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This is sometimes referred to as "computer-mediated reality", commonly known as "augmented reality". | It's usually called "enhanced reality," but it's not a good idea. | ืืคืขืืื ืื ืืืื ื "ืืฆืืืืช ืืชืืืืช ืืืฉื", ืืืืื ื ืืืจื ืืื "ืืฆืืืืช ืจืืืื". | ืื ื ืงืจื ืืืจื ืืื "ืืฆืืืืช ืืฉืืคืจืช", ืืื ืื ืื ืจืขืืื ืืื. |
Eyetap has been explored as a potential tool for individuals with visual disabilities due to its abilities to direct visual information to parts of the retina that function well. | Because of the ability of persons with visual disabilities to channel visual information to some parts of a well-functioning retinal, the retinal map has been explored as a potential tool for persons with visual disabilities. | Eyetap ื ืืงืจื ืืืื ืคืืื ืฆืืืื ืขืืืจ ืื ืฉืื ืขื ืืงืืืืช ืจืืืื ืืฉื ืืืืืืชืื ืืืคื ืืช ืืืืข ืืืืชื ืืืืงืื ืืจืฉืชืืช ืืืชืคืงืืื ืืืื. | ืืืื ืืืืืืช ืฉื ืื ืฉืื ืขื ืืืืืืืช ืจืืืื ืืชืขื ืืืืข ืืืืชื ืืืืงืื ืืกืืืืื ืฉื ืจืฉืชืืช ืืชืคืงืืช ืืืื, ืืคืช ืืจืฉืชืืช ื ืืงืจื ืืืื ืคืืื ืฆืืืื ืขืืืจ ืื ืฉืื ืขื ืืืืืืืช ืจืืืื. |
As well, Eyetap's role in sousveillance has been explored by Mann, Jason Nolan and Barry Wellman. | McNee, Jason Nolan and Barry Wilman have also explored the role of glasses in Soviet Lawrence. | ืืื ืื, ืชืคืงืืื ืฉื Eyetap ื- sousveillance ื ืืงืจ ืขื ืืื ืืื, ื'ืืืกืื ื ืืื ืืืืจื ืืืืื. | ืืงื ื, ื'ืืืกืื ื ืืื ืืืืจื ืืืืื ืืงืจื ืื ืืช ืชืคืงืื ืืืฉืงืคืืื ืืืืจื ืก ืืกืืืืืื. |
Users may find that they experience side effects such as headaches and difficulty sleeping if usage occurs shortly before sleep. | Users may find that they encounter side effects such as headaches and sleep difficulties if used shortly before sleeping. | ืืฉืชืืฉืื ืขืฉืืืื ืืืืืช ืฉืื ืืืืื ืชืืคืขืืช ืืืืื ืืืื ืืืื ืจืืฉ ืืงืฉืื ืฉืื ื ืื ืืฉืืืืฉ ืืชืจืืฉ ืืื ืงืฆืจ ืืคื ื ืืฉืื ื. | ืืฉืชืืฉืื ืขืฉืืืื ืืืืืช ืฉืื ื ืชืงืืื ืืชืืคืขืืช ืืืืื ืืืื ืืืื ืจืืฉ ืืงืฉืื ืฉืื ื ืื ืืฉืชืืฉืื ืืื ืืื ืงืฆืจ ืืคื ื ืืฉืื ื. |
Mann finds that due to his extensive use of the device that going without it can cause him to feel "nauseous, unsteady, naked" when he removes it. | Mann found out that because he used this device extensively, without it, it made him feel "unstable, naked" when he removed it. | ืืื ืืืื ืฉืืฉื ืืฉืืืืฉ ืืจื ืฉืื ืืืืฉืืจ ืฉืืืืื ืืืขืืื ืขืืืื ืืืจืื ืื ืืืจืืืฉ "ืืืืื, ืื ืืฆืื, ืขืืจืื" ืืืฉืจ ืืื ืืกืืจ ืืืชื. | ืืื ืืืื ืฉืืืืืื ืฉืืื ืืฉืชืืฉ ืืืืฉืืจ ืืื ืืืืคื ื ืจืื, ืืืขืืื, ืื ืืจื ืื ืืืจืืืฉ "ืื ืืฆืื, ืขืืจืื" ืืฉืืกืืจ ืืืชื. |
The EyeTap has applications in the world of cyborg logging, as it allows the user the ability to perform real-time visual capture of their daily lives from their own point of view. | EyeTap has various applications in the semi-mechanical logging community, as it enables users to visualize daily life in real time from their own perspective. | ื-EyeTap ืืฉ ืืคืืืงืฆืืืช ืืขืืื ืจืืฉืื ืืกืืืืืจื, ืฉืื ืืื ืืืคืฉืจ ืืืฉืชืืฉ ืืืฆืข ืืืืื ืืืืืืืืช ืืืื ืืืช ืฉื ืืื ืืืืืืื ืฉืื ืื ืงืืืช ืืืื ืฉืื. | ื- EyeTap ืืืฉืืืื ืฉืื ืื ืืงืืืืช ืืจืืฉืื ืืืฆื-ืืื ื, ืืืืืื ืฉืืื ืืืคืฉืจืช ืืืฉืชืืฉืื ืืืืืื ืืช ืืื ืืืืืืื ืืืื ืืืช ืื ืงืืืช ืืืื ืฉืืื. |
In this way, the EyeTap could be used to create a lifelong cyborg log or โglogโ of the user's life and the events they participate in, potentially recording enough media to allow producers centuries in the future to present the user's life as interactive entertainment (or historical education) to consumers of that era. | In this way, EyeTap can be used to produce permanent semi-circle logs or โchartsโ of user life and activities in which they are involved, and it is possible to document enough media to enable producers of centuries to introduce user life as interactive entertainment (or history education) to consumers of that era in the future. | ืืืจื ืื, ื-EyeTap ืืืื ืืฉืืฉ ืืืฆืืจืช ืืืื ืกืืืืืจื ืื "ืืืื" ืืื ืืืืื ืฉื ืืื ืืืฉืชืืฉ ืืืืืจืืขืื ืฉืืื ืืื ืืฉืชืชืฃ, ืคืืื ืฆืืืื ืืืงืืื ืืกืคืืง ืืืื ืืื ืืืคืฉืจ ืืืคืืงืื ืืืืช ืฉื ืื ืืขืชืื ืืืฆืื ืืช ืืืื ืฉื ืืืฉืชืืฉ ืืืืืืจ ืืื ืืจืืงืืืื ( ืื ืืื ืื ืืืกืืืจื) ืืฆืจืื ืื ืฉื ืืืชื ืชืงืืคื. | ืืืจื ืื ื ืืชื ืืืฉืชืืฉ ื-EyeTap ืืืืฆืืจ ืืืื ืื ืงืืืขืื ืฉื ืืฆื ืขืืืื ืื "ืชืจืฉืืืื" ืฉื ืืื ืืฉืชืืฉ ืืคืขืืืืืืช ืืื ืื ืืขืืจืืื, ืื ืืชื ืืชืขื ืืกืคืืง ืืืื ืืื ืืืคืฉืจ ืืืคืืงืื ืฉื ืืืืช ืฉื ืื ืืืฆืื ืืช ืืื ืืืฉืชืืฉ ืืืืืืจ ืืื ืืจืืงืืืื (ืื ืืื ืื ืืืกืืืจืื) ืืฆืจืื ืื ืฉื ืืืชื ืชืงืืคื ืืขืชืื. |
Steve Mann created the first version of the EyeTap, which consisted of a computer in a backpack wired up to a camera and its viewfinder which in turn was rigged to a helmet. | Steve Mann created the first version of EyeTap. | ืกืืื ืืื ืืฆืจ ืืช ืืืจืกื ืืจืืฉืื ื ืฉื ื-EyeTap, ืฉืืืจืืื ืืืืฉื ืืชืืง ืื ืืืืืืจ ืืืฆืืื ืืืขืื ืืช ืฉืื ืฉืืชืืจื ืืืืชื ืืืืืจืช ืืงืกืื. | ืกืืื ืืื ืืฆืจ ืืช ืืืจืกื ืืจืืฉืื ื ืฉื EyeTap. |
Ever since this first version, it has gone through multiple models as wearable computing evolves, allowing the EyeTap to shrink down to a smaller and less weighty version. | allows EyeTap to shrink to a smaller and lighter version. | ืืื ืืืจืกื ืืจืืฉืื ื ืืื, ืืื ืขืืจื ืืกืคืจ ืืืืื ืขื ืืชืคืชืืืช ืืืฉืื ืืืืฉ, ืื ืฉืืืคืฉืจ ื-EyeTap ืืืชืืืืฅ ืืืจืกื ืงืื ื ืืืชืจ ืืคืืืช ืืืื. | ืืืคืฉืจ ื-EyeTap ืืืชืืืืฅ ืืืจืกื ืงืื ื ืืงืื ืืืชืจ. |
Currently the EyeTap consists of the eyepiece used to display the images, the keypad which the user can use to interface with the EyeTap and have it perform the desired tasks, a CPU which can be attached to most articles of clothing and in some cases even a Wi-Fi device so the user can access the Internet and online data. | Currently, EyeTap consists of eye masks displaying images, keyboards that users can use to interface with EyeTap and allow it to perform the desired tasks, a CPU that can be attached to most clothing, and sometimes even a wireless access device that allows users to access the Internet and online data. | ื ืืื ืืืืื ื-EyeTap ืืืจืื ืืืขืื ืืช ืืืฉืืฉืช ืืืฆืืช ืืชืืื ืืช, ืืื ืืืงืฉืื ืฉืื ืืืฉืชืืฉ ืืืื ืืืฉืชืืฉ ืืื ืืืชืืืฉืง ืขื ื-EyeTap ืืืืจืื ืื ืืืฆืข ืืช ืืืฉืืืืช ืืจืฆืืืืช, ืืขืื ืฉื ืืชื ืืืืจ ืืจืื ืคืจืืื ืืืืืฉ ืืืืงืจืื ืืกืืืืื ืืคืืื ืืืฉืืจ Wi-Fi ืื ืฉืืืฉืชืืฉ ืืืื ืืืฉืช ืืืื ืืจื ื ืืื ืชืื ืื ืืงืืื ืื. | ื ืืื ืืืืื, EyeTap ืืืจืืืช ืืืกืืืช ืขืื ืืื ืืืฆืืืืช ืชืืื ืืช, ืืงืืืืช ืฉืืื ืืืฉืชืืฉืื ืืืืืื ืืืฉืชืืฉ ืืื ืืืชืืืฉืง ืขื EyeTap ืืืืคืฉืจ ืื ืืืฆืข ืืช ืืืฉืืืืช ืืจืฆืืืืช, ืืขืื ืฉื ืืชื ืืืืจ ืืจืื ืืืืืื ืืืขืืชืื ืืฃ ืืืฉืืจ ืืืฉื ืืืืืื ืืืืคืฉืจ ืืืฉื ืืืฉืชืืฉืื. ืืืื ืืจื ื ืื ืชืื ืื ืืงืืื ืื. |
The EyeTap is essentially a half-silvered mirror in front of the user's eye, reflecting some of the light into a sensor. | EyeTap is essentially a semi-glass mirror in front of the user, reflecting some light in the sensor. | ื-EyeTap ืืื ืืขืฆื ืืจืื ืืฆื-ืืกืืคื ืืื ืืขืื ืฉื ืืืฉืชืืฉ, ืืืฉืงืคืช ืืืง ืืืืืจ ืืชืื ืืืืฉื. | EyeTap ืืื ืืขืฆื ืืจืื ืืืืืืช ืืืืฆื ืืื ืืืฉืชืืฉ, ืืืฉืงืคืช ืืขื ืืืจ ืืืืืฉื. |
The sensor then sends the image to the aremac, a display device capable of displaying data at any fitting depth. | The sensor then sends the image to emmac, which is a display device capable of displaying data at any appropriate depth. | ืืืืจ ืืื ืืืืืฉื ืฉืืื ืืช ืืชืืื ื ื-aremac, ืืืฉืืจ ืชืฆืืื ืืืกืืื ืืืฆืื ื ืชืื ืื ืืื ืขืืืง ืืชืืื. | ืืืืจ ืืื ืืืืืฉื ืฉืืื ืืช ืืชืืื ื ื-emmac, ืฉืืื ืืชืงื ืชืฆืืื ืืืกืืื ืืืฆืื ื ืชืื ืื ืืื ืขืืืง ืืชืืื. |
The output rays from the aremac are reflected off the half-silvered mirror back into the eye of the user along with the original light rays. | Their output rays reflect in the user's eyes from the semi-glass mirrors, as well as the raw light. | ืงืจื ื ืืคืื ืื-armac ืืืืืจืืช ืืืืจืื ืืืกืืคื ืืืืฆื ืืืืจื ืืขืื ืืืฉืชืืฉ ืืื ืขื ืงืจื ื ืืืืจ ืืืงืืจืืืช. | ืงืจื ื ืืคืื ืฉืืื ืืฉืชืงืคืืช ืืขืื ื ืืืฉืชืืฉ ืืืืจืืืช ืืืืืืืช ืืืืฆื, ืืื ืื ืืืืจ ืืืืืื. |
In these cases, the EyeTap views infrared light, as well as the overall design schematic of how the EyeTap manipulates lightrays. | In these cases, the image views infrared light and the overall design of how the image manipulates the light. | ืืืงืจืื ืืื, ื-EyeTap ืฆืืคื ืืืืจ ืืื ืคืจื ืืืื, ืืื ืื ืืช ืกืืืืช ืืขืืฆืื ืืืืืืช ืฉื ืืืืคื ืื ื-EyeTap ืืคืขืื ืืช ืงืจื ื ืืืืจ. | ืืืงืจืื ืืื, ืืชืืื ื ืฆืืคื ืืืืจ ืืื ืคืจื ืืืื ืืืขืืฆืื ืืืืื ืฉื ืืืืคื ืฉืื ืืชืืื ื ืืคืขืืื ืืช ืืืืจ. |
A conceptual diagram of an EyeTap: | Concept map of EyeTap: | ืชืจืฉืื ืจืขืืื ื ืฉื EyeTap: | ืืคืช ืืืืฉืืื ืฉื EyeTap: |
CCD Cameras (Charge-coupled device) are the most common type of digital camera used today. | The CCD camera (assemblies) is the most commonly used type of digital camera today. | ืืฆืืืืช CCD (ืืืฉืืจ ืฆืืื ืืืขืื ื) ืื ืืกืื ืื ืคืืฅ ืืืืชืจ ืฉื ืืฆืืื ืืืืืืืืช ืืฉืืืืฉ ืืืื. | ืืฆืืืช CCD (ืืืืืืื) ืืื ืืกืื ืื ืคืืฅ ืืืืชืจ ืฉื ืืฆืืื ืืืืืืืืช ืืืื. |
Bantam | Hey, Bentan. | ืื ืืื | ืืื, ืื ืื. |
Bantam may refer to: | Bantam can mention: | Bantam ืขืฉืื ืืืชืืืืก ื: | Bantam ืืืื ืืืืืืจ: |
The End of the Affair | โช Fair end โช | ืกืืฃ ืืจืืื | โช ืกืืฃ ืืืื โช |
The End of the Affair (1951) is a novel by British author Graham Greene, as well as the title of two feature films (released in 1955 and 1999) that were adapted from the novel. | The Affair End (1951) is a novel by the British writer Graham Greene and the title of two feature films (issued in 1955 and 1999) adapted from novels. | ืกืืฃ ืืคืจืฉื (1951) ืืื ืจืืื ืืืช ืืกืืคืจ ืืืจืืื ืืจืื ืืจืื, ืืื ืื ืืืืชืจืช ืฉื ืฉื ื ืกืจืืื ืขืืืืชืืื (ืฉืฉืืืจืจื ื-1955 ืื-1999) ืฉืขืืืื ืืืจืืื. | ืกืืฃ ืืคืจืฉื (1951) ืืื ืจืืื ืืืช ืืกืืคืจ ืืืจืืื ืืจืื ืืจืื ืืืืชืจืชื ืฉื ืฉื ื ืกืจืืื ืขืืืืชืืื (ืฉืืืฆืื ื-1955 ืื-1999) ืฉืขืืืื ืืจืืื ืื. |
Set in London during and just after the Second World War, the novel examines the obsessions, jealousy and discernments within the relationships between three central characters: writer Maurice Bendrix; Sarah Miles; and her husband, civil servant Henry Miles. | Authors Maurice Bendrix, Sarah Miles and her husband, civil servant Henry Miles. | ืืชืจืืฉ ืืืื ืืื ืืืืื ืืืืืช ืืขืืื ืืฉื ืืื ืืืื ืืืจืื, ืืจืืื ืืืื ืืช ืืืืืกืกืืืช, ืืงื ืื ืืืืืื ื ืืชืื ืืืืกืื ืืื ืฉืืืฉ ืืืืืืช ืืจืืืืืช: ืืกืืคืจ ืืืจืืก ืื ืืจืืงืก; ืฉืจื ืืืืืก; ืืืขืื, ืขืืื ืืืืื ื ืื ืจื ืืืืืก. | ืืืืืจืื ืืืจืืก ืื ืืจืืงืก, ืฉืจื ืืืืืก ืืืขืื, ืขืืื ืืืืื ื ืื ืจื ืืืืืก. |
Graham Greene's own affair with Catherine Walston played into the basis for "The End of the Affair". | Graham Greene's own affair with Catherine Walton became the foundation of "the end of justice." | ืืจืืื ืฉื ืืจืื ืืจืื ืขืฆืื ืขื ืงืชืจืื ืืืืกืืื ืฉืืืง ืืืกืืก ื"ืกืืฃ ืืคืจืฉื". | ืืจืืื ืฉื ืืจืื ืืจืื ืขืฆืื ืขื ืงืชืจืื ืืืืืื ืืคื ืืืกืืก ืฉื "ืกืืฃ ืืฆืืง". |
The British edition of the novel is dedicated to "C" while the American version is made out to "Catherine." | The English version of novels is dedicated to "C" and the American version to "Catherine". | ืืืืืืจื ืืืจืืืืช ืฉื ืืจืืื ืืืงืืฉืช ื-"C" ืืืืื ืืืจืกื ืืืืจืืงืืืช ืขืฉืืื ื"ืงืชืจืื". | ืืืจืกื ืืื ืืืืช ืฉื ืืจืืื ืื ืืืงืืฉืช ื"C" ืืืืจืกื ืืืืจืืงืืืช ื"ืงืชืจืื". |
Greene's own house at 14 Clapham Common Northside was bombed during the Blitz. | The residence of Greene in 14 Clapham Northside was bombed while in Blitz. | ืืืชื ืฉื ืืจืื ื-14 Clapham Common Northside ืืืคืฆืฅ ืืืืื ืืืืืฅ. | ืืืชื ืฉื ืืจืื ื-14 Clapham Northside ืืืคืฆืฅ ืืืื ืฉืืืชื ืืืืืฅ. |
The novel focuses on Maurice Bendrix, a rising writer during the Second World War in London, and Sarah Miles, the wife of an impotent civil servant. | This novel is focused on Maurice Bendrix. | ืืจืืื ืืชืืงื ืืืืจืืก ืื ืืจืืงืก, ืกืืคืจ ืขืืื ืืืืื ืืืืืช ืืขืืื ืืฉื ืืื ืืืื ืืื, ืืืฉืจื ืืืืืก, ืืฉืชื ืฉื ืขืืื ืืืื ื ืืกืจ ืืื ืื. | ืืจืืื ืืื ืืชืืงื ืืืืจืืก ืื ืืจืืงืก. |
Bendrix is based on Greene himself, and he reflects often on the act of writing a novel. | Bendrix is based on Greene himself. | ืื ืืจืืงืก ืืืืกืก ืขื ืืจืื ืขืฆืื, ืืืื ืืืจืืจ ืืขืชืื ืงืจืืืืช ืขื ืืขืฉื ืืชืืืช ืจืืื. | ืื ืืจืืงืก ืืืืกืก ืขื ืืจืื ืขืฆืื. |
Sarah is based on Greene's lover at the time, Catherine Walston, to whom the book is dedicated. | Sarah is based on Catherine Walton, Green's lover. | ืฉืจื ืืืืกืกืช ืขื ืืืืืชื ืฉื ืืจืื ืืื, ืงืชืจืื ืืืืกืืื, ืื ืืืงืืฉ ืืกืคืจ. | ืฉืจื ืืืืกืกืช ืขื ืงืชืจืื ืืืืืื, ืืืืืชื ืฉื ืืจืื. |
Bendrix and Sarah fall in love quickly, but he soon realises that the affair will end as quickly as it began. | Well, Bendrix and Sarah fell in love very quickly, but he quickly realized that the marriage would end as soon as it started. | ืื ืืจืืงืก ืืฉืจื ืืชืืืืื ืืืืืจืืช, ืื ืขื ืืืจื ืืื ืืืื ืฉืืจืืื ืืกืชืืื ืืืืชื ืืืืจืืช ืฉืืืื. | ืืืื, ืื ืืจืืงืก ืืฉืจื ืืชืืืื ืืืจ ืืืื, ืืื ืืื ืืืื ืืืจ ืืืื ืฉืื ืืฉืืืื ืืกืชืืืื ืืจืืข ืฉืื ืืชืืืื. |
The relationship suffers from his overt and admitted jealousy. | โช And each other's feelings suffer from his publicly admitted jealousy โช | ืืงืฉืจ ืกืืื ืืงื ืืชื ืืืืืื ืืืืืื. | โช ืืจืืฉืืชืื ืฉื ืื ืกืืืืื ืืงื ืื ืฉืืืืชื ืืคืืืื โช |
He is frustrated by her refusal to divorce Henry, her amiable but boring husband. | He's upset about her refusal to divorce, Henry. | ืืื ืืชืืกืื ืืกืืจืืื ืืืชืืจืฉ ืืื ืจื, ืืขืื ืืืืื ืื ืืืฉืขืื. | ืืื ืืืขืก ืขื ืกืืจืืื ืืืชืืจืฉ, ืื ืจื. |
When a bomb blasts Bendrix's flat as he is with Sarah, he is nearly killed. | When Bendrix and Sarah were together, the bomb exploded, and he was almost dead. | ืืืฉืจ ืคืฆืฆื ืืคืืฆืฆืช ืืช ืืืจืชื ืฉื ืื ืืจืืงืก ืืคื ืฉืืื ืขื ืฉืจื, ืืื ืืืขื ื ืืจื. | ืืฉืื ืืจืืงืก ืืฉืจื ืืื ืืืื, ืืคืฆืฆื ืืชืคืืฆืฆื, ืืืื ืืืขื ืืช. |
After this, Sarah breaks off the affair with no apparent explanation. | There's no clear explanation for Sarah's subsequent dissolution. | ืืืืจ ืืื, ืฉืจื ืื ืชืงืช ืืช ืืจืืื ืืื ืืกืืจ ืืจืืจ. | ืืื ืืกืืจ ืืจืืจ ืืคืืจืืงื ืฉื ืฉืจื ืืืืจ ืืื. |
Later, Bendrix is still wracked with jealousy when he sees Henry crossing the Common that separates their flats. | And then Benderris saw Henry cross the apartment block, and he was so jealous. | ืืืืืจ ืืืชืจ, ืื ืืจืืงืก ืขืืืื ืกืคืื ืงื ืื ืืฉืืื ืจืืื ืืช ืื ืจื ืืืฆื ืืช ืื ืื ืืืคืจืื ืืื ืืืจืืชืืื. | ืืื ืื ืืจืจืืก ืจืื ืืช ืื ืจื ืืืฆื ืืช ืืืืง ืืืืจืืช, ืืืื ืืื ืื ืื ืงื ืื. |
Henry has finally started to suspect something, and Bendrix decides to go to a private detective to discover Sarah's new lover. | So, at last, Henry started to wonder something, and Bendricks decided to go to a private detective to find Sarah's new lover. | ืื ืจื ืกืืฃ ืกืืฃ ืืชืืื ืืืฉืื ืืืฉืื, ืืื ืืจืืงืก ืืืืื ืืืืช ืืืืฉ ืคืจืื ืืื ืืืืืช ืืช ืืืืื ืืืืฉ ืฉื ืฉืจื. | ืื, ืกืืฃ ืกืืฃ, ืื ืจื ืืชืืื ืืชืืืช ืืฉืื, ืืื ืืจืืงืก ืืืืื ืืืืช ืืืืฉ ืคืจืื ืืื ืืืฆืื ืืช ืืืืื ืืืืฉ ืฉื ืฉืจื. |
Through her diary, he learns that, when she thought he was dead after the bombing, she made a promise to God not to see Bendrix again if He allowed him to live again. | He learned from her diary that when she thought he was dead, she promised God. | ืืจื ืืืืื ืฉืื, ืืื ืืืื ืฉืืืฉืจ ืืื ืืฉืื ืฉืืื ืืช ืืืืจ ืืืคืฆืฆื, ืืื ืืืืืื ืืืืืืื ืื ืืจืืืช ืฉืื ืืช ืื ืืจืืงืก ืื ืืืคืฉืจ ืื ืืืืืช ืฉืื. | ืืื ืืื ืืืืื ื ืฉืืฉืืฉืื ืฉืืื ืืช, ืืื ืืืืืื ืืืืืืื. |
Greene describes Sarah's struggles. | Green describes Sarah's struggle. | ืืจืื ืืชืืจ ืืช ืืืชืืืืืืืืช ืฉื ืฉืจื. | ืืจืื ืืชืืจ ืืช ืืืืืง ืฉื ืฉืจื. |
After her sudden death from a lung infection brought to a climax by walking on the Common in the rain, several miraculous events occur, advocating for some kind of meaningfulness to Sarah's faith. | After she suddenly died of a lung infection, she walked in the rain in an ordinary place, and there were a few miracles. | ืืืืจ ืืืชื ืืคืชืืืื ืืืืงืช ืจืืืืช ืฉืืืืื ืืฉืื ืืืืืื ืขื ืื ืื ืืืฉื, ืืชืจืืฉืื ืืื ืืืจืืขืื ืืืคืืืื, ืืืืืืื ืืกืื ืฉื ืืฉืืขืืช ืืืืื ืชื ืฉื ืฉืจื. | ืืืืจ ืฉืืชื ืืคืชืข ืืืืืื ืืจืืืืช, ืืื ืืืื ืืืฉื ืืืงืื ืจืืื, ืืืื ืืื ื ืืกืื. |
By the last page of the novel, Bendrix may have come to believe in a God as well, though not to love Him. | On the last page of the novel, Benderris may have believed in God, but not in love with him. | ืืขืืื ืืืืจืื ืฉื ืืจืืื, ืืืชืื ืฉืื ืืจืืงืก ืืื ืืืืืื ืื ืืืืืืื, ืื ืื ืื ืืืืื ืืืชื. | ืืขืืื ืืืืจืื ืฉื ืืจืืื, ืื ืืจืจืืก ืืืื ืืืืื ืืืืืืื, ืืื ืื ืืืืื ืื. |
The End of the Affair is the fourth and last of Greene's so-called "Catholic novels". | The fourth and final part of the green novel "Catholic novels" | ืกืืฃ ืืคืจืฉื ืืื ืืจืืืขื ืืืืืจืื ืืื ืฉืืืื ื "ืจืืื ืื ืงืชืืืืื" ืฉื ืืจืื. | ืืืืง ืืจืืืขื ืืืืืจืื ืฉื ืืจืืื ืืืจืืง "ืจืืื ืื ืงืชืืืืื" |
Though often considered as among Greene's best novels, and having been chosen by Robert McCrum for his list of the '100 Greatest Novels in English', the author Jonathan Franzen said that he considered E. M. Forster and Graham Greene overrated, in particular highlighting "The End of the Affair". | According to the author Jonathan Franzen, he believes that E.M. Foster and Green Greene have been overestimated, with a particular emphasis on "a fair end". | ืืฃ ืขื ืคื ืฉื ืืฉื ืืขืชืื ืงืจืืืืช ืืื ืืจืืื ืื ืืืืืื ืืืืชืจ ืฉื ืืจืื, ืืืืืจ ืฉื ืืืจ ืขื ืืื ืจืืืจื ืืงืจืื ืืจืฉืืืช '100 ืืจืืื ืื ืืืืืืื ืืื ืืืืช', ืืกืืคืจ ื'ืื ืชื ืคืจืื ืื ืืืจ ืื ืืื ืกืืืจ ืื ื.ื. ืคืจืกืืจ ืืืจืืื ืืจืื ืืืขืจืืื ืืชืจ ืขื ืืืืื, ืืืืืืื ืืืืืฉ ืืช "ืืกืืฃ". ืฉื ืืคืจืฉื". | ืืืืจื ืืกืืคืจ ื'ืื ืชื ืคืจืื ืื, ืืื ืกืืืจ ืื E.M. Foster ืืืจืื ืืจืื ืืื ืืืขืจืืช ืืชืจ, ืขื ืืืฉ ืืืืื ืขื "ืกืืฃ ืืืื". |
However, he did also comment that he believed that part of the reason for this was his being American, as he said that many authors' brilliance is lost when it crosses the Atlantic. | However, he also commented that, in his view, this was due in part to the fact that he was an American, since he said that many authors had lost their talents while crossing the Atlantic Ocean. | ืขื ืืืช, ืืื ืื ืืขืืจ ืฉืืื ืืืืื ืฉืืืง ืืืกืืื ืืื ืืื ืืืืชื ืืืจืืงืื, ืฉืื ืืื ืืืจ ืฉืืืจืง ืฉื ืกืืคืจืื ืจืืื ืืืื ืืืฉืจ ืืื ืืืฆื ืืช ืืืืงืืื ืืก โโืืืืื ืื. | ืขื ืืืช, ืืื ืื ืืขืืจ ืื, ืืืขืชื, ืืืืจ ื ืืืข ืืื ืืฉืืจ ืืืขืืืื ืฉืืื ืืืจืืงืื, ืฉืื ืืืืจืื ืกืืคืจืื ืจืืื ืืืืื ืืช ืืืฉืจืื ืืชืืื ืืขืช ืฉืืฆื ืืช ืืืืงืืื ืืก โโืืืืื ืื. |
He said that he believed that the effect may have occurred with David Foster Wallace. | He said he believed that David Foster Wallace might have been affected. | ืืื ืืืจ ืฉืืื ืืืืื ืฉืืืคืงื ืืืื ืืชืจืืฉ ืขื ืืืืืื ืคืืกืืจ ืืืืืืก. | ืืื ืืืจ ืฉืืื ืืืืื ืฉืืืืืื ืคืืกืืจ ืืืืืืก ืขืืื ืืืืืช ืืืฉืคืข. |
In 1955, the book was made into a film, directed by Edward Dmytryk, with the screenplay adaptation by Lenore J. | In 1955, the book was made into a film directed by Edward Demetrick and adapted by Lenorรฉ Jay. | ื-1955 ืืคื ืืกืคืจ ืืกืจื ืืืืืืื ืฉื ืืืืืจื ืืืืืจืืง, ืขื ืขืืืื ืืชืกืจืื ืฉื ืืื ืืจ ื'ืื. | ืืฉื ืช 1955, ืืกืคืจ ืืคื ืืกืจื ืืืืืืื ืฉื ืืืืืจื ืืืืจืืง ืืขืืื ืขื ืืื ืื ืืจื ื'ืื. |
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David Lewis was the producer and David E. Rose executive producer. | David Lewis is the producer and David E. Rose is the executive producer. | ืืืืืื ืืืืืก ืืื ืืืคืืง ืืืืืืื ืื ืจืื ืืืคืืง ืืคืืขื. | ืืืืืื ืืืืืก ืืื ืืืคืืง ืืืืืืื ืื ืจืื ืืื ืืืคืืง ืืคืืขื. |
It starred Deborah Kerr as Sarah Miles, Van Johnson as Maurice Bendrix, John Mills as Albert Parkis, and Peter Cushing as Henry Miles. | Deborah Kyle is known as Sarah Myers, Van Johnson for Maurice Benderris, John Mills for Albert Parks, Peter Kusing for Henry Myers. | ืืืืื ืื ืืืืจื ืงืจ ืืชืืจ ืฉืจื ืืืืืก, ืืื ื'ืื ืกืื ืืชืืจ ืืืจืืก ืื ืืจืืงืก, ื'ืื ืืืืก ืืชืืจ ืืืืจื ืคืืจืงืืก ืืคืืืจ ืงืืฉืื ื ืืชืืจ ืื ืจื ืืืืืก. | ืืืืจื ืงืืื ืืืืขื ืืชืืจ ืฉืจื ืืืืืจืก, ืืื ื'ืื ืกืื ืขืืืจ ืืืจืืก ืื ืืจืจืืก, ื'ืื ืืืืก ืขืืืจ ืืืืจื ืคืืจืงืก, ืคืืืจ ืงืืกืื ื ืขืืืจ ืื ืจื ืืืืืจืก. |
In 1999, the novel was made into another film ("The End of the Affair"), directed by Neil Jordan. | In 1999, novels were made into another film (The End of Justice), directed by Neil Jordan. | ื-1999 ืืคื ืืจืืื ืืกืจื ื ืืกืฃ ("ืกืืฃ ืืคืจืฉื"), ืืืืืืื ืฉื ื ืื ื'ืืจืื. | ืืฉื ืช 1999, ืจืืื ืื ื ืขืฉื ืืกืจื ืืืจ (ืกืืฃ ืืฆืืง), ืืืืืืื ืฉื ื ืื ื'ืืจืื. |
Jordan also wrote the screenplay and produced the film with Stephen Woolley. | Jordan also wrote a script with Stephen Woolley. | ื'ืืจืื ืื ืืชื ืืช ืืชืกืจืื ืืืคืืง ืืช ืืกืจื ืขื ืกืืืื ืืืื. | ื'ืืจืื ืื ืืชื ืชืกืจืื ืขื ืกืืืื ืืืื. |
It starred American actress Julianne Moore as Sarah Miles, English actor Ralph Fiennes as Maurice Bendrix, and Irish actor Stephen Rea as Henry Miles. | She's starring Julianne Moore, Sarah Miles, British actress Ralph Fiennes, Maurice Bendricks, Irish actress Stephen Rea, Henry Miles. | ืืืืื ืื ืืฉืืงื ืืช ืืืืจืืงืืืช ื'ืืืืื ืืืจ ืืชืืจ ืฉืจื ืืืืืก, ืืฉืืงื ืืื ืืื ืจืืืฃ ืคืืื ืก ืืชืืจ ืืืจืืก ืื ืืจืืงืก, ืืืฉืืงื ืืืืจื ืกืืืื ืจืืื ืืชืืจ ืื ืจื ืืืืืก. | ืืื ืืืืืช ืื'ืืืืื ืืืจ, ืฉืจื ืืืืืก, ืืฉืืงื ืืช ืืืจืืืืช ืจืืืฃ ืคืืื ืก, ืืืจืืก ืื ืืจืืงืก, ืืฉืืงื ืืช ืืืืจืืช ืกืืืื ืจืืื, ืื ืจื ืืืืืก. |
Julianne Moore was nominated for an Academy Award for Best Actress for her performance. | Julianne Moore was nominated for her performance as the best actress college award. | ื'ืืืืื ืืืจ ืืืืชื ืืืขืืืช ืืคืจืก ืืืกืงืจ ืืฉืืงื ืืช ืืืืื ืืืืชืจ ืขื ืืืคืขืชื. | ื'ืืืืื ืืืจ ืืืืชื ืืืขืืืช ืขื ืืืคืขืชื ืืคืจืก ืืงืืื' ืืฉืืงื ืืช ืืืืื ืืืืชืจ. |
In 2004, Jake Heggie composed an opera based on the novel. | In 2004, Jake Heggie produced an opera based on novels. | ืืฉื ืช 2004, ื'ืืืง ืืื ืืืืื ืืืคืจื ืืืืืกืกืช ืขื ืืจืืื. | ื-2004 ืืคืืง ื'ืืืง ืืื ืืืคืจื ืืืืืกืกืช ืขื ืจืืื ืื. |
It premiered at the Houston Grand Opera in March of that year, and was subsequently revised into its final form. | It was inaugurated at the Houston Grand Theatre in March of the same year and subsequently revised to a final version. | ืืื ืืืงืจื ืืืืืจื ืืืืคืจื ืืืืืื ืฉื ืืืกืืื ืืืจืฅ ืืืชื ืฉื ื, ืืืืืจ ืืื ืฉืืคืฅ ืืฆืืจืชื ืืกืืคืืช. | ืืื ื ืื ื ืืชืืืืจืื ืืืจื ื ืฉื ืืืกืืื ืืืจืฅ ืฉื ืืืชื ืฉื ื ืืืืืจ ืืื ืชืืงื ืืืจืกื ืกืืคืืช. |
In 2011, the novel was adapted into a play by Karla Boos and had its world premiere at Quantum Theatre. | In 2011, the novel was rewritten as a play by Karla Boos. | ืืฉื ืช 2011, ืืจืืื ืขืืื ืืืืื ืืืช ืงืจืื ืืืก ืืืืฆื ืืืืืจื ืขืืืืืช ืืชืืืืจืื ืืงืืื ืืื. | ืืฉื ืช 2011, ืืจืืื ืฉืืืชื ืืืืื ืืืช ืงืจืื ืืืก. |
In 2012, an audio edition performed by Colin Firth and produced by Audible.com was released; the recording was recognized as Audiobook of the Year at the Audies Gala in May 2013. | In 2012, the audio version, which was performed by Colin Firth and produced by Audible.com, was confirmed as the annual audio manual in Audies Gala in May 2013. | ื-2012 ืืฆืื ืืืืืจืช ืืืืื ืืืืฆืืข ืงืืืื ืคืืจืช' ืืืืคืงืช Audible.com; ืืืงืืื ืืืืจื ืืกืคืจ ืืืืืื ืฉื ืืฉื ื ืืืืื ืฉื Audies ืืืื 2013. | ืืฉื ืช 2012, ืืจืกืช ืืืืืื, ืฉืืืฆืขื ืขื ืืื ืงืืืื ืคืืจืช' ืืืืคืงื ืขื ืืื Audible.com, ืืืฉืจื ืืืืจืื ืืืืืื ืืฉื ืชื ืืืืื ืฉื Audies ืืืื 2013. |
Various websites have suggested that the 2012 Bollywood film "Jab Tak Hai Jaan" might have drawn inspiration from the novel. | The 2012 Bollywood film, Jab Tak Hai Jaan, may be inspired by novels. | ืืชืจื ืืื ืืจื ื ืฉืื ืื ืืขืื ืื ืืกืจื ืืืืืืืื ืืฉื ืช 2012 "Jab Tak Hai Jaan" ืขืฉืื ืืฉืื ืืฉืจืื ืืืจืืื. | ืืกืจื ืืืืืืื ืืฉื ืช 2012, Jab Tak Hai Jaan, ืขืฉืื ืืืืืช ืืืฉืจืืช ืจืืื ืื. |
The Italian band Daisy Chains has released an album titled "A Story Has No Beginning or End", which is the first line of the novel, and the album's second track is titled "The End of the Affair". | The Italian band Daisy Channels published an album entitled "The story has not started or ended." | ืืืืงื ืืืืืืงืืช Daisy Chains ืืืฆืืื ืืืืื ืฉืืืชืจืชื "A Story Has No Beginning or End", ืืืืืื ืืช ืืฉืืจื ืืจืืฉืื ื ืฉื ืืจืืื, ืืืจืฆืืขื ืืฉื ืืื ืฉื ืืืืืื ื ืงืจืืช "The End of Affair". | ืืืืงื ืืืืืืงืืช ืืืืื ืขืจืืฆืื ืคืจืกืื ืืืืื ืฉืืืชืจืชื "ืืกืืคืืจ ืื ืืชืืื ืื ืืกืชืืื". |
DISCiPLE | CatalogueName | ืชึทืืึดืื | ืฉื ืงืืืื |
The DISCiPLE was a floppy disk interface for the Sinclair ZX Spectrum home computer. | DISCIPLE is the diskette interface for Sinclair ZX-spectral home computers. | ื-DISCiPLE ืืื ืืืฉืง ืชืงืืืืื ืื ืืืืฉื ืืืืชื Sinclair ZX Spectrum. | DISCIPLE ืืื ืืืฉืง ืืืืกืงืืื ืืืืฉืืื ืืืชืืื ืฉื Sinclair ZX-spectral. |
Designed by Miles Gordon Technology, it was marketed by Rockfort Products and launched in 1986. | Designed by Miles Gordon Technoroy, sold by Rockfort products, launched in 1986. | ืขืืฆื ืขื ืืื Miles Gordon Technology, ืฉืืืง ืขื ืืื Rockfort Products ืืืืฉืง ื-1986. | ืขืืฆื ืขื ืืื ืืืืืก ืืืจืืื ืืื ืืจืื, ื ืืืจ ืขื ืืื ืืืฆืจื Rockfort, ืืืฉืง ื-1986. |
Like Sinclair's own ZX Interface 1, the DISCiPLE was a wedge-shaped unit fitting underneath the Spectrum. | Like Sinclair's own ZX interface 1, DISCIPLE is exactly the same component under the spectrum. | ืืืืื ืืืืฉืง ZX 1 ืฉื Sinclair ืขืฆืื, ื-DISCiPLE ืืื ืืืืื ืืฆืืจืช ืืจืื ืฉืืชืืื ืืชืืช ื-Spectrum. | ืืื ืืืฉืง ZX 1 ืฉื Sinclair ืขืฆืื, DISCIPLE ืืื ืืืืืง ืืืชื ืจืืื ืชืืช ืืกืคืงืืจืื. |
It was designed as a super-interface, providing all the facilities a Spectrum owner could need. | โข Provide all the facilities required by the spectroscopy owners. | ืืื ืชืืื ื ืืืืฉืง-ืขื, ืืืกืคืง ืืช ืื ืืืชืงื ืื ืฉืืขื ืกืคืงืืจืื ืืืื ืืืืืงืง ืื. | โข ืืกืคืง ืืช ืื ืืืชืงื ืื ืื ืืจืฉืื ืขื ืืื ืืขืื ืืกืคืงืืจืืกืงืืคืื. |
In addition to floppy-disk, parallel port printer interface and a "magic button" (see Non-maskable interrupt), it also offered twin joystick ports, Sinclair ZX Net-compatible network ports and an inhibit button for disabling the device. | In addition to disks, parallel port printer interfaces and " magic buttons " (see incalculable interruptions), it provides double poles, Sinclair ZX network compatibility ports and inhibitors that render the device ineffective. | ืื ืืกืฃ ืืชืงืืืืื, ืืืฉืง ืืืคืกืช ืืฆืืืืช ืืงืืืืืช ื"ืืคืชืืจ ืงืกื" (ืจืื ืคืกืืงื ืฉืืื ื ื ืืชื ืช ืืืกืืื), ืืื ืืฆืืข ืื ืืฆืืืืช ื'ืืืกืืืง ืืคืืืืช, ืืฆืืืืช ืจืฉืช ืชืืืืืช Sinclair ZX Net ืืืคืชืืจ ืืขืื ืื ืืจืื ืืืืฉืืจ. | ืื ืืกืฃ ืืืืกืงืื, ืืืฉืงื ืืืคืกืช ืืฆืืืืช ืืงืืืืืช ื"ืืืฆื ื ืงืกื" (ืจืื ืืคืจืขืืช ืืืชื ื ืืชื ืืช ืืืืฉืื), ืืื ืืกืคืง ืงืืืื ืืคืืืื, ืืฆืืืืช ืชืืืืืช ืืจืฉืช Sinclair ZX ืืืขืืืื ืฉืืืคืืื ืืช ืืืืฉืืจ ืืื ืืขืื. |
At the rear of the unit was a pass-through port for connecting further devices, although the complexity of the DISCiPLE meant that many would not work, or only if the DISCiPLE was "turned off" using the inhibit button. | The back end of the unit is the port of access to more devices, but the level of complexity of the DIS is quite high. | ืืืืง ืืืืืจื ืฉื ืืืืืื ืืืืชื ืืฆืืืช ืืขืืจ ืืืืืืจ ืืชืงื ืื ื ืืกืคืื, ืื ืื ืืืืจืืืืช ืฉื ื-DISCiPLE ืืจืื ืืื ืฉืจืืื ืื ืืขืืื, ืื ืจืง ืื ื-DISCiPLE "ืืืื" ืืืืฆืขืืช ืืคืชืืจ ืืขืืืื. | ืืงืฆื ืืืืืจื ืฉื ืืืืืื ืืื ืืฆืืืช ืืืืฉื ืืืืฉืืจืื ื ืืกืคืื, ืื ืจืืช ืืืืจืืืืช ืฉื ื-DIS ืืืืื ืืืื. |
The DISCiPLE was a considerable success but its sophistication meant that it was expensive and the plastic casing, located beneath the computer itself, was sometimes prone to overheating. | DISCIPLE has achieved considerable success, but its sophistication means it is expensive, and plastic casings located under the computer itself are sometimes prone to overheating. | ื-DISCiPLE ืืื ืืืฆืืื ื ืืืจืช ืื ืืชืืืื ืฉืื ืืจื ืืื ืฉืืื ืืื ืืงืจ ืืืขืืคืช ืืคืืกืืืง, ืืืืืงืืช ืืชืืช ืืืืฉื ืขืฆืื, ืืืืชื ืืขืืชืื ื ืืื ืืืชืืื ืืชืจ ืขื ืืืืื. | DISCIPLE ืืื ืืืฆืืื ื ืืืจืช, ืืื ืืชืืืื ืฉืื ืืืืจ ืฉืืื ืืงืจ, ืืืืจืื ืคืืกืืืง ืืืืืงืืื ืืชืืช ืืืืฉื ืขืฆืื ื ืืืื ืืคืขืืื ืืืชืืื ืืชืจ ืขื ืืืืื. |
These factors led to the development of MGT's later +D interface. | These factors led to the subsequent development of the MGT+D interface. | ืืืจืืื ืืื ืืืืืื ืืคืืชืื ืืืฉืง +D ืืืืืจ ืืืชืจ ืฉื MGT. | ืืืจืืื ืืื ืืืืืื ืืคืืชืื ืฉืืืืจ ืืื ืฉื ืืืฉืง MGT+D. |
The DISCiPLE's DOS was named GDOS. | The DOS of DISCIPLE was named GDOS. | ื-DOS ืฉื ื-DISCIPLE ื ืงืจื GDOS. | ื-DOS ืฉื DISCIPLE ื ืงืจื GDOS. |
MGT's later DOSs ("G+DOS" for the +D, and "SAM DOS" for the SAM Coupรฉ) were backwards-compatible with GDOS. | The subsequent DOS of MGT (G+DOS of +D and SAM Coupรฉ of SAM DOS) is inversely compatible with GDOS. | ื-DOSs ืืืืืืจืื ืืืชืจ ืฉื MGT ("G+DOS" ืขืืืจ +D, ื-"SAM DOS" ืขืืืจ SAM Coupรฉ) ืืื ืชืืืืื ืืืืืจ ืขื GDOS. | ื-DOS ืืื ืฉื MGT (G+DOS ืฉื +D ื-SAM Coupรฉ ืฉื SAM DOS) ืชืืื ืืคืื ื-GDOS. |
In later years a complete new system called UNI-DOS was developed by SD Software for the DISCiPLE and +D interfaces. | In subsequent years, SD software developed a completely new system called UNI-DOS for the DISCIPLE and +D interfaces. | ืืฉื ืื ืืืืืจืืช ืืืชืจ ืคืืชืื ืืขืจืืช ืืืฉื ืฉืืื ืืฉื UNI-DOS ืขื ืืื SD Software ืขืืืจ ืืืฉืงื DISCiPLE ื-+D. | ืืฉื ืื ืฉืืืืจ ืืื, ืชืืื ืช SD ืคืืชืื ืืขืจืืช ืืืฉื ืืืืืืื ืืฉื UNI-DOS ืขืืืจ ืืืฉืงื DISCIPLE ื-+D. |
In October 1993 "The Complete DISCiPLE Disassembly" was published in book form, documenting the "GDOS system 3d" version. | In October 1993, the full Dismantling of DISCIPLE was published in book form, recording the version of โGDOS 3dโ. | ืืืืงืืืืจ 1993 ืคืืจืกื "The Complete DISCiPLE Disassembly" ืืฆืืจืช ืกืคืจ, ืืืชืขื ืืช ืืจืกืช "GDOS system 3d". | ืืืืงืืืืจ 1993 ืคืืจืกื ื-Dismanting of DISCIPLE ืืืื ืืฆืืจืช ืกืคืจ, ืชืื ืืงืืื ืฉื โโืืืจืกื ืฉื "GDOS 3d". |
The popularity of the DISCiPLE led to the formation of a user group and magazine, INDUG, which later became Format Publications. | The popularity of DISCIPLE has led to the formation of a user group and magazine, INDUG, which later became a publication in format. | ืืคืืคืืืจืืืช ืฉื ื-DISCiPLE ืืืืืื ืืืงืืช ืงืืืฆืช ืืฉืชืืฉืื ืืืืืื, INDUG, ืฉืืืืื ืืคื ื-Format Publications. | ืืคืืคืืืจืืืช ืฉื DISCIPLE ืืืืืื ืืืงืืช ืงืืืฆืช ืืฉืชืืฉืื ืืืืืื, INDUG, ืฉืืืืื ืืคื ืืคืจืกืื ืืคืืจืื. |
Usergroups like INDUG/Format in the UK or DISCiPLE-Nieuwsbrief in the Netherlands produced enhancements such as extended printer support. | User groups such as INDUG/Format in the United Kingdom or DISCIPLE-Nieuwsbrief in the Netherlands provide enhancements such as extension printer support. | ืงืืืฆืืช ืืฉืชืืฉืื ืืื INDUG/Format ืืืจืืื ืื ืื DISCiPLE-Nieuwsbrief ืืืืื ื ืืฆืจื ืฉืืคืืจืื ืืืื ืชืืืื ืืืจืืืช ืืืืคืกืืช. | ืงืืืฆืืช ืืฉืชืืฉืื ืืืื INDUG/Format ืืืจืืื ืื ืื DISCIPLE-Nieuwsbrief ืืืืื ื ืืกืคืงืืช ืฉืืคืืจืื ืืืื ืชืืืื ืืืืคืกืช ืืจืืืืช. |
Kingdom Identity Ministries | โข Ministry of Identity of the Kingdom | ืืฉืจืื ืืืืช ืืืืืื | โข ืืฉืจื ืืืืืช ืืืืืื |
Kingdom Identity Ministries (KIM) is a Christian Identity outreach ministry based in Harrison, Arkansas, which advocates racism, anti-Semitism and the execution of homosexuals. | The Royal Ministry of Identity (KIM) is the Christian Identity Outreach Department, headquartered in Harrison, Arkansas, which promotes racism, anti-Semitism and the execution of homosexuals. | Kingdom Identity Ministries (ื ืื ืืืืช : Kingdom Identity Ministries , KIM ) ืืื ืืฉืจื ืืืกืืจื ืฉื ืืืืช ื ืืฆืจืืช ืฉืืกืืกื ืืืจืืกืื , ืืจืงื ืกื , ืืืืื ืืืืขื ืืช, ืื ืืืฉืืืืช ืืืืฆืื ืืืืจื ืฉื ืืืืืกืงืกืืืืื. | ืืฉืจื ืืืืืช ืืืืืืชื (KIM) ืืื ืืืืืงื ืืืฆืืจืช ืืืืช ื ืืฆืจืืช, ืฉืืจืืื ืืืจืืกืื, ืืจืงื ืกื, ืืฉืจ ืืงืืืช ืืืขื ืืช, ืื ืืืฉืืืืช ืืืืฆืื ืืืืจื ืฉื ืืืืืกืงืกืืืืื. |
Its website states that it "is an outreach ministry to God's chosen race (true Israel, the White, European peoples)". | Its website states that "it is the outreach department of the race chosen by God (genuine Israelis, whites, Europeans)". | ืืืชืจ ืืืื ืืจื ื ืฉืื ื ืืชื ืื ืืืืืจ ื"ืฉืืจืืช ืืกืืจื ืืืืข ืื ืืืจ ืฉื ืืืืืื (ืืฉืจืื ืืืืืชืืช, ืืขืืื ืืืื ืื, ืืืืจืืคืื)". | ืืืชืจ ืืืื ืืจื ื ืฉืื ื ืืชื ืื "ืื ืืืืงืช ืืืกืืจื ืฉื ืืืืข ืฉื ืืืจ ืขื ืืื ืืืืืื (ืืฉืจืืืื ืืืืชืืื, ืืื ืื, ืืืจืืคืืื)". |
It functions primarily as a distributor of Identity-oriented books, tracts and audiotapes. | It mainly acts as a distributor of identity-oriented books, leaflets and tapes. | ืืื ืืชืคืงื ืืขืืงืจ ืืืคืืฅ ืฉื ืกืคืจืื, ืืกืืชืืช ืืงืืืืช ืืืืื ืืืืื ืืช ืืืืช. | ืืื ืคืืขืืช ืืขืืงืจ ืืืคืืฆื ืฉื ืกืคืจืื, ืขืืื ืื ืืงืืืืช ืืืืืื ืืช ืืืืช. |
KIM also offers correspondence courses through its American Institute of Theology and it produces a radio program, "Herald of Truth", which is broadcast on shortwave, satellite and Internet radio. | KIM also offers correspondence courses through its American Institute of Theology. | KIM ืืฆืืขื ืื ืงืืจืกื ืืชืืชืืืช ืืจื ืืืืื ืืืืจืืงืื ืืชืืืืืืืื ืืืื ืืคืืงื ืชืืื ืืช ืจืืื, "ืืืฉืจ ืืืืช", ืืืฉืืืจืช ืืจืืื ืืื ืงืฆืจ, ืืืืืื ืืืื ืืจื ื. | KIM ืืฆืืขื ืื ืงืืจืกื ืืชืืชืืืช ืืจื ืืืืื ืืืืจืืงืื ืืชืืืืืืืื. |
The Southern Poverty Law Center considers it "the largest supplier in existence of materials related to Christian Identity". | โข The Southern Poverty Law Centre considers it to be the โlargest supplier of existing materials related to Christian identityโ. | ืืืจืื ืืืฉืคืื ืขืื ื ืืืจืื ืจืืื ืื "ืืกืคืง ืืืืื ืืืืชืจ ืฉืงืืื ืฉื ืืืืจืื ืืงืฉืืจืื ืืืืืช ื ืืฆืจืืช". | โข ืืืจืื ืืืฉืคืื ืขืื ื ืืืจืื ืจืืื ืื "ืืกืคืง ืืืืื ืืืืชืจ ืฉื ืืืืจืื ืงืืืืื ืืงืฉืืจืื ืืืืืช ื ืืฆืจืืช". |
It was founded in 1982 by Mike Hallimore and owns the copyright to a number of works on Christian Identity by Bertran Camparet and Wesley Swift. | It was founded in 1982 by Mike Hallimore and has copyrights for a number of Christian identity works by Bertran Camparet and Wesley Swift. | ืืื ื ืืกืื ืืฉื ืช 1982 ืขื ืืื ืืืืง ืืืืืืืจ ืืืขืืช ืืืืืืช ืืืืฆืจืื ืขื ืืกืคืจ ืืฆืืจืืช ืื ืืฉื ืืืืช ื ืืฆืจืืช ืืืช ืืจืืจืื ืงืืคืจื ืืืกืื ืกืืืืคื. | ืืื ื ืืกืื ืืฉื ืช 1982 ืขื ืืื ืืืืง ืืืืืืืจ ืืืฉ ืื ืืืืืืช ืืืฆืจืื ืขื ืืกืคืจ ืืฆืืจืืช ืืืืช ื ืืฆืจืืืช ืฉื ืืจืืจืื ืงืืคืจื ืืืกืื ืกืืืืคื. |
In addition to Christian Identity material it circulates white supremacist material, including sending out white supremacist pamphlets to rural communities in Pennsylvania and funding distribution of a white-power CD in 2007. | In addition to Christian identity material, it distributes white superiority material, including white superiority booklets to rural communities in Pennsylvania, as well as funding the distribution of white power CD-ROMs in 2007. | ืื ืืกืฃ ืืืืืจ ืืืืืช ืื ืืฆืจืืช, ืืื ืืคืืฅ ืืืืจ ืฉื ืขืืืื ืืช ืืื ื, ืืืื ืฉืืืืช ืืืืจืืช ืฉื ืขืืืื ืืช ืืื ื ืืงืืืืืช ืืคืจืืืช ืืคื ืกืืืื ืื ืืืืืื ืืคืฆื ืฉื ืชืงืืืืืจ ืืขื ืืื ืืื ื-2007. | ืื ืืกืฃ ืืืืืจ ืืืืืช ืื ืืฆืจืืช, ืืื ืืคืืฆื ืืืืจื ืขืืืื ืืช ืืื ื, ืืืื ืืืืจืืช ืขืืืื ืืช ืืื ื ืืงืืืืืช ืืคืจืืืช ืืคื ืกืืืื ืื, ืืื ืืืื ืช ืืคืฆืช ืชืงืืืืืจื CD-ROM ืฉื ืืื ืืื ื-2007. |
+D | +D | +D | +D |
The +D (or Plus D) was a floppy disk and printer interface for the Sinclair ZX Spectrum home computer, developed as a successor to Miles Gordon Technology's earlier product, the DISCiPLE. | +D (or plus D) is a diskette and printer interface for Sinclair ZX Spectrum's home computer. | ื-+D (ืื ืคืืืก D) ืืื ืชืงืืืืื ืืืืฉืง ืืืคืกืช ืืืืฉื ืืืืชื Sinclair ZX Spectrum, ืฉืคืืชื ืืืืจืฉ ืืืืฆืจ ืืงืืื ืฉื ืืืืืก ืืืจืืื ืืื ืืืืืื, ื-DISCiPLE. | +D (ืื ืคืืืก D) ืืื ืืืฉืง ืืืกืงื ืืืืคืกืช ืืืืฉื ืืืืชื ืฉื Sinclair ZX Spectrum. |
It was designed to be smaller, cheaper, simpler and thus more reliable. | Smaller, cheaper, simpler and more reliable. | ืืื ืชืืื ื ืืืืืช ืงืื ืืืชืจ, ืืื ืืืชืจ, ืคืฉืื ืืืชืจ ืืืื ืืืื ืืืชืจ. | ืงืื ืืืชืจ, ืืื ืืืชืจ, ืคืฉืื ืืืชืจ ืืืืื ืืืชืจ. |
It discarded a number of the less important features of the earlier product โ the network and joystick ports, the inhibit button and the pass-through connector โ and replaced its ancestor's plastic wedge-shaped design which fit under the Spectrum with a simple flat metal slab which protruded from the rear of the computer. | It abandons some of the less important features of the early product โ the network and the pole port, the inhibitor button and the pass-through connector โ and replaces the plastic image design of its ancestors with a simple flat-board metal plate, which is under the spectrum and penetrates through the back of the computer. | ืืื ืืฉืืื ืืกืคืจ ืืืชืืื ืืช ืืคืืืช ืืฉืืืืช ืฉื ืืืืฆืจ ืืงืืื - ืืฆืืืืช ืืจืฉืช ืืื'ืืืกืืืง, ืืคืชืืจ ืืขืืืื ืืืืืจ ืืืขืืจ - ืืืืืืฃ ืืช ืืขืืฆืื ืืฆืืจืช ืืจืื ืคืืกืื ืฉื ืืืื ืืงืืืื, ืฉื ืื ืก ืืชืืช ืืกืคืงืืจืื ืขื ืืื ืืชืืช ืฉืืื ืืคืฉืื ืฉืืื ืืืืงื ืืืืืจื ืฉื ืืืืฉื. | ืืื ื ืืืฉ ืืื ืืืชืืื ืืช ืืคืืืช ืืฉืืืืช ืฉื ืืืืฆืจ ืืืืงืื - ืืจืฉืช ืืืฆืืืช ืืืื, ืืคืชืืจ ืืืขืื ืืืืืจ ืืืขืืจ - ืืืืืืฃ ืืช ืขืืฆืื ืืชืืื ื ืืคืืกืืืช ืฉื ืืืืชืื ืืคืืืช ืืชืืช ืฉืืืื ืคืฉืืื, ืฉืืื ืืชืืช ืืกืคืงืืจืื ืืืืืจ ืืจื ืื ืืืืฉื. |
It provided only floppy disk and Centronics parallel interfaces, plus a non-maskable interrupt button. | It provides only a diskette and a hub parallel interface, plus an indelible disconnect button. | ืืื ืกืืคืง ืจืง ืชืงืืืืื ืื ืืืืฉืงืื ืืงืืืืื ืฉื Centronics, ืืชืืกืคืช ืืคืชืืจ ืคืกืืงื ืฉืืื ื ื ืืชื ืืืกืืื. | ืืื ืืกืคืง ืจืง ืืืกืงื ืืืืฉืง ืืงืืืื ืืจืืืช, ืืชืืกืคืช ืืืฆื ื ืืชืืง ืื ืืืืื. |
The +D's casing was simple folded steel, which was not only stronger than before but acted as a heatsink, improving reliability. | The shell of +D is a simple folding steel, which not only is stronger than before, but also increases reliability as a erysinky. | ืืืืจื ืฉื +D ืืื ืคืืื ืืงืืคืืช ืคืฉืืื, ืฉืื ืจืง ืืืืชื ืืืงื ืืืขืืจ ืืื ืคืขืื ืืืืฃ ืงืืจืืจ, ืืฉืืคืจื ืืช ืืืืื ืืช. | ืืืขืืคืช ืฉื +D ืืื ืคืืื ืืชืงืคืืช ืคืฉืืื, ืืฉืจ ืื ืจืง ืฉืืื ืืืงื ืืืชืจ ืืืขืืจ, ืืื ืื ืืืืืจื ืืช ืืืืื ืืช ืืืจืืกืื ืงื. |
Apart from the missing ports, though, it was software-compatible with the larger device. | However, in addition to the missing ports, it is compatible with the software of large installations. | ืขื ืืืช, ืืืื ืืืฆืืืืช ืืืกืจืืช, ืืื ืืื ืชืืื ืชืืื ื ืืืืฉืืจ ืืืืื ืืืชืจ. | ืขื ืืืช, ืื ืืกืฃ ืืืฆืืืืช ืืืกืจืืช, ืืื ืชืืื ืืชืืื ื ืฉื ืืชืงื ืืช ืืืืืืช. |
The +D's DOS was named G+DOS, and was compatible with the DISCiPLE's DOS, "GDOS". | The DOS of +D is called G+DOS, compatible with the DOS โGDOSโ of DISCIPLE. | ื-DOS ืฉื ื-+D ื ืงืจื G+DOS, ืืืื ืชืืื ื-DOS ืฉื DISCiPLE, "GDOS". | ื-DOS ืฉื +D ื ืงืจื G+DOS, ืชืืื ื-DOS "GDOS" ืฉื DISCIPLE. |
SAM DOS for MGT's SAM Coupรฉ was backwards-compatible with GDOS and G+DOS. | SAM DOS of SAM Coupรฉ of MGT is compatible with the reverse of GDOS and G+DOS. | SAM DOS ืขืืืจ SAM Coupรฉ ืฉื MGT ืืื ืชืืื ืืืืืจ ืขื GDOS ื-G+DOS. | SAM DOS ืฉื SAM Coupรฉ ืฉื MGT ืชืืื ืืืืคื ืฉื GDOS ื-G+DOS. |
The Complete +D Disassembly by Rudy Biesma documents the "G+DOS system 2a" version. | The complete +D disassembly file for Rudy Biesma is the G+DOS 2a version. | ื-Complete +D Disassembly ืฉื Rudy Biesma ืืชืขื ืืช ืืจืกืช "G+DOS system 2a". | ืงืืืฅ ืืคืืจืืง ืืืื ืฉื +D ืขืืืจ Rudy Biesma ืืื ืืจืกืช G+DOS 2a. |
An enhanced version called Beta DOS fixed bugs and added features. | An enhanced version called Beta DOS. | ืืจืกื ืืฉืืคืจืช ืืฉื Beta DOS ืชืืงื ื ืืืืื ืื ืืกืคื ืชืืื ืืช. | ืืจืกื ืืฉืืคืจืช ืืฉื Beta DOS. |
In later years a complete new system called UNI-DOS was developed by SD Software for the DISCiPLE and +D interfaces. | In subsequent years, SD software developed a completely new system called UNI-DOS for the DISCIPLE and +D interfaces. | ืืฉื ืื ืืืืืจืืช ืืืชืจ ืคืืชืื ืืขืจืืช ืืืฉื ืฉืืื ืืฉื UNI-DOS ืขื ืืื SD Software ืขืืืจ ืืืฉืงื DISCiPLE ื-+D. | ืืฉื ืื ืฉืืืืจ ืืื, ืชืืื ืช SD ืคืืชืื ืืขืจืืช ืืืฉื ืืืืืืื ืืฉื UNI-DOS ืขืืืจ ืืืฉืงื DISCIPLE ื-+D. |
The popularity of the DISCiPLE led to the formation of a user group and magazine, INDUG, which later became Format Publications. | The popularity of DISCIPLE has led to the formation of a user group and magazine, INDUG, which later became a publication in format. | ืืคืืคืืืจืืืช ืฉื ื-DISCiPLE ืืืืืื ืืืงืืช ืงืืืฆืช ืืฉืชืืฉืื ืืืืืื, INDUG, ืฉืืืืื ืืคื ื-Format Publications. | ืืคืืคืืืจืืืช ืฉื DISCIPLE ืืืืืื ืืืงืืช ืงืืืฆืช ืืฉืชืืฉืื ืืืืืื, INDUG, ืฉืืืืื ืืคื ืืคืจืกืื ืืคืืจืื. |
Usergroups like INDUG/Format in the UK or DISCiPLE-Nieuwsbrief in the Netherlands produced enhancements such as extended printer support. | User groups such as INDUG/Format in the United Kingdom or DISCIPLE-Nieuwsbrief in the Netherlands provide enhancements such as extension printer support. | ืงืืืฆืืช ืืฉืชืืฉืื ืืื INDUG/Format ืืืจืืื ืื ืื DISCiPLE-Nieuwsbrief ืืืืื ื ืืฆืจื ืฉืืคืืจืื ืืืื ืชืืืื ืืืจืืืช ืืืืคืกืืช. | ืงืืืฆืืช ืืฉืชืืฉืื ืืืื INDUG/Format ืืืจืืื ืื ืื DISCIPLE-Nieuwsbrief ืืืืื ื ืืกืคืงืืช ืฉืืคืืจืื ืืืื ืชืืืื ืืืืคืกืช ืืจืืืืช. |
The +D design was later licensed by Datel and it continued on sale for some years after MGT's demise. | The design of +D was subsequently licensed by Datel and continued to be sold for several years after the collapse of MGT. | ืขืืฆืื +D ืงืืื ืืืืืจ ืืืชืจ ืจืืฉืืื ืขื ืืื Datel ืืืื ืืืฉืื ืืืืืจื ืืืฉื ืืื ืฉื ืื ืืืืจ ืคืืืจืช MGT. | ืืขืืฆืื ืฉื +D ืงืืื ืืืืจ ืืื ืจืืฉืืื ืขื ืืื Datel ืืืืฉืื ืืืืืืจ ืืืฉื ืืกืคืจ ืฉื ืื ืืืืจ ืงืจืืกืช MGT. |
Its design and chips have been released into the public domain and it still remains available commercially or even as a DIY project. | The design and chips have been made public. | ืืขืืฆืื ืืืฉืืืื ืฉืื ืฉืืืจืจื ืืจืฉืืช ืืฆืืืืจ ืืืื ืขืืืื ืืืื ืืกืืจืืช ืื ืืคืืื ืืคืจืืืงื ืขืฉื ืืืช ืืขืฆืื. | ืืขืืฆืื ืืืฉืืืื ืคืืจืกืื ืืฆืืืืจ. |
National League System | National Union System | ืืขืจืืช ืืืืื ืืืืืืืช | ืืขืจืืช ืืืืืื ืืืืืื |
The National League System comprises the seven levels of the English football league system immediately below the level of the English Football League. | The National Union System consists of seven levels of the United Kingdom football union system, immediately following the seven levels of the United Kingdom football union. | ืืขืจืืช ืืืืื ืืืืืืืช ืืืืืช ืืช ืฉืืข ืืจืืืช ืฉื ืืขืจืืช ืืืืช ืืืืืจืื ืืื ืืืืช ืืื ืืชืืช ืืจืื ืฉื ืืืืช ืืืืืจืื ืืื ืืืืช. | ืืขืจืืช ืืืืืื ืืืืืื ืืืจืืืช ืืฉืืข ืจืืืช ืฉื ืืขืจืืช ืืืืืื ืืืืืจืื ืฉื ืืจืืื ืื, ืืื ืืืืจ ืฉืืข ืืจืืืช ืฉื ืืืืื ืืืืืจืื ืฉื ืืจืืื ืื. |
It contains 95 league competitions and more than 1,600 clubs. | These include 95 leagues and more than 1,600 clubs. | ืืื ืืืื 95 ืชืืจืืืืช ืืืื ืืืืชืจ ื-1,600 ืืืขืืื ืื. | ืืื ืืืืืื 95 ืืืืืช ืืืืชืจ ื-1,600 ืืืขืืื ืื. |
It comes under the jurisdiction of The Football Association. | It is within the jurisdiction of the Football Association. | ืื ื ืืฆื ืืกืืืืช ืืฉืืคืื ืฉื ืืืชืืืืืช ืืืืืจืื. | ืื ืืกืืืืช ืืฉืืคืื ืฉื ืืืชืืืืืช ืืืืืจืื. |
The National League System has a hierarchical format with promotion and relegation between leagues at different levels. | The system of State unions is hierarchical and promotes and distributes among unions at different levels. | ืืืขืจืืช ืืืืื ืืืืืืืช ืืฉ ืืชืืื ืช ืืืจืจืืืช ืขื ืขืืืื ืืืจืืื ืืื ืืืืืช ืืจืืืช ืฉืื ืืช. | ืืขืจืืช ืืืืืื ืืืืื ื ืืื ืืืจืจืืืช ืืืงืืืช ืืืคืืฆื ืืื ืืืืืืื ืืจืืืช ืฉืื ืืช. |