 425-41. Web.</ref>
2011-10-11T13:20:07Z
https://en.wikipedia.org/w/index.php?title=Social_media_as_a_news_source&diff=868508731&oldid=868508681
'''Social media as a news source''' is the use on online social media platforms to obtain news. Just as television turned a nation of people who ''listened'' to media content into ''watchers'' of media content in the 1950s to the 1980s, the emergence of social media has created a nation of media [[Content creation|content creators]]. According to 2011 Pew Research data, nearly 80% of American adults are online and nearly 60% of them use social networking sites.<ref>{{cite web |url=http://stateofthemedia.org/print-chapter/?print_id=5546 |title=Overview – » Print Chapter |date=14 March 2011 |work=stateofthemedia.org}}</ref> More Americans get their news via the Internet than from newspapers or radio, as well as three-fourths who say they get news from e-mail or social media sites updates, according to a report published by CNN. The survey suggests that [[Facebook]] and [[Twitter]] make news a more participatory experience than before as people share news articles and comment on other people's posts. According to CNN, in 2010 75% of people got their news forwarded through e-mail or social media posts, whereas 37% of people shared a news item via Facebook or Twitter.<ref>{{cite web |url=http://www.cnn.com/2010/TECH/03/01/social.network.news/index.html |title=Survey: More Americans get news from Internet than newspapers or radio |work=cnn.com}}</ref>
2018-11-12T17:25:21Z
'''Social media as a news source''' is the use on online [[social media]] platforms to obtain news. Just as television turned a nation of people who ''listened'' to media content into ''watchers'' of media content in the 1950s to the 1980s, the emergence of social media has created a nation of media [[Content creation|content creators]]. According to 2011 Pew Research data, nearly 80% of American adults are online and nearly 60% of them use social networking sites.<ref>{{cite web |url=http://stateofthemedia.org/print-chapter/?print_id=5546 |title=Overview – » Print Chapter |date=14 March 2011 |work=stateofthemedia.org}}</ref> More Americans get their news via the Internet than from newspapers or radio, as well as three-fourths who say they get news from e-mail or social media sites updates, according to a report published by CNN. The survey suggests that [[Facebook]] and [[Twitter]] make news a more participatory experience than before as people share news articles and comment on other people's posts. According to CNN, in 2010 75% of people got their news forwarded through e-mail or social media posts, whereas 37% of people shared a news item via Facebook or Twitter.<ref>{{cite web |url=http://www.cnn.com/2010/TECH/03/01/social.network.news/index.html |title=Survey: More Americans get news from Internet than newspapers or radio |work=cnn.com}}</ref>
2018-11-12T17:25:38Z
https://en.wikipedia.org/w/index.php?title=Assassin's_Creed&diff=986038543&oldid=985829134
In the Animus, he experiences the memories of Haytham Kenway, a [[British people|British]] Templar agent with allies such as [[Charles Lee (general)|Charles Lee]], and of Haytham's son,[[Ratonhnhaké:ton]] (later nicknamed Connor), whose heritage is half Mohawk. Ratonhnhaké:ton witnesses Lee and his troops destroy his village; years later, Juno speaks to him through a Piece of Eden and instructs him to receive training from Achilles Davenport, a retired Assassin. Through him, Connor meets Patriots in the Revolution, helping them to stop several Templar plans, including an assassination attempt against [[George Washington]]. Between memories, Desmond helps his allies recover power sources to power the Temple scattered around the globe, including one held by Abstergo. Connor faces his father and kills Lee, ending the Templar threat and hides Haytham's stolen medallion which leads to the Temple. Desmond and his allies find the medallion in the present; in the Temple they find a control sphere capable of stopping the solar flare. Juno and Minerva both appear, the latter warning Desmond not to use the sphere, since it will release Juno, who could threaten mankind's future. Desmond opts to release Juno, believing humanity will have a better chance fighting Juno. The energy from the control sphere protects Earth from the solar flare, but kills Desmond.
2020-10-28T05:29:21Z
In the Animus, he experiences the memories of Haytham Kenway, a [[British people|British]] Templar agent with allies such as [[Charles Lee (general)|Charles Lee]], and of Haytham's son, [[Ratonhnhaké:ton]] (later nicknamed Connor), whose heritage is half Mohawk. Ratonhnhaké:ton witnesses Lee and his troops destroy his village; years later, Juno speaks to him through a Piece of Eden and instructs him to receive training from Achilles Davenport, a retired Assassin. Through him, Connor meets Patriots in the Revolution, helping them to stop several Templar plans, including an assassination attempt against [[George Washington]]. Between memories, Desmond helps his allies recover power sources to power the Temple scattered around the globe, including one held by Abstergo. Connor faces his father and kills Lee, ending the Templar threat and hides Haytham's stolen medallion which leads to the Temple. Desmond and his allies find the medallion in the present; in the Temple they find a control sphere capable of stopping the solar flare. Juno and Minerva both appear, the latter warning Desmond not to use the sphere, since it will release Juno, who could threaten mankind's future. Desmond opts to release Juno, believing humanity will have a better chance fighting Juno. The energy from the control sphere protects Earth from the solar flare, but kills Desmond.
2020-10-29T12:41:11Z
https://en.wikipedia.org/w/index.php?title=D4DJ&diff=1003545780&oldid=1003545574
| last = January 29, 2021 | last =
2021-01-29T14:27:01Z
| last = | last = January 29, 2021
2021-01-29T14:28:08Z
https://en.wikipedia.org/w/index.php?title=Da_Capo_II&diff=38833079&oldid=38634835
*Otome Asakura (朝倉音姫) *Yume Asakura (朝倉由夢) *Nanaka Shirakawa (白河ななか) *Koko Tsukishima (月島小恋) *Maika Mizukoshi (水越舞佳) *Minatsu Amakase (天枷美夏) *Mayumi Kousaka (高坂まゆき) *Anzu Yukimura (雪村杏) *Maya Sawai (沢井麻耶) *Wataru Itabashi (板橋渉)
2006-02-07T17:09:13Z
*Asakura Otome (朝倉音姫) *Asakura Yume (朝倉由夢) *Shirakawa Nanaka (白河ななか) *Tsukishima Koko (月島小恋) *Mizukoshi Maika (水越舞佳) *Amakase Minatsu (天枷美夏) *Kousaka Mayumi (高坂まゆき) *Yukimura Anzu (雪村杏) *Sawai Maya (沢井麻耶) *Itabashi Wataru (板橋渉)
2006-02-08T23:04:07Z
https://en.wikipedia.org/w/index.php?title=Flaglia&diff=1121268626&oldid=1121199092
A musical, titled {{Nihongo|''Flaglia The Musical: Yukite Kaerishi Monogatari''|FLAGLIA THE MUSICAL~ゆきてかえりし物語~}} and taking place in place in a [[Middle Ages]]-like historical setting, will run from February 3-9 at the [[Nippon Seinenkan]] hall in [[Tokyo]]. The musical is directed by Tsuneyasu Tomoyoshi.<ref name="ANN1">{{cite web|url=https://www.animenewsnetwork.com/news/2022-10-25/flaglia-anime-musical-project-announced/.191198|title=Flaglia Anime, Musical Project Announced|publisher=[[Anime News Network]]|date=October 25, 2022|accessdate=November 11, 2022}}</ref>
2022-11-11T01:10:30Z
A musical, titled {{Nihongo|''Flaglia The Musical: Yukite Kaerishi Monogatari''|FLAGLIA THE MUSICAL~ゆきてかえりし物語~}} and taking place in a [[Middle Ages]]-like historical setting, will run from February 3-9 at the [[Nippon Seinenkan]] hall in [[Tokyo]]. The musical is directed by Tsuneyasu Tomoyoshi.<ref name="ANN1">{{cite web|url=https://www.animenewsnetwork.com/news/2022-10-25/flaglia-anime-musical-project-announced/.191198|title=Flaglia Anime, Musical Project Announced|publisher=[[Anime News Network]]|date=October 25, 2022|accessdate=November 11, 2022}}</ref>
2022-11-11T11:51:18Z
https://en.wikipedia.org/w/index.php?title=Kashimashi:_Girl_Meets_Girl&diff=150085676&oldid=150085603
The manga has since been licensed by the [[Los Angeles]]-based company [[Seven Seas Entertainment]] with the first volume released [[December 25]] [[2006]] using the [[Hepburn romanization|revised Hepburn romanization]] of the title, ''Kashimashi'', unlike the traditional name of ''Kasimasi''.<ref name="ANNarticle">{{cite web|url=http://www.animenewsnetwork.com/article.php?id=9113|title=Anime News Network article on the license of the manga|accessdate=2006-07-16}}</ref> The second volume went on sale on [[April 25]] [[2007]] while the third came out on [[July 25]] [[2007]]. The fourth volume will be released in December 2007, and the final volume will be released in March 2008.<ref>{{citeweb|url=http://www.gomanga.com/manga/kashimashi.php|title=Kashimashi English manga|publisher=[[Seven Seas Entertainment|accessdate=2007-08-08}}</ref>
2007-08-09T00:29:28Z
The manga has since been licensed by the [[Los Angeles]]-based company [[Seven Seas Entertainment]] with the first volume released [[December 25]] [[2006]] using the [[Hepburn romanization|revised Hepburn romanization]] of the title, ''Kashimashi'', unlike the traditional name of ''Kasimasi''.<ref name="ANNarticle">{{cite web|url=http://www.animenewsnetwork.com/article.php?id=9113|title=Anime News Network article on the license of the manga|accessdate=2006-07-16}}</ref> The second volume went on sale on [[April 25]] [[2007]] while the third came out on [[July 25]] [[2007]]. The fourth volume will be released in December 2007, and the final volume will be released in March 2008.<ref>{{citeweb|url=http://www.gomanga.com/manga/kashimashi.php|title=Kashimashi English manga|publisher=[[Seven Seas Entertainment]]|accessdate=2007-08-08}}</ref>
2007-08-09T00:29:56Z
https://en.wikipedia.org/w/index.php?title=Media_mix&diff=636101675&oldid=636098372
The penetration into the American market the series such as ''[[Pokemon]]'' and ''[[Yu-Gi-Oh]]''<ref name=jen/> gave rise to the recognition of what is variously called [[transmedia storytelling]], [[crossmedia]], [[transmediation]], media synergy, etc.<ref name=amm/>
2014-12-01T00:29:17Z
The penetration into the American market of the series such as ''[[Pokemon]]'' and ''[[Yu-Gi-Oh]]''<ref name=jen/> gave rise to the recognition of what is variously called [[transmedia storytelling]], [[crossmedia]], [[transmediation]], media synergy, etc.<ref name=amm/>
2014-12-01T00:54:15Z
https://en.wikipedia.org/w/index.php?title=Ring_Raiders&diff=47093993&oldid=47093938
[[http://www.virtualtoychest.com/ringraiders/ringraiders.html Virtual Toychest]]
2006-04-05T14:12:55Z
[http://www.virtualtoychest.com/ringraiders/ringraiders.html Virtual Toychest]
2006-04-05T14:13:19Z
https://en.wikipedia.org/w/index.php?title=Sanrio_Boys&diff=788491717&oldid=788491645
*{{Official website|*http://sdan-anime.com/}} {{ja icon}}
2017-07-01T18:46:29Z
*{{Official website|http://sdan-anime.com/}} {{ja icon}}
2017-07-01T18:46:58Z
https://en.wikipedia.org/w/index.php?title=Star-Myu&diff=683832430&oldid=683830611
===Anime=== The anime television series is produced by [[NBCUniversal Entertainment Japan]] and animated by [[C-Station]]. It is an original creation of Rin Hinata and is directed by Shunsuke Tada, with series composition by Sayaka Harada. The series features music by [[Ken Arai]] and character designs by Asami Watanabe. It was initially titled as {{nihongo|''High School Star Musical''|ハイスクールスター・ミュージカル|Haisukūrusutā Myūjikaru }} but has since shortened to {{nihongo|''Star-Mu''|スタミュ|Sutamyu}} as the official title.<ref>{{Cite web|url=http://www.famitsu.com/news/201503/20074499.html|title=男子高校生の青春“ミュージカル”ストーリー! アニメ『ハイスクールスター・ミュージカル』スタッフ&キャストが解禁|work=ファミ通.com|publisher=[[Kadokawa Corporation|KADOKAWA]]|language=Japanese|date=2015-03-20|accessdate=2015-08-01}}</ref> The series will begin airing in Japan on October 5, 2015. The opening theme is "Dreamer" by [[Gero (singer)|Gero]] and the ending theme {{nihongo|"Seishun Countdown" |星瞬COUNTDOWN}} is performed by the main five voice actors ([[Natsuki Hanae]], [[Kensho Ono]], [[Arthur Lounsbery]], [[Yoshimasa Hosoya]], and [[Tomoaki Maeno]]) as Team Ōtori.<ref>{{cite web|title=Star-Mu/High School Star Musical Anime Premieres on October 5 |url=http://www.animenewsnetwork.com/daily-briefs/2015-09-05/star-mu-high-school-star-musical-anime-premieres-on-october-5/.92566|publisher=[[Anime News Network]]|date=September 5, 2015|accessdate=October 3, 2015}}</ref>
2015-10-02T20:03:58Z
===Anime=== The anime television series is produced by [[NBCUniversal Entertainment Japan]] and animated by [[C-Station]]. It is an original creation of Rin Hinata and is directed by Shunsuke Tada, with series composition by Sayaka Harada. The series features music by [[Ken Arai]] and character designs by Asami Watanabe. It was initially titled as {{nihongo|''High School Star Musical''|ハイスクールスター・ミュージカル|Haisukūrusutā Myūjikaru }} but has since shortened to {{nihongo|''Star-Mu''|スタミュ|Sutamyu}} as the official title.<ref>{{Cite web|url=http://www.famitsu.com/news/201503/20074499.html|title=男子高校生の青春“ミュージカル”ストーリー! アニメ『ハイスクールスター・ミュージカル』スタッフ&キャストが解禁|work=ファミ通.com|publisher=[[Kadokawa Corporation|KADOKAWA]]|language=Japanese|date=2015-03-20|accessdate=2015-08-01}}</ref> The series will begin airing in Japan on October 5, 2015. The opening theme is "Dreamer" by [[Gero (singer)|Gero]] and the ending theme {{nihongo|"Seishun Countdown" |星瞬COUNTDOWN}} is performed by the main five voice actors ([[Natsuki Hanae]], [[Kensho Ono]], [[Arthur Lounsbery]], [[Yoshimasa Hosoya]], and [[Tomoaki Maeno]]) as Team Ōtori.<ref>{{cite web|title=Star-Mu/High School Star Musical Anime Premieres on October 5 |url=http://www.animenewsnetwork.com/daily-briefs/2015-09-05/star-mu-high-school-star-musical-anime-premieres-on-october-5/.92566|publisher=[[Anime News Network]]|date=September 5, 2015|accessdate=October 3, 2015}}</ref>
2015-10-02T20:17:14Z
https://en.wikipedia.org/w/index.php?title=Toy_Story_(franchise)&diff=1140310944&oldid=1140310904
* ''Toy Story 5''(TBA)
2023-02-19T14:03:31Z
* ''Toy Story 5'' (TBA)
2023-02-19T14:03:45Z
https://en.wikipedia.org/w/index.php?title=Transformers&diff=634549520&oldid=634549345
The following year, [[IDW Publishing]] [[reboot (continuity)|rebooted]] the G1 series from scratch within various [[The Transformers (IDW Publishing)|limited series]] and [[The Transformers: Spotlight|one shots]]. This allowed long-time writer of Marvel and Dreamwave comics, [[Simon Furman]] to create his own universe without continuity hindrance, similar to [[Ultimate Marvel]]. This new continuity originally consisted of a comic book series titled The Transformers with a companion series known as {{The Transformers: Spotlight|The Transformers: Spotlight]]. The main series was broken up into several story arcs. Eventually, with IDW Publishing unpleased with the format, the series was given two soft reboots. The first one sped up the story, while the second ditched the mini series format as well as the Spotlight series. Finally, the series was broken into three, becoming The Transformers: More Than Meets The Eyes, The Transformers: Robots in Disguise (now simply The Transformers) and The returning The Transformers - Spotlight.
2014-11-19T15:31:23Z
The following year, [[IDW Publishing]] [[reboot (continuity)|rebooted]] the G1 series from scratch within various [[The Transformers (IDW Publishing)|limited series]] and [[The Transformers: Spotlight|one shots]]. This allowed long-time writer of Marvel and Dreamwave comics, [[Simon Furman]] to create his own universe without continuity hindrance, similar to [[Ultimate Marvel]]. This new continuity originally consisted of a comic book series titled The Transformers with a companion series known as [[The Transformers: Spotlight|The Transformers: Spotlight]]. The main series was broken up into several story arcs. Eventually, with IDW Publishing unpleased with the format, the series was given two soft reboots. The first one sped up the story, while the second ditched the mini series format as well as the Spotlight series. Finally, the series was broken into three, becoming The Transformers: More Than Meets The Eyes, The Transformers: Robots in Disguise (now simply The Transformers) and The returning The Transformers - Spotlight.
2014-11-19T15:32:27Z
https://en.wikipedia.org/w/index.php?title=Venus_Project_(franchise)&diff=649995844&oldid=649984754
| episodes = 6
2015-03-05T12:38:49Z
| episodes = <!--6 + 6-->
2015-03-05T14:37:40Z
https://en.wikipedia.org/w/index.php?title=Yokai_Monsters&diff=72888140&oldid=72887303
Yokai Monsters: Spook Warfare Yokai Monsters: One Hundred Monsters Yokai Monsters: Along With Ghosts
2006-08-30T20:32:24Z
[[Yokai Monsters: Spook Warfare]] [[Yokai Monsters: One Hundred Monsters]] [[Yokai Monsters: Along With Ghosts]]
2006-08-30T20:36:08Z
https://en.wikipedia.org/w/index.php?title=Benjamin_Pell&diff=19777424&oldid=19777404
[http://www.worldsocialism.org/spgb/feb01/tvfeb.html Review of Scandal in the Bins]] {stub}
2005-07-28T11:22:14Z
[http://www.worldsocialism.org/spgb/feb01/tvfeb.html Review of Scandal in the Bins] {{stub}}
2005-07-28T11:22:52Z
https://en.wikipedia.org/w/index.php?title=Climax_(narrative)&diff=1946219&oldid=1652174
While the [[novel]], [[short story]], [[poetry]] and [[drama]] are the focus of much literary analysis, late [[20th-century]] [[literary criticism]] also recognizes the important similarities, including the climax, of new genres like the [[feature film]]. Arguably, the [[punch line]] of a [[joke]] is a good analogue of the [[climax]] of other forms of fictional narrative, though the absence of any falling action is an essential variation probably reflecting the nature of [[humor]].
2003-10-31T08:19:50Z
While the [[novel]], [[short story]], [[poetry]] and [[drama]] are the focus of much literary analysis, late [[20th century]] [[literary criticism]] also recognizes the important similarities, including the climax, of new genres like the [[feature film]]. Arguably, the [[punch line]] of a [[joke]] is a good analogue of the climax of other forms of fictional narrative, though the absence of any falling action is an essential variation probably reflecting the nature of [[humor]].
2003-10-31T08:56:27Z
https://en.wikipedia.org/w/index.php?title=Had_I_but_known&diff=27690500&oldid=27690476
[Category:Narratology]
2005-11-08T04:44:02Z
[[Category:Narratology]]
2005-11-08T04:44:22Z
https://en.wikipedia.org/w/index.php?title=Literary_forgery&diff=98307889&oldid=98307604
'''Literary forgery''' purtains to some [[writing]], such as a [[manuscript]], presented as the [[original]], when in fact it is a [[fake]]. It is sometimes confused with [[plagiarism]], which it may also be, but need not be. In an instance of [[plagiarism]] the actual physical embodiment of the writing is not at issue; the content, meaning, or text are at issue. In an instance of [[forgery]], literary or otherwise, the physical object itself is not what it purports to be, irrespective of its content.
2007-01-04T01:12:36Z
'''Literary forgery''' purtains to some [[writing]], such as a [[manuscript]], presented as an [[original]], when in fact it is a [[fake]]. It is sometimes confused with [[plagiarism]], which it may also be, but need not be. In an instance of [[plagiarism]] the actual physical embodiment of the writing is not at issue; the content, meaning, or text are at issue. In an instance of [[forgery]], literary or otherwise, the physical object itself is not what it purports to be, irrespective of its content.
2007-01-04T01:14:14Z
https://en.wikipedia.org/w/index.php?title=Narreme&diff=155704721&oldid=155704446
[[Narratology]] [[Narrative]] [[Narrative structure]]
2007-09-04T21:06:20Z
* [[Narratology]] * [[Narrative]] * [[Narrative structure]]
2007-09-04T21:07:36Z
https://en.wikipedia.org/w/index.php?title=Story_structure&diff=2924005&oldid=2923999
The shape of a [[story]] or [[text]].[[Northrop Frye]] in his [[Anatomy of Criticism]] deals extensively with what he calls [[myths]]of Spring,Summer,Fall and Winter.Winter myths are dystopias,for example [[George Orwell]]`s [[1984]]or [[A.Huxley]]`s [[Brave New World]].Summer myths are similarly utopian fantasys such as [[Dante]]`s [[Paradisio]].Spring myths are [[comedies]]i.e. stories that lead from bad situations to happy endings.[[Shakespeare]]s [[A Winter`s Tale]] is such a story.And finally Fall myths are [[tragedies]] that lead from ideal situations to disaster.Compare [[Hamlet]],[[Othello]],[[King Lear]] and also the recent Hollywood movie [[Legends of the Fall]].Hollywood scriptwriters,tv soap writers and indeed Shakespeare himself pay great attention to issues of structure.
2004-03-26T07:40:24Z
The shape of a [[story]] or [[text]].[[Northrop Frye]] in his [[Anatomy of Criticism]] deals extensively with what he calls [[myths]] of Spring,Summer,Fall and Winter.Winter myths are dystopias,for example [[George Orwell]]`s [[1984]]or [[A.Huxley]]`s [[Brave New World]].Summer myths are similarly utopian fantasys such as [[Dante]]`s [[Paradisio]].Spring myths are [[comedies]]i.e. stories that lead from bad situations to happy endings.[[Shakespeare]]s [[A Winter`s Tale]] is such a story.And finally Fall myths are [[tragedies]] that lead from ideal situations to disaster.Compare [[Hamlet]],[[Othello]],[[King Lear]] and also the recent Hollywood movie [[Legends of the Fall]].Hollywood scriptwriters,tv soap writers and indeed Shakespeare himself pay great attention to issues of structure.
2004-03-26T07:41:01Z
https://en.wikipedia.org/w/index.php?title=Stream_of_unconsciousness&diff=444842219&oldid=444841968
Stream of unconsciousness is characterized by disjointed leaps in ideation and story line, bizarre new word creation, loss of self-censorship, one sided conversations and punctuation that can make the prose both disturbing and difficult to follow. Despite the name, the stream of unconsciousness occurs more in the form of waves than an actual continuous running stream of dialogue. The stream of unconsciousness is one of several forms of [[dramatic monologue]], where the speaker is addressing an audience or a third person, which is used chiefly in [[poetry]] or [[drama]], but with the stream of unconsciousness the audience or third persons are unknowingly imaginary. It is primarily a fictional device and often takes the form of a [[tragedy]].<ref>"Razen: The Science of Sleep". [http://www.foxydigitalis.com/foxyd/?p=15396], USA. 04 Aug. 2011 Web.</ref> The term was introduced to the field of literary studies from that of the independent music industry, where it was coined by author and artist [[Bryan Lewis Saunders]].<ref>"Stream of Unconconscious on Stand-Up Tragedy". [ http://antonmobin.blogspot.com/2011/06/stream-of-unconscious-on-stand-up.html], France. 13 June 2011 Web.</ref>
2011-08-14T18:47:23Z
Stream of unconsciousness is characterized by disjointed leaps in ideation and story line, bizarre new word creation, loss of self-censorship, one sided conversations and punctuation that can make the prose both disturbing and difficult to follow. Despite the name, the stream of unconsciousness occurs more in the form of waves than an actual continuous running stream of dialogue. The stream of unconsciousness is one of several forms of [[dramatic monologue]], where the speaker is addressing an audience or a third person, which is used chiefly in [[poetry]] or [[drama]], but with the stream of unconsciousness the audience or third persons are unknowingly imaginary. It is primarily a fictional device and often takes the form of a [[tragedy]].<ref>"Razen: The Science of Sleep". [http://www.foxydigitalis.com/foxyd/?p=15396], USA. 04 Aug. 2011 Web.</ref> The term was introduced to the field of literary studies from that of the independent music industry, where it was coined by author and artist [[Bryan Lewis Saunders]].<ref>"Stream of Unconconscious on Stand-Up Tragedy". [http://antonmobin.blogspot.com/2011/06/stream-of-unconscious-on-stand-up.html], France. 13 June 2011 Web.</ref>
2011-08-14T18:49:01Z
https://en.wikipedia.org/w/index.php?title=Showrunner&diff=166369281&oldid=165754279
*[(Mark Schwahn)] - "[(One Tree Hill)]"
2007-10-20T01:28:35Z
*[[Mark Schwahn]] - "[[One Tree Hill]]"
2007-10-22T21:08:37Z
https://en.wikipedia.org/w/index.php?title=Weapons_master&diff=44661359&oldid=39964866
The '''weapons master''' is a specialist that works with the [[property master]], [[director]], [[actor]]s and [[script supervisor]]. The weapons master is specifically responsible for maintaining control of any weapon props (including but not limited to firearms, knives, swords, bows, and staff weapons). The weapons master is present whenever a scene with a weapon is to be shot. They present the actor with the weapon just prior to the scene, and they take control of the weapon when the scene is done. It is the primary function of the weapons master to ensure that the weapons under their control do not cause harm to the cast, crew or production property. Secondary functions include ensuring that the weapons can achieve the director's goals in terms of appearance and function, and that they meet the continuity requirements for the production. While some weapons masters work exclusively in film production, others are specialists outside of the media profession who are called in because of their familiarity, licensing and qualifications with the weapons in question. Some weapons masters (particularly in lower-budget productions) are also responsible for training the actors.
2006-02-17T03:35:20Z
The '''weapons master''' is a specialist that works with the [[property master]], [[film director|director]], [[actor]]s and [[script supervisor]]. The weapons master is specifically responsible for maintaining control of any weapon props (including but not limited to firearms, knives, swords, bows, and staff weapons). The weapons master is present whenever a scene with a weapon is to be shot. They present the actor with the weapon just prior to the scene, and they take control of the weapon when the scene is done. It is the primary function of the weapons master to ensure that the weapons under their control do not cause harm to the cast, crew or production property. Secondary functions include ensuring that the weapons can achieve the director's goals in terms of appearance and function, and that they meet the continuity requirements for the production. While some weapons masters work exclusively in film production, others are specialists outside of the media profession who are called in because of their familiarity, licensing and qualifications with the weapons in question. Some weapons masters (particularly in lower-budget productions) are also responsible for training the actors.
2006-03-20T13:59:48Z
https://en.wikipedia.org/w/index.php?title=Dog_poop_girl&diff=18953634&oldid=18953622
[[http://us.news3.yimg.com/us.i2.yimg.com/p/rids/20050716/i/r2472963803.jpg?x=380&y=285&sig=Hkfq2W02Wp118UfVaTwW2w--]]
2005-07-16T11:58:18Z
[http://us.news3.yimg.com/us.i2.yimg.com/p/rids/20050716/i/r2472963803.jpg?x=380&y=285&sig=Hkfq2W02Wp118UfVaTwW2w--]
2005-07-16T11:59:01Z
https://en.wikipedia.org/w/index.php?title=Jonah&diff=927814539&oldid=927555214
The story of a man surviving after being swallowed by a whale or giant fish is classified in the catalogue of [[folktale]] types as [[Aarne–Thompson classification systems|ATU]] 1889G.{{sfn|Ziolkowski|2007|page=78}}
2019-11-23T06:41:05Z
The story of a man surviving after being swallowed by a whale or giant fish is classified in the catalogue of [[Aarne–Thompson classification systems|folktale]] types as [[Aarne–Thompson classification systems|ATU]] 1889G.{{sfn|Ziolkowski|2007|page=78}}
2019-11-24T23:41:34Z
https://en.wikipedia.org/w/index.php?title=Mock-heroic&diff=1720142&oldid=1720135
A type of satirical poetry popular in the post-[[English Restoration|Restoration] and [[Augustan]] periods in Great Britain. After the translation of [[Don Quixote]] by Miguel [[Cervantes]], English authors began to imitate the inflation of [[Romance]] to describe misguided or common characters. The most likely genesis for the mock-heroic, as distinct from the [[picaresque]], [[burlesque]], and [[satirical|satire]] is the comic poem [[Hudibras]], by [[Samuel Butler]] in 1672-4. Butler's poem describes a "trew blew" Puritain knight during the Interregnum in language that imitates [[Romance]] and [[epic]] poetry. After Butler, there was an explosion of poetry that described a despised subject in the elevated language of heroic poetry and plays.
2003-11-12T15:28:50Z
A type of satirical poetry popular in the post-[[Restoration] and [[Augustan]] periods in Great Britain. After the translation of [[Don Quixote]] by Miguel [[Cervantes]], English authors began to imitate the inflation of [[Romance]] to describe misguided or common characters. The most likely genesis for the mock-heroic, as distinct from the [[picaresque]], [[burlesque]], and [[satirical|satire]] is the comic poem [[Hudibras]], by [[Samuel Butler]] in 1672-4. Butler's poem describes a "trew blew" Puritain knight during the Interregnum in language that imitates [[Romance]] and [[epic]] poetry. After Butler, there was an explosion of poetry that described a despised subject in the elevated language of heroic poetry and plays.
2003-11-12T15:29:32Z
https://en.wikipedia.org/w/index.php?title=Pasquinade&diff=268795234&oldid=268788012
#REDIRECT [[Pasquin]]
2009-02-05T22:51:05Z
#REDIRECT[[Pasquin]]
2009-02-05T23:27:33Z
https://en.wikipedia.org/w/index.php?title=Guy_Cobb&diff=383218484&oldid=383218255
Beginning in the 1990's Cobb began offering assistance, both financially and as an extra, to independent film makers in Memphis. One of his first roles was as a television journalist in [[Louis Magnifico|Louis Magnifico's]] "Call of the Dark". Other films include Kentucker Audley's award winning [[Team Picture]]. Audley incorporated one of Cobb's Braille sunflower paintings into the film's story.<ref>[[http://www.kentuckeraudley.com Kentucker Audley's Website Reference to Guy Cobb]] </ref> In 2009 Cobb donated one of his Braille paintings to help with the financing of Audley's film "Open Five". In 2010 he worked as an extra in the film "Losers Take All" which was also filmed in Memphis.{{Citation needed|reason=correct source forthcoming|date=September 2010}}
2010-09-06T09:24:06Z
Beginning in the 1990's Cobb began offering assistance, both financially and as an extra, to independent film makers in Memphis. One of his first roles was as a television journalist in [[Louis Magnifico|Louis Magnifico's]] "Call of the Dark". Other films include Kentucker Audley's award winning [[Team Picture]].<ref>[[http://www.kentuckeraudley.com Kentucker Audley's Website Reference to Guy Cobb]]</ref> Audley incorporated one of Cobb's Braille sunflower paintings into the film's story.<ref>[[http://www.kentuckeraudley.com Kentucker Audley's Website Reference to Guy Cobb]]</ref> In 2009 Cobb donated one of his Braille paintings to help with the financing of Audley's film "Open Five". In 2010 he worked as an extra in the film "Losers Take All" which was also filmed in Memphis.{{Citation needed|reason=correct source forthcoming|date=September 2010}}
2010-09-06T09:26:35Z
https://en.wikipedia.org/w/index.php?title=Iowa_Colored_Cowboys&diff=1133072212&oldid=1133070704
The gameplay was similar to that of the [[Harlem Globetrotters]]. The team had players who were also entertainers, who Fisher said was "a Ball-Circus, America's greatest summer sport show." Several members used to be a part of the original team.<ref name="Heritage"/> Player Marland Buckner, also known as "Showboat", was known for showmanship and "goofy" antics, but for also being one of the team's "greatest defensive first basemen"<ref name="Standard">{{cite news |date=May 18, 1961 |title=Showboat Buckner |url=https://www.newspapers.com/clip/116281877/the-gustine-standard/ |work=The Gustine Standard |via=Newspapers.com}}</ref> Marland was known for his jokes, spinning his bat, and making the [[umpire]] embarrassed. Red Strickland might have been the team's only white player and he was known for his hurling.<ref name="Heritage"/> Other players included "Tree Top" Patrick, Rip Collins, "Popeye" Smith, and L. J. "Compound" Flavors.<ref>{{cite news |date=July 19, 1961 |title=Iowa Colored Cowboys To Play Here Tuesday |url=https://www.newspapers.com/clip/116282105/the-sault-star/ |work=The Sault Star |via=Newspapers.com}}</ref><ref name="Arizona"/><ref name="Standard"/>
2023-01-12T04:22:55Z
The gameplay was similar to that of the [[Harlem Globetrotters]].<ref name="Heritage"/> The team had players who were also entertainers, who Fisher said was "a Ball-Circus, America's greatest summer sport show." Several members used to be a part of the original team.<ref name="Heritage"/> Player Marland Buckner, also known as "Showboat", was known for showmanship and "goofy" antics, but for also being one of the team's "greatest defensive first basemen"<ref name="Standard">{{cite news |date=May 18, 1961 |title=Showboat Buckner |url=https://www.newspapers.com/clip/116281877/the-gustine-standard/ |work=The Gustine Standard |via=Newspapers.com}}</ref> Marland was known for his jokes, spinning his bat, and making the [[umpire]] embarrassed. Red Strickland might have been the team's only white player and he was known for his hurling.<ref name="Heritage"/> Other players included "Tree Top" Patrick, Rip Collins, "Popeye" Smith, and L. J. "Compound" Flavors.<ref>{{cite news |date=July 19, 1961 |title=Iowa Colored Cowboys To Play Here Tuesday |url=https://www.newspapers.com/clip/116282105/the-sault-star/ |work=The Sault Star |via=Newspapers.com}}</ref><ref name="Arizona"/><ref name="Standard"/>
2023-01-12T04:32:23Z
https://en.wikipedia.org/w/index.php?title=Jesse_White_Tumbling_Team&diff=62404940&oldid=62404616
'''Jesse White Tumbling Team''' is an internationally renowned team of [[acrobats]] that was founded in [1959] by [[Illinois]] [[athlete]] and [[politician]], [[Jesse White]]. Their acrobatic half-time show performances have been quite visible at [[National Basketball Association]], the [[National Football League]] and [[Major League Baseball]] games. They have performed at the half time of every NBA team except the [[Los Angeles Lakers]] who only use the [[Laker Girls]] at half time. The team entertains at business and sporting events year-round, including colleges and universities nation-wide. They have quite a rich history of annual appearances at various festivals.
2006-07-06T17:43:52Z
'''Jesse White Tumbling Team''' is an internationally renowned team of [[acrobats]] that was founded in [[1959]] by [[Illinois]] [[athlete]] and [[politician]], [[Jesse White]]. Their acrobatic half-time show performances have been quite visible at [[National Basketball Association]], the [[National Football League]] and [[Major League Baseball]] games. They have performed at the half time of every NBA team except the [[Los Angeles Lakers]] who only use the [[Laker Girls]] at half time. The team entertains at business and sporting events year-round, including colleges and universities nation-wide. They have quite a rich history of annual appearances at various festivals.
2006-07-06T17:45:39Z
https://en.wikipedia.org/w/index.php?title=LKL_Slam_Dunk_Contest&diff=766207525&oldid=766207383
| Algirdas Palaima
2017-02-18T21:37:00Z
| [[Algirdas Palaima]]
2017-02-18T21:38:02Z
https://en.wikipedia.org/w/index.php?title=Mascot_race&diff=363868001&oldid=363866358
The [[Oakland Athletics]] Class A Advance Affiliate the [[Stockton Ports]] has a race that involves three asparaguses: regular, fried, and chocolate.<ref>[http://midwest.league.milb.com/gen/articles/printer_friendly/milb/y2008/m08/d07/c442777.jsp'']</ref>
2010-05-24T05:54:23Z
The [[Oakland Athletics]] Class A Advance Affiliate the [[Stockton Ports]] has a race that involves three asparaguses: regular, fried, and chocolate. <ref>[http://midwest.league.milb.com/gen/articles/printer_friendly/milb/y2008/m08/d07/c442777.jsp'']</ref>
2010-05-24T06:09:53Z
https://en.wikipedia.org/w/index.php?title=Nitro_Circus&diff=344823965&oldid=344823840
| starring = [[Travis Pastrana]]<br> [[Andy Bell (freestyle motocross rider)|Andy Bell]]<br />[[Jolene Van Vugt]]<br>[[Greg Powell (athelete)Greg Powell]]<br>[[Jim DeChamp]]<br>[[Erik Roner]]<br>[[Streetbike Tommy]]
2010-02-18T15:02:25Z
| starring = [[Travis Pastrana]]<br> [[Andy Bell (freestyle motocross rider)|Andy Bell]]<br />[[Jolene Van Vugt]]<br>[[Greg Powell (athelete)|Greg Powell]]<br>[[Jim DeChamp]]<br>[[Erik Roner]]<br>[[Streetbike Tommy]]
2010-02-18T15:03:06Z
https://en.wikipedia.org/w/index.php?title=Robotica_(TV_series)&diff=13152212&oldid=13147672
'''Robotica''' was a [[combat robot]] show produced for the American television cable network [[The Learning Channel]]. Three series of Robotica were produced. The shows first aired in March, 2001, with the final season beginning in late 2002. Show hosts for the first season were [[Ahmet Zappa]], Tanika Ray, and Tanya Memme. For the second and third seasons, Dan Danknick replaced Tanika Ray.
2005-05-02T21:39:30Z
'''Robotica''' was a [[robot combat]] show produced for the American television cable network [[The Learning Channel]]. Three series of Robotica were produced. The shows first aired in March, 2001, with the final season beginning in late 2002. Show hosts for the first season were [[Ahmet Zappa]], Tanika Ray, and Tanya Memme. For the second and third seasons, Dan Danknick replaced Tanika Ray.
2005-05-02T21:43:42Z